#but he still actively is an asshole

[clementineskesh]

part of the reason ive been awake since 3 am is bc i was dreading work so strongly and my brain is stuck in a rut circling my asshole coworker who has admitted to doing things just bc they make things harder for me+he likes my reaction, who made fun of my degree, who is conservative and is a loudmouth asshole about it, who has been rude about me masking, who never shuts the fuck up--most days i leave him at work and dont think about him anymore but tonight i got stuck on how miserable i am when he's there.

he was on vacation last week and despite that making me the only full-time worker there all week, despite being stressed and understaffed, it was the most ive enjoyed being at work since before he got hired. miserable.

[topaziraphale]

"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,

The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"

Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.

What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.

[goosesartblog]

finally got around to making more content about the hfjONE/flatland crossover AU (aptly named shapeswap), this time the mirror to flatlander circle with a mole- battle for circle A Square. this has been stewing in my brain for eons so please excuse the amount of text (which i can provide a transcript for if anyone asks)

[idensgarden]

you guys seemed to like my last au ranting post so. here we go

some more takes on classic gravity falls aus because i like reimagining things. Here's my 2 cents on reverse falls, which. i havent seen the visual novel if thats considered canon or anything to the au. i think uts like batman now where everything you apply to it is canon if it vaguely follows the premise

from what i've seen, it's more of a situation swap than a personality swap, so most parts of the au will follow that. but pacifica didn't come to gravity falls for the summer- she had to move here because her stupid dad got involved in a scandal or something and had to lay low. the northwests have inherited enough money to last them a good while, but apparently they can't go spending it on "trivial things", like pacifica's very important designer clothes. so she has to get... a... a... god, i can't say it without gagging, a JOB!!! at a worn down car sales shack!!! hold on. let me add a cut here.

okay im back. alright. at her job, pacifica meets gideon gleeful, who's basically gideon but less entitled, and surprisingly a bit like mabel. he's immediately the most annoying person pacifica has ever met. but he's the only company she has, besides mr. gleeful, who is way too cheerful to be pleasant and gives off major discomforting vibes, and mrs. gleeful, who makes her reflect on the lack of affection she receives from her actual mother and creates a deep pit of sorrow in her heart. just girly things.

(since gideon is much more pleasant in this au, his mother is much more stable, and takes the role of the primary caretaker since bud is too normal for me to write about)

the other employees are bad, but could be worse. the sleepy cashier with eyebags for eons and ROBERT written uncaringly on his nametag, and the overachieving pink-haired errand-girl who seemed to have a different name each time you asked her and a cartoonishly large bow on her head.

the longer pacifica works at her new summer job, the more fond she grows of it. when she's not hearing about gideon's annoying ramblings about wanting to be on broadway and the melancholy of settling for a mascot gig, she's actually feeling this gross sense of pride after actually working for something in her life, and getting sandwiches made for her by ms. gleeful (eventually nicknamed aunt agnes). pacifica hates to admit it and it keeps her up at night, but she's happier here than she's ever been. which is why she doesn't leave when she notices strange things happening around gravity falls.

ms. gleeful denies it, but gideon totally agrees with her- something weird is going on in this town. pacifica, going through an old car with an undefinable model much too damaged to repair, finds a journal in the glovebox, embedded with an X over an eye, and from here, the show plays out a bit like normal gravity falls. give it that unnerving, darker touch that the northwest manor episode had. some early episode ideas:

a full episode based on the what's-his-face comic, obviously without the mystery twins. pacifica gets a pimple, and thinks that since she's starting to get older, she's losing her adolescent beauty, and thus becoming less of a 'valuable asset' to her family. what choice does a girl have but demon magic? i hope this one doesn't backfire!!!

after the last episode, the effects of pacifica's fear of not meeting the beauty standard linger. after catching pacifica staring at multi level marketing get-pretty schemes, ms. gleeful decides to revoke her phone and take the kids camping, saying that technology is evil. it turns out she's right, as pacifica's phone has grown restless after it's abandonment and transformer'd into a beast, which is hunting them down in the forest slenderman-style.

pacifica doesn't believe in the tooth fairy- she's almost 13! it takes her a terribly long time to be appropriately afraid when it gets one tooth from her (gideon convinces her to just TRY putting one under her pillow) and becoming obsessed with harvesting her perfect teeth. inspired by ckret2's goldilocks au!! :)

and then comes episode four...

on her break (thank god!), pacifica sits down to watch some trashy tv, but can't stop seeing ads for this flashy tourist attraction called the mystery shack. at first she rolls her eyes, but the lights and the colors and all the cool effects just look to awesome to pass up. this town must be getting to her, because she'd never indulge herself with something like that before, but now she just has to go. she works overtime for money to see the shack, and gideon uses his allowance to go, too. (pacifica is surprised. why is he spending money on this? he said he doesn't even want to go!!! (gideon just wants to get closer with his first friend)).

the shack is run by a professional conman, who collects and shuffles the money dramatically at a fancy desk, called stanford pines (not actually, this is pre-ford). his employees were vigilant, and yet always exhausted- a goth girl with a sharp tongue and a bodyguard who always seemed uncomfortable in his suit.

but customers really came for the twins; mason and mabel, psychic slash drama slash comedy duo. the townspeople practically (sometimes literally) threw money at them. they were the same age as pacifica and gideon, but had this air of disconnect to them. in all their posters they had the same matching yellow earrings, contrasting their bedazzled blue outfits. their hair also seemed to be greying, even at such an early age.

pacifica was not happy to have spent her 45 dollars on watching two kids read fortunes more vaguely than a cookie and tell dumb jokes and do stupid dances, but gideon seemed jazzed.

the next day, there's a knock at the office door. the twins came to visit! pacifica is pissed. mabel asks to chat with gideon, and pacifica tells her to screw off, but gideon rushes out of the door with mabel, 0 hesitation. he probably has a crush on her for a bit like in canon, but it doesn't go anywhere.

dipper invites himself in, offers that pacifica could offer him some tea free of charge, and pacifica almost thanks him. she lashes out at him, and quickly learns that he is all bark and no bite, curling up like a scared kitten in the recliner. she picks on him a bit, barely noticing the glow of his earring, before mabel comes back out with gideon.

"alright, that'll be all! hey, can gideon take work off today?" she says. "we want to go get makeovers! you know, since we're best friends now and all."

for some reason, pacifica feels a strong pang of rage. but she doesn't act on it, just standing there dumbfounded as mabel doesn't wait for an answer, and gideon skips out of the shop with his new best friend.

it keeps pacifica up at night. she should be important to him!!! wasn't she his first friend?

wasn't he hers?

when gideon finally comes back, pacifica is still angry, but she's relieved. at least that wacko girl is gone- nevermind, she's back, and she's taking gideon out for tacos and pedicures.

it goes on and on and on. pizza night this, karaoke night that, arts and crafts here, a cool party there... pacifica knew that she should be mad. she should be frustrated- she was pacifica northwest! she should be the center of everything, she should be invited to these stupid get togethers, she deserved it!

but she wasn't angry about that. she was angry about gideon. and above all else, she was lonely.

so she did the responsible thing and communicated with gideon about how she felt and I'm lying I'm lying to you right now. she actually hunts down mason, demands that he spill the ulterior motives of mabel pines, and yanks him up by his shirt collar like a cartoon bully. at first, mason won't talk, but pacifica drops him on the ground and gets a good look at his stupid dumb constellation birthmark. she asks him about it.

"it's... not actually a birthmark. it's,, like a tattoo." mason confesses. "it's a long story. with a really gloomy sleep paralysis demon at the center of it. please don't tell anyone."

pacifica has no idea why it's that important, but utilizes her leverage, and blackmails mason into telling the truth because shes kind of a dick. he tells her that the whole mystery shack is a con made up of conmen and conwomen and conpeople, and mabel is trying to make gideon another cog in the cog-powered con machine and swindling him into giving up his family's business in order to expand the shack, showering him with attention and taking advantage of how gideon has never had any friends.

pacifica is outraged. yes he has, she decides.

she barges into mabel's backstage room in the mystery shack just in time to dramatically yell DROP. THAT. PEN!!! before gideon signs a waiver.

gideon is disgruntled, confused, and angry. "you're just upset that mabel is treating me like a real friend, something you never did for me!"

"i didn't know how to do that for you, i never... i'd never done it before!"

gideon squints and softens at pacifica's confession. oh. so she's not actually that mean, she's just repressed and lonely. she's just like me for real!

the two make up and hug, before the sentimental scene is destroyed by a loud "ENOUGH!!!" from mabel. mason dashes into the room to come to her aid, a bit sorry for leaking her plan, and the two use their cool crystal earrings to beat the shit out of pacifica and gideon.

"YOU WANNA HAND OVER YOUR PROPERTY TO ME SO BAD, IT MAKES YOU LOOK STUUUPID!!!" (cool psychic fight)

eventually, gideon manages to snatch the amulet from mabel, asking her what the diddly darn she's doing. mabel sighs.

"come on, gideon! i have braces! those mess with girls' emotions and hormones and stuff!"

"d-... do they really?"

"no, but you wouldn't know, you never had friends!" she towers over him. the whites of her eyes become a ghastly blue, her pupils shifting to a shape akin to a goat's. "come on, gideon! what's it hurt? your dignity? your family? your life's work? we both know you need approval. need to feel normal. like you're not a freak." her words are venom. "i can give you that. there's no reason for you to miss this opportunity. there's no reason for you to miss me."

pacifica is restrained by mason, reaching out for gideon. "don't believe them," she sputters. gideon looks up at mabel.

"you're right. it's just nonsensical. to miss this. miss you..." he takes her hand, as he speaks again.

"not when my aim is just getting better."

he takes his free hand and SOCKS mabel in the face and unclips her earring because i decided theyre clip ons and ripping it out is a little extreme!!! he throws it on the ground and stomps on it, and mabel is FURIOUS. she turns to mason.

"come on, bro bro!" she huffs. "do something!"

mason is still for a second. and then he shakes his head. "mabel, we need to talk."

"NOW!?"

as the twins begin to argue, gideon and pacifica take the opportunity to flee the shack and run back to the car shop. before ms. gleeful makes dinner, gideon asks if he can actually stay at pacifica's tonight.

ms. gleeful is okay with it, but pacifica quickly dismisses the topic. it's the thought that counts, but she didn't want to see her parents at the moment.

"you don't mind if i stay here tonight, though, do you, ms. gleeful?" pacifica asks.

"please, sweetheart, call me aunt agnes. i have a sleeping bag 'round here somewhere!"

she and gideon smiled at each other.

[pasta-yy]

i think link and revali should be bros actually. i think it would be funny

[eastgaysian]

Sorry this is a dumb question but can you explain why tomshiv is not abusive? Shiv seems to hit a lot of textbook behaviours of emotional abusers

thank you for your follow up clarifying this was in good faith bc i checked my inbox yesterday right after getting high and was like man come on. don't do this to me. but yeah i can talk about it, it's obviously something i have a fair amount of thoughts on

on a fundamental level, i take issue with the assertion that there are 'textbook behaviors of emotional abusers' in the first place. distilling abuse down to a set of behaviors is, imo, effectively meaningless and totally unproductive. it's not the behavior of an individual that defines abuse, it's a specific and intentionally cultivated imbalance of power and control within a relationship. victims of abuse can and do resort to survival mechanisms that could be considered in isolation as 'abusive behavior', the point is that you can't consider them in isolation. there's a gulf of difference between the same actions when they're coming from a person in a position of significant financial or physical or social power over someone else, or when they're coming from the person at a disadvantage.

i think viewing abuse as a set of behaviors also encourages you to treat interpersonal abuse as if it's discontinuous with systemic abuse, which is inaccurate and unproductive. a key part of succession's premise is that, because the family is literally the business, the familial abuse within the roy family is inextricable from the broader systems of capitalism, patriarchy, and the sexual violence and abuse endemic to them. with regards to how the show satirizes and critiques these systems, i think it's very telling that all of the characters are to some degree complicit and/or participants in abuse, but logan is the only one i'd say is unambiguously and intentionally presented as 'an abuser' (whose abuse is not an isolated product of him as a person, but integrated into/inseparable from the capitalist system which persists after his death). still, logan isn't reduced to a one-dimensional angry, abusive dad, he's given depth and complexity. his continued insistence that he loves his children isn't treated as something that's untrue, but that doesn't make it inherently good, and it certainly isn't incompatible with him abusing them.

circling back to tom and shiv. their relationship is unhealthy, it's not good for either of them to be married, shiv does fucking awful things to tom and tom does awful things right back, i'm not questioning any of that. but at my most cynical and bitchy, what it comes down to is quite simply: shiv doesn't have enough power over tom to be abusive, systemically or personally.

the thing is sometimes you see people say 'wow, if the genders were reversed people would say tom and shiv's relationship is unambiguously abusive!' which... hrm, but really the issue is that. the genders are the way they are, that's for a reason, and yes, that does make a significant difference in how we perceive their relationship and power dynamics. tom holds very real and present power over shiv as a man and as her husband, proposing to her when she was vulnerable in a way that placed huge pressure on her to accept and then trying to get her to have his baby so he can become patriarch. shiv's the heiress with the legitimacy of her family name and generational wealth but she is continuously, unavoidably subjected to gendered discrimination and violence. she's never allowed direct access to real power - she has to rely on the men around her, her husband or her brothers, and if they don't feel like humoring her she's shit out of luck.

this doesn't cancel out like a math equation, but it definitely makes things much more complicated than shiv being an Evil Bitch Wife to her Poor Pitiful Husband. when shiv finally does push tom too far, he immediately, successfully, goes over her head to her abusive father to fuck her over. maybe shiv wants to be her father in her relationships and exert the same kind of control he does. but she doesn't and she can't! she does not have that power! she cannot stop tom from kicking back and his hits are significant. as much as she might like to pretend otherwise, tom not only has always had the power to leave in a way shiv doesn't, he had and has the power to fuck her up badly, and he's used that power. that is simply not the power dynamic between abuser and victim to me.

i also have to say that abuse is not always going to be definitive black and white. in real life there are plenty of unambiguous situations but there are also plenty of complicated situations, and applying judgments to fiction is not always straightforward. i can't exactly call someone 'wrong' for personally being uncomfortable with tom and shiv's relationship or believing shiv is abusive, but i'm very skeptical of the viewpoint and the motivations or assumptions that are often contained within. if shiv is abusive, she definitely isn't uniquely so among the cast, so you had better be applying that label and any associated moral judgments equally across the board.

[cluescorner]

Randomized Robins AU - Ages + Worst Trait Exercise:

Steph (25):

Says her worst trait is her murderous rages (she is exaggerating for dramatic/comedic effect, she’s killed 3 people tops and for very good reason)

Thinks her worst trait is her spitefulness (one of the few traits she definitely got from her father + one that prevents her from fixing her relationships and living her best possible life. She’ll refuse to interact with someone she dearly loves after an argument (happens significantly less after Tim’s death) or will say things she knows are hurtful just for the sake of having the last word. This trait will worsen in some ways as the list of people who have wronged her and those she loves grows, but will also ease up as she matures and realizes the harm it’s doing to her relationships with those she loves most.)

Her worst trait really is her spitefulness

Cass (26)

Says her worst trait is her self-righteousness (she believes that her goals are righteous and, as a result, she is righteous. Cass becomes very defensive whenever someone questions the mission and often does not second-guess herself. This is a trait she only develops later in life as she grows closer to Bruce/learns to understand herself more/starts to love herself more. But she knows she isn’t perfect and when somebody she trusts criticizes something she is doing she is willing to listen. She just usually isn’t the one to START the introspection.) 

Thinks her worst trait is her self-righteousness. 

Her worst trait actually is her obsessiveness (she gets it from Bruce and, while not as bad as him, she will easily become preoccupied with her night-life and the mission if someone isn’t there to pull her back. She will do this to the point of self-destruction and it hurts her relationships with the people she loves, especially Steph.)

Tim (24)

Says his worst trait is his spitefulness (he actively rejects the idea of mending his relationships with the older members of the family and this causes him to also lack good relationships with the younger ones)

Thinks his worst trait is his obsessiveness (similar to Cass, if he gets fixated on a task or idea he will neglect everything else in his life in order to dedicate more time to it. Unlike Cass, he will almost never be dragged away from it unless Pierrot snatches control of the body and forces them to take care of themself.)

His worst trait actually is how manipulative he is (the KING of guilt-tripping and using people’s emotions against them. He’ll do whatever he needs to do to get what he wants, he’s not above crocodile tears. And he will do it to whoever he needs (or wants) to with little care for how his actions impact others.)

Pierrot (Insists: “Age doesn’t apply to me! And even if it did, I'd probably be the oldest. Or the youngest! I’d never be a middle child, though.” Mental assessments by the Bats have put him around 21, with a margin of error of 3 years. Pierrot has called this “blatant character assassination by my eternal rival!��)

Says his worst trait is that he is an irredeemable psychopath without any regard for the wellbeing of others (this is a lie and everyone who's important to him understands this). 

Thinks his worst trait is his parasitic nature (he literally would not exist had Tim not suffered the way he did. Plus he is a living reminder of one of the worst things that happened to many of his loved ones. He is a parasite injected into a functional person's body and contributes to his continued suffering. This is also a largely incorrect judgement of himself, caused by his actual worst trait.)

His worst trait actually is his limited sense of self (he doesn’t really know who he is outside of ‘inheritor to the legacy of the Joker (a man he despises yet also views as a father)’ and ‘chip in Tim’s brain that became sentient’. He slowly develops an identity over the course of his life and relationships with other people, but he lacks the foundations of identity that most people have. Pierrot will often almost become a caricature of himself and what others perceive him to be because it's the only person he knows how to be. This causes wild swings in how he behaves and relates to others, sometimes to the detriment of himself and others.)

Dick (17) 

Says his worst trait is his clinginess (he is a very extraverted person who likes to be around others, which mixed with his fear of abandonment after his parents died means that if he goes a few days without seeing/talking to a friend he will get very anxious.)

Thinks his worst trait is his anger issues (he gets ticked off very easily and will explode on people. He’s kind at his core and is usually very nice, but he has a temper that can escalate significantly. Spoiler (and later Twist) help him channel this anger into something positive.)

His worst trait actually is his anger issues.

Barbara (18)

Says her worst trait is her disability (internalized ableism, she thinks of herself as less valuable than the other Bats because she cannot be out there in the capes like they can. She will grow out of this as she matures and as she learns how invaluable her support for the team is.)  

Thinks her worst trait is her disability 

Her worst trait actually is her overly-independent nature (In an attempt to overcompensate for everything she can no longer do, she has resolved to do literally everything that she possibly can without any help from others. This results in many instances where she either takes on too much and winds up not being able to fully realize any of her tasks or where she makes her life and the lives of others significantly harder by refusing help when offered/not asking for it when she needs it.)

Damian (16)

Says his worst trait is his perfectionism (he is overly critical of both himself and others, taking any flaw or problem and amplifying it to an absurd degree. This is due in part to his life with the LoA (where even a brief misstep could lead to death), in part to how others treated him initially as Spoiler (any flaw was fixated on and used as a reason to either mistrust him or portray him as unworthy of the mantle), and in part due to the fact that he is Bruce’s son (the only person with worse perfectionism problems than Damian). Gradually, Damian has improved in this regard but it’s still a massive barrier to both his own happiness and his relationships with others.)

Thinks his worst trait is his perfectionism 

His worst trait actually is his perfectionism

Duke (16)

Says his worst trait is his definitely-real secret evil side (says this as a ‘my dad is a villain so who knows??’ joke)

Thinks his worst trait is his impulsivity in his words (Sometimes he will crack a joke or say a remark without thinking it through, leading to a LOT of hurt feelings and drama. He’ll say something without thinking it through and wind up seeming insensitive. This isn’t done because of malice, rather because Duke is someone who’s quick to act and speak. But while the mantle of Insight and his awakening powers have helped him with his actions, they do not always help with his loose tongue. As such, Duke gains an unfair reputation in the media as an instigator and will accidentally cause family drama through what he says.)

His worst trait actually is his impulsivity in his words

Jason (14)

Says his worst trait is his bad manners (he grew up on the streets and has no idea how rich-people society works, which he’s pretty insecure about considering he’s now the youngest kid of Bruce freaking Wayne). 

Thinks his worst trait is his reactiveness (Jason never got the privilege of planning ahead for various events in his life, so he instead needed to rely on being swift and harsh in how he could react to situations. It’s saved his life on multiple occasions and helps significantly in his role as Spoiler, but it can also lead to extreme overreactions (accidentally causing kidnapping scare after Jason ran away following a fight with Dick) and a struggle to plan things out ahead of time. As he grows more secure in his place in the family and in life, this trait will lessen but never fully dissipate.)

His worst trait actually is his reactiveness

[treecakes]

i have to cite the guy i hate =____=

[todayisafridaynight]

tbh I really wanted the 3jimas to win that fight, to have Kiryu realize that his actions have consequences and that maaayybeee the people he keeps disappearing on to only reappear briefly to make demands of are finally sick of it and the rose tinted glasses of admiration have come off

no absolutely i really needed kiryu to just. //shakes him//

another thing i really wish we got from IW was daigo going off on kiryu- like he STARTED to but i needed that Y4 shit RIGHT NOW. if Y4 did anything right, it definitely helped broaden daigo's character in how having the chairman title pushed onto him was stressing him out and having him express this to kiryu was SO cathartic, even if daigo's words ultimately mean nothing to kiryu (or at the very least, kiryu did a bad job on understanding daigo's grievances and helping him afterwards)

it really is agitating that the jimas ended up going to the tower anyway too. i get that saejima and majima are kiryu's ex-colleagues and daigo's practically his son, and the fight was supposed to be a 'wake up call' for them. but it just diminishes the anger we saw from daigo in that first scene (and as if i have to say it, daigo becoming angry is a rare thing so that when it does happen its so jarring and it's meant to be serious) and it continues to excuse kiryu's general disregard for others if it means he gets what he wants.

its unfathomable to me that after nearly two decades of holding a position daigo didnt want for the sake of his idol, he finally gets to break away from it. and now his idol's just waltzing back into his life- after acting like he was dead for three years- asking for ANOTHER favor. and daigo's just supposed to accept it. if kiryu wasnt literally dying i just know he'd keep doing this until his last breath and no one would punish him for it because despite how many times he claims to understand daigo's woes, it's evident he doesn't care enough to leave him out of things

[princess-of-the-corner]

https://www.instagram.com/reel/C3bAXvhJ2Hm/?igsh=ajlmdmIybDR4Ymx3

YEAH the Shoto-Zuko situation is fascinating. Fire powers, scar on the face caused by a parent, sibling with blue fire who is absolutely unhinged because of parental favoritism, etc.

[skin-slave]

Do you think any of the families would've declared the kids legally dead? Besides Daniel. The ones that love the kids.

After a yr they could ask to have it made official. I'm sure the courts would agree that the chance of survival is so low that it's functionally nonexistent. But they were already halfway there. I'm sure they would've made it.

I'm just thinking about how weird it would be to get home and find out they'd had your funeral.

[redrobin-detective]

So while I was raking leaves today I was thinking that as much as Bakugou bullying Izuku and later redeeming himself is an integral part of canon, it could be improved upon. I’ve always been a fan of AUs where Bakugou is exactly the same personality wise but he stayed friends with Izuku and is his biggest supporter.

Basically baby Katsuki looked between his best friend in the whole wide world who just got diagnosed as quirkless and the prejudices of society and took Izuku’s side. And because this boy doesn’t do anything by halves he is so ride or die. Izuku trains his mind and body, he and Katsuki hang out constantly and make plans for their future agency, they spar together until they’re both formidable fighters. You can obviously insert canon in here which would be the same only Izuku a) starts out buff b) has a bit more confidence/self worth and c) All Might has to deal with an angry Pomeranian barking at him not to hurt Izuku 24/7. Aizawa clocks them as the class’s disaster duo within 5 seconds of meeting them and he’s not wrong but he underestimates the trouble they can get into.

Me, being me, I was playing with it today in my quirkless verse. They both get into Yuuei, Bakugou in Heroics and Izuku in Gen Ed. Katsuki would be hissing and sneering at his classmates for “stealing Deku’s spot” and it’s annoying but also kind of cute. They hear a lot about this Deku person, he’s tactically brilliant and a dirty fighter and doesn’t need a quirk to pound Katsuki into the ground. They’re shaking, imaging like a 7′ demonic beast. Only one day, the door to 1-A opens and its this sweet boy with curls and freckles and the friendliest smile like “Kacchan, you left your school books at my house again :)” And they collectively lose their shit that THIS is Deku. Then they watch him and Bakugou spar and its like, oh okay then, I am Afraid again.

Anyway, point being, I still think we could have had a compelling, interesting story if Bakugou was still his kind of douchey self but at the same time was Izuku’s best friend and biggest hype man.

[blujayonthewing]

I'm really glad elyss came several years before melliwyk, because mel's alignment shift from chaotic neutral to chaotic good sometimes feels a little embarrassing in an 'I can't keep my own feelings to myself for the sake of committing to the bit' sort of way, but the counterpoint to that is that elyss, steadfastly true neutral, just simply Does Not Care about anyone other than her own loved ones or anything outside her own immediate interest no matter how much I sometimes wish she would

[splanana-bitz]

You know what?

Shout out to complex characters. Those guys don't get enough of the proper recognition they deserve

I feel like we try too hard to make everything black and white, especially when it comes to characters, their actions, and the discourse surrounding it.

Should good characters be perfect all the time? Absolutely not! That's not how people work, and I think (to a certain degree) media needs to contain more accurate representations of how messy people and life can be, and sometimes, that means making good characters make a bad decision or giving them a complex past or a morally grey view on this or that, etc.

Should bad characters be excused for their actions? Hell no! But it's their flaws and seeing their improvement on said flaws that make it all the more interesting to see the story progress (especially if it's done right)

So, like...can we stop going to either the extreme of baby-girling and infantilizing questionable, ethically ambigious characters who's rough around the edges, or the extreme of shunning them so much and villainizing them for one bad decision...to the point we forget who the character really is and is supposed to be?

[mister13eyond]

Funniest part for me of all my oc world building is it is about shit happening entirely off screen. I have all these thoughts about the culture in heaven and hell and yet the majority of my characters don't even fucking live there. They live on "earth that is exactly like ours except there are a handful of magic beings hiding on the outskirts of it". They're reverse isekai. Most of them don't even have that much magic. All the lore about what demons and angels Do and Are and How they are is just like. Happening to the side while these fucking dingdongs hang out playing video games and hooking up

[cassandralexxx]

the world is in a disastrous state of affairs when people are supporting a school shooter over the community bc “forgiveness is free” and “are people not allowed to change”