#but i do think that alex
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vraska-theunseen · 2 years ago
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DID YOU ALL KNOW THAT YOU CAN DO WHATEVER UOU WANT WHEN YOURW MAKING ART ISNT THAT WILD
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turtletoria · 2 months ago
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i wanted to try drawing older Mabel and Dipper !
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artbyflor · 6 months ago
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recap of domestic firstprince🙏🏼
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vtkuu · 4 months ago
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absolutely love how early on in the Oregon Parks promo campaign everyone was under the tweets being like "alex what is this" "alex we know it's you" "what are you plotting alex" and now everyone is screaming and crying in the replies for Park Ranger Gus Burnside and asking if he's okay
he got the fandom invested in his twitter roleplay character in the span of ~a week. i'm afraid there's nobody doing it like him— anyone who thinks they can pull off a Gravity Falls revival hoax/troll/etc should quit while they're ahead, truly
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viideo-kidd · 4 months ago
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Been really enjoying how the Magnus Protocol has been playing with the idea of ✨️nostalgia✨️. Sam obsessing over the Magnus Institute, Alice wanting to rekindle her relationship with Sam, Celia looking into familiar names from TMA.  Even the monsters are a bit of a throwback - a mascot from a 90s TV show, a member of British aristocracy, [ERROR] with her cassette tapes.
And on a meta level - the listeners are playing into this nostalgia, too. The theories that Jon/Martin/Jonah are stuck in the computer. Our excitement at hearing familiar voices again. Trying to  assign the Smirke 14 to the O.I.A.R. cases...
The thing is - nostalgia is actually just  corrupting everyone. Sam's obsession is putting the O.I.A.R. crew in danger. Alice's attempts at reshaping their relationship to how it used to be is harming her current friendship with Sam. Celia's investigations just keep leading to dead ends.
And us, the listeners, our inclinations to apply the old lore from TMA to this new series...it might be causing us to miss some big clues in Protocol...
so yeah, I just think it's really cool how Magnus Protocol is playing with the dangers of nostalgia, especially considering it's a sequel!
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philosophers-shwag · 3 months ago
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Away from home for the mid-autumn festival so I drew some faves
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noodles-and-tea · 7 months ago
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WE ARE SO BACK WE ARE SO BACK
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buglaur · 8 months ago
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🌾 who're you romancing? 6/12
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shirmirart · 1 year ago
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after zahra finds out...
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xanderscollection · 11 months ago
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paintedcrows-caws · 2 months ago
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Front row seat to Alex Hirsch's InMotion London Talk!! Aaaa!! (The high quality close up photos were taken by the wonderful @stupidlittlespirit! Who was sitting with me and had a far better camera, haha)
You can watch the full thing here, recorded by the brilliant Topaz Animation!: https://www.youtube.com/watch?v=Hn_O7CMM67A&t=137s
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yrsonpurpose · 9 months ago
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"How is a man to get anything done knowing Alex Claremont-Diaz is out there on the loose? I am driven to distraction."
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will41n · 10 months ago
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was bored in school. drew grian. finger hurts.
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mulderscully · 5 months ago
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congrats to our little emmy nominated queer romcom ♡
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repmet · 3 months ago
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@rwrbsource & @rwrbmovie’s rwrb appreciation month bingo: alex
[insp] [Henry]
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egophiliac · 3 months ago
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is the method you use to create stained glass texture the same as the one for paper/graininess texture?
yep! it's a combination of a couple of different stone/marble textures, set to 'overlay' mode, which are doing most of the heavy lifting texture-wise! though I also like to go back in after the texture's been applied and add some extra shading and grungy scribbles, just wherever I think it could use a little more work (which, bonus, I think also helps keep it from looking too much like the texture's just been slapped on). :D like, since I suck at words, here it is with the texture layers turned off:
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and then with the textures over it:
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