#but i hope this ramble is still something lmao

[p0orbaby]

if you’re still doing blurbs could you do one with alexia where she’s dating a doctor who has a very busy schedule, and alexia has a concussion in the training and gors to the hospital, and alexia sends a message to reader telling about it but r doesn’t see and when shes going to take care of the next patient it’s alexia? lmao or maybe alexia and r have a daughter and her daughter gets injured and shes the next patient and r goes feral about it idk

i changed the injury but i hope you still like it !

-

The shift is hell, as usual. You’re striding through corridors, flicking through paperwork and half-listening to one of the interns ramble about a patient they’re struggling to diagnose. Something about abdominal pain and “maybe a foreign object ingestion?” You nod distractedly, mentally filing it under deal with later.

“Just send them for imaging,” you say, not breaking your stride. “And next time, don’t say ‘foreign object’ like you’re narrating a true crime documentary. It’s unsettling”

The intern stammers out a response, but you’re already waving them off. “You’ll be fine. Go. Be great or something.” Another day, another long list of problems, it seems. You let yourself drift into autopilot, the professional rhythm of your job taking over as you stride towards the cubicle and pull back the curtain.

“Hi, I’m Dr Putellas,” you begin, still not looking up. “What seems to be—”

“¿Estás bromeando?”

You freeze. Your grip on the clipboard tightens, and your heart drops into your stomach because that voice, that exasperated, honey-warm, decidedly unimpressed voice, belongs to your wife.

Your injured wife, apparently.

“Alexia?” you blurt, snapping your head up to find her sitting on the exam table, her left leg stretched out in front of her, an ice pack balanced precariously on her knee.

She doesn’t look happy.

“Hola, cariño,” she says, dry as dust. “Fancy seeing you here”

For a moment, all you can do is stare, caught between disbelief and irritation. “What—what happened? Why didn’t you call me?”

“I did call you,” she replies, gesturing to her phone sitting next to her on the table. “Several times. Apparently, you’re very busy and important”

Your stomach twists with guilt as you instinctively check your phone. Sure enough, three missed calls from Alexia. You curse under your breath, shoving it back into your pocket and stepping closer.

“Are you okay?” you ask, switching instantly from doctor mode to wife mode. “What happened? Is it bad? Why didn’t someone—”

“Relax, doctor,” Alexia interrupts, lifting her free hand to stop your avalanche of questions. “It’s not that bad. Just a tackle gone wrong at training”

You glance at the ice pack, then at her knee, which looks swollen but not grotesque. “Define ‘not that bad.’ Can you move it?”

Alexia sighs like you’re overreacting and flexes her leg a little, wincing but managing. “See? It’s fine. Probably just a sprain”

“Sprains don’t feel fine,” you mutter, already pulling on gloves and grabbing your supplies. You kneel down, gently pressing around her knee, watching her face for any reaction.

“Your hands are cold,” she says, the corner of her mouth twitching like she’s trying not to smile.

“Your knee is swollen,” you counter.

“Touché”

You’re quiet for a moment, focused on the task. The swelling isn’t as bad as you feared, but it’s enough to set off every alarm in your mind. You sit back on your heels, exhaling slowly.

“You need imaging,” you say firmly. “Just to be safe”

“Of course I do,” she replies, her tone light but her eyes softening. “Because I’m married to the most thorough doctor in this hospital”

“Don’t flirt with me right now,” you say, though your lips twitch in a betrayed smile. “You scared me”

Her expression softens further, and she reaches out, brushing her fingers against your cheek. “Lo siento, mi amor. I didn’t mean to”

You close your eyes briefly, leaning into her touch. Then, with a deep breath, you stand up, trying to refocus.

“Alright,” you say briskly, grabbing the chart again. “Let’s get you x-rayed and figure out what’s going on. And after that, you’re resting. No arguing.

“Wouldn’t dream of it,” Alexia says, her smile turning mischievous. “But I might need some help resting”

You narrow your eyes at her. “Careful, Putellas. I can still make you wait for a nurse”

“Please.” She gestures around dramatically. “You’d never leave me at the mercy of hospital food”

“Not unless you keep up that attitude,” you mutter, but your heart is already lighter.

You press a quick kiss to her temple before heading for the door. “I’ll be back. Don’t go anywhere”

“Where would I go?” she calls after you, gesturing to her knee.

[atheneum-of-you]

How did you know or come into knowing that you were to be a priest/priestess of Hermes? It seems like an odd concept to me. That and 'godspousing'???????

I think from an outside perspective it'd be fairly odd, huh?

Personally, I can't speak on godspousing. It's not something I've ever even considered in my life nor something I think applies to my kind of worship. And while I have my personal opinions on it, I don't think that really matters honestly.

When it comes to priestesshood though, I was told through a dream! While it wasn't directly said in that dream, the dream I had did come after some thoughts of priestesshood and honestly, I wouldn't even consider it a dream. It was so far removed from any dream I had ever had and I know for certain I wasn't asleep when it happened.

After that, I did A LOT of confirmation readings with Hermes on it with both tarot and oracle cards. Why he chose me as one of his to train, I honestly have no clue. I've asked many times and he's given answers but none of them seem fully complete to me. I had never even considered worshipping him until very recently and then very quickly after that I was called to priestesshood. I think once a god has developed any sort of interest in you, anything is possible.

Honestly it kinda feels like he grabbed me by the scruff of my neck like a cat and threw me over his shoulder. I've been worshipping the gods for years but never had it been like this. Sometimes I still have doubts and wonder if I'm making it all up in my head but then I pull cards that say "no this is the path you belong on."

I hope that answered? I feel like I definitely just rambled lmao. But yeah! It's a strange feeling and was a strange very whirlwind process. Kinda just happened.

[jarsfullofstarrs]

Music ask: #20 :)

thank you for the ask!! :DD

☆-- 20: A song that has many meanings to you

ooooh okay. I don't know if this counts but for certain lyrics for Golden Slumbers, I have meanings for each of them. The overall meaning I have for Golden Slumbers is that the song sounds like Paul trying to comfort himself with the end of the Beatles. Like the lyrics 'once there was a way/to get back homeward/once there was a way/to get back home' feel like he's reminiscing or feeling nostalgic if that makes sense. 'Home/homeward' being the earlier days of the Beatles. And he tried to 'get back home' (the get back project) but it didn't really work. So he tries to comfort himself with music 'sleep pretty darling do not cry/and i will sing a lullaby'. And the lyric 'golden slumbers fill your eyes' reminds me a lot of the fact that Paul has been able to just come up with songs in his sleep (Yesterday and Let It Be) and how 'golden slumbers' could mean the melodies that just come to Paul's dreams. And then, this is is a little bit of a stretch but 'smiles awake you when you rise' feel like praise and adoration from the people working around Paul (his band mates, producers, engineers, etc) and also, fans, for coming up with those songs when he wakes up.

Music Asks

[shepscapades]

shep I was talking to my brother about dbhc xisuma as one does and mentioned that ask about not being able to puzzle xisuma's face together mentally and my brother joked that the reason you put the spoiler bars and such on his face is cause you cant draw his whole face yet 😂

anyway I might have talked his ear off about dbhc idk tho lmao

LMAOO NOOOO!!! MY SECRET FINALLY IS OUT!!! /silly

[carnivalcarriondiscarded]

DUDE, HOLD UP. IT'S ONLY 12-ISH DAYS UNTIL THE NEXT WELCOME HOME UPDATE.

[akkivee]

the mood is still like this pic of reol, femme fatale’s writer, in between the chuuoku seiyuu btw lmao

[cuteniaarts]

Small drawing collection of my latest creation Emran as a teenager/freshly minted Air Acolyte, for my dear partner in unhinged OC shenanigans @katkastrofa, as promised <3

[good-beans]

💖

[froghwon]

hi 👋

[kyouka-supremacy]

:O

[good-beanswrites]

oomph i know i'm definitely really early with this ask (changing time zones for vacation is weird o.O) but I was thinking about it over the past few days

for the lights, camera, sing your sins au, are the interrogations somewhat scripted where the prisoner knows what to say and Es is mostly just reactions or questions to that? I feel like we've talked about this but I have forgotten jandjnf o.O

because all i can think about is Es getting beaten up or close to tears in the first voice dramas and man if it's scripted, i feel bad for the prisoners who have to do this to es o.O

Hi Mug :D No worries, a slightly late reply because I was on vacation too haha! 🍂

And I mean it's whatever works best in people's minds, but I always pictured there being very little scripted, actually! I'd hoped that everything was as natural as possible. The prisoners just have to make the little shift to act as if they did follow through with the murder instead of talk about how close it came -- other than that, everything that happens is the characters' honest questions, answers, and reactions.

When explaining the no-violence ban to everyone, Fuuta and Kazui (and later Amane) tell Jackalope how they would think during their interrogations. Jackalope instructs them all how to act in order to stay consistent with the barriers/losing strength stuff. I think the only explicitly scripted action is Mikoto's violence, since Red admits he may resort to that if Blue felt threatened. Jackalope tells him to get to the point of violence no matter how the interrogation goes, as it's necessary (to proving Mikoto's situation, to driving home the central ideas of Mikoto's case, to reveal Milgram's process and 'limits,' etc).

And yeah, it definitely tears him apart to actually do it -- he has to verify that Es signed up for this several times (which they did), and it still takes a lot of resolve to follow through with hurting an innocent kid like that. I imagine that's one of the reasons he's not really upset that Kotoko surprised everyone by intervening: he felt so guilty about the attack and was grateful someone came in to stop it.

Although it wasn't physical pain, Mahiru is also really upset that she brought Es such emotional strain. She thinks it's cruel to fool them into feeling bad for her when she's okay, and it takes a lot of reassurance from the others to convince her it's for the sake of the experiment -- every part of the process has toyed with everyone's emotions, she's not a terrible person for doing so.

Whether in the middle of the trial or the final executions, I think any characters who die next trial will also feel awful for making Es mourn for them when they're still alive. It's not all one-sided guilt, though. It's balanced by anger/sorrow towards Es for condemning them to death in the first place because of their decisions. Any time they get too caught up in thinking "I'm so cruel for tricking them like this," they have a moment of "well, they did specifically order my death, so..."

When I'm looking for a pure fix-it, I'll let those emotions go pretty easily <3 But unfortunately my writer ass is never free from The Themes asdfsdf and sometimes I still get caught up in the project's major focus -- not only is Es facing the original Milgram dilemma of choosing whether or not to follow authority, but now the prisoners are faced with the exact same decision. Do they physically/mentally hurt this child "for the experiment?" Because someone in authority told them to? They're doing this to prove a point about justice and fairness, but where should they draw the line? At what point is it not for the greater good and they are just causing more harm?

I think I mentioned it before but in this au the prisoners are extremely motivated by the promise that this experiment will help others like them. Yuno wants to make a statement about society's views on abortion and sex work. Muu wants to make a difference for bullying victims. Kazui hopes to be a voice for all those who have had to keep theirs quiet about something. Mikoto hopes his story creates more awareness and acceptance for people who are usually terribly stereotyped and feared. Kotoko wants to bring to light the problem of corruption and what can be done about it, and so on. In the end, they can always justify causing a little emotional/physical harm because they are doing it for a good reason.

[gonersgoners]

remember when i said over a year ago that vegapunk's arc would start revealing even more of sanji's power and potential and how hard that was worrying me? yeah

[zickmonkey]

Oh my god hey besties guess who's having an awful time like mentally

[todayisafridaynight]

About Judgment: In short, I think RGGS was intending to continue the series. There were indeed rumors at one point that the series would end at Lost Judgment due to a disagreement with Kimura's agency, Johnny & Associates, about porting the games to PC--I'm unclear on why, there was speculation but I don't think it was ever stated. Obviously the PC ports are out now, so either that wasn't the issue or they moved past it. There's also just general disbelief around there being a third entry simply because there's this idea (joke?) that Kimura never does three of anything, which isn't true at this point. It is true RGGS historically hasn't done three of anything in terms of spinoff series (Kurohyou, Mobile+Kizuna, and arguably Kenzan+Ishin), but it's also true that none of their past spinoffs have been as successful as Judgment, and we're seeing a lot of "firsts" from the studio lately. The fact is that Yokoyama himself said something along the lines of "and of course, we won't forget about Judgment" (not literally, just the closest English expression I can think of that can be misinterpreted in the way I'm about to explain) while talking about future works. But for some reason, people took it as if he meant it "in mourning" rather than an obvious confirmation of more to come, I guess? A TV show was also announced, so I really don't get why they'd invest so much into a series they were going to end. I know Kurohyou got a show too, but this seems different. Anyway, that's the most recent information, but it's from some years ago. There is a major new development, however: J&A talents' contracts are being cancelled left and right as of the last couple of months due to the agency's dogshit handling of and response to an investigation into Johnny Kitagawa's serial abuse of allegedly hundreds of his talents. That's been going on since the man died in 2019, basically, but a lot's happened this year.

This has left the talents with the incredibly tough decision of either remaining at an agency that refuses to even change its name and is rapidly breaking down or leaving. It has historically been very difficult to do the latter. On top of what you'd expect, J&A controls their talents to an insane degree and has leveraged their control of the media to suppress the careers of those who leave.

Broadly, in terms of how media companies have responded so far, I understand not wanting to associate with J&A and that J&A would likely benefit from the contracts more than the talents, but it still feels like the talents are the ones being punished... I have to imagine at least some of them were victims, so to be victims of the blacklist on top of that... That, and some of these companies kept the truth from coming out for decades.

With J&A losing its foothold in the media, though, there may be no better time than now to leave the agency. I don't know if Kimura will--rumors have been circulating ever since his idol group were forced to break up years and years ago, but while they all went independent, he never has--especially because a lot of seniors like him feel a responsibility to stay and change the agency for the better. As of right now, I'm not aware of Kimura's contracts getting cancelled, so I can't say one way or another if that'd have an effect.

I don't know what happens from here. I'm not sure if RGGS will look at it as collaborating with J&A or with Kimura or both, and how they'll factor in what's going on right now into working with him. Hypothetically, it would be possible to continue the series even without Kimura (any of the other mains do or would make great protagonists), but at the same time, Judgment is hugely reliant on Kimura's charisma. That's why people who play the dub (or people who don't like Kimura) often come away with the impression Yagami's kind of a dick or doesn't stand out much.

So... that's the state of Judgment right now. We won't know until we know, I guess.

OHHHHH OK saucy... sucks about J&A- it'd be cool if yk. they could face the consequences of their actions LMAO but that Could involve displacing hella workers now wouldnt it

[sea-buns]

the things my mind will do to NOT have to face the consequences of a traumatic story arc

"oh so and so died last week? and the new episode is tonight? hmm sounds like it'll be a good one...

.....y'know i've really been meaning to get into [absolute rabbit hole of a fandom]"

[flame-shadow]

What's your thoughts on: what's the point of the fantasy genre? Why do we tell stories about things that can't exist rather than those based in reality? What is the difference between fantasy and horror?(this is an ask sent to several people to collect opinions, feel free to disregard if you wish not to participate)

ooo interesting

Broadly speaking, I think people are creative and imaginative and want to share their thoughts and experiences. And as wild as real life can be sometimes, it's nice to extrapolate and explore things which don't have to be real and might never be real. Fantasy is an outlet for that.

For some, it's expression, enhancing life; for others, it's escapism, not wanting to be fully present in life; for still others, it could be coping, trying to abstract an experience from life. And I'm sure there are other reasons too, with as diverse as humans are.

Also? Sometimes real life is just boring. Sometimes life isn't inspiring. Sometimes it doesn't engage the imagination. Sometimes in order to emphasize a danger or explain something not understood, one feels it necessary to lean into the fantastical for emphasis. Plenty of folk tales boil down to scaring kids from doing dangerous things like exploring the woods alone at night and stuff, right? Or some stories/religions might be trying to conceptualize the ""motivation"" of some natural force or an unknown source of danger like a toxic gas or radiation. No, the gods aren't punishing you with a tornado, but if it makes you feel better to make up a story, then that's probably fine.

Though I suppose in the case of the natural causes for unknown things, those aren't intentionally fantasy, since to the ignorant, those stories would be based in reality. That's still more like speculative fiction than real, though, so eh.

Fantasy and horror definitely have a lot of overlap, both within genres (telling stories with exaggerated elements) and for their inspirations (reality sparks many ideas). But horror can sometimes be true, while fantasy can't be. Plenty of horrific, disturbing, alarming, etc things happen in real life, and it's more than a little disconcerting how easy it can be to find or tell a truthful horror story (or maybe I'm just more sensitive to that sort of thing). Though, of course, there are bountiful fictional horror stories, both based off real life and incorporating fantastical elements.

So, like, they're not mutually exclusive concepts, but if the fantasy story doesn't have a strong theme of horror, then it probably wouldn't count as a horror story.

Uhhhh, yeah. I am tired so hopefully that's coherent enough?

In summary: the point of fantasy is to tell stories that have engaging elements. we as a species are creative and can think beyond reality, so why not make stories about it? and horror generally elicits negative emotions, which can color fantasy or can be used separately.

(btw, thank you for stating up-front your intentions and that it's a mass ask. much appreciated)