#but i genuinely have time to write tomorrow

[munsonsmixtapes]

hii i love your writing soo much your so talented!! could you write eddie and reader fake dating (their both best friends btw) and their doing this because it was eddie’s idea to make chrissy jealous but secretly the reader is in love with eddie and when eddie finally gets with chrissy the reader distance her self from eddie and eddie realizes that chrissy’s not what he expected and at the end eddie and reader gets together it’s a bit long sorryyy thank youuu🫶🫶🫶🫶

cw: hurt/comfort

You won't lie, you've been crushing on Eddie since long before you even became friends. So when he suggests that the two of you fake date, you jump at the chance, because if you can't actually date him at least, you'll know what it's like.

He's doing it to get Chrissy's attention and you can't even be mad at him because Chrissy is sweet and pretty and you unfortunately totally understand the appeal. And the worse part of it all, you think, is that they would actually look so cute together.

You always see them giggling in the hall and you don't even know why Eddie needs you. You wish he would leave you out of it, but you agree because he's your best friend and you're madly in love with him. You'll do anything for him and you're surprised that he doesn't ever use that to advantage. That man has you wrapped around his finger and he's so totally oblivious to it.

The whole thing is pathetic, actually. Because after the whole arrangement is over, Eddie will hopefully have a girlfriend, but what do you get? The satisfactory of a job well done? That doesn't exactly seem fair to you, but you suppose it's what you deserve for being a coward and not telling Eddie how felt when you had a chance.

"Act like you love me. She's coming," Eddie commands, pulling you out of your thoughts. Little does he know that you're not acting.

He grabs hold of your waist and pulls you closer to him, whispering compliments to you as he plays with your hair. And you hate how much you're eating it up because absolutely none of it real. You think he should be an actor because the way he's speaking sounds so genuine that you almost believed him at first.

Out of the corner of your eye, you see Chrissy approaching the two of you, her signature bright smile on her face and Eddie's totally going to blow the whole thing because of how obvious he is. The way he looks at her as if she's hung the moon is borderline pathetic.

"Hey guys," she greets and you turn to her, not even having to fake your smile because you actually genuinely like Chrissy. She's nothing but a sweetheart and she's one of the few girls at school that you would consider one of your friends.

"Hey," you smile back.

"I'm having a party tomorrow night and I was wondering if you guys wanted to come," she says and you have to be the one to reply since Eddie seems to be hypnotized by the girl.

"We'll be there," you tell her and her smile brightens.

"Perfect," she nods and then heads down the hallway. As soon as she's out of earshot, you turn to Eddie, smacking him on the shoulder.

"Ow," he winces, turning to glare at you. "What was that for?"

"Could you be any more obvious? I swore I could see you drooling."

"I wasn't drooling," his eyes narrow even more.

"Well you might as well have been. Come over tonight because clearly we have a lot to practice." Eddie rolls his eyes but agrees, especially because he always ends up at your house almost every night anyway.

You pace back and forth in your room, feeling nervous to see Eddie for the first time in your life. You can't believe you actually suggested that you practice. You don't exactly know what you meant but that, but all you cant think about now is roleplaying being a couple and that makes you anxious for some reason.

The door to your room opens and there Eddie is, looking like he walked straight out of your dreams and you honestly can't seem to pull your eyes from him. You hope that he doesn't notice, but also know Eddie's always so caught up in his own head that he doesn't notice little things like that.

"So," he sighs as he sits down on your bed and you hate how you're imagining yourself straddling his laps, kissing him stupid, only stopping so you both can catch your breath before going in for more. You know it won't happen, but a girl can dream.

You sit next to him and even though you've sat this close more times than you can count, your heart is suddenly pounding in your chest and you really hope that Eddie can't hear it.

"What did you want to practice?" He asks and you wonder when his face got so close to yours. You can see every single detail on his face, those damn Bambi eyes and his pretty lashes that he can bat and get you to do anything he asks. His pretty, pink lips that you so desperately want to kiss. His hair that you're itching to run your fingers through.

"Let's roleplay," you reply, thinking on the spot since you didn't actually plan anything out and were just pulling things out of your ass.

"Roleplay?" He asks then a smirk plays on his lips. "Kinky, I like it," he winks and you feel your face flush. He always knows what to say to embarrass you and you hate it.

"Shut up," you shove his shoulder. "You know that's not what I mean."

"Relax, babe. I'm not kink shaming if that's what you're thinking."

"Can you be serious for once in your life?"

"Sorry, sorry," he apologizes as his face softens. "I was just trying to lighten the mood since you seem so tense. What's got you so worked up?"

You, you want to tell him. You're so close to laying it all out on the table and tell him the truth. That thinking about him being with Chrissy is breaking your heart and that you're the one he should be with. But you know you have no right to tell him who he should or shouldn't date, so you stay quiet.

Eddie can see that you're staring at his lips and he just smiles at you, finally catching onto why you invited him over. He's surprised he didn't see it sooner. He kind of feels like an idiot for not catching on as quickly as he should have.

"I see what this is about," he smirks knowingly and he can't help but chuckle when he sees your eyes bug out.

"You do?" You ask with a gulp and he doesn't know why you're so nervous. It's just a kiss and nothing else.

"Of course." He's laughing now and you want the floor to swallow you whole. "You think we should practice kissing."

That's not at all what you had in mind, but there's no way you can tell him he was wrong. And you're also not going to miss an opportunity to kiss him.

"And I agree," he nods, leaning even closer, this closest he's ever been to you that doesn't include cuddling.

He slowly reaches up to cup your cheek, gently rubbing along it with his thumb as his eyes bore into yours. Your heart pounds in your chest as you lean closer to him. your eyes fluttering closed as you do so.

"Tell if I do something you don't like," he says softly and you almost shiver as you feel his breath fan across your lips. All you can do is nod and you feel him keep your head steady as he cradles your head in his hands.

Eddie's lips capture yours and your hands rest on his thighs, scooting closer to him as your brain short circuits. You can't believe that this is happening, and the thing is, you don't even care if it's not real. You're just so caught up in him that it doesn't even matter.

He pulls away before you're ready and you can't help but stare down at his kiss bitten lips, deciding that you could do that for hours and never get bored of how his hands and mouth are so gentle with you.

But you want him to be a little more rough. You want him to stick his tongue into your mouth, to nip at your bottom lip, to give you a hickey that's damn near impossible to cover up with make up.

Eddie wants to stop there before he gets carried away, but he can see how hungry you are for more. You look like you want to devour him and who's he to tell you no?

"I think we should practice a little more," he says and you're nodding enthusiastically.

"I agree," you continue to nod and Eddie smiles as he leans in again, more rough this time and he can't help but notice how your fingers are digging into his skin through his jeans.

His hands move to your neck and his thumbs rest on your jaw, tilting your head back as he licks into your mouth, his tongue tangling with yours and in one swift motion, he moves you so that you're straddling his waist. Your hands are in his hair and if it goes any farther, you'll be at the point of no return.

Eddie's hand move down to your waist and slowly travel up your shirt, but they stop, resting on the small of your back, deciding not to go any higher even though he really wants to. He has to remind himself that it's just kissing and nothing more.

You both pull away when you're out of breath and in that moment, Eddie's not thinking about Chrissy at all. He's thinking about you and how pretty and sweet you are. And how he wants to spend the rest of the night right there, kissing you until the early hours of the morning then cuddling in your bed, fully intending on staying there for the rest of the day watching cartoons and kissing even more because now he's addicted to the feeling of your lips on his.

"I could do that for hours," he tells you, his pupils blown. His hands are out from under your shirt and they're rubbing up and down your back so gently.

He has to know what he's doing to you, right? How he's hurting you because you think you've been so obvious about your feelings for him and now it feels like he's toying with you. But you know Eddie would never do that and it's clear that he has no idea how much you're in love with him because he's oblivious to everything in that department.

He’s looking at you like you look at him and Eddie doesn’t know what he’s feeling but it’s odd. He thinks he’s starting to see you as more than a friend, which was honestly a long time coming. He thinks he’s always been in love with you but was too scared to admit it to himself because one, you’re his best friend, and also because he’s not used to people reciprocating his feelings so he doesn’t think there’s a point in telling you the truth. 

He wants to run, but he stays and you let him wear a t-shirt that he’s left there and the two of you go to bed wrapped up in each other’s arms, talking about everything and nothing until you eventually fall asleep, the two of you knowing that your friendship is never going to be the same. 

“How do I look?” You ask as you emerge from the bathroom. You’re wearing a black party dress and as soon as Eddie sees you, he swears that he’s died and gone to heaven. But if he’s being honest, he doesn’t even want to go to the party anymore. He just wants to stay there and maybe kiss you some more. Okay, definitely kiss you some more. But you seem so excited so he’s going to go just for you.

“You look-” he cuts himself, trying to come up with what adjective he wants to use. “Fucking amazing,” he decides on as he takes you by the hands, pulling you to him as he presses a kiss to your lips. 

“Eddie,” you say as you pull away. “There’s no one around so you don’t have to pretend.”

“Who says I’m pretending?” He smiles, pulling you in for another kiss before he lets go of you so you can finish getting ready. He doesn’t even know if he’s interested in Chrissy anymore, but he’s trying to convince himself that he is because it’s easier that way. If the two of you were to get together and then break up, he doesn’t know what he’d do if he lost you. You’re the most important person in his life and he wants you to stay in it forever. 

So the two of you show up to the party hand in hand, making sure to be all flirty around Chrissy. You still don’t know why you’re doing this. Why couldn't he just ask her out instead of talking you into this elaborate scheme? It’s not only unfair to Chrissy, it’s also unfair to you. It doesn’t even seem to be working as she flirts with Jason over by the punch table. 

Everything shifts, though, when Chrissy announces that it’s time to play “Spin the Bottle”. Your stomach churns as Eddie pulls you over, forcing you to sit right next to him even if it means that he probably won’t get to kiss you. He wants to keep you by his side the entire night, not wanting to let you out of his sight. 

You feel so sick as the game starts and it’s Eddie’s turn to spin the bottle. You almost don’t want to watch, but you can’t draw attention to yourself so you watch the bottle spin round and round. It seems that the universe has a sick sense of humor because it lands on Chrissy. Of fucking course. Eddie crawls over to her and you can see them whispering about something, smiling at each other before they both go in for a kiss. 

You don’t stay and watch, physically unable to as you rise to your feet, hurrying to the bathroom because there’s no way you can be there anymore. You tried to be happy for Eddie, you really did. And you hate yourself for feeling so hurt and betrayed because all of it was fake and Eddie still has no idea that you’re in love with him. 

So you lock the door and sink to the floor, leaning against the tub as you bring your knees to your chest, crying into them, thankful that the loud music is drowning out your sobs. There’s a knock on the door before whoever is on the other side wiggles the door knob. God, could this night get any worse? 

“It’s occupied,” you say through sobs but your ears perk up at the familiar voice. 

“Baby, it’s me. Can you open up?” It’s Eddie. Why’s he at the door? You figured he’d be making out with Chrissy somewhere. You ignore him, not wanting him to see you like that and bury your face back into your knees, more sobs raking through you. 

“Honey?” He asks, his voice nothing but soft as he knocks on the door lightly. You get on your knees to unlock the door then turn away, not wanting him to see how horrible you probably look. But he gets on his knees in front of you anyway, his smile falling as he sees the mascara tears dried on your cheeks. “Oh, baby,” is all he says, so much sympathy in his voice as he reaches up and wipes away makeup from your face.”What’s with the tears, hm?” He asks, his thumbs rubbing back and forth across your cheeks. 

“It’s nothing. It’s…stupid.”

“If you’re upset about it, then it’s not stupid.” 

Eddie being so nice to you is making it really hard to be mad at him. You want to, but you can’t. And you know that you have no real right to be mad at him anyway. He has every right to be with Chrissy and you just have to be okay with that.

“Why are you even here? You got Chrissy so why aren’t you with her? That was the whole point of this whole thing, right?”

“It was,” he nods. “But last night made me realize something.”

“Yeah? And what’s that?”

“It made me realize that you’re the only one I want to kiss.” 

You freeze as soon as the words leave his mouth. There’s no way you heard that right. Your mind is just playing tricks on you. It has to be. 

“But-” you try to argue, but you just end up furrowing your eyebrows in confusion. 

“I know it doesn’t make sense,” he chuckles. “But I think I’ve always been in love with you and I was just so scared of losing you that I didn’t want to pursue it. What you saw was Chrissy and I just playing the game.”

“Then what did you say to her before? I saw you whispering.”

“She told me not to screw things up with you. Someone told her about you and I fake dating in order to get her attention and she said that she was flattered. And that was when I realized that I didn’t want her anymore. All I could think about was you. And she’s with Jason now so it’s not like it matters anyway.”

This all feels like a surreal dream, but you can feel Eddie’s hands on your cheeks so there’s no way that it can be. It’s real. It’s what you’ve been wanting for so long and now you have it. All you have to do is tell him you feel the same way and that will be that. 

“Because I love you, y/n. I want you and only you. I’m…I’m yours if you’ll have me.”

“You love me?” You ask, your mind still not grasping what’s going on. 

“More than you’ll ever know, baby,” he says as he goes in for a kiss, pulling you into his lap as his arms wrap around you so tight as he doesn’t plan on letting you go. You’re his now and you will continue to be until you take your last breaths. And that’s exactly how you want it.

[silentscrying]

🎸 out of my mind ! 💿 track two: kowalski, status report

guitarist!ino x drummer!reader

summary: it's the annual battle of the bands at the fix, your college campus's iconic live music bar, and this year you're taking the stage as the drummer for indie rock group cursed technique. you know the competition is strong, but no part of you is ready for lead singer and guitarist takuma ino. you lock eyes at the edge of the stage, and something starts—something that might make you feel alive even more than the beat of the drums.

warnings: language, alcohol, mentions of drugs/drug dealing, toge bullying, unbearably cute dogs. || sfw. 9k words.

"I SHOULDN'T CUSS in this, right?"

It’s the day before the other four artists premiere their sets at Battle of the Bands, and you haven’t been home since six in the morning. You’re running on caffeine and spite and the pursuit of the story, parked on a high stool across the bar from the one and only Ieiri Shoko.

Toge leans on the counter beside you, opting to stand. He’s agreed to pay for the next snack run in return for you letting him be your partner. You both know you’re going to end up doing most of the writing, but you don’t really mind. Toge would if you asked him to, but you love this kind of thing in a way he just doesn’t. Plus, he’s better with a camera than you, and he’s taking photos tomorrow night.

You laugh, pulling out your phone to record. “You can say whatever you want as long as it’s honest. Be candid.”

“You might regret saying that!” Gojo calls from the back, and Shoko silences him with a glare.

“Are you coming or not?”

Gojo grins and finishes up whatever he’s putting away in the storage room, then strides out and leans his elbows on the counter.

“Do you mind if I record?” You point to the open voice memo app. “Makes it easier to quote you correctly.” You also just hate running interviews when you’re scribbling hand-written notes the whole time. You’d much rather have a genuine conversation and worry about the details later.

Shoko waves a hand airily. “No problem.”

“Absolutely,” Gojo says. “You can probably sell that for thousands.”

You set the phone on the counter, next to one of the tiny pumpkins scattered across it in celebration of the beginning of October. You and Toge bounce back and forth as you run through the standard start-of-interview checklist, having them spell out their names, getting their ages, hometowns, degrees, all that jazz. And then you launch into the stuff you really care about.

“So, you opened The Fix about ten years ago now, correct?”

Shoko nods. “Yeah, a little over two years after we graduated.”

You look at Gojo, whose eyes are even more alarmingly blue in the daylight. “And you were hired right away?”

“Utahime first, then me,” he nods. “Best for last, y’know.”

Shoko snorts. “We knew each other in school. I just took pity on him.” She smirks as Gojo’s jaw drops. “You can quote that.”

“Right, so all of you were friends in college. And you came together to start this place—what was the idea behind it?” Toge chimes in. “You said you studied nursing, Shoko?”

And you sit and listen as Shoko explains. Back in college, she was at the top of her class. By graduation, she’d been accepted to basically all the best med schools. She had her pick. She could do whatever she wanted. But she realized that what she wanted wasn’t that at all.

The medical field is brutal, she tells you. It’s all late nights and emotional burnout. People yelling at you, misplaced anger when you give them the bad news. Getting attached to people only to watch them waste away.

“I needed to get out before I got too far in. Maybe it was selfish,” she admits. “But I wasn’t cut out for it. I have so much admiration for medical professionals, but I couldn’t be one of them. A few clinicals and I was already feeling the consequences of giving too much of myself and getting nothing back.” She shrugs. “So I named it The Fix, as some kind of homage to the medical background. And I figured I’d just make sure it’s safe.”

Something sits heavy in her gaze as she stares at something behind you, middle distance, like she’s remembering.

“Why a college bar?” you ask, nudging the phone across the counter to pick up her voice better. “I mean, the extra security, thinking about underage drinking, dealing with a bunch of broke university kids. You could’ve just as easily opened a different bar in a more lucrative area. What was the appeal?”

She smiles crookedly. “Appeal. Well. My senior year, I was working in the local ER. And I saw… god. So many kids came in there needing their stomachs pumped, or kids who’d done laced drugs, gotten roofied, harassed, it was… I mean, it was a city university club scene. They weren’t safe. And I just felt like I needed to give them that. I couldn’t stay there as a nurse or a doctor. But I could do this.” She shrugs. “Sorry. That was probably way too much.”

“No,” you say quickly, smiling at her. “That was—that’s what we came here for. Shoko, that’s amazing. And it’s not selfish, taking care of yourself. You’re still here taking care of others.”

You don’t know Gojo well. Most of your stories about him come secondhand from Nobara, who knows him through Megumi. She paints the picture of a flamboyant, obnoxious bartender who’s more like a weird uncle to her than anything. From what you’ve seen of him at The Fix, you know this to be mostly accurate—he’s rarely serious, always taking flack from the students and giving it right back, ragging on Utahime, begging Shoko to play his playlist instead of Geto’s and knowing she’ll never cave. But now, as he listens intently to Shoko, you think you’re seeing another side of him.

There’s something troubled on his face as she speaks, like he wishes he could reach into the past and help. Like he regrets it.

The bar’s not the only thing that has a different side in the daylight.

“She’s right,” Gojo tells Shoko. It’s not much, but she looks up at him a bit surprised, something in her expression softening. A smile tugs at the corner of her mouth, not quite there but not quite not. “You’ve got a pretty big heart under all that RBF.” Shoko rolls her eyes, the moment over.

“What about you?” You turn to Gojo, nudging the phone his way. “Why a college bar?”

Shoko turns toward him, leaning a hip against the bar, just as curious as you are. “I think kids deserve to be kids,” he shrugs. “And if I—if we—can create a space where it’s actually safe for them to do that, it feels important.” His gaze shifts from you and Toge to the empty bar, the stage and floor and high-top tables that tomorrow will be full of music and laughter and students knowing they’re allowed to let loose here.

“There aren’t a lot of places out there that are exclusively for students,” he continues. “It’s this weird phase, college, where you’re figuring out who you are, trying to take risks without losing too much. It’s a lot. And you look at the crime rates, date rape drugs, theft, DUIs, in the city, and it’s just—this place gives them the room to learn and grow and mess around and have a good time without the danger of the… I don’t know. The outside world. Does that make sense?”

He drums his fingers on the countertop, then seems to abruptly remember the recording and stops. “I think it’s just… well, no one’s allowed to take youth away from young people. So that’s why I’m here.”

You wonder what Gojo was like in school. He majored in gender studies, which you’re pretty sure is what Todo is at least minoring in, too—you’re not sure how it’s applicable to anything, but Nobara says he likes to pull his diploma out from behind the bar and say he’s an expert in women. It seems a far cry from this rare, more subdued version of Gojo you’re seeing right now. You’d guess he’s grown quite a bit in the time he’s been here. And Shoko’s been here to witness it.

He’s not a business owner, like Shoko or Geto. And according to Nobara, he definitely doesn’t need this gig to make a living. He’s here because he wants to be.

“These last few years have been nice, in particular,” he offers. “Just ‘cause some of us have kids going here. I mean, you know the Fushiguros. Suguru’s got the twins. And I know Ino’s not Nanami’s kid, but they’re tight.”

“Wait, what?” Nanami is the bar’s primary security guy, a bouncer who never lets a fake ID fool him. He’s part of the reason this place is so safe. Toge spins to look at you as you blurt out the question, caught off guard. “Uh, sorry. I just didn’t—I didn’t know they knew each other.”

Shoko studies you with tired, intelligent eyes, and you can’t help but feel the tables have been entirely flipped. You’re the one being interrogated, wordlessly, by the woman across the counter. You feel like every thought in your head is scrawled across your face for her to read.

“Yeah,” Gojo says, unaffected. “Ino looks up to him a lot, I think. Even though he’s an old man who reads the newspaper for fun.” He snorts. “He’s a good guy, though. And Ino’s a good kid.” He finally clocks the way Shoko’s looking at you and cocks his head, appraising.

Thankfully, Toge cuts in with another question. “So, we’ll be around tomorrow for the bands and to take some photos and observe,” he explains, glancing at you to make sure he’s got the information right. “Will Geto be around?” You’d wanted both owners’ perspectives, and now that Gojo’s reminded you of the twins, you’re even more curious.

“Yeah, Suguru and Utahime will be here tomorrow night,” Shoko says. “And Nanami. Geto would totally be down to talk to you some other time, too, when it’s a bit quieter.”

“Amazing,” you say, pulling the phone back toward you. You’ll need details, follow-ups, but you need to process this first, write some things down while they’re fresh in your mind. ‘Thank you so much for this. We appreciate it.”

“Anytime, kid,” Shoko says, waving you off. “See you tomorrow.”

As you turn off the recording, Gojo and Toge have already devolved into conversation about the bands and predictions about tomorrow night. A few posters are scattered across a low table near the door, and you pick one up, smiling at the blocky lettering advertising Black Flash. There are posters advertising all of the artists, and they look amazing, straight out of one of the alt rock venues in the wider city.

“They’re sick, right?” Gojo calls, nodding to the posters. “I gotta hang those up, actually. Thanks for the reminder.”

You wave goodbye to Shoko and Gojo and lead the way out, Toge just behind you.

“Man,” he says, and you brace yourself, recognizing his teasing tone for what it is. “They said Ino’s name and you look like scared Bambi or some shit.”

“Shut up,” you mutter, elbowing him.

He holds his hands up. “I’m just living in pursuit of the truth! Like Kusakabe would want.”

“Is your camera battery charged for tomorrow?” you say in a blatant attempt at a topic change.

“Who do you think I am?”

“Toge Inumaki, chronically irresponsible student and—”

“Okay, sorry I asked, holy shit.” He sticks his tongue out at you. Then he hesitates, frowning, and then he’s pulling out his phone and calling someone in his favorites list before you can see who it is. “Hey,” he greets. “What? No, she didn’t kick me out. Hey. Hey.” You snicker and Toge glares at you, pressing the phone closer to his ear. “Yutaaa,” he whines. “Do you know where my camera battery is?”

—

Even when you’re not the one on stage, you live for Fridays at The Fix. Tonight you’re doing double duty—because of the dual elimination at the end of the round, all of the competing artists are here. It’s not a requirement, but you want to see what you’re up against, and the sentiment seems to have carried. You and Toge are also in reporting mode for your project story.

The band on stage right now is… well, you can’t say new wave metal is really your thing, but it’s definitely theirs, and the audience is loving it. The Cull, you write in your notes. Look up names.

You couldn’t make out the lyrics if your life depended on it. It’s three guys and a girl, vaguely familiar, but you’re fairly certain they’re seniors and absolutely certain they’re baked right now.

“God, this is loud.” Yuta winces, turning to face you, and then his eyes flicker to something over your shoulder. You divert your attention from the stage and just catch the brief commotion in your periphery. Nanami has a kid by the elbow, and he’s escorting him out the side door, expressionless. The kid’s obviously drunk out of his mind, tripping over himself, shouting something that Nanami doesn’t bother to respond to.

Maki follows your gaze and wrinkles her nose up in distaste.

“Who’s that?”

“My cousin,” she says flatly. You glance quizzically at Megumi, who is definitely standing five feet away and not being escorted out of the bar.

“Dude, how much family do you have at this school?”

She sighs. “Just Mai and Megumi and him. Naoya. He’s a piece of shit.”

“Clearly,” Toge says. “He broke the M theme. No respect for the family alliteration.” Maki kicks him in the shin.

“One last round for The Cull!” Panda calls from the stage, and your ears slowly, very gradually stop ringing with the raging new wave music. The stage techs get to work behind Panda as he introduces the next group.

“Up next, making their debut, we’ve got a sophomore girl pop trio. Give it up for MOTION CAPTURE!”

There’s a big cheer from the bar, and you turn to see Geto grinning. Three girls take the stage, the blonde one grabbing the mic and adding, “All caps!” The girl beside her is very obviously her twin sister, though her hair is straight and dark while the blonde’s is tugged into pigtails. Light and dark. The girl on keys has a long, black bubble braid that she pushes out of the way as she settles in to play.

The blonde plugs in her electric and calls out, “Alright, I’m Nanako.” She tests out a chord, the sound reverberating, filling the bar all the way up to its high ceilings. “That’s Mimiko, that’s Remi, and we’re just here to have a good time.”

“Hey,” a voice says behind you, and you jump. You turn to find Takuma holding two drinks, offering one to you.

“Oh! Aw, thanks, you didn’t have to do that. How much do I owe you?”

He rolls his eyes. “Nothing.”

“Takuma—”

“Nothing,” he reiterates. “Anyway, The Cull. Thoughts?”

You take the drink and try it while you think on your answer—it’s the same thing Nobara got you last week. How did he know?

“I didn’t really understand any of the lyrics,” you admit, shrugging. “They weren’t bad. Not really my genre. Do you know them?”

Takuma shakes his head. “I had a gen ed once with that Rin kid, but I don’t know the other ones. These girls aren’t bad, though.” He’s right—they’ve launched into an Olivia Rodrigo cover that’s actually decent. They could work on their voice control, but they’re young and fun and having a good time and working the crowd, and that’s what it’s all about, isn’t it?

You sing along, alternating between your drink and exchanging quips with Toge and talking with Takuma. You like this new balance between your band and his, the easy camaraderie.

When the girls wrap up their set, you whoop and cheer and Kirara shamelessly watches Hakari move things off the stage, arms bare in his cut-off tank.

“You’re subtle,” Takuma tells her, and she tugs his beanie down over his face.

“Hey!”

You grab his drink before he can spill it and grin as he yanks his hat off and readjusts it. His hair is a fluffy mess underneath, and it’s kind of endearing.

When the girl pop trio is done, two guys take the stage, one in white and one in black. They’re clearly related, dark hair and pale skin and piercing eyes, and Panda introduces them as the Kamos. You don’t know if they’re brothers or cousins or what. But they’re good—they sing a few alt rock covers, play guitar.

“Damn,” Nobara sighs, a little longingly, her gaze settling on Choso as he takes over the chorus. “They’re…”

Beside her, Yuji wrinkles his nose. “Dude. That’s my half-brother.”

Nobara hums noncommittally. “And?”

He groans, tipping his head back and staring at the exposed beams of the ceiling, run through with colored lights. “Why does this always happen?”

Toge is taking more photos of them than is strictly necessary, considering your story is about the bar and not the band, but you let him have this. Scattered throughout the crowd are more kids with cameras, freshmen from the entry-level reporting classes with big underage stamps on the backs of their hands. Somebody mistook Toge for one of them earlier, and Maki hasn’t let it go all night.

You jot down atmospheric notes on your phone, little things that’ll help set the scene for your project lede, keeping an eye on the bar as much as you can. Geto has jumped in at the bar, which he usually does when the place gets busy, and Gojo is terrorizing Utahime again.

“How’d your interview go?” Takuma asks, nodding at your notes. It shouldn’t faze you so much that he remembers what you told him about your story, but you can’t help the little kick of your heart in your chest at the reminder.

“Good! Really good.” And then you catch sight of Nanami, back at the door after calling a cab for Maki’s asshat cousin. “Actually, Gojo mentioned you.”

Takuma’s brows shoot up. “Gojo? Why?”

Nanami has always seemed incredibly reserved, stony and silent in a way Takuma has never been. You don’t want to pry, but you’re also curious about the relationship between them, how they met, what they are to each other. The journalist in you wants to know.

And then there’s the part of you that just wants to know Takuma.

“Well, he was talking about the twins and the Fushiguros, and he kind of mentioned something about you knowing Nanami?” You try to sound casual, jerking your chin toward the door where Nanami is posted, like a tall, blond guard dog.

“Oh,” he says, surprised, but he shrugs, not seeming too alarmed by the question. “Yeah, I’ve known Nanami for… a long time. He’s kind of a mentor. He’s the reason I met Fushiguro in the first place, actually, ‘cause of him knowing Gojo.”

You’re considering asking how exactly they did meet when the Kamos wrap up, Nobara staring up at them dreamily, and the stage clears out for the final artist.

Whatever questions you had are thrown out the window, because you know who this is. Everyone knows who this is.

Fifth-year student and resident SoundCloud rapper, Ryomen Sukuna. Or D!SH0NORED1, according to the posters.

“Oh, here we go,” Megumi groans.

Despite his reputation on campus, you don’t know anyone who’s actually close to Sukuna, except Uruame. You mostly know that he deals at the skate park and that he’s clean about it.

And that his raps are truly, genuinely horrible.

He lets Panda give a stilted introduction and launches into a verse, mic too close to his mouth, making hand gestures or stepping to the beat of his backing track. His tattoos are even more stark and bold under the stage lights.

“My blood type’s B, your type is me, my zodiac Caprisun, it might be controversial but you’re still lookin’ at me, son!”

“Oh, sweet Jesus,” Kirara mutters. “I’m gonna bleach my eardrums.”

“Caprisun?” Nobara whispers. “Oh, dude.”

You might be a terrible person for thinking it, but watching this guy’s performance makes you feel infinitely better about your odds of advancing in the tournament.

His final song is a new one he introduces as Frosted Flexin’, and Maki looks like she’s about ready to keel over dead.

“Frosted flexin’, I'm the cereal king, pourin' oat milk in the mix, yeah, I'm doin' my thing,” Sukuna spits in his low voice, swaggering up to the front of the stage. You are trying so hard not to lose it.

“Sukuna being an oat milk truther wasn’t on my bingo card,” Toge says.

“Got the swag of a squirrel and the brain of a dove, call me trash, but you're still showin' me love.”

“Thoughts on the amount of swag a given squirrel possesses?” you ask Takuma. He laughs, loud and bright, and then seems to very seriously consider the question.

“I don’t know if campus squirrels have swag. They live in luxury. They probably eat better than we do,” he says. You can’t argue that—you did once see a squirrel outside your sociology class run by with a full bagel in its mouth. “The wilderness squirrels, though, I think they got a scrappy kind of swag. Like, I wouldn’t cross them.”

You nod sagely. “I want them on my team in the apocalypse.”

He nudges you with a shoulder. “Am I on your team?”

You glance at him, make a show of looking him up and down. Maybe you’re imagining it, but you think he’s blushing a little. “I don’t know. How fast can you climb a tree?”

Sukuna is nearing the end of his song, now, saying, “Off-tune, out of sync, yeah, I know it's a sin, but you'll play it back twice 'cause I still might win.”

He actually, physically drops the mic and Hakari swoops in and catches it, clearing his throat and saying into it, “Yep, friendly reminder that equipment’s expensive! Everyone give our last artist of the night a hand, yeah?”

There’s scattered applause and more than a few confused faces as Sukuna lopes off stage, and Panda hops back up to explain the voting system for anyone who wasn’t here last week. “QR codes to the Google form are posted around the bar,” he says.

Out of all eight artists, the bottom two will be eliminated. You’re nervous. But voting was open last week too. You can’t vote as a member of the band, and it’s all done through school Google accounts to avoid double votes or the link getting sent out to non-students.

“Open until tomorrow morning,” Panda reminds the audience. “Results and second round schedules will be posted on the Instagram at some point tomorrow! That’s it for this Friday at The Fix. Have a great night, folks. Get home safe.”

Gojo whoops dramatically from the bar, and Panda gives him a weird look before getting off stage.

Your friends start heading toward the door, and you grab Toge and excuse yourself to catch Geto at the bar. Gojo sees you first. “The newsies!” he calls.

“Like the musical?” you say in lieu of a greeting. “Banger soundtrack.”

“I could dance on newspapers,” Toge says.

“Geto!” The Fix’s other owner smiles at you, soft and genuine. Part of his dark hair is pulled back and the rest hangs loose over his shoulders, a stark contrast to Gojo—like the Kamos, you think, or like Nanako and Mimiko. Light and dark. “We were wondering if you’d be down to set up a time to talk. Has Gojo told you about our story at all?”

Geto smiles, drying a glass and leaning against the bar. “He told me he’s gonna be the front page of every paper in the city, which I assume is a horrid exaggeration,” he says. Gojo looks affronted. “Shoko mentioned you’re doing a feature for class, though. I’d be happy to.”

“We have our Monday night class time open for field reporting the week after this one,” Toge offers. “Will you be around?”

“I will indeed. Utahime, too, if you want to speak to both of us. And Gojo won’t be here, which might be beneficial for you.”

“Suguru,” Gojo gasps, pretending to stagger back. “You wound me.”

“Mhm,” he says, unaffected. “What time works best for you two?”

You set up a time to interview Geto and Utahime, then say goodbye to him and Gojo and run to catch up to your friends. It’s a nice night, and since you didn’t have to deal with instruments, you all decided to walk.

“How goes the… journalisming? Journaling?” Takuma asks when you fall into step beside him.

“Good, all good. Reporting is maybe a better word, but valiant effort.”

“I like journalisming. Can you just submit words to the official dictionary? I’m gonna do it.”

“No,” Toge says, and you blink. He shrugs. “What? I tried once. But the only submission form I could find was for the Bureau of Linguistical Reality and it wasn’t like, a legitimate dictionary form. There’s all these requirements, it’s horrible.”

“What word did you try to submit?” you ask warily, not sure if you actually want to know.

“Some things,” Toge says solemnly, “are better kept secret.”

The night is hazy, only small rays of moonlight piercing through the cloud cover, and you make your way through the campus roads guided only by the streetlamps and Maki’s reliable sense of direction.

Part of you wants to ask Takuma to come over, or Yuji to insist the band come over to his place again, just so you can keep talking. But you have work to do, things to write and transcribe, lists of follow-up questions to make, and that’s only your workload for this one class. You still have exams this week, and you need to study now so you can balance it with rehearsals. Assuming you actually advanced to round two, that is.

And part of you worries you might be taking this too fast, too. You don’t typically integrate people into your life so quickly. You like spending time with Takuma and Kirara and Yuji and even Megumi, though he’s pretty quiet. You just don’t want to jump in too far too fast.

At your place, you say your goodbyes and head up to your room to get some work done. Toge uploads his photos and puts them in your project folder on Drive. And you spend the night doing what you do best, aside from drumming—writing.

Youth for the young: JU alumni run safest live music bar in city limits

You don’t even notice the time until it’s past one in the morning, and you’re nearly asleep at your desk. The dark has crept across your room, the only source of light the desk lamp and your laptop screen. Finally, you push the computer shut and flick off the light, flopping into your bed. A few missed messages pop up when you hold your phone up, wincing at the bright screen.

takuma: just letting you know i made the treacherous journey home safely takuma: many miles of hardship takuma: thought i was gonna die halfway there

You smirk and type out a reply.

you: did kirara have to save you takuma: i resent that takuma: (yes) takuma: wait why are you up it’s so late you: journalisming you: why are YOU up takuma: travel adrenaline takuma: (coding project due monday that i just started) you: TAKUMA

The next text to come through is a voice note, and you can’t help smiling as you hit play and his voice fills the open air of your bedroom.

“Okay, in my defense, I thought it was due next Monday. Which maybe isn’t my defense because it means I just can’t read due dates, or maybe I just can’t read, but I thought I had a lot more time and then one of my classmates texted me asking for help on this block of code and I told him I hadn’t started and he was like oh my god, Ino, it’s due in three days, and I was like no it’s not, we have so much time—turns out we don’t have so much time, so I’m over here staring at my screen until the vessels in my eyes pop—”

He yawns, and it makes you yawn too, despite the screen separating you. “Sorry, agh. Anyway, I have to write this program that uses some kind of randomized generator…”

You find your eyelids fighting gravity, exhaustion washing over you as he explains the project and all the reasons he’s not that worried about getting it done by Monday because actually he’s on a roll and it turns out the code isn’t that different from a similar project he did last year so he can just lift the main blocks over and wow, he’s tired, and you stifle a laugh as the voice memo comes to an end and he says, “Okay, gosh, I should go to bed. You should go to bed. Stop journalisming, Skip, get some sleep. G’night.”

You grin, plugging your phone in and sending him a voice memo of your own.

“I’m done journalisming. Still haven’t written that story on you, though. Night, Takuma.”

The last thing you see before you fall asleep is his reaction to your text. It’s a thumbs up, but after a few seconds, it disappears, replaced with a heart.

—

“I’m gonna die,” Nobara groans.

You’ve been checking Instagram every hour on the hour for the bracket results, but to no avail. The five of you are sprawled out in the living room, a Fleetwood Mac record spinning in the corner, cups of coffee and tea and scattered remnants of breakfast dotting the table and the floor and the windowsill.

You have post notifications on for the Battle of the Bands Instagram page, but you check anyway, as if you somehow missed it.

“Okay,” Maki says. “Cut it out. No phones.”

“Maki,” Toge groans. “How do we live with the suspense?”

“Go around and give a rundown of your week?” Yuta suggests.

“Aw, highs and lows, it’s like elementary school,” Nobara says happily. “I’ll go first! High: annoying slacker guy in my marketing class got a shit grade on the group project and the rest of us got As. Low: Skipper won’t give me Ino lore.”

“Lore,” you mimic. “I don’t have any lore. We’ve known each other for like, two weeks.”

“That’s enough time for lore,” she insists. “What’s your high? Ino?”

“Okay, jeez,” you say. “Maybe it’s that Toge and I had a really good first interview for our project story.”

Toge blinks at you.

“Fine, maybe it’s Takuma.”

Nobara grins in a way you can only describe as malicious. “Okay,” you say, pointing at her. “Low: whatever that is.” She sticks her tongue out at you.

“My low is Skipper bullying me in class,” Toge says. “And my high is she said she’d be my partner, so I’m not gonna fail.”

Yuta nods sagely. “Maki?”

“Uhh,” she says eloquently. “My parents won’t stop pestering me about fall break. But I aced a test on Thursday in anthro, so there’s that.”

“You’re not going home, right?” you ask. She shakes her head resolutely. Maki doesn’t go home unless she absolutely has to—one thing she and Mai actually have in common.

All of your phones go off at once, a mix of buzzes and beeps and Apple watchfaces lighting up, and Nobara screams. “I can’t look!” she cries. “Someone tell me!”

You click on the notification and pull up the post, heart racing.

The first slide is a generic Battle of the Bands announcement with the cool ass graphics you’ve been seeing on the posters. Whoever designs those needs a raise. The second image is the bracket for next Friday, with the first knockout round of three—only one group will move on to the finals. “Who is it?” Nobara asks anxiously, pacing the room. “Oh god, I’m gonna die.”

“Shibuya Incident,” you read off, unable to keep the smile from your face. “Angel.” Nobara groans overdramatically. “And the Kamos.”

You swipe to the next screen, heart in your throat. OCTOBER 18, it reads. THE CULL. CURSED TECHNIQUE. BLACK FLASH.

“Oh my god!” you scream. “Oh my god, we made it!”

Toge yanks you to your feet and starts hopping around the living room, and Nobara shrieks with joy as you pull her into the celebration. Even Maki and Yuta are sporting wide smiles as they watch the three of you bounce around like kids on a sugar rush.

“What, no Sukuna?” Maki teases when you’ve calmed down. Toge clears his throat and does his best impression, going as far as to make his pants sag a little around his waist.

“Frosted flexin’, I’m the cereal king, pourin’… uh, duh nuh nuh, something doin’ my thing,” he says in a deep voice. “Uh… squirrel? Somethin’ fuego, that’s Spanish, uhhh…”

“Oh my god, let me look it up,” Nobara cackles, pulling up SoundCloud. “It’s I’m the king of bad decisions, got a throne made of Legos, took a bite of my mic and said these bars are fuego.”

Yuta physically winces. “Does he really sag his pants like that?”

Toge shrugs. “It felt right in the moment.”

“Wait, who’s the other one eliminated, then?” you ask, running through the bands in your head. Yours, Takuma’s, Black Flash, the Kamos…

“Motion Capture,” Maki says.

“No, it’s all caps. You have to shout it. MOTION CAPTURE!” Toge hollers. Nobara snorts.

You aren’t entirely surprised, but you have a feeling the girls aren’t too put out about it. They’re young, too—they’ll have their time to shine eventually.

You grin, flopping back onto the couch. “Okay, rehearsal when? Tonight?”

“Yeah, I have to go to a friend’s to figure some stuff out for a project, but I’ll be back at like… five?” Yuta says.

“Oh, fuck, I gotta go too!” Nobara says, darting toward the stairs.

“Group project?” Maki asks.

“Shopping! I gotta pick Miwa up in like, ten minutes!”

Maki rolls her eyes fondly. Yuta stands up and grabs his bag, heading toward the entryway, and the rest of you gravitate instinctually to the kitchen. Nobara is out the door moments later with a wave and a shout, and Toge grins.

“What,” Maki deadpans, not a question.

“I printed memes to hide on her Polaroid wall. Be right back.”

You snort, turning your attention to the window to watch Nobara cruise down the block. The view of her sleek, small car is interrupted by Yuta’s jungle of plants.

“I hope they’re not too cold,” he says, frowning as he tugs a jacket on over his white hoodie. “Do they look okay to you?”

“Yeah,” you say, pointing to the one in the white, ovular pot. “Especially this one, it’s getting so big! What’s his name, Snorlax?” Yuta had a phase where he named at least six plants in a row after Pokèmon.

“No, that one’s Rika, after that TV show,” Maki corrects, not looking up. Yuta blinks, looks between her and the plant, whose vines have started to creep up the window. A smile tugs at the corner of his lips. Both of your eyes on her have her looking up from her phone, expression flat and unaffected. “What?”

“Yeah,” he says slowly. “I didn’t know… anyone paid attention.”

Maki shrugs. “You talk to them out loud.”

“Yeah, I guess I do.” Yuta laughs and waves one last time before he walks out, closing the door behind him. You count to five in your head and then whirl on Maki, entirely unable to keep the shit-eating grin off your face.

“Kowalski, status report.”

She blinks at you. “What?”

“I said—”

“No, I know, just—on what? What happened?”

You groan, dragging the heels of your hands down your face. “Maki. Please.” You gesture wildly between her and the door, wondering if she’s genuinely this oblivious or if she’s just as good a liar as Mai. “Are you—did we not just witness the same interaction? Jesus, Maki, put the boy out of his misery!”

Seeing Maki frazzled is not a common occurrence. The most agitated you ever see her is talking about her family or trading passive aggressive jabs with Mai. This is an entirely new sort of disarray—she’s flustered.

“I—what?! I can’t do that! And he’s not miserable. He’s that nice to everyone.”

You groan, burying your face in your hands with your elbows on the counter. “Maki! He likes you. And your face is telling me you like him back.”

She scoffs, turning her head down and crossing her arms defensively. “I’m not messing things up by dating my bandmate. We live together, Skip, he’s my best friend, if things got messy—”

You hold up a hand. “First of all, offensive. I’m your best friend. Second of all, I hear no denial. Also, it won’t get messy. You are the two most mature people in this house and you know how to separate personal from practical. If anything, it’s gonna kill the vibes of the band and the house if you just keep stewing in the sexual tension.”

“Oh my god,” Maki groans. “There. Is. No. Sexual. Tension.”

“There’s always sexual tension,” Toge announces, walking in and jumping up onto the countertop, legs swinging. He looks between the two of you innocently. “What are we talking about?”

“You might be of some help, actually,” you say, turning to Toge with your hands clasped.

“Uh, actually? Not oh, Toge, you’re always so helpful, thank god you live with me and keep my life interesting—”

“Nevermind.”

“No, pleeease,” Toge insists, sticking out his lower lip. “What?” His gaze shifts to Maki, who’s blushing a furious red. His mouth turns into a small O. “This is about Yuta?”

You didn’t think she could get any more scarlet, but here she is.

“Does everyone think that?” she groans, throwing her head back in exasperation.

Toge shrugs. “I thought we were all just quietly skirting around it until you both snapped.”

“Nobara doesn’t skirt around anything,” Maki says.

“Well, there’s no way she doesn’t know,” you point out. “Maybe she just respects both of you enough to leave it alone.”

“Hah!” Toge snorts, poking you in the ribs. “That means she doesn’t respect you. She wants the Ino lore.”

“I’m gonna tell Nobara about the memes.”

“You wouldn’t dare.”

Abruptly, you realize you never got around to Yuta for highs and lows, what with the chaos of the brackets dropping. “Ah, guys,” you say. “We missed Yuta.” You pull up the house group chat.

you: YUTA DROP YOUR HIGH AND LOW IN THE CHAT you: YOU ARE NOT FORGOTTEN freak no. 1: yes you are utah: haha aw that’s nice utah disliked a message from freak no. 1 utah: uhh low is maybe that toge keeps leaving memes all over our room. like i keep finding them tucked in my notebooks and everything freak no. 1: SLANDER freak no. 1: LIBEL you: not the same thing freak no. 1: SHUT UP utah: high is someone remembers the names of my plants!! :) nobara: Sorry, using voice text while I drive. Who knows the names of your plants? You and God? utah: maki! :)

“Okay, well, respond,” Toge says, poking Maki in the side. She glares at him and likes Yuta’s message.

“Guys,” she says exasperatedly. “What the hell am I supposed to do? Does he know?”

And you’re not sure, honestly. You don’t know that Yuta is even aware of his own feelings, let alone aware that Maki reciprocates them. You shrug helplessly. “How about… ask?”

“Jesus,” Maki says.

“Not him, Yuta.”

Maki socks Toge in the shoulder and levels him with a disdainful look. “You are the bane of my existence.”

“And the object of all your desires,” Toge proclaims in a horrendous Bridgerton accent. He made you watch all of it with him in two days. Maki refused.

Now, she just shoves him, and he squeals as he falls off the kitchen counter.

“Children,” you sigh. “Do you need to be separated?”

“Yes!”

—

“Why is this so hard?” You stand with your feet planted on Takuma’s skateboard, which is confoundingly, entirely different than balancing atop your longboard. “Oh my god.” You lurch forward as the board rolls a bit to the left, unable to stifle the squeal that comes out of your mouth.

Takuma stops it with one foot.

“Your center of balance is lower on a longboard,” he laughs. “Like, here.” His hands wrap around your waist and you tense under his grip, and he immediately freezes, jerking his arms back. “I’m so sorry, I didn’t—”

“No! No, it’s okay,” you blurt, sheepish. “I just wasn’t expecting it, I—here.” You try to fight the blush furiously rising in your cheeks as you take his wrists in both hands, putting them back where they were. You clear your throat, suddenly too warm. “Um. Okay, so—do you turn the same way?”

“Pretty much. You just lean,” Takuma says, and you shift your weight to your heels, letting him steady you. “It’s a bit harsher than you would on a longboard, though. Unless you want me to send you right into kickturns?” His tone is teasing and you pretend to consider, tapping a finger against your chin.

“Mm. Maybe later.”

You’ve been at the skate park for a while now, and you’ve only recently ditched your longboard for the skateboard. Takuma brought the extra board you saw hanging on his wall the other day, and he uses it to demonstrate while you practice riding back and forth, getting a hold on your balance. After you feel like you can make it a good distance without pinwheeling your arms, you come to a staggered stop beside him.

A flash of blue-green hair grabs your attention, and you watch a kid in a lightning bolt hoodie slip under the ramps. The park has been pretty deserted today aside from a few guys doing tricks in the pit, a chilly Sunday with the sunlight muted by the clouds.

“Ooh, drug deal in action.” You poke Takuma in the side.

“Ah, probably Sukuna. He deals here all the time.” Sukuna’s business is one of those things everyone’s aware of but nobody talks about. He’s consistent and pretty safe, as far as drug dealers go, but he’ll deny any involvement while smoking a joint if he has to.

“Who’s space buns?”

“Uhh…” Takuma narrows his eyes, and the guy slips out again. “Damn, that was fast. Oh, that’s Hajime. Another senior, I think. They hate each other. Fastest deals I’ve ever seen.”

“I wonder how much of his songwriting is just… while he’s really, really high,” you muse. Swag of a squirrel doesn’t strike you as a particularly levelheaded thought, but hey, it’s certainly memorable.

Takuma leans in and says conspiratorially, “I’m pretty sure I heard him dropping bars here the other day when I was with Yuji.”

You snort and look up at one of the smallest ramps, one you think you could handle without falling on your face, and point to it with a raised brow.

“Oh, moving up in the world?” Takuma kicks his board up and starts walking over, and you do the same. Before you put the board down at the top of the ramp, though, you hold it up to the light, noticing a few short, white hairs caught on the surface.

“Is this… fur?” Maybe there was a cat hiding out somewhere when you were over. Kirara seems like she’d have a cat.

Takuma sighs. “Yeah, the dogs shed like crazy. It gets everywhere. I don’t think I even left that on the ground.”

Your jaw drops, and you stare at him until he looks back at you. “Dogs?”

“What? Yeah, Fushiguro’s—”

“Fushiguro has dogs? Dogs plural? In the house?”

“You didn’t know?”

“No!” you cry. “What? Oh my god! Where were they on Wednesday? How many? What are their names?”

Takuma leans back on the rail next to the ramp, grinning. “I can’t believe you didn’t know. Oh my god. They’re so cute. Tsumiki had them Wednesday, I think. Mandated auntie time. Do you wanna meet ‘em?”

“Do I want to meet them?” you repeat, practically bouncing on the balls of your feet. “Uh, yeah. Are they home? Oh my god. I love dogs.”

“I couldn’t tell,” he deadpans, but he’s smiling still. “Yeah, they’re home. And you can meet them if you go down this ramp without dying.”

“You’re cruel,” you say, situating yourself on the board. “But I will. And then I’ll meet the dogs and become their best friend and they’ll love me more than you and Megumi combined.”

“Confident.” He comes up beside you, checking your stance. The ramp didn’t look steep or long at all from your vantage point across the park, but now that you’re atop the board, it feels suddenly very steep and very long. “You got it. Just don’t panic, keep your stance.” He drops his own board and cruises down the ramp, hardly even trying.

“Okay, go!” he calls from the bottom. “C’mon, Skip, the dogs are waiting.”

“Oh, god,” you murmur, the wind catching your words and whisking them away. You ball your hands into fists and push off, planting your foot back on the board and trying to keep your knees bent, but not too stiff, as you careen down the ramp. Don’t panic, keep your stance. You’re at the bottom in what feels like nanoseconds, and the sudden shift from ramp to flat ground has you stumbling off the board with an embarrassingly high-pitched squeak of alarm.

“Nice!” Takuma laughs as he catches you, the board rolling a few more feet ahead. His arm is wrapped around your front, the other holding you up by the shoulder, and this time you don’t tense under his hands.

“Thanks,” you say a little breathlessly, grinning, the tiny spike of adrenaline making you almost lightheaded. He lets his hands drop when you’re steady on your feet, and part of you mourns the warmth a little. But there are more pressing matters at hand. “So, about those dogs?”

You opt for your longboard on the way back down your street, cruising along beside Takuma, who has his extra board tucked under his arm. You’ve got a lot to do tonight, all the last-minute preparation for another crazy week, but you can and will drop everything to pet a puppy. Or two. Always.

And they’re actual angels. Big, fluffy angels on earth, one white and one black, and they’re all over you the second you open the door.

“Hi!” you say happily, sinking down to their level. The white one immediately tries to burrow into your lap. “Oh, hello! You’re so nice, aren’t you?” You glance up at Takuma. “Where’s Megumi?” You grab the white one’s collar and check the tag—Shiro.

“Shiro thinks she’s a tiny dog,” he says, bending down to ruffle the fur behind her ears. “Uh, Fushiguro’s at the animal clinic. He works there Sundays. And Tuesdays, I think.”

“Wait, really?”

“Yeah, he’s a vet student. You didn’t know?”

“I did not.” The black one is licking your face, and you giggle and check his tag, too. Kuro. “Hi, Kuro. You’re a good boy, aren’t you?”

“He’s got such a soft spot for animals,” Takuma says as he kicks off his shoes. “You should see when they both try to sleep in his little twin bed. It’s ridiculous.”

“I love them,” you say, burying your face in Kuro’s scruff. “Hi, doggies. You’re awful cute, you know that? Mhm. Yes you are.”

When you finally look up again, Kuro’s cold nose nudging insistently at your palm, Takuma is leaning against the wall, looking down at you with his phone discreetly angled your way. “Takuma!”

He laughs, not bothering to hide it anymore, very clearly taking photos of you with the dogs. “It’s cute!” he insists. “I’ll send them to you. Proof for Fushiguro of your master plan to make them like you more than him.”

“And you,” you remind him.

“Well, I don’t know about that.”

You gesture pointedly to the two dogs, who are all over you and not him. It’ll be a nightmare trying to get all of Shiro’s white fur off your black jacket later, but it’s worth it.

“You’re new,” he says. “New scent. It’s the novelty factor. I am their favorite.”

“You sure? I’m pretty hard to compete with.”

He smiles, looking from you to the photos he took of you and the dogs. “Yeah,” he says. “You are.”

—

The first half of the new week goes by in a rushed routine of classes, homework, and rehearsals, each night ending with you collapsing into bed, new and old lyrics fighting for dominance in the back of your mind. Sticks re-taped and drum heads re-tuned, assignments turned in and drafts edited. Your classes are ramping up as midterms approach, and Yuta bounces between his own work and poking his head into everyone’s rooms, making sure they don’t forget about dinner.

Toge follows through on his snack run promise, and the two of you spend hours on Tuesday afternoon trading two different flavored bags of Doritos back and forth, Toge writing photo captions while you edit your story lede.

Takuma, Hakari, and Kirara have offered to help Cursed Technique record a single on Wednesday night, and the five of you have been drilling the new song you wrote up, down, and sideways.

Finally, Wednesday arrives, and you’re all crammed into the recording studio space, instruments set up and headsets tuned in.

“Yeah, I’m good,” Nobara says to Hakari on the other side of the glass. She taps a finger on the mic in demonstration, and you hear it in your own headphones.

“Great,” he says. “Skipper?”

“Skipper? I hardly know her,” Toge says, earning a harmless smack upside the head from Yuta and a not harmless smack upside the head from Maki.

“I will throw these at you,” you tell him, holding up your sticks. Toge sticks his bottom lip out, pouting.

A snicker from beside you draws your attention back to Takuma, kneeling just beside the throne as he adjusts the kick mic. He has you hit it a few times while Hakari monitors the levels. You feel oddly self-conscious like this, him looking up at you, but then he smiles and it’s not strange at all. It’s stupid how fast he can put you at ease with a look.

“Nice,” he says. “Okay, that should work, yeah, Hakari?”

It’s Kirara who answers, “Yeah, you’re good.”

Takuma stands up, claps his hands together once, and looks at you. “Okay. Kill it, Skip.”

“Yessir.” You salute him with a stick and he makes his way to the other room, closing the door behind him.

“All good?” Yuta asks, glancing at each of you in turn before giving Hakari a thumbs up. It’s strange to be on this side of the glass, to think about your music being played back, to think about it on Spotify, out in the world.

“Next Fix,” Takuma says into the mic, locking eyes with you through the window. “Take one in three, two…”

The song starts out simple. You click your sticks together near the mic, on two and four, while Maki lays down a four-bar loop.

Yuta keeps glancing at Maki while she plays, utterly unaware, and the look on his face is so soft you want to shake Maki by the shoulders until she does something about it.

Nobara’s got her eyes closed with the headset over her ears and her hands around the mic, entirely engrossed in the song.

“It’s comin’ on, comin’ strong, spinnin��� up out of the blue, mmm,” she sings, stretching out the vowels. “And I’m on the ground, bleedin’ out, until my next fix of you, ooh.”

Now you start up with a light rock beat, closed hat and a bit of a dragging buzz on the snare hits. Just as you transition into the beat, Toge comes in with some low chords and Yuta moves down the line in syncopated sixteenths.

Hakari is nodding approvingly and Takuma has a wide grin on his face, and you can’t help smiling back.

“I need it like a lung,” Nobara sings, swaying a bit. “I need it like a light. It’s got me twisted up. I need you here tonight, tonight, tonight, oh, oh, I wanna—”

And this part is your favorite—Nobara sings each two-syllable phrase while you pound on the toms twice, emphasizing it with the kick, and then the backup vocals echo her. Get my (get my) next fix (next fix) of you (of you, of you, of you.)

Kirara pumps her fist in the air twice, in time with the beat, and your bandmates can’t keep the smiles off their faces. You’ve got something here, you really do. This might be your best one yet.

When the song’s over, Nobara whoops and tugs off the headphones, jumping around the cramped studio space with a grin on her face. “That was so cool! Oh my god. Guys, we sound good. We actually sound good.”

“Damn,” Kirara calls. “Okay, girl drummer. Good shit.”

“Not bad for a first run,” Maki admits, adjusting her bass strap over her shoulder. “Do we wanna try recording backups separately at all?”

“Good call.” Takuma nods. “Let’s run that again without the backups and record them over, see what happens.” He’s in full producer mode, flipping switches, colored lights reflecting in his eyes as he and Hakari talk shop away from the mic. He’s good at this, you realize, running sessions like this, making sure things go where they need to go, that everyone’s heard, that things get done. It’s a little bit like watching him skateboard, or seeing him on stage. There’s a confidence to him here, a smooth, easy energy. He’s in his element.

“Alright,” he says after a minute. “Let’s hear that again.”

And you play it again. And again. And again. And you are so in love with this moment, with your band, with a couple rowdy kids on the other side of the window, the rasp in Nobara’s voice and the expression on Yuta’s face and Maki’s obliviousness and Toge’s consistent, head-banging keys, and your drums and your words and the music, and the lyrics feel right to you.

You need this like a lung.

directory | prev. |

jjk taglist open: just send me a message!

@shutuppeter @mikikkoo @reactwithjan @theclassbookworm @lilactaro @bisforbuse @risararelywrites @idkidk32

a/n: GUYS. loml @shutuppeter is so downbad for soundcloud rapper sukuna that she's writing fanfic of my fanfic😭 credits for frosted flexin' are all hers LMFAO so go check that out (MDNI for that one though).

yutamaki nation rise. also, i kinda love this fic. there may be spinoffs for other characters in the works...

[fieldsofchai]

a/n: lol i said i would post this some time tomorrow but i couldn’t sleep so here we are now. this is the first fic that i'm posting! i've been absolutely obsessed with fom and i have been binge-playing it, especially since the new update came out. march might be a little ooc but i had a lot of fun writing this, to be honest. please leave a request in my ask box!

content contains: self-doubt, mutual pining, loneliness, unrequited love, gender-neutral reader, valentines day like holiday, march is bad at feelings, fluff with the tiniest dash of angst

content rating: pg

March huffed as Olric continued to go on and on. Blah blah blah, hearts day, blah blah blah, he should ask someone. It was the same thing every year. March wanted to feel irritated that he would get nagged for the same thing every year, making friends and whatnot, yet a small part of it found it endearing. Cute, almost, though he would never admit it out loud. Knowing his brother cared as much as he cared for him was good. It was too bad those feelings immediately disappeared upon hearing the next words that flew out of his mouth.

“So what do you think? I get Reina to bake the sweets and you can deliver it to them by the end of the day!” Olric exclaimed, beaming from ear to ear as if he had just come up with the best idea in the world. 

March snapped his head up from the sword he was working on. Admittedly, he hadn’t been paying attention to what Olric was talking about. He had just assumed it would be the same old stuff that he says every year. He hadn’t expected him to actually have some type of plan put in action. 

“What?” March asked with a confused expression on his face, yet there was still a blush that somehow rose on his cheeks. He already knew who Olric was talking about. That damn new farmer. 

Ever since they had moved here they had been a pain in his ass. He had tried to give off subtle hints that he wasn’t too interested in being their friend. After all, he didn't think they would actually stick around. Yet, a couple of months later they were still somehow here. To be frank, he had come to actually… tolerate their presence but for some odd reason they seemed to think they were best friends. 

So what if every evening they would somehow find him with some type of perfect ore in their hands, knowing he was the only one in town who would actually appreciate it’s beauty. 

So what if they looked a little banged up and dirty from presumably fighting god knows what in the mines and it would never fail to make his heart swell with appreciation, but also a whole lot of concern.

So what if they always find a way around to the forge every morning to wish him a good morning and check in on him, so much so to the point that he looks forward to it every day and finds himself wondering what could possibly be going on with them on the rare occasion that they’re not there. 

So what if he finds his heart fluttering just a little bit when he sees them walking into the inn on friday nights. He probably just needs to get a check up from Valen. 

“Bro, weren’t you listening? I was giving you a run down of this totally ultimate plan to ask the farmer to be your date for hearts day tonight! Just you wait! In no time you two will be walking down the aisle and-”

“Lower your voice!” March hissed out. Nobody was around but he could already feel his face heating up and growing bright red from how loud he was being about this plan that he would no way agree to participate in. “I’m not asking them out. Never in a million years!” March exclaimed to Olric. He was whisper shouting now, afraid someone would walk by and hear, even though there was nobody around and everyone was busy with their own duties for the day.

Olric blinked at March. “Why not? Everyone is town knows you like them.” he said to him with a confused tilt of his head. He wasn’t even trying to mock poor March, he was just genuinely confused because, as far as he knew, March really did obviously have a thing for the farmer right up the street.

March just glared at him in response. “If everyone thinks that then this entire town is dense. I do not like the farmer.” March responded with, eagerly looking down and continuing his work. He just hoped the conversation would be over now. He nipped it in the bud and he would really prefer to be done with his work before nighttime so he can relax while everyone else goes out for their dates.

March paused his movements. Briefly, he wondered if the farmer already had plans tonight. They weren’t ugly by any means and they certainly did have a way of putting a smile on everyone’s face. Surely someone had asked them out by now. Maybe Balor? He had certainly been eyeing them since they first arrived in town. Or maybe it was possibly Reina. March always saw the two shopping and cooking together. He was sure they had forged some type of close bond by now. Probably a better bond than anything he could offer them…

“You know…” Olric started, interrupting March’s thoughts. His face had grown serious, something he wasn’t used to seeing from his brother. “I really wish you would just come to realize that you can’t go through life by yourself. It’s okay to want, or even need, friends or a partner. Nobody is going to think less of you, March. You deserve happiness.” Olric spoke with absolute sincerity. He wasn’t just saying this to make him feel better. He meant what he was saying. 

March let out a sigh before speaking, his voice coming out way more soft than he meant for it to. “Yeah, well, what if they deserve someone better than me? I don’t know if I could be that soft lover that everyone dreams of.” His hand gripped the handle of the tool he was using tightly as he spoke. It felt… weird to actually voice his concerns out loud. 

There was a beat of silence before March felt a heavy hand on his shoulder. March looked up at his brother who had moved closer to him. “No offense bro, but you should probably let them make that decision.”

March moved his eyes to the forge, unable to muster up anything in response. There was a couple of seconds of silence before Olric finally spoke again. “Ultimately, it’s your decision,” he said, moving away from his brother. Olric began to walk away. “But hey, I have a shift at the general store! Gotta stay busy and help as much as I can around town, you know? I won’t be home until late! Think about what I said!”

With that, Olric was gone, leaving March alone with his thoughts and a decision to be made.

. . . . . ╰──╮╭──╯ . . . . .

The farmer wiped the sweat off of their brow as they sat on their front porch and admired their work. The farm had really come a long way since they first got here. The farm had once just been a bunch of land filled with nothing but rocks, trees, and weeds but now it was so much more. Enough crops were growing right now to keep the town fed for a week and so many animals now that the farmer was sure they had a whole ecosystem going on. The farmer was happy. 

Well, almost.

Truth be told, they were lonely. Sure, they had plenty of friends here in Mistria, but it still kind of stung for them to see so many people excited for the holiday today. Juniper and Valen had a whole day planned for each other, Nora and Holt have been sickeningly loving with each other, and Hemlock couldn’t shut up about what he had planned for Josephine tonight. Hell, the farmer was even sure Henrietta had some type of date night going on tonight. 

Don’t get them wrong, they were happy to see everyone happy in town, they were just feeling a bit jealous that they couldn’t share that excitement with everyone. Especially since they were hoping a special someone would actually ask them out tonight. Foolish of them, really. The farmer was quite sure their feelings for March were obvious to everyone in town, after all, it’s all Elsie could tease them about every time they ran into each other. However, it was also quite obvious that March did not feel the same way.

The farmer let out a sigh, closed their eyes, and leaned their head back against the chair they were sitting in. They really needed to find a way to get over this stupid crush they had for the blacksmith. It was getting pathetic and they were quite sure March was laughing at them behind their back. Why would he like them? He was the best blacksmith anyone had ever seen and they were just… them.

“Are you deaf or something?” A slightly irritated voice cut into the farmer’s thoughts. A voice they knew all too well.

“March?” the farmer spoke with surprise voice once they opened their eyes and saw who was standing in front of them.

And sure enough it was March. He had his typical headband tied around his forehead. His usual tank top and overalls were also on but they were dirty, a clear sign that he had just finished working and walked over here immediately. Whatever he needed must have been important. 

“Yeah,” was all he said in response to them. He looked down at the ground, shuffling his feet. “Are you, uh, busy or anything?” he asked hesitantly.

The farmer’s eyebrows scrunched together in confusion. It’s 8 o’clock at night, all their chores were done and they always tried to make it out of the mines before it got dark. Obviously, they weren’t busy doing anything. “No.” was all the farmer said, wanting to give March enough space to speak his mind.

All he did was nod before a couple seconds of silence followed. Finally, he spoke up, still not making eye contact with them. “Well, uh, I was planning on cooking something tonight. Some soup maybe since it’s a little chilly out.” he took a deep breath, as if convincing himself it was okay to continue. “Olric isn’t coming home until late tonight and I don’t want these ingredients to go to waste. You know, since I have so much of it…” He trailed off. His face had gotten more and more red as he continued speaking. At this point his face was almost the same shade as his hair. 

Yet, the farmer didn’t make fun of him. Instead, a giddy smile broke out on their face as the realization that March was actually asking them to hang out with him dawned on them. “My my, March. Are you asking me to come to your house for dinner?” the farmer asked, a giant smile creeping up on their face. 

March finally looked up at them, managing to make eye contact for a second before he averted his eyes. “I guess I am, yeah.” he said hesitantly. He was afraid they were going to burst into laughter. Then he would be the talk of the town. Poor March who tried to ask out the farmer who is so way out of his league and got rejected on the spot. God, he was already ready to die of embarrassment just from the possible scenario.

Yet, that’s not what happened. Instead, the farmer jumped to their feet, clapped their hands together once, and grinned at him with a special type of sparkle in their eyes. “Of course, I’ll come! Let me just make sure all the animals get inside and wash up! I’ll meet you at your place.” The farmer shouted, already running towards the barn and coop to get the animals put away. They wanted to get done as quickly as possible so they could make their way to March and Olric’s place. 

“D-don’t get the wrong idea! I just had extra ingredients lying around!” March shouted after them. Though he was sure they didn’t hear him, too caught up in their own excitement to even focus on what he was saying. Strangely enough, he was fine with that. As long as they kept that bright smile on their face, he was fine with anything. 

He turned away from the farm, starting the trek back to his place so he could also wash up and prepare to start cooking. Only then when he had turned away from the farmer fully and nobody could see him did he let his own smile take its place.

[shadowtriovibes]

i know that i’ve said this before and you guys probably think i’m a dirty, dirty liar (which would be very fair) but… i WILL be posting a new chapter of break a sweat tomorrow 💚

[relicsongmel]

Something I've always found fascinating about Raymond Shields is that despite seemingly having altruistic reasons for being a defense attorney, his reasons for trying to convince Miles to be one are anything but.

It seems understandable enough on the surface. After Ray comes around and agrees to work with Miles in The Imprisoned Turnabout, he sees remnants of Gregory shining through him despite von Karma's influence. Whether or not he recognizes that Miles' decision to become a prosecutor wasn't just born from that alone—that it was in tandem with wanting to distance himself from anything that reminded him of his father to alleviate the burden on his heart—is up for debate, but regardless: he acknowledges Miles as Gregory's son through and through and wants to capitalize on his dedication for pursuing justice in a way that he knows would make his father proud. He wants to let Miles in on the life he was robbed of at 9 years old—the life he once dreamed of living, where he follows in the footsteps of his father by giving everything he has to save people, by fighting like hell for the vulnerable and the condemned.

That said, as much as Ray dresses up his proposition by making it out to be as if he's looking out for Miles' best interests (and the best interests of society, even)...his motives for trying to get Miles to switch sides are almost entirely selfish. Ray's efforts (and most of his actions in general, really) are ultimately a product of his desperate attempt to cling on to anything related to Gregory out of an inability to move on from his death. Wearing his hat and coat, leaving the name of his office unchanged...and now, requesting that his son literally change jobs just because he can't bear the weight of his own loneliness anymore. Because he can't bear to think that the damage done by DL-6 is irreversible and Miles has moved on while he has stagnated for the past 17 years. Because he has an idealized vision of what he thinks Gregory would want and fails to realize that his son's occupation wouldn't matter to him as long as it brings him happiness and fulfillment. In his mind, letting Miles go means accepting the circumstances that brought him where he is and allowing both of them to move on. And that terrifies him.

It's even more deceitful when you realize that Ray's pitch comes at a very opportune time for Miles given his circumstances at that point: that is, he's under threat of investigation for prosecutorial misconduct and at risk of being stripped of his badge. Ray might fake incompetence, but he's not stupid—and he takes full advantage of Justine's warnings to try to sway Miles when he's in a more vulnerable position in terms of his job. Which is...pretty fucked up, to put it lightly. Despite having a better idea of where he came from compared to most people, through this Ray shows a lack of understanding of who Miles truly is and a lack of respect for what he's come to value, even if his path toward obtaining those values had some bumps along the road. But he's so blinded by his grief that he doesn't even stop to consider how much he's really asking of him, or what Miles is really searching for.

Ray was moved by Gregory. He values saving people. Defending the weak is an undeniably noble endeavor. But to ask that of someone else without consideration for their best interests is decidedly less so.

For all his occupation requires a certain selflessness, Raymond Shields is far more selfish than he lets on. And I for one find that contradiction fascinating to unpack.

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[repmet]

Ngl, despite my apprehension (i.e. I'm old and cynical), I'm interested to see what they do with the Red, White & Royal Blue sequel partly since I know in the book bonus chapter, Henry gives up his title - I haven't actually read it so idk if he's actually described as 'abdicating' or fandom just decided to use that term (which is not exactly correct).

But the book lacks a lot of accuracy around the British Royal family where as the movie put in a bit more effort (e.g. Henry's Mum being Duchess of Edinburgh not Princess of Wales) and since in the United Kingdom, Henry can't step out of the line of succession without an Act of Parliament which isn't an insignificant thing, I wonder if the movie will focus on that or if it will gloss over it or just go in a brand new direction entirely for a new audience who aren't familiar with the book.

Personally, I hope for the latter partially because the parallels to certain real life royals would get distracting but mostly because I'd love to see Henry use the position he once felt suffocated by to advocate for and empower others.

Though being honest, I'm mostly just hoping they don't fall into the romance sequel trope of breaking them up to get them back together again.

To be clear though, in real life I think the entire monarchy should be abolished - but in this gay little movie world I have other thoughts :)

[gayghostrights]

just got out of the bath, and now I’m sitting by a window listening to the wind and the rain and the waves. I have reached peak coziness. This is core memory levels of cozy.

[cinnaminstar]

Hi! I was scrolling AO3’s ISAT pages bc I love the game so much, and found your very very good fic!

Wanted to give you my list of things I like about it just so you know that you are good at it and feel good and are fed compliments.

-loved how you made FULL use of the Sif-bad-guy card when dealing with, like, story beats. Instead of the friendquests in the game, it’s 2 different kidnappings and a library visit. Also, Sif dressing in Mira’s clothes was stupid amounts of funny to me. There is no world in which Sif works for the king and does not monologue for fun with audience participation

-You really got the characters dead to rights in terms of how you wrote them. Even if the situation is different, I feel like the way you portrayed everyone was SO GOOD in terms of accuracy, which I appreciate a lot. You even made new funny dialogue for the beauty alliance! How Dare! Thank You!

-Loved the looping to different places or different times that happened further in the chapter. Especially in the most recent chapter omg so good.

-I like your Loop more than main game Loop??? So mean???? And bitch???? Smoches

-Congrats on graduating!

-I also loved what you didn’t do! Which was repeat like, any of the game??? How are you so creative??? Sif hasn’t even attacked the King ever?? In my ISAT fic??? No such cases.

-yeah.

-Just a lot of admiration for how far you’ve gone. 18 or however many chapters over 3ish months I think is a lot.

Hello very nice stranger thank you for writing many many words of compliments. I. Hhhhhhh /pos

As a gift of gratitude, here are two (2) whole sneak peaks of the next chapter, including the internal chapter names + two entire puns:

[byanyan]

anyway, when byan bites someone... like really bites someone with the intent to do damage because they're unarmed or someone's just been dumb enough to put a limb close to their face... they don't just let go. they hold that shit, clamp right down, bite harder while bringing their hands or feet in to do more damage and keep biting down until they HAVE to let go

[flowercrowngods]

so far, make me write (please) has added 3k words to my wips, and i really just wanna thank y'all for indulging and enabling me 🥹

[starlit-roses-ships]

i'm pretty sure i'm starting to get sick bc my throat has been hurting all day and i generally just feel like shit (which is not a good sign) and all i can think of is Zayne to taking care of me... which would be great given that he's literally a doctor 🫠

[bonesandthebees]

moving has exhausted me so much that I haven't had the proper time + energy to properly write or even answer more than a few asks in days and it's upsetting me so much I just wanna write

[camellia-thea]

struggling 👍

[gingerpeachtea]

Hey hey quick question on the theme of Mike and his dad and all his relationships with older men being affected by that. Is his obsession with catching Briggs in his web of lies anything to do with that? I mean if his dad was emotionally or intellectually manipulative, he probably has never been believed or listened to HIS ENTIRE LIFE. I'm eating glass by the way :D

just blacked out from. Sheer joy IM COMING BACK TOMORROW WITH FUCKING RECEIPTS. TOMORROW WE WEB WEAVE BITCH. TOMORROW WE QUOTE MIKE’S BACKSTORY FROM THE OFFICIAL GRACELAND WEBSITE. “Is his obsession with catching Briggs in his web of lies anything to do with that?” OHHHHHHHHHHHH JUST YOU WAIT JUST YOU FUCKING WAIT.

[cerbreus]

baking never feels more like science to me than when i'm trying to cobble together an intricate multi step recipe together from several different recipes and tutorials online because the recipe I'm imagining doesn't exist....