#but her writing wasn't that terrible

[goldlock1]

ancient lore,

aka things I wrote in middle school, unedited and now available with Extra Cringe via sharing them on the internet

------

Justin raced down the hall, stampeding past the framed photos and artwork on the neutral-colored wall. He skidded to a halt in front of a plain white door and opened it without hesitation.

The moment the door slammed shut behind him, Justin sank against it and breathed a sigh of relief. The Secretaries -- evil old ladies with sharply slanted glasses who hated children -- couldn't get inside the Century Room. Not if it was locked.

Justin opened his eyes. A copper light shone from the desk in the corner. A new message had arrived and with it, hopefully, a new mission.

But it was not a message at all, at least nothing like the ones Justin usually got. It was a notebook -- or, at least, looked like one. Justin had learned that in the Room, things often weren't what they seemed at first. He picked it up and opened it.

His initial glance found nothing of interest. It was likely a diary, probably a girl's from the hot pink cover. But when Justin looked back at the words, he saw several familiar words -- Century, Secretary, and -- wait.

"Justin Time"

Why was his name on the inside cover? Justin was confused until he remembered what Kay had said the last time they'd seen each other. "I'll send you your Record when I've got time."

Was this his Record? He couldn't be sure. Kingdom Keys -- or Kay for short -- was a practical joker on top of being the Matron's official Record Mistress. She could have sent him something totally bogus.

Justin looked at the open notebook again. It was, as Justin figured after reading a bit, an account of his adventures in the Room, and most definitely not fake.

Justin read on, and was soon lost in the memories of his discovery of the Room.

---------

Kay paused in her furious writing. The pages and pages of paper in front of her were covered with her hastily scrawled notes and reminders. The Secretaries believed in the power of paper and pen.

So did Kay.

But Kay's hand was cramping, and there were ink splatters all over the desk from a leaking pen. She could just imagine Mistress Denizen's scolding: Kingdom Keys, what is this mess? No wonder your work is so slow! You want to be a Recorder? Start acting like one!

To be perfectly honest, Kay wasn't really a Secretary. In fact, she disliked Secretaries in general. The only reason she was allowed to be here, training in the Reminders department, was because she was not totally human either. Her mother had been a Secretary, her father a human.

How a human had fallen for a Secretary (or the other way around), Kay didn't know. She did know, however, that she needed to get to work. Mistress Denizen would be making her rounds soon.

----------

"Kay, will you get the door?" yelled Aunt Lupin from the steaming kitchen. Kay sighed and put down her book.

The house was in chaos, just like it was whenever they had a family reunion. Toddler cousins, which seemed to multiply every time they tore through the hallway, were shrieking with delight while their parents chatted and ate cubes of cheese on sticks. Kay finally waded through the mass of people and arrived at the door. Putting on her brightest fake smile, she opened the door.

"Kay! How lovely to see you again, simply lovely! My, how you've grown!"

Kay's smile became more of a grimace as her older cousin Magic gave her a huge, dramatic hug and kisses on both cheeks.

As Magic moved on to other victims, Kay made her way outside. Aunt Lupin's garden was huge, and a perfect haven for Kay to escape to with her book and a chocolate bar she'd stolen from the kitchen.

------------

I think this was vaguely inspired by Alcatraz Versus the Evil Librarians series by Brandon Sanderson? I think also The Keys to the Kingdom by Garth Nix was in there somewhere (i don't remember anything about that series except that the ending is EXTREMELY disappointing). Apparently I was very creative with names once upon a time.

[mudpuddless]

Knight Feemor and Padawan Kenobi in the shadow court

AU where qui-gon gives up on/is banned from training Obi-wan after melida-daan and Feemor becomes Obi-wans master.

[picture ID: it's a digital drawing of jedi knight feemor stahl, aged 37, a long haired blonde near-human with tan skin and forest green robes, sitting on the floor with his legs tucked in under him. He is levitating a bright yellow kyber crystal between his hands as a disassembled white-gold lightsaber is floating to his right. padawan obi-wan kenobi, aged 13, a ginger child with grown out hair and a padawan braid wearing white tunics is napping next to him on the floor using a sage green cloak as a blanket and knight stahl's knees as a pillow with his hands tucked under his cheeks. the wall behind them is tiled with diamond shaped star patterned tiles and to their right a large white blue and gold porcelain planter is holding a small gnarly tree with droopy green leaves. above them three identical complex lancet windows which let white gold sunlight into the room. the drawing is done largely in turquoise and yellow tones and the atmosphere is peaceful and serene. end ID]

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[sciderman]

How do you feel about the increase in really weird NSFW ads on here (advertising panels that look like sexual encounters, and AI art apps that pride themselves on porn) but will take down NSFW posts from their users, even if it isn't technically sexual.

i hate all social media and it's consistent prioritising the advertisers over the users and the internet simply was a better place before capitalism sunk its hooks into it

[possamble]

(why does the read more cut keep breaking)

thank you marcille for letting my indulge in one of my favourite scenes to write (white girl total breakdown: bitch edition)

[gen-is-gone]

hrgh every time I think I've come close to forgiving lance fucking parkin I skim the gallifrey chronicles. and then I remember the Horrors.

[buttercupshands]

So... Ch 423 spoilers huh...?

Just read them... since, yeah, they just appeared and stuff

I... don't really have much to say other than.... I guess this is over? The battle, the arc... basically everything?

I'm... glad that it is, since it was really slow from all of the breaks, but at the same time it's... a little sad, or, actually, just... nothing

I think it's time to... reflect on... whatever happened in this arc or just in general, so... a personal story tie ig

I've been following mha for almost 5 years since I first watched and read it as my first "real" anime and have been following stuff ever since ch 240-241 came out and I caught up with manga, so it was pretty obvious what characters were the most interesting ones

Ever since the volumes became available to buy in 2019 I've been collecting them all up to the very recent ones and it was fun to do even if calculating how to buy them was a challenge for 'I just graduated high school' kind of person. But it was worth it every time with how LoV appeared basically in every single volume since they used 2-in-1 way of publishing so since LoV appears ever so briefly sometimes every 2 volumes it was a win-win situation

I took a break from buying them last year after the exams and stuff and after chapters of Toga's death came out I just took a break from mha in general, focusing more on other stuff like hsr, genshin or just my life while helping with stuff

I still followed the spoilers every week they came out just to see how Horikoshi wants to end the LoV story or at least how would Izuku fight Tomura in the end

And... it's the last chapter of that. After 2 years since the Final arc started and a year since Tomura actually started fighting Izuku inst

It feels right in a way, even if I'm a bit sad how... this is it? AFO just dropped info in ch 419 for it to be irrelevant in the end just for AFO to have control for 4 chapters and Tomura yelling to say that he's still alive in there

It was odd to actually read the spoilers one by one this time since I sometimes wake up too late so I just go through them quickly and that's it

I wondered halfway into the chapter that Tomura would just die soon but I didn't expect it to happen this chapter even more so at the end of it

It's... really is over now?

Defeating LoV was literally just finding a way for them to self-destruct instead of making Class 1-A be the ones who kill them showing that they're still good in the end. It's not like I'm complaining - it's the way I wanted them to be defeated because them staying alive in the end felt unfair, especially when fans were the ones who wanted it. Just leaving them in Tartarus for a way to say that Izuku can't save villains or changing the story so the LoV is left alone is not the way this manga would deal with it, I thought

And I was right in a way, even if it took Toga's monologue to actually be more sure that this is where it's going

It felt too much like how Twice's death was done - without any regret from him

Maybe it made me a bit... off from how other people wanted it to end with heroes "getting what they deserve" or something, but it would've stopped being MHA after something like that happened, especially in a final arc when all of the LoV (except maybe Compress who is not on the battlefield) is literally wearing death signs with Dabi being the most loud one with it - and we still haven't seen him have this "alright, goodbye" moment like Twice, Toga and Tomura now had

And I don't believe that Dabi will survive this arc - he's literally too far gone with his body less alive than before and with him living only to be angry at Endeavor I guess it's a matter of time we get a goodbye from him too

With how this chapter handled it it seems that Spinner might survive this arc after all, but again - it makes it all the more sad since Horikoshi did remind us that Tomura befriended Spinner, in a way making it... a bit sad that it means that Tomura didn't expect others to make it or at least since they were more focused on their own goals Spinner was caring more for Tomura's goal than for himself.

Which is... even more sad considering that Tomura literally tells Izuku to say that he was destroying until the end instead of telling how Tomura lost everything and couldn't do anything anymore even before dying from basically decaying from the quirk that AFO gave him

And that's... Not dissapointing, no. It just makes me sad that his arc ended like that after all those chapters ever since he debuted 10 years ago.

Is you want it to be correct, since Horikoshi based Tomura off his oneshot about Tenko - it's been 17 years since the concept of his character first gained form and only now he's gone

Like... really gone. Nothing else left.

You can probably tell that I didn't take it well even if I wanted this ending to be this way not the "everyone survives way", but it still hurts to see the character that clicked ever since first watching and reading MHA and the character who is basically responsible for me even trying to check first the anime then wiki and then manga just... dying like that

Granted Kurogiri was the one who showed up in the end and I'm just glad for this because ever since ch 419 came out and even before that I just hoped for it to matter in some way and it did

I remember reading some fics that dealt with this arc in a way that was satisfying for me, but I still crried a lot and I still am crying now from thinking that Horikoshi did in fact give LoV a break instead of leaving them in jail.

I do need a break tho. Not in a "I leave and no more sketches or anything from me", no

I need a break from this manga, thankfully next volume isn't close so I'm free to not buy it right after that, especially since it's Toga's volume and I'm not ready to read it again but this time as "read every volume" way

I also can't leave Ultra Impact since I suddenly became a leader for a club I was in alone after everyone left, it's now full with 30 people appearing from s7 starting ig, but it gave me some responsibility to support the new players who decided that a weird club which name I can't even change from what last leader called it, so I might continue playing just to, at least, have all or the LoV characters fully leveled up just for fun

But in a way a need a break from Tomura. I had one or two when it was becoming unberable with how manga was going and with how things are... yeah

I have some sketches ideas but other than that... it's a bit hard to touch something LoV related right now.

I also don't think that doing something like this again is a way I want to cope with what happened - it happened and I already have two different posts about both how depressing and hopeful ch 419 is, and in the end both were true.

Nothing changed what happened in ch 419, Tomura just decided to destroy AFO when the plot wanted with Izuku and OFA together which is definetely something that people made theories of

He didn't get time to get at least something before he's gone and whatever happened with Nana was happened off-screen so we might as well see it as Tomura dying with his life never meaning anything, never actually having any purpose and only by helping to destroy AFO did he do at least something that helped others and was his own choice, but was it? Did he ever have a choice at all?

As it is now and will be for the end for MHA Tenko Shimura or Tomura Shigaraki never really had a choice in anything he did, not in a "I didn't have a choice!!!" dramatic way of how Nana Shimura left Kotaro. No. He didn't have any choices to choose from to begin with.

But with how Kurogiri still wanted to protect Tomura and reminded him of his friends at least it's not just the first part of the post that was right, in the end last words that Tomura said were connected to LoV and what he wanted to do for them, not that AFO was to blame for everything which is true still, but that LoV, even as broken as it is, is still a priority in Tomura's head after all this time of having AFO's quirk twist his mind and anything Tomura said outside of that headspace should've been carefully checked since it could've been AFO who's talking

It's not the ending for Tomura that people were hoping he'll get nor is it something that everyone will agree on, I can feel people arguing from here even if I didn't check Twitter or tags here on Tumblr to be sure. I don't need to.

So... those are my thoughts, a bit emotional in some places a bit chaotic in other, since my head is a mess right now and this was a way to say "this is it... are you happy?" to myself and answering it.

And the answer is no. I'm not happy. This arc, Tomura's personal arc and the way Izuku "helped" Tomura is still some of the worst things, even if I'm glad that this is over and I'm not obligated by myself to wait every week nervous that Tomura would suffer, and he did suffer, a lot.

From how his only way of getting his memory back was to suffer again to the fact that he had to suffer to get rid of his hate that AFO so carefully nurtured for 16 years. It wasn't great, especially since I joined after MVA was over and nothing after that was good to LoV getting worse every chapter from Twice dying and Toga learning that she'll probably die too, to Tomura never actually meeting LoV again as himself after he got AFO's quirk basically making him oblivious to the fact that Dabi is Toya or that Spinner followed what AFO wanted just to be useful, that Toga gave away her blood to save Ochako or that Dabi burned himself to death probably and Mr. Compress compressing parts of his own body. And the only person he saw before talking to Izuku was Kurogiri who was literally melting away at that very moment.

It's... a bit unfair.

Yes, villains lose at the end since we're reading a manga even if the manga itself isn't sure if it wants to go "no this is REAL" or go the way every shonen goes with the main character getting what they want. LoV lost at the end just because the manga needed them to lose, even if the way it was shown wasn't disrespectful to their character arcs, all of them making sense in the end.

It's still unfair that their only choice was to die and in a way bring everyone with them if they can, it was the way Dabi almost did it, it was the way both Toga and Tomura did, only for their respective Heroes - Shouto (and Todoroki family as whole), Ochako and Izuku being saved from dying from something that would've worked ONLY there and then. While the villains are not in the My Villain Academia version of manga anymore, so they don't have a way to survive anything like they did in MVA. For Toga, Twice and Tomura it was the only way to survive, if they weren't the main characters of that arc they would've died.

So, in the end it's miracle that we even had that arc in the first place with how Horikoshi wasn't planning for the villains to become the sympathetic characters for the fans - they were supposed to be just scary, and it's clear when you read stuff before volume 23 comes with MVA - they were always just evil and scary without any hope for us to get something out of it. You may say that the chapter with Toga helping Twice and having Tomura talk to them after the conversation with Overhaul was the first sign of Horikoshi not just showing them as those evil villains, and in a way it's true.

Nothing from before that arc actually helped LoV aside from showing some poins of "Dabi might me Toya" or first points of AFO and Tomura talking face to face. In the end everything important was in Overhaul arc and MVA tightly connected to each other.

I'm glad that for the 5 years of my life I've been analysing LoV and took my time getting every volume, I'll still hold them dearly. But aside from couple of chapters at the end showing us what happened to others... it's really the end of it.

With how long this post is I don't expect for people to read everything, since it was mostly just me talking about the new chapter for an hour and a half, sharing my thoughts, feelings and... whatever else there might be.

Because it was important thing in my life for a long enough time that I would miss it.

I can talk for hours more and just loop around this topic, but this is long enough post and I'm tired, but thanks for reading

I'm happy that this is over

[fridayyy-13th]

i'm pretty worn out from today. i might go to bed early.

[musical-chick-13]

.

[agentravensong]

my parents asked if i wanted to go with them to see the new napolean movie this afternoon. i was not interested (espec after looking at the length and average ecritic scores) so i stayed home and finally got around to reading this is how you lose the time war instead. 1000% the correct decision, holy shit

[incoherent-orca]

💭

🐳

[gwinverarrouz]

You know, I saw that one of mermay’s themes was zodiac, and it just so happens that I have an OC who is a pirate captain/ocean goddess/capricorn, and if I don’t draw her now when will I ever?

[c0smiccom3t]

So.... does anybody else hate O'shriek from monster high, or is it just me?

[masquenoire]

OOC// What are some things that make Roman feel sad?

Few things make Roman Sionis feel sad. Years ago, it might have been a different story; he was a very lonely child for the most part whose parents made it crystal clear to him how unwanted he was, how much harder he made their lives and berated him constantly for how he couldn’t even begin to live up to their lofty expectations. It wasn’t much better elsewhere; Roman had few friends even amongst the other children of Gotham’s upper class families, a little too ‘odd’ and cursed with no filter to be able to truly fit in. Fortunately there were a few positive influences during this time. A few employees hired to take care of the family household and chores treated Roman well enough, caring more about the child than his own parents did. It was the chauffeur who realized he’d gone missing during one particular party and ventured out into the forest to bring him back when he’d been bitten by a rabid raccoon, though had been threatened by Mr. and Mrs. Sionis to not speak about the incident or else lose her job. Receiving so little genuine consideration throughout his life has long since burnt out Roman’s ability to feel sadness, because if nobody ever felt sorry for him then why the fuck should he feel the same about anything (or anyone) else? He’s older now, capable of looking after himself and everything he’s got is entirely his own doing. He doesn’t need empathy, to give or receive and frankly, such feelings are only weaknesses to exploit in Gotham’s crime-ridden underbelly where everybody’s out to get you. On rare occasions, Roman will notice a child who is not happy, clearly not loved or cared for by their parent/s at all. It’s a stark reminder as to how he once was, a haunting memory of how he’d once been and had nobody in his corner. For the briefest of moments he’ll feel the sharp, painful sting of sadness, memories of times he’d thought he’d long since gotten over... until familiar rage overcomes him, wanting nothing more than to -lash out- at the closest thing. To Roman, anger is much more familiar and preferrable to grief.

[misskamelie]

Having many thoughts over Dahlia and Godot

[drop--pop--candy]

thinking abt The Memory Issues again. sad!