#but i also love makeup

[silly-songs-with-saph]

Perhaps...I'm a pretty boy who also happens to be a milf....much to think about

[sleepysebris]

:) 🖤

@mlsecretsanta gift for @thequeenofspace! happy belated holidays and apologies for the delay, had a serious family emergency followed by sickness! I had so much fun making this though, was so excited to finally draw these two 🖤 hope you enjoy!!!

[catgonerogue]

take my hand?

[puppetmaster13u]

Prompt 266

Back on my Danny & Ras frienemies/rivals/maybe-lovers-nobody-can-tell-their-signals-are-very-mixed train. 

See, Danny has gone through time a lot. Often. It comes with being Clockwork’s charge-son-thing and honestly he finds it fun. And several times he’s used this time travelling to get some training in. Enter Ras, stage left, also a teen at the time and also learning swordsmanship from the same person. 

And they… utterly despise each other. They would kill the other for an apple slice, if the other one would die! But also, only they can kill the other, as it is obviously their right! 

And well, they keep running into each other. It has been a hundred years, surely the other would die by now? But of course their rival would live through utter spite. Probably to spite them specifically. 

The amount of times they have ended up sparring- trying to kill each other or not- the moment they see the other is actually ridiculous. But time is also passing. And… Danny understands, not having another to talk about things people are forgetting, or have already forgotten. 

How they ended up actually talking without a murder attempt was a long story that included a demon, a dragon, a pair of fae, some bandits, and a lot of alcohol, but it happened. And then it happens again. And again, and now it’s just kind of normal to share a drink after their spars, talking about things that no longer exist, and things they miss. 

Sure Danny can go back in time again, but he knows better than to do it willy nilly. He’s matured, he’s been an adult for a hundred years now, he knows there’s consequences for messing with time, even with Clockwork’s blessings. 

The first time they got married was technically for an undercover assassination. Well, Ras was there to assassinate someone, Danny was there to grab an artifact that should Not be in the realm of the living. And they got divorced after, it was fine. 

They just, also got married again when they met a few years later, for another job. And… okay, so maybe they have gotten married over a dozen times now and only divorced like half of those times. Half of those were for the bit or while drunk! 

And even if technically they’re married or shared a bed, it’s not like they're exclusive! As Ras’ daughters’ existences attest to (adopted in one case or not). They don’t exactly have a label for their relationship, despite others asking for one or trying to put a name to it themselves. 

Now Danny knows Ras isn’t exactly a good dude, or at least on the side of ‘good’ as he’s a literal assassin. But he also knows that good? Bad? Rather relative. He had gotten labeled as a villain when he was just trying to help all that time ago after all, and really who was he to tell someone else how to live their life? 

Which brings him to now, where he’s run into his old frienemy-rival and his youngest daughter. Who has a braindead teenager and a small toddler. Which is fine, really- but also, Talia dear, why are you using a brain dead teenager to guard your three year old son? 

…

Okay, Talia dear, Ras (Derogatory), why are you using your brain dead son and grandson to guard your younger son and grandson? Do you not have the Pits, which you were soo proud about Ras? Yes, he will spar with you, but for Realms’ sake, heal, what’s his name? Ah yes, go heal Jason and he’ll actually stick around for a few years, deal? Good. 

[satans-knitwear]

Topless outdoor coffee mornings anyone??

Treat me ~ Tip Me ~ More of me

[ineed-to-sleep]

Some sketches I did to try to get a feel for what I want my Rook to look like 🤔

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[mblue-art]

BAD SANSUARY // [14] tears for owl-bones's event !

"...Killer, it just looks like I have running mascara."

"it's such a look though."

messy kisses and post-nuzzles

[zivazivc]

a collection of old doodles and forgotten wips

[fanfic-gremlin-ft-trauma]

Kyoshi warrior Sokka is my reason to keep going (ft. Bonus Zuko and Suki)

[lefthandarm-man]

Bucky Barnes // The Winter Soldier Captain America: The Winter Soldier (2014)

appreciation post for bucky's hair in catws

[nataliescatorccioapologist]

Let’s talk about Nat’s makeup and how it represents her mental state and character development✨

Juliette Lewis said in an interview that Natalie’s signature thick black eyeliner is her “war paint.” I absolutely love this quote because it is a perfect way to describe the way Natalie uses her physical appearance to guard herself. Natalie’s eyeliner and fashion sense serve as a physical representation of the abrasive walls she puts up to hide the softness and vulnerability underneath.

The Pilot episode script introduces Natalie’s character with this descriptor:

This line makes it clear right off the bat that Nat’s makeup is a front she puts on; a mask. While most of her classmates may put on makeup to attract others, it’s clear that Nat’s makeup is meant to push people away. That dark, smudged eyeliner paired with the safety pin and bullet necklaces and the thick leather jackets are all screaming “I’m intimidating, stay away from me.”

But, unlike her appearance suggests, Nat is actually one of the softest and most compassionate characters on the show. Her trauma both with her father and out in the wilderness have shown her that she is a dangerous person, and that she needs to remain guarded and walled off from others in order to avoid hurting them. Her makeup hides her softness both for her own protection and the protection of those around her.

We see that Nat puts makeup on like armor. Before Doomcoming, she’s seen putting on black eyeshadow in the mirror right as Travis walks by, preparing to deal with all of the insecure feelings she still has around their breakup. In the Wilderness, Nat is pretty much never seen without makeup smudged around her eyes, despite the difficult circumstances. Even when she’s carrying Jackie’s body back to the plane you can see she’s got some eyeliner on. In the adult timeline after Travis’s death, Nat is seen putting on probably the heaviest makeup we’ve ever seen her in. Immediately after she puts this makeup on she texts her drug dealer with the intention to relapse. All of this shows that Nat’s makeup is her defense, which is why she goes to such great lengths to put it on even when she’s stranded out in the middle of nowhere.

It seems that the heavier Nat’s makeup is in a given scene, the more guarded, vulnerable, and/or threatened she feels.

Which is why it is so significant when Nat stops wearing heavy makeup after spending time at Lottie’s compound. When Nat first arrives, we see her clinging to her old forms of protection. She’s given some (purple) clothes to change into, but she rejects them in favor of staying in her black leather pants.

She keeps the thick eyeliner, too. That is, until she goes on her little adventure with Lisa to Lisa’s childhood home. After Nat processes her trauma around feeling like she is poison to the people she loves and has that great talk with Lisa in the bar, Nat notably changes her clothes and lightens up her makeup the next day. She is seen in a purple and navy sweater, but she still keeps her black leather pants on and her eyeliner is still there, albeit a little bit lighter, showing that she is starting to change almost in spite of herself.

Then, directly after the hypnosis scene with Lottie in which Nat finally begins to come to terms with and process her guilt, we see her in a purple dress and cozy Birkenstocks with socks. The thick eyeliner is gone and so is her tendency to push people away, as she readily embraces all of the other survivors as they arrive at the compound (even Misty). This is heartbreakingly the last outfit we ever see Nat in, but it shows the audience how much she has changed and forgiven herself in her final days.

I’ll leave you guys with this beautiful quote about Nat’s transformation:

“I wanted to show that Natalie became her soft self. I don't know how long that would have remained comfortable for her, but she liked it. She liked being clean. She liked being comfortable. She relinquished her eyeliner, which was her war paint.”

-Juliette Lewis for TheWrap Magazine

[puppetmaster13u]

Prompt in Memes 6

Let's make it some in-world memes this time :)

[str4b3rryxx]

The Crow X Sevika

It's been a hot minute since my last post cuz ya girl got art block, but I'm back now ^_^ I had this idea while high, so thank high me for getting over my art block

[jojo-schmo]

my attempt at Fleurina 🦢🪽🩵

[kabukiaku]

S: 'Are you quite finished, Cardinal?'

T: 'Obviously not, stronzo. You're refusing to listen to me.'

@thebandghostofficial