#but i think getting to know the other characters would be interesting

[luvlystarr]

·········♡········· Prompt: The moment the 141 guys realized they're in love with you. Content: Fluff! (This was all rushed so don't expect it to be the best lol) ························

Kyle 'Gaz' Garrick - In all honesty, Kyle has probably been interested since the day you two met. But when he decided to bring you along to his cousin’s birthday party, that's when it fully clicked in his mind. At first he just thought it would be a good idea to get you introduced to his family, you were his close friend after all. It just so happened that his nieces and nephews were there and as soon as they met you they were instantly hooked. Kyle never knew you were so good with kids and just people in general. His nieces and nephews kept playing with you, while his other relatives genuinely enjoyed chatting with you. The exact moment he realized he loves you was when one of his nieces asked you, “Do you like Uncle Kyle?” To which you responded, “Yeah, he’s a very special person to me. I like him a lot.” Of course you had to say those words with that warm, kind smile of yours, it got Kyle melting on the spot. Unbeknownst to you, he heard every single word and has been absolutely lovestruck since then.

John 'Soap' MacTavish - It was quite an odd moment. The moment he knew was when you two were up late at night watching every single Harry Potter movie out there. At some point, about halfway through the third movie, you just started rambling about the characters and story of the whole franchise, even covering little details about the books. Johnny didn’t even know why or how his mind began to think that way, but he just found it so attractive. Even to this day he doesn’t understand why you geeking out about the Harry Potter franchise was so captivating. Maybe it was the way you looked so focused, or how the tv was illuminating your features perfectly, probably your angelic voice too. Either way, he can’t stop thinking about you and he uses every chance he gets to get you talking about any of your interests.   

John Price - He would probably never admit this but the moment he knew he’s in love was when the two of you were fighting. Both of you had a tiny disagreement on something but it ended up growing into a heated argument. For almost half an hour straight, you two just kept going back and forth, gradually raising each other’s voice and becoming more irritated. By the end it got so bad that you slammed your hands on the table and got snappy at John, yelling strings of insults at him. He should be just as angry, but no. In that moment he could’ve sworn his heart skipped a beat. How could he get mad if you looked so cute with your pouty lips, furrowed eyebrows and crossed arms? He mistakenly let out a small chuckle at your attempt to be intimidating but he was met with a slap on his face. At that moment he knew that the only reasonable explanation why he felt that way was because he was head over heels.

Simon 'Ghost' Riley - You were the first person he actually got close with. Sure, he has Johnny and he's an amazing friend, but the bond he had with you was unlike any other. The two of you found solace in one another and always had each other's back. The night he knew it was true love was when you drove all the way to his house after a terrible day. You were sobbing endlessly as you rambled on and on about how crappy your boss is as he intently listened, even rubbing your back while handing you a cup of tea. After comforting you, he insisted that you stay for the night. He let you wear one of his hoodies and even let you sleep in his bed. You were hesitant at first but quickly gave in with how insisting he is. He remembered watching you sleep peacefully, all huddled up beneath the blanket. He had to admit, you looked adorable wearing his hoodie with that calm look on your face. That's when it dawned on him just how much he loves you. ········································································

[dreamerdrop]

Oh God, yeah. During the war, Julian is basically going full into survival mode. He's pulling away from people, he's keeping his mouth shut, he's basically letting himself turn into a hollow shell that just looks like him because everything is so exhausting and he doesn't really... have it in him to be himself anymore.

I feel like I personally give kind of a pass to most of the characters on DS9 being jerks about Julian being obviously autistic for the sole reason that... one of the things I like about DS9 is that they're all pretty messed up in one way or another. Miles is allergic to voicing emotions and sentiments out loud (despite Keiko's best efforts, but she's also not great at it herself), Jadzia is shown constantly to have a REALLY inappropriate and poorly timed sense of humour, Kira is... Kira, and her issues mean that Julian's issues basically rub against each other like sandpaper.

Garak is interesting in how his dynamic intersects with Julian being autistic though. Garak seems to delight in Julian doing things like being blunt, infodumping, etc. Garak is someone who would drive ME a little nuts IRL because his specific brand of enigmatic behaviour would wreak hell on my lack of self esteem and inability to trust my judgement...

But for Julian, it seems to be a huge part of the draw. I think, in part, it's because Garak does seem to recognise when he's pushed too far and then, in his own weird way, often... relents a little.

Like in Cardassians, on the shuttlecraft. Julian basically says, very bluntly, "Garak stop talking in riddles this is serious and I don't want to play games anymore" and Garak immediately goes "alright fine here I'll talk as plainly as I am comfortable with".

Or, in an odd way, the scene on the Defiant during... season 6? Where Garak is basically insulting Julian over his augmented status. That scene is a little rough, even with the knowledge that this is effectively flirting for Garak, but. There's something in it that actually stands out to me as Garak trying to relent a little.

Specifically, his comment about Julian being a Vulcan. Julian is sensitive about his augmented status. Garak knows this. Garak insults him over it, and then towards the end of that little spat, saying "you're not genetically engineered, you're a vulcan", it kind of... reads as like, Garak trying to steer the conversation back to something playful, something that isn't actually attacking Julian.

(And there's obviously a lot to be said for how Julian is somewhat smiling to himself at the end of that scene.)

I think there's something similar to that in his dynamic with the others. I don't think any of them really have particularly good social skills, honestly. Jadzia comes closest but her levels of extroversion and enthusiasm mean she's often putting her foot in her mouth too. (... oh that's why she and Julian make good friends, they both have the party autism.)

Thing is, I think if Julian ever actually said to any of them "hey that actually kind of upsets me could we not" and they realized he meant it, they would apologize and mean it, but because everyone on that station is messed up and lacking in social skills, they all kind of constantly end up battering against each other with poorly timed jokes and insensitive remarks and dismissal of trauma and none of them ever figure out how to address any of it.

Narratively, though, Julian's trauma gets brushed over more than almost anyone else's, and that DOES piss me off about the writing. Even before we get to the augmentation aspect (which is taken seriously as traumatic for exactly ONE episode), a lot of the time Julian's issues just... get kind of tossed to one side.

Character wise, I think Julian is the type to focus on other people's issues so he doesn't have to acknowledge his own, but the way the show itself often ignores those issues does REALLY grate on me.

Julian Bashir walks a very fine, maddening line between “self-loathing imposter syndrome who knows almost everyone who speaks to him for more than a minute finds him insufferable” and “incredibly self assured and annoyingly arrogant to the point of a minor god complex”.

He knows he’s attractive, he thinks he’s charming as all hell, he knows he’s the smartest person in the room (while also being acutely aware he’s going to put his foot in his mouth any second now), and he just swings wildly between “I don’t deserve anything I have, none of this is mine, my life is not my own, I am a monster” and “HELL YEAH LOOK HOW COOL AND SMART I AM GUYS ARE YOU LOOKING ARE YOU LOOKING”.

And then there’s episodes that reveal that underneath that annoying arrogance, at the very core of who he is, he really, really just wants to help people, and if he fucks that up he WILL take it personally and hold himself responsible even if there’s no way he could have known and like. Can you imagine what his first patient death was like for him. Can you imagine what a fucking nightmare his brain must be 24/7.

He is somehow as inherently self assured as he is in need of constant validation for his ego because you can SEE him break a little when that ego fails him, even a little, and it’s just.

He’s very fun to write. I hate him. (I love him so much, but oh my god.)

[angellwingss]

Wasn’t going to go on a big rant but you know what since that other post is gaining traction yeah I think I will. So big long rant under the cut. Lolll

I feel like. A lot of people might tell me ‘it’s not that deep’ but to me it is that deep.

I don’t have a problem with JayVik or it’s shippers like. At all. I just think some of them are à really good demonstration of like. Every bad thing when it comes to fandom ever LMAO.

Once again I am (supposed to be) writing a whole big long essay about this already so I will try and keep this kind of short and sweet and it might be a bit lacking but wtvr.

I think a lot of JayVik fans tend to be white queer people. Someone left a tag on my OG post that said basically ‘my take is I’m a faggot and I don’t have to care about a character if I don’t want to’ and no hate to that person cuz you’re right, but this is exactly the kind of stuff that made me make that first post.

I feel like a lot of white queer people have an issue with seeing outside their own identity? If that makes sense? This is seen time and time again with the way some of them behave when big movements happen online, some have a tendency to centre themselves and whatnot so i think it’s kind of the same thing.

It makes total sense that a queer person would prefer queer ships and would prefer JayVik over MelJay, that is not a crime. But I do think part of that is because they can’t relate/identify with Mel or see themselves in her like they can with Jayce or Viktor.

I hate to also make it about feminism but i think a lot of you guys are super like. Male centred, like just in your attraction which once again, not the issue not a crime. But i think it’s also why CaitVi, which is a canon queer ship, although popular is still not quite as popular as JayVik despite being canon. Women fetishizing gay men in fandom is not something new, which I think might play a small part in it- I’ve seen a lot of people especially back in s1 infantilizing Viktor and acting like he had no agency or independence and that he NEEDS Jayce to take care of him (that’s another thing. Ableism(looks at you with my eyes)) and they also do the same thing with Jayce where they act like he had 0 agency with any decisions he makes and that he’s like a big dumb baby who doesn’t know anything politics. Hey, guys. That’s a grown man.

My main issue isn’t that people prefer JayVik over MelJay it’s just that some shippers demonize Mel to an insane degree, blame her for getting in the way of their ship (this is also happening right now with Maddie- there’s a leak going around saying that she gets with Caitlyn and people are so upset that this character is getting some INSANE hate and I feel like that’s the same thing going on.)

they blame her for ‘stealing’ Jayce etc etc like. Idk. You don’t have to ship MelJay but I wish more people would appreciate Mel just as a character- imo she is super interesting and has a great story but she’s only ever seen and ‘the other woman’. I’ve seen people say she isn’t like, well characterized and that her story entirely revolves around Jayce which. Yeah she’s definitely heavily involved with him in s1 but she’s clearly got a lot more going on than just that and you would know that if you GAF 🗣️🗣️

for just being. Who she is. I think Mel deserves more attention just in the fandom and it’s just frustrating. People making memes about Jayce going insane over Viktor leaving but like. Mel also just got fucking kidnapped guys. His lover has just vanished without a trace why is nobody also talking about that !!!! Why can’t he care about both these people at the same time !!!!!!!

Anyway I’m not nearly well equipped enough to talk more in-depth about like. Any of this but I do think the demonization of Mel and refusal to see her relationship with Jayce as it is can often times be boiled down to racism like straight up. And also things like the fetishization of gay men in fandom and just things like that are sometimes what can lead to female characters- even the well written ones to be shelved and pushed aside in favour of their male counterparts.

Obligatory ‘not all JayVik fans’ obviously a lot of you are awesome, shouldn’t have to say this. If I’m not aiming for you, you shouldn’t be getting shot.

[water-to-drink]

How They Became Attracted to You

(Characters): Al haitham, Ayaka, Kaeya, Chiori

(Synopsis): First meetings with the most popular or influential students at the academy

(Tags/Warnings): gn!reader, reader is an artist, school au, reader is a transfer student, possible ooc Chiori, (if I missed something lmk)

(Word Count): 1.4k

(A/n): If you all like this then I’ll make a part two, just tell me which characters you want to see

🦅Al haitham🦅

🦅 The first and only one to best him in a test, a geometry test to be specific. He only came in at 99% while you come in at a perfect 100%

🦅 At first refused to believe that a mere art nerd could get a better score than him and so with as much delicacy as a bull in a china shop Al haitham came up to you and asked you how you got your score

🦅 Being randomly approached by the school’s smartest student you were very nervous and told him that you just did what you learned from class. Seeing that you won’t give him the answer he asks for you to tutor him which you agreed to go it, mostly because you were very nervous under his sharp gaze

🦅 While tutoring it became apparent that you sucked at explaining things to him, don’t get him wrong he already knows the material he just wants to know how and why you got a 100. As these sessions went Al haitham saw how your hands would glide across the paper, the delicacy almost amazed him

🦅 Slowly but surely Al haitham realized that there was more to your shy exterior. You were sassy and quick witted, you could even match his intellect on many topics, he finds himself feeling that he on an equal level with you.

🦅 Now he looks forward to your tutoring sessions, recently you two won’t do any tutoring just do your homework and talk about anything on your mind, the same mind that he finds so interesting and beautiful

🪭Ayaka Kamisato 🪭

🪭 The two of you have seen each other in the hallway before and after classes. She would always see you with a sketchbook in your hands or drawing in it. You didn’t take up too much real estate in her mind, the poor girl has too much going on as the daughter of the Kamisato family. That was until one day where Ayaka was leaving cram school and her chauffeur was stuck in traffic, she was approached by an older man

“What’s a girl like you doing out so late?”

“I’m leaving cram school, sir.”

“Cram school? You kids work so hard, I can show you a good time.”

“Uh, no thank you, sir.”

“C’mon, don’t be so stuck up, live a little-”

“What’s the problem?!”

🪭 There you are, yelling at the top of your lungs, she can tell that you’re scared but you still yell drawing more attention to yourself and the creep in question. Once a lot of people are watching the scene the creep walks off leaving you and her alone

“Are you okay?”

“Yes, I am. I’m sorry that you had to step in.” Ayaka bows her head

“Don’t worry, I saw that you were uncomfortable so I decided to step in. See you around.” You waved goodbye as you walked off and her chauffeur pulled up

🪭 Later Ayaka came to learn that you didn’t know of the prestige that came with the Kamisato name. You came up and scared off the guy of your own volition, thinking that she was just an ordinary girl who needed to be rescued and that is what she’ll continue being to you

🪭 It wouldn’t be hard since you two are in different grades, you being her senior by a year. You would both meet up in a quiet cafe you work at, she learned that it was your family’s business and work there to help your family and to earn some pocket money. The two of you got so close that you even let her look through your sketchbook and Ayaka was amazed by your skills

🪭 When you offered to draw a portrait of her she jumped at the offer. So one day at your family’s cafe you presented her a drawing of her. You drew her as a swordswoman dressed in traditional Japanese clothing and armor, she profusely thanked you and framed it the moment she got home

🪭 There are some nights where if she can’t sleep mainly because of nerves she’ll take your drawing and look at it, thinking about you would quell her anxiety and give her the best of dreams. Just don’t tell her brother, she’s afraid he’ll scare you off

❄️Kaeya❄️

❄️ Is the complete opposite of his adopted brother, he’s known as the school’s flirt and a total playboy. He makes girls and guys alike go head over heels for him, and you, the new transfer student, is on his radar

❄️ He lives for making innocent things like you into a flustered little mess. So when he sauntered over to you and threw his usual flirty remarks, he wasn’t met with a sheepish face nor an oblivious one. No he was met with a look of disgust

❄️ Without saying anything you walked away from him, leaving him bewildered. Did he do something wrong? Everyone falls for him. Refusing to take this laying down Kaeya decides to find out why weren’t you under his spell

❄️ And so he began to make an attempt to learn more about you, your likes and your dislikes, or your hobbies. At first you would just ignore him when he would try to strike up a conversation and after a few weeks he decided to make a deal with you

“Are you serious?” You asked

“Dead serious. We’ll act as friends and if you still can’t stand me in 2 months, then we’ll stop. Does that sound good?”

“Only if you promise to leave me alone after?”

“If you still can’t stand me.” Kaeya threw his signature smirk

“Ugh fine! But no flirting!”

“I make no promises~”

❄️ The two of you tried to act as friends, before it was awkward but soon you got used to his presence and you slowly began to come out of your shell, finally showing your true colors after about 3 weeks of “friendship”

❄️ Kaeya finds himself laughing at your jokes, actually laughing and not the fake laugh he would do when he’s trying to fuck somebody. Now Kaeya’s heart thumps whenever you would laugh at something or wave at him in the hallway. Oh gods, is he in love?!

❄️ He wishes he didn’t have the reputation he has, he wants more than your body, he wants your heart

🪡Chiori🪡

🪡 The president of the sewing club. Chiori and her club members have made various designs, many of them for the theater group whenever they’re putting on a performance. However the best designers have their slow movements, not being able to come up with any designs that are up to their standards. That is what plaguing Chiori

🪡 One day she finds a random sketchbook in the sewing club. Curiosity getting the best of the young seamstress she flips through the book, there she sees the most beautiful character designs, the obvious inspiration from big names like Chanel, Gucci, and Thierry Mugler, but the person who made these designs are unique to them. It all gives Chiori a surge of inspiration

🪡 Immediately she opens up her own sketchbook and begins drafting up some designs, some are amazing but others don’t compare to the designs in the mysterious sketchbook she found. She must find the person who made this

🪡 She hears the door opening and when she turns her head, she sees you looking a bit embarrassed.

“Uh, I left my sketchbook here, have you seen it?”

“Yes, I have.” Chiori picks up the book and hands it to you. “I looked through it.”

“Wait, what?!”

“And I like what I saw, can I make the designs in this book?”

🪡 So every Tuesday you would go to the sewing club and let Chiori bring life to your designs, the two of you would talk about various fashion styles and designers. Chiori is very impressed by your vast knowledge on how different styles and cultures arose, she might even say it rivals her knowledge (but she won’t)

🪡 The more time you two spend together the more Chiori likes you, she would look forward to your presence right next to her talking her ear off about your characters as she worked. Normally she would play music but the sound of you rambling is more than enough for her

🪡 In the privacy of her room Chiori would often find herself drawing up designs for wedding garments for her and yours wedding, she can’t wait for the day you to call her “my wife”

[ikkosu]

Can you please rant about your favorite Prowl imagines?

I have so many. Prowl is a perfect box of delicious imagines. (Mild nsfw)

His personality, for starters, is really interesting if he ever had a person he liked. There's two ways I'd like to think how prowl would react.

Realistically, he'll consider you to be a weakness and does what he always does best when it comes to weaknesses — he avoids it. It's tempting to imagine he'll act cold to you, give you the cold shoulder and douse you with his icy-cold glare. You'll never know why he acts that way and he'll make sure you never find out. (His pride and misery depends on it. )

But, and this sound crazy, can you imagine a prowl not being cold but instead accepting of his feelings? Like, the moment he starts noticing and realizing why he acts the way he does around you (Door wings more expressive, face plate pinched in a way he's more focused, and the biggest giveaway : his sparkrate picks up.)

Obviously, avoiding you is going to distract him. Even worse, meddle with his work. So, his TACNET proposed he might as well get on with it and confess.

He did spare some mind not bring it out too bluntly, guiding you to the garden then holding your hand. The way he said it made it sound like Cybertron will verge on destruction if he didn't confess (if you also didn't accept) and if it were any other person he'd understand if they slapped the engex out of him and walk away. Nothing good comes out a coerced relationship.

Which is why he was genuinely surprised when you accepted. His TACNET temporarily sputtered, crunching on same words over and over again. "Yes. Yes. Yes. Yes. Yes—"

He was like that. For the entire day.

With the confession out of the way, I'd like to think, aside from lumbering through base with his 'Work Personality' turned on, he's unusually gentle with you. He's still prowl. Sassy prowl. Grouchy prowl. Straight to the point Prowl. Table flipping prowl. But he's a lot less that when he's with you. (Can you tell I love grouchy characters with soft spots) . You saw all the times he's calm. All the times he's gentle and all the times he's loving.

Like Earthspark prowl, I want him touchy. I want him handsy. Ratchet notices Prowl actually gets off work on time these past few months. Prowl is quick to stride into your little house and pick you up by the arm does, emulating the way you do with your car, and nuzzles you. He loves the soft touch of your palms on his back, especially the sensitive spot between his door wings. Whenever you press down, his wings flutter and flatten, engine revving into a purr.

He likes the touch of anything soft. That includes your body, your bed that smells like you, and pillows. But the thing is, he's too big for your bed so anytime he comes and stays over, you both retreat to the living room where the entire space is a mattress comprised of all the pillows you hogged from every corner of your house. Prowl liked to press his face into your belly and chess and recharge.

He's got an exceptionally brilliant sense of smell. Which is why you never won at bide and seek. In all of the hiding spaces you used, prowl simply snatched you out like a wet rag with a twist to his lips.

Prowl doesn't care if he has to show affection in public. He'll only do it when he wants to and doesn't care of what people think. Of course, there's a time and place too, he's not that indecent freaky.

I can't help but envision him to be perfect husband material XD

He's straightforward. He might hide some things from you, either becuase it's a safety concern or something else entirely. But hey, you have to trust him on this. The only thing you have to know is that there's a special place in his spark that has you in it.

He learnt how to cook human food, and is incredibly precise with it. He thinks too much or too little of the said ingredient might poison you, while simultaneously using a decade old energon mix to whip up his meal. And, possibly, get sick from it. But his favorite past time is scouring through the Earth Internet and trying to bake sweets. He might even try to make you Organic-friendly Cybertronian food with how insistent you are sometimes.

And when you're all but being cute with him, sometimes he have limits and he'll pinch your chin and tip your head up into a kiss.

It's always fun when he's horny. Mostly becuase he's just awkward about. Like he doesn't know what to tell you how to deal with this raging boner he has .... sit on it, please?

Prowl doesn't want to mess up this relationship like he always did with the many ones he could've had something more. He's tired of fighting against himself. For once he realized he could have something different. Maybe, live a normal life. Have actual people who care about him.

At some point he notices the subtle nuances in his behavior ever since he accepted his feelings. He thinks he might relapse and shrink into his shell again. But with your head on his lap, playing your phone as he reads his report — sometimes things aren't meant for change.

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[vamphorica]

Because I hate being happy for more than two hours at a time, I've been considering to what extent Matt knew that Takada's kidnapping was a suicide mission.

I've been looking at this screenshot while I've been using it as a reference for a drawing and given that the poor boy is only designated sixty-nine seconds of screentime in the anime, I think it is interesting that there's a substantial pause on this specific frame. Matt is surrounded by Takada's bodyguards, unable to get out of the predicament he has found himself in. At this point, he believes there are two possible outcomes: he will either be arrested, or shot dead. You could interpret his expression here as apathetic, as that is how he tends to be characterised, but he sits in his car and looks out towards the row of headlights for about seven seconds. He considers his situation, acknowledging the number of men pointing their guns at him, and then he leaves his car.

The question is, did it occur to him then, or had he known beforehand, that his death was inevitable? Remember – Matt is one of a few characters in Death Note to be killed 'traditionally'. Should we take the Shinigami Eyes into consideration here, we have to assume that Matt is fated to die at this exact moment in time, regardless of circumstance. There is nothing that would have saved him from his demise that day.

However, I do wonder if, at nineteen years old, he is truly apathetic about his own life. I genuinely believe Mello sees his own death as an inevitable sacrifice, but I am not so convinced that Matt actually cares enough about defeating Kira to lay his life down for the cause alone. The manga suggests he leaves his car almost immediately upon being caught, and his final words, sadly, suggest a lack of foresight about the gravity of danger he is in.

Kira's world is not one in which justice prevails as Light envisioned, but rather it is an autocratic reign of terror. There is absolutely no chance in which Matt would be detained in a society in which death is considered the appropriate solution to crime. He is a Wammy's boy, but even if he had not have been associated with the House, Matt would have still been aware that his risk of death is heightened exponentially through his association with Mello alone.

In the anime, when Matt looks out the window of his car, we hear his inner monologue. Nonchalant, there is no fear to be heard in Drew Nelson's performance of the lines, and Matt's awareness of his impending death is presented as being limited. Is it an act? Or is Matt portrayed as lacking self awareness to such an extreme extent? Perhaps to 'justify' Matt's position as the third successor to L, Ohba felt the need to present Matt as ignoring the inevitable, but at least to me, this feels like it greatly undermines his intelligence. He may not be competing against Mello and Near, but that does not negate the fact he was still raised in the same institution that they were. All the children are freakishly smart, that is the whole point.

Did Mello propose the plan to kidnap Takada to Matt with the acknowledgement that they were both likely to be killed? Mello's final thoughts in the manga and anime are asking Matt for forgiveness, his death apparently unanticipated by the former, which feels like a failure in writing the deaths of these two in a manner that reflected who they were.

Matt is, by all accounts, a fandom project rather than a fully developed character within the Death Note canonical universe, but we are aware that Matt was created for Mello. I hardly expect Death Note to explore the intricacies of such themes in the series (particularly given, as much as I hate to admit it, Mello and Matt are not the main characters within the franchise). However, even with the rather minimal source material provided to us by both manga and anime, we are made aware that the two have a very unique relationship. They know each other intimately, and Matt does not fear Mello as many of the other characters in the series do.

Mello does not want Matt to die. He values Matt and while one could attribute the gratitude for him to the popular fan narrative that Matt is the one to look after Mello after the explosion, or indeed the idea that the two are in a relationship, their interactions with one another already set up their alliance as one that appears to transcend the regular boundaries of friendship. Again, I'm pulling a lot from fanon here, I know. Take it up with Ohba.

Narratively, if Mello has to die, so too does Matt. Ohba could not foresee this character that is so dependent on another to live beyond him. Yet I simply refuse to believe that Mello would have placed someone so important to him in a compromising position where the likelihood that he will be killed is almost certain. As much as I believe that Mello's final thoughts being directly addressed to the deceased Matt demonstrates an important ode to their relationship, I cannot understand how Mello would have been shocked to hear of Matt's death, given the risk.

We know Mello was fully aware that he was going to die that night. If he did not die, Near would have, and I think to Mello that would have been the greatest loss he could have suffered in their ongoing conflict. Regardless of whether you believe Mello cared about Near to any extent or not, I genuinely cannot imagine Mello would have been happy to succeed as L had it been attained through Near's 'sacrifice'. I am actually exploring an AU of this very idea in a fanfiction I intend to publish early next year, in case you're interested, haha.

This returns to the question as to when Matt realises he is not surviving this mission. Presumably Mello asked for his cooperation, and in doing so, he would have had to explain the plan to Matt which, quite frankly, reveals Mello's intent to die as soon as it is advantageous to do so. Given that Mello did not want Matt to be killed, did Mello reassure Matt that he had created the plan to guarantee his safety? Did Matt believe him? Was Mello deliberately vague, only telling Matt that he needed to set off the smoke gun, then hit the gas and get away from Takada's security team?

As far as I can tell, there is no reason as to why Mello would have been dishonest with Matt, explaining what he was planning to do and why. Perhaps he even suggested to Matt that he could find someone else to take on his position, given the danger he anticipated they would be in. Matt is, as I think the series makes clear, very loyal to Mello, and so I doubt such a proposal was even considered, but I think it is safe to assume that if Mello knew how this plan would end, so too would Matt, whether Mello explicitly told him or not. He would have figured it out.

When Matt and Mello part ways for the final time, not shown to us in either the manga or the anime, they both know that they are saying their last goodbye to one another. I think Mello hopes that Matt will survive somehow, experience a Kira-free world and move on with his life, but I believe Matt knows, well before he got caught, that there is no escape from the inevitability of his death.

Maybe, when he steps out of the car, confronted by the 'big guns', he holds out a little faith that at least he might see Mello again soon.

[newtkelly]

Not to word vomit on you but I can't stop thinking about Oliver wanting a love story like Tarlos and how it all accidentally lined up.

Knowing that Carlos and TK were about to move in, and then Carlos made that romantic gesture and TK got scared because it was, "too good to be true."

Carlos is left, confused, puzzled and nursing a broken-heart but still just as in love. What do you mean that TK and Carlos saw a future together, one got scared at that prospect and left before Carlos was the one to leave??

What do you mean that happened after Oliver said he wanted Bucktommy to have a love story like Tarlos; where it was always going to be them?

Then you consider Oliver saying that we might see Tommy and Buck interact during a call and it'll be awkward and who can't help but think of TK and Carlos running into the furniture store and seeing each other for the first time in weeks.

Anyways, sorry to be delusional in your ask box. I'm deep within the Tarlos trenches so this is all starting to look eerily familiar lmao (it could also be Tim is out of ideas, which is most likely the case)

Please feel free to word vomit on me always, I live for it.

Receiving this ask has actually prompted me to share some thoughts that I’ve held back from sharing, just because I wasn’t sure if it was worth it to throw more speculation into the void. But this message is so lovely, and I agree with it so much and so… okay I will share some of my mixed bag of thoughts about this whole situation.

Firstly, I adore Tarlos and LS (even if I don’t post about either much), TK is my baby, and the interesting thing about them for me is that I wound up caring for them more AFTER they broke up and got back together. If Buck and Tommy’s story is formatted as a rom-com, TK and Carlos are a tragicomedy. TK, the heartbroken recovering addict thrust into an entirely new city, a new career, who doesn’t want to let himself get too close to something good because he is misery incarnate. Carlos, the hopeful hopeless romantic who sees TK and doesn’t see something that needs fixing, but someone who his love could help heal. It’s such a gorgeous story, and the symmetry of both characters shockingly losing a parent in a tragic way is painfully beautiful. I LOVE their love story.

That brings me to Oliver and Tim’s comments. Throughout the Buck and Tommy relationship, my belief that this would be Buck’s final relationship only ever wavered twice. The first time was in the immediate aftermath of their first date (I spent the whole episode thinking that Tommy was actually reintroduced to kick off the bi awakening plotline and Buck was not acquiring a boyfriend) and the second time was towards the tail end of the summer hiatus when I legitimately began to doubt Lou would want to come back given everything that transpired. Other than that, I had full faith that this was it, this was Buck getting off the “hamster wheel”—Tim’s words, not mine.

I had confidence for a few reasons. 1 – the story was always handled with care onscreen and gave us no reason to think they weren’t going to work out. 2 – the chemistry was insane, and I knew it couldn’t just be me because an entire fandom was born. Tim and tptb must have seen what we saw. 3 – the supplementary information funneled to us through articles and Tim’s social media, literally up until post-8x06 never seemed to indicate that their relationship was headed in this direction. A big part of that was the comparison to Tarlos.

In order to protect myself (should I name the list of shows, movies, couples that I’ve fixated on that wound up playing out in dissatisfying ways?), I am awfully pessimistic. The post-episode interviews, articles, + hearing a bit from LFJ and OS has me wondering if this was some mass hallucination. Did we truly cling to something good and blow it up, run with it? Was this always the plan? I’ve wondered if because S7 was so short and S8 required that other characters get the spotlight first/other stories needed to be told and wrapped, and if because of production and scheduling and whatever external reasons, did their relationship wind up having a longer life than was ever intended. Were they ever supposed to make it to six months? Were they ever supposed to make it past the fucking wedding? I have been asking myself this stuff a lot. Alternatively, did something happen that made them want to or have to part ways with LFJ? So many questions, and I’m not sure we’ll ever know.

But… then there’s the delusional side of me, and the reason I haven’t totally abandoned hope is because when I was watching 8x06 live, EVERYTHING in me told me that this is a necessary section of the rom-com formula. Even the call-backs throughout the episode made me feel like the writers are so painfully aware, and that the narrative wants these characters to be together (Miceli’s, Abby, basketball, going to the movies, calling an uber, the loft kitchen, “you’re not ready”)—the motifs were absolutely popping off. I did not think it was the end when the episode ended. I wondered when and how they would find their way back to each other to fulfill the rom-com genre, but what I did NOT expect was to open social media and see articles framing this as the end. I wasn’t surprised when I found out who wrote the articles, and listen—if they bait one side of the fandom, can’t they bait the other? I still have some hope, because at the end of the day, anything can happen with network television. Maybe this is all part of the plan, and the interviews should be taken with a grain of salt. I just don’t know.

Interviews with Tim and Oliver from day one positioned the Buck and Tommy relationship as a queer love story devoid of trauma. Okay, well… huh. From where I was sitting, there was A TON of explicitly queer trauma exposed in 8x06. Their “hurdle” is tied utterly and completely to queerness. Tommy runs because he is a gay man who doesn’t trust that his bisexual boyfriend should “settle” for him, and who would rather be alone than heartbroken, and if that truly is the last of Tommy, it has to be one of the coldest and cruelest exits we’ve ever seen on this show. Do they simply not realize how deeply traumatized both characters come off in that episode, or is it all part of the plan? If the interviews positioning this as the permanent end of bucktommy should be taken at face value, shouldn’t the other interviews that position them as a rom-com (with the formulaic third act breakup, boils and all) be taken as the truth as well? If there was some misinterpretation, why hasn’t Tim said anything—he clearly knows a lot of fans were hurt by what they watched. He must have seen the outrage—why radio silence? Did we truly blow this out of proportion? Are the wheels coming off behind the scenes? I need a tell-all at this point lol

Thank you for the lovely ask, I’ve been sitting with these thoughts all week so this was a good excuse to finally articulate them. <3

[rosenotactuallyquartz]

i can’t be the only one who thinks rose’s flings with humans were partially self destructive

rebecca sugar often describes rose as self destructive. people self destruct in many ways.

i say this as a girl who’s been in relationships where i knew i was treated poorly but subconsciously believed it was what i deserved. if a good person who knew me well showed interest, i’d feel confused. i think you’re so good and i’m nothing like you type of thing.

(if you couldn’t already tell, i also deal with self hatred, though i’m a lot more self aware than i used to be)

rose saw the good in everyone but herself. she was naive, impulsive, & had a tendency to “worship” those around her, believing they were better than her. she was fascinated by humans but didn’t know the norms or labels of human relationships. she didn’t know or understand much about humans, period. i.e., letting a human baby climb a ferris wheel in greg the babysitter.

rose was initially drawn to humans out of fascination. she saw so much beauty in the most simple parts of humanity.

but people don’t always have the best intentions

i can’t help but wonder if some people took advantage, knowing that rose didn’t understand everything about human relationships. for some humans, i’m in no doubt that they found her intriguing & her powers were obviously beneficial for them, but they didn’t respect her or care to try & get to know her. i’m sure some humans weren’t horrible, but clearly her connections with all of them until the 90s were unremarkable. they’d be attracted to her for surface level reasons.

rose thought this was just how human connections worked. even though it would feel…bad sometimes, rose believed she deserved to feel that way. after all, she said herself that it was “a good thing” if people didn’t know her well.

she didn’t think she deserved genuine love from someone who truly knew her, someone who knew her past self. when a relationship felt good, she’d feel guilty, despite deeply & genuinely loving that person who cared for her.

that’s why she’s so surprised when a human treats her with decency in we need to talk. why she laughs when he says the word respect. why she says, “is this not how this works?”

she’s never had a relationship with a human that was caring & respectful. having conversations about respect & wanting to get to know a person are very simple things. this doesn’t make him “better” than any of the crystal gems—he’s just better than the other humans she knew.

as the next three years go by, rose continues to be self destructive. they don’t know about each other’s pasts & they have a shared coping mechanism: escapism. this is why sugar has said that they enable each other, which is unfortunate yet unsurprising because they cope in similar ways. she never opens up to him about her feelings surrounding past trauma, and he doesn’t either—even when some serious decisions are made. rose couldn’t stand herself & she didn’t feel deserving of love. the more people know about her, the less deserving she feels, which makes her avoidant & confusing in relationships.

nevertheless, she genuinely loves those around her, which is partly why she passes her life on to someone she believes deserves to live & be loved more than she does

as she said in nora’s tape in lion 4, i’m so excited for everyone who’s going to know you. from the very start, she believed that the best thing she could do for the people she loved was leave behind someone who deserved to be around them. someone who was worth loving.

with all of that said i hate the way the fandom talks about her character sometimes

[1moreff-creator]

What are some dynamics (in terms of like, foils/parallels) that you enjoy in DRDT?

you’re staring at a forest and asking me for every tree i like. do you want me to write another 28k word post /lh

I jest, of course, but not about the number of interesting foils in this series. It does a fantastic job tying everyone into several key themes in ways that make their dynamics endlessly enriching for my silly little character parallel-loving brain. So, uh, get ready for a long-ish post?

CW: One mention of self-harm, self-loathing

Teruko-David: I mean, you gotta start at the center, yeah? David’s the closest thing to a “main antag” we have, and it’s no wonder; the guy’s built like a standard DR protag, obviously he’s gonna have a cool dynamic with the actual protagonist. 

These two could breathe a bit weird and somehow parallel each other doing it, that’s how much this foil permeates both their characters. From their fatalistic outlooks on the world (“my luck will always be terrible, I’ll always be betrayed” vs “people can’t change, the world sucks”), the ways they hide their feelings (Teruko was more distrustful than she first presented herself as, but cares about people more than she shows during most of CH2; while David has an entire different persona up to 2-11 and then pretends to be worse than he actually is), the self-loathing (Teruko refuses to think she could be a good person, David has the whole “inhuman” thing going on), down to the oddball sibling figure (Terubro “I know nothing about you” Tawaki vs Diana “I’m not even sure you exist” Chiem).

There’s their feelings about Xander and Min, too, which are all over the place. Obviously we all saw in 2-12 how much the British twink fucked both of them up severely, with Teruko rejecting any positive or yearning feelings she may have had about Xander (you can’t hide the cactus scene from us girl) while David vehemently defended him from any criticism. On the other side, Min is less of a narrative poltergeist (for now; XF-Ture exists), but she still comes up with them, with David calling her pathetic eleven episodes after Min hugs Teruko and Teruko’s internal monologue gives away how much she cares about the Student. 

And these parallels play into their weird-ass dynamic very well, because their beefing is founded on their similarities and their differences, out of projecting their self-loathing to someone similar at the same time they hate each other because of their disagreements on things like Xander. Crazy stuff.

Xander-Min: Mentioning these two second because they’re also Eternal Parallels. There’s almost not a single thing about these two that isn’t somehow reflected on the other. If you projected them onto each other’s direction, you would get no perpendicular component. Get it, ‘cuz they’re completely parallel- That is, by far, the nerdiest joke I’ve ever made, I apologize.

But come on. Their attitudes towards fate (the Rebel fighting it and Min resigning herself to the XF-Ture thing), the whole “holding on to the past vs wanting to move on from the past” thing, the similarities between how they actually feel about the education system (they have issues with it) contrasted with the things they actually do in respects to that (Min is still the Ultimate Student, but Xander dislikes that), their already mentioned contrasting connections to Teruko and David… Just, absolutely everything about them is a meaningful contrast. And it comes into play a lot, with their eternal beef being born largely out of these parallels. They’re awesome.

Teruko-Ace: Pretty topical for post-CH2. Ace’s entire arc is sort of a reflection of Teruko’s, yet taken to the extreme because of one particular point of contrast; Ace feared death, Teruko doesn’t think she can die. But he still basically serves as a demonstration of all the flaws in Teruko’s all mindset; the feeling of unchangeable fate, the complete lack of trust, all the good stuff. It basically allows an exploration of Teruko’s mindset from an outside perspective, which makes it easier to see the flaws in it.

Ace-Nico: Also topical, these recap foils go kinda insane. Their motives for murder, their contrasting talents (love for animals on Nico's side and fear of horses on Ace's), the way they relate to the rest of the cast, Ace's persecution complex vs Nico actively disliking how much Hu defends them, etc., it’s all very fun to see play out. 

Ace-Levi: The one who doesn’t care but protects others and tries his best to be a good person so he can be accepted in society without having issues, vs the guy that acts like an asshole because he’s scared of caring too much and he thinks the only way he can get out alive is by being the only one to survive. This leads to a fundamental misunderstanding between them that causes some of the most doomed yaoi of all time, which is the whole “Levi getting frustrated at not understanding Ace.” 

Arei-David: You’ve presumably watched 2-13, so I don’t think I need to explain all the awesome stuff that’s come from their shared themes of “good people” and self-betterment and all that. Not to mention, David’s little breakdown over Arei trusting the letter of the only friend she had being presumably born from the way he saw Xander as the only friend he had. Shit goes crazy.

Arei-Eden: Recap foils… Good people… The choice to be kind… Etc… Woah :O

Teruko-Charles: Ah, Teru’s recap foil. This one’s basically opposite of Ace’s, where Charles used to be sort of like Teruko acted in CH2, but later became a bit friendlier, if still somewhat prickly. Basically, if Ace highlights Teruko’s character traits from CH2, Charles post CH1 serves as more or less the “end goal” in a way. It goes beyond that, too, with the whole memory issues (prosopagnosia vs childhood amnesia) and, again, mysterious siblings (Terubro and Elliot what are your deals), so it’s always neat to rotate these two in the brain.

Veronika-Levi: We really don’t know too much about Vero, which always makes it a bit harder when analyzing these dynamics, but they already got some interesting points of contrast. Neither of them are particularly concerned about the deaths of the others, at least post-CH2 (Levi doesn’t grieve and Vero actively laughs at Ace’s death), but it comes from almost opposite ends of perspective. Levi doesn’t understand others because he doesn’t feel much empathy (if any at all), while Vero seems to treat the others not as people, but almost as characters to be analyzed (that’s the impression I get, at least), which makes her come off as very good at reading people but also occasionally causes her to see them as sources of entertainment first and foremost. Not to mention there’s also the fact they’re both very different people than they were in the past (Levi was some form of delinquent and now is a good person, Vero used to be outdoorsy and then no longer was). Wow that’s… more than I thought there was- How am I finding more interesting foils just by writing more???

Hu-Levi: I kinda talked about this in my CH2 PT2 analysis so read that ig.

J-Rose: A pair of recap foils who haven’t had too much yet, but a lot of their themes, in particular about fate and privilege and stuff, are pretty noticeable with them, so this is always a fun dynamic to consider.

Levi-Arturo: More recap foils, this one’s fun because of the dead family member :) Also things like their talents being related to aesthetics and both doing the things they do for a better life.

Veronika-Hu: This one’s kinda more hypothetical, since Vero in particular hasn’t had as much direct focus as other characters yet, but that’s part of what makes them fun. Past history of self-harm (even if brought on by very different feelings) is just the first of many parallels they could have, and it’s fun to see the contrast between Hu defending Nico to the ends of the Earth and Vero talking about how much she likes Arturo because of how awful he is. They’re really silly.

David-Whit: All the recap foils are fun, but I've always struggled to see this one in particular. Partly because I feel like I know less about Whit than I know about Mai :v Still, certain things like Whit ignoring anything that upsets him which connects to David constantly lying about his real feelings for his fans, which is probably what leads to David's outburst at Whit in the second trial.

Teruko-MonoTV: Because fate. Really this is here plainly because it’s just a funny as hell dynamic to even consider lol.

Teruko-Mai: Have they interacted? Has Mai had enough screen time to truly determine that this parallel truly exists? Do we even know a single theme that Mai’s character touches on for certain? No and it doesn’t matter! Because these two are clearly connected somehow and the whole “someone dearly loved - someone dearly unloved” thing makes me ill. Mai is getting mentioned in this post and you're not stopping it.

Mai-Whit: Fuck it! “We tend to idolize the dead” dynamic!!! It's very speculative, but this one’s just fun to ponder even if we have even less idea of what could be going on between the two than with Mai-Teruko.

Anyways ready for a few themes that run through a lot of characters?

David-Levi-Nico-Rose: The “feeling disconnected from the rest of humanity’s experiences” gang!!!

Min-Rose-Hu-Veronika-Arturo: The “wants to move on from the past” gang!!!

Min-Arei-Teruko-Ace: The “trying to fix mistakes” gang!!!

Teruko-David-Eden-Arei-Levi-Xander: The “what makes a good person?” gang!!!

Teruko-David-Xander-Min-J-Whit-Ace-Rose-MonoTV-Probably everyone else: Fate!!!!

And there’s more than I’m probably forgetting because I can’t possibly check every conceivable connection between these guys. At least I hope I covered most of the major ones. Thanks for the ask, these dynamics are always fun to think about!

[runraerun]

darling, dearest, dead

written for the @steddiemicrofic challenge for November | prompt: guard | wc: 532 | rated: G | cw: major character death (but not really?) | tags: angst with a hopeful ending, Ghost!Steve Harrington, GhostHunter!Eddie Munson

There’s a legend that the first person who gets buried in a cemetery becomes the guardian of all the other souls buried there after. They become a reaper of sorts, ferrying the newly dead from this world to the next—a place they can never go.

This is what happens to Steve Harrington, aged just eighteen when he tragically dies in the Starcourt tragedy in ‘85.

Steve, who dies but doesn’t move on. Doesn’t go peacefully into that good night, or however the hell the saying goes. He can’t.

Steve, who attends his own burial, but despite how loud he screams into the faces of his loved ones, goes entirely unheard.

He eventually gets it, of course. Despite what everyone thinks (thought? Do they still think of him?) Steve isn’t stupid. He catches on quickly when the first few souls come wandering up to him, lost and alone. Steve can see the path they’re supposed to follow, even when they can’t. So, Steve takes the time to explain to them what he knows, tries to comfort them, before guiding them towards the afterlife.

It’s a curse, really. Eternal isolation. Decades pass but Steve remains. The few souls he speaks to are always so eager to leave him. In the end, Steve’s left alone.

And then one day, Eddie Munson comes stomping through his cemetery.

—🛡️—

“What’s with the get up?” A dark haired stranger asks, startling Steve, “there an anime convention going on or something?”

Steve’s eyes trail up and down the newcomer. He wants to make a comment about the strange attire he died in, but upsetting the newly departed usually isn’t a good idea.

“It’s my work uniform. I didn’t have time to change.” Steve explains, a well-rehearsed response. The Scoops uniform that he can never shed was always a point of interest for people. “Sorry, I didn’t see you come in.”

This is the first time Steve’s missed a burial. Strange.

The guy snorts, “don’t apologize. I’m the one intruding. You visiting someone? I can wait to do my shit.”

Steve frowns, brows creasing where they come together. “No. I’m just… waiting.” He answers.

“For the ghost?” The stranger asks, his interest clearly piqued.

Steve blinks. “The ghost?”

“Yeah, y’know. The ghost that supposedly haunts this graveyard. Legend has it it’s some guy who died way back in the 80’s—there've been sightings for like, thirty years, but no one’s been able to actually record anything decent. All the pictures are super blurry. But I intend to change that. I’m Eddie, by the way. Ghost hunter and semi-professional psychic.” Eddie grins, giving a strange little bow in his introduction.

Wait…

“1985?” Steve asks.

“Yep,” Eddie pop’s the ‘p’, “The year Starcourt burned down and old Steven Harrington bit the dust. You know the story?”

Steve didn’t need to breathe—not anymore. And yet, he still felt short of breath. Lightheaded.

“It’s just Steve.” He clarifies.

“Yeah?” Eddie snorts, “how would you—”

A light seems to go off in Eddie’s head. He pales, eyes widening.

“You can really see me?” Steve can’t help but laugh, tears stinging his eyes.

“Yeah, I can see you, Steve.” Eddie mumbles, stunned, looking like he’d seen a ghost.

—

tagging: @sleepy-steve because they let me rant about reaper Steve to them<3 check out her reaper!eddie fic: here!💘

[hollowed-theory-hall]

hello! i was wondering whether or not you can envision someone as better suited for tom/voldemort since i remember you saying neither harry nor hermione would be a match — them being the most popular two characters shipped with tom. and on that note, what do you think about bellatrix and voldemort? pro/against?

i tend to get a bit blindsided by the sheer obsession she has for him, honestly. i mean… i feel like she would be willing to shape herself down to the last atom to what appeals to him, if he ever were to show any true interest, and that’s very… sad.

Hello 👋

Thank you for the ask and as with all ship asks, ship what you ship, these are just my subjective opinions.

Now, what I said about Tomarrymort is that I don't think they would realistically get together and have a functioning relationship, I didn't say it wasn't fun. Like, I love Tomarrymort, but only if the relationship is a messy push and pull that makes everyone (both involved and uninvolved) miserable.

Now, as for Bellamort...

Do I think they had sex at some point in canon? Maybe. Like, that's not the most absurd thing about CC for me, so I consider it plausible.

Do I think Voldemort actually likes Bella romantically? Not really.

Do I think their relationship works like an actual equal functional relationship? Not one bit.

Do I think their relationship is entertaining and interesting? I mean, clearly, many people do, but I don't like Bellamort.

Like, it really doesn't interest me. There's a reason I only like Tomarrymort when there's a push and pull and Harry and Tom are portrayed as the equals they are. Like, I don't like Tomarrymort where Harry is completely submissive to Voldemort and Bellamort for the same reason — these aren't the kind of relationships that make Tom interesting.

I like both Tom and Bellatrix a lot as individuals, but I don't think a romantic and/or sexual relationship between them pushes their characters to interesting places. They are both stagnate in this relationship and, for me personally, that just doesn't interest me.

Like, Bellatrix is completely submissive to Voldemort nodding her head excitedly and panting after him: "Yes my lord! Whatever you say, my lord!" And this is not the type of dynamic that'd push either character towards growth. They don't push each other into a character arc, which is what I usually like my ships to do.

Additionally, this dynamic basically means Voldemort always gets what he wants, and Bellatrix is happy with it, as you said, she'd shape herself for his every whim. This isn't a relationship between equals. It's a relationship where she worships him and he doesn't respect her or care about her as a person. Like, at all.

The dynamic we see from them in the books gave me the impression Voldemort cares about Bellatrix. He doesn't want her to be hurt or to die:

Bellatrix’s gloating smile froze, her eyes began to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.

(DH)

But he cares about her like how you care about your favorite pet. He relished in giving her orders and having her submit completely:

“Master, I am sorry, I knew not, I was fighting the Animagus Black!” sobbed Bellatrix, flinging herself down at Voldemort’s feet as he paced slowly nearer. “Master, you should know —” “Be quiet, Bella,” said Voldemort dangerously. “I shall deal with you in a moment. Do you think I have entered the Ministry of Magic to hear your sniveling apologies?” “But Master — he is here — he is below —” Voldemort paid no attention.

(OotP)

He doesn't actually care about her being hurt if it's not too bad, he doesn't care about her feelings or apologies, especially not when Harry is right in front of him — his obsession, his one failure. Bellatrix takes a backseat, basically always. He doesn't care about her all that much. He cares and respects her like a loyal dog, not like a person he has a relationship with.

He also relished in humiliating and embarrassing her. He likes making fun of her in ways Bella clearly does not enjoy, which isn't something you'd do to someone you love:

“I’m talking about your niece, Bellatrix. And your, Lucius and Narcissa. She has just married the werewolf, Remus Lupin. You must be so proud.” There was an eruption of jeering laughter from around the table. Many leaned forward to exchange gleeful looks, a few thumped the table with their fists. The great snake, disliking the disturbance, opened its mouth and hissed angrily, but the Death Eaters did not hear it, so jubilant where that at Bellatrix and the Malfoys’ humiliation. Bellatrix’s face, so recently flushed with happiness, had turned an ugly, blotchy red.

(DH)

she's desperate to please him, to tell him everything she thinks he wants to hear and she happily lets him treat her like fucking dirt. I don't find a relationship like that compelling, as I said, Voldemort would never change for Bellatrix and Bellatrix honestly deserves better than this. He even lets other Death Eaters jeer and laugh at her, this is not a romantic relationship.

Like even if he had sex with her, it was purely physical as he just doesn't care about her as a person like this. As more than a faithful servant (which he enjoys making fun of, as he does so for many of them).

And he is unwilling to show her real, unintentional weakness or ask her for help:

“My Lord, let me—” “I do not require assistance,” said Voldemort coldly, and though he could not see it, Harry pictured Bellatrix withdrawing a helpful hand.

(DH)

He does trust her with one of his Horcrux as the cup is kept in her vault and she seems to know what it is:

“Be quiet! The situation is graver than you can possibly imagine, Cissy! We have a very serious problem!” She stood, panting slightly, looking down at the sword, examining its hilt. Then she turned to look at the silent prisoners. “If it is indeed Potter, he must not be harmed,” she muttered, more to herself than to the others. “The Dark Lord wishes to dispose of Potter himself. . . . But if he finds out . . . I must . . . I must know. . . .”

(DH)

He trusts her loyalty, and she is one of his preferred Death Eaters (he doesn't hate her like he does Wormtail, Tom appreciates courage and loyalty, which are both traits Bellatrix possesses) but he clearly doesn't trust her with his backstory in the first war:

“Shut your mouth!” Bellatrix shrieked. “You dare speak his name with your unworthy lips, you dare besmirch it with your half-blood’s tongue, you dare —” “Did you know he’s a half-blood too?” said Harry recklessly. Hermione gave a little moan in his ear. “Voldemort? Yeah, his mother was a witch but his dad was a Muggle — or has he been telling you lot he’s pureblood?” “STUPEF —” “NO!” A jet of red light had shot from the end of Bellatrix Lestrange’s wand, but Malfoy had deflected it. His spell caused hers to hit the shelf a foot to the left of Harry and several of the glass orbs there shattered. [...] “He dared — he dares —” shrieked Bellatrix incoherently. “— He stands there — filthy half-blood —”

(OotP)

She doesn't really know who Voldemort is. She worships the persona of Voldemort. She loves his lies and masks. She doesn't actually know Tom Riddle. And I don't think she could accept and love the real Tom Riddle behind the title of Voldemort — the poor but brilliant nerdy half-blood who craves recognition. She would find him pathetic.

It's basically Hinny, isn't it?

She adores his persona and fame and what people think he is without actually knowing or understanding him. She changes her personality to fit what she thinks his girl needs to be because she is so focused on being with him. And He likes that she doesn't get in his way and lets him do and say whatever without crying about it but doesn't care about her or her feelings nearly as much as people think.

Bellamort is just Hinny with a different skin, and I never liked Hinny.

Like Hinny, they don't know or understand each other, and it's clear Bella and Ginny care about Voldemort and Harry more than the boys care about them. Like, yes, Harry would be devastated if Ginny died, but he'd get over it way faster than he did about Sirius. Same for Voldemort, he cares about Bella, but not as an equal he understands and cares for the feelings of. Voldemort got over Bella's death fairly quickly as well, he's way more focused on Harry.

So, with all of this, who do I think is the best pairing for Voldemort?

If we're talking about canon characters who are actually characters in the books? Then Harry is my top choice. Harry is the only one Voldemort would see as an equal and can actually push and change Voldemort as much as Voldemort changes him. There is no other character in canon, I believe, who would be able to do this to the level Harry could. Their dynamic is just so mutually obsessive and tense that a relationship like that can't not change both of them in a myriad of interesting ways.

Though, I was thinking about it, and Severus/Voldemort have potential. Voldemort clearly respects Sev and his opinions more than the average Death Eater:

Snape did not speak. “Perhaps you already know it? You are a clever man, after all, Severus. You have been a good and faithful servant, and I regret what must happen.” “My Lord—”

(DH)

He cares about him and regrets having to kill him:

Harry saw Snape’s face losing the little color it had left; it whitened as his black eyes widened, as the snake’s fangs pierced his neck, as he failed to push the enchanted cage off himself, as his knees gave way and he fell to the floor. “I regret it,” said Voldemort coldly

(DH)

Voldy is willing to forgive Sev for things he'd kill most for. They have so much shared experience (poor, muggle childhood in incredibly abusive environments) that would allow them to understand each other. They probably both get frustrated over pureblood idiocy. Both are intelligent and share many interests, like they're both magic nerds who'd talk all night about magical theory...

So, I think, under the right circumstances, Severus is a pretty good pairing for Voldemort.

The only real downside is that depending on when they get together, they'd push each other to be more extremist and overall worse. Like, they'd push each other to have less empathy for other people if they get together, say, during the first war. Well, it might not be a downside. It really depends on how you look at it.

If they get together in the second war, it's different, and in my opinion, more compelling and interesting for both of them. Like, pairing them up after Voldemort's return and after Sev already turned traitor opens so many interesting avenues. I mean, Sev was someone Voldemort actually regretted killing, that was remorse there, wasn't it? It means Severus could push Voldemort to change in a way Bellatrix doesn't. Because Voldemort respects Snape in a way he doesn't respect Bella. I mean, think about how many times Voldemort shut Bella down when she kept insisting Snape is a traitor — it's clear he values Snape more than he values her.

If we're also looking at side characters we don't know as much about, then we have some more options.

@iamnmbr3 has convinced me that Alphard Black/Tom Riddle is an option, and I have been very compelled by it. We don't know much about Alphard, but that never really stopped me because what we do know is interesting.

We know he is Sirius' uncle. He was born after Walburga but before Cygnus, probably closer in age to Walburga. So, I headcanon he was born in 1927 and was in the same year as Tom Riddle.

We know Alphard was a Slytherin since Sirius mentions all his family was in Slytherin, which would include his uncle. And we know Alphard was burned off the family tapestry when he gave Sirius money when Sirius ran away from home.

This leaves us with a character, who's cunning, capable of listening to his older sister Walburga go off about whatever without making the fight worse but has a spine to stand up to her bullshit when it's actually important. This gives him the right characteristics to be able to wrangle a character arc out of a romance with a younger Tom Riddle (and perhaps the older one, too).

He's a pureblood who's open-minded enough to support Sirius and not hate muggleborns (probably). He likely has the subtlety necessary to fix Tom without Tom feeling like he's being fixed. Alphard, used to his very eventful family, is an expert in dealing with dramatic people (like his siblings) and how to undercut their drama instead of pushing them further into their position (which is what Harry would do, for example. Harry and Tom would keep pushing at each other while someone like Alphard would be able to just remove the heat from the argument and allow it to not get as extreme).

Again, it's not much to go on, but it has so much potential.

(Also, @iamnmbr3 has this post about how Voldemort’s violence became worse in 1979, which happens to be the same year Alphard Black died, and while I don't agree with all the points made there, I find it to be a super fun concept)

Voldemort/Lily also has potential. She's smart, stubborn, academically inclined, and has the right rough edges to have the kind of push-and-pull dynamic with Voldemort that I like with Tomarrymort. Lily is probably the kind of witch Voldemort could grow to respect as well. I don't think he would've agreed to spare her for Snape if he didn't respect both of them. JKR also said he tried to recruit James and Lily, so, he was aware that she was talented.

I think, though, Lily/Voldemort would be slightly better than Harry/Voldemort in some aspects. Lily isn't as hot-headed as Harry. Lily's anger is usually much colder, which I feel would work better with Tom just because she wouldn't push all his buttons (just most of them). She would still push him into a character arc, but it would be a gentler nudge than if Harry did it.

My only real rule when shipping Tommy Boy is that he can't be shipped with someone mediocre, he'll just steamroll over them completely, and that's not as fun, in my opinion. He needs a partner he can grow to respect and see as an equal (or close to it) and that has the spine to stand up to him, otherwise, he'd just keep getting what he wants, and I think that's the opposite of what Voldemort needs in a relationship.

[sepublic]

I think there’s a lot of implications to Evelyn that people ignore in favor of making her into their white everyman’s Manic Pixie Dream Girl instead of like, an actual character with motives who came to the human world for a reason.

There’s the very obvious implication that she made the archway in Gravesfield??? The one that uses Titan’s Blood to open a temporary portal each time? And there’s another archway located by her house; I dunno if Evelyn made it herself, or if she had parents who were just never shown because they’re not too important to the story.

Evelyn obviously would’ve been a child when she visited Gravesfield as well, because there’s no way the writers would have her romance with Caleb begin if only one of them was a minor. So that points to her being a kid prodigy, which is something you can see in her descendants Eda and Lilith (Yes, Lilith as well; She’s very skilled herself and even figured out Glyph combos, it’s just that she’s being compared to Eda constantly and let her inferiority complex downplay herself).

But how did Evelyn even get to the human realm in the first place if the other archway hadn’t been built? Did she just magically connect hers to a pre-existing human archway?

We know Eclipse Lake exists, it’s how Philip entered the Boiling Isles, and others in the Demon Realm knew of it. Plenty of witches speculated on how a permanent portal to and from the human realm worked; So interdimensional travel was already a field that wild witches in the Deadwardian Era were interested in.

Portals in this show are two-way, so Evelyn must’ve entered Eclipse Lake, emerged somewhere in what would be known in the present as the Connecticut area, and then wandered until she came across some humans… And alas, she came across some of the worst humans to ever exist, RIP.

She made Flapjack, and Palismen you create don’t awaken until you state your wish. If Flapjack resonated with Hunter for sharing Caleb’s wish, then he must’ve resonated with Caleb for sharing Evelyn’s wish; To decide her own future. Flapjack himself is introduced trying to leave and go places, despite people telling him to stay put.

Caleb is someone for whom that wish came in leaving his ‘home’ in Gravesfield, he’d already moved there from someplace else prior! When Evelyn is established to be someone skilled in interdimensional travel, is there not an obvious connection to be made between this and her shared dynamic in Caleb, and the Palisman who resonated with both?

Did Evelyn live with her parents? Was she by herself as a kid? When a teenage Eda runs to the human realm to escape her complicated relationship with her parents, is it the same as her ancestor? The Boiling Isles was never perfect (but the coven system was an objective downgrade), and Dana even mentioned it herself at one point. Its people are just as humans as humans, and so just as capable of being messy and flawed and even cruel. The Coven Heads were willing to fuse their realm with ours under the expectation they'd be treated like royalty for it.

Like Gus, did Evelyn find human detritus and become interested this way? Like Luz, did Evelyn hope she could escape her problems in one world by finding another? I wonder what magic Evelyn liked? Probably stuff to do with portals (Eda uses them in the first episode), teleportation, warping space, etc.

With all this in mind, with Evelyn already being established as someone who can create portal devices, Philip’s tendency to plagiarize and take credit, his inability to make a second portal without using the first one as a base, and the portal itself being found right by Evelyn’s home and archway…

What if Evelyn made the portal, with Caleb’s help. It does change the context of these notes in Philip’s journal, if they’re transcribed from those of Evelyn, a wild witch who revered the Titan and her way of life.

Evelyn went through Eclipse Lake, traveled until she found Gravesfield; Evelyn posed as a human and trusted Caleb after seeing how he and Flapjack got along. Evelyn built a working archway and when Gravesfield suspected a witch in their presence —possibly due to her experiments— they went on a hunt for her.

Evelyn revealed her identity to Caleb and Philip, and brought the former to her world, possibly as a test run or to celebrate its completion, before bringing him back to Gravesfield. Evelyn and Caleb would meet in secret for their own safety, communicating via rebuses, as Caleb stayed in Gravesfield until Philip was old enough to take care of himself, and/or even changed his mind and went along!

But he didn’t, and if Philip tried to do something about the archway, Evelyn still had Eclipse Lake. She might’ve even made the Portal by this point and that’s how Philip has notes on it prior to reuniting with Caleb. So Caleb moved to her home (possibly after Evelyn showed up in his house using the Portal), and Philip eventually found the Eclipse Lake portal. But in those subsequent 5+ years, Evelyn used the Titan’s right eye to create a new portal, that would use a little bit of Titan’s Blood as a battery but not deplete it with each use.

Evelyn and Caleb programmed this portal to open in his childhood home where Caleb expected Philip to be, because he still hoped to have his brother with him and always had. Evelyn agreed to let this happen despite Philip clearly wanting her dead, even if he was not going to get Caleb implicated and killed to do so.

But Philip decided to cross that line, because at some point Evelyn and Caleb had a child, and knowing he was related to a mixed child pissed him off so bad. He pretended to be accepting, even as Evelyn and Caleb revealed a Portal and their plan to go back to him anyhow. Despite this, he attempted to murder Evelyn and/or Caleb anyway. Caleb died, and the Portal was damaged, but Evelyn chased off Philip. He eventually went back for Caleb’s body and stole it, and attempted to replicate the Portal that Evelyn and Caleb had showed off, believing he’d broken it beyond repair.

Evelyn decided she wanted nothing else to do with the human realm and buried the Portal; Maybe she left the option for anyone else who was still interested. Which gets me to another point, that maybe Evelyn made a grave mistake in accessing the human world, but let’s be real the onus is always on those who act in bad faith, not someone who acted in good faith and had that taken advantage of. But in the long, long run, even longer than 400 years, past the ending of the series…

Gus is not the first, but he might be more successful than Evelyn, and succeed where she failed. He’s a witch who was also fascinated in the human world, and now he’s cultivating a Human-Demon Realm Exchange Program, so both worlds can get to know each other, so people from both worlds can find new places. Because Evelyn’s portal was reclaimed by her ancestor, who did need it after all; And it led to Luz finding the isles, to Vee finding Gravesfield.

Luz and Vee were also taken advantage of to commit genocide, but Luz helped stop it. She helped right a great wrong in freeing the Collector and giving the Titan’s son a friend; Evelyn was a wild witch, so she would’ve respected the Titan, and did use his right eye to create the Portal. During that time, the Titan was also able to peer into both the human and demon realms, though he wouldn’t have had much reason to care about the human realm for a while.

(And if the Archivists ever return; There’s a Collector who could be very helpful in resolving that threat, who was freed thanks to the butterfly effect of Evelyn’s actions.)

So in the long run, perhaps centuries after the show ends? Maybe Evelyn did good after all. There’s a lot our worlds could learn from each other, and perhaps healing magic would’ve helped someone like Manny; If not him, others down the line. Plant magic could also be very helpful. The Collector was able to create a second Portal to establish more permanent contact through Caleb’s old home, as Evelyn intended. Not to mention the work of her descendants she had from meeting Caleb! And Gus is helping more Calebs and Evelyns find homes, just as Evelyn helped Caleb, Luz, and Vee.

[yanmuffins]

asks 3.

more asks i'm answering in a bulk about p&f! reader! there's two for vampire! reader at the end of the post, though.

@amethystjellyfish

jon better keep an eye out for selener.

ok, to be fair, damian knows the family's gotten pretty overbearing at this point. father was not at all pleased to discover the stunts they (damian included) pulled over the course of the summer. and he, too, knows that his sibling is feeling cooped up with all the excessive supervision. but.

but.

just who does jon think he is to try and take their sibling away from their home? he was supposed to be damian's friend, and it is for the sake of their friendship he'll overlook such an absurd suggestion and not tell his family on the condition jon never says anything like that again. let's just hope tim wasn't listening, else he would rat them all out since he (and everyone else in the family) has zero issues with kicking jon out the manor if he keeps putting those ideas in p&f! reader's mind. poor jon (╥ ω ╥)

@akatsukki677

the referenced scene!

one of my favorite candace moments.

also, why is this so in-character for them? i am begging someone please draw this.

NOT DAMIAN SECRETLY LIKING DUCKY MOMO!!! you are all so big-brained. you know, dick would ask p&f! reader about it next time they bumped into each other. and he will find out about damian's love for ducky momo one way or another (not that reader would snitch, but dick is dick. he would notice).

i don't much to add, but here are some more gems (jason being cute with perry, though, i love it sm):

i have a sinking feeling that if jason somehow came to know of perry's secret identity as agent p before everyone else he would have so much fun gaslighting tim. yeah. he's a platypus. just a platypus, tim. chill. go to sleep.

... then he fistbumps perry when tim's not looking.

p&f! reader and damian bringing in cryptids and magical creatures into the manor like it's another ordinary day seems like something that would absolutely happen, yes.

the horse with fins is just what they salvaged from their very succesful trip to atlantis, they'll find horsie a good home eventually. and for every unlikely creature and plant they stumble upon, they just blame it on damian. they're his thing, after all! i don't think it would happen often, but damian still wouldn't enjoy getting scolded for animals that aren't his. nevermind that he may or may not be connivent in finding those animals, sneaking them into the house and finding them proper homes. that's not relevant.

trying to blame it on reader will just get him incredulous looks from his family. no, reader did not find a dodo bird, that's impossible. there's no way they could do that.

@amethystjellyfish

not only is he trying to convince p&f! reader that their pet platypus is secretly evil and plotting tim's demise specifically, he's trying to convince the entire manor. he has a powerpoint presentation. he has flashcards. he has become damian 2.0 but instead of reader's, he's trying to bust the platypus. obviously, p&f! reader thinks it's silly. damian straight up laughs at tim. bruce is too tired to even sigh.

"it's just a platypus, tim, they don't do much", they say. fools, the lot of them. there's something off about that semiaquatic egg-laying mammal and HE'S GOING TO PROVE IT.

yup, he's p&f reader's isabella! and yes, i think besides damian and jon, they very much have a group of friends from metropolis. damian wouldn't get along with them too well, at least at first, but jon integrates fine into the friend group.

@randomlyappearingartist

good question! i guess we'll just have to chalk it up to p&f! reader's cartoonish luck that they haven't come across any actual evil villains who want to user their genius for their own nefarious purposes.

it would be interesting to just see a bunch of villains arguing and fighting between each other to offer p&f! reader an internship or kidnap them so they can build evil contraptions. but, in the end, reader never gets kidnapped, never becomes aware there are villains out there wanting to scout them, because the villains keep thwarting each other before they even reach p&f! reader. so something like this:

evil goon: hey kid, kid! i gotta talk...

evil goon from another villain: immediately tackles him to the ground and they start fighting. reader is none the wiser.

one of my favorite gags is people who shouldn't have guns pulling out guns at dramatically appropriate times. and it makes sense! i mean, p&f! reader is bruce's kid, so them being prepared for every possible situation just feels natural.

although... i reckon they'd be more creative than just straight up having a gun. probably a more creative non-lethal item of their own making that was meant as a weapon but could absolutely be used as such, which would also be so, so funny.

like this:

vampire! reader try to hide her vampirism (impossible)

the asks i've gotten about reader being terrible at hiding that she's a vampire in the manor (and the implications that her family is kinda brushing it off and accepting her excuses) are so great. yeah, sure, reader fell and that's why she's covered in copious amount of blood, stephen king's carrie-style. it does make them very suspicious but like.... what else would it be?

and honestly, tim and steph have no idea how relieved they should be that reader is staring at crime scene photos when there's two human beings full of blood right there with her. i'm surprised no one has sent in a bruce scenario where she's being completely erratic and he's just sitting there, perplexed, unsure on how to proceed

[tokyo-daaaamn-ji-gang]

jojo! Mucho's character book mentions that the people he doesn't like or fear are Kazutora and Baji. Why do you think this is? If he doesn't like Kazutora, I think I might understand (Kazutora often seems to be someone that some people don't like or fear...😭) But why doesn't Mucho like Baji?

Well I definitely think for Mucho it's more disliking them over fearing them (unless it's like he fears what they're capable of/ how he can't predict them). As for why, it pretty much seems to come down to Mucho seeing them as threats against toman. It's pretty clear why Kazutora is a threat, especially with how vocal he was about it. Mucho likely also knew Kazutora had killed Mikey's (and Izana's) brother which would make him seem even more dangerous (this is also why Izana fall into his grieving which is what made him and Mucho split up from each other since Izana wasn't interested in gang stuff during that time. Not sure if this is a factor in Mucho disliking Kazutora or how much he even knew about the situation but he could potentially on some level blame him for this).

As for Baji, Mucho showed suspicion towards him before bloody Halloween and valhalla, so that's not entirely it. What it actually seems to be is that Mucho can't read Baji well and Baji is unpredictable and doesn't show as much respect to Mikey as the others do. Sanzu explains this is because the two of them are childhood friends but this doesn't seem to clear Mucho's suspicions. We also know Baji was banned from meetings for causing in fighting, adding further suspicion. Plus the spinoff actually shows us Baji's form of leadership quite well and the 1st division is constantly doing things on their own and either leaving or asking the rest of toman to stay out of it. For someone like Mucho, this would seem very suspicious and likely makes his job harder. And this was likely made even worse when Baji actually does leave the gang.

I actually wonder if in some way Mucho relates himself and Izana to Kazutora and Baji too. I mean both Mucho and Baji are extremely loyal not just to Mikey but to another friend too. Said friends aka Izana and Kazutora want to take Mikey down and form their own gang/ get involved with another gang to do this. This results in both Mucho and Baji leaving toman and "betraying Mikey" (even if Baji had other reasons, Mucho didn't know them). Judging from how Mucho does this, he seems a bit guilty for betraying Mikey. So on some level I wonder if Mucho sees Baji's situation and knows he would do the same (which he eventually does) which results in some self guilt or self distrust that he projects onto Baji. I'm less sure with this point, it's just interesting to think about.

[bestangelofall]

I think both possibilities are interesting regarding what you can do with his character in this AU. World building wise, I love the lack of Daemon for resurrected people, because it leads into the idea of there being a price for the resurrection, and the possible stigma that people who came back to life would face.

Applying this to Jason specifically, would he be seen as less than by Bruce? As soulless? Would a Daemonless Jason be a reason to justify all the victim blaming, to justify all the other things Bruce does after Jason's resurrection? For example, the ending of UtH, or Gotham War, could be put as not being "that bad" because in Bruce's eyes Jason wouldn't be a complete person, and a part of him is forever lost.

I love that idea, but, as per HDM lore, to lose the connection with the Daemon is to lose the soul (at least in the case of the children which were cut), so I prefer the idea that the Daemon also comes back after resurrection. Maybe "come back" isn't even the right word, because when Lyra went to the Land of the Dead in The Amber Spyglass, Pantalaimon was left behind. Of course, Jason stayed dead for months, so maybe in this AU the daemon actually died.

I haven't read The Secret Commonwealth, but I do know that it addresses the aftermath of Lyra and Pan's separation, and that is that things between them aren't the same anymore, and they never will be. Of course, in Lyra's case, she willingly left Pan behind, which would be very different from Jason being murdered, but dying would still be a sudden and violent change, so I think that the same irreversibility would be reasonable here.

If Jason's death was wrong to be corrected (by Superboy Prime), it would make sense that his Daemon would be left behind while Jason went to the Land of the Dead.

Here we can have the option of continued separation after Jason crawls out of his grave, and that it contributes to his catatonic state, and maybe the Lazarus Pit has a role in helping with that (maybe it "reconnects" the bond, but not even the Pit can heal it totally, and there will always be a scar 🤔). I'm not so sure on this part, but it's an idea...

Anyway, Jason and his Daemon start early on not really feeling that separation as much as one would initially assume. They are both very motivated by the same goals, they both love Bruce very much but need to see proof of reciprocation, and most importantly, they both understand that what happened wasn't their fault.

However, as the time passes, and as other people treat Jason the way they do (and now I lean more into Rebirth Sad Jason) that disconnect that results from the separation during his death starts to show. The Daemon stands her ground, being the part of Jason that remains sure that they were good, that they didn't deserve what happened, and that it wasn't their fault - they were tricked by Sheila (and her Daemon) and still tried their best to save them.

Jason, however, after having been told time and again by Bruce & others that he screwed up, started to believe that, because if it was his/their fault, then all he needs to do is to be better, it's not something out of his control. It hurts less. And because of this subject, the discord between him and his Daemon is born and intensifies, and things get ugly. Rebirth Jason has the self-esteem of a wet paper bag, and fights with his Daemon constantly because she wants to impose boundaries to others, while he sees her as an obstacle for reconciliation with Bruce/Dick/maybe Babs/Alfred (btw, his Daemon fucking hates Alfred).

We see in HDM Mrs. Coulter acting on her self-hatred in the form of Daemon abuse which constitutes self-harm. I think Jason would do that too :/

I probably could talk more about this, but this is already a wall of text.

So like in a Daemon au do you think Jason's Daemon would be resurrected with him or do you think you can tell if someone has been resurrected by their lack of Daemon