#but here you go have some suffering

[beanghostprincess]

"I rewind the tape but all it does is pause on the very moment all was lost" - Yamace Edit

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[vaguely-concerned]

the fact that irving canonically survives through the end of asunder to be at wynne's funeral is so fucking funny to me. nothing but love and respect for MY unstoppable cockroach morally grey machiavellian mage dad!!! he's survived in his position through multiple attempted rites of annulment and blood mage plots popping up left right and center around him. the chantry keeps trying to stamp him out but his dodge game is simply out of this world, divine. civil wars, political machinations and minefields, chantry atrocities, this wily old motherfucker is dodging and weaving his way through it all, not-quite-no-hits-taken-running-it-but-honestly-close-enough-under-the-circumstances style. if solas does succeed in tearing down the veil I would fully believe that one of the like three people still alive at the end of it all would be a very weary 90 year old first enchanter irving going 'oh this shit again huh'. the maker has cursed him for his hubris and his paperwork is never finished (affectionate, it's fine he canonically loves paperwork)

[akai-anna]

Round 3

Round: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[hanzajesthanza]

a book with geralt 😃

a book with geralt without ciri 😐

a book with geralt without yennefer 😔

a book with geralt without dandelion 💀

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[iknowicanbutwhy]

Puyo/Madou, meet ISAT. ISAT, meet Puyo/Madou. I'm sure you have everything in common and this is not at all a completely random crossover of my two current interests

[ra-vio]

Miguuuuuuuuuuuuuuu

[blue-eli]

Ink October day 3: Sophistry

An argument that seems plausible, but is fallacious or misleading, especially one devised deliberately to be so.

[generalsmemories]

every time i see someone shit on the xianzhou story quest on twitter i die a little bit inside.

[spaciebabie]

hey so im not white

[mondaymelon]

guess which boyfailure just broke down crying in a culver's !!! 😍😍😍😍😍😍😍

[skitskatdacat63]

For everyone who wanted bullfighter Nando when I mentioned it the other day, here you go :D

+ this one I don't feel like coloring yet(imagine he's in Ferrari colors!!!)

[venacoeurva]

...I know people in this day and age think any collaborative effort can fix things, often despite reality (ex. the MULTIPLE tumblr blackout protests over the last like 10 years across different owners of tumblr that didn’t change shit),

but I think going out of your way to buy things from tumblr en masse as a “well then they’ll be profitable and won’t have to change things to resemble profitable sites!” as if the CEO/higher ups are personally going to see this and not AT MOST just go “oh we made money, sick, Anyway.” is just. the most naive and frankly 5-year-old level of problem solving unrealistic idea if you think about it for more than 5 seconds. People are just so blinded by naive optimism it’s painful.

Staff isn’t going to see your purchases and go on a full redemption arc and restore porn in spite of payment systems’ massive stigma against it or Apple’s restrictions and never ever try to mimic Twitter or TikTok again, or whatever the fuck you’re expecting, they’ll keep focusing on shit tweaks that resemble other sites because those are what keep investors who think they know tech and user wants hooked and they think new people from other sites will come over for that instead of the fact these people are typically escaping those kinds of features.

Staff isn’t your friend, their vying for support like they’re your buddy who is hitting hard times and has been here holding your hand all these years is deliberate corporate marketing, they’re an arm of a corporation that spits in the face of LGBTQ+ people and especially black people for daring to post about themselves while touting themselves as The Queer Site! A diverse site! Look at this AMA we’re doing with someone about Black History Month! and you’re doing nobody a service when you’re unintentionally rewarding a service for getting worse because they will not know nor care about your motives, they just care that they got money and will continue making it worse regardless of you. They’re a corporation, not a small business ran by 10 people who are trying their best. People throwing money at Staff already encourages them, let alone when you buy into the weird parasocial shit they try with us which will continue as they see success with that method.

Like the mere idea of everyone buying the crabs to gift to make the site profitable is just unrealistic (especially in this economy with such terrible inflation and in NA there are issues with the weather and fires, on a site that mostly consists of groups of people who are typically low income or unable to work???), it feels very much like the gofundme pages people set up to raise money for celebrities who have debts who will be fine regardless and definitely don’t need your help. Corporations and CEOs are not your friends, they never will be. They do not care about you and they’re not some poor uwu victim of circumstance.

TL;DR half-assed blackouts aimed at companies that don’t care (that I have seen over and over) and “cr*b day” type efforts are incredibly dumb and will change nothing, and they will not change anything, just encourage them since they see they’re making money during their current marketing schemes, if they notice at all. You pitying them like they’re a poor innocent person is exactly what the corporation wants.

If you want to make a difference give that money to an artist or lgbtq+ people who basically get flagged as mature for Existing, or people who get their posts flagged for criticizing the site, or something, someone who gets screwed over by this site on the regular. It will do far more good than that whackadoo type pipe dream and sit down and think for a second, please.

[deus-ex-mona]

real talk: lxl should continue to explore romance fantasy concepts in their songs. it’s clearly working for them~