#but i can't really remember anymore

[artkaninchenbau]

For the record, I did figure that out a long time ago, it just gets funnier the more time passes

[lyraeon]

some people need to practice saying "it's not my style but I'm glad you're enjoying it"

and even more people need to practice hearing it

you have got to accept that others can have different tastes than you without it meaning there's something inherently wrong about one of your opinions

[seyaryminamoto]

My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D

The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!

The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...

Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD

Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!

Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...

... And that is my likely unexpected choice for Yao:

ZUKO.

ZUKO IS YAO.

YES.

I'M NOT EVEN SORRY.

(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)

People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)

Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:

Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).

And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...

So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.

... but this isn't all.

Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:

WHY ZUKO AS YAO, THO??

... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!

What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...

He treats Mulan as his RIVAL.

And more often than not? SHE SCREWS HIM OVER. Intentionally or not.

What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!

The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?

So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!

I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.

So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.

Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.

And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!

Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!

[megamindsupremacy]

Drifting Stars headcanon where Mabel and Ford use the "we're father/daughter" story so often to avoid suspicion that Mabel calls him "Dad" instead of "Grunkle Ford" now.

Ford has a reasonable amount of emotions about this and does not nearly cry the first time Mabel calls him "Dad" outside of lying to people.

[philosophiums]

I have given into peer pressure.

Below the cut is my un-referenced, not proofread, off-the-cuff thoughts on the main JJK characters and their tendencies to have traits that contradict themselves, which not only makes them more rounded characters but also creates a really interesting situation in which characters have mirrors and foils not only with other characters, but also with themselves.

The point of this post is that the characters in JJK are complex. None of them are one-trick ponies and all of them contain multitudes and have, at least once, contradicted themselves and their beliefs.

Might be spoilery? I tried to keep it vague enough that it shouldn't be, but read at your own risk if you're anime only, I guess.

The Obvious One: Gojo

Gojo is "the strongest." It's debatable, I think, whether or not being "strong" is a personality trait, but he makes it his defining personality trait. (And I'm not here to do a Gojo character study, so for my purposes, it will be viewed as one.) Obviously, The Strongest is a title given to him by others, but he fully owns it and believes it. This is his identity; it's how he views himself, how he handles himself, and it is a preceding reputation that he gladly leans into. It's not a mask he hides behind, it's a flag he proudly displays on his ship to warn others of exactly who they're dealing with.

It makes sense, then, that Gojo's self-contradiction is that he has the biggest, most obvious weaknesses of all the characters in JJK. The first of these weaknesses is his knowledge of how strong he is. Toji exploits that weakness in the Hidden Inventory arc, and it almost costs Gojo is life. His second weakness is, very simply, Geto. Kenjaku exploits that weakness during Shibuya. Interestingly, Geto is a victim of Gojo's first weakness (Gojo is so self-assured that he seems to extend that assurance to the people around him, thinking that they are "as gods" like him just for being in his presence, and therefore he does not pay mind to Geto's spiraling), and exploits his second. He, better than anyone else, knows that he is Gojo's weakness, and he uses that knowledge to do everything he does before and during JJK 0 without repercussions.

Gojo is framed by himself and by many characters within JJK as being the "savior" of the jujutsu world, but in many ways he was, in fact, its downfall - because of his strength, and because of his weaknesses.

The Main One: Yuuji

Yuuji is the king of contradictions to me. Not all of it is within himself, and in fact a lot of it occurs because a large part of the plot is happening to him instead of the other way around, but he has one dichotomy that I do think is All Him. Yuuji defines himself as a cog - in his thoughts, he has been used and beaten down for evil already, so why not just be used for good as well. He thinks of himself as expendable and easily replaced; a foot soldier in a war being fought by titans. At some point, his goal stopped being to follow his grandfather's last request and instead turned into the simple act of persevering for as long as he can just in case anyone may have need of him. In a way, his outlook and perspective on everything became rather bleak and inhuman - quite literally, as, again, he views himself as nothing more than a cog.

And yet, for someone who has claimed his only purpose is to be used to kill Sukuna, everything Yuuji does is so achingly desperately human and is born out of his own desires to save people. Every other sorcerer has a CT or a fighting style that disconnects them from their foe - be that ranged attacks or weaponry - but Yuuji uses his fists. It's raw and almost savage in a way that is unavoidably intimate and human. He says, "Use me," (and, don't get me wrong, he is used) but even the act of offering himself negates the connotations that revolve around being used and shines such a lovely warm human light on him.

Yuuji doesn't push people away. The other "strong" characters isolate (Gojo has infinity, Yuuta literally fucks off from the narrative, Geto fucks off from jujutsu society, etc.), but Yuuji hoards people and connections (and yes, those become weaknesses, but the thing is: they become strengths, too). Sukuna takes Megumi away from him, but that just makes Yuuji more determined to kill Sukuna and get Megumi back. Everything he does is out of love, and he has a drive to do what he has to in order to save (or avenge) the people he keeps close. That's not exactly cog-like behavior.

The Fandom Discourse: Megumi

In my opinion, of all the characters (but especially the first-years), Megumi is the logical character. Especially when it comes to his job as a sorcerer (fighting and killing curses). He is knowledgeable about the world of sorcery, the most book-smart of the first-years, and he is smart and methodical when he fights.

He is also the only character who has openly admitted that he really only cares about saving the people he wants to save, as opposed to the general rhetoric of saving everyone. He's selfish, and he's not shy about it. Even he doesn't try to rationalize it; it's just part of who he is. Logical, methodical, smart, but also deeply, truly, selfish when it comes to where and how he expends his energy and efforts.

And yet, he is also the character who is most willing to die. Now, before half the fandom jumps down my throat, I don't mean to say that he wants to die or that he is constantly trying to - I'm just saying that he is willing to. (Obviously, Yuuji is also a character who is willing to die, but Yuuji is only willing to do so if it would also kill Sukuna, and he is determined to stay alive until such a time. Megumi, on the other hand, doesn't have a similar end-goal ultimatum for death). Yes, he comes at dying from a logical point of view, and yes, he only ever brings martyrdom into the equation if he feels he has no other option, but he has no hesitation when he reaches that point. And you (he) can rationalize self-sacrifice as much as you want to, but that is a very emotionally driven response, regardless of the situation. It's a last stand not only for himself, but for his friends, his family, the world. It's the end of the line for him, and it's something he is willing to do if it means taking out his opponent and making the world safer for everyone else - not just for his "select" people.

He is willing to run away from a fight he cannot win, but he is also willing to do something that he knows for sure will kill him if winning and running are no longer options. And I know that not everyone will see these things as opposites or all that detached from each other, but, to me, intelligent and methodical fighting does not naturally go hand in hand with, essentially, grappling your opponent and jumping off a cliff with them.

The Favorite Child: Yuuta

Like Gojo, Yuuta has access to an overwhelming amount of power. There's no doubt that when it comes to raw energy, he is the strongest sorcerer in his generation. He's exceptionally skilled when it comes to fighting and is often able to get by on simply overpowering his opponents (truly, much like Gojo). He doesn't embody being strong, though - he knows that he is, but it's not something that he considers a defining trait for himself. Instead, Yuuta's whole thing is that he has a tendency to shoulder burdens that other people won't (much like Yuuji, actually) (also it's kind of funny because of all the characters in JJK, I would consider Yuuta to be a "cog" way more than Yuuji, but that's a whole other thing). Yuuta is willing to be a monster, to make hard calls and suffer the consequences, because he has internalized what everyone keeps telling him - that, after Gojo, Yuuta is now "the strongest."

Which means that Yuuta also needs an equally large weakness to balance out that power. But where Gojo had arrogance (and his boyfriend), Yuuta has innocence. There's this pure sort of worldview that Yuuta carries with him that completely counterbalances the part of him that is willing to get his hands bloody. He has this youthful sort of hopefulness and naiveté that if he does the dirty work and puts in effort, then things will work out in his favor because they must. If he is sincere, if he shoulders an unbearable mantle, then everything will be fine simply because he chooses to do so. He does things because they are right and just, and he wants to believe that the universe will acknowledge that and be fair - even though he wouldn't have to do these unnamable things if that was true.

The Less Obvious one: Nobara

Nobara doesn't have a lot of screen time compared to the others, and specifically not a lot of time spent planning for/fighting in the "big fights," but she has one thing that the other characters don't have: self awareness. Nobara is the only character who knows what her contradictions are - she even says them out loud.

She wants nothing more than to be a normal girl who is into fashion, who could be a model, who does her hair and her nails and her makeup, who goes on dates, who has a lot of money and spends it freely. That's her ideal, that's her goal. But that's also who she is right now. She dyes her hair, wears makeup, is feminine in all the ways that would mark her as a girl to strangers on the street, goes shopping and buys too much and makes Yuuji carry her bags. She likes being girly and doesn't shy away from it.

But she is also, and I mean this with all the love in my heart, a feral little gremlin who is willing to bash people's skulls in with a hammer. She's brash and rude and loud. She takes up space and is unapologetic about it. She's vicious on the battlefield. She's not afraid to get bloody, and she hates being viewed as a damsel in distress. She's strategic in her fights, and she uses the fact that opponents underestimate her to her advantage. And she knows all of this, too, and she likes it.

She's self-actualized <3 No notes from me; I love my girl.

Anyway, that's it KSJDBVJKLDFVBJKDFVB There's no real point to this. I'm not saying anything profound, I don't think. This was all just a thought that I had, a little thing that I noticed, and I was bullied (affectionate) into sharing.

[tooranges]

midnight thoughts

from 01/2022

[septembermonologues]

i love that the iwtv show's creative team and the fandom get to play with having two literally different claudias. getting to think about how time and grief and resentment and love and outside parties affect memory because we had to lose bailey and now get to have delainey is such a cool thing and im still not over it.

[silentreigns]

I think it's kinda fucked up that Maya Weug, someone who was scoring points in FRECA (which is like a step above F4) is struggling in F1 Academy. So if she doesn't manage to climb higher in the driver's standings, what's next in her single seater career? Sponsors and teams may think she's not good enough if these results continue!

[qcomicsy]

Lately I've only been wishing to grab a comic about my favorite character and just have a genuinely good time reading it.

[faunabel]

good morning :3 i hope today will be a good day for you all! and if it hasn't been, i hope you get to relax for the rest of the day ^-^

[myrmica]

speaking of interpretations i don't like i hateeeeeeeeeeeeeeeeee the idea that lifesteal characters are somehow different people or lose memories between seasons i hate it so bad

[this-machine-runs-on-coffee]

"FREEZE YOUR BRAIN" THIS IS NOT AN EXACT TRANSLATION, THIS IS AN ADAPTATION (AND ONE THAT STILL NEEDS TONS OF FIXING AT THAT)

I regret my life choices of not being able to actually start studying. Here's "Freeze Your Brain" adapted in Italian!

ASK ME FOR PERMISSION BEFORE USING THIS, DO CREDIT ME IF YOU EVER USE THIS (I doubt you will it’s impractical and still needs so much fixing it’s unbelievable) AND TELL ME/LINK WHATEVER YOU USED IT FOR USING REBLOGS (because for some reason Tumblr doesn’t like comments with links and while I do think I understand why I don’t always like it)

(the apostrophes [or however ’ is called] are used to shorten the number of syllables often in poetry so I��m obviously abusing that power.)

[J.D.] Sono stato in dieci superiori Tutte la stessa scenetta Inutile abituarsi Perché ce ne andiamo di fretta Mio padre tiene nel baule pronti due bagagli Quindi è solo una questione di ricaricarli I nomi non imparo Che faccia è di chi non m'è chiaro La fiducia in questa oasi di cemento riparo Sembra che ogni volta che sto per disperarmi C'è un 7-Eleven ad aspettarmi Ogni negozio è lo stesso Da Las Vegas all'Ohio Corsie di linoleum che adoro Vagare io Prego al mio altare di granita; Sì, adoro quella dolce botta di vita...

Congela il cervello Succhia dalla cannuccia Meglio di un coltello Arriva la felicità Quando tutto se ne va A chi serve uno spinello? Congela il cervello Congela il cervello

[J.D., parlato] Ti va un tiro?

[VERONICA, parlato] La tua mammina sa che mangi tutta quella merda?

[J.D., parlato] Non più

(cantato) Quando mamma era viva Vivevamo quasi normalmente Ora siamo solo io e mio padre Stiamo meno formalmente Ho imparato a cucinare Le tasse a pagare; Imparato che'l mondo Nemmeno un cent ti vorrà dare Il tuo futuro hai pianificato Veronica Sawyer Andrai a qualche college E sposerai un avvocato Ma il cielo farà male Quando su di te sarà demolito Quindi è meglio se Il tuo muro l'avrai già costruito...

Congela il cervello Nuota nel ghiaccio Perditi nel suo doloroso bello Chiudi bene i tuoi occhi Fino a che non ti vedran quegli sciocchi Non diventare uno zimbello

Congela il cervello Distruggiti il teschio Combatti il dolore con uno più bello Dimentica chi sei Liberati da quel peso Dimentica in un mese e mezzo Riavrai lo stesso frainteso Quando la voce nella tua testa Dice ch'uno come te è meglio se non resta Non ascoltare a quello

Solo congela il cervello Congela il cervello Vai avanti e congela il cervello...

(parlato) Provaci So, direct translation! (used in this to specify the meanings and explain certain word choices)

[J.D.] I've been through ten high schools They're all the same little scene (but little in this case is meant in a negative light) No point getting used to it 'Cause we're gone in a hurry My dad keeps two suitcases ready in the den So it's only a matter of refilling(/repacking) them I don't learn the names Whose faces is whose isn't clear to me My trust resides in this concrete oasis Seems every time I'm about to despair There's a 7-Eleven waiting for me Each store is the same From Las Vegas to Ohio Linoleum aisles that I love To walk around in I pray at my altar of slush; Yeah, I live for sweet hit of life (or however you call that, basically gives life force again but something that gives you life force not in a literal sense)...

Freeze your brain Suck from that straw Better than a knife Happiness comes When everything goes Who needs a joint? Freeze your brain Freeze your brain

[J.D., spoken] You want a hit?

[VERONICA, spoken] Does your mommy know you eat all that crap?

[J.D., spoken] Not anymore

(sung) When mom was alive We lived almost normally But now it's just me and my dad We live less formally I learned to cook pasta To pay taxes; Learned the world Won't want to give you even a cent You've planned your future Veronica Sawyer You'll go to some college And marry a lawyer But the sky's gonna hurt When it'll be demolished on you So it'll be better if You'll have already built your wall

Freeze your brain Swim in the ice Get lost in its beautiful pain Shut your eyes tight(/well) Till those fools (sorry I had to use this for the rhyme) won't see you Don't become a laughingstock

Freeze your brain Destroy your skull Fight pain with a more beautiful one Forget who you are Free yourself from that weight Forget in a month and a half You'll have the same misunderstanding again When the voice in your head Says someone like you is better off gone Don't listen to that guy(/him)

Just freeze your brain Freeze your brain Go on and freeze your brain...

(spoken) Try it OG LYRICS (if you’re seeing this I doubt you don’t know them, but here they are anyway):

[J.D.] I've been through ten high schools They start to get blurry No point planting roots 'Cause you're gone in a hurry My dad keeps two suitcases packed in the den So it's only a matter of when I don't learn the names Don't bother with faces All I can trust is this concrete oasis Seems every time I'm about to despair There's a 7-Eleven right there Each store is the same From Las Vegas to Boston Linoleum aisles that I love To get lost in I pray at my altar of slush; Yeah, I live for that sweet frozen rush...

Freeze your brain Suck on that straw Get lost in the pain Happiness comes When everything numbs Who needs cocaine? Freeze your brain Freeze your brain See upcoming pop shows Get tickets for your favorite artists

[J.D., spoken] Care for a hit?

[VERONICA, spoken] Does your mommy know you eat all that crap?

[J.D., spoken] Not anymore

(sung) When mom was alive We lived halfway normal But now it's just me and my dad We're less formal I learned to cook pasta I learned to pay rent; Learned the world Doesn't owe you a cent You're planning your future Veronica Sawyer You'll go to some college And marry a lawyer But the sky's gonna hurt When it falls So you better start Building some walls...

Freeze your brain Swim in the ice Get lost in the pain Shut your eyes tight Till you vanish from sight Let nothing remain

Freeze your brain Shatter your skull Fight pain with more pain Forget who you are Unburden your load Forget in six weeks You'll be back on the road When the voice in your head Says you're better off dead Don't open a vein

Just freeze your brain Freeze your brain Go on and freeze your brain...

(spoken) Try it

[kyeterna]

one time i weaponised my autism so hard I got all my classmates, even the ones who never read books, to read my then favourite book ("Ο Θεός αγαπά τα πουλιά" by Aggeliki Varella).

I guess you could call it my hyperfixation for like a solid 3 months. I loved that book so much, I was obsessed with it, I would not stop talking about it in class, to the point some of my classmates decided to read it as well, and they liked it too, and then the teacher started encouraging everyone else to read it as well- to the point we made a class project for the book (we were in fourth grade). It was a really nice moment and memory for me.

[steakout-05]

i posted this to Pillowfort earlier but a couple days ago i did an unfinished redraw of this older sketch from 2023 of Salesman Barry and High-rank Craig together :3 Barry had a really rough day trying to sell his gramophones and he's struggling to deal with his financial issues and pressure to uphold a family tradition, and Craig can understand how he feels as he has to work for a pretty shitty boss (cough cough brains), and his job as a scientist, while enjoyable, was partially pursued out of being pressured as well.

(the old drawing in question)

(you can't even see them properly....)

additionally: i have created a digital redraw that's still a work in progress but i thought it looked good so i'm posting it :) i have been trying a newer style from my earlier digital stuff and i think it works well with the Jetpack Joyride characters!!

the Pillowfort post has an earlier version with slightly different tears and colouring and stuff, i wanted to put a more up to date version here. also fanon Craig with colour for the first time!?!?!?!?? what!!! i like to think Craig wore a similarish kind of outfit to Runingunin when he first appears in Brains' lab in AOZ. i like to think Craig would wear a "Trust Data Not Lore" t-shirt underneath his coat loll

[name-doggo]

One thing I really wish the FF Community would Stop doing is Removing All Nuance from the Parents in Those Stories in order to Make Them Abusive Supervillains who Never Loved their Kid.

Like... In the Four Years I've been here, and for how Small the Community really is, you'd be surprised how many Times I've seen it-

[alsojnpie]

writhing on the ground every day without making a sound