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tar-oh · 4 years ago

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Pick a Pile: Who has a crush on you?

So, confession time. I’ve had this sitting in my drafts for about a month or so. The reason for not posting it until now is that a lot of the piles felt very similar to other piles? But, now that I think about it, it could just be that some people are called to more than one pile and they’re continuations or something along that line? Either way, they all blend a little, which was so weird to me. So, I am finally posting it. I thought it would be a cute fun little read, but it just became a little confusing towards the last few piles. Also, I’m not sure how comfortable I feel tapping into that kind of energy. I think it’s one thing to ask what’s coming towards you in love vs. who has a crush on you because then there’s like that whole consent thing. But, I already did the piles, and my reservations about it didn’t really pop up until the last two piles. It felt wrong to have spent so much time on 6 piles and not post it? Plus, with Valentines day coming up and my own love life being as dry as possible, I thought it would be fun to get nosy about your love lives! So I do plan on doing some more love-themed readings within the next week or so (HOPEFULLY! My second semester of school started this week, but I’m working on balancing school and my life outside of it!). SO. Choose a pile 1-6 below. Each is represented by some good looking gentleman (or lady) from some period piece. There’s no connection to the characters to the piles outside of just being shows/movies I enjoy. If you’d like a private reading, DM me! Tips are also appreciated (but obviously not necessary). cashapp $sararms paypal: paypal.me/sararms Another thing to note is that I really ask you to only take what resonates. There’s no way I can get every story possible within 6 readings, so there may only be bits here and there for you, for others there may not be anything that resonates. So, please be discerning. As I said, if you’d like a private reading, please DM me. Also, I gotta apologize, since I had started this nearly a month ago, there’s an obvious difference in the pictures of the cards because I’ve since gotten a new phone that takes way better pictures. But the layout, on the other hand, has no excuse... ANYWAY HERE ARE THE PILES:

1) Jem Merlyn (Jamaica Inn) 2) Anne Shirley (Anne of Green Gables) 3) Emma Woodhouse (Emma 2020) 4) Jo March (Little Women 2019) 5) Ross Poldark (Poldark) 6) Simon Basset (Bridgerton)

Pile 1: (Jem Merlyn)

cards: Peacock, 8 of swords, 3 of cups rx, 4 of wands, juno, hygeia, psyche First, I have to say that I have a feeling that this person feels you left them. I'm not sure what the context of that is, but from the song lyrics in Downfall by Matchbox Twenty ("If I could go back, would you have ever been with me?"), and then as I started thinking about that, the song Promises by Aly and Aj came on and there's a line in this song about how there is nothing left there anymore. "Guess I'll go back, guess I'll go home now. Gotta turn around, there's nothing here for me now", which, MOOD to be honest lol. So, it's like, maybe you left something behind, whether it be a home (like a city or a residence?), maybe a job? Something about you left and this person just feels that it's...Not over, but like, that there's something that's changed that will either make things harder or impossible? Also, on the bottom of my lyric deck there was the song Riptide by Vance Joy, at the part where he sings "I just wanna, I just wanna know if you're gonna, if you're gonna stay." So, maybe you're thinking about leaving something? A job? A relationship? I don't know, but that's what I'm getting. There’s something about leaving here, either way. Another thing I'm getting is that I feel that this is a little more than a crush. Or at least, I think they just feel a lot for you. Like, maybe you've taken up their brain space or something, especially since the song Eat, Sleep, Wake (Nothing But You) came on. It's basically about getting someone stuck in your head, so like no matter what you do, they show up in your thoughts. So, I definitely think you've done a number on them. Oh! "I may not say it outwardly, so all I have are memories. Those looks from at the start." I feel like this is definitely someone who is really into you but they haven't told you so - but I think you may get this feeling (like maybe you catch them staring from across the room or something, and with peacock, I feel like they don't even act embarrassed if you catch them). I'm getting a bit of regret with this, especially with 3 of cups reversed and 8 of swords. 8 of swords is almost always about someone who is stuck in their head about something. They're overthinking things and cannot see a way forward, so maybe this person feels like it's almost futile having a crush or feelings for you? I do wonder if for some, the 3 of cups reversed suggests that maybe they think you two are too different? But, then there's the 4 of wands, and these people on this card look really in love and its about balance and harmony...so, maybe they see you as someone they wouldn't mind ending up with, despite differences? But this is about WHO has a crush on you, so I want to describe them a bit for you. So, I pulled the peacock card for you. It's funny because the deck kept spitting out too many cards and when I finally said "only one please" it spit this one out. This is funny to me, because one of the ones I actually noticed that had fallen out before was one with a peacock. I personally have been kind of...haunted by them as of late, so I'm going to notice when they're present. I made note of it, shuffled and then pulled the actual peacock card. When I think of peacocks, I think of the way they strut around. Obviously, when we think of them, we think of how the male peacocks have those beautiful colors on their feathers. So, I think this is someone who stands out. I do also think they may have a certain walk to them, but I don't think they're exaggerating. I think they just...Are that way? Like, they don't have to try hard to get people to notice them, they're just naturally in the spotlight. For some, it could be someone that is kind of show-offy. But, I really don’t get that feeling. Moving on to the tarot, the 8 of swords tells me this person is in their head a lot. I already established you're one of those things in their head, but I also think there's a lot of other things they may overthink. They definitely could be someone who's just an anxious being - I almost feel that Hygeia supports that idea since it can be about your body and your health. The deck's booklet suggests that depending on the placement one has, it can lead to being a hypochondriac, so maybe they're just a giant worry-wart? With the 3 of cups reversed, I get a few things. There's one where it could be either 1 of 2 ways: the first being that maybe they're someone that parties a lot? Like, an excessive amount - and I'm only saying that because it's reversed. The other thought is that this person's kind of a kill-joy, like maybe they don't really have fun at all. Maybe they work too much or something? But I don't think that's it, because to me 4 of wands suggests that overall they're pretty balanced, so I'm thinking that this could be another possibility. One might be they just like to stay at home, like they're a lone wolf? Another one, I'm just letting this idea flow to me, is that maybe they're just super argumentative, and maybe that's what it's in reverse. Maybe you two argue a lot or they just like to start debates or something along those lines? I usually wouldn’t get that for 3 of cups, but that just came to my mind so I’m sure it’s for someone. Since I'm reading for a lot of people, I feel like there are just a lot of possibilities for these. And with the astrology cards, I only was able to pull asteroids, no signs or houses or planets. So, this makes me think a lot of people are choosing this pile, so pointing out possible astrological placements may not help you guys. But, if you want to know, I see air, water and fire with the tarot alone, and the bottom of the astrological deck was pisces, so that might be for someone. I do feel like this person has more of a balanced set of placements, so for example their sun moon and rising may not be in the same element, and maybe things balance them out. But with the overthinking element, I do wonder if there's a lot of air in their chart. I did mention that Hygeia was about the body and it can also be about hygiene, so I get that this person is just super clean? And, by that I mean, it's super noticeable. Maybe you notice that they smell like a specific soap or if they're someone that might grow facial hair, they keep it well-trimmed, or shaven completely. Their hair is probably kept nicely (like all pieces are in place), their clothes probably neat and never rumpled. Like, that kind of a person? Hygeia also focuses on how we treat our bodies, so...This almost makes me think back to how I mentioned excessive partying with the 3 of cups being reversed? I think they try to take care of themselves, but there might be a bad habit they have, like smoking or drinking more than they know they should. I don't get any huge red-flags about it, so take what resonates. Juno can talk about partnerships and what one's ideal partner is like, so I think this just says that one of you views the other as the ideal partner. I say one of you, because I was going to say they view you this way, but it's about WHO has a crush on you, so I do wonder if this is a two-way street here? Like, I think you may have a crush on them too, in which case, you're probably going to notice what they smell like lol. This could also suggest that they have boundaries that are clear to you and everyone else. So, maybe they're in the spotlight, but they only let people in so close? Like, they’re pretty selective about it? I think this person also comes off as being super empathetic and sensitive to people and their energies. The Psyche card can talk about this, so I think maybe they're someone who can just tell in an instant if you're just not feeling right? This could be why they hold boundaries - maybe sometimes they just get overwhelmed from how other peoples emotions make them feel? One of the lyrics I pulled for this pile was from Tiger's Jaw's song, Divide. The line goes: "You are drowning, it's in your eyes." - That line makes me think about someone who's extra sensitive to other people, and maybe also someone who has a lot of thoughts and emotions themselves. The bottom deck energy being Pisces makes me think of that too, especially because Pisces is a water sign (so, emotions), and the sign is 2 fish, so again, water - drowning. It's possible this person has a lot of emotions but no way to express them (8 of swords) so in return it feels a bit like their head is a prison? I'm not really getting much else about this person. I almost feel like this is just a sign that I should take to tell you that I think this is all you need to know? Like, I think, like I said earlier, you kind of had a feeling this person had a crush on you anyway. So, maybe this is more just a confirmation for you? Either way, I think this should be enough for you to know who I'm talking about. Oh! One thing, though, is that I think both of you, even though you both get the feeling that the other likes you, don't think it's possible? I just got that at the beginning because Movement's cover of Loosing my Religion came on first, and that song is basically about unrequited love. So, I think the 3 of cups reversed could also just be about miscommunication, or at least, misinterpreting actions and words on both sides? I don't know, something to think about. Music: losing my religion - cover by Movements promises - aly & aj downfall - matchbox twenty divide - tigers jaw riptide - vance joy eat, sleep, wake (nothing but you) - bombay bicycle club Pile 2: (Anne Shirley)

cards: queen of wands, ace of cups, queen of swords, elixir, anne carson (intellect), venus, 1st quarter moon, solar eclipse So, you got Queen of Wands AND Queen of Swords, AND Queen of Pentacles was on the bottom of the deck. So, there is a possibility that this is more than one person. For the sake of not confusing myself, I'm going to read this like one person, so, there's a possibility that you could possibly pick out multiple people being described. Or, if you felt called to another pile, maybe check it out to see if that can give you any more clarity. Remember! Take what resonates! Whoever this is THEY ARE SMART. And I don't just mean book-smart, I just mean INTELLIGENT. I got both the Anne Carson card AND Brainy by The National. The Anne Carson card's keyword is The intellect, and it talks about growing intellectually, but also the "delights of the mind", so I think this person also likes to pick other people's brains as a way to learn more about others and the world they're living in. I also think they're a student, and I mean, they could be any age, really. Like, maybe they're in graduate school or just still in High School. It could also just be that they’re not in school, but are just constantly seeking knowledge? So, maybe they read a lot of non-fiction? All I know is that this person being smart is probably something you've thought about, even if it's only a passing thought. Oh. But they're also maybe a little full of it, lol. (Full of It by DBMK came on, so!!!) Another thing is that the bottom deck energy for the astrology cards was Pallas Athena and that can talk about intelligence, so phew. Very smart. The venus card, to me, suggests that this is a really good looking person. Like, I don't want to say classically good-looking, but I think a lot of people notice this person. Also, Venus rules Taurus and Libra, and since you got Queen of Swords and Queen of Pentacles was on the bottom, I could definitely see this person having earth and air in their placements. But, kind of similar to what I saw in the first pile, I got a feeling of balance of placements (within the tarot I pulled, fire, water and air are present, plus bottom deck which was earth). So, like I also told the first pile, I think I'm reading for a lot of different situations, also if this is more than one person, the placements are going to be everywhere. I just want to say that you shouldn't get stuck on that, just take this as more of a confirmation if you already know their placements or something. First Quarter moon talks about transformation, so, maybe this is a very transformative person. Meaning, maybe they change their style a lot, or maybe they just seem to be changing a lot themselves? Solar Eclipse suggests something is being illuminated. So maybe they're someone that is really blunt? I think queen of swords definitely lends to this, because anyone in that energy can be seen as a very blunt person. I think they might be someone that says something that gets others thinking. Or, they have a way about explaining things that allows someone to see another side to things? The song Be Sensible by Jimmy Eat World came on, so I think this person is pretty logical and sensible, which is another Air-quality, so blunt, but logical. Like, they may not sugar-coat what they say, but they're also logical and see both sides of situations, in return, allowing you to see both sides to. To be honest, I feel like they're pretty sarcastic for some of you. And, I mean. The dryest of humor. The kind where you have to look up when they say something to see if they’re being serious or not, and sometimes it goes over some peoples heads. But, something tells me you’re able to translate it well. To be honest, I don’t think this person would have a crush on you if you couldn’t differentiate between their sarcasm and when they’re serious. So I said they were probably really blunt and logical, also possibly sarcastic. That's what I got from the Queen of Swords. From Queen of Wands, I also get that their really passionate. Like, I think this could be about anything? Maybe just life! But, I think there's a certain amount of creativity this person holds, and I think them being super smart gives them an interesting perspective on whatever they create? Maybe they write poetry or lyrics. Maybe they paint? For some reason, I always get a painter from queen of wands. I don't know, maybe I'm just imagine someone with a huge paint brush lol Like, really, in my mind I'm seeing someone with a giant paint brush, so maybe this person really does paint. The ace of cups is interesting to me. I think this might just say that their in the beginning of something that's emotionally fulfilling? Like, maybe a new course or a new job? For some of them, they just found the path they want to take. I know that sounds random, but the song (jogging) by Jetty Bones came on and a lyric really stood out to me, "All along, I thought I knew, but I had no, no idea where I was going at all, so I was going and going and going and gone." So, maybe they felt like they were in this endless loop of life until recently something dawned on them and they took a new path, which ended up being something really fulfilling emotionally? This could also just be someone who is really open about their emotions. I'd say they sound really emotionally balanced. And, this ace of cups is a hand pouring liquid from one container to another, so maybe they also are someone with a lot of love to give? I was trying to figure out what Elixir meant in this context, but I forgot that the bottom deck energy for this pile in that deck was Ghost, which can mean unfinished business. So, possibly this is someone from your past? Or someone who just thinks your time together isn't over. So if for some reason this is someone and you know who it is and you haven't seen them in a while, they don't think it's over. They think you'll run into each other again, and maybe elixir is like you two getting drinks (could also be getting coffee lol) - the song Take Me by Aly and Aj came on, so!!! Maybe they want to take you on a date to get drinks!? (Ace of cups!?). For the lyrics, they definitely are wondering how you feel about them since I pulled Downfall by Matchbox Twenty (First pile got the same song, different lyrics), "I wonder what you think of me." So, they definitely aren't sure how you feel. However, I think they can have a big ego (I think I mentioned this earlier), because I also pulled the line "You might need me more than you think you do." from Brainy by The National, so I think they're someone who can sometimes feel a bit entitled to other people? If that's the case, I'd make sure you set good boundaries. I don't get a bad vibe but I get a cocky vibe and sometimes cocky people can be total assholes. Strong boundaries are good for this person, but if this is someone who you actually want to accept the cup from, than I wouldn't build the boundaries too high, ya know? Like, still be open, but also be careful. I just don't want someone to feel entitled to you guys, okay? That being said, I think they loose sleep over you lol, because bottom deck energy for the lyric cards is a song by Now, Now called Prehistoric (so, also, thinking about someone from your past? But also, maybe they're into history?), " I will trade this sleep for you in a heart beat." Maybe they dream a lot about you? Either way, I think they loose sleep over you, so I mean, if they are really cocky, that's kind of something to be proud of lol You managed to take up more space in their mind than they themselves took up (Yeah, I'm seriously getting a cocky, full of themselves energy from this person). Oh! I just noticed that there's like a shape coming out of the cup on the Elixir card, and it looks a bit like a ghost, so definitely unfinished business with someone. I don’t know! I get good vibes from them despite how cocky they feel. I think that may just have come across so strongly so that someone can possibly confirm who it is? Just, remember boundaries! Music: Downfall - Matchbox Twenty Brainy - The National (jogging) - Jetty Bones Take Me - Aly & Aj Pile 3: (Emma Woodhouse)

cards: 6 of swords, king of pentacles, 3 of swords, capricorn, scorpio, psyche, wolf, Flannery O'Connor (Humanity) I get this sense that this is someone who doesn't say much. Like, I think they speak only when they have something of value to say. I don't know, I just get that feeling because I pulled lyrics from the song The Silence by Manchester Orchestra. These lyrics don't suggest this, but I was thinking about the song title and the fact that I pulled the Wolf card too. I got the saying "lone-wolf" in my head with that. Also, with Scorpio and Capricorn, I get a strong energy from them but like both signs can be observational. I think Capricorns get pinned into this stereotype of being workaholics and super-materialistic, but at the root of it all, their earth signs, so they're still grounded and logical. Not in the sense of an air-signs logic, but like, I'd say understanding. Like, I think they feel more and think more than they let on, but they don't see much point in expressing those things, which is the exact energy I get from this person. I wonder if maybe they just have a hard time opening up? Also, the bottom deck energy for the tarot deck was The Emperor, and even though that's technically the Aries card, I definitely get like a Capricorn vibe from it too. Like, I do think they're good at controlling themselves. Like, their sense of self-control is GOOD. Maybe they're a little lost and having trouble with that right now, but I think normally this person is good at that. And for water signs, I view Scorpios as being a little more closed off. They're known for being extremely observational, but their observations are also fairly insightful. So, I bet this person has a lot they could say, but maybe they just don't deem it as worthy - or at least, not for everyone to hear. As though they don't open up to just anyone. I get a similar vibe in this pile to pile 1, so if you felt called to it, I’d check it out. With the tarot, I see that for some of you this is someone who is moving away from a job or something financial. I only say this because 6 of swords suggests moving away from something and 3 of swords suggests heartbreak, but with the king of pentacles (and even an earth sign like Capricorn falling out) I do wonder if this was job-related. Though, this could be someone who is getting over someone who is in the king of pentacles energy? I think they definitely could be moving away from heartbreak of some sort, whether it's finances or romance. But, along with that, I can also see 6 of swords being paired with Scorpio as being super transformational. Like, I think they know when they need to transform and go through those death/rebirths. Like when a change is needed. The 3 of swords could just say they've broken a few (or a lot) of hearts, and I'd say with both scorpio and capricorn present, they must be a pretty intense person, so heartbreak might be a common thing they cause. Or, they themselves have had many heart breaks. I think, mostly, though, what I get is that right now they're going through one. This could also be that they felt rejected by you at some point? Like maybe you rejected them, or it was vice versa and maybe they regret that? Either way, they're into you now. Even if you turned them down or they turned you down, they're into you. I think they could be at a distance from you - whether physical or maybe they just can't get you alone? Or, just time with you in general? Because I pulled lyrics from Mat Beringer's song Distant Axis: "I feel like I'm as far as I can get from you." And if we pair that with the 6 of swords, I could see a distance. I'm not sure what category you fall under (the actual physical one, or the one where you two can't get time together), but they're feeling this. Oh, the song Seneca by Movements came on, and this song is about someone finding out that an Ex that they never quite got over is engaged, so I definitely wonder if for some this is an ex that never got over you. The song before it was Garden Eyes by the same band, and that one talks about staying in a situation you feel because you think it's the best there is for you. So, I do wonder if one of you is with someone else and there's pining? Also, while this person is intense, I do wonder if they have some intense self-worth issues. I also think that they have trouble with the world in general. Like, I think they see what's going on and aren't happy. I get that from the Humanity card, Flannery O'Connor's. This card has a peacock on it (again, check out pile one if you felt called to) Peacocks to me seem to demand attention, whether or not it's really what they want? Like, either way, you're going to see their colors, so I think this person could be someone that stands out to you - but maybe you also notice that they're kind of a loner too. Like, not quite, but definitely someone who isn't quite open to everyone. The Humanity card can talk about reckoning with failure. She's holding a broken egg (though it looks like it's bleeding), so I have to wonder if maybe they put their eggs all in one basket (so to speak...) and it failed them, and now they're having to deal with the fall out or regret. It can also talk about knowing oneself, so maybe it's also them being in a process of relearning who they are? So if we go off of my theory of them having to get through heartbreak and move on from something either financial or romance related, we could maybe assume that maybe they had started to build their identity off of this relationship or job? Maybe it consumed them to a point where they lost themselves in it but now they don't have it so they're just sitting there with that broken egg? OH! The wolf card can mean the self without others, so yeah. They definitely lost themselves within something for a bit. Maybe even within you? I'm not sure, I think there are a lot of different situations here. I do think they see you in a hopeful way though, like maybe them thinking about you gets them in a better mood? I think, like my comment about them having trouble with self-worth, I think they're just having a difficult time, and maybe they're trying hard to be grateful? I pulled the song, the Silence by Manchester Orchestra for you and the line I pulled was "Let me open my eyes and be glad that I got here." So, perhaps they're just going through a tough time and having trouble finding the good in the world. I also think with the Psyche card, they're pretty intuitive and empathetic, especially if they're a Scorpio or have that in any major placements, so It's definitely this thought in my mind of them kind of drowning in pain? I'm not sure, but I get sadness from them. An intense energy, but also an intense sad one. So, I guess if you know who they are, and you have feelings for them too, I'd give them some space to heal. The bottom deck energy for the Literary Witch Oracle was Saphho's card, which has the keyword of Love, so I think it's a pretty big crush that they have. Another key saying for it is taking flight, so I think this person is moving on from whatever happened in the past, but I see it as a thick energy. Like, slow moving. Like, when you're trying to walk through water or snow? Just. Slow. The King of Pentacles in this deck has a turtle, so I'd definitely say slow...The last song that came on for you was Wake Me by Bleachers, and it's a pretty romantic song, so yeah. They like like you lol. Music: The Silence - Manchester Orchestra Distant Axis - Matt Beringer Seneca - Movements Garden Eyes - Movements Wake Me - Bleachers

Pile 4: (Jo March)

Cards: wall, saphho, the fool, king of cups, page of cups rx, virgo, 1st house, hygea I think they're indecisive, I'll say that lol Lot's of cards that would flip and then flip back before I could grab them. So maybe in general they just have trouble making decisions or they're undecided about you. Like, they have a crush, but they're not sure how big it is or if they want to make a move? For some, how to make a move? Yeah, I did pull some lyrics from a song by Road Trip called Tokyo Hotel, "If I leave my love in your hands, tell me you'll keep it safe?" So, I do wonder if this person is just scared of being vulnerable, and so maybe they're going through a healing period and aren't able to make a move/don't feel capable so they're just kind of crushing on you from far away. I also pulled the song Shameless by All Time Low, which basically is just about how the narrator thinks this person is shameless: "You talk like you're famous. You're shameless," but I almost don't see this as a bad thing. Like I think they view you as someone who see's your self worth, so I'm reading this that way. So, wow, that first paragraph was so funny because I wrote that before I pulled the other cards? I pulled the lyric cards first, mostly because I felt called to, but I also was like "maybe this can give me the tone of this pile's reading?" And it sure did! Yes, this is someone who is currently healing. They have some high boundaries right now, I especially see that with the card "wall", so yes. They're very protective of themselves. I'd say they're guarding their heart pretty closely, and I think that Sappho (Love), and King of Cups is a dragon in front of that cup, looking a little fierce. Not really welcoming at all. Also, page of cups is reversed. That card came out sideways, and when I looked at it I really just felt that it was more reversed than anything? Like, I think they want to offer you a cup, like even that King looks a bit like he does, but there's just this sense of needing to protect themselves, so it's not offered. But I think a word that applies to this is yet, like they have the intention to - I definitely feel this, but they don't think now is a good time. You did get Sappho, which the main keyword is love. So? I definitely think they have feelings for you and they definitely desire something with you, but not now? (Hey, on a side note, if you know who this is and also have feelings, please don't put your life on hold for them? I just felt the need to say that.) And maybe that's like on both sides, maybe they have some shit they're dealing with and maybe you do too. I accidentally wrote page of pentacles instead of cups when I was writing out the cards, and I do get that feeling here. I think they're starting something new like a new job/career or class while also healing themselves? So, it's just not a good time for them to start something else too. Especially because I feel like with the King of Cups they want to put effort into it, like the king is someone who is able to balance their emotions and think with their heart and their mind. Like, not rule quite as logically as the King of Swords, but there still is logic involved. Which brings me to the astrology cards. I pulled Virgo, which is so interesting to me. Lately I've been noticing how many similarities to Virgo that the sign Scorpio has? And I definitely get scorpio vibes with this pile despite not pulling anything that was like SUPER scorpio? Like, yes, cups are dominant here, so there's definitely water, But, outside of that, the only actual one that I'd say is Virgo for sure. However, we have the fool card here - I'm not going to get to this one quite yet, because I'm still kind of feeling that one out, but I can say that it's ruled by Uranus, which in return rules Aquarius. But, this person I think can be detached. I know that sounds weird, considering that I said I got watery Scorpio vibes (though, another thing to add is that this deck has chosen to use a siren for the fool card, so definitely WATER ), but I mean, I think with Virgo, Aquarius and Scorpio vibes, there's a HUGE analytical trait to this person. I think they observe and take in all of the little details. This could also be another reason why they're not making a move on you yet? I think there are a few more details they want to "smooth" over so to speak, but also a few more things they want to know about you. Also, bottom of the deck energy was Page of Swords, so more page activity. This, I think, is them watching you. Like, not in a creepy way. Just in a way to gather knowledge on how best to approach this? Going back to the fool, I think usually this is someone who does take chances. With the Virgo and Airy/Aquarius element, I think they think about these chances, like maybe even too much, but I think with that King of Cups and Page of Cups (even in the reverse), they still allow their heart to mingle in this logic? Maybe when they were younger they were impulsive, and over time they've learned to like, tame the impulsivity? It's funny because even though there's a page here, I don't think they're that young. Yes, some of them might be, but I think the majority of you that picked this pile are older? LIke 20s+? I said they have have started something new recently, and I think there are a few set backs within it, like maybe it's taken a while to get there. So, while they're a King of Cups, they're also a Page of Cups. Something about this crush on you also makes them feel inexperienced. Maybe, with past connections they liked to jump in right away (that fool card), but now they're...Not feeling so confident? Maybe, going back to the lyrics by All Time Low, they fear rejection from you? Bottom of the deck energy for the lyric deck was the song Flowerchild by Citizen with the line: "I don't know where I went wrong", so perhaps you've rejected them already? Or, there's a sense that if they offer something they won't be good enough for you? But...They're a king...I don't know! This person has some insecurities. Also, I think the wall card could indicate this as well? Like, this insecurities are obstacles. There also could be physical obstacles, like maybe it's just not possible for either of you to work it out right now, so maybe they're bidding their time? I have a lot of questions about this and I think this is mostly because I'm reading a lot of different situations, so if you feel like you recognize this energy, take what resonates. I have a song stuck in my head called Intuition by The Backseat Lovers, and I didn't want to mention it because I thought it was mostly just me, but it didn't really get stuck in my head until I started this pile. Also, I couldn't hear the lyrics or remember which song it was until right when I wrote "resonates". The lyrics I hear are "Call it intuition..." so, I think for some of you this is resonating. Like you're just confirming something. I looked at the booklet for the Virgo card to see if there was anything I wasn't remembering about the sign, and it did remind me of a few things. First off, it's an earth sign (Capricorn is on the bottom of the deck, so I think this person has strong earth/water placements), and can be nurturing. So, maybe it's that their embodying a more nurturing energy right now for themselves? Like, I get this organized nurture. That's so funny to say because I think when people think of people who are organized and super analytical they definitely get like this idea of someone who is really serious and no-nonsense, right? But, I don't get that? In fact, even though I think they're healing and they have their walls up, I get this cheery sense to this person. I think they do like order and I think they are trying to take care of their health/body/mind/emotions (hygeia and virgo definitely suggest this), but I think they also are a nice person. Like a genuinely nice? (not that someone who cares for themselves aren’t, I’m just saying they like to help people as well as themselves, like a: “I give what I can when I can” kind of energy) Even though that dragon looks a bit suspicious on the King of cups and he's snarling, I think maybe they could give off a cold/harsh exterior? But, this could also be linked to those boundaries and those insecurities. Maybe this is how they seem, but if you get to know them, they're warmer than this. Oh, you know that's so funny, I forgot that we have the 1st house here. This is the house that is basically how we are on the outside? So maybe they're a Virgo or Aquarius rising? Or even a Scorpio rising? So then that would make those their first house. So I think maybe this cold version is their mask, but maybe their sun or moon is something like a fire sign or even water? I'm not sure, because this is such a general reading that I'm probably reading for several people, so these are just small possibilities. It could just be that at this point in their life, this is how their energy is. Also, going back to hygeia, I think this person enjoys working out? Or just staying active. I think health is really important to them, or at least right now it is because bottom of the deck for the literary oracles is elixir, which can talk about health. You know what I just realized? That's not a dragon, its some sea creature, which I've gotten two new things from: the first is that that if they do like to stay active, I think they swim a lot or do a lot of water-related sports/activities. It could also be that water just really calms them down because water is a huge aspect of all the pictures on these cards. The second is that, remember how I said it looked like this "dragon" is guarding the cup in front of him? Like, that his heart is a bit closed off right now? Well, I also think that because this is some sea serpent that appears to be underwater (pretty deep too, judging by how dark the blue is in the background), so I think this person is keeping these feelings for you down deep. Like, deep down in their own ocean. So, like, they plan to tell you one day or at least they want to, but haven't been able to surface yet, if that makes sense? A few more things: The moon seems prominent some how. I didn't pull any cards that REALLY indicate the moon, but the hygeia card looks like the moon to me, but then the page of cups seems to have 6 moons too. So, 6 could be something important too. Maybe age difference? Month you met? Day you met? I'm not sure, something about this is important. Also, the moons can just kind of point out how there's still an unknown aspect to this, like they still are trying to figure you out but there's also stuff about them you don't know? So, if you do know who this is and you feel the same, you're asked to kind of wait for them to come around (NOT WAIT AROUND, I MEAN DON'T PUSH ANYTHING) but also that there's still some stuff you're unaware of. The color red is important too. When I first was shuffling I like saw it in my head but I didn't write about it because it just was like, "Oh, random" ya know? But now that I'm looking at the cards, I see it on the 1st house card and the King of Cups has some red that almost looks fiery. Also the page of cups has a red thread wrapped around their ankle, which, could be that maybe you're supposed to learn lessons from each other? Like, that red thread of fate? I'm not sure I can tell you if this person ever will make a move, but they want to some day. Another thing is that outside of red, I also think the colors green and blue are significant, like, maybe someone’s favorite color or something? So, basically this is someone who's healing after something. I don't think I got into what that could be, and honestly I don't really see what it could be with these cards. I think that's a message and it's that whatever it is, it's separate from you. Which is also why this person needs time to heal so that they don't bring it forward with them wherever they go, especially if that's to you. You know what's interesting? A few months ago I did a similar reading on who was crushing on people, and I definitely had a pile like this. So maybe you picked that pile and this is the same person and they're still healing? I'm not sure, I'll link that PAP here so that if you're curious to see if you get that pile you can read it. (here's that reading, it was pile 5) Music: Shameless - All Time Low Tokyo Hotel - Roadtrip Flowerchild - Citizen Intuition - The Backseat Lovers Pile 5: (Ross Poldark)

Cards: Sun, Venus, Juno, Waning Gibbous Moon, Shirley Jackson (family) Alejandra Pizarnik (solitude), wolf, The Lovers, Nine of Pentacles, The Fool, and Page of Wands Pile 5, Your (I meant to put this, but it feels important to leave Your) person is trying to get over you. That's my first thought on this situation. Maybe, not really get over you, but maybe they think its best? I'm not sure if maybe they're thinking that it's kind of a futile thing or that maybe they don't think that they have a chance with you. So far in the shuffling process you guys have 2 extra cards, so I think this person talks a lot. Also, there are a lot of yellows and pinks I'm seeing with these cards. Tulips or roses may be of significance. This person might have a lot of earth or air in their chart. Like, I pulled the venus card, so they could be Libra or Taurus, but I also puled The Lovers and The Fool, so also maybe Gemini or Aquarius. I also think that their sun and venus placements might be important, like maybe they have them in signs that work well with your signs? With the Wolf card and the Alejandra Pizarnik (Solitude) card I definitely think this is someone who keeps to themselves. I don't really think they're an introvert (they could be) but with the sun and the venus cards I feel a definite sense that they're flirty lol. Like, I think they might not spend a lot of time with people, but they definitely can be charismatic? Also, I think its interesting that there are both the venus and the juno cards because venus is about love language and juno is also about relationships? I had a really weird 10 minutes where I spent a while trying to figure this out. First I thought maybe this was someone married or in a relationship who was into you or someone you once dated yourself? But, (and while that could be true, re: either versions), I don't think so. Even though I have cards like Juno, that means the partner, or Shirley Jackson which is a card about family/domestic life, I also have Wolf and Solitude and 9 of pentacles. Plus, with the lovers, I do think there's some genuine feelings here. I mean, it could also mean like, a choice this person has to make, but why not give me two of swords or another 2 card? Like, it could also mean that this person has a duality to them (so maybe they are really introverted but can be an extrovert when they need to be?). A weird thing is that I almost feel like telling you to look at the last pile (4) if you were drawn to it, because on the solitude card she's holding a heart that's broken and bleeding. So, maybe this person just went through a really bad break up (and maybe I'm getting weird mixed messages because maybe this is someone you thought was in a relationship, but has since left it? The spilled cup of tea/coffee on Shirley Jackson's card also suggests this to me - also the stain on the wall under the house.) I feel like, if you know who they are, you’re not sure what they’re up to. Maybe you’re in communication or something, but it’s surface level stuff right now? So, who they are as a person is that like I said, they could be both introverted and extroverted. Honestly, I think they're a complex person really. I think they may be romantic, but also maybe a flirt. I think they could be a really sunny person too, like this sun card is just really standing out to me. This could just mean that they're confident (I almost think that's like a definite with the fool card here), but it could also suggest that they have a big ego. The Waning Gibbous moon is about perfecting, so maybe they're perfecting something , like an aspect of them (taming their ego?), or a hobby or a job or just anything? Maybe they're a student and they're learning so that's what they're perfecting? I do think with the Lovers here, this could be them trying to perfect the balance within them, so maybe it's them balancing their emotions, or their confidence where they have a lot of it, but not to a detrimental point? And while I definitely associate this 9 of pentacles with their relationship status, just in the context of these cards, I also think this is like someone who's got their shit together, or at least working on that. I think they're stable financially, or their working on it/just about there. I think they're also independent and they don't rely on anyone. Maybe family is important to them and they are close to their family - and maybe because of that, they dream to have one, but right now they’re alone? I think with Juno there, maybe they see that you're someone that could fit into this idea though? Though, I do think they're still actively trying to get over you, so I still get that sense that they think this might never happen. I think the fool card suggests that they're willing to take risks. In the last pile, even though I said maybe you should read that one too if you're called to it, I said that possibly they're usually impulsive with connections with people, but that in that specific one, they weren't being impulsive. In this one, I do think it's not that they're impulsive per-say, but that they take risks. I almost see it more as calculated (which is funny because last pile got virgo and I'd definitely read that as calculated risk with the fool, but wasn't getting the vibe - this one I do). I definitely am seeing this with how this siren is kind of just waiting on this rock, studying something? Bottom of the deck for the astrological deck was Scorpio, so I think they like to observe people. So, maybe this siren on the fool card is observing before they make a move? I'm not sure why I still get the sense that they think this is futile...? Because I'd say the fool would eventually take the leap into the water, but I'm not seeing them do this. Then again, I did say they were perfecting something, so maybe its a waiting game until whatever this is gets perfected? Oh, I did just have a thought. I thought they were trying to move on from you but maybe they just went through a break up and its whoever they just broke up with? The lyrics I pulled for you are from Prehistoric by Now, Now: " I'll say that I've been trying to move on, we both know I'm not" - with, that one could literally be about you, maybe before they broke up, they felt guilty about having feelings for you (Because I almost wonder if this crush has overlapped within a relationship)? Or it's about the ex? It's going to differ for situations I think. The other was Divide by Tiger's Jaw "But it's too cold to walk home and I know I shouldn't call you". The song is about two people are into each other, and they can see it but they don't express it? It's almost as if they think its a bad idea to be together. I'm trying to figure out why they're trying to move on from you. Or if it is you... Something about this feels like I'm missing something? And I guess maybe that's a sign that you're not supposed to know everything about this person. That's another similarity to pile 4, they weren't really supposed to know either. So, I wonder if maybe this is also a reflection of you at this point in your life too? Maybe you're both learning on how to be yourselves and in order for anything to work between you two (if that's supposed to, but honestly with the lovers here I feel like maybe it is), you're supposed to learn how to be independent and what you want in life and a partner? One of the keywords for venus in the booklet is the Divine Feminine and as I started thinking about that, my ear started ringing. So, I think that one of you or both of you is supposed to get more in touch with the softer side of yourself. Like, the emotions? The bottom deck energy for the tarot is the Empress, so I do think there is something in that. Maybe both of you need to work on nurturing yourselves but also how to nurture others? Gonna be honest, this pile is really confusing me. It's so weird, I was getting stuff and getting stuff and now I feel like I'm hitting a wall. I'm going to try and pull a clarifier for the lyrics, because I think they're throwing me off the most. So, even the clarifier seems contradictory. It was page of wands, which normally I'd see that card as someone who's naïve and impulsive, kind of like the fool I guess. But, I think I'm seeing this now more as this person should be focusing on what makes them passionate, which very well could be you, but instead they're trying to let go. I think maybe they themselves are fighting this inside a lot. I'm going to stop reading this here, I think. I think this person has a lot to figure out, but I think you do too? I think this is a confusing situation where you both have feelings but someone wasn't available and now they're still not despite being single? I think whatever this is, it's going to take time. Sorry if this one seemed all over the place. I do think if you felt called to another pile you should try and check it out too because maybe it will give you more answers. But also, I need to remind you to take only what resonates. Do not try and make anything that doesn't fit, fit. I'm thinking it's so scattered because I think everyone is scattered? Like, I'm obviously reading for more than 2 people here, so I think its a bunch of confused individuals and I feel the need to really highlight the word Individual. So, my advice is to focus on yourself for now. I didn't give the other piles advice, but I feel the need to give it to you. Music: Divide - Tigers Jaw Prehistoric - Now, Now The 1 - Taylor Swift Pile 6: (Simon Basset)

Cards: Book, Wings, Bees, King of Swords, Queen of Pentacles, The Hanged Man, Chiron, Waxing Crescent Moon, First Quarter Moon, Scorpio Wow. I'm pretty sure all 6 piles had some sort of scorpio mention, if not a scorpio-esque vibe. Either we're all attracting scorpios or its just some message for me that I'm ignoring. I'm going to read it like its not that!!! The tarot with this pile is really powerful to me. You got King of Swords, so someone who is really logical but knows how to use this logic to rule. This might be someone who maybe be higher up in their job? I wouldn't say its the CEO, but the fact that you also got King of Pentacles as the bottom deck energy, it very well may be? Or at least a manager of some sort. I also think because the bottom deck energy for the literary oracles is the eye, this is someone who holds a position over you? I think its like a watchful eye, they pay attention to you. But I think within this pile you may find answers to some questions you have? Another thing about that eye card is that for some reason when I saw it, I saw green eyes? So for some of you this person has green eyes. But I think that's for a limited few. You also have the Queen of Pentacles. The Queen of Pentacles is a nurturer, but she's also practical and grounded. So this person is both logical and grounded and to be honest that sounds like a double threat to me. I think with the hanged man, its kind of like the hermit in this sense. This person goes within a lot to think through things, but I think there's also that observational element from this and Scorpio, like they hang back and watch. That watchful eye again. This person loves to watch you. Like, I just keep thinking about that eye card and I don't know why. But, the hanged man can also talk about a pause. Perhaps this person is in a stagnant period within their life? Or they're on pause. I think whatever this pause is, it's not keeping them from from watching you. WHY DO I KEEP CIRCLING BACK TO THAT? I definitely think this person has some obsessive tendencies and I know that’s kind of a stereotype with scorpios, but because I keep thinking the words "watchful eye" i definitely think they're keeping tabs on you. Whether it be in person or on the internet. I don't get any particularly bad vibes from them, but I do think if they wanted to, they could be manipulative, so keep that in mind. The wings suggest that they're a very ambitious individual. So, if they haven't gotten to the top of their company yet and that's where they want to go, they will. Kind of like how I feel that once they set their eyes on someone, its only a matter of time before they make a move. I get that movement feeling with the wings and the bees too. Also, the wings could suggest someone that travels or likes to travel. Maybe they're also in constant movement. The king of swords is a griffon in this deck, so I definitely see a lot of movement with this person. The book for this deck says it can signify hope, so like the star card almost. I think they are hopeful about you, but I also read this as history. Maybe they like history (I'm thinking like renaissance period stuff if so, just based on the dress on the lady in the hanged man card?) or you both have a history with each other? Take what resonates, guys. And the bees can talk about teamwork, so maybe they just make a good partner, whether its within business or in love. But, I also could read this as work, so maybe this is a manager or boss of yours? Kind of scandalous to be honest lmao, I definitely get this forbidden feeling with this pile, I mean one of the songs is called Separate Rooms, so there's a sense of like...propriety here? The lyrics that I pulled from that song are "If you don't mind, I don't mind", so maybe its like, they don't quite mind that they think this might never happen or can't happen? I think maybe they'd say that for sure, but is that how they really feel? Or, possibly, they don’t mind the forbidden aspect of it (maybe its a turn on?). I do think they're into you for sure. I mean, obviously its' a reading on who has a crush on you, but the line from the other song I pulled, Honeypie by Love Fame Tragedy is "Some feelings go but most find their way back in", so I do think they try to not think about how they feel about you, and yet they always find that their thoughts come back to you? Especially if you work together, but it's like a fight they loose all the time. It just keeps happening. With the King of Swords I definitely see this person as more cerebral and even if they think less with their heart and more with their head, it doesn't mean that heart doesn't leak through. I bet its a battle within themselves daily, to be honest. With chiron, I think this person has a healing energy to them. There is also a bit of self-doubt, but I think we all experience that from time to time. They could also be healing themselves too? But I get that they're more of a healing energy. Bottom of the deck is New Moon, so I mean, they could be starting something new, which could maybe involve healing. I also pulled Waxing Crescent Moon, which can be about taking initiative. I think they're fairly action oriented, and I think both the King of Swords and the Queen of Pentacles (less so than the King of Swords, and slow movement with this card, but movement within this specific version) can say that too. I see those two as movers more than the Hanged Man, but again. I think they're in a period of stagnation, so I don't think they're doing a lot of action-oriented things right now. First Quarter Moon can talk about growth, so maybe this stagnant period is really them just growing? Like, maybe they're looking inward at their own faults and stuff like that. I feel like Chiron hints at that too. Like, they're gaining more knowledge about themselves and the world around them by going inward. Which, really, is the message of the hermit card, but it didn't come out. I think the Scorpio card also might factor into that healing energy as well as the one of growth. Scorpios are known for being all about transformation, which is what growth is. They also are a water sign, so I think there's a lot of emotions here, but I think they know how to transmute them healthily. It's interesting, because even though I get that this is kind of a forbidden connection (like I get that vibe), I think they sound like a good person to be around. Like, they almost give off a mentor vibe, and I like that. Even though they may be a little creepy and have their eye on you, I think they're also not a bad person to have around? I think they give good advice and I also think you can learn a lot from them, especially with the way I think they heal themselves. AHH. The bottom deck energy for the lyric deck was Good Together by Shallou and the first line in the song is “We couldn’t love from a distance” So! I think whatever this is, they can’t stand not being with you? Like, I think they want so badly to tell you how they feel but circumstances don’t allow for it. I didn’t even notice this until I was linking the song down below!! Though, the rest of the song is about how this person’s ex is falling for someone else now. So? I don’t know. That first line does really stick out to me, but maybe the rest of the song has something for you. Music: Honeypie - Love Fame Tragedy Separate Rooms - Now, Now Prehistoric - Now, Now Good Together - Shallou

#pick a pile #pick a card #tarot #tarot reading

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whistlesanbells · 4 years ago

Text

Community Headcanons

Just a random list of headcanons I have, organized by character (feat. A lot of Britta x Annie)

Jeff

I saw someone mention that Jeff might have an ED, and given what we see with his relationship with food, and how he is willing to go as far as to hurt himself to be the best at something (in this case be the best looking) it makes a lot of sense.

A lot of people headcanon Jeff as bi but honestly I just take him as cishet. He has many many issues but I don’t think sexuality is one of them, because half his personality is his attraction to every woman that breathes lmao

Exudes top energy but really the minute someone else tops him, he gets insecure for a bit but ends up really liking it.

Britta

Raging bisexual. I feel like she’s known for a long time, but never told the group because it would just be another thing for them to poke fun of about her.

In the same vein, I believe Britta’s parents were very homophobic, and that’s why she cut ties. I think she came out to them at a younger age and it was messy. It would make sense that she would refuse to tell the group why she didn’t get along with her parents: because she wasn’t ready to come out to the group yet. Instead it gets framed as her just rebelling for no reason.

We hear almost nothing about Britta’s past, except for a few offhand comments about a dinosaur-related trauma. Britta is incredibly quick to deny talking about her past, which led me to believe that she has some kind of trauma. Personally, I believe she was r*ped in her childhood, which would explain her extra effort to comfort troy when he lied about it. It would also explain why she is so fervently for women’s rights, especially when it has to do with bodily autonomy.

Dyslexic!Britta makes so much sense to me, because her parents were likely unsupportive, so she didn’t get much help or accommodations in school at a young age. This probably led to her habit of going out of her way to do poorly in a class so it looks like she’s just not trying, so she doesn’t have to face the reality that she never developed good study habits and she would have a lot of trouble in school even if she tried. Even though she doesn’t do well in school, she’s really smart, she’s just not great at articulating her points :))

She was a tomboy in elementary school before it was considered socially acceptable, and she was bullied ruthlessly for it. In her true, “stick it to the man” fashion, she never grew out of it.

Britta is terrified of Annie finding out that she won’t do well in school even if she DOES try, because she’s afraid Annie will lose respect for her.

Annie was the only one in the group she came out to, because she trusted her to keep a secret and not to judge. Annie asks her a LOT of questions, but Britta puts up with it.

Acts like a top, is really a bottom.

She has a crush on Annie from 21st century romanticism on, but never expresses it because she doesn’t want to make Annie uncomfortable.

Troy

Gay lmao

I definitely feel like he had a crush on abed around end of season 3/ beginning of season 4, but it was unreciprocated.

Troy has an inherent sensitivity that makes him the heart of the show, but it took a while for him to feel comfortable with that. I feel like he had a lot of parental pressure to be perfectly straight and masculine, since he was raised under a strict religion.

Troy never wanted to be an athlete. I believe he wasn’t allowed to explore his interests because he demonstrated talent for sports at a young age, and that’s what he was pressured to do for the rest of his life.

Troy doesn’t always understand how Abed functions, but he is always accepting, supportive and understanding. Instead of trying to understand how his brain works, he memorized the patterns of what bothers him and what doesn’t, and uses that to help his friend in the best way he can. It’s super sweet :))

Abed

Aro/ace Abed rights!! I haven’t seen this one as much, but I really like it. I genuinely don’t think abed has much interest in relationships, which has absolutely nothing to do with being neurodivergent. I think he feels pressure from the group to date, because that’s what they think is “normal.”

I LOVE Annie and Abed’s friendship but I definitely don’t ship them. Sure, they kissed once, but she was attracted to Han Solo, not abed. Annie was attracted to dean when he was actually like Jeff too, but she DEFINITELY wasn’t attracted to dean lmao. Instead, I think they’re both really close because they’re both neurodivergent, and Annie understands him more than anyone else in the group, albeit not entirely. They also have a special handshake you can see at the end of season one :)

This isn’t a headcanon but it’s *technically* never stated in the show but Abed definitely has autism. l DO headcanon that Annie has his safe foods written down in a list because she’s the only one who knows how to cook in the apartment, and she knows it’s important to him.

Abed has all of his friends’ likes and dislikes memorized and written down, as well as their birthdays, as a result of psychoanalyzing them. He gives the best birthday gifts and never forgets.

Definitely was the ACB (creds to film theory on that one)

Shirley

I don’t have a lot of theories for Shirley, because we see a lot of her personal story in canon. However, I do believe that she wasn’t always such a devout Christian. I think she was raised with Christian ideals, but it wasn’t central to her personality until Andre cheated on her. After she went though a dark period of (likely) alcoholism, I like to think that’s when she turned to Christianity, and it gave her hope. She loves it so much because it genuinely did save her from a bad time in her life.

I think she is a big part of the reason why Troy, Abed, Britta, and Annie are afraid to come out to the group. They assume she would never see them in the same light, when truth be told, she would love them all the same. I think she would be uncomfortable at first, but either she would come to the realization or britta would convince her that it is inherently Christian to love everyone, no matter what. Her motherly instincts take precedence over her Christian ideals.

Shirley views Annie as the daughter she never had, but is very careful not to tell her for fear of hurting her feelings. She very much enjoys helping her navigate college and seeing her mature. She also loves all their girl talk since this is the aspect of parenting that she doesn’t get with three boys. In the same vein, she loved teaching Britta how to have friends who are girls, and she likes to think she played a part in raising her.

Pierce

I don’t like pierce enough to psychoanalyze him lmao

Annie (saddle up, this is gonna be long)

Lesbiannie, obviously. Annie’s romantic tendancies SCREAM compulsive heterosexuality. Annie’s relationships with men are always schoolgirl crushes, and she even admits to abed that she never really liked Jeff, she just liked the idea that he was available and willing to love her. It also makes sense that she can’t stand the idea of not being perfect in every way, including heterosexual (because she confirms that her parents are bigoted and that’s likely what she was taught). I think she would have a lot of internalized homophobia, and she would be very insecure about her sexuality, seeing how she acted during the STD fair.

I would love to think Annie also had her first ever real, I like this person for themselves and not just because they’re attainable crush on Britta. She always looked up to her because she was so cool and far less uptight than she was, but as they grew closer, she saw her in a different light. I ship them hardcore lmao.

Annie has ADHD!! I could talk for hours about this, mostly because I have very similar struggles to Annie’s canon character arc (minus the drugs lmao) and it’s mostly due to my adhd. Long story short, she was likely raised undiagnosed until she discovered it herself, which led to trying adderall and overdoing it because she was unsupervised. She was likely very insecure about her ADHD, which led her to overcompensating academically. Because she masked so much in academic settings, it’s likely she didn’t have much of a social life because that’s where her symptoms presented themselves more.

In addition being friends with abed has made her far more comfortable unmasking. If you watch her in studies in modern movement you can see her stimming (flapping her hands, rocking back and forth and swinging her arms) way more than usual. She normally fidgets by fiddling with her fingers by her waist and pulling her elbows tight to her sides in a position suspiciously similar to raptor arms. Not only is this a common and discreet way to fidget, it is easily passed off as good posture. This makes sense, as it is Annie’s trademark resting position.

Annie reads YA books and a LOT of fanfiction for fun. The group expects her to be more well versed in classic literature, but the girl just loves her some vampires. It’s where she learned a LOT of her....dnd tricks ;).

Top energy that Jeff never let her use DEFINITELY comes out with Britta.

She helps Britta study and teaches her all the study habits she had to learn, and Britta’s grades improve a little bit!!

Switched to pantsuits because of britta, I like to think she had some influence on that.

Lost interest in Jeff after Basic Sandwich

Knew that Abed was the ACB the whole time, she definitely had it figured out in that binder lmao

Anyways enjoy, just figured I’d write this down somewhere haha

#annie edison #jeff winger #britta perry #annie x britta #troy and abed #abed nadir #community #community tv #troy barnes #lesbian annie #theyre just so cute together okay #neurodivergent #annie and abed #theyre buds

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aros001 · 3 years ago

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First time read through light novel vol. 7. Random thoughts.

Through some kind of mistake, Rem had completely accepted Subaru, but he knew all too well that the Subaru Natsuki she saw was an ideal far removed from the real thing. Compared with the man she envisioned in her mind, the cards that the real Subaru held were few in number, and poor in quality—

But he learned, now that he stood at the playing table, no one cared about his personal problems.

All anyone in his position could do was try to win with the cards he was dealt.

This is sign I think Subaru has grown a little bit, though he is still growing. It's not about him, and Ferris later seems like he's trying to drill that into him a bit more later when Subaru wants to help with the battle preparations. It's good that he wants to help but sometimes he's unintentionally making things too much about himself, just to ease his own feelings. There are places where he would be getting in the way if he tried to help and Subaru's learning to accept that; to be patient and give his services where he can actually be of use, not just to help himself feel better. And damn, does he put that new maturity to good use in the big battle.

Originally, these negotiations had been Rem’s appointed duty. He could easily imagine how being unable to divulge her task to Subaru and having to speak with Crusch day after day had whittled away at her spirit.

Subaru had continually rotted by himself while the future of the Emilia camp had been entrusted to her—she must have suffered under that burden.

He hoped that in some small way, this victory repaid the girl whose feelings had supported him for so long; if so, then for the moment, that was enough for Subaru to be happy.

I really like this part. Again, it's not all about Subaru. He's acknowledging how much Rem's had to deal with while he was having his breakdowns and indulgences during his prior loops, and how much she still did what she could to support him in spite of it all. We're getting a little more that she does have a life outside of just Subaru and a little more added on to why he feels he's been so selfish. It really feels like he is now doing this for her. It's not like Subaru was completely self-centered before but I imagine there were times, especially with Emilia, where he wanted to help, but he wanted to be the one to help. He wanted good things for her but part of him cared more that he was the one giving them to her, verses her just getting what she needs in general. It's like how he couldn't feel happy that Otto was in support of Emilia first time he met him, though of course that was when he was at one of his lowest points.

And, of course, I'm absolutely reveling in all the sweetness of Rem supporting Subaru through his negotiations. Even if it's just holding his hand and reminding him she's there, he clearly appreciates the strength and courage it's giving him. Obviously they're not a romantic couple but this is the kind of stuff I love to see in romantic relationships. Just the basic comfort and support they find in each other's presence.

“...If I am gone, will you remember me just as long?”

“...I don’t wanna answer that. It’s bad luck.”

Speaking with a voice of dismay, Subaru gave Rem’s forehead a little poke.

When he touched Rem’s forehead, she smiled with a happy expression, almost as if she’d received the reply she had been hoping for.

Given something I believe I've been spoiled on for what happens later in the story (after where the anime leaves off), this feels like a very cruel monkey's paw bit of foreshadowing.

“Subaru.”

“...What?”

“I am fine with being your second wife.”

They were words to make a man unwittingly halt in his tracks.

When Subaru, unable to resist, looked toward her, Rem made a face like that of an adorable puppy, seemingly wagging her tail as she awaited Subaru’s reply.

Oh, good grief, just how far is this girl gonna—?

“If Emilia-tan’s a very generous first wife...”

“Well then, when we get back you must convince Lady Emilia. I shall try hard as well.”

Rem clenched the hand not grasped into a fist, very animated as she spoke with a smile.

Speaking jokingly like that broke all the tension, driving home to Subaru how weak he was. He truly couldn’t hold a candle to the girl.

I'm...going to have to see where the story goes from here, and how truly joking/serious Rem was with that second wife line. Just to put it out there, I don't really have a good view of polygamy. I'm always going to think that, 1st wife or 2nd or 3rd or wherever, someone is always going to be treated like second best and second priority. What they're receiving doesn't feel like real love and that's not fair to them. The only way I can see myself supporting a polygamous marriage in this series is if it's made clear Emilia and Rem are attracted to each other as well as Subaru and want to bang. Then it at least becomes three people who love each other as opposed to just "the guy and his two prizes".

So, first time you read this part in the novels or watched it in the anime, was anyone else afraid of the White Whale not showing up where and when Subaru told everyone it would? Like the world would just want to gut punch him one more time and have everyone think he's a fraud? I remember I was.

One theory I have for why the witch's scent grows stronger, not just when Subaru RBD, but also when he tries to talk about RBD is that maybe the witch likes when he acknowledges her "gift" to him. But she's also quite screwed up and doesn't like it when he tries to "share" what's between them, thus why she punishes him or those around him for doing so.

In front, behind and up above, he saw yet another whale-shaped figure high in the sky, scattering mist all around.

—The infinite mouths of the three White Whales laughed together, drawing out the despair of men.

Subaru, Crusch, the soldiers, everyone, etc.

Though pests had interrupted it, the White Whale’s mission was to cover the world in mist. This, too, was the command of its instinct, and doing so was the purpose of the White Whale’s existence.

One thing I've enjoyed about the various light novel series I've been reading is that, compared to their anime, I get a better idea of various characters' and monsters' mentalities. The best example I could give would be the goblins in Goblin Slayer (that they are not mindless creatures; that they know EXACTLY what they're doing to people and they enjoy it) and this bit with the White Whale is another good one. It seeks to cover the world in its mist and thus destroy/consume/erase everything (maybe?) And it doesn't know why it seeks to do this. It just does, suggesting there is something else, possibly the one behind its creation, driving it.

It's also interesting that, to the White Whale, the witch's scent is described as foul, despite the stories that she's the one who created it. This brings to mind a couple different theories.

Satella didn't actually create the whale. Someone else, perhaps one of the other six witches did or one of the archbishops.

Satella did create the whale but maybe used one of the other witches to do it. Puck did mention something about Gluttony when he sensed the whale approaching in the last loop.

Satella REALLY cannot tell the difference between positive and negative emotions, even more so than we were already led to believe.

Kind of cruel of Rem to trick Subaru into thinking she was dying, but at least we do get Subaru's completely true feelings out in the open. Back to the polygamy matter, I don't have a problem with Subaru being indecisive between Emilia and Rem or being in love with them both. It's not just that they've done so much for him, in which case the relationship would feel just like how Emilia described, just the two of them repaying debts to each other. Both women have been a hugely positive influence on Subaru's life. They've impacted it for the better and helped push him into being more of a man he can live with being, and it works the other way around too. It would be hard to imagine his story without either of them in it. I feel the same way with Code Geass in regards to CC, Shirley, and Kallen in Lelouch's story. It was the only "harem" series I've ever watched where I had trouble saying who the MC should end up with, because all three were irreplaceable in his life and story. Take any of them out and it loses a lot. Emilia and Rem are a similar case.

As Rem looked back at Subaru, now beside her, large tears filled her blue eyes. It was not being left behind that she feared. No, what she feared more than anything was—

“When you are in distress, Subaru, I want to be the one offering my hand faster than anyone. When you hesitate along your path, I want to be the one pushing on your back. When you challenge something, I want to be at your side, stopping you from shaking. That is—that is all I wish for. So please...”

Again, more great parallels between Subaru and Rem, as this isn't dissimilar to what he wanted to do for Emilia.

Wilhelm might just be the biggest example of a tsundere I've ever seen. Married a woman he loved from the bottom of heart for what was assumedly a decent amount of time...never freaking told her "I love you" until he finally killed the beast that killed her.

As for Theresia, it's definitely a case of why context is so important. She never wanted to be the Sword Saint. She only did so because she found purpose in saving as many lives as she could with the insane power she had (the whole "great power, great responsibility" chestnut). If Wilhelm is strong enough to protect and save people, to where her absence would make no difference, then she doesn't have to be the Sword Saint anymore and can live the life she wants. It's what makes it an actual kindness vs. some chauvinistic BS. Probably helps too that she'd already helped put an end to a long war, so she wouldn't have been needed as much anyway.

“So it is said. The existence and origins of demon beasts are mysteries to us. Some propagate in the same manner as ordinary living creatures, but some suddenly appear out of nowhere like the White Whale. Though, properly speaking, the only exceptions on par with the White Whale are the Black Serpent and the Great Hare.”

Oh...I'm so not looking forward to meeting those two. After how much tragedy just the White Whale caused, what the f**k are those things going to do? My money would be that whatever it is, it will hurt Subaru quite horribly.

This book potentially answered a question I had in my last post. The Witch Cult is after Emilia because they see her as an impostor of the Witch of Envy, or at least so the characters in-story are speculating.

Not sure how many people here are fans of Rising of the Shield Hero but after this I kind of want to see the White Whale and the Spirit Tortoise duke it out. That sounds awesome. Mountain Turtle vs. Witch Fish.

Original Reddit post: https://www.reddit.com/r/Re_Zero/comments/gub735/novels_first_time_read_through_light_novel_vol_7/

#re:zero #random thoughts #reddit repost

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pluviophile-bookworm · 4 years ago

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AWAE 2x5 rewatch: thoughts and reactions

Look, I’m glad the girls were having fun, but I hate that this is yet another way for Anne to undermine her own looks. Why can’t she just accept and love herself for who she is? I feel like this cold open is important.

Gosh, with the way Anne talks about Diana’s lips, I can totally see why people ship them. I for one don’t, at least not romantically, but the signs are definitely there, and in a more modern setting, they might have been written ending up together.

You know, I love how confident Ruby is in her preferences. Yes, she thinks of nothing but beaus. Yes, that’s ok. Well, maybe not perfectly ok, but no one can make he change what she thinks about, and I’m really glad she knows it. I love that girl and that’s that.

Come on, Diana, there’s no should and must when it comes to kissing! That’s what I’ve heard anyway. I’ve never been kissed and with how touch-averse I am, I’d much like it to stay that way. But speaking of Diana and kissing, fast-forward to season 3, I believe Jerry was the one who forgot what he should or shouldn’t do when being kissed. And Diana... she had forgotten it long before the kiss happened.

I said already I don’t ship DiAnne romantically, but I like how whenever they role-play, Anne always wants Diana to play the love interest, and Diana always steps right into character.

“Why must the girl wait for the boy?” Well, once again, season 3. I like to think Diana remembered this moment then and just decided it was not quite necessary to wait.

I love how Marilla isn’t bothered by the noise coming from Anne’s room where the girls are chatting, but instead smiles knowingly at it. She’s becoming a true mother, that one, as if she was a couple of years younger and Anne was her own child. Well, I guess she is now.

That was a long cold open. And a beautiful one, as they often are. A gold open, one might say.

Bash seems just as excited about seeing Canada as Gilbert was to explore Trinidad. Their brotherhood is beautiful.

Boys being boys? No, Diana, allowing them to do that can only lead to... what Billy did to Josie in season 3. They should be told this is wrong, and I see Anne is going to do just that. “A skirt is not an invitation.” How iconic that line is.

Ooh, the grapes are sour, aren’t they, Josie? Mentioning her a minute ago, I couldn’t help noticing she wasn’t there when the girls were at Green Gables.

And I see Billy and Josie’s fatal courting has begun. And Prissy and Phillips’ is just growing bigger.

I see Josie is willing to “educate” her classmates in a proper “mature” game of spin the bottle. And of course, Billy has to be an even bigger... uh, no swearing on main... you know what I mean - about it than she is. If I didn’t think nobody deserves Billy, I’d have said they deserve each other. But even Josie doesn’t deserve that dirt-bag. “Where does that leave Cole?”, seriously? With the real men, of course. Where does that leave you?

I can’t help but root for Josie here, telling Cole she’s glad he’s there. She redeemed herself with that one.

Sorry, Charlie, but who are you to speak for Diana? She can do that perfectly well on her own, thank you.

Diana and Moody? I see where their - if that can even be called courtship - in 3x1 came from. But I like him better with Ruby.

Ok, that kiss was even more awkward than “Your dress is very... blue.” Poor dear Moody. He’ll get better.

Poor Anne... her trauma seems to never let her go. And what is Josie suggesting with “you’re of unfortunate circumstances, this can’t be your first kiss”. That was awful.

And speaking of everyone wanting to kiss Diana, as Anne was, there’s Jerry greeting her for the first time by name (because I count the “Hello, ladies” to her and Ruby in season 1 as a greeting to Diana). “I understand you’re the most beautiful girl I’ve ever seen.” Oh, Jerry!... Well, as I’ve said about the movie Titanic, how blissful it is to smile at the beginning as if you don’t know how it’s going to end... that definitely goes for these two.

“You’e very bold.” Come season 3, we’ll see who the bold one really is. Also, I love that Jerry’s smile is back.

“I’d rather be smart.” Yes, Diana, that’s the way to go. And judging by the end of season 3, you’re definitely both smart and beautiful. The two aren’t mutually exclusive, you know.

Anne talking about kissing to Matthew and Marilla, neither of whom ever married or had anything more than an utterly tragical romance is... well, awkward. I mean, well, it renders Matthew unable to sentence, if I may put this in a more modern way of speaking than my usual style.

“If you had red hair, you’d want to cover it too.” Well, is this the one where Anne dyes her hair? It has to be. It’s mid-season.

Oh, I don’t know about dyeing, but this is the one where Cole braids Anne’s hair, and it’s moments like this that make me feel extra bad that she had to lose all of her beautiful hair to vanity. No doubt she came to appreciate it when it had to come off.

I love how different and yet similar Anne and Cole are. I just love everything about their friendship. The world needs more of those.

“feminine proclivities”? What on Earth? Also, I remember reading the Adventures of Tom Sawyer and learning for the first time how great of a humiliation it used to be for a boy to sit with the girls. I mean, I believe Cole would much rather sit with the girls in a world where that didn’t have any bad connotations - not because he’s effeminate or something, but just because they, for one, treat him nicely.

I mean, I get Marilla. One minute she is a new mother, the other her child is asking about kissing. Adopting a teenager is like that sometimes, but I bet she sees it for how rewarding it is in the end.

“Rachel does have the effect of making you want to do the complete opposite of what she suggests.” Well, yes, but that still leads to good advice somehow, doesn’t it? i mean, it doesn’t make her any less annoying to me right now, but it is what it is.

“I’d rather be ordinary.” Well, sometimes I think like that, too, but no, Cole, you don’t. Anyone could force themselves to be ordinary, but not everyone can be extraordinary. You’re given this unique chance. Don’t let it go because of some stupid dirt-bag teacher drowning in his own internalised homophobia.

Gilbert “it’s not a love letter” Blythe and Anne “there’s nothing romantical about this letter” Shirley-Cuthbert. What a match made in heaven.

“Maybe he wants to be pen-pals” Well, yes he does. Why else would he suggest it in season 3?

Cole said about recitations that they make him feel too tall. Well, sometimes it’s nice to be tall, isn’t it? Not that I would know, in all of my 5′ glory.

Gosh, I don’t know what’s worse about Prissy and Phillips’ kiss. That he can barely bring himself to do it, or that their entire teacher-student romance is sickening to me. And then he takes it out on Cole. Internalised homophobia is a drag.

There’s the fox again... maybe its beauty can teach Anne how wonderful her red hair really is. See, she perceives that the fox is beautiful, but doesn’t see the connection.

See? Marilla recalled things said earlier by both Cole (”Too tall, too weird”; ”without calling too much attention to yourself”) and Diana (”I’d rather be smart.”; “if you’re beautiful, you get stuck on one path”). Too bad it’s just further confirmation to Anne that she is, indeed, plain - which she is not.

That was beautiful in a sort of blunt, savage way. “I don’t like you.” I mean, sure she was nice to him once, but asking him like that if he doesn’t like girls... too personal. Too rude.

I don’t really know what to say here, but this kiss was beautiful. It was a way to show their friendship to each other and the world, and to stand up for each other while being called freaks. Beautiful.

So this is when Anne gets the hair dye. But why do I think that with raven-black hair, she’d look a lot like Wednesday Addams?

And... Gilbert is back. What a nice surprise that will be thanks to letters arriving quite a bit later than they’re written.

Marilla is so caught up in rehearsing her speech on kissing that she doesn’t even notice the remains of Anne’s hair-dyeing. Not until she sees her actual hair, now a horrible greyish green. Poor Anne.

I love the parallel with Josie’s own hair troubles, though. And I love how this same scene evolves into something more in season 3. A statement on beauty and feminism. But now let’s just focus on 2x5 and not think so far ahead.

I said focus, but I don’t even know what to say about Anne’s hair being cut. Hair cutting is traumatic for me, but never like this. Let’s be over with it now.

Let’s sum up this episode: girl talk in Anne’s room; reflections on beauty and courtship; a skirt is not an invitation; different and weird is not bad; spin the bottle and all the awkwardness bound to surround it; Jerry is very bold with Diana; internalised homophobia is a drag; Anne and Cole’s friendship is pretty much the most beautiful thing in this episode focused on beauty; the Shirbert correspondence continues; Gilbert and Bash arrive in Avonlea; hair dye shenanigans and the painful consequences thereof.

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papermoonloveslucy · 4 years ago

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‘MY GOOD WIFE’ v ‘MY FAVORITE HUSBAND’

June 23, 1949

"My Good Wife," an added starter on KNBC, 6:30 p.m. PST Fridays, is another comedy about a young married couple, as if we needed another one. I must admit this one is a little different. This married couple, Steve and Kay Emerson, are not nearly so fast with a wisecrack as, say, Lucille Ball and her husband on "My Favorite Husband," 9:00 p.m. PST the same night on KCBS. Great night for matrimony, Fridays, and if those two programs don't provide enough for you, tune in Dorothy Dix at 1:45 pm. (not broadcast in west). She'll tell you how to win back an erring husband.

I haven't yet made up my mind whether the Emerson's ineptness at repartee is deliberate - after all, not every young wife talks like Groucho Marx - or whether the script writer isn't very good at it either. Anyhow, whether by accident or design, the Emersons are a very restful young couple, possibly a little too restful to get anywhere in the entertainment world. In radio, they're a real novelty.

As a wife Arlene Francis who plays Kay Emerson, wins out on points over Lucille Ball In other regards - talent and looks, for example - Miss Ball is way out front. But how long could you live with a girl who says: "Oh, we don't miss television. I climb in the Bendix and sing and George looks at me through the little window." Imagine having a girl around the house who said things like that before breakfast. It'd curdle the milk.

STARTS OFF FAST

“My Good Wife" started out at a gallop two weeks ago, NBC deciding to set the stage and get everything out of the way all at once. The first program resembled one at those synopses of previous in installments in the popular magazines. Steve met Kay, quarreled with her, married her, taught her how to drive, learned he was about to become a father, and became one - all in 15 minutes. One minute later, the dialogue went like this:

"It doesn't seem like we've been married 12 years."

"We've been married 10 years."

"Well, that's why it doesn't seem like 12."

That, incidentally, Is a little brighter than the conversation around the Emerson household generally gets.

On the second show of the series, the pace settled down to a walk. During the first few minutes the Emersons and their neighbors lay lazily on the grass, not even talking very much. This may be taking realism too far. I mean there ought to be some crickets chirping or something. Things quickened a bit later when Mrs. Emerson decided she was going to help her husband out with his law practice and, of course, messed things up.

YALE, NO LESS

The Emersons are quite upper middlebrow as radio's young married folk go. He went to Yale, for heaven's sake, and she not only went to Vassar but led the daisy chain or whatever they do with that daisy chain. What is this - counter revolution? Oh, yes, they live in Larchmont up to their ears in other upper middlebrows. I don't know what else to tell you about the Emersons except they sound like a nice young couple to have over for a drink some time but conceivably a little mild to entertain you much on the air.

My favorite young married couple is still Ozzie and Harriet Nelson - I put Goodman and Jane Ace off in another category entirely - and while we're chatting about this sort of thing, I ought to point out Ricky and David Nelson, Ozzie and Harriet's children, are now playing themselves on that program which solves a lot of problems. I have a spy in the Nelson household, named - in case any congressional ears are pricking - Harriet Nelson, nee Harriet Hilliard, and she is not now and has never been a Communist nor worked on the atom bomb nor designed the B-36.

Anyhow, my spy informed the Nelsons had a little trouble with the kids. The real Ricky and David I listened to the radio Ricky and David and discovered them doing things they weren't allowed to do or wouldn't do voluntarily if they were allowed. Being children, they got confused over their own identities. Well now the real Ricky and David are the radio Ricky and David and the split personalities in the kids has been averted. You run into a lot of funny problems in radio.

# # #

FOOTNOTES FROM THE FUTURE

It seems pretty clear that NBC was counter-programming CBS’s “My Favorite Husband”. Not only are the names very similar, they were scheduled on the same night, as critic Crosby points out.

The episode of “My Favorite Husband” described above might apply to any domestic sitcom, but was actually titled “Budget - Mr. Atterbury” broadcast June 3, 1949. However, this newspaper is still calling Lucille Ball’s character Liz Cugat, when her name had changed to Liz Cooper in January 1949, to avoid comparison with the well-known bandleader (no, not Desi Arnaz).

Counter-programming by NBC would not stop on radio. When “I Love Lucy” was a juggernaut hit for CBS TV, NBC created a similar show titled “I Married Joan” for star Joan Davis. It was billed as “The adventures of the scatterbrained wife of a respected city judge.” Substitute “bandleader” for “Judge” (played by Jim Backus) - and you’ve got “I Love Lucy.” Like Ball, Davis was a film star of the ‘30s and ‘40s getting aboard the TV bandwagon. Like Lucy, Joan wanted to be in showbusiness. Many of the same situations that Lucy got into, Joan did too. The series even featured a few “I Love Lucy” refugees: Jerry Hausner, Elvia Allman, Bob Jellison, Margie Liszt, Shirley Mitchell, Ross Elliott, and many others. "Lucy” and “Joan” even employed the same director in each show's first season, Marc Daniels. "Joan” lasted three seasons, from 1952 to 1955 and is all but forgotten today.

Kay Emerson was not the first domestic radio role for Arlene Francis. In 1940, she took over the role of Betty on “Betty and Bob”, which had been the first successful soap opera. She was one of the hosts of the quiz show “What’s My Name?” beginning in 1938. The show was seen as a model for TV’s “What’s My Line?” which premiered in 1950. Francis would stay with the show for its entire run, including six mystery guest appearances by Lucille Ball.

The husband to “My Good Wife” was played by John Conte. From 1944 to 1946 he was married to Marilyn Maxwell (1944-46) who would later appear with Lucille Ball in the 1963 film Critic’s Choice. He had also been seen with Ball (and Maxwell) in As Thousands Cheer (1943). In 1960 he would work for Desilu in an episode of “The Untouchables” (1960).

Unlike “My Favorite Husband’s” mythical mid-Western Sheridan Falls, the Emerson’s livid in the real New York suburb of Larchmont, an affluent village located within the Town of Mamaroneck in Westchester County, New York, approximately 18 miles northeast of Midtown Manhattan. Nearby was the town of New Rochelle, whose most famous fictional resident was Rob Petrie on “The Dick Van Dyke Show” (filmed at Desilu Studios). Danfield, New York, another fictional town in the area, was the residence of Lucy Carmichael and Vivian Bagley for the first three seasons of “The Lucy Show.”

“My Good Wife” began airing in June 1949, and by April 1950 was nowhere to be found. In October 1949, Billboard reported on a new NBC Gallup Poll that placed the show dead last - with 32 stations voting it poor and only 8 saying it was excellent. The future of “Wife” was bleak. The sitcom was cancelled after 18 weeks to make room for the new Jimmy Durante show. Meanwhile, Ball’s “Husband” (on CBS), thrived. Coincidentally, the show was initially a replacement for Red Skelton’s show. Skelton and Durante had both worked with Ball on films.

Crosby’s quote from “My Favorite Husband”

"Oh, we don't miss television. I climb in the Bendix and sing and George looks at me through the little window."

was spoken by Lucille Ball in the episode titled “Television” on June 17, 1949. A Bendix is a brand of front-loading washing machine. The porthole-like window was similar to the size screen of early television sets.

Crosby’s observation that Liz talks like Groucho Marx is attributable to the show’s writers Bob Carroll, Jr., Madelyn Pugh, and Jess Oppenheimer. And let’s not forget that Lucille Ball acted opposite Groucho Marx in Room Service (1938)!

After making the obvious comparison to “My Favorite Husband,” Crosby lets readers know that neither “Husband” nor “Wife” will ever displace “The Adventures of Ozzie and Harriett” in his domestic dome. The show launched October 8, 1944 and a total 402 radio episodes were produced. When it was optioned for television, it was upstart network ABC that made the sweetest deal to the Nelsons.

As Crosby alludes to, their real-life sons, David and Ricky, did not join the cast until the radio show's fifth year. The two boys were played by professional actors prior to their joining because both were too young to perform. Crosby’s allegations of possible identity crisis due to watching their parents with other sons on television, might easily apply to “I Love Lucy”, where the real-life Desi Arnaz often lived in the shadow of the young actors playing Little Ricky on television. Mrs. Ricardo and Mrs. Arnaz giving birth to both boys on the same day only added to the confusion - one that still lingers today.

Crosby declines to compare the aforementioned shows with the popular Goodman and Jane Ace. The real-life marrieds had a show titled “Easy Aces” Goodman Ace cast himself as a harried real estate salesman and the exasperated but loving husband of the scatterbrained, malaprop-prone Jane ("Time wounds all heels"). “Easy Aces” became a long-running serial comedy (1930–1945) but did not make a graceful transition to television, lasting only a few months on the ill-fated DuMont Network. Coincidentally, Martin Gabel, who married Arlene Francis in 1946, had a recurring role on “Easy Aces” during the 1930s.

In a more sarcastic shout-out, Crosby mentions capping off this slew of domestic dithering by listening to Dorothy Dix. Author Elizabeth Meriwether Gilmer (1861-1951) was widely known by the pen name Dorothy Dix. As the forerunner of today’s popular advice columnists, Dix was America’s highest paid and most widely read female journalist at the time of her death. Her advice on marriage was syndicated in newspapers around the world with an estimated audience of 60 million readers. Naturally, radio was not neglected, getting their Dix fix when her column took to the airwaves. Due to Lucy’s insistence on interfering in the Mertz’s personal affairs, Ricky compares Lucy to Dorothy Dix in “Fred and Ethel Fight” (ILL S1;E22) on March 10, 1952.

We haven’t yet mentioned this 1940 gem, but we’ll save that for another time!

#My Good Wife #Arlene Francis #John Conte #My Favorite Husband #Lucille Ball #radio #1949 #I Married Joan #John Crosby #Dorothy Dix #Ozzie and Harriett #Easy Aces #Groucho Marx #Desi Arnaz Jr.#Larchmont NY

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tirorah · 4 years ago

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Road to Berlin’s ‘Road to Berlin’ Sure Was a Road to Berlin Episode

Hiya, everyone! It’s that time of the week, but don’t worry, your assigned reading is pretty light this time. Because, honestly? I don’t have much to say about this episode in terms of character arcs or themes or the like. Instead, you’ll find my brief thoughts under the cut, as well as my favorite stuff from Episode 11.

In the end, this episode was a follow-up to the ending of Episode 10, and also the start of the final offensive, which makes Episode 11 the middle chapter of a three-parter. This is always difficult to make satisfying--look at any pre-planned trilogy and you can see the struggle with ramping up the tension while also not blowing the series’ full load, as it needs to set up the final, climactic piece.

Consequently, Road to Berlin (the episode) didn’t do a lot of exciting things; it simply moved the story along. And that’s 100% fine. It’s just not as richly packed with content as most of the season has been. There was also some blatant reuse of old footage again (they really love that shot of Trude brandishing her guns, don’t they?) but again, I felt it was within acceptable parameters. I did feel like the episode was holding back a bit with the aerial combat, though. Seems the Ratte was the biggest star of the show for this week.

Without further ado and in no particular order, here are my favorite things from this episode!

Patton’s Redemption

Sort of. He was still a gloating idiot, but he actually valued Yoshika’s power enough to argue the 501st’s case to his fellow generals, and he showed admirable tenacity when the Neuroi’s full power gradually revealed itself. He didn’t shout nearly as often either, and was much more reasonable. Overall, he was far less cartoony and made a decent start at showing us why he attained his current rank.

Although I’ll never forgive him for this. That, and calling Yoshika a ‘little missy.’

This Line from Minna

It’s delivered calmly, but I like to think this is Diplomatic Minna Speak for ‘Fuck off and up yours, she saved your damn butts!’

And another thing: the doctor said it’d take Yoshika a week to be able to fly again, but Minna wants a delay of ten days, not seven. It seems she wants half a week extra so that Yoshika can recover more, which is both prudent and kind of her.

The Generals Being Children

Both amusement and disbelief filled me as I watched the generals of different nations bicker like bloody schoolyard kids. It’s true what they say: War. War never changes. (And especially not the ego of man.) The fact a bunch of grown men devolved into chest-thumping and throwing crap at one another is hilarious. Even Lucchini’s been more mature than that this season, and that says something!

Shizuka’s Turbulent Emotions

Again, Shizuka shows off her similarities to Trude; I feel like she’s definitely the type to hold this in until it comes spilling out in one ugly cry like it did here. She just wasn’t able to hold it in as long, likely due to her relative youth.

We also finally got to see the one character arc thing in this episode I was hoping for: Shizuka and her relationship with orders. For the entire season, we’ve constantly seen Shizuka’s rigid obedience to orders reinforced. But when Mio tells her to keep the Shinden’s presence a secret, we see the first time an order brings her true, internal conflict. Although it culminated in a good cry and not her disobeying said order, I have a feeling she’ll buck the trend and either tell Yoshika about the Shinden, or fly it herself.

Finally, it’s nice to see that she doesn’t let her injury scare her, and channels her guilt into some awesome attack runs. Much credit to her; she’s grown quite a bit, and not because she’s emulating the others, but by growing into her new responsibilities as a combatant.

Yoshika Doing What She Can

Respect was earned by Yoshika this episode. Although she was obviously disappointed she wouldn’t be able to fly with the others into the final battle, she didn’t let it get her down and decided to do whatever she could to help. That meant we finally got to see her newly attained medical skills again! All those books she checked out in Episode 1 sure came in handy now.

If you will, think back all the way to Season 1, Episode 2 for a moment. A Neuroi attacked the ship bringing Yoshika and Mio to Europe, and a sailor was injured by shrapnel. Back then, Yoshika was severely shaken by the combat, and when she tried to help the sailor with her healing magic, she was promptly rebuked by someone else, as healing him with the shards still inside would only hurt him further.

But here, people rely on Yoshika’s medical knowledge and even Patton greatly respects her for it. Her suggestion to hole up in the Flak Tower is also a huge success, likely saving all of their lives.

Shirley's Amusement at the Ratte

Why, Shirley, what are you insinuating here? Surely Karlsland isn’t compensating for something! They just like their prototypes huge.

And Perrine’s Dismay

Harrumph! Size doesn’t matter, obviously! Just look at Perrine’s chest.

But honestly, someone else pointed this out too: the fact they’re relying so much on experimental and/or new things shows how desperate they are, and how fragile their gains are.

Speaking of The Ratte

The Ratte is awesome. The way its rounds punched through the Neuroi walls... *chef’s kiss* It’s obvious where the love and attention went this episode: all the carnage! We also got to see a lot of Berlin’s ruins, which is a nice change from fighting over ocean and rural landscapes. In my opinion, this was the way to go with the budget.

Also, Dem Walls!

They were so cool! I was amazed by the way they could reform to cover the gap where they were under attack! They even showed the little drones coming in to stack on top of one another. And later on, how the main body used the walls to shield itself from the Ratte’s full power was also very impressive! I love how powerful the walls were, but that the Neuroi’s resources weren’t infinite. That’s how you write your antagonist.

Not to Mention the Dome of Death!

Let’s be honest: we all knew a snag was coming. But not only was this a clever trap by the Neuroi, it also showcased the Neuroi using the debris to build more of themselves!

Miscellaneous Things

Something I didn’t mention in my Episode 10 post was Lynne’s support. She’s been really good at looking out for Shizuka! And she also scored a huge hit on the drone horde, which was great. And this time, Perrine also took the time to reassure Shizuka; as the one who was originally assigned to train Shizuka, it’s good she’s showing her gentler side now.

The 502nd made a brief cameo! I haven’t watched Brave Witches yet, which I’ll have to get on after this season finishes. It was also really cool to see how the other Joint Fighter Wings were pitching in for the war effort. The 501st are definitely the stars of the operation (as they should be), but there’s a multi-prong attack going on off-screen. Exciting stuff!

I also really like the little touches that RtB’s been so good at this entire season. For this episode, it’s the blue tulip on Yoshika’s bedstand. Seeing as the episode starts on the day after the ending of Episode 10, this means someone (maybe Perrine?) had a Queen of Nederland shipped out to Kiel really quickly, just for Yoshika. It’s sweet!

Finally, while Minna and Trude clashed during the previous episode, here they work together to support one another during combat. Trude comes to Minna’s aid the moment she’s attacked.

The Stuff I Thought I’d Get, But Didn’t

I’d speculated on this episode and came up with things I thought I’d get to see. But nope!

First of all, what’s RtB’s deal with Mio? I can’t believe Minna’s had more subtext with Trude than with Mio this season! Even when the two of them finally spoke with one another for the first time since Episode 2, there was no blushing or anything like that! Are the days of Minna and Perrine fawning over Mio over? Is there someone on the writing team who loves Trude like I do, and has the same problems with Mio that I do? This is really...well, weird. I can’t describe it in any other way.

Anyway, she’s now bringing the B-17 to Berlin, meaning she might get involved somehow (and is also bringing the Shinden, possibly so Shizuka can fly it.) But here I was, thinking, ‘Oh, that plane they showed Mio with in the opening, she’ll fly that, and it’s going to have anti-Neuroi armor!’ and yet I’m not seeing any indication of that happening at all. Mio isn’t even in that plane right now. It’s the Ratte who got the anti-Neuroi treatment, and again, Mio’s presence felt...functional, I guess.

There’s something about her screen presence that bothers me, actually. I didn’t think about it before, because she was absent so much it just didn’t cross my mind, but...what happened to good ol’ jolly Mio? I don’t mind her being a bit more serious--RtB’s been a more serious season, after all--but we haven’t had a patented Mio Laugh since the first episode, and I miss it. Let’s hope the final episode gives her a nice sendoff.

Secondly, for all the fuss they made about Yoshika and Shizuka’s conditions with that downright tragic ending in Episode 10, the two of them bounced back pretty fast. It’s literally been a day and Shizuka’s already running around fine? And Yoshika doesn’t seem to be experiencing any lingering negative effects of her overexertion? (Aside from the obvious.) For a season that’s so focused on consequences and a consistency in tone, I feel like the two of them got off a bit light.

I was also expecting Trude and possibly Minna and Lynne having sad moments because ‘oh no, people we care about are hurt!’ but because Yoshika and Shizuka seem mostly fine, that didn’t happen at all.

Usually, Episode 11 is the one that ends on a somber note, but here it seems they moved that to Episode 10, and instead had Episode 11 strike a more optimistic tone. No one really showed off their flaws, either; maybe Episode 10 was the bookend to that theme after all?

Into the End

The episode ends on a very interesting note. Everyone finds out Yoshika is also trapped inside the Neuroi dome--and why, exactly, was no one informed of her presence on the Ratte?!--and they’re ordered to mount a rescue operation for their besieged comrades.

And then Trude comes with this absolutely surprising revelation:

I imagine at least one staff member had a chuckle at the fact the cast is now embarking on another Road (in)to Berlin.

The what, now? This wasn’t built up or alluded to at all; I have questions, show! Not to mention, how does Trude even know about this? And why is she the one announcing it, and not Minna, the world’s best mom and team captain?

Anyway, the preview seems to indicate some sort of tunnel run--I briefly wondered if they’d have to venture in on foot, but it seems to be big enough for them to fly.

This shot is ominous.

I’m highly intrigued by this decision. Obviously, the final confrontation will play out outside, but to yank the Witches from the air and into a much more claustrophobic space is a confident move. I can only imagine the surprises the final episode has up its sleeve.

Anyway, all in all, this was a decent episode, and while it did have lots of neat little character moments, it’s obviously setup for what I hope to be a spectacular ending.

Even if it doesn’t quite deliver next week, though, RtB’s been so consistently great that it’s already cemented itself as my favorite show ever.

#strike witches #road to berlin

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fountainpenguin · 5 years ago

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How does Longwood fit into the Reedfilter AU? Do any other pixies that we know of from Origins/Knots play any notable roles?

Alternate universe ramble under the cut.

[EDIT: From where I’m looking at it, Tumblr trashed the Read More by putting it in the ask itself again. View on blog instead of on dash; there’s nothing I can do about that. Until further notice I’ll stop using Read More links because I’m sick of this. Blacklist my Long Post tag as needed.]

Technically one of my FOP worldbuilding rules is that you have a parallel self in all [accessible] universes, even if some are more difficult to identify as “you” than others are (Ex: You might be someone’s child instead of a sibling, or you might die as a child in one universe but survive to adulthood in another). A huge portion of Fairies have parallel lives as pixies in the Reedfilter Rules verse (Ambrosine for instance). Soothsayers (Anti-Fairies skilled in reading karmic weaves) can read the options for your future, but can’t usually tell which options go with which universe. It’s still the future path of your soul, just... might be in the wrong save file.

This is where the Negaverse (Plane 16) comes into my worldbuilding, and we’ll see how this plays out in Identity Theft and the tail end of Frayed Knots; in the episode “Playdate of Doom,” Foop was able to breach the gap between two universes and this is a detail I kept in my canon. Parallel universes can be viewed by those who are skilled in that. Travel between universes is possible, but dangerous and difficult enough that even those who are desperate to run away or hide themselves rarely attempt it.

Things get even more complicated because reincarnated forms still can’t co-exist in the same universe at the same time; the soul only gets one body on the playing field no matter which universe they’re in. So when Foop entered the Pivotverse, he began pulling his alternate self’s soul towards him and would have eventually absorbed the whole soul, killing his counterpart. Didn’t happen in the end, but we’ll get to that in Identity Theft.

It’s very similar to Jimmy Neutron’s clone creating new people in “The Trouble With Clones” who nearly killed the originals simply by existing. The JN and Hartman universes are also examples of parallel universes; if Jimmy flew in his hovercraft to Dimmsdale, he’d realize the JN version of Timmy doesn’t recognize him because only FOP Timmy knows him. Post Season 5, all the Nickelodeon universes are smudged together thanks to Shirley’s Pizza being a permanent portal hub between them, as we saw in “The Pizza Place Where Worlds Collide” (Come What May Chapter 4).

None of this is what you asked, but it never hurts to explain when discussing who plays roles in which universes. All the pixies from my Classic universe exist in Reedfilter Rules AU, so you’ll see their names pop up now and again, with roughly similar personalities. Fairies too. I also feel like it’s worth pointing out that Foop’s alternate personality, Hiccup, doesn’t count as a separate entity in the eyes of the universe and he’s immune to some “universal rules” because of it. Might wanna tuck that fact away for later...

As for RR!Longwood (AKA Markell), he ran the complaints department until Sanderson took over from him, but was rapidly promoted very high in the company, so he gets a lot of suspicious sideways looks. His mother, Columbine, is known to be very loud and pushy. Fergus does not remotely get along with her and honestly has no interest in Longwood for that reason. Basically the situation is Longwood doing a great job and having great ideas and getting acknowledged and praised by lots of people, but Fergus barely glances at him.

Once Fergus becomes H.P. and Longwood gets promoted, Longwood has an itch to impress him due to not having a father figure in his life, so his reaction to winning the praise of others but only a grunt from H.P. is a constant “...’kay //Thumbs up while secretly crying.” He’s not jealous of Sanderson because he doesn’t see Sanderson getting praised either. Fergus isn’t one to easily praise. Longwood just doesn’t want to do things without his boss’s permission and he takes the unenthusiastic “yes” to mean “That’s not a very good idea, but whatever, I guess.” Longwood’s out here in Pixie World trying to find enthusiasm in a land where enthusiasm is practically outlawed, and he overthinks the monotone too much, haha.

Longwood plays a bit of a role because he holds a high position in the company, but the vice president position is not guaranteed to take over from the Head Pixie, so he doesn’t have as much power as he does in Classic. In the RR universe, the Head Pixie is the CEO of Pixies Inc. and the vice president helps them run Pixies Inc., but they’re not involved in checking in with all the other companies the Head Pixie also manages across the universe, and they’re not involved in interracial politics (Sanderson is the one who tags along for interracial meetings with the Anti-Fairies and fun stuff like that). So technically the Head Pixie has more authority and power in RR than in the Classic universe, but the vice president position has less.

In short, RR Longwood likes to please, but isn’t a total suck-up about it. He feels sad that his father figure doesn’t seem to like him, but none of the whiny desperation that you see in Classic Sanderson. RR Longwood is more obedient than Classic Longwood since there’s no clash of gyne instincts here, and there’s also no Anti-Fairy zodiac culture for Longwood to pursue either.

There’s a small amount of rivalry between him and Sanderson because Sanderson doesn’t always follow protocol and that irritates Longwood, but they’re more professional in this universe since they don’t have that sibling rivalry like they do in Classic. Sometimes Sanderson steps on Longwood’s stuff and that makes Longwood sigh, but they’re civil. Longwood is a good boy.

As for other pixies, you’ll see some familiar names and some have high positions of power, but they’re generally confined to the background. RR universe focuses on Rani, Fergus, and Sanderson mostly. You’ll glimpse the others but they’re not major characters.

#onetruthcup #asks #FAIRIES!#ridwriting #Reedfilter Rules #Cedar toothpick #Nerdy blue bat son #Alternate bat prince #Problematic Professor Particle #The Trouble With Clones #Identity Theft #Come What May #Frayed Knots #Playdate of Doom #I'm wasp dad trash #We're Pixies!#Sanderson is neat #Long post

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sweetsmellosuccess · 5 years ago

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Sundance 2020: Preview

Earlier in the month, as I frantically made my selections for the limited public tickets Sundance generously makes available for the press, I was struck by just how much of a crapshoot the whole process was. That’s the thing about this particular festival, virtually no one outside of the filmmakers and Sundance programmers have seen the films yet. It’s a great unknown (and, yes, Cannes is also similar in this way, but whereas Sundance is selecting primarily indie films, the festival on the French Riviera gets to choose anything they damn well please, from big Hollywood studio fare, to auteur International work), which leads to lots of hunch choices, based on gut feeling as much as anything else.

As you might imagine, one’s hit rate on such matters is volatile. I looked back to previous years’ selections, and found, on rough average, choosing solid (or better) films at about a 45% clip. That is to say, of the films I deemed most worthy of my attention, about half of them were less — or even far less — than I hoped. To be fair, randomly watching regular studio films opening from week to week at home in Philly, I would imagine that percentage would be a good bit lower, so there’s nothing inherently wrong with Sundance’s percentages.

Still, it does speak to the embracing-of-the-unknown ethos that this festival instills in you. We pays our money, we takes our chances, etc. Having said all that — and perhaps having chiseled down the enormous boulder of salt with which to read this piece — here are our best guesses for what looks like (on paper, at least) some of the more interesting films in this year’s fest. We’ll see how it turns out.

Downhill: The U.S. remake of Ruben Östlund’s 2014 Swedish film about a family on a skiing trip in the Alps, who experience serious disruption when a controlled avalanche terrifies the father of the clan to ditch his family in order to save himself. Normally, I would steer far clear of American remakes, but this indie remains intriguing, even if it is directed by a pair of actors (Nat Faxon and Jim Rash). Casting Will Ferrell and Julia Louis Dreyfus together as the parents is also a draw. We can only hope the film retains the razor-sharp acerbity of the original.

Falling: Viggo Mortensen, best known for all time as Aragorn from the Lord of the Rings triad, has many talents — he speaks French fluently, writes poetry, and paints with some apparent aplomb — but we’ll see how he handles writing and directing for the first time with this film, in which he plays a gay man living with his family in L.A., whose arch-conservative farmer father (Lance Hendrickson) comes to live with him. The set up sounds on the definite hokey side, but any film that casts David Cronenberg as a proctologist has got something going for it.

Horse Girl: An awkward loner of a woman (played by Allison Brie), with a predilection for crafts, crime shows, and, yes, horses, endures a series of lucid dreams that infiltrate her day-to-day existence. Sounding just so perfectly Sundanecian, Jeff Baena’s film nevertheless holds some attraction, especially because the director (whose previous film was the well-received The Little Hours) has a solid track record. He co-wrote this effort with Brie, a collaboration that might well lead to something more compelling than its initial description.

Kajillionaire: I guess you could call writer/director/actress Miranda July something of an acquired taste. Her previous films, including Me and You and Everyone We Know, and The Future are filled with a kind of creative whimsy, along with intense character insight. Her new film is about a pair of grifter parents (Debra Winger and Richard Jenkins) who throw together a big heist at the last second, convincing a newcomer (Gina Rodriguez) to join them, only for the newbie to disrupt their relationship with their daughter (Evan Rachel Wood), whom they have been training her entire life.

The Last Thing He Wanted: Working from a novel by the resplendent Joan Didion, Dee Rees follows up her 2017 Sundance rave Mudbound with another literary adaptation. Anne Hathaway plays a journalist obsessed with the Contras in Central America, whose father (Willem DaFoe) unexpectedly bestows her with proof of illegal arms deals in the region. Suddenly, a player in a much more complicated game, she connects with a U.S. official (Ben Affleck), in order to make it out alive. It’s a particularly well-heeled cast, which at Sundance doesn’t necessarily mean a good thing, but Rees has proven herself more than up to the challenge.

Lost Girls: At this point, I will literally watch Amy Ryan in anything — her exquisite bitchiness absolutely stole last year’s Late Night — so Liz Garbus’ film would have already been on my radar, but here, with Ryan playing a Long Island mother whose daughter goes missing, my interest is sorely piqued. Based on a true-crime novel by Robert Kolker, Ryan’s character discovers her daughter was part of an online sex ring, and goes through heaven and earth to draw attention to her plight, taking on the local authorities in the process.

Never Rarely Sometimes Always: Eliza Hittman has a way of adding lustre and temporal beauty to the otherwise roughneck scenes of the teens she depicts. Her latest film is about a pair of young women living in rural Pennsylvania, who find the means to escape their repressive town after one of them becomes unexpectedly pregnant, making their way to New York City. With a storyline eerily reminiscent of Cristian Mungiu’s 4 Months, 3 Weeks, and 2 Days, Hittman, as is her want, has cast two relative unknowns (Talia Ryder and Sidney Flanigan) as the leads.

Palm Springs: Lightening things up a smidge, Max Barbakow’s off-beat comedy stars Cristin Milioti and Andy Samberg as reluctant wedding guests, who somehow find each other at the same time as some kind of surrealistic episode leads them to recognize that nothing really matters in the first place, allowing them to lay havoc upon the proceedings for their own amusement. Barbakow’s debut feature is stockpiled with strong castmembers, including J.K. Simmons and Peter Gallagher, and it’s always a treat to watch the continuing evolution of Samberg from mop-haired SNL performer to certified big-screen actor.

Promising Young Woman: The #metoo movement begets this revenge thriller about a once-victimized woman (Carey Mulligan) who works by day as quiet barista, but spends her nights seducing men in order to punish the living hell out of them for trying to take advantage of her. When she runs into a seemingly sweet old classmate (Bo Burnham), it would appear as if salvation is at hand, but apparently it’s not quite that simple. Filmmaker Emerald Fennell, whose outstanding work on the series “Killing Eve,” earned her a pair of Emmy nominations, makes her feature debut with a film that sounds appropriately searing.

Shirley: There were those critics at the 2018 festival who found Josephine Decker’s Madeline’s Madeline one of the best films of the year. While I wasn’t among them, there was still much to appreciate with the writer/director’s improvisational visions. Her entry into this year’s Sundance promises to be at least somewhat more grounded, if not still effervescent. It concerns famed author Shirley Jackson (Elisabeth Moss), writer of “The Lottery,” whose literary inspiration is stirred after she and her husband (Michael Stuhlbarg) take in a young couple to liven up their household.

#sweet smell of success #ssos #piers marchant #films #movies #sundance 2020 #park city UT #promising young woman #shirley #never rarely sometimes always #palm springs #lost girls #the last thing he wanted #kajillionaire #falling #horse girl #downhill

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tothedarkdarkseas · 5 years ago

Note

For fanfic writer ask meme: E, J, K, M, P(for any fic or all your fics), R, T, X, and Y. (If that's too many questions, then you can split the answer into multiple posts. Also, no need to answer if you already answered these questions before.)

Thank you so much! I’ll put these below a cut just to account for the length, and I pray Tumblr works like it’s supposed to this evening! I appreciate you having an interest!

E: What character do you identify with most? Is there a certain fic of yours that captures these qualities particularly well?

I really do not identify with Gorillaz characters and thank god for it, or most characters I tend to prefer! Haha, I know that might sound a bit strange, but I can think of very few characters I’d call “my favorite” that I also felt were a reflection of myself in a major way. Of course that isn’t implying that representation isn’t important, but just speaking for my own personal relationship to media– I live with myself all the time, I like people who live very different lives! Having said that, of the characters I write (all two, possibly three of ‘em) I’d say I identify with some of Stu’s worst qualities over anything else: being unambitious but craving reward, self-centered yet lacking in a concrete sense of self, dumb about mostly everything, overcompensating (to be fair, this is Murdoc as well) and so on. Despite picking fun at him I definitely have an affection for an unlikable guy like Stu, I do have sympathy for being sorta pathetic because I feel like I can access that.

J: What’s your favorite fanfic trope? Have you written it?

Hmm! That’s hard to say! At the risk of being an absolute knob, I don’t tend to be a fan of tropes, or at least what I think is meant here by “fanfic tropes” like uhh… the heat goes out and we have to share a bed, or that kind of thing? Is that what this means, the sort of repeated setups for fics? There’s of course a place for everything so I’ve got no real beef with more innocuous stuff, but I wouldn’t say I ever pick to read something because it’s got a “classic” trope. I’m definitely rife with tropes in the broader sense though, I’m rife with things I like and clearly just repeat, haha. I do not smoke pot, but I have a real affinity for characters who do, and this is evidenced by having like… half my stories feature that, haha. If a scene where two characters creep up to being intimate via sharing a joint/bowl/bong counts, that’s definitely a trope I’ve done and would probably do again.

K: Do you have a guilty pleasures in fic (reading or writing)?

Does the above count? I’d certainly call myself self-indulgent, haha, I like what I like and I don’t stray very far from it. I think unsatisfying or incompatible intimacy is really interesting and I honestly never get tired of reading or writing that. (Er, as much as I “don’t get tired” of writing anything, which is not saying much as I’m very bad and undisciplined.)

M: What’s the weirdest AU scenario you’ve ever come up with? Did it turn into a story?

The only AU I’ve written is Coffin Dancer, which is a story set in the early 1900s about Murdoc being a reanimated corpse and Stu being a gravedigger who buries/exhumes him. Sexy, I know, nothing hotter than… long paragraphs about digging. I think the occult element makes that one a bit weirder than anything else I’ve come up with. I’ve kind of entertained other AU ideas but they tend to be a lot more mundane, to be frank I just really like the characters as they are and I don’t want to change their dynamic too much. As a joke I once suggested something about a riverboat casino (Stu working there, Murdoc trying to pull a money laundering scam via currency exchange, potentially convincing Stu to go in on the scam with him) and I’d be lying if I said I didn’t still think about it sometimes and question how to make it work, haha. I think it might be fun to do an AU again, but I think there’s just too much of a gap between what I’d want to do or be capable of doing, and what people actually want to read.

P: Where did you find the most inspiration for your story ?

Oh gosh, this makes it sound so important and I feel like the biggest jag going to pretend I’ve made anything that great or with particularly impressive roots, haha. A couple came from prompts, so that’s a fairly straightforward answer.

I first began planning Coffin Dancer because I was playing Graveyard Keeper on Steam at the time, haha. If you load up this game, you’ll quickly see there is next to no plot and it is simply a crafting sim. I just sorta… liked the setting, I guess? It is the 1900s and it does follow a graveyard keeper! Following that, I decided it would be a story about Murdoc’s skin turning from tan to green as it does in canon, but giving it a bit of a morbid tint, as opposed to the vague canon handwaves of Murdoc being “immortal” with no clear explanation of what that means.

Ampersands was mostly inspired by me being a big Buffy the Vampire Slayer fan and thinking it’d be fun to show a dynamic similar to Angelus/Drusilla/Spike, but heavily reworked to fit our characters. The first scene I imagined was the shoelace-tying one which has some resemblance to a shot of Angelus knelt at Spike’s feet while still mocking him, and that ended up being the very last scene I wrote (and probably one of the weaker ones.)

On Oysters and Black Water was actually the story that required the least research from me, as I already had an interest in oyster filtration and oyster reef restoration. By no means am I an expert nor is this story a genuinely educated look at this process (I am Genuinely Educated on zero things) but I definitely knew when planning a PB story that I wanted oysters to be used for a filtration system on the island, just as a little nod to something I find neat!

R: Which writers (fanfic or otherwise) do you consider the biggest influence on you and your writing?

This really puts me at risk of sounding knobbish, so to start with: I’m not really a writer. Fanfiction writer is already not the most impressive title, but even that I feel is a little generous for me. I’ve written things, but I struggle far too much and have too little dedication to pretend it’s something I feel “cut from the same cloth” as these folks to do. The writers I admire have “influenced” me in the sense that I’ve wished I could write that way, and I’ve probably/definitely ripped them off.

Some will find this laughable, but I’m a fan of Joey Comeau’s writing style. I’ve enjoyed every book he’s published, in particular the short novels Malagash and Lockpick Pornography, and especially his… err, non-novel collection of cover letters Overqualified. (I think I’ve read Overqualified more than anything else on my bookshelf, but this is saying very very little as you can sit down and read it in about 30 minutes.) The darkly comedic way he presents these ideas, how he’ll expand on these very offbeat details and veer so far from the topic, then take sudden sharp turns into something uncomfortable is just enjoyable to me.

Also somewhat cliched now, but Peter S. Beagle’s The Last Unicorn is a beautiful book to me. Beagle’s writing style is ideal for the fantasy setting, the poetry in his prose does not tip over the “purple” line for me (but I’ve always been unclear where the line is, obviously) and I’d really… feel like I’d accomplished something if I could say anything half as powerful as this book.

Shirley Jackson, (famously) the author of The Lottery and (less famously) We Have Always Lived in the Castle springs to mind as well. The latter in particular has a gothic tone, an at times strange sentence structure and an unreliable POV, which probably influenced Coffin Dancer stylistically and everything else I’ve done in perspective/structure.

But as far as influences, nothing more directly influenced me than @elapsed-spiral‘s writing and characterization. Old drum I’ve beat before, but it’s simply the truth. I would not have tried to write fanfiction again (after… many, many years) if I hadn’t found Danni’s stories and felt that excitement of reading something truly special. Now, it’s important to note that Danni is British so they’ll come out in hives if I praise them too much, but sincerely nothing in recent years has made me feel a “passion” for reading or writing like Yearz did. The oneshots Fairy Vale and Beside the Sea also deserve special mention for just being goddamn phenomenally good character studies. “Influence on your writing” could be misleading, in the sense that Danni’s biggest strengths (namely Being Funny, Being Realistic and Knowing What You Are Talking About) are among my biggest weaknesses, and I don’t feel that stylistically we’re all that similar; on the flipside though, I think so much of my “improvement” is really owed to Danni, aaaand I don’t think you’d ever look at something I’ve written and miss the fact that it’s ripping off Yearz in one way or another.

T: Any fanfic tropes you can’t stand?

Ahaha, alright, this jogs my memory and I do remember stepping on eggshells to answer this before! I mentioned above that I’m just not a big fan of tropes in general, but that means nothing as I don’t… have good taste. I never have. Famously bad taste over here. I don’t have any interest in raining on anyone’s fun or policing fan content, but I think we’re all perfectly fine just co-existing without feeling obligated to anything. More than anything else, in Gorillaz specifically I’d say there are some portrayals of their relationship that I find a little dodgy and I tend to avoid, but I recognize full well that many people may feel the same way about me! I also just like the characters to be compelling and to be themselves, whatever your version of them is. Of course my characterization is bonkers and mostly made-up and I have no expectation that someone else’s should resemble mine, but even if we have different ideas, I don’t like to feel you can slot them out and anyone else in? Which is why standard tropes like “coffeeshop” or “fake dating” don’t tend to be my favorite. Oh, I’m also a fuddy-duddy and I don’t love the nicknames, haha.

X: How would you categorize your fanfic reading? Are you a voracious reader? Do you carefully pick and choose? Something in between?

I’m not a very big reader these days! I’d like to offer you a good excuse here, but I’m just picky, truth be told.

Y: What are your thoughts on your personal satisfaction with something you’ve written vs. the popularity of your stories? Do you tend to be most satisfied with your most popular stories?

In total honesty, it takes all of about a month to become completely unsatisfied with anything I’ve written. That’s not like, a plea for sympathy, it’s just being objective. I write comparatively little and comparatively slow, so whatever growth that may happen is still pretty limited and it’s a little disheartening, even if it’s also my own fault for having poor discipline. I would not call any of my stories “good,” at best “good for what they are.” There are definitely some I wished did better, I wished with a stupid amount of sincerity would hit some magical validating number that would Suddenly Mean It Was Good… but after a little distance, I can always understand why they wouldn’t.

Hoooowever, some are undeniably worse than others. Based on both hits and kudos, my most popular story is my first one (I Couldn’t Feel, So I Would Touch) and this is truly baffling as it’s garbage. I mean, with no exaggeration I just think this is bad writing through and through, it’s truly just the worst thing I’ve written over the age of 20. I hoped I’d get this question purely because of this, haha, I feel such shame every time I see this story at the top of my statistics page. If we consider that to be the “most popular,” no, I do not tend to be most satisfied with the most popular story. We could define that differently though; for example, I think the story that got the most notes here and I received spectacular fanart on (a thing I just… can’t believe can happen, how nice is that?) was Oysters, and at a time I did consider that my favorite, I was incredibly proud of it when I posted, and even if I’ve grown exhausted by my overwriting too much to read it again I do still rate it pretty favorably compared to the others. So it depends on what constitutes popular! But if we’re just talking hits and kudos, sadly my stats page puts some of the worst stuff at the top.

#i've got to head to bed so i apologize if there are any glaring errors in this answer!#Anonymous #thank you very much for the letters! that's a kindness!

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popculturespiritwow · 6 years ago

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THE WICKED + THE DIVINE: 1923 AD AKA A WORK OF ART(IFICE)

This issue is the Peakiest of Peak Gillen -- Gillen to the Power of Peak to the Power of Peak, if you will, #MathisCool. It’s a comic book masterpiece of research, reference and storytelling and I’ve been so daunted at attempting to comment on that it’s taken me months to make the attempt. You only climb Everest once, people! (Shut your mouth, Nat Geo.)

WAGNER VERSUS WARHOL, FIGHT!

In format the issue involves a back and forth conversation/rap battle between high and low art. On the one hand, we have novelistic chapters rich with description. “The island looked like a threat, a fist of rock that had forced its way through the waves.” The island and Ananke both...

Then we cut to what at first glance seems like your standard comic book, but in fact is actually a riff on the early days of film, complete with title cards (which themselves get so silly the font might as well be comic sans #IllBeHereAllWeek) and everything shot in a wash of black, white and brown, except for the splashes of red at the scenes of death—victims’ blood, Lucifer’s apple, and my favorite, the red seaweed around Neptune.

Love that red seaweed.

The heart of the plot follows a similar back and forth, as the elitist “classic” artists, the TS Eliot/Ezra Pounds and Ginny Woolf-ish-types of the Pantheon, want to kill the more popular art types, the Shirley Temples and Buster Keatons and Robert Johnstons, to initiate a nightmare scenario that will supposedly give them control over the zeitgeist of the future. It’s an incredibly disturbing take on some of the giants of the early 20th century -- and one Gillen found based in fact.

It’s fascinating, too, for as much as the real object of venom is the truly popular artists, the movie star types with their simplistic narratives and opium for the masses, the elitists focus on killing figures who from our perspective sit far closer to them – Lucifer (F. Scott Fitzgerald), Poseidon (Ernest Hemingway), Dionysius (Pablo Picasso) and the Morrigan (James Joyce). I wonder if it’s something about the chaos those specific figures represent, the way that their particular forms of art end up undermining not only the structures but internal belief system of the modern world. If Baal-Et-Al’s idea is to work with Joe Goebbels to coopt pop culture for their own We Will Keep Control project, in a sense a Picasso or Joyce was doing the reverse, presenting in the formats of the elites only to deconstruct their validity. (Gillen’s notes on the Morrigan point in this direction. Also, his description of Set as coming off “a little like Tahani from The Good Place made me laugh out loud.)

In the end our good guys will stop the bad using their own popular media, film from a train, which was in real life the very first motion picture, and terrified people back in the day for exactly the reason that they feared the train was real and was going to leap off the screen and kill them all.

Writing perfection.

HISTORY IN REPETITION AND RHYME

As we’ve seen throughout these specials, we get lots of echoes between periods here. Lucifer is once again the first one killed, the Morrigan is once again a character all about voice and drama (I love his self-narration so much, please sir can I have a spin-off?), the Norns are still trying to figure everything out, Susanoo=Dandy Baphomet, complete with his own complicated dating relationship (those rings made out of light, though, such a pristine beauty of a moment that Baph never gets), and Woden is once again a gross racist hack misogynist -- that submarine has got to be phallic, right? -- who has stolen his tech powers from someone else to produce content that is entirely derivative while secretly playing the gods and being used by Ananke.

There is also another mechanical creature, “Little Brother”, which we see only for a few panels, and that is not nearly enough because it is an adorable looking flying squid. (SCREW YOU BABY SHARK, BABY FLYING SQUID IS EVERYTHING.) Ananke also works from her standard playbook here, the Prometheus Gambit – you can gain some life if you kill others, which Baal et al will then use for bat#!% crazy purposes, which of course is also part of her plan.

And Minerva is also once again a child who seems maybe to be working with Ananke. It’s clear right from the start that the whole Shirley Temple schtick, lots of Yays and Gollys, is just an act, part of her “character”. And we get a glimpse of the real her again at the end.

That doesn’t have to mean she’s in league with Ananke. (Just read the next arc; she’s totally in league with Ananke.) But she also comes to know what happened to Verdandi, when she wasn’t with the group that discovered him. (Dude: She’s totally in league with Ananke.) And it gives her an excuse to leave Morrigan at precisely the right moment for him to get murdered by Ananke. (Yes, exactly, because she’s in league with Ananke.) And she will kill Set herself without a second thought; it’s all still just hint and innuendo (UGH NO IT’S NOT STOP), but given what we’ve just learned in the present day that’s all we need for now.

Meanwhile Baal is in some ways the opposite of ours, a racist white elitist who dismisses James Baldwin-type Amon-Re as incapable of being an artist given his “nature”, and Set is her own thing too, a snobby name-dropping Virginia Woolf. Most intriguingly, the Norns have internal divisions that break them down, which make me worry a little bit for Cassandra and her friends.

Best take care of your family, Cassie. Remember, in #WicDiv no one is just a sidekick…

CREATURE(S) IN EBONY This is the second special where the Fall of the Gods involves the introduction of a new being created by the gods by way of a classic Ananke “Definitely Don’t Do This (wink wink)”. In 1831, Lucifer and Morrigan resurrect Hades to create an energy vampire that after killing them merged with Woden Shelley to create Steam Punk Elsa. This time the being – again a woman – is described as “looking like some ancient ancestor of the Metropolitans, but made of living poetry and bleak lightning rather than simple metal.” Which sounds an awful like the 1831 Creature.

She also emerged from “an ebony luminescence with streaks of blue beyond blue”, which again, sounds a lot like Mary Shelley Elsa Frankenstein.

Almost 92 years later we’ve heard nothing from her. But Kieron never forgets anything, INCLUDING YOUR BIRTHDAY, SO WATCH OUT. What could this all possibly mean…

ANANKIERON CHRISTIE

For me the most interesting element of 1923, though, is everything to do with Ananke. We come into the special, like the last two, knowing she is our Big Bad (probably, I don’t know you guys, I think in the next arc Kieron’s going to make me feel bad for her and I don’t want to). (No worries, he didn’t, or did he, wait, there are two Anankes now, I don’t know, what?)

But here for the first time we enter into the story alongside her. In fact, in that very first shot it almost seems like she’s looking right at us.

Time’s running out, she’s got to get to the murder-y and behead-yness stat, and this time we get to watch her do it. Awesome!

It’s almost like we’re partners in the exercise, even; right before they’re about to go in for dinner and discover Lucifer Ananke seems to stop and look at us again.

Us and the millennia-old serial killer of children--High fives all around!

For the last 30+ issues I’ve been asking why Ananke is she always wearing a mask, and now finally I get it: just like the Pantheon, she is an actor giving a performance.

Here specifically she presents herself as a classic Agatha Christie protagonist, finding herself along with everyone else in the Remote Place version of a locked room murder mystery and slowly working to uncover the truth of what’s going on while others continue to die. And Then There Was Fun!

Except in fact Ananke is not The Marple but Christie herself, author of the entire series of events that happen, which makes this to my mind pretty much the greatest Christie story ever, and also reinforces the belief of All of Us that Jessica Beatrice Fletcher is the Greatest Fictional Serial Killer that Ever Lived.

But wait, though. Doesn’t that make Ananke basically…a writer? Like um, this guy…?

But that’s crazy. We’ve spent the last five years with him. He’s fine.

I mean yes, both he and Ananke fashion fictional Big Bads (Note: this issue has absolutely no trace nor mention of a Great Darkness, despite the fact that this entire Pantheon has been around almost to their Use By) and also Ways to Save the World which motivate the characters down paths which lead to their eventual destructions.

And okay, true, in this issue Kieron does spotlight/ridicule parts of the storytelling mechanic, the machines characters are always trying to find/build/repair as nonsense.

Such rituals are actually simple. It is about will and art. The machines…in my experience, they are little more than props. All that matters is your action and intent. They killed so the world would die. You die so the world can live.

But still, if we were to accept that Ananke is Just Kieron’s, er, Mask, then it’s like this whole time he’s been the one doing terrible things to all these characters, including the characters that he made me want to love.

And then this question which I’ve been chewing on since 455 AD, whether the characters can ever be free of the roles they’ve been assigned, in a sense becomes a question about whether they can ever escape not Her but Him…

Or what about us? The Audience. The ones that Jamie and Kieron and the others are creating this for.

This isn’t And Then There Were None, is it? No, this is Temple of Doom. Kieron may be Mola Ram, but I’m the Ever-Hungry, Never-Satisfied G--D-- Kali.

All along, Kieron has thrown in these moments where we get glimpses of the broader world, the way it feeds on the Pantheon. And I can get to the end of 1923 AD and say there’s a fascinating battle going on here about the ethics and/or violence of being a writer. But maybe there are also deeper questions being asked of me as a reader.

Maybe the issue begins with Ananke looking at me like that for a reason.

STOP IT, ANANKE. YOU’RE MAKING ME UNCOMFORTABLE. LOOK AWAY.

WORLD WARS, IRL AND URL A last point: 1923 AD is unusual for the degree to which it is haunted by something external, aka war. Even as the story takes place in the effervescent champagne bubble oasis of the Roaring 20s, both the nightmare that was World War I and the possibility of another war which is somehow impossibly much much worse than it hangs over the characters. That’s an insightful take on the period, but also an awe-full twist on the sense of doom that we’ve witnessed in the 21st century Pantheon, their own personal oncoming catastrophes expanded to the scale of disaster for the whole world.

It makes me wonder whether the last act of The Wicked + The Divine will involve something of a similar scale, whether the underlying momentum of the book has not always been toward the culture of celebrity, insofar as it engenders adoration, mob-think and a lack of fundamental care for and curiosity in one another, as sign of our own massive social crisis. (See: Brexit. Trump. The Fights My Dad Gets in on Facebook.)

Are we doomed? Do I still have time to tweet a thread about it? I really think it could make a difference, you guys.

#WicDiv #kieron gillen #peak peak #Kalibunga #aud koch

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wahbegan · 6 years ago

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Okay Non-Spoiler Review

So I am gonna put this under a cut because it might get a bit long but yeah i’ll keep it spoiler-free and if you’ve been following my liveblogging of it i am gonna just re-iterate bits of old text posts during this so ye

So The Haunting of Hill House was fucking amazing. Let’s get this out of the way first though: If you come in looking for an adaptation of Shirley Jackson’s novel or the ‘63 film, you’re going to be disappointed. Or the ‘99 film, but if you want an adaptation of that, you’re a monster and may God have mercy on your soul.

Characters share names, very famous scenes are referenced, the opening line of the book is quoted almost verbatim and re-visited at the end with a twist like the film (although not the same twist but i shan’t spoil), and it involves psychic characters in a haunted house. That’s about it, though.

This story focuses on the Crain family, who were the spooky background story family in the OG, and completely changes their mythos as well. So the characters are all related, they live there as kids and don’t actually go back as adults until just about the end, and it’s dealing with their grief and trauma and dysfunction that drives them, not any kind of experiment in the supernatural.

No, what this show has much more in common with is Oculus. I know I’ve said this repeatedly but I can’t stress it enough. The Haunting of Hill House literally has more in common with Oculus than it does with the novel it takes inspiration from. Similar cinematography, similar style ghosts, same flipping between past and present, similar eldritch abomination disguised as inanimate thing villain fucking with perceptions of time and reality...The Haunting of Hill House really is more a re-imagining of Oculus than a re-imagining of The Haunting of Hill House.

Now that’s all just to address people’s expectations, though. Once again, if I had expected a re-imagining of Oculus, I wouldn’t have said no, because Oculus was the big dog’s biscuit. For those not in the know, it’s about a brother and sister whose parents went crazy when they were kids, their dad killed their mom, and then the little brother had to kill the dad in self-defense. He’s spent years in a mental hospital and chalked everything up to mental illness and an evil father, while his older sister is convinced the mirror they had just purchased was evil and drove their parents to do what they did. Zombie ghosts with glowing white eyes and mind-fuckery ensue. If you’re reading this after starting or even finishing THOHH, you may perhaps notice that sounds awfully familiar.

Oculus was actually an expansion of/improvement on a short film Mike Flanagan made, which you can find on youtube. I’d argue THOHH is an analogous expansion of/improvement on Oculus.

The thing with Oculus is it had problems. Because of the power of the mirror, basically from the moment they enter their old house until the end of the movie, the thing’s illusions are so strong that there is no way of knowing what’s really happening. Audiences complained that it’s hard to get invested in a plot when you’re not sure how much of the plot is actually happening or when it’s happening, in the past or present. Flashbacks and the present narrative blended together in very artistic and jarring ways, but some people found it too jarring, hard to keep track of, nonsensical. Additionally, things were a bit rushed, and there wasn’t enough room for Flanagan to really let some of his more complex concepts for the plot and the scares breathe.

Thankfully, in THOHH, Flanagan seems to have really actually taken those critiques to heart. There are characters largely unaffected by what’s going on, and the sequence of events never truly gets cluster-fucked. It’s a much more coherent narrative. In Oculus, a big complaint was things were too muddled to tell if the rug was actually being pulled out from under you and where the rug was to begin with and whether there was a rug in the first place. There is no fucking question in Hill House.

Additionally, the 10-episode set-up means that he can go absolutely wild with everything he wants to do, and it fucking shows.

In Oculus, one of the most disturbing scares was a brief flicker on the TV. A split instant that showed the adult sister, mouth open and dripping blood, dead and vacant stare in her eyes, for less than a second. On the TV the younger brother was watching as a child in the past. It was truly unnerving. Something similar happens when they pass the cameras at one point that they’re using to record the mirror, just showing creepy pictures of her face. But those are the only two really good easter egg background scares that could fit in that movie. There was much more right up in your face.

Not so in Hill House. Hidden ghosts and unsettling details are EVERYWHERE. Not even just the now-famous easter egg ghosts. There are also obvious ghosts in the background that seem like jump scares waiting to happen....that don’t. There are small details that change, people walking past in the background of a hallway silently, statues that turn their heads to face a character without anyone noticing it in-show. The tension is masterfully built. There are scenes that you don’t even fucking realize are scary until you see something later that completely re-contextualizes it.

It also expands on the driving concept behind Oculus, family trauma and the repeating cycle of mental illness, which wasn’t as well explored there as Flanagan clearly wanted to. But here? In all its 10 episode glory, with each child’s trauma and resulting psychological issues getting full spotlight for an hour?

It hits you hard. Flanagan’s concepts are fully realized. You get to intimately see what their childhoods have done to these characters, how history repeats itself (sometimes literally), how the ghosts-if you’ll pardon the pun-of the past drag the living of the present down. Not only that, he expands the themes he worked with in Oculus to include some downright Pet Sematary-style shit about loss, grief, and what meaning can be gleaned from death. It’s oppressively heavy, and the scares and the sadness interweave in beautiful ways. The end of one episode, which sees a maimed, anguished, silently screaming ghost standing by her own corpse, completely invisible to the assembled mourners, is both an absolutely haunting visual and an existential punch to the gut. A lot of the show is like that.

Of course this wouldn’t work if you weren’t invested in the people, but they managed to hit another home run on the characterization front. Every single character of any importance in this show is sympathetic to some degree, and even if you don’t like them, you understand why they are the way that they are. The actors are mainly relative unknowns, but i’ll be god damned if they don’t breathe life into these people. There’s also Carla Gugino who....you know. Is Carla fucking Gugino.

You can tell love and care has been put into this show. Small details almost always become important, I’m sure if I went back through with a fine-toothed comb for a second viewing, I would find a downright Edgar Wright level of foreshadowing in the earlier episodes.

There were some questions I think I still have, maybe they’d be cleared up with a second viewing, and I do want to watch this show again. I had some issues with the ending which I won’t get into here, and the show absolutely isn’t above a jump scare or six. They’re never cheap though, either coming at the end of a truly tense scene or so insanely unconventional and out-of-left-field (Anyone who’s seen Episode 8 knows what i’m talking about) that it’s noteworthy in and of itself.

Overall, it plays out like a very intense and emotionally effective family drama about trauma, grief, sickness, death, dysfunction, and love with heavy horror elements. You’ll go half an episode without any horror sometimes, making it all the more jarring when it does rear its zombified, dead-white eyed head again. This isn’t to say that the tone isn’t cohesive, like i said before, it absolutely makes it mesh together.

And yes, I did say love up there. I want to pause for a moment to tell you that all hope is not lost in this show. There are genuine moments of humor, heartwarming, and love. Yes, most of them are at best bittersweet and at worst setting you up for a cold, black sucker-punch to the heart, but it’s not all darkness and fear and death. This show has heart.

I honestly can’t say enough good things about The Haunting of Hill House. The family dynamic was realistic as hell, the characters were complex, the scares and tension were masterfully executed, the themes were intelligent, the cinematography beautiful, I cannot recommend this show enough to anyone with even a passing interest in horror.

#The Haunting of Hill House #THOHH

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claudia1829things · 4 years ago

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"FORT APACHE" (1948) Review

"FORT APACHE" (1948) Review Between 1948 and 1950, director John Ford made three Westerns that many regard as his "cavalry trilogy". All three films centered on the U.S. Army Cavalry in the post-Civil War West. More importantly, all three movies were based upon short stories written by American Western author, James Warner Bellah.

The first film in Ford's "cavalry trilogy" was "FORT APACHE" released in 1948. Starring John Wayne and Henry Fonda, the movie was inspired by Bellah's 1947 Saturday Evening Post short story called "Massacre". Bellah used the Little Bighorn and Fetterman Fight battles as historical backdrop. The movie began with the arrival of three characters to the U.S. Army post, Fort Apache, in the post-Civil War Arizona Territory - a rigid and egocentric Army officer named Lieutenant Owen Thursday; his daughter Philadelphia Thursday; and a recent West Point graduate named Second Lieutenant Michael O'Rourke, who also happened to be the son of the regiment's first sergeant. The regiment's first officer, Captain Kirby York, and everyone else struggle to adjust to the martinet style of Thursday. Worse, young Lieutenant O'Rourke and Philadelphia become romantically interested each other. But since O'Rourke is the son of a sergeant, the snobbish Thursday does not regard him as a "gentleman" and is against a romance between the pair. But Thursday's command style, the budding romance and other minor events at Fort Apache take a back seat when the regiment is faced with a potential unrest from the local Apaches, due to their conflict with a corrupt Indian agent named Silas Meacham. Thursday's command and his willingness to adapt to military command on the frontier is tested when he finds himself caught between the Meacham's penchant for corruption and the Apaches' anger and desire for justice. "FORT APACHE" proved to be one of the first Hollywood films to portray a sympathetic view of Native Americans. This is surprising, considering that Bellah's view of the Native Americans in his story is not sympathetic and rather racist. For reasons I do not know, Ford decided to change the story's negative portrayal of the Apaches, via screenwriter Frank S. Nugent's script. Although Ford and Nugent did not focus upon how most of the other characters regarded the Apaches, they did spotlight on at least three of them - Captain Kirby York, Lieutenant-Colonel Owen Thursday, and Captain Sam Collingwood. Both Thursday and Collingwood seemed to share the same negative views of the Apaches, although the latter does not underestimate their combat skills. York seemed a lot more open-minded and sympathetic toward the Apaches' desire to maintain their lives in peace without the U.S. government breathing down their backs. In the case of "FORT APACHE", York's views seemed to have won out . . . for the moment. As much as I enjoyed "FORT APACHE", I must admit that I was frustrated that it took so long for it to begin exploring its main narrative regarding the Apaches and Meachum. The movie's first half spent most of its time on three subplots. One of them featured the clash between Thursday and the men under his command. The second featured the budding romance between Philadelphia Thursday and Second Lieutenant O'Rourke. Do not get me wrong. And the third featured scenes of the day-to-day activities of the fort's enlisted men and non-commission officers. I must admit that I found the last subplot somewhat uninteresting and felt they dragged the movie's narrative. I had no problems with the Philadelphia-Michael romance, since it added a bit of romance to the movie's plot and played a major role in Lieutenant-Colonel Thursday's characterization. And naturally the York-Thursday conflict played an important role in the film's plot. The ironic thing about "FORT APACHE" is that the plot line regarding the Apaches does not come to the fore until halfway into the film. Due to this plot structure, I found myself wondering about the film's main narrative. What exactly is "FORT APACHE" about? Worse, the fact that the Apache story arc does not really come to fore until the second half, almost making the film seem schizophrenic. There were plenty of moments in the first half that led me to wonder if director John Ford had become too caught up in exploring mid-to-late 19th century military life on the frontier. Many have claimed that "FORT APACHE" is not specifically about life at a 19th century Army post in the Old West or the U.S. government's relations with the Apaches. It is about the conflict between the two main characters - Captain Kirby York and Lieutenant-Colonel Owen Thursday. In other words, one of the movie's subplots might actually be its main plot. Both York and Thursday were Civil War veterans who seemed to have conflicting ideas on how to command a U.S. Army post in the 19th century West and deal with the conflict between the American white settlers and the Apaches, trying to defend their homeland. Captain York had expected to become Fort Apache's new commander, following the departure of the previous one. Instead, the post's command was given to Colonel Thursday, an arrogant and priggish officer with no experience with the West or Native Americans. What makes the situation even more ironic is that while York had wanted command of Fort Apache, Thursday is both disappointed and embittered that the Army had posted him to this new assignment. The problem I have with this theory is that movie did not spend enough time on the York-Thursday conflict for me to accept it. Thursday seemed to come into conflict with a good number of other characters - especially the O'Rourke men and his old friend Captain Sam Collingwood. York and Thursday eventually clashed over the Apaches' conflict with Silas Meacham. And considering that a great deal of the movie's first half focused on the day-to-day life on a frontier Army post and the Philadelphia-Michael romance, I can only conclude that I found "FORT APACHE" a slightly schizophrenic film. Despite this, I rather enjoyed "FORT APACHE". Well . . . I enjoyed parts of the first half and definitely the second half. While I found some of Ford's exploration of life at a 19th century Army post rather charming, I found the movie's portrayal of the entire Apaches-Meachum conflict intriguing, surprising and very well made. Instead of the usual Hollywood "white men v. Indians"schtick, Ford explored the damaging effects of U.S. policies against Native Americans. This was especially apparent in the situation regarding Silas Meacham. Ford and screenwriter Frank S. Nugent made it clear that both Captain York and Lieutenant-Colonel Thursday regarded Meachum as a dishonorable and corrupt man, whose greed had led to great unrest among the Apaches. And yet . . . whereas York was willing to treat the Apaches with honor and consider getting rid of Meachum, Thursday's rigid interpretation of Army regulations and arrogant prejudice led him to dismiss the Apaches's protests and support Meachum's activities because the latter was a U.S. government agent . . . and white. Worse, Thursday decided to ignore York's warnings and use this situation as an excuse for military glory and order his regiment into battle on Cochise's terms - a direct (and suicidal) charge into the hills. U.S. policy in the Old West at its worst. God only knows how many times a similar action had occurred throughout history. I might be wrong, but I suspect that "FORT APACHE" was the Hollywood film that opened the gates to film criticism of American imperialism in the West, especially the treatment of Native Americans. Another aspect of "FORT APACHE" that I truly enjoyed was Archie Stout's cinematography. What can I say? His black-and-white photography of Monument Valley, Utah and Simi Hills, California were outstanding, as shown below:

Thanks to Ford's direction and Jack Murray's editing, "FORT APACHE" maintained a lively pace that did not threatened to drag the movie. More importantly, the combination of their work produced a superb sequence that featured the regiment's doomed assault on Cochise's warriors. Richard Hageman's score served the movie rather well. Yet, I must admit that I do not have any real memories of it. As for film's costumes . . . I do not believe a particular designer was responsible for them. In fact, they looked as if they had come straight from a studio costume warehouse. I found this disappointing, especially for the movie's female characters. "FORT APACHE" featured some performances that I found solid and competent. Veteran actors like Dick Foran, Victor McLaglen and Jack Pennick gave amusing performances as the regiment's aging NCOs (non-commissioned officers). Guy Kibbee was equally amusing as the post's surgeon Captain Wilkens. Pedro Armendáriz was equally competent as the more professional Sergeant Beaufort, who was a former Confederate. Grant Withers was appropriately slimy as the corrupt Silas Meachum. Miguel Inclán gave a dignified performance as the outraged Apache chieftain Cochise. The movie also featured solid performances from Anna Lee and Irene Rich. John Agar's portrayal of the young Michael O'Rourke did not exactly rock my boat. But I thought he was pretty competent. I read somewhere that Ford was not that impressed by Shirley Temple as an actress. Perhaps he had never seen her in the 1947 comedy, "THE BACHELOR AND THE BOBBYSOXER". Her character in that film was more worthy of her acting skills than the charming, yet bland Philadelphia Thursday. John Wayne also gave a solid performance as Captain Kirby York. But I did not find his character particularly interesting, until the movie's last half hour. I only found three performances interesting. One came from George O'Brien, who portrayed Thursday's old friend, Captain Sam Collingwood. I thought O'Brien did a great job in portraying a man who found himself taken aback by an old friend's chilly demeanor and arrogance. Ward Bond was equally impressive as Sergeant Major Michael O'Rourke, the senior NCO on the post who has to struggle to contain his resentment of Thursday's class prejudices against his son. But for me, the real star of this movie was Henry Fonda as the narrow-minded and arrogant Lieutenant-Colonel Owen Thursday. I thought he gave a very brilliant and fascinating portrayal of a very complicated man. Thursday was not the one-note arrogant prig that he seemed on paper. He had his virtues. However, Fonda did an excellent job in conveying how Thursday's flaws tend to overwhelm his flaws at the worst possible moment. I am amazed that Fonda never received an Oscar nomination for this superb performance. How can I say this? I do believe that "FORT APACHE" had some problems. I found the movie slightly slightly schizophrenic due to its heavy emphasis on daily life on a frontier Army post in the first half. In fact, the movie's first half is a little problematic to me. But once the movie shifted toward the conflict regarding the Apaches and a corrupt Indian agent, Ford's direction and Frank S. Nugent's screenplay breathed life into it. The movie also benefited from a first-rate cast led by John Wayne and Henry Fonda. I must admit that I feel "FORT APACHE" might be a little overrated. But I cannot deny that it is a damn good movie.

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lavendermuses18 · 5 years ago

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Anne with an E Season 3 Trailer Breakdown Part II

I saved my very favourites, and the very best, for the sequel post!

Alright, so there are 3 things I am LIVING for this season of AWAE: kindred love, shirbert, and Anne’s search for self.

So let’s do this:

Kindred Love - Anne/Diana

Those heart necklaces!!!! I mean, who didn’t have some kind of friends forever trinket with their kindred spirit (I still have mine!). Based on weather and clothes, this looks like springtime, so my original theory of the necklace being Diana’s gift to Anne for her birthday is probably way off.

I can’t tell if Diana has the necklace on in this scene, but the clothes match, as does the forest and the lighting. Plus we get to see Jerry (wow, did he grow up!). The fact he’s fixing his coat makes me think he might be off to meet someone important to Diana (cough*parents*cough). It’s possible this scene could take place after Diana and Anne part ways with those adorable blown kisses.

BTW, what are we calling this pairing. Is it too late for me to throw Diarry into the ring?

Diana’s necklace appears again in this scene (can’t see Anne’s for all of that magnificent red hair). Once again, it seems it’s springtime as the girls appear to be dressed like Maypole dancers and their bonfire ballet certainly has that same energy. I don’t think the necklace shows up again save for some photos Amybeth posted after their last day of shooting.

It looks like, despite some romance on the horizon, Anne and Diana’s friendship is as solid as ever. Case in point:

I wouldn’t want to be Josie Pye right now. She’s about to be DESTROYED.

The Anne/Diana kindred spirit friendship is what all best friendships strive to be, and I hope everyone in the world is lucky enough to find their own bosom companion.

Alright. Next, the one ship to rule them all...

Shirbert. How I love thee, let me count the ways...and we’ll be here for years.

I am very excited for the Shirbert we will get this season, and with the upcoming dance and Anne’s search for self, I think we’ll have a lot more of those wonderful Anne/Gilbert parallels that have peppered the show since the start.

We actually get quite a bit of footage from the dance practice episode, including the above scene. Like most, I do think this particular scene takes place after the day’s dance lessons. Why they are looking at each other like that, I have no idea, but their expressions definitely have me thinking that someone has said something rather reveling about their feelings (unrealized and/or unacknowledged as they may be).

Other great moments from this episode that appeared in the trailer include:

And...

I’m suspecting this scene will happen before Anne and Gilbert’s staring at each other moment...

...because Anne certainly seems panicked in a similar way.

As Charlie has his jacket on, this scene is likely happening before the dance lesson, which makes me suspect that the dance partners are assigned not picked (although, Anne appears to be enjoying her dance with Charlie).

Maybe Charlie’s too obvious affection is worrying Anne, and then maybe she says something to Gilbert in passing conversation about Charlie liking her and that’s why they stare at each other so intently. After all, Anne’s face suggests a ‘crap-didn’t-mean-to-say-that’ expression while Gilbert just looks confused and perplexed and even a smidge worried (I’m not a big fan of the jealous-boys trope, but I do like the idea of Gilbert having to really examine/explore his feelings for Anne when he’s made aware that one of his chums has semi-sort-of declared intentions towards her).

This next shot of Anne walking:

I think could be from the same episode and immediately after the Gilbert look, since Anne appears to be deep in thought, as she often is when she has a charged run-in with the love of her life. Also, the clothing does match, as does the lighting and the time of year as suggested by other scenes.

Plus, and I can’t explain it, something about her expression just says ‘boy troubles’.

Then, of course, we have this promo pic...

...which seems to confirm, based on the costumes, that it was taken the same day as these dance scenes were filmed. If I recall correctly, this pic was posted pretty early in production, so that may mean the dance lessons are an early episode (yay!).

And finally, I end my Shirbert dance analysis on this too, too romantic moment:

I know, the Gilbert Blythe heart eyes are amazing and Anne’s smile is radiant, but have you looked at their HANDS!!!!!!

I don’t know why I’m obsessed with it, but the way they’re holding hands in this moment makes my heart squeeze and race and fly and flutter and gasp and just ACHE with how wonderful this tender touch is.

And now, we close on the final theme of AWAE S3: Anne’s search for self.

I am very excited for story and character development. One of my favourite parts of AWAE S2 was Gilbert’s gap year in Trinidad as he searched the world for experiences, knowledge, and adventure, but also for healing, meaning, and identity. I was tickled when it was announced Anne would embark on her own search for knowledge as to who she is, which would include where she came from.

In fact ,it seems as if part of Anne’s journey will involve having to go delve into her past, and that may take her to some dark places.

Does this brick wall and staircase look familiar? Because I’m pretty sure this is the asylum where the girls tormented Anne with the dead mouse. A recent promo indicated Anne will be returning to the asylum for answers.

Anne’s coat and hat match up.

The coat and hat also have me thinking that this moment:

Might be Anne departing for Charlottetown on the first leg of her self-discovery journey. I say departing rather than returning, because Marilla looks just a bit sad and reluctant to let Anne go, but let her go she shall.

The good news: it doesn’t seem as if Anne will be going alone. Besides the fact that Cole appears at her side as she’s approaching the asylum, this BTS pic:

Hints that Gilbert may be taking part in some of Anne’s journey, too. Her hat and coat match up, and we know that’s Gilbert thanks to his ever present book bag and paperboy cap.

Do Anne and Gilbert go to Charlottetown together? Do they meet up? Does Gilbert go to the asylum, too, or is there another leg of the journey he’ll join her on? Will they go back to the Hammonds? To the Thomases? Will we go all the way back to Bolingbrook?! My heart can hardly wait.

Finally, I end this breakdown/analysis with the theory that no one wants to talk about, but is certainly the one that needs some attention:

The possible, and sadly likely, untimely death of Mathew Cuthbert.

We know he dies in the books, and we know he dies when Anne is 16. Although AWAE is an adaptation, Mathew’s death feels like an inevitable conclusion; it will happen at some point, and most likely when we won’t expect it, but it will happen.

Mathew doesn’t feature much in the trailer, but he does get one of the rather poetic and emotional lines, speaking of love being like a storm, upsetting your plans, but he reiterates that, though he never could have planned for Anne and the upheaval she brought to his life, he wouldn’t change it, not for the world.

Truly, it is Anne and Mathew’s relationship that has to capture you from the very beginning if AWAE. If you don’t crumble when he calls her his daughter, then why are you watching this show?

The father/daughter relationship is set up as being important to both of these characters, so the loss of that connection through death is certainly going to have some devastating effects on the young lady left behind. At first I thought Mathew’s death (which, if it does happen, I believe will occur in the middle of the season) might be the impetus that spurs Anne on to learning more about herself, but now I’m wondering if his death may be what makes her realize that her past, the good and the bad, is what brought her to Green Gables, and to Marilla and Mathew. While she may feel glad to know who made her and where she came from, that doesn’t change the simple fact that she is Anne Shirley-Cuthbert, daughter of Mathew Cuthbert, and that girl, well, she’s rather spectacular.

And so concludes my trailer breakdown for Anne with an E Season Three.

Let me know your thoughts!

Share your theories with me as we make the agonizing wait for S3 a pleasant passage of time with kindred spirits one and all!

#awae #awae s3 #awae season 3 #anne of green gables #anne shirley #gilbert blythe #diana berry #dairry #mathew cuthbert #shirbert #trailer breakdown

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weekendwarriorblog · 6 years ago

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The Weekend Warrior’s Top 25 Movies of 2018!

What a year we’ve been having with all the politics and internet craziness and my own personal life, struggling to survive without a job and very little work, and YET, it was an absolutely fantastic year for movies. There is no arguing that fact when a good percentage of my annual top 25 came from movies I saw at Sundance way back in January. While there may be a few noticeable omissions that appear on many other top 10s, as well as a few movies I liked that were obvious awards fodder, I’m pretty happy with what turned out to be one of my more eclectic top 25 lists with a mix of smaller indies and big budget blockbusters. (In case you’re interested, I saw 248 movies in 2018, and that is only counting the new movies released during the year and not dozens more movies I saw at film festival and hundreds of older films.)

I hope you enjoy reading this as much as I enjoyed writing it…. Or rather, I hope you enjoy reading this because it took me a long time to write it.

25. Stan and Ollie (Sony Pictures Classics) – One of the recurring trends I saw happening during what was a relatively sucky year was that many of my favorite things from childhood were brought to the big screen. In this case, it’s the story of Laurel and Hardy, as ably played by Steve Coogan and John C. Reilly, as it covers the last few years of their partnership as they’re struggling to fill theaters during a UK tour. The performances by the duo were splendid, as were the two actors playing their respective wives (a hilarious Nina Arianda and Shirley Henderson), the script by Jeff Pope really putting you into the comedy duo’s world and mindset. Kudos to Jon S. Baird for this fantastic biopic, which opens next week in New York and L.A.

24. Annihilation (Paramount) – Alex Garland’s sophomore film, his follow-up to the excellent Ex-Machina, was a fantastic adaptation of Jeff Vandermeer’s sci-fi novel that should have been as accepted as Arrival, especially with the fantastic premise and performance by Natalie Portman, as well as Jennifer Jason Leigh, Tessa Thompson and Oscar Isaac. Sadly, I didn’t rewatch it on Netflix when I had the chance but this is definitely something I’d buy on blu-ray.

23. Mary Poppins Returns (Walt Disney Pictures) – Continuing the theme from Stan and Ollie, Disney finally made a sequel to one of my favorite movies as a kid with the wonderful Emily Blunt stepping into the shoes of Julie Andrews, and I was shocked by how much I enjoyed it, especially since I wasn’t a fan of Rob Marshall’s Into the Woods… or Chicago, for that matter. For this one, Marshall perfectly captured the magic I felt first watching Mary Poppinsand listening to the album over and over as a kid, with really fun songs, including some co-written by Lin Manuel Miranda, I believe.

22. Aquaman (Warner Bros.) – While Aquaman has never been my favorite DC superhero, I had high hopes for director James Wan’s first foray into superheroics, and I wasn’t disappointed. Granted, there was a lot to keep up with, since he fit a lot of story into one movie… I mean, who wouldn’t, considering the chances of there ever being an Aquaman sequel? But yeah, Jason Momoa really sold me on the character, and the way the movie remained faithful to the Aquaman lore and mythos made in the comics, and there was just so much to enjoy that I can’t wait to see it again.

21. Boy Erased (Focus Features) – Another second feature, this one from Joel Edgerton, who adapted, directed and co-starred in this adaptation of Garrard Conley’s memoir of growing up with a preacher father and religious mother who sent him to participate in a gay conversion program run by a zealous fanatic (played by Edgerton). I thought Lucas Hedges was just fantastic in the lead in this as well as in his father Peter Hedges’ movie Ben is Back, so this year finally put me on the Lucas Hedges wagon despite him appearing in multiple Best Picture-nominated movies over the last couple years. (I also want to point out the Honorable Mention The Miseducation of Cameron Post, which was also quite good as it looked at the problems caused by these gay conversion programs.)

20. Crazy Rich Asians (New Line/Warner Bros.) – I fought tooth and nail against buying into the hype for this all-Asian cast adaptation of Kevin Kwan’s best-selling novel, but I’m a total sucker for romance, especially the romantic comedy genre, and this was a fine one for the ages. My worries about this being seen as Asian wealth porn was somewhat off-base – although there was some of that in there – and this ended up being the perfect movie for one of my fave directors, Jon M. Chu, to finally be taken seriously in Hollywood. Granted, I already loved Constance Wu from Fresh Off the Boat and Michelle Yeoh from a million movies, but I loved what newcomers Henry Goulding and Awkwafina brought to the mix, and I even liked Ken Jeong in this, so yeah, a pleasant surprisw, and one I probably will rewatch again soon.

19. Roma (Netflix) – Likewise, I finally saw this movie at New York Film Festival after tons of hype out of Telluride, Toronto and Venice, but I immediately was able to relate to the love the kids in the film have for their maid, something similar to my own childhood living in Brazil in the early ‘70s. There’s no denying that director Alfonso Cuaron makes stunning films that leaves your jaw agape in every scene, and what an amazing coup for first-timer Yalitza Aparicio, an indigenous woman who might have had a hard time getting roles if not for Cuaron’s brilliance in casting her. This movie hit me even harder emotionally a second time, although I still wouldn’t place it higher on my year-end list since I thought some of it was noticeable directorial wanking i.e. Cuaron could do these big set pieces merely because he had the ability and money to do so.

18. On the Basis of Sex and RBG (Focus Features / Magnolia) – I’m cheating here a little bit just because this year saw two fantastic films about Supreme Court Justice Ruth Bader Ginsburg, first in the doc by Betsy West and Julie Cohen, which created a beautiful portrait of the amazing woman. Later in the year, Felicity Jones portrayed Ginsburg in a pivotal point in her career where she goes before the Supreme Court to fight for gender equality. It’s an important case but also an important turning point in our country, and I love how Ginsburg’s relationship with her husband, played by the dashing Armie Hammer, was portrayed.

17. Monsters and Men (Neon) – A movie that was seemingly missed by anyone who didn’t see it at Sundance, and even by many who went to Sundance was Reinaldo Marcus Green’s drama about a shooting by a Brooklyn policeman and how it’s viewed by three different people from the neighborhood. Two of those people are Anthony Ramos’ Manny and John David Washington (from BlackKklansman) as a fairly young policeman dealing with the corruption and racism in the force. It also deals with a young baseball prodigy (Christopher Jordan Wallace) who wants to get involved with the protests against the killing even if it might hurt his chances at getting into a good college. If you have a chance to see this movie, you’re likely to be impressed by Green’s storytelling abilities and how it’s used.

16. Searching (Sony/Screen Gems) – Aneesh Chaganty’s directorial debut was an amazing thriller starring John Cho as a man whose daughter has disappeared and using only what can be viewed on a computer screen. Sure, it sounds like a gimmick, and it’s one that’s been used in films like Nacho Vigalondo’s Open Windows and the Unfriended series, but Cho’s performance is a career-best, and Chaganty finds a way to create a plausible thriller that keeps you invested in Cho finding his daughter. (And I loved the hint I discovered to the movie’s big twist on watching a second time.)

15. Widows (20thCentury Fox) – While I liked 12 Years a Slave just fine, Steve McQueen really blew me away with his foray into the heist genre, starring Viola Davis as the wife of a criminal (Liam Neeson), who dies in an attempt to steal millions from a local Chicago mob boss… and political candidate (Brian Tyree Henry – one of this year’s major MVPs). It seems like a fairly simple plot, but McQueen finds a way to integrate the local politics (incl. amazing performances by Colin Farrell and Robert DuVall), surround Davis with some amazing women (including Cynthia Erivo and Elizabeth Debicki) and create a heist film unlike any you would have seen before, as it was far more unconventional than other heist films, as one might expect.

14. Mary, Queen of Scots (Focus Features) – Fantastic performances by Saoirse Ronan as the title character and Margot Robbie as her cousin and rival Queen Elizabeth made Josie Rourke’s feature directorial debut quite an amazing film. It wasn’t just another costume drama, and as much as it sadly is being overshadowed by The Favourite, the material told this fascinating story about two feuding queens in such an interesting and exciting way, including an impressive battle sequence, making this very different from other period pieces, including the many that have been directed by men.

13. Instant Family (Paramount) – Another one of this year’s surprises was seeing Sean Anders, the director behind Daddy’s Home and its sequel, take on a more serious comedy based on his own real life. Apparently, he and his wife adopted three kids, so in this very funny, sweet and warm comedy, it’s Rose Byrne and Mark Wahlberg as a couple who take in three Latino kids, including the amazing Isabela Moner, who I think is going to be amazing as Dora the Explorer. But there was so much to enjoy about this film from the easy laughs to some of the sweeter and more touching human emotions on display.

12. Hereditary (A24) – Another film that premiered out of Sundance (that I missed there) was Ari Aster’s directorial debut, an absolutely horrifying film about a mother (Toni Collette) dealing with all sorts of strange supernatural occurrences after the death of her own mother. A24’s marketing for the film was such a brilliant bit of Red Herring creation that you might go in thinking that Collette’s daughter Charlie (played by Milly Shapiro) was gonna be the main antagonist/conflict… nope! Colette’s amazing performance was countered by a similar one from Alex Wolff, and if you weren’t totally creeped out by this movie’s ending, there’s probably something wrong with you. Aster proves himself to be a fascinating visual storyteller, so I can’t wait to see his next movie.

11. The Citizen (ArtMattan Productions) – Roland Vranik’s Hungarian film that premiered at the Berlin Film Festival all the way back in 2016 finally got a U.S. release thanks to New York’s Metrograph where it played for a number of weeks. After seeing the trailer a bunch of times, I ended up checking it out, and I was blown away by how timely and prescient the story of an African immigrant trying to become a Hungarian citizen related to what was going on in this country over the past year. It’s a wonderful indie film that sadly didn’t get the attention it deserved.

10. Eighth Grade (A24) – Yet another Sundance “discovery” was comedian Bo Burnham’s debut, which featured newcomer Elsie Fisher as 13-year-old Kayla, who is trying to deal with puberty, her last year in middle school and a pesky but lovable father, played by Josh Hamilton. This is just such an enjoyable even if you went to middle school so long ago that you barely remember it. Even so, Burnham found a way to tap into those feelings to create an extremely enjoyable comedy. I’m convinced Elsie Fisher is gonna be a superstar.

9. The Hate U Give (20thCentury Fox) – Probably one of the most underrated films of the year, which thankfully has gotten some critical love in the past few weeks. I thought this adaptation of Angie Love’s Y.A. novel about a teenager named Starr, played by Amandla Stenberg, fighting with the two sides of her life with the advent of #BlackLivesMatter after watching her childhood friend killed by a white police officer. The cast that producer George Tillman Jr. built around Stenberg was quite impressive, including Regina Hall, Russell Hornsby, Anthony Mackie and Common, with many powerful emotional moments that did a good job explaining what young black people in urban areas must deal with daily. It’s a fine return to form from the director of Notorious and Soul Food.

8. Ant Man and the Wasp (Marvel Studios) – I bet you didn’t expect to see THIS Marvel Studios rank so high while a couple others didn’t even place in my list (or even Honorable Mentions), huh? Maybe I’ve just gotten sick of the whole thing where every movie is basically set-up for the next movie, which has been the case for a while now. Sure, Ant-Man and the Wasp is a sequel to Ant-Man and there was a post-credits Avengers: Infinity War tie-in, but otherwise, this was the Ant-Man movie I had been hoping for after the rather disappointing first movie. Obviously, having Paul Rudd involved in the writing and not working from a previous plot (as was the case with the first movie) helped the characters from the first movie shine. (Also, loved the Ghost as an antagonist.)

7. Spider-Man: Into the Spider-verse (Sony) – It was a fairly tight race for my favorite superhero movie of the year, but after seeing this animated take on Marvel’s webbed wonder a second time, it was obvious to me that this was indeed one of the best feature film iterations of Spider-Man outside the comics. Sure, I was a fan of what Brian Bendis had done in the Ultimate comics, maybe not some of the Spider-Verse stuff introduced by Dan Slott, but taking those two disparate things and turning it into a true story about Miles Morales (voiced by Shameik Moore, who should be cast as Miles in a live action MCU movie) and then having Jake Johnson voicing the older “mentor” Spider-Man just made for a fun movie that exemplified all of the previous films directed and produced by Lord and Miller including The LEGO Movie and 21 Jump Street. I’m looking forward to more big-screen animated superhero movies, and yeah, I liked Incredibles 2 just fine but I was never that attached to the Pixar movie.

6. Love, Simon (20thCentury Fox) – After blowing up the DC Universe via his many CW TV shows, Greg Berlanti returned to the movies with this coming-out coming of age romantic comedy starring Nick Robinson as Simon Spier, a closeted gay teen who discovers that there might be another gay teen in the closet at his high school. This simple plot led to a wonderful high school coming-of-age rom-com that really brightened me up on a miserable day I was having (the first of many this year), and I loved how relatable Berlanti made the story.

5. Bad Times at the El Royale (20thCentury Fox) – Possibly one of the most underrated films of the year, Drew Goddard’s second film as a director after the similarly excellent Cabin in the Woods, featured a cadre of individuals converging on a mostly-abandoned hotel on the border of California and Nevada. Jeff Bridges plays a priest, Jon Hamm plays a travelling salesman and Broadway star Cynthia Erivo (also in Widows) is a singer who all show up at the same time, as we quickly discover, very little about the El Royale is as it seems. I almost don’t want to reveal too much more, because it’s the way the story unfolds which had many comparing it to Tarantino (both positively and negatively). I felt that so many filmmakers have tried to ape Tarantino and not understood what makes his storytelling style work so well, but Goodard figured it out, and delivered a rich film full of many surprises. I can’t recommend the film more, since I know very few people had a chance to see it in theaters.

4. Mission: Impossible – Fallout (Paramount) – Considering how much I was disappointed by Christopher McQuarrie’s Mission: Impossible – Rogue Nation, I expected its direct sequel to be more of the same, and boy, was I wrong. Tom Cruise and McQuarrie pulled out all the stops to create a viable conclusion to the four movies that had been produced along with JJ Abrams and Bad Robot, which included the extraordinary 4thmovie directed by Brad Bird. I was impressed the first time I saw this in IMAX… but then I saw it again… and again… and again. I just couldn’t get enough of the amazing action scenes and the intricate plot (even though I found a few holes in it). I’m so psyched to see what McQuarrie does next, and it successfully reminded everyone why Cruise is the star that he is.

3. Juliet, Naked (Lionsgate / Roadside Attractions) – The fact that filmmaker Jesse Peretz was able to adapt one of my favorite Nick Hornby novels in a way that’s faithful but not to a fault made this one of my favorite movies of this year’s Sundance Film Festival. If you couldn’t tell from my love for Instant Family, I absolutely love Rose Byrne, and she killed it as Annie, a woman living in a seaside English town with her boyfriend Duncan (Chris O’Dowd) as an avid fan of musician Tucker Crowe. When Annie posts something negative about a newly-discovered Crowe rarity on Duncan’s blog, they break up, but she also ends up having a long-distance relationship with the actual Crowe, played by Ethan Hawke. There’s just something so spot-on about Hornby’s book and this adaptation was just as enjoyable, genuinely warm and very, very funny. I wish more people went to go see it.

2. A Star is Born (Warner Bros.) – Believe me, there may be no one more surprised by how far this movie has placed in my year-end list than myself. I’m not a huge Bradley Cooper fan, nor do I particularly like Lady Gaga or her music, but this is a great old Hollywood story that’s perfectly modernized with Cooper playing rock star Jackson Mane who sees Gaga’s Ally performing at a cabaret club and falls for her just as he tries to help her career. It’s a story that’s been told a number of times before, and sure, I can understand why some women might not like the implications that a man might help the woman have success in the movie industry, but Gaga killed it playing a character possibly not too removed from herself. I’ll be thrilled with any and all Oscars this movie earns, especially for Bradley Cooper, making a stunning directorial debut. (And I always love Sam Elliot in anything he does. He’s so deserving of an Oscar here, too.)

1A. Won’t You be My Neighbor (Focus Features) – As always, I separate the docs from my overall year’s best list just because I tend to like the genre so much that my entire top 10 would be docs if I didn’t separate them into their own category. But yeah, Morgan Neville has done it again with another 10/10 doc following his Oscar-winning 20 Feet to Stardom. Barring some major push by one of the other docs that made the shortlist (and my top 12 below), there’s a very good chance that Neville’s doc about beloved PBS host Fred (Mister) Rogers will win him a second Oscar. Rogers is beloved by adults who grew up watching his show and getting a chance to look behind the scenes made many adults cry, mainly for joy but also for sadness that these trying times doesn’t have a Mister Rogers to help us through it.

1. Green Book (Universal) – Yes, I’m well aware of the controversy and backlash from many black film critics (most of them who write for ShadowAndAct.com, oddly enough) who hate this movie for one reason or another. By the time all that controversy had reared its ugly head, I had already seen the Peter Farrelly historic buddy comedy twice, and I loved it both times I saw it. If you’re unaware, it stars Viggo Mortensen as Italian stereotype club bouncer Tony Lip, who is hired to drive and safeguard Mahershala Ali’s jazz pianist Dr. Don Shirley on a tour of the Deep South during the early ‘60s when racism still was running rampant. The growing chemistry built by these two actors through the situations they find themselves in made me far more interested in Shirley and the Green Book of the title, so anyone complaining about the movie should realize that through entertaining humor, Farrelly has opened a conversation that I hope will continue through next year.

Honorable Mentions:

There were so many good movies this year that all of these fine films ended up just outside my top 25…

A Private War (Aviron) Operation Finale (MGM) First Reformed (A24) Lean on Pete (A24) The Rider (Sony Pictures Classics) Collette (Bleecker Street) Cold War (Amazon Studios) The Miseducation of Cameron Post (FilmRise) Leave No Trace (Bleecker Street) Suspiria (Amazon)

TWELVE GREAT DOCS

This was most definitely the year of the theatrical doc, even though, yeah, there’s still a few Netflix docs on here… okay, one. Otherwise, it was important to see most of these movies in a theater, which culminated in Peter Jackson’s 3D WWI doc They Shall Not Grow Old, which just missed my top 12. Sorry, this feature has gotten a little too long or otherwise, I’d write more about each of these, but most of them I wrote about in the weekly column.

1. Won’t You be My Neighbor (Focus Features) 2. Free Solo (National Geographic) 3. Hal (Oscilloscope) 4. Three Identical Strangers (Neon) 5. Minding the Gap (Hulu) 6. RBG (Magnolia) 7. Rock Rubber 45s (Saboteur Media) 8. Crime + Punishment (Hulu/IFC Films) 9. Shirkers (Netflix) 10. Fahrenheit 11/9 11. Far from the Tree (IFC Films) 12. Whale of a Tale (Giant Pictures)

STUDIO OF THE YEAR:

Every year I like rewarding a studio that goes above and beyond both in terms of releasing great, entertaining movies and also being generally decent to deal with. While Universal has the top movie and Warner Bros. is #2 and Fox has a lot of movies on the above list, I think I’ll have to give this year’s award to Paramount Pictures, not only for making the best Mission: Impossible yet, but also with two wonderful surprises in Instant Family and Overlord, which both were far better than their trailers. (They also released A Quiet Place, which didn’t make my list but was still a solid thriller.) But most importantly, they’re the most improved in terms of press/critical outreach, and I greatly appreciate that, especially in the tough year I had.

ALBUMS OF THE YEAR

I always like sharing some of the music I’m listening to each year and though my music budget has been cut rather drastically this year, my favorite album of the year was Metric’s “Art of Doubt,”followed by Buffalo Tom’s “Quiet and Peace”and The Fratellis’ “In Your Own Sweet Time.” I also dug Monster Magnet’s “Mindf*cker,” Ash’s “Islands” and James’ “Living in Extraordinary Times,” but none of this gets me more excited as the prospect for a new Cure album in 2019!

Oh, fine.. I’ll tack on my Terrible 10 for the year, but I don’t feel like revisiting any of these: 10. Kin 9. Puppet Master: The Littlest Reich 8. The Spy Who Dumped Me 7. Before I Wake 6. Truth or Dare? 5. London Fields 4. Head Full of Honey 3. Mandy 2. Aardvark 1. Assassination Nation

That’s it for this year. Hopefully, I’ll have more to come soon.

#WeekendWarrior Top252018 Movies Reviews GreenBook MissionImpossible AStarIsBorn WontYouBeMyNeighbor

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