#but i feel like they're too much of background characters to make the MAIN CHARACTERS idk

[littleblueturtle123]

I had this idea floating around in my head but ive never drawn amphibia art before so ill add some warm up sketches under the cut (ALSO SPOILER WARNING FOR MADOKA MAGICA AND ALSO KINDA AMPHIBIA)

AMPHIBIA MADOKA MAGICA 💥💥💥

[Click for quality, Do not repost, Reblogs are encouraged]

Aforementioned sketches

[icewindandboringhorror]

Recent game related things .. hrmm...

[sayuri-of-the-valley]

On how Crowley and Aziraphale felt during the kiss (but mainly Crowley here):

Ok so first, the main idea for this huge meta is that a LOT of us noticed how the music from the kiss scene is similar to the nebula one, right?

Second, a lot of us also correctly noticed the parallels between the kiss and how it was to taste food for the first time for Aziraphale: bc of his reactions, the hand on lips, the similar way MS acted both scenes, the little inhale etc. So how was it for Crowley?

Aziraphale's reaction to the kiss is practically a puzzle to solve on its own, so it's fun to analyse it, but basically, in a few words, Aziraphale kissed Crowley and he discovered he was physically starving for him, longing for him, yearning for him, for his kiss, and he had no idea. Just like with the ox. And now he needs to gorge himself in him but he can't. Great amazing heartbreaking chef's kiss someone give MS an Emmy.

But there's already so much amazing meta out there about Aziraphale x Ox ribs x The Kiss that I want to focus on Crowley here, and on the music.

So back to the music. The song in "Before the Beginning" and the song that plays during The Kiss (I Forgive You + Don't Bother) are so similar. They're not *exactly* the same, but they're totally reminiscent of each other. The viewer is immediately reminded of those chords that played in the opening scene. It's no coincidence that the fandom was talking about this fact only minutes after first watching those final fifteen minutes. This is an obvious intentional choice for storytelling reasons (David Arnold is a genius).

I have no expertise whatsoever when it comes to music, so I asked our friend @otsanda to see if that made sense and not only it does and she explained it, but she also uncovered so much more hidden meaning in all of it (musicians are amazing), so check out her meta about the music that not only serves as evidence to what I'm proposing here but it also has so much more juicy information in it 💖.

Back to the point: WHY thought? Why choose a similar song? Why intentionally COMPOSE a similar song for that moment?

Hear me out. WHAT IF, by reminding the audience of the creation of the nebula, they meant to convey to us that, for Crowley, kissing Aziraphale gave him the same feeling that creating his stars did?

THAT'S what the music is telling us. THAT'S why it makes us remember "Before the Beginning". It may sound cheesy, but Crowley may have literally seen stars when he kissed Aziraphale. He couldn't react accordingly (just like Aziraphale couldn't), bc it was an overwhelming and extremely sad moment (the music is also telling us that) for both of them. They knew it was ending . They were both having a moment of huge revelation that was fated to not come to completion. Crowley was right, it was too late.

It makes sense to show Crowley's feelings through the music, bc he was the one who started the kiss, and also he was wearing sunglasses in that scene, it's different from a character like Aziraphale that has all his million expressions for everyone to see at all times. And they've been doing this ever since s1 with the Queen songs that play in his car or in the background.

So my point is: the same song being used there makes me wonder if kissing Aziraphale finally gave him what he lost. His purpose. What Aziraphale was trying to give back to him by taking him back to heaven. There's no need for Heaven. Just kiss him, Aziraphale, and there he'll find the stars you want to give back to him. There you will one day see that smile on his face you saw Before The Beginning. Neil Gaiman and David Arnold I am in your walls 😭

This is what may lead us to see this happiness in Crowley again (not the action of kissing itself, of course, but what it represents to their relationship, them being together, them being an Us).

As @otsanda said: from the music we can interpret that that moment was a Revelation for them. Almost a religious experience. Crowley found his purpose again. What he'd been missing the whole season (or even his whole life since the Fall, but we've seen him especially depressed this season).

I'm not even getting into the poetry of how one can interpret the parallel to the angel's reaction to the kiss as carnal, and the demon's as religious; that would be another whole essay but let's just agree that it's incredibly beautiful. (Let me be clear that I mean here Aziraphale's reaction is carnal specifically for Crowley, and Crowley's is religious specifically for Aziraphale, not religious as in "worshipping god")

"Do you ever wonder what's the point?" Crowley asked in s2e1. The point, for him, is Aziraphale (if you've seen The Good Place you know what I mean). I hope he figured this out with that kiss, even as heartbreaking as it was. Even if it was a (temporary) separation kiss. (I hope Aziraphale figures this out with time too, that he's more than enough to make Crowley happy, that Crowley doesn't need Heaven, or stars, that Crowley needs him.)

Maybe that's why Crowley didn't leave and kept waiting outside until the very last moment.

Aziraphale and Crowley both bit the apple at the end of s2. There's no turning back from that Knowledge now.

Edit: I just have to add here this brilliant colour analysis of the nebula scene by @halemerry. And it's pointed out that during the nebula formation there's a moment when it looks like two people embracing. And the fact that a similar song is used in the actual Kiss scene I just... I have no words

[kquil]

POLY MARAUDERS | HEROES IN TATTOOS PRT.6

06 : SELFISH DESIRES

SUM : it's your chance to make amends and push aside your selfish desires - your heart will ache but they're worth it 

TAGS. : modern au ; muggle au ; tattoo artist james potter ; piercer remus lupin ; angst ; idiots in love ; unexpected turn of events ; sirius is the main character here ; jk jk ; it's you~ hehe~ ; you'll see what i mean ; wolfstar have a heated argument ; i almost cried writing it ; i hate seeing them like that ; poor james ; james needs a hug ; regulus makes an appearance! ; dramatic sirius black ; regulus is a good brother ; sirius being an instigator ; we love him for it though ; you can't just leave them again! ; no fluff here kiddos ; but kiddos stay away! ; just cover your innocent eyes! 

LENGTH : 3.7k

← PREV. : 05 | DRUNK AND CIGARETTE SMOKE

“You’re disgusting,” Sirius manages an indifferent glance over at his younger brother before resuming his miserable, unmoving position on the sofa — Regulus’ sofa. The obvious detachment Sirius has to the situation only stirs his younger brother’s bubbling anger, “It’s almost been a full month! And you’re letting yourself rot away on my sofa; get a hold of yourself!” No response. Regulus shakes his head with a drawn out sigh, “you usually don’t stay around this long whenever there’s an argument… I wonder what’s happened this time…”

Deeming his older brother completely hopeless, Regulus returns to his sparse but sleek kitchen just as the kettle whistles its readiness to be poured for tea.   

Sirius breaths an audible sigh and grimaces at the stench of his breath. The mix of excessive alcohol, countless cigarettes and mountains of junk food didn’t make for a good concoction on his tongue, definitely not for fresh breath. When was the last time he had brushed his teeth? He brings a hand up to push straggling strands of hair away from his view but grumbles when the curls had knotted up too much for him to comb his hair back uninterrupted. Stone grey eyes look down at his figure, stagnant and pale, weighed heavy from low spirits. 

What followed the night you left their flat was the worst fight they have ever had. It was mainly between him and Remus while James remained in the background, too downhearted to contribute anything to the verbal warfare happening before him. He was spoiled with love since birth. As an only child with loving parents, who never fought in front of him, whenever Sirius and Remus argued, James was left paralysed with despair. It was always shocking to him how nasty those fights became; his parents never fought like that. Sirius could see it in his sweet hazel eyes that James wanted desperately to have peace but didn’t know how to steer things in that direction. He had tried before, many times, to defuse the situation but both Sirius and Remus were too stubborn and hot-headed from the argument as well as their suddenly stark differences in opinion to back down. 

As unfortunate as it is to think about, these fights happened often, recurring in the same exact way – originating from opposing opinions, primarily between him and Remus. They would try to keep it together but it would just keep piling up until someone snaps and then there’s no dispelling their disputes. James either takes a side or none at all (usually the later) and Sirius storms out of the flat to stay with Regulus. 

He should feel guilty for being such a burden to his younger brother. He should have more pride in himself than to allow Regulus to ever see him in such a depressed and unpleasant state. Lack of hygiene, self care and self maintenance manifests into something so repulsive and unsightly, Sirius would usually be back and making amends within a week or two – encouraged by his own lack of cleanliness and his commitment to run from the disease of laziness. 

But it’s been more than that now. Nearly a month, Regulus says. Time just passes by, slow and tolerant, so unlike him, and yet, Sirius still managed to lose complete track of it. This is the longest they’ve ever had a dispute without reconciling.  

His own stubbornness is definitely a factor. He had been right all along. If only they, mostly Remus, had listened to him. James was fully on board but Remus was stubbornly defiant and managed to convince the former otherwise. 

“Do you think she’s the type of person who would embrace such an unconventional relationship with open arms?!”

“That’s not what I’m saying, Moony,” Sirius grits his teeth, his inner thoughts and reasoning ached to be heard and let out coherently. In his mind, it all made sense to do things the way he suggests, so why couldn’t his boyfriend understand him?! It doesn’t even seem like he’s trying to listen to him at this point! “She won’t understand if we don’t say anything to her! We have to be forward and bold! Do it now before something happens!”

“Nothing. Is. Going. To. Happen!”

“How can you be so sure? We need to be honest with her, it’s not fair to her and it’s, frankly, deceitful to keep her in the dark about all this!”

“We can’t be too sure that she’ll accept us. If that happens then we’ll never see her again– I don’t want that, do you?!” 

“We won’t know unless we say something, do something, anything!”

“Please just trust me, Siri,” Remus begs, his loud voice lowering to a soft plea, his beautiful brown eyes no longer fierce or piercing but kind and warm again, with a hint of fear. Sirius can sympathise with that creeping terror, an anxiety that wants to swallow you whole and keep you in a dark abyss for eternity, “I don’t want to frighten her…”

The first time, Sirius gave in, weak for his love and weak for the reasoning behind his proposal on the matter concerning you. The dark-haired tattooist couldn’t fault his lover for that but, in hindsight, he should have argued his side more, maybe then, you wouldn’t have disappeared like that…

“Hey, your phone won’t stop pinging,” Regulus alerts, appearing out of thin air and surprising Sirius enough to sit up and alert with wide eyes, “will you finally read their messages to you?” with some reluctance, Sirius reaches for his phone and proceeds to look through his messages while Regulus takes a seat opposite him, a steaming cup of tea in hand.

The younger Black brother was just about to begin reading another one of his classic novel favourites when a rush of air flew by him, ruffling the small strands of hair and whipping about the billowing steam from his mug of tea. Moments later, the sound of his shower turning on full blast echos through his flat and a smile graces his lips. 

“It’s about time…”

Lingering guilt had plagued you all night long and you barely managed to get a wink of sleep. It, however, meant that you were able to better prepare lunch for the boys the following day. While cooking, you abandon all negative feelings to focus on only the good, not wanting any harmful emotions to diffuse into the food and saturate it with bad tastes. Your eyebags weren’t a pretty sight but it was easily fixable with a touch of makeup. 

You tried to look your best for the day. Fortunately, the early summer sun inspired your motivations further. Yes, you’ve made the terrible mistake of selfishly pushing them away to nurse your own battered soul and unrequited feelings, but this was your time to make amends, to make things right… to see Sirius again. 

You never felt right after you accused him of cheating on Remus and James with each other, only to find out that he was far more loving and loyal than that. You were embarrassed and ashamed to have ever thought so negatively about him, jumping to conclusions like an immature, thoughtless child. It was wonderful seeing James and Remus again, your heart was practically soaring in your chest as it disregarded all lingering feelings of misery and dejection. But now, your chest felt incredibly tight as your heart ached to catch a simple glimpse of Sirius.  

You carefully pack away the lovingly prepared food and desserts into your largest, most durable shopping bag before getting dressed. It was only natural that you managed to make more than you usually made for the boys, seeing as you wanted to spoil them rotten after being so childish the last few weeks. Since the weather was pleasant, you opted for a cute mini dress with a light, flowy material that was comfortable and soft. Over top, you wore a cropped cardigan that had long sleeves, enough to reach past your fingertips. For jewellery, you wore a simple necklace and slipped into a strappy pair of mid-heeled platforms that weren’t too tall. Casual but cute. 

Approaching the studio doors, your grip on the strap of your bag tightens and your breath hitches. They hadn’t taken the notice down and the bold, red letters of their ‘CLOSED’ sign glared at you angrily. 

Were they inside? Should you knock? Neither Remus or James actually agreed to your sudden choice to meet for lunch the night before. Did this mean that they didn’t want you to be in their lives anymore?... But… but you wanted to make things right! You wanted to apologise! You want to be friends with them again! You’ll tell them right away – tell them how you would do anything just to remain by their side, even if it’s just as a friend, you’ll be happy for them! You won’t be selfish anymore, you won’t covet anything more than friendship with them, that’s all you want! Not that they’ve ever heard of your true desires—

“Well?” A familiar voice speaks up behind you, putting an abrupt end to your panicked inner monologue, “Aren’t you going to knock?” 

Swiftly spinning in place, you smile brightly at the biker and tattooist standing before you, dressed in all black, with heavy, lace-up boots and his signature leather jacket, “Sirius!” 

He doesn’t breathe a word to you, eyeing your hefty bag before briefly meeting your eyes and making his way over. His long strides made it so that he reached you in no time but he didn’t stop. With a light gasp, he had backed you up into the left of their studio’s double-door front entrance. You held your breath and kept your eyes shut tight, not knowing what to do as your heart pounded deafeningly against your eardrums. 

A moment passes and you feel his hand brush against yours before your portly bag of packed food is taken from you. A wave of relief washed over your aching shoulder as the weight disappeared but such a diminutive alleviation of discomfort couldn’t swamp the trepidation in your heart. Sirius was different. 

“Siri–”

“Let’s head inside,” he had opened the right hand door and easily slipped through with your bag. Alone and in the quiet, you felt like crying. You wanted to cry, desperately but you knew that it would offer little to no reassurance. So, with a heavy heart, you followed Sirius inside and closed the studio door behind you. 

The air was stale but, in it, lingered a familiar scent that you had come to love, it was a clean, almost clinical smell from the regular use of disinfectant and bleach. You love this parlour so much, it was filled with so many good memories, ones of soft affection through tender words and gentle caresses. Despite the earlier interaction, you couldn’t help but smile just from the wave of romantic sentiment washing over you. 

“You’re here,” Remus greets with a tired smile as James sits on the opposite end of the sofa with a shy grin directed towards you, his hazel eyes looking elsewhere.

“Sorry if I’m late,” you managed a weak smile, “I didn’t know if the door was open or not. Thankfully, Sirius was there to help me in,” Sirius didn’t sit down despite the many available seating spaces and chose to lean his back against a far wall, instead. James couldn’t meet your eyes and Remus was sneakily massaging his temple as he leaned his face against his large hand, “let’s eat, shall we? I hope you guys are hungry,”  

It was never this awkward. Or quiet. Especially when sharing your homemade lunch together. James would usually be giving you endless praise through large, mid-chewed mouthfuls while Sirius laughed at the ridiculous sounds and faces he’d pull trying to speak coherently through the mouthful of food, and Remus would shake his head, his amusement by the display evident in the warm glimmer of his eyes. However, James doesn’t have as big of an appetite today and Sirius stands alone with his tupperware, barely touching his food. Remus is the only one eating a substantial amount besides you. Although, you’ve gradually slowed your own chewing. 

What have you done?... 

What happened to all of you?

Your shame brought your gaze down, making your head weigh heavier than usual as you give up on communicating anything with the boys. This wasn’t how it was meant to go…what should you do now? The pain in your heart was unbearable. 

Shoulders slumped and confidence dried up, you struggled to think of what to do. You should have prepared a speech or something. It was naive of you to think that simply coming over with a homemade lunch would fix anything. Things are never going to be the same, no matter how much you hope and pray for them to be. 

You’re hopeless… completely and utterly hopeless…

This was your worst fear come to life. You had feared rejection but seeing them unloving towards each other, barely communicating and broken apart, your stomach collapsed in on itself as your heart fell to a million pieces. You didn’t utter a single word of loving them romantically aloud and yet, you still managed to get in between their relationship. This was a sentiment of how selfish of a person you are. 

How could you do this to them?! They were your friends, who saved you from the worst night of your life, and you repay them like this?! Shameful. Disgusting. You don’t think you could ever look at yourself in the mirror again.  

The skirt of your mini dress blurs on your lap and you have to bite your lip to keep from sobbing out loud. The tears, however, you couldn’t stop them. Hopefully, they’re all too distracted to see you silently weeping and you can gather yourself before turning tail and running out of there. 

Today is a complete disaster—

“Don’t cry, angel, please!” James jumps up and rushes to your side, kneeling down at your feet as he takes your hands in his and tries to meet your gaze through the puddle of tears in your eyes. His words immediately catch Remus and Sirius’ attention and they both begin to make their way over, evident worry swimming in their eyes but you refuse to acknowledge any of that as your mind drowns in all manner of negative thought.  

You shake your head, hearing the flurry of footfalls around you and wishing them away silently, “I shouldn’t have come here today…” you whisper. 

“What was that?” James patiently asks, voice soft and sweet and kind, it makes you want to fall into his arms.

“I’m sorry,” you speak clearer and stand abruptly, “enjoy the lunch,” the haste and sorrow in your shaking voice makes their heart drop and they’re brought back to that fateful night once more. You don’t meet their eyes as you turn and push past them to leave, almost running through the hallway of their studio just to reach the door and make a quick escape. 

“THIS!” Sirius’ roaring voice suddenly cuts through the studio like a knife, making you stop in your tracks and turn around slowly. The door to the lounge room was still open, before it Sirius and Remus stood in an aggressive confrontation, both taking on a defensive stance as they faced each other, all while James remained in the background, clutching at his head as he slumped forward on the sofa, “THIS IS WHAT I MEANT! IF YOU HAD JUST LISTENED TO ME–” 

“I DIDN’T SAY WHAT I SAID WITHOUT REASON SIRIUS! YOU KNOW MY EXACT THOUGHTS ABOUT ALL THIS!” Remus shouts back, the veins in his neck bulging out from his fierce anger, the blood rushing in his cheeks making him look just about ready to violently explode. 

“BUT–”

“—YOU CAN’T FAULT ME FOR THAT!” Remus continues, not allowing Sirius to speak.   

“WELL YOU CAN’T FAULT ME FOR MY REASONING EITHER!”

You’re horrified at the scene. Sirius and Remus look ready to tear each other apart as James looks on hopelessly, not knowing what to do or how to diffuse the situation, completely torn between supporting one or the other. Without thinking, you rush back and skid to a stop between the two hot-blooded men. Their fuming rage was like a turbulent inferno whose flames licked viciously at your skin, ready to burn you and spread the hostility. 

“The both of you need to calm down!” you shout, pushing them away from each other and creating a safe distance between. Your tears had already run dry, replaced by the trembling terror shaking your limbs. 

“Don’t worry about us Dove,” Remus manages to voice through gritted teeth, his glowering eyes never leaving Sirius’, “you can leave and we’ll sort this out,”

“Sort this out like usual huh?—”

“—Don’t taunt me, Sirius,”

“That won’t solve anything, you idiot!” Sirius flings his arms up and James just barely manages to pull you away from being accidentally hit. Neither of the two seem to notice and James expresses his apology in lovingly nuzzling your temple, his lips puckering to kiss your skin but refraining and stepping away abruptly. You try not to feel the heartache his actions elicit in you.

“SHUT UP!” you’ve never heard Remus sound so angry and venomous before, it makes your heart stutter in fear and worry. You can’t leave now; this disagreement can’t end well without some form of intervention and James isn’t fairing too well with that – he needs someone there for him too, just to feel, somewhat, grounded through all of this, “She doesn’t have to hear all of this!”

“We wouldn’t have to be saying ‘all of this’ if you had. Just. LISTENED. TO. ME!”

“You’re being ridiculous!”

“Ridiculous?!” Sirius growls lowly, his countenance scrunching up into a foul expression —an antithesis to his elegant features, “I’ll show you!” it was then that Sirius turns to face you and approaches with purpose in his long strides, unstopping like he did earlier when outside the studio. 

“SIRIUS—!”

Sirius backs you up into the wall behind you, “—Everything Could Have Been As Easy As Doing This!” you didn’t know what to prepare yourself for but Sirius firmly gripping your chin and pulling you into a deep kiss was not one of them. In your shock, you let out a surprised but muffled moan, slowly falling into the blissful embrace and reciprocating eagerly. 

Did you faint earlier? Was this all a dream?... 

…Dream or not, you like this very much!  

James and Remus watch at the bold display, disbelief shining clear in their eyes as Sirius has his way with you. But you don’t see them, you don’t see anyone or anything, all you know is that Sirius kisses like an experienced lover from fantasy and he wasn’t shy about loving you up. Not knowing what to do with your hands, you let Sirius guide them over your head to cuff your wrists together with his large hand, his other snaking around your waist to pull you closer and deepen the kiss. 

He tastes like spearmint gum and smokey cigarette smoke, his lips tinted in cherry lip balm for sweetness. What an addictive taste. You can’t get enough. 

But air is a necessity and just as you were beginning to run out of breath, Sirius pulls away, panting heavily. He doesn’t wait for a single second to pass before diving his head into your neck, where he peppers feathery but fervid kisses along your sensitive skin and smiles to himself when you slip out a moan. You sound beautiful. He needs to hear more. Sirius doesn’t stop, he sucks and licks and kisses and nuzzles along your neck like the tease he is, drawing out every quivering whimper and pretty moan you were desperately trying to contain. 

You keep your eyes tightly shut, too embarrassed to meet the eyes of Remus or James. Their gaze on you left behind a searing, phantom mark that developed into a displeasing itch. An itch that could only be satisfied if they kissed you too.

…So selfish. God! When will you stop?!

Ashamed of your gradually increasing volume, you seal your mouth shut in a stubborn attempt to suppress your pleasure. How did his lips and tongue feel so good on your skin? His touch made your knees weak and your legs shake, without his support, you don’t think you would stay standing for long. 

Just as you were able to swallow every embarrassing sound that tried to escape, James was beside you, his warm breath on your cheek as he silently urged Sirius to give way, “you need help staying quiet, angel?” he whispers and doesn’t wait for an answer, briefly meeting your eyes before he’s closing them to kiss you sweetly. It started off sweet. Sweet and loving like James before suddenly becoming very dominating and overwhelming. You were being devoured and the thought was undeniably arousing. They were both on you, Sirius kissing away at your neck as James savoured the taste of your lips before bullying his way into your awaiting mouth. He swallowed your moans for you as Sirius defiantly persisted, urging you with seductive lips to make more.  

Overwhelmed but so content. 

You were drowning in bliss and you never wanted to break away from it. 

“DIDN’T I SAY!” Remus shouts, stopping all activity and leaving you strung up high as the boys slowly pull away, not too far but enough for all of you to meet Remus’ unreadable stare. The boys look over their shoulder to observe their commanding lover, their large frames tense before moving their eyes down and slowly smirking, the tension evaporating off their figures as you’re left to rebuild another tower of anxiety from your lower stomach, “Didn’t. I. Say. We. Were. Going. To. Savour. Her?”

What?

Your shocked, wide-eyed stare meets Remus’ cool and, almost, unfeeling gaze. Once again, your knees buckled under you and you were caught by Sirius and James. Held in place by their hot, firm hands and the press of their toned physiques. 

What did he just say?

Unable to keep his stare, your eyes slowly fall down the tall brunette’s figure. Capturing his beautiful, full lips; taking in the delicious column on his neck; observing the wide expanse of his shoulders and chest; drifting down to gulp at his veiny arms and hands before landing on... 

Oh~

A/N : no fluff, but something better right? a little sneak peak on how i write spicy things but it's readable hehe~  

NEXT. | 07 : APOLOGISE AND COMFORT →

NAVI. | HEROES IN TATTOOS MASTERLIST

TAGLIST : @susyelectra @fangirlninja67 @pagesfalling @thepunisherfrankcastle @axeofwars @imarimon @in-love-with-4-marauders @chicken-taco-burrito @valencia-rou @feast0nmeee @lestat-whore @hvmxjjk @twilightlover2007 @diaryofabiwoman @woohoney @celestialfantasiess @willbedecided @lovelyygirl8 @iiirhiane-g @mangodamochiii @queerqueenlynn @l3xiluve @brain-has-left @bunbunbl0gs @kneelforloki @citrusiove @virtualbuni @awkward-d3rs3-dr3amer @that1nerd-20 @wolfstar4everbitches @skepvids @dearmy-diary @littledollfacebaby @mylifeisnothing @em16cor @krazyk99 @imdoingbetternow @realalpacorn @remussbitch @swiftieeras1989 @lonely-nerd-sodaholic @canthavetoomuchchaos @rckstrbee @b-i-h-i @ennycutie @kneelforloki @theteaobsessedbug @padfoot1313 @d1gital-data @venezsuwayla @melllinaa

[heartfullofleeches]

Miller [Streamer Yan] and Vtuber Darling that's a regular 110% human being just like them :). Darling's model is pretty average, yet cute looking, but it's their gimmick that really pulls people in.

"Ah, I'm a little thirsty. Excuse me while I drink water with my human mouth... which I have only one of."

"Do you like when I play horror games? I. Like. Them. Too. But I prefer the ones where the main character befriends the monsters at the end :)"

"Oh... Is that really what people look like instead?... I. Am full of meat too. We have so much more in common than I thought."

Quite the oddball, but their chat finds their behaviors adorable. Miller does too. They're over the moon when Darling accepts their friend requests and even more thrilled when darling mentions Miller is their first companion and streaming buddy. They've never been able to make friends before and was lonely because of it, but since they've gained a following it feels like they're never alone.

There are a few hiccups on the day Miller and Darling first stream together. Static drowns out darling's voice when they call and Miller can faintly hear what sounds like...purring? in the background. Darling apologies for the strange sounds once they're finally able to get through to Miller - their pet cat was happy they finally made a friend.

Miller is crushing hard from day one. They've never seen darling's face, but if they're half as cute as their voice they might be too far out of Miller's league. They've tried scrolling through darling's social media pages for photos of them, but all they were able to find was old selfies taken in the worst lighting imaginable... Pretty blurry too.

Darling likes Miller too. They feel as though they can trust the streamer. Trust them with anything.

"Mill...er? I. Have a confession."

"I'm all ears- Lay it on me, baby."

"Can you promise? Promise. Not to be.. Afraid?"

"Afraid? Who'd ever be scared of someone like you? You don't really scream serial killer from the conversations we've had so far."

"If that's is the case... Join the call. See. Me. I. Trust you, Miller."

Call? Oh, darling invited them to a video call. It's crazy that it's the first one after all the time, but Miller respects their privacy....a little. Miller can't see much of anything when they join in. Small, white lights greet them shrouded by the darkness of darling's room as their end connects. Looking closer, Miller realizes....

Those are eyes.

"I'm. So sorry for deceiving you.... and everyone else. Miller.... Thank you for being so kind to me. I couldn't lie to you anymore. I'm sorry. I understand. If you hate me now ...."

"Hate you?.... I'm trying to figure out when our first date is-"

"Ah?"

"You like pork chops? Steak? I remember you talking a lot about meat in earlier streams. I like a person who can really eat, y'know?"

Are they.... flirting? Darling is vaguely aware of the practice. Miller can see them right? Why are they acting so nonchalant about their appearance?

"Hm? It's still you, isn't it? A few more eyes or rows of teeth don't change the fact you're one of the chillest people I've met online. Cutest too. Even now.... So, when can we meet up?"

Miller is strange.... but Darling is strange too. They're happy they met them.

-

Miller: So you're telling me you've been this sexy monster person this entire time?

Vtuber Darling: i... suppose?

Miller: And you choose that boring ass design as your avatar?! Actually that was probably better for me personally - weeds out some of the competition.

[otakuworks]

Hiiiiiii it's my first time asking, I really love ur genshin works and this may be a very huge request but I've been having a brainrot where Genshin men are in particular manhwa and the reader gets to be the protagonist.

My idea is Xiao as Duke Kedrey from Villainess is a Marionette, cuz he treasure his personal bubble and really is a strong warrior like Raphael.

Maybe Scara as Rezef, it's self explanatory lol

Or Childe as Jeremy Agriche from Roxana. He'll spoil his darling rotten and relationship can be quite toxic but still healthy nonetheless.

Or Kaeya as Heinrey from The Remarried Empress. They're both Casanovas and hot looking❤❤

Or Razor as Nine from Beware of the Villainess.

I know it's too much and you ignore this if you want if it's a bit overwhelming. But if you do, it's okay to not do all of it, I'll be satisfied even just with one. Thank you and have a great day!!!!

❛ 𝐆𝐄𝐍𝐒𝐇𝐈𝐍 𝐌𝐄𝐍 𝐚𝐬 𝐌𝐀𝐍𝐇𝐖𝐀 𝐌𝐋. manhwa au

feat. Xiao, Scara, Childe, Kaeya, Bennett x GN!Reader | wc. 9.1Kaeya

disclaimer. if you haven't read any of these manhwas, don't worry, i won't spoil the story that much anyway. this fic will only be based on the manhwa and I'll try to explain it as the best I can do. and the first few bulleted paragraphs are the overview of the manhwa or the character.

note. this is genius level idea. thank you for requesting, i thoroughly enjoyed writing this prompt and reach 10k words lmao. I never got to write for razor 'cuz I still have to continue reading beware of the villainess but I do have an idea for bennett (my sec fav dps) in this prompt. i might do a part 2 with diluc who knows

cw. psychological, suggestive themes, yandere, childe

main m.list genshin m.list

𝐗𝐈𝐀�� / 𝐀𝐋𝐀𝐓𝐔𝐒 as 𝐑𝐀𝐏𝐇𝐀𝐄𝐋 𝐊𝐄𝐃𝐑𝐄𝐘 !

Not a single soul in the Empire does not know the fierce infatuation you harbor for the young Duke Alatus of Kedrey Dukedom. From his stunning golden eyes and dark green hair, everywhere he goes demands spotlight.

Ever since you caught the sight of him in one of the balls you were attending, you clung onto him like a leech, always closing the proximity, writing letters, and initiating conversation with him in hopes he'll reciprocate your feelings

Every interaction fills you with contentment and confidence. You're the eldest child of the Emperor, dignified, stunning and kind. Who wouldn't want an Imperial Nobility like you?

However, you've gotten way too engrossed for your undying love for him that you swept away the constant threat looming above you and your title as the Imperial Nobel.

The ballroom shimmers with golden lights, and the air buzzes with the sound of laughter and polite conversation with the soft hum of elegant music relaxing the nerves in the background, setting the perfect backdrop for the prestigious event where the whole Royal Family would be making an appearance.

Most notable Royal Family member to present was Y/N L/N, whom the rumors were circulating about of plausible marriage proposal to a certain Duke, unsurprisingly.

"Alatus!" You maneuvered your way to him, seemingly shameless for calling his name without his title before it.

"Your Highness." He greeted in such a desultory tone that anyone can deduce he's anything but ecstatic to see you.

You've known how distant and cold he acts toward everybody, but you were cursed with such a dense mind to comprehend he doesn't treat you any different; his stiff actions like simple greeting and short response equates how much he craves to stay furtive, contorted expressions and averting gazes are him expressing his displeasure in your presence and he definitely ignores your letters.

And yet you hope you can change his views of you by approaching him because of your burgeoning feelings. It didn't cross your mind how much he values his personal space and kept on insisting your infatuation, unbeknownst how much it irritates him.

"I'm glad you are here. Did you read my letters? I was hoping for your reply since last month but you remained unresponsive. I thought you might have been busy so you forgot to reply." You rambled on and on, you're too close for his liking but out of respect to your title as the Imperial Highness, Alatus stays silent.

One of the attendants offered you a chocolate dessert and you ate without regards, even offering one to the Duke. "I'm not a fan of sweets, Your Highness." He refused, eyes twitching.

"Oh? I apologize for that. It seems— *COUGH*"

For once, one expression painted the Duke's face out of all the times he wears his stoic facade. However, you don't know if you should be glad he's looking at you like that, he looks mortified.

"Imperial Highness! Quick! Fetch the doctor!" A Duchess yelled with clear distraught as she watches you slumped over the floor, coughing blood and alarmingly paling each second.

This incident is quite common amongst nobles.

You were poisoned.

Whoever did such thing never got to register in your brain as the poison intensifies and you doubled over from the scorching pain. Black dots danced in your vision, tempting to lure your eyes to close and pain only pushed you to do so

You barely registered the rushing footsteps of the guards or the nobles screaming before darkness greeted you like an old friend.

The Imperial Palace busied themselves for the recovery of the eldest royal, it even for busier when you were comatose. Security has been tight since then, there were more than necessary numbers of guards stationed outside your room.

Duke Alatus seems neutral with everything, rumors spread among the nobels that he never care for their highness, Y/N.

While it is true that he shows nothing but malice towards your incongruous advances, he does appreciate your efforts of getting closer on a microscopic level and deep down, there's a tinge of concern pricking his numb heart.

Still, his hatred and pride overpowers his concern, he never once visited you, not that visitors are allowed in the Imperial Palace anyway.

He does ask his informants regarding of your health condition. No one can gauge what thoughts running in his mind when he does so much as stare at the informant with a straight face.

And then one day, he received the news of your recovery, that you're finally awake.

You've been awakened by a startling nightmare that rattled your mind awake. For a comatose person in a cool air room, your forehead is sedimented with perspiration and all you can think of is how to escape from your wretched room.

Your maid came in only to react in astonishment to see you sitting up. When she asks how are you faring, you responded neither politely nor dismissively, when the doctor checked your vitals, you didn't throw a tantrum like you always do.

Behind your veil is a person desperate to survive the Imperial Palace before another catastrophic event occurs in the near future. You have to change your ways, it is for your benefit anyway.

The maid was suspicious of your every changing behavior as you were known for beautiful and luxurious nobel who throws jaundiced looks on anyone who do so much as to stare at Alatus.

Speaking of the Duke, you only realize he has no intention of reciprocating your feelings through the maids during your comatose state because there are times you lay there immobilized but your sense of hearing never fails you.

It was a bitter reality, you genuinely feel infatuated to the Duke and want nothing more but to know him better.

Unfortunately, your ways of showing affection is not appreciated to a man who values his dignity and protects his people first.

You chuckled at your stupidity, it was all spelled out for you to decipher but you chose to remain ignorant to the truth and now you got the deserving consequences of your actions. You suffer.

If time permits, you'd like to steer clear with Duke Alatus and seek forgiveness for the time you made him feel like an unworthy man who only attracts potential suitors by his looks and reputation.

He's so much more than that, and hopefully he'll find the right person who can show him love beyond on what you can give him.

For now you want to focus on running away from the Imperial Palace until the storm passes.

Weeks flew by and you've been attending more social balls to tell the whole empire that you've survived the assassination attempt, to convey nothing can hold you down. But to also give you enough time to map your escape in the palace.

It's not an easy task to fly away from the palace with the noble title on your head. Therefore, you would need someone to help you get away legally.

"M-Marriage?" Sputtered the Duke Alatus.

So much for asking for his forgiveness.

"I'm aware it sounds a salacious scheme to tie you down with me and I can only offer you my sincere words that I no longer bear any infatuation toward you, Duke. I've accepted the fact you have no room for romance and moved on. I hope you do the same and accept this contract. It's beneficial for both parties."

Sure it sounds like a scam and Alatus doesn't want to end up like his friend, Zhongli, who gets scam from left and right.

What baffles him is you sitting with such poise and authority that he no longer can see the past you who kept chasing him for answers to your confessions. You've matured. Mature enough to handle a crucial negotiation.

And it raises the question.

What happened?

He only knows you as the Royal Noble who follows him with lovesick eyes. He wasn't informed you could be downright. . . sexy.

"Your face is red, Duke. Is everything alright?"

"Yes." A pragmatic answer coming from a man punching himself on his mind for thinking lewd things about you.

"I'm not expecting a direct answer now, Duke. Take as much time as you need, but be reminded that I also have limited time. If you are not able to give me your answer within a month, I'll exterminate our negotiation and never speak it ever again."

Silence reigned supreme, the Duke's face never betrayed any emotion while you held your head high as you sip your tea. "I hope to hear your answer soon, Duke Alat—"

"I accept."

You blinked comically. "I beg your pardon?"

"I accept your offer."

"W-What? Are you certain?"

He leaned back and crossed his arms. "I am a soldier, everything I do is with certainty. I do not rush nor stall."

Your eyes escaped his scrutinizing gaze and slapped yourself at the back of your mind. Who were you kidding, of course Alatus wouldn't waste time and prefer to give direct answer. Times like this make you realize you don't know him at all and yet you claimed that you love him. Embarrassing.

"I understand. Starting tomorrow we are publicly a couple within 6 months, you help me with my escape and I'll help you in your foreign affairs under the Royal family's name."

You stuck your hand out for him to shake. "I'll be in your care."

"As I am."

Headline: "Royal Highness Y/N L/N and Duke Alatus Kedrey relationship has recently caused rumors to suggest their Highness Y/N has eloped with the Duke."

"This is an overkill." A nervous chuckle rumbled from you.

"I think it's justifiable." Countered the Duke.

"I believe so. What worries me is your take in this."

A frown settled deep in his eyebrows. "Worried?"

You mirrored his expression. "This headline would most likely attract journalists to interview you, possibly even dig your background to quench their thirst for answers." You paused and walked ahead of him in the garden.

"Knowing you don't like anyone to probe into your private life, it worries me to think about the plausible frauds you'll experience." You couldn't see his expression as you sighed.

Unbeknownst to you, his face is crunched up, forming an expression of what you can call it. . . confusion? Your words perplexed him to a whole new degree.

Weeks ago you were throwing yourself at him, you could care less of his feelings and only care for him to love you back, you did unimaginable things that he finds pathetic. You were selfsh, self-centered and other synonymous words.

But now. . .

Alatus sighed, massaging his temples. No use of thinking hard about their change, it could be a facade to let my guard down. As if that would ever happen anyway.

"I am not worthy of your concern, Your Highness. Please be rest assured that mere words won't affect this contract."

"Y/N."

"Pardon?"

"Call me Y/N when we're in public. It'd cause a stir if a couple address each other formally. Would it be alright if I call you by your first name?"

Again, you're being unusually solicitous for him. He was too stunned to speak and you took it as a negative sign.

"Do tell me when you're comfortable enough to let me call—"

"Why are you like this?" He bluntly asked.

You blinked owlishly. "I'm afraid I don't know what you mean."

"Why are you pretending to be nice?"

You inwardly sighed. Of course there's no way he'll fall for your 'nice change' if anything, it made him more suspicious of your behavior. But really, you're showing genuine care for his needs and always try your best to assist him.

"I highly doubt you remember our first meeting, for you it might've been the worst day of your life. For me? It was the opposite."

"What?"

"My father is not as loving and caring for most people would think. Oh no, he's far from those, he's cruel and abusive." Alatus' eyes sharpened at the indication of domestic violence.

"He only saw me as a child who'd bring glory to the Empire, he cares for what value I can impart on behalf of his reputation. I have the beauty after all, but not the brains nor brawns. And he couldn't be satisfied with it." A bitter chuckle came from you.

"When I saw you at the ball, I was mesmerized like most men and women at first glance. You're dignified, strong, insightful and top of that you're undeniably gorgeous. I admire you like the rest of the population because you have everything my father wanted from me. I thought all those qualities were unreachable, and yet you exist. You made me feel inferior and I became insecure of myself. I only have my pretty face, without it I'm nothing but a disposable ornament. Do you know who poisoned me that night?"

He says nothing for a little while. He knew the answer right before you even asked. "Your father." There's a bite in his words.

"Perceptive as always, Duke Alatus." He couldn't match your careless words. If he was perceptive he would've figure out you feel threatened at your own home. He— Archons! He's pissed!

And for what reason? He asked himself.

"I pursued you since then, thinking my father would change the way he treats me if I had you with me, a perfect son-in-law— maybe then he'd look the way I expect a loving father would." Fists clenched, you tightly closed your eyes.

"I was a fool, alright. When he realized you're not interested in me, he deemed me worthless, hence why I was poisoned. He wanted to eliminate a thing that has no value anymore. It took me years to realize that he would never love me. No one would."

You've never experienced love, let alone how to show it properly. Only the Duke Alatus ever made you feel like a human worthy of showing basic manners to you without the influence of your title.

Your first meeting with him left a huge impression. It was at your debutant party, nobles attended and gossips were shared. A night that should've your spotlight, but it felt far from it.

For instance, you constantly felt out of place, as if you don't really belong in the social groups of nobility. Which was richly hypocritical, considering you also had an appetite for attention over individuality. The dichotomy left you uncertain on many occasions and you felt obligated to mask yourself behind a much more "proper" exterior. You can't define what's exactly proper, and so you would always second guess everything you do as feeble as greeting a new face and ask yourself if it's at their satisfactory.

At the end of the night, no one even noticed the star of the night had gone missing amidst their debut celebration. All except one.

Perched on the rim of the fountain, your bare feet submerged in the pool of water.

The cold sensation is strangely comforting, add the cool breeze of the night and you feel oddly at peace. Somehow contradictory to what you've read in romance books that people under stress usually crave the warmth of their partner. Perhaps the absence of love made you hunger for whatever's available for comfort, starving people will eat anything after all.

"Reduced to just sitting around. How absurd."

A frightening shriek escaped your lips, you made a hasty turn as the water splashed as you move. But that soon morphed in relief, the man in front of you impose no danger, if anything you'd feel the safest in his presence.

Duke Alatus is revered as the Hero in his Liyue Empire, the strongest fighter and apparently most handsome man to exist. And boy do those rumors did him any justice.

You've seen him from afar and couldn't help but fall for him at first sight, you wanted to get closer but you were always reminded how worthless you are and that someone like him would never bother batting their eyes to you.

And yet, he's here. In the flesh.

"What are you doing here?" You praised yourself for not stuttering in his presence. He merely shrugged before standing a few meet away from where you're sitting.

"I missed the chance to greet the host a blessed birthday, only to know that they've disappeared. Do you have a habit of playing hide and seek among your peers?" The satirical undertone must've flew over your ear and you looked at him, slightly aghast.

"H-How did you know I wasn't there?"

No one paid attention to you. So why would he?

He sighed, "Didn't you hear me? I was going to greet you but you somehow vanished in your party."

"You searched for me?"

He scoffed, "I'm here, aren't I? What kind of host would leave their debutante party behind?"

"You could've gone with your evening without pleasantries. It wouldn't reflect on your reputation, only mine, so why bother go all through this trouble to find me?" He gave you a blank look, but his eyes blinked in slight disbelief at your query.

"It wasn't trouble finding you, really. . . unless you prefer being alone at the moment, I can leave."

"No! I mean — ehem. . . you can stay." You muttered, an underlying embarrassment was present in your voice.

He perched an eyebrow. "You are an odd one as the rumors say."

It was a turning point to you. Being emotionally repressed and touch starved you are, you wanted more after the first sign of attention from him.

He gave you an ounce of your need to be seen, to be acknowledged, to be worthy of someone's time. It was enough for you to take it as a sign to pursue him.

But you realized a little too late that he would never reciprocate your feelings and the so-called "love" you have for him is the result of years being deprived from any compassion. You've mistaken hunger for love.

"Now you know the reason behind my desperation of escape and the need to change in order to succeed. Truthfully, I don't know if I'm doing the right thing of being considerate and all that. I have to apologize for making such attempts without researching." You made a mental note to visit the library later.

"Anyway, I've said many things today. Let's settle — OMPH!"

A gloved hand wrapped around your wrist and you were pulled backwards, only to softly bumped against a firm chest. "H-Huh? What's the matter, Duke?" You dumbly asked as you tilted your head up to glance at him.

His bangs shrouded whatever expression he has on his face. "You have my permission to call me Alatus, be it in public or private."

"Oh, OK." You're quite baffled what his actions are supposed to convey. Isn't he supposed to dislike physical contact?

"I first saw you as an incompetent noble, a typical royalty who's strength is heavily reliant on outward beauty." Damn, you should add straightforwardness in your compliments for him. "I've seen pretty faces everywhere, yours is nothing special."

"I've heard enough!" You tugged away from his grip, stinging tears threaten to fall. To think your only strength has been trampled on just like that feels like your hope vanishing. Your face is your only gateway to freedom and it—

"Tis why I am amazed to see you acquiring new strengths in your arsenal." E/C eyes found themselves clashing with Alatus' golden hues, there's a glint of emotion you couldn't decipher.

"Your Hi — Y/N, I promise to get you out of this hellhole. Our contract can exceed the 6 month rule for all I care." A blooming emotion spreads in you. He cares enough to finally notice you and your pain, and he's here to help you.

Don't get the wrong idea, self. He's helping me as an ally because he has a good heart. But I know I don't deserve someone so kind and he doesn't deserve someone so broken. I understand our fate is only meant for this; my savior and his misfortune.

You sighed as you remind yourself with that set boundaries. "You have no idea how much that means to me. Thank you, Alatus."

"There's nothing to be grateful for. I'm happy to help someone in need, it's more than enough."

You smiled. And his heart skipped a beat.

A pretty face with a genuine bright grin.

You're beautiful when you're being you.

No bitterness. No ill-concealed pain. He has to rethink his words about your ''mediocre'' beauty.

It pisses me off when you sell yourself short with degrading thoughts, you're no mere ornament. You deserve to be loved, Y/N. I admire your strength and determination. You're a lot stronger than I was when I needed the strength to fight, you're someone I aimed to be in my darkest time. So, keep going and don't ever hesitate to call my name for help.

Little did they both know, Y/N was falling out of love while Alatus is falling in.

𝐅𝐀𝐓𝐔𝐈!𝐒𝐂𝐀𝐑𝐀𝐌𝐎𝐔𝐂𝐇𝐄 as 𝐑𝐄𝐙𝐄𝐅 𝐇��𝐋𝐋 !

Many wise nobles would not dare cross paths with Prince Scaramouche Hill, his temperamental issues and rude behavior garnered him the reputation of a tyrant, but Y/N L/N had never counted themselves among the very wise.

You're the main character in every horror movie that instead of getting away from the first sign of danger, you run towards it because. . . why not? Where's the story if they'd just run away?

Wouldn't you guess it. You accepted his marriage proposal.

Now the question lingers: WHY?!

"Now, now. . . There is no need for such hasty decisions, for if such marriage were to be cancelled, then so too would the beneficial ties between our families. Is this what you truly want? A marriage for political convenience is what is being sought here, not love."

His ingenious words has been embedded in your mind ever since you avidly rejected the marriage proposal from the Empress herself. Making it much more difficult to retire on grounds of a healthy rejection was a rather callous way of dealing with part of the problem when the Prince himself outrightly called you out.

From the get-go, he was a walking red flag blessed with bewitching charms that you have fallen victim to. You've heard the rumors, he's anything but a saint, his looks might say otherwise but you've acquainted with his ugly side to conclude that your life will be full of thorns once you've wed.

This callous sentiment should chill you — maybe it would, if you heeded the alarm bells ringing in your mind — but fascination triumphs over any deterrent. What would it be like to get to know this Prince? Can I make this marriage work?

#icanfixhim

The wedding ceremony went smoothly, vows were pronounced and rings were exchanged. Though the two of you never really said it aloud, you both weren't ready for the. . . "marital duties"

For tonight, the servants prepared the room the newlyweds will share with unimaginable extravagance, there were rose petals littered in a heart shaped in your bed, candles on each of the bedside table and two bottles of what it looks like strong liquor across the room, definitely intended.

You entered the shared room gripping your nightwear and promptly chugging down the liquor at your leisure.

Scaramouche is yet to come in this new room, part of you hoped you'll be too drunk to fulfill the marital duties. But as you look at the window, mirroring your inner turmoil, you know it's pointless.

It’s a moonless night, heavy with the weight of regret, shattered dreams and a long road of loveless marriage.

You clutched the remnants of your sanity and drowned yourself in the bitter solace of liquid courage to feel the emotions you’d been avoiding. If you'll lose everything in one night, might as well be under the influence to numb the feelings away.

The bottle was harshly snatched from your hand. "Do you plan to do this while you are drunk? Is this what they have taught you?" Came from your new husband.

The liquor did the best job to give you the courage to speak up to him, something that you lacked when he snagged your confidence at the lowest as you rejected this marriage.

"Someone has to be educated in the bedroom?" There's a sardonic undertone as you sway your head. "Well, pardon me, Prince. You barged in my home, proposed this bullshit and expect me to be knowledgeable in the art of pleasure in one week?"

You drunkenly stood up and mustered your best glare-that-can-put-you-sixfeet-under. "You. . . I gave you a benefit of a doubt and accepted this marriage thinking you're a subject of those biased rumors, but you absolutely pale in comparison."

This is where you're expecting expletives insults from him, his pride has been put to the test and Scaramouche was not known for his leniency.

In your drunken stupor, only the blur outline of his masculinity shadows your figure. Before you could retort anything else, he had lunged himself to you, specifically towards your lips.

Surprised marred your drunken face, what's more surprising was how gentle he moved his lips with yours, you'd expect him to be rough in intimacy which what greatly contributed to your anxiety but his gentle actions made you think otherwise.

Are we really doing this?

A hand cupped your cheek as if guiding you to tilt your head to the side while yours gripped the bed sheets. His lips traversed the corner of your lips down to your jaw, rendering you speechless as breathy moans escaped.

He must have noticed your reaction and promptly detached himself from you and you can finally breathe.

"I'm only marking you," His voice was incredibly soft, it was like another soul possessed his body, "We both don't want this. . . whether by obligation or not and I won't cross it. At least by marking you, it'll make people think we have done it."

Scaramouche raised your chin slightly and lifted your face towards him. Now both your faces were looking at each other. He was staring deep into your eyes, as if he was looking for your permission.

There's a certain way Scaramouche takes in your appearance — a thorough observation that doesn't miss the smallest detail about you.

What he sees are things he's familiar with. An enticing body and face which speaks of power and a strong will. A sharp mind, which makes him feel he's found an equal in intelligence. Someone who he wouldn't have to manipulate or trick into submission. . . because he knows he could get there with affection and a proper hand. And, perhaps above all, the way you look at him. As he does to you. . . there's a burning desire.

Why does he have to make this difficult for me?

His hands slide over your body in a smooth, slow way which makes your mind go numb. His hands cup you and caress the shape of your form. Your eyes close as his hands take their place in your hair. . . holding it like a trophy.

With the way he was raised by the Empress, Raiden Shogun, it shouldn't come as a surprise that Scaramouche views you as a property to own rather than a living human who possessed feelings.

The taste, the feeling of his lips against your neck, his breath against your neck. It's intoxicating. . . and leaves you gasping for more and your stomach fluttering. You feel his lips trail towards your neck, and just when you thought he'd move up to your lips — he sinks his teeth in just enough to leave a mark without hurting you.

"This should be enough."

As quickly as he left the mark so was his presence in the room as he hastily stood up and left without making so much noise.

The morning after your consummation, you thought he might treat you a little better than before but he seemed to have reversed back to his old self once again. Archons!

When nothing goes his way he'll use you as a ventilation, and you took every jabbing words and flying objects thrown. You never once complained, not when you know his soft side.

Pitied looks and whispers of sympathy were your daily highlights, everyone in the castle knows how badly the Prince has been treating you since the first day. But that's not true, he treated you like a human on your consummation night, he was more than a Prince with temper tantrums.

If only you can understand His Highness, though. Try as you might. . . You just didn't get him. It seemed like he was made up of several personalities that were constantly getting in each other's way.

"Fuck." Scaramouche was now slumped on the floor.

It was one of those days he'd use you as his target of frustration, nothing new. Scaramouche has tendency to temper tantrums. But today, his eyes brimmed with tears.

Scaramouche himself probably wasn't aware of his vulnerability, he would immediately leave your room and do god knows what.

"Your Highness?" Your meek voice was barely comprehensible in his ears, he was visibly trembling with his head tucked in his arms.

"Go away!" Despite his harsh refute, there's an underlying tone of a defeated man. It hurts to see him like this, nobody deserves to experience pain no matter the circumstances of their birth — Scaramouche shouldn't be an exception to this.

"But you're in pain." You frowned deeply and kneeled beside his trembling form, far enough to not trigger his fight or flight instinct.

"I'm always in pain!" He was shouting and mumbling to himself, but it didn't slip past your senses that he was almost whining about his situation, similar to a child crying out for his mother.

"You don't have to be if you let people help you."

"Help me. . .?" He reiterated the words as if it's in foreign language.

A sense of dread flood your senses as you silently gulped, but you remained rooted in your spot beside him.

"Yes, I know you're not used to it, you're probably denying it in your head as I speak. I won't force you to seek help, but know that someone would be willing to help you." Lies, he knew your words were baseless reassurance to make him feel better.

"Yeah, and I treat you well." He sputtered those words with condescending ire and finally look up to you with so much loathsome in his purple eyes. "You're no different than the people who have deceived me."

Your eyebrows shot in surprise. So he had people who took him for granted? It's no wonder he was shaped like this — spiteful and vindictive. It was easier for him like this, to let people hate him than take advantage of whatever's left of him.

"I'm not deceiving you, Your Highness. I'm willing to help you."

"Do you take me as an idiot? Words hold no value or truth behind them." He spat bitterly and a firm scowl marred his expression before he sauntered to the exit.

"Willing?" He scoffed and finally stood up, unraveling his height that was only inch taller than yours. "Don't make me laugh, people like you always have ulterior motives to help."

"I'm not like one of those people. I give you my word for that."

"Your words prove me nothing. Get out of my sight!"

"But this is my room. . ."

His eyes twitched. "This is our room."

"Okay! I'll go!" You surrendered and stumbled your way out of the room without looking back.

Scaramouche wasn't aware when it began, he does know the feeling started off as a small simmer from a pot of heated water. He finds himself beginning to notice every small detail of you.

It began with him noticing the small dimples on your cheek when you smile or laugh with your full heart instead of the prim and proper laugh from etiquette lessons.

He noticed your habits depending on your mood — your hands become restless when anxious, your eyes dart anywhere but his eyes when you're uncomfortable, or the way you bit your lip when feeling awkward.

Is this. . .

Love. Scaramouche hated that word for love is always affiliated with trust which both reeked of vulnerability, and the sort of emotion that the Prince couldn't afford to display — not when all it had ever done in the past was cause him torment. The past, he had felt resentful because the Empress had handed over too much baggage unilaterally to him — his Princely upbringing, the sole heir duties, arranged marriage. Damn it all.

Thereafter, he had acquired unnecessary headaches from his supposed spouse. He had wrongly assumed your character, for after showing you early signs of his apparent animosity, it only fed your burning curiosity.

He was quick to chalk it up as your naivety, you did reject the proposal for the sole purpose of finding true love.

Only fools would expect love from a mere paper contract. If he had any sympathy left he would gladly drown you with it.

But his assumptions got stomped when you displayed regal actions against the nobles who badmouthed you about the marriage. It was expected that negative rumors would spread and most people would merely pretend they're deaf. You, on the other hand, confronted them and stood up for yourself.

You're far from naive, it seems. If not naive, then what's driving you to endure his treatment and keep leeching from him? The question blanketed his mind for weeks.

You, who's ever curious about the Prince and the the said Prince befuddled by your actions. Put it together and it creates subtle transition in your relationship.

He starts letting you engage him in conversations, as silly as they were sometimes. His answers were still brimming with condescension and ire, but somehow you couldn't shake the feeling that they somehow lacked the bite. . . the intention to hurt.

Or maybe you were just too numb to register it. Either way, you're liking the subtle changes in your relationship.

"HEY!" You gasped and bolt right up, trickle of perspiration on your temples. "W-What. . .?"

Scaramouche was beside you, his usual glare plastered on his face, but his hands are drawing circles on your back, soothing your labored breaths.

For every shift, there's the touch of his hand, the sound of his smooth voice that promises to protect you. His eyes follow you even in your shaking — the light reflected in them assuring that they won't disappear.

"Relax, reality is more often terrifying than nightmares."

Very reassuring.

Scaramouche's expression is somber as he regards you in the dark. There's a bit of hesitation before he reaches out to you. . . embracing you, like a blanket being your safe haven from the Boogeymen.

"I'm here, there's no need to fear." He whispered quietly as his grasp adjusts to be gentler against the softness of your skin as you trembled.

This is him. This is Scaramouche Hill.

This is what you were curious and hoping to see from him. No pedantical micromanagement, no cruelty born of mistrust and ill experience. Just Scaramouche, passionate, attentive and content. Kind in his own way, sardonic and inquisitive, not as selfish as everyone assumed. It was such a privilege to see it.

𝐂𝐇𝐈𝐋𝐃𝐄 as 𝐉𝐄𝐑𝐄𝐌𝐘 𝐀𝐆𝐑𝐈𝐂𝐇𝐄 !

They say there's a fine line between sanity and madness — Childe Agriche has a foot on both sides. And as the youngest son in the House of Black Agriches, he's the most 'normal' and 'enthusiastic' being you can meet in the manor.

You were a simple commoner who heard the rumors circulating the Black Agriches, if it taught you anything is that Agriches repay kindness with gold and insults with death. Yeah, a family you won't dare to cross with.

Apparently you don't share the same sentiment as your parents as they were too deep of their dept with the Agriche.

But they were spared and in exchange of their mercy, your parents sold you off with them to work in their house. They didn't even bat an eye and shoved you down to your knees.

You felt every kinds of betrayal that exist and snitched on your parents by exposing them of their illegal deeds and what they did to their money that put them in that situation.

Enraged, the head of the Agriche swiftly beheaded them and took you in the manor. It was a relatively quiet mansion, you thought you were going to die in the next few hours but you found yourself suddenly face to face with gleaming mischievous cerulean eyes that seems to enrapture you.

"Who you might be? A new toy for my siblings?" His jovial tone makes you think he's such a harmless creature, which was proven incorrect when he suddenly revealed of wanting you as his pet.

Did he mean slave? Surely he won't potty train you or tell you to sit and roll in front of strangers like a child(e), would he?

"Stand down, Childe. This is Y/N, a new addition of our workers." His father introduced before lighting a cigarette.

He scoffed, "We already have so many workers. Why don't they just become my pet instead?" You had to hold back the broadening of your eyes at this. What on Earth is wrong with these people?

The head of the Agriche merely shrugged as he waves a dismissive hand. "Do what you want." Your heart dropped at the nonchalant response. It'd be better if you get to work in the mansion, not be someone's slave.

An arm was suddenly draped over your shoulders. "Awesome! My name is Childe Agriche, you're now my new pet. So, let me break it down for you; you obey, reward. You disobey, punishment. Simple."

Did I mention he enjoys toying with his victims and making them his pet? Pet, as in putting a collar and chaining you up in the basement? And what was that again? He's supposed to be the most normal?

You're either stuck in a room where he claims to be your cage or following him in around the manor with the collar still on.

At first, you were scared what he might do to you, but it turns out he really honors his words. You obey him and nothing bad will ever happen to you. It really is that simple as he said.

You've heard how other Agriches tend to torture their pets for doing mistakes or even obeying as they're told. You haven't seen the display of power within the Agriches for Childe insists you stay in your cellar room, but the rumors you've heard guaranteed your every caution in meeting new people in the manor, even a maid.

With Childe, however, it doesn't automatically warrant punishment for a simple mistake. He opts to teach you what's right and wrong.

It's unbelievable how patient he is with you, it's more unbelievable to think he's an Agriche with this kind of attitude.

One day, he entered your cell and announced that you'll be living together with him in his room. The collar will have to remain for the sake of your 'safety' as he claimed. Thus, you found yourself laying on a thin satin silk mattress that left no little discomfort.

It didn't seem like he has many tasks to deal within the household, he'd occasionally be away for a few hours before returning bloody murder with crimson stains on his royal clothes.

Driven by a tinge of concern, you couldn't stop your mouth from asking. "What happened? Are you alright?" It was the first time you had seen him what the rumors would potray about him.

His eyebrows furrow in bafflement. "You're. . . asking me if I'm alright?" He asked, almost in disbelief that such question exists.

"Of course! Look at your clothes. How can you expect me not to worry?" Your courageous episode ended when you realized the mistake, you lowered your head. "I apologize. I didn't mean to come out as impudent—"

Your statement was cut short when a cold hand grasped your chin and tilt your head up. Those cerulean eyes never fails to instill the butterflies in your stomach.

"I didn't realize how cute you are until now." His voice dropped a few octaves low it sent shivers in your spine, "Nobody has ever asked about my health, and then there's you — chained up in my bed, concern for me." He chuckled, the type of chuckle that tells you he enjoys a good prey, that he likes how far you will go for him— he's testing you.

Even being concern can get you in trouble?! What's next? I'm getting punished just by breathing?!

"I don't mean no harm." Your demure voice only made him more elated.

"Oh, dear Y/N. Even if you do, there's no way you can land a hit on me," he paused, swiping his tongue out to wet his lower lip. "But fortunately, I'm a masochist myself. I might allow you to bite me if you behave~"

He really is an Agriche.

"Getting back. Are you really OK?" It took every innermost strength in you to divert the topic.

In response, he flashed you a cheeky smile before his hand slowly descended on the base of your neck. Latching his gloved fingers around until he's holding you in a chokehold.

He hasn't done anything, yet your breath hitched.

"You're so small and vulnerable, I can easily snap your neck like this." Proving his point, he added pressure which now made you choke and clasped your hands on his wrist out of reflex. "And yet, you're asking me if I'm OK?"

The pressure on your neck didn't loosen one bit, it feels like he has no intention of actually hurting you, just setting an example of what he can potentially do to you.

You barely can breath, not only because of his hold on your neck, but also the fact he's unbearably close your breaths are mingling as you exhale. You feel like fainting.

"B-Because I don't like seeing you hurt!"

His expression dropped instantaneously. An undecipherable emotion passed his countenance as his strands casted shadow over his blue eyes.

"T-Tartaglia?" Was his alter ego.

He insisted on you calling him by that name.

"Why?"

"What?"

"Why do you care?"

You ask yourself the same question, any sane person wouldn't think twice to care for a cold hearted killer, but any sinner like him wouldn't treat you with such kindness.

"Is such reason needed? I saw you stained with blood, it's natural for me to fret."

". . ."

". . ."

"Aww~" He cooed, finally loosening the hold on your neck.

What an odd reaction. You took a huge inhale and nearly slide down as your knees weakened, but he has his arm around you to keep your equilibrium in balance.

You felt his gloved hand tilting your chin up, his bright blue eyes swirled with emotions you couldn't deduce.

Everything he's doing alerts your senses to run, but your body just craves for more of his touch. Archons above! I'm losing my mind! The way he looks you like a predator — a hungry and sadistic animal, looking to ravage your soul. He's a dangerous, charismatic and highly intelligent man. A twisted fantasy.

"You know what, you'll be my significant other!"

"WHAT?!"

"And you should call me Ajax from now on, too!"

How many names does he have?!

The next thing you know was Childe's entire personality shifting. He freed you from the chains and treats you like a true royalty. Childe innate possessiveness of you increased tenfold after he was exposed to your gentle side.

Overwhelming was the right word for what you felt after a few days of his behavior.

But your "boyfriend" kept insisting in gift giving, it's his primary love language. You mentioned your favorite food? He'll have it on the dining table. You fancy a clothing? Consider the whole shop yours. Someone being an asshole to you? Expect a dried head by your doorstep.

Make no mistake in kidnapping his S/O — he'll rain down all kinds of hell. Sadly (not really) some people just don't heed warnings and accept death so readily.

The temperature in the room seemed to grow colder in cadence with the ice in Childe's gaze. "You mean to tell me, that you are all incompetent to do a simple task of guarding my room where my S/O was? And now they're gone?"

*SPLAT* *THUMP*

One head rolled over

Nobody breathed.

"For every minute you fail to bring the culprit in my playroom equates for a head. If I happen to find them before any of you — don't expect a one way to ticket to hell. I will guarantee to entertain all of you along with the perpetrators."

Childe Agriche loves to play and this was one of his games. Touche! As if he can expect those vacuous idiots to find Y/N.

The door closed with an ominous boom that echoed throughout what sounded like a massive but empty chamber.

Childe knew anger, he was well acquainted with the said red emotion but he had always try to mask it under the pretense of a funny and boisterous man. This time however, he's been uncharacteristically calm and everyone in the manor feels like walking on a tip of a knife.

They wouldn't understand, none of those imbeciles would know what it feels to be with Y/N. He scoffed as he sharpens his arrowhead before placing it in his quiver. There was no time to waste, he wants you back in his arms.

And he did.

With bloodshed, of course.

"GAHHH!"

Childe moved swiftly and gracefully, so much so they had trouble keeping up with him. He came up behind one of the culprits the one that was holding you captive, and broke his neck rather quickly before slashing at another who was nearby.

He quickly ducked, avoiding the enemy coming up from behind, and grabbed his arm, flipping him over, and pinning him down. Suddenly a loud shrill was heard as a bone cracked, and then he moved on the other.

Blood dripped from his fingers, but before a drop could even hit the floor, he’d already struck dead another one, splattering even more blood. One by one the went down, until they’d all been wiped out, annihilated by their supposed prey. They were outmatched by the youngest Agriche.

And by the glint in Childe’s cerulean eyes, he was clearly enjoying the thrill of the kill. The Agriche barely even broke a sweat, his breathing remaining even despite the number of men he had been fighting against him.

Against the occluded moon, he stalked towards your unconscious form and lifted you bridal style, Childe looked more like a predator than a lover, a hunt ending with the prey pinned and helpless. The smell of death permeated the frigid air. Only corpses lay around him.

Holding the unconscious Y/N in his arms, his expression did not once flinch. It was as if he was only holding a feather. Amidst the night, his figure glided on the ground agile and light, before finally disappearing behind the shadows of the nearby trees. . .

You woke up a little disgruntled and already felt the pain in your head flaring as soon as you forced yourself awake. So much for being Childe's S/O, it comes with a free package of his enemies hunting you down.

"Y/N, you're awake." You heard an unusually soft voice beside you as you felt the bed shifts in weight followed by a bone crushing hug from your-supposed-lover.

Pain flared in your abdomen and you had to bite back a grimace. "I swear you're not leaving my sight ever again." His breath is like the scent of night-blooming jasmine on the breeze: soft and soothing, yet sweet and enticing, effectively distracting you from the pain.

If you only you had witnessed the bloodshed you would think twice than to fall for his honeyed words.

"Y-You have blood on your clothes. . ." The indication of your query made him smirked. "It's my trophy."

You decided not to probe any further. In his language, that meant another massacre to stain his clothes and it only means whoever abducted you reached the other side as such a young age.

"Thank you for saving me. . ."

His eyes softened as he chuckled. "You're thanking the same man who shed blood for you?"

"I'm thanking the man who cares enough about me." You refuted.

You were too absorbed in hugging him back that you failed to notice the eerie smile on his lips. His next words were spoken next to your ear, laced with obvious unhinged obsession over you.

"Right, I'm the only one who would save you in face of danger and care for your well-being. No other people can do as much as I can for you, so stay with me forever, Y/N."

Was it your imagination or did you just see a psychotic grin?

𝐊𝐀𝐄𝐘𝐀 𝐀𝐋𝐁𝐄𝐑𝐈𝐂𝐇 as 𝐇𝐄𝐈𝐍𝐑𝐄𝐘 𝐋𝐀𝐒𝐙𝐋𝐎 !

How atrocious can your life get when you learned the news of your husband handpicking a concubine for himself, then the said trash woman actually has the guts to call you her in-law just because you have the same husband.

Now, you pride yourself for being patient, courageous and intelligent. You wouldn't have ruled an empire if it wasn't for your educated upbringing. But even a ruler like you can feel overwhelmed and burned out, and would find a temporary solace to cry your heart out.

The fact your husband picking his concubine is not the issue inconveniencing you the most. It was his and that man-stealer attitude is what suffocated you the most.

Outrageous to see the trash playing the victim card and shedding fat crocodile tears just to earn your husband's favor. Audacious to think of herself as the same level as you when she doesn't even know basic etiquette rules and the difference between a garbage and herself. Humiliating on how he made you a fool on many occasions and sided with his mistress while everyone whispered on how the Emperor favored his concubine over his own S/O.

And he dare say you're not allowed to have an affair?

Ridiculous. Absolutely ridiculous.

Which lead you in a secluded forest to vent out your feelings and temporarily get away from all that's happening in the palace. You're perched beside a rock while your head is tucked in your crossed arms, burying your head, silently weeping in the depths of the green environment.

*FLAP* *FLAP* *FLAP*

You reluctantly raise your head to investigate the noise, of course you knew it was some type of bird, but you were curious what type of bird it was as you rarely get to visit nature. You'd appreciate a little company even if it's from an avian creature.

Majestic, charming, jaw dropping, and everything synonymous to the word beautiful can be attached to this mystical bird.

What caught your attention the most was its beautiful midnight blue and cerulean ombre feathers, you've never seen such bird in the books you've read let alone see one in real life. Next was its body that's bigger than your head and a wingspan that's almost in par with the length of your arms spread open. And lastly, the note tied to its leg.

"How beautiful. Will you allow me to touch you?" You didn't even notice yourself nearing the bird. A slight hesitance made you flinched when the bird nailed its bright eyes on you. Even the eyes resembled the finest jewel in your kingdom.

You retracted your hand under the assumption you had scared the bird. However, the surprise entered your face when the bird flapped its wings and perched on your suspended hand in the air. It looks like it doesn't sense you as a threat. That's a good start.

Admiring nature's blessing, you caught the note tied to its legs which made you think if this bird is a pet of some noble. "Hmm, are you lost? Based on your looks, you don't look like a wild animal that happened to stumble upon this forest by accident."

You took the note from its feet and read the content;

"I am a guest from abroad who will soon arrive at the new year's ceremony, and I write this note while drunk."

An amused chuckle left your lips as you look back at the bird who's tilting its head in curiosity of your reaction. "I'm sorry, your master sounds like an interesting person and a pain in the back. I feel bad you lost your way here. Hmm. . . should I write back?"

It wasn't even a question, you hastily fish out your pocket pen and wrote a sassy reply at the back of the piece of parchment. Hopefully it doesn't offend the owner of the bird.

You tied the note once again the rubbed its head one last time. "Off you go, little one. Deliver my message to your drunk master and fly your way back home safely."

The bird spreads its wings before taking flight.

You sighed once you lost sight of the avian creature.

Suddenly, you were harshly reminded of your duties and the circumstances you're currently in. As much as possible you don't really want to deal with another mistress-related issues within the palace and have your husband pin the blame on you. Crestfallen, you made your way back to the palace.

What you didn't know was the pair of jewel-like eyes following your movement from one of the tallest trees.

"What an interesting person." A man chuckled as he held up the note that was recently tied to his leg.

It was none other than the blue avian creature that has assumed the image of a man possessing a tanned complexion and navy-blue hair with streaks of lighter blue, accompanied by a waist-length lock of hair that's being held by a low ponytail.

As he reads the content of your message, he couldn't help but feel intrigued by what had occurred prior to you noticing his presence. Why were you crying? Crying doesn't suit a beautiful person like you, especially a sassy one at that.

"Your bird has found its way to me, if it is able to find its way back, I shall be relived, for it means it must be cleverer than its inarticulate drunk master." Sassy yet regal, indeed.

A lopsided grin adorned his lips. "So it seems I must cleverly find my way back to you if I want to see you again, Your Highness. And I must say, I love a good challenge."

Days have become grueling for you to endure, but you persevered through it all. The mistress has become more comfortable in causing ruckus in the palace just to get the Emperor's attention on her.

You don't really care about all the shenanigans she's planning to pull so long as it doesn't interfere in your line of work as a wise ruler.

Then one day, the similar bird you found in the forest came flying at your balcony and kept scratching the glass pane to get your attention.

You gasped once you realized who it was. "It's you again. How are you so good in finding me?" And it seems as though it has a new note attached to its leg.

"I'd like to think I'm a bit more intelligent than a bird. I've now woken up from my drunken stupor."

You giggled at the person's confidence. "Lumine, get me a pen and paper, will you?" You addressed to your attendant standing by the doorway.

"It seems as if you haven't woken up completely. What is the bird's name?"

Lumine, your attendant, commented at the ardor look on your face. "It's fun for you too, isn't it, Your Majesty?"

"A bit. . .?" You coyly replied, this little interaction with the bird and its master is the highlight of your day. Not even the whole mistress thing can be bothered right now.

As if challenging your thoughts, your husband walked in after you just sent away the bird with the letter of yours.

The conversation was tad too accusing, saying you're spreading rumors about the mistress to drag her down. Ha! Even if the rumors were false, it speaks volume.

You left the palace once again, to your safe haven.

It seems as though it's going to be your hobby to seclude yourself when no one's watching and let the nature be a witness of your depressive moments.

*FLAP* *FLAP* *FLAP*

Hearing the familiar flapping, you subconsciously stretched out your arm for the bird to land.

"It's you again!"

And a new note.

"Is such thing needed? You may name it, if you'd like."

"What an indifferent master." You sighed at the response and gaze at the bird. "A kind, intelligent bird like you deserves a name which befits your character. So your name shall be. . ."

"Queen."

Unbeknownst to you, the bird bristled at the name.

"Thank you for coming to see me, Queen. I'm in good spirits now, thanks to you." You embraced the bird and pecked its beak. "I hope you will come visit me again."

The bird flew toward the inky sky. Anyone wouldn't be able to tell the slight blush coating his head.

He landed a few hectares from your and transformed back to his naked human form.

"Archons above. How could they name a man, "Queen"?" He rubbed his dark blue hair. Seemingly sheepish for being mistaken as a girl.

"What was that?" A new voice spoke.

It belonged to the red bird perched on the branches.

"You said you'd go survey the premises. Did you take another detour again?" The miffed tone is impossible to miss. He flew down and morphed to a man with luscious crimson hair that cascades down to his waist and sharp tantalizing red eyes.

"No, of course not. I went to reconnoiter the Imperial Palace."

"Did you really?"

"You don't believe me, brother?"

He gave his brother a sharp glare. "You haven't given me enough reason to. But do remember your position and responsibility, especially in this foreign country."

"I get it. Don't have to nag me, Diluc."

Kaeya Laszlo, first in line to the throne of the Khaenri'ah Kingdom. The center of many rumors, such as those which describe his great cruelty or great beauty.

A few of those say he's a Casanova, and that he associates with dangerous pirates hence why he hasn't met any woman or man of his interest.

And finally, the long awaited New Year's Ceremony came. Noble figures were all invited to celebrate the occasion with your Kingdom as the host.

As for your husband, he's quite busy mingling with his mistress and you were left with your friends.

"Dear god. How shameless is the Emperor to have the face in showing off his. . . unpalatable mistress."

"There is no need for your ire. The law states that the Emperor can take more than one spouse." A tight smile graced your lips.

One of your friends scoffed. "Even it that were the case, a man with a noble heart wouldn't take one more to fulfill his insecurities. You are more than enough and the Emperor does not deserve you."

"Greetings, Your Majesty." An elegant man gracefully interrupted your conversation with your friends.

You turn to look at the man clad in a white-blue knight uniform, specifically more stylish than what you usually on a regular knight at your Kingdom. A Prince, you concluded.

As you shift your apprehensive eyes on him, the little details such accessories and intonation caught your undivided attention.

Silver rings on those long, dexterous fingers, silver necklace around the neck that held his head way too high, silver tongue in that mouth home to all kinds of sins. He was the epitome of being devious; so much so that he could literally walk right off anything by just talking his way out of it.

"I am Kaeya Laszlo, first Prince of the Khaenri'ah Kingdom."

Everyone around you gasped and some almost fainted while you remained level-headed.

"Greetings, Prince Kaeya. I have welcomed you earlier today, but it never crossed my mind to engage a talk to such an esteemed guest of ours."

It's more like I never expected someone like you to approach me. You thought sardonically.

"Do I come off as cold to you, Your Highness? Pardon but that is not my intention, but surely you'll allow me to make worth of your time." He chuckled wistfully, a smirk has overtaken his lips.

Great God. If he endeavoured to make you fall for him as much as possible, then he was doing a splendid job. You just couldn't shake off the feeling that you know this man.

Burst of giggles erupted around you while your eyebrow perched. "Cold? You don't strike me as such, if anything, your bold statement has proven me otherwise."

"Oh, and what would be your answer?"

"I—"

"Of course they agree! Please don't mind us and enjoy your evening together, Prince Kaeya!" One glare against dozens of mischievous eyes is like fighting tooth with nail.

"Shall we?" He offered his hand to guide you in his predestined destination. "I sure hope it is worthwhile, Prince Kaeya." You took his hand and my god was his hand the iceberg.

"Call me Kaeya for starters and I shall call you Y/N."

First name basis already?

"Is that a demand?"

"Does it sound like a demand?"

"It certainly does."

"Well, it is up to you to decide whether to oblige or not." He smiled.

God, it's unfair to have the blessings of charm.

"Where are we going?"

The young man beckoned his head to the exit. "Somewhere your husband won't suspect a thing."

"You really do sound like a Casanova."

"Oh dear, don't tell me you believe those hearsay."

You shrugged. "I do not, but you've been anything as what the rumors have described you thus far."

"You made me curious of you."

"How so?"

Arriving at the garden, he glances at the full moon before turning to stare right at you. "Your eyes are beautiful, yet they also look so empty oftentimes. Your movements and the way you speak are very refined and regal, but they can turn cold, or even rude at times. You're a paradox I'd love to solve, Y/N." Kaeya paused, "But I feel like you're a paradox I could never solve, no matter how hard I try."

This stare off could go on forever, if Kaeya had his way. The tension is obvious, but the air between you both is too tempting — too addicting to resist.

He doesn't look away. . . not one bit and neither do you. His eyes are fixed on yours, his breath steady and his pulse strong. A part of him wants you to make a move. . . to show that you feel as strongly for him as he feels for you.

The other part just wants to steal you away and make you his.

Spoiler alert: he did.

𝐁𝐄𝐍𝐍𝐄𝐓𝐓 as 𝐁𝐋𝐀𝐊𝐄 !

It's old news for aristocratic children get engaged before they could debut. But in your case, you're not merely marrying a boy of your family's choice.

You're marrying the infamous Monstrous Crown Prince Bennett; the child who was rumored to have been cursed to bring misfortune to those around him. Thus, he has lived his entire life in the confinements of his four walls.

Fretful thoughts flooded your mind as your carriage neared his mansion. Imperial children usually stays at the Imperial Palace with the King and Queen, however in Prince Bennett's case, he was segregated to live in another mansion built specifically for him to stay out of the spotlight — or as others should say it, for him to not spread the curse of bad luck.

You don't usually treat people based on senseless rumors, but you do heed the rumors as a guide for you to be cautious. Prince Bennett is by far the most unknown factor you have to deal with despite the rumors surrounding him. What is he like? Is he a snob? Does he really bring bad luck?

Those thoughts have kept you all night that you didn't have time to sleep. Somewhere along the way, you fell in a deep slumber, ignoring the occasional jerk of the carriage as it hits a bump on the road.

Constant whimpering reminding you of a kicked puppy was what woke you up from your blissful beauty rest.

For a moment, you have forgotten what happened before you fell asleep. Through your blurried vision, you noticed the walls and ceiling looking dull with the simple light shades of painting, the bed you're resting felt foreign to the touch, the minimalist approach from the interior design and lack of other furnitures made you think you're in someone's room.

"G-Gah! Yo-You're awake. . ." A meek voice said from beside you, it's easy to mistaken it as a woman's voice if it wasn't for the boyish undertone.

You blinked several times before adjusting your sight. There's a hooded boy at the very far right of your bedside, and from the looks of it, he seemed terrified to even close an inch gap.

"Who are you?" Was million dollar question. The boy visibly bristled. It's quite clear for you that he's not used to social interaction.

"I-I. . . am Bennett." He spoke with a low, soothing tone that was laced with a soft accent. Despite his voice being smooth and even, he stared back at you with unbidden curiosity, one that seemed to peer into your very soul.

"Bennett?! Oh Lord, I greet His Majesty the Crown Prince!" You promptly bowed your head as low as it can get.

"W-Wait, no, please don't do that! I don't deserve your respect and besides, we're equals now, feel free to call me Bennett if you like."

He doesn't deserve respect? What a load of bullcrap does that mean? A frown has settled deeply in the creases of your forehead. This boy is anything but what the rumors have described him.

"Your Hig— Bennett, you could be an outcast or a peasant and I'd still treat you with respect. Don't say you don't deserve decent manners." You're almost fuming at this point.

"But I'm a monster. I don't deserve anything, even you."

Something in the purity of his statement triggered you.

"I bring bad luck to everyone. I could hurt you in the future and I don't want that, I don't want anyone getting hurt because of me."

You could feel the last of your residual resentment fading away, getting replaced by a deep sense of compassion — as well as a healthy dose of curiosity. What would this boy, your future husband, truly be like?

"You're no monster, Bennett. No monster would be concerned for my well-being and selflessly label themselves as such to ward me off." He seemed to perk up at your claim.

"Don't ever call yourself as such. I can't stand it."

"I don't understand, you're the first one to say that to me."

A frown has settled on your brows as you came to stand next to him. "You don't need to for now, I'll show you."

Bennett was none of those rumors. You have concluded that ever since you met him, he has been kind and considerate to your well-being. You have never met someone who would ask which side of the table they're more comfortable to eat with — not until Bennett.

The boy was overwhelming with perfervid compassion and the strong urge to give love, it can feel suffocating at times but that's what made you like him.

There's just this nagging feeling in your gut that he's forced to act like a doting husband due to the fact you're engaged. Is it all an obligation? Or he's simply this passionate?

"Are you not upset at this?" You had asked one night.

"Upset about what?"

"About our arranged marriage."

Bennett may appear jubilant around you but you can't help to think he harbors ill will to this arrangement. "I see no reason why I would." He replied, smiling at you as per usual.

"Why is that?"

He tear his gaze from you before briefly interlocking your hands. So warm and full of passion, you promptly responded to the gesture by drawing circles with your thumb.

"You're the best thing to happen in my life. I can't explain this feeling but I do know I can't be happy without you. Thank you for coming in my life, Y/N."

━━ 𝐀𝐅𝐓𝐄𝐑𝐖𝐎𝐑𝐃. bennett's way too short cuz I ran out of ideas T-T this took wayyyyyy tooooo long, but I'm glad it turned out well. what do you think of this au? I'm planning on making a part 2 for other genshin men, I'm actually starting it already but I still need to finish other prompts.

━━ 𝐓𝐀𝐆𝐋𝐈𝐒𝐓. @atsukawolfcat @spyanya @ittosoneandoniwife @a-rose-byanothername @lasignoramybeloved @vvyeislazzy @kokomisimpppp @gookimswife

©OTAKUWORKS_2024

[syneilesis]

[fic] if only for a moment

if only for a moment

Love and Deepspace | Rafayel (Qi Yu) x Main-Character!Reader | T | 3.6k words | ao3 link (with correct formatting)

Rafayel waits. And waits. And waits.

A/N: Another LaD fic!! This time it's Rafayel. Several elements of this fic are inspired by and loosely based on his story anecdotes and bond story, plus that Deep Sea card line backdrop. So more spoilers in this one, I'm afraid. I think you need to be aware of them in order to follow the flow of the fic. But if not, here's what you need to know: basically Rafayel accepts a visiting professorship at the University of Linkon to reunite with the MC/you. And the prose poetry interspersed are loosely situated in the Deep Sea card lineup setting (you can search in YouTube for the scenes. This one is a brief glimpse of the scene). That princess/knight(??) dynamic is yum yum.

If possible, please read the version on AO3. I formatted the prose poems there as if they're really prose poetry, so I'd appreciate it if you check that out. (Though there isn't too much difference between the formatting here and there, I did make the effort of coding a little 🥺)

Anyhoo, hope you enjoy, and I am sO STOKED FOR THE OFFICIAL RELEASE. rip my wallet 💸😭

JUST LOOK AT THIS MAN AND BELIEVE

There’s a type of berry in a distant land that produces a rare shade of ink that matches the color of your eyes. It takes a hundred of them to create the right hue and volume for the art that he wants to make. It comes to him in a dream: endless desert, then fireworks of verdant sparks that coalesce into stem, leaf, and, finally, fruit. Rafayel remembers that land, so much different from the iridescent blue of ocean underwater, and the acrid gold of the barren desert. His mouth filled with the succulent sweetness of the dream, the lingering sandpaper roughness of the berries on his fingers. He already knows the name of the artwork even before he’s begun—Waiting, Missing. The ache in his bones gaining form, an intangible thing taking flesh.

+

Under the ocean surface, time is muted, a deafening thickness that surrounds you with its ambiguity. On land, however, it is linear, and fast, and in a matter of blinks, Rafayel’s visiting professorship nearly wraps up.

He’s only glimpsed you once or twice. Thrice at most. The university is big, but not big enough to warrant a dearth of fateful encounters. The first time he saw you it was at a coffee shop: walking along with your friends outside, your voice mellifluous and festive wafting through the trellis of the café entrance. You were talking about him—well, about Lemuria to be specific, but these days any talk of Lemuria inevitably draws in his name.

He’s committed your schedule to memory, and yet it just seems impossible to capture a moment with you. Even just a brush of shoulders, or of sleeves—an asymptote of contact. Just navigating around your orbit, but never truly meeting.

What would it be like—finally talking to you? You in front of him, face to face? Rafayel imagines the ache of waiting fading into the background until it’s completely gone. He yearns for that feeling, the release of it. A conclusion—or maybe even a beginning.

+

i. take my hand, he told you under the glow of the lustrous moon, the only source of light that contoured the secretive valleys of his face. i want to show your highness something. there was a country, he said, beyond the undulating monochrome of the desert, blanketed by lush trees and shrubberies and flowers that buildings were made in betwixt and around them—a nation of trailing and winding architecture, a marriage of the natural and the manmade. you wanted to ask why he’d planned on taking you there, and the only answer you got was a curt turn of his head and the profile of a masked man layered by shadows and distance. it would have been nice, you thought, if the moon poured light upon his hooded gaze.

+

Eventually he begins to frequent the café. Twice a week at first—he doesn’t want to come off strong right away, of course—and then making his way up until he’s hanging out there more than his own studio. He schedules his visits around your classes, always during the ones when the probability of you dropping by the café is high and he can ‘coincidentally’ be around the same area. It’s gotten to a point that Thomas calls him out on it, and nags at him to focus more on his painting. The next exhibit is immediately after his visiting professorship after all.

“From where I’m standing,” Thomas says, “you’re not painting at all.”

Rafayel ignores him.

Five minutes later, he says, “Not painting is part of the painting process.”

Thomas rolls his eyes, but he leaves him to it.

At the café, Rafayel attracts curious looks. A few attempt to approach him, but he pretends not to see them. They linger around the periphery, like moths to flame.

And then something happens: the entrance door chimes, and you swan into the coffee shop, earphones and denim overall skirt, the kind of rosy-cheeked image Rafayel finds on teen magazines, wide-eyed and earnest. You fall in line and order when it’s your turn, and your eyes sweep across the packed café searching for a vacant seat until they finally land on him.

Rafayel’s heart stumbles.

Up close, the baby fat on your cheeks still gives you the appearance of being younger than you actually look. You turn a polite smile his way, and his heart stutters again—but this time it is taken as a warning.

“Hi,” you say, tentative. Any hint of recognition absent. “Do you mind if I sit here?”

+

ii. you're counting the steps of your inevitable parting. you're at the edge of the desert, far away from your home and its familiar scents, oriented towards a direction that promised a future sad memory, the gentle warmth of his hand, the downward denial of his gaze. this longing that grew out of your bones, aching during cold, aching during heat, aching when he looked at you with such tenderness he had to hide it through the sharp tug of your joined hands, the long strides that opened up a lonely distance. intimacy was dangerous, knowing was dangerous, the bowels of his heart like a solitary flower on a high peak. what would you do to such loneliness?

+

Memory isn't always an infallible thing. The human brain cannot hang on to every moment of your life, though Rafayel wishes it were so. But still—to think that you would forget him, and it hasn’t even been a century. You were like a phantom thief stealing his heart in the night—no recourse, no resolution.

To wait is to be in agony, the burn of yearning locked within the heart. Rafayel has been waiting for a long time, and the only memory scorched in his heart is fire, the blaze and its blinding, all-consuming want.

What would you do to such want?

+

You have a blurry childhood, Rafayel discovers. After the first Wanderer descended on Earth, the incident strummed your memories like a stringed instrument that tired of the same chord, over and over. It had bothered you at first—not being in control of your own memories—but eventually you had learned to live with it.

“Grandma and Caleb—my childhood friend—helped me through the process,” you tell him, stirring your iced mocha with its straw. “I owe them a lot.”

Eyes cast down, but still the melancholy shadows remain in your expression. Rafayel folds his arms on the table, and leans closer.

Around them only a few people occupy the coffee shop at this time. How fortunate for Rafayel to catch you during your break while every other student is trapped in class lectures.

“There’s no use in dwelling upon what's already happened. Even sharks have to give up when their prey escapes. When you remember, it will be all the more joyous, no?”

The smile you give him is crooked, disbelieving.

“If I remember.”

“You’ll remember.” Because there’s no other choice, for you and for him. Rafayel cannot bear being shelved in the history of your smile and happiness. Waiting can only be endurable if there’s an endpoint.

+

In his studio, Rafayel begins his next painting.

+

iii. the berries tasted sweet, with an edge of sourness that clung to the bottom of the tongue. it had the exact shade of your eyes, a detail that rafayel brought up the moment he plucked it from the shrub. raising it to align with your eyes, comparing them with his artist's meticulous gaze. maybe when this is all over, i'll go back here again to extract ink from these berries, and paint a portrait of your highness using these to color your eyes. he never showed you any of his paintings, merely mentioned them in passing, and you constructed a dream of him from the throwaway words that left his covered lips. i'm not used to sitting for so long, you reminded him, and he glanced at you, then at the berry between his fingers. my memory is enough, then handed you the fruit.

+

In the few weeks of meeting with you Rafayel forgets that his visiting professorship is ending soon and he has to give out his last lecture. Thomas had asked him what his topic would be. At that point Rafayel had no answer. But now he has.

“I’ve been hearing you talk about Lemuria every now and then with your friends.” He props his cheek on his hand, tilting his head slightly and giving you a charming smile. “Interested?”

You blink. “How did you know?”

“Oh, I’ve seen you a couple of times here, and I happened to hear your friends chat about my lecture. Your points were almost accurate, I’m in awe.”

“The visiting professor—that’s you?!”

Rafayel pauses, the slosh of his drink nearly spilling on his frozen hand.

“You didn’t know?”

Sheepish, you say, “Honestly, I didn’t make the connection. Is that why plenty of people have been glaring at me as of late?”

He releases a frustrated sigh, eyes rolling heavenward.

“In any case, my final lecture is on Friday next week. It’s titled “Memory and Meaning in Lemurian Art”. Why don’t you drop by and listen, and you can tell me what you think afterwards.”

You retrieve your bullet journal to check your schedule. It’s colorful, filled with stickers and doodles that Rafayel finds endearing. Then the excited moue on your face drops into a frown, and Rafayel can foresee the next words that will come out of your downturned lips.

“I’m sorry,” you say guiltily, “but I have a major test that day, and I need to get a high score in order to pass the course.”

Rafayel exhales, long and weary, but ultimately shrugs off the apology. “What a shame, but I forgive you. Just don’t fail your exam or else my magnanimity would be all for nothing.”

+

He calls Thomas that night.

“I’ll disappear for a while once the professorship is over.”

“Hey, wait, what do you me—”

“You’ll be happy to know that this is for my next painting.”

A beat. “Okay … but for how long?”

“That’s the question, isn’t it?”

Then he hangs up.

+

He’s trying, he really does. The lecture ends to a resounding applause, and it’s mechanical how he answers the questions posed by the audience. But he’s trying, he’s trying. There’s no specter of you in the sea of faces in the auditorium. You’re at the other end of the university compound, sweating your way through your exam. He genuinely hopes you’d pass, for your sake.

Thomas had booked his flight to another country, where he’ll traverse to a land that he’d visited many times in his dreams and had woken up with a filmy, sweet-sour tang at the roof of his mouth. He’ll leave the morning after the closing dinner party the faculty has prepared for him. There isn’t time to pack much, and no time to tell you goodbye.

Rafayel guesses that it’s only fair: how would you feel waiting for him at that café, the chair across you empty, only the sunlight pooling from the window as your companion?

+

iv. parting, somebody once said, is such a sweet sorrow. much like those berries in that ever-green nation, a lingering sourness remained underneath, the sting of it reminding you every now and then. he was already mourned for even before he left. tell me what it's like—the ocean. he was elusive, untouchable in his grief. you'd heard through whispers, the story of his migration, the drowning before the drying, the unwanted journey. grief brought him to you and grief would steal him away from you, you knew, down to the cells of your body and the hopelessness in your blood. —and yet. and yet you wanted to have a taste of it, anyway.

+

The ever-green land is no longer green, or lush, or alive. Time corroded it into memory, sepia-faded, wizened. Past. The berries he’s searching for don’t grow here anymore. Everything here is empty, barren, helplessly so.

Rafayel hasn’t accounted for such development, but he should have known. Disappointment stings at his chest, and bitterly he turns away and stays at the next town over. At a family-run restaurant situated near the outskirts, he looks over the wide windows, across the highway road, beyond the jagged horizon. The painting won’t be finished, then. Another tragedy, pressed flat next to the forgetting, to the waiting, and his home.

The chef personally serves him his order and, after a shuffle of hesitation, brings up a question.

“Young man, you came from the direction of the old country, yeah?”

Rafayel meets his inquisitive gaze. “Yes, why?”

“It’s been a while since we had someone visiting that place. There’s nothing in there anymore, it’s been that way for years. Why did you go there?”

Rafayel is reluctant to say, but at the guileless set of the older man’s face, he concedes.

“I was looking for berries. The ones native there. They produce a shade that I need for my painting.”

At the mention of the fruit, the chef’s expression lights up. “Oh! I see, I see. You’re in luck, son. We grow them here at the farm. Plenty of those for everyone. How about I give you some? It’s rare meeting someone who still remembers the old country, it’s almost fate. How many did you say you need?”

Fate. Just like the time of your first meeting, as if the universe had gifted you to him. Just like the time of your parting, of your forgetting, of his waiting. Fate as a connection from you to him, red and burning brightly.

He doesn’t want to seem eager, but he knows he’s failed from the way the chef toothily grins at him.

“A hundred or so.”

The chef falters at that, jerking slightly back. But he accepts it with a nod, an avuncular smile making its way across his kind, powdery features.

“That sure is a huge number, but I think we can work something out.”

+

His painting takes a month to complete, inclusive of the time spent making the ink from the acquired berries. Sometimes, Thomas watches him paint, quiet in the background. His stays usually don’t last—a quick flash that Rafayel nearly misses, or deliberately ignores. But during the final stages of the painting process, Thomas hands him the exhibit details.

“I’m just thankful you’re on time for this one.” He sighs, relieved, then leaves.

Alone, Rafayel creates. Brushstroke after careful brushstroke, each varying by pressure and angle. He lets each layer of paint dry before moving onto the next. The berry ink—the color of your eyes—the solely different element of this painting. Center, central. The focal point. The beating heart. The years and years of waiting and longing. The form and the flesh. Alive.

This, too, is an endpoint.

+

v. can i see your face, just this once? your hands grazed his mask like a ghost wanting to touch. rafayel stayed still beneath your desirous fingers, observing, waiting, his own fingers twitching towards his dagger. even in the parting he could not let go of this distance. hopeless, hopeless. your highness would get nothing out of seeing my face. he's wrong, his eyes never left your face, and he's wrong. he didn't stop you from your grasping of his mask, and him—finally—bare and beautiful yet a little sad. you're wrong, you said, tracing his slightly parted lips with a trembling finger, you're wrong. it is everything to me.

+

The gallery is packed. No surprise there. It’s almost boring, in a way. Waiting, Missing hangs at the farthest hall in the floor, special and intimate as it should be. Thomas knows him well; otherwise, Rafayel would have whined at him to hell and back just so he could be granted this demand that is in reality a mandate.

He’s hiding from the throngs of journalists and art critics alike and sequesters himself in a corner that has a clear view of the painting. Loosening his collar and tie, Rafayel breathes and closes his eyes, leans tiredly against the wall. A few more minutes, and he’ll slink out of the building, reputation be damned.

He melts into the shadows whenever somebody passes by. He has neither time nor energy interacting with people today. Watching them through half-mast eyes, Rafayel stays in his secret place and studies with weightless detachment the people looking at the painting.

He’s made a bet with himself about the opinions of his followers and admirers. Who thinks what and why. It makes for great entertainment. The last time, a fresh-faced critic praised Rafayel’s technique as “innovative and a soul-rending reflection of the prodigy’s character.” He had laughed and laughed for hours until he couldn’t breathe any longer.

Another walks by, and before Rafayel retreats further into the corner, he glimpses a familiar gait and a familiar face.

His heartbeat races. He’s never told you that he’s holding an exhibit today. After the professorship Rafayel failed to maintain communication with you, convincing himself that it’s for the best that he protect you from afar that day onwards. It didn’t help that he had to leave as well. At the same time, you never made an effort of reaching out, and Rafayel thought that it was back to square one again, that waiting, that yearning.

But here you are right now, elegantly dressed, like someone gliding out of a dream. Rafayel swallows, his hands shake. You do not have someone else with you, and your eyes are brightly focused on Waiting, Missing, and for a fleeting moment your expression flickers into longing, strange and old and battered and sad, that it compels Rafayel to take a step forward—to you.

“Hey.”

The curious look vanishes; left no traces in your delighted face, as if it wasn’t there in the first place. “Rafayel!” you exclaim. “Long time no see! Congratulations on the exhibit; these are all beautiful.”

Outwardly he smirks, belying the torrential emotions he’s currently going through. He cants his head a little, works his charm on you. “Impressed? No need to hold back your compliments.”

Laughter, prismatic and crystalline. “Yes, yes. Especially this one—Waiting, Missing. What an interesting title. At the center, what paint did you use?”

Ah. Rafayel inhales before answering. “It’s actually ink. I had to make it from a hundred berries. It was a tedious process, but I wouldn’t use anything else. It has to be this, you see.”

“Whoa, no wonder you’d been radio silent all this time. You were creating this masterpiece.”

He hums, afraid that, if he speaks, he’d reveal too much.

“Well …” You throw a playful glance at him. “Shouldn’t we celebrate your success?”

His breath catches. “I—”

Before he manages to finish the sentence, a journalist calls out to him and that summons plenty more, swarming him with no chance of escape. It pushes you out of his peripheral vision, and Rafayel wants to shout your name, but you smile and gesture at him to entertain them first. You mouth, I’ll be back, and wander around other paintings some more.

When he finally succeeds in shaking the journalists off, he seeks you out and stumbles upon you near the exit, where there’s fewer people to pile on him.

“Excellent,” he says, sidling up beside you. You turn to him and smile, and there’s that lightning-flash of something again. For one unbelievably surreal instant, Rafayel thinks that despite your hazy memories, maybe you’d been waiting for him all this time, too.

And that thought emboldens him, moving closer and closer until your bodies almost touch. An asymptote of contact. But this time, he has mustered the courage to close that unbridgeable gap.

Rafayel offers you his hand. “Let’s get out of here?”

You stare at his hand then at his face, his eyes, and a meaningful moment stretches between you and him. But even before the idea of retracting enters his mind, you grab his hand joyfully, grinning ear to ear. His heart warms, full with everything.

You squeeze his hand, ready to go. “Lead the way, then!”

+

vi. a kiss is a greeting and a goodbye, and rafayel tasted of ferocious tides even if you'd seen them only in dreams. his eyes closed, as though savoring his last moments with you, guarded till the bitter end. would that i could ask you to stay—with me. but he shook his head—a final rejection. maybe in another life. there was nobody to watch you cry, in the after.

+

Rafayel is working on a new painting—a portrait this time. The model squirms on his couch, obvious about the discomfort of posing for too long. He huffs a laugh to himself, hidden by the canvas strategically placed between them.

“I heard that,” you grumble.

“Shush, you’re breaking my concentration.”

“If that already breaks your focus then I pity the rest of the art community.” A beat, then: “Is it done?”

“Patience, my dear muse. You need endure it a little more.”

“Hmph, fine. But after this you’re treating me to an all-you-can-eat buffet.”

“All right, all right.” He shakes his head, fond. “My muse, so demanding.”

Something sweet touches the edge of his tongue, succulent with a hint of tartness. Like longing. Except now, it’s layered with something new and exciting. Something like a new beginning.

In the far distance, the sea murmurs, lit fire by the setting sun.

[writingquestionsanswered]

i was reading my writing so far and noticed that it's kind of hasty? it feels like the scenes pass too quickly and characters act and make decisions too fast. i'm kind of a pantser and still on my first draft so there's definitely gonna be a lot of revisions but i was wondering if you'd have any advise on how to make the time in my story pass more naturally as opposed to stuff happening kind of rapid-fire. my story is high fantasy if that's relevant. i hope i worded this in a way that is understandable.

(also thanks so much for running this blog, it's very helpful)

Scenes Feel Rushed (Scene Elements/Structure)

The thing about scene pacing is it has nothing to do with time. It isn't about how long it takes the reader to read the scene, the amount of time that elapses in the story during the scene, or how fast/slow these events play out. Here's why:

-- readers read at different speeds -- scenes can occur over a period of minutes or days in your story -- scenes can be fast-paced or slow-paced depending on need

So, if your scenes are feeling rushed, it's not because you need figure out how to make the time pass more naturally. It's because not enough is happening in your scene. In other words, you don't have a good grasp on what scenes are supposed to accomplish and how to structure them.

Scene Elements

Your scene should include the following elements:

1 - A Writer Understood Purpose - First and foremost, as the writer, you should understand the purpose (aka "goal") of the scene in terms of what it accomplishes in the bigger story. Does it advance the plot in some way? Does it develop the protagonist and/or other main characters in a way that is crucial to the plot? Does it develop the setting, back story, or otherwise give the reader information they need in order to understand the story?

2 - Clearly Established Setting - Imagine if you went to see a play, but the stage had no backdrop, no scenery, no props. It was just a big empty stage with actors on it. Imagine how much you would lose without understanding where this scene was taking place. It works the same way in fiction, which is why it's important to start a scene by giving the reader some idea of where it's taking place. Using sensory and emotional description, you can give the reader a good image of the scenery and what it means to the POV character/s and the scene that's about to unfold.

3 - Relevant Characters - A scene can't play out without its requisite characters, but "requisite" is the keyword there: only characters who are relevant to the purpose of the scene--as well as "background extras" who are there to fill small-but-necessary roles and lend to an authentic setting... such as the teacher and other students in a classroom scene, or other patrons and servers in a restaurant scene. However, don't include main or secondary characters just to include them. They should be there because they need to be or because it makes sense for them to be there.

4 - Scene Conflict - Just as every story needs a conflict (an over-arching problem that must be resolved), so does every scene. Scene conflict can be internal (within the character's heart and mind) or external (in the character's environment). The purpose of the scene is to either resolve the scene conflict or propel it toward a future scene.

5 - Clarified Motivation and Goal - Because you understand the purpose of the scene (what you're trying to accomplish in the scene as the writer) and because you know the conflict/problem that must be resolved, it's important to clarify your character's scene goal (what they're trying to do in order to resolve the scene's problem, or their attempt to resolve it) and what is motivating them to resolve this conflict. Why is it important to them?

6 - Relative Balance of Exposition, Action, and Dialogue - Most scenes should have a relative balance of exposition (narrator explaining things), action (things happening), and dialogue (characters talking.) However, there are sometimes scenes that will lean toward more exposition, more action, or more dialogue. It just depends on the needs of the scene, but generally-speaking, you want a reasonably good balance. If there's no story-centric reason 90% of the scene needs to be dialogue, you need to make sure you balance things out a little more between dialogue, action, and exposition.

7 - Exploration of Emotion - Even in stories that are fully plot-driven, there needs to be an exploration of the emotions being felt by the characters in the scene, and an attempt by the writer to translate those emotions to the reader. The movie Jurassic Park, for example, was pretty fully plot-driven... it wasn't really about exploring internal conflicts or character arcs... but the emotion felt by the characters at throughout the story went a long way in making the reader feel things alongside them. Who can forget Dr. Grant seeing the dinosaurs for the first time:

Or Lex trembling when she saw the raptor in the visitor's center:

By illustrating character emotion using external cues (body language, facial expressions, gestures) and internal cues (sensations like heart pounding, processing what emotions are being felt and what it means), and by exploring how these emotions relate to the plot (and character arc, if there is one), we can create a much deeper sense of what's happening in the scene and why it matters.

Scene Structure

Scenes, like plot, have their own structure. Just as with plot structure, you can vary your scene's structure according to the needs of your scene, but generally speaking it will look like this:

Beginning - hook and setting establishment

Conflict Development - introduce or reiterate the scene conflict; clarify character motivation, goal, and what's at stake. Introduce the obstacles or challenges that raise the stakes or make it more difficult for the character to achieve their scene goal

Climax - The conflict reaches its peak... the character attempts to resolve the scene conflict for good, or at least temporarily. Or, at the very least, something significant occurs

Resolution/Denouement - The scene conflict is either resolved or it's set aside to be dealt with later. The character reflects on what happened, what it means, and what's next

Transition to Next Scene - We usually want to end a scene with some hint of what the next scene will be to create a smooth transition to the next scene. This could be a statement of time, like, "In another week, Roland would return from Bruges and she could finally talk to him about what was going on." Or, it can be a cliffhanger, like, "But it wasn't Bernard and Cleo who got out of the taxi... it was Roland and Cleo. But Roland was supposed to be two-thousand miles away in Bruges..." Or, it can be an establishment of what comes next. "Whatever Roland was up to, she'd have to wait until tomorrow to snoop around and find out more."

By making sure your scene includes the proper elements and generally follows a basic scene structure, you can ensure that there's enough happening in the scene to keep it from playing out too quickly.

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[gabrielleyueerrrrr]

A transcript on the latest AVG Q&A video

This transcript includes questions relevant to Alan's stick figures only.

This transcript is not a word for word repetition of the original video, I'll try to keep it as concise and as accurate as possible, but please take it with a grain of salt.

Will there be a stick figure with the hex code #724A6B?

Alan&DJ: (laughing while looking up the color, it's turns out to be dark purple)

Alan: I get this kind of question a lot. Probably not as a main character but as a background character. Main characters are usually more vibrant and saturated, aside from The Chosen One and Victim.

2. Since you've done a story arc for Green specifically, have you considered making similar story arcs for other members of the Gang?

Alan: Right now, I don't have plans for the others. For the Influener Arc, our initial goal was to make something about influcencers, then we selected which character best fit for the narrative. At first we wanted the main character to be Blue or Yellow, but we eventually decided that Green was the best choice. It wasn't that we specifically set out to make a story about Green.

DJ: I feel like if Yellow would be more like Alan if he decided to be a content creator. He would focus on creating the content instead of wanting all the attention.

Alan: Exactly. That being said, it's definitely possible that we make something for the others in the future. But it wouldn't be just for the purpose of giving the character a story arc.

DJ: Story comes first before the character.

3. What are your favourite character tropes and least favourite character tropes?

DJ: My least favourite trope is when characters receive powers they don't deserve, like when it comes too easily or when they're portrayed as inheritly better than everyone else. It often make the characters flat and uninteresting, especially when it doesn't serve the story. This is probably why I dislike Yellow after he recieved King's staff, not that I think his charater fell flat yet.

Alan: I like stories where every character is likable, both the protagonists and the antagonists. I'm not a fan of villains who are defined solely by their evilness and flaws, whose only purpose is just to be hated by the audiences. I want the villains in my story to be skilled, clever and worthy of respect, even if they are really evil.

DJ: I like characters who are true to themselves, even if they’re selfish or take advantage of others, as long as they fully embrace these traits, they can still be likable.

4. What pronouns do you use for the stickfigures?

Alan: I've always called all of them boys because that's what I've been seeing them as.

DJ: Well you're their dad so...

Alan: (laughs)

DJ: I think it doesn't really matter what gender they are as long as they are themselves.

5. How much of your series do you typically have planned out in advance?

Alan: I would at least have planned out the skeleton of the entire story before I work on the first episode.

6. Are the online ships between charaters real? What's your opinions on ships?

Alan: I give my fans the liberty to ship whatever they like, but I definity don't endorse any of them.

7. Who is the black solid head that appeared in various AVG video thumbnails and who apparently has powers similar to TCO? Will they appear in the upcoming AVA animations?

Alan&DJ: (Laughs)

DJ: Actually, I was the one who drew that thumbnail, I drew them on purpose. I knew what I was doing. You guys really pay attention to the thumbnails too much!

Alan: Currently I have no plans on introducing this charater into my series.

DJ: But it would be so funny if you do though!

[jesncin]

If you had to rank all the justice league fams ( superfam, batfam, martianfam, etc ) from least favorite to most favorite, how would you do it ?

Ooh I'm not familiar with all the cape-fams that well so I don't know how much of a proper ranking I can do, so here's just a random vibes tier list:

Martianfam: In canon (i guess this consists of just J'onn and M'gann, Jem if we're reaching), they're a mess. I'll save this for the 2nd part of the upcoming Ma'al essay, but Martianfam's biggest problem is having undefined relationships that don't take advantage of a proper family dynamic. Canonically F tier. However,,,I'm obsessed with my version of Martianfam so that bias puts Martianfam in theoretical S tier.

Superfam: So much potential in this fam to be generational immigrant/diaspora angst and tension only for canon to be so uncreative with the legacy characters (minus Kong Kenan). This fam suffers from overreliance on clones and alternate universe versions of existing characters tied to Clark's Kryptonian genes (the adopted twins, Kong, and the Steels are a good change of pace). Jon and Conner (and sometimes even Kara) are suffering being, what I like to call, a "Clark Kent factory product". They're too scared to make these boys different from dad. Conner Superboy is in limbo with Jon taking over. What is going on with Powergirl being infantilized now. However,,, if the immigrant allegory was critically applied to Superfam? Theoretical S tier. Canonically C tier.

Batfam: Undoubtedly the strongest of the cape-fams in DC. Even with their flaws and how they've been modernized, this is still the blueprint. What's there cultivates an intense fanbase and there's such a diversity in the backgrounds of each Batfam member and how they evolved. Each member has a unique relationship with Bruce, many characters are capable of sustaining their own solos, they have relationships with each other, gosh it's a lot. I'm affectionately putting this in A tier, shaving some points off for stuff like erasing Babs' disability, characters like Steph but especially Duke being sidelined, the girls being infantilized as the boys get to grow into men, whitewashing Damian, etc.

Wonderfam: I can only speak based on vibes here, but gosh you deserve so much better, Wonderfam. I feel like each member should deeply explore a new facet of womanhood different from Diana to freshen up each time a new legacy character joins the Wonderfam (Nubia's great at this from what I've seen). I love that this fam includes Themyscirans and sometimes ordinary girls (even if that gets retconned a bunch). I eyeroll from a distance whenever it's really obvious that the male-dominated writers of DC try adding men into Wonderfam as a means of focusing attention away from women (cough Diana's bro). But also. Kick Trinity out of Wonderfam. I have never seen a character so universally behated but I get it. Unfortunately D tier. I want better for this fam though.

GL fam: Really good! They're a unique fam in that being a part of the GL corp means being a part of the fam, so you get people from all sorts of backgrounds that don't have to be related to a main character. Theoretically this can even extend to other lantern colors whenever the GLs team up with baddies like Razer or Sinestro. You can arrange different groups or pairs of GLs to form their own Star-Trek esque team. And that's such a fun time when that happens. I'm not in GL fandom enough to know the nuances of some narrative flaws or anything, so I'm giving the GL fam a vibes based S tier. They just work! And they're unique while doing it.

Flashfam: I can only speak based on vibes here but whatever's going on with Flash fam just looks like such a fun time. From what I've seen and read, so many of the characters are funny and endearing. I love that there are many twins in this fam. That's just a bias for me. My biggest nitpick with Flashfam is that it suffers from over-convoluted origin stories. That's kind of a problem baked into the dough when your powers intersect with time travel, but it adds a layer of inaccessibility when some of the character's backstories are so convoluted. Vibes based B tier.

Aquafam: Mostly vibes based impression again since I don't really go here but I've met the characters a good amount of times. Arthur has a special theoretical space in my heart as someone borne of two cultures. We're here for that mixed diaspora struggle. I enjoy the rivalry he has with his brother, I think Mera has a lot of potential as a love interest and wifeguy (and she has an evil twin so, bonus in my book), and aquababy. Hah. I enjoy the many ways Aqualad has been reinterpreted across media. However! Kaldur/Jackson is definitely the most interesting addition to the family, imo! I'm all for villains or villain-adjacent characters being on Team Hero. I also like Black Manta. Petty baddie we respect. Uuh vibes based B tier. I'll theoretically bump this up to S tier if all Aquafam members walked out of the ocean to the H20 "Just Add Water" theme song.

Arrowfam: I'm embarrassingly unknowledgeable with Arrowfam members so we're doing vibes. On vibes they're like Batfam adjacent but sound way more interesting. Oliver Queen is a great messy character, and I like seeing each member have a different complex relationship to him. I'm very endeared to Roy/Arsenal/Speedy, his villain will-they-won't-they romance and baby dad plot is inherently interesting. I also love Connor Hawke!! Blasian ace king fr. And I adore Black Canary. She has so much going on and still checks in on this fam too. Idk if it's controversial of me, but A tier based on vibes.

Constantinefam: SIKE this loser doesn't have friends or family they're all dead. S tier. If DC is pushing DC!Johnstantine into a family or partnership dynamic with JL Dark, Zatanna, or Xanthe Zhou? Theoretical F tier.

Haha this was fun to write, thank you for the fun ask! Nice to ramble about the various fams of the DC world.

[devondespresso]

FINALLY

after NINE. HOURS. (NOT including meals and sleep) ITS FUCKING DONE.

A complete floorplan of the entire Harrington house. Including too much thought about random, throw-away lines from characters and squint-to-see-it background glimpses inside.

plently of stuff in the actual house is altered or straight up ignored in favor of following the fiction logic and because I Wanted To. A lot of this is motivated by my headcanons for the Harringtons and how I'm writing them in my fic, but I'm also certainly not an architect so it's by no means perfect. It is, however, unreasonably canon compliant in the few bits we do see.

Thought Process (for context):

the darker shaded floor areas are lower than the rest, some bits like the garages having stairs and some areas like the sun and dining rooms list being like a step lower. Windows are marked with dashes along the outside, sliding doors are two thin lines slightly overlapping, stairs change color as they diverge from the level we're looking at, and furniture is eyeballed so don't look to closely a the scale.

not all closets are labeled, just the ones i figured could be confusing. Steve and the guest rooms have closets i promise.

the laundry room and pantry are not the same size but by the time i noticed i was exhausted. so pretend they're both more reasonably sized.

i don't know what the floorplan symbol for garage door is and then i forgot to look so the headlights point to where the doors are and you can see them clearly in photos so yeah.

The general layout is based on the idea that the Harringtons are or were into hosting dinner parties and business meetings in their home, especially as a young rich couple looking for respect in their circles (Mr. Harrington taking on his father's business and reinforcing that power, Mrs. Harrington climbing her own social ladder and building an image).

So the house is laid out with hosting areas towards the right with the office big and near the dining room because it's more than just a workplace, it represents him as a businessman. In canon the entryway and living room both have very high ceilings and no second-floor above them, so I'd imagine they're also aware of how the top floor looks from below, hence the fancy double/french doors to the master bedroom which is in plain view from below. Steve's room and the guest room are's nearly as visible.

As for the kitchen and sun/pool rooms, I see them more as secondary hosting areas that aren't used as the main location most of the time and are more this background setting to these events that still feel rich. The kitchen is massive and mostly for dinner-parties and Mrs. Harrington's social events.

The kitchen and main bathroom's placement is based on a line Steve said to Barb giving her directions to the bathroom: "down past the kitchen, to the left". With the massive living room on the left and wanting to keep the dining and office close by, i interpreted the "to the left" part being like "find the kitchen, then turn left". And with the rest of the area being open-concept, the bathroom would be the only normal door over there and easy to find. it's a bit of a stretch with just that line, but it makes sense to me with the rest of the context for the layout.

the basement is similar to this, though not as openly displayed so I imagine its for slightly closer friends. Theres a garage door down there so I figured Mr. Harrington might have a cool car he shows off, like he's letting people in on a personal detail about himself. There's also a guest room down there (the only one still considered 100% for guests, more on that later) for those people.

beside the basement garage, there was originally one main garage that holds two cars, obvious Mr. and Mrs. Harrington's cars. I imagine they bought the house before having kids, so a third one wasn't on the mind but after having Steve they added the front one (either turning the carport into a closed garage or they never had a carport and added a whole new addition, up to you)

Both garages lead to the same part of the house, and that area is the only one besides the water heater room that is purely function over effect. It still looks good like the rest of the house but it's not made to be fancy because guests would rarely need to be over there if at all and it's not noteworthy from other parts of the house.

In my headcanon, Steve's room used to be a guest room, staying his room from nursery to present with Mrs. Harrington renovating every now and then. Its one of those places in the house that doesn't have to look perfect for all to see, so she gets creative and has fun with it.

The upstairs guest room is also unofficially Mrs. Harrington's room, based on a line where Tommy mentions a fireplace in "his mom's room" instead of "guest room" or "parent's room" or "master bedroom". I belatedly realized this could be a solidarity thing with Steve hating his dad and calling the master bedroom his mom's room, but that was after 9 hours of this and im not changing it but there you go. In this version, I imagine she leaves the master some nights because her marriage with Mr. Harrington is failing (cheating and all, I wouldn't want to be in the same bed with someone who cheated either)

the master bathroom was an executive decision, just looking at the house in canon and not having enough space in my first attempts, i decided the triangle roof part above the dining and office could fit a master bathroom.

Feel free to use or reference this in your own fics! Feel free to block out my furniture or walls and make your own version. If you share my image please credit with an @ mention!! (again, 9 hours) (thank you fhalsfhd)

[atomicpowered]

So I watched Hazbin. Let the record show that I am not a hater unjustly or unduly. I will put in the effort to fully experience the thing people are dumping on to see if it's legitimate. I went in with as blind a mein as possible given that I am Online and dialed in to various goings on in my swamp. My curiosity finally got the better of me.

I know some of the background of the show and the creator of said show, I have heard rumblings from the edges of my dashes and things passing megafauna-like underneath me. These cries of 'worst fandom ever!!' are pretty overwrought for what, by my eyes, is the pretty standard slew of agitated bees that follows this kind of thing.

Before I get into some thoughts about the show I do know that there was some talk about people not being properly compensated for their work on the newest, hottest, invader zim animated television programme. I have heard various things about what vivziepop (might be spelling this wrong I'm on a fight and bored so I can't check) has done, what fans of this show are capable of blah, blah— I get it. When you've been around the loop of this stuff as long as I have you know what many fandoms and sole operators are capable of. By my metric these examples are all pretty bad. Not the worst but not the best either. Definitely stand out from the other fan based background radiation on websites and in real life.

But I'm gonna talk about only what I've directly seen (the amazon joint and youtube pilot) for both brevity and my sanity.

I sell at conventions for a living, I've done so for years and have also been at that long enough to see swells and ebbs of trends that match up with their digital counterparts. Hazbin is… special. Not often do you see merchants throwing table balance to the winds to have MULTIPLE Hazbin (Helluva thrown in there too they're basically the same thing) monocultures for what they are hawking. I get the drive behind it too, no shade, make your bag, sex sells, but I can't overstate how rare this is! Even during the heyday of Genshin (lessening now) you still had different properties orbiting the cash cow on your display. Nobody just brought one thing and one thing only.

Now, on to what I have to say about the show. I'm sure some of these points have been echoed by a pngtuber with crossed arms but I feel compelled to throw my two bits in.

The show is all together, not good. Not horrific (barring some specific instances), but firmly overwhelmingly mediocre.I watched all of it, including the pilot, and besides occasional drama crossing my dash didn't interact with it much beyond that until now. Now that I have, I am very confident with my pre-watch assertions I made based on spitballing what I saw represented on and off line. I'm good at this kinda thing, you see certain patterns emerge from the data and you can make some accurate generalizations no problem. I frequently withheld a question when I would see groups of 14 year olds in pinstripe suits looking at my prints at weeaboo united or whatever convention I was at that particular weekend. Why are kids watching this show?

I know Why kids are watching the show, Hazbin is made (probably unwittingly) to appeal to kids! This is a neutral statement, I'm not saying it was to entrap kids or anything like that. The kids are a side effect drawn to what Hazbin Is. Not a target.

The appeal comes from a few main points. The characters are all designed like babies' first OCs, they drip little details and playground style power layouts. (My mermaid tail is blue and rainbow and I can shoot lighting and I have a pet sea turtle so obviously it is good or better than your flame covered tail and psychic abilities.) They are all based on a template that is easy to replicate and iterate on with enough play in secondary characteristics to make a bonafide example of some prime Do Not Steal. (Think Sonic, My Little Pony, Homestuck.) This playbook of style is sugar on a kitchen floor to ants.

The characters all say and do stuff with no deeper implication or subtlety, conflicts are raised and finished in minutes if not at least by the end of the episode. They have large gestures, big emotions, little depth, and huge expressions. They are stage acting, and the flat compositions in the storyboarding and directing reflect that. They are tell and almost never show. They walk on the screen and go I'M SAD or I'M MAD with no real subtle work. Yes there's sex, drugs, and alcohol, but, like. Conceptually you easily have characters acting like they're in saturday morning cartoons.

The overacting is great when you're sakuga brained like I am but it is so all the time and in your face that it just ends up feeling like those twitter videos of 60fps interpolated anime openings. (God I fucking hate those things.) Every character is moving and talking and wiggling around so much that it's like parents trying to catch the attention of a crying baby with hastily jingled keys. Even the swearing and the depictions of the more devious acts are so… juvenile. Everything feels like a combination of boys talking in hushed giggles at the back of the bus and what you scribbled in the back of your history notes among the drawings of the best realistic eye you could put out at the time. Like I highly doubt any of the audience knows what 'bolivian marching powder' is or does. And I don't think its main writer does either? Like one of the characters is in high profile porn, like at least make his vice a designer drug? It's like when kids speculate on what it would be like to be white girl wasted with barely trying a sip of Mom's vodka out of the cabinet.

So you got the combo of these character designs which mirror every tumblr sexyman since the bronze age and a very paint by numbers barbie house of characters. Of COURSE it bags kids like fortnight und cola. But like, why are people in charge just letting this rock? Is more my question. Who is letting Timmy get at a new glossary of stuff to yell at his substitute teacher? Don't answer, this is rhetorical. I'm all for letting kids self select but I kinda worry about this one and what it's doing to the teens. I'm sure someone more willing to explore that has said smarter stuff than me. But what I can see is you have the volatile type of person (kid or not) who is attracted to what I just listed grappling with badly handled (fumbled most of the time, let's be honest) adult stuff. This is the recipe in how you get a fandom that acts like this one acts.

My next thoughts concern Concepts and Themes. The ones here of heaven and hell are just kinda skated over as set dressing. In fact everything in the show is more like the plato's allegory of shit to stand on. It's basic on basic. Hell being an alright bunch and heaven being snooty know it alls has been done, demons that are niceys has been done, even interpersonal relationships set with a backdrop of a home for wayward characters has been done. Like again color by numbers isn't BAD! Just because these things have all been done doesn't mean you can't learn from and uplift your own idea with what came before. In fact, when you're having trouble making something a quote always comes to mind.

Wholesale ripping a chunk out of red letter media here: "Now I need to explain that I don’t think that all movies," ((Shows for my use case)) "-should be the same, or conform to the same kind of structure, but it works well in certain kinda movies. So unless you’re the Coen Brothers, David Lynch, Paul Thomas Anderson, Stanley Kubrick, Alfred Hitchcock, Lars Von Trier, David Cronenberg, Gus Van Sant, Quentin Tarantino, John Waters, Wes Anderson, Sam Peckinpah, Terry Gilliam, Martin Scorsese, Werner Herzog, or Jim Jarmusch, you really shouldn’t stray away too far from this kind of formula."

It's clear that this show has its roots in musicals. (Not just in the presence of musical interludes, the talky bits too.) Musicals often are color by numbers stories that expertly perform these fundamentals. They are a perfectly cooked egg. Simple, but a test. If you can't do the basics you cannot be expected to deliver on anything more complicated! It's also obvious that Hazbin's nest was lined with disney musicals specifically. I have my qualms about disney, especially the disney of today, but that's not for right now. Disney by and large knows how to color in said book to the point that it's a formula, and if you can't study this formula to excel at the formulaic you kinda deserve the crit.

You have rules and lore set by your world and you don't follow through with anything, your plots all revolve around introducing the coolest character yet or making your favorites even cooler but not like. Actually. Exemplifying what the hell is going on. I know people here are going to counter that they didn't have time it was only a handful of episodes with no knowledge if they were gonna get more, but so much of the show is donated to bad dialogue that goes nowhere, points and facts that the audience knows that are reiterated half a dozen times for no reason. They had TONS of time.

While I'm on the subject of dialogue, the dialogue is one of the things that is not mediocre but straight up bad. I already listed why above but to cite a specific example of something I haven't touched on, dear god you cannot lampshade your own bad writing by having the characters calling it bad. It is Marvel style spandex is stupid and comics are silly am I right guys 'jokes'. This 'joke' happens at least three different times in vitro and it made me audibly groan every time.

I am not a musical person nor am I musically trained but many of the songs are lyrically poor, abruptly plonked into the narrative, unfitting compositionally or, uh, poorly sung.The cast of VAs is insane, (looking at you David) and also often badly vocally directed. They are trying their best with the script but I'm more talking about how they are mixed. I found it hard to understand what was being said much of the time due to technical failures. Guys like Keith David can phone in a performance and Sell it to me better than some of the other actors putting their foot into it and that juxtaposition is also a form of whiplash that the show excels in. Vaggie is probably the worst offender for not being able to pick up the slack in this regard.

The characters being over and somehow under done lies also in their designs and the style that the show wants. I could talk for days about how much I dislike the sticks with a bunch of junk hanging off of them type of look. Nightmare to animate, no good character variation. I didn't even know what some characters were supposed to BE or represent. Alistor is a deer? Charlie is a faun of some sort? Where? Huh?

Too much red!!!! Too much!!!!! Red backgrounds, red characters, everything is a MESS, this is one of the things that actually gets me mad. There are no values! Everything fades into visual noise, which when you pair it with the animation constantly gesticulating at you and everything being bolted on with spirit halloween leftovers makes a leaf and stick tornado. (Nitpicky as well but pick a line weight and color and stick with it.) When blue or yellow came on screen I would audibly shout in excitement.

Multiple characters have tophats. Stop.

I'm not going to go into what I would do to fix the plot or design documents, I know it's been done to death.

God, where was I, I think I'll just finish this off with thoughts about the characters and then open the floor to comments or questions. I don't mean to make this a proper essay.

Charlie: I really dislike her, she's a weak character that has the IM TELLING HOW IM FEELING AND HOW YOU, THE VIEWER, IS SUPPOSED TO FEEL disease bad. Her design is one of the worst. I don't root for her much! Which is bad because she's the main character and I'm at least supposed to feel for her?

The snake guy: He had an arc. He's probably the most endearing.

Angel dust: the pathos they tried with his story beats is ruined by whipping back and forth between irreverent and WAY too heavy handed. People cried? What? Also the pig showing up for its two appearances to sell irl plushies was bad. His back and forth with other characters is hard to watch, and his capitulation to be better both feels forced and confusing. I don't think they know what to do with him. Why is porn bad in hell.

Husk: hi keith david. Bad design so fucking busy. They scaled him back from the pilot and I still flinch thinking about those tie downs. Why is alcoholism bad in hell.

Tv guy: better episode time than most of the other characters to the point where I suspect multiple writers to have been put in the time out chair

Nifty: Gir redux but with none of the heart

Vaggie: they were going for a wholesome lesbian relationship or toxic codependency and managed to do neither well. She has the weakest vocal performance, the name thing is bad, I thought she was supposed to be based off an owl or bird of prey but apparently not?

Mimzy: why are you even here

Lucifer: design so bad he falls into the background when he should stand out THE MOST. No episode, saying you're depressed and estranged from your daughter isn't an emotive beat you have to Show that by doing things.

There's so much I could say about carmella, the overlords, the other V's, adam, heaven in general, the over-designed incidentals, the exorcists, but I'm TIRED.

Alistor.

Man. This fucking guy.

His ethos is one of the worst in that hes just dripping in conflicting ideas from toe to head. He's based off voodoo? He's the 'coolest' one?!?!? He's word salad. Eldritch, forest, radio, dapper, fox like, the teeth, the staff, the vocal filter, he's a deer????! cannibal chaotic neutral shadow manipulator play pretty. He takes valuable screen time from everyone to blow keyframes and my time in being the 'coolest' most bad ass for real bro made in a lab to clinch a demographic annoyance.

Where do you go when you die in hell? If you died in heaven do you go back there? Nobody tried to crack getting into heaven before? Expediting a culling six months when you do it every year isn't as punitive as it comes off, where are the steaks? Why does charlie care so much about hell? Where are 'her people'? Why does charlie know that heaven wants to quell an uprising? Why don't angels know they can be hurt? Why does Vaggie not know? Why aren't people in hell doing like. Actual for real bad things most of time? You have a whole town of cannibals, something that's pretty rare, but barely anyone on any kind of watch list. Why is Lucifer estranged when he's clearly just awkward and it gets better almost immediately? Why does charlie not know anything about her country despite living there?

Auhhhhgh okay I'm done, I'm done. Like I'm frustrated okay!!!

[some-pers0n]

Demoman is one of the characters in the fandom I feel most people straight up ignore or don't know how to write. Blunt, sure, but I do stand by it. Demoman is such a fascinating, intriguing character with the most fleshed-out backstories, yet is oftentimes relegated to being Soldier 2.0, only now with poorly written phonetics.

In other words, hey! I'm a fanfic writer who has a ton of opinions as well as a neurotic need to analyze every character they come into contact with. Pleased to see you're reading this. I've already done a little doohickey essay like this with Medic a while back. The purpose of these long rambles is half of me combing through every instance of the character and pulling them apart to see how their character works...and also me not-so-subtly venting and complaining about mischaracterization. Shocking how a fandom where the main characters are all very clear-cut stereotypes with some slight subversions here and there can't seem to get them.

This essay will go through Demo's beginning and all the way to his latest appearance in the 6th comic. I'll touch on how his character shifts and is expanded upon. I doubt he changes as much as Medic has over the years, but I think it will be interesting to see. I'll just go over bits of characterization, try to rationalize it, and then try my best to sum up all of the traits by the end and try to describe his character in the most canon-compliant way.

With that preamble out of the way, let's begin. This is also 7k words btw just...be aware of that, okay?

Before we actually get into proper character stuff, I wanna lay the groundwork first by exploring the types of characterization I see from Demo. Pick them apart. See what they're really like.

So, of course, there's the popular Redditor opinion of Demo that's mainly shaped by the way people play him in the game. There, people will describe Demo as being generally a bumbling drunkard. It's not too uncommon to see people say that he's an angry drunk. A man who is more concerned with alcohol and drinking himself into a stupor than anything else. I've also seen people say that Demo straight up can't read, which...euhhhhggg. He feels more like an alternative version of Soldier at times, which, again, isn't accurate to his character.

I don't care at all for this characterization. I do think a good chunk is rooted in racism and it's generally very uncomfortable for me to look at for too long. This characterization is pretty shallow and empty, which makes for a boring and offensive caricature. Reddit moment.

The second one is more interesting and the version you'll see more on Tumblr. It's this...odd version of him. I can't exactly put my tongue on what is off about it. It seems more accurate to his character. He's a foil for Soldier a lot of the time (Boots n' Bombs is his most popular ship let's be real) and generally isn't exactly seen on his own. Sure yeah there's the oddball art of him and him only, but let's be real most of his tag is mainly just him being in the background or saying a jokey-joke.

I actually fell back into Ao3 for a bit to skim over some fics to see what kind of characterization there was of Demo there to refresh my memory, and some of the common throughlines was shockingly that he doesn't drink a lot. "He rarely drinks!" I remember reading once. That's not right, no. He's an alcoholic. Like that's a core part of his character. Another fic had him being called "Cyclops" as a pet name. Ew. Anywho, other than that it's Demo being pretty into cryptids, having the Eyelander as a buddy guy, etc and etc. It's fun, but also it's missing...something.

Then, it hit me: Demo rarely is seen as an individual. He reminds me of Heavy in that regard, where most of his appearances have him be the straight-man to another character. Most of the time he's secondary and just a folly for the other characters. It's disappointing in that regard. Like you see a lot more stuff for characters like Scout, Medic, etc and etc with their own unique characterization stuff and getting their own attention.

So...then what is Demoman's character, exactly? Well, that's what we're here to see. It'll be pretty interesting, no?

----

So, funny thing is that Demo didn't change nearly as much as Medic has over the years. Sure yeah, the concept art of Demo was more of the generic stereotypical Scotsman. White, ginger, sideburns, that whole thing. Cartoony and fun design, but eventually they went with the Demo we all know and love today.

Looking at the concept art, it all seems pretty standard for the tone that Invasion was going for at the time. Nothing really to note there other than Demo's face being a stock angry grr grr expression. It is interesting to see how the idea of him wearing an eye was a constant even from the beginning though.

This then brings us to the voicelines. Ahh, good ol' characterization. Demo here is characterized as being jovial and having fun. He's throwing out insults left and right, damning them to hell and laughing at them as they die. Usual typical mercenary stuff. This is just personal headcanon material, but I always rationalize the way the mercs act on the battlefield as being a result from adrenaline and generally being drunk on blood. They aren't as mean when off the clock, but it's worth noting that these are how these characters act when a gun's in their hands and they're exploding people left and right.

TF2 really likes basing the characters off of the class they play as and how they act. Scout is fast moving and his gameplay is oftentimes getting right in someone's face and bolting, which is reflective in his hotshot personality. It's only reasonable that Demo is an explosive, fun, and generally cocky guy when out and battling. He's lobbing grenades and sticky bombs left and right. He isn't afraid to yell to the Medic he just blew up that he's been shagging his wife and calling the Scout he just chopped the head off "twinkle-toes". He teases and such when it comes to the other team.

However, the voicelines also very curiously give us a really fascinating look into his character. He's an alcoholic. He loves his scrumpy, which is not whiskey, shockingly. I thought it was whiskey for the longest time, but no! It's a cider! His stock melee is the bottle he uses to drink, now turning it into a quick weapon. His model in the main menu is him holding up the bottle itself. His default melee taunt is him taking a swig from the scrumpy bottle. It's a core part of his identity, let's be real. It's a part of the whole Scottish stereotype he has going on.

The game of course follows this. There's a lot of lines where he's slurring and babbling in a cartoony drunken way. A good portion of it is just him making vague threats...but a lot of it is also sad. He calls himself a one-eyed bloody monster. He weeps and cries. When jeering, he says he's hit rock bottom here. Interesting new development.

Apologizes for pausing to ramble, but I don't get why people try and sand down the edges to Demoman's character by making him out as though he isn't an addict. He is. That's something that is made abundantly clear. The iconography of alcohol follows him like his own damn shadow. I dunno. It bothers me.

I digress. There's some other bonus stuff I think is quite interesting. Most of his battle charges involve the other team. "Let's gettem lads!" and all. I think it's neat how he views his teammates as just that. Teammates. Those he fights alongside with. Another thing of note is how he occasionally has lines that are...odd in a way. Poetic and dramatic. Something that subverts the typical characterization. When he loses at rock paper scissors, there's a chance he'll say "Oh, 'tis a dark day", which. well then okay buddy.

So to recap: for characterization in-game, Demo is an alcoholic Scotsman who is generally pretty witty and functioning despite the incredible amounts of booze he drinks. He is energetic, bombastic, and generally hearty and having fun. He's not taking things terribly seriously and is generally just going about and blowing stuff up. However, there is a very noticeable streak of sadness to his character. When drinking, he reveals undertones of self-deprecation and hatred. Why? How?

...well, you just need to take a gander at his character card.

Erm excuse me what the fuck.

I honestly do not understand the logic behind this backstory. Like in a practical sense. Like, yeah!! obviously this backstory is sad and such! I really actually like this backstory and honestly I love writing him in the context that this happened to him. It's just that...I can't wrap my head around the idea of this being Demo's backstory given that everyone else has pretty silly little blurbs here. I think the darkest it gets is Soldier going to Germany years after WWII ended to kill people.

This??? Sure yeah TF2 gets a lot sillier and more cartoony comedic as time goes on, but even with the current tone where is the funny? I ain't complaining, I love me my angst, but this is so jarring to see. I suppose that explains why they retcon it later, but I'm getting ahead of myself.

Hey, at least it gives us an explanation to why Demo is sad. We can pretty easily gleam a reason for his current behaviour in the game from this: his messed up childhood. To begin, Tavish Finnegan DeGroot was abandoned by his parents and left to live in an orphanage. Eventually, he was adopted and brought up by some foster parents, who he then murdered in an attempt to blow up the Loch Ness monster. This was when he was six years old. Actual child. 

He then went back into the orphanage, where he would tinker with bombs. Why? Insert whatever headcanon here, but for me I think it's a feeling of fascination, yet also heavy guilt. Perhaps revenge. Either way, he loses his eye from these experiments. Eventually however, he's brought back into the family when word spreads of his excellence when it comes to manufacturing bombs. The use of the word "lovingly" feels exceptionally sarcastic, but that could be in part to how his parents are later characterized. Either way, this is a result of the DeGroot tradition, which, and I quote, is wholly unnecessary and cruel. It even cites it as him being reintroduced into his family as the "end of his unhappy childhood".

...so yeah. Pretty safe to say the reason for his alcoholism is to cope with that. He feels the guilt over that and will breakdown into sobs over it even. Yikeesss... It can also mean that he feels as though he's held up to incredibly high expectations, having the entire DeGroot family lineage to live up to. Again, later on he's being nagged at for not being as hard-working as his father, who, in good ol' TF2 fashion, blew up the Queen for a nickel. It does certainly feel that way, no?

So this introduces a new wrinkle to Demoman's current characterization: he's an alcoholic who is happy and has an upbeat and fun personality (at least on the battlefield), but underneath it he's hurting and feels ashamed of who he is. He drinks to cope and manage it, yet it only seems to exasperate problems at times.

Can I safely say that Demo is the merc with the most fascinating and intriguing backstory and personality thus far? Sure yeah I love Engie a lot as well, but Demo's character actually feels like it is a result of the backstory written for him. Like all of the other mercs sure you can go on and on about stuff with them, like Scout and Spy and their whole deal, Sniper and his parents, everything with Heavy, etc. Demo?? Right off the bat there's something to chew on in terms of actual character writing.

What an interesting character! I sure hope later installations of the story will follow through on this and give him ample screentime!

Anywho, time for the Meet the Demo video. Again, a departure from the Meet the Medic video and how I rambled on and on about that one, but it was mainly due to MtM being something to mark a drastic shift in Medic's character from serious and angry to more silly and mad scientist-esque. Meet the Demo, due to it being one of the Meet the Team videos made so early on, doesn't really get the benefit of a short with a story, but I digress.

This one is stylized more like an interview, which, in canon, means he's telling this all to The Director and all. It opens with the title screen before the horns section seep in, cutting to a clip of Demo running while explosions go off behind him. A freeze frame cut before a voice-over of Demo comes on with the iconic line "What makes me a good Demoman? If I were a bad Demoman, I wouldn't be here discussing it with you, now would I!?"

Okay so just more confirmation and all of Demo's personality in-game. According to his bio, he has a short temper and all, which could explain him getting louder when asked that question. I don't think it's a joke or him exaggerating, since he seems genuinely pretty upset by the suggestion. He would have to be good at his job in order to be telling you this, yeah? Why even bother asking? It's an interesting bit of characterization that somewhat expands on that short temper.

More generic footage of him running about while explosions go off before coming back to the interview of him explaining a bomb in its simplest form. "One crossed wire, a wayward pinch of potassium chlorate, one errant twitch... and kablewie!!" Seems like filler dialogue, but I always like taking note of the fact he uses the chemical compound term as opposed to something more colloquial. It's just headcanons, but I really enjoy thinking that Demo is pretty damn smart and really gifted when it comes to making bombs and general chemistry. It's a clear passion and love of his and I like touching on it when I can.

The next couple seconds are shots between him taking a good swig of his scrumpy and then blowing up a level three sentry. It's just showing off his capabilities as a class. Nothing special (other than being cool and showing he's competent at his job). The real interesting part is his breakdown where he's on the verge of tears, exasperatingly telling the camera that he's...off. He knows it. There's not too many black Scotsmen, especially ones with a busted eye. "They've got more fucking sea monsters in the great Loch Ness than they got the likes of me" he says.

But, he perks up! He talks over a clip of him baiting a group of BLU mercs into a sticky trap. The voiceover is also really fascinating here. The way Demo talks reminds me something out of an Aesop fable. It's a very curious and fascinating way of talking. I wish this bit of characterization stuck around since it's pretty fun. "Come and get me I say! I'll be waiting on ya with a whiff of the ol' brimstone. I'm a grim bloody fable...with an unhappy bloody end!" is really cool.

The video ends with him taunting the mangled corpses followed by a rendition of the main theme with bagpipes. I should probably also mention Drunken Pipe Bomb, his theme song. It's an upbeat and fun piece with a mixture of the typical TF2 sounds (funky jazzy drums and bass guitar) as well as a Celtic flair, what with bagpipes, whistles, etc and etc. There's also a kickass surf rock section. It's quite the battle theme and definitely reflects a lot of Demo's character as being an energetic, explosive type of character who is proud of his Scottish roots.

So that's pretty much it for SFM bits for now. How about we take a step back and look at the first-ever actual TF2 comic: WAR!, where Demo really gets a big break for his characterization. We don't care about the Saxton Hale or Jarate ones. WAR! my beloved...

But first, the actual WAR! update. It was the sixth major content update released back in 2009. Remember when this game got actual content updates? Me neither. The update was based around the rivalry between the RED Demo and the BLU Soldier to excuse why they were adding new items for the both of them, with Soldier in the end winning the little contest and getting the Gunboats.

For canon lore, the update serves to introduce the idea that the RED Demo and BLU Soldier had a comradery at first. Friends! Interesting piece of characterization to have Demo explicitly go against RED and become friends with Soldier. The two of them do bounce off of each other quite well when they're paired up, I will say. They're both heavy-hitters in terms of gameplay and their personalities are quite loud at times.

For added voicelines, there's a bunch of the Administrator denouncing their friendship as well as domination lines for both Solly and Demo whenever they kill each other. Demo pretends he hates Soldier, but asks if he's okay, tells him that he loves him, and generally is like "but we're still friends though, aye? :]" He does care a lot about their friendship, which is pretty sweet and cute. Sure hope that lasts.

In the WAR! comic, we see Demo in a mansion. He's loaded! It's also confirmation that the mercs are given quite a lot of money, but apparently not enough for Demo's mother. She's nagging him about not working and saying that he should be ashamed for being so lazy, to which he rebuttals, saying he has three jobs and has made millions annually. Apparently not enough for his mother, since Demo's father worked twenty-six jobs.

She also brings up an interesting piece of information. "No demoman worth his sulfur ever had an eye in his head past thirty!" which implies that missing an eye is a family tradition to lose your eyes when working this job. Would this also imply that Demo is not thirty by this point, since he still has the one eye? Eh, whatever. 

Demo taking care of his mom in this old, nagging state is pretty neat characterization, as well as him holding down two other jobs besides mercenary work for RED. He's very capable and talented! He's also extremely caring and sweet. Even when his mum is complaining and griping about him not living up to his father, he gets her tea and takes care of her. He does respond with a lot of "I know mum" when it comes to that. He's heard it all before. She keeps saying the same stuff. I like thinking he knows fully well he can't live up to the extreme work ethic his father had or truly impress his parents and is pretty bummed out about it, but that's just headcanons.

Anywho, Pauling's there. She's there because the Administrator wants to break up the friendship between Demo and the BLU Soldier and instead have them be pitted against each other. While Soldier needs to be tricked and insulted by Demo and told that he's a civilian (something that he hates apparently), Demo is more coerced and convinced.

He's still loyal to their friendship, but, aye, there's something different about that sword there. Here's an interesting bit of characterization: Demo being a sword guy. There's a lot of medieval stuff relating to Demo, what with DeGroot's Keep, the Eyelander, his general way of speaking at times, etc and etc. It's fun and I think he takes great interest in medieval-period stuff, but, again, headcanons.

Demo feels conflicted. How could she make him choose between his best friend and this cool ass sword?? He doesn't give an answer, but Miss Pauling further pushes him to choose violence when leaving even more stuff for him as well as telling him that Soldier said that he'll join the fight. It's then assumed that Demo agrees by that point.

It's interesting to compare and contrast Demo and Soldier. Soldier, despite hearing all of these mean things, still wants to be friends with Demo. It's until "Demo" calls him a civilian, something personal and sensitive to him, is when he decides to betray him. Demo meanwhile is more swayed by things that he loves, but the final push is that betrayal. He only acts when he's finally told that their friendship has been severed. Curious how their loyalty is strong in those ways.

...I should probably sometime mention the actual retconning of his backstory however. Hoouhhh boy let's go. So, for the 2011 Halloween update, there was a comic alongside it. This comic had some cute gags, like Heavy giving a little boy he scared seven grand. However, the main attraction is the rewritten backstory for Demo.

I mentioned earlier, but I honestly can't blame them for maybe trying another crack at a Demo backstory that isn't as bleak and miserable. I do really like the original one because I'm a sucker for angst, but this backstory does work a lot better tonally when you're just trying to write some goofy stuff, especially if it involves Merasmus at some point.

The story retcons the whole thing and seemingly makes it so that Demo has always been with his parents and the reason he lost his eye was not because of some brutal accident but rather a currrseeee ooohhhh spookyyy. He's hired by Merasmus to sweep up the place a bit, with him being exceptionally clear to young Tav to not touch any of the accursed tomes. He does, of course. Nothing too much in terms of characterization. It's more just saying "Hey Demo's eye is cursed and that's why he lost it but! hey! it comes back once every Halloween!!"

Again, I can't really knock this version of events. They're simple, but goofy and fun. It's all up to whatever you're trying to accomplish with Demo methinks. If you want silly and whimsical stories, you can have that backstory. If you want gut-wrenching angst, probably should take the initial one.

Aanndd that's virtually it for Demo being important. Demo doesn't get too much plot relevance later on. He's just kinda done with. He shows up in Expiration Date for a quick gag where he returns with a bunch of beer, shouting and cheering while being unaware of how they all just learned they're going to die in three days. He then shows up again during the bucket scene and doesn't do much other than mouthing somethin' (I can't tell you want tbh). A new thing is that he plays piano! That's fun! He then kinda watches Scout try and ask out Pauling and he yells for him to describe what she looks like, which is just what Demo currently sees her as (drunk, blurry, etc). He then fights in the big battle yada yada and shows up at the end with the beer again.

The MVM trailer I suppose is a thing to be noted. Here, he's a BLU Soldier and is playing cards with the Soldier of the same team. Seems like regardless of teams, there's some sort of bond between the two of them. All that happens is that Demo is down to bust up robots with the rest of the RED mercs. Pretty much it.

It is quite unfortunate to see Demo relegated to a role so passive in the story and comics. I've mentioned it before, but I do have an ever so slight grudge against Soldier for taking up the majority of the screentime when it comes to the comics. Yeah, he's really fun to write about, I can't blame the writers for doing so, but also like...c'mon... In the end, we're left with a good chunk of the mercs being underdeveloped in exchange for a ton of Soldier trivia. Props if you like Solly though; your fave got the best treatment.

Ah, but still! Demo has some moments in the comics! Let's go through them! 

Uh. Upon checking most of the comics before the mainline ones, it appears he does not say even a single word. Or even show up in a good portion. Well that's disappointing. I thought he at least said like...one thing. The most he does in terms of characterization is put on a crown in A Fate Worse Than Chess, and even then that's just a silly cosmetic. Damn.

It's fine though! Because now we have the mainline comics! Hot damn finally some actual casual Demoman TF2 writing! Let's get a look and see what his normal usual personality is like! I wonder what fun shenanigans he's been up to.

The first time we see Demo he's babbling about his job being replaced by robots and looking utterly dishevelled and depressed.

Okay. That's...yeah pretty in line for his character thus far. An alcoholic who is struggling with some stuff and oftentimes will have a very vocal breakdown in front of others.

The way that he's characterized here is rather fascinating though, I'll say. He's depressed. From what we can glean, this is what his life has been like since the layoffs. He's gained weight (what with Soldier's very blunt "Hello fat Demoman!"), hasn't shaved, his clothes are dirty, and beer bottles are scattered in the living room. Even the Eyelander is like "dude you need to let it go" when Demo mumbles about robots replacing jobs. He's presumably lost his two other jobs and has just been laying on this couch, drinking booze and watching TV and nothing more, despite his mum's nagging.

This is a side of Demo we don't really see. Sure, yeah, we see the hot and tempered side (ex: Meet the Demoman and the general game) as well as the sad and weepy side, but it's never to this degree. Like full on depressive episode. Yikes. Sure yeah he gets dragged back into the plot and instantly gets back to himself (albeit more orange than actually black)(I keep forgetting how whitewashed Demo was in these first few comics), but it's played for laughs and gags.

What an interesting piece of characterization, no? I've seen a fair amount of major depressive disorder, BPD, PTSD, and or bipolar headcanons slapped onto Demo and tbh I can't blame them. I'd be really interested to see some fic explore that in greater detail. I'm too busy writing Engiemedic yaoi to do anything for now though. Womp womp.

The ending bit of the comic has Demo and Pauling mainly chat with each other. Oh yeah!! Demo and Pauling! They've got a couple pretty neat lines. For the usual contract it's just jokes about his alcoholism, his eye, and a couple about his mom and just general gags. In the Tough Break update, she's out drinking with Demo and nearly spills the beans about her job. Fun. I really like the Miss Pauling characterization where she regularly hangs out with the mercs. It's cute.

In the comics, she talks to Demo more like an actual equal than, say, Pyro or Soldier. She talks to them like they're children roughhousing in the backseat. Demo sits up front and the two go back and forth. Demo is the more mature and reasonable one here. Another thing that's a common bit of characterization in the comics is that Demo isn't...drunk. He's not slurring nor acting in a way that makes it immediately clear he's inebriated. He's pretty lucid. This can be from the fact that he's a very high-functioning alcoholic, but it also makes him out to be actually pretty all-there for most of the time. I've seen far too many fics where Demo is in a perpetual state of shitface drunk so that was a nice refresher.

Demo reappears in the second comic, where we get some pretty neat characterization. He's out on the town in disguise. I keep forgetting about that "What do you see?" "Not a damn thing. Let's switch places" gag that's so funny. Whatever. He is the voice of reason when it comes to Soldier. The straight-man character. He's not really...drunk here. He's not slurring his words nor is he exactly doing anything. He steps in front when Soldier starts yelling at an elderly woman, instead approaching her with a calm and kind demeanour. He holds Soldier back when he goes to strangle Scout for. I guess just being there.

So there's Demo when he's just doing stuff normally, I suppose. He's generally pretty level-headed, albeit because he's up there with Soldier. He's the Normal One when posed next to a guy like Solly. A little disappointing, but there's probably more in comic 4.

Ah the Swordvan comic. Demo and Pauling head over to Sniper's house to retrieve him. An odd bit of characterization is that Demo just takes one look at Snipes' house and goes "Welp, nobody's here. Let's get out". He doesn't seem terribly thrilled to be here, further backed up by him saying that there's just gonna be fingernails and jars of piss and he straight up says "good riddance" like what is his issue with the bushman??

Now that's kinda interesting. Demo sees Snipes as being kinda just gross and a raving lunatic. He could easily be in-place for the audience and just saying what we're thinking, but I think it's interesting to see that Demo, the guy often portrayed as being the weirdo party guy, being very straight-forward. He think Sniper is some sadistic madman and just wants out. Unfortunately, he's given a neckfull of Sniper's homemade family moonshine, so he can't get out quite yet.

A very common thing in these comics it seems is Demo being the voice of reason, which is pretty interesting. The straight man to everyone. When he wakes up to Pauling spitting on him to wake him up, he goes "eughhh gross, but, hey, it worked!!" before then is knocked out. He then stays quiet for the rest of the scene, unless of course you're counting the deleted pages. There's no dialogue, but Demo breaks free from the ropes binding him, yells at Sniper, then pushes past before then inserting three syringes-worth of the moonshine into himself and passing out. Alcoholism joke as per usual. Shockingly the first one we've gotten so far.

In the submarine ride down, Demo's passed out with his scrumpy in hand. Again just a gag about him drinking a lot. He then kinda stays in the background for the rest of the comic, only appearing really once to hold a vat of liquor, before then coming to in the final shot where he holds Sniper's dead body. Heyyyy Demo I thought you thought Sniper was a weirdo freak.

Nothing too much to say from this comic then. It's just establishing more and more that Demo plays a very...straight-man character role when it comes to the comics at least. He's reasonable, level-headed, and often just says whatever comes to mind. He's kind and will instantly rush to someone's aid when they're hurt as well as just generally being pretty good-hearted. Nice!

Comic 5 mainly just features a gag with Demo's liver being so overworked that he starts turning his other organs into alcohol distilleries. The whimsy. The line that I find most fascinating from this comic is from Spy.

Like oh okay so he straight up doesn't eat anything other than alcohol and aspirin. Water literally poisons him. Probably just a throwaway gag, but geez. It does say that he is kinda in pain all the time, at least to the point where aspirin is one of the few things his body can handle. Someone out there can probably work with that and make it angsty. Other than that, not much else for Demo.

Comic 6! The final one! Home stretch here folks before I can wrap this up and give a thesis on whatever the heck Demo's character is. Demo, again, is mainly just here for gags. It's the one thing I do really wish that the comics did more: explore Demo's backstory. Like you don't even need to keep the original one, but it's still fascinating to bring up the fact he has a family lineage at all. Instead, he's mainly just a straight-man character. But, hey, whatever. I'm just the one analyzing these silly comics and jokey joke characters for gay melodramatic yaoi fanfiction.

There's a gag about Demo's liver coming back to him after leaving. These soap opera drama scene could parallel the type of shows that he was watching when having that depressive episode, but that's maybe a bit of a stretch. He then gets included in that fun group shot, where his pose mimics that from the Meet the Demo, before then gets a one-on-one scene with Medic. 

These two are such a fun duo I wish Jaggerbombs was a more common pairing. Ah well. Medic catches Demo up on everything whilst he's stitching up wounds. The medi-gun is broken so they're doing this the old-fashioned way. Demo has a gag where he's still drinking, only that it's hydrogen peroxide instead. This then leads to a scene where Demo asks why Medic never gave him an eye. Reasonable methinks. Medic responds saying he did.

Demo gets upset. He raises his voice for the first (official) time in the comics. Again, his temperament. I think it's a reasonable thing to be upset about tbh. Like imagine being told after all this time you could've had your eye back. He then learns that, no, the procedure has been done before, but rather that it never sticks because of how his eye socket is cursed. Demo asks how he can't remember this, to which Medic goes "Hooh :] It's because I scooped out a part of your brain" because of course he did. He then forgets the entire conversation + probably Medic entirely.

Aaannnddd that's pretty much it for Demo. That's his last speaking role. Just a quick, simple gag about his eye being cursed, his alcoholism, and generally being the straight-man for others, even if he does have a couple silly gags too. Seems like a culmination of everything he is in the comics.

To conclude: Demo is a character I feel can take on two main roles depending on what kind of tone you're going for. If you want angst, you've got a character who carries the guilt of murdering his foster parents as well as the burden of being a DeGroot, turning to alcohol to cope with his sadness and general inability to deal with it all. If you want silly goofy stuff, you have Demo being a straight-man or a neat party guy if you like the bit from Expiration Date where he brings back beer and such. Of course there's nuance. I find it best to try and find a balance between these two opposing sides. It just takes time and practice to really get a hold of his personality methinks.

I do wish he was more in the comics though as his own person, y'know? He's very reliant on others in order for his character to function, whilst most others have scenes where it's just them doing something. I wish he was used more than being the guy who drags the others back to reality. Damn it sucks to see that the fics where he's mainly just the straight-man are kinda right in that regard.

But for character traits? Hm, let's see. I find it's just trying to make sense of what's given to you and seeing what best fits for the tone of story you're trying to go for. However, for me trying to write him? Well...

His alcoholism is a central character trait. He is definitely 100% an alcoholic, regardless of however people try and sand him down. I personally really like sticking to the idea that he straight up can't eat anything but booze and aspirin because I think it's funny but also sad, but that's me. I think him having a flask of scrumpy on his person at all times is a neat headcanon as well.

Another big trait with Demo is his frequently shifting mood when drunk. He can swing from loud to weeping in a couple moments. I wouldn't say he's particularly angry nor aggressive, no more than any other character at least. He's most volatile on the battlefield, but otherwise at the base I feel it wouldn't be an uncommon sight to see Demo partying until dawn or holed up in the living room and sobbing. Poor guy.

In spite of what many think, Demo is certainly not lazy. He's a workaholic is anything. He holds down three jobs and rakes in a lot of money in order to live up to his name as a DeGroot. It could be because he likes working that much or that his mother just nags him to push himself that far. That also ties into his self-deprecation, another core trait of his, but that's pretty obvious to see.

His heart is another big trait. The guy loves. He cares for his mother even when she nags at him. He sticks by Soldier's side until he feels as though he's been betrayed. He takes care of the Eyelander and treats it like a pal. He generally cares a whole heck of a lot about people and other things. He wears his heart on his sleeve and says what he means. He doesn't feel a need to really hide who he is as a person. He's loud, fun, and just naturally pretty sweet and kind. I don't think he's ever really "mean" outside of the game stuff. There's also the whole "being hired to explode people" part but ehhh that's just the silliness in him :]

Demo also being generally pretty...normalish. He's a guy who's really just going through it when you take the angst option. He oftentimes will try and hold back others from doing something stupid when sober. I feel like when he's drunk he's more willing to get in on dumb shit, but still. However, this doesn't mean he's wholly a normal person. I think you can do a lot of headcanons here where you bring out some traits that are otherwise not talked about too much.

There are a lot of liberties to be taken with Demo's character as per usual. A ton of writing a character to be, well, in-character is just getting down their voice and mannerisms. Understanding their personality and motives is just half the battle. Demo sometimes speaks like an old-timey medieval knight or poet or whatever. He's generally pretty well-spoken and whatever. For the love of god if you want to write him, you don't need to include phonetics constantly. Please. It's so much better that tu'try toh spell everay whurd like tis. Oftentimes people will just know what the character sounds like regardless. Just try and mimic his way of speaking more and you'll do wonders for actually making that character sound like, well, that character.

I've neglected to mention Demo being a black man a lot because, well, it never really pops up a lot in canon. I think the most recognition we get for Demo being black is him just saying that he's black. He's a black Scotsman and that's about it. It's curious since I've seen a number of fics where it's all period-typical racism angst and whatever, with Demo being used as a way for the author to get up and proudly say that they think that racism is bad by having Demo being called a slur and getting upset. How progressive. 

I dunno. I never really personally touch on period-typical bigotry stuff myself due to the fact that this is Team Fortress 2. Rocket jumping was invented before stairs. Besides, this is the late 60s/early 70s. The civil rights movement happened by this point. Not everyone walking the streets is gonna be some abrasive bigot. I don't know why people want to try and make it "historically accurate" to begin with since this series has never been period-accurate to begin with. I don't particularly think TF2 is a great series to go on about tackling period-typical bigotry either. Literally if you want Demo angst you've got the actual mountain load of angst with his backstory right there. Obviously of course people are allowed to write what they want and I do fully believe that sharing stories and portraying bigotry is important, but why with TF2??? Do people just really look at a POC and think their existence is inherently political and they need to make it clear they think Racism Bad, even though the tone of canon really doesn't match that?? Ah well. I'm just rambling.

Regardless, Demo is just a character where you can take a lot of different avenues with. Maybe you can explore his trauma and try and write about how he feels trying to live up to his family name. What about his issues with his now-deceased father? Maybe you can forgo that and have him be a partner in crime to Solly or whomever else, with the occasional glimpse into his more sensitive self. Really, it all just depends on the story you're trying to tell. Ultimately, writing Demo with a healthy mix of comedy and angst is probably what is best done if you just want a pretty in-character version. He can be out on some grand adventure to take down Nessie with a merc or two AND have it be a story about him coming to terms with his past. That's just a me thing though lol.

Demo, like the rest of the cast, is an easily moldable piece of clay. All of the mercs at their very core are just funny character archetypes. They can be whatever you want them to be. It's just best to work with their original characterization and personality in mind, y'know? Fanfic writing is mainly about having fun anyway.

Speaking of which, enough procrastinating for me. I need to get back to writing my yaoi...

[commsroom]

OK I need you to point me to the nearest entry point into this fandom. I don’t know what this is, but you popped up on my dash.. and I need to know what this is. Please lead the way.

oh!! that's exciting. yes. okay!! wolf 359 is a science fiction audio drama about the isolated and questionably competent crew of a deep space research station, the u.s.s. hephaestus. the initial four characters are comms officer doug eiffel, 'everyman' pop culture guy who really, really hates his job; commander minkowski, who cares about her job and the rulebooks that come with it a little too much, and desperately wants to feel like she's keeping everything under control; dr. hilbert... eccentric? station medical officer and mad scientist whose methods and mission objectives are not entirely above board; and hera, the station's mother program, who struggles with her job and the ways she's perceived by others.

there are other characters who show up later - i would say only three of the above characters are "main" characters, while the actual fourth main character is introduced in s2 - but that requires way more context, and i don't want to get into spoilers, obviously.

wolf 359 is a character drama - it's my personal gold standard for character writing - and the brief descriptions i gave you are the most surface, surface level parts of them. the writers once said something about it, like... that they weren't interested in subverting typical sci-fi character archetypes so much as looking at them and asking "why would a real person behave that way?" and i think it really worked. whether i like them or not, they all feel like real people to me. it has great sound design and a lot of "physicality" in the performances for an audio-only show, which i think comes down to gabriel urbina's film background and the way the scripts are written and performed. (and alan rodi's incredible soundtrack and sense for music cues.) you can't see a lot of what's in the scripts, but they're acted out in a way that you can kinda feel it anyway. i love that.

here's a fan made trailer that i think captures a lot of the right energy. it's a show about a lot of things, but some of the primary themes are communication + music, and i think the collaborative nature of the show itself adds something very sincere to that. it's also about corporate and medical exploitation, resisting dehumanization, what makes us human, connection, identity and autonomy, guilt and accountability, the stories people tell themselves to justify who they are or what they feel it's necessary for them to do, and, of course, the enduring philosophical question: "what's wrong with handcuffs?"

you can check it out at the website i linked above, or anywhere you can listen to podcast feeds! it's free, but they added ads a few years ago, which i hate, so you can pay a dollar here for the ad-free feed if that'll make a big difference in your ability to enjoy it: https://www.patreon.com/Wolf359Radio

it's a sequential story, nothing you really need to know about listening order except that i recommend not skipping the mini episodes (they have important character context and are where they are in the feed for a reason) (with the exception of mission mishaps ones near the end; those are comedy bonus episodes you can listen to whenever) and that you should definitely watch the live show after ep 26 and listen to special episode change of mind between s3 and s4.

i also have a folder here of every recording script where i edited any parts that were different from the show's dialogue + added transcripts for the ones that didn't have available recording scripts, if that's something you'd find useful! i also recommend checking them out just to see what i mean about how they're written.

the first season is pretty short, so i'd say stick with it until at least episode 12/13 (two part finale) if you can - i love the first season, personally, but that's the point it really becomes serialized, and so that's where i think you can safely say if it's something that's going to capture your interest or not. ... and that's it! sorry this is kind of an essay, but i got excited about it. i hope you love the show, please keep me updated, and let me know if there's anything else!!

[gallusrostromegalus]

Ehehe, I see that Josuke Araki has made his way into your script :P

Are there any other JoJo's floating around in Soul Society and beyond?

So I like to populate the background characters of my fic with characters from another series as just a fun reference, but I feel like some people are reading into it a little to much. It's like- well, there's a watsonian perspective on it and a doylist one and a sort of meta-watsonian one.

From the watsonian/in-narrative perspective? You know that line from that Stucky fic everyone loves about "we deserve a soft epilogue?" I like to imagine AUs for main characters where they still live in an animeverse, but are free from the burden of being The Main Character. Usuke Urameshi lives in Karakura town, but he was never The Spirit Detective. He's just some former punk with mild psychic abilities who runs the ramen shop Ichigo goes to sometimes. Josuke is just some guy that has enough power to be a shinigami, but he's just like, rank and file. You see him in crowd shots. They're alternate universe versions of their full powered, main character selves and probably happier than those versions.

From a doylist perspective, it's a fun game of reference tag to play with the reader. A sort of where's Waldo of random characters from related series. Sort of like putting Samuel L Jackson in a bit part in your movie and giving him a purple prop to fiddle with. He's not playing Mace Windu, but for sharp-eyed nerds, he is making a star wars reference. Sometimes it's just for fun, sometimes is a way to lay on some really subtle thematic context. Like overlaying a 8% opacity layer of yellow on a digital piece to give the impression of late afternoon. Nothing explicit. Nothing relevant to the plot. Just a bit of seasoning.

From a meta-watsonian perspective, a lot of how I write fic was influenced by the old Kids WB bumps where the voice actors would play their characters *as though they were actors hanging out on the warner studios lot* Batman was still Batman, but he was also a guy playing Batman on TV. Yugi moto still had the cosmic powers of the millennium puzzle but also complained about how much time he had to spend in hair and makeup. So when you see a character from another series in my fic, they're an alternate universe version of themselves that is Not Relevant To The Plot, and on another level they're like an actor famous on another show, coming in to do a bit part on their friend's show for funsies.

...but mostly I do it so I don't have to make up names for OCs I'm only using for four seconds.

To actually answer your question: Yuzu is a HUGE fan of this educational YouTube channel run by Marine Biologist Jotaro Kujo. He's the only guy who gives echinoderms their due. She shows Ukitake and Unohana and they like him a lot too. Unohana writes to him to put him in touch with Hanataro and the two put together a major survey of venomous marine life with potential medical applications. Ukitake just likes fish :).

[tossawary]

I'm thinking about "What if the main character did not have a secret, powerful family background and was just some random person?" AUs for different stories, because I personally find that situation more compelling most of the time and I think it introduces more interesting struggles. While thinking about a bunch of other stories, I ended up thinking about Aragorn in "Lord of the Rings".

Now, Aragorn is a special case because 1) I wouldn't really call him THE main character and the "noble" members of the Fellowship are well-contrasted by the hobbits. The hobbits may be mostly Shire gentry (except for Sam), but on the grand stage of Middle Earth, they're still unimpressive nobodies. Frodo is already our ordinary hero. 2) Aragorn's road to kingship comes with him struggling with his ancestor's failures and accepting the heavy burdens that come with being Isildur's heir. This is specifically an arc of a character struggling with their family history. I am absolutely not saying that Aragorn being royalty makes LOTR a bad story and that it would be better if he was just some random guy. I think this is a well-written character storyline that is a key feature of the overall story.

But I do think it would be really funny to write fanfiction where Aragorn wasn't Arathorn's son. (There is the issue of the heritage that makes Aragorn age slowly, but maybe you could wiggle that so that Aragorn has that kind of heritage from a different source?) Like, the line of Isildur has died out, and let's say that Aragorn's mother takes shelter in Rivendell with her son, and kid Aragorn ends up wandering around to the broken sword and picking up the handle. And either Aragorn's mother lies to Elrond about Aragorn being Arathorn's son or Elrond happens across kid Aragorn with the broken sword and thinks... "Hey, what if we just... lied about it?"

Now, this could end really badly! As I vaguely understand it, the Silmarillion (which I have not read) contains a bunch of examples where lying did not go well, so maybe this lie is how Middle Earth falls into chaos in this AU. Whoops.

But even though this breaks some plotlines, I'm a sucker for adoption storylines. I love adoption being treated as important. It's compelling to imagine Elrond and Aragorn's mother carefully explaining the situation with the sword to him, and then this child just... stubbornly deciding that he's going to become Isildur's heir. Maybe Aragorn's determination falters at some point, he gives up on the idea, and he later has to return to Elrond as an adult and persuade him that no, he means it this time, mankind isn't just about bloodlines, he's going to pick up this burden on behalf of all of humanity. I think that there's something powerful in a person deciding that no, I'm not of Isildur's blood, but I have his same potential for success and for failure, and I'm here. I'm fighting. I picked up the broken sword and that's good enough, isn't it? Who are you to say I'm not his heir? I'm HERE.

I think there's powerful magic in that too. (Also, Arathorn is dead and getting adopted as a father by some random kid. Sure. Okay. I think that's just funny.)

(Also, oh my, there is SO MUCH tragedy if Aragorn being Isildur's heir is a lie and Boromir died believing it. The GUILT. The GUILT that Aragorn would feel when Boromir says, "I would have followed you, my brother, my captain, my king." Like, oh man, now you HAVE TO make it true.)

Now, maybe Aragorn doesn't become King of Gondor in this AU or maybe he does. Maybe Faramir becomes king instead. Maybe it becomes well known by the end of the journey that Aragorn isn't a blood descendant of Isildur and maybe it's a secret known only to the Fellowship. I'd like to think that he still marries Arwen. I like the idea of Arwen happily and knowingly marrying some nobody lying about his heritage and Elrond internally being like, "This is kind of on me."

The most important thing here is that it would be so fucking funny if Aragorn (and Elrond and Gandalf and Galadriel) successfully lied to Sauron the Deceiver. Sauron's like, "Oh? A secret heir come out of hiding to fight against me? Sounds legit." And at some point near the end, just before some hobbits chuck a ring into a volcano behind his back, Sauron is looking at Aragorn like, "Wait a minute, what the fuck, you lying little SHIT."

(Or Sauron finds out via Pippin that Aragorn is lying and feels SO SMUG about how he's going to crush a false king, which just adds to Aragorn's whole "made you look!" distraction keeping Sauron from noticing the hobbits sneaking into Mount Doom.)