#but i like to categorize it there

[goryhorroor]

horror sub-genres: lovecraftian/cosmic

[maxx-the-queer]

The Siege at Weisshaupt is honestly one of the best missions of any Dragon Age game, let alone Veilguard.

The stakes are already high: kill an Archdemon and then kill Ghilan'nain.

Killing an Archdemon - the big bad at the end of Origins whose very presence means apocalypse and certain sacrifice - is just the first step to killing an even greater force.

Ghilan'nain - an Ancient Elven Goddess blighted beyond recognition, whose unchecked ambition unleashed great horrors upon the world - is the real threat to face or else the Darkspawn Army will be the least of Thedas' worries.

The leader of the Grey Wardens, the only mortal force who have thus far been able to protect Thedas from utter annihilation, categorically refuses to face reality. Rook only has a ragtag team of half a dozen guys from all over to face an entire Darkspawn army with.

It's exactly as terrifying and daunting as it sounds, and neither task is something anyone treats with any amount of levity. Everyone is confident in their abilities to perform their task and get Lucanis to the right place to finish this contract, but there's no playfulness or divine certainty about their success.

Rook, whose only game plan is "get in and win by any means necessary," is then immediately confronted with the reality of their situation as absolutely everything goes wrong.

The Eluvian isn't where they thought it would be, the Grey Wardens are overwhelmed by Ghilan'nain's forces, and just to add to the sheer horror - there's a young child running through this battlefield of Darkspawn in search of her father and she will not listen to your pleas for her to get to safety.

All of that happens in the first ten minutes of the mission, mind you. This isn't even including the fact that Ghilan'nain appears as a damn spectral cloud face - which Lucanis rightfully points out is who he has to kill and "how am I supposed to kill a damn cloud?!"

Rook runs through the fortress, makes it to the East Battlements and hears the sounding of a horn begging for reinforcements, only to realise that they're the only ones coming and everything is falling apart, but they have no choice but to keep going.

Retreats are called, everywhere Rook goes is the wrong way, the forces are overwhelming beyond measure, and this battle is no longer about killing but surviving, because they're cornered like prey by horrors beyond comprehension.

When all of a sudden, the world's bravest little girl rushes in like a hero and guides them through impossible odds to somewhere with some semblance of safety. She's the only reason they haven't succumbed to death already and despite the waves upon waves of Hurlocks, Spikers, and Ogres - she finds her father.

Thanks to Mila, there's a moment of reprieve. Rook gets a chance to breathe. The Veilguard regroups, replans their approach. Distract Ghilan'nain with the dagger, trap her Archdemon in a dragon trap, and kill it to render her mortal. With time to breathe comes time to doubt, to fear.

A Warden has to die to kill the Archdemon. Davrin knows this, and is ready to go. But is Rook? What if they can't do this? What if this is how they die? Can they even spare the time to think about it?

Regardless, they fight through to the dragon trap. The Archdemon approaches as Rook all but dangles the dagger within reach. She takes the bait and sends her Archdemon forth, it seems all too easy - like putting cheese out for the mice.

The Archdemon is trapped. Davrin says his goodbyes, but the First Warden surges forward insistently. He plans to end this according to tradition. He'll die with dignity, he's not asking for your permission to do what all wardens must. He steps forward. Sword in hand, ready to end the Blight.

Ghilan'nain will not be so easily beat. She will not play by the rules they're used to, and the First Warden does not get to die a hero. She seizes him in her grasp, sucks the life out of him to empower Razikale, and changes the game once more. Her Archdemon is unlike any seen in history, and there's no time to revel in it because it's do or die and Rook cannot afford to die yet.

Every blow brings it closer to death, and therefore Ghilan'nain herself as she becomes more and more desperate. One snakelike head becomes two, becomes three, with blight everywhere - the time is at hand.

Davrin is the only one left who can kill the Archdemon, his death is inevitable, and he's ready to go as he sinks his sword in for the final blow.

Except, if there's one thing this seige should have taught them all, it was this: the rules have changed. Davrin is still standing, and he doesn't have time to think about why, because Ghilan'nain is mortal and the time to strike is now.

Rook tosses the Lyrium Dagger to Lucanis. He surges up, wings of Spite propelling him up to kill a goddess like she's any other target, because it's all that he came here to do.

And then, he misses.

With everything at stake, and everything to lose... Lucanis Dellamorte misses.

They don't have time to try again. If they stay, everyone dies. And so, the Veilguard flees through the Eluvian and back into the Lighthouse. It was a victory, but at what cost?

Nothing is how it's supposed to be. Weisshaupt is fallen. The Wardens are scattered. Razikale is dead, Ghilan'nain is mortal. And yet...

It wasn't enough.

[shouyuus]

I needed to show you this

cupping :) vi's :) face :)

but also squeezing just a little, tipping her head back, sliding your thumb along the sharp cut of her jaw (michelangelo who? the david wishes he could look as sculpted as this), pushing your thumb against the plush of her bottom lip, and she'd give in so easily, mouth falling slack for you, her eyes wide and puppy-bright, so eager, so... defiant (sometimes), when you tell her she can't touch (or taste) till you tell her and --

she'd bite her lip, frown up at you, pout like she does while still pressing her cheek into your hand.

"don't you think you're bein' a little unfair, cupcake?" she'd ask, staring up at you.

you cock your head to the side, watching her with half-lidded eyes and a poison-apple smile.

"unfair?" you ask, pressing a hand to your chest, feigning innocence as you give her face yet another little shake. she lets out a soft, bitten-back groan.

"and since when did you and i ever play fair, violet?"

[sergle]

taking a moment to reflect on the fact that the bitches on tumblr have - informed me how to get paxlovid for free (bc I complained it costed $1600) - told me that my Kia car troubles were directly relevant to a lawsuit and that I could get kia to pay for the repair - told me how to get an emergency refill of an existing prescription that has run out of refills all because I complain so much on this website and the gay people in my phone genuinely have solutions to my problems that I wouldn't have known about

[lotus-pear]

if i had a nickel for every single time chuuya called fyodor an anemic son of a bitch i’d have two nickels. which isn’t a lot but it’s weird that it happened twice.

[tinartss]

the dan and phil of tevyat‼️

request for the haikavetham gotcha for gaza! thank you anon for your donation and also for enabling my brainrot. we are on the same wavelength 

[foxstens]

kevin day

watched a man be cut into pieces when he was 12 so he would understand what happens to those who defy the moriyamas

was raised in a cult, subjected to extreme labour and pressure and expectations from a young age, running on 16 hour days with no privacy and little to no autonomy

was raised in an environment where everything hinged on his ability to play. was deprived of food and rest if his performance wasn't satisfactory

was abused physically, emotionally, psychologically by his coaches, his godfather, his 'brother'. was forced to watch said brother inflict unimaginable torture on his friend for years

was forced to hide all of that due to also being a celebrity and growing up in the public eye

unexpectedly had to remove himself from that toxic but familiar environment, leaving his friend behind, in order to survive

had to learn how to function outside of that environment while adapting to a new team and using his non-dominant hand for everything in mere months

so yes i think he deserves some respect

[agnesandhilda]

watched conclave last night and then read the wikipedia entry for the book and now I'm wondering about the category ten shitstorm that a publicly intersex pope would cause

[ef-1]

sexism is lowkey so funny bc what do you mean everytime an athlete/actor/musician dates a woman with horrific politics or worldview or past— the fandom will rightfully tear her to shreds but then when you're like "great. Now. What does it say about your special baby waby blorbo boy that he's willing to date someone like that?" and its always:

[shouyuus]

Hiii, I’m the person screaming crying throwing up every time you post, love ur stuff!

Anyway… I’m thinking mechanic!vi prolonging the time it takes her to fix your car just cause she wants you coming around the shop more and then when she does eventually fix it she kinda worries you’re not gonna stay over at hers as often but u decide to ask her if u can move in or smth like this?!?

Idek tbh my brain is so fried from over consuming Vi content

all you have to do is stay

mentions of sex, but no explicit scenes, car mechanic!vi au oh she absolutely would; there's actually so much stupid domestic bliss in this wow

and sure, the hookup was good in the beginning, but she liked it when you came around, liked it when you'd show up at her shop, all shy and wide-eyed, asking her if you could watch, and who's she to turn down such a pretty girl, right? and honestly, she thought it was kinda cute, how you'd try your best to ask her about this or that, and she'd find herself rambling about her favorite kinds of pinon brackets, or talking you through a chassis restoration for another vintage car that was brought in.

it shouldn't take a whole-ass month to rig a crossflow radiator, especially since the rest of your car's actually in pretty good condition, but she keeps on picking out other things to do, insisting that she's already here anyway, sliding out from under the car with a crooked grin, asking you to pass her another cold beer.

but there's only so many things she can make up before it's obvious, even to you that there's not much else to do. so when the day comes, she's quieter than usual, tallying up the extensive list of repairs that she's both done and made up for herself to do (you'd insisted that you at least pay for the major ones, and if the smaller ones came with a dinner-date and dessert in bed afterwards... well.)

"and... i think that's all of it, sweets."

she hands you the receipt, immediately tucking her hands into the pockets of her light-wash jeans. her shoulders shrug up as you look down the list. it's way less than that she should be charging you for, but you peer up at her, frowning at the pinch between her brows and the tension clear in her muscles.

"vi? what's... wrong?"

"ah -- it's nothin' sweets, don't worry your pretty little head over it."

she teeters forwards and back, as if she can't decide if she wants to move closer or back away. but you're already reaching for her, closing the distance between you with your head cocked, your eyes bright and questioning. and she could never resist it when you looked at her like that, so toe-curlingly trusting. as if there wasn't a thing in the world she could do or say to drive you away or upset you.

sometimes, she'd lay awake and wonder if you knew how dangerous that kind of trust is -- how someone less scrupulous would take it and twist it into something foul. but she'd never let that happen -- at least not while you wanted her around.

"violet... we might not have known each other for very long but... you're not a very good liar," you say, reaching up to cup her cheeks, coaxing her eyes back to yours. she laughs -- it's a tiny, helpless sound; it shakes her open in a way that startles even her, the way her whole body wants to fold over you, into you.

"geez, sweets... that's... that's not really fair of you."

she lifts her hand to press them over yours, hands over hands, petaled around her cheeks, and it occurs to her that perhaps this is what it means to live up to her namesake -- violet. you'd said it was a beautiful name the first the she told you what vi stood for.

"you're not really fair either, vi... but that's never stopped you, has it?" you ask, a mischievous glint in your eyes, your lips twisted up on a fox-hole smile.

vi sucks in a breath. something feels like it's clawing up the length of her ribcage and burrowing through the hollows in her chest till she can taste it pitter-pattering at the back of her throat. it takes her a full three seconds to realize that it's her own traitorous heart, beating so strong she can taste it on her tongue.

"fuck."

and then she's kissing you, pulling you to her, fingers harsh and desperate, her touch lingering like month-old grease-stains the way they dig into your delicate skin. you gasp open for her, against her -- you let her tug you into her till there isn't a part of you she can't reach if she wanted to.

the kiss breaks like a dam bursting open, and a few seconds later, she's got you hoisted up on her workbench, wrenches and old receipts scattering to the floor as she slots herself easily between your legs. it's a familiar place to be, after all -- after all this time.

you hiss, fingers fisting in her hair; it's longer now, than when you first met. and she'd be lying if she said her letting it grow had nothing to do with your offhand comment once (over yet another impossible banana sundae) that you liked it long.

"vi -- vi -- please -- you --"

"hm? what is it, pretty girl?"

"you c-can't just try to distract me w-with sex every time --"

and she can't help the grin that hitches over her lips at the way your chest is heaving, your eyes blown dark, the way your thighs shake on either side of her hips. but she can see the flicker of worry in your eyes and her stomach twists with uncertainty.

"i -- i don't --" she tries, but a breath puffs out of her and she sags against you, "it's... just... now that the repairs are done... there's not really much reason for you to come around... and..."

at her words, you heave a sigh that seems much too big and weary for your body, pulling back to fix her with a surprisingly sharp look.

"you really thought i was coming around here to listen to you talk about my car repairs?"

vi does her level best not to pout; hearing you say it out loud, it does sound... a bit childish. instead, she leans forward and digs her nose into your neck, wrapping both arms around you till she's got you cocooned in her chest.

"what? you weren't interested in the new pressure washer i got just so i could get that really stubborn stain off your back bumper?"

you trail your fingers through her hair, letting your nails graze along her scalp. a shiver washes down the length of her back and you giggle close to her ear.

"sure i did... but you could talk about... dunno... your favorite dish rag, and i think i'd still wanna listen -- because i like listening to you talk about the stuff you like... because..." and its your turn to hesitate, her turn to pull back and fix you with a look -- one that's equal parts pleading and disbelieving.

"because what, pretty girl?" she asks, her voice low and husky, a thumb running across the round of your cheek.

"b-because i -- i like you, vi."

your eyes flicker away and color seeps into your cheeks like dye across clear water -- the shade blooming into you till vi's sure there's no color so beautiful as the one that you are now.

"mm... well, thank god for that cause..." she leans in to press her forehead to yours, "i was starting to wonder, what with all the multiple orgasms and midnight munch sessions and --" she laughs as you squawk indignantly at her, your eyes flashing wild and wide.

"t-that's not what i -- you know that's not --"

"oh? so you don't like those?" she asks, the tease now so obvious in her voice that you flush several shades darker. vi thinks she may have to amend her previous decision on her favorite shade of you. and you're outdoing yourself today.

she lets her free hand wander to the bend of your hips and she gives you a squeeze.

"i --" you steady yourself in the solidness of her, reaching down to lace your hands with hers, "of course i -- i like those things too but i -- i like that you're the one doing them to me and --" you swallow; vi tries not to be to distracted by the hummingbird flutter of your pulse as you struggle to find the words, even though both of you know full well by now exactly what you're trying to say --

sometimes, just sometimes, words speak just as loud as words need to. and the actions are just there to back them up.

sometimes, there are certain things that people just want to -- or need to -- hear said out loud.

"i -- i wanna come over even when there's nothing for you to fix... i..." you steady your breathing and vi nearly drowns in the certainty that settles between the pair of you, an ocean full of of unsaid words (the ones that don't need to be said to be understood), drifting like sunlight over shifting waves -- their brightness made no less real by their shimmering reflections in the water, "i guess i just... wanna be wherever you are. like... all the time."

vi's eyebrows hitch; her breath follows shortly after.

"all the time?"

you bite down on your lips, "yeah but... i know it's only been like... a month or whatever --"

"no, no god -- sweets, i -- i want that too -- more than anything -- it's just --" she motions at the shop, and you nod, catching her hand in yours mid-air.

"it doesn't have to be right now," you say, smiling and giving both her hands a firm squeeze.

"yeah?" she asks, a rare quiver to the shape of her voice.

you nod, "yeah." and your voice is just as solid as she needs it to be. you lean in to kiss her, and she sighs open against you, as you've done so many times for her.

"we'll -- we'll make it work," you say, in between harsh, nipping kisses, even as vi groans and trails her mouth along the line of your jaw. you gasp, letting your head tip back, "w-we'll t-take it s-s-slow -- mmngh -- vi!"

vi hums as she sucks a dark hickey into the side of your neck, feeling savage wanting plume open in her chest. she looks back up at you with darkening eyes and a hunter's smile.

"dunno if i know how to take it slow, sweets --"

"w-what about all those t-times you told me t-to wait --" you keen high in the back of your throat as she drops to pillow her cheek to your thigh, flipping up the bottom of your skirt to dig her nose into the damp triangle of your panties.

vi scoffs, rolling her eyes as she glances back up at you with a playful smirk.

"oh fuck you."

you lick your lips, reaching down to sink your fingers into her hair again, pulling just hard enough for the an ache to gather in her belly.

"thought that's what you were trying to do."

vi stands up, pulling you bodily forward till your ankles are linked at the small of her back, her palms holding up the plush of your ass as she walks the pair of you back into the house and up the thin flight of stairs to her room.

it's a good few hours before either of you are coherent enough to talk about any of this again, but by the time you are, the twilight is budding along the far horizon, and vander's texting to ask vi if he should pick anything up on the way back from the bar for dinner.

"you wanna stay for dinner?" vi asks, twisting to glance at you in bed, her face illuminated by the digital blue of her phone.

your pillow your cheek on your hand, "yeah, i'd love to."

"cool, what do you want?" she asks, her eyes turning back to her phone.

you lick your lips, "how about... you ask vander to pick up some tomatoes? i can make one of my grandma's old soup recipes. you have potatoes and cabbage right? and... i think i saw some pork bones in the freezer the last time i was here."

you cast your eyes up at the ceiling, ticking through a mental list of ingredients.

you only turn to shoot vi a glance when you realize that you can no longer hear the rapid pik-pik-pik of her fingers on her phone.

she's staring at you with what could only be called wonder in the halfway dark.

"you... remember what's in our fridge?"

"well i -- there's not much in there --" you say, almost indignantly.

she laughs, shaking her head, "no, it's just -- i didn't think you'd ever notice something like that, i mean, pardon me for thinking that you've never set foot in a kitchen in your entire life, what with you being daddy's little princess and all," she goads, nudging you with an elbow even as you squirm away from her, pouting.

"i'll have you know that i'm actually a really good cook, okay?" you tell her, "when -- when i was little, and my grandma lived with us, i'd help her in the kitchen all the time. and... after she got too old to make stuff... i was the one who cooked for her, because she said it tasted like stuff she'd eat in her childhood so..."

vi shuffles closer to you under the blankets, nuzzling her nose into your cheek.

"and just when i thought you couldn't get more perfect," she murmurs, pressing a kiss to your cheek.

you giggle, allowing yourself to be tugged back into her chest.

"i told vander to pick up tomatoes... and to invite silco and everyone else he can round up over for dinner."

you squeak, shooting up, "what?!"

vi grins, pushing up with a soft yawn, "you can't just tell me that you've got grandma-level cooking skills and not expect me to invite my whole entire family, right?"

you tumble out of bed, nearly tripping over your panties, still caught around your ankles. you pull them up, scrambling for one of vi's big shirts to toss over your body as she watches you from the bed with an indulgent smile before swinging her legs off and standing up to pull you back into her chest.

"calm down, sweets -- i'll help you, kay? now, tell me what you need."

you nod, pulling on a pair of her jogging shorts and twisting your hair into a haphazard bun out of your face as you start listing off ingredients, hopping the last two steps onto the first floor landing and fluttering into the kitchen.

by the time vi rounds the doorway, it's to find you with vander's massive apron already tied around your waist, an several pots and pans stacked on the countertop.

"i need three onions, and a head of garlic and... a few bay leaves, if you have them. it's okay if you don't --"

vi fights back a grin (it's a losing battle, she thinks, but it's one that she's considering losing for the rest of her goddamn life if it meant doing this every day with you).

"sure, sweets -- whatever you need."

you nod, rolling up the sleeves of your shirt as you set to work peeling the potatoes. a few second later, vi pops up from the fridge, frowning.

"looks like we've only got one onion, but i found some shallots... not sure how good they are though... they were kinda shoved into the back." she holds up the bag with a grimace.

you blink at her, and for a moment, vi thinks that you're going to be angry, or at least a bit frustrated. but then, your face breaks into a sweet, helpless sort of smile, and you reach out to take the shallots from her.

"it's okay," you say, in a voice that sounds just a little too much like coming home, and vi has to swallow passed the peach-pit suddenly caught in her throat.

your fingers brush against hers as you point her towards the half-peeled potatoes, and she gets to work without you even having to ask.

you lean up onto your tiptoes and press a kiss to her cheek, your eyes bright as fallen stars when she turns to look at you.

"it's okay," you repeat, smiling up at her with that smile that just might rhyme with forever, "we'll make it work, okay?"

vi licks her lips; there's an entire ocean of saltwater words caught behind the tombstones of her teeth that she does not know how to say. but she thinks, as she looks at you and you turn back to fussing over the one onion and handful of shallots, that you probably know it all anyway.

"okay," she says, before turning back to the diligent work of peeling the potatoes.

[waywardstation]

Gosh your content tugs on my heartstrings, I can't recall the last time I've absorbed fanfics and incredible comics for hours! :)

Some of your incredible AUs have swept into my daydreaming, and having recently rewatched some scenes from Wolfwalkers, I couldn't stop this from strirring into the mix. So now I'm stuck with the idea of Akari becoming somewhat of a 'wolfwalker', or a zorua/zoroark-walker to be more specific!

Now I can't stop picturing Zorua-Akari causing trouble in her new form, and it's hard to conclude she's behind it all; her body is sheltered somewhere and likely sound asleep! If we opt for more angst though, maybe she would be driven from jubilife village as zoruas are (were?) shunned for manifesting illusions? Yet on a brighter side, there could be valuable lessons and exciting adventures waiting around the corner!

But what I can't really flesh out is how Akari (or Ingo if he is there to witness it) will handle this bizarre shift in her everyday experience: I like to think she'd be on edge at first, but quickly come to see the perks of being a 'wild' zorua. But if something did escalate, how much can she handle?

I apologise for this lengthy brainstorm, but I hope you don't mind! :) Thank you for so much great content and well fleshed-out AUs! Your portrayal of the characters are so good and made me see them in a new light!

HEY ANON!! Thank you so much for the kind words!! I’m so so so happy you like my works!! ;w; it means a lot to hear that!! Thank you!!

Now for your idea; I LOVE WOLFWALKERS. It’s a great movie and cartoon saloon’s strong shapes in their visuals is always so well done!! Wonderful movie, and I think your concept is such a fun one to work with!!

Akari getting to be a zorua while she sleeps is such a fun idea, just like the movie I could see it really being about her getting used to being one with the other wild zorua and zoroark. And then as it goes on, I really like the idea that this extends into the exile part of PLA’s narrative, and gets more serious.

It would be interesting to see how these media’s narratives mesh. Would the red sky be blamed on zorua and zoroark walkers in this narrative? I think for Akari, how I see it is she would find being a zorua exciting and fun. She’d keep it a secret for a while but eventually she couldn’t help but start showing it to close people — there’s nothing wrong with it, people are wrong for thinking it’s dangerous. But maybe the wrong person sees, or she shows someone she thought she could trust. Then uh oh, she gets exiled and a hunt is initiated.

And as for Ingo (if you are considering the dynamics I write them in), I feel like he would handle things much the way Robyn’s dad Bill did, it’s a struggle at first and he doesn’t understand. But at some point he must make a choice and embraces it — either like Bill does, actually becoming a wolfwalker (zoroarkwalker?) himself, or just more accepting Akari is now one herself and he can’t separate her from that.

Not sure how it could go, but ultimately it’s your AU idea!! Such a fun concept anon, there’s a lot you could do with it and I would love to hear more if you ever want to share! For now I just had to try and put these guys into the wolfwalkers artstyle. Thanks for sharing this with me!!!

[incomingalbatross]

Don't quite know how to put this but there are certain story beats that, in order for me to actually like/admire the story, specifically have to be accomplished without being a big deal.

Like, does your story present ordinary, mundane, even ridiculous people as possessing worth and dignity? Cool. Does it pat itself on the back about doing that? Unfortunately, that has circled back around to patronizing.

Does your character make the lives of bit characters and nameless bystanders a priority, even when it distracts them from Important Plot Things? Nice! Does your character make a big production of/express a lot of angst about doing that? This only barely edges out "leaving them to die" in terms of my respect for said character.

Ordinary people are just as valuable and important as Our Heroes. But the narrative should have enough conviction about that to take it for granted, and let the audience catch up if need be. A Hero should definitely take it for granted, unless they're still in the process of becoming heroic.

Otherwise, I'm left with the sneaking suspicion that the writers don't really see this themselves.

[paracosmicka]

might be a somewhat awkward question, so feel free to ignore, but how do you usually go about drawing stuff like kissing and cuddling? i would be curious to know your process, because you always manage to portray that stuff as incredibly soft and.. vulnerable? if that makes any ounce of sense. sorry if it doesn’t TvT

No you’re all good this isn’t an awkward question at all! Actually this is kind of a fun ask to answer bc I wanna know if any other people have similar experiences to how I draw lol.

First off, wanna say that there’s a one specific song I’ve listened to religiously for the past 3 years, and it's also the song I listen to most often while drawing sonadow. I feel like it’s encompasses almost the entire range of human emotion while somehow also being able to match exactly to any single specific emotion on that range.

Typing this out now my feelings and experiences with the song might be a little biased because it’s part of the OST for Signalis (which is such an underrated game and especially the soundtrack), but I feel like even if you haven’t played the game it can still give you this melancholic atmosphere. But really it feels like….I feel like there are words to describe what i’m trying to say but I can’t think of any other than like, … an “ethereal comfort”.

Okay sorry about that ramble I just really wanted to give you some context and also I need more people to play Signalis. But anyway to answer your question:

My “Creative” Process: featuring symptoms of autism and insomnia

I like that people use words like “soft”, “intimate”, “tender” in the replies and stuff of my art because (while that is the intention behind a lot of my art) it makes me think about the actual process that took place while I was drawing and if that in anyway impacts the viewer interpretation.

I might have talked about this before on my blog, but if so I can’t remember. So I wanna ask any other artists (or actually just people in general) if they do this too or if it’s something Not Normal because it does concern me sometimes lol. Like it’s probably not that uncommon, but I’ve just never seen anyone talk about this before:

I always (like 90%) fall asleep while I draw, it’s never usually for long, sometimes I just doze off for like 5 minutes, but more often I get a lot of half-hour naps in. It most likely, probably, definitely, literally guarantee is because I do things that, maybe don’t encourage, but definitely make it easier to not stay awake. I listen to more calm music while drawing, all of my canvas templates absolutely cannot be white and instead have to be a warm color with both the saturation and brightness really toned down so it’s like a comforting hazy-yellow. I also have all the lights turned off in my room, especially in the day, because I hate the light-reflection on my iPad screen while I draw.

I know I just listed all those things I do like they were intentional but I only just recently realized I do this because someone pointed out how my background colors are always like a soft-yellow which is apparently not common and I was like “oh yeah I guess you’re right”.

So, to be honest, I’m not really sure how I do draw sonadow kissing and cuddling other than…I just do? I’m sorry I know that’s not very helpful 😭 Like, literally the only tip I can think of is “try to be really eeby and neebies to sleeby” while drawing soft gay hedgehogs, 10/10 doctors highly recommend and another cool perk: no nightmares (at least so far, I always get warm and nice dreams 💖)

I definitely like to use references tho lol. Kids, if you run out of Heartstopper clips or any other cute kissing scenes in your favorite movies and shows, don't be embarrassed to go on Youtube and search “makeout scenes” and watch almost all 300 videos in a playlist that definitely seems like it was created like a bot, because sometimes those are the only references you’re gonna get for kissing animations.

Well, I think that concludes this edition of Unnecessarily Long Dissertation Papers by Paracosm, thank you for the ask anon!!

OH ACTUALLY sorry for promoting another Spotify playlist but I made one specifically for Soft, Vulnerable, and Intimate Sonadow Vibes™️ because as much as I love using my regular sonadow playlist I needed one for pillow and blanky time. It’s got The Red Gate and a lot of other songs with similar vibes so here’s that if you wanna listen :3

WAIT SORRY ALSO???? A friend said that my playlist is the most liked sonadow playlist on Spotify apparently 😭 but I actually don’t know if that’s true I’m just surprised that people actually save it to their libraries (970 likes last time I checked I didn’t even know that many real human people were on Spotify) bc it’s like a million hours long and there is no consistency at all like the music genres will switch from borderline-hyperpop MGNA Crrrta to soft instrumental OSTs to the loud unidentifiable noises of Nero’s Day at Disneyland/Lauren Bousfield’s music.

Okay actually done talking now, I love answering asks because everyone is always so fucking nice and sweet I have teared up at times but because they make me feel so many things every time I sit down to answer one I probably use a good hour or two writing everything out and then quickly proofreading so that my one coworker that follows me on here won’t bully me in public for being an idiot.

But seriously tho, feel free to send me any asks you might have, you are literally never bothering me I love reading you guys’ messages 😭💖!! I wish I had more time to answer all of them but just know I check my inbox at least once a week and try to read all the new ones. My goal is trying to answer at least one a day, which doesn’t always happen but at the end of the week I always make sure to put myself in a Saw trap to answer at least a couple 💖 Seriously just thank you for all the support I feel like I don’t say it enough I love you guys and I love talking with you guys and I love how everyone here is so nice and we can all be cozy and enjoy our gay hedgehogs ☺️

[ilynpilled]

i do find it interesting how queasy ppl become when george actually uses real very bad ppl as examples when trying to explain what he is getting at w the issue of redemption and its exploration in his story. like yeah thats what an actual mature exploration of redemption is… the question is can someone like that be redeemed? what does it take to be forgiven after that? is the possibility of it even there? like it is about truly vile figures here and their capacity to change and what that means. him using those examples is not supposed to answer the question itself for u about the arcs in the books lol

[mirroredgiraffe]

That one Sonic Generations cutscene but with trans woman Sonic

Also the ref sheet I made for this AU with a doodle of Amy meeting Sonic after her transition before sa1 (she didn't come out or anything just showed up like this)

[aurieeeeeenyx]

oh yeah also jayvik are extremely orpheus and eurydice coded i don't make the rules