#but i think he is just a tragic character making the best of his situation

[i-love-you-all]

54321 HC Game for Omen

Getting this one done before the other asks :)) If you would like me to do this HC game with another character, feel free to lmk! (Also cheers to all the extra omen art during this month - it's been fun to see :)) )

5 things they usually see:

Darkness. I'm not just being edgy here, but I genuinely think he doesn't sleep, but instead has some trance/meditative state where he refreshes or clears his mind as much as he can. Maybe he spends this time staring into the void, hoping to see a glimpse of who he used to be. Maybe he looks into the darkness and hopes it stays that way. Who knows?

Habits. As in habits of others that they think they hide well, but not well enough. Cypher's a people person. He and Sova are likely good at reading body language, but I think Omen is better at seeing signs of discomfort. Flinching, tensing, shielding themselves with crossed arms or whatnot. These are signs he notices because he sees how people react to him the first time they meet, and it fascinates him that these motions are so intrinsic in humans (or ex-humans) because he does these things too.

His knitting basket. Full to the brim with his latest project, yarn, and needles. I've mentioned before but I think it's a little poetic that he is someone who keeps referencing being torn apart, and yet he is knitting together this yarn to make something whole. That, and knitting can be relaxing, a distraction from the pain he says he's in all the time.

Viper. He sometimes finds himself hanging around her for a purpose he doesn't really understand. She's not someone he gets along with other than the fact that she doesn't start conversations with him. Though, deep down, he knows. She knows something about him, and she won't say what. There are names she calls him: Fred and John. It makes him wonder how much more she knows.

Bandages. Especially after a mission, he takes his time re-wrapping himself in an isolated space. He already unsettles people with his mere presence, so he doesn't want them to see him as he's losing his form.

4 things they usually feel:

Pain. He constantly refers to being torn apart, and there are even whisps floating past his bandages . Sage and Viper can do all they can to help him, but what happened to his corporeal body is a mystery locked behind the hefty security system of Kingdom. And unfortunately, it is not a priority for the protocol when an entire other universe was trying to rob them of their resources.

Desperation and fear. It is strange to think of himself as a whole being now when he knows that the memories, emotions, knowledge, and principles of at least one person have been wiped out. What has he lost, and will he lost himself again? Sova helps humanize him, but the hunter doesn't know what it's like to think that you're renting someone else's body - or what remains of that body.

Warmth of a fireplace. Especially as it gets colder, though he doesn't quite feel cold or warmth like others, there is something peaceful about the crackling of the fire, or the soft glow it washes the room with. It's especially nice when he can knit next to it in absolute silence.

Power or energy. Whatever it's called. The radianite is both the source of his life and his abilities on the field, and the pulsing energy through his arms and hands as he prepares his vision robbing abilities is almost calming in how steady it is. It, at the very least, reminds him that he's alive.

3 things they usually hear:

As a follow up from the previous point, the windy sounds of his powers pulling in the darkness around him as he prepares to teleport away. It's all encompassing and soothing in that sense. Like a whitenoise.

Voices. (you may think I'm being edgy but it's omen's words, not mine :p) It may suggest that more than one person was sacrificed to create who or what he is now. Or, these are the bits of string connecting him to his past, though they were hanging on by the barest of threads.

Footsteps. He likes silence, or a soft whitenoise, so when he hears the thudding of footsteps as Jett and Neon race through the halls, the heavy footsteps of Brimstone, Breach or KAY/O, or the attempt to stay quiet from Fade and Cypher, it's hard to ignore. He can often identify people from their footsteps and it surprises some of them.

2 things they usually smell: (I actually don't think he can smell... but if he could the following would apply)

Coffee, tea, hot chocolate, drinks he sees everyone enjoying. He can hold a cup to keep up the pretense that he's part of them, but he cannot enjoy these drinks beyond what he smells.

Nothing. Not because he can't smell but because, well, he doesn't have a physical body, so hygiene and the products others use are kind of useless on him. He doesn't eat or drink, so unless he wants company, he doesn't hang around the kitchen very often, and he smells enough blood and gunpowder so he knows to stay away from the range. And the rest of the building is too sterile for any scents to linger.

1 thing they usually taste:

Riot confirmed that he can't eat or drink so... Disappointment/defeat. The constant roller coaster of getting his hopes up as they dig a little deeper into Kingdom, only to realize how far away from the truth he is. It's a painful ride, and it will only be so long until the hope vanishes and nihilism beckons him. Apathy would certainly suit him...

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[mad-hunts]

the relationship that jack had forged with his father was different than the others in ways he couldn't explain. for example, in comparison to matilda whom always seemed to be hyperaware of where her and barton stood, jack felt like he never quite knew where he quote unquote 'was' with his own caretaker — leading to these issues he had with attachment that a therapist long ago once told him were likely due to the fact he grew up in such an unstable environment.

but flying the coop, though it sometimes seemed appealing, was not something jack felt like he could do. because despite everything that barton had put him and their family through, jack felt this strong sense of loyalty to the rest of his siblings as well as to his father. and its not like he had a stable job at the moment; he was trying to secure a spot with a ballet company, after all, which was his true dream. but jack was working part-time as a lifeguard in between all of his classes and ballet related events.

which actually wasn't that bad of a job all things considered. it reminded him at first of how, after julien had died, he'd been afraid of the ocean for several years however. it was like jack's heart was on overdrive even around small bodies of water back then. so developing the strength to overcome this fear was probably the best thing for jack. and considering what had happened to gotham in recent events (with the riddler flooding the city), it made him think about how lucky he was to have done so before that all occurred.

i mean, could you imagine what it would've been like if jack still had thalassophobia with the flood suddenly hitting gotham like it did? lets just say, jack was grateful that jervis filled up some of the silence in the room right after he was burdened with that train of thought. a lopsided smile spread across his lips at jervis's approving comments about colin. jack had actually been keeping the fact he had a boyfriend a secret from his father, for fear that barton would take one look at colin and tell him 'no.'

therefore, it felt good to hear that from someone. the only thing he uttered was a soft 'yeah' in response to that as his eyes darted to jervis's moving hand, ❝ okay. do you like your eggs scrambled, or sunny-side up? and do you want just butter on the bread or is strawberry jam also good with you? ❞ that, as far as he could remember, was the only type they had in the fridge. jack kept his gaze on the cards as jervis spoke now, but let him know he was listening by nodding to what the other was saying.

❝ well, i'd definitely say it's a process. but you know what's funny? i don't know if you believe in any sort of afterlife but... ❞ and that was where barton had cut in, standing at the doorway as if he was waiting to be invited in like a vampire. and trust me when i say the doctor knew that jervis was probably not thrilled to see him. for, not even barton's own son looked to be eager to see him, but maybe that was just because jack knew the two held a general distaste for one another? barton didn't know but he waited in silence in any case for the farceur to leave the room with the medicine he'd given jervis.

he stepped in then only to reveal that, although he wasn't in dire straits anymore, he was still hooked up to an IV on a pole: which was a humble reminder to barton that his degree of brain swelling couldn't go away on its own. though, he wished it could. the expression on his face when jervis spoke to him said all that needed to be said: barton didn't believe for a second that the other meant that. ❝ no, you want to see me burn in hell, don't you? the least you can do is be honest about it. ❞

he stated this in a very 'matter-of-fact' tone, as if the thought of someone hating him that much didn't affect him. an incredulous chuckle left barton's mouth afterward, though, and that wasn't nothing. he slowly but surely used that IV pole as leverage to drag himself over to the cabinet next to jervis's bedside. opening the bottom drawer revealed old clothes of barton's within it, ❝ ravi, the man you met down at the bistro we went to earlier today? he called me, and he immediately asked me if i was in some form of trouble. because ravi told me he had to lie to the cops about us being at the bistro. ❞

barton pulled out a clean shirt to replace his dirty and bloodied one with before turning to face jervis, ❝ and i thought we were in enough trouble already, but marty, the guy i killed was apparently the son of a police captain. meaning those pigs in the GCPD might not actually stop until they find us. so i might need your help with creating a very... elaborate plan to kill him. ❞

Poor Jack's anxiety was written all over his face and body language. Despite his efforts to appear calm and reassuring, Jervis could sense the strain beneath the surface. Though he disliked Barton, he couldn't bring himself to be indifferent. It wasn’t in his nature to ignore someone else's pain, and the last four hours must have been brutal for the Mathis siblings.

A part of Jervis was still ashamed that he had even lost consciousness under the physical and mental strain, sinking into the depths of his mind like something swept away by the Lethe’s currents—except, unlike the myth, Jervis couldn’t forget. His past, fractured as it was, stayed with him. And as much as his memories pained him, Jervis refused to let them go. Forgetting Alice and Sylvie would be like losing them all over again. That was unbearable.

A shiver ran down his spine at the thought, and his hand instinctively reached for the chain beneath his collar, rolling his and Sylvie’s wedding rings like rings on an astrolabe.

He wasn't a fool. Jervis knew this was a difficult situation they had dragged Jack and Matilda into, and he felt sorry for both. But his empathy ran deepest for Jack. He didn’t know the young man well, but there was an unmistakable connection—a shared understanding, almost like neurons firing in unison. What had Sylvie once told him? Something about fungal hyphae—that they could sense their environment, responding to the slightest change. They weren’t like staid, immobile plants, she had said. Hyphae were dynamic, constantly adapting to their surroundings.

Even all these years, Jervis could still hear her voice, vividly recall the way her eyes lit up when she spoke of such things. "They feel their way through the world," she'd explained, with that endearing mixture of fascination and tenderness he had grown to love so well. "They detect ridges and surfaces, change their shape to fit. They know how to survive, how to grow, even in the strangest conditions."

It had stuck with him, the way she saw life in things most people overlooked. Jervis laid there, nodding faintly as Jack's voice washed over him; the parallel trains of thought made him pause. Maybe grief was like that too—constantly adapting, reshaping itself to fit the cracks in your soul.

Jervis’ hand loosened on the chain as he looked over at Jack, the faint clink of the rings barely audible as they slid along the silver links. He nodded slowly, his gaze dropping briefly. "Yeah... She was everything," he said quietly, almost to himself. His voice wavered, caught between the here and now and somewhere else entirely; hoarse but steadying. "Accepted every part of me, even the worst parts." His fingers tightened again, this time more gently, as if grounding himself.

Behind Jack, Sylvie was seated on the floor, legs folded casually beneath her. She tilted her head, a knowing smile playing on her lips. "You always were too hard on yourself," she murmured, her tone light.

Jervis' breath hitched, his eyes briefly closing before refocusing on Jack. "You and Colin—he sounds good for you. Someone who keeps you on your toes, makes life richer." He paused, blinking slowly as though waking from a dream. "That’s… important."

Sylvie stood now, a faint shimmer at the edge of his vision, her fingers brushing lightly against his arm as she passed. "I’m still here, you know." Her voice was soft, steady. "You called me."

Jervis swallowed hard, his hand instinctively reaching for the space where her touch lingered before dropping back to his side on the mattress. "Breakfast for dinner sounds good," he said, almost absently, a quiet smile tugging at the corner of his mouth. "I think… I’d like that."

His eyes flicked once more to where Sylvie had been; gone without a trace, but the weight of her presence still lingered like a hint of smoke drifting in the breeze.

"You know…" Jervis started again, the words coming slowly as he glanced back at Jack while he began sifting through the tarot cards. "It's strange. Sometimes you think you’re done… that you’ve made your peace, and then the grief sneaks back up on you. Makes you feel like you’re right back where you started... it's almost enough to drive anyone mad... but it's a process, right?"

The moment shattered with a soft clearing of a throat from the doorway. Jervis tensed, every muscle recoiling. He didn’t need to look up to know who it was. Oh, bloody hell… this bloke, again?

It took everything in him not to snap at Barton to piss off. Irritation surged through his chest, white-hot, but exhaustion won out. He almost couldn’t bring himself to react, in all honesty, the weariness in his bones outweighing the anger... You’re like a damn cockroach… he thought, half-bitter, half-bemused. Terribly rude of you to interrupt.

"Hey, citrouille," Barton said casually to Jack. "Mind stepping out for a minute? I need to talk to Jervis."

Jack hesitated, glancing between his father and Jervis, but eventually rose. Barton patted him on the shoulder, tone light, as if unaware—or possibly indifferent—to the tension in the air.

As Jack left, Barton held up his phone, waving it in front of Jervis. "I just got an interesting phone call I thought you might want to hear about."

Jervis exhaled, met Barton’s gaze. It took every ounce of flagging willpower not to tell him exactly where he could stick his ‘interesting’ call. Sylvie’s presence slipped further from his mind, swallowed by the suffocating weight of Barton’s intrusion.

He forced a tired smile, his voice flat. "Glad to see you back on your feet," he finally muttered. "At least one of us is standing upright."

[eleu22]

You guys do not appreciate Gaz enough so I’m here to sell him to you

this shit is important so yall better read

I truly don’t understand the lack of Gaz love -

ok well

I do at some level

I think the argument usually levied against his character id that he’s boring

but beautifully stated by tumblr user mockerycrow in their character analysis of him

CHARACTERS DO NOT HAVE TO HAVE A TRAGIC BACKSTORY TO BE INTERESTING CHARACTERS

press keep reading to fall in love with Gaz

Who is Gaz?

I’m going to start out with who Gaz is as a character

morality

Gaz is someone who has a strong sense of morality and struggles with the balance between doing the right thing and doing the morally right thing, there’s this debate between long-term morality and situational morality that Gaz struggles with

look im maybe not the most linguistically talented person on earth so im just gonna throw in a few quotes which i think gives Gaz

Gaz is someone who admist chaos and war is trying his best, trying his best to be a good person, to be reliable and to do the right thing

if thays not lovable idk what is

relationship to price

ok so i think this aspect of Gaz’s character is what people tend to focus on

and as much as the omg price’s son shit is cute i think he’s become a vehicle for people to emphasise price’s daddy factor (which like dont get me wrong keep up the good work)

but i think theres so much more to that

i forgot who wrote this but someone said something about Gaz trying to follow in impossibly large footsteps and i think thats so accurate

going back to Gaz’s struggle with morality there’s so much untapped potential in the idea that his idol, may not be an amazing person, having to come to grips with the idea that Price, his role model can look at a woman and child as interrogation leverage is something that i think people need to look into more

OK so now

Untapped Potential

so here are somethings which i

idk if this is like the correct phrasing

headcannon? idk i just think these are parts of Gaz’s character which could be rlly interesting to explore

ahem

yes Gaz is a good guy, but that doesn’t make him passive Gaz has shown moments of anger, like in the interrogation with the butcher when he lunges at him or when him and price first meet

i think the fact that Gaz is so calm and collected but has these moments are cracks in the facade he creates

i believe personally he has a lot of repressed anger whether it be at the world, at himself, at his captain hes an angry dude hes just better at keeping it under wraps

and i know we don’t really have many details on his backstory but cmon there’s no way u sign up for a job like this and don’t have any issues whatsoever

i think this quote is so good for this because he’s harnessed his anger, it’s what makes him good at his job, a knife, a weapon

i think another interesting concept for Gaz is guilt

the fact that he cares about whats right and wrong how does he feel going to sleep at night? do these things haunt him? is he irredeemable?

i think its like that one quote “the dog that weeps after it kills is no better than the dog that doesn’t. My guilt does not purify me.”

Final Thoughts

anyways guys thanks for coming to my ted talk

i know this was really messy but i just want to encourage some Gaz love because i think he’s a really interesting complex character who we just need to dig a little deeper into

i hope this incites some more gaz love

THANK YOU 😳

[intermundia]

my favorite thing about anakin as a character is the inherent nuance lucas wrote into his story, like he's neither an innocent victim nor an inherently evil monster, he's just some guy put in a series of Situations and ultimately failing the test of his humility and self-control. he was certainly flattered and shaped by the devil, spiraling into something unrecognizable, but he chose to take every step down the pathway to hell. lucas knew he would lose a certain demographic by making him basically a greedy pawn in the larger story, not a righteous betrayed macho badass, but he did it anyway. he made him an awkward romantic and a loyal friend, a generous boy and a brilliant teen. he made sure he had all the positive qualities that meant that he had potential to be so much more than vader, but it was clearly his choice to lie, murder, and fully squander that potential. there are no excuses for what he became, no acceptable reasons to commit mass slaughter. he became an unbelievably selfish and impatient man, reckless and wantonly violent. hayden captured that nuance so well, nobody can match the sweetness of his smile and the absolute horror of his scowl on mustafar. to view him through a single lens as either pure victim of manipulation and (canonically unsupported) emotional neglect, or a creepy evil villain, denies the heart of his story and the weight of his tragedy. he's neither an angel nor a demon, he's both and neither, he's deeply human, a classical tragic hero with a flaw of greed. lucas made a choice with the prequels to tell a story that not everyone wanted to hear, and the result was a character that i think is one of the best of modern pop culture, mostly because he feels to me so very, very ancient and eternal.

[sp0o0kylights]

Indie horror filmmaker Eddie Munson, high off his first big (underground but notable) success, knows the movers and shakers of the film world have their eyes on him. 

They're just waiting to see if he was a one hit wonder before they open all the doors he's been trying to kick down. 

His next upcoming film is his chance, his shot at finally making it. Of being like Rob Zombie and the other creators he looks up to that masterfully blended metal and horror. 

This is his golden ticket. 

The project starts off smooth. His last success has greased the wheels, and things fall into place faster than ever before. 

He's got the best idea for this insane haunted house story, a true "mazes in mazes" type of deal with a queer twist. A real look at how a place can haunt a person just as easily as a ghost can.

 Everything's going swimmingly--until one of his leads drops out the day they're due to start shooting.

No call no show's, and later, Eddie will find out the guy got a last second call back to be a contestant on one of those Love Island bullshit romance gigs (and laugh his ass off when the main love interest takes one look at Billy Hargrove and goes on a five minute rant about ugly mullets on national television) but right now? 

He's fucked. 

He's called in every favor he has for this film. Maxed out every credit card he owns, tapped every contact, got on his hands and knees and begged his rising star journalist best bud to help him market it. (Which Nancy agreed too, for way less cash than she should have.) 

 Eddie can't get anyone on the phone, much less find a replacement actor and the amazing place they rented, that is so dark and wonderfully eerie, is booked out the rest of the year as an AirBnB. 

If he doesn't film now, he loses it all.

Cue the other lead, unknown theater actor Steve Harrington, watching his hair pulling, tire kicking, 'cursing and hopping while holding a toe' mental breakdown and asks why Eddie himself doesn't act in it. 

"Just go full Kevin Smith man. Act and direct." He says, with an easy grin. 

Jeff, Eddie's tried and true videographer, trades glances with Gareth and Grant (Eddie's long used special effects and makeup team, who double for about twelve other jobs because they're also his best friends and they're all in this together, make or break.)

"We don't really have a lot of other options." Gareth hedges. "You're already using me and Grant as background characters." 

Eddie, hands fluttering around his face as though trying to wave away this entire situation, squeezes his eyes shut and lets out a pained hiss. 

"Fine, fine!" He announces with the air of a man running towards a fire. "Fuck it, this is our one shot and so help me I will be shooting it!" 

Steve politely hides a laugh with a cough. 

"Chuckle all you want big boy, I'm going to tragically romance you so hard people will forget both of our characters actually live." Eddie snarls.

Steve, the handsome bastard, just winks.  "Looking forward to it." 

Eddie blushes, but hides it with a surge of frantic energy, conveyed by lots of yelling and moving and getting the ball rolling. 

Two days later, Steve would give the performance of a lifetime down on his knees, covered in a literal pound of fake gore, booty shorts and nothing else as he sobbed about how a lover could become a home. His hands clawed at Eddie's jeans before resting a tear stained face on a slim leg as he bent his body towards Eddie like it hurt to be away from him. 

Eddie would later receive equal praise in his own acting during the scene, with the world and every reporter in it asking how he conveyed an otherworldly panic so beautifully throughout Steve's performance. What was he thinking, to evoke those expressions on his face? 

The way his own pale hand, unmarred by blood and acting as a metaphor for the plot, would come to stroke Steve's cheeks.

Eventually he'd come up with a smooth polished answer that cheekily pleased his audience, but nothing would ever come close to the truth. 

("Eddie I've known you since grade school." Jeff said that night, a scant few hours after they'd wrapped. "You can act man, but not like that." 

Eddie made a wild "shut up" gesture, looking frantically over his shoulder before admitting; "You saw how close his face was to the prince of darkness!? I was seconds away from popping a boner next to his lips, in front of the 4K camera!” 

Eddie bounced into Jeff’s face so he could hiss: “He fucking had his chin on my thigh, Jeff, and I am only a man. A mere mortal!" 

"So we're gonna unpack all of that later." Jeff said finally, when he'd managed to get his mouth working and Eddie back out of his personal space. "But dude, we've talked about you calling your dick the prince of darkness." 

Eddie flipped him off.) 

One year later and critics named Corroded the best horror film of the year, praising the camera work, practical effects, and how there wasn't a soul alive who was surprised to hear Eddie and Steve were dating after their explosive on screen chemistry.

No one ever quite understood the prince of darkness jokes or why Steve mentioning it made Eddie blush, but that was a secret to find out later. 

Today on WIP’s I have no intention of writing, indie horror movie AU!

[tealvenetianmask]

Stolas Makes Decisions Alone

I'm here to predict more problems ahead for Stolas. But don't worry- I do think he'll get through them because of character growth.

Stolas has a pattern of taking drastic actions that he believes are right and getting so caught up in his own point of view that he doesn't really listen to anyone else. I don't think he realizes this about himself. As much as he's now dealing with the consequences of his decisions at the end of Season 2, he hasn't yet learned that he can't go it alone. That he needs to communicate with the people his decisions impact- namely Blitz and Octavia, the people he cares for most. What I'm saying is, even though he's not the only one, our lovely owl man is a misunderstanding factory.

As for why he's like this, I have some ideas, but first, let's quickly go over the ways we've seen this behavior play out in HB.

It's treated as kind of light in Season 1 . . . despite being great with words, he's a lousy communicator because he gets carried away with his own ideas.

In Murder Family, Stolas has no idea that Blitz is panicking and . . . yes, I believe feeling pressured in this moment, even if he likes the deal later. In Loo Loo Land, he doesn't pay attention to Octavia's (not subtle) reactions enough to realize that no, she does not want to go to Loo Loo, and she absolutely doesn't want to bring the person Stolas cheated with along as a bodyguard. Also . . . as soon as Stolas listens to Octavia here, their communication improves, and Octavia is allowed to decide on the next father daughter activity.

The independent decision making tendency becomes more serious . . . tragic . . . in The Full Moon.

Stolas goes into the episode with a plan to do what he believes is right (freeing Blitz from himself), and he's so set on it that he blindsides the guy and shuts him out at the first hint of rejection, unable to pay enough attention to realize that it's . . . not actually rejection, just another wounded person reacting to a sudden change, since the entire decision making process already happened inside Stolas's mind.

Okay . . . Mastermind and Sinsmas.

I'm letting him off the hook for Mastermind, because he had only seconds to do something to save Blitz's life. I don't think he's wrong here. BUT symbolically, in the courtroom, Stolas rarely looks at Blitz. Someone who loves him is standing behind him, and there are moments of recognition between them, but Stolas still faces the decision, and his fate, alone.

In Sinsmas, we get the most blatant version of this kind of decision making. Yes, I know he's off his meds and going through a lot. He could have waited a few more minutes for Blitz to get back and talked through his decision to march up to his palace and demand to see his daughter. Blitz could have helped him calm down, and they could've had a conversation and decided on the best way to do it.

But that isn't how Stolas makes decisions. It isn't how he's EVER made decisions. Helping Stolas would put Blitz in danger, or Blitz might try to convince him to wait. So in Stolas's mind, if it's a choice between being kept from his daughter and dying alone by Andrealphus's hand, well . . .

There's so much that could be discussed here. Medication/depression. Suicidality. Autism . . . does this pattern stem in part from difficulty reading social cues?

These are all topics worth analyzing but . . . here's one thing that I think is at the core of Stolas's character regardless of the situation or other factors.

Stolas had all of his decisions made for him for his entire life. No one consulted him. Ever. Not about his career. Not about his marriage. Not about how he would choose to behave and conduct himself in the world.

Then when he was somewhere between 18 and 20, he had a child. And suddenly, his decisions mattered. Not in the big ways for himself. He still had to carry out all of his responsibilities. But he could decide how to raise this kid (Stella wasn't really interested in raising her after all). He could do everything in his power to make her childhood joyful, to make her feel loved, to teach her that she could be herself.

The problem is, making decisions for a kid doesn't make you a great collaborative decision maker. Being a parent means being an authority. He wasn't totalitarian like his own father, but there wasn't really anyone to honestly talk through his decisions and process his emotions with. So he's spent 35ish years never making a decision with someone else.

He's also rich and powerful, and that both keeps him isolated and gives him . . . a somewhat outsized view of his own importance and ability to control situations, in my opinion.

But now Octavia is 17, and making decisions that impact her without adequately communicating doesn't really work anymore.

And the other person he loves is Blitz. And yes, Mastermind is an exception, but Blitz usually doesn't need to be rescued or protected. He certainly doesn't need to be protected from Stolas (i.e. The Full Moon). He needs a partner. And Stolas needs one too.

So yeah, until Stolas learns to communicate (or at least learns that it's necessary) I worry about what he'll go off and do on his own.

Note: please don't take this as me blaming EVERYTHING on Stolas. Blitz and Octavia both have some responsibility for the miscommunications that go on. I just think this particular tendency of Stolas's is interesting and wanted to explore it.

[maxdibert]

Having a shitty past is no excuse for being a horrible person, and Snape was a horrible person. Snape fans always try to turn him into a tragic hero, but there was nothing heroic about him when he was just an obsessive bigot who followed a group of genocidal maniacs

Well, I think I’ve said this a million times already and explained in exhausting detail why growing up in a particular environment—lacking social, emotional, economic, or essential support—and being subjected to violence during the most crucial years of cognitive development creates the perfect breeding ground for antisocial behavior. It also makes vulnerable or socially excluded youth prime targets for sectarian groups (whether religious, political, or otherwise) that prey on their situation, offering them promises of protection, safe spaces, surrogate parental figures, or social progress. These groups actively seek out kids with emotional voids caused by dysfunctional family dynamics, minimal to no financial resources, and a profound sense that the system has failed them at every turn. They offer these kids an alternative system—one that gives them a roof over their heads, a hot meal, a place to belong, and people who won’t marginalize them like the rest of society has—at the simple price of blindly following the group’s ideology. And they do it. Of course, they do. Because what other choice do they have? This group gave them life, a place in society, and restored their status as human beings.

But since I’ve spoken about this at length before and about how Severus’s life shaped his decisions, I feel like I’m starting to sound like a broken record. So, since I’m also reading a legal ruling I need to memorize by Friday, I’m going to indulge myself and dissertate as freely as I please—because hey, if you’re going to throw hate, I’m going to grant myself the privilege of replying however I want.

Here’s a question: why does it even matter? Seriously, what does it matter if he was a shitty person? Do you know that people go to space today thanks to the work of physicists and engineers who were literal SS members? That after WWII, all the top scientists, physicists, chemists, and engineers were granted amnesty and fast-tracked into citizenships so they could work on government projects? That people working within a stone’s throw of concentration camps are the pioneers behind some of the greatest technological advances of the 20th century? And you don’t care that the products you consume are derived from the work of collaborators with mass genocide, but you’re upset that people find a fictional character interesting? I don’t want to sound cynical, but honestly, it’s ridiculous to get so morally high and mighty about a character who doesn’t exist and who followed an extremist cult for, what? 3 or 4 years tops? and then canonically worked actively to take it down. If we put Severus in a real-world, wartime context, the guy would be a literal war hero with medals to his name. No exaggeration. If he survived, he’d be recruited with a fat paycheck to work in internal affairs for some major world power’s secret projects. That’s just how the world works.

And yeah, he was obsessive. But in an era where everyone suffers at least one anxiety episode a month, where the best-case scenario is that your panic attacks don’t spiral into chronic mental health issues—can we really judge him for that? Like, most of the people I see being ultra “snater” are folks who openly declare themselves neurodivergent, and one of the common denominators of all neurodivergence is obsessiveness. All of them. Whether it’s chronic anxiety, depression, OCD, ADHD, paranoid schizophrenia, bipolar disorder, borderline personality disorder or autism. Every single one has an obsessive component. So it’s kind of ironic—and even hypocritical—for people who are themselves pretty obsessive (because let’s face it, we’re all compulsively doomscrolling here to soothe our anxious compulsions with little dopamine hits) to judge this character’s obsessiveness as a negative trait. Maybe let’s take a good look in the mirror, too.

And let me just say, no court would convict Severus of collaborating with a terrorist group. Not a single one. Impossible. Especially since he literally collaborated against said group, so any judge would happily clear him—not after the war, but the moment he struck his deal with Dumbledore. Severus is what’s known as an informant. He worked from the inside, exposed himself to greater dangers than regular agents. Legally speaking, there have been cases where people guilty of heinous crimes—including crimes against humanity—were let off because they provided critical information. So imagine someone like Severus, who, as far as we know, didn’t even kill anyone during his time in the group, willingly spilling the beans and agreeing to work as a spy. He’d be celebrated as a hero of war. Hell, they’d probably buy him a mansion in Florida if he wanted one. That’s just how our system works, and honestly, this kind of moralist posturing is pretty cringy because you’re talking about a guy who literally saved half of magical society’s asses and without whom the kid destined to save the world would’ve died in his first year at school.

You can dislike him or think he’s a jerk, but he was damn good at his job. And compared to the people he’s often unfairly measured against (Sirius, James, Remus...), he actually did something. They didn’t. Absolutely nothing. Contribution: negative one.

[judesmoonbeauty]

My Thoughts & Spoilers On Jude's Route

This will contain detailed major route spoilers. If you do not want to be spoiled, please move on because I will not be filtering my review. Also, not all spoilers and details are being shared. This is intentional. Bear in mind this is written prior to my thoroughly translating his route, so the translation may have some adjustments to this information.

So, I really LOVED it!! It's a very good storyline. Am I biased? Yes. However, whether you're romantically interested in Jude or not, I feel like you'll like in route in general. I do highly recommend reading his and Ellis' Past Records before his route if you can. His route does bring up clips from PR, but it's very minimal and there's a lot of context and extra details in PR that you don't get in this MS. I did my best with this, but my thoughts are still every where, so if it doesn't make sense. My bad.

Tropes: Enemies to Lovers....of sorts?, Slow-burn. Key Side Villain Characters: Ellis, Nica, Victor New Side Characters For His Route: Theodore Walker, Gilbert Murphy, Oswald Simmons Love Language: Physical Touch (I'd just like to say that I called this.) Who Falls in Love First: Kate First Kiss: Kate Kisses Jude First Full Snu-Snu: Chapter 24 Both Premium ends Jude's Fate Tragic End: He will die bearing a grudge against/hating the world. Route CW: Violence, Smoking, CA, Neglect, Mentions of a child's death. Jude's Age: 28-30. Jude's Heritage: Irish-British Jude's Curse: 13th Fairy (An endless cycle of hatred) Jude's Fated End: To die with a hatred/resentment against the world.

Plot: In a nutshell, Kate is trying to find one good thing to like about Jude prior to her term of FTK (fairytale keeper) ending, as per their first promise made together. If she finds one, Jude must fulfill any one request she has. Amidst working for both Crown and Raven, Kate tries to come into her own in terms of standing as Jude's equal, seeing the world as he does, and essentially saving him from not only own his death wish, but from being framed for treason against their country.

My thoughts: Jude's route is very lively, it's got a healthy amount of funny moments, action packed moments, and it's quite wholesome overall. However, it still retains some darkness in the sense of his past, and the fact that he's literally on this tightrope of life and death.

Kate: She is not afraid of voicing her thoughts and feelings, or speaking sarcastically to Jude. I almost died when I read that she stuck her tongue out at him LOL. There's this scene where Ellis tells her she's thinking out loud when she doesn't realize it, so she apologizes. A few minutes later after she greets Theodore, she sees Jude behind him:

Kate: ....And thanks for your hard work too, Jude. Jude: Can ya please stop greet me so sourly? Makes me wanna vomit my mornin' tea. Kate: I wonder if I'm under a curse that'll kill me if I don't say something sarcastically...

So, she is very courageous and gutsy, but she also thinks things through. There are times where she wants to act because she loves Jude and wants to be there for him, but she also knows not to act rashly because her movements can hurt him and Crown, so she opts to bide her time instead.

Out of all of her versions, I think she is the one who gets the most frustrated, the most angry, and laughs the most at certain situations such as getting locked in the office with Jude. She is very optimistic and kind, but not saintly kind.

She is a fighter. She learns self-defense and how to use a gun, a lot this takes place off screen, but she does develop this over time. Which is nice because it's more realistic.

Jude & Kate Relationship: Starts off very rough, and I say it's an enemies to lovers trope, but no one actually hates the other person, they simply don't get a long and it has that vibe. Jude is trying to kick her out of Crown, and Kate is trying to find something she likes about him.

Overall, they bicker and banter a lot. It's cute because in MLE Kate says, "If I say one thing, he has 10 things to say", and in BLE Jude says, "If I say one thing, she's got 10 things to say." They're adorable together.

One scene I loved was when Jude is being attacked by a group of thugs in his office after closing hours, and Kate barges in with her gun. She yells at the men to stop what they're doing, and then she tells Jude to step away from them. And so, Jude and Kate are having this full blown conversation as they're surrounded by these thugs as to why she is at his office, who's fault it is, etc, etc. And when the head thug starts to complain, both Jude and Kate say, "Shut up!" at the same time. This seems like it actually becomes a thing for them, they say it in MLE as well.

Were they childhood friends? No. That was an AU thing only, and a clever misdirection from Cybird. I think key take aways from Dark IF and Prison IF are that they made promises to each other, and that Kate tries to return to little Jude in Prison IF. Additionally, it does hint that two children were involved in Jude's past, just the other wasn't Kate, it's his sister. While some may be disappointed by this, I loved that it turned out this way, it surprised me.

Love Language: Physical. Touch. Lemme say it again. Physical Touch. While their relationship is a slow burn, it's not without it's tension along the way, and the pay off is hella worth in my opinion. I just knew that Jude was going to tear into her, and he does.

But more importantly, Jude touches Kate a lot especially before missions. For example, in BLE just before Kate goes undercover at a criminal organization that is using Raven products, she and Jude are in his office reviewing the plans, and while he does this, he touches her bare skin, kiss or bite her, and then after the mission he'll make love to her. Why? Because Kate made another promise to Jude earlier in the route that she would never die before him, so he doesn't have to suffering loss ever again. So, prior to any missions, he'll touch her up to a certain point like a promise she won't die, and then finish once she returns safely. I can't...he's so damn precious.

They love each other very very much, but Jude doesn't like saying the words. "I love you." Not because he's a tsun, but because they're easily said. So, he'll convey his love to Kate with words like, "I'm taking you to hell with me." If you read his side stories, he'll tell you just how much he loves her, and he admits that there is no other woman in the world that he could ever love like her.

Important Side Characters: Theodore Walker: 21 y/o and he works in the sales department at Raven. Every one calls him Theo, even Kate. It seems that he's worked for Jude for a long time as well. He's very personable, and chatty, and he gets nervous about things like when the president forgets his custom fountain pen as he's on his way to business meetings. He even says to Kate and Jude that Kate is his type, and everyone is like.....um what? I'm really happy that Theodore isn't a traitor. I like him. I thought Cybird would use him the way that contract worker in Jude's first story event would be used. But no, he's just a loyal young man who cares about his job. I hope to see him again.

Oswald Simmons: He is the doctor who treated Jude and his sister after Jude memorized an entire medical textbook in a week. After Jude's sister was sold off, Jude ran to Oswald and asked that if he put Jude through school, let him lodge with him and provide him food, then Jude would pay him back with interest. Oswald agrees and in time, Jude does pay him back with interest. Oswald treats everyone equally, and he finds Jude's intelligence and ability to memorize things amusing. While he does not offer to take Jude in of his own initiative, Oswald does have a soft spot for Jude, as he tries to gift Jude a new pocket watch upon graduation and the success of his new company. He even tries to dissuade Jude from seeking revenge that will only force Jude into be lonely. In the route, he tells Kate to relay a message to Jude, that if he ever gets into a pinch to comeback and he'll give Jude a run for his money. To this day, Oswald still has the watch that Jude refused to take.

I honestly, hope that they reunite one day. Jude doesn't wish Oswald any ill-will (though he calls him a weirdo), and he wished Oswald a long life when he said goodbye.

Gilbert Murphy: He is a high-ranking officer of the British military who colludes with the Privy Council and a criminal organization to frame Jude treason and building military weapons. However, Gilbert truly does think that Jude is going to the moon for monetary purposes. While he is being an asshole for framing my beloved, his motives are to protect the people from potential weapons that can be created with Jude's research. Still, it's sullying Jude's innocent and pure motives. Still, he testifies in Jude's favor and takes the blame of the dead privy council member, as his own form of justice for trying to frame Jude due to his becoming blinded by his obsession to protect his country.

The other villains: Ellis: Ellis is Jude's right hand so he is heavily involved with the plot, especially in MLE. We know about Ellis.

Nica: Darius asks him to investigate Jude, so he does. Twice, he offers information to Jude that he's gathered after he lets him know he's aware of what he's building.. The first time, he tells him that a part from the criminal organization Jude has already been dealing with, the British military want his plans too. And wouldn't it be something if they teamed up to get Jude's research. He asks if he can snatch the robin away from Jude, but Jude says she doesn't belong to him, and no matter whom she dated she belongs to herself.

Nica leaves the bar after getting scolded by Jude, but prior to that, he tells Jude that the robin is in the most danger because she's around him. A few chapters later, Nica appears again and tells Jude that his assumptions based on the previous information given have come true, and because he didn't let go (of Kate), he's letting her know the facts. After he explains the situation to her, he tries to whisk her away on a date, but Kate declines. While Nica is a "playboy", it seems that he does care for Kate's well-being.....I am letting my current knowledge of his past events, and bond stories influence me by saying this.

At any rate, at the end of BLE, Darius asks Nica why he follows his orders so complicitly, and Nica says it's because he's on the winning side, and to him, Darius will be or is the winner. Darius is satisfied with this, and when he leaves Nica looks at his palm and says that he will be the happiest someday. It's already been established that becoming the happiest person is important to him, but this has now been reinforced.

Victor: Lore crumbs are very little, but what we do know is that when Kate asks him if he is angry, he tells her that he's forgotten loneliness a long time ago.

Further, when he approaches Jude and asks if Jude is hiding something from him and Crown, he tells Jude he has the means to help him. Jude asks if Victor isn't the one hiding something, and remarks that's why Harrison hates him so much because he knows he is lying. Victor simply smiles and stays silent. Upon leaving his study, Victor does tell Jude no matter what, he doesn't want their freedom disturbed and those are his true feelings.

Further, Victor later tells Kate in the BLE that when Jude says he abuses his power, Jude wasn't lying about that. Later in chapter 24, all of Crown are gathered together in front of her Majesty the Queen for a very important meeting. Victor speaks saying that they wish to grant Kate the position of fairytale keeper permanently, and when Jude finds out, he leaves angrily. In the middle of all this, the Queen never utters a word.

I don't think we learn anything new that we weren't aware of before with Victor to be honest, unless I missed something while reading. But, it's nice to know that we should see something big for his route. We better for how under wraps his lore is kept.

Jude's age: He can't be any older than 30 because in his Past Records he definitively says that he is five years old. In the MS, Oswald states the events he recounted to Roger and Kate took place over 20 years ago. Kate reason's that if it was 20 years ago then Jude had to be under the age of 10. I think he's 28-30.

Jude's Curse: Jude's curse was born when his heart was completely broken, and he vowed to get revenge on those who made him and his sister suffer. It's manifestation was described as a black flame of hatred in his heart. Essentially, Jude has entered a vicious cycle of hatred that never really ceases. Jude fuels this cycle by acting in a way where people want to get revenge on him, and a part of that is because he want's to die.

Jude's Fated End: Jude is fated to die bearing a grudge/resentment/hatred against the world. Jude himself says that his death will not be an honest one. Some have made comments that his fated end is a bit underwhelming, but I am pleased that Cybird left Disney alone, and stuck with Grimm's ending for the 13th fairy. I love it because no one knows what the fairy was thinking or what happened to it, it just simply disappears. This is something that is mentioned quite a bit in Jude's route.

In the MS there is a beautiful chapter with all of Crown gathered for a fireworks beach day, and while Jude is looking at the fireworks, Kate is looking at him. She thinks he is like a firework, beautiful, dangerous if you get too close, and then simply gone.

In BLE, Kate watches a Sleeping Beauty play hosted by local town children where she is staying and even though she knows that the outcome of the fairy is unknown, she is hoping for a different outcome. When the kids stick to the fairytale, it's then she realizes that Jude too - while still stuck in his cycle of hatred - will die. He will never know happiness, and disappear like the burnt body of cigarette smoke, like a firework in the sky.

In chapter 18ish, while Jude is being held captive and being tortured by the British military for information on Crown, he laughs self-mockingly and says that this is the perfect fit for him to die bearing resentment/grudge against the world.

Is Kate Trying to find a way to break the curse? No. Unlike Alfons and Roger's route, Kate is willing to accept Jude's fate, stay by him, make him happy and be his reason to live. That is her sole purpose, to make sure he doesn't die. Kate is obsessed with keeping him anchored to the world no matter the cost, and she even mentions to Victor that even though no fated ends have ever been avoided, that doesn't necessarily mean they are tragic.

Is Jude happy by the end of the route: Yes. Though he won't admit it out loud being the tsun tsun that he is, Jude's first glimpse of happiness occured when he told Kate about his dream and she didn't laugh at him. By the time he puts her to sleep and leaves her behind, he tells her that being genuinely liked wasn't so bad. And of course, Ellis asks if he can kill Jude in his BLE epilogue because it's obvious that he's happy......Jude tells him he can go die, and Ellis is like okay okay. FR though E, I need you to calm TF down.

The depth of his love for her is so great that he tells her that if she ever tries to run from him, she should just kill him. The reason is because she is his only happiness - she is the moon that he's been trying to reach for so long. He'd have no reason to live if she left him.....

Hmmm, here are some of my favorite parts in his route:

He tries so hard to protect Kate, from throwing her out of a window when a house is on fire and telling her she died in that fire so she wouldn't have to return to Crown, to lying to her and accusing her of making a 10,000 £ mistake and firing her from Raven, and other things.

I love that he even assigned people to watch her secretly after he's left her behind in a seaside town, with the intention of doing so for a long time since she is known throughout London for said involvement with Jude. He says things like, if she can live a calm, normal life, then that's enough for me. So, he's resigned to love her from afar.

He does everything in his power to protect even Crown from getting involved with his research so they aren’t crushed and hated by the privy council or others, even undergoing brutal torture.

Jude promises to make Kate the happiest he can before they go to hell, and there are many, many more things he does to endear me even more to him. I nearly cried when he introduced Kate to his sister at her grave he had made for her, saying she (his unnamed sister), was the only family he had left.

Even though he knows his dream of going to the moon is going to be difficult, he is more determined than ever to achieve it, because he's got two promises to keep.

Ultimately, we have our teasing Jude and Kate kicking ass together, and loving each other until their ends come.

Ugh, I'm gonna make myself cry. Well, this is it in a nutshell. Sorry for rambling!

[raticalshoez]

I just feel the need to get this out there because this has been sitting in my Google Docs brainrot document:

I will always believe that Scar is the saddest, most tragic Life Series character.

I'm unsure whether this is an unpopular opinion or not, but I feel like if I were to ask people who they think the most tragic member is they might say Grian, or Martyn, or Jimmy simply because of #lore implications, but when I'm bored I like to reflect on the Life Series characters and...like...

3rd Life had Grian indebted to Scar, creating a narrative based around loyalty that inevitably had to end in tragedy when they were the last two standing, neither one of them wanting to be to one to lead to the dekise of the other. Everyone knows the origin story of Desert Duo, come on now. I'd argue this is one of Scar's less tragic seasons though because throughout the entire thing, he had the unfaltering loyalty of a person, and that loyalty didn't waver on his end either. One might be tempted to bring up the Bdubs friendship pass, but that was all part of a plan Scar formulated, and Grian just never happened to see the secret message sent to him. All in all, a story of companionship that's only tragic towards the end.

Then, Last Life comes, and he is lonely. People are really quick to point to Joel for being lonely this season, but if anything, I'd describe Joel as manic over just lonely. This whole season, Scar tries to make friends after losing his only one to the curse of a red life. Time and time again he's seen trying to help people, he acts as a life dispenser, and at every turn he us either dismissed and never truly seen as an ally, or he faces death, whether by natural causes or by the hand of another player. In fact, instead of making friends, he seems to make a sworn enemy out of Team BEST. This season is really what kickstarts Scar's progression into being one of the staples of Lonely Characters ™️ of the Life Series, for even his final death is practically alone, with no happy reunions with allies, and no boos from any sworn enemies either.

I could argue this is another case of Scar being faced with lonliness because his once closely knit ally in Grian, has now shown scorn for their new fated bond. Scar is left behind as Grian goes to be with BigB, and out of them two, BigB has the guilt to tell Ren the whole secret soulmate ordeal, but Grian keeps his mouth shut. Scar finds out about the whole situation on his own, bitterly offering gifts for Grian to give, and hanging out with Pearl, the girl who is quite literally the commonly accepted poster child for all aspects of loneliness depicted in the Life Series. In this series, I think Scar gets some sort of closure in Grian and him working together again towards the end of the season, but even so, the two of them die apart, in a way symbolizing the disconnect they had all season long.

Limited Life is quite possibly Scar's happiest season, and therefore I don't really have anything to say about it. I think to some degree, everyone in the Life Series has the ability to be an asshole, and I think every single character is morally grey, and with all that being said I think the person Scar needed most was Cleo. Sure, they enable him to be as chaotic as possible, and yeah, being around Ckeo thus season quite possibly made Scar the snarkiest he's been, but the connection he had with her, and just the Clockers overall was so strong. Yes, there's the whole Etho dad thing, and you could argue that's another tally for Scar's abandonment board, but really, that whole bit has always been more comedic to me than it has been entirely dramatic or angsty.

And everyone knows Secret Life. Once again, Scar finds himself in the role of the lonely merchant, running a shop solo, and constantly trying to make friends, but there is always something stopping him from doing so because something in this world HATES him. Scar doesn't make friends, no, in fact, the Secret Keeper screws him over so much that by the end of this season he is literally embracing the role of a villain. He goes on a killing spree, more successful than he's ever done before, and he finds himself face to face with Pearl, who wants him to take her life. He calls it lame, and not fair because if Pearl's good at the game, she should own it and between me and you personally, I think Scar's just got a soft spot for a fair fight between the last two standing. I think the saddest part of Secret Life is the lack of closure Scar gets because he is the only winner that doesn't get to die and meet in this sort of afterlife where everyone reunites and talks like friends again, as if they all hadn't caused each others' demise. Scar doesn't get that, and is instead stuck in, at least in Martyn's interpretation, an endless loop of pressing that succeed button over and over as he goes mad.

This is a ridiculously long post, but I just NEEDED to get it out of my system. I feel like people could argue the curse of having allies is more tragic because you have to witness their deaths, or you can make the argument that maybe trying to fund the most tragic Life Series character is redundant because with how this game is, everyone is bound to be tragic either way, and to which I say true. I just feel like in a game where it's so natural for people to split up into groups of 3, 4, sometimes even 5, Scar's a character that has ended up alone so many times. It's honestly quite insane. I will always say that Pearl and Joel are the lonely dog girl and lonely dog boy of the series, but if there was ever just...the Lonliest, that title would probably go to Scar.

[snowmeow03]

I suddenly realized that as a pegasister, I have never formally drawn ponyplates (hoofplates??) in my way, so suddenly (literally 3am in my time zone) I wanna give it a shot.

I thought about Gaster's cutting, and in theory, since he's not a skeleton anymore, shearing his fur is obviously the best choice. But I feel that it doesn't capture the vibe of him “ripping apart his own body", so in the end, I chose to let him cut his horn. Hmm, maybe the body part full of magic is a must to create baby ponies.

Theoretically speaking, it's more reasonable for both of the brothers to be unicorns, but when I pictured Papyrus, I see him more as a pegasus. Well perhaps there're some pegasus in pony Gaster's family tree. But there's kind of a problem that Pegasus can already fly, how can I show the "special" of Papyrus? So, like, why not make Papyrus only have one wing! Perhaps another one was chopped off by Gaster to prevent him from escaping or something. Sans, I really can't imagine any way to disguise his blind eyes as well as showing his unique eye sockets, I mean, since he's not a skeleton anymore (again). In the end, I chose the latter between fidelity to the character and making sense, although this made them a bit less recognizable (sadly)

I hesitated for a long time about the cutie mark. Gaster’s was more straightforward, I needed to came up with something that is related to science but can also reflect the fate of "doing experiments", so I settled on this thing (funny enough, I still don’t know what it’s called, even though it’s probably common knowledge...?). In fact, I also want to express an abstract concept of "recording", including recording the timeline, "recording" the changes in Dreemurrs' and the underground world, and "recording" Radic's actions? Unfortunately, I really can't find a way to reflect the fate of falling into the core on it! The cutie marks of the brothers is much more difficult because they do not have a very specific hobby/lifestyle (like science for Gaster) to represent themselves, which is complicate - if I have to pick, I think their representative items are scarves and socks (...!) - although Papyrus loves puzzles, using puzzles as cutie mark cannot reflect his most important principles and personality, and Sans is even more difficult to handle. In short, their representatives are very abstract, and I find it so hard to summarize their very selves with a single mark on their flank! At last I tried to consider after combining the characteristic of "brothers", positive and negative. I always feel that Gaster's red scarf represents his kind heart, inherited by Papyrus along with the scarf itself, so it naturally occupies a place in his mark (unlike socks to Sans, lol). Sans' mark is more abstract, those things can actually be seen as dissipating dust or as a part of lost head, representing, uh, some obvious things...I guess? I actually even considered using the shapes of the souls Gaster gave them, representing Gaster himself who plays a huge part in their lives, but well it's a little bit tragic if you think about that, their lives should be less of him (in the sense of experiments), so I didn't do that in the end.

I also considered about the clothes. Well...Different from monsters, ponies normally don't wear clothes, in this situation it'll be weird if Gaster specially made lab clothes for the brothers to wear, so I l just let them go naked. Once again, the recognizability has unfortunately decreased...! (also about Sans' clothes, I don't think ponies actually "need" pockets...right?)

Yeah and about the plates, I literally cannot figure out where the plates should go, Gaster was trying to make sure the brothers suffer as he wanted to cut ties with them (at least that's what I thought), so they can't be anything like horseshoes. Tags on the ears are great, but still a little bit off, and I can't think of any "plates" fits both settings of pony and handplates... So I ended up going with brand marks (actually I set this for Dreemurrs in alterplates as well). As for the placement? I think they shall be the lower half and it'll be too screwed up if they were on the cutie marks, so hind legs it is. I don't think ponies wear pants, so I made the brothers wear leggings.

btw I think the brothers got the cutie marks right after Sans yeeted Gaster into the core (welp)

[fivelasanctum]

Let The World Burn

Five was willing to let the world burn for more prolonged time with Lila. Showed how deeply he was in love with her. Hiding away from the world to be with her and nobody else. That she was enough. Around season three's climax he was already becoming settled in the mindset to let go of trying to save the world. The chaotic struggle is an addiction. Yet after 6 years of going without his chaotic fix with the added temptation to spend time with his best friend (Kemosabe)...he did easily agree. Believe Lila represented temptation to fall back into his 'chaos junkie' issue yet also serving as the temptation of caring about her. Making him backslide with his control and burying his feelings. Even with the aim to save the world, solve the cleanse issue, once lost in the subway his love overpowers that need to fix everyone's problems, including time and the world. Being just a man and embracing the romantic he has always been. Just secretly concealed outside of his time with Dolores. Realizing both he and Lila could afford to be selfish given their situation.

Here Five is hopeful he won't be pulled into another apocalyptic event he would have to struggle to remedy. Even though Lila made the choice to return to her kids (Not exactly Diego) I think their was that hope that they could still be together in reality and not just in their space outside of time. Without the overbearing weight of the cleanse. His family doing something without him for a change.

We know how that turns out. Messy misunderstandings, stress from the chaos of the personal and cosmic issues transpiring. Thinking Lila made her choice made retreat to the subway. Not caring about the world. Saving his family because Lila had become his world. Song's lyrics put it best: "Dead to the world"

Anti Fivela fans had made the argument over how he wasn't in character. He was determined to save the world and his family for 40 years and how this five would never do what he has done in Season 4. I vehemently disagree. As Viktor said, he was old and tired. His rough, long life has beaten him down to the point of him being more numb and aimless at the start of season 4. He wanted retirement desperately even before that. Add to that, in 7 years his love for lila was enough to overpower his previous responsibilities. Technically known her for close to 13 years. Shows the intensity of his feelings for her despite it not be 40 + years to be what's most important to him. More than the world. When his heart was broken he retreated to the subway. Knowing what he was signing up for. Solitude in apocalypse worlds. Just like how he started. Where he formed his psychological scars and ptsd. Only worse since Five seems to feel deeper than other characters despite the walls and masks he projects. Succumbed to despair. For all we knew, he may have been suicidal since he maybe lacks the energy to keep fighting. He made it through again when stuck in the subway most likely because Lila was there with him.

Makes sense his psychological mindset with wanting a solution to fix the world so they all could live, yet hearing all his alternate selves struggle to fight and try to accomplish the goal resulting in failure...coupled with his broken heart made it easier to give in. Dying alone or together...wasn't a prospect that Five was eager for but their was a certain tragic beauty to him realizing they wouldn't die alone even as the world was ending and burning.

While I was making screen captures noticed extra glances they share with each other. Not just in their final moment but leading up to it. Thought it was significant that lila had her gaze locked on him while he was talking and then that same side glance turned more heartbreaking as she revealed her love in her eyes. Letting her sadness show with her tears, much like how she only felt comfortable breaking down with Five in the subway minutes before. Then the last moment when five shows his sorrow and love in his eyes I thought I noticed his mouth move subtly in a ghost of a near smile in acknowledgement and possibly comfort with her holding his hand and understanding the love that was left unspoken.

[mirai-e-jump]

Animage December 2024 Issue Kamen Rider Gavv ft. Hino Yusuke Interview (translation below)

Publication: November 9, 2024

Letting his fighting spirit "melt" into his bullets

Even within the Kamen Rider series, which has enjoyed a history spanning over half a century, there are only a few who have been chosen to become a Kamen Rider with as much tragic resolve weighing on their shoulders as Karakida Hanto. Hanto's mother was kidnapped by a Granute when he was a child, and while investigating the Granutes, his mentor, Shioya Soji, loses his life. In order to avenge Shioya's death, he decided to accept the offer to undergo a life threatening remodification surgery from Suga Kenzo, someone who's researching a method to exterminate the Granutes. The result of his suffering is that he obtained the power to transform into Kamen Rider Valen.

Sometimes, he guesses a Granutes true identity based on the slightest bit of evidence, other times, he shows his kindness in order to support a girl who's chasing her dreams, and at other times, he shows his playful side by instinctively posing when the cameras are pointed at him……Being able to calmly consider the situation and remain open to one's emotions like that may be what's needed to confront the "monsters" that prey on people's happiness.

Although allies like Suga are currently present, Hanto's still pursuing information about the Granutes on his own. Will he be able to reach the enemy responsible for taking his mother from him? We hope you'll watch as Kamen Rider Valen's battle intensifies. _

-This also expands the range of Hanto's feeling-

"Since his first transformation in episode 6, Hanto's also been active as a Kamen Rider."

Hino: After the first transformation episode, I received heartfelt messages from tons of people, such as, "I'm looking forward to seeing what Valen will do going forward." I was also impressed by the response to the sequence of events leading up to the transformation, with comments like, "They're depicting a setting similar to a Showa Rider in a Reiwa Rider."

"It was a very unrefined first transformation scene."

Hino: It was my first transformation, and I was just trying to keep up with the flow of the performance, so I acted with conflicting feelings. I think it was because of the way Director Morota Satoshi said, "Let's make it this kind of taste," and created it on the spot that a sense of liveliness was born. This is one of my personal favorite scenes, as since I started this job, I've been working hard and doing my best, and I felt as though it connected me and Hanto.

"The avant garde exchange with Kamen Rider Gavv in episode 7 was also funny. He calls himself Valen, a name he associates with Valentine (laughs)."

Hino: That scene was fun to act out (laughs). I got into it as best as I could imagine, and the "In the end, the concept is still chocolate….." scene was given the OK with just one take. Still, I had a hard time at first deciding on which of the emotions from my previous performances to keep consistent. For everyone watching, a week has passed, but Hanto's just fought his mentor's enemy out of revenge, and he's still physically damaged. However, Sugi-san (Director Sugihara) told me to go all out, and since I myself like comedic scenes, I didn't hold back.

"Is there anything memorable from filming the transformation scene?"

Hino: For the fixed transformation pose from the second time onwards, I couldn't close the lever of the gun (Valen Buster) fully, or the Gochizou would pop out when I swung it downwards too aggressively, so I had to do alot of retakes until I got used to it (laughs). I remember having to work at it until I could make cool gestures and movements like a Kamen Rider. One of the Directors gave me some advice about the transformation, and it really struck me. It was, "It's a privilege for the chosen ones to be able to say "Henshin," and the word transformation must convey how the character is feeling as they fight." So, every time I transform, I'm conscious of how to convey my emotions in that moment.

"Once again, please tell us your impression of Hanto."

Hino: Hanto became lonely after losing his mother, met his mentor when he was acting like a delinquent, became his apprentice, and is looking for monsters in his work as a writer. He's someone who's had many experiences that I haven't had. I was conscious of this past before we started filming, and I thought that he was nothing like me. But as I talked with Screenwriter Komura Junko-san and Sugi-san, it was almost like Hanto came to me. While respecting what was different between me and him, I began to draw from my own clumsiness and roughness in order to become closer to Hanto.

"Considering he has a passionate side, and a serious backbone despite being silly, Hanto seems to have a wide range."

Hino: That's right. Shouma's pure and Sachika's a gyaru, but I think there are situations and relationships that are created by each and every one of Hanto's "faces." I'm challenging myself to widen my range, and not settle for, "This is just how Hanto is."

"You're thinking, "If this isn't Hanto, then this is," right?"

Hino: Yes. If I perform as Hanto, then I become Hanto, or to put it another way, it's my job to create Hanto, and I consider it rewarding.

"In episode 9, the most recent episode, we got a glimpse of Hanto's more mature side in a scene with Kirari."

Hino: I wanted to express Hanto's clumsy yet passionate attitude toward children in the scene where he consults with Kirari-chan in a friendly and helpful manner. In the scene before that, when the safety buzzer is set off, he's mistaken for a suspicious person even though he didn't mean it that way, which is typical of Hanto (laughs). I think it's a funny scene that shows off Hanto's cuteness.

-We hope that Hanto will be rewarded one day-

"What are your impressions of Kaji Kotaro-san, the Suit Actor who plays Valen?"

Hino: I feel that Kaji-san has a passionate kindness within him, and that he's pulling me along. Valen's actions are also broken down into a fighting style that's typical of Hanto, and I realized that we were creating one role together. We sometimes talk over a few drinks, and in a positive way, we have friendly competition, where we can say what we want to say to each other.

"What do you find important when doing post recording?"

Hino: Hanto has a wide range of expressions, but when he transforms into Valen, he's fighting a Granute, so I'm aware that he's in a state of hostility and wanting revenge. I try to avoid feeling strangely calm, I always act with the feeling that I'm risking my life.

"Maybe it's like you're switching over into battle mode."

Hino: That might be it. When I speak as Hanto, I go back to my natural self, so I think that this is fine.

"How's the atmosphere on set?"

Hino: Hide has a strong sense of responsibility as the main character, and thanks to his leadership, we were able to communicate with each other from the very beginning, and as filming progressed, the vibes between Shouma, Sachika, and Hanto were established. Hide and Miyabecchi tease me in a nice way, so I think we've established an equal relationship. In regards to Hide, I've always played younger brother characters, so I was alittle nervous that "the younger generation has appeared" (laughs), but he has a pure, brotherly cuteness to him that naturally makes me want to spoil him.

"Speaking of Hanto, we think the presence of his mentor, Shioya Soji, who was mentioned earlier, is significant."

Hino: Komatsu Toshimasa-san's performance gave me goosebumps…..! It's natural, subtle, convincing, yet very unconstrained. I feel a sense of respect for him and thought that I'd like to do a performance like that in the future. He's someone I truly want to call "mentor," and I think it was thanks to Komatsu-san that I was able to cry real tears in the scenes where Hanto cries thinking about his mentor.

"Now that Shioya's passed away, his interactions with Suga Kenzo at his lab are striking."

Hino: Suga's making a mess out of Hanto's life (laughs), but the scenes with Suga are also interesting to perform. The very beginning of the show is focused on Shouma and Sachika, and Hanto and Suga, but it was a valuable experience for me to be able to perform one on one with Asanuma Shintaro-san, as I learned alot from him. I'd seen some of the anime that Asanuma-san was in, but when I looked up his appearances, I was shocked and thought, "He was in this one too?!" I'm happy that we communicate with each other on set, talking about all sorts of things, from matters relating to personal life and acting.

"He's a reliable senior who's the complete opposite of Suga."

Hino: That's true (laughs). I think the gap between him and his role is interesting. I'm working together with him with alot of respect.

"Do you have a favorite anime?"

Hino: Most recently, I like "The Dangers in My Heart." Once I became an adult, I stopped watching romance series like that out of embarrassment, but when I watched The Dangers in My Heart for the first time in awhile, it made my heart skip a beat! I'd say that it gives off a sense of purity that only a middle school student can have, and injects you with emotions that we can't get in the real world….it's a really good series. I myself used to play soccer, so I watched alot of sports anime and manga such as "Haikyu!!," "Ace of Diamond," "SLAM DUNK," and "Major." Those are what got me addicted to watching real sports like the NBA.

"If you had to pick an anime that you especially like, what would it be?"

Hino: I love Kyoto Animation's "Beyond the Boundary," and not only have I seen the main TV series, but I've also watched the movie more than 10 times! I was in middle school at the time, and I used to imitate Kanbara Akihito, the main character who's obsessed with glasses, and say, "Pretty girls with glasses are nice, huh?" (laughs). I was so absorbed in it, that I even established a glasses research club at school using my authority as the student council president.

"Isn't that an abuse of power? (laughs)."

Hino: Of course, but it was an unofficial club, okay? (laughs). Now, I'll often watch live action movies and TV dramas in order to study acting, but before I became an actor, I was exposed to various works to the extent that I had a modest interest in them.

"In the future, are there any situations you'd like to perform as Hanto?"

Hino: Things like explosions are areas I haven't experienced yet. Falling into water……isn't a challenge I'm actively looking to take on (laughs). Personally, I'm interested in what would happen if Hanto were to experience something like love being directed toward him. Hanto lost his mother, and he's the type to have narrow, but deep relationships with people, so along with friendship and human affection, I think he's hungry for love. What I imagine is that in a peaceful world where he doesn't have to fight against the Granutes, Hanto will most likely develop a longing for family and a desire to overcome the trauma of losing his loved ones.

"Only painful things happen to him, so we hope it all works out for Hanto."

Hino: I really hope so. On the other hand though, there's something appealing about being unrewarded (laughs). While being the spice that enhances the excitement of Kamen Rider Gavv, I hope that Hanto will continue to be loved by everyone, and I too will continue to devote myself to Hanto with love and care every day!

[barrenclan]

i think rainhaze is one of my favorites characters ever genuinely, issue 37 was AMAZING and i really loved how rainhazes arc finally ended. I feel rlly happy bc this was a very poingant way of putting that rabid dog down but also i mean. I am a little sad. I pity rainhaze but in a way you pity a cocroach or something... He had it coming, his death was soooo well executed!! rain and all of defiance see killing as a divine right, and seeing that turn on rainhaze was very cathartic.

The casual way he spoke about asphodels murder was genuinely sickening. As if it was all a favor to HER, instead of rainhazes cowardice and trauma and brainwashing and selfishness making him kill his niece im cold blood. The way his own death dragged on and on, how painful and terryfying and gruesome it was - this is what asphodelpaw went through. Her death was not like falling asleep and neither was his. It was scary and painful and cold. So cold.

The way this comic completely subverted audience expectations with rainhazes character is sooo so good... At first he was just a chilli dead guy. then he turned into a classic winter solider type - morally dubious but still symphatetic, a 'poor little meow meow' who was stuck in a horrible situation he had no way of leaving. and then he killed asphodelpaw in cold blood. That moment, when he chose to embrace the violence, the damned coward, was such a delicious and twisted reaveal - forcing the reader to reconsider the whole story and character from an entirely new perspective.

i think we as people well versed in fandom tend to woobify and water down characters like rainhaze and make them into 'poor little meow meows' - removing their agency in the situation entirely to make them more personable and toned down - and rain feels to me like a purposful dissection of that. he IS sympathetic, to a degree. the shit he want through was undeniably awful - and it broke him and molded him into a monster.

rainhazes character was always about choice, i think. about decisions you make and the decisions made for you, and how you respond to the latter... about the question of autonomy. where does your choices end and other peoples influence begin? and does it really matter, in the end? does it matter whether or not rainhaze did what he did out of his own will or under rangers influence? he still did it. even if he were sorry, and hes not, would that matter? he killed her. there is no bringing her back and he had to deal with the consequences himself. abandoned by his family and his tormentor alike.

his death was pathetic and slow and pitiful, and above all disturbing - just like rainhaze himself. i think thats the word that describes him best - pathetic. rest in pieces, you cold bastard. ill miss you.

sorry this is so long..... i tried to put my thoughts into words here and i still fell short, i hope at least some of it makes sense

So, so many people have wonderful, intricate and moving thoughts about Rainhaze in my inbox, and I want to share them all with you. So here is the first one.

Rainhaze really did make for a great deconstruction of the "poor little guy" trope that I was interested in exploring. Shellspring also did, to an extent, but with Rainhaze I wanted to get really deep into it. How much of this is his fault? What could he have done differently? Is his death cathartic, satisfying, triumphant, painful, tragic, or anything else? It was a lot of fun to write and I'm glad so many people seem to have enjoyed it.

[mamayan]

Dear Yanny,

I am desperately humbly requesting a yandere Giyuu being yandere, very very yandere, with a relatively willing darling AFAB/fem reader and a side dish of bedroom spice.

I am in tears.

Sincerely, Desi <3

Let’s do a yandere profile then for Giyuu! I’ve been wanting to try out this format for a minute now.

☆Giyuu Tomioka★

YANDERE PROFILE || OPEN TEMPLATE!

cw: NSFW • Obsessive/Possessive Themes • Implied kidnapping/imprisonment • Yandere • AFAB! Darling

Type

Overprotective!

This yandere type is obsessive and possessive of their darling, but they believe that their actions are justified in the name of protecting their darling. This yandere type may infantilize or cross boundaries their darling lays down. They intentionally or unintentionally take away their darling’s independence.

Giyuu is constantly in a state of worry for you, he’s thinking of you at nearly every second of the day and when you don’t consume his every waking moment, you appear in his dreams. Did you sleep well? Have you eaten? Did you eat enough? Have you gotten sick? Was someone rude to you? What if you’re hurt?

This type of obsession leads to tailing/stalking/monitoring. He watches you at any and every moment he can, and when he can’t then someone he trusts is. Giyuu learns all your habits, likes and dislikes, fears and dreams, and will insert himself into your life. He doesn’t need to be loud or boisterous, in fact his calm demeanor and presence allow him to seamlessly blend into your world without raising any alarms.

This leads to possessiveness forming. His attachment deepens over time and a sort of ownership forms. It stems from his detailed knowledge of you and even your private life which you’ve never shared with him personally. He sees himself as someone who knows you completely, thus making him the most important character in your life.

He doesn’t understand why you’d spend time with anyone else but him. Those “friends” don’t know you hate that food, but they ignore your indirect ways of steering away from eating it. He knows you dislike it, and he’s happy to eat your favorite food with you, even if he doesn’t love it personally. He’s unafraid of stealing you away too, pretending nonchalantly to have been just passing through with a bag full of your most adored goodies, inviting you away from whatever situation you find yourself uncomfortable in.

Giyuu is a gentleman, even in his most unhinged state of watching you sleep at night in your home you were sure you locked up tightly before bed. He’s not going to be mean or hurtful, his yandere tendencies stem from lack of control in life and deep loss.

Breaking Point

Once “danger” threatens their darling.

Giyuu’s instability would worsen over time, not immediately. It would coincide with his feelings for you. The more he falls in love, the more he begins to stress about that love being taken away in some tragic accident. He’s lost his best friend and sister, how can he lose you too? He’s always being protected by those he cared about, shouldn’t he be the one to protect you then?

Giyuu would ponder and even be consumed by guilt once he realized how powerless he truly is to keep you completely safe. You had a life to live, how could he be so selfish as to tie you to him by a short chain and never let you go?

He won’t take action until a threat is posed… even if that threat is only within his own mind.

It could be a demon nearly harming you, a person that is mean towards you, or even you being clumsy and hurting yourself which could set this trigger off. The longer he waits, the more the line of danger becomes skewed. In the end, he’s giving in to his own paranoia. There’s no way to truly escape this break.

Lucidity

7

Giyuu is actually fairly aware of how wrong his feelings for you have become. What was once innocent and pure has become warped and twisted into something entirely off. He shouldn’t think of you 24/7 nor should he be keeping such a detailed account of your life. It’s completely wrong of him, illegal, invasive towards you, and he feels immense guilt for it.

At first.

At first, he’s consumed with anger and disgust towards himself. He’s one hundred percent lucid at this point and fighting back against his urges and desires. He loves you, how can he be thinking and doing these things?

As time goes on however, his fight with himself becomes a losing battle. He wants you, needs you, has to keep you close. It’s more than he can take really, and in the end, isn’t he pitiful? Won’t you stop struggling? He adores you, he truly only desires your happiness and safety…

In his arms, of course.

Perception of Darling

Complete adoration!

Giyuu is not the sort of man to worship his darling in a religious sense, because humans are flawed and he wouldn’t truly love you if he ignored your flaws right? He loves those too, so Giyuu falls under the category of adoration.

With complete adoration is how Giyuu views you, his beloved darling.

He struggles not to constantly pamper and even mildly infantilize you, though he doesn’t view you as incapable. It’s the opposite in fact, shouldn’t someone as capable and smart as you be spoiled more? He thinks so at least. He wants to take away all your worries and struggles, all of them, because he wants to keep you safe from more than just outside threats.

He wants to protect you from the ones inside too. He knows what depression and anxiety feel like, how they can destroy you from the inside out, and he doesn’t want you suffering from the same thing.

These feelings are pure but his actions can reflect something different.

In his quest to rid you of all troubles, he can unintentionally make himself a trouble, one which he can sadly not rid you of. His simple solutions may even complicate things, like telling you to quit your job and rely on him financially when you complain of a co-worker. He struggles to listen at times, in his desperation to keep you happy at all points in time, and this can be frustrating.

Whether you are screaming at him in rage, crying in fear, or trembling with anxiety… he still thinks there’s no one more adorable and lovely than you. It’s difficult for him to feel anything but love and patience for you, even if he’s the cause of your outbursts.

It’s not that he believes you can do no wrong, it’s just that he could simply care less. As long as you don’t harm yourself, or try harming him (though he understands that much more), then there’s really not much that would cause his perception to waver.

Love Language

Words of affirmation

Giyuu enjoys words of affirmation the most from you. He enjoys all other love languages too, but in a way he somewhat forces quality time (stalking or kidnapping), acts of service (you breathing), receiving gifts (your presence). Physical touch would be a close second, but Giyuu can actually go without it should you not like it.

It’s your words though he cannot receive without you willingly giving it to him.

What he wouldn’t pay or do to hear you tell him “I love you” or “I forgive you” because he does feel guilty taking you. The guilt just doesn’t outweigh his overprotective instincts which drove him to take you in the first place.

Tell him he’s wonderful, compliment his hair or eyes, or tell him you’re grateful for his presence in your life. All will make him melt, his heart softening into silken tofu by your sweet words.

He also loves your voice, so you speaking at all makes his heart flutter. When you decide to utter kind words with that voice?

He’s gone.

Ability/Danger Level

10

Giyuu is as dangerous as he is pretty. Not to you of course, but to any and all who may or may not pose a threat to you. This includes family and friends too. He’s not above harming or even killing for the sake of protecting you, though he’d never reveal his actions out of his own volition.

He likely will get blood on his hands, especially since it becomes easier to take people out without you noticing once he’s kidnapped you. How can he allow someone who has harmed you to continue living and breathing? Even if the damage was only psychological, he views it as a trespass against his own and it will be met with violence or some similar horror.

He really doesn’t feel any guilt either, though he does have a strong moral code, especially for children. But that weird man who tried sexually harassing you?

The world can go without that sort of scum.

Punishment

Light/Non-scarring

Giyuu is likely one of the most patient yanderes out there, but he’s not without some temper. The quickest way to find yourself over his lap with your ass in the air is to try escaping or harming yourself.

His punishments, even when he’s in the worst of moods, will never be anything terrible. The worst you can expect is isolation.

This will seem fine at first, even enjoyable if you truly wish to get away from him, but over time it will wear you down to a sort of fragility you wouldn’t expect. It’s horrible being alone, maddening to a point you may break down and beg. He’s not able to bear hearing it, so he’d either lift the punishment as you having learnt your lesson or hide away.

A lesser punishment he might use is spanking or privilege revoking. He might ban you from the garden or walks you enjoy or put you over his knee and make your poor bum burn for a little. He’d never hit you anywhere else though, and of course, never use anywhere near his full strength in spanking you. It’s honestly little taps to him, but you might disagree when it hurts to sit later.

Giyuu may even be inclined to deny you sexually/or an orgasm if you are sexually intimate.

Reward

Constantly

How can he not? He wants to spoil you rotten, so much you can’t even fathom living without him and all he provides.

Giyuu absolutely rewards you with freedoms as his darling too, and you’ll learn to truly appreciate them as time goes on in captivity. The more accepting and loving you are towards him, the more freely he takes you out and allows you to do things. He doesn’t think you incapable as a human, which means he doesn’t mind TV, books, or entertainment as long as you aren’t using them to escape.

He’s not stupid and proves rather difficult to manipulate. He may let you play your game to let his guard down, but know once you make a move he’s showing you how futile the act is.

He’s happy to spend money on you though, whatever you like too. He’s a simple man and doesn’t really spend much on himself besides the basics and necessity, so he’s actually happy he gets to use his money for something besides collecting interest. Let him decorate you, or get all the fancy tools for your hobby you’ve always wanted. It’s not hard to get him to “reward” you. In fact, it’s harder to make him stop.

Style

Kidnap!

Try as he might to resist it, he wants nothing more to chain you to his side. That’s not possible though, he’s got obligations to attend to, but he can lock you in a gilded cage.

Treatment

A delicate flower~♡

He’s actually a bit hard to read when you first meet him, but he melts like ice on a hot summer day in your presence. Others may complain about his personality, or lack thereof, but you wonder if they’re talking about the same Giyuu that you know.

He never shuts up? He’s always bringing you fresh bouquets, sweets and snacks, any and all items that catch his eye which he thinks you’ll like. He’s detailed and incredibly considerate, and this doesn’t change when you’re taken captive either.

Though he won’t allow you to leave him, he can still give you… space. Your own room if you request it, a little garden, your space, as long as it doesn’t involve straying too far from him.

He’s not controlling in a sense of depriving you of basic human abilities, like cooking or using tools. He knows you are capable of taking care of yourself, and he’s careful not to make you feel otherwise.

He really tries. It’s not always perfect though. When you’re cooperative and willing, he has an easier time letting go of the reigns, but when you aren’t? He’ll lock doors and drawers like one might with a small toddler, his mistrust will show through his actions.

Intimacy

Sexually attracted~

Giyuu’s feelings for you are pure in a sense, but he’s a man with wants and desires…that just happen to all be directed at you.

He craves to hold and caress you, and he’s a bit embarrassed to admit he’s done so while you’ve slept. Your defenseless sleeping expression invokes both envy and adoration. He wishes he slept like that and also wishes you’d never sleep any other way. It’s intimate to him, cradling your slumbering form in his arms, pliant and sweet for him to gaze at until the sun rises. His anxiety for you is quenched when he holds you like so, and he enjoys the peace it brings him emotionally.

If you reject his physical affection, Giyuu is surprisingly one of the few yandere types to respect that boundary.

Don’t be mistaken though, he’s not above manipulating your feelings if there is a chance you’re only rejecting him due to the circumstances you’re in. It’s understandable to be frightened in the beginning, he’s not pushy in asking for anything from you that you aren’t willing to give to him.

But he knows he’s an attractive man, and feels nothing walking shirtless before you, or training while you can see. He’s seductive in how he’ll speak to you, lowering his tone and softening it, making you lean in closer to hear him. That’s when you’ll smell him, a clean and masculine scent that will confuse your mind and body because how can someone evil smell so good?

It won’t be hard to succumb to his advances if you’ve been intimate before you’d been taken. He’s detailed, remember? Confident he knows you inside and out, and that includes your weak points. Where to whisper or breathe to make you melt, where to touch to have you gasping, and how to deep he needs to thrust to make you scream. He’s well aware of how much pressure and time he needs to spend between your legs, how to lick your drooling cunt to have you shake and spasm, where to curl his fingers to make you tear at his locks.

No, Giyuu would never force any sort of intimacy on you. He makes it terribly difficult not crave it in fact.

Freedom

Minimal to none—

While in his presence, feel free to ask for walks, dates, or shopping sprees. He’s fine with taking you out so long as you act normally too.

Otherwise expect nothing. No freedom. Your cage may be luxurious and beautiful but you will never leave it, not without his supervision. He won’t budge either, there’s no convincing him something is safe or acceptable. It’s one of the few times you will see him stern and unbending with you, nothing you do will make him cave.

Begging and pleading may even irritate him enough to punish you as well. Why do you want to leave so badly? Is he so terrible to you?

Habits

Sleep watching

Giyuu spends an abnormal amount of time watching you sleep, even at the expense of his own rest. This won’t ever actually affect you, as he never outright tells you he does this, but if you figure it out or wake up unexpectedly to catch him… it may make you nervous to fall asleep.

Sexual Kinks (for non-platonic yandere)

Marking/Praise/Edging&Overstimulation

Giyuu felt these urges mildly before he met you. He’s aware he likes being told how well he’s performing, holding off an orgasm for him or his partner, or making both himself and his partner a mess with overstimulation.

It’s so much worse now though. He can’t help how desperate he becomes with you, how needy and near feral it makes him to just think of filling your pretty pussy up with his cum. It’s sad almost how you turn him into such a pathetic man. He wants to brand himself on you, it wars with his need to never hurt you too, so he settles by sucking bruises into your skin and occasionally biting you. He’s vocal when you’re both intimate, he tells you how much he adores you, what he adores about you (everything), and how good you are for him. His precious pearl, his ocean and entire heart, he’s not the least bit ashamed as he grits his teeth and cries your name as he comes apart. Giyuu loves teasing you and himself too, working you both so close to the edge before stopping, leaving you both whiny and desperate for one another. He needs you to cling to him, to beg for more, to take it too.

His kinks aren’t one sided. He wants you to mark him up, in the way he wishes he could bring himself to do to you. So drag your nails across his skin, make him wear a collar of your bites and kisses around his neck, pull his hair and bruise him. Anyway you show ownership of him is welcomed, though the amount of dominance he’ll accept from you is dependent on your acceptance of your new life with him. He’s less inclined to release the reigns of control when you’re still adapting, cautious and fearful it may be a ruse to trick him and escape. He’ll relax eventually, and even begin to crave the times you tie him up and torment him like he does to you. Deny his poor aching cock again and again, make him beg for you and worship your sweet cunt as you ride his face, and then deny him again just because. He’d even accept if you just stopped there, leaving him painted red and panting, exhausted but not finished. He’d be entirely grateful if you took mercy too, rode his pretty thick cock until he became delirious and keep going even after he’s cum, moving your hips like a goddess on his lap while he pleads for rest and mercy. He can cum multiple times, but it borders on painful after the third, he won’t complain much though if you test his limits.

He’s happy to return the favor, but Giyuu’s favorite way to overstimulate you both is deep hard sex, holding your gaze as he fills you over and over, your pussy oozing his white hot load each time he pulls out to put you in a new position, before he plugs you right back up. Giyuu likes to cum pressed as firmly against your womb as he can, and he likes when you cum around his cock. It feels to most complete to him, and he cherishes the pleasured look on your face.

If it ever becomes too much, a quick way to make him finish is to praise him too. Tell him how good he makes you feel, how beautiful he is, how you like what he’s doing. His hips will always stutter in surprise, blue eyes widening as he gasps and tenses, cock twitching and threatening to spill just from your lovely voice complimenting him.

Boundaries

The front door—

How can he protect you if you run away? He draws a solid line at the doorway. You will not be crossing it without him or else.

Leniency

Strict

Unsurprisingly for an overprotective yandere, Giyuu is incredibly strict.

You’re health and safety are top priority for him, so from when you wake up to when you fall asleep, he’s got all of it tracked.

Your daily needs are monitored like your exact location in his home. He likes having eyes on you at all times. He won’t enforce specific meal plans, but he makes sure you are eating enough, you’re getting enough vitamins and nutrients, and doctor visits are regular. He even knows your menstrual cycle.

You will be asking him for any and all things, he keeps that under tight control. If you want to bake bread or grow a garden, it will all be done through his means.

Overall Rating

89/100

Giyuu Tomioka is an incredibly dangerous yandere!

While he poses minimal threat to you as his darling, he’s a risk to the outside world and your surroundings. He’s sure in his carnage in the name of protecting you, and he’s lucid about it too, which makes him quite threatening.

You’re chance of escape is little to none, and the punishment following it will surely make your teeth ache.

Snippet

“You’re trying to leave?” His tone is soft, no true indication of his mood to those unfamiliar with him.

You were familiar with him though, and his words made your blood run cold. You weren’t trying to leave, you had only wanted fresh air in fact, but the position you were in now made that difficult to believe even to your own eyes. Balanced on the flat surface of the kitchen counter, you were struggling to open the window due to the cold having frozen it outside. Once you had gotten it open, like an animal you’d stuck your head out immediately. It was an instinctive reaction in all honestly, you just wanted the cool air on your skin.

You should’ve gotten him to do it though, he would’ve, you knew, but you’d wanted to do it yourself. To have the little moment all to your own. A foolish goal in the end, as this was where it took you now. He’s not looking at you, just leaned against the entryway with his arms crossed and a cool expression painting his features, head tilted slightly down.

“I’m not!” It’s too quick a denial to absolve you of suspicion, especially as you scramble down with a face appearing impossibly guilty. “I just wanted to open the window,” you explain, but the nervous rise of your voice and the way you look frightened only make his eyes narrow a fraction. He doesn’t believe you. You need him to believe you, because your punishment for escape is always his silence. It’s damning to your senses that crave company and interaction, his patience greater than your own.

“My love, I swear, I really, truly wasn’t,” you stepped closer, heart rate picking up as anxiety tickled your senses. “I would never leave you,” you whisper, coming up to him even as he gazes down at you with eyes pooling with disbelief and suspicion.

He’s unable to resist pulling you into his arms though, wrapping you up close to him and appreciating your softness in his grasp. It helps as you wrap your arms around his neck, press yourself impossibly closer, and whimper in his ear. His grip increases a fraction, a shiver going down his spine while one hand slips further down to cup your ass and lift you.

His strength amazed you at times, and terrified you at others.

You wrapped your legs around his waist, whispering promises of never leaving his side and loving him forever against his lips before he silences you with a kiss. His soft lips warm and coaxing as he takes you out of the kitchen and towards your shared room in the house. His hold becomes a bit too harsh as you’re laid on the bed, his weight blanketing you. His eyes are darker than usual, deeper pools of blue you worry might drown you as he slips his hands beneath your skirt, calloused fingers running along the soft flesh of your thigh as he spreads them. A burning need deep in his gut to remind you where you belong.

“Who do you belong to?” It’s so light against your lips you nearly miss it.

Until he tears your underwear off, a yelp elicited from you at the sting on your flesh from where he tugged and tore them.

“You!”

He easily slips between your legs, fingers sliding through your folds, finding your puffy nub and applying pressure until you’re moaning.

“G-Giyuu…”

“That’s right. You belong to me, don’t you pearl? All mine,” he’s pressing into you, two fingers opening you up despite your entrance weeping for all of him. Still mostly clothed you grip his sleeves, whining because it’s not enough, his lips hushing you again. He swallows all the little noises you make, tongue invading and stealing your ability to think as he fucks you with his fingers. Each shlick of your pussy has you heating further, the lewd wet noises he elicits making your legs tremble around his waist.

He breaks the kiss, rubbing and stretching your gummy walls before curling his fingers and vigorously attacking your poor g-spot, his lips tugging into a smile as you shatter for him.

You’re left limp beneath him, the orgasm he tore from you too quickly made you dizzy as you pant and gather your mind again. Giyuu is already sliding the tip of his cock through your slick before you can recover, pressing forward once he’s lubricated enough to slip past the tight first ring of muscle into your warmth. His cock spreads you perfectly, opening you up and leaving you gasping for air due to the sensitive inner walls being stimulated further.

It’s desperate and messy how he fucks you, intertwining your fingers and pressing them beside your head, kissing and marking your neck up while repeating under his breath how you’re his.

“Mine too—!” Your airy cry has him sinking even deeper, a groan coming out at your own claiming of him.

“Giyuu—,” he wants nothing more than to brand your soul with himself.

“Yours,” he nods, looking into your eyes as he bullies his cock against your poor cervix, using his thighs to press you up further, almost in half while he fucks you.

“All yours,” he moans, burying his face in your neck while he stuffs you full, the room heating as you did, your core tightening around him while your body edges on the beginning of another orgasm.

He stops just before you can cum. His weight and warmth immediately leaving you as you cry out in denial. Your wide gaze on his cooling expression, his jaw taunt with tension.

“Giyuu…?”

“Not till you learn.” Your confusion must show on your face.

“That you’ll never be safe unless you’re by side.”

He didn’t believe you.

“But I—,”

“Shh… I know, my sweet pearl.” He’s blanketing you again, warmth returning to your body but his eyes remain cool.

“You’ll learn eventually.”

Something dark swirls in those depths, your gut telling you to run but…

There’s no where to go.

Dividers hand drawn by @benkeibear !

[dr-zeddy]

Miquella is a deeply tragic character and saying he's a villain just because he used someone, who was probably way worse than him to create an order lead by kindness, makes you come off as pretty short-sighted imo Miq was as much of a victim as Mohg. He had good intentions, he truly believed he could make the he could make the world a better place.

*exhales deeply* Are you the person, I think you are? nonetheless....

I'm going to shed my opinion on Miquella now because I seriously can not tell if this is bait or not from things we see and know in the base game and DLC and want to clarify my thoughts on him and why I believe rendering him as a victim is extremely problematic, also outside of the entire Mohg situation.

Is it so hard to internalize that the things Miquella did were actually highly morally questionable? I got to admit, he is a way more interesting character to me after the DLC because of the things he did (and I enjoy villains, so yeah.) I guess the »villain« term is as much accurate as some of you folks justify brainwashing to be ethical , when it is done with good intentions and keeps the peace, with which I personally do not agree with at all.

I don't see Miquella as tragic because honestly we have nothing to suggest that this guy suffered in any way before he decided to rip himself off of his personality. And that is the point, he decided to do that himself. No one forced him to this. Miquella had a choice, unlike Mohg. Yeah sure, you could argue that he suffered through his immense »empathy« but honestly, Miquella's empathy for the weak and shunned always came off as superficial. Why does he not care for the Albinaurics being tortured in Castle Sol, which is clearly allied with him? Where are the Misbegotten and other creatures in Elphael? Where are the Albinaurics? And the Omens? The Nomads?? Miquella claims to want to create a perfect world where everyone is equal but honestly except for words we hear, we do not see any fucking action or effort to truly include them in his world order.

And that's the thing, Miquella reeks for me at best of naivity and at worst of white saviour complex. He grew up as a fucking empyrean, he had a good relationship with at least one of his parents, he was a golden child. From the things we see and hear in the base game, and now the DLC, it feels like Miquella does not seem to grasp the complexity of the situation when it comes to subjugation. If that is due to his child-like thinking, infused by his curse or actually just his personality, is up for debate. Can you truly care for the subjugated as someone more privileged? Absolutely. But only if you truly educate yourself on the matter and actually listen to the needs of the excluded and shunned.

What does Miquella do instead? He rips everyone off of their autonomy to make decisions themselves if they refuse or challenge his beliefs. That is textbook tyranny. You can not save someone, who refuses to be saved by someone like you. Doing so anyway is extremely ignorant. In the end, Miquella actually puts his needs & beliefs before that of those he claims to desire to save. He is so convinced of his own agenda that he loses track of the moral dilemma, his approach to worldpeace poses. That is not tragic. These are the thoughts of a megalomaniac. If Miquella's selflessness was truly genuine there would be no need of compelling affection. However, he bewitches people. Over and over.

Of course, there are his efforts of curing Malenia still. But even that is, in the big sight of things, not really a selfless act because Malenia is a.) close family and b.) he gets and actual use out of Malenia's talent as a skilled swordswoman. I do not think Miquella bewitched her, I truly believe Malenia followed him by his own will and I also do believe he really did want to help her! However true kindness lays in how you treat those who can do nothing for you. Bewitching those who can do nothing for you and refuse to follow you, is not exactly a very pretty picture of his character.

And in comes Mohg to this occasion. The game is so fucking obvious about the fact that Mohg was the exploited one and I seriously do not understand why people still insist he isn't and exploited Miquella?? He is the only demigod we know for certain of, who was brainwashed. With Radahn and Malenia we do not know for sure but with Mohg we do. The fact that Mohg was bewitched implies that Miquella could not be sure that Mohg would have agreed to a deal and that would have been a way safer route than to bewitch him and his closest consult. I mean, Miquella almost DIED because he underestimated Ansbach's knowledge on how Mohg behaves. Why the fuck risk that if you could have just openly made a deal with Mohg, if he was as power hungry and crazy as the game implied?

In contrast to Miquella, Mohg is actually one of the most tragic characters in the game. This motherfucker was told his mere existence is a crime, grew up in the sewers locked away for years, he had no one except this one Outer God who seemed to care for him and showed him maternal love, something he was deprived off his entire life. Not getting into the speculation on how the cult operated before Miquella took over but it's very clear that he ruined Mohg's life. Mohg just wanted to get away from the toxicity he grew up with and created his own haven, from which he too thought, was the right thing to do. However he never forced anyone to join him. He never mind controlled people. People followed him by their own accounts.

The cult in itself is probably morally questionable too but we also have no idea how the Mohgwyn Dynasty worked before Miquella essentially took over. But by that standard, everyone is in the Lands Between is a twisted bastard with their different agendas ….

The point is that Ansbach is still right though when he says that »Mohg deserved better«. NO ONE who is genuinely interested in helping the shunned and subjugated, would chose one of the most excluded and tormented souls as their pawn. NOBODY deserves to be treated like this but the fact that Mohg is a product of extreme racism and social exclusion makes it so much worse and makes Miquella look so much more hypocritical. It suits the stuff we see in Castle Sol and the Haligtree … Miquella wants to be seen as the world's saviour so badly but seems to have no understanding on what suffering actually means. Because he never experienced it. His empathy is superficial and short sighted. The fact he is convinced he is doing everyone a favour in bewitching them, and does everything in his power to achieve his dream, makes him a truly terrifying villain. And that is something I like Miquella for. Is that really so hard to accept for people like you?

Sure, you can still live out the fantasy in your head that the mindcontrolling intermitted in Mohg to "grape" Miquella (even tho the game also never confirmed this????) if that pleases you, but for the love of God stop acting like it is a fact that Miquella was used by Mohg because he wasn't. I guess a lot of personal feelings from my side bubble up regarding this topic and I'm sorry of if I come off as passive aggressive but as a survivor of abuse as a minor by someone "popular", and nobody believed me, and Mohg being one of my comfort characters, that shit hits different. Just not a fan of turning victim-abuser dynamics upside down, sorry.