#but here we are huh?

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[daftmooncretin]

last three seasons spn are crazy. its just dean being borderline suicidal while sam tries to fix it by basically dangling his keys at him and going : “dean look! cowboys!” “dean look! strip club!” “dean look! haunted action figure.”

Meanwhile castiel is like i see that dean is suicidal, this is clearly my fault so i will remedy this by dying.

[theghooligan]

daemon and all the ghosts of harrenhall living it up every night:

[sirazaroff]

🔥 Rejoicify! 🔥

The last of your will to live is gone!

[dagnab]

Where is he.

[azurechicken]

It is a good thing that the BG3 team is attentive and we get updates all the time, but where does it end? If they are going to continue changing stuff about the game per request, what will be there left of what they envisioned in the first place? Especially for character traits and dialogue, like making them kinder and more likeable, just because there were two more people asking for it and they happened to see it. I just don't want to see characters shift into generic ones just because of a need to respond to everyone's ideas

[sparklingjay]

Boyfriends on a walk.

This would look even better if they were holding hands.

Full pic:

[mask131]

I am re-reading the Silmarillion, and something strikes me. The women of Tolkien's world have been talked about TO DEATH especially with all the recurring debates surrounding the Rings of Power series.

As we all know, Tolkien was not a "feminist" in the modern sense of the word. He had a very male-centric point of view and appreciation of the world, he had male-driven and male-centered stories, and actual women characters were sparse and rare. There are only five really big female characters in "The Lord of the Rings" - the quintet of Galadriel, Eowyn, Goldberry, Lobelia and Shelob. [No, don't talk to me about Arwen, she only really was a character in the movies, in the book she's just there in the appendix and she was literaly an afterthought of Tolkien to act as Eowyn's romantic double...]

Consider this. Galadriel, Eowyn, Goldberry, Lobelia and Shelob. This tells you everything you need to know about Tolkien's women, in good and bad.

The Silmarillion has the same motif of having a lot of female characters, only for most of them to be just footnotes, secondary characters with no lines, under-developped one-liners... with in a contrast a handful of super-cool, super-badass, complex and developed heroines at the center of the plot.

Aka, on the bad side, when listing the Valar, while Tolkien gives an interesting personality, great domains and cool attributes to all the male ones, half of the female ones are just... there. And do one stuff. And never appear again. I mean come on... Vana and Nessa? Estë and Vairë were done dirty... That's the actual type of "non-feminism" Tolkien has. It isn't about him hating women or trying to be offensive in his depictions - it is about him just, not putting as much thought, effort and care into his female characters as his male ones, a bit the same way he creates the vast expanses of the East and South of Middle-Earth and then never bothers actually developing more of it or seeking to tell tales of it - but that's for another discussion about Tolkien's "racism". Here we talk about women.

But here's the thing, aka the good side... When Tolkien does find the time and care to develop and flesh out a female character, by Iluvatar he goes all out! Again, we are back on what I said earlier: the women of Lord of the Rings can be counted on one hand... but these fingers are Galadriel, Eowyn and Shelob, so you can't claim he isnt writing powerful, important or uninterestng female characters. Which leads me to my original remark - as usual I get driven away in digressions of all sorts and kinds.

Have you ever noticed that Melkor's greatest enemies, the ones he fears the most, and his most effective foes... are women? Tolkien might not like to put them front and center of his tales, and he might have been a man of the early 20th century England in culture and mind, but boy does he has something to say about how women are actually the first enemies of the literal embodiment of evil and destruction! I mean think about it. Varda of the Stars, and Yavanna of the trees. Nienna has her ambiguous relationship to him - her tears work against him, and yet without her plea for him he likely would not have been released from the dungeons of Mandos. You have Melian with her Girdle, and Luthien with her Hound. And of course most of all Arien, guardian of the Sun, not only one of the rare fire spirits that Melkor couldn't corrupt (despite him basically ruling over all fire), but that frightens him so much he keeps hiding away and doesn't even dare to attack her... [I also reblogged some times ago a post praising the brilliance of Tolkien keeping the old European sun-moon motifs but switching the genders. The weaker, inconsistant, lustful, whimsical, disorderly, untrustworthy Moon is now a male principle, while the steady, dangerous, strong, powerful and beautiful Sun is a woman.]

It is actually REALLY easy to do a feminist retelling of Tolkien's work. Melkor doesn't fear Manwë as much as Varda. Aulë's works and servants get corrupted by Melkor, while Yavanna's do not. Melian and Luthien actively works against him. He friggin' pisses himself when the Woman of the Sun shows up. Sure, there are some evil female characters that serve him down the line and are relegated to the "obscure footnotes and undescribed secondary characters" zone - Thuringwethil the vampire or queen Beruthiel. I coul also dropped deleted characters from early drafts, like the ogress Fluithuin. But among them stands Ungoliant... THE only true female big bad on the dark side of Arda. THE badass, nightmarish, creepy eldritch abomination. And who ends up double-crossing Melkor, almost KILLING him, and again making him basically shit in his pants - as Varda and Arien do.

The first enemies of Morgoth are not the Valar, or the Maiar, or the Elves... It's women.

[alwaysshallow]

higher ranked reader being shot and hiding that in front of her team; she'd tell everyone that they did a good job and now they can rest, with a fake smile on her face.

she winces from pain in her room, when she pulls up her shirt, now stained with blood; there's crazy amount of hisses when she disinfects the wound. it's on her hip, not great to do all the stitches herself, she could mess it up badly.

when she's about to do it, ghost comes with everything that she needs to stitch her up. she's about to say something.

"don't move." it's all he says, his grip firm on her hip, keeping her in place so she won't try to protest.

she doesn't.

they sit there in silence, she's humming her favorite song, and he listens; she has pretty voice, but he doesn't say it, nor that it makes his job a bit... easier, better.

it's intimate, when she places her hand on his shoulder, whispering almost silent "thank you", and he just nods. nods, and gives her a little smile, when she smiles.

they both know they're pretty much fucked, ghost especially because she has a husband - but it's not his obligation, right? to stay faithful.

it's hers, and his is just taking her orders.

so, he decides it's the first time to make himself happy and fuck others:) from this time, he will completely ignore the fact that she has a husband. and god, it could only end badly.

for who, though?

[sad-leon]

did ya boi enter week 3 of @tmntfashioncompetition just to dress up my blorbo in a villain outfit? yes, yes i did ^_^

anyways~

yes, tis me, going up against @thegunnsara and @cokoweee

outfit is just Talulah (Arknights) cosplay :D

also special thanks to @v-albion for hyping me up everytime i shared progress shots <3

[u3pxx]

and uhhh feel free to add in the tags too what your answer is + where you are from + when did you first learn how to use them! or whatever

[egophiliac]

OMG EGO HAVE YOU SEEN THE BOOK 7 CATER CARD YET

80s britpunk Cater is such an incredible direction to take. his Sid Vicious jacket! his little british police cap! I wouldn't have anticipated that going full-on Sex Pistols would be his alternate self but it is SO fitting actually. 😭

(also th-the crown symbol?! the gavel?! is housewarden Cater real because I will TRANSCEND --)

[arabella-strange]

jesus christ man

bonus: the face Orym made when Dorian suggested if he wanted to ride Coriolis into the fight by asking, "Do you want to be a mounted fighter?"

[charmwitch]

royal blood

[daily-odile]

1,,,, 100 days,,,,,,,,, and 800 followers,,,,,,,,,,,,,

From the bottom of my heart, thank you everyone.........!!!!!!!!!!!!!!!!!!

[rystiel]

haha don’t think about that au where stan & ford as kids get sent forward in time and end up with young adult versions of themselves, stan with ford and ford with stan. don’t think about adult ford focusing on finding a way to send stan back, kid stan finding it so cool how smart he is. stan eventually realizing that ford isn’t just trying to help, he’s trying to get rid of him—he’s just a reminder of the brother ford doesn’t want to think about anymore. adult stan meeting kid ford, having a version of his brother who still loves him and admires him. taking him to gravity falls because he figures ford could figure out what to do, he can’t just keep this kid forever after all—he has a home to go back to. ford’s found a way to send them back, and right before the younger twins leave, stan stops this kid version of his brother to hug him goodbye. holds on tight and tells him he’ll miss him. maybe ford will respond that he’s sure he misses stan too in the future, but stan knows better. he says “yeah you’re probably right, kid” anyway. the kids leave, and ford leaves stan alone in that room, kneeling on the floor where he said goodbye to the brother that still saw him as his hero.