#but i like to think of it as having some new weird elements

[chewytoothmeats]

Jury duty sucks the turds right outta my ass, here’s a little doodle of Sweet Delta I did in the waiting room.

[seaofreverie]

I've seen the 'Sparks songs that could be TMBG songs' and vice versa comparision brought up a couple of times and idk if this one has been mentioned yet but I think Hippopotamus is really just the primest example of a 'TMBG song but it was actually written by Sparks'. Specifically it has so many elements characteristic of JL's songwriting. Obscure words! Interesting things done in the music theory sense that make it look kind of like an experiment / exercise in song form and that could even make it look like an excuse for them to mostly just fool around with this kind of stuff! (idk the specifics because I'm very not knowledgeable yet as for now in music theory, but I saw this mentioned somewhere too, it has something to do with the tonic / key resolution or whatever it's called I think, sorry, I don't remember). Seemingly absurd, non-sequitur lyrics! An unreliable narrator! I mean ok, it's mostly the obscure words that just happen to rhyme and thus make a good theme for a list of things to be found in the narrator's pool I suppose that made me think of this. And even the drumbeat during the uhhh, verses? (not the parts were the things in the pool are listed anyway) reminds me of modern TMBG for some reason

[sysig]

Yandere x Yandere is an underused trope imho (Patreon)

[iamthedukeofurl]

Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:

Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens

Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens

Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".

[causticsunshine]

.

[nonasuch]

Miss Universe National Costume 2024, Part 2!

Splitting this off into a new post so I'm not clogging up everyone's dash quite as much.

Miss Malta is some sort of environmental protection Sailor Scout. I think the giant bow would look better on the back of the skirt but otherwise this is solid.

It has just come to my attention that I skipped over Miss Albania and several other A/B countries, back at the beginning. I sincerely apologize! She went to all this trouble putting together a Fifth Element cruise ship passenger costume, and I nearly missed it.

Miss Armenia, in what even I have to admit would be a legit Princess Leia fit.

Miss Bahrain, adding some green to her Gold And Vaguely Historical look, along with what is either a comically large prop chalice or an upside-down lamp.

Miss Bangladesh appears to believe that adding two plush tigers from the toy store around the corner from the pageant venue will conceal the fact that she is just wearing a tiger-print evening dress. Miss Bangladesh is incorrect.

Miss Belgium. Girl. No.

Miss Belize let the seventh-grade art class do her whole costume, which was a bold choice.

Okay, I think that's everyone I missed! Back to alphabetical order. And I should have to rely less on shitty screenshots, now. Some countries were benefiting from the low resolution, tbh.

Kind of feel like Miss Maldives had a luggage mishap and she's just wearing the outfit she packed for a slightly dressy dinner.

Miss Martinique's costume would honestly have looked better in the shitty screencap version. The construction is... bad. It's bad.

Feel like we're in a little bit of slump here. Miss Mauritius did not stick enough butterfly appliqués to her gown to conceal that it is, in fact, just a regular evening gown.

Slump officially over! We are so back. Everyone say thank you, Miss Mexico.

I would like this better if it had just committed to the giant skirt and not felt the need to make it a Sexy Miniskirt look. Sorry, Miss Moldova.

Miss Mongolia wanted to stand out from all the other gold armor on stage, so she decided to a) wear cooler armor and b) bring a bow and arrow instead of a sword. Great work, Miss Mongolia.

Starting to feel like I'm picking on the smaller countries that probably don't have a huge pageant culture or the budget for really elaborate costumes, but on the other hand Miss Montenegro's costume is super low-effort AND the fabrics look cheap, so what am I supposed to do?

Okay, this looks like a pretty standard Miss Universe Sexy Bird, yes? Well, THIS is how Miss Myanmar entered the stage:

She had to fight her way out of that thing! God only knows what the visibility was like in there.

I think the hat is doing most of the heavy lifting to keep Miss Namibia's costume from being Just An Evening Dress, sadly.

Oh, yikes. It's more obvious in motion but Miss Nepal's bodice looks like it's made of craft foam and it fits real weird. The rest of it looks a little like she got together with Miss Cyprus and a pile of tablecloths for a sewing bee last night, I'm sorry to say.

Miss Netherlands has chosen a Tribute to Delft. I think if I were in charge of this costume I would do a much fuller skirt that falls from the waist, instead of the weird trumpet-skirt-with-hoop we've got here. And, obviously, I would make the windmill on the bodice actually spin.

It looks like she's having some issues keeping the wings and peplum in place, but I really like Miss New Zealand's costume from a design perspective. It at least slightly resembles the bird it's supposed to be (New Zealand fantail) and I think the feather pattern is meant to be in a Maori art style.

Miss Nicaragua is a Sexy Cathedral, which I think might be a Miss Universe first and is definitely a big old step closer to drag.

Okay, pausing here to get the next batch ready.

[akari-hope]

.

[coraniaid]

I don't think I believe that people in Sunnydale High School think of the Scooby Gang as "Buffy Summers and her weird friends".

I mean, yes, they know Buffy is (more than) a bit weird and has a history of violence, and they know that she's often at the center of lots of strange things that happen in the school. But if you forget what you know about vampires and the Slayer and look at the dynamics and personal histories of that group from the outside, there's exactly one person who connects them all together. And it's not the (ex?) arsonist and (ex?) gang member who recently transferred to Sunnydale from LA.

Everyone in Sunnydale High seems to know Willow Rosenberg, and everyone knows she's a huge nerd who (A) love libraries and (B) has something of a history of either tutoring (e.g. Rodney Muson) or otherwise hanging out with (e.g. Shelia Martini) some of the school's more violent and dangerous elements.

There's Xander Harris, Willow's best friend since kindergarten (and who, unlike Willow, doesn't really seem to have many other friends at all after Jesse mysteriously vanishes)

There's the (weirdly religious?) ex-aronist from LA who Willow seems to be tutoring in the library a lot (see B above) or who she's possibly recruited as muscle. Sheila and Rodney both mysteriously went missing one day too, so people aren't that surprised when Buffy does herself at the end of junior year.

There's the English librarian (see A above) that anyone who has seen Willow's locker knows Willow has a crush on

There's the computer science teacher that anyone who has been in class with knows Willow also has a crush on, who sometimes has Willow come in to class to help her run sessions for remedial students on the weekends and whose job Willow (somehow) takes over when she dies

There's Cordelia Chase, who Willow has a whole historical Thing with, probably going back to when they were little kids themselves. People say Willow hates her but they're always hanging out together (there's a persistent rumor that they once spent a whole night together in a closet, if you know what I mean) and Willow helped run her campaign for Homecoming Queen. Cordelia was secretly dating Willow's friend for a bit and some people say Willow was really, really upset when she found out; read into that what you will.

There's the mysterious older guy in a band who doesn't talk much and that Willow is apparently actually dating. (This isn't the same older guy in a band Cordelia was dating, but oddly enough it is the same band.) A few kids swear they've seen him naked and locked up in the library at night.

There are (again, from the outside) people like Willow's childhood friend Amy and Amy's friend Michael, who people might remember were once being investigated by the police for ritual murder before Amy mysteriously vanished

To the outside eye, the Scooby Gang are Willow Rosenberg and her weird friends.

(A lot of kids swear that one time they saw her hold the whole Bronze hostage and rip a girl's throat out with her teeth, but of course Principal Snyder hushed it all up and she was back at school the next day. He really doesn't want to have to hire a new computer science teacher this year.)

[darkficsyouneveraskedfor]

You'll Be Home For Christmas

Warnings: non/dubcon, and other dark elements. Not all kinks or triggers are tagged. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Summary: You agree to do a favour for your coworker but it might be more than you can handle.

Character: Clark Kent

Day Nineeen of the December Daze Challenge.

Prompt - fake dating becomes too real.

Note: As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.

"I know it sounds weird, but, my mom's getting up there..." Clark looks away as he pokes his tongue into his cheek. 

You're not sure how he does it. How someone like him can make himself look pathetic. He's a big man. Mountainous really. He dwarfs just about everybody in the office. Even the desks look tiny next to him. And the chisel of his face is so sharp yet in that moment, he looks heart-wrenchingly soft. 

"It's just you two this year?" You ask. 

"Um, yeah," he rubs the back of his neck then drags his hand around and down his chest. He shifts in his chair and clears his throat. "Look, I know I can be nosy but I overheard you and Maggie. You said you don't have any plans this year--" He cringes and leans forward, putting his elbows to the desk as he covers his face then peeks out between his fingers. "It's a dumb idea." 

"It seems like you're pretty stressed," you fold your hands behind you. You don't want to agree with his last statement and make him feel worse. 

"Yeah, after Lois..." he shakes his head, "my mom's convinced I'm going to be alone forever and she keeps telling me how old she's getting. Says she wants to live long enough to see me happy." 

"Wow, sounds worse than my mom," you kid but quickly deflate. "Sorry, I'm not trying to make light." 

"No, it's ridiculous," he heaves and drops his eyes. "I've asked two of my neighbours, I asked my mail lady, and oh, yeah, the girl who made my coffee today. I'm all out of shame." 

"Can I think about it?" You ask. You know you're going to say no, but you don't want to do it right away. 

He perks up and his blue eyes flick to meet yours. His brows rise hopefully and he rolls forward in his chair, "really?" 

"I didn't say yes." 

"But you're the first person not to say no," he smiles. 

Oof, there it is. You've always had a hard time in situations like these. You're a people pleaser in the worst way. 

"Anyway, I should get back to work," you say. 

"When-- when will you know?" He asks. 

You hesitate. 

"End of today?" He suggests. 

You nod. Alright. You just need to get out of there before you cave to that puppy dog sparkle in his eyes. A man who looks like that shouldn't be able to make himself so pitiful. 

✨

You don’t know why you said yes. You really were going to say no but when Clark came back to check in, you weren’t prepared. So absorbed in your work, that you forgot about the odd request. 

So here you are, right beside him, wound as tight as a spring as you try not to show it. It’s not how you imagined spending Christmas. When your typical traditional obligation felt through, you were almost relieved. Now that dread has returned but in a new flavour. Meeting someone else’s family is somehow more intimidating than your mother’s judgement. 

Clark’s own anxiety pales in his knuckles as he drives silently. Only the radio provides some softness in the tension between you. It’s always strange to spend time with coworkers outside the office and now you’re jumping headfirst into their most personal facet. 

You fidget in your seat and let your eyes blur out the window. You didn’t expect his mom to live this far, yet you should have. He’d mentioned before he grew up on a farm. It must have been nice in a way, peaceful, out where you can’t hear the city honking and hollering. 

The snow thickens as you get further into the country. His large truck doesn’t falter as he steers cautiously through snowed over tire tracks. Would the plow even get this far out here? If it did, you don’t imagine it would come very often. 

Your mind latches onto those random things to avoid the obvious. You’ve always been this way. Instead of worrying about your mother lecturing you about your stagnant work situation, you’re usually more concerned with how your hair lays or if she’s going to the like that bottle of wine you spent too much money on for her. 

“Thanks again,” Clark’s baritone rolls over you like thunder. “Really. I know it’s... strange. I’m just not ready to date again but... my mom...” 

“Trust me. I get it. My mom can be... a lot,” you chuckle, though it’s really not that funny. 

“Oh yeah? I didn’t want to be nosy, but...” 

“Right, uh, you know, my brother asked if we could have dinner on Christmas Eve instead and the rest of us agreed. She insisted that Christmas Eve isn’t Christmas...” Your heart picks up with the anxiety you bury deep down. “Well, she cancelled Christmas since no one agreed with her.” 

“Wow, really?” 

“Uh, yep,” you can’t look at him. It’s embarrassing. It’s like when your mother dumped your birthday cake in the garbage because you pointed out you were 13 not 12 that year. Or when she walked out of your graduation because your grandmother wouldn’t switch seats. “It’s whatever. Family, right?” 

“I guess,” he says. “My parents always loved holidays too. Especially when dad was around.” 

“I’m sorry about your dad,” you murmur. 

“Don’t be. Sorry if it seems like I keep bringing that up,” he sniffs. 

You look ahead to the sole structure as it looms closer and closer. A farmhouse that comes clearer through the drift of flakes, and a barn like a shadow near its rear corner. It’s like one of those classic festive paintings printed on an advent calendar or some 1950s domestic dream. 

He pulls up to the house and shifts in his seat. Concern needles in his cheek as he squints over the steering wheel. He wrenches the shifter into park and kills the engine. You sit futilely and let him take the lead. 

“Lights are off,” he mutters. 

You nod, unsure what to say. Is something wrong? 

He gets out and you watch the snow dust into his dark hair and across his broad shoulders. He is unfettered by the deep snow. You zip up your coat and turn to your door. You push it open and look out into the perilous carpet. 

Clark surprises you as he comes around. “Here,” he puts his arms out, “it’s deep.” 

You grab his hand and his other goes to your waist. He as good as lifts you and sets you down in the path he’s stomped through the piles. You thank him and awkwardly detach. He shuts the door and moves around you closely. 

He leads the way to the porch so you can walk through his footsteps. Your lashes catch the snow as you look up at the grey sky. You don’t think you’ll make it home that night. Shoot. 

Clark kicks off his boots as he digs in the pocket of his coat and pulls out some keys. He unlocks the door and gestures you in ahead of him. You try to clear off your treads before you enter. He reaches around the frame to flip on the light. 

He crowds you as he enters. You try not to step off the mat and make a mess of the floor. You slip free of your Adidas, not the best choice for the weather, and shuffle aside. He hangs his jackets and combs his fingers through his hair to clear the flakes out. The dark strands glisten with the moisture. 

“Give me your coat,” he reaches for you. 

“Oh, yeah,” you unzip your jacket and hand it over. It isn’t exactly climate appropriate either. You’ve been meaning to invest in winter gear. A lot of times your intentions are only ever that. “Thanks.” 

“Quiet...” he mulls as his eyes skim the ceiling and he hooks your jacket on the rack. 

“Yeah, a little.” 

“Ma’s probably laying down,” he utters with a hint of concern. “I’m gonna go check and see what’s going on.” 

“Oh, I hope she’s okay.” 

“No worries. She stays up all night reading,” he shakes his head. “Feel free to make yourself at home.” 

“Right, er, okay.” 

You back up as he passes you. He heads upstairs and you slowly pivot to take in the interior. The pale wood is marked with knots which give it an even more rustic atmosphere and the decor is simple but in a quaintly traditional way. The details etched into the slender drawer of a side table or the dainty trim of the area rug give a lived-in effect. 

You tiptoe into the front room and hug yourself as you feel a draught whisper in around the window. You find the light switch and flip it on to cast more light across the neatly arranged furniture. There's an old-fashioned iron firestove in the middle of the room, the flue built up to the ceiling.  

You can hear Clark moving around above. The rest of the house is silent. You look at the old grandfather clock standing against the wall. It’s just after eleven in the morning. 

You turn as the stairs creak. Clark appears in the doorway with a sober expression. “Mom’s just waking up. It might be a while. She... she’s having a tough day.” 

“Oh, I’m so sorry. Is she sick?” 

“She is and she isn’t. Just getting older, you know? Ever since she broke her hip last year, she’s been a bit slower,” he explains. 

“Oh, gosh, Clark,” you say. “Is there anything I can do to help? You said she was planning on dinner but I can get all that started for her.” 

“Sure, she usually thaws the turkey in the sink overnight,” he says. “We should probably start there.” 

“Right,” you chew your lip. 

“It’s nice of you to offer but if it’s too much--” 

“No, no! It’s cool. I’ve just never stuffed a turkey on my own,” you say. “I was always just an observer.” 

Your mother never believed anything was done right unless she did it herself. Then she’d complain about having to do it. 

“I can help,” he offers. 

“Sure, sounds like a plan. I think she might appreciate the help, huh?” 

He smiles but doesn’t answer right away. For a moment, he only stares. He clears his throat and nods at last, “she would—will.” 

“Show me where it all is,” you show your palms, not wanting to presume too much. 

He beckons you after him as he leads you through the doorway perpendicular to the one you came through. He turns on another light. This place feels desolate with them off. 

“So uh...” he begins as he goes to the counter and peeks in the sink, “yep, turkey’s in here.” 

“Great, hopefully it’s dethawed,” you say. “Alright, do you mind if I poke around?” 

“It’s all yours. I’ll try to help but gotta be honest, as a kid, I was out in the field,” he stands back to watch you. 

“Right,” you come forward to look the turkey over. Good thing is it won’t need extra time due to being half-frozen. 

“Hum... do you know if your mother does stuffing from scratch or a box?” You turn back to him. 

“Scratch, probably,” he shrugs. 

“Cool, uh, I need bread,” you declare. It’s almost nice being in charge. A very new but refreshing feeling. 

✨

The smell of turkey wafts from the stove as you work at the other fixings. You follow the list on the fridge. The paper is a bit yellowed but you can read it nonetheless. At least Clark’s mother is a planner. Although a few of her ingredients are a bit... aged. Nothing you can’t use but the spices have a little extra dust on the caps. 

Clark appears again. He’s been pacing in and out, helping where he can, but he seems too restless to focus. You tap pause on your phone to stop the music. You don’t get any signal out here but you have a bunch downloaded. It helps ease the silence that thickens with the fall of snow. 

“So, how’s mom? She doing okay?” You ask. 

“Mom?” He hesitates, “yeah, she’s getting there. Sorry about this. I know the whole reason you did this was to make her happy. For me. I just didn’t expect--” He blows out a heavy breath and leans on the counter. “It’s hard when you get older and everyone you love starts to leave. Or change.” 

Your heart flickers. You try not to frown too deep, “I’m sorry, Clark.” You look back down at the bowl of soaking cranberries. You take your family for granted. The might be a little toxic but they’re there. 

“Not your fault. I just... I thought I had it figured out with Lois. Everyone was happy and my mom was ecstatic,” he clutches his hands together. You meet his eyes sheepishly. “I just wanted her to be that way again. And you’re so sweet and nice.” 

“Aw, Clark. Well, you know, I should thank you. At least I’m not alone on Christmas,” you try to pep yourself up. “Um, I gotta wait for these cranberries a little long. Could I use the bathroom?” 

“Right, er, it’s just down the hall,” he points towards the second doorway that interconnects with the same hallway that leads back to the stairs. 

“Thanks,” you wipe your hands on a dishcloth and leave him with a thin smile. 

As you flit out, your chest sinks. You think of everything you’ve said since you got there, how insensitive it must have seemed. And back in the car when you complained about your mom. Ugh, he must think you’re so ungrateful. 

You close yourself in the bathroom and tend to your business. You’d been holding it since he picked you up from your building. You wash your hands, pumping the soap bottle hard to dislodge a clog in the tube. You finally finish up but find the smell of mildew stuck to your hands from the towel. 

You come out of the bathroom and look up and down the hallway. You shift to see the framed picture a bit better. Those must be his parents, and little Clark. You can’t believe he was ever that small. 

There are other pictures across the table below. A cluster of frames; class photos, impromptu snaps of memories, and posed family shots. Beneath one, there’s a slip of paper. You try not to be intrusive but the fading font catches your eye. You lean in as you tilt the frame to see the full letter, the card bent and forgotten beneath. 

‘Our condolences. We were so sorry to hear of your mother’s passing. Please do let us anything we can do for you.’ The message is signed Mallory and Chuck. You blink in confusion. Maybe it’s an old card meant for his mother; for a grandparent. 

“She died last year,” Clark startles you so you whip up and nearly tip as you stand straight. “It’s my first Christmas without her,” he continues. “I’m sorry I lied but I didn’t want to be alone.” 

You shake your head. Confusion swells through your stomach and clouds your brain. The fog clears and your eyes wander up to the ceiling. 

“Your mom?” 

“I miss her,” his voice cracks. “She took care of me.” 

“Oh, well, yeah,” you quaver unevenly. You’re reeling. Why would he lie about that? And to get you here? You’re just coworkers. “That must be hard.” 

“Mhm,” he nods and pouts. As he comes closer, you tense, wavering with his steps. “You’re not mad at me?” 

Your lips part then close. The wind whistles outside and reminds you of how isolated this place is. Clark drove you here... 

“I’m just... wondering why you need to lie,” you eke out. 

“I know it’s wrong but... if I told the truth, you might say no.” 

You nod and as he reaches for you, you wince away. You hug yourself and push your shoulders up. You swallow, “Clark, what is the truth? Why am I here?” 

He tilts his head and his eyes drift to the side. The light fades in his pupils and his jaw clenches. His fingers twiddle by his leg. 

“To be with me,” he looks at you again and smiles. A smile shadowed sinisterly beneath the worn bulb above. “You’re alone too.” 

You stare at him. Terror floods your veins and paralyses you. You want to turn and run but you won’t get far. All you can do is bide your time and hope that you can find a chance and way to get out. But for now, with him so close, so much bigger, you have to pretend. That is exactly what he asked you to do, after all. 

[moongreenlight]

“Realistic Simon ‘Ghost’ Riley headcanons” and then it’s just the fun police.

Mdni. Nsfw below cut.

- It makes me want to scoop my fucking brain out with a spoon when people say that Simon ‘Ghost’ Riley is some shy, anxious soft boy. I really do not believe he’d need to be coddled after a nightmare or babied when he’s feeling angsty. He is fine, y’all. Please don’t call paw patrol.

He is a soldier. He’s a war criminal. He is traumatized to the point of numbness. He is fucked up and weird and insane and honestly I think that we should all let everybody have their thing.

I cannot fix him. I do not want to fix him. I can only make him worse.

- Sorry but I just cannot write him having any kind of romantic feelings toward Soap. I like writing their dynamic more brotherly.

Furthest they’ve gone is ‘locker room gay.’

Like Johnny sends him dick pics on occasion because he thinks it’s funny and it pisses Ghost off.

That being said, I do read the occasional Ghoap fic. I’m not a perfect person. Sometimes it’s just yummy delicious.

- Feel like he’s the kind of freak to intentionally go to the gym without headphones. Something about discipline. Opting to just stare at the wall in front of him while he’s doing cardio or counting repetitions of exercises.

But on the rare occasion that he does indulge himself, he has a playlist of like 5-6 songs he likes and when it ends he just goes back to silence. Divorced dad rock. Chorded headphones only.

- Doesn’t have the debilitating commitment issues as people paint him out to have. Just commitment-phobic. Obviously stems from his past. He’s got that sexy deep rooted fear of abandonment or something horrible happening to people he actually lets close to him. But he’s not completely turned off by the idea of romantic attachments or close friends, just a little hesitant to open himself up to that kind of opportunity.

Probably very cagey about romantic partners. Doesn’t want the guys to know about you. Doesn’t keep pictures of you around his bunk or anything like that. He’s worried it’ll somehow compromise your safety. Worried about you getting swept up in his work.

- Women’s rights? Or Simon ‘Ghost’ Riley? I really do think he’d love to have a partner who lets him provide *everything* for them. He just wants to serve and protect. Wants his bird to be in a gilded cage all nice and safe and reliant on him for survival.

Doesn’t even really like the idea of you going to the grocery store by yourself. Would prefer if you just stayed put and tended his home and cooked him meals and let him dote on you and provide everything you could ever need.

- Has a really strange understanding of technology. He’s fine with the newer military stuff. That’s his element. He can do electrical wiring, set up a TV, install security cameras. That’s all whatever. But a cell phone? He doesn’t give a shit enough to keep up with the new updates and all the new things you have to learn when you get a smartphone. Wishes he would have kept a flip phone.

Texts like this: [OK. See youtonight.]

MAYBE has a private Facebook with no profile picture where the only things on his wall are Price wishing him a happy birthday every year.

His camera roll is like; 97 accidental screenshots of his Lock Screen, a few pictures of him and the task force boys, the inside of his pocket (another accident), a sunrise, a few cool things he found on missions, 34 pictures of Soap and Gaz when they took his phone.

- Insufferable in the early stages of trying to date him. Little to no communication other than basically demanding you meet him somewhere. Texting or talking on the phone? Like pulling fucking teeth. You think he’d rather be dead.

It was a headache getting him to go out in the first place. Maybe you worked at a bar where the guys would come to have a drink after a long day. He’s a little stand-offish but he’s handsome and he knows how to banter well enough for you to be persuaded by a coworker to slip him your number after you complained one too many times about a shit hookup or yet another terrible first date. It takes him nearly two weeks to phone you.

“Didn’t think you’d call.”

“Didn’t think I would either.”

He takes you out once, you think he seems sort-of interested, then he doesn’t phone or text you back for three days. You get over it. A few more dates in. You can tell he’s a bit more relaxed. A bit more open. You’re less worried that you’re a terrible conversationalist. Then he goes on a month long deployment without saying anything in advance. Radio fucking silent yet again. You want to tear your hair out. When he finally gets back, he’ll text you something like [Atthat pub you like. Drinks ?] completely out of the blue. You think you may actually go insane.

- Once he’s gotten used to you, it’s like the sole purpose of his life is to be your protector even if you’ve only recently convinced yourself he may want something casual. You’re small and grab-able. He knows how nasty people can be and what think when they see you. He needs to know that you’re taken care of, kept safe from such a scary world.

So he’ll just linger around you. All the time. Standing behind you when you’re at the till at the store, staring down the cashier who was only trying to be friendly when they asked if you had any fun plans for the rest of the day. Big arms folded over his chest. Looming so largely he threatens to eclipse you without taking a single step forward. Eyes burning a hole into the poor person who hastily finishes the transaction without another word.

Walking silently next to you in the evenings after you’re both off work; close enough to brush shoulders, but that’s about it. Listening to you chirp on about your day. Occasionally offering a small grunt of acknowledgement or a few words of interjection. Always walks on the side of the path that he thinks could pose you the most immediate danger. Shielding you from what may lurk in a darkened alley or a hedge or a small thicket of trees.

Scary dog privilege, but like… for when you go to fill your car up with gas in broad daylight in a good part of town and he insists on standing out there with you. ‘Just in case’ If he even lets you out of the car in the first place.

- AND OFF THAT POINT. I think once he’s decided that he’s actually fond of you, it goes from zero to a hundred so fast it makes your head spin.

Like the last time you spoke, it was still unclear on if you were keeping things casual or not and now you’re at dinner and the waiter just asked him if the two of you wanted dessert and Simon just grunts “dunno. Ask the missus.” ??? He sucks so bad I NEED him.

- As much as I love an overly possessive and jealous Simon, I saw this tweet that said “My girlfriend can wear what she wants because she’s a hoe and I knew that before we started dating” and it changed my life.

He’s secure enough not to need to cause a scene if someone makes a pass on you in public. He understands that you’re attractive and that other people are bound to find you attractive too. (Not that he doesn’t still want to pull their fingernails out one by one, threatening them and everything they love for daring to exist near you. He’s just got better control over himself than that. King.)

He knows he’s better than any of your other options. Nobody else could keep you as safe as he could. They don’t know the world like he does. They don’t know how breakable you are. How sweet and naive you can be.

Not to say he isn’t overly jealous and possessive, he just won’t pitch a fit in public.

LIKE dragging him to the bar with your friends and he sits at the table with all of your drinks. Him watching you dancing out of the corner of his eye, seeing some prat come up and grab your ass in passing. Or a group of guys dancing with your friends getting a little *too* close to you for his liking. He doesn’t do anything while the two of you are out- not wanting to ruin your fun. But that night after you’ve gotten back to his flat (He insisted. Closer to the bar. Uber was cheaper.) and he’s tearing your miniskirt off like it’s personally offended him. He’ll be a little rougher. A little more liberal with the marks his mouth leaves on your collarbones and inner thighs. His strong hands will grab at the fat of your hips a little harder than he should- leaving bruises where his fingers dug in. He’ll lean over you while you’re split open with his length, snarling down at you. “Had everyone’s attention tonight, didn’t you, pet?“ “You like havin’ eyes on you?” “Greedy fuckin’ slag.” “Can’t appreciate what you have.” “Need a reminder of who you’ve got to impress.” Maybe he’ll take you in front of a mirror, massive hand fixed on your jaw. Jerking your face up so you have to look at yourself being ruined by him. How pretty and slutty you look when your makeup is ruined by the tears he’s fucking out of you.

- He calls you ‘bird’ or ‘pet’ more often than anything else. A little on the nose for how he treats you. Like you’re some small, frail thing that can’t go a day without him. Stripped of your natural survival instincts and instead leaning on him for support and comfort and food and shelter. Just how he likes it.

GOD he’s a fucking freak. Gross and mean and fucked in the head. Makes my stomach hurt. I hate him. I wish I was schizophrenic so I could vividly hallucinate him.

[fuckyeahisawthat]

So OBVIOUSLY Jayce is as smart as Viktor; I don't think Viktor would give him the time of day if he wasn't. But I think he does have a bit of the Elle Woods "What, like it's hard?" about his weird freak genius brain in that he doesn't realized quite how much of an outlier he is.

Like it seems from Jayce and Viktor's chalkboards and also the scenes of Ekko, AU Powder and Heimerdinger building the Z drive that there is actual rune math involved, in that runes have mathematical properties and you can do equations with them. And I think it's highly unlikely anyone in Piltover formally teaches this branch of mathematics because no one believes magic can be accessed in this way, and also it's not like Jayce is gonna be requesting an elective to learn the stuff needed for his illegal science project. So I'm guessing Jayce was teaching himself an entirely new branch of mathematics probably out of some weird old books imported through slightly irregular means, on top of all his regular coursework/research. Hell, he was probably inventing/discovering new rune math in the process of creating Hextech; by the time the Hexgates are open he could probably write the textbook on it.

With Viktor, I actually think the element he would think was no big deal is his engineering skill. Zaun is absolutely full of crazy tinkerers building shit out of nothing and jerry-rigging solutions to problems and keeping things working with spit, rubber bands and ingenuity. They have advanced prosthetics and body mods (I am sure Viktor's back brace is an Undercity creation; no one in Piltover knows how to make that stuff because no one needs it); they have "potions" that heal serious wounds quickly; even the Firelights' hoverboards are a technology we don't see in Piltover. Jinx and Ekko both figure out how to make usable Hextech artifacts with way fewer resources than anyone in Piltover has; Ekko and AU Powder invent fucking time travel when they have a bit of time to mess around with things.

And when it comes to book learning I'm guessing Viktor had no one to compare himself with as a child, so he's teaching himself calculus at age ten out of a book he stole out of some rich Piltie kid's backpack and thinking this is probably how everyone learns topside. He probably ran circles around his fellow Academy students when it came to formal classwork but he barely pays attention to that because it's not discovery; it's just demonstrating that you know the material and he already knows that he knows it. He spends one evening reading Jayce's notebook and is able to understand enough to know the science is solid and contribute to advancing it. (And how much do I love the idea that he fell for Jayce's brain, as seen through his research notes, before any other part of him.) Viktor builds what's essentially a magical AI (the Hexcore) which no one even knew could be done and is still frustrated that he's not figuring out how it works fast enough.

Tl;dr these guys match each other's freak on a brain level instantly and like no one else around them and that would already be some soulmate-level shit no matter what else you think is going on.

[prael]

Not Quite Home

Kinktember Day 15: Stand & Carry

Kepler Youngeun x male reader smut

words: 1,495 Kinktember Masterlist

She is everything you're not. Everything you hate. How can someone refuse to have a place to call home?

All this about being a free spirit and experiencing everything that the world has to offer all sounds well and good but how is a tree supposed to grow if it has no roots? But Youngeun insists that is exactly what she is after, the constant thrill, the constant novelty, the rush and urgency. In every interaction, she seems to have been in search of the next big adventure.

And you think you do her a disservice by not understanding.

Perhaps if you had met each other under other circumstances, things might have gone better for the two of you. But now, you resent how she feels like a stranger whenever you're together. She once brought an element of excitement and risk to a routine, drab life, but that grew exhausting and more than once made you feel like you were suffocating. You grew to loathe her carelessness.

"Your parents?" You ask as she stands in your bedroom for the third night in a row, "Have you even told them you're back in town?"

She shakes her head in lieu of an answer, "You know how they are."

"You're going to blame them for wanting their daughter to visit for once?"

Youngeun laughs. It's one of your least favourite traits—her incapability to take anything seriously. "Not your business. Besides, seven nights, remember?"

Yes. Seven nights. This is what she told you, another expiry date on another chapter of whatever the fuck this is between you. Another unspoken contract was signed for the hell of it. A time limit, for something that isn't even real.

"Just think about it," you continue, hopelessly, "talking with your family. It'll clear your mind."

"Know what clears my mind? The wind in my hair, sun on my skin, music in my ears," Youngeun runs her hand through her silky hair, "Landing in some new town, finding a new local hang out to try something exotic and then exploring whatever is hidden in that town's history, picking up a new person, hooking up with them, letting the excitement course through my veins, knowing there's always something else waiting on the horizon."

Another insufferable thing that she does. It's been maybe fifteen minutes since you tangled limbs in the bed and now she's standing across the room naked making no secret of the fact that she picks up guys and girls wherever she goes. Youngeun looks down at you on the mattress and runs her eyes up and down your body, her fingers resting lightly over her collarbone.

You follow the line of her fingers, nails cut short with traces of peeled black nail paint. A callus on her finger is a reminder of how often she played the guitar. She runs them down her chest, thumb catching a nipple in the process of doing so.

"Look at you. You get hotter every time I come back." And just like that, Youngeun drops a compliment, casual and effortless and you question who's benefiting from this relationship because it clearly isn't you.

You're gonna fuck her again tonight. Tomorrow too, and another three nights after that. After which she'll be gone for another six months to a year. There's a weird emotional emptiness to this routine—you give and she takes and this is all she asks.

"Come here, will you? Pin me to this wall already. Make me feel you." Her hand cups her breast and another traces its way down her abs, a clear intention.

You should hate her, really. Like how you hate the idea that she left home for no reason or how she wasted her potential, hate her for her indifference, for her recklessness and her cold detachment, or hate the fact that it's just meaningless sex. 

She doesn't like strings, it makes no sense to her how people commit. If she was the type of person who asked to be understood, you would probably try to, but that's never something she ever expressed. 

For all of that, you don't hate her. It's why you're still walking towards her and she's backing up into the wall.

So, what does she ask for? Her answer is pleasure and pain.

She kisses like a raging fire. Everywhere her hands roam leaves marks on your skin; she scratches deep in your back as you hook her thigh up around your waist. A hand between her legs, sliding in without any sort of preamble. She's still dripping wet, though some of that may well be your last load. She tastes of salty, sweaty sex and you relish it. She kisses and she gasps as your fingers work at her entrance; crooking them upward so you can press them into her and rub right against the sensitive spot inside her.

Her tongue slides past yours, hot and wet as she grinds up into your hand, claws digging into your lower back. Your hand fucks into her roughly with reckless abandon and her breathing gets shallow as your fingers bring her closer and closer.

It doesn't take long, she's close, you know that when she throws her head back against the wall. "Stop—wait, fuck—wait," Youngeun barely gasps and then with your name in her throat, the friction of your fingers sends her over the edge. A moan escapes as her mouth falls open, eyes clamp shut as you finger her to orgasm.

It's always been easy to make Youngeun cum, but it never loses its magic. There's something particularly thrilling to the way she moans your name in that honey-laced rasp, to the way her entire body arches upwards as the pleasure mounts. A sharp gasp cuts the air.

Her limbs slacken. She leans her head against the wall. She's struggling to catch her breath.

And this is the fucking problem. For every reason to hate her, there are so many more reasons to enjoy her.

That's when you lift her, hooking up the other thigh and holding her by her tight little ass. Youngeun hisses and she's staring daggers and that's always a part of the fun. She'll give you these looks that could kill a lesser man, but you know the only solution is to pound her into submission.

"Be rough with me. Hard," Youngeun pants, sucking air in, breath ragged. Her skin's hot to the touch.

"Like last time?" Your voice comes low, thick and gruff as you hook her legs higher.

"No, harder, faster," Youngeun replies between rapid, short breaths, she grips your arms, rolls her hips and wraps her body tighter around you, "Want me to stay? Fuck me until I can't walk out."

You're incensed and sliding your length over her slick, warm, inviting heat, before slamming her back into the wall, entering her in one long hard motion and enjoying the way her lips fall apart; enjoying the way her hot and messy, fucked-out body arches upward as you hit deeper and the way her cries pitch. You don't even wait for her to catch her breath before snapping your hips over and over and giving Youngeun exactly the type of pounding that she wants.

There's a sharp gasp. A second of silence and then a choked-back scream. You feel a palm on the nape of your neck and a sting on your shoulders as her nails dig deep and scratch. She rakes them over the broad expanse of your upper back and it fucking hurts. It fucking stings and it's delicious. You bury yourself deep inside her, stretch and fuck her all open on your dick.

"Like that. Yes! Like that! Fucking ruin me."

"Since you asked so nicely."

Her moans become a struggle now that you've run a hand roughly up her body and planted it around her neck. Squeezing, not too hard, not to cut her airflow, not to bruise, but firmly enough that she will feel it and feel that she is being held. She loves to feel hopeless. And there, that's what you like: her hot, sweaty body locked between you and the wall and helpless against you as you sink into her.

And as much as she says it doesn't mean anything. Youngeun cries out your name like it means something.

The ever-familiar suffocating grip of her wet cunt grips you as she cums again. Bodies flushed together, grinding and sweaty.

"I can't breathe—" Youngeun whimpers in that cracked, vulnerable and submissive way and you snarl. Fuck her up as promised. Hurt her like she begs for. And Youngeun loves it like nothing else, absolutely nothing, her eyes rolling to the back of her head and a strangled groan as you reach another climax and fill up her pussy again. You pound yet another load into her tight hole.

As much as she would hate to ever admit it, this is as close to a home as she has in her life.

[apollowhoo]

could you pleasee do a gravity falls one shot?

so basically Bill Cipher meets the youngest Pines member but they're like 3-4 years old. And basically Bill doesn't know how to react, he's all confused but also in awe. Make it fluff and i know it's going to be hard to write this as canon Bill Cipher so you can ignore if you want <33

Bill Cipher x Child!Reader (PLATONIC)

The forest surroundcing the Mystery Shack was quiet. Somewhere between dimensions, floating lazily, was Bill Cipher, his single eye half-lidded with boredom. His typical schemes to cause chaos were on hold, and for once, he was simply… existing.

That’s when he heard it—a soft giggle, light as a feather. Bill’s eye snapped open, immediately. There, standing among the wildflowers, was a small figure with messy hair, chubby cheeks, and a bright, curious gaze.

The youngest member of the Pines family.

His eye narrows slightly. A little kid, no older than three or four, was staring right up at him. Her tiny hands gripping a stuffed animal that seemed to be some kind of hybrid between a cat and a duck—perfectly nonsensical, just the way Bill liked things.

“Well, well, well, what do we have here?” Bill floated closer, his voice carrying its usual sarcasm. “A little ankle-biter out all alone? Shouldn’t you be with your oh-so-boring family?”

The girl tilted her head, eyes wide and sparkling with the kind of innocence Bill found really weird. She didn't seemed scared. She suddenly reaches out, poking Bill with a tiny finger in pure curiosity.

Bill’s eye widened a little in surprise. Most people who encountered him would either scream, run, or try to strike some ridiculous bargain. But this little human? She just poked him like he was some new toy.

“Hey, hey! Hands off the merchandise!” Bill exclaimed. He wondered, why wasn’t she afraid? Why wasn’t she running? And why, in all his chaotic glory, did he find this child so… interesting?

The child giggled again, a bubbly sound that seemed to echo in Bill’s mind. She pointed at him with her free hand, her other continuing to clutching her stuffed toy close.

“Triangle!” she declared proudly, their voice high-pitched and filled with wonder.

Bill let out a bark of laughter, genuinely amused. “Oh, you’re a smart one, aren’t you? That’s right, kiddo. I’m a triangle, the best triangle you’ll ever meet. Got any other shapes in that little brain of yours?”

The kid smiled. They started babbling, half-formed words about god know what, pointing excitedly as if expecting Bill to just understand them. The demon was used to others feeling fear, but this… this innocent curiosity was something else.

“Alright, kid, slow down,” Bill said. “You think I can just whip up stars and moons like a party trick? You’re talking to Bill Cipher, not some street magician.”

For the first time in… well, forever, Bill felt utterly out of his element. He could outsmart the smartest, scare the toughest, and twist anyone around his finger, but this kid? She just saw him entertainig.

Bill hovered beside them, his eye following them every move. He had cought a small, harmless ball of light, flickering in and out of existence.

“Yeah, yeah, enjoy it while it lasts, kid,” Bill mumbled, though there was no more venom in his voice.

The girl just grinned, leaning her head against his triangular form as if he were just another friend, not a demon with a penchant for chaos. Bill let her, floating there quietly as the sun dipped lower in the sky.

For once, he wasn’t planning anything. No schemes, no deals, no manipulation. Just a strange, peaceful moment with a little human who saw him not as a threat .

And for reasons Bill couldn’t quite fathom, he didn’t mind it one bit.

[vanlegion]

I'd also like to add a couple - specifically it'd be catered for upcoming season 19: In the very beginning you can hear Sarge in the background calling for all his troops to meet up outside in like five minutes. The shot is an Animation shot showing Grif and Simmons from a chest down view in their Kevlar suits, before they're suiting up and they're just bickering about some dumb bullshit that leads them into a rock, paper, scissors match. Best two out of three. Hands have no gloves so we see their bare hands and they're wearing rings. This is the only time we see this and it's just never mentioned/referred to again. - - Or, ending shot of S19 is just, everything is said and done... theirs a base or some other place they're at. It's a wide/close in shot. It's sunset. Theirs a ship waiting in the distance with everyone else scrambling around to get on - like they are going home to Earth. Back view as they remove their helmets, can't see faces, but they're staring off towards the ship and the others. Grif's arms around Simmon's waist, Simmon's arm around Grif's should, since he's taller. Dialog: [G]"When we get home, I'm sleeping for a year." [S]"That's physically impossible. You can't do that." [G]"Watch me. After all these years putting up with all this bullshit? The Universe fucking owes me one; and don't try to wake me up! Just let me sleep." [S]"Again, physically impossible. Also, how am I waking you up? Exactly? What, are you expecting me to go to Hawaii?" [G]"Doesn't have to be Hawaii." [S]"Wait. . . What?" [G]"For being the 'Smart One' of the group, you're been pretty fucking stupid right now." [S]"You're the one being cryptic right now, asshole!" [G]"No, you're just being a stubborn dick by making me actually say it." [S]"Well maybe some of us actually need clarification for what it is!" [G]"'Home' is with you, Simmons. My 'home'. . . is with you." [S]" . . . " [G]" . . . " [S]" . . . Does that make things weird?" [G]"Tucker got pregnant and had an Alien baby. A crazy asshole with too much power and government money spent the rest of his life cloning his dead wife multiple times in order to use her to fight a war, along with cloning his brain for the same reason, while also getting his own kid involved in all his own bullshit, which then in turn brought us into said bullshit. Half our career wasn't real, until it was when we got dropped on a planet during a civil war at the ass edge of space which in turn then led to us taking down another corrupted government organization with the help of the crazy asshole's ghost. When, exactly, have our lives not been weird?" [S]". . . . Technically, Church was an AI-" [G]"You are such a fucking Nerd." [S]"You're my home too, Grif."

Funny and CURSED Grimmons ideas-

-They just casually say "We actually started dating a few months ago", and literally do nothing different. They still bicker the exact same way, and the relationship is never brought up again

-They have a Big Dramatic Moment where one or both of them almost die, and a whole confession happens. They either bail in the after-math and try to pretend they didn't mean it, or they finally just lean into it and let it happen

-They stand around on the roof of a base, look at each other, then just shrug and start holding hands. That's it, that was the whole I-Love-You moment

-Everybody gets a little bit drunk and plays Truth or Dare, either Grif or Simmons are just tipsy enough to be honest when asked about their feelings, but not so smashed they don't remember later. No take-backs!

-A genuinely sweet moment where they talk while everybody else is busy, and there is the whole journey they both go on when they realize "Oh, I've known you for most of my life... oh, you've seen me at my worst and still like me... oh, I kind of can't imagine myself without you being right there"

-Somebody else flirts with Grif for exactly 5 seconds, and Jealous Simmons is activated- "Back off, he's mine"

-Simmons gets Grif a life-time supply of Oreos for his birthday or whatever, and Grif just gets down on one knee immediately

-Memory loss shenanigans, in which both of them forget they're supposed to find each other annoying, and they just go kiss for 2 hours. When the memories return and the others ask what Grif and Simmons were up to for so long- "Well, I can tell you what we WEREN'T doing"

-Sarge of all people yells at them to- "JUST DO IT ALREADY!!!"

-After the whole "Meta" issue gets resolved, the AI have fun hanging out with everybody, getting to know their new friends. Sigma is in Simmons' head for 5 minutes, and has to make a PowerPoint presentation on "Why You Might Be Ignoring Your Feelings"

-There is a big event for a wedding, everybody is fussing over Grif and Simmons, asking if they're "ready for the big day", it builds up like they're finally going for it... and then it is revealed to be a wedding for Kai and Donut. Double queer-bait fake-out

[livwritesstuff]

for @steddie-week day 3 | long (and a little bit of mutual pining but the kind when they're literally dating which i think is even more pathetic)

tags: modern day, famous au, actor!steve, rockstar!eddie

Eddie stayed longer than he should have. 

He was supposed to leave Chicago with the rest of the band yesterday after their show at Credit Union 1 – opening night for a year-long national tour.

Eddie didn’t leave yesterday though. Instead, he insisted on spending one last night with Steve, one last morning pretending like they would actually get up and go to that breakfast spot they like even though they both knew they’d be spending the time wrapped up together in their bed, in the home they share, refusing to disentangle themselves until they had no other choice.

No other choice meant Eddie waited so long to leave that he ended up on a flight which would get him into Ohio with barely enough time to make it to the venue in Cincinnati before showtime (and he was missing soundcheck completely – sorta shot himself in the foot with that one, in Steve's opinion, though he won’t be caught complaining).

He won’t be caught doing anything – not publicly, anyway.

Steve and Eddie’s relationship is kind of in the halfway-stage between secret and private, where Steve posts vague, faceless photos of the two of them every now and then but still deflects questions about his romantic life during interviews because – look. He and Eddie are both at weird high-points in their careers at the moment, and that means there’s a lot of eyes on them whether they like it or not. Steve had a public relationship turn sour years ago and there is no way in hell he’s letting it happen again.

Not with Eddie. Not when it counts.

There are speculations, obviously (and after Steve dropped Eddie off at O'Hare, he posted a photo of the Kiss n’ Fly sign to his IG story with the caption i hate this place :( – mostly for his own amusement at the specific way his notifications implode afterward), and they’ll probably get around to an official hard-launch someday, but for now Steve likes that they’re keeping things to themselves, especially when they don’t get to make that choice with much else.

Steve gets a just landed text from Eddie a few hours after he boarded his plane.

(Steve knew. He’d been tracking the flight).

Before he could respond, Eddie added, miss you so fn much

i miss you too, Steve texted back, and before either of them could wallow in it too much, he sent, gonna make it on time?

probably, Eddie answered. Then, getting ready in the car lol

He goes quiet after that (the getting ready, presumably), which is fine.

Steve gets it.

He’s busy too. It’s why he’s not following along on Eddie’s tour like some glorified groupie, and it’s not like the distance is anything new. On the contrary, it’s been an element of their relationship since they met at an awards show after-party four years ago. It’s more that this time around, they were supposed to only have four-and-a-half weeks together before Steve headed off on a press tour for the movie he filmed last year, but then that got pushed out a bit further, and so that four-and-a-half weeks together turned into a glorious nine, the longest Steve and Eddie’s calendars had ever been aligned without some serious planning beforehand.

He just got used to it, Steve supposes.

He got used to having Eddie around all the time, under his fingertips, under his skin. He got used to saying goodnight in person, in their bed together instead of over phone lines, got used to waking up in Eddie's arms and hearing sweet nothings whispered in his ear rather than reading the texts Eddie would leave for him to wake up to when they were apart.

He'll adjust just like he always does, and the worst part will be over tomorrow morning – that moment right between sleep and wake when Steve will realize Eddie isn’t in their bed with him.

Like it or not, the distance is their normal and they make it work (except it’s not even making it work, because it’s not like that. Any situation, any set of circumstances will work without question because it’s Eddie).

The start time for the Cincinnati show comes and goes. A few minutes into the opening act and while Steve is mindlessly flitting between Instagram and TikTok waiting for the algorithm to fill his feed with clips from the concert (ones of Eddie, preferably), his screen lights up with a call.

“Hey,” he says the second he slams his thumb on the green accept button.

“Hey,” Eddie replied, his tone nothing short of grim.

“You geared up for the show?” Steve asked.

“No,” Eddie answered, “I’m quitting.”

Steve rolled his eyes.

“Yeah, okay.”

“I need you to come tuck my pockets in,” Eddie said, and it’s a goddamn wonder Steve didn’t break down then and there, because Eddie always managed to tug his pants on in a way that made the front pockets stick out just a bit, and throughout their years together Steve had gotten into the habit of tucking them back in for him, squeezing Eddie’s hips a little when he was done and pulling him in for a kiss.

“Yeah,” Steve manages a wet laugh, “I – fuck, man, I wish I was there to tuck them in for you.”

“I want you here so bad, Steve," Eddie says, "I really, really miss you."

“I miss you too,” Steve nodded, even though miss isn't a big enough word for the homesick feeling in his chest, “Only a week until the Indy show though. And I’m coming with you for the Michigan one after.”

“Yeah,” Eddie replied, and if he sounded a little morose about it, Steve was right there with him. Sure, it’s a comfort knowing he’ll be seeing Eddie again so soon, but when those two days are over…yeah, it’s gonna be a long goddamn while until next time, because Eddie will be playing the Midwest while Steve’s press tour is mostly on the East Coast this time around, and after that he heads up into Vancouver to shoot a period drama mini-series while Eddie plays the southern half of the US, and then…well, Steve could keep going. They’re both taking a short break for the holidays, but that and the rare weekend one of them can fly out to the other is about it for the foreseeable future.

Which, yeah, Steve loves acting, loves that he gets to make a whole career out of it, and he knows that Eddie feels the same way about his music, but…the love he has for Eddie definitely edges out the rest of it – enough that he feels the distance between him like a dull, ever-present ache whenever they’re apart.

Eddie only ends their call when his manager practically has to yank the phone out of his hand and shove him onstage, and then Steve settles back into bed, back into scrolling mindlessly on his phone waiting for his finely-tuned algorithms to do their jobs.

Sure enough, it takes less than thirty minutes for Steve’s FYP to start showing him TikToks from Eddie’s show, and amidst all the hair and leather and silver chains and chunky rings and eyeliner and manic energy, Steve sees something else, something that has the hurt of missing Eddie increasing ten-fold, something that has him seriously considering taking an ax to all his contracts and his career and his livelihood and getting on the next plane to Cincinnati.

Eddie left his pockets untucked.

[abby-howard]

I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?

Hi there!

I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.

Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.

When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.

There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:

Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:

And here's the same comic, years later:

And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:

Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:

Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!

And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.

She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.

So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.

Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!