you know i think i’ve come to the conclusion that the answer to “but what if a cis woman is traumatized by men/male presenting people/whatever?” irt safe spaces is this: if you can’t be in the same room with someone you assume to be male or a man without feeling triggered, it probably means you have a lot more solo therapy and healing to do before relying on group therapy or other communal healing.
because how do you decide who gets to stay and who gets kicked out based on a cis woman’s trauma response? is it based on appearance? should intersex women with facial hair not be allowed because beards are triggering? should butches and studs not be allowed because masculinity is triggering? should tall broad shouldered trans women who don’t want to voice train not be allowed because low voices are triggering? is it based on identity? should a pre transition trans man who came out two days ago not be allowed because he’s a man? is a nonbinary person with a full beard and deep voice allowed because they are not a man?
because if you base your entire set of rules for who’s not allowed in the safe space on what makes cis women uncomfortable or triggers them, you’ve just made that space unsafe for trans people. and you need to decide if you’re ready to own that.
The Eurovision song contest is facing intense scrunity and accusations of discrimination after it rebuked Swedish-Palestinian pop star Eric Saade for wearing a Palestinian scarf in the opening act of the semi-finals.
Saade, whose father is of Palestinian origin, kicked off the first semi-final of the Eurovision Song Contest in Malmo, Sweden on Tuesday evening with a keffiyeh, a traditional Palestinian and Arab male headdress, wrapped around his wrist.
[...] In response, the organisers of the contest, European Broadcasting Union (EBU) released a statement saying it "regretted" that Saade wore the scarf.
"The Eurovision Song Contest is a live TV show. All performers are made aware of the rules of the contest, and we regret that Eric Saade chose to compromise the non-political nature of the event," it said.
[...] Eurovision later posted clips of the performances of the other two opening acts on its social media pages, but did not share Saade’s, prompting social media users to share the performance on their personal pages to show support for the artist.
Waving Palestinian flags, wearing traditional Palestinian garments, or if we're being honest, just being Palestinian, is now officially "too political" for Eurovision.
Literally, all Saade did was wear a keffiyeh around his wrist—while being Palestinian—and that was enough to get a statement from the EBU, and have his opening performance scrubbed from Youtube.
If you're not already boycotting Eurovision this year, then what the fuck is wrong with you?
Below are two statements from Saade. The first one, giving his reason for participating, was posted a few days ago, and the other was in response to the EBU accusing him of 'compromising the non-political nature' of the Genocide Song Contest:
The funniest thing about House MD to me is that all the shippers are right. House and Wilson really are just Like That. I'm so used to big ships being completely noncanon or distant subtext at best. Not Hilson. They have a fake dating episode. In the episode where House mocks a gay man for being in denial, the multi-episode-long subplot is about him trying to break up Wilson's relationship because he's jealous and wants him to himself. Wilson, his best friend and person whom he lives with. This show is insane.
Fanfiction in the late 2000s-early 2010s was wild bc you'd find a beautifully written story with the most compelling heart-wrenching plot you've ever seen and the author's note would be like:
Author with a username like ~SasukesWaifuxD~ : Ohayo gozaimasu! ↖(^▽^)↗, I'm sowwy it took me so long to update (๑•́_•̀๑)
tsundere twink from their fic : It was about damn time you idiot (눈‸눈)
~SasukesWaifuxD~ : Hey now! It's not my fault the plot bunnies kept wunning away fwom me (╥﹏╥)
tsundere twink: W-watever, it's not like I missed you or anything (💢,,>﹏<,,) b-baka!
[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]
I know we like writing fics where Jason is all "I'm not the kid you lost" and "he died and I'm all the worst parts of him that came back" and whatever. but lately I've been thinking about a Jason that's angry bc everyone thinks he came back wrong, because to him, he's the same as he's always been. sure, he's more upset and angry and traumatized, but he's still Jason.
I've been thinking about a Jason that spent most of the time since his death underground and then catatonic. to him, hardly any time has passed at all. to his family, three years have gone by. and Jason knows he looks different than he did, and he knows he's sharper around the edges, now, but he's still Jason. he's the same kid that died and now he's back and why doesn't anyone see that?
Men and masculinity are not inherently bad or untrustworthy things and I don't mean that in a 'misandry is real and a problem' way, I mean that in a 'I think some of you might have contracted minor radfem poisoning' way
The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:
For as much as I love Paris Is Burning (1990) (It was foundational in my getting into ballroom history and learning more about the ballroom scene in my area when I was in my early 20s), I feel like we barely mention its spiritual sequel How Do I Look (2006) even though it gives a much better look into ballroom and how the popularity of Paris Is Burning affected the scene. It also touches on the issues participants of the og Paris Is Burning doc had with the handling of the og doc and the way the mainstream has been trying to exploit the ballroom scene since the second they found out about what it is. While Paris Is Buring is a deeply important part of our history, it should NOT be your first and last stop when learning about ballroom culture.
Brown University students are launching an indefinite hunger strike for Palestine
they are asking for their university to divest from companies profiting from the genocide in gaza and openly call for a ceasefire and will not eat until the university governing bodies hears and considers a divestment resolution. if you are not familiar with the physical toll a hunger strike takes on the body, it might be worth looking up to get a better sense of what a significant action these students are taking. the university's highest governing body is having their first meeting of 2024 on february 8-9th so let's rally around them to muster even more pressure on brown university.
brown university contact page: let's state our support for these students and let brown university know the world will be watching what happens next!
additional reading: coverage of this story in the university's student news paper - get to know some of the hunger strikers