#but because they didn't want to believe that that person was capable of being cruel. they didn't want me to have been hurt.

[dreamsaflame]

Mouthwashing is so prescient on discourse about inaction. So many people asking why Curly brushed aside Anya's fears and remained lenient with Jimmy. So many people asking why Swansea didn't immediately take action after the private convo in the cockpit.

And now, in real time, you can see people trying to defend both men. And I don't think this is done out of malice, or any intention to downplay the horror of Anya's situation. I think it's pretty human nature to want a better world, to want to soften the blow. There's so much we don't know (the timeline, the details of the convo, the actual nature of Curly's friendship with Jimmy, etc etc ad nauseam), so there is space to hope for a gentler moment, even if we all know the aftermath is unbearable and impact is imminent. We still want to believe things could be different, that things could be better. It doesn't change anything, but still. But still.

Maybe Anya had still held on to a little bit of hope, futile though it would have been. Maybe she didn't feel completely isolated the entire time. She was failed by both Curly and Swansea in every way that matters, but maybe she could have sat by them and not feel like her world had fully imploded. Maybe there were moments where the world allowed her to breathe.

Maybe Curly didn't know. Maybe he did try to keep Jimmy away from Anya. Maybe he was doing what he could, despite his desire to see the best in people (Jimmy). Maybe there wasn't enough time for him to even do anything. Maybe Swansea tried to step up afterwards. We don't know. We only see through the eyes of one man who only wanted to see the good in the world, and then through the eyes of one man who only saw himself.

And the game's prescience even about the end––wishing doesn't change anything. Anya dies putting away her conviction that your worst moments don't define you, that they don't make of you a monster. Daisuke dies having helped no one with his hope and sacrifice. Swansea dies filled with regret, having done nothing, protected no one. Curly watches till the end as his freeze reaction ensures he stays frozen, unable to act, to help.

Even Jimmy, wishing he was better, that he was a hero––and in the end, even Polle turns away from him.

[camilledlc]

I think Wade Wilson is way more intelligent than people give him credit for. Or, another character essay no one asked for :

This will be based both on comics and movies. Also, spoilers for Deadpool and Wolverine.

I think it's often said that Wade doesn't know how to read situations, as he often acts inappropriately during them. He doesn't seem to sense the mood of the person he's talking to, angering them more often than not, and he doesn't really care about watching his mouth around children, etc. There are tons of examples of Wade being 'stupid', and 'immature', blah blah blah. But I don't think that's quite true.

Wade has also numerous moments where he perfectly reads a situation. He is extremely aware of how others may perceive his scars, he figured Negasonic Teenage Warhead pretty easily during the first movie (when talking about sarcastic comments or whatever, if I remember correctly). He knows how people act and think, and he definitely knows how to assess a situation. When he got Johnny Storm killed, he knew what he was doing. He was into a dangerous situations, just having been kidnapped and he couldn't fight, not even knowing how strong and what powers Cassandra Nova had. But by turning her against Johnny, not only was he able to assess her, but also prove that he wasn't here to cause her trouble. It was a cruel and ruthless action, but it was smart nonetheless.

Besides, people often forgets very important facts about his skills. Wade is an extremely good fighter, and that's partially due to the fact that he's a master at almost every martial arts. He knows a bunch of them, and he is capable of practicing them with impeccable form. He's also a master at espionage, infiltrations, cover missions, etc. He knows how to handle a lot of different weapons, and he is canonically one of the best fighters in the entire Marvel Universe. All of those skills require a certain level of intelligence. Fighting demands to remember the different styles and techniques, as well as enough practice to switch between them easily. Espionage, infiltration, and cover missions demand someone who is capable of discretion and and ability to judge a situation, notice details that no one else would and invent on the spot creative ways to do things. All in all, he has to be extremely smart to be able to do all of that. That's also without counting the fact that he knows how to speak fluently five different languages.

With all of these proofs, it's impossible to say that Wade is dumb. But why does he acts like it?

There is no official answer as to why Wade is this way. The most you can get is that he is extremely mentally unstable. This is the result of both a bad childhood and very traumatizing experiences as a superhero. It is said he was already mentally unstable during his childhood, so I'm inclined to believe that it also has something to do with his brain in general.

What I personally believe is that Wade is someone who gets bored extremely easily. He has ADHD (not really official in the movies, but canon in the comics), and he always seems to jump from one topic to the other. His mind is often considered a mess, and he himself sometimes has trouble keeping up with it. I think that someone like him has to be stimulated at all times, because boredom is definitely the worst thing that could happen to him. Even in the last movie, he seemed to hate his job because of how boring it was, not hesitating to go back into action and becoming more and more himself again as he just do exciting things. He has always been like this, even before he got his regenerating factor. When he did his job, he wasn't always careful and often loud-mouthed. It didn't interest him to just kill people, he wanted a fight. He wanted a back and forth, a sort of game. He needs to feel in danger, needs the thrill of it.

But then he gets his mutation. Suddenly, he can't die, he can't be seriously hurt, nothing has any real consequences. And so the games became boring. What is the point of putting himself in dangerous situations if he's never really in danger? How boring it is to do a job where you're perfectly safe? The only kind of thrill he can find anymore is by having the back and forth verbally. That's when it has consequences, and people actually able to surprise him, to beat him even. Attacking by talking his is one way to not feel bored. He surprises, he shocks, he annoys, but it's always different. Even during the last movie, when he was with Logan, he clearly said they didn't need to fight, yet he couldn't stop edging him verbally, always finding ways to push his buttons.

Wade is a very bored person, with a great understanding of where the limits are. And because he's so good at finding the limits, he's even better at crossing them willingly, sometimes at the expanse of the people he loves, because he can't be bored.

(I also like the interpretation of him just needing to be at the centre of attention, but I think it's a bit more classical and has already been done and re-done. So, this one is a bit trickier and way funnier for me.)

[signedkoko]

Hello Koko! I Hope you had a good day/night, and that you are doing well and not overworking yourself:)

I think I saw that you didn’t have requests at the moment but that they were open so here a little request for headcanon/oneshot with Vox, Alastor and Angel dust separately with overlord gn!reader? (If you don’t take 3 at a time maybe only Vox & Alastor?)

They Thinks s/o is sweet, like they’re always smiling and being kind of everyone most of the time, they can’t believe they would even be able to hurt a fly even if they’re an overlord

but then they get told she just unalived her colleague (they were both leaders of the entreprise) because she wanted to be in full possession of their entreprise, maybe they owned a model enterprise or were music producers (like they were the one selling every musics in hell or sum like that?) how do they react?

(Really sorry if it’s unclear or if something is wrong, thanks for reading my request!)

-🐚

Alastor | Vox [Romantic]

In which you are their sweet little overlord who'd never be cruel! ...Or so they thought. Reader is genderneutral.

Your company was your baby, your castle, your absolute everything

And for the longest time, you'd always shared it with the co-founder

They had a lovely personality but worked behind the scenes for the most part while you acted on the main stage

Hell, you'd even introduced them to your otherworldly partner, Alastor, and had only told him of the good

So it was in fact quite a surprise when you turned up home with bloody hands and the most joyous smile on your face, almost as wide as your wedding day

That in itself wasn't out of the norm; you were an overlord after all! Alastor knew you could handle yourself, as much as you opted to ignore it

" Oh Al, I have great news! "

" Do tell, my dear! "

When you explained that the company was all yours, he was quick to catch on

Now that, that managed to surprise him

" I really thought you loved the gal! "

Even more surprising is how you'd managed to hide your true feelings from him for so long; he was sure he could have sniffed out your malice

But you were just that good at hiding it

He probably makes a joke about how you could be plotting his murder as we speak

" Maybe! "

His smile falters a slight bit

But you don't notice

By Vox's own request, your enterprise was kept unattached from his own; merely partners

This was because it meant better publicity if two companies got along so well, but also because he didn't want you to be overcome with the demands of his two co-founders

Yeah, Velvette and Valentino pissed him off to double hell and back, but he considered them friends

A few times, the V's and you and your co-founder would host lavish dinner parties, discussing economic growth and working together on projects

You never seemed to shy away from introducing your partner in industry, and as far as Vox could tell, you were as close as friends could be before anything got steamy

You were just the friendliest person he'd ever met; the number of fans you had showed that, but you'd even gotten favour from the other two V's with little effort on your behalf

So, of course, he was stunned when you called him in the middle of work

" You know you're the first to hear all my company news; I am now the sole owner! "

He could hear you smile through the phone, which almost scared him, and soon your phone was fizzling as he travelled through it

The first thing he noticed was that you were both standing in a puddle

A red puddle

Fuck

Ok

" Thats great and all, but lets get you out of here, and maybe—yeah, maybe we can call in a cleanup crew. "

He is your number one PR team; your overtaking of the company is seen as 'heroic' because you ' fought against a corrupt co-founder'

It surprises him, but he's almost proud of you; you are crazy strong and crazy capable

Author's Note - I do accept up to three characters for headcanons, but as per my FAQ I don't write Angel! Either way, welcome to the blog (again) shell/conch anon! Your idea is very lovely 🖤

[stilljuststardust]

My journey with manifestation is very similar to my journey with self love, the only way out is to decide for yourself

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ

Disclaimer, please read:

This may be really uncomfortable to read because it seriously challenges negative self-concept. As I say many times in this, self love is something you can only give yourself and unfortunately some people who aren't ready feel discomfort with the very idea of it, and that's ok.

The language is blunt because this is based on my own journey and that's what woke me up.

Nothing I say is meant to inspire shame. DO NOT read this post to shame yourself. This is mostly revelations and self callouts from a couple years ago when I first realized that even though it wasn't my fault I was still the one doing it to myself.

It isn't your fault you hate yourself, it's likely something that was instilled into you in childhood, but you are the only one with the power to change it.

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ

Both are only something that you can give yourself.

The moment that mattered most was realizing it didn't matter what was told to me, once I believed I had it nothing could ever take it away.

I have full control of how I think about myself and regardless of what other people think or what I look like I have power over my own perception.

When I first started on self love I came to the realization that it didn't matter what happened if I never changed the way I thought I'd be stuck hating myself forever. How many people do you know that do everything to love themselves but treat themselves with love?

I realized that all I had to do was decide I was good enough. Who the fuck was anyone else to say otherwise? And why the fuck would I ever in a million years let them change how I saw myself.

It wasn't benefiting me to hate myself.

If I wanted change I had to change.

Accepting I'm smart enough, pretty enough, good enough, was hard at first because I wanted validation. I wanted something outside of myself to confirm that I was, but the truth was unless I gave it to myself it would never be enough and it wouldn't fucking matter.

I chose to think of myself as good enough because I realized that leaving it up to fucking NOBODIES is pointless.

"Being enough" is something I can only ever give to myself.

You are an ever present force in your own life, who else is by you every step of the way, who else sees and understands everything you do?

Self love is the purest form of love because it comes not from a place of idolization but from true understanding.

You have to be the one to give it to yourself. You have to accept that you are enough. If you want to love yourself you have to be ok with showing yourself love.

You know yourself better than anyone will EVER be capable. You have the potential to love and provide for yourself in a way no one else can so why do you choose to be cruel? What it is getting you?

Many people might think it gets them repentance or it makes them a better person. And this is a tough pill to swallow but, self hatred doesn't absolve anyone of any wrongdoing, it doesn't make us better people, it's not the repentance you think it is, you have no real reason to do it.

I know. I know. You've been raised to think you deserve pain and punishment every time you misstep but that doesn't actually help anybody. Taking accountability, a willingness to change, and doing differently in the future, is what DOES matter when you've done wrong.

You are more than the worst thing you've done.

Many of us deep in self hatred will even argue with those who think positively of us. What sense does that make? WHY defend your self hatred of more passionately than you've ever actually defended yourself.

Where's that passion when others question your worth? Why will you accept one but resist the other?

You are the one person you can guarantee is always in your corner.

You can claim you want to love yourself but look at your actions. Arguing with people who challenge your negative beliefs, berating yourself, etc.

If it was another person, if you claimed to want to treat them with love and then you turned around and did all of this to them would that not be contradictory?

It's so deeply uncomfortable to love ourselves because we can no longer use

So what does this have to do with manifestation? (+more advice for both)

Much of this mindset where you look for validation outside of yourself, you're too scared to stand your ground, you're too afraid of being wrong.

In both there's this deep seated fear of "what if I do accept it and then someone/something else proves me wrong :("

And that's why they're both so difficult because it's something only you can give to yourself. You have to actively put your opinion above everything else that's shown to you.

This is why I often describe it as deciding and then saying fuck everything else. Because that mindset was what created radical change in me.

Because fuck those other people, I'd rather like myself than have some asshole like me.

What is giving in to the 3D or the cruelty of others going to do FOR you?

Radical self love is life changing because for the first time you just decide that you and you alone get to decide what's true.

The fear of other people viewing you different than you view yourself and the fear of the 3D being different come from the same place and you get past both by putting your opinion first.

Your opinion of yourself is the only one that truly matters. What makes a random persons opinion of you true? Nothing. They don't know you.

FUCK anyone who tells you you're not good enough, FUCK the 3D, FUCK anything that doesn't align with what you want.

The 3D is no different than some toxic friend who parrots your insecurities back to you.

Fuck that bitch why would you listen to what she has to say over YOUR OWN DAMN OPINION.

The same way so many people will argue tooth and nail with anyone who says they're pretty some people have the same angry/uncomfortable reaction to being told they have what they want, despite the fact that they both crave that same external validation they will actively turn it away.

The same passion and energy you put into arguing why you can't have it, why you're not good enough, is the same energy you need to give when you are faced with what you don't want.

So many of you are GREAT at persisting and defending your assumptions as if they are fact, unfortunately you don't realize because the assumptions you choose to defend with your life are the ones that hurt you.

Rejecting compliments from people? That's persisting. Looking for reasons to think it hasn't manifested? That's persisting in your old story. Treating it as if it's an undeniable fact? Congratulations you're persisting.

I need you to adopt the mindset that anyone who doesn't see your worth can get fucked, anything in the 3D that opposes you can get fucked, you know the truth.

I know it's so uncomfortable at first, I know it's so weird and feels like the opposite of everything you've ever known, THATS OK. It's going to feel weird or unnatural. Keep going anyway.

You are worthy of love. You are worthy of your desire. And all you have to do to have either is give them to yourself internally.

[percheduphere]

LET'S TALK ABOUT MOBIUS'S HEAVY KEYS

I wrote a meta on S1 Mobius here, mostly exploring his interrogation persona and emotional trajectory toward S1E6. I also have a fun little list on all the things I love about him here.

@mitromana posted about how we should talk about Mobius's sass and even cruelty more. @wowwwmobius posted how Mobius realistically would not be doing well post-S2E6 (I wholeheartedly agree), and they and @inwantofamuse shared amazing comments. All of this inspired this meta.

Thank you @mitromana @wowwwmobius @inwantofamuse!

Mobius's interrogation scenes are him at his most cruel and ruthless. The flipside of being a highly empathetic person is that it is very VERY easy to use this skill in highly abusive, cunning, and powerful ways. This is especially true if the person armed with this skill is exceptionally intelligent and is convinced their motivations are good. At the TVA, before Loki's exposure of the truth, Mobius is both of these things. Worse, he has access to the TVA's more ethically unconscionable technology, which he does not hesitate to use.

The road to evil is paved with good intentions. Mobius strolls onto this road more than once, but he manages to not stay on it because two people curb this risk: Loki and, yes, Sylvie.

Take in Loki's words and posture in this scene. The words alone are a frail and weak comeback for a silver-tongue God of lies. They do nothing but reveal Loki is in FACT scared. His arms are crossed tightly over his abdomen, a primal protective response. He's leaned as far away from Mobius as possible. This is the best Loki can come up with in the face of a boring man in a boring suit, really?

You can see why Mobius was moved into the position of Analyst from Hunter. He may not be able to prune children, but he can literally bring a God like Loki to the ground, breathless, confused, and frightened, with nothing more than WORDS. And this is with a variant Mobius likes. Imagine what he can do to a variant he hates.

For HWR and Ravonna's purposes, Mobius is the perfect weapon to get whatever they want out of whatever variant they capture before sending them off to get pruned. How do they keep him from questioning anything?

Memory-wiping (more than once), brainwashing, propaganda, and:

A little something for Mobius's identity, something that fulfills his intrinsic need to take care of others while also gently stroking his ego.

Yes, the genocide of multiple timelines over the span of eons is horrifying. But Mobius is capable of being complicit with it as long as his environment feeds his intrinsic psychological and emotional needs. The people on the Sacred Timeline become his new children, and he will do anything ANYTHING to protect them.

There was one thing HWR and Ravonna didn't anticipate: that this man's empathy for a specific Loki would be the very thing that liberates the multiverse and his own bondage from a corrupt bureaucracy.

However...

I don't believe Mobius ever anticipated becoming emotionally compromised when he advocated on Loki's behalf. He likely genuinely believed that after centuries of studying Loki, he knew him well enough to make him useful for the TVA. But the subconscious, oh. That is a different story, and in Loki's own words, Mobius has a gift for lying to himself.

I discuss the interrogation scene and Sif loop scene in depth here, so I won't repeat myself, but I'd like to draw our attention to the 2 gifs below, framing my analysis:

Imagine where Mobius's mind must be at:

I spent centuries studying you and believing in you. I waited more centuries for your nexus event to come. I tasked every hunter to inform me of your arrival immediately, no matter what I was doing, no matter where I was. I abandoned a case. I ran to your trial. I put my job, reputation, and eons-long friendship with Ravonna on the line. I tested your theory. I brought you with me on the field. You talked to me. You challenged me. You made me proud. You made me laugh.

I gave you daggers and you stabbed me. You STABBED me. When all I wanted to give you was--

Mobius cracked hard and fast. Applaud Owen Wilson for THIS interpretation of the script and THIS delivery.

Thankfully, the very person who put Mobius in this fragile state of mind is also the person Mobius deeply wants to believe in. Even after being betrayed, Mobius still wants to believe in Loki and his capacity to be a wonderful person. And so he looks at Ravonna's TemPad, decides Loki deserves to be with whoever he wants to be with (even if that person will never be Mobius himself), frees Loki to help him save the woman he loves, and gets pruned for it.

Mobius survives thanks to plot-armor. And who is the first person he meets?

The bane of his existence.

And Sylvie wastes no time driving a knife into a very fresh wound. Mobius, however, only recently unleashed all his rage. His reservoir for compartamentalizing has refreshed, so he can take Sylvie's truth bravely, without a flinch, and acknowledge that truth with one of his own.

Mobius owns it. He doesn't deny it. He tacitly agrees with her and gives her a reason why.

We should remember how dangerous Mobius can be. He is currently sitting in a car with the variant he is most likely to hate. Sylvie is strong, clever, and resilient, but her ability to regulate her emotions is weak, especially if she is triggered. Mobius can destroy her very easily with his words.

But Mobius can't hate her. He can't. She was right and he was wrong, but most importantly Loki loves her.

He won't hurt the person Loki loves most. No. He will take her to him instead. He can stomach the pain, the disappointment. He's good at that. Loki's well-being, his happiness, comes first.

In fact, Mobius stomachs Sylvie's knife twists a second time and chooses not to defend himself. I don't doubt a large part of him agrees with her. Nevertheless, he can't help but hope Loki might stand up for him in that moment. He tries, and fails, to make light of it by rolling his eyes and turning to his friend. When Loki leaves him not explaining why, his true feelings about this interaction surfaces on his face.

Aren't you going to say anything?

The saddest thing is that this is the LAST intimate moment THIS Mobius has with Loki before Loki crosses the gangway and never returns. This is it. This is what he's left with: the thought Loki didn't care enough to defend him and Loki leaving.

HE doesn't get to hear that he's just trying to see in the dark and is doing everything he can to keep the surviving timelines alive. SYLVIE does.

HE doesn't get to hear Loki tell him he saved his life. DON does.

HE doesn't get the final goodbye and "thank you, Mobius", his PAST SELF does. And if Mobius happens to remember this moment in the present, he will know that he was the one who propelled Loki to bear this massive burden ALONE.

My worry for Mobius post-S2E6 is that he is more than talented at ignoring his own needs and addressing his own problems. He is infinitely better--a master, even--at taking care of anyone else. It's a devastating flaw, but it comes from a very raw place:

His heart, his soul, will always remember being a single parent.

Being a parent at all is hard to begin with. There are only so many hours in a day, and the majority of it is devoted to putting someone else's needs before your own. Being a single parent is even harder. You might have a few people to help you, but ultimately, there's no partner to share every high and low intimately. To be a single parent of not one but TWO children?

Game over.

Some viewers have interpreted Don ignoring his sons' phone calls at work as negligent. Honestly, I don't think that's the case. He will call them back. Don is Mobius and Mobius is Don. He will take care of them. But refusing every beck and call at work is the only personal boundary he has. He cannot have many boundaries for himself at home or anywhere else. He has to decline not one but two calls for his own sanity. Nevermind that he works Monday through Saturday, nine to five, to make enough money to keep them healthy and happy. Where is the break? There is none. This is Don's glorious purpose.

Mobius leaving the TVA is understandable for two crucial reasons: One, it is a reminder of all his horrifying acts and complicity. Two, it is a reminder Loki is no longer there. But by leaving the TVA, Mobius separates himself from his only support system. That's not good. That is decidely unhealthy. The fact that it doesn't cross B-15, Casey, or OB's minds that this is a very bad idea tells you everything you need to know about the number of genuinely close friends Mobius has.

Mobius has two. He walked away from one to be with the second, and the second walked away from him, too. TWICE.

But he still loves him anyway.

When you take a man like this and take away everything that's kept him functional: the TVA, Ravonna, Loki, and then show him a content life in which he cannot even be with his own children because another version of him already exists, what do you think will happen to him given we've seen how violently Mobius can snap?

And guess what: only one person has ever seen Mobius snap on more than one occasion. Only one person understands the triggers and how to handle them. I'll give you three guesses as to who it is.

Mobius "has a happy ending" is absolute bullshit. He is at risk.

[canonizzyhours]

The thing that really upsets me about the canyon is - look, they're always claiming their opponents are committing the sin of Character Hate, right? Character Hate is supposedly always bad faith and always wrong. But the only takes on Izzy that they'll accept as not qualifying as "hate" are ones that require incredibly bad faith uncharitable interpretations of other characters.

Season 1 left a lot of stuff about Izzy open to interpretation. But one thing was clear: what Izzy said to Ed in the "namby-pamby" scene was not just cruel in the usual way it's cruel to tell someone who's heartbroken to just man up because he'd be better off dead than acting like this (which would be bad enough honestly), it was the absolute most hurtful thing Ed Teach specifically could hear at that moment because it was stabbing him directly in the core trauma he'd carried for his entire life. Ed's absolute worst fear in the whole world is that the violence he's capable of, as exemplified by having killed his dad, proves he is a monster instead of an actual human person capable of love or friendship. So Izzy tells him he's just embarrassing himself trying to reach out to others, says his real self is a violent monster, then goads him till he does something violent and says see, this is the real you. That's insanely targeted. If you sat down and tried to think of the single most most incredibly harmful and triggering thing you could say or do to Ed you couldn't have done any better.

So that means the viewer has two options for how to interpret Izzy:

1) Izzy does not really know Ed very well at all when you get down to it, despite how long they've worked together. He doesn't get what Ed's trauma is all about or how it affects him and the fact that what he said is Ed's absolute deepest fear is just a coincidence. So he truly does not understand just how hurtful he's being and would never have said that stuff if he'd known.

or

2) Izzy does understand Ed pretty accurately and therefore he is being incredibly viciously cruel on purpose by deliberately reinforcing his most painful and unhealthy beliefs about himself, knowing how it's going to affect him.

Those are the only two possibilities! You could have an Izzy whose relationship with Ed was close enough to deeply understand him, or you could have an Izzy who actually cared about Ed and didn't want to hurt him. But you could not have both. The closer you assumed Ed and Izzy were, and the more actual trust and intimacy and understanding you thought existed between them, then the crueler you had to assume Izzy was being.

But the canyon didn't want to accept that! They want to insist that Ed and Izzy had a really close relationship involving trust and intimacy and understanding AND that Izzy cares deeply about Ed's well-being and only ever wants to act in his best interests. So they found a third option, which was to just throw out Ed's entire character arc.

If you refused to believe Ed's arc was what it very obviously was, then you could deny that Izzy was actually being all that hurtful. You just deny that Ed's arc is about fearing the exact things Izzy told him were true about himself. Instead they said...well, a lot of them just didn't seem to really care that they didn't have a clear sense of what Ed's arc was at all, but those who did seem to care about Ed settled on: Ed's problem is that he actually DOES have something deeply wrong with him that makes him uncontrollably violent and he's simply trying to run away from that, which is unhealthy, so Izzy is looking out for him by trying to force him to confront these hard truths, which he needs to do before he can grow. But unfortunately Ed completely overreacted to Izzy's harsh truth-telling.

Now I mean think about the narrative this implies. This means OFMD is a romcom centered around the idea that the indigenous lead's deep seated belief that he's an uncontrollably violent monster is ACTUALLY TRUE and the white man who tells him so is just trying to help him. That would be a narrative that was (a) incredibly mean-spirited, (b) intensely racist, and (c) made no sense at all as a love story centered on this character. Which is how you should be able to tell it's an absurd read! And it's supposed to be the people who say "no, Ed's arc is what it looks like, which means Izzy either isn't especially close to him or is emotionally abusing him on purpose" who are spreading character hate.

This is why we're always pointing out that you have to understand Ed is a lead character and Izzy is a supporting one. I know the canyon thinks that's some sort of pedantry but it matters here, because if an interpretation you like because of what it does for a supporting character's arc comes at the cost of making the lead character's arc totally nonsensical, that's a pretty basic way you can tell it's reading against the text!

So now we're post season 2. And season 2 not only unsurprisingly followed up on the character arc Ed actually did have in season 1, but it managed to go with the canyon worst case scenario of repeatedly reinforcing that Izzy really does not understand Ed very well in many ways AND ALSO AT THE SAME TIME specifying in his final scene that Izzy DID understand JUST enough to realize the whole time that he was being terrible to Ed and did it anyway on purpose for years. Super embarrassing for those guys. I guess the massive tantrums they threw about season 2 aren't really a surprise.

#406.

[twisted-wonderland-but-gayer]

Hi if you still do things for the parent 7 au, how would protagonists of the movies feel about their villain caring for a kid? i feel simba would be a pouty brat (if its still kid simba), alice would have the least personal tie to QoH, i cant decide if snow would be jealous becuse ¨hey! thats my stepmom being more of a mom to some kid than her real stepdaughter!¨ or if she´d just be happy E.Q loves someone other than herself. And so on

Okay I was gonna make this a fewe request but I've been struggling with it. Instead I'll give you my take

Alice (cartoon) is a kid at the end of the day. She finds the Queen unreasonable and rude and can't believe she would have a kid to begin with. If anything she would feel bad for you. Tim Burton Alice is kinda trying to kill your mom. She feels bad for a different reason. You are to be orphaned because of her. She knows the Queen can be kind but that doesn't mean that wasn't cruel to her people

Simba rationalizes it as much as he can but can't make sense of it. It would make sense if you were one of his own but your not. He was capable of such compassion to him as a kid, to be a loving uncle. And he never got that. He's not mad at you. But he is still hurting... also how to did he adopt a person.

Ariel is also conflicted. Especially cause since Ursula adopted you, you're all technically family. She is a bit sad that Ursula seemed not to care for her at all and chalks it up to her being closer to her father, a man she hates. She wishes she could have gotten to know you better, and part of her wants to save you from Ursula because she believed she'll corrupt you... but she knows that if she takes you away from your family, it would be unfair to you and you'd never forgive her

Aladdin can't believe this guy has a sweet spot for anyone. He wants to throw hands with him again, kid or no kid. He really doesn't get how you're so good despite being with him. Obviously Jafar was able to be a good person, he didn't want to be and feels no pity, except maybe for you.

Snow is also a child. And in some interpretations, the queens step child. This really does cut her deep. She's not mad at you at all, she thinks you're lovely. But she's just a kid who wants a mom or a dad and she never got that. Grimhilde never gave her the time of day and now she's fawning over you. Why can't you all just be a family?

Hercules is very suspicious of you. Hades had been a nuisance his entire life and now he has a kid. He's a bit suprised Hades is all soft for a kid and thinks you must be under a spell. Probably tried to save you from him which gets messy and you say that Hades is your father and he means a lot to you. He'll accept it and then just tell Hades to not involve you in his schemes. To let you chose your own path. He is not afraid to strike you down either.

Aurora no matter the interpretation seems very gentle and forgiving. I think she would be happy that Maleficent has someone she can be close too. So long as you are safe and happy, she accepts it.

[llondonfog]

No pls 😭 i hate the idea that raising Silver was a fun experiment out of curiosity to see if he could love a human or not, and that the answer still isnt clear. I hate the idea of Silver, the son of their enemy, being raised to be nothing but a soldier to serve Malleus in some poetic irony. I feel there’s love there but I’ve almost been transported into Silver’s mind where everything is melancholy and unclear. Does he matter as much as I believe he does 😭😭😭 or is it just a cruel tale of some foundling human always meant to be put somewhere else when the fairies are done with them

The thing is, is Silver capable of accepting the fact that Lilia's happiest moment is Malleus' hatching? Yeah, of course, who wouldn't. The man suffered for years, absolutely driven mad with guilt over Meleanor's death and the fear that he wouldn't be able to keep his promise and hatch the one thing that remained of her, the proof of her existence and love. He had to hatch Malleus, because Meleanor believed that he could, that he somehow carried enough love in those tired, aching, and emptied bones, a love that she saw in him when he couldn't even believe it of himself. If he couldn't, it would be one more insult to her name, a failure yet again, a last betrayal of her trust that he couldn't afford and wouldn't survive.

So that weeping? He's so damn dizzy with relief and love and affection for this silly creature inside that's a symbol of the love of the most important people in his life, how could one react in any other way? How fragile and vulnerable, to know that the happiest moment in Lilia's life is to realize after hundreds of years, he was capable of that love all along.

And Silver sees this— he sees the lengths that Lilia went to in order to hatch Malleus, the horrible abuse he stoically suffered from the Senate, the massive disrespect for all that he had lost and sacrificed. Of course he'd accept that this is Lilia's pivotal moment, the bittersweet reward for centuries of despair.

But on the other hand, Silver; a boy who has lost equally, if not more. He's been cast out of his own time, four hundred years into the future, where everyone and anyone who might have known him or his family (save for Lilia) has been long since dead, the kingdom he might have ruled long crumbled to dust. Is it even a footnote in the history textbook he reads? Is there any mention of the Knight of Dawn, of Princess Leia? Anything at all besides the ring in his hand and Lilia's memories to prove that they existed, that they were real, that they loved and wanted him as much as Meleanor had loved Malleus?

All he has, all he's known, is Lilia. Lilia, who found him, who woke him from the spell as the one fated to truly love him. Lilia who thought of killing him upon learning who had sired him, Lilia who raised him to be a guard, to serve those his father once stood against. Lilia who wondered if he could ever love a human, a question that I agree hasn't fully been answered (or acknowledged by Lilia himself) if we are to associate the fact Silver still bears the effects of the sleeping curse with the belief that either Lilia hasn't called him his son and confessed his love, or if Silver still struggles with self-love himself (and we can get into a whole debate over his self-worth and his view as a sacrificial tool, that's an endless discussion).

Lilia . . . whose happiest moment has nothing to do with the boy who calls himself Lilia's one and only son.

And regardless of how I fully understand why Malleus' hatching is that moment, it's still so fucking sad to me.

Your whole life is centered around this one person whom you love more than anyone else— your short, human life— and in reality, you didn't even feature in that person's dream. We only saw Silver's past due to the blot, memories that were completely out of order and not in sync with Lilia's true dream at all.

And Silver will never harbor resentment over this, he will always place his family and loved ones first, but damn it, I can be a little miserable about it. All that trauma we went through with the last update, and now we learn that finding Silver and learning to love the son of his greatest enemy (the son of the person that killed Meleanor!) wasn't Lilia's happiest moment?

Was it just for the poetic irony? I really hope not. I really hope that TWST gives the conversation that Lilia and Silver need to have the due gravity it deserves, because Lilia needs, whether Silver realizes it or not, to look that boy in the eye and tell him that he loves him, he's always been his son, and no matter what their pasts may show, he's been Silver Vanrouge all along.

[velvetvexations]

I know this isn't relevant to the current hot topic on velvet nation but I came across something disgustingly awful and I need to vent.

It is a well known fact that Tumblr doesn't give a shit for Latinoamérica but seeing one of the biggest users here, "wholesome" ex skitty dude downplaying the suffering of Venezuela under the very obvious dictatorship is honestly heartbreakingly dissapointing. Like I am not gonna pretend I am an expert on the situation but I am also not that big of an idiot, they believe that since the opposition wasn't pro palestine then everybody who want Maduro off power are suddenly evil zionists or people who want USA interventionism, like no, if there's one thing a lot of latino people from several different countries have in common is hating the USA. We all agree that zionism is bad, the thing is, maduro may be pro palestine but also he is CLEARLY DOING A DICTATORSHIP, he is arresting people who post opposition online, opening "reeducation prisons" and the whole possibility of the elections being fraudulent.

We all understand why someone would prioritize their own culture's genocide over other world problems but when they act like Venezuelan people are an acceptable sacrifice then Venezuelan people could go and say palestinian people are an acceptable sacrifice but that would be needlessly cruel, isn't it?

I am not from Venezuela, I am from chile, a country that already has a serious problem of xenophobia against Venezuela, it is specially common among people praising themselves as progresive people, it is disgusting. Honestly it is not so different, they all love sharing post about being performative and sharing that fucking "you are not inmune to propaganda" Garfield meme only to go and do that exact same thing because they all convinced themselves that only other people are capable of that.

Shit, When the estallido social happened in Chile or several of the most severe fires, most of Tumblr didn't give a fuck, no matter how hard I was trying to spread the word since those affected me personally yet I still reblogged posts about USA and Palestinian problems because I genuinely care for them and want their situations to get extremelly better. It is painful to get reminded how much first world countries don't give a shit about Latinoamérica.

He may not be be a gringo but he sure feels like an honorary one with that attitude.

"How dare you give a fuck what happens in your own country" is also the argument for not voting against an American president who'll make things ten times worse for Palestinians, ironically.

Also, Maduro may be pro-Palestine, but he's so pro-Russia he's currently using Russia's Neo-Nazi PMC group to help suppress dissent. Tankies stay fucking losing.

[heartofwolfe]

Whole reason i made a new blog Can i get a word about eurylochus. Im sure other people have said it but if so then ill gladly add on the noise. I dont think hes as hypocritical and bad as some people have made him out to be? And i want to go over his crimes one by one, to bring them to a less exaggerated ground.

"He was going to abandon those men in Circe's island, therefore he had no right rebelling against Odysseus after Scylla."

I need us all to review both situations for a second. With Circe, Eurylochus witnessed what she's capable of, he KNEW Odysseus wouldn't be able to take her. Between losing his captain (and KING) and "cut their losses", it was probably logical for him to leave those men behind in place of losing any more lives or Odysseus himself. Had he known Hermes would show up to help, I'm sure he wouldn't have been so adamant on leaving. He's the voice of the crew, after all.

But Scylla? Odysseus withheld the information of what they were going to encounter in that lair. Odysseus deliberately made him light up torches (one of which would've been for HIM) that would sentence the 6 men that'd carry them. Of course, upon realizing this was his plan, he'd be mad. And we have to realize the rest of the crew are just as sentient as Eurylochus: Seeing their king give up 6 lives like they're nothing for the sake of getting home to his wife... how do they know they won't be next? The 3 men at Circe could've left like Eurylochus did, it was a slip, but Scylla was a choice. (A choice I think was the best outcome! Im not coming for Odysseus here, and I acknowledge and agree it was probably the safest way to get through Scylla. But it doesn't negate the feelings of the crew).

"He opened the wind bag and it got over 500 men killed! With that body count, he was still hypocrital to critisize Odysseus for sacrificing 6 men to Scylla"

I mean, yeah, if we leave it at that. Why don't we ask Poseidon what would've happened to Ithaca if they arrived at the shore instead of being sent to him directly?

Yes, opening the bag is breaking Odysseus' trust. He did wrong at this. But if we are gonna get nitpicky, Odysseus shouldn't have revealed his name to the Cyclops at all— Or just kill him, like Poseidon and Athena told him he should've done. I think they're both at fault for this, and even then, killing his fleet over the entirety of Ithaca is probably the best outcome somehow.

But like, overall, I just don't think we can use the 500 men excuse to throw bricks at this man. No one, not even Odysseus, realized they pissed off Poseidon by hurting Polyphemus and that's where the storm was coming. It's just cruel and it is very obvious it weighted not only on Odysseus but on Eurylochus as well.

"He killed Helios' cow despite Odysseus warning! And then got mad at Odysseus when he didn't sacrifice himself for the crew?"

I feel like he is a little unfair for getting mad at the end, but it is also just very human. We can think of it logically because it is a story we are witnessing, but most if not all of us would've lashed out and felt betrayed if our lives ended because our closest friend (and person that was supposed to look out for us) needed to see their lover.

And the cow... I need you guys to put yourself in his shoes again. Eurylochus didn't believe they'd make it home, he had given up on life, he couldn't trust his brother in arms to bring him home alive anymore. And hunger is so heavy (sorry). Between dying of starvation or drowned by Poseidon, and dying swiftly by divine intervention for pissing off Helios, he probably didn't care (and, like, if he didn't do it someone else in the crew would've. Is the thing.)

I actually think it's such a well done thing, the way he kills the cow because he gave up but deep down doesn't actually want to die— Which is why he gets desperate and seeks for Odysseus' guidance once again when he realizes what he's done. The cow is probably the hardest thing to defend from him, but i think it is so human. And so tragic.

And I need to clarify again— This isn't against Odysseus! I think he makes so many mistakes and is so selfish but also human in a way, I can see where every character is coming from in this musical. And the Odyssey is about a man losing his humanity in a journey back home, so his actions have to be. Bad. But there's a treatment of this characters that ends up coming off as a disservice to each of them. Using Eurylochus as a scapegoat to make Odysseus look better just feels like missing the point of both and their complexities to me. Cause even after defending Eurylochus here, none of these actions are entirely justifiable! He IS hypocritical and selfish as well, and maybe a bit cruel at times. But he's not the root of all evil. If he were, Odysseus wouldn't be the lead.

This post is pretty over the place, so I apologize!it isn't meant to be read as an essay or anything too serious despite the tone that might come off of it. I'm just mostly voicing my thoughts about these characters re: some takes I've seen here and there in other platforms that I can't go too much in detail about. Would love to hear other thoughts, agreeing or disagreeing, although i might not respond too in detail. Also please befriend me i need friends into epic LOL

[utilitycaster]

RE: Ruidusborn superstition - It's weird because Matt has had several opportunities to make it about persecution and hasn't. Laura could've made it a stronger point in her backstory with Gelvaan and didn't. This rounding up Ruidusborn and throwing them in jail is a theoretical crime that a bad guy in a cult told them might happen. 

Dealing with the unfair persecution of non Vanguard Ruidusborn in the fallout of this could be interesting to explore, but a) it hasn’t happened yet and b) still entirely the fault of the Vanguard for, ya know, all the crime. I just don’t get why some folks aren’t exploring the actual interesting conflict in front of them (i.e. being tied to something inherently destructive, your parent using you as a justification for her crimes, etc.) and instead make it about some secret twist coming that will totally make Liliana and the Vanguard “correct” actually in order to (I assume?) justify Imogen’s brief consideration of them and dunk on Orym for having the audacity to not be objective about the organization that killed his family.

Hey anon,

This is a very good point re: the actual conflicts present. I know I've been guilty of going hard on Liliana and the thing is I do find her a profoundly compelling and sympathetic villain. I think she was placed in an impossible position by Predathos imbuing her with troubling and at times painful powers; that despite having good intentions with regards to the nature of Ruidus (there is a lot of value in both studying it and in concealing its nature, depending on your perspective) people other than Ludinus were unable to give her answers and so she was easy prey for his cult; and she has since been driven by these motivations so far down the road of the Ruby Vanguard that even when the daughter she has believed herself for so long to be protecting tries to give her an out and asks her why she's doing this, she can't answer but is terrified of leaving. She is very sympathetic. She is very much a villain. And yes, I'll cover Orym in a second.

The following is, by necessity due to the nature of what I want to discuss, going to touch on some real-world politics though mostly in the sense of abstract strategy with very few specific actual positions. I want to note that we are talking about a fictional work here, and while I do have some presumptions regarding the people advocating for the Vanguard, they are just that - presumptions. I will only say that if this is how the people advocating for the Vanguard engage with people in real-world activism (if they partake in that in the first place), this may be a revealing insight into why they are perhaps less than successful.

Every argument in favor of killing the gods ultimately presupposes killing the gods is correct. They are all, ultimately, either tautological (we should kill the gods because they are deserving of death) and assume that the only objective conclusion is "we should kill the gods", therefore anything other than "we should kill the gods" cannot be objective.

I may be repeating myself since I've said this a lot since the last episode but: there as a truly bone-chilling lack of empathy in thestatement that Orym needs to stop bringing up his dead family and get over it and be objective (read: agree with the premise that the gods should be killed). Actually, if you are a person capable of perceiving others as people, you will likely realize that it is cruel and absurd to expect someone to say "this group murdered my family, but because they did so with the correct motivations, I shall stop mentioning it." As you indicated, it's bizarre that Orym is expected to set the wholesale murder - deliberately set up with no hope of resurrection, just to twist the knife - aside, but Imogen is never expected to set aside the (let's face it, extremely tenuous, given that Liliana's been absent for over a quarter-century) feelings about her mother, a person who recruits child soldiers, turned Vax into an orb, and is a general in the death cult that murdered Orym's husband and father. Like, in a real-world scenario, someone in Orym's position very well might have just left over this. Your friends keep failing to consider your trauma? Perhaps it's time to, painful as it may be, find friends who will be sensitive. [I don't want to focus on the shipping or character dynamic aspects with that particularly argument against Orym, but this is a fictional work and I do think another running theme in all sorts of discourse is that you do not need to justify your ships as logical, and when you do, you really do sound like "why doesn't Ross, the largest friend, simply eat all the other friends." There are logical reasons why Orym might not want to talk with, for example, Fearne or Ashton; but also the heart wants what it wants, and again, if you aren't truly ignorant about the way human psychology works you have to acknowledge that.]

Before I move on to other items I want to note I've as of late seen attempts not just to discredit Orym but to pathologize his behavior as self-harming or moral OCD or a failure to get fully over grief (again, an expectation that is not just devoid of empathy but also sets the standard of 'get over grief' as "agrees with me") and not just "hey, this group killed my husband and father in front of me and I understandably will not budge on this particular front. So there's also a growing ableist push, here, because someone doesn't agree with you and will not agree with you and also might want to kiss someone different than whom you want them to kiss.

As of late, the banner of those wronged by the gods has shifted from any of Bells Hells to those of Aeor, and that is a bad sign in a D&D campaign. If you need to set aside the PCs in order to rely on NPCs who have not shown up in the current narrative? You are clinging to a melting iceberg, my man. (More so after invoking FCG as one of the victims of Aeor's demise, rather than someone created to be used for malicious purposes by Aeor; and even more so after they destroyed themself specifically in heroic sacrifice to save the rest of the party from a Vanguard general.). But more seriously, the focus on Aeor feels reminiscent of advocacy for the unborn; or, to take a page from my own personal experiences and move this back into a fandom realm, the way people will frequently more loudly decry antisemitism for depictions of goblins than for, say, the fact that I don't know of an American synagogue that hasn't experienced a bomb threat in the past 10 years. It's very easy to advocate for corpses or fetuses over the living, or for fictional characters over real people who might be less than perfect. Much easier to ensure they never do such inconvenient things as disagree with you or have their own suggestions or be complicated. It hearkens back to some of the conversations I and others had earlier this campaign about a denial of agency because by making characters victims "stripped of choice," (always that phrasing) suddenly they can't do wrong. They make for a shit story, but at least you can feel morally pure about your flavorless cardboard that ultimately means nothing in-world or out. (And if they don't have agency, that means your morality pet can't run away. Or blow themselves up in a stunning rejection of your argument.)

Returning to the Vanguard: an ongoing discussion in activist spaces (and internet ones as well) is that there's a weird ignorance of optics as an important factor in activism. I know it seems frustrating - why can't people just see that this cause is just - but optics have always been a crucial part of any successful movement. I mean, even if you do believe that we need to do more to combat climate change - and I do - my, and most people's response to the environmental activists who keep throwing soup or paint on artwork is "ugh, this again?" I mean, functionally, while the cause is far more just, it's not terribly distinct from the weird-ass He Gets Us ad campaign; most people are going to say "and you're doing this instead of anything helpful...why?" The Vanguard's optics SUCK. Sure, they've fomented some unrest, but it is an unfortunate truth that the vast majority of people will prefer the inherent violence of a stable system that they are used to over violent unrest. For a successful coup or radical change, either you need to strike at the seat of power extremely quickly or you need to show that you are the more, for lack of a better term, civilized option, and the Vanguard has failed utterly in both these. You're going to get a few places like Hearthdell (though, really, how long will that last given that they got rid of the temple without a scrap of help from Ludinus) but you're going to get a lot of places where city dwellers say "ugh, these stupid crystals are so fucking loud, could this motherfucker shut up" and you're also going to get no shortage of places that say "my family member was taken in by this cult" or "these guys murdered my professor". The rightness or wrongness of the Vanguard's politics aside, a lot of people in-world are likely to side with Orym - these people are murderers who disturb the peace and we should stop them. The cause is lost. Is it, in some absolute sense, fair that people will judge you more for how you convey a message than what the message is? No, although if you convey it in rivers of blood, then, perhaps, yes. But it is, fair or not, often true.

Which brings me back to Orym. I think the reason people are stooping so low specifically to malign and discredit Orym is because he brings all of the above uncomfortably to light. He's aligned with Keyleth, who quite frankly until pretty recently was, within the fandom, partly as (understandable) backlash to the hate she received, and partly because she was, if nothing else, always portrayed as someone deeply attuned to the human costs, treated as a morally infallible authority; and she is no friend to the gods yet still believes their demise is far too great a risk to take. Again, thinking of yourself as Exandria's equivalent of the man on the street (Imahara Joe the Plumber?), are you going to listen to "those people killed my husband and father to prove a hypothesis so that they could tether the moon?" or "my mom, who left me when I was two years old and never came back or sent a letter, is one of those people?" And that's assuming Imogen's even going to make that argument, which, as her actions indicate, she's probably not going to. But most of all I think they really don't like that Orym isn't backing down from "That is the blade that killed my father and husband. She is not right." He's kept to this story the entire time, while the positions of others have evolved. And he's telling the truth. Every time he says this, I think anyone who isn't actually a complete black hole of empathy must confront how much of their humanity they are supressing just to make a poorly-argued point about a D&D show and I'd imagine that can't make one feel very good.

I think people are terrified of Orym's conviction, because he has shown, time and time again, that he is not going to be swayed. I don't think, in fact, that he's going to be swayed by seeing Aeor, should that happen, since Aeor was destroyed a thousand years before he, Will, or Derrig were born, and their murders failed to undo that harm in any way. A really good way to turn people away from your cause, even if it's a good one, is killing those they love. And again, it's fine if you see that position as unfair, or ignorant, or even amoral. It's also extremely true. And I think people realize it's true, given that the only defenses I've seen for Liliana have been "well, but she's Imogen's mother" and "well, it's shockingly easy for people to fall into a cult, because this has happened to my family members." Clearly, we agree that people will place personal connections and the pain of those close to them over ideology. Orym's is just really inconvenient for some people, and so he must be discredited.

In the end: the people in the story who at every turn choose manipulation, indoctrination, violence, subjugation, and conquest are saying "This is the way; you just have to trust me." Is it any surprise most people watching the show are saying "No, I don't think I will"?

[yourheartandmind]

Crossed Lines

Pairing: Wednesday Addams x Reader

Warning: Dark themes

Wednesday Addams has committed many unspeakable crimes. She's performed many unspeakable acts. Some, simply for the sake of doing so.

But, even she had a limit. A line she swore to never cross. A concrete boundary to what she was and wasn't willing to do.

Because for all her bravado and all her threats, Wednesday Addams refused to become a monster. To prove the people around her right. To give in to her family's darkness.

Call it stubbornness. Call it hopeless.

She knew she wasn't good by any definition - she would never be like Enid, could never be like her, not even close- but Wednesday always wanted to believe that she wasn't entirely bad either. That somewhere, hidden in the very depths of her being, she too had a soul worth saving. A soul capable of redemption.

Yet, as she took in your crumpled form on her bed, dark, crimson blood seeping through the layers of your tattered Evermore uniform - a color she had seen thousands of times before, but never seeming so nauseating as it did that moment - even she was surprised by the dark thoughts that crossed her mind.

The lines she was suddenly willing to cross.

You were mumbling something under your breath, a slur of pleads and cries that blended with dull ringing in Wednesday's ears.

The paleness of your skin was jarring. The lifelessness in your eyes haunting. And staining the sheets beneath you, caking the surface of everything you had touched, your blood was inescapable - the sheer amount of it painting the room.

Someone had touched you.

The thought lit something inside Wednesday.

Everything began overtaking her senses: the scent of sweat and rust from dried blood; the messy incoherent cries of pain that filled the room; the sight of you. Like that.

"Wednesday?"

Someone was calling out to her. They seemed close. Yet not quite there.

Someone had touched you.

"Wednesday?"

A second attempt to reach her was registered, now laced with a hint of concern.

The person seemed further now, though.

Someone had touched...you

Wednesday's mind began to swallow her, taking her to the darkest corners of her subconscious. To a place where all her inhibitions were washed away - stripped away - until all that was left was a desire to hurt.

Someone had touched you. Someone had hurt you.

"What happened?"

Her voice was cold. Distant. More than even she thought possible.

It didn't sound like her anymore.

The blur of a figure turned to her, Wednesday guessed that it was Enid, "Let's not doing anything careless now, okay?" They, Enid, whoever, tried to caution.

"What happened?"

The question wasn't going to be asked twice. And for their sake, Wednesday hoped Enid caught on to that.

"I-"

"Enid."

If bloodlust could be heard, not just seen, it would've been heard then - dripping with malice from every syllable of Wednesday's voice.

Enid looked over to her roommate, always having believed the Addams cruel but reasonable; now seeing, that any semblance of rationality had long disappeared.

She sighed and answered. Cautiously. Uneasily.

Wednesday left without so much as a thanks.

Watching the girl go, Enid felt her heart drop with fear. Not for herself, but rather the people who had hurt you.

///

Wednesday knew she had lost it - that what she was going to do was reckless and dangerous beyond belief.

Yet she couldn't find it in her to care.

Even as she stood over the faces of the men on the ground, bounded and tied expertly by her ropes, fear evident in their eyes. Even as they began to shake with tears and beg and plead her for their release, promising to not tell anyone. Even as she began to realized that there was no coming back from what she was about to do.

She had never wanted to become a monster like this.

But when people - the same hypocrites who've bullied and ostracized Evermore students as liars and killers - hurt the one she loved and got to walk back into their lives like nothing happened, Wednesday Addams no longer cared about her childish wants.

All she knew was was the anger and hurt she felt and the consuming need to make those responsible pay.

Afterall, someone had hurt you.

She'll make sure they hurt more.

And she'll be sure to enjoy every second of it, too.

[astheworldgoesonitswickedway]

I've been thinking about ASoUE again so this is gonna be a long one. Kit accused Olaf of hurting people and he responded with a tiny scoffing laugh and the line that "people hurt him" and this, this just so perfectly captures both Olaf's character and one of the main points I think Daniel Handler was trying to make throughout the series. Olaf never wants to take responsibility for his actions right, but he never tries to say his actions aren't wicked. His distinction is that he believes his wickedness is justified. He believes because others wronged him, he is justified to wrong others. It comes down to what I like to call "the circle of cruelty" We are told that Olaf's "mentors" basically took him and twisted him when he was young and vulnerable. (And of course, we can’t not mention his father’s death. Sure it was an accident but he wasn’t necessarily incorrect in perceiving this as a wrong against him. And anyways, the dart may not have been meant to hit his father, but it was meant for someone.) They didn't just teach him to be cruel, they taught him by being cruel. In The Slippery Slope, we see for once Olaf is the scared, submissive, and ingratiating one. His mentors constantly berate him, mock his attempts to please them, and they tell him "they weren't emotionally distant, he just wasn't worthy of praise." We are given indications Olaf felt manipulated by them through the entirety of their relationship and even considered it to be akin to Stockholm's Syndrome. We see as the show progresses and Olaf grows increasingly unhinged, he is more and more cruel to his own hench people. Who in turn are cruel to the circus recruits, who are cruel to the Baudelaires. Which means, the mentors to Olaf-Olaf to the hench people-the hench people to the circus recruits-the circus recruits to literally anyone they think they might be capable of bullying. So, in essence, one cruel and wicked person makes other cruel and wicked people who continue to do the same. Now here me out, this is one of the ways Daniel Handler is telling us "Look, after all you've seen you've come to hate Olaf. But he is the way he is for a reason. Horrible things happened to him and horrible people turned him inside out. But its no excuse." See, Olaf refuses to take responsibility by saying, its fine because others did it to him too. He doesn't try to say he was manipulated into doing it, he just sees it as "the way of the world". And at the end he talks about man handing on misery to man and how it deepens and you shouldn't have kids that you hand that misery on too. He handed his misery on to the Baudelaires but he warns them not to do the same, and make no mistake, the way he abruptly turned to look at them was a warning. He recognized that those who came before him had a lot to do with shaping his life, and even though he misplaced all the blame, he was right in a way. But Daniel Handler never for a moment justifies Olaf. He shocks us by unexpectedly delivering emotion and even sympathy for this brutal man we came to hate, but he never makes us say "poor Olaf" What happened to him was horrible, but the way he handled it was horrible. Its all about how you handle it, and whether or not you choose to pass on the cruelty. And its so beautiful to see that despite everything the Baudelaires endured, they broke the cycle. They didn't let Olaf drive them into becoming him. And let's be honest, isn't that part of the reason he hates them so much? Because he sees himself in them, but they made the right choice he couldn't make? After all, we get an entire scene during which he recounts V.F.D.’s injustices against the Baudelaires. But that's a different rant. The Baudelaires maintained their morals despite the hard choices they had to make, and they raised Beatrice without letting all that cruelty reach her. Its such a great way of showing us cruelty and abuse and the way it shapes people and grows, but also how every individual is responsible for their own actions. The cycle should be broken and it can be.

[koremakaria]

The Favored Son,Parental Love, and Sibling Rivalry

Palace politics can be cutthroat like in the literal sense especially when you're a capable royal prince with the support of your royal father, the emperor, and your royal mother, the empress. (*info up to EP 15)

What can go wrong, you might asked and well ... apparently a lot can go wrong because ... see you also happened to have an older brother (from a different mother) who wants the throne and wants you cold and dead in the ground.

So you might be a good guy with a kind heart. Fighting off the enemies so that you can secure peace and prosperity for your people and your kingdom and still find yourself being framed for the death of 100, 000 people and a great fire you didn't start.

Such was the case for our ML ... the sad backstory of Murong Jinghe.

Even when MRJH was blamed for the brutal burning of a civilian city, his parents never stopped loving him. I just want to talk about the parental love for the favored son.

The Empress' Last Embroidered Screen

This piece was made when the empress was 'sick' to appease the people. Since she coughed up blood, it could also mean poison so the jury is still out on this. But I digress. The embroidered piece is the last connection between the empress and MRJH. She knew that one day he would be back in the palace and that he would be able to view the piece in person. She trusted her husband, the emperor, to one day bring their son home.

When MRJH returned, he thought that his mother died believing that he was a bad general. That he had deliberately went against her teaching. That he had become a cruel person. In Chinese and many Asian cultures to disappoint one's parents carry a great deal of shame because you (your accomplishments and failures) are a reflection of your parents and how they raised you. And so even when MRJH hated the blame of the fire he must have hated the fact that his mother thought he was a bad boy who did very bad things even more.

And so he cut the embroidery at the neck of the child's depiction of him because he couldn't stand to see the child version of him that his mother must have grieved before she passed. But with the help of Mei Lin, MRJH discovered his mother's hidden message written in the military flag positions. A coded message left for him to find. The fact MRJH only discovered the secret message with the help of Mei Lin symbolizes the importance of allies. Like he must have seen the embroidered piece many times before but had now just discovered the hidden message that told him that his mother never stop believing in him.

And then we get to the mending part. Old threads were taken to mend the ripped fabric. Mei Lin tried to help but ultimately our ML took over since it was his trauma to heal and only he could heal his own wound. MRJH said that he only knew how to embroidered because he was often mischievous when young and as punishment he often had to stand still and so he learned embroidery by watching his mother. Essentially he gained skills by making a mistake. This theme mirrors his current predicament. Being too good and too trusting was a mistake but because of it he also obtained new skills.

The message written in military flag positions is important here because it's his connection to the power of his mother's side of the family. Like the empress came from a military family and till the very end she left a military style message for her 'general' son that she loved him and that she believed in his goodness despite what everyone else was saying.

The Emperor's Love for the Third Prince

We see this paternal love numerous times in the drama and they are often subtle. I'll list a few that stood out to me.

When MRJH came back to the palace, his father asked him several times if he was still bitter about the many years of exile like the emperor was expecting his son to voice his grievance and he was ready to listen it seemed.

When princess Zigu wanted Mei Lin to stay at her residence instead of going to live with MRJH because she doesn't believe that he was truly in love with Mei Lin and that he might bully her friend, the emperor was quick to say that the third prince wouldn't do something like that. Like there was a complete conviction that his son was a good guy.

When father and son are together, we always get a feel that they have a good and trusting relationship.

When MRJH went missing, the emperor couldn't eat properly and basically ordered most of the military men to join the search and rescue mission. Like this is just one son. Clearly the favored child. I mean am I wrong?

When the emperor saw the 'fake' body of MRJH he remembered the ring that the empress gifted their son. Like that's such a detailed thing to remember. And the physical reaction to the news of his son's death was devastating.

All the evidence points to MRJH being the favored child. Despite being a disgraced military general his father still welcomed him back with open arms.

We don't get to see his skills as a military general yet but I'm sure that's coming soon. So our ML is a competent military general, has a kind heart, wants to protect civilians against harm, works for the greater good of his father's empire and is the only heir with the empress' bloodline ... all good stuff ... like these are great qualities for a crown prince which is why his older brother framed him.

Because envy has a name and it is Murong Xuanlie ... the current Crown Prince who got the position by sacrificing 100,000 souls.

[epickiya722]

I do have this one thought about the last chapter that I honestly debated on even sharing.

It felt like just another "day on the job" to me.

I recall how it has been stated in the manga that "jujutsu sorcerers aren't heroes". Heroes get praises. Jujutsu sorcerers do not.

They have to work in the shadows. People can't know the existence of Curses and if so that leads to chaos.

Jujutsu sorcerers work in secrecy so of course there wasn't going to be statutes or confetti. Being a jujutsu sorcerer isn't something to be celebrated. It's a job that has to be done but those who can't handle it. That's it.

I feel like that's what the last 3 chapters were meant for. To remind the audience that being a jujutsu sorcerer is still just a job. It's not a competition. It's not a job for praise and fame. It's a job where adults and children are exploited to risk their lives for people who don't even know they exist unless otherwise.

Hell, they're JJK's Men in Black.

They don't fight aliens, they fight curses and don't have a small device to erase memories.

On that note, pertaining to Gojo, I have seen people said that the other characters apparently didn't give a shit about him and the last chapter confirms it and all that jazz...

That is false.

For one, yeah, we didn't get a funeral for Gojo, but something tells me it's because the other characters couldn't have a personal one for him. You can't tell me the Gojo clan didn't allow a funeral for him.

Two, just because Gojo wasn't mentioned after 269, that doesn't mean he will be forgotten by the others.

The last chapter actually proves that.

Yuji has a whole flashback about the conversation he had with Gojo and recalls the words he said to him. And what does he do? Passes on those same words to someone else he saw needed a little bit of guidance. Even in death, Gojo is still teaching his students.

Let's not forget that also because of Gojo being Gojo, we got this precious smile.

It's not that the other characters don't care for him, especially his students, it just feels that way because of the harshness of being a jujutsu sorcerer overshadows that.

They don't have the room to connect and feel like people. It's not a luxury for them and even if it was, it's taken away.

They don't get to have true human moments. That the cost they pay for other humans to have them.

The only character that really shown some annoyance towards Gojo was Kusakabe. Other than that, no other character really had actually disdain for Gojo or was happy he was dead.

They all believed he was capable of beating Sukuna and when he died, they were horrified.

"But what about his body being used as a tool?"

Again, that's the harshness of being in jujutsu society. It's not like any of them was actually happy about it. Yuta damn sure wasn't and Shoko probably held back tears even switching their brains because Gojo was still her friend.

However, Gojo's death was his happiness. Cruel that he died that way, trust me I couldn't get that image out my head for DAYS. But, seeing him smile in the afterlife I was fine with that because he found happiness.

Besides, Gojo wouldn't want his students or anyone to beat themselves up and mope for days on end over him just as he did over Geto. They wouldn't want him to repeat his mistake.

There's also Gojo's statement on how he thinks that at least one of them would forget him. Yuji protests this saying he wouldn't (knowing Yuji, he won't). In the fan translation, Yuji goes "None of us could ever forget you".

Maybe that's what Gojo wants though. Not in a way where they discard his existence, but in a way that his legacy overshadows what his students could do before they can even get started.

Gojo is the type of person who can do anything, but chooses not to because he wants the generation after him to have that chance to be great, to be better.

He rather for them to forget him so they don't look to meet his example and match up to his level. He wants his students to surpass him. Go beyond what he was able to do.

But that's just how I see it. And I actually don't care to debate on it.

Just because someone comes up with "why this is the way it is" doesn't mean they necessarily like or hate the idea of it.

Now, I know some people hate this chapter and others loved it. The way I see it, oh well, it's the finale yadda yadda, people are entitled to their opinions. But the way some of you go about it is crazy to me.

Like going into inboxes with "this chapter was ass, admit it was ass" just makes you look like an ass, hee haw. Like, don't waste your time trying to get people to ride that hate train, IT'S TOO CROWDED ANYWAYS!

And if you don't like seeing people being negative... block them. Skip the posts. Don't reblog their posts to argue. If you want to vent, just write your own posts.

[surplus-of-sarcasm]

31st Story

Part 2

TW: Captivity, implied past torture, blood mention, restraints, mistrust, starvation mention, defiant whumpee, corrupt system, knife

Heyyy! Long-time no see. I blame college 100% because it takes up all my time, seriously. Happy New Year tho 💙

Villain could tell himself he was already used to the cold, hard embrace of the dull rock of his cell, to the claustrophobia-inducing lack of windows, to the fact that the only times he ever got to see the light was when someone walked in to beat him senseless, a feat made incredibly easy with the help of the chains that shackled his wrists and ankles, not allowing for much movement.

He could pretend that being covered in blood and filth, dazed and starving, was nothing to him, that the maddening urge to find out what time it was wasn't gnawing at him torturously.

"In here, wishful thinking is all you are capable of," a sunken-faced, old prisoner had told him before he was thrown into his personal hellhole. He hadn't said anything, but he'd believed the old hag to be weak and hopeless, and thus so was her sentiment.

Right now, all he wondered was if he'd break even faster than that woman might have. The villain screwed his eyes shut, hoping it would stop the chain of thoughts poisoning his mind, but all that did was make him think clearer, every disturbing image he tried so desperately to expel growing clearer and more vivid by the moment.

It was bad enough handling the physical pain, where every time he so much as shifted his form slightly, the tormented muscles in his back would scream in protest. But the physical side was tolerable, compared to being left at the mercy of his mind; a cruel, sinister thing.

So consumed he was in his own reverie, he hadn't even noticed as the door to his cell was unlocked, at least not until the light skirting around the corner had him snapping his eyes open and sitting up.

"This doesn't look good on you," a silky, almost serpentine voice called out.

"Superhero?" he asked, despising the note of trepidation in his voice.

"No. Just her lacklustre twin," she scoffed.

"Vigilante," he deduced with a slight fall of his shoulders in relief. It's not that he believed Vigilante would treat him well, it's just that no one could rival Superhero in cruelty.

"Still ever the genius," she responded dryly.

"What do you want?" he asked, almost desperate. If she was here to torment him, he wanted her to get over with it. It was becoming progressively more difficult to bear the state in which he was in, the one chock-full of waiting and thinning patience, of hoping the pain would start so it could end, that this time would pass faster.

Except it never did.

"It's strange seeing someone normally so high and mighty like this," she attested, dodging his question.

The older version of him would have let out a frustrated snarl and cussed her out for annoying him, but now all he could do was bite his tongue and stare at her with his new resting face, broken and defeated.

"Well, I'm not here to hurt you," she said, folding her arms across her chest.

That was a response, albeit an indirect one. And of course, she wasn't here to hurt him. She was here to make sure he was comfortable, that he was enjoying his five-star stay in this resort in hell.

Sucks to have an army of enemies and not a single semblance of a friend.

He and Vigilante hadn't really had any direct bad blood, but he was a villain locked up in here, so by default, he was supposed to be her enemy, right? It didn't matter who walked in here or whether they knew him or not. They just loved to see him break, to see him, once so relentlessly powerful, reduced to less than nothing. Perhaps it brought them a sort of sick satisfaction, but he didn't know much about satisfaction anymore to judge.

"I'm going to get you out of here," she said casually, like promising him the impossible was some sort of small punishment, nothing to tear himself up about. Maybe she could rival her sister in cruelty.

Without warning, a hysterical laugh escaped his throat, only for him to bite his lip and stop abruptly, trying to clamp a hand over his mouth only for him to remember he was chained up.

Vigilante's face fell, and his own had silent tears streaming down it. He felt as though he couldn't breathe, as though bricks were raining down on his shoulders and crushing his bones into nothing. His whole being seemed to itch with dread.

"Villain?" Vigilante called out, looking a mixture of confused and horrified.

"Just get over with it! Torture me until the floor runs red with my blood, tell me how death is a mercy above vermin like myself, and tell me to take it with a smile. Hit me harder when I can't bring myself to do it. Hit me until I feel all the pain of death but never attain it. Remember my current words as defiance, as another crime I've committed. I think watching me be humbled to the nothing I truly am will entertain you as any show would," he spat, only for regret to colour his features just as fast.

"Damn it. Villain, I don't want to do. . .any of this to you," Vigilante started, careful, trying for a semblance of gentle, something she was never particularly good at. "Like I said, I'm going to get you out of here," she continued again, hoping the stern tone indicated she was serious and not somehow going to torture him.

She'd never particularly liked him, mainly because he'd always been ice-cold, calculated to a point he seemed inhuman at times, no emotion whatsoever showing up on his face, besides a cool smugness. And by virtue of all the terrible things he'd done, all the blood on his hands. And yet, he was far from the worst thing out there, and most definitely not the villain in her story.

"And let's pretend you're telling the truth, which is completely fine by me because any mercy I've ever had here has always been a pretence, a figment of my imagination, you know. What could you possibly gain from this?" He raised an eyebrow, bearing a small resemblance to his usual self. Well, at least there was a slight amount of fight left in him, even if he was clearly holding back tears now.

But the villain's question wasn't completely outlandish. Vigilante did want something from him, but it wasn't a favour he would ever come to hate. "I need your help. My sister may seem like the goddamn tooth fairy to those who don't know better, but we know what her regime is really doing. This isn't about fighting crime, it's about her insatiable addiction to power."

"And where do I belong here?" The villain's voice still held the same disbelieving tone, his shoulders managing to tense even further.

"You're one of the few people who challenged her, Villain. And as much as it pains me to say it, you're a good strategist," she explained, even though she knew she'd barely convinced him in the slightest.

"I can't be the only one fitting that description, but I can be the only one owing you a favour too," he answered. Even if he didn't look half as confident, half as untouchable as before, the criminal was still just as clever. But it also meant he wasn't believing her anytime soon. Still, he wasn't wrong. The villain may not have smelled like roses all the time, but he'd be loyal to make sure they were even; a man of his word.

"What's it gonna be, Villain? Come with me or stay here?" she asked, folding her arms across her chest, growing impatient.

Well, it didn't make sense for her to give him a choice if she was going to torture him, but sense no longer governed things in his mind, letting a fearful apprehension replace it, no matter how humiliating. The choice could easily be an illusion, another cruel joke in this comedy skit from the filthiest parts of hell.

But it could be a chance, and he was desperate. So desperate he'd risk feeling even further degraded when she laughed in his face and put him through whatever torment she'd have planned.

"Fine," he answered, looking up at her with trepidation in his eyes. He could already feel the regret tasting like salt on his tongue and the burn of acid at the back of his throat he recognised as shame.

So when the sound of his chains being unlocked rang in his ears, and the vigilante helped him up, the feeling of surprise was palpable.

"I just need to handcuff you while they can see us," she explained, noticing how slowly the villain nodded, mistrust still burning in his eyes.

She didn't like how weightless he seemed against her, barely able to walk. She hadn't fought him much, but she clearly remembered that while his frame was somewhat slender, the villain's build still used to be athletic. It was no surprise he'd deteriorated, but that didn't make his fate any less cruel.

"I'm moving him to the other facility," she announced, practically dragging the half-starved villain with her, the only response being curt nods from the guards.

They were lucky that no one here would dare question Superhero and by default, her sister, if they could even tell the difference between both.

And sure enough, there was an entry documented into the other facility, done with the help of a few handsomely paid workers. And while Superhero wouldn't buy into the lie for long, it would at least make sure she didn’t notice immediately that something was up.

✨️Break✨️

The drive to Vigilante's house was almost torturously long and reeking of the tension of two people who weren't used to each other. The villain ran his fingers over his wrists, now free of handcuffs, but they still hurt. All of him hurt, a constant, dull pain that he was almost used to, but that didn't mean he didn't miss the times where he could remember moments without aches all over his body.

That was only the least of it anyway.

"I think you'd want to clean up," the vigilante had suggested when they'd got to her house.

Instead of an off-hand "yeah" like he'd meant to, the first words that foolishly came tumbling out of his mouth were: "I can?"

This wasn't an option they gave him back there, and soon enough he'd stopped caring entirely.

"Oh," Vigilante had responded, giving him a solemn look. "I mean, yes, of course you can," she corrected hastily.

He nodded, quite literally shoving himself into the bathroom and swallowing down the awkward shame in his throat.

He'd grown so accustomed to pain that he'd barely even noticed the sting of the hot water on his open, practically fresh wounds, or how the shower water underneath him turned a dull pink. He was a lot more focused on how his sore muscles relaxed with the heat, how he seemed to get lighter with all the dirt off him, good sensations having become foreign to him in the time of his captivity.

He walked out to find a change of clothes (his clothes) on the bed in the room outside, catching his reflection in the mirror, bruises lining his cheekbones and jaw and heavy, dark circles underneath his eyes. The villain simply ignored the old memories of himself taking the time to style his hair and care for his skin, his mind hardwired for survival, looking around the room for anything he could use in case he had to defend himself.

Not that Vigilante was stupid enough for that.

Still, if she wished to hurt him, she could've done it faster, could've done it earlier. Maybe the villain wouldn't trust her blindly, but so far, he hated her less bitterly than he hated everyone else.

"How'd you get these?" he asked, walking out, looking down at the black zip-up hoodie and black sweats.

Vigilante shrugged. "From your place."

"You broke into my- whatever." It wasn't the strangest part about the situation now. "What are we supposed to do?"

"I think you need to rest," she suggested.

And she was entirely correct, given his exhaustion and how the shower had made him somewhat sleepy, so he nodded his head, walking into "his" room and waiting until she walked up to her room, waiting until he could walk out and check if she'd slept, and once he was sure, he walked into the kitchen, picking up a knife and bringing it to his room.

The villain knew it was scummy, but he wasn't about to risk being hurt again, and if the vigilante truly had good intentions, the knife would never be put to use. Still, the villain had managed to fall into a fitful sleep, still better than any night he spent curled up on a cold, hard floor.

Trust is never easy, especially for those who have been hurt one too many times. But people were not made to live forever encased in solitude, a safe option to the blind and foolish, but never a permanent solution. And while taking a risk in times of suffering might seem like a wretched fate, sometimes it is the lifeline you need to breathe again.

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