#but he needs to change that last line

[demaparbat-hp]

Hey, Spitfire! Try not to kill your brother ahead of time!

.

Looking for Ursa right after being banished had some...wildly unexpected results. One: Zuko actually found her. Two: she wasn't alone. Three: leaving her children behind in order to protect them was, apparently, just something she did.

Looking at the bright side, Zuko now had a three-year-old younger brother to look after. Looking at the dark side, Zuko now had a three-year-old kid he needed to parent while also keeping him a secret from his father because—may Agni help him—the Fire Lord would have to go through Zuko first if he dared to even look at Lu Ten II.

(AKA an AU in which Zuko is a good big brother and doesn't want another kid to grow up like he did.)

[inamagicalhallucination]

i know i say that atsushi likes to spend his extra cash on kyouka but i also dont think kyouka lives there for "free" like she could, atsushi wouldn't mind, but i feel like it makes more sense for her to contribute since its not like atsushi's rolling in cash

maybe atsushi wouald be hesitant at a 50-50 thing becuz she's so little and he cares so much about her but i dont believe its 0-100 ya know?

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[pass3ra]

cressida's storyline was genuinely shameful tbhhh it's like they started rewriting it in the first half of the season then completely forgot about the changes they'd made to make it fit the book plot and it just ends up making everyone else look bad😐 every character in the second half got a "penelope did nothing wrong" lobotomy so we ended up with eloise completely ignoring cressida being sold off to an horrible man (when she made every effort to support her in the first half of the season) and for some reason resenting her for pretending to be lady whistledown? Then they somehow frame her ignoring colin's offensively bad pleas as it being her turning away from redemption when all she's trying to do is escape being trapped in the country with her likely abusive aunt... and it ends with her meeting her horrible fate and it still being framed as tragic only to immediately juxtapose it with the bridgerton family winning the idgaf war while gleefully seeing off francesca and her future dead husband. The bridgertons were the villains of the season frfr

[starry-bi-sky]

Oh man, I binged the first 20 episodes of The Princess's Jewels a few days ago after watching a few review videos on it because I had to see just how bad it actually was, and I've decided to talk more about it here.

For the entire spite-fueled four hours of reading, i kept stopping to take screenshots to send them to @the-navistar-carol and then talk about how stupid a lot of the plot points were. I jokingly called Ariana a jellyfish based on her hairstyle, and the nickname stuck after Gen said "yeah and she's like an actual jellyfish by how the trick you into getting closer because they're so pretty before paralyzing you with their stingers."

I'm putting this under a read more because, as normal, I write a lot.

We all know Jellyfish sucks, but what gets me the most is the wasted potential of the guys (among other things). They are all so! Interesting! And they befall the same fate as female harem members in that their backgrounds and personalities all get set to the wayside in favor of fawning over the MC. They all come from unique, diverse backgrounds that don't get touched up on at all. For example:

Why did Efrit wear a mask all the time when his older brother didn't? Why did he say that "he finally found the woman he was going to reveal his face to" to Abal after he met Jellyfish? Is it some kind of cultural thing for the soldiers and warriors of Xek to wear masks until they fall in love? That would explain why his brother has his face revealed, cuz he's not a warrior! Why is the second prince in charge of the country's army and not the king himself? Why did he STAY the general of the army after he fucked off to another kingdom to become the lover of a foreign state?

Why was Haun Baek taken in by the royal family? The flashback of the queen giving him a new name implies to me that he may have been a slave of some kind, which puts a lot of perspective on why so many people were against his rise to power and disliked him. He was mentioned to be a general and head of the security division of the king, but as far as chapter 21 goes, this has never been brought up again. He's the Harem Pretty Boy who does all the work in high society for Jellyfish.

Speaking of fighting -- when did Jellyfish get a thigh tattoo to summon her sword? What's the backstory behind that? It probably has something to do with the 'swordmaster' thing (which is ANOTHER thing) but when did she get it? Why was she even allowed to learn swordfighting if she came from a seemingly implied patriarchal society? More importantly -- why was everyone okay with this? Why is it only the off-screen "evil old advisors" that hate her doing this.

Are these evil old advisors in the room with us right now?

Why are Nell and his family werewolves? Where did their magic recorder ability come from? This was just seemingly a power that he had that came out of nowhere when they were looking into Benela and her family. From the videos I had assumed he was a poor family that rose into dukedom after the war, but apparently they've always been? Dukes? And the other advisors still see the family as a threat? On one hand I can see where they're coming from, but on the other I don't think the comic is portraying them as "threats" the way I think they are. Nell and his family are seemingly treated like they were commoners who suddenly rose into nobility, rather than pre-existing nobility that fell onto hard times.

I want to know more about Jade and the fact that he's from a holy house from an entirely different country -- i cannot believe Ariana got away with that btw. Like im not even touching the gross overreach of power that is her demanding a noble not of her kingdom to be castrated, but more so on the fact that she practically coerced and stole a descendant of a saint and faced?? No backlash from this? None whatsoever? The gods and the people just let her get away with it because oh, it's an honor for this snobby empirical princess to come in and steal one of their chosen saintly descendants all because his dad pissed her off?

Like I agree that the dad was a scumbag, but Ariana calling him out on it is like the pot calling the kettle black.

Also, I wish Benela and her family were a bigger threat than TJP claims they are. Like, this is apparently the emperor's favored concubine who stole the love of the emperor away from the empress and successfully murdered the crown prince without getting caught. She's apparently some master manipulator but Jellyfish faces no trouble thwarting her at every turn. So what is it? Is she a master manipulator or is she a dunce? Or is the emperor just an idiot who doesn't care about his sons because with the way he treats them, you'd think they were bastard children.

The banquet "queen heel syndrome" scene gets me especially so because that was a good fucking plan!

Benela's plan to reveal and shine a light on Jellyfish's harem and how it was negatively impacting her image and high society was a good plan! That was brilliant! Because it had basis of truth in it. I don't know if the queen heel syndrome thing was a false rumor, or something she deliberately fabricated -- the comic never actually goes out of it's way to disprove it. In fact, I'd argue the QHS thing is *backed* by it, because just a few chapters prior when we first meet Benela, there's a side comment made by a noble woman about how her daughter was chasing after some man she was infatuated with.

But what I do know is that Jellyfish has been disgraceful towards her fiancé and that she has been indulging in her harem. By all accounts, by the implied societal standards of Arbezela or Azkaban, Jellyfish is being a whore. I am not one for mindlessly slut-shaming, but sometimes slut-shaming IS okay if it has a narrative purpose. And it does here. And Jellyfish doesnt even disprove any of their arguments, in fact she does a 1st grade level deflection and instead goes right for insulting Bavilo's lack of marriage prospects, which wasn't what they were talking about at all.

I'd applaud the deflection if it wasn't Ariana doing it, and if it wasn't such a serious and valid accusation that Benela and her family were making.In any other manhwa, this would have worked. This would have damaged Ariana's reputation, and it should've had some actual consequences to it. Instead they completely skip over this plot because the author knows that Ariana has no defense, she can't talk or excuse her way out because regardless of the truth behind the Queen Heel Syndrome, the fact remains what she is doing is inherently shameful.

Like! I am so mad that their scheme didn't work, because it! Was! A! Good scheme! All the best lies have some part of the truth in it, and Ariana should not have been able to weasel herself out of that so easily. In fact, the fact that she did just makes the emperor look like an even bigger incompetent.

Wanna know how this ended? It ended with the emperor blowing up at Bavilo because Bavilo said that he "could make it to the top on his own without the help of talented subordinates" and the emperor perceived that as a slight against him because, apparently, Bavilo was claiming to be heir to the throne? When nowhere in that sentence did Bavilo even so much as say or imply such a thing?

and also--- WHY is it such a bad thing that he's claiming to be vying for the heir seat? It's empty! The Emperor hasn't announced a new successor yet, of course Bavilo would say he wanted to be the crown prince. Nothing that Bavilo said was insulting towards anyone, and was actually quite admirable.

What gets me too is that right after this chapter, the empress claims that the princes are "illegitimate children" because they're the sons of concubines, and that if they were chosen for the role of "carrier of the light" people would question their parentage-- ???

First of all, not at all how concubines work. Concubines are a legitimate role in a harem structure and quite literally their job is to produce more heirs for the throne as back-ups in case something happens to the Heir Apparent. Like that's literally their job. They are official members of the royal palace, to claim that their children aren't legitimate is to claim that they're merely mistresses, not concubines. This was both an insult to the concubines AND the emperor.

Like my god I do not have the time to go into all of the plot holes of this webtoon. I haven't even gone into the total lack of consequences Ariana experiences both politically and socially, and how all of the interesting conflict happens off screen, nor the blatant racism and misogyny present throughout the webtoon, NOR the absolute SHIT worldbuilding.

[feline-evil]

Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.

[jichanxo]

how it started:

how it's going:

[moe-broey]

Fuck tjis shit I'm making base Alfonse my greeter again

AWESOEM......

[yanderespamton78]

ive already shown this to anyone who actually cares pretty much loll (anyone following the addison arg) but i might as well post it on here

this is actually the first proper animation ive done :'D like other than this ive animated a ball bouncing but that was more to test the software than anything,, lucky for me i consume animation memes more than i consume water so i know the basics B)

[toastytrusty]

thinking endlessly about how romans main relationships outside of the family in later seasons are lukas and mencken, and how their dynamics with rome foil each other both narratively and in-universe. lukas represents them selling waystar, represents emotional vulnerability, represents freedom. mencken, on the other hand, represents them keeping the company, represents the toxic façade of who you Need to be, represents remaining trapped. the way romes emotions fuel the contrasting dynamics between them is endlessly fascinating

lukas, upon his second time meeting rome, immediately continuously attempts to talk abt deep kinda personal/emotional stuff, which rome shut down because he's afraid of self expression, even though deep down he craves connection. this probably scares him, so, especially after logan's death and lukas' reaction to it (on one hand being a dick and not pushing back the meeting, on the other hand trying in his own autistic way to connect and empathize with their loss, as well as being real about how awful logan was), roman distances himself. he feels pushed to the edge of his sanity and reverts to what comes most naturally to him, you guessed it, eeeemotion. he freaks out at lukas on the cliff, in his head burning any bridge built between them, which tbf he pretty much does. but to lukas, this is almost like a win for him. he's been trying to encourage roman to open up to him since they met, and he finally did! so the $5 price bump is almost like a congratualtions or a reward, as well as a spiteful fuck you. narratively it takes them one step closer to selling the company, roman's emotion being what puts him there, and in this case it's being appreciated. really, rome wants out of the company; he wants to sell and he wants to be free of it and all the pressure and expectation that comes with it.

whereas mencken was always very business-focused with roman; joking and laughing in a detached, not very real way. his focus was always succeeding and going far and not really caring how he got there, and i think that's part of why roman liked him. there was no expectation to be genuine or actually connect; he could just put on his brave face and do what they felt needed to be done. when he pushed lukas away because things got too real, he continued seeking out mencken because mencken was easy to appeal to in that way he so often does; changing himself to suit there needs. he puts mencken over everything else that mattered in his life (relationships with his family members mainly he doesn't gaf about The Economy) because he didn't have to be real with mencken. it was all just the blind pursuit for power he didn't really want and a security he felt more threatened by than anything, because he got too far in and set his sights on something (or more accurately kendall set his sights on something, and who was rome to protest?) and had to acheive it. so when the façade breaks, and mencken sees him for the first time not as the charming, witty, businessman, but as the damaged person who just wasn't built for the world, he walks away, no longer looking to protect waystar, or roman. love and sensitivity and emotion are all weaknesses to mencken, weakness he had previously not seen in roman, but now that he had it was too late. rome couldn't pretend forever and mencken bailed, handing waystar (and roman!! becase their ties to waystar are through roman!!) back to lukas and the gojo deal on a silver platter.

this inadvertantly pushes roman back towards freedom, and, in a way, back towards lukas. he told mr emotions to fuck off and ran away to be his self absorbed emotionless husk with someone who wanted nothing more from him, but that didn't work out too well. he can't stay in the cage that is waystar, he can't spend all of his time being someone he's not; it's exhausting. lukas represents his ability to acheive freedom from the toxic environment of waystar, as well as the fact that he will eventually have to confront reality, and mencken represents his unhealthy, and ultimately doomed to fail, coping mechanisms and avoidance behavior. when he tries to twist his perspective of the people around him to make them seem like good people (logan, MENCKEN), lukas shuts it down (at least with logan; i don't think the two of them ever talk abt mencken) and makes rome confront the fact that they aren't, and when rome is so deep into being someone he isn't, lukas encourages him to be himself, whereas mencken condemns him for it

[demaparbat-hp]

YOOOO DEMA YOU LIKE ARCANE???!! omg who's your favorite character??? and favorite moment(s) from s1??? (and fav ship too 👀 👀) will you draw for Arcane in the future???? (peak show with peak art =perfection, just saying)

Anon, you have the. Best. Timing. Ever. I literally just finished an Arcane artstyle study with Katara of the Undercity as a subject!

My favorite Arcane character is and forever shall be Ekko (best boy). Other faves are Viktor (chronic illness baby) and Jinx (trauma gremlin).

As for the S1 scene... Besides the finale and that breathtaking Guns for Hire sequence? The Ekko/Jinx fight from ep 7. It broke me. (And turned me into a Timebomb shipper. Which was arguably worse.)

[llilychen]

it’s really sad that i always looked forward to rhaenyra and/or alicent scenes last season but i now feel the urge to fast forward every time one of them comes on screen

- every alicent scene is her looking sad or crying or her with cole but nothing she does adds anything of value to the plot

- we get the same black council scene in which the men are undermining rhaenyra twice per episode and still nothing is done (i do believe she will make some progress in the next episodes but it’s just so boring to watch her have the same scene over and over again)

cersei and dany i miss you both so much

[guhhhhhhhhhhh]

Oh little people in my phone, we're really in it now 😔😔

[theheightofdishonor]

when I mean quit traumatising me with thoughts about a volleyball manga, I meant it. What am I supposed to do with the knowledge that Hinata knew his weakness from the start and seeking individual growth (greed being a positive thing) doesn’t make him any less of a team player? Or that their extreme love for volleyball is what isolated them until they found each other? (or how entirely besotted Kageyama was with Hinata right from the start lmao) But really, reading your posts give me a greater appreciation for the manga and I didn’t even know that was possible! Thank you for your analysis, although I will be suing for psychic damage every time I see your posts in my feed because I end up thinking about them too much. I really like that you love Haikyuu so much, that love is contagious and you make me like it more.

Dunno, personally I find it fun to inflict my brain rot on others. The joy of suffering together or whatnot.

As for what to do with it, you can always just spin all that around your head for eternity and spit it out in various ways the way I've been doing for like 2-4 years now. Or use it to extrapolate even more insane heartbreaking headcanons and aus. They're both fun!

(Re: kageyama being besotted for hinata, that reminds me I have a post somewhere about kageyamas canon three step journey of falling in love with hinata but idk where it is. If I have time to find it I'll repost it for you because it's a good post (they make me want to chew on glass))

Im glad that I make you love hq more because honestly, there's few things better than being able to share your love of something with someone else and when you can bond with other people over that shared interest. It's sooo delightful. And like personally, interacting and having conversations and talking at people makes me like it and think about it more. It's also the way that i flesh out my thoughts. Whenever I post something especially long on here, it usually because I talked about it recently to or at someone.

Feel free to sue me for psychic damage, I find the idea utterly delightful but also you're really to blame because your asks make my day and make me want to write more about hq and kagehina

[lem-argentum]

it took me until dt to change rudy's hairstyle, but i ACTUALLY think he would've cut it back in post-stb when he became a reaper. the trope of "character cuts hair to feel more in control of their life" is cliché but REAL. and also the visual of him cutting it with his scythe is fun

[selvepnea]

Thinking about. That one post about art. And how it's never good enough. Since you're the one that made it. And how. It might relate to how I view myself?