#but i also think its easy to decide how to handle the books being canon or not

[puhpandas]

SCOTT HAS JUST CONFIRMED TALESGAMES AND STICHLINEGAMES ARE CANON

people in the replies said the same thing but this is a classic way of scott cawthon either dodging the question or saying 'its up to interpretation, you get to choose'. i dont think that statement applies though because like. there are literally some canon books in TFTP that arent apart of a special (clearly canon) epilogue line and the epilogues in FF like. are kinda impossible to work in universe. so my guess is dodging the question

[roseamongroses]

its called the parker curse not the morales curse 😒

atsv spoilers under cut

ok...jokes aside. after a certain point when miguel was going in on miles, i don't think he was talking about miles anymore.

and to be clear, what he said and how he said it can't be easily taken back--scorched earth yada yada-- so its impact still stands. but if you've ever had an argument as a child with a traumatized + unhealed adult-- it felt like that.

had me sweating in the theatre because you can feel him projecting HEAVY mid-way through. the way he dealt with miles, even before he started the hunt, def felt like he was punishing his past self / trying to stop his past self rather then understand a new situation +person

the assumptions he was making about miles and how he handles multi-dimensional travel, seem to lean heavy on fear. and that makes sense considering his past, but i do think only viewing justice within the lens of fearing what may happen isn't productive in the long run.

they still don't know how these initial dimensional slip ups happen before the collider exploded and bagel guy showed up. (or do they???lol) nor do they know what decides canon and non-canon (i remember the comic book authority approval at the beginning of the film and i wonder if they get mentioned again or if its just a one off joke)

(getting a lil meta there, do you think we'll get a lego movie esq ending next movie???mfkers wake up and realize they're comic book characters)

-

on the conflict

personally i love a good "hero tries to save them all, and realizes their innate limitations" type storyline, but i don't think that's the conclusion they're going for.

for example i thought Pavitr would def get his shit rocked after his spiel about being spiderman being easy and that he's happy. and he did go through something (and probably will go through something else considering he has a living girlfriend )

BUT he was able to reach out for help instead. he couldn't do it all, but he didn't have to. and i think that plot line is just as compelling as him failing outright and dragging himself out of the trenches as a lonely hero.

the "save one person vs. an entire dimension" conflict is interesting because miles is a believer in "why not both". often times with these trolly problem esq. situations, the person who questions the existence of the dilemma is dismissed.

miles is considered naive because he thinks he can "do it all". but i don't think thats the case. miles considers both because despite the trauma, he's been surrounded by a loving community who sees the best in him.

so he knows (consciously or not) that he can do both because he's not alone. he is the lone spiderman, but that doesn't have to be the case. that's why he was so excited for the spider-club cause he thought he wouldn't have to endure alone, but instead he was met with the fact that the club was meant to reaffirm their loneliness rather then circumvent it.

(also the possibility of this franchise introducing other heros later on is something im begging for btw but ik copyright will nuke that)

if miles is an anomaly, the possibility of his events deviating from the norm does exist. miles had the right to question if it was really the only way or if miguel just didn't want to try otherwise. and to be honest im questioning if miles was really the first anomaly considering we don't have all the details about miguel's backstory

-

on comics

what does it mean to be spiderman? to uphold goodness? to be a compelling hero?

For a lot of the characters explored, their justice is tied to their suffering. they are good heros because they've seen the worst and wil. endure the worst and that's what makes them compelling. but with this "new" generation of heroes, that doesn't hold up when we consider intersectional identities and what the audience desires to see from their hero's.

if the audience is already enduring and suffering in their day-to-day lives what can they get out of a story that only reaffirms the daily injustices of their reality. i don't want heros that look like me if they only uphold the status quo "suffer, work, live, be good". that isn't enough. i love me some angst, but what else makes the story compelling???

i read the superhero genre because i want better. I want to be able to fight back, to question, to explore. to stretch the idea of what goodness and justice looks like for communities that are used to being told to accept the bare minimum and just survive.

[jordanraye47]

Headcanons about my favourite characters (yk who my fav is but whatever stfu /respectfully) [some ANSGT for y’all depressed people] ITS SO MUCH IZZY OMFG

Izzy is Scarlett’s younger sister. Idc if the order of seasons don’t let it make sense. Scarlett has older sister energy so I decide that they are sisters.

Noah has dyslexia. He loves to read and won’t let dyslexia stop him‼️Like his sisters see him with the same book for 3 months bc it takes AGES to read one

did I forget to mention that? He’s the youngest of ALOT of sisters (inspo from @deadmxnsparty on TT from the fic Stakes)

I have SO MUCH on izzy I need one list js for her so I’ll try and put a few on this one.

Her hair gets really really messy and often covers her face. So she ends up having to manually hold up her bangs if she has to look someone in the eyes or smth cause her hair covers up her eyes.

She canonically has psychosis, and being a pretty expressive and hyper person, it’s easy to get overwhelmed with emotions. So regardless of how many psychotic attacks or breakdowns she has, she never gets a full grip on how to handle them. So it ends with her running away from whatever situation she’s in so nobody sees her, and so she doesn’t hurt anyone.

NOAH AND IZZY ARE BEST FRIENDS BC I SAID SO

Just like Duncan, I think Izzy has some family that’s in the police or involved in it. So she’s definitely familiar with law and punishments. But she’s also really good at getting away with it.

Imagne if like Scott Izzy and Scarlett were siblings 😔 izzy would be a farmer lmao

I CANNOT FIND OUT IF SHE IS SCOTTISH OR IRISH ISTG

she wears crocs, attack me

She is not allowed in the kitchen alone. During cooking challenges on TD, she’s either js put to the fucking sidelines or someone it put on duty just to make sure she doesn’t fuck up.

got recruited by the FBI and/or army. She’s smart and strong like ??????

omfg I’m so bloated rn fuck my uterus

COURTZZY HCS (my pookies)

its js criminal x lawyer so she KNOWS the law, she just dgaf

regardless, she tries to help Courtney w work whenever she needs it. She probably has no idea what she’s doing but she tries helping at least, and she’s js happy when Courtney is. So like if Courtney passes an important test or smth, she js goes along w the excitement, even though she has no idea what’s happening.

and speaking of school n shit; Izzy dosent prioritise school, nor focus much on it. Especially compared to Courtney. But shes smart, enough to understand that Courtney is passionate about it. And as much as she likes bothering Courtney and hanging with her, Izzy’s quiet when she thinks Courtney needs silence to study, or just alone time in general.

IOTSSSS😈😈 (the angst is going hard rn. REREADING THIS IT SOUNDS SO DEEP AND LOWJRY POETIC IM PROUD) I wanna make this into a fic😔

Man the survivors guilt is CRAZY‼️🙏

Like she has Eva but the feeling that she had the opportunity to change the outcome still lingers. Like why didn’t she argue with Duncan enough to not let Noah stay

It’s not that she thought Noah wasn’t able to protect himself, but he didn’t. He didn’t exactly know how to fight, and he couldn’t sass his way out of death.

Duncan had to practically force Izzy along when they walked back. The danger of the island hadn’t properly gotten to her then, but if it had, she wouldn’t have let any of her friends out of her sight for a second.

She wasn’t strong enough to protect everyone, but she’s convinced she could’ve done better. And maybe Noah, Courtney, Owen, Lindsay and everyone else could’ve made it.

Like I said, the survivors guilt is pretty rough after a fucking massacre ykwim?

And she was 16 when this happened. And so was everyone else. And regardless of age, nobody should’ve gone though that, alive or not.

Her relationship to things associated with the death of her friends are definitely weird. Like when things like showering and drinking water felt like tasks. Like watching the water from the tap run for 10 minutes cause the image of Noah’s dead body in the water, surrounded by his own blood, wouldn’t leave her alone.

She felt disgusted by herself when she avoided water like the plague. She refused to leave the house, even to just go out with the trash or pick up the mail.

The neighbours across her father’s apartment used to come to her door and ask for her parents. They complained about how loud she was when she was outside by the playground when she was 10. Their jaws would probably drop if they saw how she’d changed.

She found herself on multiple occasions, talking to herself. Just to make sure she still had a voice. She hadn’t talked in ages. And even if she did, it was only to her siblings maybe once a week, and maybe a word or two to her parents if they were lucky.

Even after turning 17, the mentality and maturity stayed the same. The memories of that island never faded. But the others did. She had a few videos and pictures on a digital camera, and that was the best preserved memories of her friends. She was afraid that if she lost these, she’d forget their voice and face.

[yellowocaballero]

I love the fact that in your story Jason tends to mythologize himself and everyone around him. The clock isnt just a clock it has a dramatic heartbreaking tragedy attached to it. Bruce and Batman arent just Bruce or Batman but also Odysseus. He himself isnt just a boy but pariyah who found someone like him, a soldier trying to stand his ground. I also love that he looked at Tim "cringefail loser conspiracy theorist who commits crimes just because he wants" Drake and decided he's the coolest guy ever, similarly he heard about Stephanie "literally Just Some Guy with social skills and adhd" Brown and decided she's perfect and he could never measure upto her

Jason is so incredibly baby I love him. Terminally twelve. Afflicted with tween disorder. It's terminal. Baby boy.

Jason was easy to write, because he's just meant to be the opposite of Steph in every way. But they are identically Mary Sues. He's such a heroic, perfect little baby. He has a drive for justice and heroism like Steph does not have at all. His voice is almost as sophisticated as an adults. I wrote him as over the top perfect and virtuous. And he's still here like PERFECT FREAKING STEPHANIE BROWN. HOW I HATE HER.

OK this story exists because my friend and I were joking about how fucking awful it has to be to follow up on Steph's act. The sheer level of favoritism has to be fucking insane. Bruce thinks Steph is the most perfect child ever, who on Earth is going to match up. Jason has no idea that he is the favorite baby. It's so funny to me to write Steph "Canonical Fuck-Up" "Internal Narration at 8th Grade Reading Lvl" Brown perceived as some stupid perfect genius princess who everyone is obsessed with. It's a meta-commentary.

I think he's a very, very thoughtful person, but he's one with a temper. He's dreamy and spends a lot of time in his own head, but he most frequently uses his daydreams and habits of fictionalizing his own life like oven mitts, as a way of protecting himself and processing his own world into something he can handle. Being homeless is stressful and boring so he just read a lot. I think Bruce did that too as a kid, and their mutually overactive imaginations and more quiet and reserved natures let them bond. But like Steph, he understands the big picture and the importance of Batman and Robin in the cultural landscape of Gotham - Jason knows the meaning of Odysseus. I think he understands his spot as the inheritor of Steph and Bruce's legacy before Steph does. They began it, but Jason has to figure out how to tell its story and make it a myth. He's well-suited for the task: it was never Steph he saw in that Robin costume.

Re: Tim: if I was a 12yo boy and my big brother was a domestic terrorist who infiltrated foreign governments and went to MIT I would think he was super cool. Of course Tim's a helpless dork but Jason doesn't see that. It was fun to write Tim "Pathetic-ass Nerd" Drake viewed as incredibly cool, for the same reasons it was fun to write Stephanie "Has Not Read A Book In Four Years" Brown seen as a genius. Jason thinks of himself as someone with a strong imagination who also has a strong grounding in reality, but I think his overactive imagination makes him lose touch with the people around him!

[stillsimpinforfanfiction]

What can be Cradled but Never Held? Chapter 1

Paul Dano!Riddler x f!Reader NSFW Slowburn

18+ MINORS DO NOT INTERACT

Word Count: 3882

Warnings (not all in this chapter): Umm tbh everything at one point or another, this is Riddler we're talking about. Assault, murder/death, blood, harassment and sexual assault attempt (not by Eddie), abuse mention, neglect mention, sex/masturbation, mental illness (I'll try to depict this as well as I can), weapons, torture, kidnapping, BDSM themes, and more! lol

Summary: After meeting the girl of his dreams, Eddie is confounded in his new feelings. When he is supposed to be focusing on his Riddler agenda, as he had planned for the last two years, but finds himself thinking about you day and night instead, what will he do? Should he let you go and move on, force you to stay with him and learn to accept him as the Riddler, or stop his plans altogether?

A/N: Hey guys, I've been working on this one for a while, and have quite a few chapters ready already. Idk when I'll post them though since I may go back and tweak things depending on how the plot progresses. Also, I've never seen/read any other batman besides the newest one and was just obsessed with Dano's Riddler. So, I apologize if this isn't entirely canon, especially since I imagine I will have to write after the events of the first movie before the sequel is out. Any tips (good or bad) would be great. Thank you!

Despite loving your old town, getting to see your best friend in-person every day, and having a good connection with many of the locals, you decided that taking up a job in the city Gotham a few hours away would be good for you. The "good" parts, of course, being that it paid about 1.5 times the amount your last job did, and you had secured a decent apartment with lower than average rent. So even though you would be leaving behind your old life in a way, you could still talk to your friend online and visit every now and then, especially with the bank you were about to be pulling in.

You took up a position as a clinical lab tech at a prestigious animal hospital in the city. The job had its perks as you occasionally got to see cute animals going by and knew that your work was going to a great cause: saving animals. I mean, what could be controversial about that? The best part, though, was getting to work in a lab where no direct customer consultation was usually required as it was done through the veterinarians. I.e, you didn't have to deal with customer service drama. Everything seemed to fit into place almost too perfectly and you moved to Gotham with a naive but optimistic view about starting your new life.

The first few weeks were nerve-wracking but exciting. Getting used to your new job was difficult, and finding places for everything to fit in your apartment was as easy as a blood cell trying to flow through a blocked artery, but you managed, for now. After finally having being moved in all the way and having a good handle on your job, you decided to explore the city, albeit not venturing very far the first time.

After work one night, you walked to a nearby cafe, about 5 blocks from your apartment, to get something not hand-cooked by you for once. As you walk in, you can tell the diner is much larger than can be seen from the front window and had a retro-urban vibe to it that felt very comforting. Considering it was as late as it was, the only other patron was a man sitting at the bar with his head in a book and illuminated by one of the few dim lights left on.

As you drew closer, you could hear some faint sounds coming from the back, indicating that the place was definitely still open and you didn't just enter into a closed restaurant accidentally. Still a little wary, you decide to sit a few seats away from the man, but still at the bar in the best position for a waiter to hopefully notice you and get your order soon.

Trying not to look awkward, you scroll through your phone absentmindedly but definitely see in your peripheral vision the man sneaking glances at you over the top of his book. One time he glanced, you look up at him and smile which makes him immediately look back at his book with tinted red cheeks. Cute, you thought.

"Do you have any suggestions on what tastes good here?" you ask, setting your phone down on the counter to give a more direct presence.

"Oh, um....I really like their pumpkin pie" he stammers out sheepishly. You nod, giving your thanks and letting him get back to reading.

After a few minutes, a waitress finally notices you and scrambles out, apologizing for not hearing you come in and asks for your order.

"Oh, it's okay, I just got here! And could I get a burger, fries, coke, and....a slice of pumpkin pie?" you smile to the man at the last part. The waitress smiles and heads to the back as you give your thanks and go back to reading whatever smut you had pulled up on your phone.

After a few minutes, the waitress sets down your food and you thank her. Deciding to pay then, you try not to become feral when you finally can gobble the food down from your hunger. You're about halfway through your meal when you glance to the man again, this time focusing on the book he's reading.

"Is that Into the Wild?" you ask enthusiastically, although rhetorically since you would recognize the cover anywhere.

"Ah, um, yes...you know it?" The man peers surprisedly at you through his clear-rimmed glasses.

"Yes- I mean- well, it's one of my favorites. Jon Krakauer is...an incredible writer. Is this your first time reading it?" You blurt out, a little too excited at the opportunity to share your passion for the book.

"It is. I've never read from him before, although I have to agree this is an incredible story so far. Especially knowing it's true." He exclaimed, his knee slightly bobbing on the footrest of the bar stool.

"I know right!? It makes it so much more thrilling knowing that you really can just...slip away from society. Makes you wonder why we decided to make this corporate world at all huh..." trailing off, you go back to eating the rest of your food, finally starting on the slice of pie.

The man hadn't responded to you after that, but you could feel his stare on you like a hawk the whole time. In normal circumstances, it would be creepy, but for some reason, you didn't feel like it was with him, more just that he struggled with social cues, which hey, you could definitely relate to that. After the first bite, you closed your eyes from how good the pie tasted, savoring the flavor before swallowing and looking at him again.

"You were right, this really is good, wow" you beamed at him. He smiled back shyly and attempted to push down a cowlick in the middle of his head to clear the air.

"I'm y/n by the way, what is your name?" you pushed further, leaning your head on your hand and tilting it as you stared back.

"It's-uh...it's Edward" he paused long before telling you, almost like he was deciding whether to say it or not.

"Well it's nice to meet you, Edward. You'll have to let me know how you like the book if we happen to see each other again."

"Yeah that...that sounds good" he smiles again, watching you grab your things and head back out into the night.

Little did you know, that interaction would completely change both of your lives forever.

It had been a few days since that night and work was starting to take its toll on you already. The higher pay wasn't just due to the prestigious level the animal hospital operated at, you discovered, it also came with many more duties than your previous job where you shared much more of the work. There were more tests that the lab ran compared to others within hundreds of miles, and that meant that you had to deal with tests being shipped and people travelling with their pets from all over. You also had to learn how to operate the new machines that were capable of such tests and interpret the data intervals for each kind, and so on. In other words, every time it seemed like you were getting used to your job, you found out something you were doing wrong.

Trying to relieve your pent-up stress, you took to driving before heading home after work. Both to explore the city more and to clear your head before getting into your comfort mode; you didn't want to bring that negative energy home. You had found quite a few odd but interesting places you planned to check out on the weekends, but your favorite spot was actually out of the city up a large hill to a long-forgotten park. Whilst kind of creepy at night, it had an amazing view that overlooked the city and reminded you much more of your old rural town, being able to hear crickets and see the stars rather than honking and air pollution. At some point, coming to this spot became ritual for you after work and you would destress in the cool breeze.

This night, however, the park didn't seem to be cutting it after a particularly bad day at work. See, your manager had gotten switched with one from another lab within the hospital and the new manager was...forward, to put it nicely. From the get-go, he had asked you in private if you had a boyfriend, to which you of course lied and said yes. This did little to dissuade him, however, and he had still taken to you in a way that was entirely unprofessional.

At one point, while preparing a specimen, he came up behind you and grabbed your hands, using his fingers to show you how to prepare it in a way you were quite literally already doing before his unwelcome presence. After declaring that you would prefer vocal instruction to physical in the future, he just laughed at you dismissively and continued his provocations.

Every time another lab tech or delivery person came in, he of course completely stopped his actions and put on the most charismatic persona equivalent to a devious politician. It ground your gears, knowing damn well that he had plenty of other work he should have been doing rather than bothering you.

Sighing, you tried to let the negative stress go but found it unbearably difficult and decided some food would help. Returning to the same diner you met Edward at, you were surprised to see it packed much more than last time, with about half the booths filled and only a few seats left at the bar. It was a Friday night, you supposed.

Despite your previous defeated thoughts, you perked up a bit at seeing Edward in the same spot he was before, with an open stool next to him. This time, however, he had a computer on his lap rather than a book, which he was currently typing away at almost in a frenzy.

You sit at the stool next to him, waiting to see if he notices you and smiling down at whatever it was he was so preoccupied with. You could only get a slight view with the now-glaring dining lights reflecting off the screen, but it looked like some sort of coding.

"Hey Edward! It's y/n, do you remember me? How have you been?" you ask, hoping you aren't bothering him too much.

"Yeah, I do. I've been fine" he forces out, not even looking up from the furious typing he quickly resumed with.

"That's good! Well did you end up finishing the book? I'd love to know what you thought of it" you try harder, hoping your first, much more friendly, encounter with him wasn't abnormal behavior for him.

"I did. Look, I'm not trying to be rude but I'm just really busy right now" he finally looks up at you, clearly annoyed with having to stop whatever he was working on twice now.

"Oh, okay, sorry" you mutter, feeling humiliated. Opting for a booth far from the bar instead, you head over and spend the rest of your time there looking out the window as you eat, feeling even more down than when you walked in.

The next time you enter the diner, you feel extraordinarily depressed, even compared to last time, and are solely going because you didn't have the motivation to cook. This time, the diner is mostly empty with only a few patrons in now, and, of course, Edward in his normal seat. You head for the same booth as last time and, after ordering, put your head down to cry silently despite telling yourself you wouldn't do so in public.

Edward obviously noticed this and felt his heart drop for some reason, which he knew was silly. The last time you had been here, he had been dealing with covering up some of the traces that he left when getting intel for his Riddler plan. Normally, he would do this from the safety of his own home, but, by the gift of Hades himself, his apartment's internet had decided to go out and his hotspot wasn't working. Thus, his best solution at the time was to just use a VPN and go to the closest place with free wifi: here.

Of all the days for him to get to see you again, of course, this was the day it happened to work out. His frustration with everything going on at work, the internet issue, and having to cover up his mistakes in the first place, made him quite agitated already. So when you innocently tried striking up a conversation with him like when you met, he regrettably took out the stress on you more than he meant to, instantly feeling terrible at your dejected expression and decision to leave.

As atrocious as it was, he took that opportunity to hack your own phone that night, once his own work was finished. It was easy, since you didn't have a vpn on and were the last to connect to the wifi. He didn't want to be too invasive, though, so he decided to simply find out your name and do a background check anyone could do, rather than snooping through your photos or messages like a total creep.

From this, he had found your previous work history, family, and university which all seemed pretty normal. You also didn't have any social media accounts, at least, none tied to your name, which he was surprised by. Really, all he could find on his "normal and not at all creepy" background search was a few newspaper mentions of you with honor roll, awards, etc. However, he decided to look a little deeper, just out of curiosity as to what you were suddenly doing in Gotham, and found that you worked for Tariel Animal Clinics, a corporation that he had the unfortunate experience with digging into, as they were infamous for money laundering off the ingenuine business of some of their patrons.

This immediately sent a red flag through his brain, completely disheartened that you, who seemed so sweet and rejecting of society, based on the little he had talked to you anyway, could be involved with this dark scheme. He couldn't say he was surprised, of course, considering this was Gotham, but it still sucked.

He thought about it, your background, the fact that this job was so similar to your last one, and wondered, did you know? Maybe you were just a naive outsider not prepared for the horrors of this city and not aware of the evil corporation you were working for.

Regardless of the self-preserving voice in his head telling him not to have hope, he couldn't help but keep that spark alight that his suspicion was true. But first, he had to be sure. He'd talk to you next time you were there.

Well, unfortunately, you didn't look any more elated than the last time he saw you, which was already not a high standard. In fact, you were crying, and that made him want to stop his investigating right then and there just to comfort you, which scared him. But maybe he could do both, he thought, starting to head over to you.

Once he was only a few steps away, your head perked up from the sound and he stopped in his tracks, seeing your eyes red and puffy made him want to cry, too.

"Hey...y/n...I am so sorry about how dismissive I was last time you were here. I had something urgent I needed to do but I could have been much nicer about how I communicated that, can I sit with you?" Edward gestured to the other side of the booth you were draping your arms across.

"Hi Edward...yeah, you can. And it's okay, I totally understand. I shouldn't have been so pushy." You apologized back, wiping your eyes and straightening out your shirt to look more presentable across from him.

"No no no, please don't be sorry, this was on me but....are you okay? I don't mean to pry but you seem quite down. Did something happen?"

"Ha...yeah I guess. It's a lot of things, really, but I don't want to dump it all on you and ruin your night" you said, watching the headlights of passing cars through the window.

"Please, by all means, it's the least I can do to listen" he half smiled, rubbing his thumbs nervously in his closed hands.

Sighing, you took a drink of your water before starting.

"Well, I'm new to Gotham and I guess altogether I just wasn't ready for the city life like I thought I would be, you know? Where I grew up, I only had a few friends and even in my college town there wasn't much to do so I usually kept to myself. But I could always go outside whenever I wanted and it was mostly safe. Here, though, it seems like crime happens around every corner and I'm constantly on edge about getting mugged or raped or killed or god knows what else. I guess I just really miss my friends and I hate how cold and lonely this city feels-" your sentence is choked off with a sob as the tears you fought to control came back down your face.

Edward immediately reaches out on instinct to comfort you, a sensation which was foreign to him, and realizes what he's doing. Right before going to touch your shoulder, he stops to gauge your reaction that it's okay. You answer silently, leaning into his hand and feeling the heat of his palm warm your skin through the fabric of your shirt. He tries to rub you reassuringly, but his labored breathing gave away his inexpertise in even the most subliminal touching.

"I'm so sorry y/n. In a way I understand since I've always lived in Gotham, but I've also never known anything else so I can't imagine how difficult that transition is. How come you decided to leave everything and move here?" He questioned softly with his head lowered to meet your eyes.

"Well, I moved for work. It's essentially the same job I had as before but it pays much better and I guess I just wanted to make that sacrifice so I could save up, if that makes sense." You mumble, trying hard to keep the tears at bay once again.

"Yeah, it does. Do you mind me asking what you do?" he asked, despite already knowing the answer. He wanted to lead the conversation towards determining whether you were someone even worthy of the comfort he had already given.

"Oh, I'm a clinical lab technician at an animal hospital. I essentially just run different tests on specimen samples to help vets determine the health complications of animals." He nodded his head, acknowledging this like it was news.

"What got you interested in that kind of job? Do you like the new one more than the last?" He found that the previous job you had worked had no shady fraudulence, at least as far as he could find, which meant pretty much guaranteed.

"Well, it's complicated. The job itself I like because I love being in a lab setting and knowing that my work is used to save animals lives gives me...some sort of purpose that I can do good in this world. And I do like that my new job has more tech and tests for me to use is exciting but..." you trailed off, not sure you wanted to share this yet.

"But?" Edward pushed. Given what you had just said, it was safe for him to assume you definitely did not know about what was going on at the company. Which was both relieving for his sake and worrisome for yours.

"It's just that um...I got a new manager. The first one I liked and she really helped with my introduction to the lab but the new one is...a bit unprincipled." He watched as you bit your bottom lip, not making eye contact with him anymore. This news hit him like a freight train as he felt...protective. He definitely shouldn't, he barely even knew you yet.

"In what ways?" He almost whispered, trying to look up into your eyes with his head lowered down, worrying about your change in demeanor.

"He's been quite...forward with showcasing his advances towards me...." screw the formalities, you were just going to be blunt, you decided "multiple times he has grabbed me, made perverted comments towards me, and is incredibly condescending whenever I make the simplest mistakes. I would go to HR about it or something but he's from higher up in the company and I think if I did that I'd just end up getting fired. I can't lose this position, not after everything I gave up."

"That's so terrible, y/n, I'm sorry you're having to deal with that, I truly am." After giving your shoulder a squeeze, Edward drew his hand back and stared at you for a moment. Outwardly, he looked nonchalant but inside he was attempting to quell the burning anger he had for your despicable manager and everything this city is that has made you feel so downtrodden. He had to breathe deeply through his nose to calm down the side of him about to start the Riddler attacks.

In this time, you stared at him, seeing his jaw tighten slightly which you imagined had to do with anger in some way. Realizing you had made this whole conversation quite negative since the beginning, you decided that it was time to try something positive.

"Do you know the East Gotham Library downtown?"

"Huh? Oh uh...yeah I've been, why?" His trail of thought about how he was going to take out every corrupt person in this city was quickly stunted.

"I saw they were going to have a book sale this Saturday and wanted to go see if they have anything good, would you like to go with me? As friends, I mean?" you held your hand in your palm, your hair locks falling freely onto the table in a way that he wished he could picture and save forever.

Then, the weight of what you just asked him set in. Holy shit. You asked to hang out. Granted, it was as friends but he couldn't believe it. Someone as alluring as you was asking...him...the weird loner guy...to be friends? His face turned red against his wishes as he nodded a little too vigorously.

"YEAH! I mean yeah, I would absolutely love that" he stammered out

"Okay great! Would you like to meet up here around 1? I can pick you up if you'd like to go together"

"Yes, I would...I would love that" Edward was still fumbling over his words.

"Alright, well give me your number" Tossing your phone over to him, you saw his fingers effortlessly glide over the buttons despite his obvious nervousness.

"I'll see you then, Eddie, thank you for talking with me!" you beamed down at him as you grabbed your things, leaving the awestruck man sitting in the booth, still contemplating how this was even happening.

[therealvinelle]

I agree that Aro definitely is not straight, but if he is gay and not bi, why window shop for a wife? If he wanted a partner for some reason, why not find a male one? It was a different era, yes, but are vampires really homophobic?

So, for this meta, we’ll have to get historical. Before we do, keep in mind that while I know Ancient Greece better than most, having studied it (introductory level classes only, mind), I don’t know it well enough to be any kind of authority on the matter. History, more than any other discipline I can think of, is not respected as an academic field, and people with poor to no understanding of historical hermeneutics will make very bold assumptions that they then have too poor understanding of history to realize are bullshit. This is a disclaimer because I don’t want to join in on the chorus of authoritative-sounding people on the internet with no verifiable credentials who spout things about history that are then taken to be gospel truth by readers because the author made it sound good.

More, I say this because your question is asking me to explain the morality and social norms surrounding a character from 14th century BC Greece. And this man would not, for the record have been Ancient Greek, he would have been Mycenaean Greek. Very quick history lesson: Mycenaean Greece was a flourishing society that suffered a downfall, Greek civilization fell into its very own dark ages, until around 800 BC when Greeks began forming what would become the Ancient Greece we know and love. This in turn means that I can’t very well read up on the marital and sexual norms of Ancient Greece when I’m researching for Aro, because he was five hundred years old already when Ancient Greece became a thing.

And your question concerns cultural history. And for that we’re going to have to look at how we know the things we know about history. How history is studied.

Historians have two kinds of sources: archeological findings and written records. (I’m aware that oral tradition, like the one carried by the Aborigine people, isn’t technically one of these, but to my understanding it’ll be treated to similar analysis as written records, which leaves us with the two types of sources standing strong.) These sources are analyzed, and we apply various theories and models onto them to make sense of the context they were written in. The more sources we have, the more we can refine or eliminate these theories or models.

More, history is an ever evolving field. There are movements and schools of thought that influence how history is written (marxism in history, that is, history as a class struggle, was heavy in the 60′s and I think until the 80′s), which means that how a certain culture will be perceived today is not the way it was perceived a few decades ago, nor will it be perceived the same way a few decades in the future.

You see why I am daunted by you asking me to give you an answer about sexual and marital norms for a guy who lived 3000 years ago, and I hope you’ll understand why I feel this word vomit is necessary.

Now, the danger with Mycenaean Greece is that it’s a society it’s easy to feel we know a lot about, because it was the precursor to Ancient Greece, and we know a lot about the latter. But, first of, the reason why we know as much as we do about the Ancient Greeks is the Romans. The Greeks wrote about their history, their philosophy, their government, and they wrote plays and told stories. However, that was two thousand years ago and their writings would have been lost to the sands of time if the Romans hadn’t idolized and sought to emulate their society. This meant preserving their written records. This tradition was carried on by the Christians, in part because Hellenistic philosophy was incorporated into Christian philosophy. We have neo-platonism to thank for Christian asceticism, the “mind over matter” cornerstone.

What I’m getting at with all of this is that we know the insane amount about Ancient Greece that we do because of some very unique circumstances, and so we can make very sophisticated theories about what the Hellenistic world was like. It’s still detective work, but not Pepe Silvia type of detective work. This is not the case for Mycenaean Greece. We know a comparative lot about Mycenaean Greece, considering how long ago it was, but there is very much we don’t know.

With Mycenaean Greece, we are dealing with a lot more uncertainty. We haven’t deciphered one of their two writing styles, and a lot of the text we do have is very fragmentary. Coming up with detailed societal models for Mycenaean Greece, and for the 14th century BC specifically, is... well I don’t know enough about what this society left behind to know what historians have to work with, but I imagine they have their work cut out.

More, I haven’t studied this at all, which means that any attempt on my end to research this would be stumbling around in the dark.

One example: the Illiad and the Odyssey, while composed around the 8th century BC, were set in the early 12th century BC, which is nearly Aro’s time period. The Illiad depicts a homoerotic relationship between Patroclus and Achilles, and both works depict a lot of matrimonies, so I wish I could use it as a source. However, not only would this time gap alone make these sources questionable, but there’s also the matter of the Illiad and the Odyssey being transmitted orally, from bard to bard. Changes were made over the years. For example, the technology described in the Illiad is from several eras, as the warriors will be using bronze weaponry in one book and then switch to iron in the next. This game of telephone is what happens when a story is transmitted orally from person to person. So, while it’s tempting to use these works as a sort of reference point, the possibility, likelihood even, that the bards made adjustments to keep the old story entertaining for their contemporary audience is strong.

For this reason, I can’t give you any kind of historically correct analysis on what the marital or sexual mores would have been like in Aro’s time. Even if the knowledge is out there, I don’t have it.

But I can say this, spouses have for the longest time been partners. Men and women got married, even in the gay, gay, Ancient Greece, not just to have children but because they complemented each other, they were partners. Men needs wives, and women needs husbands. And a partner was canonically exactly what Aro was looking for, feelings had nothing to do with it:

After Caius and Marcus had found their romantic attachments, Aro decided to find his own, although rather than finding his other half in another vampire Aro decided to create his own instead. Aro had a certain type of woman in mind and he found what he was looking for in Sulpicia. He successfully courted her and she came to fall in love with him.

As for vampires being homophobic, I think that is for another post about what culture they bring with them into their new life. But to be brief I’ll say that while the individual vampire can be homophobic, there can be no homophobia at an institutional level because vampires have no institutions. And it’s the institutional homophobia that gets ya. It’s what the whole fight for gay rights has been about: secure legislation against discrimination and that protects gay people. (The right to marry and protection from employees firing LGBT employees comes to mind as examples of this.)

So, no one could force Aro to marry a woman. 

And I’d go into a rant here about how the prospect of gay marriage, of even identifying as homosexual (the labels homosexual, bisexual, and heterosexual are very new and, to my recollection, were born off of the Western psychiatric discipline as men who slept with other men were diagnosed with homosexuality. I imagine a man from the Antiquity would be confused at the notion that just because he likes to sleep with dudes he shouldn’t get married to a woman), was unthinkable up until very recently, but I just made this obscenely long rant about how I can’t really make these kinds of guesses, so I’m not gonna.

I think being married to a woman and then banging hot dudes who came along suited Aro just fine.

Also, I can’t believe I’m doing this, but - I’m going to encourage history asks. Because this fandom has a bit of a history problem, as a lot of the characters are from different time periods and many feel unsatisfied with the way Meyer handled that. I am by no means a historian, but I know several of the historical periods the characters of Twilight are from well enough to make educated guesses.

So, hit me with your worst.

[out-of-this-dimension]

Hypothetically Rewriting Assault’s Story + Some General Assault Opinions

There’s a game my husband and I like to play when we watch a movie, play a game, or read a book that has a story that we don’t really enjoy or we enjoy certain parts of but not others.  We look at things we’d keep and things we’d change and we build a story from there-- sort of like an AU but we don’t really go into the writing part, we just stick to theorizing and mapping a general story.

I decided to play that game with Star Fox.  Not because I think Star Fox has a bad story but because sometimes I think the stories could have been handled better.  Note: for the rewrite game, I only really look at story, even for video games, I don’t really look at gameplay mechanics, but I do understand those have a lot to do with story potential so I do take it in as a factor... I just don’t bother to “rewrite” the mechanics, if that makes any sense at all.  Some of my list today will include boss encounters but I wouldn’t necessarily say those are mechanic-related... more like “event-related”.

I’ve mused a bit in the past about rewriting Adventures and Command and I do have plans to do a mock up of an Adventures remake eventually.  However, today I was thinking about how I would go about handling an Assault re-write in particular.  Much like Command and Adventures, I don’t have any beef with the core story but I do think there’s a few things that could’ve been better about Assault’s storyline-- like they had good ideas rolling but they didn’t quite refine them.

Under the cut because SUPER long.

My basic feelings on Assault are pretty positive.  I think the game is generally just fun and I like that it feels like the natural progression from SF64.  I liked getting to see planets we haven’t seen since the N64 era in better graphics and I liked seeing Star Wolf return.  I also just thought the aparoids were neat enemies. 

Generally speaking, though, when it comes to Assault, I think it suffers from the thing it tries to push the most-- the story.  I think a lot of people get caught up in thinking the story is better than it is because it’s the first game since SF64 that really follows the same Star Fox vibe without retelling the Lylat Wars.  Don’t get me wrong, the overall plot is great but the execution and pacing are... wonky.  Certain characterizations also take a hit in some regards but no one really talks about that when Command exists. That’s something we’ll talk about later on with this post.

That being said, Assault really does have a lot good going for it.  An absolute banger of a soundtrack, some great dialogue, a neat story synopsis, the introduction of cool characters like Panther and Beltino (who existed but was always off-screen), and just good levels.  

So, here’s what I would add, I suppose, if I were to somehow have the ability to rewrite Assault.  Originally I had this in paragraph form, but I’ve made it into more of a list under topic segments with main points bolded for your viewing pleasure.  Some of these points might be considered nitpicky and while I do understand that yes, this is a game about space animals, I do hold the developers in high enough regard to make a game with a continuity that makes sense.

The Story Changes

- Reduce Pigma’s storyline in Assault.  This is the biggest one for me because a bulk of the plotline feels like a giant chase to just get at Pigma and it feels like it derails from the actual plot with the aparoids.  We only go to Sargasso because of Pigma.  We only go to Fichina and then back to Meteo again, because of Pigma.  That’s 3 levels in a 10 level game devoted to just tracking down Pigma and chasing him.  While it makes the build up to fighting Pigma kind of nice, I personally feel like the plot could be reduced to 2 levels.  If Assault overall was a longer game, I could see them making it 3 levels.  Overall, though, in its current state, I feel like the side plot overstays its welcome and the aparoids promptly get shoved to the side in favor of “Oh no, we gotta get to Pigma!” And I get the main motive here is to show how the aparoids affect people and because of the build up, it does a good job at showing how utterly terrifying the aparoids are.  But it’s still too long given the length of Assault’s story. The only alternative to this is make Assault longer, which... honestly, it should be.  

- Revise the scene with Tricky.  I’m obviously not well-versed in dinosaur biology but I’m pretty sure dinos didn’t grow that fast from what studying I HAVE done.  And why is he suddenly king now?  Did his parents die?  He seems not affected by this at all?  Like it’s a funny scene with him, Fox, and Krystal, but it’s odd if you really look at it.  Give us, as players, more context because I’m still not even sure what happened to make Tricky suddenly the leader and... big.  As a note, you’re gonna hear me gripe a lot about the Sauria level in this post.

- The Star Wolf + Peppy sacrifice is a low effort way to raise tension/stakes and then cop out.  Oldest trick in the book, imo, is to act like you’re going to kill off important characters only for them to be alive miraculously.  And let’s face it, as an audience we all know they aren’t going to kill those characters because it’s Nintendo and those characters are too beloved.  I would’ve forgiven them for only doing this with Peppy or Star Wolf, but when you tack them both together and throw in the fact they make it seem like you’re going to have to kill General Pepper too... yeah, it’s just a bit much of the same trope over and over again.  I wanted to put a note in here about how I’m fine with the Great Fox being “sacrificed” but overall, it needed to return to the series because of it’s icon status, but I think that’s more of a gripe at Command instead of Assault.

- Keep Pigma alive.  This will conflict with a point I have later on about the game consistently having characters cheat death for easy drama points but with Pigma, I would’ve kept him fully alive... but maybe with some physical damage from the aparoids.  I understand he’s semi-alive in Command and tbh I don’t know where I stand on that.  Why keep Pigma alive, you might ask?  I feel like his character has a lot more potential than being “just the greedy guy”.  Like he’s got good potential future villain material for future games and... if I’m honest?  I just don’t see Nintendo wanting to keep Pigma dead so why even bother killing him off?  They couldn’t even commit to him being dead in Command anyways so it seems very moot.

- Bring Bill and Katt back.  Assault is acts a bit like a big reunion of all of our SF64 favorites but our two favorite side characters are suspiciously missing.  Wouldn’t Bill be out on the front lines fighting against Andrew in the beginning?  Or maybe back in Katina?  And wouldn’t Katt inevitably show up in the midst of the invasion, maybe to pointedly check in on Falco?

- Bring Andrew back for the final fight. I think Andrew being defeated early into the game is fine overall but I think bringing him back in for a reunion final fight against the aparoids would serve to really solidify that it’s really everyone vs the invading aparoid force.  It would show that not only is Star Wolf willing to put aside their differences but so is basically everyone in the Lylat System in the name of survival.  Imagine the Venomians and Cornerians working together against an aparoid fleet, giving Star Fox and Star Wolf time to attack the queen?  I just think it’d be neat and it’d open up the potential for some fun banter mid-mission.  I do understand that quite a few people consider Andrew canonically dead after Assault but personally, I feel that his defeat left his fate questionable (I’m a staunch believer that unless there’s a body, they’re probably alive, especially for Nintendo games because, again, they never like to kill people off) so him returning in Command never really bothered me.  

- In general, reconsider some of the character portrayals.  Unfortunately, when a series has a different studio for each game, character portrayals will inevitably have inconsistencies.  While I give Namco a lot of credit for putting in oodles and oodles of detail into the game (particularly the levels), I think they failed in their portrayal of Fox, at the least, and Wolf is a considerable offender as well.  While it’s obvious that Fox in Adventures was effectively modeled off of Sabre even in terms of personality, Rareware was at least able to justify Fox’s newfound jaded attitude with the passing of many years and a distinct lack of steady income, resulting in the team being in disarray.  Assault’s Fox is a stark contrast to his cynical interpretation with seemingly no explanation other than maybe “Oh, I have more money and a gf, maybe I should behave myself”.  As if the sudden change in personality wasn’t random, Fox also just seems very blah, like a blank slate stereotypical shooter game protagonist dude with little to no emotion.  Wolf is less obvious but gets slated into a mentor-like role midway through the game and ends up in a respectful rivalry with Fox... which there’s nothing inherently wrong with that except for it happening abruptly (and, I mean, Peppy is right there).  But I take less issue with this and more of an issue with the fact that there’s an entire level establishing that Wolf now runs a crime den with effectively what seems to be an army and no one bats an eye at this.  He doesn’t even call on them to help with the aparoids.  Did they all die when the aparoids attacked Meteo?  Are they safe somewhere else?  Where do they go?  How was Sargasso able to operate without the CDF being on their doorstep with warrants for arrests?

- Don’t kill all the dinosaurs.  A bit of a dramatic statement but the ending screen that showed all the damage to Sauria really bothered me.  While I understand that the dinosaurs had less of a chance against the aparoids than a more technology-focused society like Corneria, I was a bit disappointed that the decision was made to just state that a lot of tribes had been wiped out.  I know this could easily be retconned in a future game and I feel like it should be.  “But why, Amalia?  Why are you disappointed by that?”  1) It’s a little too grimdark for my tastes.  2) The fact it all happened off-screen felt very hand-wavy.  And 3) It brings into question the entire point of Adventures.  Why did we bother to save this planet if it was going to be reduced to rubble and ash 1 year later?  Where were the Krazoa in all of this?  Why did they not make an appearance at all to try to stop the invasion with their alleged powers?  It just raises too many weird questions and I feel like Namco didn’t think it through too much.  Which I mean, sure.  Family, kiddo game.  I’m not asking for bigbrain plot and lore but I’m squinting at this bit because it does feel very contrary to the lore from the previous game.

- Make the aparoids more relevant.  As nice as it is to have a random bad guy from another galaxy, I feel like there was more that could be done with the aparoids in terms of their origins.  Tiny things, mind you, not huge revelations.  Off the top of my head, they could have been tied into Krystal’s backstory to help alleviate some of the complaints that she was too random to be added to the series’ main cast.  Alternatively, they could have been a product of Andross or even a weapon prototype from Corneria that fled the lab (I actually thought the game was leaning in that direction for a bit then just Nothing Happened).  I get that the vagueness of their origins leaves room for people to speculate and speculation is nice but... when you leave too many things unknown, it starts to feel less like giving fans room to interpret and more like just doing random things for the sake of it.  I think a lore tidbit here or there would work wonders for the aparoids instead of leaving them as just borg/zerg clones.

Level-Based Changes

- Add either Aparoid RedEye or Aparoid General Scales as a boss to Sauria.  Given that this level mysteriously lacks a boss, which is just weird compared to the other levels, I think that they had the opportunity to add something cool to go along with the cinematic feel they were going for with Assault.  Assault’s cutscenes do play in a movie-like fashion and it’s clear they’re trying to make the game as epic as possible.  It’s a shame they had so much fodder for a great boss here but they failed to go through with it.  Alternatively: Add a Krazoa-Aparoid fusion.  Why?  Because Star Fox is about cool epic sci-fi and that would be cool epic sci-fi incarnate.

- Add a boss to the Aparoid Homeworld Level, aka the penultimate level.  Another one I felt was personally weird that there was no “final defense system” to challenge the team.  Would be cool to do an aerial battle over the aparoid planet with some giant flying aparoid.

- Be kinder to Sauria.  The level had some good homages but overall was incredibly small and incredibly short.  It felt like a bone tossed to Adventures fans but was not entirely true to the setting built by Rareware.  I’m... not even sure where the Sauria level is supposed to take place?  I presume it’s Walled City but it doesn’t really have the same color scheme or aesthetic?  Also where is my revised Adventures music?  Why do all the other levels get it but Sauria doesn’t? 

- Put some of those funky items from the multiplayer into the main campaign.  I don’t know why some of these things, items especially, were omitted unless it was purely due to time constraints.  I remember having missile launchers and jetpacks in the multiplayer and was a bit sad that they were not in the main campaign.  Retuning the levels and adding those in would be a nice breath of fresh air for the more tedious on-foot missions.

- More levels.  Self-explanatory.  Still sad we didn’t get the Zoness or Titania levels in the single-player mode.  

I think all of the above changes would improve the game, though I recognize all of this is being said 16 years later after lots of time to contemplate Assault’s weaker points.  I’m not entirely certain how long Star Fox Assault took to develop but given that there’s obviously quite a bit scrapped from the game (an entire arcade mode was scrapped as well), I’m going to assume that the studio felt pressured to shove the game out the door and into the hands of customers.  It’s a shame, really, because I think a little bit longer in the oven would have done a lot of good.  Still, the product we got was good in its own right and a game that many people look back on fondly.  I haven’t gotten to replay it in years but I hope to quite soon.

You might wonder why I bothered typing this all out and I guess my point was this-- Assault was great but it wasn’t perfect, and while a lot of other games fall under a crushing amount of scrutiny, Assault seems to dodge it.  And don’t get me wrong-- I adore Assault.  But given that not many takes exist out there about rewriting it, I decided to give it a shot.  For variety’s sake.  

I do want to a mock up of a revised Assault story, which I think I will get to work on after completing this while all my ideas are still fresh in mind.  So stay tuned for that sometime in the near future.  I will also be doing my Adventures mock up at some point but probably not for a little bit as I do wanna focus some of my free time on actual fic-writing.

Anyways, if you stuck around this long, thank you for reading!  Have any changes you’d like to see to Assault if you could time machine your way back to the early 2000s?  Feel free to post in the comments, I’d love to read your ideas!

[foryouthegays]

spreading propaganda [Dream SMP] liveblog yall lets go. this is so long i am sorry but the end is an actual summary of what happens asldkfa

sellout timer pog: 00:30:20, 01:00:40, 01:31:35, 02:02:03 (for like a second), 02:03:00, 02:34:35

time spent reading donations: 10 minutes, 20ish seconds. 

fanart credit he puts up (all from twitter i think): snumkt, reinneart, lihnsu, sestqr, jester_u, Brigade_Lost, natonyy

also taggin @antarctic-empire-technoblade​ :) theres an actual summary at the end that isnt just me ramblin so,,,,,,ye. i am so sorry its so long a;dkfja i dont know how to condense things 

00:00:35 “i stole a lot of sand recently,” ah yes, a casual conversation starter, the admission of theft 

00:03:55 hE HAS A VILLAGER TRADING HALL CHAPEL IN THE VILLAGE SIR THAT IS ILLEGAL 

00:04:13 

tubbo: -..--...--- 

ranboo: that means beans right

no, ranboo, not it does not (i put it into a translator and it just. it doesnt mean anything. i didnt see any spaces so im just. what was mr tubbo trying to say

00:04:35: relationship advice with technoblade! [reading donation] “‘techno, my boyfriend said he’ll never sub to you, how do i handle this travesty?’ uh, clearly you need to break up with him, and send me more money, is the most- that’s the most unbiased opinion I can give you, it’s just a good life decision, alright? It’s just a good life decision.”

00:16:00 ranboo hi!!!! him garden :D 

HOUND ARMY HOUND ARMY 00:18:10

00:20:15 ‘i have not made a tier list [for dinosaurs] yet’ Y E T? ? ? ?? ? 

00:20:55

“‘Hey, are you uncomfortable with being part of the SBI family dynamic?’ Uh, I don’t really- it’s not a matter of being uncomfortable, it’s just a matter of people making massive revisions to my character and the lore three months into the story without telling me, and it’s like, ‘no, that doesn’t- the story doesn’t- so many things don’t make sense now! What?? What???’ but if you want to make like, fanart of it, it’s fine”

00:21:25 imagine believing in airplanes, couldnt be me

00:21:35 SKLDJFAK a dono is like, hey can u call my new cousin a nerd, and technos like [claps] yOUVE COME TO THE RIGHT MAN im all about bullying infant children 

lakjshdfl 00:26:15 ‘philza this does not sound lore at all please’ poor techno

00:27:30 HKJSFDL :crab: TUBBO IS GONE :crab: also i cant tell if techno says ‘KILL HIM DEAD’ or ‘KILL HIM, DAD’ 

00:30:20 ‘we should have a grinch episode, where i go around stealing presents from l’manburg’ DO IT

also i was in chat at 00:31:25ish and i said ‘subscribe to technoblade’ and RIGHT AFTER techno said ‘did i hear subscribe to technoblade?’ and i felt so heard 

00:33:25 why is his only response to being seen in enemy lines to just stay realllyyyyy still a;lkdfjasf 

00:39:45 ‘this is crucial information coming to you live from anarchy news’ A;LSDKFJA;LSDF

00:46:25 :CRAB: RANBOO IS GONE :CRAB: DEAD MEN TELL NO TALES 

alkdfja; 00:47:55 techno talks (sarcastically) abt how great it is when chat tells him where his stuff is

00:48:50 awww techno showin his not-dad his hound army!!! so cute 

00:55:30 techno specifies that theyre all characters/roleplayin!!!

techno talkin to phil is literally like a kid talkin to his dad after not seein him for a while. like yeah yeah family isnt canon in this but KSJDFLA hes like ‘phillll tommys being annoying also look at this new poster!!!!’ its so cute

01:09:20 A;SDJFADSL THE VILLAGER JUST. FALLS THROUGH THE FLOOR

techno nd phil reference smp earth at 01:19:50!!!!

(ik some people dont like enbyctechno so heres ur warnin, its just for this line tho) techno says ‘no one man should have this power’ but he HAS that power. therefore. mr c!blade is not a guy 01:35:00ish idk im not goin back to check

01:38:35 alright gang lets split up and look for clues 

01:45:20 ‘my chat’s sayin theres a 0% chance this is gonna work,,,,thATS A CHANCE I’M WILLING TO TAKE, CHAT’ skjdflasl;dfjaf (also, bit after, after readin the wiki say its 0% chance: ‘i like those odds’) 

01:48:15 [abt the zombie villager baby] 

Techno: on the bright side, we may have inflicted the optimal amount of trauma onto this child for it to become funny? 

Ranboo: ooooh yeah! it can become a minecraft youtuber!

techno: yeeeeeeah!!

pls get some therapy

a;ldkfassa the mental image of techno ownin an orphanage,,,,paldkfajslfasf 01:51:35

a;ldsifjasdklf ranboo is canonically a villager now, pog 01:56:50

01:57:50 ranboo: ‘they say that im built different, i am built different, in the fact that i have no moral backbone.’

01:58:30 BLOOD FOR THE BLOOD GOD also why is techno so good at the bow like WHAT he looks in third person and turns nd shoots in like a second and hits most of the time its scary literally look at ranboo a;ldsjkfadsf hes like a porcupine 

ASKLJDFASLDF RANBOOS ‘OH NO HE KNOWS HOW TO OPEN DOORS’ AT 02:02:25 JUST HAS SUCH TECHNO SKYBLOCK VID VIBES ADLKJFALSDFJA OH MY GOSH

02:06:35 “i feel there has been an attempt on my life,” "no thats just how we greet each other in our country” nether lore pog?

02:08:45 why does techno casually type at 120 wpm?????  god i hate him so much why is he like thisssss ugh (also it took ~3 seconds to type 7 words (34 characters) which is 140 wpm and 680 cpm if i know how to do math i hate it here) /lh

nd then he types ‘punz we’re all outside your house get over here’ which is 47 characters nd 9 words nd it took him 5 seconds to type which is 564 cpm and 108 wpm so his average (from these two samples which. isnt a lot. should i do a post abt this in the future?) is 124 wpm and 622 cpm. hes so fast. 

SDA;FKJASDF PHIL WHY R U SO VIOLENT 

02:17:00 PUNZ POG ALSO MANIFOLD KILLED IN THE HOLY LAND

technos complainin bout the fights bein boring,,,,,,,fight them all, techno. do it. 1v8. do it, coward. 

02:24:02 ‘maybe the real combat was the friends we made along the way’ 

02:25:16 i love that technos first instinct when someone dies is to check what sword/axe killed them nd what enchants r on it aldskfjads

i love how techno calls the manhunt music ‘dream music’ its so funny to me

right before he ends the stream he says ‘p e r h a p s’ to techno plushies and i just,,,, wa n t 

if ya just want an actual summary and not that MESS:

Technoblade starts the stream in his house. the first thing he does is put another piece of fanart in his house, this one by snumkt on twitter. he goes to l’manburg, where he sneaks around very sneakily (/s) and replaces anti-techno propaganda with pro-techno fanart, stating that “If they take it down, it’s ‘cause they hate fanartists.” (00:09:18). 

While placing posters, Techno checks in on his hound army, and reveals that he thinks someone had been in the area, because a wolf teleported to him while he was home. He thinks someone placed water, the dog stood up, and then teleported. (00:18:25)

After breeding the dogs, Techno reads donations and one of the questions is about the SBI family dynamics. Here’s what he says at 00:20:55 

“‘Hey, are you uncomfortable with being part of the SBI family dynamic?’ Uh, I don’t really- it’s not a matter of being uncomfortable, it’s just a matter of people making massive revisions to my character and the lore three months into the story without telling me, and it’s like, ‘no, that doesn’t- the story doesn’t- so many things don’t make sense now! What?? What???’ but if you want to make like, fanart of it, it’s fine”

He then meets up with Philza, who is being escorted by Tubbo. Techno goes to Philzas house, and hides in his new basement. He joins their VC and finds Phil, Wilbur, Tommy, and Tubbo. talking about birthdays. Tubbo goes to the basement and sees Technos invis particles, hits him, and he is revealed. Techno kills tubbo, and declares it canon as a joke. 

He goes back outside, deafened on Discord, and puts down more propaganda. Philza joins his call, and they meet up to try and find Technos stolen items. They don’t find the barrel, but they do find a hidden room under the podium. Techno puts a piece of propaganda in the room. (00:43:30)

While Phil is killing an enderman, Ranboo finds them, and is killed by Techno. (00:46:25) 

Techno takes Phil to see his Hound Army, but they’re stopped by Tubbo. Techno tries to pretend to be Ranboo, but Ranboo goes up to them, so his cover is blown. Techno’s chased to the portal. Phil and Techno meet again in the Nether, and they go back to the house. 

At the house, Phil and Techno talk about the SBI characters, the sellout timer goes off, and then they go downstairs to cure a zombie villager. While it’s curing, Techno gathers books to make a new bow, with Power V, Punch II, Unbreaking III, Flame, and Mending. 

Philza reveals that Ranboo is coming over to give Phil a present. Techno seems excited at this, mostly at the fact that Ranboo can be his new bows test subject. 

Before Ranboo arrives, the villager is cured, and they find out it is a nitwit, meaning it can’t trade or get a job. Techno and Phil start working on a tunnel to bring the villager to a lava pool, so the other villagers won’t gossip and raise their prices. 

Ranboo joins the call at 01:15:35, right before they’re going to bring the villager to the lava pool. He gifts Techno and Phil four Netherite ingots.

After struggling to get the villager to the right height, Techno forces Ranboo to boat the villager into the lava. Ranboo escapes by throwing a pearl, and the villager dies.

Ranboo, Techno, and Phil talk about duping Netherite, and the current plot, and then Techno finds a zombie baby villager. It’s caught in a boat, and Techno nametags it ‘Orphan.’ They talk about the cobblestone tower, Philzas’ death to a baby zombie, and how if you don’t see a child's parents, you should assume that they are an orphan and attack them. 

Techno talks to Jack Manifold through chat about his axe. Techno, Philza, and Ranboo go around and look for zombie villagers. Techno finds an igloo, with two villagers. Techno was going to try and turn them into zombie villagers, but decides to not when he finds out that theres a 0% chance of that happening on Easy mode. 

They all go back to Orphan, and bully it when they find out it still hasn’t grown up. Techno and Ranboo make a joke about how it’s traumatized, so it’ll be funny and can be come a minecraft youtuber. please get some help. (01:48:15)

After Orphan grows up, Techno trades and gets the Bottle of Enchanting trade for one emerald. They all joke about Techno owning an orphanage at 01:51:35.

Phil, Techno, and Ranboo decide go to the Hound Army, but Techno remembers that Ranboo is part of L’manburg, and tries to kill him (with his new bow) when they enter the nether. He doesn’t succeed, and he continues fighting until he drinks and invis pot on the Prime Path. Techno and Phil meet up in the Bee Dome, where Ranboo finds them. Techno tries to kill him, but runs out of arrows. 

After reading donations, Techno, Ranboo, and Phil are back together at the Bee Dome, and they decide to team up in case someone finds them. They go outside of the Dome, and chase Jack Manifold out of his own country.

Manifold joins the VC, and they try to blame Punz on his attempted murder. After Manifold says “i feel there has been an attempt on my life,” Techno says that that’s how he greets people in his country.

Manifold asks if they want to help him get revenge on Punz, and Techno agrees. They gather more people, and by the time they get to Punz’s tower, their party is Manifold, Techno, Phil, Ranboo, Fundy, and Antfrost. Punz is in the Nether, so they wait until he gets back. 

Ranboo and Techno have a whisper conversation:

Ranboo: are you just going to jump fundy

Techno: no im gonna make jack 1v1 LMAO

Ranboo: good plan

While Fundy is taking a screenshot of Techno for his thumbnail, Philza attacks Fundy with a crossbow and his sword. He claims it was because he was getting bored. 

In the same spirit, Techno asks if they could kill Manifold to pass the time. The mob, which now includes Fundy, chases Manifold. He runs to the Holy Land, and the mob boos him.  Techno tells Antfrost to kill Manifold, and that the mob won’t tell that he was killed in the Holy Land. Manifold hands Antfrost his sword. 

While Antfrost debates killing Manifold or not, the mob chants ‘peer pressure!’ at him. Techno quickly realizes that Antfrost isn’t in the VC, and is extremely confused. The sword gets handed to Fundy, who gets into a battle with Manifold. Philza tells Fundy that he’s forgiven, if he can kill Manifold. The battle calms, and neither of the contestants die.

Techno convinces the mob to go to the pit trap, and tries to lure someone onto the trapped blocks using rotten flesh. Fundy takes the bait, but moves out of the way before the button is pressed. Antfrost sneaks up behind him and punches him into the pit. Fundy survives the fall, but is shot by Manifold to death. 

During the commotion, Punz makes his way back to his house, and the mob moves towards him to end his life. Manifold says that he’s going to kill Punz, and Techno says that the mob’ll have his back. He tells the mob to not have Manifold’s back. 

at 02:17:00, Punz joins the call, and is confused as to why Manifold wants to kill him. Manifold explains that Punz tried to kill him, siting his source as Technoblade. 

also, 2:17:15 technoswear!

Techno encourages Punz, saying “Punz, he actually dropped his sword by accident and now I have it, so it’d be really easy to beat him up,” and “he also just killed in the holy land, so you have a sort of...religious motivation to take him out.”

Punz tries to fight Manifold without armor (Manifold is wearing a full enchanted set of armor, with a Netherite chestplate and everything else Diamond), which fails miserably, and Manifold is killed. 

Techno decides to fight Manifold with his goons (the mob) for the audience retention, and Manifold’s quickly killed. The final hit was from CaptainPuffy. Ponk rushes in and grabs some of Manifold’s items. Puffy takes the rest.

Manifold complains about getting bullied, so Techno gives him his sword back and tells him to avenge himself. While looking for Ponk (or Punz? this is kinda unclear), Punz swoops in and kills Manifold in two hits. 

Manifold finds Ponk and chases after him, trying to kill him. The mob follows, and Ranboo kills Ponk with thorns. Manifold takes Ponks stuff. 

Right after respawning, Ponk was blown up by a creeper, and Techno claimed both as canon. 

The mini fights continue, and Manifold is killed by Punz. 

Ranboo changes the ‘Days since last war crime’ sign to 0.

Phil tells Techno that he’s going back to the base, and the L’manburgians question him as to what base he’s talking about. Phil tells Fundy that he ripped off his ankle shackles and left. While they talk, Techno starts running back to the base, and Ranboo whispers “lets run back” to him. Ranboo follows Techno, but quickly looses him.

Phil and Techno join a separate VC together and they go back to the base. 

At 02:29:15, Phil says “I trust you” to Techno and I am going to cry. 

Right before getting to the base, Phil drinks some honey, and Techno says “that’s the only thing we have honey for, now that we’ve uh...uh I guess you don’t know about that.” He’s referring to the Vault, I think, because the redstone required honey to work properly. 

Philza responds, “the honey- wait, what did you use the honey for?” 

“uhhh....food.” Techno, for some reason, doesn’t want to show Phil the vault. 

Ranboo whispers to Techno: “My alliance isnt with lmanburg, its with the people who help me. phil helped me.”

out loud, Techno laughs about it with phil, saying, “well, I’ve stabbed him like twelve times this week, so, I [laughs] I don’t know if that entirely qualifies here.”

Techno messages Ranboo back with “new phone who this” 

Ranboo replies, “no one,” and then, “:)”

Going back to the honey talk, Philza asked if Techno had been hiding anything diabolical from him, and Techno asks if he would do such a thing. Philza guesses several things he could use honey for, such as a flying machine, TNT dupers, and a door.

Techno takes him to the vault. 02:32:00. i LOVE peoples reactions to the vault, it’s always so good. Philza responds with a surprised ‘HOLY SHIT’ and some laughing. Techno also confirms my math of 55 withers. 

02:34:10 “i’ve seen this government, on the server, and everything to do with government is just bad. I’ve watched it completely destroy and tear down people’s wills and change people, I’ve seen it change the nicest people into complete and utter tyrants, so...I think it’s about time--”

“We need revenge. [sellout timer goes off] and more importantly, we neED SUBSCRIBERS ON YOUTUBE DOT COM” phil joinin anarchy pog? 

anyway that was it ;alskdfjas;f

[depressedhatakekakashi]

This is Not Relaxing

AU: None/Canon

Words: 1560

Rating: Teen

Characters: Hatake Kakashi and Tsunade Senju

Warnings: Mentions of Alcohol

Summary: A day off was something special. Time for shinobi to relax and enjoy themselves. Apparently, Tsunade-sama has different plans for Kakashi’s day off.

Days off were a rare treat for Kakashi.

A chance to kick back, relax, and not have to stress about the newest mission that Tsunade-sama had decided to send him out on. Somewhere under a nice tree, he’d huddle up with his favourite book and spend hours just getting lost in a familiar world. Maybe he’d even take a nap.

All of those plans were thrown out the window as soon he woke up that morning to find none other than Senju Tsunade, Hokage of Konoha, sitting at his dinner table.

“We’re hanging out today.”

The words were still ringing in his ears as he followed her through the streets of Konoha, wondering where it was they could possibly be going. It wasn’t that he didn’t want to hang out with the older woman. He quite enjoyed her company, when she hadn’t consumed too much sake to stand on her own anymore.

When he thought of a ‘day off’ though, the first thing that came to mind was not spending the day with the Hokage.

“So, I don’t suppose you’re willing to tell me why I just got dragged out of my apartment by the Hokage,” Tsunade-sama’s only response was the slightest shift of her eyes. Something that was easy for anyone else to miss, but clearly said ‘Stop there or die’ to Kakashi. “Right, of course not.”

It was his mistake.

He should have known better than to use her position when referring to her, even if it was the correct thing to say. Being Hokage was as much a dream for Tsunade-sama as it was for Kakashi himself.

In other words, it was the furthest thing from what either of them wanted in their lives. Kakashi was surprised Naruto had managed to convince the Sannin to take the job at all. Of course, he was the number one unpredictable shinobi. If someone thought a job was impossible, there was no doubt that Naruto would find a way to do it just to prove them wrong.

“Mah, I was really looking forward to relaxing today.” extracting his hands from his pockets, he poked the older woman’s rib cage and chuckled when she responded by trying to deck him. It wasn’t an easy punch to dodge, but he managed to duck under it at the last second, avoiding having his head popped off by her incredible strength.

“If you keep this up you’ll be relaxing for a week in the hospital, brat.” She warned. “Jeez, you’re just like your father. You always have to bug me.”

His father.

A small smile tugged at Kakashi’s lips. He hadn’t heard her mention his father in years. Partially because she was always out of the village travelling, but mostly because the last time she had tried Kakashi had yelled at her.

He had been so young back then. Angry about what had happened, and hurt beyond imagination because of his father’s choice. When he had heard fondness in the older woman’s voice at the mention of his father, he snapped.

Told her never to bring his old man up ever again. That he was dead and gone and Kakashi was better off without him.

Back then, he had believed his own words. Now though, he’d give anything to take them back.

“How about some Sake,” Her smile is wider than he has ever seen it before, with a glint in her eyes that screams danger. “I’ll pay.”

Well, as long as he wasn’t the one having to pay.

“How can I say no?”

With the invitation accepted, Tsunade-Sama took hold of his right arm and tugged him through the streets of Konoha to whatever place she had decided to get him drunk at.

He wasn’t looking forward to the hangover in the morning, but there was one bonus to getting drunk with the Hokage. If it was her fault that he wasn’t in any shape to do a mission, she’d have to give him an extra day off to recover.

----------------------------------------------------------------------

Agreeing to go out drinking with Tsunade-sama had been a huge mistake. There’s no reason he shouldn’t have known better. Everyone knew about the Hokage’s terrible drinking habit and her high tolerance for alcohol.

There was no way he was going to be able to keep up with her, but here he was. Sitting across from her at a small restaurant watching as she poured him a fourth glass of Sake like it was no big deal.

His head was already starting to get foggy, and he’s pretty sure the filter on his mouth stopped working after his third shot of Sake. That was the only explanation he had for the fact that he had just told her, without fear of judgment, that he had never gotten the ‘birds and the Bees’ talk.

“No wonder you’re always reading Icha Icha,” setting the bottle of Sake down, she lifted her glass towards him and then proceed to shoot back her fifth cup. Already one ahead of him and looking like she was handling it a lot better. “You know, Jiraiys books are the worst place to go for information on that kind of stuff. I wouldn’t call him ‘experienced’ in the subject.”

“Meh, where else am I supposed to learn it?” Giving his shoulders a shrug, he stared down at his own cup of sake. “I’m an adult with no parental figure to ask about that sort of thing. At this point, it’s sink or swim.”

“Did Minato never give you the talk?”

“I think Sensei had bigger things on his mind around the time I might have gotten that particular talk from him,” His pregnant wife, Rin’s death, Kakashi’s trauma’s, his duties as Hokage. There were a lot of things his Sensei had to take care of at the time, and then before they knew it he was dead. “Besides, he would have made it awkward. He was always so…”

“Embarrassing?” Tsunade-sama chuckled. “That’s the impression I always got of him when I would watch him training with Jiraya.”

“It’s not the wrong impression,” Kakashi agreed. “Sensei was a deadly shinobi, but he was also a dork at heart.”

“Sounds like someone else I know,” Picking up the bottle of Sake once more, she held it up for him to see. A silent question that he quickly answered with a simple nod towards his still full cup. “Even the most deadly shinobi’s in the world can be giant dorks, Kakashi. You should know that better than anyone. After all, your father was the biggest dork of them all.”

Kakashi laughed. A shallow, bitter laugh with no real joy in it.

“You don’t believe me?” Tsunade-sama waved a finger towards him. “Don’t tell me people really have you thinking he was some suave, sophisticated guy. He was a huge dork. Most days he could out dork Minato without even trying. Heck, Even Naruto isn’t as dorky as Sakumo was.”

“I believe you,” holding up his hands in surrender, he watched as she narrowed her eyes. “I just…”

It was hard to admit.

Most people had pictures of their families. Memories that they held dear to them of the loved ones they lost.

Him?

He had nothing. The few pictures his father had been able to take between missions had been lost to time. Some of them still hidden somewhere in the old Hatake residence that Kakashi refuses to step foot into even though he continued to pay for it so that it wouldn’t be torn down.

“Tell me a story.” The filter on his mouth failed him once more, but this time he couldn’t be bothered to be embarrassed about it. It was his day off and he was supposed to be enjoying himself. What better way to enjoy himself than to actually hear a good memory about his father.

Something to combat all of the vile spewed on his name after his death. All the hatred that had been thrown at him and Kakashi for the simple mistake of choosing his teammate’s lives over the mission.

“A story?” There’s a sad look in her eyes. One that Kakashi knows deep down is because of him. “Are you sure that’s what you want? Last time-”

He waved a hand, cutting off the rest of her sentence. “I was a kid. Angry and bitter about things I really didn’t understand,” but he had come to terms with it all. Accepted what he couldn’t understand back then. “I just...You’re the only person I know who has stories about him. About who he was outside of missions and duty.”

Sadness gives way to fondness, and with a playful smile, she leaned forward and propped her elbows on the table.

“It could get embarrassing,” She warned. “Are you sure you’re up for it?”

“If there’s one thing I know for certain about my father, It’s that he is easily the most embarrassing man to ever exist in this world,” Picking up his cup of Sake finally, he tipped it towards her and gave her a soft smile. “Beside’s, nothing you can tell me could possibly be worse than what I have to endure with Gai most days.”

Judging by the look of sheer glee the made its home on Tsunade-sama’s face, he was wrong.

So very, completely wrong.

And he couldn’t wait to hear all about it.

[metalbvcky]

*Shows up late to the Stucky/Marvel fandom Post-EG with Starbucks and dozens of fics that I’ve read in hand* So you guys like fanfiction?

Yeah so, because of quarantine I’ve been consuming a ton of fic. I’ve probably read over 1.5 million words in just a couple months. So why not share what I’ve been reading! Note that some of these are older (popular) fics so veteran Stucky peeps will probably know of them since I not too recently delved into the realm that is Stucky fanfic. :)  

Down below are over a dozen fics with different tropes, Canon/AU’s, and what not. Please do heed the tags on some of these. For the curious: My AO3 bookmarks. 

Also shoutout to @stuckylibrary, the mods over there are doing the lords work. 

Key:  ♥ = My fave, S = Smut, DS = Dom/Sub 

Heroes are Easy, People are Hard ♥ by Halbereth, Lorien - Words: 152,284 | CW Fix It, Slight Canon Divergence, Recovery, Slow Burn

Shuri and Wanda cleared Bucky's triggers shortly after Killmonger's attempted coup, and he and Steve went on the run. But it turns out there's more to "fixing Bucky's head" than "getting Hydra out of it." When a group of rogue scientists manage to neutralize the serum and make Steve very sick--pre-serum "this is bad" kind of sick--and they're cut off from contact with Wakanda, Bucky knows only one person with resources to help. He calls Tony and surrenders on the condition that Tony tries to help Steve.

From there, it's basically three variously messed-up guys’ trajectories from "This Is Fine", "Reasonably Speaking I Know It’s Fine", "I Will Be Fine With It" to actually being fine, guest-starring a far-better-adjusted teenage boy who climbs walls, a 1957 Ford Thunderbird, two women with a keen sense of the absurd, and Bruce, the Zen master of “it’s fine that it’s not fine.” Add in the fact that Bucky's been secretly in love with Steve since the thirties and things only get harder. Learning to be a person is the hardest thing Bucky Barnes will ever have to do--but he's got company along the way.

Reap The Whirlwind by Cristinuke - Words: 18,221 | Canon Universe, Post CW, Domestic 

Bucky finds a cat. Or rather, a cat finds him.

Your Favorite Ghost by augustbird - Words: 21,013 |  Canon Divergence, Post TWS

It's harder than Steve ever expected to bring Bucky home.

Despite the threatening sky and shuddering earth (they remained) ♥ by praximeter (Zimario) - Words: 71,532 | Canon Divergence TWS, Body Modifications 

“They really didn’t want the mask to come off.” Hill thumbed through the scans, and pulled out a film that she then handed over to Sam, face mostly expressionless but for the flat line of her pursed lips.

Sam accepted the film and held it up to the light, angling so both he and Steve could see it, squinting at the outline of the Winter Soldier’s skull, and the blips of unnatural white that showed up, God, in his brain, not to mention about half his teeth, plus the mask, with its thin protrusions—

“Those are pins,” Steve realized. He looked over at Hill. “The mask—it’s nailed to his face.”

Hill’s face was as unmoved as ever. “Like I said. They really didn’t want it coming off.”

This city bleeds its aching heart ♥ by Renne - Words: 34,537 | Canon Universe, Fake/Pretend Relationship 

The one where Steve and Bucky pose as a happily married couple while on a mission for SHIELD, to catch an international arms dealer hiding in a suburban neighbourhood.

The Best Way to Wake ♥ by LeeHan - Words: 42,293 | Post TFA, Canon Divergence TWS, Recovery 

James Buchanan Barnes lay in a glass pod in the middle of the table, frozen since he fell. Steve’s hands were on the glass before he realized he’d moved. “Wait, Captain!” “Get him out,” Steve whispered, his hands searching for a clasp, a keypad, something. “Captain, we need to keep him in stasis—“ “I said get him out!”

Infinite Coffee and Protection Detail ♥ series by owlet - Words: 264,438 | Canon Divergence (sort of) 

The mission resets abruptly, from objective: kill to objective: protect

Undersell, overcommit by silentwalrus - Words: 10,222 | Canon Universe 

Steve goes so hard for Bucky that he becomes a licensed, practicing massage therapist.

Sparked Up Like a Book of Matches by Sena - Words: 26,734 | Post-TWS, Canon Universe 

Steve lives in Stark Tower and doesn't have much to do when he's not going after Hydra strongholds. He attends charity events to make Pepper happy. He goes hiking with Sam. He hangs out with Clint in Bed-Stuy and watches Dog Cops. Sometimes Tony gives him super alcohol in a sippy cup. Sometimes he sees Bucky out of the corner of his eye and wonders if it's real or if he's starting to lose his mind.

Alternately, the one with terrible jokes, a foot chase through the Lower East Side, and a tiny little robot named Shitcan.

Sugar Sweet ♥ from the Red Velvet series by ColorCoated - Words: 173,400 | Modern/Sugar Daddy AU, Age Difference, Slow Burn

"What's your name?" It wasn't even a line. He was just pretty and Bucky wanted a name to go with that face. With that strong jawline. With those deep blue eyes. A little smirk, "Steve."

Awww, Steve. He looked like a Steve. Bucky pursed his lips in a way he hoped was attractive, "You should buy me a drink."

College Student Bucky finds himself immediately attracted to Steve. He knows that Steve's a bit older than him, and that Steve himself is put off by the age difference. . . But that doesn't stop Bucky from wanting to climb him like a tree.

Steve and Bucky Go Away for the Weekend (and cook a lot) ♥ by E_Greer -  Words: 30,126 | Canon Universe, Domestic 

In which Steve coaxes Bucky out of the Tower for a birthday weekend away and sweet, fluffy domesticity ensues. Phlintasha helps keep Bucky calm, Steve has Opinions about how you set the table, stories are told, greenhouses are toured, baths are had, books are read, tears are shed, stars are gazed upon, and everyone makes Bucky feel loved. Includes Friday night dinner, Saturday morning breakfast, Saturday lunch, Saturday dinner, and Sunday brunch.

Dona Nobis Pacem by thegraytigress - Words: 65,214 | Canon Universe, Recovery 

"This job... We try to save as many people as we can. Sometimes it doesn't mean everybody, but if we can't find a way to live with that... Next time maybe nobody gets saved."

An incident on the battlefield exposes how much Steve's falling apart under the crushing weight of leading the Avengers after Sokovia. Now Bucky's adopting a new mission: save Steve before he destroys himself completely, even if it means the end of Captain America.

Give 'Em Hope ♥ by L1av - Words: 130,022 | Modern/Hospital AU, UA/Age Difference 

Dr. Steve Rogers likes to think that if his patients have hope- their chances of survival will increase. Bucky Barnes has a 20% chance of survival and a desperate yearning to experience life. Against Steve's better judgment, he develops a relationship with his patient. It's illegal. It's wrong. But it's giving Bucky the hope to keep going, so Steve's going to keep giving it, because he wants Bucky to survive. He needs him to.

You belong (to me) by hermionesmydawg - Words: 29,759 | S, DS, Canon Compliant, Post CW

"Hold on." Bucky lifted a finger and backed out of the doorway, returning a moment later with his cell phone. He snapped a photo of Steve, typed a few words, and then returned to his apple. "What the hell were you doing at a sex club last night?"

"Not having sex, if that's what you're wondering." An alert sounded from Steve's nightstand - a new Snapchat message. He rolled his eyes and unlocked his phone. Sam was always sending stupid Snapchats and frankly, Steve couldn't figure that goddamn app out and cursed whoever created that piece of shit.

The chat wasn't from Sam this time, however. It was a picture of himself, not looking guilty at all, with the caption "when your buddy catches you looking at p*rn."

Circling Back from the It’s Not Linear series by chaya - Words: 59,642 (Series Total: 136,782) | Canon Divergence

Steve looks for Bucky, Bucky finds Steve, Steve tries desperately to put Bucky back together. Bucky tries desperately to let him.

Continuing Education by 743ish, romanticalgirl - Words: 14,443 | S, Canon Universe/College, Shrunkyclunks 

Steve is invited to be a guest lecturer on the WWII unit for Bucky's college course. Bucky's more than happy to glean any extra knowledge (in more than just history) from Steve, and Steve's happy to eductate him. But then Bucky has to decide if he can handle the fact that Steve throws himself into danger, and if the sex is worth it. Or if it's not just sex anymore.

Salt & Sugar by GoldBlooded, stfustucky - Words: 19,598 | Modern/Restaurant AU

Steve Rogers is a bigshot celebrity chef in New York City, and Bucky Barnes is a classically trained pastry chef in Moscow.

When billionaire and mutual friend Natasha Romanoff calls on them to collaborate for her Memorial Day Benefit Gala, they both brace themselves to spend the week working with some jerk they're bound to hate. Except... Steve makes a burger that could bring Bucky to tears, and Bucky makes tartlets so beautiful Steve's sure they qualify as art. Maybe, just maybe, together they could make this a night to remember.

@/sgtbarnes1917 and @/cptrogers1918 by BayleyWinchester - Words: 114,203 | Canon Universe, Social Media Fic 

Bucky Barnes broke Twitter with one photo

Proprietary Information ♥ from the Additional Information series by notlucy - Words: 85,141 (Series Total: 165,871) | Modern AU, Age difference, Slow Burn

Okay, so Bucky Barnes has a crush on Steve Rogers. The guy's gorgeous, talented and, oh yeah, the Chief Design Officer of the biggest tech company in the world. In other words: he's so far out of Bucky's league that he might as well be in a different stratosphere.

Deep in the Woods (Where My Heart Has Been Waiting) by SilverMyfanwy - Words: 15,353 | Pioneer-AU, Shrinkyclinks 

Steve Rogers gets lost in the woods in a snowstorm. Bucky Barnes takes him in. Pioneer-era AU ish with Shrinkyclinks, evil chickens and a cabin in the woods.

A Bucky Odyssey by inediblesushi, thorstbench - Words: 9,952 | Shrinkyclinks,  Cap!Bucky, Nurse!Steve  

Bucky Barnes, Captain America, has a plan to make Steve Rogers, SHIELD nurse, fall in love with him. Confiding in the Internet might not be the best idea, though. So when the bad pick up lines do not work and Steve looks determined to staying single, he decides to be more himself and less what he thinks he should be.

At first I wanted to wait to post this until I finished a few more fics from my ever growing read-later list but what the heck, now or never! I’ll probably end up making a part 2 reclist by the amount of fic I’m reading these days. 

Happy reading and stay safe out there fellow Stucky trash members!!

[fischerfrey]

Chapter 2: Apprentice Curse-Breakers

Summary: The new Defence Against the Dark Arts teacher has some extracurricular activities in mind, and Ben struggles with the events of last year.

Pairings: Eventual OC/Merula Snyde

Word count: 3k

Warnings: Mild swearing, canon typical mean Merula

Previous / Next

Chapter 2: Apprentice Curse-Breakers

Their first class of the year was DADA, and that made Verna extremely nervous. Rowan had made it clear they didn’t think Rakepick could be trusted. In their words, she had been shifty at best and suspicious at worst last year when she had worked with Verna. Rowan was not happy about Rakepick’s appointment as a professor and that made Verna uneasy too. She had always known Rowan had far better judgement than her, and most days Charlie and Ben agreed with that sentiment. So, after breakfast, when the Gryffindors were filing into the DADA classroom, the mood between the four friends was not over the moon. Rakepick was already in the classroom, writing something at her desk. The class went through some major decorative changes each year when a new teacher took it over. It had become routine by now. For Rakepick, the theme seemed to be artifacts of various sizes and ages, that were spread all over the room on pedestals and tables, cabinets and other surfaces.

“Cursed items,” Rowan noted, when they took their seats.

“A niffler,” Verna replied, pointing out Sickleworth, Rakepick’s niffler whom she had had an unlikely partnership with last year, while investigating the Sleepwalking curse.

That was when Professor Rakepick got up from her seat, cleared her throat and snapped her wand, closing the classroom door and making writing appear on the blackboard in front of the class.

“Welcome to Defence Against the Dark Arts,” she announced, in a tone that implied not a small amount of unimpressedness. “I realize I am your fifth instructor in as many years, and that most of your other teachers’ methods were as questionable as their characters.”

Next to Verna, Rowan balled their hands into fists. They obviously had a thing or two to say about that.

“This year, I am not only going to teach you how to defend yourselves, but how to attack the Dark Arts,” Rakepick continued. “You will receive the finest instruction from someone who has actually faced the worst the Dark Arts have to offer.”

Something about the speech did make Verna listen. She couldn’t deny being interested in learning combat spells, the more the better, because she was sure to need them. From the corner of her eye, she also saw Merula listening intently. This year was gonna be another one spent trying to beat Merula to the top of their class. DADA was pretty much the only subject where she had any chance at all. Usually, it was Rowan and Merula vying for the title, but Verna wasn’t hopeless when it came to duelling and martial magic.

“They say this position is cursed,” Rakepick was saying now. “But breaking curses is what I do best. Now let’s get started, take out your books.”

~

After a whole class spent on how to deal with Ghouls, Verna was feeling much better about DADA. Maybe Rakepick wasn’t going to be so bad. Rowan didn’t feel the same way.

“She might know what she’s talking about, but she has no teaching experience, and I still don’t trust her after the way she dealt with you last year Verna,” they were saying, a little heated. “I think you should be careful if she decides to ask something from you, or… something…”

“Don’t you think you’re maybe overreacting a little bit?” asked Charlie.

“I agree with Rowan,” Ben inserted. “I don’t like her either.”

“We’ll be careful,” Verna assured her friends. “But Dumbledore must’ve had a reason hiring her.”

“Yeah, that’s true… I don’t know, I just don’t like this…” Rowan said and slowly the conversation turned to more casual matters, such as Barnaby Lee’s new pet crup puppy. The general consensus seemed to be that it was extremely cute.

~

After the day’s classes Verna was officially introduced to one Percy Weasley in the library. She and Charlie headed there to get started on charting out how much cramming they’d have to do for their O.W.L.s, only to find Bill and Percy already there, both noses buried deep in books, a scrappy-looking rat sitting on the table next to their study-material.

“Oh, hi Verna,” Bill said with a smile. “Did you two come to actually study?” The surprise in his voice was neither flattering nor unexpected.

“We came to plan on studying,” Verna told Bill, as she and Charlie sat down.

“Well, that’s better than nothing,” Bill chuckled and then patted Percy on the shoulder. “Percy, this is Verna.”

“I know,” Percy said in a manner that seemed much too adult-like for an 11-year-old. “She gave us a rather short introduction of Gryffindor common room last night, but I haven’t had a chance to properly introduce myself, I’m Percy Weasley, future prefect, Head Boy, and Minister for Magic.”

“It’s really nice to meet you, Percy, sounds like you have your future pretty well planned out,” Verna said and emulated her tone and smile to Beatrice from the previous night, with wildly different results. It appeared Percy was not a fan of hers.

“If you let him, he’ll plan your life for you, too,” Bill said, amused.

“This is my loyal rat, Scabbers,” Percy continued.

“Loyal?” asked Charlie. “It runs off every chance it gets.”

“There’s something off about that rat, yeah…” Bill agreed.

“Ron likes him!” Percy defended his pet.

“Ron’s eight, he likes everything except for spiders,” Charlie complained. Both of the older Weasleys seemed to have such a weird aversion for poor Scabbers that Verna felt bad for it.

“I have a rat too; his name is Hamish. He actually belonged to my brother, but I’ve been taking care of it in his absence.”

This seemed to appeal to Percy, whose tone towards Verna changed a little, when he said: “That’s really kind of you, to take care of your brother’s pet.”

Verna considered this a victory.

~

Their study session was cut short, when Professor Rakepick approached their table something like thirty minutes into Verna and Charlie trying to figure out what exactly to focus most on.

“Mr. Weasley,” she started, and all three of the Weasleys replied with an immediate ‘yes?’.

Verna stifled a laugh.

“William Weasley,” Rakepick specified. “Come with me. You too Miss Malinda, we have work to do.”

Exchanging a glance with Charlie, and Rowan’s misgivings about Rakepick running on a loop in her head, Verna followed Bill and the professor out of the library.

“What is this about?” she whispered to Bill.

“No idea, I guess we’ll find out soon, though…”

 ~

Rakepick took them up to her classroom, where Merula Snyde was already sitting on one of the desks, preoccupied with changing the colour of her painted nails to pay much attention to Verna and the others entering. Verna wasn’t happy to see her. Whatever Rakepick had in mind seemed to involve Merula, and that was never good news.

“Cease your activities Miss Snyde, we have important matters to discuss,” Rakepick commanded, and Merula immediately jumped down from the desk and stood straight. Verna and Bill walked up next to her as Rakepick went on to stand beside the teacher’s desk. She was tall and had a bearing of someone accustomed to commanding respect. Verna found it quite easy to believe she was capable of handling anything that was thrown at her. That’s how I want to be, she thought briefly.

“Congratulations you three. Of all the students at Hogwarts, I’ve chosen you to be my apprentice curse-breakers. Mr Weasley for his bravery and determination, Miss Snyde for her ambition and strength, and Miss Malinda for her natural talent, and obvious connection to the cursed vaults.”

“Why is Merula here?” Verna asked without missing a beat. She was not about to compromise her chances of rescuing her brother for the sake of Merula’s ambitions. She knew by now that Merula would never sacrifice her chances of getting whatever power and knowledge the vaults could give her, not for Jacob’s sake, not for anyone’s.

“Because she is a powerful witch and you’d be a fool not to accept her help, after all, I had to save you from Mr Copper’s attack just months ago.”

Merula remained quiet but gave Verna a smug grin.

“Enough. We need each other’s help to find the next vault and end its curse before anyone gets hurt,” Rakepick said. “I’m going to train you so that you can be more of a help than a hindrance to me, starting with the Incarcerous spell. Wands out!”

 ~

The three of them spent the next three hours attempting to learn the Binding spell with Rakepick’s instruction. She was a good teacher. Strict, demanding, but very clear in the way she instructed them, not leaning on any extra flash, just taking the simplest route to the desired outcome. Unsurprisingly, Bill was the first one to nail the spell. He had two years’ worth more experience and had always been talented. When Verna finally managed to cast the spell on Merula, she felt a sense of accomplishment far greater than if they had used training dummies. The spell conjured ropes that wound tightly around Merula, trapping her arms and binding her legs together. She wobbled for a while and then stumbled to the floor with a grunt. Verna couldn’t help but grin.

“Verna, I don’t think she can breathe…” Bill interrupted her victorious train of thought.

“Oh, shit,” Verna cursed. “Finite Incantatem!” she pointed her wand towards Merula and the ropes around her unbound. “Are you alright?” she asked despite herself.

“Of course, Malinda, mind your own business,” Merula spat, looking more hurt by the audacity of Verna asking her if she was okay. She got up and dusted off her ropes, avoiding looking at any of them.

Rakepick cleared her throat and said: “This is a valuable lesson; we are a team now. A family. No matter what happens, we must protect one another. Do you understand?”

With a sideways glance at Merula, Verna nodded. She hadn’t had this good of a chance to finding any of the previous vaults. Rakepick was an accomplished curse-breaker and now it started to make sense why she had singled out Verna the previous year. Maybe she had already known she’d work here this year and need Verna’s expertise with stopping another curse roaming the halls of Hogwarts. That was something good to tell Rowan, at least, to put their mind on ease.

“And the rest of you?” asked Rakepick with impatience.

“Of course,” Bill said immediately.

Merula eyed both of them with nothing short of disgust and then said: “Fine.”

“Good, then that’s all for tonight, you can go.”

 ~

Rakepick ushered them out of her class, and the three of them were left standing in the empty, darkening corridor. Verna had no idea about the time, but she guessed it was quite late and that they most definitely had missed dinner.

“So that was kind of… strange,” Bill said, but he sounded more excited than anything.

“Finally, someone is doing something in this school,” scoffed Merula.

“And I don’t want you or your megalomania getting in the way of saving my brother,” Verna exclaimed.

“Don’t worry Malinda, you finally have capable people helping so there’s a chance you won’t fuck this up.”

“Fuck off Merula.”

The shorter girl laughed, but there was nothing humorous about the sound. “You like to pretend you’re above the rest of us with your little mission to save your brother, but let’s face it; you’re just scared to admit you like feeling special. You want what’s inside those vaults just as much as me.”

“Shut your mouth about my brother,” Verna snarled. “I’m nothing like you.”

“Of course you’re not, cause I’m not pathetic.”

Verna instinctively reached for her wand and Merula did the same, taking a threatening step closer.

“Verna, we should… probably go… now,” Bill interrupted and placed himself between the two girls. He then proceeded to practically drag her towards the Gryffindor common room by the arm.

~

“I had it under control,” Verna said once they were out of earshot.

“Maybe, but I’d rather not take either one of you to the hospital wing in several different pieces.”

“Fine, yeah, you’re right or whatever… She just gets on my nerves.”

Bill gave her a curious look Verna couldn’t quite place, and then said: “Yeah, I know. You shouldn’t let her get to you that much, it’s what she wants.”

“I know, it’s infuriating.”

“You’re gonna have to be able to work together somehow, though.”

Verna frowned. “I’m not risking my brother’s, or anyone else’s life because of some school rivalry, don’t worry.”

“Good,” Bill said and then stopped. “Is that… Ben?” he asked and pointed to an alcove not far from where they were standing. It was dark so he was partly concealed in shadows, but when he heard his name, he looked towards them.

“Oh, hi Verna, Bill…”

“What are you sitting out here for?” Verna asked and went to her friend. Ben looked rough, like he hadn’t slept.

“I wanted to be alone and there’s always someone in the common room or the dorm…”

“Oh, sorry, I can go- “

“No, actually, can I talk to you for a second, Verna… I…” he trailed off and looked at Bill apologetically.

“I’ll go on ahead, don’t stay out long though,” Bill said reassuringly. Then he walked off to the direction of the Gryffindor tower.

“What did you want to talk about?” asked Verna and sat on the bench in the alcove next to Ben.

For a moment, Ben didn’t look like he was going to answer. Verna had the sudden urge to hug him, but she didn’t move, fearing that Ben would change his mind and leave like last night. Finally, he cleared his throat and stammered: “I’m scared that someone’s gonna take control of me again, and make me do something worse, or that I already have but I just can’t remember.”

He really was in a state. Gently, Verna laid a careful hand on his shoulder.

“We’ll work this out, you don’t have to deal with all this shit on your own, Ben, I’m the reason you’re in this mess in the first place.”

“I still don’t remember what really happened before I attacked you… Do you… do you really believe me? That I was controlled?”

“I promise you that I do, please at least stop worrying about that,” Verna assured him. Ben huffed out a breath and his shoulders relaxed a bit.

“Thank you, Verna, I don’t know if I’d be as understanding if I was in your shoes…”

Verna bit her lip. It wasn’t a pleasant thing to hear, but she couldn’t exactly blame Ben. Everything had gotten so messed up last year with Rowan and Ben arguing and Verna feeling like she was losing touch with them both. They used to all be so close and now every single interaction was laced with something like doubt. An uncertainty Verna wanted so badly to get rid of.

“We should head back to the common room before Filch finds us here, c’mon,” Verna said and got up.

Ben stood to follow and they were about to head after Bill, when suddenly Ben grabbed Verna’s arm and pulled her behind him.

“Look out!” he yelled and took out his wand but before he could so much as utter an incantation, a purple light hit him and knocked him to the side. Verna looked frantically for the source of the spell, and had her wand out in seconds, but she wasn’t fast enough either. Suddenly she felt her entire body stiffen up, as she was hit with what must’ve been the full body-bind curse. As she hit the ground quite painfully, she saw a hooded figure approach them from the shadows of the corridor. Desperately she tried to move, knowing full well it was not going to work. Her breathing came in shallow gasps as she lay there, helpless to do anything. The red-clad figure walked closer and kicked Verna’s wand out of her reach, as if it would’ve been any use for her in this state anyway.

“I told you death was coming to Hogwarts, Verna Malinda,” the figure said in a voice that was impossible to place or describe. It was modified with magic. “We still need you alive, but before this year ends, one of your friends has to die…”

Verna tried to focus on getting her fingers to move, to do something, anything. Her thoughts were a flurry of desperation and anger. The hooded figure leaned over Verna. She couldn’t make out a face or anything that could be used to recognize the attacker. Verna braced herself for something worse, but nothing happened. Instead, the figure stalked off, back into the shadows.

~

Verna was still trying to force her uncooperative muscles to move, when she saw Ben move in the corner of her eye. The boy sat up and Verna lost sight of him. She heard his footsteps and a muttered spell, and then felt her body able to move again. Without a second glance at Ben, Verna shot up like a lightning bolt, chasing into the direction the hooded person had disappeared to. She had to catch them, she had to. Her ears rang and when she looked down to her wand hand, it was shaking. She wasn’t sure if it was anger, fear, or both.

“Verna, wait!” she heard Ben’s voice, and footsteps echoing after her.

Of course, there was nothing and no one to find. Verna was getting sick of this. She balled her hands into fists so hard her nails dug into her palms. How could she have let the wizard incapacitate her like that? Ben caught up to her and Verna took notice of him now that she could think a little more clearly. He seemed fine, just a little rattled.

“Verna, hey, it’s okay,” Ben tried to reassure her, but it wasn’t okay. Someone had threatened to kill one of her friends. The thought made her chest feel like it was filled with water. The ease with witch this stranger had knocked both of them out of the game made Verna feel sick all over.

“This is bullshit.”

“Verna-“

She took a deep breath. “Are you alright?” she then asked Ben.

“Yeah, you?”

Verna nodded. “Do you think that was someone we know being used against us?”

“I don’t know to be honest… but we should head back now, before someone else attacks us…” Ben said and there was nothing to it, he was right. Verna knew she wasn’t going to find anything but trouble if she stayed here, so she followed Ben back to the Gryffindor common room.

[makeste]

not a cavalcade of Katsuki panels

damn, anon. you stone cold came for me with that last part. and just fyi to all onlookers, this was before I had posted the headcanons ask proving this exact point lmao.

but a challenge has been issued now! so I will do my best to pick a variety of impartial panels featuring a veritable medley of characters. not sure I can really provide much in the way of insightful analysis of symbolism and metaphors and stuff, but I can certainly type a lot of words about the pretty pictures, and about how cool people look when they’re standing around all serious surrounded by clouds of billowing smoke.

why I like it: I figured we’d start off strong. no point in holding back. can the other panels possibly even hope to compete. maybe. we’ll see.

why I like it: because, you see, he punched a giant robot, and it exploded. you see that, there? and the text was all “SMAASH” in humongous comic book letters, and it was pretty cool. also Deku is very tiny and the robot is very big. and just to clarify, most of the time if a tiny fifteen-year-old child tries to punch an 80-foot robot, it’s not actually going to go all that well, and the robot probably will not explode. but in this case it did! and so this is a very novel and unexpected outcome, which makes it all the more visually striking, which is a very good thing to be when you are trying to show off the brand new superpower which your protagonist just inherited, and letting people see it in action for the very first time.

why I like it: so you may have noticed we just skipped a whoooole bunch of chapters lol. this is because there are almost 300 of them, and so I’m going to have to use a bit of discretion. anyway so this is a gorgeous panel. just, everything about it. the lighting; the expressions; Shouto’s hesitation; and his mom facing away, not looking back yet, and us not yet knowing how she’ll react. and the fact that they’re visually separated by as much distance as possible -- at opposite ends of a two-page spread -- and yet they’re so close, closer than they’ve been in years. mm. anyway it’s pretty.

why I like it: first of all because there’s nothing like seeing a deserving character get punched in the fucking face, and few characters IMO have been as deserving as Stain. and second because this is Deku, showing up to save the day out of nowhere at the last minute, because excuse you, but he’s a motherfuckin’ hero. sorry to interrupt your evening plans of stabbing a kid while lecturing him about why, philosophically, he deserves to die. but I’ve got a package here for a Mister Stain. it’s from Mister Smaassh, with two A’s and three S’s.

why I like it: fyi, anon said nothing about a cavalcade of BakuDeku panels. you didn’t think I’d let that loophole go to waste, did you? but nonetheless I will try to restrain myself until we get to the second ground beta fight. anyway, I like this panel because All Might’s canonically 7′2″ self looks about twelve feet tall here, and he is just TOWERING over these two boys, who’ve been tasked with somehow outwitting him during this curiously sadistic final exam. and it’s just an interesting perspective, because we know they both look up to him, and here they are physically looking way, way up, up, up at him.

why I like it: now this is how you do a villain entrance. I love absolutely everything about this. the sheer scale of destruction, and the way he’s just sort of casually hanging out there in the middle of the panel almost dwarfed by all this dust and smoke and carnage, and yet is unquestionably the focus of the page. the way that you can’t actually see his face, not yet. not until the end of the chapter. the way the clouds are drifting so calmly and peacefully in the night sky in stark contrast to the horrific events that are about to take place on the ground. this panel gives me literal chills, especially when I think about All for One’s creepy theme music playing in the background.

why I like it: this panel is so iconic to me that it’s one of the first ones I immediately knew I had to go and find when I got this ask. this entire fight is perfection from start to finish, and there are other panels that are more artistically striking if I’m being honest (in particular, the ones where he’s half-transformed with his face perfectly split down the middle between Muscle Might and Skinny Steve). but there’s just something about his determination in this panel, though. something about the fire in his eyes, and the way he clenches his fist. “my heart is still the heart of the Symbol of Peace.” I remember being sooooo fucking anxious when his true form was revealed, wondering if this was it, if the people watching were going to turn on him, if he was going to lose both the fight and their faith. turns out I was wrong on both accounts. basically what I am trying to tell you guys is that this panel was and is still the most badass thing I’ve ever seen.

why I like it: because he’s just a frail old man doing what he can to protect the last flickering embers of the thing that enables him to fight on. there’s something so fucking desperate and yet so determined about this image. he knows it’s futile, but still he persists.

why I like it: damn it was hard to find a “you’re next” panel with just the right angle I like best. this is probably as close as it gets, but I kind of wish Deku was somehow visible in this image as well. but at any rate this is an amazing moment, and All Might is dramatic af for basically no reason but IT’S BADASS. “no I’m not going to actually look where I’m pointing. it’s cooler this way.” or was it because he wasn’t sure if he could keep the emotion off of his face if he actually turned and looked? in this moment of knowing that it was finally over for him, that he would never be the Symbol again, and knowing that he had no choice but to move on and entrust that burden to the next generation? damn.

why I like it: I... fucking... okay, here’s a fun fact. did you know that I still get emotional over this panel almost a full two years after reading it?? obviously a good 84% of it is the context -- All Might losing his power; Deku being forced to take up the mantle before he feels ready; All Might feeling responsible for him; and both of them being so desperately grateful to have each other in that moment. but don’t underestimate that remaining 16% either though! this is just an extremely well-drawn hug, on top of everything else. All Might pressing Deku’s head to his shoulder with his fingers laced in his hair is some mighty fine fiercely protective hug tropes there, you guys. and the way Deku is clinging to his shirt so tightly his knuckles have probably gone white?? while he cries?? while both of them cry? ON THE BEACH? WITH THE WAVES LAPPING SOFTLY AT THE SHORE IN THE PEACEFUL NIGHT AIR?? jesus fucking christ. this hug contains more emotions than I am capable of carrying inside me at once. I just sort of have to let them flow in and out little by little until they finally subside.

why I like it: you bet I skipped right from Kamino straight to Deku VS Kacchan Part 2. no regrets. anyway, so these two panels are an absolutely gorgeous one-two punch. so much has changed from the days when they were innocent little kids marching off into the woods to have adventures. they’ve changed. their relationship has changed. and yet, at the end of the day, Izuku is still willing to follow Katsuki even without being given any kind of explanation. and Katsuki still seeks out Izuku when he’s on the verge of having a spectacular emotional breakdown. because he doesn’t know who else to turn to. and because despite everything, there is trust there still, on some deep, fundamental level neither of them fully understands or knows how to acknowledge. anyway, so these two panels just give me a ton of feels all about the passage of time and how everything changes and how you can’t get back what’s lost, but also sometimes if you look deep enough you find that parts of it were never fully gone.

why I like it: because in a striking display of dramatic main character energy, these boys decided to stage their life-changing destiny-affirming rival fight on the coolest possible stage in the middle of the goddamn night. and then Katsuki made it even better by producing WAY MORE SMOKE than his attack by all rights should have produced! and then they went and crouched down all symmetrically so as to more poetically make intense eye contact at each other. I really like panels with smoke and/or dust clearing dramatically. there are like four more of them coming up on this list. what can I say. it’s cinematic.

why I like it: I actually had this one as my icon for a while. it’s rare imo to see an action panel that’s so balanced and has so much going on and is so clean and easy to read. both of their poses are so dynamic. I like the way the arc of Izuku’s kick is drawn, and I love the way you can clearly see that Katsuki propelled himself backwards with his quirk in order to dodge it. it’s just a really cool little panel that for me perfectly sums up the general feel of this fight, and its awesome choreography.

why I like it: actually you know what, before I go any further, let me skip ahead a bit and add three more panels with this same energy.

I just really, really love these rare moments when all differences between them are momentarily forgotten and they’re just two teenage boys caught up in the intense pressure of an awkward social situation. the one enemy neither of them is the least bit equipped to handle. anyways Horikoshi clearly enjoys it too because he seems to delight in drawing it over and over and over.

why I like it: because it’s more billowing smoke and dust. because it’s Endeavor, the guy we all swore we would never ever root for, and then 160 chapters later Horikoshi pulls this shit without an ounce of shame. because it’s All Might’s pose, but tweaked juuuuuust enough so that Enji can avoid copyright claims. because he knew that pose well enough to know which arm not to use. because Endeavor is a profoundly flawed human being, wholly incapable of filling the void All Might left behind. and yet he still tries. because it’s better than nothing, and because it’s all he can do. it’s the one thing he can do, his sole redeeming virtue. he tries. he doesn’t give up. anyway so yeah, Horikoshi didn’t have to take the single most unlikable person in the entire manga and give him the world’s most controversial and openly scorned redemption arc. but he did! and I think it’s one of the best things about this entire manga.

why I like it: because nothing in BnHA is just black and white!! it’s messy and layered and complex, just like in the real world. Shouto despised his dad for almost his entire life. with good reason! Enji was abusive and selfish and treated his son more like a prized possession than a person. we as readers are fully aware of all of this, and we sympathize with Shouto 100%, and that’s completely by design. Horikoshi is well aware of this. so for him to still give us this little moment, where Shouto is so relieved that Enji survived that he drops to the floor and presses his face against his hands in this little prayer gesture -- whatever you think it might mean -- is just so fucking powerful, and again speaks to his commitment to refusing to let anything in this series be completely clear-cut and unambiguous. I love that the characterization of Shouto and Natsu hating their dad exists side by side with the equally authentic characterization of them being terrified that they’re about to watch him die. because those two things aren’t contradictory! sometimes that’s just how it is. anyway so this is a beautiful moment of nuance that instantly adds so much to this relationship with just a single panel.

why I like it: for once the symbolism is so obvious that even I can’t fail to miss it! Izuku’s face half in light and half in shadow as he thinks about the power bestowed on him. “All for One’s power.” anyway so in my mind Izuku having AFO could not be any more fucking foreshadowed if he was wearing a freaking t-shirt with the Musketeers saying on it and the background was peppered with little Sistine Chapel-esque images of AFO giving his quirk to his brother lmao. but regardless of how it does end up playing out, this is nicely done.

why I like it: I wasn’t sure whether I should include this image, given that I just made a whole separate post about it a few days ago. but I just really like it, okay. this is one of the all-time great entrances in the series. Bakugou being perched on that pole for absolutely no reason other than to add visual interest. Todoroki’s hair blowing dramatically in the wind. Katsuki’s frayed pant hems and characteristically asymmetrical facial expression. the fact that you just know both of them spent the ride home with their faces pressed to the windows of their taxi cab hoping desperately for an opportunity to break in their brand new licenses, and then lo and behold. that’s amazing you guys. it’s almost like you’re main characters or something.

why I like it: they did great.

why I like it: because I lost my fucking shit at this fucking reveal and can you even blame me?? we knew coming in how much trouble Endeavor and Hawks had dealing with just one of these Noumus, and then Horikoshi goes and divulges that the villains have at least A DOZEN MORE waiting on standby. including Hood right there in the foreground, which is a fantastic touch! this panel, for me, almost instantaneously established the League as a legitimate threat once again, and gave me the kind of spine-tingly evil vibes I hadn’t felt since the Kamino arc. and while the payoff might not quite have lived up to my expectations, the Mirko fight at least was more than worth it.

why I like it: BILLOWING SMOKE AND DUST CLOUDS. you just see this vast landscape of destruction that Tomura has oh-so-casually wrought, and this once-powerful enemy utterly defeated on his hands and knees bowing before him. and it’s just like, oh. Tomura just became a fucking king, didn’t he. he finally stepped up and became the main villain. really the main villain, not just an awkward fumbling NEET whose adopted dad is not-so-secretly pulling all the strings. he did this himself. he went out and conquered and Awakened and won himself a fucking army. and he’s just standing there so cool and casual in the aftermath of it all. and then he goes “oh wait, you guys have money right, that means you can buy us the good sushi.” yes, Tomura. yes.

why I like it: um because this panel is fucking amazing?? hello?? do I really need to explain this one. the detail is jaw-dropping. he’s got the little scars which are either from the head wound that caused his death, or from his Noumufication. his expression is fucking heartbreaking, and the transition from Kumo to Kuro is so subtle and seamless, and yet it distinctly is both of them. this panel is gorgeous and fucking haunting and almost made me gasp when I first saw it.

why I like it: the decision to have the night sky take up so much of the space in the panel was [chef kiss]. nothing says existential like the night sky on a cold winter’s night.

why I like it: this is the best panel in the entire fucking series.

why I like it: dude. showing his actual family holding onto him with their hands in the same spot as the severed fashion!hands was a stroke of genius in and of itself. but combining that with the emotional tension of them desperately trying to hold him back and protect him from AFO?? that’s just so fucking smooth it’s almost inhuman. just how much meaning can you cram into a single image?? sometimes I wonder just how far in advance Horikoshi plans these things.

why I like it: guess I’m just a big fat sucker for panels of Tomura calmly standing around in the ruins of his own senseless destruction. the sense of scale on this one is really great, too. and yet again, those dust clouds. gotta love it.

why I like it: because Tomura literally appears out of nowhere, like he’s ripping a hole through the fabric of time and space. it’s so fucking sudden and he looks evil as FUCK, and Deku and Kacchan are totally caught off-guard, and it is scary. this is one of those panels that made me say “holy shit” out loud. in fact I practically screamed it. and the angles are all funky and weird, and the sky is all BLACK FOR NO REASON, and it really just feels like Tomura could reach right over and just MURDER THEM like it was nothing. just like that. this panel is so incredibly effective at conveying how hopelessly outclassed the boys are. they’re not even in his league, and it’s honestly terrifying.

and on that happy note, we have come to the end of my list of favorite panels! and I gotta say, it’s really gratifying that a good deal of them are from this year alone. I said it in another post a few days ago, but imo the overall quality of the series has been insanely high as of late, and it honestly just blows my mind whenever I stop to think about it. the art is still this good six years into the game. the story is still this good. we are spoiled goddammit.

[natsubeatsrock]

Did Mashima fridge Juvia?

Well, it was only a matter of time.

I knew I would have to talk about this some year on August 31st. It just happens that this is the year.

For those who don't know, today is a special day in this blog's history. Six years ago, I made a long post talking about Juvia. Most notably, I was fearful about the possibility that Juvia would die. A year later, I was reacting to chapter 499, where Juvia was presumed to have died. Since then, I've used this day to talk about Juvia dying in some way or another. 

Last year, I mentioned that I wasn't willing to open this can of worms. And yet, here we are. To be honest, I figured that this was a topic worth talking about, but not in that post. I was already planning to dive into that this year.

To start, let's talk about the term.

Flashback to 1994. In issue 54 of Green Lantern, the main character walks into his apartment. His girlfriend has been killed and stuffed into a refrigerator by one of his enemies.

Five years later, [insert descriptor here] comic book writer Gail Simone took this incident as the impetus to note a trend in writing female characters in comics. They die or face serious bodily harm to advance the arcs of fellow male characters. She teamed up with other writers to start a website called "Women in Refrigerators". It's a list of female comic characters who fit this trope, to some degree or another. It's still up today, and you can see some more recent inclusions.

My own thoughts on this trope are mixed. I think that there's something to be said about one character's development coming at the expense of another character. Especially if that trend is decidedly gendered. Though, this argument is used in ways that come across in ways that are infuriatingly stupid and short-sighted. I've even seen it argued that women being harmed in fiction is inherently misogynistic. (Please don't make me talk about this.)

In any case, the argument has far exceeded the scope of comic books. (I say as if I'm not talking about comics.) This has been brought up in talking about media of all sorts. Video games, movies, television, and more. If a female character is placed in harm's way, people will argue whether or not she was fridged.

So, with that in mind, let's talk about Juvia's death.

Or false death?

I mean, we thought she was dead, but it turned out to be a fake-out.

Actually, let's talk about that. That happens to be a great place to start.

Does it count as being fridged if the serious effects were reversed?

I know that probably sounds like I'm splitting hairs. After all, it's not as if chapter 499 is wiped out of existence because we also got chapter 500. Mashima ultimately decided to kill Juvia. That's what should matter most to our discussion. Honestly, I might be inclined to buy this argument under normal circumstances. However, there happens to be a group of people who argue otherwise. They've convinced me that this is worth talking about.

Who are these horrible misogynists who would discount this kind of suffering on Juvia's part?

The people behind Women in Refrigerators.

At least, sort of?

As you might imagine, people have argued against the idea of this trope. To many people, more men have been harmed in fiction. In many cases, men in pain are treated as nothing special. In fact, there are examples of men dying to further the character arcs of female characters.

As a response to this, the website has included an article entitled "Dead Men Defrosting." Essentially, it doesn't matter if men do go through similar pain. There is a difference between these situations. In many cases, men who get fridged are eventually restored to their initial state. They gain their powers, are healed, or even come back to life. Women don't often get that same opportunity in comics.

Let's stop and think about Juvia's situation for a second. She was dead for all of one week, as far as fans are concerned. In canon, it was even less time. If Gray decided to stay behind for a few minutes, he also would have been healed by Wendy. In fact, with the continental connection to Tenrou Island, the whole scenario is forfeit. In hindsight, Juvia's life was never in danger.

So, could it be said that Juvia was truly fridged if she ended up being "defrosted"?

No, technically speaking.

Then again, I've been very critical of the writing of this. I've made many posts explaining why I think this was bad. Would ending the discussion here be the right thing to do? More importantly, is that the kind of resolution you clicked on this post to find?

There is also an elephant in the room. For better or worse, Women in Refrigerators also includes women whose states were corrected. Now, does this contradict the point they made regarding male characters? It’s starting to feel as though I should make a post about this trope on its own.

In any case, let’s ignore the fact that this didn’t actually stick. For the sake of this, let's assume that this does fall under the definition of fridging. Or, at least, that it could.

Did Mashima fridge Juvia?

To say that it did would mean that the death was done to move Gray's character arc. And... well... I mean...

Look, Gray is pushed to the edge of his sanity because he believes Juvia has died. That much is obvious, given the context of his rematch with Invel. I'm not willing to argue that this wasn't the case.

But...

I can't say that Juvia's death was so big a reason for Gray to change. 

If we're talking about Gruvia, maybe it could be argued he decided to take Juvia's romantic feelings seriously after seeing her die. But that only works if you take his words in chapter 499 in the most literal sense possible. It's more likely that he already had feelings for Juvia and was ready to share them after the war ended.

Outside of that, because Juvia died, Gray fights Invel, who he blames for killing Juvia. When he beats the stuffing out of him, he finds out that Natsu was END and directs his fury towards him. They fight for a bit, but they're ultimately stopped. Once he finds out about the Natsu-Zeref death arrangement, he decides the best way to deal with the situation is to go through with Lost Iced Shell.

You could read this as Gray going through with Lost Iced Shell because of Juvia. If Juvia didn't die (but not really), Gray wouldn't think to go use the spell. However, this view discounts Gray's stated motivations for using Lost Iced Shell: guilt over fighting Natsu and wanting to protect him from dying. Gray obviously regrets how the situation with Juvia went if the final chapter means anything. But Lost Iced Shell doesn't seem to be done because of Juvia. (I may rant about a comment I got about this some other day.)

And now, I will defy conventional wisdom and make probably the most controversial argument possible about this moment. Juvia's sacrifice was for Juvia's character arc. Not Gray's.

It's worth remembering what Juvia's arc is. I know that fandom often questions what Juvia's arc is. However, I believe that her arc is best described as understanding love. When she first fights Gray, she says that she has no need for love. A few arcs later, she sacrifices herself because of her love for Fairy Tail.

The motivation for Juvia sacrificing herself for Gray is her love for Gray. No one questions Juvia's feelings for Gray. However, this moment shows that she's willing to sacrifice her own life for Gray. Do you think that Juvia would do this before Phantom Lord?

This isn't to say that I think Juvia's arc was well-written. It's easy to criticize Juvia's extravagant displays of love seem. Or how Juvia's love seems to center more around Gray than others. Or how there are ways to show that you love someone in non-romantic ways. And fans of the series have shared the problems they have with how Juvia's character was handled.

But we're not here to talk about those things. We're here to ask if Mashima "killed" Juvia for Gray's development. And, despite how bad I think the moment was, I can't say that Mashima did.

Consider I’m the one saying this. Like, it would be something if one of the bigger Gruvia blogs made this argument. (I feel as though a couple of them may have blocked me.) That’s something that could be expected. I’ve outright called this the worst moment in the series at one time. I’d love to tack on another reason not to like this moment.

But I can’t.

“That’s because you’re clearly against the idea of this trope existing, chauvanist pig!“

I’ll assume you missed the intro for the trope earlier in this post. I’m willing to admit that this does happen. In fact, I already talked about how I hate how Last Ages happened. Ultear got done way dirtier than Juvia did and didn’t have the effects reversed. Not to mention, it was ACTUALLY done to further Gray’s character.

In Conclusion:

I don’t think it’s a good idea to call what happened to Juvia “being fridged“. Even if Juvia were to have actually died.

[warsmith-38]

How I would do RWBY pt. 2

Season Two

Emerald and Mercury go to book store.

Try intimidating ex-White Fang owner.

He’s tense, but not impressed.

Adam walks in.

He shits himself.

Tries fighting.

Dies. Painfully might I add.

Emerald and Mercury banter. Adam just seems bored.

Cinder (teenaged, not adult) scolds them for 86ing the guy in such a public and possibly trackable way.

Adam assures them that they weren’t seen. He has practice in that sort of thing.

Torchwick is annoyed at working with these people but at least he’s getting paid a mint.

Cinder says that, with all of the stolen dust, phase two of plan can to be started soon.

Neo give her a look of ‘get over yourself, you chuunibyou.’

Meanwhile, back at the ranch.

More guests arrive.

Ironwood talks with Ozpin about world affairs.

Grimm populations and attacks are getting worse, but are still manageable.

Says that he has brought plenty of extra security in the form of Penny and a big amount of security robots and mechs.

More bonding scenes because reasons.

RWBY + JNPR have food fight because funny.

Velvet and Blake are closer than earlier and give little ‘anti-racism’ classes for Weiss.

Blake is friendlier with everyone now that she knows they wouldn’t kill her since she’s a faunus.

Ruby has taken on the role of mechanic for everyone’s weapons.

Jaune dominates wargaming night.

Ren and Fox try to help Ruby with her hand-to-hand skills (Yang is not a great teacher of such things)

Scene of properly meeting team SSSN.

Nice guys, but a little too uncoordinated in style.

Ruby ends up having a frustrated breakdown.

Gives WBY speech of how they have to get involved and screw the people telling them to sit down and let them handle the problem instead.

Blake is the first to go along with what she’s saying.

Yang and Weiss argue that this is not a good idea, saying that this sounds like Ruby just wants to go play vigilante again.

Blake says that Ruby has a point, nothing will get accomplished if they sit around doing nothing.

Weiss is the one that cracks next. Agrees that the authorities aren’t exactly inspiring confidence since the run in with Torchwick.

Yang finally gives in, if only to make sure Ruby doesn’t get herself murdered.

Ruby, in her excitement to actually be doing something, rushes out the door to get snacks and runs into someone.

That someone is Cinder.

Cinder, Emerald, Mercury, and disguised Neo (Team CEMN (Cinnamon (work with me here))) keep up the façade of Haven guests from canon.

Ruby almost immediately starts gushing over their cool weapons before being reined in by WBY.

Emerald pickpocket’s Weiss’ wallet and snags rich girl’s cash before putting it back.

Mercury and Yang have a very clear stare-down of ‘punching vs kicking, who will win?’

Neo and Blake…stare at each other (Adam is Blake’s Rival/Foil. Blake v. Neo is just pair the spares).

RWBY has made new friends. (The poor dears)

RWBY start their investigation.

Team SSSN turns up to help at the last minute.

Okay, sure, free help.

Blake and Sun try to find local White Fang schmucks.

Scarlet and Sage go off to do random shit.

Yang drags Neptune to Junior’s club to check the pulse of the criminal element of the city.

Ruby and Weiss dig up information at library place-thing.

They encounter Penny on the way.

Penny acts weird(er) and tries to bolt off.

Weiss agrees that Penny is suspicious as hell and, with all the happenings, that means that she could be a potential lead.

She lets Ruby go after her while she about her investigating alone.

Penny reveals to Ruby that she’s a mechanical maiden (Persona 3 is best Persona).

Ruby is VERY interested now.

Ruby already liked her as a person and now she knows that Penny is a person who is also a weapon.

Zero downsides.

Penny, happy to be accepted, let’s slip that she knows some crazy stuff is happening in the world.

Says that that’s why she was allowed to come to the tournament, as extra back up just in case.

Says that the communications tower is the most obvious target but might not be the actual target.

Can’t elaborate further because of Ciel and her bodyguards showing up.

Ciel gives Ruby the third degree on encouraging Penny’s truant behavior.

Ruby gives her the finger.

Ciel takes Penny away and Ruby gets back to work.

Weiss gets whatever information about the White Fang and Torchwick that isn’t classified, and a little that is, transferred to her.

Her older sister is a high ranker in the military and her father bankrolled a good chunk of said military.

Ain’t nepotism a bitch?

Yang and Neptune come up empty handed, but Yang got to pick another fight at the club before the cops showed up so she’s all good.

Neptune thinks that that’s all Yang went there to do in the first place.

Scarlet and Sage get captured by the White Fang. (They said they had fresh cookies, what were S + S going to do, say no?)

Blake leads Sun along a trail of breadcrumbs to a White Fang hideout.

Sees a recruitment rally going on.

Blake has a heart attack seeing who’s giving a speech.

It’s Adam.

Speech is an emotional call to arms against the cruelty of humanity.

Crowd is skeptical but still listening.

Reveals his brand.

Crowd is now enthusiastic to sign up for the White Fang.

Adam reveals newly stolen war-mech.

Says that they’ll test its power by executing Scarlet and Sage.

Blake spoils his moment by covertly revealing that Roman is the pilot of said mech (Neo is co-pilot).

Crowd turns against Adam for his hypocrisy.

Adam cheeses it.

Roman takes it on himself to attack Blake and Sun.

Scarlet and Sage are freed and take on the rowdy crowd.

While running, Blake and Sun encounter RWY and Neptune.

Sun and Neptune get good hits in but are btfo’d.

Scarlet and Sage find them and all is good for team SSSN.

RWBY has quasi-rematch against Roman + Neo.

Fight goes well.

Team CFVY shows up and stomps the mech.

Looks like Team Rocket’s blasting off again!

RWBY celebrates a fight well won.

CFVY are pissed that RWBY would do something so dangerous and make them promise not to do things like this again.

RWBY lies through their collective teeth about not doing it again.

Get put on probation anyway.

Pyrrha and Jaune are having a moment together before Jaune ruins it.

Jaune admits that he lied and cheated his way into school due to impatience and lack of immediate combat skills.

He confesses all of this out of guilt and plans to turn himself in.

Pyrrha is actually rather angry at him.

1. for cheating to get what everyone else fought tooth and nail to earn the right to and 2. Putting the rest of his team at risk due to his inability to keep up with them in a fight and for associating them with a cheater/liar.

Not to mention lying to her face.

Says good riddance.

Cardin overhears and blackmails him into doing what he says or else he’ll narc on him and say that NPR knew and thus were complicit in the crime.

Jaune goes along with it while creating plan to oust Cardin and get him kicked from school.

Has conversation with Ren and Nora, both of whom are pissed at him.

Of course Pyrrha told them.

Jaune tells them that he knows he’s a piece of shit but also has Cardin to deal with.

Ren and Nora begrudgingly agree to help him get rid of Cardin.

Tells them his plan.

Plan proceeds to fail and Jaune ends up fighting all of CRDL alone.

Loses.

Grimm outside of their power-level shows up.

Jaune’s quick thinking and tactics get it killed.

Cardin is grateful and promises to keep quiet about blackmail. Even means it too.

CRDL is never a real issue again due to them actually realizing that it’s a very cuntish thing to bully the guy and/or the friends of the guy who actively saved their lives.

Jaune plans to give one last apology to his team before he turns himself in.

NPR say that they deliberated amongst themselves.

They have decided that Jaune doesn’t get to take the easy way out.

His penance is to train his ass off, night and day, to catch up to them on the physical level.

Jaune’s role is to be the strategist and that it’s his job to make plans that keep them all alive.

If he fucks up, they work his ass harder until he doesn’t fuck up.

They haven’t fully forgiven him, but they’re giving him a chance because they genuinely like him.

Jaune is touched by their compassion and promises make up for his mistakes.

Sparring day in class.

Jaune has match against disguised Neo.

Neo wins but Jaune starts to have suspicions.

Pyrrha and Mercury spar.

Pyrrha wins but Mercury now has valuable data on her overall fighting style and semblance usage.

Cinder and Ruby are last match of the class.

Cinder has fire powers as a semblance.

Has second semblance giving her bullet time.

Bullet time doesn’t work all that well against Ruby because of her super-speed.

Ruby gets some pretty good hits in. Kinda kicking Cinder’s ass.

Cinder then decides she’s done playing nice and goes on full offensive. Even starts to scare the crowd.

Times up!

Due to technicality, Ruby won the fight.

Aura cohesion (health bars) Cinder:48% Ruby:51%

Emerald and Mercury are blue in the face with fear of what Cinder might do, having officially lost a fight.

Cinder helps Ruby up, apologizes for going overboard, and offers to buy Ruby lunch the next day.

Ruby happily agrees to hang out with her newest friend.

Cinder later explodes at her hideout and incinerates a White Fang member that got a little too close.

Adam pretends to care. Doesn’t actually.

Ruby and Cinder become shockingly good friends (as far as Ruby is concerned).

Cinder explains the concept of a second semblance, confirming to Ruby that she’s a ten-percenter.

It’s somewhat rare, but it’s common enough that people know how it works and why it unlocks.

Great emotional duress.

She was raised in an orphanage that REALLY sucked.

She awakened both semblances pretty quickly and was snatched up by the authorities as soon as possible to be a huntress.

She’s mostly lying about the details but there is still the base truth.

Ruby tells her that she lost one of her parents too.

Summer just didn’t come home one day, being told she was killed in the line of duty by a lucky grimm.

She’s always thought that there’s more to this story, but doesn’t have the means to follow up just yet.

It’s part of why Ruby wants to be a huntress, to do her best to make sure that some other kid never experiences that kind of loss because of the grimm.

Cinder tells her that that’s not the worst motivation. (she means it more than she thinks)

Since Blake saw Adam at the rally she has become obsessed with analyzing all the data gotten during investigation.

RWY is worried.

Yang talks to her about it, giving the speech about her mother and the problems with obsession.

Blake talks about how dangerous she knows Adam to be. Is vastly terrified of him.

Yang reassures her that the team can handle that punkass.

4 on 1, let him try it. They’ll put the boots to him. Medium style.

Blake reluctantly snaps out of her funk.

Dance comes.

Everyone’s having a good time.

Pyrrha decides to properly forgive Jaune.

They kiss and, after a wacky JNPR argument because funny, so do Ren and Nora.

Insert the cool JNPR dance scene here.

Ruby is happy for her friends but notices some bullshit going on near the comm. tower.

Cinder is infiltrating it wearing something that actually makes it difficult to tell who it is.

Makes a big show of knocking the guards unconscious.

Places real obvious hacking device onto console.

Ruby comes in and shoots at her.

Cinder pops smoke and disappears.

Authorities arrive and (as far as they can tell) disable the hacking device.

Ruby is given a commendation for her actions and her team is taken off probation from earlier.

Upper echelon is pleased that enemy plot was foiled.

Exactly as the bad guys wanted.

Ozpin presses the doubt button.

Teams gets chaperone assignments.

JNPR requested a special Grimm bounty mission.

RWBY gets put on simple observation mission.

JNPR spends time tracking and eventually fighting nuckelavee grimm with Prof. Port.

Ren comes to terms with fighting the grimm that killed his parents.

Y’know, sub-plot stuff to relieve some main plot tension.

RWBY is sent with Dr. Oobleck into ruins to observe and document the growth rate of the non-hostile presence of the local *loud snoring*.

Actually sent near suspected White Fang supply depot with hope that they uncover it and fix problems.

Find it fairly easily after a little bonding moment or two with everyone.

Torchwick and Adam are in charge of train depot. (Torchwick gets the train, Adam gets the depot)

Ruby goes in on her own because she was told not to do things like that.

Ruby gets double-teamed by Roman and Adam. Neo watches like a little shithead.

Ruby fights like a demon but still gets bested.

Adam says that he is now bored and leaves Roman to finish up.

Oobleck and WBY show up.

Roman starts the train, tries to cheese it.

RWBY + Oobleck board the train.

Yang fights Neo.

Weiss fights masked White Fang member (later revealed to be Ilia).

Ruby and Blake fight Torchwick.

Oobleck fights the stormtroopers.

Neo, the crafty, dodgy, dexterity style, sly-bitch, kicks Yang, the brutish and blunt boxer, in the ass.

Raven pops up through a portal.

Neo am-scrays after almost getting her shit pushed in.

Raven says a scant few things to Yang and leaves her a trinket and a map, telling her to follow it when she can before leaving.

Weiss wins her fight.

Blake and Ruby kick Roman’s ass.

Discover train is full of dust explosives to blow up a chunk of Vale and let the grimm through in droves.

Was originally intended to be deployed before explosion but Roman decides ‘fuck it’ and tries to turn it into a kamikaze run at the last minute out of spite.

Oobleck disconnects the explosive cars.

Train still rams hole into central Vale.

Grimm incursion.

RWBY fights as best they can.

Almost get overrun when Teams CFVY, SSSN, and CEMN show up to help.

CEMN only involved because evil plan failed and they want to try and clean up any possible evidence.

Neo (in disguise) tries not to be obvious that she’s still tired from earlier.

Horde battle with large hydra (or something) grimm being final boss of season.

They kill it, of course.

After the battle RWBY thinks that the problem is more or less solved.

Adam is still loose but his plan is foiled and his co-conspirator, Roman, is in prison.

All they have to do is hunt him down.

If he’s going to try something, it’ll be at the tournament. RWBY will have an extra eye open during.

JNPR returns triumphant from their mission and wonders what the hell happened while they were gone.

Cinder is livid that plan-A failed and they lost their best chance to kill Ozpin.

Yeah, their plan is to fuck up Vale and get and chance to kill Ozpin.

Is reassured by the mysterious figure she’s talking to (Salem) that plans can change and still succeed.

Adam is looking through security footage taken from depot.

Sees Blake.

He smiles.

Season two done.

[sourestlemon]

So. I made a bet with my friend that I could get through Omegaverse Haikyuu fanfiction because he says I can’t so if I read https://archiveofourown.org/works/13330632/chapters/30514041 that I’m going to get free icecream and twenty bucks.

But still, Bokuaka! Bokuaka is beautiful, I should rant about it more actually

This is me talking about this fic as I read, so it’ll be updated until I finish

Note, I’ve finished and it’s very very long. You’ve been warned

There’s my review and meta at the end of this as well as some critiques

Spoilers ahead.

“The Jewel of Seijou”

THE WHAT NOW

IWAOIIII

Bokuaka is so fucking cute dear god.

Oh. It’s sinful now

Ushijima better stop throwing shade at my boi’s

“"I can't believe you all think that you can go against the crown and live!" Ushishima says silencing them all. The alpha was slowly emitting his pheromones wanting to show them all his superiority. No one said a word against him. "Toru! I didn't know you'll be as lowly to use your family name to gather us here!" The alpha seethed to the omega that could have been his wife. Iwazumi hackles raised and bared his lips at the beginning of a growl. "And you!" Ushijima turned to Bokuto full on emitting his pheromones making the rest of the alpha's shoulder hackle cautiously and Oikawa to cling at Iwazumi. But Bokuto meet Ushijima calmly, unfazed by the bloodlust while Akaashi was frozen to his spot but didn't show any emotion.”

So what we get out of this paragraph is

1) Bitchy Ushi. I love Ushijima don’t get me wrong he’s precious but like. This fic Ushijima? Son of a bitch walking up in here like “Toru! How dare you be so lowly—“ and fucking trying to dominate everyone.

2) Protective Iwaizumi. Protect the precious Seijou Jewel. Do it, fight for him, protect him he’s scared.

3) Is Ushijima salty because Oikawa didn’t choose him? Oh god, he is isn’t he.

4) Akaashi’s go to emotion isn’t emotion.

5) Shits about to go down, Bokuto is gonna flip eventually, if Ushi threatens anyone—it’d probably be Oikawa or Akaashi seeing as they’re omega’s—I can see Bokuto and Iwaizumi just flipping their shit.

God I’m way to invested. Why did I read this

USHIJIMA IS A COWARDLY LITTLE BITCH IN THIS FIC, STAB HIM HINATA

D O I T

Awww Kageyama cares, Tsukki cares

OH MY GOD TENDOU!

More people came surrounding them. "What the hell," Akaashi recognized Iwazumi's voice.

Iwaizumi’s reaction is the only respectable reaction.

Wait this has major character death in the tags

Fuck

Everyone has decided that Oikawa and Akaashi must be defended but just once I want them to flip their shit and kill someone. Just once.

Bokuto, Lev and Iwaizumi all want to protect Oikawa but Iwaizumi doesn’t even fucking trust em.

Why does everyone act like Nishinoya not wanting to move on so quickly is a bad thing? It’s perfectly reasonable and I hate how everyone is like “What’s wrong with you, do you not like us?” And getting super standoffish or snappish simply because Nishinoya loves Asahi so much and doesn’t want to feel like they didn’t need him.

I really don’t like how Nishinoya/Tanaka/Ennoshita became a thing in this fic. It would be cute if it didn’t just happen because Nishinoya was desperate and if he wasn’t he wouldn’t have fucked Tanaka.

Oh dear god I don’t want Kenma to die.

Oh thank god it’s okay.

Fuck I forgot they had boobs

Did Bokuto almost name the Kuroken baby Oya but changed last minute?

BO ISN’T COMING BACK IS HE?????????

I’m feelin a little sniffly. I might fucking cry over an Omegaverse fic. Oh how the mighty have fallen

Oh my god the stars. I don’t think Bo is coming back y’all. I’m so nervous

The fuckin royals aren’t getting Keiji. No. Nuh-uh FUCK THAT SHIT

THAT’S BOKUTO’S MATE STAY AWAY FROM HIM

-cue mac worrying about oikawa because seijou is allied with fukurodani and an easy way to tear seijou away from the alliance is to kidnap oikawa and iwaizumi might split to keep him safe and ushi fucking knows this and possibly tendou also oiks is pretty as fuck-

BOKUTO IS OKAY!

Iwaizumi making Bokuto promise to save Oikawa if things went to shit makes me so worried but the same time his lil speech made my IwaOi heart so happy.

Suga bby...

BOKUTO JUST KILLED A FUCKING CHILD

Tendou, Ushijima I never thought I’d say this but I fucking hate them right now. They better not hurt the other best Boi’s.

Ushijima is salty as fuck confirmed.

"You truly are a piece of art," Ushijima said gently ...."But not as beautiful as him," the alpha muttered as he threw the omega to the floor.

So, this little snippet sent disgusting shivers down my spine for two reasons.

1) Ushijima just yeeted Akaashi, my son and

2) Any reader knows who the ‘he’ Ushi is talking about is, the only person in this book who is said to be as beautiful as Akaashi. You guessed it, the boi who rejected Ushi-fucking-jima, Jewel of Seijou himself Oikawa Tooru.

The thing that grosses me out the most about this paragraph just on its own is that Ushijima is either guessing about what Oikawa looks like, or he actually knows which overall just gives me the heebie jeebies because Oikawa definitely didn’t want that. What makes my skin crawl in this little snippet is what Ushijima would do when if he got his angry little hands on Oikawa—or Iwaizumi, but Iwa would probably be killed or used as a bargaining chip.

Hmmmmm, I’m pretty sure Ushi is in love with Tendou but the beauty statement still stands possibly???? Unless specified otherwise, because Akaashi and Oikawa are canonically considered the most beautiful people in the fic.

Also this entire chapter just makes me feel so gross, fuck Ushijima man. Fuck him.

My Ushijima loving heart hurts reading this fic.

I just want Akaashi and Oikawa to straight up kill someone. Please, anyone who I don’t care about

I FUCKING SEE THE MAJOR CHARACTER DEATH WARNING AND I DON’T LIKE IT

FUCK

FUCK

FUCK

NOT BOKUTO

WAIT IS HE ALIVE

I WANNA SEE MY LITTLE BOY

HERE HE COMES

I WANT TO SEE MY LITTLE BOY

"I came right on time," Bokuto forced out his voice cracking with emotion. "Now I can engulf you in my arms and brighten your days despite the absence of the sun. You will no longer have to endure the cold winters alone. I'll be with you, I be there for you and our child," The alpha vowed his hands itching in need.

"Are you going to leave us again?" Akaashi needed to know. The omega already knew that he wouldn't be able to survive being apart from the alpha. He knew that he wouldn't win the battle with the overwhelming loneliness.

"The seas could dry up, the mountains could turn to pebbles, the trees could die and the whole world could be on fire and I still won't leave your side."

That was all Akashi needed to hear as he leaped into his alphas arm and let go of all the pain he has held in

I’m not crying I swear

They walked together side by side and Akaashi finally faced them. They were both beaten, bloody, and torn butinstead of feeling satisfaction he felt remorse. They both looked at him with soft, wide eyes, and he realized that this was the moment they were waiting for. They wanted to see the child that they both desperately wanted and Akaashi decided to give them a parting gift.

Akaashi had won, he had won from the very beginning and he held his trophy who was a small babe with golden orbs, with mutant white and black hair. He hadn't lied to Tendou when he had said that the baby looked exactly like his father.

OH MY FUCKING GOOOOOOOOOOD I’M SOBBING DON’T TOUCH ME

Meta and Review

So I just read A/B/O for the first time and I knew absolutely nothing about the entire trope that Mpreg existed and to stay the hell away from it. Please remember this in the meta and tell me if there way of dividing characters is ever specified or if it’s just decided by top-bottom dynamics.

Wow.

The story was pretty good outside of what I’m about to talk about. I liked the ships and most of the buildup, the worldbuilding seems solid, the war and UshiTens situation was really interesting to me and it made Ushi and Tendou a bit morally gray and could’ve talked about how people could do bad things for what they thought were the right reason and everything was clean cut.

Overall? Eh. Could’ve been done better

Not onto the rest

This doesn’t seem as toxic or inherently bad as most fics I’ve seen, I didn’t really like how Omega’s are always inherently feminine—the dresses, jewels, how they’re seen as inherently weaker and sometimes helpless, how they’re always referred to as “my lady”—and aren’t really given another choice because they might have the ability to reproduce in A/B/O but they aren’t women. It’s okay if a man is really feminine but for all of them to be? It rubbed my the wrong way.

I wish that the power structure was handled different in A/B/O in general. Omega’s seem to be treated like they’re helpless and I just...don’t like it? Omega’s might be submissive but that doesn’t make them physically weaker and if it did, I would’ve thought they would have picked up some other useful skills like diplomacy or strategy.

As usually, my example of how a character could’ve been handled better is Oikawa.

He’s my favorite character and I adored him but he just didn’t really deliver. It felt like he was being treated like a kid throughout this entire fic, it didn’t seem like he was doing anything during the war. Even if Omega’s don’t have a lot of physically prowess and abilities, what happened to Oikawa’s strategic and analytical nature? Why was it never mentioned in any of Bokuto’s POV sections because out all the leaders of the Allied Kingdoms, Oikawa is the best strategist—Kuroo is the exception, not the rule and I thought they should’ve been working together because smort boys—but he was simply hidden away.

Now I have no problems with all the protective IwaOi scenes when they’re in immediate danger—it makes perfect sense if Omega’s are physically weaker but have other usable talents that are taken seriously—and Oikawa simply can’t talk his way out of said problem.

I do however, have a problem with cowering Oikawa. That feels so OOC at the beginning of the first scene I cited, where is all of the quick wit and worthless pride from the show? Now, it makes sense for Oikawa to start getting scared and simply slip behind Iwaizumi once Ushijima tries to dominate everyone and all the Alphas start freaking out if Oikawa is at an actual, physical disadvantage—I feel like the alpha’s their have similar frames, or at least most of them do. Bokuto, Ushijima, Kuroo and Iwaizumi are jacked and beefy, everyone but Iwa is relatively tall too. Now, Oikawa’s tall too but he’s much thinner and leaner. I’d be scared too if everyone could break me like a twig if it came down to it—but no ??? Apparently at the first sign of any conflict he just gets scared??? He doesn’t know what’s going on in his own fucking kingdom ???

This is not Oikawa.

I didn’t like how they treated most of the Omega’s actually, it felt like they were just reverted to helpless damsels in distress. What happened to Kenma’s observation skills? Nishinoya’s everything?

More importantly, what decides Alpha’s and Omega’s? Is it up in the air like gender is? What are Beta’s then? It can’t just be who’s top and who’s bottom, that would mean the alpha-beta-omega- status wouldn’t be decided until you had a mate

From what I’ve seen in the fic, it goes by ship dynamics but what if the characters who had more strategic, cunning, observant traits and weren’t as buff and muscly would be Omega’s and had the brain power while characters who relied more on physical prowess would be Alpha’s and dominant in a purely physical way sometimes while characters who were an odd combination of the two would be Beta’s.

Going by my logic, instead of the top being the alpha and the bottom just being an omega without any personality it would be...

Bokuto- Alpha, like he was in the story. He’s definitely more physically inclined then Akaashi.

Akaashi: Omega, same as in the fic. Not to say he isn’t athletic but he relies more on his mind.

Iwaizumi- Alpha, like in the fic but from a purely physical standpoint and because he can rein Oikawa in when his friend starts going nuts.

Oikawa - Beta, he’s quite powerful but he’s also manipulative, strategic and his mind is scary as fuck.

Kuroo- Beta, he relies on his physical prowess and dorkily perfect brain a lot so he’s also a mixture of both.

Kenma- Omega, physically he’s a twig but his mind is what makes him the brain of Nekoma

Hinata- Alpha, he doesn’t use his brain a lot and has a lot of physical power

Kageyama - Beta, he’s pretty smart when it comes to volleyball and he’s also physically strong

Suga - Omega, he’s quite clever and his brain power out ways his physical prowess by a landslide

Daichi- Beta, he firms strategies and relies on his brain, plus his killer thighs

Tsukishima - Beta, he has his hue fur and athleticism but his brain power is also strong as fuck

Yamaguchi - Beta, he seems to be really people smart and eventually his serves are pretty good.

Can Betas get into a relationship with other Betas? I don’t know or care, we stan Alpha-Alpha, Beta-Beta and Omega-Omega ships here

I DON’T KNOW IF THIS IS HOW IT WORKS THO

do I have to read more

[scripttorture]

Sorry for the multiple asks. In Harry Potter, Neville Longbottom's parents were tortured to what I assume is catatonia by the cruciatus curse. Is this a realistic portrayal of the effects of torture, or does it involve some degree of magical handwaving? If realistic, then would you mind suggesting some avenues, both grounded in reality and more fantastical, by which their condition may be helped?

So I had a long answer written out for this and then it got eaten and I’d deleted my backup (both of them) and don’t you just despise technology sometimes? Join me as I scream into the void.

 Once more, from the top-

 No need to apologise for multiple asks. They are in fact encouraged. I’d rather you looked for answers to your questions then assumed you already know the answer. Thank you for coming to me. Thank you for taking an interest. It really does mean a lot to me to see people engaging with the subject. :)

 It’s been a long time since I read Harry Potter. From what I can remember I don’t think the books handled torture survivors well.

 I think this particular portrayal landed smack bang in ‘torture makes victims passive’. It was also pretty explicitly using that misconception about torture survivors being unable to live full, happy lives or make any kind of recovery.

 You could make the argument that these are magical, rather then the effects of torture. But I don’t think Rowling did any work to show that was the case. From what I can remember the stuff that’s actually in the books just suggests the curse causes pain and… that’s it.

 Which doesn’t stop you from trying to make a bad portrayal better.

 @scriptshrink is the mental health professional in the family and may disagree. From what I can remember I don’t think the description of the Longbottoms in the books was exactly catatonia. It seemed more like a combination of catatonia and late stage dementia to me.

 Which creates a bit of a problem for a narrative arc if you want to treat these characters in a more realistic way. Because catatonia is easily treated now with drugs and late stage dementia is… there’s basically no effective treatment. There are things patients can be given to slow the progression of dementia but what they’ve lost is gone. (I’ve spent quite a long time around people with various forms of dementia and I’m going to cite experience as my source there).

 The reason that’s an issue for a narrative is that there really isn’t a middle ground between ‘take this pill to recover’ and ‘there is no treatment at all’. And that’s not on you, it’s on the source material.

 So, suggestion time: I do have a few different ideas depending on what you want from a recovery arc and how you want to characterise Wizard culture in your story.

 Let’s assume that (like catatonia) this fugue state survivors of the curse are in is easily treatable. What happens when you take it away? When survivors are present, not dissociating and remember what happened to them?

 Well suddenly you get confronted with an actual torture survivor with all the loud, messy, complex mental health problems that implies.

 And if you don’t know a lot about mental health? Then it looks like you went from someone who is calm and ‘at peace’ to someone who is incredibly distressed and obviously in pain. It also means you went from someone biddable and ‘easy to handle/care for’ to someone who is exponentially less likely to put up with shit. Someone who demands explanations, cries hysterically, has panic attacks or flashbacks.

 With that sort of big visceral difference- A culture that doesn’t know how to deal with mental illness might well decide survivors are ‘better off’ in that fugue state.

 Because it would probably be easier to take care of a quiet, unemotional drone then to deal with trying to help someone with severe, complex mental health problems.

 With that kind of cultural background the dementia-like state might actually be the result of the treatment survivors are given. Because they’re ‘better off this way’.

 This would give you a much more traditional recovery arc in your story but by its nature demands a narrative discussion of how mentally ill people are treated by society. Which may not be something you want in the story.

 The other main suggestion I had was to treat this fugue state and this unrealistic depiction of memory loss as if it’s part of the curse itself.

 The cruciatus curse is supposed to be designed to cause the maximum amount of pain, so why not factor lasting generational pain into that? Stripping away important, foundational memories with longer use of the curse seems like it could be an additional terror tactic.

 ‘It doesn’t matter if they survive. It doesn’t matter if you rescue them. You’ll never get them back.’

 In that kind of scenario you’d probably end up with a different recovery arc, one that’s as much about magic as mental health. And I don’t think that’s necessarily a bad thing when you’re explicitly dealing with something magical.

 If you wanted a plot line involving some kind of magical quest this would be a really good fit. I think it would also work well with a more… straight forwardly heroic story? There’d be less of the cultural and moral arguments that are naturally brought up if you’re talking about cultural attitudes to different medical treatments. It would also be a good pick if you want to lean into the intelligence/research skills of some of the canon characters: a combination of cleverness and compassion resulting in a breakthrough that saves the day.

 I’ll finish off with a short general discussion about writing torture survivors realistically and writing them in fantasy.

 I’ve got a post on the common long term symptoms of torture here. And I’ve got a post on what memory problems look like in survivors here.

 We don’t have a way to predict symptoms. Different individual survivors get different sets of symptoms and we’re not sure why. Because of that variation I think that it’s best to treat symptoms as a writing choice.

 Pick symptoms based on what you think adds to the story and creates interesting narrative opportunities. If a symptom emphasises the themes in your story, creates good opportunities to show the readers something about the characters or makes for interesting conflict then it’s a good choice. Conversely if a particular symptom doesn’t appeal to you or you don’t want to write it for any reason, feel free to choose something different.

 I stress realism and writing survivors realistically. I don’t do that because I think fiction ‘must’ be realistic. I do it because the ways we choose to break with reality matter.

 And right now most of the ways we choose to be unrealistic tacitly support/condone torture.

 The majority of the time that’s not the author’s intention. I certainly don’t think it was Rowling’s intention here. (I’ll admit I haven’t been keeping up with her string of controversies but I don’t think active support for torture was ever among them.)

 But these tropes keep getting repeated. Partly because finding accurate information on torture is hard. It’s difficult to search for. It often costs money. A lot of it just isn’t translated (I’m actually saving up to get a bunch of core texts translated into English when the plague is over.) And oh boy do not get me started on the lack of inter-disciplinary communication because I will go off like an unplanned quench of an NMR’s super magnets.

 These are issues that hamper academic researchers to a huge degree. It’s no wonder they impact non-specialists trying to make sense of this mess.

 Having said all of that: I think that we should make space for metaphor and fantastical elements in our fiction.

 The issue is passing off tropes that are unrealistic and harmful as if they’re fact.

 I have significant issues with portraying torture survivors as passive objects. I think it really hampers general understanding of torture and ethical treatment of survivors today. It encourages people to think that real survivors are ‘faking it’ because they don’t look like the passive objects we see portrayed in fiction.

 That said, if a story explicitly states that what it’s doing is magical and unrealistic, it should be less of an issue.

 I do not think that’s what Rowling did in this particular portrayal. I think she presented a curse that the audience was supposed to read as only causing extreme pain and she linked that to the idea of pain turning people into passive objects. You can remove the magic from this scenario and it’s unmistakably torture apologia.

 But I can imagine alternatives where a fantasy story could separate these things out. It would be hard work and require a lot more focus on the curse itself.

 Say you have a fantasy story that takes one of the non-Western approaches to ideas about human souls. Particularly the idea that our memories and experience constitute a separate spiritual part of ourselves.

 Magic that stole and imprisoned that portion of someone would, by the logic of the magic system, create something a little like this catatonia/late-stage-dementia symptom set Rowling presents. And I think if that was presented, divorced from ideas about pain and what suffering ‘should’ do to people- Well it’s no longer really talking about torture. It’s talking about a fantastical scenario.

 We’re not really used to thinking through the implications of where we break with reality. But it does get easier with practice.

 I hope that helps. :)

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