#but i need context to why this is a thing

[not-so-mundane-after-all]

I know plenty of people have already made a version of the "Jinx is alive" theory post but I've also seen so many of you mourn her death that I decided to gather all the evidence and make another post, turning this theory into a fact.

Because Jinx is alive. It's not a speculation. It's literally there.

The first thing I'm going to mention are the context clues Jinx gives herself. First, the last thing the ghost of Silco tells her. I think the cycle only ends when you find the will to walk away. Then, the realization she comes to when Vi hugs her in the cell. You're never gonna give up on me, are you? What she tells Vi after she leaves her in that cell. You don't need to worry about me anymore. [...] And yes, her initial plan is to kill herself, because she thinks the only way for Vi to move on is for her to be gone. And Ekko gets there just in time to stop her but it looks like he doesn't convince her to abandon her plan, just change it.

And later, when she joins Vi in the final fight. What does she tell her? Still don't get it, huh, sis? I'm always with you. Even when we're worlds apart.

Everything that happens after is constructed specifically to let us and Vi believe that Jinx died. Until we get to this scene:

Caitlyn is studying the Hexgates designs.

She's looking through the pages depicting the place where the final fight happened, specifically focusing on the air vent shafts, while toying with a monkey bomb head - the same monkey bomb that Jinx used in her supposed last monents.

She looks down at the monkey...

Watch the eyes. The realization hits her...

And she smirks, knowing. Jinx used one of the air vents to escape before the explosion.

I've studied the explosion frame by frame. First, a small yellow explosion goes off - Jinx sets off the monkey bomb.

As it becomes bigger, she shoots out of there

this is still the beginning of the blast when we can still see her, and the big boom that destroys everything starts 10 frames later

Last context clue is a reference to the very first episode, which is clearly depicted in this gifset here, so instead of explaining, I'll just send you there to check for yourselves.

One thing that is speculation here is, how exactly did Caitlyn come into possession of the monkey bomb head? I doubt she found it there because it would have been turned to dust. And I'm thinking, Jinx took it with her and left it for Cait to find as a clue. She didn't want Vi to know but maybe she wanted Cait to figure it out. I imagine her sneaking into her house and maybe leaving it somewhere for Cait to find, like her desk or something. It gives Cait an idea, a gut feeling she needs to check, and that allows her to figure it out. Just like we are supposed to figure it out on our own.

Bottom line, Jinx is alive. She escaped the explosion through the air vents, then boarded the airship and left the city, convinced that the only way to give her sister a happy ending is to take herself out of the equation. The glitching closing shot saying The End in Jinx's colorful handwriting is a sign that she is telling us that this is where this story ends, like she's saying "don't look for me. It's over." That's also probably why we aren't shown what Caitlyn does with the information she now possesses.

I hope this helps take away from the grief 💙

[mystybelle]

Adding on because I find it relevant-

Knowing which style of world building, or type of storytelling you're doing really, requires knowing what parts of your story are actually important for the purpose of communicating your story the best. Because Art, is communication through aesthetic. And in order to do communicate well, you have to understand what your message is AND what parts of your message are most important before you can decide how to convey them.

The Hard magic vs Soft magic spectrum is a measure of how important the utility of your magic is for solving problems that exist in the narrative. E.g. ATLA's magic is harder than Tolkien's or Lewis' because the characters in ATLA solve a majority of their problems with the power of kung fu magic, and their interpersonal struggles mostly help them learn how to either use martial arts magic better or new ways to employ it. But the fantastic foot-up-your-ass magic is the most important tool. Meanwhile Frodo is a weak hobbit, and his struggle is about whether or not he'll be able to maintain the emotional bandwith to make a horrific trek into the heart of darkness; the rest of the events we see in the book/movie are largely to impress upon us just how much is riding on the mental health of one little guy. Lewis' is slightly harder (barely) because Narnia is ultimately a very christian(colonial) fairy tale, and the wonder of the new and foreign world is the most important part of the story. Even the characters are pretty "soft" in Narnia, because the point is the vibe of the fairytale world, and you're not supposed to care about Snow White's intense psychological anguish at her step mom trying to have her killed because she can't handle being a milf. You're supposed to care about the vibe of the dwarves she's staying with and the overall plot.

Likewise with the worldbuilding-

Narnia gives you a middling amount of detail for it's fantasy world, but it paints in very broad strokes. Because the vibe of the world, the feeling of wonder and awe that unfamiliarity with it provides, is more than the details of Cameroon's culture or borders in contrast with Narnia's.

ATLA's setting is much harder by contrast, because you're explicitly not meant to be a gawking tourist to this world, the viewer is meant to see it through the cast's eyes. A deeply affected member of the world, who is trying to familiarize themselves with it's complexities. The kung fu magic is a part of the complexities of that world in a very fundamental way, so those two things get a lot of details. The show even beats you over the head with the idea by constantly telling you that the Avatar must be connected to the world, verbatim in a few episodes in fact.

LOTR sits somewhere between the two because it's world is... Frankly more fleshed out than it probably needed to be for the sake of it's story. Tolkien wrote his story to make you care about his world, not the other way around. So it's actually probably an awkward example here, but even still! Through the narrative, we're given information about the world within the context that the characters would experience them in order to impress upon us the complexity of the problems they're facing. The world itself provides the challenges, and the solutions come from the mettle of the characters. So we spend more time with the characters and learning about the routes they'll take, the challenges on them, and the sociopolitical structures of the various nations they pass through, than we do learning about the magic.

In order build stories like this, like OP said- you have to do it on purpose, and in order to do it on purpose, you have to know why you take each step that you do.

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[hannieehaee]

https://vt.tiktok.com/ZSYgDcHDA/

Hellooo,I was wondering what do you think SVTs response would be to this question from their S/O😅

Like who in your opinion would say that boobs are perfectly fine and who would dare to ask why they are small😂

reacting to why your boobs are small(?)

content: boobs, established relationship, teasing, banter, etc.

wc: 554

a/n: i had no idea how to title this reaction lol but here's the tiktok in case anyone wants context (but im pretty sure its deleted now 😭)

masterlist

seungcheol -

confused and lowkey annoyed bc one side of him just doesnt get what you're saying and the other doesn't understand how your size could possibly be used as some sort of critique when he's spent countless nights enjoying them. also maybe a little bothered by the implication that someone may have asked about your boobs.

jeonghan -

you can never catch him off guard. he'd start by shrugging just to get a reaction out of you and proceed to compliment them bc being real .. he's a huge fan of your boobs.

joshua -

immediately clocks it as a tiktok thing and pretends he doesnt know what you mean just to bug you. will say something like 'yeah, they're pretty small, did you never notice before?' only to get smacked at by you. will laugh and apologize, telling you that ofc he doesn't care about the size! he's a man, he just likes your boobs!!

jun -

as the biggest connoisseur of your boobs, he's very well aware of their size and shape. any question as to their size would be met with a curious tilt of his head and maybe even a side eye.

soonyoung -

incredibly confused. would need a step to step explanation as to what you mean like what do you mean?? theyre perfectly sized. would even inadvertently lift up his hands and make a cupping motion to show you how perfectly sized they are only to be stopped by u bc ur in public!!

wonwoo -

a little afraid he might give you the wrong answer so he stays quiet as he thinks about it. ends up deciding on a 'theyre pretty,' to express his opinion on the matter.

jihoon -

also super confused. thinks this is some sort of bf test so he kinda doesnt wanna entertain it bc thats kind of silly ... but he also really likes ur boobs and missed no chance to compliment them (even though he gets red as fuck when he does).

seokmin -

pouts and almost whines at you bc what do you mean??? small??? theyre perfectly sized for him!! he'd react like this to any sort of criticism you had of yourself but your boobs were just a personal subject for him like who and why and when and what do you mean??

mingyu -

he'd literally show you with his own two hands how theyre the perfect handful and roll his eyes at any implication they're not perfectly sized. he takes this kind of stuff very seriously!!

minghao -

rolls his eyes lightheartedly bc he thinks you're being silly. but still, he entertains you and even goes on a long rant about your body being perfect bc its yours.

seungkwan -

huffs, knowing its some sort of trick question, whining at you to stop trying to catch him off guard for tiktok. it'll just turn into a whining competition between the two of you lol.

vernon -

doesn't really understand the question but just assumes its a girl thing and responds accordingly. tells you he has no complaints and is actually quite a big fan of them as they are.

chan -

very confused. literally disregards the question because he just doesnt understand. wont catch on to the joke, but his eyes will keep trailing between you and your boobs bc what do you mean why are they small? they're small? why?

[swoleas]

Since Veilguard was released, there is this genre of Dragon Age fans popping up who are explaining Dragon Age lore, who have been talking a lot about Qunari lore. Disappointingly, they've just been taking Bioware's qunari lore at face value for every single game, no matter how much the Qunari lore for each game retcons the lore from game before it.

And I feel like, it needs to be understood that, Qunari were designed to be "Militant Islamic Borg" -- the intent behind them is to be this oriental technologically advanced people who are violent and expansionist savages and made specifically to contrast the rest of Thedas, meant to be White and European. They are routinely called barbarians and savages, real world slurs used against people from the SWANA region, by characters the players are meant to see as sympathetic and intelligent, like Solas. The lore starts and ends with this. And even with Gaider not working on the game, each bit of new Qunari lore introduced is built on 2 things: Racism and Vibes.

Trying to explain Qunari lore without even examining the deeply racist framework within which Qunari lore exists is inadvertently reinforcing the racism and the orientalism and xenophobia in the writing. You cannot separate them.

I have been seeing people calling Qunari society "inherently violent" or "teaching violence" and that this is why they are written as having had the Antaam branch away and go to the South and join the ancient Gods. And No. That is not correct in any sense. But if you rewrite the lore of the Qunari in every single game, of course that would be your takeaway. The real reason they are written this way is so you can have a faceless orcish brute enemy archetype that you can kill in Dragon Age: The Veilguard without any guilt. It's literally not deeper than that.

Why is it that Bioware is so resistant to having us go to Seheron or go to Par Vollen and walk amongst Qunari society and view them in a context where they are just living their lives? Is it possibly because it will draw attention to how alien and inhuman they are intended to be? Is it so they are not humanized in a way that makes every previous inclusion of Qunari seem jarring and uncomfortable to see?

In Origins, we meet Sten, and though he exists to expound on this group of people who exist in Thedas, the Qunari, and introduce us to this bit of world building which isn't directly relevant to the main story, but fleshes out the world beyond Ferelden. The writing was still racist (after all "militant Islamic Borg" refers to their Origins iteration), but you got so little information that you could infer that there may be some nuance there, especially given the way Sten is written in a way that humanizes the Qunari. Later lore shows him as being someone who cares deeply about the world around him and, as Arishok, about diplomacy. And all this not conflicting with his belief in the tenets of the Qun.

And in Dragon Age 2, the game pivots into making them one of the major causes of conflict in the story. This is the first introduction of Qunari as faceless brute enemy archetypes which you can kill without guilt, without explanation of why you can kill them without guilt--at least not immediately. You do not walk into DA2 knowing who Tal-Vashoth are and why they are attacking you--only that they're violent and they yell things in a foreign language at you.

The Arishok in Dragon Age 2 is stubborn, dogmatic, and violent when opposed or crossed. He shows up, sets up a military compound, and stays there for years. Your only representation here is a military leader and his subordinates, contrasted with equally violent mercenaries who the game promises are of a completely different ideology. All shirtless muscular men, who speak in a growling menacing dialect.

Then Bioware turns around and goes. Just kidding! Those weren't the real Qunari; they're a violent offshoot! We promise they are nuanced, you just haven't met those ones yet. They give us Tallis in Mark of the Assassin, but she's an elf, and one who had to pick between slavery and the Qun, and picks the lesser of two evils. Sure, she's sympathetic, but you get the impression that Hawke feels betrayed to find out that she's Qunari, and interrogates her on this--which, is partly, I guess, you, the player, clicking the dialogue options to learn more, but Tallis is on the defensive, trying to convince you Qunari are people, just like you and me.

Inquisition introduces another Ben-Hassrath, like Tallis, in the Iron Bull. And on the surface, his inclusion is quite a lot like Sten in Origins. They both showed up because there was an unknown threat in the South that they were ordered to investigate. Unlike Sten, though, you are given the option to convert him away from the Qun. Not only that, but the game drills into you how there is no free will under the Qun. But then contradicts itself with Bull telling you that under the Qun you DO have the choice to change your role under the Qun and that there is even a word for it, Aqun Athlok, which means transgender, but, in a society where gender is directly related to the role you perform in society, that implies less rigidity and more open-mindedness than every other character wants you to believe.

However, beyond dialogue with Krem and the Iron Bull about gender (and later Taash in the Veilguard), Bioware is not interested in exploring the implications of the existence and acceptance of Aqun Athlok in Qunari culture.

And in the end, if Bull becomes Tal-Vashoth, that's framed as the outcome that is overall most positive--the outcome where he can keep his romantic relationships (whether that's with the Inquisitor or with Dorian), his friendships with the Inquisition and the Chargers, and his individuality. It's reinforced in banter with his companions and dialogue with the Inquisitor. And it all sounds a little too close to how white savior types talk about Muslims who leave SWANA and leave Islam to come to the more enlightened and liberating West.

By the Veilguard, the Qunari lore is already so wishy washy that sure I guess now we have to believe that the Antaam (literally just the Qunari military) broke away from the other Qunari because the other Qunari weren't expansionist and violent enough. I guess that's what we are going with. And that's the reason why, as a gameplay mechanic, we see the return of the Qunari as a faceless brute enemy archetype. And this time, instead of them clearly speaking in normal pitch but in a foreign language (like in DA2), they communicate in inhumanly deep, animal-like grunts and growls. Even when they're not being hostile to you, and you pass them by in Treviso just hanging out? They are still hollering and growling in monstrous deep voices, without a trace of a thought out and well-enunciated language. And how racist do you have to be for you to be more racist than the DA2 Qunari?

I don't even want to get into whatever scraps you get through Taash and their personal quest because it's so irrelevant and detached from everything it feels like putting a bandaid over a stab wound. Nevermind Taash introducing us to a brand new and innovative genre of Qunari who can sniff things out like hunting dogs. Thanks for that one Bioware -- "but nooooo, Nairuz, they're part dragon it makes sense in the lore" -- the ancient Elves can also turn into wolves and dragons and even monsters, but you don't see them growling and sniffing and prowling like animals.

All this to say. Stop trying to make sense of Qunari lore in a way that validates and justify the decisions Bioware made, when they made those decisions out of Islamophobia and racism and orientalism. I am tired of seeing this lore be uncritically parroted by Dragon Age lore accounts.

[harmonysanreads]

hi! i love the way you write aventurine, could you give me some tips on writing for him bc im struggling her to grasp his character :(

if you don’t have the time then that’s alright!

Hello, nonnie. Thank you so much :') Since you didn't mention whether this was in the Yandere context or not, I'll list some general tips. I hope you find these helpful!

— FOR BASIC CHARACTERIZATION

One of the most important aspects of Aventurine is that he's insanely smart, but they always sign it off with luck at the other side of the equation. This is intentional of course and whether or not luck really is the ultimate deciding factor isn't really the question we should be pondering about for a video game. Everything Aventurine does is through careful strategizing, scheming and calculating. What you need to remember is that ‘luck’ is more like a protective layer on top of it all. When deciding upon a plot, try your best to keep Aventurine's intelligence in mind. Then you can seal it off by using ‘luck’ in classic Aventurine style, or use dramatic irony with this point.

I think, for Aventurine, having a reader who surprises him is very convenient. It doesn't need to be a head-on challenge, sometimes the strongest impressions are made through silence and passivity. Remember, Aventurine is an incredibly observant character. For example : when he offers the Trailblazer ten thousand Credits after their first encounter, if you refuse politely, he becomes extremely pleased, as opposed to his somewhat miffed reaction if you pick the other option.

As you know, he's often partial to extremes. His ‘all or nothing’ motto can be useful to stir inner conflict.

Body language is very important for building his character. Instead of writing a whole paragraph about how beneath his bravado, he's always scared of losing, they conveyed much more through revealing the fact that he hides his left hand behind his back during all daring gambles. Aventurine isn't the type to be upfront about emotions that can make him vulnerable — that's detrimental to survival. So I think you can reveal those emotions through body language.

He's a very... unconventional gambler. His tendency to pose things as gambles and bets is more like a shield than anything. In any case, it makes for a great tool in adding drama.

— FOR DIALOGUE

Aventurine is a pretty complex character so I often forget certain things if I don't stay in practice, listening to his voicelines really helps me get a quick refresh in those cases. There's this channel on YouTube that compiles the characters' scenes individually, it's very helpful.

I think we all can agree one of Aventurine's greatest strengths is how he weaponizes words against others. There's more to this though. Be mindful to the upward and downward inflections in his sentences, the pauses between phrases and which words he's putting emphasis on.

He's also an interesting mix of straight-forward and roundabout. He says he prefers people to be direct and he often is direct himself. But with his ‘insults’ in particular, he's very roundabout. By the time you realize what he just said, it's already too late to shoot a comeback and he has you exactly where he wants.

— MISC. TIPS

Keep his backstory in mind and be respectful to it, but don't let it stop you from experimenting.

He has religious trauma, survivor's guilt, trust and commitment issues, as well as a complicated attachment style. Do you research on how these things affect people in relationships.

Aventurine's arc hasn't ended, which is why many things about him aren't definite. Consider how you might use it to your advantage.

[darkstarofchaos]

This is why I reject the idea that fanfiction isn't "real" writing. If you're a writer who's joining an existing project - be it a comic, a TV show, a game series, whatever - you need to have a very specific skillset:

You need to be able to study characters that aren't yours and figure out who they are on a deep level - not just personality and motives, but the way they talk, the way they emote, things they would or wouldn't do and what it would take to make them act differently.

You need to be able to work within the confines of existing history and worldbuilding, and evaluate whether something you want to add makes sense in the context of the world.

If you're going to introduce something that contradicts existing worldbuilding, you need to be able to justify it in-universe.

If you want a character to do something that contradicts their previous behavior, you need to show how the character justifies it to themself, or why they don't recognize it as a contradiction.

I'm not saying every fanfic writer has these skills, by any means - some fic writers don't care about canon compliance, some prefer to create their own versions of the world, and yeah, some just aren't very good writers. But if you're one of those writers who does work within the existing canon, and you get good at it, you're way more qualified to take over an ongoing story than some "real" writer who has never written canon-compliant fanfic in their life and is more interested in telling their story than continuing the characters' stories.

hey its me comic writer who constantly mischaracterizes characters because i turn them into ocs and two-dimensional self-inserts i'm gonna make your favorite character more accessible to new readers by regressing their growth, retconning longstanding canon, and ultimately making the timeline impossible to follow thus discouraging new readers while also inconveniencing dedicated fans by destroying the character they love so much hope you understand

[pinkiemachine]

More BatFamily X Meet the Robinsons (I don’t have time to draw this whole thing)

Tim: What’s your name, fruit-head?

Jon: Well, Jon, but—

Tim: Jon, huh? Well, say, Jon, you haven’t seen a spleen around here have ya?

Jon: A spleen?!

Tim: Yeah, my spleen! :) Been digging holes all day. Can’t find it anywhere.

Jon: Alright, look—I need to get back to the garage. Damian left me down there, and I wasn’t suppose to leave, and then this monster attacked me on the porch and—

Tim: Monster? There’s no monster on the porch you ninny! XD

Jon: Listen to me—

Tim: Of course, I also didn’t think there was a Starro living on my arm, and—whoop! *lifts arm to reveal Jarro* Looky there! Hope he ain’t got rabies!

Jon: Dude—I need to get to the garage!

Tim: Oh, sure, I’ll get you there in a jiffy. I know a shortcut!

——————————————————————————————

*opens secret entrance to the living room*

Tim: Welcome to the garage! … … … Well, I’m completely lost.

Jon: …

Artemis: Hello, Tim!

Tim: Hey, Artemis! Jon and I are looking for the garage!

Dusan: We have a garage?

Tim: Apparently so. :)

*and maybe Dusan and Artemis have a duel or something, idk*

——————————————————————————————

*Damian arrives back in the garage*

Damian: Alright, Jon. I’ve got the—*the garage is empty* …Jon?

——————————————————————————————

*Tim and Jon walk past Jason who’s beating the snot out of a punching bag and screaming*

Tim: That’s Jason. He’s pretty chill.

Jon: …

——————————————————————————————

*I don’t know how to translate Nyssa into Art’s bit*

——————————————————————————————

*Tim and Jon on the roof*

Tim: Well what are we doing up here?

Jon: Looking for the garage…

Tim: Oh yeah!

——————————————————————————————

*in another room of the house*

Mar’i: Jake! You stop hogging the trapeze or I’m telling mom!

Jake: Oh, lighten up, sis!

Mar’i: Jake, I mean it!

Dick: Children, please! Your mother is trying to take a nap—

Starfire: What is all the yelling out here?!

Jake: She started it!

Mar’i: He started it!

Starfire: I don’t wanna hear any more!

Dick: Now, sweetie—

Starfire: Don’t you sweetie me! I’m going for a drive.

*leaves and peels out*

Tim: That’s strange. She usually takes the Harley.

Jon: …

——————————————————————————————

Tim: Ooh, I think my girlfriend Steph is baking cookies!

*opens door to disco room, and Steph is jamming out*

Tim: Bake them cookies, Steph!

——————————————————————————————

*looking at Ace*

Jon: Why is your dog wearing glasses?

Tim: Oh, because his insurance won’t pay for contacts.

ba dum tss!

——————————————————————————————

Tim: That’s Duke, and that’s Cassandra.

*both wave “hi”*

*suddenly, Goliath appears!*

Tim: Oh look, there’s—

Jon: Ah! That’s the monster!

Tim: Oh no, Jon, this is just Goliath, one of Damian’s pets! And this is our butler, Alfred.

*Alfred has Goliath on a leash*

Alfred: Pleased to meet you.

Jon: Y-you too.

Tim: Hey, Alfie, any idea how to get to the garage?

Alfred: Have you tried Miss Kyle?

Tim: Well, that’s true, we didn’t ask her yet.

Jon: Who’s that?

Tim: Damian’s step-mom, Selina. I think you’ll like her :)

*opens door to Selina’s pet sanctuary*

Selina: Hey guys!

*there’s probably a bunch of cool creatures in there, like magical ones, alien ones, take your pick*

——————————————————————————————

ANYWAY, I’d write that they found Tim’s spleen, but I don’t think anyone wants to read that XD

Original Post for more context 👇

[jjenthusee]

Where We Are

Pairing: Jason Todd x Reader

A/N: honestly this has been marinating in my mind for a while because a while ago I saw @sunnie-angel post this small writing (linked here) and I wanted to write something for it, but I haven’t gotten to sit down and complete something :( BUT i finally sat down and wrote because i needed something as a break from my end of semester stress from school :D i would also recommend reading the linked post first so it gives some context and insight to why i was so drawn to it and how it heavily inspired this fic. ENJOY and like, comment if your comfortable 💐

Summary: How do you live with the memories of Jason after his death as Robin?

Tags: AAAANGST, have a nice day :)

Word Count: 1.6k

A boy.

Full of so much life and raw emotion, who stood against the worst of Gotham.

He saw so much of its poison. It struck him, filled his veins, but he fought every day against the pain. Only when he finally left did Gotham return its thanks.

Everyday was torture. The memorials, the photographs, the graffiti. Streets littered with “We remember you.” Every waking second was a reminder that he was gone.

No more late night chats, meeting at the library, leaning against his shoulder.

You can still taste the bile that consumed your throat when you opened your door to Alfred standing there with the most chilling expression. Once he said your name in such a matter-of-fact tone, you knew. Your heart ached the same way it did when your thoughts brought you back to your worst fears, maybe it ached worse but that memory is buried in the back of your mind.

You slammed the door on Alfred. Grabbing your phone, calling one of the most recent phone numbers in your call history. It rang and rang. Nothing.

You left voicemail after voicemail. Begging, yelling, crying into the ending message to pick up.

You couldn’t walk down the road that led to the same library you spent all summer with him. The humid air beating down on you before the air conditioning sent a chill down your back. Scanning your library cards, returning books, letting Jason give you recommendations.

The memory made your eyes water.

You did everything to avoid it all.

Taking the longer path to school, playing music in your ears loud enough to drown out the passerby’s conversations about how tragic such a thing could happen to a young boy, avoiding any sort of color that matched the suit he was so proud of.

The same one that took him.

The more you avoided, the more the image of him chased you. Billboards, coffee cups, baseball caps. Robin was everywhere.

Until you saw a memorial video that some Gothamite made on social media.

It broke you one more time.

You screamed and screamed until your voice couldn’t. He was gone. Your Jason was truly gone.

You couldn’t get mad at him cheating at board games, you wouldn’t hear his laugh, no more asking him to drop off food while he was on patrol.

The world took the other half that completed you.

When the pain numbed out and you felt the guilt of your actions, you apologized to Alfred. You got back on track for school, the world wasn’t better, but it didn’t weigh on you as much.

You finally took a walk down the road you didn’t dare look down. You held your breath when you crossed over the invisible line, taking you down a familiar path, but with only one pair of shoes on the sidewalk this time.

You walked with your hands clenched, before you found yourself in front of one of the small memorial stands. A tiny Robin keychain stared back at you. You paid the seller with cash and continued on your walk.

The air hung heavy in your lungs as you stopped. Coming face to face with Jason’s favorite gargoyle that sat in front of the library steps. You fought the tears with lowered eyebrows and a stiff expression to place the key chain on the base of the statue. You grabbed a permanent marker out of your bag to write in big bold letters, “We Remember You.”

It was sloppy writing, but it captured your unrelenting, unapologetic emotions that Jason had always told you was why he loved being your friend.

As the weeks went by, more tiny Robins appeared on the gargoyle. Flowers were placed and you finally listened to the city mourn your friend.

Eventually you graduated, took a job at the library because you didn’t know anything about your future into being a young adult. Life was simple, it was enough.

You finally felt some stability on the anniversary of Jason’s death before you heard talk of a new Robin. That a replacement had been made.

You were at a rage again.

When times were too tough or when you just didn’t know how to handle yourself, you called Jason’s phone. Leaving voicemails admitting how much you missed him, how mad you were that he couldn’t even wait until you were able to beat how many books he checked out at the library, now it wasn’t fair to continue the competition by yourself. How mad you were that they didn’t retire the Robin suit after he sacrificed everything for it.

You didn’t even question how his phone line was still running as long as you could leave more voicemails.

When your rage started to cool, you joined Alfred one morning while the cold air chilled your face. Alfred handed you a hot tea that you refused to take, but Alfred always managed to get his way. It brought a smile to your face when you realized Jason used to do the same thing.

You walked with him down your familiar path to work. Before Alfred could say anything, your body unconsciously walked up to a new park bench. It wasn’t worn, but freshly placed with a shiny plaque that you couldn’t move your eyes from.

“In memory of Jason Todd-Wayne, a son who is loved as much as he loved books.” You quietly read.

You couldn’t move. You didn’t say anything to Alfred as he handed you a handkerchief when you felt the tears drop down your chin. The two of you just stood there, admiring the wood, the brass, and the memories.

When Alfred said his goodbyes, you stayed there. Afraid to sit down, but afraid to leave.

You spent the following anniversary standing next to the bench, next to the one place that was so precious to your childhood. The fear prevented you from taking a seat.

By the next anniversary, you managed to sit on the bench. Alfred visited again, shining the plaque and wiping down the park bench. You didn’t say much, but it was comfortable and breathing wasn’t that difficult that year.

By the most recent anniversary, you were starting to spend every important milestone at Jason’s bench. When you got your degree in library science, you sat with your cap and gown. When you got a job promotion at the library, you came to sit and watch the sunset.

Life was content as you passed Jason’s bench and gargoyle on your way to and from work. It was a part of you.

One late night as you locked up the library, making sure all the part-timers and volunteers made their way out safely and secured the doors, you said goodbye to your coworkers as you made your way down the worn steps.

Your feet ached from the new shoes that didn’t support you enough, but your walk back to your apartment would be short to endure the pain. The fatigue could wait until you walked through the front door.

You trudged through the familiar path, passing the same trees, shops, gargoyle. Fifteen paces, another thirty, but you couldn’t continue to count your steps when you saw someone facing Jason’s bench.

A tall man, large build, covered in a large hoodie with the hood raised. Only a couple strands of hair stuck out the opening, but you couldn’t see a clear face.

It was eerie how still the figure was, the small fog of breaths were the only indicator that the person was living.

You quickly moved to the edge of the sidewalk as you distanced yourself from the large man. You held your breath as you briskly walked passed, but a small ache hit your chest. A tiny feeling, so minuscule that you tried to talk yourself into not looking back.

Why would you do that late at night in Gotham?

Two paces, five paces. You paused and turned your head over your shoulder.

They were gone. Only a clear yellow street light shining down on Jason’s bench.

Weird.

But you weren’t going to find out what that was. You paced back to your apartment, throwing your jacket off, letting your aching muscles relax on the couch. You sighed as you couldn’t get the figure out of your head.

By the morning, you woke up early to get some breakfast on your way to work. A quick drink and some food to help give you some energy. You said ‘Good morning’ to the owners, passed by other early commuters.

You held your warm drink, breathing in morning air and taking your breakfast to-go, until you sat at Jason’s bench. It had been a while since you got to enjoy a meal there.

You sat, listening to the birds, seeing morning joggers pass, kids making their way to school, and you finished your meal. You got up to throw your trash away and took one last glance at the plaque.

You memorized the phrase engraved on there, but still took the time to read through every word. You took your hand out of your warm jacket pocket and felt your hand graze over the cold brass, your fingers feeling the grooves and the strict maintenance courtesy of Alfred.

In one last sigh, you turned to get to work, tapping the base of the gargoyle before the steps, happily humming to the calm start to your morning. Then another ache hit you just before your last step.

You turned around, but all the people hanging around the block were further away, enjoying the company of others or taking a stroll. You glanced around, unsure of what you were looking for.

But your search was interrupted by the cheerful voice of your coworker making his way up the steps.

You pushed down the feeling of the unknown, but some days you always felt like maybe Jason was with you, maybe from his bench built in his memory or the fact that this place was important to the two of you, but you always knew you were going to carry a portion of Jason with you.

In some comforting way, you told yourself that maybe your Jason never left.

[reboundttv]

Here's a Bunch of Words Expressing Frustration with Online People Part 2 I Guess? Arcane.

(Part 1 was about reactions to Wonder Woman #14, but that was on Twitter and it's gone now.)

It's been long enough. People who haven't seen it have successfully avoided spoilers. SO. Let's talk about the CaitVi sex scene.

Because there are a LOT of opinions about how it was handled, how it was written, etc. And I've seen a lot of...basically, Purity Culture, over how they never worked out their feelings, and Caitlyn never had to answer for trying to kill Jinx, or getting Vi to become an Enforcer or hitting her in Ep.3 or the dictatorship or the fascism or-

Here's the thing: Neither Caitlyn nor Vi know what's going to happen. They don't know tomorrow. They don't even know six hours from now.

We don't need a bunch of preceding episodes where somehow they have the time to get psychoanalyzed on-screen so that when they're finally intimate it's completely moral and unproblematic.

Arcane was never about being unproblematic. It was a show about broken people doing horrible things for selfish reasons, for better and for worse. Singed LITERALLY TELLS YOU AS MUCH (Season 2 Episode 5):

Caitlyn: "Why? Why do all this?" Singed: "Why does anyone commit acts others deem unspeakable? For love."

For context, he wants to conquer death so that he can save his daughter. And look at how it's worded. "acts others deem unspeakable." The awful things he's doing, he's rationalized them as necessary so that he can accomplish his goals. Whether it's him, or Viktor, Jayce, Caitlyn, Vi, Jinx... ALL of the characters in Arcane are like that. No one in this show was perfect. Far from it, actually.

And in that scene, Caitlyn and Vi are two broken, messed-up people. Their whole worlds have been upended. Vi believes that she's lost everything and everyone important to her, and that it is of her own doing. Caitlyn is questioning the only thing that's ever made sense in her life: her duty to Piltover and how that's run up against her own morals and how she has changed to accommodate them, rather than stayed true. Caitlyn also has guilt over being intimate with Maddie. (fuck maddie all my homies hate maddie)

And the only thing they have, in that moment, is each other. The only kind of, sort of constant in their lives. Is it perfect and unproblematic? No. Is it healthy? Arguably not. The scene is messy, and clumsy, and for fuck sake they're having sex in a prison cell.

But are those the things that actually matter? Is that the story that's trying to be told? NO. No, it is not. Broken people, just trying to make sense of what's going on around them. Trying to find others to hold on to, to anchor themselves. Find that closeness and intimacy, and even if it doesn't work out the way they want, they'll still have each other.

[ere-the-sun-rises]

Okay, I'm sorry again Medieval and Biblical Latinists, but this post popped up in my notifs again and the more I look at it, the more revolted I become. Wheelock's love for Republican and legible Latin is possessing me from beyond the grave, so let's go.

"Pro Jupiter, puer, ecce bibendum!" Where the fuck do I even start. The sentence is straight up an incoherent collection of words. The literal translation is "Before Jupiter, boy, lo! about to be drank." What the fuck were you even trying to type??? Were YOU drunk doing this? I thought the Vatican was supposed to be full of monks with nothing better to do. You're shaming your 9th century copyist predecessors.

"Pro" is used wrong. It usually takes an ablative, because "before" is temporal, not spacial - it doesn't usually mean "in front of [object]" so much it means "[in the period of time] before [event]". If you're looking to say something like "by god", then a more natural invocation would in vocative or ablative of agent - "O Jupiter" or ""Ab Jove".

"Ecce" is bizarrely out of place. It should be at the beginning of a sentence because it's not actually a word, it's an exclamation. You wouldn't place "behold!" or "huzzah!" in the middle of a sentence, you heathen.

"Bibendum"? Bibendum??? You can't have a participle in a complete sentence without a normal verb. Participles can't ever stand on their own. If you're using this as a substantive ... why??? Just use the word for whatever this liquid is. Even as a substantive it barely makes sense. It's the equivalent of holding out a cup and saying "liquid" with no further context. Why are you making this so hard and ugly to read???

I don't think the sentence is even salvagable because I cannot figure out what the fuck it was even trying to say. If I had a gun with one bullet in it, I would use it to shoot this sentence. Hang the translator by the nipples unless they're into that.

I can't read most of the second panel, but the last phrase "dubito quin sciat" is clearly meant to stand on its own by the way the punctuation is placed. And that is a damn shame because it's horrific. It reads "I doubt why he would know."

Students, please note that "quin" is an interrogative adverb meaning "why?" The question mark is non-optional. It's literally only a question word - why is it in a passage that does not contain a question???

"Sciat" is weird here. Subjunctives can be used as a clause verb, but scio in particular usually takes an accusative noun to make sense. The word means "to perceive with the senses" but can also be used as shorthand for "to see/to know/to understand".

The sentence would read better as "dubito ut illum sciret" or "I doubt that [he] would see this [thing]."

0/10, broke ass original construction. Lock the translator in a basement with Wheelock's textbook until one or the other breaks.

"Heu, Timothee, mater tua delapsa est ob cutem arienae et P. S. mortua est." Fine, this one isn't technically wrong, but it is brutally literal in a frankly uninspired way.

"Delapsa est"?? Have you no imagination? No creativity? No sense of good Latin prose? Delabor does mean "to fall/to descend" but it also means "to fall to ruin/to be destroyed". A much better (and funnier) word would have been "cado", which means "to fall [down]" too, but crucially also means "to be cut down/to be slaughtered/to die". It would be a way better play on words with the "mortua est" following after.

His name needs to be Romanized. Do you think the Romans had names like Vergilius for fun?? No! It was so the fucking thing could be declined. Fix Timothee's name.

I don't like "ob". It feels wrong, like a skinwalker. It's not meant to be here. It can technically mean "on account of", but it's more prominent meaning is "toward". It should probably be replaced by a dative or ablative of agent/means here instead.

"Cutem" should be cuto, to be dat./abl. of agent/means. An accusative doesn't look right when the sentence's main verbs are passive, since passives are reflexive.

"et P. S. mortua est." Ugly, disfiguring little addendum. Why is it in the same past tense as delapsa? Repetitio is only fashionable in poetry. This is prose - you need variatio. Cicero and I hate it here.

It would read better as "Tua mater, Timotheius, cuto arienae casura est, cepitque morti." - "Your mother, Timothee, fell [by means of] the skin of a banana, and [she] was seized by death."

These panels only get more offensive to the Latin language the longer I look at them. This translator would get roasted alive by any ancient or Medieval scholiast who read this and they would deserve it. Even poets would vomit.

today i found out that if you have library access through ur school, you almost definitely have a copy of the vatican’s latin translation of diary of a wimpy kid and i am currently reading Commentarii de Inepto Puero thank you

[scribescrawls]

Transformers One setting, I like to headcanon that the 50 cycles when the High Guard were being hunted down were rough especially as energon no longer flowed. Now imagine soon after the events of the movie when Megatron is with the rest of the High Guard at their new base that’s still half being set up, Starscream or one of the others will just mention something extremely wild that happened to them casually to each other that it makes Megatron go “that can’t possibly be real” or “for your sake I really hope you’re lying”. For instance, imagine Starscream trying to actually impart some surface survival skills to their new leader and points to a set of weird looking plants/grass growing out of the planet and Starscream is like “if you’re ever extremely desperate and stranded with no energon sources wandering wastelands on the brink of shutting down, you can eat these as a last resort. It will give you the energy to stay online, but be careful. It’s best to only consume it if you have someone with you who can tie you up and carry you. I recommend taking shifts so you can keep moving forward”.

Megatron, confused: Wait why would I need someone to tie me up and carry me?

Starscream: Side effects. I mean it about it being a last resort. It makes you not yourself. Feral, aggressive, and a potential danger to both yourself and others. Then the hallucinations start setting in. You start hearing and seeing things. The visions are different for everyone, but rarely are they pleasant. And the feeling of it finally burning out of your system at the end hurts like a glitch.

Megatron: How do you even know for sure that’s what it does?

Starscream: First hand experience. But one day it could save your life so remember it.

Megatron, doubtful if Starscream is telling the truth, but morbidly curious: What did you hear and see?

Starscream: Have you ever seen the dead come back to life wrong and their face plates slowly melting off as you hear the dying screams of bots long past?

Megatron: No…

Starscream: Let’s try to keep it that way.

He wonders if maybe Starscream is just messing with him or trying to scare him about the surface, but then he turns his head to see Shockwave and Soundwave nodding seriously and confirming Starscream’s statements.

Shockwave, referring to Starscream: I used to have dents in my old arm from when he bit me under its effects. Of course I can’t show you since that was on my old arm before I lost and replaced it later down the line.

Megatron: Wait that’s not your original arm? What happened to it?

Shockwave, casually with no context: Oh Starscream cut it off. I don’t hold it against him though, it was the logical thing to do at the time.

Megatron is just like wtf were you guys doing in those 50 cycles?! In what circumstances does cutting off someone’s arm make logical sense?! Poor Megatron is probably wondering if it’s not too late to run back to Iacon.

I just like the idea that during those 50 cycles the High Guard were going through the Horrors™.

[marzipanandminutiae]

I DID IT

I AM CAUGHT UP ON THE HANDMAID'S TALE

EVEN THOUGH ALL OF SEASON 5 WAS A SLOG TO GET THROUGH

my god. I've never done so much Not Caring about a TV show as this past season. the story feels like it's just dragging on and on past a reasonable stopping point- June getting to Canada -especially since they said they're still adapting The Testaments next as of this past February

also the attempts by Lawrence to justify Gilead as "using religious zealots to save humanity" seems like a weird both-sides-ism that I've been worried about since the first mention of Gilead cutting their carbon emissions back in the earlier seasons of the show

for context, book!Gilead is lucky they lasted even the 20-ish years they're implied to have in the afterword of TT. they're climate change deniers, nobody ever has enough of anything- even the children of the Commanders, as the Hannah character of the books grows up, circulate the same clothing and toys amongst themselves and eat synthetic dairy products instead of the real deal -power cuts are frequent, Commanders' houses have guards everywhere because children being "kidnapped" by resistance members trying to get them out of Gilead is common, they're sending missionaries abroad to frantically proselytize because they're running out of fertile young women due to escapes and executions, and frankly everything holds together about as well as you'd expect for a wildly irrational dystopia that doesn't care about facts or logic

the show transforms them into a society with human rights abuses galore, but no other real issues. scarcity is hinted at a few times but never actually appears to impact characters' lives. everyone has beautifully-fitted matching outfits; you never see clothes being passed on to anyone else when someone no longer needs them. no major food groups seem to be lacking. and hey, they fixed climate change so well that Boston now sees Toronto-level snow every winter! (because that's...definitely how that works!)

maybe the showrunners felt that they needed to create a reason why anyone who wasn't a zealot would go along with Gilead, but they took out the main reason from the books: certain anti-porn feminists making a devil's bargain with the religious right, the whole phenomenon of the 1980s that made Atwood write the book to begin with

there aren't supposed to be Aspects In Which Gilead Is Good Actually. it's a dystopia. it's a commentary on negative aspects of our society. it doesn't have to be positive in any capacity

the show is really good at a lot of things- I especially liked the choice to make June decidedly Christian, even though it was probably made more to avoid criticism of the show as anti-Christian than to add character depth

but just like the last time I tried to watch it, I found myself getting less and less invested as the seasons went on

we'll see how the sixth and final season goes for me, I guess

[accio-victuuri]

不要回头

this discussion is due to the announcement that the MV dropping on 11/26 is called don’t look back. let’s start with why this is relevant to xiao zhan. one that immediately comes to mind was his instagram post before where he used the caption: “don’t look back, forever”. a bit of context, this was the time in 2019 when he was having problems with WJJW’s management of his career. a week after this post, he took WJJW to court. so it may be safe to say that the message was moving forward and leaving WJJW behind.

this has been a recurrent theme with XZ, as he so eloquently explained in one of his interviews: “I feel that everyone should not live in the past. But you need to summarize your past, the areas you did not do well, take responsibility and move forward.” not looking back— meaning to live with no regrets. to run towards your future, which is why it makes sense that he likes to do the chongya pose. that’s just who xz is. 🤷🏻‍♀️🤷🏻‍♀️🤷🏻‍♀️ he doesn’t sit and wallow in misery about what happened before. he doesn’t hold grudges. no matter how his fans misinterpret his messaging, it has always been very clear to me. move on. make peace.

we can actually see this mindset between xz and wyb and why ( i think ) they get along so well. considering the life they have, it’s not healthy to live in the past and miss the moment now.

for their bdays this year, both their studios talked about regrets and moving forward.

XZS: The road ahead is always like this. I hope you can have fun without regrets.

YBO: …. along the way, accept imperfection, allow regrets, the mountains are high and the seas are vast, and please move forward boldly.

here are some other similarities with this theme:

XZ: i will believe in my choice and don’t regret it. just go all out and do it.

WYB: I just want to do things according to my beliefs and never regret it.

XZ interview

Q: Suppose if there is a chance to go back to the past. Which stage do you most want to return to?

XZ: i’m not going back

WYB interview

he was asked pretty much a similar question, if he can choose to travel back to an age in his life. what would he choose?

WYB: I don’t want to go back

also this classic one from WYB. 👏🏼👏🏼👏🏼👏🏼

this one is a personal favorite of mine when he was doing interview for where dreams begin:

XZ: Although life is likely to be unsatisfactory, I think as long as you persist in your heart and work hard to move forward, It will definitely be fine. This is something I insist on, don’t look back, believe in the future and the light is always ahead.

and there are alot more. i think that those of us who have been in tune with them already knows all of this. it’s the way they both are. i feel like this is also why they are successful in their careers. 🫶🏼

lastly is the significance of them singing white windmill during filming. at this time, xz told wyb— wyb, don’t look back.

Tho i’m pretty sure the song/mv title Don’t Look Back is about XZ’s personal journey — the similarity with WYB is just added in here cause we are clowns. 🤡🤡🤡🤡🤡🤡

-END.

[fictionfixations]

this is my first time hearing of this so i dont know if theres like some other context related to this im missing (or if this message just happened out of the blue) but i dont really wanna know either way.

^^^ but all points in this are valid (the reblogged post i mean)

i would like to at least hold out hope that nothing bad happened until it is confirmed (do not ask them what happened, im sure its stressful as it is) but that is not to say that i invalidate the people who spoke up because im sure they have their reasons too but we do not know what happened and we cannot know what (again do not ask what, we are not entitled to that information)

i want to believe in both sides. i don't want to end up being the kind of person who doesn't believe in a victim or is against a person who didn't actually do anything wrong, so im going to be patient and if nothing ever gets said about it thats fine too

do not speculate. what comes out of it could be aiming pitchforks at someone who didn't do what you think they did, or bringing out someone's trauma over something all over again because you want to know or you think oh maybe this could be why so and so happened

this is my own opinion, but id say to withhold any judgment and thought you might have on this until we get a confirmation. this is not to say that you can do whatever you want with this information after, because that is not true at all.

feeling uncomfortable regarding it is valid, im not saying you cant have your own opinions over it, id just prefer it if people could treat this sensitively, and with respect for the other members to not try to find out more then what has been shared, nor overly target people over something you do not have confirmation over

im sorry as ive been repeating points a lot, but ive seen people acting really disrespectfully to all the people involved in something similar to this because they want to know, but they do it with zero regard for the person on the other side of the screen

(this is more referring to people asking those who were friends to that person about it but it was a really bad situation overall, and they were attacking them when they didn't get a response out fast enough without considering that they'd just learned that someone they cared about was a terrible person and needed time to process that. now in this case its not fully confirmed but i really dont want to see that happen again.)

^ updating my response above, as there is a doc with information about what happened which i noticed in one of the comments on the original post. i just wasnt sure if something really bad happened considering the vague statement in the twitter post but considering its been spoken out now of what happened i can safely conclude that hes probably not innocent (understatement). (again, please do not hound the victims nor the hermits on information about this)

i just didnt wanna assume anything. this isnt to say that i didnt trust in what evidence they saw that made them conclude that the accusations were credible, it was just worded in a way that sounded very vague, and as a person who would like to see the goodness in everyone i tend to stay in denial about these kinds of things because i want to believe that they are not that kind of person, at the very least until its either admitted by the guilty party, or theres a credible statement from the victim

also it might feel like im understating things with how i describe them, thats my bad. i usually describe things in swear words but considering hermitcraft has a mainly young audience im trying not to and it also feels a little inappropriate over a serious topic. but it means i default to referring to something as 'bad' or 'not so good' which can come off as like im trying to make it seem not as bad as it actually is which isn't true at all. im just trying to be really careful about how i word things or what i say considering this is a serious topic but it means im not sure how to describe it so i end up going with what i default to outside of swears.

um. also please dont go asking for proof from the people affected nor the hermits cause i really dont think its appropriate and could lead to triggering them further. its also very personal.

i emphasize my point as a person who has also gone through bad things, and trying to look back through those old messages were really triggering and it was just not a good time. i imagine it was rough enough to get screenshots of what they did get so please leave it alone. they went through the trouble of sharing it in public, you are not entitled to more

and i get it might be rough to trust CCs after having your trust broken with one being revealed to be a bad person but PLEASE do not accuse other CCs of the same behavior. they are just as shaken as you that someone they thought they knew could be like that. please leave them alone, thank you.

PLEASE KEEP THIS IN MIND:

we, as fans, do not have a right to private information. anything shared with us on this is a privilege. please do not abuse it. the cc's could shut down and never talk about it if we overwhelm them.

also, please keep in mind that ONE HERMIT and THE ENTIRETY OF HERMITCRAFT are NOT THE SAME THING. the entire fandom is not 'ruined' or 'completely unsafe' because of the actions of one person.

PLEASE DO NOT ASSUME THAT THE OTHER HERMITS KNEW ANYTHING ABOUT WHATEVER'S GOING ON WITH ISKALL. this is not some big conspiracy, it's the consequences of one person's actions. they weren't hiding this from us, that's not how hermitcraft works, they truly didn't know. they probably knew as much as us about this, so making it an 'us against them' situation is immature and shortsighted.

ALSO, I AM BEGGING EVERYONE TO PLEASE NOT SENSATIONALIZE THIS. PLEASE DO NOT TURN HATING ISKALL INTO A MEME OR A JOKE.

mcyt'ers being revealed to be less-than-great people is not a rare thing, sadly, but i've seen it turned into a joke/meme/trend in other fandoms. this both minimalizes the actual people's/victims' struggles, makes the entire situation feel less serious than it is, especially to outsiders looking in, and makes everyone in the fandom look immature, petty, unable to take anything seriously, and genuinely harmful.

this server, fandom, and community are not dying, it is not ruined forever, this is one (major, i'm not trying to minimalize it) issue that we're currently dealing with. it will be okay. we will move on. this is not the beginning of the end. please calm down. i love this fandom, god bless all of you. <3

edit: doc has said on stream that we will likely get more information as time passes. like i said, this is a PRIVILEGE. we are not OWED information. please be grateful for what we're given, and POLITELY ask questions if you must. if a cc doesn't give you the answer you want, or doesn't answer at all, LEAVE THEM ALONE. THIS IS NOT AN EXCUSE TO HARASS PEOPLE. the hermits are likely just as stressed out as us, if not probably more so, so please keep that in mind when contacting them.

don't freak out, we'll be okay, this is not the end of the world, nor is it the end of Hermitcraft. we will be okay.

second edit: please remember that (at least as far as we know) ISKALL AND STRESS WERE NOT KICKED OR BANNED. THEY LEFT OF THEIR OWN VOLITION.

ALSO!!! VERY IMPORTANT!!!

WE. DO. NOT. KNOW. EXACTLY. WHAT. HAPPENED.

PLEASE DO NOT ASSUME ANYTHING SIMPLY BASED OFF OF OTHER MCYT'ERS PAST ACTIONS/SCANDALS. WE DO NOT KNOW EXACTLY WHAT HAPPENED. WE MIGHT NOT EVER KNOW EXACTLY WHAT HAPPENED. WE NEED TO BE OKAY WITH THAT AND NOT DRAW OUR OWN CONCLUSIONS.

[laswells-ashtray]

(You don't have to answer instantly, don't burn yourself out)

MacMillan and MacTavish having a very Scottish bonding moment that confused the ever loving daylights out of poor Nik/everyone

(I apologize for the potential spam lol)

I'm so sorry but I'm blind as shit even with my glasses on because they're two years old and I need new ones so I have to ask. What is your pfp because I cannot for the life of me figure it out but it's funky and I love it.

Anyway, *cracks knuckles* you're about to watch me tear into different parts of Scotland with no context other than I'm Scottish and allowed to

"Now, lad. Wit bit of Scotland are ye fae exactly?"

John instantly knows that letting MacMillan and Soap drink together is a dangerous choice because the two get on like a house on fire but that's not what worries John. What worries John is this. The Scotland talk because he'd sat through more than enough rants from Mac back in the day about the best parts of Scotland and [in Mac's own words] the "shite" parts.

"Glasgow, sir. Pollockshaw, if ye ken it?" There's a brief moment of silence between the Englishmen at the table and Nik as they await the older Scot's reaction. Is that a good place? Fuck if John knows.

"Aye, aye. I get ye, I'm Stewarton myself." Mac looks amused, as does Soap. That has to be a good sign, surely.

"Oh, you're a hard man then. Dinnae tell me you went tae school there anaw?" It takes one glance around the table to know that he isn't the only one needing a written translation. Simon is mouthing half of the words that Soap says under his breath to try and follow along with him, Kyle looks positively befuddled and Nik looks two seconds away from seeing if he can lift both arms properly.

"Aye, fuckin' shitehole and I wis quick tae get my arse oot of that fuckin' school. Could've been worse, I could've been fae Cumnock. Or ye could've been fae Maryhill."

"My da's side is fae Maryhill."

Oh fuck. John doesn't try to hide his wince. Leave it up to Mac to commit some cardinal sin when discussing Scotland.

"Even he'd agree with ye, it's a soulless vacuum of dugshite, empty needles and misery."

Nevermind then?! John is confused, deeply confused. Why the hatred for Maryhill? And better question, where the fuck is Maryhill?

Mac and Soap share a laugh between themselves that only furthers the confusion between the non-Scots of the table.

"Better than Govan." They both crack up at that, loud laughter waving over the table. Is it possible for someone to laugh Scottish because both of them seem to be doing so.

Kyle nudges him with a light elbow to the ribs, cheeky bugger.

"You catch what any of that meant?"

"Not a fucking word, sergeant. Not a fucking word."

Eventually, they leave the two men to chatter between themselves. None of them have the ears nor dictionary to translate whatever the fuck those two are spitting at each other. That is until John hears a question that has him demanding silence from his end of the table.

Leave it to Mac to ask the dreaded question of the night.

"So, son. Ye a Rangers boy or a Celtic boy?"

Even Simon and Kyle look over with wary expressions, Nik might not understand the significance of such a thing but the lads do. Mac asks with such a casual demeanour, you'd almost think it was a friendly query. It is not.

"Rangers, sir."

"Smart choice, son."

A shared sentiment passes through them all.

Thank fuck.

[didalexiabreakupwitholgaisback]

Mario is getting cursed left and right on the bird app because of this article. I google translated it but I think some may have been mistranslated. Would you be able to help us on why their reaction is so bad. This is the article https://x.com/elmonarac1/status/1859993852977033433

well, you all should know that mariona is one of my all time favourite barça players, but the cursing is valid here and even i am shaking my head at this. 🤦‍♀️ especially the fact that it came on the same day that the federation and its cronies are actively attacking irene, misa, and jenni. it's really a wtf moment by mariona that tries to walk the line at staying diplomatic by not saying much, but that itself creates the problem. so yes, the 'always angry' faction of culers have a point here. 😬

anyway, mariona and the journalist who helped with her book, laia coll, gave a short interview with catalan radio (listen to the whole 20 min interview, don't just translate the article!) where they talk about her book and various topics covered in it.

the host asks about the selection and las 15/rubiales, and mariona says: "well, i think there has been a significant change in the federation in the conditions we have. i think that, obviously, from everything that happened, we are listened to and we feel that we have the context and the atmosphere to be able to do great things, which is, in the end, the only thing we want, to play and win."

and then the host went on to ask about irene and jenni not being called up and whether the conflict is still continuing and mariona says: "well, it's a complicated issue, isn't it? i, obviously, have no idea. i haven't spoken to montse. i'm not the one who makes the decisions, i don't know. i couldn't answer you, because i really don't know. i just don't know."

but then laia coll stepped in and said that irene is an exemplary captain and centerback and bad behaviour is impossible from irene and that if montse was not going to call her up, she should have done it with respect. and the host asks mariona again what she thinks and she says: "i think irene is an exemplary captain."

so yeah, i wish mariona just kept her mouth shut or explained what she meant about the federation changing because her statements did not help matters and were too diplomatic, bordering on conciliatory, whereas laia coll ended up having the better sound bytes, and most importantly, i wished mariona had made a strong statement about irene from the beginning.

i wrote about the cosmetic changes that rfef made in this post but we are talking about very basic changes like flying to away fixtures instead of taking overnight buses, and allowing families including children to stay with the team during camps and matches. the federation still has major systemic issues that need fixing.

i get that players are in a difficult position and mariona doesn't want to be controversial, but this was not the best moment from her. not a good look🤷‍♀️