#but i just. idk. i just seethe

[ghost-orion]

.

[ofswordsandpens]

the chalice of the gods becomes objectively funnier if you head canon that percy and annabeth only stay at New Rome for a single semester before realizing its batshit insane there and running for the hills

[jesteringbug]

Wow! Your Ignihyde redesigns are so fucking ugly! So hideous and uninspired, and their ugliness is only amplified by your very poor drawing skills and even uglier art style! And it's laughable how you really believe that you did better than the official designs, never do that again, you can't design or draw for shit.

too late i'm already planning a heartslabyul redesign lmao

[no-where-new-hero]

omg I need your thoughts on the terminally o line author culture bc ngl it makes my eye TWITCH, there are authors I deliberately avoid even tho I've heard their stuff is good bc they're like that 🙈

HHHHH oh good lord, okay, from how I see it, there are two angles on this, both aggravating and sad: the official decree one and the spontaneous ecosystem one.

The officious one is that the nature of publishing nowadays demands an author have an online presence. You need Twitter/X. You need to let every potential reader know your book is coming out. You need engagement through reviews and pre-orders incentives (if you buy now you’ll get a special keychain!!) and word of mouth assurances from your peers that yes your book is as cool as you say it is. You need a newsletter with links (more buying! more voting on lists that are simply popularity contests!) and promises you’re still working on the next thing, don’t forget about me in the morass of everyone else doing the same thing. You need an Instagram and TikTok now to post pretty pictures and videos because one or two authors made it big off this kind of promotion and now everyone thinks it’s the ticket to the bestseller list (sadly, it seems to be working). You need an OnlyFans (a joke but I do recall a twt spat that was a joke/not joke about how rupi kaur will always be more beautiful than her critics and people who took issue with the conflation of beauty with talent). At the end of all this, you’re basically an influencer, a content creator creating content for the content you should be focusing on creating, the finished novel. And the novel itself seems to be disappearing behind the masks used to promote it (fanfic-style tropes, moodboards, playlists, memes) until I now no longer trust the book that I’ll pick up to have any resemblance to the enticements that brought me here. I’ve seen an author or two complain about the stress all this self-promotion generates, but it’s become such an entrenched part of the industry, I think people just accept it. And thus spend too much time online hoping that if they tweet just a little more, produce just one more reel, maybe that’ll be the difference between a sale and no sale.

The other side of this, distinct but obviously connected, is the ecosystem created by this panic of being perpetually visible coupled with the fact that so many of the new authors came of age during the rise of internet fandom culture. That opinionated community mindset that blurs the line between anonymity and friendship is the lens they bring to their own work. I mean, it makes sense I suppose—if you love yelling about characters and words, why wouldn’t you do that once you start to produce your own? This really came home to me hearing about that reviewbombgate “scandal” and how people involved were in reylo circles and that was used to provide receipts. You’re interacting with your readers and peers about your intimate work but they are also all strangers. They will not always give you the benefit of the doubt, and now—as opposed to the past when maybe the worst that could happen was a handful of bad reviews in newspapers—you will either be tagged in hate reviews, sub-tweeted, explicitly called out, demanded to atone for your sins. It’s no longer the morality of consumption but the morality of production. Of course, the easy answer is just log-off, touch some grass. But that can work only when you and everyone else are separated by anonymous accounts or when you have no platform to maintain. As an author trying to make your livelihood from this, suddenly it’s do or die. We’re in a strange moment of authorship bringing the Internet’s echo-chamber and claustrophobic into the real world (this is a lie: publishing now is no longer the real world. But it looks like it) and thus you can kind of no longer escape things.

Will the average reader who isn’t aware of all these machinations care about reviewbombgate? Would a reader browsing at Target think about the controversies around Lightlark? Very likely not. But the impression I’m getting more and more is that the average reader isn’t the one buying all the books. Or shall we say—a bestseller’s status relies on bookstore stock. Bookstore stock is only huge when they know a book will be a good investment. They’ll only know a book is a good investment if it and its author has street cred based on booktokkers, bookstagram, bloggers and reviewers (have you noticed how many books out these last maybe 1-3 years have these kinds of accounts thanked in the acknowledgments? Yeah), and THESE are also chronically online people who will Know. And decide the cast of fate.

Honestly, @batrachised, I see why you avoid these kinds of writers, though I wonder how long it’ll be before the disease becomes epidemic.

[moonshynecybin]

the thing with rosquez is i also think that they know that their blood feud is kinda funny.

[exile-arc]

it's meant to be the happy time of year - c!tommy + if we make it through december (phoebe bridgers cover)

❄️ / ❄️ / ❄️ / ❄️ / ❄️ / ❄️ / ❄️ / ❄️

[the-meme-monarch]

spades king better either genuinely make it up to his son or rot in that cell for the rest of the game

[spacedlexi]

so often i see people try to downplay violet and minervas relationship like it wasnt Real enough or was some Inferior Romance that her relationship with clementine could Never compare to, and i find it so annoying and boring

she LOVED minerva!! and its okay that she did!! she was her first love!! childhood best friends turned girlfriends!! seeing her being so heartbroken and miserable about what happened to minnie, how deeply and desperately she missed her, hugging that bed frame so pathetically. but clementine makes her CARE again. makes her LOVE again. slowly violet becomes comfortable with the idea of opening her heart up to people again, after trying so hard not to because the pain of losing people she cared about was too much to bear (especially when she blamed herself for them being gone)

then she learns minnie didnt die. shes falling in love with clem while grappling with the fact that minnie might still be out there??

then she meets minnie in the woods. but minnie has changed just like she has. theyre both different people now. and slowly violet is forced to come to terms with the fact that the person she loved so deeply isnt that person anymore??

violet at the beginning mourning minerva and blaming herself, to shooting her to save clems life. she LOVED minerva once, but she doesnt like the person she is now. and shes not gonna let her hurt anyone else she cares about. shes done mourning her by the time they get to the bridge, only crying out for tenn

like idk i just find their relationship evolution to be so interesting and sad as shit. the fact that they once loved each other so much and it has now come to this?? but violet makes her choice and she Chooses clementine, because she admires and loves clementine, probably similar to the way she used to admire and love minerva if the way she talked about her is any indication

i just think "i never thought i would ever feel this way again" is way more interesting than "wow minnie Never made me feel like This"

[batsplat]

OT3: casey stoner/his neuroses/the concept of valentino rossi that mostly exists in casey’s head

y'know I have this casey stoner... idk what it is. thematic mind map (literal), let's say, that I like fiddling with and adding things to when the mood hits me. and it does always strike me just how many of his struggles during his careers and issues with the sport can in some way be linked back to the valentino rivalry

casey's sense of isolation? super valentino related. casey's feelings of cultural alienation in a paddock dominated by europeans? even when it's not really related to valentino, casey is the one linking those two things together. casey's issues with other riders not being respectful enough on track? very obviously repeatedly about valentino. casey's discomfort with the performance and entertainment-related aspects of the sport? more valentino. casey feeling treated unfairly by the manufacturers, the media, the marshals, the fans.... keeps coming back to valentino. casey's mystery illness really shouldn't be as relevant to the rivalry as it is, but somehow through this combination of public discourse and whatever comparisons casey's brain is cooking up at any moment in time... there valentino is again

one of the most charming things about valentino's feuds is that in each and every single one, both participants end up being deeply weird about each other? just keep knocking off these banger quotes about the other where you read them and go. hm. what's going on there then. I don't want to make it sound like I think casey is the worst offender with this (not when marc and valentino have their whole thing going on, bidirectionally)... but I do think he's the most susceptible to conflating his valentino issues with like... everything else that was going on in his career. to the extent where his alienation with the sport as a whole, his extreme disillusionment from everything related to motogp, really cannot be meaningfully disentangled from the valentino rivalry. at times it feels like, to casey, valentino literally is the sport. and that's the thing casey dedicated his whole life to!! which means you do inevitably end up regularly going 'wow there's a lot to unpack'. add in a dash of neuroticism...

and yeah you're so right anon!! the neuroses are what end up creating the version of valentino that mostly exists in casey's head, a version that casey is just a touch obsessed with. I always think it's interesting how aware casey is that he doesn't know valentino as a person - and to the extent casey does know him, he gets on pretty well with him... but valentino the person isn't all that relevant to him. it's valentino the character who matters - and can you even really know a character? in the end, all casey can do is rely on his own understanding of that character, as imperfect as it is. and, well, in a way casey is trapped with that character forevermore. if one man comes to embody a sport to such an extent and if that sport has been your life's work, how can you not be a little bit trapped? as he tries to make his peace with the sport and his experiences within it, so too has casey settled on a narrative of valentino that helps him make sense of it all... a very specific understanding of his rival that casey has shaped in his mind and still trots out now when he sells his own version of events to the media. casey learned from valentino, casey learned to be a little more like valentino, casey learned to fight valentino with his own tools, casey tells himself a story of that fight. he still continues to do so - and in the end he will never be entirely free of valentino

[electric-plants]

having jiaoqiu is crazy because i just know that even if he did absolutely nothing like no damage apply no dots i would STILL just be over here like YESSS LOOK AT HIM GO❤️❤️ GIVING US EVERYTHING❤️❤️❤️❤️

[autism-swagger]

Lol what if we loved each other so much it rewrote the narrative and un-doomed all three of us haha

Kinda sorta redraw of this.

[yuri-is-online]

I hate Thoma from Tokyo debunker

Don't know why but I just hate him not as much as I hate leo but you get it and I needed to get it off my chest

That's it

Thank you for reading my bullshit

Unfortunately, I am in love with him TᴖT I want him so bad it is unfunny, pathetic even. He would laugh, degrade me, and I would fall further because I find that hot for reasons I might want to bring up with my therapist.

I have mentioned I think Tohma might have someone outside of Darkwick he is trying to work towards a better world for. I like to think it's a sibling, maybe a younger sister because I have been reading Tokyo Revengers again- idk I just know he's got some softness in there. He likes taking walks in nature and that's the one thing we know about him. I want to give him flowers-

I am so sorry anon please forgive me for simping

[cipheramnesia]

I mean saying the movie supported men's rights kind of ignores that what the kens did was painted as bad. Like that was very much the message of the film

That was the text of the film but not the message.

I'm not going to apply greater nuanced analysis to a movie that had all coherent structure papered over in producer notes. But for a movie that spends a lot of time pointing out situations that are unfair, not equal, or "bad" it didn't have anything to say about why or what might actually resolve the inequality.

Not saying it needs to author the revolution or anything, just it kinda stopped at "patriarchy bad because men rule all and are dumb boys who are gross" and I think that's boring? It's like hey, inequality sure is bad! And it seems like weird and wrong the girl empowerment doll for diverse women is exclusively developed by old white men! Followed by crickets chirping.

I was kinda waiting for the other shoe to drop, like yes, this is a pretty fun satirical look at gender and... and..? And that's it. Barbie world goes back to hierarchical control in a perfect utopia. The real world is unaffected because all those executives are just silly guys who are trying their best. Gloria gets to be a good mom, and hands her ideas over to the corporation. The new line of Barbies are Barbies that just don't want anything at all. And Margot Barbie just leaves.

Which is unfortunate because it starts out with a great deal of very interesting ideas, but ends up without anything much to say at all. It uses all the right words but mostly just kinda ascribes broad universal meaning and morality rather than considering any of it could have some underlying complexity.

We all know feminism can't hold hands with capitalism, but the Barbie movie wants the cache of the feminist movement beholden to the bottom line of Mattel's investors. And as a fun movie about children's dolls it's fine, but it's also selling itself as a feminist film, which it very much is not.

[unicornpopcorn14]

I... I think I'm a Dazai kinnie 😨😨

[warchord]

jan-feb dump except for the jou and mai doodle

[soupmanspeaks]

rip william afton you wouldve been a terrible family vlogger