#but glinda has ALWAYS been loved

[aparticularbandit]

I RAN OUT OF TAGS.

Still turning Wicked around in my head.

Rotating it in the tumbler.

Debating writing something with it but like. Not quite there.

There's a couple of moments that scream to me.

Not sure my grasp of the characters is strong enough and like it....

It's Wicked, with its huge fandom, and it's....

I want to make sure I have the grasp on the characters I want before getting into it.

[dedmar]

Takes a loooooong drag

So how are my fellow “had a traumatic homoerotic childhood friendship” girlies liking Wicked?

[moon-axolotl]

Okay, but I just LOVE the idea of Glinda hardcore flirting with Elphaba as a joke, but then realizing she is legit into her, and then she reels it back because she doesn’t know what to do with that discovery.

So Elphaba is CONFUSED AS FUCK because Glinda is always touching her (!!!) and saying questionably flirty things (!!!). She’s suspicious because she can’t fathom WHY someone would instigate physical affection—let alone be attracted to her!

But, although she may not admit it, Elphaba loves, loves, loves all the physical affection and she loves, loves, loves Glinda’s unusually kind, if not flirty, words towards her. HER. The wicked, repulsive creature who has been ostracized and tormented her entire life!!!

And so when Glinda stops touching her and stops babbling questionably flirty things, Elphaba is devastated because Glinda’s the ONE FUCKING PERSON who has EVER made her feel NOT SO WICKED, NOT SO REPULSIVE. Maybe even made her feel…BEAUTIFUL??!??!!!

And Glinda and Elphaba are forced to go their separate ways, so Elphaba never knows how beautiful she really is. How beautiful and lovable she is to Glinda.

SHE. NEVER. FUCKING. KNOWS.

[show-us-kaidenshenandoah]

Wicked Gelphie fans, i need you guys so badly to know how well Elphaba/Glinda are "good timeline"d "history doesnt repeat, it rhymes"-ified by Dorothy/Princess Ozma in Baum's original Oz book series. like. Dorothy/Ozma get everything; theyre the sweet, intimate friends-to-"??? are they a couple?"-ified political power-sapphic-duo that Gelphie would have wanted to be. like??

if you merge canons, fam... Wicked-Glinda must be struggling, seeing Dorothy/Ozma be everything she and Elphaba could have been.... omfg... the angst potential, the envy of watching a couple of sapphic childhood sweethearts get everything they were denied, fulfill Glinda and Elphie's dreams, and seemingly so easily too...

(also!! they even CAN look like a kid-Glinda and kid-Elphaba! there's canon to justify that kind of appearance paralleling!!)

faq below if you want more context

edit, psa: i did read these books from like.. the ages of 10 to like 14 or so, maybe as young as 8? idk, i dont remember. anyway. its been a decade since i picked them back up. and i didnt think this would gain as much traction as it has been after 100+ notes in less than 24 hours. uh. so. take my chronic memory loss-addled summarization with a grain of salt?? like? i just wrote this post so i didnt have to re-vent (agAIN) to my friends about how much i fucking love Dorothy/Ozma, period, much less in parallel to Gelphie. so. enjoy, carry on, and whatnot lmao

1️⃣: there's Oz books? plural???

yes, Baum wrote 14 books about Oz, actually. also, he wrote them under the appointment of "the royal historian of Oz" instead of "author", so there's other "official" Oz books by other "royal historians of Oz"

Baum wrote so much bc (he needed money, yes, but also:) kids would send him questions in fan-mail, and he would proceed to answer them via new novels. so he never planned to make more Oz books, he just (wasnt good with money and also) was routinely inspired by the kids who wrote to him and would write the stuff they wanted to learn about Oz and whatnot

2️⃣: does Dorothy go back to Oz? wasn't it all a dream for her??

yeah, Dorothy returns to Oz a lot in the books, she eventually even moves to live there permanently. bc, in the book series, it's a real place

only in the 1939 film was Oz ever a dream

3️⃣: how does Dorothy look like Glinda OR Elphaba?? what are you talking about?

okay so, "The Wizard of Oz" has an illustrator, W. W. Denslow. in the book, Dorothy is confirmed to be wearing a blue-white gingham dress (she changes outfits tho, she doesnt always wear the same dress all 14 books like she's some cartoon character); but im pretty sure her hair was all Denslow(? i could be remembering wrong. p sure im not tho??). this is what the 1939 movie based her appearance off of. so i can see why youd go "she doesnt look like Glinda or Elphaba"

BUT Denslow and Baum started feuding. so for the rest of the Oz books that Baum wrote, he had a different illustrator by the name of John R. Neil

and Neil decided to give Dorothy for every one of the books he illustrated (so, 13 of Baum's books to Denslow's 1 book of Baum's) a cute lil blonde bob, making her look like what i assume blonde-Glinda looked like as a child. i think she'd approve lol

so!! Dorothy very much looks like a trendy little Glinda, with her cute blonde bob, her fashionable drop-waist dress, and bows for most of the Baum series, actually!

(also, Neil had a preference for dressing Dorothy in this red and polka-dot number, but, again, she does wear other outfits)

(lmao also look at Tin-Man and Scarecrow with blonde-Dorothy, they look like her two gay dads encouraging her to just go be herself at school?? i love them)

(also, if you see "Eloise At The Plaza"-energy in this Dorothy design, im right there with you lol)

4️⃣: who is Ozma??

she's the Princess of Oz. she eventually appears in the second book of the series. she rules Oz after the Wizard

she's actually a really interesting transwoman allegory too. (spoilers for a book from the early 1900s?) she was born a little girl named Ozma, but has a spell put on her as a baby to be genderbent and was socially raised as a little boy under a different name, and she later realizes who she truly is: a girl. she finds the transformation scary, as she returns to her girl-form she always truly was, but she feels better and more herself now that she is Ozma again. i dont think L. Frank Baum intentionally wrote her to be a trans allegory, but you can very obviously see why our trans elders fucking LOVED Ozma back in the early 1900s

also, she has a similar "sir, you fucked up" relationship with the Wizard as Elphaba*. and, also like Elphaba, Ozma politically tries to make things in Oz better (just.. unlike Elphaba, Ozma has the power and support to do just that p much asap)

* (edit for contextual clarification on how the Wizard fucked up: the Wizard fucked up with Ozma because he is ultimately and p directly the reason why she was genderbent/hidden. he deposed of her family and sent her away. Baum decided later on to backtrack a little bit on this(?) because he wanted to bring back the Wizard and, in order for Baum to do that, has to try to not make him SO terribly horrible??? so like. Ozma does end up forgiving him and tolerates him amd he's nicer, later on, within the books. but i doubt any modern adaptation of the books would follow that, personally. even as a kid, i went "bullshit" and headcanoned that Ozma fucking hated the guy and, at best, MAYBE tolerated him for Dorothy, but overall did not like him for justifiable reasons! i think the direction society seems to have taken the Wizard is interesting, and i wouldnt be surprised if there was at least one future adaptation that made him The Bad Guy in a very Rumplestiltskin in the Once Upon A Time TV show kind of way. but like. in the books, they do END UP getting along. i just forever disagree with Baum on that lol i think the Wizard fucked up, and in book 2 of the series (the one where Ozma is, y'know, introduced), it is obvious the Wizard FUCKED UP. but yeah. also, Ozma does get her dad back. her mom was kind of never in the picture to begin with, specifically in a Ponyo's Mom kind of way, like, she made Oz and then left it for her husband and kid to rule, so. yeah. im getting off track. my point is the Wizard did a full-on coup on her family and then banished her and genderbent her so no one would recognize that she had claim to the throne he was sitting on!! he fucked up! so, like, i personally hc that Elphaba founded the "i hate the Wizard" club to which everyone slowly joined, like Fieyro and etc, and Ozma is their youngest member. the Wizard did both Elphie and Ozma so dirty, omfg)

it also should be mentioned, Ozma in NBC's "Emerald City" was casted as Black (her actress being Jordan Loughran). so, though Ozma does not have green skin (but also? neither did the Wicked Witch of the West in the books, she wasn't green there. that was a 1939 film decision to make her green. so! Ozma could be green!! why not!), but she does have Black features to theoretically remind Glinda of Cynthia Eviro's Elphaba when you consider that casting. or, if you prefer a Jewish!Elphaba casting, a'la Idina Menzel's Elphaba, i think Ozma's book design works well to interpretively parallel those features too. or both, if you like the sound of a Black-Jewish Elphaba and Ozma paralleling lol

(edit, because i thought i mentioned this but? no?? i didnt?? i must have misclicked or something to have deleted the paragraph. im so sorry, here you go:) also, when Ozma was a boy, she was basically enslaved to her jailor of a caretaker. which one could interpret as "oh, a Cinderella story!", sure. but, with a Black Ozma, it does read as an intergenerational grief-formed power-fantasy that is both empowering and poignant for Ozma to have ran away from her enslavement and gone on to become a princess afterwards. to any Black folks who may be going "is this going to trigger me?" about Ozma having been a child-slave, i remind you that Baum wrote this intentionally for children, so, no, the books do not sit in the trauma and horror of enslavement, but whether or not it would trigger you yourself is up to your discretion. i will say, Baum did NOT write the American Girls' Addy of his time (context: a children's book about a child-slave that does go into the horrors, some, though in a kid-friendly way) or Louis Sachar's Holes (i asssume i dont have explain Holes since its movie was such a hit), i remember it as even more kid-friendly than either of those also-children's books, so i would assume most people would be fine? but you are responsible for your own mental well-being, i urge you to confirm if it is fine for yourself however you need to do that. but, yes, you can use this backstory as further evidence for your Ozma being Black, of course! you can have Ozma be Black regardless, but if you want this as further evidence, go ahead! and also, it does parallel Ozma to Elphaba in the sense that Elphaba's family mistreats Elphaba! (i will, regardless of if you prefer a Jewish and/or Black Elphaba, add that doing so is also a nice "fuck you" to Baum in how, being a white man of the late 1800s and early 1900s, did end up throwing in racist and/or antisemitic caricatures here and there within his 14 books, unfortunately. i, an Indigenous American, remember as a child still immensely enjoying Oz despite Baum being racist towards Native Americans. if youre curious on the egregious level of it all and if the story could still be enjoyable, id say it's in the realm of Peter Pan, Willy Wonka, and Matilda of "wow. that is shitty. im going to pretend this thing i love is good instead via cognitive dissonance")

regardless, in John R Neil's illustrations, Ozma does have black hair, so that too coincides with modern understandings of Elphaba

(there is also her appearance in Disney's "Return to Oz", performed by Emma Ridley, where she is blonde. but, though i love that spooky movie, that's neither here nor there. as far as im aware, only in that movie has Ozma not had black hair)

anyway, she rules Oz; and by book 3, becomes really close friends with Dorothy. they're not a canon couple, not anymore than Gelphie is, but they are such close and affectionate friends that they are so easy to ship as childhood sweethearts (so, no, there is no moment of 🎶loathing🎶, but i find that sweetness makes them an angstier parallel for Glinda to watch over, personally lol)

like here's some illustrations from the books of them just being two "gal pals". no wonder our queer elders shipped them lmao and this isn't even all of their illustrations together, this is just the first spurts that google shot out at me lmao

also??? this is them with book-Glinda. not only do they look absolutely darling, also, yes, Dorothy becomes a princess, because Ozma said so. they co-rule Oz together. they are just too sweet, fam, i love these two little childhood sweethearts, i choose to see Dorothy's princess-ship as the same as two kids promising to marry one another when they grow up. this is so cute

and can you imagine Wicked-Glinda? looking down at these two, seeing what could have between herself and Elphaba had things turned out different??? im making myself sad

(also "Book of Glinda" is so wild. both in terms of "...Baum, how do you not see this as queer?" like with one example being like "Baum, you put that Glinda has 100s of single women at her beck and call in her palace, this is so easy to see as sapphic, sir"... and then, over here, we have John R Neil repeatedly reading "gave a platonic, innocent kiss" and going "okay, so, uh, making out? i dont do platonic kissing" lmao anYWAAAAYYYY, THAT'S NOT RELEVANT HERE)

🌟5️⃣ bonus:

so, you might have a few follow-up questions. like, what is "Elphaba" like in the books? what does she look like?

well, she's really only in the first book. she's one-note, evil, dies. she's not green-skinned, and she isn't given any sort of name. she is only called "the Wicked Witch of the West", that's it, she is not Elphaba

however, i will mention the Wicked Witch of the West, in the books, is a fashion disaster and i want to see her look used as evidence that "yes, goth-Elphaba and dark-academia-Elphaba are 10/10, but also?? kitschy grandma-core knitwear-Elphaba × her fashionably Barbie pink girlfriend". i'd love to see art of that. i'm just saying

also?? this isn't related to her at all but guess what

Scarecrow/Tin-Man was like THE ship for our queer elders. they are so emotionally intimate, they live together, it's great, look at these pictures of them being absolute bros (can you see why they were shipped so hard)

i bring this up, bc you could argue Fieyro/Boq if you merge canons to make your own narrative and whatnot. guess Fieryo and Boq kinda had their own mirrored 🎶loathing🎶 period under that framing lmao

or, if you hate Boq, youll probably love the Tin-Man's angsty "ship of Theseus"-like backstory as the once-Nick Chopper(: his human name, pre-tin-ification) that is in the books

so! enjoy that knowledge!! theyre super cute in the books, i love them. again, not a canon ship, but still beloved by our elder queers, just like Ozma and Dorothy

i hope it makes even more sense now why our queer elders used the phrase "Are you a friend of Dorothy?" as code to see if someone else was queer, not even taking into account the 1939 movie or Judy Garland's relationship with the queer community

anyway, albeit this is all the basics generalized, that should be everything

but yeah!! Ozma and Dorothy reminding Glinda of what could have been, of what she lost, being the sweeter "next generation" version of Gelphie?? tugs so hard at my heartstrings

but yeah, do whatever you want with Gelphie, Fieryo, and Part 2. im just saying. the angst potential of being envious and living vicariously through someone and seeing other people get the happy ending you were denied?? is right there lol

(edit: this awesome video by Kaz Rowe JUST came out if you want to hear more about the Oz book series, its queerness, its author, its GLARING PROBLEMS including but not limited to instances of racism, and so on and so forth. Kaz Rowe is a fantastic video-essayist, so i hope you watch the video and enjoy their hard-polished craftsmanship)

[moghedien]

haven't seen the movie yet, but what always got me in the musical version of No One Mourns (by OG Broadway cast to be exact - it's the one I heard the most songs in) is how Glinda's voice goes very high and she seems to sing "no one mourns!" and then "no one!" and it's clear she's having some really intense not so festive emotions unlike the choire, and then you learn the whole story, listen to it again and go "ah; she's mourning and can't show or tell anyone about it and has to play her part"

a theater youtuber I watch sometimes pointed out in his Wicked review that once you've seen Wicked once, its always good to really watch Glinda in No One Mourns the Wicked because whoever is playing her has to make some choices in how they portray her in this moment. Like how good of an actor they think Glinda is, how much she would slip up and show her true feelings versus also not making it too obvious for people who are seeing it for the first time. Its always soooo interesting to see how Glinda is done in this moment, and I specifically looked out for how Ariana did it when I went rewatch the movie and its sooo good imo. Honestly I pretty much immediately stopped thinking of her as Ariana Grande and started just thinking of her as Glinda because of how well she pulled off No One Mourns the Wicked and when she specifically slipped up and let her emotions show

and if we're talking about Glinda's voice, one of the only times we hear her hit those really high notes again (and actually in the obc recording, the highest notes she hits at all) is in Thank Goodness, where the fact that she's lying to the people of Oz and putting on a front is obvious even first time around and kind of the point of the song. Its also the song where she is bluntly saying "this is bad. this isn't what I wanted. I've crossed so many lines without even realizing it and I'm putting on this fake happy face and lying because this is what I've been made into"

and contrast that with, say, For Good, where Glinda is singing the low parts of the song. When we see her at her worst and lying and putting on a fake persona, she's hitting the whistle tones and being very showy, but at her truest and most honest moment where she's getting this one final moment with Elphaba, the only person alive who knows her and loves her and wants her to be Galinda from Shiz and not Glinda the Good, she's singing the low parts of the song.

probably means something

[slut-and-falcon]

Wicked Fiyeraba Headcannons:

-Fiyero def sits on Elphaba’s lap

- they call each other Yero and Fae; after the Wicked Witch persona dies, they only go by Yero and Fae so less people will be able to tie them to the dead witch and the missing prince.

- one of Fiyero’s favorite activities is to have Elphaba read to him. He finds it very relaxing, and informative. (Fiyero has dyslexia and that why he doesn’t like reading himself- but dyslexia isn’t a diagnosis in Oz, it hasn’t been recogized)

- they take care of young orphaned Animals, and Fiyero got Elphaba an egg apron so she could put all the kittens/small Animals in the pockets while she was caretaking

- Fiyero likes to draw…he draws a lot of Elphaba (and the Animals, but mostly Elphaba)

- Fiyero likes to purchase Vinkun silk scarves for Elphaba. She uses some for practical embellments in her clothing- like as a belt, shawl or hair covering. Others she keeps as house clothes- like as a night shawl. There’s one though- black with red roses- that is only used during intimacy with Fiyero.

- Elphaba and Fiyero have really complex feelings about Glinda…she was Elphaba’s close and only friend for a while, but Fiyero helped Elphaba realize that Glinda treated her like crap (this is apart from not making the sacrifices to leave with Elphaba). Elphaba also had some romantic feelings towards Glinda, and does not know what to do with those feelings. Fiyero loved Glinda, but wasn’t in love with her. He is highly aware of her faults, but still misses her and feels bad for what happened. Both realize that Glinda was manipulated by the Wizard and Madam Morrible, but both also realize that only Glinda is responsible for Glinda’s actions. And can they forgive her for being an anti-Animal/Anti-Witch propaganda machine? For helping in orchestrating Nessa’s death, and creating a trap for Elphaba? They don’t know. Together, Elphaba and Fiyero write letters to Glinda that are then burned before being sent, allowing them to work through all of these feelings and trauma they have in relation to Glinda.

- Fiyero’s favorite thing todo to annoy Elphaba is to use her butt as a pillow. Elphaba hates it (but will tolerate it) and Fiyero loves it.

-Elphaba is very passionate about a lot of stuff, and has a habit of information dumping, even when it’s considered rude. Fiyero likes it, but has felt the need to coach Elphaba for when the time is appropriate to do so, after she accidentally offended Fiyero’s mother.

- Fiyero and Elphaba do the whole “3 taps means I Love You” thing

-Fiyero likes to comb/take care of Elphaba’s hair

- Fiyero is an addict, he got addicted to a ❄️-like ozian drug while in his rebellion/coping-with-being-royalty phase. He hasn’t always been completely honest with Elphaba about it, but he got clean when he joined the Gale Force. He still had carvings, especially with his chronic pain and stress, and he tries to be as honest as possible with Elphaba about his cravings. They both use 🍃 to deal with chronic pain and stress though, but in moderate amounts.

- After being tortured by the Gale Force- Fiyero develops Narceolpsey. It’s a learning curve for both him and Elphaba.

-Elphaba offered Fiyero an open relationship (not because she wanted one but because she thought he would be unhappy with just her, and the novelty would wear off). Fiyero refused (while he had been poly in the past, he refused because he knew Elphaba’s reasonings were based in her feeling inadequate and self conscious).

Hmm I’ll think of more

[pearlzier]

ㅤㅤㅤ ㅤ 𝜗℘ㆍ nerd.ᐟmatt ☆ nerd.ᐟreader ，✿

"POPULAR, YOU'RE GONNA BE POPULAR," you'd sing when you were doing absolutely anything. it was no shock to anyone that you adore musicals, you're an absolute theatre fiend. since you were a little kid, it's been your form of escapism, being able to transform into a different person on stage instead of how sheepish you usually are. matt personally loved how confident you were infront of an audience and so passionately speaking the lines you'd worked so hard to perfect.

after the inarguable disaster that was the mean girls adaptation (you'd quite literally sobbed into his arms about how bad it was) you two were pretty sceptical about a wicked movie adaptation.

"you really like uh.." matt's watching you, as best as he can, anyway, considering the fact that he's driving the two of you towards the cinema. his eyes flutter back to the road, hand working over the wheel as he holds onto it. "uh.. what's her name, the woman who played glinda on broadway—" he drums his fingers against the wheel in thought.

you adored the original wicked on broadway, you'd practically learnt the entire score, and you were so serious when it came to elphaba and glinda. literally, you and your bestfriend had gone as them one time for halloween before it was trendy to do so—the 'og's, shall we say. you loved many musicals, but wicked would always have a soft spot in your heart. having gone to see it live, it was a memory you'd never forget.

you were like, the most qualified ever to judge whether a wicked movie adapation was actually as good as it should be.

well, matt thought you were, anyway. he held you in extremely high regard.

he doesn't even get to finish before you're interjecting, "kristin chenoweth!" causing a smile to spread across his lips. there you go again, so eager to talk about musicals. he only ever sees you this happy when you're talking about the things you like or when you're with him.

"kristin chenoweth," he agrees quietly, watching the way the gleam in your eyes twinkles as you speak. he's in awe, pure awe, at how perfect you are. he'll get better at voicing it, he's sure of it. he's just.. a little overwhelmed by how much he loves you.

"she's amazing, matt," you insist, adjusting the tote bag sat in your lap. nothing could describe the amount of energy you have right now, you're practically bouncing off the inside of the car with joy right now. this might be one of the best moments of your life if you're completely honest with yourself.

"this is gonna be amazing, 'm sure of it. the marketing team are working overtime for this." matt might actually cry if he has to drink down another glinda themed robinsons drink—he won't, he'll brave it for you, but still.

matt isn't exactly into musicals the way you are, he usually plays video games, watches movies, and gets so hype over them it's crazy. though, you get it, your interests make you just as feral. but this is a movie musical, so you think he'll be into it as well. wicked was inescapable, his entire for you page was just glinda and elphaba and he wasn't even mad about it. couldn't be, especially with how happy it made you.

it was like when hamilton was trending, oh, god, you'd performed like seven one woman performances of the musical that he's sure he can quote the entire thing by now.

the two of you are quiet for a little more, the original broadway cast singing away in the background as it plays through the car speaker from your phone, 'till the car comes to a stop outside of the cinema. "we're here," he murmurs, killing the engine once he makes sure his parking's perfect.

"oh my god, matt! we're here. what if i faint? what if i vomit? oh god, i won't get to see the movie if i faint or vomit, will i? oh no, uh, okay, i need, uh.. oh—"

"hey, hey, relax," matt says, gently, wanting you to chill out a little. he offers a sheepish little smile and he murmurs, "uh.. we can go get the themed popcorn buckets and you can throw up in there if you want to.. in style.." that makes you giggle and you nod, practically ripping off your seatbelt so that the two of you don't waste any more time inside the car. he has to quickly get out to join you, making sure that you don't run off on your own.

as the two of you walk, his fingers awkwardly twitch at his side as he wishes to hold your hand, but he's a little apprehensive to. though, he doesn't know why he's so apprehensive about it, the two of you are dating, holding hands is a simple thing. but.. he is.

"wicked's real popular," he murmurs, glancing around. "it's real amazing," you add in return. the two of you make your way inside the cinema together, and you glance at eachother for a moment. he smiles, you smile, and it sends a surge of warmth through both of you. leaning against his shoulder, you watch as he pays for the two tickets, and even more heat surges through you at the fact you're one hundred percent going to be seeing wicked now. matt likes how happy it makes you. it makes him almost as happy, he's sure.

and you notice this, after a little. there's a bit of a queue—wicked was so popular—and you end up interlacing your fingers with his own. it makes a heat flush to his cheeks and he offers a smile to you, shuffling closer to you and pressing by your side a little just to make sure you don't get too cold considering it's getting colder out.

"line's pretty long," he notes quietly, glancing up. you guys are near the front, so it's okay. "mmh, yeah, but we're almost in," you agree, swinging your interlaced hands as you stand beside eachother.

"popcorn buckets?"

"popcorn buckets."

you're a mess when you get out of there. literally, he's got stains on his hoodie from your tears, not that he minded all that much. he'd be a hypocrite otherwise, he's feeling a little teary eyed himself. thrusted against his chest are the various popcorn buckets that you'd bought, as you're currently trying to compose yourself and make sure your pink makeup doesn't run. you'd dressed up in full glinda gear, as best as you could, and he'd gone as elphaba. in your words, he'd given you total wicked witch of the west energy, in the best way.

he mumbles a soft, "you're okay," switching the popcorn buckets to one arm so he could gently rub your arm as the two of you made your way out. a soft smile settles on his lips, just watching you. everyday he's reminded in little moments why he loves you so much. this is definitely one of them. matt quietly leads you out of the screening room, giving smiles to the people working at the cinema, ones who are quiet heartwarmed by your reaction to the movie and how much it clearly meant to you.

"that was just.." matt sighs softly, shaking his head as heat flushes to his cheeks. he shifts his weight a little, gently tugging on you for you to stop. it's just outside of the screening, his eyes meeting yours. your eyes are glossy, gleaming beneath the pink and green lights illuminating you both. "perfect," you finish for him, words wavering a little as you speak. god, you've never enjoyed a movie more. definitely a top ten movie. maybe even for matt, too. he couldn't deny how good it was.

matt nods his head at your words, adding a quiet, "really perfect," you'd one hundred percent be watching the movie a gazillion times after, probably in cinemas, but also definitely on some illegal websites when you got back home. matt'd be joining you, totally. he may not have been a complete musical fan, but he'd get into it for you, definitely.

"i'm like.. a new person after that," you tell him, shuffling closer to him and leaning your head up against his chest. he places the buckets down on the ground beside you two and he tentatively wraps an arm around your middle to bring you up against his chest.

"me too.. might be a musical fan.." a laugh slips past his lips ³and in return you giggle too. a soft sigh escapes you afterwards, head tilting to the side a little. he blinks when you look up at him like that, and the heat floods his cheeks a little more. he's getting warm from all the attention, really. but you're looking up at him like he hung the stars and the moon, and it makes him feel so unbelievably special. his heart's pounding against his chest, literally.

"i.. wanna kiss you," you find yourself saying before you even realise, and matt practically splutters and stammers over his words in return. "oh, uh.. you do? oh," he swallows thickly, glancing down at the ground a moment before he meets your gaze again, nodding his head. he'd been thinking the same exact thing, since.. right now, your lips look like they're coated in pure sugar, all shiny and glossy.

"you can kiss me. i wanna.. wanna kiss you," he mumbles, slowly easing his hand upwards on your back, his lips parting.

you're the one who goes for it, bringing your lips to his in a gentle kiss. he brings you as close as possible with his hand, a dreamy sigh slipping past his lips against your own. you let your hands come up and cradle his jaw, both of your eyes shutting together as you take in the bliss that is the kiss you're sharing. when the two of you part, he's breathless, eyes gleaming in a similar way to yours. "you taste like candy," accurate, considering all the candy you'd been eating during the movie, but he loves it.

you feel a heat come to your face at that, and you glance at the floor sheepishly. "i do?"

matt nods, because yeah, you do. he sweeps his tongue over his bottom lip, tasting the sweetness that you'd left there in the kiss. he's incredibly intoxicated by you, how you taste, how you feel, just.. you. "yeah.." he really wants to do it again, but the realisation that you two had just kissed in public hits him and he ends up burying his head in your hair to try hide himself in some way. "oh my god, we just kissed, in public," you say in realisation.

he's got absolutely no clue where all of this confidence comes from, but he murmurs a breathy, "y'know what's not public?" that makes your eyebrows raise in interest, lashes fluttering a little bit. matt relishes in that expression on your face, just for a moment.

"what is?" you soon ask, brows furrowing now.

"my bedroom," matt wiggles his eyebrows instinctively, and despite your surprise at his forwardness, you laugh. a genuine, soft, laugh. god, you adore him. enough to the point you quickly run behind him as he practically drags you back to the car.

ִ ֹ ★ @deansbite i hope you and our 120+ kids are proud o'me for writin' consistently :3

ִ ֹ ★ @mattybsgroupie, @mattslolita, @stellasturns, @stevelacylovebot, @55sturn, @jetaimevous, @phone4pills, @aesthetixhoe, @venusiers, @chrissdollie, @stvrnmc, @sarosfilms, @sarosfilms, @funkycoloured, @v3nusasgirl, @beridollie, @pr3ttyf4wn, @sincerebabydoll, @cayleeuhithinknott, @j2ss7, @sweetrelieef, @l3sbiancvnt, @beausling, @lovesickgrlsrh0t , @cupiidk1lls, @sofiassaturn ִ ꒱

[tunemyart]

my brain is super stuck right now on the dance scene in the Wicked movie again

not only because it was so incredibly beautifully done, and truly benefited from the ability to linger in closeups on expressions and show just what each character was thinking and feeling and the journeys they were on in a way the stageplay simply isn't able to do with the tools it's got

but also because of a shot I'd missed initially - a closeup on Fiyero.

historically I've always been very "yeah and Fiyero's there too" about the musical, and part of that's been that I've never really emotionally felt his attachment to either Galinda/Glinda or Elphaba.

but this shot I'm talking about - god I wish I had it to include here - is of Fiyero watching Galinda submit herself to potential humiliation to try to fix something she'd done to humiliate someone else. She's defiant of the crowd and her "friends" and surer of herself by the moment. She's becoming someone different right before his eyes. She's not the same girl he met even earlier that day. She's earnest. She's stripped herself of artifice. She's acting, probably for the first time in her life, in spite of what people are thinking or saying about her.

And he's breathless watching her.

I always laugh at the "you're perfect", "you're perfect!" "so we're perfect together!" because omg, they are. the worst. but more importantly, in that moment they're the same: genuinely self-absorbed, deeply shallow. Fiyero went along easily with Galinda pursuing him because he understood her.

But now Galinda, someone very similar to him, is modeling something new for him for the first time - something he's actually (surprise!) very attracted to. And watching his reaction to watching her, transfixed, it's obvious that this is the moment that he actually catches real feelings for her.

And with regards to the Galinda/Elphaba/Fiyero love triangle throuple relationship, I love that the movie gives us this small beat that actually blows everything else about their character development individually and in relation to each other wide open. That Galinda was actually the one to nudge Fiyero off of his "dancing through life" attitude? in this moment? and the implications that has for the entire rest of the play?

Whoa!

[atalana]

so i saw the wicked movie!

honestly considerably better than i would have expected from the trailers, it was clearly made with love and i do recommend seeing it if you're a fan of the stage show

but if there's one thing i'm a bit sad about, it's glinda's wardrobe colours

like. the costuming in this movie is amazing! and i have no criticisms about the design of glinda's outfits, they're really good!

but they're all pink

and i care a lot about the thought that went into the costuming of wicked (particularly how important blue is as a colour here), so for those unfamiliar with her original outfits, lets go on a tour of them!

in chronological order for glinda, we start with the school uniform

notably not pink, but white. blue and white are shiz's colours, so she's not actually breaking any uniform rules (this will be important later), but she does want to stand out. this also contrasts elphaba's entirely blue uniform (all the other students wear stripes), and the fact that every other elphie outfit is black, because they are and always will be diametrically opposed

she keeps this one through a lot of the first act, until around popular, which is when we get her actually pink dress! and this is glinda actually being honest for the first time, so it makes sense this is the most accurate to her personality dress she gets (and i did love the extremely dramatic dressing down she got in the movie here)

glinda in the emerald city gets a yellow dress and sunglasses! and honestly while there's not a lot of symbolism in this one it is strange seeing defying gravity not involve the yellow dress (and also i think it would have made that yellow brick road bit have more weight but you know)

now here's where i say that thing about the white will be important later. defying gravity is the act break and the timeskip. and now it's important to note - every single outfit glinda wears in act 2 is blue

and i think for her the blue represents the status quo. she was never an outright rebel in act 1, as we see with her uniform, but she did want to make her personality and choices known, she wanted to forge ahead with something. it's defying gravity where she definitively makes that choice to conform, to pick up that colour she originally had left behind, and to work for power within the system instead of defying the system (elphaba, notably, wears all blue while at school but from one short day onwards always wears black, because that's a status quo she no longer cares to hold up)

act 2 opening with thank goodness, she's a little older, she's got more power, she's a community leader, and her outfit reflects that, in the most business look glinda could possibly have and still look like glinda (i do love this one just from a design standpoint)

her wedding dress isn't just blue but also has a lot of green in it, which is fun on multiple levels (because green is the colour of the wizard, and what madame morrible wears after the reveal they're working together on this, but also was elphaba's from the start)

and her last outfit is also her first outfit, but i told these in order of glinda's life not the song order, because this is the pinnacle of who she's become. this is her dress right at the start before the flashback, and then for for good and finale

it's enormous, it's princessy, it mirrors the dress from the original wizard of oz movie, and it's blue. it's the combination of who she always has been and who she's decided to become. everything she always wanted to be, at the cost of everyone she cared about

and im so curious to see how the movie costuming goes for part 2

[the-clock-of-the-time-dragon]

Really loving the fact the Wicked movie homed in so much on the motif of getting "your heart's desire" — Elphaba telling Nessa when they were kids that the Wizard would grant it to people when they meet him; Glinda writing that sweet note to Elphie telling her she hopes she gets it; etc. — and how they really had the Wizard ask Elphaba specifically if having Glinda by her side is what her heart desires. It's interesting that she thinks about it and then talks herself out of it by prioritizing her politics — because of course she would, Activist Sapphic™ as she always is — but the reason it's on my mind is because of Act 2.

[spoilers]

The Wizard gets a second shot at tempting Elphaba to join him, and it's frankly amazing in retrospect that in the musical he didn't try to leverage Glinda in that sequence. Y'know, "hey, and Glinda is here with me, if we rehabilitate you then you can have your friend with you again", something like that. It's a no-brainer. I can't even really imagine that they'd omit that in the film version — especially not now that they've put such heavy emphasis on this thematic motif.

Part 1 Elphaba, when asked if her heart's desire would be to live with Glinda in Emerald City, said no — but if the same question gets asked AGAIN, in Part 2, now that she's seen and felt the consequences of her choices before... Well, obviously she'll still end up ultinately saying no and opposing the Wizard till the day she dies — but I suspect that with all the ways this theme will have been set up by that point (not only with the first film, but with everything in Part 2 that will further develop it: Thank Goodness is just a giant explication on this theme of heart's desire, what it means, etc.), Elphie will be specifically tempted with the proposition of getting to be where Glinda is. Which — true to the original show — she accepts! Because that's what her heart truly desires, and always did. Only once she finds Dr. Dillamond (and then Fiyero reveals his own unexpected heart's desire as well of course!) is she once again forced by conscience and circumstance to deny herself the desire to reunite with Glinda — because as much as she loves her, Glinda chose wrong, and their desires can never truly be fulfilled until that wrong is righted and the false happiness that ruled them — the Wizard — is gone.

Glinda is "behind the curtain" with the Wizard, and Elphaba never finds a way to bring it down and set her (and all of Oz) free. Glinda does. But she's only able to "bring down the curtain" once her heart's desire — her Elphie — has already been taken away from her forever. Glinda has always relied on hope, on optimism — the very thing the Wizard manipulates to get power over people — so only once all her hopes are dashed, and she's accepted that all she ever wanted is dead and gone, is she finally able to break the Wizard's figurative spell over her and finally take the leap, take hold of her own power, and do what Elphaba wanted her to do all along.

[dearest-darlingest]

long-winded glinda gelphie angst thought ahead.

i just had a Thought™. a very sad glinda gelphie thought.

it's always been discussed how absolutely crushing the finale is; interpretations of glinda's grief driving her to do good, not by her own desire but because it was elphaba's last wish for her, amongst many implications in the finale that i love. however, it's always plagued me how it must be so painful and, to a point, numbing elphaba's absence post-defying gravity to glinda is.

it was never said in the musical how long they were apart (i have not read the book), but i rather think it must be a few years since glinda had to graduate ("we all went to uni together"). so, imagine how desperate she must've been in finding elphaba but not pursuing her search because she deemed it safer for the both of them (glinda with her status and elphaba's everything). how worried she felt in her day to day, wondering if her best friend's even safe, if she's already dead somewhere and no one was able find her body because nobody really knows where she is. all she's ever seen of her are the flashes of black flying through the sky, the sad reality of existing in a world with the one who she loves most but not being able to hold her, not even see her.

and then comes the reunion in the wizard's den.

she hears a commotion, she barges in concerned for whatever's going on in there, she sees elphaba. she sees elphaba. they crash onto each other in a tight hug. she's safe, she's here, she's alive. she holds onto her hand.

but then she realises that elphaba wasn't there to see her. not really. she waited and worried and waited even longer, but elphaba wasn't there for her.

what if she came to the conclusion that elphaba was there to apologise. to make amends with the wizard, so she can be with glinda again. what if glinda thought this was her second chance, a blessed one after she rejected elphaba's idea of flying with her during defying gravity.

she chooses fiyero.

now this is where the Thought™ really sprouted from—

she chooses fiyero and runs away and doesn't even say goodbye. and then the wretched senior citizen duo have the gall, the audacity to plan her beloved's demise right in front of her. but. after she's been brutally chosen over someone else, she bitterly says, "her sister. use her sister. spread a rumor, make her think her sister's in trouble. she will fly to her side and you'll have her."

it works. of course, it does. because that's her sister! her only living family left (though, she wasn't aware of that yet). but what if, glinda started to realise, after being left by elphaba again, that the plan wouldn't work if she were the one in trouble. what if glinda begun to think, how insignificant she must be in elphaba's life. to not be protected by her, to not have her fly over and fight whatever evil that has come to target glinda. to not be priotised by her.

to not even be a choice.

[jbaileyfansite]

USA Today Interview (2024)

For Jonathan Bailey, one of the biggest perks of starring in a massive franchise is getting your very own Lego figure.

The British actor, who plays the swoony prince Fiyero in “Wicked,” is featured in a 945-piece plastic Emerald City set. Although he has yet to procure the toy metropolis for himself, “Christmas is coming and I hope I’ve been a good boy this year,” Bailey says with a grin.

The impish heartthrob has been using Legos to unwind while on a weekslong promotional tour for the blockbuster movie musical, which tells the origin story of the witches of Oz. “Just last night, I managed to (put together) the Atlantic Ocean in this giant Lego globe that I’m currently building,” he delightedly explains.

The fantasy film caps off a monumental year for Bailey, 36, who earned an Emmy nomination for his devastating work in Showtime miniseries “Fellow Travelers,” and spent the summer in Thailand shooting “Jurassic World: Rebirth” (in theaters July 2, 2025) alongside Scarlett Johansson.

“It’s extraordinary the types of roles I’ve been able to play these last two years,” says Bailey, who broke through to U.S. audiences on Netflix phenom “Bridgerton” in 2020. “I’m pinching myself. If I could have gone back and told my younger self that this would be happening, I’d probably do a flip.”

Jonathan Bailey brings 'boyish charm' to 'Wicked' prince Fiyero

Bailey is no stranger to musical theater: At just 8 years old, he played the pint-sized revolutionary Gavroche in “Les Misérables” on London’s West End. And in 2019, he won an Olivier Award for a gender-swapped revival of Stephen Sondheim’s “Company,” singing the mile-a-minute “Getting Married Today.”

But it was a viral audition tape for the musical “The Last Five Years” that caught the attention of “Wicked” director Jon M. Chu. “It felt like the thing I’ve always loved about musicals, where the song is just an extension of the dialogue. It felt like acting,” Chu recalls. “He just has that X factor. There’s such a boyish charm to him that you’re like, ‘That is Fiyero.’”

Like many, Bailey became obsessed with “Wicked” thanks to its Broadway cast album and 2004 Tony Awards performance with Idina Menzel and Kristin Chenoweth. “The lyrics are so fascinating and witty,” Bailey says. “I remember laughing specifically at Glinda singing how this hat is ‘really, uh, sharp, don’t you think?’ I screamed!”

When the contumacious Fiyero arrives at Shiz University from Winkie Country, he instantly enchants the besotted Glinda (Ariana Grande), but slowly finds himself drawn to the green-skinned Elphaba (Cynthia Erivo). He also freely flirts with both his male and female classmates.

“Fiyero is confident and curious and kind enough to invite anyone to Winkie Country,” Bailey says cheekily. But as a gay actor, he’s grateful for the “years and years of progress” that have allowed him to be the leading man in a big-budget movie like “Wicked.”  

“There's been many Fiyeros before me, and many members of the LGBT community who have fought for times where someone like me could play these parts,” Bailey says. "This story resonates for so many people because it’s about identity and celebrates our similarities. In playing Fiyero, you realize what an ally he is to someone who’s outside of society. People are incredibly unkind to Elphaba, and he uses his charm and privilege” to help her feel accepted. “It’s really lovely.”

The 'Bridgerton' dreamboat heads to 'Jurassic World' next

“There's been many Fiyeros before me, and many members of the LGBT community who have fought for times where someone like me could play these parts,” Bailey says. "This story resonates for so many people because it’s about identity and celebrates our similarities. In playing Fiyero, you realize what an ally he is to someone who’s outside of society. People are incredibly unkind to Elphaba, and he uses his charm and privilege” to help her feel accepted. “It’s really lovely.”

The 'Bridgerton' dreamboat heads to 'Jurassic World' next

Bailey delivers one of the movie’s standout numbers in “Dancing Through Life,” in which Fiyero persuades his schoolmates to join him for a night on the town at the trendy Ozdust Ballroom. The song begins in the Shiz library, where Fiyero swings between ladders, slides across desks, and flips through novels using only his feet. The actor spent seven weeks rehearsing the choreography, much of which takes place on rotating bookshelves.

“It turns out in Fiyero’s boots, it’s not so easy to open books and read ‘War and Peace’ with your toes,” Bailey jokes. “I also started training vocally over Zoom while I was filming ‘Fellow Travelers.’ I would do these scenes with Matt Bomer where I’d be smoking and screaming, and then I’d have to come back and sing somehow.”

Ultimately, making "Wicked" helped Bailey feel more at ease taking on the beloved "Jurassic Park" series, in which he plays a bespectacled paleontologist named Dr. Henry Loomis.

“Dancing and closing books with your toes does not save you from raptors,” Bailey quips. “ ’Wicked’ is its own beautiful beast, but it leans so much on the original imagery of ‘The Wizard of Oz.’ It taught me to blur out the reality of what it means to step into an incredibly iconic story, and just focus on working hard and having a lot of fun."

Bailey teases that he has another musical project “on the horizon.” In the meantime, Fiyero will have a more substantial role in "Wicked: Part Two" (in theaters Nov. 21, 2025), which shot back-to-back with the first movie. He still regrets not taking home the character's black leather boots, created by "genius" costume designer Paul Tazewell.

“I did manage to steal some postcards from the Emerald City,” Bailey says. “Some of those accidentally flew off in the middle of a take and landed in my bag. Other than that, I hope Paul will send me Fiyero’s tight pants one day."

Source

[thedawningofthehour]

I've seen video summaries, but they never really caught my attention.

As for the wizard of Oz, I don't think I ever saw the full original movie, but between the parodies, games, specials, and sequels/spin offs, I think I really got caught up in the story. Also, I really like musicals, so I already knew about Wicked when they announced the movie I immediately wanted to know more, especially if there was a possibility between iphalba and Glinda, and then for some reason, I ended up knowing that Dorothy has a girlfriend? Who is trans... And the rightful princess of Oz!? Forget the Sapphic witches, where's that adaptation!?

You probably know more about Oz lore than most people who have seen the movie, lol. The Wizard of Oz was one of the first major productions to really utilize fantastical elements as part of the story, most other fantasy films before this had bombed. As a result they toned it down a lot, and added in the scene at the end where Dorothy wakes up, leaving it up to the audience's interpretation if she really did travel to a magical world or if it was all just a dream. (people who have only seen the movie-yeah, Dorothy actually brings her whole family to Oz is the book series) I guess it's not out of the question that Princess Ozma exists in the Wicked universe, but she's never mentioned in the stage version. I don't remember her being trans though.

Oh no, she was transgendered twice. Damn queen, slay.

But yeah, Dorothy has always been a giant queer icon. The movie and Judy Garland herself were extremely popular in queer communities back then, and Judy's own father was gay or bisexual. When a reporter commented on the number of LGBT+ people in her fanbase, expecting her to condemn them as was expected in the 40-60s, she adamantly insisted that "I love all my fans." Which was huge in that time period.

I don't think Dorothy was gay though, she's only supposed to be like twelve in the books. So even if she was there wouldn't really be much-

Oh. Never mind.

Man, I knew that Princess Ozma existed but I really was sleeping on Dorothy being the royal consort to a trans lesbian magical girl queen regnant.

AND SHE WAS A COMMUNIST?!!

[yeetfanficccc]

No-one mourns the Wicked Boq x Reader

Summery- (Y/N), Boq, Glinda, Fiyero, Elphaba, and Nessa Rose were all one big friend group at Shiz. After the events of act 1, Elphaba is gone, Glinda/Fiyero heartbroken, and Nessa is reeling with the death of her father. Boq and (Y/N) are all who remain at the solum Shiz. 

Nessa doesn’t like Boq and Boq doesn’t like Glinda because plot connivence. Also, Fiyero is just friends with Glinda because I want LESBIANS

Reader is gender neutral, Elphie X Glinda referenced in passing as canon

NOT PROOFREAD (PREPARE FOR TYPOS)

TW-characters going through feelings of abandonment, a bit of a sad tone compared to my other stuff, characters believe Wizard’s propaganda about Elphie 

Elphaba was gone.  She was really gone. 

The news reached Shiz like a firework, within moments the whole campus turned against the so-called Wicked Witch of the West. 

“I knew she was evil the whole time!”

“To think, Glinda trusted her….”

“Looks like we were right before the Oz dust! She’s a monster”

The words circled my brain plucking at what was left of my sanity. I was her friend. We were all her friend.  How could I have not known the truth? She was evil- wicked. The word rang in my head. Wicked. Wicked. Wicked. That was the truth. Madame Morrible and the Wizard himself said so. I traced my hand against the grass I sat in. Elphaba had first shown me this spot. A rare calm in the chaos of Shiz. Wicked, to be born vile and without remorse. 

I covered my face, the memories haunting me. 

We would sneak around Shiz and laugh in the library. Dr Dillamond would always tell us to be quiet, well Fiyero mostly, and we would apologize on his behalf. He would say how rare it is to have such good friends; how grateful we should be. Oz, I didn’t listen. Then, he was gone. That was the first warning. Still, we all celebrated when Elphie got the note from the wizard telling her to go to the famous Emerald City. We hugged and cheered until our throats burned. It had taken a while, but I felt like I belonged, like we all belonged. I was happy- was it really all a lie?

“(Y/N)”

I turned around. Boq stood with an awkward tilt and sheepish grin.  I tried to match it the best I could. 

“I don’t see you out here much Boq.”

“I was looking for you,” he admitted, “you’ve made yourself very hard to find lately.”

“Have I?” I chuckled dryly,” It looks like we’re the only ones left.” 

“You don’t think they’re coming back?” his eyes grew. 

“Well, Elphie isn’t that’s for sure…” I laughed, “I can’t see Fiyero coming back here after running off. Nessa has the stuff with her father and Glinda- “

It had been mere weeks before Glinda nervously confessed to me at a sleepover of her feelings for the green girl. She was jumping up and down, kicking her feet, singing the praises of her newfound muse. Life was so much lighter, free. Oz, what I would give to go back. “-Glinda won’t return without Elphie.”

“You haven’t been sleeping well, have you?” he reached for my cheek before blushing and forcing his hand away. 

He sat next to me. Around us the tall, yellow grasses swaying in the wind. It was peaceful, nearly lovely. 

“I’m fine.” It was a lie; we both knew it. 

“And you’ve been avoiding me,” he sighed, “though I can’t blame you.”

“I’m sorry. It’s not you, really, it’s everyone except you. I just don’t have any social battery right now, so I’ve been avoiding everyone. I’ve missed you, a lot.”

That was true. Even before this all, Boq was the one person, even out of all our friends, I felt safest around. He was awkward and charming, with an adorable smile. I had a crush on him for a while that I was way too nervous to address so I did nothing. Except now we were both stuck together in this mess.

“I understand.”

Of course he understands, he is the only other person who was left behind. And by avoiding everyone I basically abandoned him too. My mouth filled with bitter acid. I snapped, 

“I’m so sorry. I’m sorry. I just miss everyone and you’re here still and I’ve been a terrible friend.”

“No, no no…” he panicked, “I don’t think that at all.”

“You’ve heard what they’re saying about her. I can’t listen. It makes me sick. But they’re right… it’s just I don’t- “I leaned into his chest, he tensed turning a bit red, “I don’t know what to think”

I was sobbing and didn’t know how I was going to stop the tears from coming.

“Cry all you want. I’m here. I’m always here for you.”

“Thank you…”

“When I walk around,” he spoke, with me still sobbing into his sweater, “people look at me strange because they know I was friends with her. Have you experienced that too?”

“Sort of, but I made you bear the brunt of this because I’ve been hiding so much.”

“I just- Elphie was so kind. I don’t understand how we could have never noticed.”

“She must have been a great liar,” I guessed.

“(Y/N). This is going to be hard. If they really aren’t coming back. But- “

I looked up, Boq very red and sweating? 

“Are you ok? Do you feel sick?”

“WE MAKE A GREAT TEAM!” he yelped, “And- and we can do this together!”

“Yeah!” I cheered.

“(Y/N) this is terrible timing but- I like you like in a romantic way, and I didn’t want to say anything because I didn’t want to make things awkward in the friend group. But now apparently one of my closet friendships was a lie and my other friends are gone and you’re here and you’re incredible, but I can’t go on without telling you! And I’m so sorry for ruining things more than they already are!”

“You- like me?” I stammered.

“A lot.” He nodded fervently. 

“I like you too. A lot.” 

“OZ, WHY COULDN’T WE DO THIS WHEN EVERYTHING WAS CHILL!”

“I DON’T KNOW!” I matched his chaos laughing until I was laying down, “WE JUST HATE HAVING STABLE RELATIONSHIPS!”

“I GUESS SO!” he cackled laying with me, “if we do this, be together, it isn’t going to be easy.”

“I know. I don’t think anything is easy now.”

“Are you ok with that? If you just need a stable friendship right now, I understand.”

“No. Our whole lives have been turned on their heads. We deserve to find a little happiness Boq.”

“You do make me so happy…” 

[neverwalka1one]

I got to see Wicked last night, and whoo boy I have thoughts. Cut for spoilers, you've been warned.

I'm looking forward to seeing the 'Good News' song at the end of the second movie - Glinda already looked conflicted about the Giant Elphie Effigy (good lord those munchkins work fast)

Also, I thought the movie highlighted better that those in Munchkinland knew Elphaba her whole life, and this is still how hard they bought in to the propaganda.

The little hint that Glinda's bubble is all mechanics. Chef's kiss.

Glinda's bubble has a Designated Landing Place. Just. Consider all that implies, with Glinda having been until very recently the Wizard's goodwill ambassador.

'Take it away' will never not be heartbreaking. Also, of course Elphaba is going to grow up a fierce defender of animal rights, she was raised by a talking animal, and that bear was the only one to be kind to her consistently through her childhood. Dafuq.

Baby!Nessa!Rose's little meeps. Just. I died.

'Oh, they're going to miss me.' Galinda I love you you ridiculous gal.

I like this twist on why Elphaba was at Shiz. I loved the way she so desperately wanted to go, but couldn't ask for herself. I loved her trying to defend Nessa Rose's independence... and then still being blamed for stifling her. Excellent.

Also did y'all see the picture of the animals behind the cracked and fallen fresco of the Wizard in that scene? Foreshadowing my beloved.

Galinda writing a little 'it's great' card put on top of the saddest pile of bedding you've ever seen.

'What is this Feeling?' omfg. I loved Elphaba putting her foot down about the roommate situation.

I also liked that they moved Elphaba's talk with Dr. Dillamond off-campus. It makes more sense that this status-quo challenging talk would be done away from the powers that be.

Also it sets up Fiyero running into Elphaba (literally) better, and omfg. I love that horse, he's great, more horse in the second movie please.

Omg Galinda flirting. And Fiyero flirting back, but Galinda (and Elphaba) missing that at that point Fiyero was flirting with pretty much everyone because hey, it's fun, it's easy, and it works.

On that note, Fiyero flirting successfully with the librarian. <3

The whole Ozdust scene. All of it. The outfits, the dancing, the prolonged social anxiety/social embarrassment. The way Elphaba refuses to show she's been hurt. The way Galinda finally understands that. THE DANCE APOLOGY.

I did find it a little weird that one of the only lines cut from the musical was the 'Lemons and melons and pears. Oh my' bit between Boc and Nessa Rose.

Also can we talk about how excellent Jonathan Bailey is as Fiyero?

'Popular' is, as always, fantastic. And highlights just how good Galinda is going to be at the politics of this world.

'That might be your secret, but that doesn't make it the truth' AUGH GALINDA just rip out my heart why don't you.

I liked that when Elphaba rescues the lion cub, she's more restrained/talented than in the beginning of the movie. It makes sense, she's been learning all this time.

THE BIKES. THE LION CUB IN THE BIKE BASKET. THE WIZARD OF OZ CALLBACK. LOVE.

The mushroom things during 'I'm Not That Girl', idk what those were but they were so so pretty lord I love the world-building.

That scene of Nessa Rose, Boc, Galinda, and Fiyero all together, and Elphaba on the outside in the dark. Fiyero looking out over the courtyard as he's being pulled away. Augh, all of it.

The way the students turned on a dime the second Elphaba got that invitation.

That. Train. Steampunk my beloved.

Idina Menzel and Kristin Chenoweth getting singing roles, YES, THANK YOU, that was such a great surprise, I was squeaking like bebe Nessa Rose.

On the flip side... sigh. I called it. Jeff Goldblum was... very Jeff Goldblum. That guy, while a lot of fun, is the exact same character in pretty much everything he's been in for the last few years. I still think that casting was a mistake. Hear me out: The original Wizard was Joel Grey. Joel Grey was also the Emcee in Cabaret. ... so tell me it wouldn't both be great casting and an awesome call back to have casted Alan Cumming as the Wizard. I can't have everything I guess.

Also, and it might be just me/the effects of a late night screening, but when Elphaba and Galinda are walking into the palace, with the doors slamming behind them, and there's a scene with the torchlit hall behind them? Didn't the fire look like how the flames in the original Wizard of Oz movie looked? Just sort of... fuzzier and blurred than how film tends to pick up fire these days? It might have just been me.

Also this movie does have a bit of the Les Mis problem - you've got some cast members with serious vocal chops... and theeeeeen there's the ones that... tried hard. Great actors every single one, but would it have killed the director to find people for those roles that could match vocally as well? This movie doesn't need big names. We're not going for the big names, people.

I liked how the movie explained better why the Wizard not being able to read from the Grimorie was such a big deal.

The monkeys. Oh, the flying monkeys. Also the scene of Madam Morrible framed by flying monkeys. Thanks for breaking my heart.

'Defying Gravity'. All of it. Every bit of it. Holy. Shit. Holyshit. HOLY. SHIT.

So yeah, I'm going to have to see it eleventy-billion more times before it leaves theaters.

[localgaysian]

The Goodness of Glinda Upland

Summary: Lady Glinda Upland of the Arduennas, formerly known as Glinda the Good Witch, spent the beginning of her career as a mouthpiece for the now-controversial Wizard of Oz, then transitioned to civil service after his abrupt departure in the wake of the Wicked Witch of the West’s death. Famously private, the early years of Lady Glinda’s life and career are shrouded in rumor and speculation. She has notably refused to speak about her connection to the Wicked Witches of the East and West. On the eve of her retirement, Lady Glinda sends an invitation to a young, struggling writer. To hear the entire story. To know the whole truth.

Eventual Canon Divergence AU. Inspired by The Seven Husbands of Evelyn Hugo.

Elphaba Thropp/Galinda Upland

Chapter 1-2

Thank you to @hotaruyy, @lizmitches, @timelessbian, @eggycarton and especially @gayverlyearp for feedback and support during the writing process!

"Shard by shard she rearranges the world. It looks the same, she says, but it is not. It looks as they expect, but it is not."

— Excerpts from the initial stanzas of the Oziad, Gregory Maguire

“It’s always been fascinating to me how things can be simultaneously true and false, how people can be good and bad all in one, how someone can love you in a way that is beautifully selfless while serving themselves ruthlessly.”

— The Seven Husbands of Evelyn Hugo, Taylor Jenkins Reid

Read chapters 1&2 (on AO3)