#but i also want argyle to be there at a show

[itswhatyougive]

Jonathan said in his yearbook profile that he wanted to be a rock photographer. I'M JUST SAYING I want a shot of him taking pics when Eddie is back and the gang is at a Corroded Coffin show in the happy ending montage. Hey, he's got to get his start somewhere!

[chelseeebe]

just a taste

18+. mdni. smut. kinda perv!eddie x fem!reader. he is a lil freaky in this i'll admit.

a/n: i just love the idea of the citrus six all living together lol idk i think it’s so nice also i have never watched cheers i just googled 1991 american tv shows and picked one at random LMAO ++ for the movie, i thought it’d be a nice lil easter egg for them to watch something with winona in:,)

✧･ﾟ: ✧･ﾟ:

eddie doesn’t know who you are or why you’re coming to visit or why exactly it was him that was being made to vacate his room for the two weeks that you were here. 

“c’mon eddie,” robin pleads, nay, demands, “you sleep on the couch most nights anyway, what’s the difference?” 

“uh, maybe because it’s my room? i don’t want some random girl in there touching my stuff,” almost flabbergasted that she’s even asking. 

“she’s not a random girl,” robin frowns, “she’s my friend and she needs somewhere to stay.” 

“tell her there’s a great hotel in town,” rolling his eyes, trying to leave the conversation before she breaks out the puppy dog eyes. "i'll even give her a ride if you ask nicely," no longer interested in entertaining this conversation.

“i’ll give you fifty bucks,” robin deadpans, using her last resort.

this was bribery of the highest order but eddie's not stupid. fifty bucks is fifty bucks.

“now?” 

she sighs, sliding her wallet from her pocket to reluctantly hand over the bill. she stops just before it touches his palm, “promise you’ll clean your room.” 

eddie goes to grab the paper but robin’s faster, jolting her hand into the air, “and change your sheets.” 

“okay,” he huffs, holding his palm outstretched. 

she graciously places the note down, smiling wickedly as she does so before skipping off back to her own room. 

he can only roll his eyes, turning around to the shit hole that was his room, wondering if fifty dollars was worth having to tackle it. 

-

eddie’s sat on the couch when you arrive, barely looking back as robin begins to fuss, talking loudly about your journey. he doesn’t really care enough to involve himself, besides, elvis presley had just given sam a very important message. 

“eddie,” robin hisses, standing in front of the screen, “don’t be rude, say hello,” her hands firmly on her hips like she was his mother or something. 

he looks up at the looming figure by the couch, hoping his eyes hadn’t given his immediate shock away too much. 

you flash him a sheepish smile back, waggling your fingers in a short wave. 

two weeks on the couch didn’t seem so bad now. 

not if you were sleeping in his bed. 

it’s just a shame that he wouldn’t be in there sharing it. 

“hey,” he stands, hoping to indiscreetly catch his breath, “i’m- uh, i’m eddie,” offering his hand out, though he regrets it as soon as it’s done. 

who shakes hands now? christ. he needed to get a grip, and badly. 

“hey,” you reply, your name dripping from your tongue. though you do shake his hand, not bothering to hide your confusion in the process. 

“eddie very kindly said you could have his room,” a bright, big sarcastic smile on her lips. 

“yeah.. no biggie..” christ, he’s almost panting. “do whatever you want in there.. or you know, just- just make yourself at home.” 

his desperate pleas for the earth to split open and swallow him whole go unanswered. instead, robin shoots him a concerned glare before ushering you away from his weird, longing gaze. 

'pull it together loser' she mouths before disappearing, leaving him to reflect upon how utterly hard he had just fumbled that entire situation. 

-

when everyone’s home from work and you’ve exchanged niceties and greetings with the rest of the house, robin brightly suggests a movie. 

eddie usually hated movie nights in the house. 

jonathan would want to watch some indie cult classic that no one else had ever heard of, steve wanted to watch some dumb comedy that only he’d find funny and then nancy and robin typically opted for the romance genre. 

leaving eddie and argyle with absolutely no choice but to sit in silence as they bickered. 

tonight it’s different, you get to pick. 

and now he’s not saying that whatever you choose will forever change the way he views you but.. well, that’s actually exactly it. 

you land on edward scissorhands. 

not the worst choice you could’ve made, and hey, his mom used to call him edward when he was in real bad trouble. 

in the end, it doesn’t really matter what you had picked because eddie can’t muster up enough energy to actually care about the film. not while your thighs are peeking out from underneath your oversized shirt. he can’t help but wonder what they’d feel like wrapped around his ears. what previous sounds would fall out of your mouth in response.

at some point during the movie, you stand up and walk out of the room to the kitchen but that doesn’t stop him. staring through the open door, marvelling at the way the hem of your shirt lifts, exposing the tiny shorts you had on underneath. 

he’s practically hanging over the back of the couch to get a look, craning his neck at a ninety degree angle just to get a glimpse of your soft, pillowy skin. pinching himself as he tries to resist the urge to just sink his teeth into your inner thigh.

robin jabs her elbow into his ribcage, drawing his eyes back to the room with a grunt and a harsh glare thrown her way. 

“you’ve been staring at her all night,” she whispers angrily into his ear, “stop it, or next time it’s your balls,” a harsh warning he didn’t find entirely necessary. 

you sidle back into the room, drink in hand and eddie can’t help but let his eyes wander over again, short glances that robin hopefully wouldn’t pick up on. 

he can’t help it, some magnetic force swaying his gaze in your direction. he wishes so badly that he could just crawl out of his head and tell you how much he wanted you. 

unfortunately for eddie, he’d instead spend the night dreaming of your ass and all the ways he could have you if he’d only grow a backbone. 

-

living alongside you is an entirely new feat eddie’s not sure he’ll survive. 

it’s torturous. 

testing the limits of how ridiculously horny one man can get without self-imploding. 

so close and yet so far. each night you’d tuck yourself into his bed, doing god knows what in between his sheets all without eddie getting a look in.

of course he’d made up a hundred different scenarios to fall asleep to each night. 

his favourite being the one where he walks into his bedroom to find you mouth open, legs apart, too encapsulated in your pleasure to notice him. only until you do, inviting him closer, between those supple thighs of yours, a forbidden nirvana he’ll never get to know. 

though more often than not he’s cruelly forced back into reality by robin ripping the curtains open at the ass crack of dawn, blaring sunlight on his face as you slip away from the grapples of his dream land. 

now is his opportunity, the house quiet, bar the muffled giggles of you and robin upstairs. he’s safe for now, he thinks, rather foolishly. it’s late, the rest of them asleep or too busy in their own rooms to catch him in the act. 

eddie’s never done anything like this before. it’s disgusting, perverted to the core. 

good grief, this is prosecutable behaviour. 

tiptoeing down the hall to his room, the door open just a crack, enticing him in further. he can still hear you on the floor above, giving him enough confidence to push it open a little more, edging inside with a quick glance back down the hall, just in case. 

gratefully it seemed that you were just as messy as he was, your clothes strewn across the floor. his eyes immediately turning to the peeking of lace from under the pile. glancing one last time at the cracked door, ensuring that absolutely nobody would see him. 

reaching down to gather the fabric in one quick swoop, bunching them in his palm as he lets out a quick sigh of relief. 

oh fuck. they were so soft, fingers spreading to really get a feel. he wasn't even going to take them, he'd just wanted a little look, something to help his overactive imagination get all the important details right.

“what are you doing?” startling him in this precarious position, the lace of your underwear entangled around his fingertips. 

eddie freezes, he can feel the heat rising through his chest, all the way up to the tips of his ears. scarlet red. 

“uh.. i..i-i don’t know..” he hasn’t done anything like this before, he swears. 

your mouth is open in a sort of half-smirk, half-perplexed gawp, closing the door before he could bolt. 

you move around the mess, creeping closer until he can feel you brushing against his side, peering over into his hand. 

“oh wow..” you remark, breath hot and sweet against his cheek, “what were you gonna do with those?” 

eddie feels sick, trying not to projectile vomit across his room. there’s no way you wouldn’t tell robin. fuck. he could hear you now, voice full of disgust, robin laughing at how pathetic he was. 

“n-nothing i swear..” stumbling through his sentence, “i was just..” excuses fail to come to mind, “i was uhm.. looking for something,” the absolute best his flustered mind to muster up. 

“oh really?” reaching around to untangle them from his hand, “you sure about that?” 

there’s no anger to your voice, but he doesn’t dare turn around to look at your face. afraid of what he’ll find. your eyes pitying, sad that he has to root around your dirty laundry to get off. 

“i’m- i’m sure,” though the crack in his voice gives him away. 

you hum, coming around to stand in front of his gormless face, “so you don’t wanna keep these?” holding the evidence up to his face, the hem just barely grazing his cheek. 

eddie’s knees almost buckle, his breath shuddering as any semblance of composure he had left, floats right out the window. 

“here,” reaching forward to tuck the baby blue fabric into the waistband of his sweatpants, your eyes never once leaving his as you do so. “you keep those.. but next time just ask, okay?” 

he nods like an obedient dog, lapping up the scraps you were throwing him. he could stand here all night long, keeping up the weird little power game you’d started. 

“goodnight eddie,” you smile, giving him a gentle nudge, a sign for him to get the fuck out. 

you were the master, he was just the lap dog, eager to please. 

-

at breakfast the next morning, he struggles to even keep his eyes open. having spent an embarrassingly long amount of time on the couch last night shamelessly sniffing the lace you’d gifted him. 

you don’t even acknowledge it, or him for that matter. happily chatting along with nancy about some news article. 

“oh and eddie,” robin begins, flashing him a stern look, “i don’t appreciate finding your fucking panties in between the couch cushions,” 

he chokes on his mouthful, his knife clattering against the table in shock. a multitude of eyes turn to stare at the spectacle he was making. 

“they’re- they’re not mine,” clearing his throat as he clears his name, though he doesn’t dare look in your direction, terrified that he’d absolutely lose his mind if he did. 

“well whoever’s they are, i don’t care, stop leaving them on the couch.. i’m sure our guest doesn’t want to sit amongst dirty underwear,” she bites, calming down now she had gotten her point across. 

if only she knew. 

eddie must’ve fallen asleep with them still attached to his hand, thanking his lucky stars that no one had walked in on him with them pressed to his nose.  

he keeps his head low, focusing on the plate in front of him. nothing had ever been as mortifying as this. not even the time he had slipped off the dinner table in the middle of the cafeteria. 

cutlery scrapes and clinks against the china, uncomfortable silence until argyle clears his throat, “gnarly meal robin, thanks dude,” seemingly settling the tense atmosphere, for now. 

everybody hums in agreement, getting back to their food without another word. but your eyes peek up, meeting his with an indescribable glint. and really, the worst part is that eddie would sit through this horrific situation a hundred more times, just for one more measly sniff at your panties. 

-

eddie can’t take it anymore. 

he’s never been so pent up in his entire life. and he’s tried to hold on until he could move back into his room but he couldn’t last any longer. 

but he’s careful, waiting for everyone to trundle on off to bed, listening carefully for the muted click of the light switch and even then, waiting another hour to be sure. 

the clock glares an alarming 1:04 by the time his belt clinks and his jeans come down, the first of them would be awake in just a few hours, ready to take you on to the airport. 

he wishes it would’ve played out differently, that he wouldn’t be sat here on the last night of your stay alone. but alas, eddie’s never been particularly brave and especially not in regards to hot women. 

your panties wrapped around his right hand as he spits on his left, wrapping around his stiff cock while his fingertips play with the lace in his other hand. 

“ohh fuck,” he hisses, wanting nothing more than to start hollering the house down. 

robin wouldn’t be too pleased if she ever found out what he’d done. and he can’t really afford to get the entire couch dry-cleaned so he really must be careful. 

thinking quick, he shoves his t-shirt into his mouth, muffling the chorus of grunts and groans threatening to spill over into the dark room. the muted light from the tv illuminates his face, breathing loudly through his nose 

he hadn’t heard the door open or the soft sound of your feet padding down the hall, only made aware of your presence when he reopens his eyes, near enough jumping out of his bones. 

how long had you been there watching him shudder and whine?

“fuck,” he exclaims, fist still wrapped tight around his throbbing cock, too aroused to care about it too much. 

“you want some help with that?” 

eddie looks at his dick, then back at you, mouth hung open in a mixture of awe and confusion. 

it’s not very clear but you move closer anyway, sinking to your knees and nestling in between his spread legs. 

“okay?” maintaining eye contact despite how difficult it was, eyes bright and eager. 

he nods, unable to comprehend what was happening. knowing he’d wake up from this twisted dream to some soggy boxers and a whole lotta shame. 

your palm wraps around the base of his cock, shooing his hands away to make room, smiling as your lips wrap around the already leaking tip. were you a psychopath? were you placed on this earth to goad and tease him?

this isn’t real. this isn’t real. the voice repeats around his head though it’s quickly silenced by your tongue swirling circles around the tip of his cock, readjusting his t-shirt to bite down harshly on the fabric. 

eddie’s hands lay useless on his thighs, twitching to intertwine with your hair, still doubting the reality of the situation. this could all be a dream and the second he touches your hair, you’d disappear from in front of his eyes.

the t-shirt falls from his lips, “fuuck,” grunting into the tense air, gritting his teeth so as to not expose your precarious position to the rest of the house. 

the wet sounds of your lips wrapped tight around his cock make his toes curl, his hands find your hair, not without prompting from you. tugging gently at the tendrils as his head starts to spin. 

when your eyes look up to meet his, eddie thinks he might just cum right down your throat then and there. he can see that troublesome glint in your eye, a roaring fire that he so desperately wants to keep stoking. 

your fingers slide up his thigh, finding his neglected balls and with a slight smirk, you grab ahold, gently fondling them as his brain melts out of his ears. 

no one had ever, ever made him feel so good. collectively losing brain cells when you hum on his cock, getting just as much out of this as he was. 

“oh yeah, fuck- shit fuck, i’mcummingi’mcummingi’mcumming,” eddie’s mouth rushes, louder than he ever should’ve been. bright flashes of light fill his peripheral, using your scalp as leverage to keep himself on the couch. 

his hips stutter, thrusting into your mouth with his fingers tight in your hair, yanking harshly in an effort to get your lips off of him before he came everywhere. 

you don’t budge, nails digging into his thigh as his release seeps down your throat, his eyes squeezing shut as his fist instinctively comes up to muffle his mouth, moaning into his clammy palm instead of alerting the entire house. 

eddie’s other hand lets go of his strong hold on your hair, allowing you to get off of his dick, panting happily as you sit up between his knees and with lips glistening with his release, you kiss him. all soft and gentle while his brain fails to compute. 

it should be gross. but eddie just can’t find it in himself to care, because in reality, this was the hottest thing that had ever happened in his measly little life. 

“please let me taste you,” he begs between kisses, grasping desperately at your waist, the fabric of your shirt slipping between his desperate fingers.

you giggle, pulling back to look at him through the dimmed light, “not now,” you hover just above, constantly teasing and unobtainable

“well when?" jutting his bottom lip out in hopes it'd convince you to change your mind.

"when i'm back," letting him down gently. eddie'd count the seconds till you came back if that was what it took to get even a tiny glimpse of your pussy.

“what time do you leave?” he pants, chasing your lips. eddie was nothing if not a chancer, though if it hadn't happened already, there's a miniscule chance of it happening now.

“seven,” whispering back, a hint of annoyance that this build up had only crescendoed now, just as you were about to leave. he'll blame robin for that, poking her nose in and trying to turn him off. it shouldn't have worked. he should've been braver.

“but it’s your turn,” an awful sadness and regret overcoming him. someone better, someone like steve, would've had you pinned to that couch by now, his head between your thighs and your slick dripping down his chin.  

“next time,” only repeating yourself, smiling coyly before you plant one last kiss to his longing lips before standing fully upright and disappearing back off to his room, leaving him reeling with a story nobody else would ever believe.

[andvys]

Dancing with our hands tied | S.H.

Chapter two ⭐︎ I want you to notice, when I'm not around

Warnings: angst! mean!Steve, unrequited feelings, one sided feelings, mentions of Steve being in love with Nancy, mentions of death, allusions to suicidal thoughts, mentions of weed and alcohol

Pairing: Steve Harrington x fem!reader

Word count: 4k

Author's note: I promise, it's gonna get so much better soon, get ready for some much more angst in the next chapter, it's gonna hurt. @hellfire--cult thank you for helping me as always, you're the bestest!!!

Series Masterlist ⭐︎ Previous Chapter ⭐︎ Next chapter

♡

The living room is crowded, at least it seems that way to you. You aren’t used to being around so many people. You didn’t want to come here, but you had no choice when both Eddie and Robin had showed up at your house earlier today and practically forced you out of the house.

Now you sit here, sinking deeper and deeper into Steve Harrington’s couch, feeling uncomfortable and out of place. You’re playing with the loose string on the hem of your shirt as you look around the room. Robin is snacking on the m&m’s Eddie had brought as she’s looking through the pictures Jonathan had taken of her and Nancy just now. Eddie is out on the patio, smoking a cigarette and talking to Argyle who will leave for California in two days. Jonathan is staring at the screen watching some music video that is playing on the MTV channel, his pupils are blown and his eyes seem heavy, he is high out of his mind and for once, Nancy doesn’t seem to care, with her legs thrown over his thigh, she’s sipping on the beer that Steve handed to her a few minutes back, she is talking to Robin, unaware of the set of eyes on her. 

You restrain the eye roll as you look at him. 

Steve is sitting on the same couch you do, though with a big distance, you sit at one end and he on the other, far far away from you. You know he doesn’t want you here, you saw the look on his face when Eddie had dragged you into his house, a wave of something had washed over his face, something unpleasant, like he wanted to scrunch his face up in disgust at the sight of you – his mind had already erased your little moment at the Sinclair house, last week. Now you are back to normal. He made a comment, you made a comment and now you both sit there, avoiding each other like the plague. 

Secretly, you watch him though. 

Like you always do. 

And what you are seeing now, only fuels your annoyance and your wish to go home. 

The smile on his face that could never be directed at you, is directed at her. The love and the longing in his eyes that always lingers when she is around. She who had stolen his heart from the very first moment they saw each other. She who had always kept his heart even when she left him for the one she is smiling at now. She who will always be the one he will look at. 

You thought that he was over it, you thought that he was over her. But you were a little blind and maybe he was too when he told Robin that he was over her. He never was, he never will be. You saw the way he looked at her when she patched him up after he was attacked. You saw the way he looked at her in the RV. You heard the things he said to her, how he talked about his dreams that he surely saw her in by his side. 

You also heard the things he said about you when he thought that you were sleeping. You still remember how gut wrenching it felt to hear him say things about you to his ex-girlfriend. 

You huff in silence when his lips curl into a smile and his eyes light up when Nancy throws her head back in laughter. 

God, why are you even here? 

Eddie falls into the seat next to you, throwing his arm around your shoulder. It feels as though a cloud of smoke had followed him because suddenly, the smell of snacks, fresh air and beer is replaced by it, along with the smell of his cologne.

Right. You’re here because of him. You don’t know why he feels the urge to drag you along to every group hang out. No one wants you around, you don’t even think that Robin wants you here, she barely talked to you since you came here. And the longer you sit in Steve’s living room, with an untouched can of coke on the table in front of you, surrounded by people who most likely cannot stand you or your presence, you wish more and more that Jason should have dragged you down with him. 

You don’t belong here, you don’t belong anywhere. 

Eddie takes a look around before he turns to you, the smile still lingering, though turning into a softer one when he notices the frown on your face. 

“What’s wrong, sweets?” 

You shake your head a little, trying to give him a smile, “nothing.” 

“Are you feeling okay?” He asks, whispering. 

You wonder if that is the reason why he always wants you around, so he can keep checking up on you, so he can make sure that you are okay, that you are still alive and not lying in some ditch after pushing yourself a little too hard while still recovering from surgery. 

Does he care so much because he knows that no one else would? 

Or does he feel like he owes you something because you helped him when it wasn’t even asked of you? 

You nod, “yeah, I just don’t know why I’m here,” you whisper to him, subtly gesturing to this tight friend group that you don’t fit into. 

Eddie is new to this as well, but unlike you, he’s open and friendly with everyone. He surely isn’t as cheerful as he was weeks back. Just like you, he is still recovering, hiding his inner scars from the face of the earth but still, he is trying. Trying to fit into this, and for him, it’s working, for you? Not so much. 

“Well, you’re here because of me,” he grins, tapping your shoulder. 

You huff but smile, looking down at your hands. 

Yeah, you wouldn’t be here otherwise. 

Had you not gone on a walk that one afternoon a few weeks back, you would have never ran into him. Eddie who had been a wanted man at that time, Eddie who was hiding at skull rock, in drenched clothes and with clattering teeth as he shivered like crazy. You remember how scared he looked when you saw him, how he thought that you would rat him out because at that time, you were nothing but acquaintances to each other. – You bought from him a few times but that was all. He always tried to make small talk, throw a few jokes at you, but at that time, he barely got you to laugh. 

You didn’t believe the rumors on the news, not even for a second, not even when Chrissy used to be a close friend of yours. 

You decided to help him, not knowing what else you were getting yourself into, not knowing that it wasn’t just him involved in a world you hadn’t known of yet, at that time. You got him dry clothes, food and the walkie talkie he had begged you for. 

You never expected Steve Harrington and Dustin Henderson to show up moments later, though. And least of all, you hadn’t expected Max there. It felt like a surreal dream the moment they started explaining everything to you. The moment you found out the truth about Starcourt, about all the deaths in this town, about the lab, about Henry. 

You had only been allowed to be a part of it because of Max, because of your friendship with the girl you had grown protective of, because she let you help. 

The night in the upside down, the night at the Creel house led you here, into this friend group, into Steve’s house where you certainly don’t belong. 

You don’t know what that nagging yet empty feeling in your chest is, if it’s the trauma that is slowly catching up to you or if it’s from watching him watch her, or if you’re just simply having a bad day but it’s making you feel sick and restless, you want the ground to swallow you up. 

You muster up your greatest smile and flash it at Eddie, “yeah, cause you’re my very best friend.”

He snorts at you, hearing the sarcasm in your voice. 

“Your only best friend is Red.” 

You smile at his nickname for Max. 

“Hey Chica, do you wanna smoke this with me?” 

You don’t even pay attention or look up, not until Eddie chuckles and nudges your shoulder, raising his eyebrows at you to look up and when you do, you find Argyle looking at you with a dopey smile on his face as he holds up a blunt to you. 

Without thinking, you get up with a smile on your lips, “is that even a question?” 

It’s been a long time since you have had anything other than medication in your system, you are in dire need of something that will ease your mind and make you feel more than what you are feeling today. 

You fail to notice the disapproving look on Steve’s face, the way he tensely straightens up, slowly getting up as his brows knit together, more and more, watching in disbelief how you make your way over to Argyle. 

“What the hell, Blondie!?” 

His raised voice startles everyone in the room. Robin looks up from the polaroids in her hands, glancing up at her best friend who is staring at you with angry eyes. Nancy and Jonathan turn to look at Steve before they turn to look at what he is glaring at – or who he is glaring at. 

Argyle and Eddie turn to Steve with confusion on their faces. 

And you, you halt in your tracks, and turn back slowly. Caught off guard by the intense look on his face, you freeze. 

“Are you crazy?” 

You open your mouth to speak, though you shut your mouth again when you realize that these words aren’t directed at you, they’re directed at Argyle. 

“She can’t smoke or drink! Her doctor said it loud and clear, and I warned you before!” He points at him. 

You’re taken aback by his anger, by his words. The fact that he remembered when even you, yourself have forgotten about it. You hate the way your heart flutters at that, you hate the way it makes your stomach feel all tingly. You know that it doesn’t mean anything, just because he remembered. 

You see the way Argyle’s face drops and the way he smacks himself on his forehead, “I forgot, I’m sorry, man,” he looks at you, pulling away the blunt he was just about to give to you. “Sorry, he told me… I wasn’t thinking.” He whispers, a little uncomfortably as a funny look takes over his face. 

Steve warned him? 

“Dude, I forgot too, don’t worry about it,” you pat his arm, giving him an apologetic smile. “Don’t mind mother hen over there, he’s overreacting as always.” You say as though you don’t feel your heart racing over Steve’s outburst. 

“And you.” 

You instantly turn to face him, just like everyone else in the room who watches the scene unfold with curiosity and confusion on their faces. 

You meet his hazel eyes, the ones that are still raging. 

“Stop being so fucking careless!” He snaps, pointing his finger at you now. “You’re getting on my goddamn nerves.” 

He places his hands back on his hips, huffing loudly. 

Your cheeks flush under his gaze, you can feel them burning, your heart beating faster and faster. You don’t know how to feel but all you can think about now is the look in his eyes when he realized that he hurt you back at Lucas’s place the other day, the words he had said to you. 

Despite the giddiness inside of you, you hide your feelings behind a smirk. 

“Wow, you do worry about me, Harrington. You weren’t lying.” 

He squints his eyes at you, nodding at your words with another huff. He pinches the bridge of his nose, shaking his head. 

Everyone is looking between the two of you, waiting for the bickering to start, the way it always does, but Steve manages to bite his tongue. 

And you surprise the others by holding back your little remarks. 

“And fucking relax, leave Argyle alone, he isn’t responsible for me and neither are you, Lego head. Go and get high, you need to calm down.” 

Jonathan snorts at the nickname, he throws his head back, chuckling loudly as he mumbles ‘Lego head’. Argyle, who already had one too many drags of the blunt he passed around before, is barely holding himself together, threatening to burst into laughter too. 

Steve shoots Jonathan a glare, pointing at him to shut up. 

Nancy looks down, pressing her lips together with an amused look in her eyes. 

Eddie drinks his beer, hiding the smirk behind the can, scratching the back of his neck. 

“Sit your ass down, Blondie and drink your goddamn coke, don’t even think about weed or–”

“No weed, no beer, just fucking coca cola, got it, mom,” you roll your eyes at him and slump back in your previous seat, crossing your arms over your chest. 

He sighs loudly, sitting back down as well, he crosses his legs, giving you the side eye. 

“Goddamn brat,” he mumbles under his breath. 

“I heard that.” 

“Good,” he snaps at you. 

There is no tension in the room, not even awkwardness after this weird moment. If anything, everyone is still amused. 

“Always bickering like an old married couple,” Eddie snickers. 

Steve glares at him, and you, you would have dug your elbow into his side, but he is wounded and still healing. The band aids on his neck are the evidence that they are still bad. He is hiding him, and you wonder if he always will, you ask yourself if he will hide his pain the way you hide yours. 

You don’t even notice that Robin left the room, only when everyone moves on from what just happened and chatter fills the space again, do you take a look around. You furrow your brows when you find her spot empty. 

Argyle and Jonathan leave the room, stepping out into the garden with Nancy following close behind. 

“Are you still in for tomorrow?” You hear Eddie, directing his question at Steve. 

“Yeah, sure.”

You don’t bother to ask and find out what their plans are. 

Robin walks back into her room, with something in her hand. Her eyes are aimed at you, a smile on her lips when she walks towards you. She hands you a drink, a diet pepsi. 

“Here.” 

Your lips part as you stare at the can for a long moment, blinking. You tilt your chin up, looking up at her with big eyes. 

Her smile falls and a frown takes over, “shit, I thought you liked diet pepsi? Was it original?” 

You shake your head at her, taking the can from her hand, “n-no, it’s diet pepsi.” 

She paid attention to you. 

She smiles at you. 

She felt bad watching you sit there and being unable to drink beer or smoke weed with the others. And she remembers that you always asked for pepsi when you were still in the hospital, you hated the teas there and despised the fact that you were only allowed water. 

“I thought you liked coke, Blondie.”

Robin rolls her eyes at Steve. 

“It’s not my favorite,” you shrug, turning to look at him. “I prefer pepsi.” 

He squints his eyes at you, “so when you stole my coke the other day, you did it just to–”

“Get back at you, yeah. Cause you stole my coffee.” 

“When did he steal your coffee?” Robin asks. 

“When I came to family video to rent a movie–”

“Oh, you little liar,” Steve scoffs at you, “she did not rent a movie, she didn’t even come to look for one.”

A smirk tugs at your lips, if there’s something that you love more than the drink in your hand, it’s to get on his nerves. 

“Says who? I really wanted one but the customer service sucks when this one isn’t around,” you point at Robin. 

Eddie chuckles, turning to look at Steve who is glaring at you, before a smirk appears on his face, his hazel eyes twinkling with smugness. 

“You and I both know that you didn’t want to rent a movie, honey. You were there because you wanted to see me,” he says, cockily as he lets his eyes move from your face, down to your body and back up to meet your eyes. 

Your breath gets caught in your throat at the way he just looked at you. You don’t squirm in your seat, but you surely would if the others weren’t around. You grow flustered beneath his stare but you have come to learn how to hide it – Steve Harrington will never see you blushing over him. 

Maybe he was right, maybe you did just want to see him, because you always do, you always want to see him. No matter how much he hates you, no matter how much he despises you, you can’t help but want him, even if you continue to lie about it to yourself to stay sane. 

Steve Harrington had always been your demise – from the first glance. 

You couldn’t help but grow fascinated with him, watching him from afar with eyes the shape of your favorite sunglasses. You couldn’t help but care for him, even when he couldn’t stand you. 

Sometimes you feel like a creep, watching him and adoring everything about him, from his sun kissed skin, to his beautiful eyes, to his perfect hair, to that one smile that he blesses only those around him that he cares about – something that you will never get. 

Sometimes it’s hard to look into his eyes because every time you do look for a little too long, you feel like dying because suddenly, you see the world with different eyes, you see something beautiful, because he is in it and when you look away, when he is gone, it feels anything but.

Steve wouldn’t even bat an eye if you were gone. He wouldn’t even notice if you weren’t around. 

Suddenly, you feel overwhelmed by the way he looks at you, by his presence, by all of this. You are in his space, you are invading, his home, his friend group, his safe place. The reminder of it, that you don’t belong here, lies heavy on your heart and you feel the urge to run away but you cannot give yourself away so easily, knowing that it would be awfully noticeable if you suddenly left after what he just said. 

So you put on a mask, the way you always do. 

“If that helps you sleep at night,” you smirk, tilting your head at him, “I mean no one else would come to see you, I took pity on you.” 

He clenches his jaw, his smirk falling into a frown. 

“Keep your pity to yourself, Blondie. I’d rather never see you again than see you when I don’t have to.”

You know how he feels about you, you know what he thinks of you, yet every single insult, every jab at you feels like a punch to your gut. But this, this was a punch to your heart. 

You know he wouldn’t grieve you if you died at the Creel house, but to know that he might have felt relieved to never having to see you again, hurts you more than you want to admit. 

“What the hell, man?” Eddie snaps at him as his brown eyes fill with anger at his words. 

Robin rolls her eyes, shaking her head at Steve in disappointment. 

But he keeps his eyes on you, struggling to read you, struggling to look past that smirk that is still going strong. 

“Well, I’ll put you out of your misery, Lego head,” you say as you place the drink on the table before you get up. 

Robin furrows her brows, looking you up and down, “what are you doing?” 

“I’m leaving.” You try not to sound bitter or hurt. “I’m getting tired and I forgot my meds at home.” 

Steve looks away from you, feeling a rush of guilt. 

“I’ll drive you–”

You cut Eddie off, shaking your head at him, “no, I’m gonna walk, I need some fresh air.”

Eddie looks at you worriedly, “sweets, I don’t want you to walk by yourself.”

“Eddie, I’m okay, I don’t get dizzy anymore,” you say, trying to smile at him. “I promise, I’ll call you later tonight.” 

He still looks unsure, not wanting to let you go like this. 

But he can tell that you want to be alone, right now, so despite his worry, he leans back again and nods begrudgingly. 

“Okay..” 

You walk out of the room, biting back the bitterness on your tongue, trying to swallow down the pain. You rush through the hallway and open the door, you only manage to take one step out before you hear footsteps behind you. 

You roll your eyes, knowing that Eddie being the stubborn guy that he is will try to convince you to stay, but when you turn around, it’s not Eddie’s brown eyes that you find yourself looking into, it’s Steve’s and it catches you off guard a little. 

He stops in front of you, his eyes scan your face and he huffs a little when he runs his fingers through his hair. 

If you didn’t know better, you’d think it’s guilt and worry in his eyes. 

You hold onto the door, ready to escape whatever pain he will put you through again.

“Listen uh, that was mean,” he starts, now struggling to look into your eyes. He squeezes his eyes shut for a moment, tugging at his hair. “I shouldn’t have said that.” 

You blink.

You swallow as you keep on looking at him with smugness, to hide the pain. 

“It’s okay, no need to hide the truth from me, you were just saying what you were feeling, right?” 

He opens his eyes and when he faces you again, he looks at you, really looks at you. He tries to find a hint of pain in your features or hurt in your eyes, but there is nothing. All he can see is the coldness in them. 

Nothing he could ever do or say would hurt you – at least, that is what he believes, what he always believed. 

“Right.” 

You bite the insides of your cheeks. 

“Good,” you nod and you tear your eyes away from him, unable to look at him any longer as you feel your heart cracking more and more.

“Y-You don’t have to go, Blondie.” He stops you once again, holding himself back from taking your hand. 

You slowly turn around and he still struggles to read you, even when you stop smirking, even when you only look at him with a straight face, not saying anything back. 

“But if you want to leave, no one’s gonna stop you.”

You see the indifference in his eyes, the coldness that is only there when he looks at you. 

Yeah, you know no one would. 

How can you care so much about someone that cares so little about you? 

How can you want him so bad when all he wants for you is to disappear? 

How can he worry one second and hate you in the other? 

How can you long for him after every hurtful thing that he said to you? 

You take a step away from him, blinking as you feel your eyes starting to burn. 

“Bye, Steve.” 

You turn around before he can even open his mouth, and you slam the door shut behind you because you don’t want to hear his voice. 

You walk away with tears in your eyes. 

You wish you didn’t come here today, every moment spent with him makes you want him even more, makes you hate yourself even more. 

You don’t go home, no, you can’t stand to be in a house that resembles nothing but loss. 

You turn the other way, towards Hawkins cemetery. 

You just need to vent. 

Even if only into the void. 

♡

tagging only friends & mutuals

@prettyboyeddiemunson @mysticmunson @wroteclassicaly @livosssblog

[stevieschrodinger]

I do not have time to write this, but I really need to write it down.

All the events of Stranger things happen as normal - one crucial difference, Eddie gets involved, but not in the same way. He's an innocent by stander who never made friends with the kids. He's a vague background character to the action. He's an extra on set, effectively, and when he drops out of school and leaves town abruptly, someone might notice, but no one really questions it.

Years later, the only thing that feels real about the whole thing are the scars Steve still carries on his body. Sometimes, sometimes, he has to call Robin, just to check it was all real. That he hasn't lost his mind. He still flinches when a light flickers, to this day his ears ring for hours after a loud noise. He has headaches.

The only people he can talk to about it are Robin and the kids; but he feels bad. The kids aren't kids anymore, and they all seem to have just...gotten on with their lives. Seemed to have grown and evolved past it all, even though Steve regularly still wakes in the night, sweating and fighting with his bed covers. He doesn't put that on them, he sounds happy on the phone, and he is, loves hearing about their lives, their relationships, their plans and their own kids.

Robin has a girlfriend, she's happy and settled. Steve's the only one who seems...stuck. Like he cant move past it. He bums around. Stays with Nancy for a while, then Robin. Visits Argyle, makes loose acquaintances and sofa surfs. Drifts, aimlessly, through life.

It's about time in his cycle to visit Robin, but the relationship is serious this time and she nags him to find his own place to stay near by - loosing patience with him when he fails to be motivated and finding it for him herself. It's tiny, the kind of place where the bed is also the couch and the TV rests on a short run of kitchen counter because there's no where else. Feels okay though.

Steve gets a job. Spends a day on foot, door to door, walking through town; lands in a record shop of all places, even though CD's have now well and truly taken hold and vinyl isn't much of a thing. It's dark inside, the walls painted black, the bare brick red. A couple of people browse through, but Steve heads right for the counter.

There's some screamo rock stuff playing that Steve doesn't recognize, but it's quiet, so it's okay.

Behind the counter, someone Steve half recognizes from another life. Eddie Munson, Freak of Hawkins High. What are the odds.

Eddie isn't who Steve remembers. He's angry now. Bitter. Has a horrible scar that creeps up his neck and onto his face, pulling the corner of his lip down. Steve does his best to ignore it. Begs for work.

Eddie employs him, but only because he thinks it's fucking funny how far the king has fallen. Now the king works for the jester.

Steve does his best at the shop. Cleans a lot. Gets on well with the customers, charms plenty of sales.

Eddie walks with a cane and seems to hate everyone and everything; but nothing so much as a cold morning. Seems to be in more pain than usual.

Steve wants to ask, Eddie tells him it was an animal attack. In 86.

Steve's seen some of the scars by now, caught glimpses of how bad Eddie was hurt; helped Eddie even when Eddie was spitting angry about accepting any help.

What the fuck kind of animal could do that much damage in Hawkins?

You wouldn't believe me if I told you.

And Steve puts it together then, instantly and viscerally realizes in his bones what must have happened. No one ever believed Eddie. Why would they? How could anyone think that monsters coming out of the walls, out of the floors, out of glowing red portals could be the truth?

And Steve says, did it's face peel apart like a flower?

And then he tells Eddie. He tells Eddie everything. He shows Eddie his own scars. Tells him about every monster they ever come across. It was one of the demo dogs. Like Dart. Steve knew it must have been, but Eddie confirms with a description.

And then Eddie cries, because he finally has a explanation. He's not crazy. For the first time in his life, someone believes him.

[love-byers]

i'm losing my goddamn mind. where do i even START

in the arcade scene, there is so much emphasis on mike putting his arm around will. it's extremely clear, in our faces. it's a soft, endearing moment of physical affection and comfort between them. we SEE the moment being initiated. its meant to stick out in your memory. i mean i dont know how else to to explain how different a scene like that is when we can SEE IT. we see it, all of it.

we don't see mike touch el, argyle is in the way. ARGYLE. we couldn't see a nice moment of physical affection between the main 'couple epic love story' of stranger things because they couldn't move argyle out of the shot for two fucking seconds?? and then in the second shot we still can't see his arm around her???? no, this was on purpose. the constant obscuring of mike and el's moments in s4 diminishes how the audience views their relationship. because their moments like that are not meant to be meaningful or stick out in your memory. because they are not in love, and their romantic relationship does not go past the surface level of physical touch. there is no deeper emotion here (as opposed to the byler scene where mike is COMFORTING will, steering him away from the scary moment), if anything it's about mike using that moment with el, putting his arm around her, to escape the awkward moment with argyle. and then when they're walking away not only can we still not see his arm around her, there are so many people around!! it is not a moment of connection between mike and el. meanwhile during the byler scene, we only see one person walk by in the far away shot, well after we've seen the arm grab moment.

we don't see mike put his arm around her because it doesn't matter. we don't need to see it because their relationship is on its last leg, it's going to end anyway. the writers/directors are breaking their relationship down by stripping these moments from us. diminishing the value of these moments by not giving them any attention or care in production. if the directors didn't care enough to show it, why should we even want to see it? or care? (edit: and ofc this is all 3d chess. it's all on purpose. they obscure mlvn on purpose, it's all part of subtextual storytelling.)

also duh the fact that we've only seen mike do this arm thing twice and it's with his girlfriend and the boy who's in love with him is extremely telling

[temptingfatetakingnames]

Open mic night was Eddie’s favourite night of the week. It wasn’t often that the group was able to make the drive up to Indy but everyone was finally available this time. Gareth, Jeff and Grant were going in his van. Steve was taking Robin, Argyle, Jonathan and Nancy. Steve hadn’t seemed too interested when Eddie had invited them but he owed Robin something and she forced him into being their designated driver for the evening’s festivities. It would be the first time the groups would be mixing and Eddie was incredibly anxious about it.

He loved Gareth, Jeff and Grant but they had no filters whatsoever and even though Steve might not be a douchebag anymore, he had still been King Steve and that didn’t just go away because they had fought interdimensional demons together. He also couldn’t explain to the guys the real reason he was hanging out with Steve without mentioning said interdimensional demons. So. Eddie was anxious. But it was open mic night and he was going to hope for the best. He fucking loved open mic night.

“Tell me again how you became friends with Harrington?” Grant asked from the back seat.

Eddie couldn’t help but sigh, he had explained (lied) to them all multiple times but they could sense that something was missing from the story.

“I told you! Henderson introduced us. You know how he always went on and on about him, had to see for myself.”

“And you hit it off? Just like that?” Jeff asked.

Eddie shrugged. That was the story and he was sticking to it.

“But why did you have to invite him to open mic night?” Gareth whined.

“Chill out. We’re going to have a good time,” Eddie said as he reached for the radio dial. He turned the music up louder, ending the Q and A portion of the ride.

When they pulled up at the bar, he saw that Steve and the rest of the gang were already there and waiting outside. He parked the van and went to meet them. Steve was standing a bit off to the side, arms crossed over his chest, scowling at Robin. He looked good. A simple black t-shirt showed off his arms and tight acid washed jeans showed off his ass. Eddie assumed Robin had helped him pick the outfit, he had never seen Steve wear black before. Nancy and Johnathan were holding hands and leaning into each other’s space and Argyle was finishing off the last few tokes of his joint.

Robin spotted him and the guys and waved them over.

“Hey, Eddie!” she said with a bright smile lighting up her face.

Eddie tucked one hand into his front pocket and used the other to wave back. “Hey guys, this is Grant, Jeff, and Gareth,” he said pointing at each of them in turn. “This is Robin, Nancy, Johnathan, Argyle and Steve.”

Introducing them all to each other might have seemed a little silly – they did all go to high school together. Well, except for Argyle – but it felt right, too. Eddie wanted them to get along and making introductions felt like a new start. They all nodded at each other, somewhat warily before moving to the door. They didn’t intermingle – group lines still clearly demarcated and Eddie sighed.

Wayne was good friends with the owner of the bar, so he let Eddie and his friends drink a bit. Usually just a pitcher or two of his cheapest beer, which was completely fine with him. Beer was beer as far as he was concerned and he wasn’t going to complain when he was getting it for free while he was still underaged. The place wasn’t too full yet, he liked to arrive a little early so he could get a spot near the front of the stage. He got everyone settled at the table and then dragged Jeff off to the bar to help him with the drinks.

“Hey there, my main man Moe,” Eddie sing-songed as he approached the man behind the counter. He was Wayne’s age with wrinkles around his eyes and grey in his hair. He and Wayne went way back, the best of friends even though they were complete opposites. Where Wayne could be quiet and standoffish, Moe was charismatic and brash – they balanced each other.

“Eddie!” Moe called back and smiled widely at him. “Good to see ya, how’s Wayne?”

“Wayne’s great! He says hello.”

“How many glasses?” Moe asked as he started to fill up a pitcher of beer. “You brought a big group this time.”

“Oh, uh – nine!... Please.”

Moe set the pitcher on the counter before turning to grab and stack a bunch of cups. Jeff picked up the cups and Eddie took the pitcher.

“Thanks, Moe.”

Moe waved him off, still smiling.

He and Jeff made their way back to the table. Eddie was pleased to see that the two groups were intermingling a bit when he got back. Robin was chatting with Grant and Gareth, which made sense – they probably had the most in common. Johnathan and Nancy were sitting side by side, listening. Argyle was currently a space cadet, staring at the popcorned ceiling like it was the night sky. And Steve – well Steve had his arms across his chest and was leaning back like he wished he was anywhere else. Whatever, he could be a grumpy goose all he wanted. Eddie placed the pitcher in the center and Jeff started handing out the cups.

“So, what’s the King been up to since graduating?” Gareth asked and then took a sip of beer. Eddie rolled his eyes. The question was innocent enough but the way Gareth asked it made it sound like he already knew the answer and it couldn’t be anything good.

“Family Video re-opened, so me and Robs have been working,” he said and shrugged, taking the question and the way it was asked in a surprisingly good stride.

“That’s it? Working at Family Video?” Grant chimed in with a smirk.

Everyone could read between the lines of what Grant and Gareth were saying – the great Steve ‘The Hair’ Harrington, King of Hawkins High graduated but going nowhere – Working a menial service industry job that he probably hated. Eddie didn’t know if Steve had any other plans. He knew Robin and Nancy were all set to go off to college once they graduated but he and Steve had never really talked about their life goals. Maybe he was happy with an easy job and no stress. There were worse things, he supposed. But he also couldn’t imagine getting stuck in fucking Hawkins.

“Yup,” Steve replied. “That’s it.”

“That is not it, Steve!” Robin said from across the table. “Why don’t you tell them –” Her words were cut off when Moe walked onto the stage and announced that open mic night had officially begun.

A cheer went around the room and usually Eddie would be the first one to go up to the mic but he wanted Robin to finish her sentence. It was clear she wasn’t going to when the cheers finally quieted and a man from the back of the room approached the stage. Eddie listened but he found himself distracted; he hated mysteries. Puzzles needed to be solved or else he felt them like an itch in the back of his mind. He would need to bring the conversation back around to Steve later so he could find out what else the man had going on.

When the first performance ended to polite claps, Eddie jumped up to go next. He loved putting on a show. Moe always had an acoustic and electric guitar on the stage for anyone who wanted to use them. Eddie grabbed the electric guitar and strummed a few chords, testing it out before he went up to the microphone. He usually stuck to more rock and roll songs for open mic night over the heavier stuff he performed with Corroded Coffin. It was nice to be able to do both and he loved it when the crowd sang along with him. He finished his slowed down version of For Whom the Bells Tolls with an exaggerated bow.

A few regulars he knew went up after him. Jeff did a great acoustic version of Number of the Beast which Eddie had not expected to work at all. Robin and Nancy did a Blondie’s song together that wasn’t half bad. They had nice voices, and Robin at least managed to stay on key. Blondie was no joke.

They were on their third pitcher, the mood at the table loosened as they talked and sang and drank. Eddie and Steve only had one beer each before switching to sodas – a stipulation of Moes that anyone he brought to drink had a safe drive home. Eddie had never bent this rule, he appreciated Moe giving them a space to come and drink and he wouldn’t get him in trouble by driving drunk.

“Steve! Your turn!” Nancy yelled.

Steve shook his head. “I’m not getting up there. I’m only here because Robin made me come.”

Jeff and Gareth shared a look between them, rolling their eyes.

“Afraid to sing in front of us, Harrington?” Eddie asked. He knew that Steve wasn’t afraid of anything. His dumb bravery would put the strongest barbarian to shame but sometimes heckling worked and Eddie really wanted to hear him sing.

Steve just leaned back calmly. “Not gunna work on me, Munson.”

“Steve,” Robin whined and stretched out his name, “you have to sing.”

“Nope,” Steve responded.

Robin leaned over so she was practically in his lap and squeezed his cheeks together.

“You have to sing, Steve,” she said with the utmost seriousness.

Something passed between them because Steve’s eyes got large and frightened and Robin snickered. She had something on him! Something he didn’t want her to tell them and she was threatening him with it. Good job, Robin!

Steve sighed deeply before heading up the stage as the crowd hooted and hollered.

Robin leaned back in her chair with a satisfied smirk on her face.

“He’s probably going to sing Tears for Fears or Abba or something,” Eddie said to the group.

“My money is on Madonna,” Nancy chimed in.

Robin snorted. “Duran Duran!”

They all laughed.

Steve grabbed the microphone and took a deep breath, looking out into the crowd. His first note echoed in the room and the talking and laughter ceased immediately, all eyes turned and focused on the stage.

I get up in the evenin’ And I ain’t got nothing to say Come home in the mornin’ I go to bed feelin’ the same way I ain’t nothin’ but tired Man, I’m just tired and bored with myself     Hey there, baby, I could use just a little help

Not a sound could be heard from anyone in the room as they all listened in rapt silence. Steve’s voice was ethereal, perfectly pitched, beautiful. Eddie had never heard anything like it.

You can't start a fire You can't start a fire without a spark This gun's for hire Even if we're just dancin' in the dark

The thing was, Eddie liked Steve. He was a better person and friend than he could have ever expected of the former king. But he was a surface level person, what you saw was what you got. He could be sassy and mean and didn’t seem to dive too deeply into his own feelings. Steve was simple and he liked simple things. He was Steve ‘The Hair’ Harrington for Christ sakes, he could not have the deep well of emotion and pain that he was conveying in this song.

But he did.

And he was.

Eddie turned to Robin and hissed in her ear as quietly as he could, “did you know about this?”

But she was looking at Steve just as dumbstruck as the rest of them and slowly shook her head.

You sit around gettin' older There's a joke here somewhere and it's on me I'll shake this world off my shoulders Come on, baby, the laugh's on me

Steve was baring his goddamn soul. And maybe Eddie had still been judging him too harshly on who he used to be – because they had fought a fucking war together. But it had always seemed to just…glide off Steve. They must have missed it – the darkness and loneliness in his eyes that Eddie was seeing now. They were all seeing it now. Nancy and Robin were both staring at him like they had never seen him before. Eddie was ashamed. How often did he lament people for thinking they knew him? For judging him on his looks before they even tried to know him? And now he had done it, too. But this was worse because Steve was his friend… and he hadn’t seen it. He had seen a piece of the man and assumed it for the whole.

Stay on the streets of this town And they'll be carvin' you up alright They say you gotta stay hungry Hey baby, I'm just about starvin' tonight I'm dyin' for some action I'm sick of sittin' 'round here tryin' to write this book I need a love reaction Come on now, baby, gimme just one look

This blew all of his preconceived notions out of the water. Steve was singing like his goddamn heart was breaking and no one in the world understood him. It was a masterpiece and Eddie was floored. Absolutely floored. He had heard Dancing in the Dark a million times. But Steve… The way he sang it gave the words such a deeper meaning. It was beautiful and haunting and pained. It changed everything about the song… and everything he thought he knew about Steve Harrington.

You can't start a fire Worryin' about your little world fallin' apart This gun's for hire Even if we're just dancin' in the dark Even if we're just dancin' in the dark

He held the last note, beautifully pitched, before he let it go. The room was silent, everyone as awestruck as Eddie. After a pregnant pause everyone erupted into cheers and whistles and Steve dropped his head as a blush starting creeping over his cheekbones – his hair falling over his face. Adorable.

Oh. Oh no.

No. No. No.

He did not just think that.

Appreciative eyes followed Steve as he made his way back to their table and Eddie bristled. He wanted to growl and bare his teeth at them all.

“You have the voice of an angel, my dude,” Argyle said.

“Thanks man,” Steve said as he sat back down.

Robin immediately attacked him, shoving him and screaming, “what the hell was that?”

“You wanted me to sing! So, I sang!” he yelled back.

“I didn’t know you could sing, Steve! Why didn’t you tell me?”

Steve shrugged. “Never came up, I guess.”

“Never came up!? Neve came up?” Robin’s voice kept increasing in volume and incredulity. Eddie was right there with her. “I am betrayed! Betrayed, Steve!”

Steve rolled his eyes at her dramatics. “Calm down, Buckley. It was just a song.”

“It wasn’t just a song though, was it?” Nancy asked quietly.

Steve tensed up and ducked his head but not before Eddie saw something dark move through his eyes. He wanted to ask if Steve was okay, wanted to drag him somewhere quiet where he could talk to him and ask him questions and find out what was behind his eyes – what was behind that song. Eddie wanted to split his skull open and peer inside and learn everything there was to know about Steve Harrington. He couldn’t take his eyes off him, was begging desperately in his head for Steve to look up, to look at him, too.

Who are you, Steve Harrington?

Eddie’s mind itched at the unexpected puzzle.

Part 2

[omartinyosef]

ST5 POTENTIAL SPOILERS!!!

GUYS I FOUND THIS ON REDDIT AND ACTUALLY IT'S QUITE INTERESTING

ST5 Leaks/Fleaks

Gen Plot

Season picks up briefly where we left off in 1986 before jumping into either late 1987 or early 1988. The season is contained entirely in apocalyptic Hawkins. Things with the government are shaky. Owens doesn't appear in the beginning of the season and it's unclear if he's returning, but Ellen Stinson is the new Owens. Hawkins is like a combination of the UD and Kamchatka.

Labyrinths/Mazes being important to both the supernatural plot and the interpersonal relationships. They're inherently linked.

Two songs to be featured are 'Listen to Your Heart' and 'Alone,' both of which were apparently foreshadowed in a previous conversation between Hopper and Joyce, similar to how Hopper's "I'm the puppet, you're the master" to Joyce in S3 basically foreshadowed Eddie's 'Master of Puppets' in S4.

S1 and 2 scenes being referenced are "Nancy and Mike's conversation in the bathtub" and "Hopper + Lando Calrissian"

Lots of importance in COLOR CODING and blocking from the final shot of S4, and a good chunk is told in the costuming—like passing the torch from one character to another as their arcs overlap. For example, Hopper and Will share the "am I the curse and therefore putting my loved ones at risk by being near them?" sentiment for S5, therefore their wardrobe in the final shot of S4 is similar. Joyce/Jonathan and Nancy/Mike's costuming also similar for the same reason, whereas Eleven stands out because she's the first one coming into her own this season. The white for her represents shedding of false skins.

Character duos this season will be primarily dressed in colors of blue/green and yellow/red.

There's lots of symbolism and foreshadowing for every character in S5 from the moment Will touches his neck in the last sequence of S4.

S4 focused on themes of lies and miscommunication, and everyone is going to have to work through these lies before they can defeat Vecna.

Murray and Argyle are both back. Dimitri and Yuri don't seem to be in the beginning of the season.

One thing left unresolved with the Russian plot. Something important will happen involving the machine and the green liquid from the Starcourt bunker. Reference of Dustin vowing to die with Steve when they initially discovered it.

Hopper, Joyce, Mike, Will, and El had to be away from Hawkins, otherwise Vecna wouldn't have won.

An important death that they're nervous about given the reception to Eddie (not Joyce or Jonathan—see details below).

Eleven

We'll see her unlike we've seen her before. A badass who doesn't take shit from anyone. Not a Monster, not a Hero, Jane. Think: adult El could be headed for a Charles Xavier type role.

Erica, Lucas, and El will share scenes together.

El has significant blocking and development with many characters this season.

Max, Eleven & Max

The "kaleidoscope of colors" from a script the writers posted makes a feature in both the scene where young El remembers her mother's love in order to defeat Henry in the lab, as well as the scene where El revives Max. This is significant because it's the first time we see El using her powers on someone in a non-violent way.

El was able to revive Max because of she, herself, being revived in the bunker by Brenner and Co. It's a show, don't tell moment from the writers.

Max getting Vecna'd was foreshadowed in the beginning of 2x01.

Will, Henry/Vecna, The UD

Filming was supposed to commence mid-June, but Noah and Jamie were set to begin in May due to more complicated costuming. Will is going to require heavy prosthetics at some point.

Will's character design is blocked in three stages. The more the UD bleeds into Hawkins, the more connected to it he feels. The gates being open will physically influence him, especially when he's not as mentally strong.

He's kind of like "the card up Vecna's sleeve."

It appears they want to confuse the audience about Will.

Will wrestling with his own morality

Henry/Will mirrors. Will will sympathize with Henry because, unlike El, he knows how and what Henry thinks, and he can feel him.

Vecna and Will are very similar, but the difference is Will is made stronger by love not hate. They will play into that duality.

Vecna was nerfed in S4 compared to how we see him in S5. He'll be much stronger.

At the beginning, he'll be taking a hiatus while he plans how to divide and conquer now that everyone's back together in Hawkins.

Soteria will be the key to saving Will. If they want Will to be untraceable to Henry, they'll have to insert it into his neck and it'll be painful. Vecna not having access to Will fucks up his ability to leave the UD.

Byler/Mileven Triangle

Apparently, it's complicated and up in the air as of now.

Mike dealing with guilt this season. He feels guilty/responsibility for El. He feels stuck in a loop that keeps him from a truth he's scared to face.

Will and Mike to spend a good chunk of the season together based on character designs and blocking.

Will telling El that Mike won't like being lied to comes back with the painting. During a pre-time jump scene in 5x01, while everyone's together plotting how to defeat Vecna and brainstorming how to save Max, Mike brings up the painting El commissioned for a D&D analogy. Will has to pull Mike aside and confess he lied about El commissioning the painting. Mike gets angry, because he doesn't know about Will's feelings and feels embarrassed that Will thought he was that pathetic he needed to be given a pep talk. Their own version of a "fight you can't come back from." Immediately after their fight, we get the time skip.

Mike's character motivations are unclear and seem to be kept under wraps. After the time jump, he and El won't be talking as much because he's keeping the details about Will's painting from her. She's gonna ask what's wrong between him and Will, and he lies/is very vague.

Joyce, Hopper, Jopper

Joyce feels immense guilt/responsible over Bob's death since she's the one that asked him to help in S2, which is why she pushed Hopper away at first.

Hopper has a secret from S1 that was never addressed, and it comes back to haunt him.

Joyce sustains an injury in S5 that is reminiscent of the way someone was injured in S3, but it isn't critical and she'll be okay.

Jopper are the most established couple after the time jump. Lots of bickering still, but Hopper trusts Joyce more than he ever has.

Jonathan, Nancy, Jancy

So far, does not seem like a breakup is happening.

Jonathan's still lying about the college letter and distant because of it, and Nancy thinks he's not as into the relationship and that there might be someone else. She confronts him, which leads to a talk. She's touched by the lengths he would go to try and protect her and any of their future children even from himself.

A moment where we're led to believe Jonathan dies but doesn't, like Hopper in S3.

Hopper-Byers Family

These five characters slowly unraveling their arcs together and have always been closely linked. Their perfect endings are together.

We see the family combining, especially in relation to El.

Joyce gets to witness Hopper being paternal and tender towards the boys.

Scenes with Joyce, Jonathan, and Will

Hopper being back lifts a weight off Jonathan's shoulders.

------------------------------------------------------------------------------

So, now time to shine.

''(...) sentiment for S5, therefore their wardrobe in the final shot of S4 is similar. Joyce/Jonathan and Nancy/Mike's costuming also similar for the same reason, (...)''

Okay. How did we see Nancy in S4? Confused. Confused with the love triangle between Jonathan, her and Steve. Jonathan is her actual boyfriend. And Steve is her posible love interest again.

So, putting this in byler language: Nancy = Mike Jonathan = Eleven Will = Steve

If Mike's and Nancy's character's clothing is important at this point of the time line and that means they feel similar feelings, this could mean that byler has a chance. BUT then we read this: ''(...) He (Mike) feels stuck in a loop that keeps him from a truth he's scared to face.'' And

''Mike's character motivations are unclear and seem to be kept under wraps.''

THIS LITERALLY MEANS BYLER. FOR REAL. Like byler could be endgame. Also, remember Eleven's injury in S3? Do you remember the leak of a shoe covered in blood?

It's Joyce. ALSO YOU CAN READ THAT WE'LL HAVE SCENES BEFORE THE TIME JUMP. And here it comes. Look at this freaking hair:

Does this look more like this

or this?

The season 4 bowl cut right? So maybe this is right in some part? I dont know. But that could make sense why Will is wearing Mike's pants, because his clothes were in California by that moment. But i really do think that the pic that was leaked a few days ago is before the time jump.

Im so late with this info haha :) but i kinda think some things here make sense. Even if this is too well explained to be a leak.

[byerseason]

why byler is the only logical way to end stranger things: a personal opinion

long post incoming. i've been thinking about what else can they do other than canon byler or is there any logical way which would please everyone. but i genuinely can't find any logical ending.

first of all, let's see the options i heard from people who doesn't think byler is gonna happen.

not adressing will's love for mike, mike never finding out about it and will's arc simply focusing on supernatural part : well, we all know that's impossible. not after spending a whole season to show us his deep love for mike. also it's confirmed that an emotional arc for him is what is gonna tie up the story.

"his love for mike was for him to explore his sexuality, he's gonna have another boyfriend." : they could easily show it to us without bringing mike into it. the byers moving to california was a perfect chance for it since it's a place better than hawkins when it comes to LGBT, they could easily give him a love interest, include him to their journey to find el just like they included argyle and give him a good character arc in s5, just like robin in s4. well, they didn't.

"mike is gonna reject will" : okay, then what was the reason of making him fall in love with mike? did the writers want to write a horrible story for the only gay child in the group? especially after showing us how miserable he feels about mike and how much he loves him? no.

now let's look deeper at the character arcs. my biggest reason to think byler is the only logical way is: will byers

i don't think i have to mention how much will suffered throughout the show and how he needs the happiest ending. they left season 4 at a point where everything about that love triangle is unresolved and they're obviously going to do something with it.

we all know mike is the one who understands will the most. he always been, since the very beginning. we've been shown that their bond is different and special. in a scenario where mike rejects will, we all know this is gonna be ruined. will is not gonna magically bury his love and go back to being besties with mike. and for mike, it's not possible for him to ignore will's love for him and stay friends as nothing happened. it would ruin their friendship for absolutely nothing.they can't simply take the only one who understands away from him.

will said he wants to spend the rest of his life with mike for two times. even if he doesn't have any hope, he desires it. so why giving him a love that he will never have? in this scenario will's character arc is literally "the gay kid always thought he will never have love just because he is gay, he thinks it's wrong and he is a mistake, well yes, he was right! he will never find the love and just watch the other straight people have it. thanks for watching stranger things." will's arc should be an arc where he is proven wrong, where he understands it's okay to love, where he is loved the way he loves, purely. otherwise his character arc is gonna be useless. where did we leave will in s4? he was thinking there's no chance for mike to love him and he has zero hope-- he ripped off the band aid. if mike rejects him the character arc and all the build up in season 4 becomes useless. he was at zero, and he is still at zero.

like i said giving him an arc where he is loved the way he loves was easy to be done without mike but now it's too late. they made it super clear that will doesn't want to be loved, he wants to be loved by mike. mike hurts him yet he still thinks mike makes him feel like he's not a mistake at all. that's not a simple crush. that's pure love. as a writer of a show you don't spend too much time to sympathize the characters love to the audience -something you never did with your other characters, at least not as much as will- you don't show them pouring their heart to a gift, just to waste it, just to make the character feel the worst they can feel just to make the person they love happy. will loves mike such a way that he prioritizes his happiness over his. this is what is gonna pay off.

the second character whose character arc needs byler: mike wheeler

mike has always been the most complicated character of the show, but most of his actions have no explanation other than him dealing with his own feelings. the show introduced mike as the leader of the party and i think it's okay to say he was one of the main characters in season 1 & 2. what happened after s2? a crazy character downfall. the audience started to dislike him and think he is useless. he didn't have any character development in the past 2 seasons. why? why? why?

because we all just watched him struggling. dealing with something inside of his mind that we don't know.

let's talk about a scenario where byler doesn't happen. this makes all mike's arc about being a love interest since s3. no development, no explanation for his behavior in the past 2 seasons. of course mike is traumatized and never talks to anyone which effects his behavior a lot. but there's still an unanswered question. why is he distancing himself from will specificially? the writers showed us that they understand each other the best, they know each other the best and notice if somethings wrong, so why is he distancing himself from the person who he needs the most as a best friend?

this is where we start to think if the problem is will himself, for mike.

why did we make will fall in love with mike just for mike to distance himself from will for no reason and make will upset? did we want will to suffer for no reason or create an empty storyline?

if mike is not how we think he is, he is going to end the show with an empty character arc who is nothing but a love interest, a side character. if mike ends up how we think he is, he is going to be the best onscreen representation of internalized homophobia. people think he is useless or just an asshole but he will turn out to be a perfectly written character who has his own arc.

people love to say "gay people didn't exist in 80s, byler would be unrealistic." which is completely wrong. gay people DID exist in 80s and they DID find love. did they have peace? they didn't. this is why mike and will are gonna be a real representation. we watched all the real struggles they went through. even if we don't get to see them as a couple, they will know they love each other by the end and that's what matters. and there's nothing unrealistic about it.

[undreaming-fanfiction]

I've had a fantasy/medieval AU in mind for ages and I will write it one day, but the idea just wants out now. So have a brief summary.

Steve works in a small town in the middle of nowhere, he's doing odd jobs and helping to tame the local children. He's very protective because he knows the world outside is dangerous, and yeah, maybe their town is borning, but at least it's safe. Ever since his former fiancées friend got dragged into a river and drowned by a water demon, he's been even more protective of the children (and has saved them from a bunch of close calls too, even though they hate to admit it).

Eddie is a travelling bard, and Steve wants to tear his hair out and weave it into a basket or something. Because where he's trying to make sure the six kids get to grow up, Eddie is filling their heads with adventures, dragons, treasure and all that beautiful stuff that gets people killed one day. But the kids love him and Steve can only stay nearby and pray they don't run off one day with makeshift swords.

He just wants the kids safe. That's why he always accompanies them when Eddie is in town. So what if he sits nearby when Eddie spins his stories, it's just to protect them all from wolves if they decide to come. So what if he inches closer when the tale gets more tense and the protagonist is in danger. So what if he holds his breath until he knows whether the adventurers lived to see another day! It's all for the children, he says to himself.

And Eddie? Eddie sees the wonder in Steve's eyes. He sees a young man who has been walking in circles for too long, who has given up all of his future to give one to these six children. He sees in him what he sees in all of the adventurers and heroes he sings about, whose tales he carries with him. He sees all he wants to give.

So Eddie comes to the town more often than to the other ones. But whenever the children start raving about going on adventures, he just throws his head back and laughs. "You, going on an adventure? Please. Can you hold a weapon? Can you dodge an attack? Hm? Show me." The kids fail, of course. And Eddie says: "Do you know what the adventurers I sing about have in common? They came back from their adventures. And why? Because they were prepared! No one is going to sing about you if you drop dead during your first fight."

It doesn't take long for the kids to come to Steve for advice and training. And Steve knows somewhere deep in his heart that he can't protect them forever. He talks to the captain of the guard, Hopper, and he actually gets someone to train with the kids - and himself. He watches with pride as the children pick weapons best suited to their strengths, all too heavy for them, but that doesn't curb their enthusiasm.

He also asks his ex-fiancée, Nancy, to provide some basic training regarding edible herbs, remedies and poisons. He goes to Robin for a geography lesson, so that the little shits at least know where they're going and where their kingdom ends. He asks Jonathan to speed up their reading and writing lessons, and Argyle prepares a bunch of easy recipes from things that grow around them, and teaches them how to start a fire in almost any conditions.

When the kids turn fifteen, they are ready to go on an adventure with Eddie. Steve has done all he could, but he still feels they aren't ready, that he isn't ready. He'll die of worrying, he knows it. What is he even going to do now that the kids are gone?

But Eddie just smiles at him. "What, you put in all this work for them and now you don't even get to see them in action? Don't be stupid. Go and pack, we'll wait for you."

If Steve keeps thinking of Eddie's smile the whole time he's packing, it's only his business.

And that's how, with much of the kids' grumbling, Steve also leaves on adventure.

[i-am-autistic]

I need people to stop spouting total bullshit and say "It makes sense Argyle isn't in s5 he has a family back home". The fucking government chased his car the entirety of season 5 while shooting at him, he is a literal active government fugitive. It is genuinely bad writing to just have him disappear in s5 like nothing happened and doesn't make sense. He's not going home to his parents or to Utah to bang Eden like nothing happened. S5 also clearly has extra space for another teenager given that Vickie is getting a bigger role. Stop spouting Bullshit. They just don't want him in season 5. Idk why people can't be honest and acknowledge it. Just BTW these are the only two major characters who only showed up for one season and never showed up again and aren't dead.

Wonder why it's just these 2 eh?

[fablefrogg]

Why Does Will Byers Bring His Painting? (To the Airport and On Their Road-Trip)

I think it's so interesting that Will decided to paint the DnD party as a gift for Mike.

Since he brought the painting with him to the airport, we know that Will was definitely NEVER going to confess his feelings to Mike since he has very much resigned himself to the idea that Mike is straight and is in love with El (and El, Jonathan, and Argyle are also there with him so we can safely assume that he had never meant for his painting to be given in a romantic light).

Rather, Will brings the painting to the airport as a surprise for Mike in the hopes of reconciling their friendship.

Will, most likely, had intended the painting to be a friendly gift for Mike and it wouldn't be out of the ordinary, considering that Will has given Mike plenty of his artwork in the past (shown by Mike's binder of Will's drawings in S1 and how some are put up in his basement).

We know that they left on good terms at the end of S3 when the Byers move away, with a heartfelt conversation that Will would always stay with their original party and a good-bye hug. However, we also know that their contacting each other lessened as the months passed, as revealed by their fight in Rink O' Mania.

But I'm getting too far ahead of myself. Let's go back to the airport reunion before Rink O' Mania happened.

With the previous information now at our disposal, we are in the know that Will and Mike's last few interactions before their airport reunion have been few and far in-between. We don't really have a clue on how their phone calls went but it seems that they were still on good terms, considering Will's very happy expression on his face as he waits for Mike to arrive. But again, we know that Will is aware that their contact has been dwindling when he confronts Mike about it later on in the skating rink.

With this awareness, I believe that Will wanted to make sure that their friendship is still intact, even after the little communication they've had since the Byers move to California. That their strong friendship will continue to exist even if they were separated.

His answer to repairing their friendship was going to be his DnD painting. This painting must have taken a while to complete, a small signifier showing how long and often Will has thought about this. It is no coincidence that he chose the DnD party as his subject for his painting since their last in-person interaction is when Mike asks whether Will is going to join a new party and Will replies that that's not possible. By painting their DnD party, Will is basically referring back to that interaction and expressing to Mike that he didn't forget about them and that he never will, even after all this time and distance.

Which is why it's heartbreaking when Mike rejects Will's hug at the airport.

Since Mike is acting cold towards him, Will believes that Mike may not actually be receptive to his painting and his message behind it, so he (understandably) opts to not give the painting to him, referring to it as simply "just a painting". If Mike hadn't apologized to Will after their Rink O' Mania fight, I think that Will would have hidden that painting away where it will gather dust and never see the light of day.

Now, what is very interesting is that Will chooses to bring his painting again, this time on their road trip to get El back. But you may ask: Mike and Will have already reconciled their friendship when they have their heart-to-heart in Will's room so what else would be the reason to bring it?

Because now that he is assured in knowing that Mike has actually been wanting to reconcile with Will, expressing to him that Hawkins isn't the same without Will and that Mike felt like he lost him, Will deems it safe to bring it again. After all, judging by El's letter to Mike that Will has been working on it for weeks, Will wants to make it clear to Mike that even though Mike initiated their reconciliation, Will isn't passive in their friendship. Will is not someone who initiates so he shows in his own way that he does care. This painting proves that he's been thinking about them ALL THIS TIME. This friendship is just as important to him as it is to Mike.

However, as the road trip goes on, Will sees that Mike is worried and stressed about El and whether she really needs him through their heart-to-heart at the junkyard. Will probably thought that it would be insensitive to give him that painting now when it seems clear that Mike is in emotional turmoil about El and that he doesn't have much room to think about anything else. Again, he was NEVER going to confess his feelings with the painting. At this point in the road trip, he has already offered much relationship advice to Mike about El so we know he is supporting Mike and El's relationship.

Will had meant to use his painting to reconcile their friendship. Instead, he uses his painting to repair Mike's relationship with El.

After all, they have already technically reconciled their friendship, so Mike doesn't need the painting as more reassurance for that, right?

'What Mike needs is to know that he will always be needed and that he is so, so important to not just El but to the whole party. He is the heart, he's always been. I can't help much but this, I can do.'

So, Will resolves himself to be the initiator this time, giving Mike his painting on the basis that 'El had commissioned him' so that Mike can understand the inherent self-worth he has and how much he has impacted Will by making him feel better for being different. He not only expresses these feelings but his love for Mike under the guise of El's, knowing that he is helping Mike and El reconcile and that they will be stronger than ever once they do.

He knows that there is nothing to be gained from confessing his feelings. But by actually saying his feelings for Mike out loud to the very same person, Will has given these feelings corporeal form. Now, another person knows (to an extent) about his true feelings, and Will cannot take them back. And by acknowledging his love for Mike, he also has to acknowledge, by association, that Mike will never reciprocate back because Mike is in love with El and even if he wasn't, Will would never be the recipient of Mike's love. Of course, Will has already known this but expressing out loud to the person you are in love with feels final. Finished.

It is at this point that Will isn't only actively supporting Mike and El's relationship. This is Will Byers fully giving up.

But now, his lie about his painting is up in the air.

I'd guess that in the final season, Will is never going to confess his feelings and that he resolves to hide them. But just like how Mike initiates many of their moments together, I believe Mike will confront Will about this and bring Will's feelings to light, sooner or later. And I think that Will Byers is going to be in for a big surprise.

Edit: Forgot to mention, the throw-away line in the van scene where Will talks about going to Las Vegas and playing DnD and Nintendo for the rest of their lives is a call-back to the rain fight where Will said that they could just play games in Mike's basement for the rest of their lives. In both cases, playing games for the rest of their lives is a metaphor for Will's wish to spend the rest of their life together and to grow old together. So the fact that Will lies about his DnD painting for Mike and El's relationship could symbolize him giving up that dream.

[miwiheroes]

Full Airport Scene Analysis

I've seen like, a lot of people do analyses of the airport scene, but they often do it in parts when I just want to fully hone in on the whole ass scene and give it a full run-down. So, get ready for this post to be extremely long.

So, the camera pans across from Argyle and Jonathan looking super bored and tired to both Will and El, and I think this is actually very clever. Before this scene, you're not really sure who Will is in love with or who he made the painting for. The fact that the audience may remember El saying 'i think there is someone he likes' and then see how Will is holding the painting so proudly means that they subconsciously realise, oh the painting is for Mike meaning -- Will has feelings for Mike. Note how the juxtaposition between Argyle and Jonathan's demeanour and Will and El's demeanour further showcases how they feel the same way about him (supposedly).

Also this is random, but watching this scene over and over again made me realise that Will's is literally shaking so much in this scene. (WATCH HIS HAND WHEN EL IS LOOKING FOR MIKE)

Now let's talk about Mike's outfit (yes this isn't just talking about how ass it is)

So in the amazing GQ video on youtube, the costume designer talks about how Mike probably bought this outfit at the airport. He's dressing up how he thinks he should in California -- the double meaning being that he is trying to 'be more normal' as Finn Wolfhard says in another interview.

In this scene we know that Mike's trying really hard to push down his feelings about Will, he's trying to seem like he fits in, and in the GQ video, Amy Parris talks about how 'it's bright, it's not a colour Mike normally wears'. Orange and purple? Mike usually wears blue..... and yellow........... i mean what

I guess you could say that in a more surface-y way, he's trying to fit in by wearing something less edgy than he would normally wear, but if you look deeper into the colour coding of byler, he's trying to disconnect himself from Will because of him trying to deny his feelings. Will is wearing blue in this scene, but Mike's wearing orange, showing the disconnect between them in the scenes with these outfits on. I know a lot of people say he's wearing yellow, but nah, it's orange and that's actually more proof that he's trying to hide his feelings for Will.

Also this is another quote from Parris: 'he's worn teal before, so it felt like orange was the best colour that was different from his closet that felt like he was trying to make it work in california.'

And it's not like they just forgot the colour coding for byler. I mean, there's blue and yellow in this shot of Mike when we first see his outfit.

Can you spot it?

Okay moving on

In the first and last Milkvan kissing scene, it is important to note that the directors of the show are very intentional with the extras and where they move to during the scenes. During the shot of them kissing, the camera is focused on them, yes, but it is very busy. Watch the shippers try to edit this scene, the duffers really said.

Firstly, Mike is wearing a visor, he's holding a bag so he can barely hug her, he's also wearing sunglasses inside?? You can't see his facial expression, further showing this season is not in his pov. Not only that, but people are moving in front of the camera, it's very very busy. It's supposed to be a little overwhelming. I could barely take a screenshot without someone walking in front of the camera... like that is not a coincidence, they aren't filming in an actual busy airport. So so many extras walk in front of them during the whole scene, not just the kiss, but while they are speaking as well.

When El goes to hug him, as soon as she does, he makes a little noise of protest or something and is like 'careful, careful' almost like he put the flowers in front of them on purpose so there's like an excuse for them to stop hugging? They then stop hugging and he finally takes off his glasses so we can see his face.

He is wearing sunglasses only in the parts where he's being slightly intimate with his girlfriend -- eyes are windows into the soul, no? Without them being seen, you wouldn't be able to tell what he is thinking, and he needs these in these intimate moments especially, in case anyone notices something's wrong.

Okay now we go onto the flower theory thing, and there are many things to unpack here, and stuff that I personally don't believe, and some theories that I do.

What is super clear to me is that these flowers are the exact same dead flowers that El picks up at the end of season 4 to signify that her relationship with Mike is.... dead (sorry if that's kind of on the nose). However, it is also key to note that Mike says that he 'handpicked' them for her in Hawkins, which on the surface makes it seem like he made more effort, but really this actually sets up the fact that they are the same flowers that can be found on the field. If he bought them in the shop, they may not be the exact same flowers in the last scene.

So Mike says 'I know you like yellow, but now I'm realising it's too much yellow'. The writers of the show did not have to put that in, let's just think about that for a moment. What was the reason for putting this line in? And the '70-30' split line is also very very specific.

Will's colour in the byler colour coding is yellow, it has been subconsciously put into our minds ever since they started colour coding them, for example the s3 netflix icons, the shirt he wears for the majority of s4 and the lights over his head in Rink-o-mania.

Personally, I think this might be a bit of a reach, but could Mike just simply mean that he was thinking too much about Will, in his opinion? Like subconsciously he kind of added lots of yellow because he was thinking of Will when he was thinking of El.

As for the 'So I sort of did a 70-30 split thing' line, I'm not really sure what this means. It could mean that he's putting in 30% of the relationship because he also added 30% purple flowers which symbolises what he's putting into the relationship. Meanwhile, El's favourite colour of flower has a 70% weight in the bouquet, meaning she's putting more into the relationship.

It's also worthy to see that El looks at the note which has 'From, Mike' on it right as he's saying all this stuff about the yellow flowers, and the music dies down from this joyful tone to a sombre one, kind of showing how the yellow flowers are a symbol for something.

Now, before this ^^, the only problem that we think is going on in Mike and El's relationship is the fact that El's lying to him about having friends and not being bullied. But now we have a possible reason. She is insecure about their relationship and how real it is. Her face says everything, she notices it, she then tries to ignore it and tells herself everything is fine.

The audience notices this, obviously, and is like??? wait what's going on? Why does it say 'from Mike'?

They get the answer real quick.

Because right after this, is when Will bounds over.

They shot it so that he's kind of in between them, subconsciously placing a thought or idea in the audience's head about what the problem is between Mike and El, even though it's very implicit at this point. The audience should also have the slight idea in this scene that Will has feelings for Mike, and they get reminded of this fact when they see Will in the background. They're then like.... oh so that's why they having problems? Damn....

Before El even stops speaking, Mike sees Will. We can tell from the way that he literally takes his eyes off El and goes 'oh,' before doing the second 'oh!'. I bet if this was shot so you could see his face, this would be way more obvious, but they shot it so that we could see Will's initial happiness at seeing Mike instead.

Awkward bro hug... um yeah so this is one of the biggest byler proofs to me. I mean, why would you need to hug your best friend like that? When you are perfectly fine at hugging your other male friends? (He hugged Dustin in the first episode btw).

Given everything that we know so far, that Will has feelings for Mike because he made him the painting that El said is for someone he likes; that there must be problems going on in the Milkvan relationship; that Mike is hiding his face and dressing unlike normal.... yeah he's trying to repress something. He won't let himself hug his best friend. Will is acting normal, they could have made him the one not to hug Mike because he is in love with him, but they didn't.

Also, unlike the Milkvan reunion, his face and his reaction can be very easily seen here. They literally zoom in on both their reactions to seeing each other because it is more important than Mike and El's reunion. This is what the scene is about!! It's main focus is on the development of byler and the breakdown of Milkvan. There are like very little extras passing across the camera because the directors want you to focus on their reactions here and how Will and Mike are feeling.

Obviously, Will is dejected but Mike's reaction is more telling. On the right gif, he looks down. Maybe he sees Will's painting and remembers what El told him, which was that it was for someone that Will likes. In my opinion, Mike does not know that it is for him. In Finn's words: 'I don't think he knows'.

After seeing that painting, he instantly looks to other people for their reactions to the hug, maybe being like, hey guys was that normal enough? Did anyone see that? Showing how he cares about the opinions of those around him or maybe that he doesn't want to look at Will for much longer idk.

After that...

Okay so now he's ready to ask about the painting. There's a beat, then he asks 'Uh, what's that' in this kind of breathy, panicky voice. It's not a casual tone at all, it's very tense, and the audience can tell, because this makes the audience tense too. When I first watched it I was like AHHH because oh shit. He asks it like he knows something is up with it, he knows that Will made it and it's significant.

The next shot is a slide-up from the painting to Will's face. This could be in Mike's pov to show that he was looking Will up and down, and this shot is inherently kind of romantic in that way. Either that or it's simply just to focus on the painting before showing what Will's going to say so that the audience know he's talking about the painting.

You can kind of see the cogs working in Will's head in the very little time between 'um' and 'it's nothing', as he realises that he probably shouldn't show Mike the painting based on how Mike didn't hug him.

Also notice how in the gif, an extra walks by the camera as soon as Will is not entirely truthful, so why would this not be done with El and Mike's reunion scene??

Now, this further pushes the agenda that Mike didn't hug Will because of his feelings for him. The audience already knows that this painting is supposed to be a gift for someone that Will 'likes' based on El's letter to Mike at the beginning. The fact that Will no longer feels comfortable with sharing that painting means that he is more unsure of Mike's feelings now that he's seen him irl.

However, the way that Mike goes cool is supposed to be weird. It's supposed to show the audience that he's pretending. I honestly don't know whether it's bias or the directors or the writers or the actors somehow made it this way but the speed at which Mike says 'cool' kind of just implies that he was not ready for that kind of confrontation. He was not ready to confront his feelings or enter into an interaction with Will about the painting. Because it means he can't deny the fact that he's jealous of Will having a crush on some girl. So he quickly shut it down.

He doesn't want to feel the disappointment that Will just basically confirmed the painting isn't for him.

In season 3, he is very interested in knowing who Suzie is, Dustin's girlfriend, but when he knows that Will has made a painting for a girl he likes, he doesn't bother asking at all what it is or who the girl is. He doesn't want to acknowledge it.

Also, the fact he wasn't ready to feel like this and is so focused on Will is shown by how startled he is by other people breaking the moment.

Now this next part is so funny given what we have already been presented with. We already know that Mike is self-conscious about hugging his supposed best friend, and that he does not want to confront his feelings about the painting. He is trying to be someone else because he is wearing unusual clothes for him, trying to seem like a normal person in California. He didn't want to hug his best friend because he wants to seem normal. He's out of character.

"Oh no, no. It's a shitty knockoff."

Laughing my whole ass off.

This ties the whole scene together. It makes the audience go OHHH right he's just been pretending this whole time (if they have any sense). It's genius writing. Without Argyle saying this, we might never really have full confirmation on whether he is really out of character or whether this is just how he has always been. NO, he is lying to himself. He is pretending.

They did not have to make Argyle say this. Ever heard of double meanings folks?

And Mike's reaction?

This reaction has always kind of been interesting to me. How would you assume how Mike would react to someone insulting him? Usually he would scowl or look annoyed but here he doesn't, he almost looks worried. Like oh no he's just been found out lmao

After this there's an awkward moment spurred on by Argyle Mike's like 'yeah this is so awkward'.

Now, since I'm literally Mike and he is me, I know what he's doing here by saying this.

I've done it before, it's where you kind of say that it's really awkward in order to make it seem like you're not the one making it awkward, like you're blaming other people (which he always does).

But Michael, it's kind of your fault?? Like, you didn't have to do the bro tap, you also didn't have to act that way around Argyle.

BRO WE ARE HALFWAY THROUGH NOW LMAOOOO THIS IS SUCH A LONG POST

Now onto the next part, where El is talking about Rink-o-mania and she starts lying again. I have watched this scene over and over and literally Mike barely looks at her once, while he glances at Will multiple times. I feel like audience members don't catch this explicitly, but subconsciously, they can sense that there is tension between the two because of the way that Will is placed during this scene…

I counted them up in this video and Mike glances at Will..

6 Times

Just want to say before we talk about each glance, this scene is extremely telling. It tells you exactly, through subtext, what the atmosphere between Will, Mike and El is going to be like throughout the season/ the beginning of the season. It's textbook foreshadowing.

Will is standing off to the side while Mike has his arm like really tightly around El. They could have had this scene be a cute scene between Milkvan because of how close they are, but instead this scene is about Will's sadness, about how he was ignored by Mike. He's still holding the painting, so the audience are still aware of its existence and what it could imply for Mike and El's relationship.

This scene is also about El lying! Not about how 'cute' Mike and El are.

Okay so here is me talking about every single glance <3

"Wha- Really?" -- Could Mike make it clearer if he tried? I think this is the most obvious one that the audience could easily catch, if they are watching without distraction. Which is important, because it is the first one. He stutters over his words when he realises that Will is looking back at him. Sound familiar? In a much more obvious scene, he does this with the triple take in the desert... It's also kind of clear that they looked at each other because Mike and Will look down/ away straight after Mike goes 'wha-'

"Trust me" "No I trust you" -- So this one's a little more subtle and maybe to the audience it could seem like Mike's looking at El, but then the camera turns to focus directly on Will and him looking at Mike with disappointment. I don't think he's upset about Mike completely ignoring him, but he's upset about this weird little awkward dance they're doing. The reaction from Will is because of the uncertainty. The fact they focus on Will with a single shot at all instantly makes this scene about his emotions primarily. This becomes a pattern.

"Rink-o-mania..." -- This one's also super subtle. I'm not even sure why Mike looked at Will here, but it is clear that he's not looking at El, if you want to slow it down then you ig. Maybe he sensed that Will was staring at him just a few seconds prior.

"Are your friends gonna meet us there?" -- Even though he is speaking to El, he looks at Will. This kind of shows that even when he is supposedly thinking about El and what they are going to do together, subconsciously, his mind is still on Will. This can then be seen in the Rink-o-mania argument when it is revealed that he has been focusing on Will's reactions all day when the audience believes originally that he was ignoring him: "You were! You were rolling your eyes, you were moping, you were barely talking, you basically sabotaged the whole day!" Mike, Mike, Mike. Your girlfriend being bullied didn't ruin the day, Will being pissy to you did? ANYWAYS THIS ISNT ABOUT RINKOMANIA JHDGASJHDG

"Friends what friends?" -- So this fifth one is kind of ambiguous because he has his visor on, hiding his expression and where his eyes are looking. But you can see with the way his head turned, that he was looking at Will because of the way he said "Friends what friends?" This is probably just Mike being confused on what's going on, then. BUT it is another thing that makes this whole scene not about 'uwu mike and el awww' but about Will's feelings or the fact that El's lying and the unstableness of their relationship.

"Angela?" -- This one is very notable. Firstly, here is what we know: Mike knows about the fact that Will has probably done the painting for a 'girl he likes'. Mike thinks that this 'girl' isn't him because Will says 'it's nothing'. Mike maybe thinks that El's friends are also Will's friends. AND Mike does not want to ask Will about the girl he likes because he doesn't want to know about Will liking someone else/ he does not want to confront his own feelings. So, The way that Mike looks at Will with that kind of dead expression, (and he actually does a little double take) is super duper telling. You don't know what he's thinking but if you read into it, he could be thinking that Will was feeling hopeful that Angela would come and is kind of nervous for it.

Finally, El says "I want this day to be about me and you!" which is meant to be ironic. The showrunners would not have put this little line in if it wasn't supposed to be funny tbh..... like this whole scene was about how El was lying and she's suddenly saying it's just about them.

Because of what she says as well, Will rolls his eyes and crushes his painting a bit. (HEARTBREAKING)... The fact that he rolls his eyes is probably just him being annoyed about what she said, because it further makes him feel like the third wheel. The scene ends with his eye roll, emphasising how this whole scene was about how Will is feeling, not the "Main Couple Of The Show tm??" But alsoooo, he crushes the painting :(((( meaning he was also feeling heartbroken a little by the fact that they are acting very coupley and Mike doesn't seem to care about him oops, since the painting is for him.

OKAY IM DONE LMAOOOO

In conclusion, this scene is about byler in the first half, and the flaws of Milkvan and Will's feelings in the second half. This scene is meant to foreshadow the arc between Will, El and Mike which transpires in the rest of the season. The bro tap is the gayest thing I've ever seen, and did not have to be included in this scene. It could have been Will that was awkward. It shows that Mike has changed. He has changed ever since Will moved away and he had that realisation. In season 3, Mike seems confused, unaware of his feelings. But now, in this scene, in only 2 minutes, we know for sure that Mike is in denial. He knows.

Anyways

Byler Endgame.

[kamotecue]

you make me crazier ꕥ a. russo

pairing: alessia russo x reader

summary: when the arsenal team gets invited to attend an international artist’s show, little did they know—one of their recent signings is secretly dating them. pop star!reader

you hummed playing with the strings of your guitar, a habit you always had ever since you were a child. currently, sound check was going on and you were waiting for the lucky ones, the arsenal women’s team—you’re a fan of football.

you noticed your manager who was monitoring you with a few of your tour staff. a small chuckle escaped your lips when you saw the way your manager looked at her watch frantically.

“it seems like the arsenal women’s team has arrived.” jenny said, as you hummed—giving her a small nod. as she scurried to greet them.

you strummed the strings of the guitar playing one of your favorite songs, crazier by taylor swift. not knowing that the team had entered already, nor how your favorite person watched with a small smile on her face.

“you lift my feet off the ground, you spin me around.” you sang as you thought about the time where you agreed to be alessia’s girlfriend. the wide smile she had, it was something you had fallen for.

“would you be mine, y/n?” alessia asked, as you gave her a shy soft smile. you gave her a nod, as she lifted you up from the ground—gently spinning you around in happiness.

“you make me crazier, crazier. feels like i’m falling and i—i’m lost in your eyes.” you opened your eyes, as you noticed the team watching you with a smile, some looked starstrucked, and some admired the way you sang. but one—was totally in love with you, and they didn’t know that.

“you make me crazier, crazier—crazier.” you stood up before giving them a small bow, as they had clapped when the song had ended. jenny giving you a knowing look, as she knew about the private relationship.

of course, she knew—your childhood bestfriend turned manager. a chaotic bunch the two of you were.

“did you guys like it?” you asked, giving a small hum. as leah, the team’s co-captain gave you a nod. alessia watched as you came closer, greeting the team.

the sound check was exactly how you wanted it to be, the team enjoyed it. but it’s not over yet, is it? there’s still the actual concert, the team had the closest view to you—as they had the front row.

the set list was simple, you were playing the second album you released—it truly was a hit. you watched as the crowd cheered the loudest, but you kept your eyes on a certain blonde.

it was the way her eyes shined when she watched you sang. the way she’d look at you with pure adoration, and would get a bit teary eyed as she acknowledges what you accomplished and is proud to have you as her lover.

when the last song ended, you stood up—the tour staff quickly entering the stage to grab your guitar, and other things.

“that was a great show, london. i’m glad to have come out here for my tour, and i really can’t wait to come back.” you said, as the crowd cheered. you blew a kiss, as you entered the backstage—knowing that the arsenal team already had passes.

henry, your bodyguard let the team pass as they waited outside of your dressing room. chatter was heard, as the door swung open—revealing you in a simple white long sleeved polo shirt, black pleated wide leg dressy trousers, white trainers and plaid pattern argyle print pocket v-sweater.

“hi, i’m y/n.” you softly said, as the team chuckled at your awkwardness—even jenny gave you a pointed look, snickering at you.

you chatted with the whole team, not minding how you held onto alessia’s pinky—it was covered by a jacket she had placed over her leg.

a simple post is what broke the internet, it also had the arsenal group chat blowing up.

┊┊┊┊ ➶ ❁۪ ｡˚ ✧ ┊┊┊┊ ➶ ❁۪ ｡˚ ✧

pretend you’re the one alessia is hugging. an iconic photo this is.

liked by alessiarusso99, katie_mccabe11, leahwilliamsonn, and 12,253,042 others.

y/nl/n23: as a queen once said, you are the best thing that’s ever been mine. @alessiarusso99

⤷ alessiarusso99: likewise, love. you’re the best thing that’s ever been mine as well.

leahwilliamsonn: can’t believe you didn’t tell us, less.

⤷ alessiarusso99: sorry, cap. at least you know now

name1: no way, an arsenal and y/n l/n crossover.

name2: breaking the internet like it’s preath.

[sashaforthewin]

[on Ao3] Rated M, sex mention, Steddie

ATM Boy

The song started as a joke. Eddie wrote it to see Steve's reaction. 

It had a catchy tune and the lyrics began as a love song of sorts. Steve sat on the couch in Gareth's garage tapping his foot along to the heavy beat and smiling at Eddie as he sang. Until he got to the chorus, of course. 

"He's my ATM boy, my ATM boooooooyyyyy"

Steve rolled his eyes, assuming this was some dumb jab at his being rich. He was upper middle class, at best.

"I can tell he loves me / I can tell he's true / cause when we're in bed there's a thing that he lets me doooOOO!"

Steve was already frowning as soon as Eddie mentioned them in bed but Eddie kept singing, holding eye contact the whole time.

"He let's me go ass to mouth, ass to-"

"EDDIE! EDWARD J MUNSON, ABSOLUTELY NOT!"

The song cut off as various members of the band, Eddie most of all, lost their collective shit at Steve's reaction, laughing at his outburst.

Steve strode over to where Eddie was cackling into the mic, hands on hips, and when Eddie didn't stop, Steve just smacked the mic to the floor.

"Hey, that's expensive!"

"Then you better make sure not to sing about our sex life with the rest of your band present after you buy a replacement, huh?"

Everyone except Eddie agreed that Eddie had sort of deserved it and should replace the mic. Steve forgave him fairly quickly, though, since it was just some harmless joking among friends that would laugh it off. 

That was, until the gig. 

Corroded Coffin got booked to open for the metal band Devastator that were out of Indy. They had three times the fan base of Corroded Coffin, so probably upwards of twenty people were at the show. Sure, those people were also local musicians that were friends of the main band, but a fan is a fan, shut up.

Since the gig was at a shitty dive bar in the city, the kids couldn't come; but Robin, Jonathan, and Argyle decided to come along, as well as Murray, for some reason. Nancy had flat out said she didn't want to have to ride all that way to stand in a smoky bar and hear music she hated, so nobody tried to talk her into it.

Steve was up front in one of Eddie's home-made Corroded Coffin tee shirts. He was still wearing his light wash jeans and a pair of bright orange earplugs, though, so he didn't entirely fit in, but he wasn't as out of place as he thought he would be. There was a guy in a yellow disco suit in the crowd, after all. 

The gang were having a great time. Murray along with yellow disco suit dude were both at the center of the moshpit, slamming and being slammed, Jonathan and Argyle stood around Steve, helping block the worst of the crowd while Steve's hearing was muffled and he wasn't paying attention to anything but his boyfriend, and Robin was alternating hanging with Steve and going to hang against the wall where it was safest. 

Eddie and the boys seemed so happy and were doing great, aside from a few minor difficulties. One of Eddie's strings broke during their second song, but the guitarist from Devastator was quick to loan Eddie his own guitar for the rest of the set. 

The  rest of the Corroded Coffin set was going smoothly after the guitar swap. The crowd was really into the music, and Eddie looked like a natural up there. He introduced the band members and thanked the audience and Devastator for having them, and then announced that this next song would be their last. 

As the opening notes rang out, Eddie risked a glance at Steve and cringed. He was furious and Eddie would definitely be sleeping on the couch tonight. 

But the thing was, the song ATM Boy really was very catchy. It was daring, it was sexual, it was devious and queer, but above all, it was a bit of an earworm. The audience went nuts for it, they were screaming when the chorus hit and by the final chorus, a bunch of people were singing along. It went over better than they ever even thought it would. 

Which made it all the worse that Steve continued to stare at Eddie as if he had been betrayed in the worst possible way. He just stood there. Eddie had to force himself to concentrate on the crowd, not on Steve. As soon as the set was done, Corroded Coffin grabbed their shit and made way for Devastator while the party surrounded Steve and tried to pretend they hadn't just heard a very intimate fact about their friend, discussing the crowd energy and how good the boys had done and literally anything that wasn't the elephant in the room. Steve did not participate in the conversation at all, he was quietly seething. 

He refused to talk to or be touched by Eddie the entire rest of the night, making sure to put his arm around Robin so that only their party would know he was the so-called ATM boy. The ride home was awkward and a bit tense, but the fight was saved until they were at home, alone in Steve's house. Steve pulled off his Corroded Coffin shirt and threw it at Eddie's face before storming off up the stairs. 

"Baby, I'm sorry! Baby, come on, it was funny!"

"You asshole, you just told all our friends and Murray that I let you… that I… it was a one time thing! Do not think I am ever letting you do that again after you did this!"

"Yeah, that's fair. But baby, it's just shock value! And it's a surprisingly catchy tune, I don't know why it came out that way but it did! I swear I wrote it to make you laugh, but the guys all wanted to play it at the show. I voted not to but was overruled! Come on, please forgive me. Baby? Please? Baby?"

"Ugh... Fine, okay, fine. I forgive you for humiliating me in front of our friends. At least the kids weren't there and only about thirty people heard it. I guess. And now it's over and I won't see most of those people ever again. So, I guess, yeah, it's kinda funny."

"You know I love you and I respect you so much. I'd let you go ATM on me as an apology."

Steve just huffed a laugh and rolled his eyes, but he allowed Eddie to kiss him and wrap him in a hug. He was just glad this was the end of it.

Months went by and Steve had nearly forgotten about the whole thing. 

Until Eddie and the Coffin boys recorded their first demo. It wasn't anything professional, it was recorded in a large truckstop bathroom with decent acoustics and it was recorded with a portable cassette recorder, but it was recorded nonetheless. 

They had made a bunch of copies, sent them off to a few radio stations, and sold a bunch to indie record stores, handed them out to friends and sold them at their weekly gig. In the second week, a few new people showed up specifically to buy their tape because they had heard their friend's copy.

Eddie was so excited for the growing buzz that he wasn't thinking when he popped the tape into Steve's stereo to celebrate. He had been very careful to only play Steve Side B, never Side A, up until now. 

As soon as ATM Boy came on, Steve slammed on the brakes so hard Eddie nearly broke his face on the dashboard. When he saw Steve's expression, Eddie thought maybe breaking his face would've been preferable. 

Eddie slept on the couch for a week after that, but Steve eventually forgave him. 

Steve had nearly gone back to a completely normal life free of mortifying embarrassment, having convinced himself only subculture dwelling weirdos had heard the song.

But then a local radio station played ATM Boy. Not just once, they put it into their evening rotation. And then another station farther away picked it up. And then another. And then things spiraled from there. 

The only saving grace was that the radio had censored it. The lyrics were now "he lets me go ah- - t'mouth" though Steve suspected people probably still got the gist of it from the rest of the song. 

Corroded Coffin got signed to a record label and they recorded their first album in an actual studio. On the studio release, it was decided for the lyrics to become "he lets me go A T M" even though "to mouth" did not strictly speaking need censoring, it flowed better. 

ATM Boy, meanwhile, was starting to spread. It reached the billboard Top 100 list and started climbing. The band started touring for real, not just road trips to Indy and Chicago. They started selling out mid-sized venues and meeting other bands and forming friendships with fellow creatives. 

Eddie was finally the rock star he had dreamed of. 

And Steve was struggling to be supportive while also wishing he was invisible and unknown to anyone. He was living in constant fear of being found out. Not just because he wasn’t publicly out, but because Steve did not want to be known as the ATM boy and he felt even being seen in Eddie’s presence would damn him. 

At first he refused to tour with Eddie and the band, but after not seeing his boyfriend for months, Steve was both lonely and worried Eddie would cheat or leave him for someone else. It took Eddie a while to notice how badly Steve was handling everything but once he did, he hired Steve as his hairdresser so that he would be able to drag Steve around and have an on-the-books excuse for his constant presence. He groveled and doted on Steve and tried everything in his power to atone for the embarrassment, paranoia, and distress he had caused the man he loved.

There were many rocky years but they managed to stay together through it all. Caring for Steve and focusing on him was actually what helped Eddie avoid the pitfalls of fame that so many bands fell victim to. Who has time to do drugs when they have so many beautiful moles to kiss and a gorgeous toned back to massage?

And on a talk show, nearly forty years after the song ATM Boy was written, Eddie Munson told the audience about his wonderful husband and about the real ATM boy.

“It wasn't my husband, just some other guy I slept with.” 

Unfortunately, two minutes later in the interview he off-handedly mentioned Steve is the only guy he's ever slept with or dated.

[bleedingoptimism]

You Are Mine part 3

Second day is an early call too. They are going to shoot a bunch of scenes of them hanging out between shows, loitering on the bus, playing d&d, and going to weird little dinners, all things they actually do when on tour.

It’s even better than the day before, Robin and Steve get along so well with the band it feels like they’ve been friends for years.

Since their conversation won't be distinguishable in the video, Argyle tells them they can talk about whatever and just be a little more emphatic when talking so it reads better on camera.

A direction that apparently they don't need at all because they are both so expressive. And so, they actually get to chat and get to know each other better, laughing and joking all through the day.

Robin, who is a ‘raging lesbian’ (her words) is fucking adorable and bizarre, her energy is contagious and nerve-racking. She’s finishing a career in linguistics, can speak fluently in like six languages, and is apparently a certified genius.

She’s also head over heels obsessed with her girlfriend, and won’t stop talking about her. Vicky is a nurse student, one of Steve’s classmates actually.

‘Steve is a fucking nurse student, why is that hot? Why does he find that so hot? Jesus’.

Steve is much quieter than Robin, especially in comparison. But he’s just, or even funnier. Eddie can see how observant he is, listening attentively and waiting for his moment, because he’s mostly quiet but when he speaks he always says the perfect thing.

It’s like every time he talks Eddie can see him dropping an imaginary mike on the floor. It’s fascinating honestly.

He is incredibly sweet too. Eddie can tell, by how his eyes light up when they are placed in a scene meant to look like they are playing Dungeons and Dragons and he goes on a tangent about the kids he used to babysit when he was younger, that they like to play too, how they drove him insane and how he never lost touch with them after they grew up, how they are all seniors in high school now, how proud he is of them. It’s so fucking cute.

They get a good laugh imagining the kids' reactions to seeing them in the video, Steve laughing so hard he cries when Robin starts imitating the expression of one of them finding out Steve made out with his favorite singer.

And they haven’t even talked about or planned that scene yet, it’s meant to be shot tomorrow, but when he hears them talking about it, it fills Eddie up with antici…pation. He’s dying to kiss Steve and he can’t stop thinking about it.

♫

After the lunch break, they shoot a bunch of scenarios of Eddie sneaking into various places, the bus, a bathroom, a changing room, and so on. Since Robin and Steve are practically the same height is easy to cheat the camera into only showing the back of the shirt that says ‘crew’ making it impossible to know which one of them he’s hooking up with until the end of the video.

He has a lot of fun pushing Steve into different corners of the set, and Steve does too judging from all his cute little laughs between scenes. 

Argyle calls it a day late afternoon, he’s happy and excited, says he has a really good feeling about this,

“Not many scenes left to shoot, mostly you two,” he said pointing at Steve and him, “So we can start mid-morning tomorrow. Get some rest my dudes, love you” and dismisses them.

Eddie gets distracted talking with Argyle so when he gets back to the changing room there’s no one there, except… Steve.

He’s meticulously fixing his hair in the mirror and he’s humming the video’s song. Of course he is, Eddie thinks amused, he’s heard it so many times by now. He leans on the doorway watching Steve’s reflection, waiting for him to notice Eddie, but Steve doesn’t see him right away, and thinking he’s alone, he starts singing.

I don’t want to hide anymore,

I want the whole world to know,

That you are mine,

Are you mine, please be mine, you are mine.

It’s his song, but it sounds nothing like it. The chorus of You Are Mine is loud, angry, desperate but what Steve is singing sounds so soft, so beautiful. It sounds like one of those slow acoustic covers that usually play in coffee stores and it’s funny, Eddie despises those kinds of covers, but Steve’s? 

Steve’s he could listen to all the goddam time.

He’s so lost in his thoughts he doesn't notice when Steve finally sees him, he only looks up when the singing stops.

Steve is smiling at him bashfully through the reflection in the mirror, blushing prettily. 

Smiling back he tells Steve, “I’m surprised you are not sick of it yet,”

He pushes himself off the doorframe and walks inside, hovering over Steve since he’s sitting on the only makeup chair.

Steve shrugs as he stands up and leaves the chair to Eddie, going around the room to grab his things. Eddie can’t help but feel a little disappointed, he kind of wanted Steve to keep him company, but to his surprise, Steve doesn't leave immediately, and it’s his turn to hover slightly close.

“It’s a really catchy song,” Steve says and Eddie snorts because, no, it’s not. But he just smiles again and says,

“Well, thank you.”

“You wrote it?” Steve asks tilting his head to the side and it’s fucking unfair how cute he looks when he does it.

Eddie just nods, because speaking hard when cute boy near. Man he usually has so much more game, what is it about Steve that just makes him feel so giddy?

“It must be about someone very special,” Steve says and there’s a question hidden somewhere in there.

And Eddie wants to tell him ‘I wrote it for you’ because it feels like he did. He wrote the song thinking about a concept, an ideal, someone he would truly want, and he genuinely feels he was conjuring up Steve in his mind. Even before he met him.

But instead, he shakes his head and says, “It’s hypothetical, there- there’s no one.”

And Steve smiles at him, his smile getting bigger slowly and his cheeks redder as he looks down for a second before staring at Eddie through his lashes, “Good” he says in an almost whisper and then leaves the room.

And Eddie thinks maybe all the songs in their next album will be about Steve.

to be continued

part 1: ♫

part 2: ♫

part 3: is this

part 4: ♫ 

☕ cafecito?

[love-byers]

if mlvn is supposed to be the main romance of the show, the no. 1 couple, why would the writers save their big i love you moment for a scene where there is so much distraction

there is so much going on here. el choking, mike shifting around and hesitating, will in the background, light flickering, multiple cuts to jonathan and argyle

and then of course the fact that el is in vecnas mind space which is visually displeasing. it's red, bloody looking, thunder is crashing, the vines are squelching, el is crying, max is dying, and also the depressing music conveniently titled "You're The Heart."

there is SO MUCH HAPPENING!! this moment is supposed to be about el and mike, but it couldn't be farther from that.

and for people saying "well that's just what was happening in the moment!", this isnt real life. the story can be literally whatever the duffers want it to be. they could've written the scene differently so there was more tenderness, intimacy, gentleness, emotion. they could've found time for mike and el to have a sweet moment to themselves where he apologizes, and then when el is choking she simply remembers that moment and all of her memories with mike over the years. but nope, it just had to be the other way.

this scene is an example of exactly how to create intimacy between 2 characters in a scene with multiple other people. they made sure to do it a specific way to build will and mike's relationship.

when joyce is talking to will, jonathan is standing in the background for most of it. they also cut to mike and hopper watching. we are reminded there are others in the shed. they cut to will multiple times as joyce talks.

this next thing may sound insignificant, but it's not. they cut to jonathan BEFORE he starts speaking. he watches will for a second, then starts talking about the day lonnie left. then it immediately cuts to joyce, before cutting back to jonathan kneeling down in front of will. as jonathan talks there are shots of just jonathan, jonathan and joyce, and will listening.

they saved mikes for last. every writer knows whatever comes last will have the most impact.

when mike starts speaking, will is still looking at jonathan. wills head shoots towards mike. only after that do we see mike, and he's already crying.

they don't cut away from mike until he says "you were just swinging by yourself" it cuts to will then. then we're back to mike, and it doesn't cut until he's done talking.

there's no music, no flickering, no one else making noise or talking. there's no noise besides mike speaking, will breathing, and crickets outside. it sounds oxymoronic to say this, but the crickets only emphasize how silent it is in the shed besides mike. it's so silent and calm in there that you can hear the crickets. you can barely see anything behind mike, it's just his face illuminated by the light. mike isn't yelling, he's talking softly. this is gentle. intimate.

then it cuts back to will, and he looks more emotional than he has this whole time they've been trying to break through to him. his eyes are red and glossy, his breaths are shuddering as he looks at mike, like he's about to break and cry.

when it cuts to joyce, it's jarring. it tears wills eyes from mike. because at this point we've completely forgotten that there are other people in the room. it's like mike and will are in their own little bubble, like they're the only two people in the world. go and rewatch the full scene, its striking how different mikes monologue to will is shot compared to the others. it suddenly feels so much more intimate and emotionally intense.

and it doesn't, not for a SECOND, lead you to believe mike is hesitant or struggling to tell the truth. it's like the words are spilling straight out of mikes heart into will's. he does not have to be pushed into this or encouraged. the moment jonathan was done talking mike knew exactly what he wanted to say, and he was already so emotional he was crying.

it's coming from him. from his heart.

looking at joyce

looking at jonathan

looking at mike.

and to any deniers here saying all of this is just because of wills feelings for mike..

that's cruel.

that's actually cruel.

it would be DIABOLICAL for the writers to give byler such a sweet emotional moment like this just for it to end in a character who's already on the struggle bus being completely heartbroken. that is straight up cruel to will.

and it would also be queerbaiting lolz

and before you go, quick question. can you imagine THIS mike avoiding wills hug?

i highly doubt it.