#but i just wanna know where these ages are coming from

[sanguineterrain]

Idk if you know that scene from friends where Rachel kisses Ross while they're in the laundromat and Ross hits his head on the washer door afterward 😭🩷 it makes me giggle sm. Anyway thinking about that kind of kiss with Spencer. Genius left speechless!

very cute prompt thank u! gn!reader. your kiss surprises spencer—his kiss back knocks the wind out of you.

****

This is an impossible case.

You throw down your files in frustration and rub your temples. "I'm gonna quit and join the circus. I suck at this."

"Hm?" Spencer looks up from his computer. It's just the two of you staying late. The cleaning people have already come and gone. You're both working on a case that's stumped the team for three days.

You're here because you're new and, yes, you need to prove yourself. Spencer's here because... well, you're not actually quite sure why he's here late. He doesn't usually stay. But he'd offered when you said you were going to. His company is certainly welcome.

"This is fucking impossible. I've gone over these lists three times. There's no pattern, no commonalities, nothing! I'm such an idiot."

"You're not an idiot," Spencer says, getting up and joining you at your desk. He pushes some papers aside and sits on the corner. "Can I see?"

His long fingers brush yours as you pass him the lists. Gloomily, you scratch at your notepad with your pencil.

"Why are you trying so hard on this case?" he asks, fingers tracing the paper as he reads.

"Because I know you guys don't really need me here and I wanna prove that I'm valuable."

Spencer stops reading. "You are valuable."

"You're sweet, Spence."

"No, you are. You're smart. More brains are always better when it comes to this job."

"I think you've got enough brains for all of us," you say, half-smiling.

"Everyone provides skills that I don't. That's why we're a team."

You hum, pushing your pencil around. "Yeah, sure."

"We can figure this out," he says. "Let's think. Okay, no connections with the names or the ages. Gender and race is random. Did you check the locations of their deaths?"

You nod. "Did. No shapes, no nothing. Garcia ran every algorithm she has."

"There's sixty-three names on here. When did these murders start?"

"About nine weeks ago. But not everyone on this list was murdered. Some of them have been long dead. That's what's so confusing," you say. "The police think the killer will round back and kill the rest, but I don't think so."

"I don't either. Which people were killed?"

You circle them in red. Spencer stares at them.

"That's every sixth name. Maybe groups of seven are the key." He points at the second name on the list. "He's a reverend, right?"

You nod. "Yeah, more than one name on here is."

Spencer drums his fingers. "Circle those."

You do. Suddenly, you're struck by something.

"What is it?" Spencer asks as your fingers fly across the keyboard.

"Solomon Grundy."

Spencer leaps off the desk, immediately understanding and just as excited as you. He kneels beside your desk chair and starts highlighting and circling names in different colored pens. Heat emanates from his body, he's so close. You swallow and try not to think about it.

"Reverends Christened on a Tuesday," he says.

"Every third person was married on a Wednesday," you say. "The unsub is following the rhyme!"

You turn to him, mirroring his joy. "We did it!"

"I told you you'd figure it out," Spencer says triumphantly.

"Are you kidding? You brought up the numerical patterns."

Spencer grins at you. "I wasn't even thinking Solomon Grundy! You're the genius, not me."

You roll your eyes. "Aren't you past modesty, Doc?"

"Aren't you?" he shoots back, raising his eyebrows meaningfully. "You're brilliant."

And something about the rush of solving the puzzle, and the way Spencer's smiling at you, open and happy and proud, it makes you impulsive. You see his round, dark eyes, his fluffy curls, and the way his cheek crinkles from his smile, and you do it. You lean in.

Your hands go to his face for a moment, just enough to steady him as you kiss him. You kiss for two seconds, your touch like a breath on his skin. Spencer tastes like the cherry Chapstick you bought him last week.

He shoots up and away, lips parted, eyes wide. You panic.

"I'm so sorry, I don't know why I did that—" you begin.

"You, um, you just—okay—"

He turns the wrong way and bumps bodily into the side of your desk. You wince as his thigh crashes into the wood.

"Spencer! Jesus, are you okay?" you ask, beginning to stand.

"Uh-hm," he squeaks out, voice strained. "Yeah, fine." He rubs his thigh in a way that suggests he's very much not fine.

You hover, unsure if you should touch him. You know Spencer doesn't love to be touched without warning.

He leans against your desk. He's not running away screaming, which is a good sign, although he's somewhat incapacitated so maybe he wants to but can't.

You go to your desk drawer and get an instant ice pack, shaking and crushing it.

"No, I'm fine, really—" Spencer insists, but you make him take it anyway. He obediently presses it to his leg.

"I know you bruise easily," you say, chewing your lip. "God, I'm so sorry, Spencer."

"This wasn't your fault. I'm clumsy," he says.

You shake your head, lump in your throat. "You don't have to spare my feelings. I know I shouldn't have kissed you. It was stupid of me."

Spencer presses his lips together and looks down, shuffling the ice pack around. "Oh. I-I mean, we can forget about it, of course. I won't bring it up to anyone. No one will know we kissed."

"No, if you want to tell Hotch and, y'know, have my desk moved or something, I'd understand," you say, more glum than when you couldn't crack the case.

"Wait, what? If I told Hotch?"

You shrug self-consciously. "It was unprofessional, to say the least. I made you uncomfortable."

"No, you didn't."

You look at Spencer. He's looking right back at you, pinning you with those bottomless eyes.

"Did you kiss me because we solved the case?" he asks.

You shake your head. "No. I... I've wanted to kiss you for a long time. I'm sorry."

"Don't be sorry," he says softly, and then you're getting kissed back by Spencer Reid.

He kisses like he wants to devour you, and it startles you how voraciously Spencer kisses, like you're a well-loved book whose pages he pores over every time he reads.

You're caught off-guard too by his confidence, those big, chilly hands completely cradling your face. The ice pack tumbles to the floor. Spencer takes the air right out of you, sends lightning up your spine.

"Thought you thought you'd made a mistake," he says against your mouth, in between kisses.

You shake your head. "Didn't." And that's all you both need.

You think you'll stay late more often. You suspect that Spencer will, too. It's incredibly productive.

[clarkeybabey]

❝ everybody wants a taste ❞

# summary; sharing is not always caring

# playlist; jealous, nick jonas, gold rush, taylor swift, the boy is mine - remix, ariana grande, brandy, & monica!

# word count; 1.2k

# note; I did not intend for this to be so long originally, whoops. kinda hate this

"And you're positive you don't wanna come along, darlin'," George asks for what seems to be the hundredth time this evening as he pulls his coat on, he's been begging for you to rethink your decision for the last twenty-five minutes, and you aren't budging this time.

Shaking your head, "I can't leave my baby two nights in a row, honey, that's outrageous," you frown, gesturing down to your dog who has cuddled herself up against the blanket that's still warm from the dryer. He groans, tossing his head back in an attempt to gain extra sympathy points, "Plus, all this laundry and love island to catch up on."

He comes trudging back towards you, flopping down on the bed dramatically, "Don't wanna go without you," he pouts and you kiss his jutted-out lower lip, when you pull back he's fighting a smile and losing miserably, "I'll be right here waiting for you to get back, I'll even try an' stay up for you, okay?"

Defeated he sighs, ""Kay, I love you," he kisses you this time, a real one, long and slow. His hand comes up to find the pulse point on your neck as his tongue slides against yours.

You catch on quickly, grabbing his shoulders and giving a light shove, "I love you and you know how much I enjoy your kisses, but go have fun with your friends, my lips'll be here when you get back home."

Standing up from where he had thrown himself just moments ago, mumbling, "Fine, fine, I'll fuck off," he throws a wink and a kiss at you as he walks from your shared room, you hear his keys jangle as he grabs them from the hook, followed by a third goodbye, and the door being pulled shut behind him.

You stay exactly how he left you for a while longer, at least until the washer beeps when you get up to swap the laundry around, you find Poppy sat by the door staring at you with her tail wagging a hundred miles per hour.

The idea of a walk this late without George has you wishing you had let him stay, "Sad world we live in, Pop, wishing I had a man to keep me safe from the bloody dark," you let out a breathy giggle to yourself at your words as you shove one of his hoodies over your head and slide your slippers on.

The door slams heavily behind you as you trudge down the stairs, the cool air nipping at your once-warm cheeks wind rash was the least of your worries as you make your way down the street lamp-lit sidewalk, every sense heightening. When Poppy stops to sniff one you fish your phone out of your pocket, tapping through your friend's Instagram stories.

When you get to Chris' you notice George in the background of a video of him and Arthur. Not just George though, him and a girl, he's leaned against the bar on his elbow, smiling at something shes said. It's friendly, and probably a fan, but why has she been touching his arm for what feels like ages? The video felt like it was nearly three hours long.

Screenshotting, you zoom in on the two, not even noticing the scowl that's situated on your face. You feel a pit in your stomach and it burns a hole straight through you, you're not usually the jealous type, but you're never left home either. Fans know you exist and they've slowed down the whole throwing themselves at him thing quite a bit, George never establishes boundaries, assuming they know where the line is.

Deciding you've seen enough of that, you tap through to the next slide, this time it's the four of them standing together, arms over each other's shoulders: Arthur, Chris, George, then the girl you swear you've never seen in your life. Both posts have been up for just under ten minutes.

That was enough social media for the evening, you internally establish on your walk home, turning your phone off just in time for it to buzz from what you assume is a text that you don't even bother glancing at.

Once you've made it back inside, you no longer feel like doing any more laundry, instead you kick off your shoes, hang your jacket up by the door, snuggle up in the warm duvet, and press play on your show. Before you know it you have watched two hours' worth of Love Island and fallen asleep, you don't even notice when the boys come fumbling back into the flat.

That is until George's cold hands meet your cheek, you push him away mumbling about him fucking off, and turn away from him. He snorts and apologizes with his hands up in surrender he knows you can't see, "Better change your clothes and brush your teeth, no outside clothes on my clean sheets," and he does just that before returning from the ensuite, scooting into bed behind you, pulling you into him.

You do your best not to let him cuddle up to you, letting your jealousy overpower how much you'd missed his presence alone, "Missed you lots, sweetheart, Chippo was asking 'bout you." You hum, not bothering with a verbal reply and he quickly picks up on how abnormally stiff you are against him.

"Something wrong," ignorance is bliss and sometimes your boyfriend is exactly that, but you can't blame him for being so confused this time. In his mind, he wasn't even home to piss you off so he's stuck raking through his mind in search of one thing, anything relatively bad he's done through your whole relationship

You shrug, finally speaking up, "No, jus' saw Chris' story, jealousy's a disease and mine chronic," he can hear the pout in your voice, doing his best to stifle a giggle, and failing as your feel rattle through his chest, "Nothing to be jealous of, darlin', she only knew me from your tiktok," he snorts as his fingers draw shapes on your back beneath your shirt.

And now you feel silly for ever thinking something strange was happening, this was exactly why you hardly ever got jealous, it was always something like that or "She just wanted me to get a picture of her with Arthur."

There was never a time where he made you feel as if you shouldn't be secure in your relationship, but when you're left alone your mind does such stupid things, "Dont feel silly, any time anyone comes up to you, I feel the same way, just bite my tongue, 'cause I don't want you to think I don't trust you."

"And before you say it, I know you trust me, if you didn't we wouldn't have me it this far," he presses a kiss to your forehead, your cheek, your nose, and finally your lips. He smiles against your mouth, and when he speaks again his toothpaste-y breath fans over your face, "Now g'night, beautiful, I love you more than you know."

All of a sudden you're a puddle in his arms, "Goodnight, I love you... so much," this time he can hear the smile in your voice at the sound of it he can't fight one of his own.

[deantfwinchester]

Love Me Right

Part 1: Henrietta’s

Pairing: ConstructionCEO!Joel x Waitress!Reader

She's eventually gonna be a teacher again bc let's be real, i'm a one-trick pony.

This is a Millionaire Joel AU x Most Eligible Bachelor Trope

Summary: Joel Miller, CEO and Co-Founder of Miller Construction, hasn't been dealing with an Empty Nest very well. His family and friends have tried their best to cheer him up since Sarah left for college in the fall, but the storm cloud above his head remains. On top of that (or perhaps because of it), he has just been named one of Austin's Most Eligible Bachelors.

What will that mean for the new-in-town waitress he meets in his favorite diner? As far as she knows, he's just an average contractor.

Warnings: age gap (reader late 20s, Joel late 40s); family-centered trauma and conflict; lethal levels of fluff otw

A/N: Bear with me for this one y'all. My imagination is ambitious and my brain is obstinate. Title inspired by Sabrina Carpenter’s Short ‘n Sweet - bc i can’t stop fckn listening to Juno 🫣

Word Count: 4.6k

_______________________________________________

“Tommy, there ain’t a chance in hell that’s gonna happen. Why on earth did you bring this to me?”

“Well they talked to Joanna at the front desk first. She said wasn’t going to bring it up to you, but I couldn’t just let it slide,” Tommy raises his eyebrows at Joel, shooting him a mischievous look. “Because one - I wasn’t gonna pass up the chance to see this look on your face, and two - would a little publicity be so bad?”

“Who in their right mind is gonna choose a fuckin contractor from the goddamn ‘society pages’?” Joel bristles at his brother’s amusement with an unwavering scowl.

Tommy stares right back, but the playful nature of his expression is unmarred. “Most men won’t Joel - but their wives will.” Tommy’s salacious grin is damn near wider than Joel’s ever seen. Christ, he’s loving this.

“You gotta be kiddin’ me,” Joel says plainly, rolling his eyes.

“Come on brother, think about it - plenty of busy men in this city with bored housewives in need of a project. He tosses her a few thousand to redo the dining room - well who’s gonna do the job? She hasn’t got a clue where to begin and then BOOM! She sees the list of Austin’s Most Eligible Bachelors in the paper - where she finds a photo of the distinguished CEO and senior founder of Miller Construction—”

“Senior, seriously?,” Joel deadpans at him. Tommy ignores him, continuing to wax poetic.

“And can’t help but wonder if the rest of his staff is as dashing as he appears to be,”

“Flattery’s cheap Tommy.”

“Of course then she meets with me and the deal is sealed.” Tommy smiles smugly now that his story is complete.

“Boy can you paint a picture,” responds Joel, rolling his eyes at his brother’s antics. “So you wanna parade me around like a two-bit hooker, huh?

“Whaddya say — can I give ‘em a call?”

“If you’re so hell-bent on ‘marketing’ why don’t you do it?” Joel says flippantly.

“Well I’m not a bachelor anymore, am I?,” he grins brightly at him. This time, it’s sincere.

“Don’t break your arm pattin' yourself on the back, Tommy. Maria mighta said yes, but there ain’t a ring on your finger yet. She’s still got a few months to wise up,” Joel challenges, his tone playful.

Tommy glares at him, but then gives a sobered nod. “You’re right about that. I know I’m a lucky fucker, and I’m not interested in testing that luck - even for a charity auction. Sorry to the dogs, or the food bank or — is it old people?”

“Hell bent on it, and don’t even know what it’s for? Christ - it’s a Make-A-Wish thing Tommy, damn,” Joel replies, looking bewildered at his brother’s callous and cavalier response.

“And isn’t your attention and concern for the bigger picture just what they need in volunteers?” Tommy retorts, expression still smug but eyes hopeful. “What, ‘s it gonna kill you to go out for once? It’ll be a formality at worst and maybe even a good time if you loosen up a bit.”

“I can think of a number of other ‘worsts’ than a formality,” Joel muses

“You’re gentleman enough to handle it just fine,” Tommy continues.

It has been quite a while since Joel’s been out of his house for much other than work or routine, and even longer since he’s been out with anyone other than Tommy, Maria, and the guys from work here and there. He’ll admit, he hasn’t been dealing with an empty nest very well. He’s done a pretty terrible job of keeping busy since he dropped Sarah off at school back in the fall. She’d gotten in exactly where she’d hoped, and made friends fast - for this he was over the moon - but he misses her like crazy. He’s been swimming back and forth in swelling pride and stabbing grief since September, ecstatic and aching all at once. He knew Tommy’s intentions were relatively pure, business interest aside. He knows they’ve been worried about him for a couple of months now - they haven’t exactly been subtle — they’d started having him over for dinner damn near once a week.

This newfound hobby of Tommy’s, cooking like a grown-up, had become the ruse en vogue for getting Joel out of his house. As Maria’s caseload grew at the law firm, Tommy wanted to make sure she had a real meal to eat when she finally got home — so he started cooking. Joel had to admit it was real sweet, watching his brother dive headfirst into learning a new skill just to take care of his bride-to-be. He claimed it only made sense with his far more flexible schedule, but Joel knew it made Tommy proud to be able to do this for her, and the very fact he wanted to made Joel proud as well.

Once Sarah left for school, however, Tommy quickly discovered his brother’s less-than-satisfactory habits of microwave dinners or forgetting to eat in general. He was a fair chef in his own right once upon a time, but without his little girl there to feed, bothering to make a balanced meal fell by the wayside. Joanna, a kindly woman in her seventies, had been one of the first to notice the change in Joel’s demeanor and the drawn nature of his features. Not much younger than the boys’ mother would be today, Joanna worked at the front desk of Miller Construction, greeting clients with a maternal warmth that, Tommy had to admit, was in part strategic. Disarm a client while they wait with a smile and you’d be able to pry open their hearts and their pockets.

Joanna was not unaware of the role she played in this game, though she did not approve. She’d informed Tommy of her concern for Joel, and the regular dinner invitations followed suit. This, accompanied with Joanna’s tugging Joel along to a nearby diner for lunch a couple of times a week in November had practically pulled Joel through the fall slump and into the new year. The holiday visits home from Sarah had helped a great deal, as well.

Joel wasn’t blind to his friends and family’s kahoots to help him through this patch. Though he sometimes grudgingly obliged to Joanna’s pestering him out the door because she hadn’t “seen you eat a bite all day. Four cups of black coffee don’t count, and you know it. Up!,” or Tommy’s employing Maria to send a text herself inviting him to dinner after he’d tried and simply received the finger, he was grateful for their efforts and care. Sarah was too, but he didn’t need to know that. Those lunchtime diner visits soon turned into breakfasts — a preemptive measure on Joanna’s part to add some time out in public to Joel’s routine of home — office — work site — home. Eventually she’d pavolv-ed him into it, and Joel was at the diner for coffee, breakfast, and one of the only physical newspapers left in existence every Monday, Wednesday, and Friday, at first following behind Joanna and eventually on his own.

Joanna had been with the Miller brothers since the business was far smaller, just a few years after its inception, when they started needing a receptionist/secretary/assistant, just someone who knew how to manage their slowly growing demand. She’d been a friend of their mother’s and had taken up some of the slack when she’d passed, grieving alongside her friend’s sons and looking after them in her wake. She’d been one of the only reasons Joel and Tommy had been able to build the tiny Miller Bros. into its current position as Miller Construction, multi-million-dollar contracting firm, and the largest in the Austin Metro area. Joel’s practical thinking and creativity combined with Tommy’s ambition and idealistic hopes of grandeur got them into successful meetings with investors that Joanna quietly set up via her husband’s business contacts. Their vision reminded her so much of their mother’s optimism she couldn’t help herself. She’d keep an eye on Sarah when Joel needed and ensured they were taken care of in the moments they would have needed their mother around.

As the boys’ surrogate mother figure and Sarah’s Aunt Jo, it came as no surprise that amid Joel’s season of empty-nested loneliness Joanna had begun encouraging him to “get back out there” and claimed that she “won’t be around forever” and “would like to see him settled before I go.” Classic maternal guilt-tripping, and Joel told her each time that he hears 70 is the new 50. She told him to try that again in a few years when he hits the real 50.

Truth of the matter was, Joel had been alone for a long time. He’d seen people on and off while Sarah was growing up, but it was a rare occasion, and no fling had ever lasted more than a couple of months. With Sarah at home, it never mattered much to Joel — he had someone to care for who was the best company he’d ever had right in front of him. She’d needed him a little less as she’d grown up, but he always had a purpose.

Joel was a natural-born caretaker — between brotherhood and fatherhood, he took to it like a tadpole to water. With Sarah away at school and his little brother engaged, however, he couldn’t figure out where to put all that love, and so it crackled into grief like a blackening candle wick, blooming into a flower of ash that nestled in his chest. The cloud of soot hovered around him for a while as he went through the motions of his everyday. Tommy, Maria, and Joanna all wanted to see him find his way again, as did Sarah when she received honest reports from her family members after some prodding. He always put on his biggest smile for her, never wanting her to worry, but she could see something hurting in his eyes, just below the surface.

While it may have been blatantly out of his comfort zone, Tommy and Joanna jumped at the opportunity to convince Joel when the Most Eligible Bachelors’ Auction came knocking. He needed something to disrupt his routine, with the added bonus of his coming out into the social scene like a plaid-clad debutante with a few extra crow’s feet.

After rolling the last few months’ events around in his mind for a couple of minutes while Tommy answers a phone call, Joel is broken from his reverie. Tommy’s standing in front of him again, waving a hand back and forth.

“Hey ground control - you with me?,” he asks before Joel’s eyes focus on him once again. “Can I give em a call?,” and this time Joel notices the concern in Tommy’s eyes as his joking facade flickers with hope. It’s more than just publicity, and he owes it to them to give it a shot.

Joel releases a measured sigh, relenting. “Can’t believe I’m saying this but sure, fuck it. Call ‘em back,” he says rolling his eyes, resigning himself to whatever nonsense his participation will entail. He reminds himself it’s for charity, and returns to his computer, refocusing on his work as Tommy darts out of his office to return to his own, reporting his success to Joanna along the way.

_______________________________________________

You got lucky with this job at Henrietta’s, with its flexible hours and fairly livable wage, you had time to settle into your new place and get to know the city. You spend your off days wandering around, doing research on local schools and prepping your applications for summer school and the new year.

Never had you pictured yourself leaving students mid-year, and having to do it hurt like hell. You missed the kids you left behind every day, but when a friend caught wind of an acquaintance needing a subletter for a little studio within your price range, you didn’t have much of a choice. You needed to take up the lease starting in January, or you’d be starting over at square one. It had been a long time coming, this encroaching need to run and start over somewhere new. Staying in your hometown was no longer an option — work may have been a saving grace, but the other areas of your life were suffering. You knew healing couldn’t begin without separation. You needed to be far away from everything — it was the only way you could picture trying to feel whole again. Grad school had ended the previous year, so you fled.

With each mile you put between you and your family, you started to feel like your lungs could fully inflate once again. The oppressive air of scrutiny and memory that swam around you at home dropped off piece by piece with each passing mile marker. You’d put a few states between yourself and your parents once it was all said and done, and while it was scary, starting from scratch all over again, it was invigorating. You’d done it at eighteen when you left for college, you could damn well do it again with eight years’ more life experience under your belt.

You’d walked into the diner on your second day in the city. You had some money saved up from time living at home, but knew it would dwindle quickly with rent to pay and no salary coming in on the regular. You would need something to keep busy and pay for necessities until the end of the spring semester. When Diane, the manager caught sight of you, bright-eyed and looking like a deer in headlights, she welcomed you with a warmth you’d only read about in books. She interviewed you then and there and offered you a job on the spot, waiting tables on the breakfast and lunch shifts at least four days a week. She told you your “sweet smile and wide-eyed look will do wonders for you in tips, precious!” You think it’s probably just teacher face you can’t shake, and hope she’s right — maybe it could do you some favors until you get back in the classroom where you belong.

Diane’s rounded face was accentuated with wonderfully deep crow’s feet and smile lines that suggested a lifetime of sharing this warmth, and her dark hair streaked with gray around her hairline and temples rested atop her head in a frazzled bun. She made you comfortable out the gate, and had set you up with a uniform immediately. More aptly, she handed you a t-shirt and an apron to go over your leggings. You were thankful for the relaxed dress code, knowing plenty of other establishments required a much more specific ensemble. Once you’d changed she introduced you to your shift lead, Reggie, and the line-cook-on-duty, Tony, patting you comfortingly on the shoulder and insisting they welcome you, hoping to keep you around to solve their persistent staffing issue.

While Diane was quite a bit older than you, somewhere in her mid-fifties, Reggie and Tony were younger, floating between mid-thirties and early forties, if you had to guess. Reggie was a slim black man you’d put in his thirties, and he greeted you with a smile and an exclamation that he was more than ready to gossip ad nauseum with someone so much closer to his age. He’d been the one to fill you in on Diane’s immediate taking to you, letting you know with little ambiguity that you were just a few years younger than Diane’s daughter, who had moved out of the city about a year ago, and that you favored her to boot. Reggie had called this particular gossip session your orientation.

“Don’t get me wrong honey, Diane’s a sweetheart. But never have I seen her offer a position on the spot. I think having you here may do her some good,” he’d said, before turning to fill you in on Tony the line cook. “Yeah Tony’s hot, but he chain smokes like a chimney and doesn’t care at all when I ask him to keep his second hand smoke to himself on the days I have a performance!,” he shouted pointedly at Tony, who only looked up long enough to give Reggie the finger and wink at you. Tony was a muscular Italian guy in his forties with tattoos of a sort that didn’t quite match up with the gold chain and cross pendant hanging around his neck. When your eyes went wide at the wink, Reggie giggled a bit and leaned toward you. “Don’t worry, Tony’s a little sleazy but harmless. He’ll hit on anything in a skirt, but as soon as you tell him you aren’t interested he’ll back off and won’t bring it up again. He’s a good guy, but don’t tell him I said that.”

Over the course of your shift you discovered that Diane’s been at Henrietta’s for fifteen years, Reggie is a drag queen and lounge singer by the name of Wizz Tiria at a few different clubs around town, and Tony has a few other business ventures he mentions on and off (the details of which he keeps to himself), but never misses taking his Mom to church on Sundays. You share a good bit about yourself as well in exchange — what brought you to Austin, why now, and where you may go from here. It doesn’t take long for you to make yourself at home among this eclectic little bunch, and for the first time in a really, really long time, you’re content with the peaceful monotony of these early winter days.

_______________________________________________

It’s a brisk February morning when you walk into the diner for your shift. You’ve spent the last month working in the cozy little greasy spoon, so you’re still getting to know the regulars, but you’ve caught on pretty quick. You’ve been working the Tuesday, Thursday, and weekend shifts, but when Diane loses another server, you’re eager to pick up the slack — extra pocket change and keep your mind busy. The company’s pretty good too. Thus, you find yourself walking into the diner at 7 AM on a Wednesday morning with a hoodie over your t-shirt and a scarf to ward off more of the wind cutting into your cheeks. You head to the staff room to remove your hoodie and don your apron and emerge, finding the diner a bit colder than it had been up to this point. You’d kept a light jacket or a cardigan on you previously, but today’s need for something heavier led you to selecting a favorite hoodie to throw over your work t-shirt — which you didn’t quite think through until you came into the dining room and felt a chil run up your spine. Diane catches sight of you before you can still yourself.

“Sweetie, what on earth fo you think you’re doing?,” she asks like you’ve done something obviously egregious.

“Huh? What is it?,” you ask innocently, but you know the answer. She can probably see the goosebumps you feel rising on your arms.

“You need somethin’ on under that, you’re gonna freeze in here today!,” she chastises.

“Yeah, I brought my hoodie, but forgot I’d be taking it off. It’s not so bad in here, I’ll be alright,’ you tell her reassuringly.

“Absolutely not. Wait, hold on a second - REGGIE! We got any more o’ those long sleeve souvenir shirts in the case?!” she hollers after him.

“Hold awn!,” he hollers back, Southern twang taking center stage when he yells, just like the rest of them. After a few seconds he emerges with a few in hand. “Got a few left. Ugly as hell, probably why they’re still here. Watcha need ‘em for?”

“Sweetie, go on and change into that before the rush starts. Not the staff shirt, but the branding’ll be fine in case Jason drops by,” she says, rolling her eyes. She pats you on the shoulder, nudging you toward Reggie to take one of the shirts. They’re bright green with a gaudy design on them that makes you laugh when he hands it to you. Jason’s the owner of Henrietta’s, and so you’ve heard, the bane of Diane’s existence. You’ve only heard tale of this rotten Jason thus far, never quite laying eyes on the mythical beast. You really hope today in this goofy shirt isn’t the day you do.

You return to the dining room a few minutes later clad in the neon green monstrosity, tugging at it in a futile effort to make it look better. “Happy now, Diane?!,” you holler as you enter, only to find her standing directly in front of you at the hostess stand, face to face with a man you’d never seen in here before — who you almost run right into, not looking where you’re going. He’s tall and broad with dark brown curls laced with grey streaks, and gray patches in the short beard that frames his jaw. He catches you when you nearly bump right into him, and you look up to meet the deepest brown eyes you’ve ever encountered. Your cheeks go red when you realize what you’ve done.

“Whoa there,” he says, smiling down at you as you stutter out an apology. “It’s alright, no harm done,” he responds, voice gentle but deep. It’s true, he didn’t even budge when he caught you, and you’re fairly certain if you’d fallen, the outcome would’ve been the same.

“Sorry about that Joel. C’mon, your table’s ready,” she says, patting Joel’s arm and leading him forward, not before turning back to you and saying, “Certainly am. Now go grab some coffee for Table 7 for me, will ya sweetie?” with a smile. You’d just run almost smack into a customer, and she wasn’t upset with you or anything. You shouldn’t be surprised, that’s just Diane, but you’re used to much larger reactions to small mistakes. You just nodded and breathed a sigh of relief, but your eyes are drawn once again to the man she’s leading away. He’s looking back at you with a smile that sends a shiver down your spine, one you’re certain has nothing to do with the chill in the air this time. He’s wearing a plaid button-down and a utility jacket, with cheeks and a nose tinged pink from the cold. You tear your eyes away anxiously and head for the coffee pot.

You’ve got your hand around the decaf pot, pouring another cup for the regular at the bar counter, when your eyes find Table 7, your next destination. You see the man, Joel, Diane had called him, with his back to you, facing out the window, newspaper in hand. You steel yourself once again, switch coffee pots, and head for his table.

You approach from the side, hoping not to spook him as he’s engrossed in the paper he has in hand. Christ, when was the last time you saw a physical newspaper? It’s kinda cute, you think, seeing someone reading one on a cold morning with a cup of coffee. So picturesque. Especially someone as handsome as he is, and you find yourself staring at his broad shoulders and dark curls again before he looks up from his reading.

“Hey,” you start, a little shaky, “sorry again, about before. Don’t know what I was doing, not looking where I was going,” you smile a little, shaking your head at your mishap.

“Really, it’s fine. You seemed, uh, preoccupied,” he says, looking down at the offending design on the tshirt you’re wearing, before looking back up at you. “It’s certainly a change from the regular uniform, huh?” he says, smiling at you. The way his eyes crinkle as he does plants a warmth in your chest you aren’t expecting. It’s been so long since you felt it, it’s almost unfamiliar. Your cheeks warm as you smile back at him, hoping it comes off as embarrassment from your wardrobe rather than bashful attraction. You’re about to tell him it’s certainly not a permanent solution, when he speaks again. “So, Sweetie, huh? Haven’t seen you around before — that what they call you in here?” he questions, smirk playing at his lips.

You laugh in response and introduce yourself, and tell him this isn’t your normal shift, but you’ll probably be around for it moving forward. You take his breakfast order, and tell him you’ll let him get back to his paper.

You don’t converse much more when you bring Joel his breakfast, just quiet thanks when you refill his coffee cup. He looks so peaceful, you almost hate to interrupt each time. You ask Reggie about him when you both have a minute behind the counter.

“Yep, that’s Joel. Gorgeous, isn’t he? Started coming in a few months back with an older lady, then more regularly by himself. She’s with him once in a while, kinda seems like a mom vibe, but she doesn’t look like him. Anyway, I think he works construction or something, always coming in with those boots on looking like a lumberjack,” Reggie says flippantly. “Heard from the older lady one day when he was in the bathroom — his daughter went to college back in the fall, they’ve been trying to get him out ever since,” he said, looking sympathetic at the thought.

You feel your heart do a little squeeze at this newfound tidbit. A fresh empty nester. You know how hard it’s been for Diane, so much she’s taken to parenting the staff in her daughter’s stead. Staring at Joel’s back as his head is bowed reading the paper, you begin wondering more and more about him. His daughter’s probably around eighteen, so how old is he? You’d guess he isn’t married, and you didn’t see a ring. Who is he? Why does he come here to read his paper each day? And most importantly — how soon can you find out the answers to these questions? You don’t want to ambush him at all and scare him off, but you’re drawn to him, and so very curious.

Meanwhile, Joel is stealing glances at your reflection in the diner window in front of him, watching you laugh with Reggie and the customers at the bar, smiling sweetly when someone makes a request of you. He needs to get out of there before he starts feeling creepy, he thinks. He rises and walks to the counter to settle his bill with Reggie at the cash register, glancing at you when he does so, futilely trying to balance showing interest and being weird. He leaves a nice tip in the jar for all of you to share, but just before he turns to go, he looks back at you, locking eyes.

“Oh uh, Sweetie?,” he says, smirk on his face. He looks almost bashful when he speaks next, like he’s working up the courage. “Glad you’re picking up. Look forward to seein’ you again,” he smiles. The look on his face when he says it is so sincere, you could melt on the spot. He was nervous about his joke, you could tell, but recovered when you laughed in reply.

“Looking forward to it too, Joel. Enjoy your day,” you say, smiling wide in return. He gives a little wave to everyone before grinnig down at his shoes and walking out of the diner into the crisp February air. Your eyes follow him out to the pick-up he hops into, before looking back over to Reggie and Tony, staring at you devilishly.

“And I’m looking forward to seeing this story unravel,” says Reggie, looking over at Tony and grinning, like something juicy has just unfolded before their eyes. The two are laughing while you smile and wave them off, wiping down the counter. Diane emerges from the office at the sound of their hearty laughter, reading glasses slipping down her nose, notepad in hand, and stares back at the three of you.

“What’d I miss?!,” she asks. You’re smiling too much to respond with anything genuine, so you return to your wiping, and let Reggie take the lead.

[judesmoonbeauty]

My Thoughts & Spoilers On Jude's Route

This will contain detailed major route spoilers. If you do not want to be spoiled, please move on because I will not be filtering my review. Also, not all spoilers and details are being shared. This is intentional. Bear in mind this is written prior to my thoroughly translating his route, so the translation may have some adjustments to this information.

So, I really LOVED it!! It's a very good storyline. Am I biased? Yes. However, whether you're romantically interested in Jude or not, I feel like you'll like in route in general. I do highly recommend reading his and Ellis' Past Records before his route if you can. His route does bring up clips from PR, but it's very minimal and there's a lot of context and extra details in PR that you don't get in this MS. I did my best with this, but my thoughts are still every where, so if it doesn't make sense. My bad.

Tropes: Enemies to Lovers....of sorts?, Slow-burn. Key Side Villain Characters: Ellis, Nica, Victor New Side Characters For His Route: Theodore, Gilbert Murphy, Oswald Simmons Love Language: Physical Touch (I'd just like to say that I called this.) Who Falls in love first: Kate First Kiss: Kate Kisses Jude First Snu-Snu: Chapter 24 Both Premium ends Jude's Fate Tragic End: He will die bearing a grudge against/hating the world. Route CW: Violence, Smoking, CA, Neglect, Mentions of a child's death. Jude's Age: 28-30. Jude's Heritage: Irish-British Jude's Curse: 13th Fairy (An endless cycle of hatred) Jude's Fated End: To die with a hatred/resentment against the world.

Plot: In a nutshell, Kate is trying to find one good thing to like about Jude prior to her term of FTK (fairytale keeper) ending, as per their first promise made together. If she finds one, Jude must fulfill any one request she has. Amidst working for both Crown and Raven, Kate tries to come into her own in terms of standing as Jude's equal, seeing the world as he does, and essentially saving him from not only own his death wish, but from being framed for treason against their country.

My thoughts: Jude's route is very lively, it's got a healthy amount of funny moments, action packed moments, and it's quite wholesome overall. However, it still retains some darkness in the sense of his past, and the fact that he's literally on this tightrope of life and death.

Kate: She is not afraid of voicing her thoughts and feelings, or speaking sarcastically to Jude. I almost died when I read that she stuck her tongue out at him LOL. There's this scene where Ellis tells her she's thinking out loud when she doesn't realize it, so she apologizes. A few minutes later after she greets Theodore, she sees Jude behind him:

Kate: ....And thanks for your hard work too, Jude. Jude: Can ya please stop greet me so sourly? Makes me wanna vomit my mornin' tea. Kate: I wonder if I'm under a curse that'll kill me if I don't say something sarcastically...

So, she is very courageous and gutsy, but she also thinks things through. There are times where she wants to act because she loves Jude and wants to be there for him, but she also knows not to act rashly because her movements can hurt him and Crown, so she opts to bide her time instead.

Out of all of her versions, I think she is the one who gets the most frustrated, the most angry, and laughs the most at certain situations such as getting locked in the office with Jude. She is very optimistic and kind, but not saintly kind.

She is a fighter. She learns self-defense and how to use a gun, a lot this takes place off screen, but she does develop this over time. Which is nice because it's more realistic.

Jude & Kate Relationship: Starts off very rough, and I say it's an enemies to lovers trope, but no one actually hates the other person, they simply don't get a long and it has that vibe. Jude is trying to kick her out of Crown, and Kate is trying to find something she likes about him.

Overall, they bicker and banter a lot. It's cute because in MLE Kate says, "If I say one thing, he has 10 things to say", and in BLE Jude says, "If I say one thing, she's got 10 things to say." They're adorable together.

One scene I loved was when Jude is being attacked by a group of thugs in his office after closing hours, and Kate barges in with her gun. She yells at the men to stop what they're doing, and then she tells Jude to step away from them. And so, Jude and Kate are having this full blown conversation as they're surrounded by these thugs as to why she is at his office, who's fault it is, etc, etc. And when the head thug starts to complain, both Jude and Kate say, "Shut up!" at the same time. This seems like it actually becomes a thing for them, they say it in MLE as well.

Were they childhood friends? No. That was an AU thing only, and a clever misdirection from Cybird. I think key take aways from Dark IF and Prison IF are that they made promises to each other, and that Kate tries to return to little Jude in Prison IF. Additionally, it does hint that two children were involved in Jude's past, just the other wasn't Kate, it's his sister. While some may be disappointed by this, I loved that it turned out this way, it surprised me.

Love Language: Physical. Touch. Lemme say it again. Physical Touch. While their relationship is a slow burn, it's not without it's tension along the way, and the pay off is hella worth in my opinion. I just knew that Jude was going to tear into her, and he does.

But more importantly, Jude touches Kate a lot especially before missions. For example, in BLE just before Kate goes undercover at a criminal organization that is using Raven products, she and Jude are in his office reviewing the plans, and while he does this, he touches her bare skin, kiss or bite her, and then after the mission he'll make love to her. Why? Because Kate made another promise to Jude earlier in the route that she would never die before him, so he doesn't have to suffering loss ever again. So, prior to any missions, he'll touch her up to a certain point like a promise she won't die, and then finish once she returns safely. I can't...he's so damn precious.

They love each other very very much, but Jude doesn't like saying the words. "I love you." Not because he's a tsun, but because they're easily said. So, he'll convey his love to Kate with words like, "I'm taking you to hell with me." If you read his side stories, he'll tell you just how much he loves her, and he admits that there is no other woman in the world that he could ever love like her.

Important Side Characters: Theodore: 21 y/o and he works in the sales department at Raven. Every one calls him Theo, even Kate. It seems that he's worked for Jude for a long time as well. He's very personable, and chatty, and he gets nervous about things like when the president forgets his custom fountain pen as he's on his way to business meetings. He even says to Kate and Jude that Kate is his type, and everyone is like.....um what? I'm really happy that Theodore isn't a traitor. I like him. I thought Cybird would use him the way that contract worker in Jude's first story event would be used. But no, he's just a loyal young man who cares about his job. I hope to see him again.

Oswald Simmons: He is the doctor who treated Jude and his sister after Jude memorized an entire medical textbook in a week. After Jude's sister was sold off, Jude ran to Oswald and asked that if he put Jude through school, let him lodge with him and provide him food, then Jude would pay him back with interest. Oswald agrees and in time, Jude does pay him back with interest. Oswald treats everyone equally, and he finds Jude's intelligence and ability to memorize things amusing. While he does not offer to take Jude in of his own initiative, Oswald does have a soft spot for Jude, as he tries to gift Jude a new pocket watch upon graduation and the success of his new company. He even tries to dissuade Jude from seeking revenge that will only force Jude into be lonely. In the route, he tells Kate to relay a message to Jude, that if he ever gets into a pinch to comeback and he'll give Jude a run for his money. To this day, Oswald still has the watch that Jude refused to take.

I honestly, hope that they reunite one day. Jude doesn't wish Oswald any ill-will (though he calls him a weirdo), and he wished Oswald a long life when he said goodbye.

Gilbert Murphy: He is a high-ranking officer of the British military who colludes with the Privy Council and a criminal organization to frame Jude treason and building military weapons. However, Gilbert truly does think that Jude is going to the moon for monetary purposes. While he is being an asshole for framing my beloved, his motives are to protect the people from potential weapons that can be created with Jude's research. Still, it's sullying Jude's innocent and pure motives. Still, he testifies in Jude's favor and takes the blame of the dead privy council member, as his own form of justice for trying to frame Jude due to his becoming blinded by his obsession to protect his country.

The other villains: Ellis: Ellis is Jude's right hand so he is heavily involved with the plot, especially in MLE. We know about Ellis.

Nica: Darius asks him to investigate Jude, so he does. Twice, he offers information to Jude that he's gathered after he lets him know he's aware of what he's building.. The first time, he tells him that a part from the criminal organization Jude has already been dealing with, the British military want his plans too. And wouldn't it be something if they teamed up to get Jude's research. He asks if he can snatch the robin away from Jude, but Jude says she doesn't belong to him, and no matter whom she dated she belongs to herself.

Nica leaves the bar after getting scolded by Jude, but prior to that, he tells Jude that the robin is in the most danger because she's around him. A few chapters later, Nica appears again and tells Jude that his assumptions based on the previous information given have come true, and because he didn't let go (of Kate), he's letting her know the facts. After he explains the situation to her, he tries to whisk her away on a date, but Kate declines. While Nica is a "playboy", it seems that he does care for Kate's well-being.....I am letting my current knowledge of his past events, and bond stories influence me by saying this.

At any rate, at the end of BLE, Darius asks Nica why he follows his orders so complicitly, and Nica says it's because he's on the winning side, and to him, Darius will be or is the winner. Darius is satisfied with this, and when he leaves Nica looks at his palm and says that he will be the happiest someday. It's already been established that becoming the happiest person is important to him, but this has now been reinforced.

Victor: Lore crumbs are very little, but what we do know is that when Kate asks him if he is angry, he tells her that he's forgotten loneliness a long time ago.

Further, when he approaches Jude and asks if Jude is hiding something from him and Crown, he tells Jude he has the means to help him. Jude asks if Victor isn't the one hiding something, and remarks that's why Harrison hates him so much because he knows he is lying. Victor simply smiles and stays silent. Upon leaving his study, Victor does tell Jude no matter what, he doesn't want their freedom disturbed and those are his true feelings.

Further, Victor later tells Kate in the BLE that when Jude says he abuses his power, Jude wasn't lying about that. Later in chapter 24, all of Crown are gathered together in front of her Majesty the Queen for a very important meeting. Victor speaks saying that they wish to grant Kate the position of fairytale keeper permanently, and when Jude finds out, he leaves angrily. In the middle of all this, the Queen never utters a word.

I don't think we learn anything new that we weren't aware of before with Victor to be honest, unless I missed something while reading. But, it's nice to know that we should see something big for his route. We better for how under wraps his lore is kept.

Jude's age: He can't be any older than 30 because in his Past Records he definitively says that he is five years old. In the MS, Oswald states the events he recounted to Roger and Kate took place over 20 years ago. Kate reason's that if it was 20 years ago then Jude had to be under the age of 10. I think he's 28-30.

Jude's Curse: Jude's curse was born when his heart was completely broken, and he vowed to get revenge on those who made him and his sister suffer. It's manifestation was described as a black flame of hatred in his heart. Essentially, Jude has entered a vicious cycle of hatred that never really ceases. Jude fuels this cycle by acting in a way where people want to get revenge on him, and a part of that is because he want's to die.

Jude's Fated End: Jude is fated to die bearing a grudge/resentment/hatred against the world. Jude himself says that his death will not be an honest one. Some have made comments that his fated end is a bit underwhelming, but I am pleased that Cybird left Disney alone, and stuck with Grimm's ending for the 13th fairy. I love it because no one knows what the fairy was thinking or what happened to it, it just simply disappears. This is something that is mentioned quite a bit in Jude's route.

In the MS there is a beautiful chapter with all of Crown gathered for a fireworks beach day, and while Jude is looking at the fireworks, Kate is looking at him. She thinks he is like a firework, beautiful, dangerous if you get too close, and then simply gone.

In BLE, Kate watches a Sleeping Beauty play hosted by local town children where she is staying and even though she knows that the outcome of the fairy is unknown, she is hoping for a different outcome. When the kids stick to the fairytale, it's then she realizes that Jude too - while still stuck in his cycle of hatred - will die. He will never know happiness, and disappear like the burnt body of cigarette smoke, like a firework in the sky.

In chapter 18ish, while Jude is being held captive and being tortured by the British military for information on Crown, he laughs self-mockingly and says that this is the perfect fit for him to die bearing resentment/grudge against the world.

Is Kate Trying to find a way to break the curse? No. Unlike Alfons and Roger's route, Kate is willing to accept Jude's fate, stay by him, make him happy and be his reason to live. That is her sole purpose, to make sure he doesn't die. Kate is obsessed with keeping him anchored to the world no matter the cost, and she even mentions to Victor that even though no fated ends have ever been avoided, that doesn't necessarily mean they are tragic.

Is Jude happy by the end of the route: Yes. Though he won't admit it out loud being the tsun tsun that he is, Jude's first glimpse of happiness occured when he told Kate about his dream and she didn't laugh at him. By the time he puts her to sleep and leaves her behind, he tells her that being genuinely liked wasn't so bad. And of course, Ellis asks if he can kill Jude in his BLE epilogue because it's obvious that he's happy......Jude tells him he can go die, and Ellis is like okay okay. FR though E, I need you to calm TF down.

The depth of his love for her is so great that he tells her that if she ever tries to run from him, she should just kill him. The reason is because she is his only happiness - she is the moon that he's been trying to reach for so long. He'd have no reason to live if she left him.....

Hmmm, here are some of my favorite parts in his route:

He tries so hard to protect Kate, from throwing her out of a window when a house is on fire and telling her she died in that fire so she wouldn't have to return to Crown, to lying to her and accusing her of making a 10,000 £ mistake and firing her from Raven, and other things.

I love that he even assigned people to watch her secretly after he's left her behind in a seaside town, with the intention of doing so for a long time since she is known throughout London for said involvement with Jude. He says things like, if she can live a calm, normal life, then that's enough for me. So, he's resigned to love her from afar.

He does everything in his power to protect even Crown from getting involved with his research so they aren’t crushed and hated by the privy council or others, even undergoing brutal torture.

Jude promises to make Kate the happiest he can before they go to hell, and there are many, many more things he does to endear me even more to him. I nearly cried when he introduced Kate to his sister at her grave he had made for her, saying she (his unnamed sister), was the only family he had left.

Even though he knows his dream of going to the moon is going to be difficult, he is more determined than ever to achieve it, because he's got two promises to keep.

Ultimately, we have our teasing Jude and Kate kicking ass together, and loving each other until their ends come.

Ugh, I'm gonna make myself cry. Well, this is it in a nutshell. Sorry for rambling!

[afreakingdork]

I saw you were doing small requests if we proved we voted for Hassan/Mikey, so here's my proof! I was wondering if you could do something with Leo, since we don't see nearly enough Leo x readers out there. I was thinking maybe a best-friends to lovers thing where they keep trying to one up each other with playful flirtation, but it becomes real in the end, followed by a confession and a kiss? Xxx

Writing Request: Reader x Leo First Kiss 😘

Thank you kindly for doing your part! I hope you're enjoying all the content and please tell your friends! Let's push back in this comp!

From now until the poll closes, if you can prove to me that you voted Hassan/Mikey in this poll then I will do any short story writing request like the one below or draw you any doodle of your choosing!

ᴰᶦˢᶜˡᵃᶦᵐᵉʳ: ᴵ ᵃᵐ ⁿᵒᵗ ᶦⁿ ᵃⁿʸʷᵃʸ ᵃˢˢᵒᶜᶦᵃᵗᵉᵈ ᵒʳ ᵉⁿᵈᵒʳˢᵉᵈ ᵇʸ ᵗʰᵉ ᶜᵒᵐᵖᵉᵗᶦᵗᶦᵒⁿ ᵒʳ ᶦᵗˢ ᶜᵒⁿᵗᵉˢᵗᵃⁿᵗˢ.

We got some cutie all ages fluff down here, folks!

"And that's when you go in for the kiss!"

Leo had a fist to his lip's and nodded as if this conversation was of the utmost importance.

The random man in question who had approached you while you were hanging out with your best friend was none the wiser. You weren't sure where he had come from, but had interjected himself into your conversation without warning. He had some ripe opinions on romance that apparently couldn't wait for people he knew. Instead of running, Leo had been prompting him for the sake of it and sending you more and more exaggerated looks each time the man looked away.

"What about consent?" Leo asked.

The man reared for a moment before he thought which part. "At which part? We haven't gotten past first base."

"You gotta ask if you're going to kiss someone." Leo spoke with a firmness that you read as genuine.

"The mood!"

"Don't start." Leo shook his head.

"It ruins the mood." The man insisted.

"It does not." Leo waved him off for the first time.

"It does! You think your lady friend is going to still wanna smooch after you interrupt leaning in to ask permission!? That's not manly!"

"Manly, huh?" Leo's mask quirked with his brow. "Also, just lady friends?"

He glanced at you.

You chewed your lip and glanced away to not laugh.

"Ah, man friend, lady friend. Whatever friend! It doesn't matter!" The man huffed. "It's all the same in the eyes of love."

"Consent is hot, that's all I'm saying." Leo shrugged.

"Ah!" The man grunted and turned. "You don't get it! Oh! I bet they do!"

You both watched as the man jogged off at the next unsuspecting group of people.

"Well then!" Leo put his hands on his hips. "I never!"

He held the haughty pose until a giggle finally broke free from you and he slumped to your side.

"That was something." You told him.

"You know I really like conversations like that." Leo stuck a leg out to walk.

You followed his lead with solider-like attention. "Yeah? Seemed a bit like you were teasing him."

"Me!?" He gaped sarcastically at you before his features went lackadaisical. "Making something a gag is second nature. I really do I swear."

You thought for moment. "Okay... Why?"

"Why?" He digested the question and looked up at the buildings. "Let's see. People are interesting. They've got all these opinions and they're wild! Everyone is so different and they'll try to ask these questions about you, but they don't really want to know, but I do. Like I already know me; I want to know about them!"

It gave you pause and you thought back. In all the time you had known Leo, he had been like that. If you ever asked him something as simple as his favorite color, he would somehow turn the conversation around on you until you were matching shades in some sun room that you were going to retire in.

He made you feel like the center of the world and you loved him for it. He was bright and whip smart, but he also had an undeniable loneliness. He never let it get to him, but it made you want to get closer. You pushed to get his number after meeting him. You made sure to text him if a little too much time had gone by. You made future plans with him always included.

You became the best of friends before you even knew it.

Leo said yes to pretty much everything, even when his schedule was packed. it was his eagerness of companionship and just that he was generally a good friend, even if you found yourself mortified around him often. His wit and penchant for a bit meant that if you said the slightest thing wrong that he would hone in on it. It was further sharpened to a knife having had three brothers and because of it you had built a repertoire of inside jokes.

He was special and even just taking a walk with him on a day like today would be a highlight of your week.

"I see it." You eventually said.

"What'dyou think?"

"About what?" You glanced at him and the way the sunlight played on his barely shielded green skin.

"His pitch! That love guru's plan of attack. How to woo your lady, not lady friend."

A smile played on your lips. "Set the mood. Sure, that's good, but when's a mood, right? That's always a question."

"Exacty!" Leo threw a demonstrating hand to you. "Like is it being alone. We're alone right now?"

"Not really a mood?" You looked around.

"Should it be dark? They say those steak houses have romantic lightening when you can't even tell which fork your grabbing."

You laughed knowing what he'd say next.

"I'm telling you!" He pressed with the same knowledge. "They do it so they can give you lower cuts! That's why I always bust out the ole phone flashlight!"

"They do not!"

"I swear I ordered a rib eye but they served me flank. Flank!"

"The horror!"

"But yeah, okay so not the lights."

"Because I totally confirmed that."

"Okay, come here then."

You did so without hesitation.

"Okay, let me just..." He reached behind him to tug his hoodie off.

You watched on.

His chin caught. "Hold on." He squirmed to pull one arm through. "Hold!" It got trapped against the points of his plastron. "Wait, Wait!" His head disappeared down into the hole and you watched the blue fabric writhe.

There was no way he could see you, but when your hand came up to help he immediately scolded.

"Don't you dare! I've got this!"

You weren't sure if it was a bit or not, but that was Leo and he was nothing if not amusing.

"I got it!" In one hands to the ceiling move, his hoodie came off. "Check it!"

He flexed in his average looking t-shirt. "Very attractive."

"Thank you!" He told you with a point of his beak. "Alright, now cloud cover..."

He waved you over to a wall and you followed.

He looked you over a few times before he caged you in so he could hold the hoodie above both of you to block the light.

You stared at his red stripes in their proximity.

"Dark, how are we feeling?"

"Not really a mood."

"It's not a mood!" He cracked a grin. "We're already at the next factor."

"Oh?"

"Closeness. He said that thing about how both people realize they're a little too close and kissing is inevitable."

"Cause if that was true we would have kissed a bunch of times."

"Right?!" Leo clucked. "The Twister incident? That time I hit you with that little trashcan. Oh, oh! When you were demonstrating the banana thing and actually fell."

"That middle one..." You narrowed your eyes.

"An accident, I swear." He looked dire.

"I still think the banana was cause of the floor."

"Sure." Leo drew out the word.

You pinched the tail end of one of his stripes which also happened to be his cheeks.

He smiled all the more. "Alright then. Is that it? We've eliminated everything. Total bunk. That guy doesn't knowing a thing about romance."

"Yeah! Moods? Like what even is that?"

"Like cuddling on the couch?" Leo gagged.

"Running through the rain?" You added.

"Yeah, because I totally want to make out when I'm soggy!" His eyes rolled.

"Your clothes stick together!"

"You have to peel apart!" He shuddered and the hoodie shook as your umbrella.

You reached up on instinct to steady it right as one of the sleeves fell.

"Nice catch."

"Call me champ."

"No, I'm champ."

"You're champion."

"Your champion?" His mask waggled with his brow ridge.

"You can't count that! It was a bet."

"Oh yeah, what was last week when I got you that ice cream?"

"I was trying to be nice to you."

"Only trying?"

"You make it so easy."

"I do. I'm a great guy. Amazing friend. Easy on the eyes."

"The face of disaster. Person I would vote least likely to make a typo in front of because he will never let you live it down."

"I give you my life and my time!" He bemoaned.

"And I appreciate it."

He gave you his best puppy dog eyes. "Do you? You're just saying that. You totally said you were just saying that."

"No, you're the light of my life."

"In that voice? Maybe I'm the light from one of those nightlights that are automatic, like the kind that turn off as soon as you turn the real lights on."

You squared yourself and looked straight into his eyes.

He startled and gave you owlish attention.

"Leonardo Hamato. You are the most important thing to me. You appeared in my life and I made sure you were part of it and at some point you became someone I can't live without."

"Oh." The vowel popped out dull.

You were flooded with a wave of worry.

Had that been too much?

It was true.

You cared about Leo.

He made you laugh.

He made you smile.

He made you a priority.

You did the same with him.

It must have been all the romance talk.

He might have misconstrued the whole thing.

Certainly none of that meant anything more.

With the steam still trapped in your cheeks you met his eye.

He was staring the same intensity.

You shared it a little coy before you decided to face it head on.

You set your jaw and returned the full brunt of your certainty in the matter.

He blinked a single time. "Wanna make out?"

Your eyes went as wide as they could.

"Wait, that came out wrong!"

"Are you kidding me!?" You squawked.

"I said it was wrong! Let me-!"

"That's your idea of consent?!" You tugged the hoodie down.

Since he had his own hold on the fabric it pulled his arm.

Which pulled his shoulder.

Which pulled him closer.

You were inches away. "That guy was right! It does ruin a mood! 'Wanna make out?' Leo, what-?!"

He dropped a little lower and your heart spasmed.

He dipped down so he could look up at you through his lashes.

His gaze liquefied your insides on contact.

He held your gaze for a few calculated moments before he leaned up enough that the heat of his breath warmed your lips.

"I'm sorry. I meant, may I have the pleasure in kissing you?"

You closed the gap.

The hoodie dropped down around you for privacy.

You lost your vision and for a moment it was just you and him.

A tiny version of the world that you didn't mind.

Then, you parted.

Within the confines you heard the smack and felt the way your mouths were both open and ready for another.

"Like..." Leo licked his lips audibly. "Like that. You do it like that."

"If you tell me that was a bit I'm never talking to you again." You whined without an ounce of heat.

"I swear... Kiss on it?"

You tugged him right back to you and he smirked against you.

[emin-folly]

(@ftl-faster-than-life HI THIS TOOK A HOT MINUTE WEH Also thanks Tumblr for eating my asks again smh) oH BOY, WHERE DO I START Oh Barry, Barry, Barry, my sweet babygirl, how you've been so incredibly villainized by this fandom I'm going to take this opportunity to address and debunk as many misconceptions about Barry's character that I can remember, in the case if someone who doesn't really know Barry all that well is reading this or to hopefully change some people's minds~

* "Barry is boring": Well, yes but actually no. That's the beauty of Barry--he is designed to be your average, unassuming everyday kind of guy. Problem is, a lot of people think that's all there is to him, but that's really only just the surface.

He has flaws. He's prone to making decisions without consulting his family if he thinks it's for the greater good. You need to explicitly tell this man if you wanna be his lover because he absolutely can NOT read romantic cues to save his own life, he's a guilt sponge, he's weird, he LOVES science and comics and is a huge nerd!! He gets jealous!

Guys-Guys?? He's aN ELDRITCH HORROR??? HELLO????? He is CONSTANTLY living in sheer and utter denial and is desperately grasping his extremely thin veneer of being human, and yet, because of this, he actually puts his family in more jeopardy. Do you even realize how fascinating that is

Barry is a character who also deeply craves companionship/people. He struggles with depression and suicidal tendencies ever since being resurrected. He tries so hard to be what everyone else wants him to be and meet their expectations while failing to take care of himself in the process. He's so much more complex than just "Wally's nice father figure who died in Crisis". People also tend to equate "boring" with "being good/kind" which, you know...I very much disagree with but that's just my opinion * "Barry is racist!" LOL This one is just so wildly incorrect. The origin of this misconception comes from an out-of-context panel Justice League of America #173) of Barry being angry about Black Lightning joining the JL. If you read the whole page the panel comes from, you'd see that in actuality Barry is NOT angry about a black man joining the League but rather, he's angry that that seems to be the only reason Oliver wants him and Barry is (rightfully) calling Oliver out on that. There has been no other time where Barry has a problem with people of color

* "Barry is a Republican" I don't even know where this fanon came from. I think this may have originated from Wally's run where Wally was a conservative and he just assumed?? Barry was the same??? Which is SO laughably wrong (Wally bby, stop projecting on your uncle challenge) For the major part of Barry's original run (and honestly, the majority of the Flash runs after that), he remained largely apolitical . People see a white guy from the 60s and automatically assume he's right leaning /shrug * "Barry's a cop!" Yeahhh, not quite actually. He's a CSI, a forensic scientist, not a blue collar badge sporting cop. He's the behind-the-scenes guy, the one who studies the crime scene and tries to piece together the evidence and bring the culprit to justice. There IS a difference. But people don't really care about the technicalities, tho, they just want to hate Barry and him being "basically" a cop is a fast and easy excuse to do so. And DC certainly isn't helping matters with them constantly pushing the cop agenda for him (thanks a lot DC) * "Barry is sexually-repressed": This is a headcanon I seen a fair amount of and--okay, I get it. Barry is shy and reserved and blushes up a mad storm when someone compliments him. I can see how that might lead people to interpret that as him being sexually repressed/being a prude. But like....Buddy. Homie. Amigo.

This man had more canon sex than Hal Jordan. He and Iris were getting it on FREQUENTLY in the Silver Age and that's not me exaggerating. Just look at Flash #197 where it was Barry's birthday and he and Iris made out and stayed in bed practically the whole day together. Maybe you could say they just did that in the morning and they did other things later buuuut I don't believe that for a minute lol. Or! In Flash #195 where Barry was late to a ceremony of a submarine departure because (you guessed it!) he was too busy exploring his wife's mouth. Just because Barry doesn't make sexually-charged remarks or cop a feel from Iris constantly doesn't mean he's opposed to sex. I see it more as him just being way more private and reserved about it, but he IS very much down to fuck as she is (or Hal! Whichever your ship may be~)

While we're kinda on the subject, I'm really not a fan of the whole Barry being "shojo-fied/uwu-fied" thing, if I'm being honest?? Like, yes, if you give him any kind of compliment, he will blush furiously and stutter. But that's different from him being totally ignorant on what sex is/being a weak, delicate little flower who needs a "Big, Strong man" like Hal to save him (also, like...can we stop treating Barry as the "girl" of the ship just because he's skinnier and smaller than Hal pls and thank you). He is an mid-20-30 year old adult man. And a forensic scientist who probably seen a lot of sex-related crimes in his line of work. I'm pretty sure he knows what sex is, guys (in fact, he would be the guy who actually hosts Sex Ed classes bc the misinformation out there is staggering lol)

"Barry is weak/one of the weaker superheroes": Ok, I've never seen anyone say this persay, but it is very evident in how people portray him a lot of the time. They see his smaller frame and the fact that he runs fast to mean he's a glass cannon (Honestly they do this to a lot of the other speedsters as well) which hi! Wrong again! Speedsters are actually INSANELY durable little dudes. He could tank a punch from Darkseid. He can drag MASSIVE SHIPS behind him!! Wally once punched Eobard with the equivalent force of a dwarf star. Yeah. Now I get whump, I personally love it, I do, but I also enjoy seeing Barry being the absolute powerhouse he is. He can vibrate through solid matter, he can manipulate frequencies, and he's incredibly smart with how to use his powers, always thinking up on the spot improv strategies and techniques! Please stop nerfing him, guys, speedsters get too much of that from the writers OTL * "He's conservative because of his buzzcut!" Ok this one actually had like, a whole article?? On it?? And it truly is so wild lmao. When the only thing people can find to hate a character on is his haircut, you know they have no basis for their argument lol * "Barry is abusive!" Nope. Not even close. People love to pull this as a "gotcha" to Barry fans, regarding the panels of "Barry" beating up Wally and verbally abusing him (The Return of Barry Allen). Except....that wasn't Barry, that was Eobard disguised as him. You know...if you read the full run, you would know that lol You literally couldn't find a more least abusive person than Barry lol. Which actually leads me into the next one... * "Barry was an example of toxic masculinity!" AH yes, of course, with how he's so openly kind and compassionate, how he loves kids and animals, how he openly cries and shows emotion, how he's super respectful of people regardless, how he chugs Respect Women juice all day everyday, how he's contributing to fundraisers to help impoverished people and further medical progress, how he's so concerned about the state of the environment and is firmly against consumption of fossil fuels, how he constantly tells his son nephew he's so proud of him and that he's his hero, how he runs home after work bc he's genuinely so excited to see his wife, how he loves her SO much and smothers her with kisses every chance he gets UGH. How does Iris stand him /s And since we're talking about Barry and how the fandom treats him, I can't not talk about the elephant in the room--Flashpoint To start off, lemme preface this real quick:

FLASHPOINT WAS NOT BARRY'S FAULT

He DID NOT intend to trade the lives of his family for his mom He DID NOT run back in time because he was jealous of Wally (uhh lmao what???? Yeah, I can't even begin to explain how wack that is) He DID NOT run back in time because he was "selfish" and "wanted his mommy back" (unfriendly reminder that Nora is a separate character and shouldn't be treated as just an appendage of a male character <333) Some actual context for non-comic readers: Eobard killing his mom is actually an aberration of the true timeline. It was PERFECTLY REASONABLE to assume that it would restore itself to its original version!! Barry had also traveled in time before in the comics without any repercussions or ill effects, so there was NO CONCEIVABLE REASON FOR HIM TO THINK ANYTHING OF THE SCALE OF FLASHPOINT WOULD EVEN HAPPEN If people had read the issues preceding Flashpoint, they'd see Barry did all of that for Nora!! Because he despised the fact that she had to pay with her life because of a villain of his!! That it wasn't right for her to die for his sake!!

"But Eobard said Flashpoint was Barry's fault-!" EOBARD is A BITCH ASS LIAR who purposely twists the truth to hurt Barry as much as he can!! Of COURSE he would say that!! What ACTUALLY happened is that Eobard is the one who somehow made Nora's death such a critical and important fixture in time to the point of just tempering with that can cause a catastrophic domino effect. Flashpoint is EOBARD'S FAULT and HIS ALONE (and Idk, Doctor Manhattan's too ig if you wanna include him)

Barry loves his family and cares so, so, SO EXTREMELY MUCH. He could literally not be any prouder of Wally if he actually tried!! Everything he does is for his family, even sacrificing his own mental health and happiness for them and it makes me SO sad to see everyone cling to this butchered version of him in their minds (though it's not entirely their fault, DC is also definitely to blame)

[fanfic-enthusiast]

Just Try Your Best (GGG Fic)

“NO I DON'T WANNA!!” 

The shriek was so loud it rustled Cobigail out a nap in her leaves with a jolt. “LEAVE ME ALONE!!!” 

Before Cobigail could take a look herself a little girl came bolting into the closet where her domain resided. The girl was red in the face with her brows scrunched up and immediately sat down where she was with her arms crossed, grumbling to herself, completely oblivious to where she ran off to it seemed. A prime target for a prank. Quietly, carefully, Cobigail leaned over her and threw out her hands while making her signature scary face. 

“BOO!!!” The little girl screamed and covered her eyes with her hands. 

“Ahaha! Gotcha good! Well hello little thing. Hope I didn’t spook you too much?”

After realizing she was ok she carefully parted her fingers to look upon the cheeky prankster of a harvest god. 

“Noooooo.”

“Heh, well aren’t you a brave one! Not many your age can say they barely jumped at a prank from me. What’s your name kiddo?” “Parri…” “Well lovely to meet you Parri. Say what brings you to my humble abode.”

“I just wanted to get away from my teacher.” the little girl, Parri, crossed her arms again and furrowed her brow.

“Oh? Why is that? I thought she was nice.” 

“It’s cause she wants me to sing a stupid song with the rest of my class. And I don’t wanna.” 

She stomped her foot and threw her arms in the air in a little tantrum. Cobigail cocked her head a little and put her hands where her hips would be… if she had them.

“Now wait a minute little lady. A stupid song? I know plenty of songs, but I can’t really think of a stupid one.” 

Parri groaned and frowned harder, “You wouldn’t get it. I hate singing, I hate being here, and my teacher is mean to try and make me sing in some concert I don’t even want to be a part of.” 

A flash of memory comes through of similar kids not wanting to take part in shows or community gatherings. A sudden change in their excitement to be on stage, glee to anger. Rarely was it a genuine loss of enjoyment for music but rather something a little more, some problem outside the classroom in their lives. The part of Cobigail that remembers teaching kids like this knew that behavior all too well. 

She shrank down as much as she could and leaned over, to try and be closer to the little girl’s level. 

“Hey now, I’m sure you don’t mean all of that.”

“Yeah well I do.” 

“What specifically don’t you like about singing with your class?” 

“Um… the… crowd, and the song is bad. Like… slow.” she fumbled around for the right words but eventually fell quiet, caught red handed in her fib.

“Parri, I promise you can tell me what’s bothering you. I won’t tell a soul. The concert’s here are for the community and are a way to bring everyone together, doesn’t that sound fun?” “...” Parri looked away from Cobigail down at her feet. “My momma can’t come to the concert tomorrow… and I don't know anyone else here. I’m gonna be all alone. I d-dont wanna perform alone.” 

Cobigail’s gaze softened and she gently put a large finger on the child’s shoulder. “And you’re afraid?” 

Parri nodded, her big eyes welled with tears threatening to break and pour over her little cheeks. Without warning she pulls herself around and holds onto Cobigail’s hand, thankfully missing the thorns on her arm and starts to cry. “W-w-we j-just m-m-moved. And I-I d-dont have f-f-friends here.” 

How long had it been since someone cried to her like this or looked to her for comfort? 

“Shhh… There there. It's alright. Let it out.” Cobigail soothed while carefully stroking her hair with another hand, she was so small, last time she did something like this she was sure the child was bigger in her grasp. Probably squeezing her waist while she stroked their hair and tried to calm them down, being a supportive presence in their lives. 

What did she do back then?

A memory of holding a crying child to her came forth, they had lost a pet recently and the grief was still fresh on their mind. She held them close apologizing to them and while they cried in her arms she started humming, something slow. She didn’t remember the name. 

She came back to the present as Parri hugged her finger tighter and buried her face into it. While Cobigail held her and gently hummed what bits of the song she could recall and made up the rest. Parri cried for a while, until the sobs trailed off to small snotty sniffles. 

“Do you feel a little better?” Cobigail asked.

She felt the little girl nod against her finger. 

“I know you said you're scared of performing alone. But you are braver than you think Parri. And you won’t be alone, this will be a good chance to get to know other people in the community… other kids like you.” 

“W-what if I mess up the song and they make fun of me?”

“You wouldn’t be the first person to make a mistake, Parri.” Cobigail laughed a little, “Oh boy. One time I missed a whole line of a song when I was little you know. Some time around your age I think.”

“What happened?” “Well I sure was embarrassed but no one laughed or made fun of it. The show went on and people congratulated me on the performance.”

“Even when you messed up?”

“Yes, cause I kept singing and finished the show. They were proud of me for doing my best.” Cobigail carefully brushed a bit of hair out of Parri’s face with a smile. “And I think even if you mess up a little, people will be proud of you too, just for trying.”

“You think so?”

“I know so, I bet you will even make some friends too. Wouldn’t that be nice?” 

“Yeah…” Parri nodded a little. “I still dont wanna go alone though… I wish my mom could come but she works...”

After a moment of thinking Parri looked up at her, still holding onto her finger. “Can you come? Please.” 

Cobigail thought for a moment, “... Parri, I will see your show. You may not see me, but I will be cheering you on, don't worry.” 

“Promise?” 

“I promise.” 

“Pinky promise.” 

“Hehe kid, my pinky is bigger than your whole body!”

“Oh. Well then, cross your heart?”

“Cross my heart, and hope to fly, stick a corn cob in my eye. Bleh!” 

She made a silly face while miming poking herself in the eye and Parri giggled from where she sat in Cobigail’s hand. 

“See, look at you smilin’ away! Make sure you wear one for the show ok. I’ll be watching!” 

“Ok ok! I will.”

“Good, I know you're goin’ to do great. Now you should probably go back to class, the day is nearly over and I’m sure your teacher is worried.” 

She carefully placed Parri back on the soft cloud floor so she could leave.

“Ok, miss. Thank you for making me feel better.” 

“Of course, always happy to help whenever you need. Oh, one last thing.” 

“Yeah?”

“BOO!” 

“AH!!! Hehehe!!!!! Boo!” “Ha!! Great job!” and with that Parri was sent off back to her classroom through the closet door. 

True to her word, it was the end of the class day and the teacher was very worried about how long Parri spent in the closet with their god. (Only a little worried about whether or not the girl was eaten though, and more so worried about what to tell her mother if she was.)

When the next day rolled around and towards the evening when the shadows were long. The kids from the small choir school in Milldread gathered in the center of town to sing a few songs, to show the community what they learned so far in the year. 

As the performance went on from where Parri stood amongst her classmates scanning the crowd she could see the figure of Cobigail above her altar watched from a distance, like another member of the audience. 

And when the songs were sung and the people clapped, a wind rustled the arms of the figure making it look as if she was doing the same. Congratulating this little girl for doing her very best.

[usmsgutterson]

We Could Leave The Christmas Lights Up Til January - S.R x reader

I am typing this authors note and feeling like the friend who's like "ITS CHRISTMAS" from the like. middle of the month forward when I'm actually the friend who reminds you how close it is to christmas or the new year bc I don't want to face that knowledge by myself and suffer well with others.

This was written as a through-the-years style fic. It'll have fifteen chapters which will correspond with the og fifteen seasons of criminal minds (I have not watched seasons sixteen or seventeen, please do not judge me lol) and three scenes per chapter, one set in November, one set on or around Christmas, and the last set at some point after it. The reader is also a fiber artist but if stuff relating to that comes up, I will make a note of whichever terms I need to.

Fic type - this is largely fluff!

Warnings - the reader in this has a slightly similar, but also somewhat dramatized version of my family dynamics bc I wrote this whenever the knit projects I was working on frustrated me and when writing the dynamics it just HAPPENED, but then I edited it so that the dynamics wouldn't hit SUPER HARD if I ever reread it. Otherwise, booze is mentioned a bit, and there is swearing present bc I apparently am incapable of writing a fic without dropping an f'bomb.

When you leave the office that night, it's half-past seven on a Friday in November. You and the rest of the team have the weekend off, and while Penelope and the others had gone out for drinks, you'd gotten back from a case in Miami that morning and had said no to the offer when she'd made it.

You had really just wanted to get home, if you were being honest. You told her you couldn't swing it because of plans already made with someone else, but Garcia didn't need to know that those plans were a glass of wine, Loops 'N Threads Classic Cotton and a crochet hook to work up some dishcloths in lieu of anything too expensive for your aunts christmas gift, or that the someone else you had plans with was your DVR so that you could catch up on the five episodes of Prison Break you'd missed because of the way that cases and work had been piling up.

She also didn't need to know that the wine your mother had given you would have a spot, or that after you were caught up with Prison Break you'd probably order and eat your way through an entire pizza from Antonios while watching a documentary about lemon sharks. Your Friday nights were your own, and even though you adored everyone on the team, you would seldom give up your Friday night ritual of doing a craft while watching whichever cable TV you needed to catch up on or whichever one the network of your choice had been running a marathon of, even if giving it up meant giving up dinner, drinks, and laughter amongst yourself and the rest of the team.

So, as you and Spencer are heading out—Spencer had declined Penelopes offer but hadn't specified his reasons as to why—he looks at you with a knowing sort of smile.

"Crocheting and Antonios?" he asks, quirking an eyebrow.

You nod once, lips pursing just a little while you mentally ready yourself for any oncoming judgement. "Mhm," you nod. "I have a bottle of red I wanna drink, so it'll be a tipsy crocheting night, I think."

"That sounds fun," he says. "Enjoy it."

"What're your plans for the night?" You ask. You've been with the team since six months after Spencer had joined up. You'd joined, under Hotch's wing, at the age of nineteen where Spencer had joined up under Gideons when he was twenty.

He shrugs. "I was thinking about calling my mom, seeing how she's doing," he says. "I try to call her at least once every so often and I do my best to write, but—it's just—"

"Maintaining those kinds of relationships isn't that easy," you nod. "I mean—my parents just live in my hometown so the circumstances are different, but I get it, even if it's to a lesser degree."

You don't really talk to your parents, and they don't really talk to you, and it's been that way since you went to the FBI Academy when you were eighteen. You came to DC after being hired by the BAU and they stayed in Maine, and things have been like that in the five years since you left the state.

"Your mom came around recently, right?"

You nod. "She was in town for a bit, but she came down while we were working on a case so I only got to see her a few times before she was heading back to Maine." She'd come up at the start of October, while you were working a case out of state, and she'd left six days after you'd returned from the case. In that time, you'd seen her at breakfast, lunch and dinner on three separate days. She'd left you the wine as a gift because she hated red and needed to pass it off, but you loved red wine so it was fine.

"Was it a good visit?"

"It was—well—it was fine," you laugh.

"That's the nicest way to put it?"

"Calling it fine is me being stellar," you laugh again. "Being kind, being gratiuitous, even. It was less than fine, but it could've been worse, and other visits of hers have been by miles."

Your relationship with your mother has been somewhat contentious since you were a teen, but she comes down once every few months and unless a case or something better comes up, you usually try to book Christmas off to spend it with your parents and sisters in Maine. This year, a bigger part of you than not is hoping that Christmas is disrupted by a case somewhere completely out of Maines reach, like Nevada or California or even the likes of Alaska, which has got to be some snowy hellstorm in the wintertime, though you can't say.

"You gonna go down for Christmas?" Spencer asks, laughing a little. He knows some of what your relationships with your family are like—knows that you and your mother have a difficult time finding common ground, knows that you and your father don't get along but have found some weird little middleground where you can exist without screaming at each other. He knows that you and your older sister are sort of friendly but only really mildly close, and that you and your other older sister don't talk often and see each other even less than the sparing conversations you have throughout the year—and he always looks at you kind of pitifully when your mother gets brought into the conversation, but there's been less and less pity as the years have passed, more sympathy.

"I don't want to," you laugh. "I really, really hope we get a case in Nevada or somewhere that even my mother wouldn't be able to justify asking me to drive down to Maine from. Like—I'd love it if we got a case in Alaska the day before Christmas Eve, honestly. I know it's not gonna happen, but—Christmas with them, my aunt, and my uncle? No. I can't subject myself to that without a whole lot of booze."

Spencer laughs, shakes his head a little bit. "You'll be fine," he says. "I won't hope that a case comes up at Christmas, but if one does, I'll buy you a victory tea."

"Why?"

"Because I know you love your family—you're hardwired to love them—but you hate Christmas with them, and I don't really like the thought of you being where you don't want to be because of family ties and guilt."

You laugh. "If it gets too dreary, promise you'll answer my call?"

"Yeah," Spencer nods. "Of course, but what if I call you first?"

"I will answer so quick," you laugh again, shrugging. "Seriously. Whether it's you or Hotch, I will take literally any excuse I can get to slip out from whichever room I'm in to the back porch just so I can talk to someone who isn't my aunt for a few minutes."

"Looking forward to that," Spencer says.

You smile, turning away as you do to hide it. It feels like an awesome ending to a mediocre day and you're grateful for that.

-

When your phone rings at five o'clock something along the lines of five weeks later, it's Christmas Eve. You've spent the last couple of hours alternating between cheap screw top rose and a jack and coke, occasionally swapping both options out for a hot chocolate that you spike with kahlua and a splash of baileys, and when your phone rings, the sound of it is a welcome reprieve.

You tuck a mug of boozed up hot cocoa into your right hand, answering the phone with your left as you dismiss yourself out to the back porch, standing amidst snow that's, by that point, a couple days old. A fresh coat is due to fall any day now, but by the time it does you'll probably already be back in DC.

"Hey," you greet. "How's Christmas on your end?"

"It's good," Spencer answers. "How is it on yours?"

"It's amazing."

"You've been drinking?"

"Jack Daniels, cheap rose, and the occasional spiked hot chocolate," you laugh a little. "It's making everyone more tolerable."

"Thats good," Spencer says. "Don't forget to drink water, though. It'll make you less hungover tomorrow morning."

"Yeah," you nod. "I've drank plenty of water—hangover headaches are fuckin' awful, and I don't feel like dealing with that tomorrow morning. A headache on top of dealing with my aunt? I couldn't put myself through that kind of torture."

"How've things been with you and your mom?"

"So far I haven't done anything to piss her off yet, which is surprising," you laugh. "Normally she's leaping down my throat the second I do something like use a tone that she thinks is amiss or defend my dad where she doesn't agree with him. I'll say something stupid and she'll yell at me before midnight though, I'm sure."

"Try to be a little optimistic," Spencer says. "I mean—just—take it easy. Don't do anything too nuts, okay? I know you well enough to know you have Prison Break on one of the DVRs in that house, and I also know that you know your own limits. Don't push yourself past them."

"I won't," you say. You know yourself well enough to know that you're probably lying, but you brought your needles and a skein of yarn so worst case you can just knit and keep your mouth shut, hopefully not miscounting any of your stitches in your drunken state. "I'll call you tomorrow, okay? I get in around ten on boxing day too, so—coffee?"

"Coffee," Spencer says. "Merry Christmas, Y/N."

"Merry Christmas, Spencer," you respond, hanging up the phone thereafter. You stay outside for another few minutes, drinking your hot chocolate, watching the sky and prolonging the time between then and your next interactions with your relatives.

Eventually, when you go back in, you're met with a sly look from your aunt and a suspicious look in your mothers eyes, while your father and uncle chat about current events and your sisters are busy in a game of Uno.

"You got a boyfriend?" Your aunt asks, her smile cheeky.

You grimace. "No!" You say, beelining for the kitchen and the bottle of Barefoot brand zinfandel. "No—it's—it isn't like that. A friend had planned to call and I didn't say no."

"Oooh, a friend," your mother teases. "That's quite vague, Y/N."

You nod, finishing the last sip of hot chocolate in your mug and rinsing it out, setting it in your favored corner of the kitchen counter and reaching for the wine glass you'd left in that same area.

"Intentionally so," you laugh. "You two are so nosy. I love you both to bits and pieces, but—it's not anything like what you're thinking. The friend is a coworker."

You reach for the bottle of zinfandel and pour an amount that just barely skirts the edge of avoiding being obscene, putting the cap back on and leaving it on the counter along with the rest of the alcoholic companions that will reside on the countertop until at some point tomorrow, when the drinks are switched out from booze and beer to soda and water.

"You two will be an item in five years, I guarantee it," your aunt says. "Seriously. You don't be vague about someone with your family unless there are feelings there, Y/N."

You laugh a little more, taking a sip of your wine and debating rummaging through the fridge to find the brownies that you'd hidden in the back of the fridge for when the drunken cravings kicked in.

"I've been vague with you people about women coworkers," you retort. "I've been vague about mentors who are older than Dad. I'm vague about lots of things."

"You should open up," your uncle says. "Nobody likes a closed off little snowflake who wants to appear mysterious."

"Trust is earned," the older of your two sisters retorts. "You have to trust people to want to open up to them."

"Do you not trust us?" Your mother asks, looking at you with pain in her eyes.

Not like I did when I was a kid, you think. "I do! I just—work life and family life are two separate things to me. If I were as open as you guys want me to be, telling you work stories and funny office anecdotes, you'd all want to hear less about my job."

"Being an FBI agent can't be that hard," your uncle retorts.

"You say that as a man who's never watched someone you love like a sibling get shot at," you retort. "You've never seen someones body missing parts, or seen someone who narrowly evaded a serial killer shaking with grief and with survivors guilt already starting to manifest. I love you all, but not one of you understands what it's like, and I wouldn't wish you did across a thousand lifetimes."

Nobody knows what to say, but the look in your eldest sisters eyes is clear—she's proud.

"Well maybe you should work in a different area," your aunt says.

"I wouldn't trade my job or my coworkers for anything," you respond. "The plus sides make up for the drawbacks tenfold."

Things go a little quiet after that, and you eventually grab the bottle of Zinfandel and retreat back out to the back porch, not caring how cold it is.

You stare at the sky for ages, drinking your way through the entire bottle of zinfandel as you do. You're half asleep when your phone rings again, and you pick it up as you make back inside, figuring the rest of your family had gone to bed as well.

"Hey," Spencer greets. "Just calling to check in again."

"Hi," you respond. "Everyone else has gone to sleep, I think—nobody is in the kitchen or the living room, and if I don't hit the hay I'll be dead on my feet tomorrow morning."

"Do you have any sports drinks around?" Spencer asks. "The elctrolytes in them will help replenish the potassium and the salt that you lose after a lot of drinking. Bouillion soup also serves the same purpose, and water is basically universally known as the one thing you should consistently drink between alcoholic beverages."

"My mother gets a twelve pack of the fruit punch Gatorade, puts it in the fridge and normally will make the drunkest of us chug a bottle before we conk out, so I'm gonna grab one and then chug it and head to bed. Thank you for calling to check in, Spencer. It means a lot."

You head for the fridge and keep to your word, opening it and grabbing one of the gatorades.

"It's no problem," Spencer says. "I've know you—how long now?"

"Four entire years," you laugh, closing the fridge and pressing your forehead against the metal door of the freezer on top of it. "Oh, God. Four years of working at the BAU. That is a surefire way to make me feel old."

"How old do you think you'll feel when you've been working there for a decade?"

"Absolutely, positively, ancient," you say. "Oh my God—thirty three? That is not an age I can picture. Asking me to picture that while I'm drunk feels like such a low blow, Reid."

"How about twenty-eight?"

"I'm starting to think you just like the sound of my voice," you retort, laughing a little as you compose yourself just enough to turn your phone onto speaker and set it on the counter. You lean against the counter and take the screw top off of your gatorade, sighing a little. "Are you asking me if I have a five year plan, Dr. Reid?"

"Yeah," he says. "Yes is the answer to both your statement and your question."

"Well, in five years, I'll be twenty-eight," you start. "I'd like it very much if I were still on the team, and if I am, that means nine years at the BAU. I'm going to get better at knitting and finally stop knitting things for people who don't offer to buy the yarn or otherwise compensate, I think. I make things free for ungrateful people too often. Maybe even adopt a kitten or take in a shelter dog. Fuck—Reid, I can't really even decide what I'm going to do in the next five minutes, let alone the next five years."

You chug the gatorade as you think about it—a bigger apartment would be nice, one that's closer to work would be nicer still. One with a good view of the city, maybe a library or a liquor store within walking distance, if not a Michaels or a Joanns.

You've always been more of a cat person but you have a ridiculously insurmountable softspot for greyhounds and pitbulls, so if you thought you could take in an animal in the coming years, you would have the knowledge and the background to give them a good home.

You'd maybe want to change up your hair color, if the drunken opportunity presented itself. A change in appearance feels like the sort of thing a person finds necessary at the age of twenty four, in the last year before the brain fully develops and stuff starts changing bit by bit.

"I think I'll still be on the team," Spencer says. "I know it. I love what we get to do everyday, Y/N. Helping people? Saving lives? We do good. We're good people."

"What else do you think about the next five years?" You ask, your voice quiet.

"I think I'll still be living in my same apartment, and that I'll still bicker and get into prank wars with Morgan," Spencer says. "I think I'll still play chess against Gideon on the jet home, and I'll still love to learn anything I can. I know for sure I'm still going to be trying to get you to watch Dr. Who with me, though I hope you agree to watch it after five years of attempts at cajoling you to."

You laugh, and the air takes on a somber kind of tone. "Maybe," you say. "Not likely, but maybe, Reid. Look—I'm going to go to bed so that I can just deal with tomorrows probable hangover head on, but thank you for calling me not once, but twice tonight. I really needed some company that wasn't a little bit of an asshole."

"Yeah, of course," Spencer says. "I—well—merry Christmas, Y/N."

"Goodnight, Spencer," is how you bid him adieu, hanging up the phone thereafter. You throw the gatorade bottle into the recycling and head off to the room you'd claimed, turning the tv onto a low volume and falling asleep with The Muppet Christmas Carol beginning to play in the background.

-

"How was everyones Christmas?" Garcia asks, practically buzzing with excitement as she comes out into the bullpen. Spencer is leaning against your desk, the two of you talking about nothing in particular when she comes around, and Garcia looks at you with a happy grin. "How was Maine?"

"It was Maine," you shrug. "Snowed. A lot. In turn, everyone in my family drank. A lot."

"Oh," Garcia shakes her head. "Too many people and too much booze is God awful."

You shrug. "My parents, my sisters, and my aunt and my uncle hardly felt like too many," you say. "And the amount of booze in which I indulged hardly felt like too much."

"You had a lot," Spencer retorts, looking at you skeptically. "I got a text Christmas morning, if memory serves—"

"A text to thank you for being so nice," You fire back, cutting him off. "Totally not asking you for hangover cures. I would never."

Spencer shakes his head, laughing slightly. You grin, taking a sip of the tea he'd brought you that morning.

"Yeah," he says. "I didn't get a text asking for the ultimate hangover cure-all. I guess I must've remembered it wrong."

Your grin widens, and you nod. "Guess so. How were things with your Mom?"

"They were great," Spencer says. "I had a good time."

"I'm glad," you respond. "Your mother sounds pleasant."

"She is," Spencer nods. "I'd hate to spend more than an hour with yours though."

"She's comin' here in June," you fire back, leaning back in your chair as your grin morphs from grin to smirk. "Be careful for the next six months, Reid, or I'll invite you to dinner with her, myself, and my father."

"That sounds like some form of mideval torture," Derek fires, laughing. Spencer shakes his head.

"Not if Y/Ns there," he murmurs. You take another sip of your tea to avoid seeming flustered to the rest of the team, and Spencer sighs when JJ comes around. You sit up in your chair, already anticipating her next words.

"We have a case," she says. "A series of deaths in Witchita. Briefing room in ten!"

You and Spencer exchange a look. There are only a few days left of it, but it looks like the last of 2005 is due to be a whirlwind.

[felassan]

Podcast: My Perfect Console with Simon Parkin - Episode 98 - 'Corinne Busche & John Epler, game directors, Dragon Age: The Veilguard'

Summary:

"Corrine and John are the director and creative director of Dragon Age: The Veilguard. Corinne Busche majored in digital animation at the University of Utah. In 2006 she joined the studio now known as EA Saltlake, working through the ranks to become a Design Director for The Sims series. John Epler studied English language and literature at the University of Alberta. After graduating, he was selling televisions when he applied to be a tester at Bioware. At the studio he began working as a writer and director of cinematics. Now, the pair have come together to lead development on the latest entry to the beloved Dragon Age RPG series, which launched at the end of October."

[source, two]

Notes/quotes from the episode, under a cut in case of spoilers:

John Epler: thematically, "DA:TV is ultimately a meditation on regret, more than anything else, not just as an amorphous theme, but how the way we deal with regrets shapes our lives. [Solas'] entire arc is motivated by the regret of what he had to do millennia ago". So many of the companions' and characters' lives are driven by regrets (wallowing, or letting it take over their lives, or facing them and taking a step forwards). "Every character has some different perspective on regret". This theme shows up in Solas, companions, side characters, faction stories and side villain stories

Corinne Busche: "When approaching this game, what was right for this game, it was about being really aware of what it means to be BioWare, first and foremost. The focus on characters. Getting back to our singleplayer roots. Really exploring this world, the deep lore that's been built up around this franchise. And, to be completely honest with you, what worked from those past games that caused our players to fall in love with BioWare titles in the first place."

John Epler: "A lot of the focus just came down to being part of a studio that has a very specific and very real strength in character-building, story-telling, and being on projects that maybe didn't center that strength as well as they could have. I personally love Mass Effect: Andromeda but we had open-world - that was a big thing in the industry at the time - and that starts to dilute your focus. We had Anthem, live service dilutes your focus. So for us, it was really, understanding, what it is that A) people come to this studio to do, people work here for a reason, they wanna make big stories that you can play and which allow you to be a hero of your own creation, but also a focus on characters, a focus on that experience of living in a different world. And for DA:TV, we really wanted to make sure that we got back to those things that made the studio what it was, that contributed to what I would call the 'golden age of BioWare', when, you know, there was hit after hit being turned out. DA:TV was a very conscious return to that with the focus on characters, storytelling, and being just this really bombastic singleplayer RPG that allowed you to play through the story as yourself if you want to, or an idealized version of yourself, or someone who's really different to you. That's the joy of a custom protagonist."

Corinne Busche: "I felt very supported through this, by both BioWare and EA. It's intimidating to buck trends in an era where it feels like almost every game must be an open world, to say, you know what, that works for those titles. For us, the way in which we tell the best stories and be true to our roots - a more handcrafted, intimate experience is appropriate. And just to have that support from within, around getting back to those elements we do best, was fantastic."

John Epler: [around 5 years into development, around the time when Corinne Busche joined the team] "The challenge of the game at that time was it was a bunch of different games that were kind of being spearheaded by different people. There wasn't really a cohesive vision or direction at the time. I was narrative director so I had my storytelling corner and I'm like, okay, we need to focus on character, we need to focus on story, but everywhere else there were so many competing ideas and competing priorities that we had, I mean, conservatively, I'd say three different games going on. So Corinne joined the project, and reached out to me on Slack, said hey, you know, I'm joining, I'd like to talk. And I remember coming out of that meeting with this profound sense of relief, like okay, finally. Because, as narrative director, there's only so much you can do to shape the course of a project, and here comes Corinne, very sharp, very clearly understands what we're doing, and is asking all the right questions. It was just this moment of, okay, good, there's an ally here, there's someone here that knows what they're doing, that can pull some of these visions together into something more cohesive. I'll say, working with Corinne from day one has just been an absolute pleasure, because Corinne gets games, Corinne understands how games work, understands how they come together. I think it's something that we take for granted, but not everyone in the games industry necessarily knows that."

Was Corinne Busche nervous when she got the call to join the project, a project that was 5 years deep? Corinne Busche: "You know, I was, but I was also tremendously honored. Maybe I'm a glutton for punishment but I love a good challenge. And it's kind of, to be honest, become an aspect of what I do, to join teams and help empower them and get where you need to be. I will say, Dragon Age, we talk about how we don't always get to work on or design the games we play. While it was intimidating, Dragon Age is one of my all-time favorite series. I was one of those people that waited in line outside GameStop until I could get my DA:O copy. I remember walking home with it in hand. So it was surreal, it was surreal. I was aware of some of the explorations, some of the difficulties, what was working, what was not. When I joined we had collectively made as a studio the decision that this needs to go back to a singleplayer game. And I will say, when I picked up the controller, pulled down the build and played for the first time, it was still that multiplayer concept. Yeah, I had that moment where I went, whoa, well, okay, you're in it deep now lady. But what a privilege, and to look back on what makes a BioWare game so special, and to see the talent within the team, it felt very achievable, it did."

What was the main thing that Corinne Busche perceived where the team may have lost their way a lil bit and needed a hand back on track? Corinne Busche: "Well, here's my perspective. I wouldn't even say the team had lost their way, to be honest. There were a number of concepts that had been explored, and there are merits to that. There's a lot of good learnings that come from exploration and indeed failure. In some ways you learn more from that than you do from success. This was a situation where we had an outline of a story, and speaking of my first interactions with John, I had much the same feeling of, okay, this is somebody that knows what this game needs to be, what it can be, that can realize its potential. It was very assuring. It really was looking at, what did we have, what can we keep? And a big part of that was that initial story outline, it was the tech stack that we had, some of the ideas behind the game, about it being more intimate, being true to the deep RPG strategy, the pause and play gameplay, but also an awareness that this is, as with all Dragon Age games, a reinvention, and that intimacy, that immersion, stepping into Rook's shoes was going to be a very important part of this journey for us. So that is to say, we really dissected everything. We took this back down to its studs, whether it's gameplay, progression, mission game flow, I can't think of any rock we didn't turn over. In fact, John, correct me if I'm wrong, but my recollection is, I think there was only one mission that more or less survived in a recognizable form in the game, that being the Siege of Weisshaupt."

^ John Epler: "Yeah, you are correct. That is only mission that I would say looks like it did back when Corinne was joining the project."

[character limit text break!]

Were they given a deadline that the game had to be out by that was looming over? Corinne Busche: "There's always a deadline, and it's important that there is because that creates a sense of drive, prioritization, velocity, you learn what the team can do together. What I will say is that we had tremendous support from within BioWare and EA when we said, look, we've discovered the beating heart of this game, what makes it work, and we're not ready yet. We're not at quality, we think we can do more, we can push it further, we're very transparent with that, because it was important to us that this is a game that is worthy of BioWare and worthy of the title of being a Dragon Age game. So when we go back to that, well, I'm really happy to say that, it wasn't always the most fun conversation, but I'm really happy to say there was a lot of support, commitment and interest in making sure we did get the time we needed."

John Epler and Corinne Busche asked to do this interview together as opposed to only one of them (as DA:TV was a team effort of many people)

[source, two] <- listen to podcast here!

[11queensupreme11]

What would it be like if the Gods, adults not children, know all this about Percy being from another universe and everything he's going to have to go through and somehow they end up meeting a 12-year-old Percy? I'm talking about a Percy before the field trip to the museum with Mrs. Dotts, which is to say when he didn't know anything about the Gods.

this whole thing just reminds me of this final fantasy 7 ao3 fanfic where everyone got sent back to the past AND remembered what happened... EXCEPT CLOUD and they were all frantically planning on a way to train this poor kid on how to save the world in case sephiroth goes insane again while simultaneously not telling him cuz they didn't want him to remember all his trauma 😭😭😭

(also if anyone knows which fic this, PLEASE SEND ME THE LINK CUZ I FORGOT THE TITLE AND AUTHOR AND I WANNA READ IT AGAIN!!!!)

anyway, if they got isekai-ed to percy's universe in the past AND THEY KNOW what's gonna happen to her, they are absolutely gonna scramble for a way to get back to their universe with percy in order to prevent The Plot from happening 😭😭😭😭

like "hell fucking no my baby is NOT going through any of that!!!!" 😭😭😭😭

i can't even blame them cuz imagine finding this tiny lil 12 year old girl, the de-aged version of someone you love so very much, and KNOWING she's about to go through some traumatizing shit soon and you have the chance to save her from that? they're gonna do whatever it takes to save her from that awful fate!!

poseidon is straight up kidnapping her, getting a child leash, and tethering her to him while he frantically tries to find a way to access the bifrost and send them back home, meanwhile he's got a feral 12 year old trying to gnaw through the leash 💀

hades definitely feels bad for kidnapping her from her poor mother, BUT IT'S FOR PERCY'S OWN GOOD, HE SWEARS!!!! 🥺🥺🥺 he's absolutely not gonna go to any of the gods for help because he's seen their buffoonery and wants no part of it, so it's up to him to find a way back home!!

beelzebub's not gonna bother with a child leash, after he kidnaps her he's whipping out the cuffs again cuz those have a shorter chain AND she can't gnaw them off 💀 probably gives up on the handcuffs tho when she somehow manages to break them and ends up just lugging her around like this:

apollo's gonna be such a nervous wreck. he does NOT want to kidnap her, he would prefer it if she just comes with him willingly but it comes off SO sus like "hi there little girl! do you want some candy? i'm trying to save ur life pls trust me" and percy may be 12 but she's not STUPID, so she goes "stranger danger" and runs away and now he has no choice but to kidnap her while he tries to find a way back 😭

loki's more subtle at first. he'll kill of mrs. dodds, chiron, and grover and shapeshift to become percy's new math teacher to replace dodds. he knows he still has some time before The Plot hits, so he's not TOO panicked rn and when he's not pretending to be a math teacher, he spends his time snooping around asgard to try and figure out how their bifrost works to send them both home. killing those three ^ eliminates the whole field trip issue, but you know, Fates 💀 ofc they find a way to make The Plot keep going so yeah, loki snaps and kidnaps her to keep her safe

i promise you, ten minutes into anubis' arrival in the pjo verse, the news article "freakishly tall furry man kidnaps child from yancy academy -- local furry community claims no ties to the kidnapper" is gonna spread around like wildfire 💀 he is absolutely gonna kidnap her is probably gonna spend most of the time freaking the fuck out instead of actually trying to find a way back home

cú chulainn's got it a little harder. yes he can easily kidnap her, but he's not a god. he's been blessed with his adoptive father's abilities, but he can't like... teleport, be in multiple places at once, easily search the universe in case percy runs away, etc. so he tries to be more discreet about it like loki by killing off mrs dodds and any monsters that come percy's way. he'll try to find a way to the bifrost too, but it'll be more difficult for obvious reasons. it's once The Plot hits does he finally say fuck it and just joins her to keep her close while trying to find a way to access the norse pantheon

[hellion-child]

remember when 911 used to include the 118 in each other's personal lives?? the way they would present a central theme and then weave it thru everyone's story was one of the things that really drew me to the show. i love that shit lmao

maddie's pregnancy feels like one of those missed opportunities. its not just that i hate the way the pregnancy was, once again, accidental (i wish theyd made the decision intentional. the surprise at the end of the discussion really cheapened it all) and the way they rushed maddies feelings about it, and didnt show any of her journey to reach the point of being ready for a second pregnancy (fantastic chance for convos w her dispatch coworkers huh)

but remember when chimney would bring his relationship problems to the 118? remember all the kitchen convos they would have? it gives chim a chance to air his (v valid) concerns and his hopes, in a way that opens up the storyline to the other characters too

since they wanna trigger bucks abandonment issues again?? ok then. now hes worried about maddie running again. that she could always just run again. hes always just accepted it in the past when she runs. what is he like when he (thinks he) knows its coming?? would he do anything different now? or would this pregnancy remind him that hes of the age where hes expected to have kids/be planning to have kids? could he spiral about how he feels about that?? (be that he feels like his "biological clock" is ticking or the realisation that he doesnt want to be a father and thats ok? so many options!)

since they wanna make every henren storyline about their kids? heres a chance to have them struggle w the reminder of their own pregnancy difficulties. can personally confirm, u think ur good w that shit until suddenly u get a reminder that no, u are not. during that sl they focused on karens depression and hen just did not get it. how would that be different now? has hen processed the loss by now? does it hurt more now?? and show hen concerned for not just chimney, but also for maddie now too. their relationship has grown so much since maddie first ran away and madneys engagement. give hen concerned for and trying to support chimney AND maddie. show karen trying to be happy for maddie when its hard for her (ough. maddie thinking karen is mad at her for some reason bcos karen has been avoiding her but its bcos karen is struggling w her own feelings about pregnancy and doesnt wanna put that on maddie and ruin her happiness and maddie ends up cornering karen to "fix it" bcos theyre so close now and karen tries so hard to keep it together but she bursts into tears and maddie holds her and htey cry together?? now im tearing up FUCK. the dual power of jlh and tracie thoms crying?? we would never recover) fuck, give us that henchim tension and have hen struggle w jealousy that chimney gets to easily grow his family when she has hurdle after heartbreak after hurdle. have chim mad at hen for being cautious about another pregnancy, for being so negative when she should be happy for him! let their own traumas and fears affect how they communicate! dig into the drama!! on the drama show!! have them fight it out, have them cry it out, have them come out of it better best friends and a closer family pleeease

and eddie!! oh my god, theres so much potential there. eddie struggling to see the happily married husband and wife having a second child. that was what he was "supposed to do". thats what he wanted. thats what was taken from him, by shannons death. by shannons divorce. by his failure to give chris a mum. by his own actions. use that! have him and buck talk about the expectations to be fathers. have eddie talk to maddie about running away bcos u think thats what is best for ur child. have them talk about being parentified. what i would give for eddie and chim to talk about father-son relationships. chimneys father leaving him in another country vs chris being in another state?? delicious. even better if they argue about it, work thru it, make up. they help eddie process his situation better and move him towards repairing his relationship w chris!!

im running out of steam now lmao idk how this would personally impact bathena. probs more that they would both be giving advice/lending an ear. hen (w karen?) talking their troubles out w athena. the 118 going to bobby for advice. espesh eddie, him talking to bobby about fatherhood and daddy issues should be explored, plus bobby AND athena have both lost a spouse! ok now im just pissing myself off, thinking of all the wasted potential here lmao

and hey, maybe the show does intend to dig into these things?? who knows! not us!! not tim i just needed to vent here mostly lmao

[pumpkinsy0]

Can we get head canons of the Shepard/ Curtis gang thanksgiving that Ponyboy and Curly would inevitably and accidentally make happen

cant b thankful for SHIT w these two, we need them away from everyone else

•i wanna talk about pony and curly as adults who moved in together so thats the papercut we get this post god damn it,,,they wanna celebrate w their family

•is this where i come out and say i dont think the shepard gang is AS familial as the curtis gang??? like they have their moments and some of the shepard gang is closer to the actual shepards than others, bit not ALL of the shepard gang is seen as a family, just like 3ish and when it comes to curlys own gang, into his adulthood hes only rlly cool w one of them so hes in there too

•ANYWAYS, usually they pick a family to visit, butthe plan WAS that curlys part of the family would come over, but then most of em called in to cancel, so pony just invited his gang over

•howeverrrrr curlys family schedule changed so they COULD visit, but curly literally just forgot to tell pony, even HE somehow forgot they were coming over, and when they showed up at the front door when the curtis gang was already inside u can bet how confused they were

•especially the curtis gang (yes including pony), cause they can handle the shepards being there, thats fine, not expected, but fine!!! however whoooo r these random ppl w em and do they know them??? did they sneak in here for food🤔🤔🤔

•a big reason y everyone is even there IS for food so THANKFULLY both gangs brought some food and for a while everything was alright, but half of the mfs here have a blackhole as a stomach so the food could rlly only go so far

•bc of curlys fuck up hes the one who has to keep going outside to get the food n stuff, minus a turkey tho bc pony and curly tried doing that thing where u deep fry a turkey but they nearly blew the whole block up so thats just out of the equation, yknow what was the main dish??? mac n cheese of course and tim was the one who made it, thank god cause pony was gonna whip out the velveeta 😩😩

•if theres one things white americans can cook, its pies, and pony was in charge of em, so u know that things gonna b sweet as hell AND he had to hit curlys, two, and sodas hand away from stealing a taste before it was done

•just realized this also means everyone would have to see the dirty joke variation of the “kiss the cook” apron curly bought, just ruining everyone appetite,,,i hate them both,,,

•no matter what age, curly and pony will always go on that walk where u knowwww these mfs r just out to get high, and half the gang r totally smokers, so when it happened more than half the people attending just randomly left

•the fight over left overs was insane, that one vid w that guy going “THATS MY PLATE” its like that

[todayisafridaynight]

one of the weirdest bits of trivia about aoki is that according to the article saeko was reading he ‘was a shut-in until he was 20 then he suddenly took off for america’ and like that’s fine but he would’ve actually been 24 if he enrolled at harvard in september 2001 but a literal line earlier in the same article it correctly ages him at 42 in 2019 if LaD7 takes place in the spring and his birthday’s at the end of the year so i’m just. Why Did You Make it Seem Like you Were Four Years Younger For College. also can no one do math if he was 20 in 2001 he’d be 38 by 2019, he’d have to be in school in 1996 for everything to line up unless you’re telling me the story they made is he left for america in 1996 and graduated in 2000--

[britneyshakespeare]

you: nicholas alexander chavez, the actor from ryan murphy's recent work

me, a mama's girl and daytime tv viewer:

[longmaxsilvarg]

will forever have a soft spot for chloe cause yeah dawg i get it we can try to avoid becoming attached out of the overwhelming fear of being abandoned again but miserably fail together

[bmpmp3]

this is the least important thing on earth but sometimes the way we vocal synth fans try to explain what vocal synths are to people who know nothing about them is a little. flawed. LIKE ITS FINE people are doing their best but i keep seeing people explain them in like really vague ways or using confusing words in the definition like stuff like "well a vocaloid is a type of voicebank" or "its a type of virtual singer" and i get a bit frustrated because like Unfortunately if someone doesn't know what a vocaloid is they are definitely not going to know what a voicebank is.

again this isnt that big of a deal and doesnt matter That Much but im pretty good at explaining niche or old or unusual colloquial stuff to laymen so this is always on my mind LOL you have to tailor it to the context and person but i usually start by asking if they are familiar with electric keyboards and/or digital audio workstations like garageband (depending on age) and go from there, maybe explain that its a piece of software but also the importance of the mascot characters representing the software. if they're really interested in the technicalities then we're going back to the 60s with LPC speech coding. BUT ONLY if theyre really REALLY curious. and maybe point on japanese mascot character culture a bit if they're confused.

always remember when expaining niche stuff to people to listen to their questions and try to answer thoughtfully, with consideration to the other person's understanding... (guy who is neurodivergent voice) i think about human interaction in a normal way and my explanation skills are immaculate.