#but at the same time miles does have a handle on it

[icarusredwings]

Fortunately, Wade has re-died multiple times already before they found the girls, He found out because some other group of scared humans shot him. Wade, like an idiot, had tried to be friendly and was attempting to bring them a can of corn but honestly his friendly demenure scares other people WAY more then regular zombies because its the idea that Wade is SENTIENT. He can "talk" "feel" and has emotions.

He understands when you tell him things and while sometimes he dosn't make the best choices he is still very human like. This is the part that scares Logan and most others.

Zombies aren't conscious. They dont have prefered foods and like hugs. They couldn't figure out simple puzzles like if one door is locked to go around to the back door or how to properly use stairs and simple slide locks. They didn't ask their daughters about their day and play catch with them. They didn't sit at the table and whimper for their non zombie husband to feed them. They are just hosts to the virus.

But if anything, the virus is a new host to Wade's cancer, making him even more disgusting from the fact his flesh is literally falling off, but he can't die from the virus. His brain is much stronger then theirs and because of this- The idea of a person like wade, whos clever enough to put his hands up and drop to his knees when he sees other people now, going around eating people, possibly fooling them into false trust.

You're right, though. Wade is so SO proud of his girls and even more proud of Laura for forcibly having to mature quick enough to protect Gabby and handle her mentally as well as physically being able to provide for her.

Once or twice, Wade has found Laura crying from the stress of her father being gone and having to watch both Wade and gabby. Everything in her logic side of her mind was screaming at her to get away from him, but his arms were out, and his parental eyes got her to cling to him, hugging him tightly as she sobbed into him. The type of hug where she loses control of her claws and ends up stabbing him the same way her father does after a nightmare.

"Ooh!! Are we allowed hugs today?"

Only for Laura to scream at her to stop, to get back. She's a mess, ugly crying and tears running down her face faster then she can clean them.

Gabby jumps, tilting her head in soft shock before crossing her arms. "I'm telling dad that you're hogging papa!"

She runs off and laura turns to look at Wade, whos softly snickering. They laugh and deep down are glad that Gabs is so innocent still. To her, Laura didn't want her to steal her papa time but in reality she's still scared of gabby being bit despite physically in his arms.

And yes, Logan IS selfishly glad to know that if Wade ever truly does go feral, that it will most likely be Laura to do the job. She isn't hesitant. He taught her not to. And sometimes she's far too well trained. Being so young (COUGH and materal rage/ hormones COUGH) she is far too trigger happy but in truth guns won't do anything for wade.

Logan has learned that the only chance they had was decapitating him and burying his head miles away from his body. Yeah, his body will just regrow or his head will just reform but it will take about 12 hours which is plenty time for Logan to take the girls and book it to where ever else they could go.

Would it absolutely DESTROY his heart to abandon wade like this and leave most of their supplies? Yes. But he knows wade would never forgive himself if he turned one of the girls. Never in a million years.

This was far proven when gabby wandered too far from the cabin and wade tackled another zombie meer seconds before gabby was bit.

Imagine being a 13 year old girl watching your papa go APE SHIT on a fellow zombie, ripping him apart, dismembering him, throwing his organs as far as he could, shaking their leg around like a street dog does to a turkey leg.

And when he realizes, he stops and just stares at Gabs, covered in blood and ooze, blinking, hoping she wouldn't be scared only to smile widely and say "Wwwooah... That's so cool!! Ah man that guy STINKS!! Now you need a bath!"

Only for Wade to realize that Gabs is conditioned to such brutal murder as long as she doesn't have a connection. She was devastated to hear about puppins and has asked Logan multiple times if they could go find her and keep her.

"No honey, she bit wade almost instantly."

"But shes just a scared puppy! Shes probably hungry!"

"Sigh... gabs I already have too many mouths to feed. Please.. I just... we can't. I need to make sure you're fed. Not a dog..."

"But shes-"

And by now, Logans upset. "I said NO! Now that's enough. I would If we could, alright? Now please...go play."

Because that day he not only did he loose his dog. He lost part of his husband too..

I dont CARE that it's November 9th and "Halloweens over" ITS MY BIRTHDAY MONTH ILL POST IF I WANT TOO

Anyway.

Thinking about apocolpse au.

Wade getting bitten by a zombie, Logan freaking out, Wade dying, and him coming back (Again)

"Didn't you just die?? I literally fucking burried you!!"

And wades like:

"Of course. Man, God REALLY hates you dosn't he?"

And he's bassically the same person except just saying, "Rahhah har ran re" (translation: I think the devil doesn't want me either)

"What?? Oh for fucks sake... tell me you're kidding.."

"Rah?" 🤔

"Great so now you stink more and you can't talk. Fucking lovely."

"Mmmmh..." 🥺 (would you still love me if I was a zombie?)

"*sighs, blushes and grumbles how insane this is and how much of a bad idea this is* Fine! Come on...."

"Raah!!" 😄

And sometimes his limbs fall off because I think it would be funny if you just saw him stop, turn around, pick up his arm and shove it back into place like a dislocated shoulder. (Marvel Magic)

But its very obvious that Wade is still consious and so logan leads him around, puts a leash on him, ties him up when he goes to sleep the first few nights so wade dosn't eat him, sometimes luring him with a piece of his thigh or telling him he'll feed him soon to make him behave.

The only thing about this resource wise is that it seems Wade is a bottomless pit, not ever able to get enough. It's like all the nutrients just pass right through him, so he can't get fed meals daily, but Logan will share at least one bite of his food. It makes Wade so happy and way more "wade like" than zombie.

Logan has learned that the hungrier Wade gets the worse it would be, snapping at logan a few times.

"Grr-"

"Aye! That's enough outta ya"

"GggRah!"

"Hey!! I said no! Bad! Bad wade!"

"Mmmh??"

"Bad!!"

"Mmh....rahah.."

"I forgive you. But stop trying to bite me. I feed you, don't I? I hold your hand and tell you that I love you?"

Wade is actually extremely friendly for a zombie (duh) and still yaps at logan except its nonsense. Logan tries hard to understand him and talk back.

He holds his hand sometimes, even lays next to him only to scold him if he gets too bitey. This is hard because wade already had a biting issue and seeing as he practically ate anything or anybody now it was more difficult.

"...aahh-"

"Wade- No."

"Ggr.. raahh"

"Wade! No! Bad."

"Mmmh..."

"Ill feed you tomarrow. Don't bite me mkay? You wanna hurt me?"

He shakes his head like a dog shaking off from a bath, or that ate a bee.

"Then don't bite me."

"Mmh? Mrah?"

"No. No kisses right now. Im still not even sure if thats safe.."

"Mmmh...🥺 ahrrah?"

"No, not even a tiny one."

"Mm...😔"

Until Logan grunts and pecks his hand. "There. Happy?"

"🙂‍↕️mh"

"Good."

Honestly Logan felt bad, pitited him. No matter what food he ate it wasnt enough substance to sustain him and sometimes Logan would wake up to find him eating a different zombie that made the mistake of trying to eat Logan.

You ever wake up in the morning, lose your zombie boyfriend, call for him only to walk outside and see him knawing on some poor chaps arm like a happy puppy who found a chicken leg? Logan has. Many times. And he wishes his phone would charge so he could take a picture of it but unfortunately theres no electricity in the post apocalypse world.

This being said Logan is like- THE perfect guy for apocalypse au because he can smell everything and hear anyone before they even get to you, he has better wilderness survival skills then anyone I know and he'll never NOT have a weapon on him because of his claws. The only downside is that he's tired easily, needs a lot of food, and would lowkey be withdrawing from his tabccao and alchool, therefore very moody.

"Stupid fucking apocalypse having to happen when im fucking alive!! Why can't I just NOT live through ONE major historical event! Is that too fucking much to ask? One damn decade where everything is fine and dandy and- WADE! Get your ass away from that!! It's radioactive!! For fucks sake!"

"Rahahrah?"

"NO!! You can not become Spiderman! That's not how that works!"

"Aawr..😔"

The whole thing is they're on a quest to find Laura and Gabby, because when everything went to shit, they were on a cabin trip and now Logans brain is itching because he dosn't know where his babies are and its driving him insane. Once he finds them, they're gonna shack up somewhere with food and animals to hunt, and hes gonna make a little shed outside for Wade to sleep because he'll kill him if he bites one of the girls.

He dosnt care that much about himself really and he hates himself deep down for not being able to trust wade anymore but even wade dosnt trust wade, sometimes wandering off on purpose, staying about 30 feet away from him at all times, growling and giving Logan that glazed over look of unconsiousness. The only good thing about this, though, is after he removes himself from the idea of hurting Logan (because if logaj were to become infected - HA! Your all fucked. Utterly fucked. The whole humanoid species would go extinct because he'd kill anything that moved) he feels more trusting of him and it's not uncommon for them to hug after either. Afterall Wade- Some how???- is still wade and is very affectionate and sensitive when its not returned.

This whole thing also makes him think worse about himself, kicking reflective objects or staring at himself in a shop window in utter shock and disgust with a face of 'thats me..?' While logans raiding the place for supplies.

Did you know zombies can cry? Well, Wade could. Not a lot, only able to get a bit of liquid from dehydration, but sometimes Logan will catch him just... sitting there.. crying. Upset with himself for being bit. Upset with himself for trying to bite logan all the time. Upset at how ugly he is. Upset that he's starving all the time. Upset that he can't even talk to anyone, and Logan just has to guess what he's saying 90% of the time. Bro is literally

When they DO find Laura and Gabby, the girls are doing great. Laura was going to blow wades head off until Gabby ran in the shot, hugging him instantly, only to be ripped away.

"Of course my dad is the weirdo married to a zombie." Laura grunts, but is secrelty happy that wade is still 'alive'

Gabby, being as young as she is, thinks it's so SICK that her dad is a zombie now, giggling when he talks to her and holding his hand. She's not allowed near him for long, and not at all by herself, but Gabby bassically becomes Wades number one supporter, defending him when he messes up and snaps at laura.

"He's just hungry!! He's not bad! It's not bad to be hungry!" She'll say. "You wouldn't kill me if I was hungry.." she tells her bigger, more survival oriented sister whos suggested putting wade out of his misery, for his own sake. "I tried that... he found me again 3 days later." Logan tells her with a pang in his chest. It had taken everything in him to kill him the first time, and sobbed himself to sleep the next 2 days. By the third when he noticed Wade following him from a distance he couldn't believe it.

Not even the apocalypse could keep them away from each other..

[phanfictioncatalogue]

Tour Smut (2) Masterlist

part one

all I want to do is all of it with you (ao3) - jonsaremembers

Summary: Dan and Phil are going to stay late at the rehearsal venue to...film. Yeah.

angel and demon (ao3) - possumdnp

Summary: Dan and Phil go out to a bar dressed in a couple's costume, and Dan is surprised at just how freeing it feels.

(A fic about Halloween 2024, pushing boundaries, and the perils of red hair dye.)

boops! i did it again (ao3) - jonsaremembers

Summary: Phil's newfound confidence calls for a new kind of Halloween costume, and Dan can't resist him.

Domino Effect (ao3) - intoapuddle

Summary: After years of keeping sex and friendship separate, Dan finds himself on the edge of falling in love.

Drink Me (ao3) - benotafraidofwriting

Summary: Dan can't really handle Phil in shorts.

Guess We'll Try Again Later (ao3) - developerdaniel

Summary: aka the fic where dan and phil attempt to film while on tour in australia but dan has other plans and thanks to him that video never happens and phil has to punish dan for breaking his word on their plans to film

Haunting Us With the Beams (ao3) - yikesola

Summary: These sheets don’t smell like home and the too-bright light of a window they forgot to pull the curtains all the way closed for wakes them up harsher than the moon room ever does, but feeling Phil’s scruff scratch a little with every snore against the sensitive skin of Dan’s neck will always be familiar.

A fic about mornings and daydreamed plans.

Heat (ao3) - blossomsphan

Summary: Phil has eyes for a cute waiter. But Dan only has eyes for Phil.

ironic. (ao3) - Anonymous

Summary: dan and phil now have a luxurious three days to relax and enjoy themselves before their show in san diego. one out of the many activities, phil showcased his newest purchase to dan.

Like You Used To (ao3) - easybubbyy

Summary: The boys go out for drinks with their crew. Dan is a horny and clumsy drunk, and Phil is a goofy and flirty drunk. Smut ensues. Enjoy!

Look in the Mirror (ao3) - worriedpeach (skeletonflowers)

Summary: As soon as Dan saw the mirrored ceiling in the back lounge of the tour bus, he knew he was in trouble.

Magic Shop (ao3) - your_starless_eyes

Summary: It made sense that Dan would need time to recover from the tour, just the same as Phil. It was logical reasoning.

How was he supposed to know? How was Phil supposed to know that it was, in fact, a bigger issue than he could imagine?

Mile High Club (ao3) - developerdaniel

Summary: aka the fic where dan finds himself horny on their flight to australia and dan hops into phil's lap hoping phil will do something about it.

My 'alone' includes you. (ao3) - KujiraHanma

Summary: Dan and Phil are on their Interactive Introvers 2018 World Tour. Needing a break from the tour (and work) they take a walk along the beach. Phil recognizes that as an introvert, and recharging by being alone, he can recharge with Dan.

Ocean Eyes (ao3) - easybubbyy

Summary: Dan and Phil as they work together on their world tour announcement, reflecting on their long-term partnership on set. The two take turns admiring each other throughout the day, exchanging glances and quiet moments. Both are eager to get home and finally spend some intimate time together, showing each other just how much they mean to one another...

our lips must always be sealed (ao3) - uhmyeah

Summary: dan and phil have silly tour sex

overslept and interrupted (ao3) - thesassykels66

Summary: Dan and Phil "over slept", having them almost miss their tour bus

"that's what makeup is for!" (ao3) - latenightfanfic

Summary: dnp finally have a night alone to themselves in a hotel after a few drinks after being cooped up in a tour bus.

Tight Places (ao3) - adorkablephil (kimberly_a)

Summary: The bunks on the Interactive Introverts tour bus are really small. Inspired by Phil’s latest video, “What Dan and Phil Text Each Other.”

too long (ao3) - Mildredo

Summary: they're horny on tour. that's it that's the fic.

Under the Southern Sun (ao3) - scifi (orphan_account)

Summary: dan and phil make the most of having the rainforest house to themselves

you're the only place I call home (ao3) - t_hens

Summary: With one world tour already under their belts, Phil thought the second one would be a piece of cake, but as they're finishing up the American leg, the exhaustion is settling deep in his bones. He's craving more of their London home than the tiny taste his blue and green pillow can offer him. He can't quite understand why Dan isn't feeling the same homesickness he's experiencing, until he realizes that home has been a little closer than the 5,000 miles away that he thought it was the whole time.

[mangoisms]

also i know i said i’d talk about my thoughts and never did and there’s still Too Much BUT. i will say. spoilers ahead. that i think the whole canon thing is bullshit. just because with miguel, he replaced a dead man. right. the miguel o’hara of that universe died. and he came and replaced him. and i think if we wanted to give any kind of stock to the design of the universe, then miguel’s death was supposed to happen and another miguel replacing him was not and that’s maybe why that universe collapsed.

but for all the others? like inspector singh? he didn’t actually die. and they didn’t go back in time and bring him back, miles just saved him. for all the foreboding black stuff we saw, i think that was just spot’s influence/leftovers from him using the collider. because he was obviously messing with some stuff that could very well screw with the fabric of reality.

and as far as canon goes… it’s literally lyla making an algorithm. it’s a little like correlation does not equate causation, i think. some stuff happens to them so frequently they think it becomes canon. like losing someone they love. and apparently, losing a police captain (which is a whole other thing). they compare notes and it’s like oh wait… this is canon! but it’s just so weird how miguel extrapolated what happened to him (not a canon event?) to everyone else.

like i may be misremembering here but…. it sort of seems like. his universe collapsed. obviously. because he replaced a dead man. and then he… what? started to realize the ways spiders’ lives overlap in terms of defining moments? started to consider it canon? it’s just. it’s a Big Leap. and it really really really is so so so insane when miles asks, so am i supposed to let my dad die? and the way miguel looks at him says, yes. like. man. that is so bleak.

miguel really reminds me of bruce in a lot of ways. not that bruce would be okay, i think, with such an overt admittance of letting someone die without trying to intervene but… setting up such a stringent system and refusing to diverge from it. being so set in what he thinks will happen. and i mean. who knows. if pushed to that kind of decision where it does seem like the multiverse vs. one person…. i don’t know. i’d like to say no, he wouldn’t allow that but at the same time…. the greater good and all that. just food for thought i guess

[luvjunie]

earth 42 miles reaction to reader hanging up the phone on his face mid argument?

— facetime

pairing: e-42!miles (aged up) x fem!reader

contains: arguing, minimal cursing, slightly toxic behavior lol

summary: you love miles, but his overbearing nature is beginning to irritate you. the two of you get into an argument over it on facetime, and you snap at him and hang up the phone. wc: 1,537

a/n: ik the pic might not make sense regarding who hung up on who, but i like it so we finna pretend it does lol. miles/reader are only aged up for plot

“look mami, you not hearin’ me. i’m not tryna control you, i’m just saying maybe it would be best if-“

“that is literally you trying to control me.”

you cut miles off from another one of his mini tangents as you stared at him through the facetime call on your screen, so far beyond the point of caring to hear the same thing he’d told you a million times.

you loved your boyfriend with everything in you. honestly, you did. but in the last few months he’d grown to be so much more controlling than he was in the beginning, a result of his ridiculous need to protect you and it’s got your head spinning on your shoulders. you couldn’t do anything without him looming over you, and you’re fed up. it was suffocating, and you needed him to know that you could handle yourself.

you heard his voice come in again from your phone’s speakers.

“aight fine, if that’s what you wanna think, then that’s cool. but i don’t want you going out that late, chiquita, simple. ain’t no discussion.”

“alright, bro.” you sighed, and he tutted at you.

“i’m not your ‘bro’. don’t do that.”

while you knew your boyfriend only wanted the best for you, you didn’t really understand the extent to all these rules he’d given you. like no going to the corner store at night, having to keep your location on at all times, or having to send a picture of yourself when you’d gotten back into the house— so he could really make sure it was actually you texting him from your phone.

since then, you’d deemed it safe to assume that he most likely had immense trust issues, and that was why he acted so strangely, because any other reason for this kind of behavior seemed ludicrous to you.

miles had yet to tell you he was the prowler, that certain people had bounties on his head, which included anyone who may be involved with him, anyone he holds close to him. he saw everything that went on in this city— when night had fallen and the streets became far too dangerous of a place for a defenseless girl like you to be out in them. you had no idea the kind of people he dealt with, the things he’d seen, the things he had to do. he just didn’t want you to get hurt, but he wasn’t the best at expressing the sincerity of his words, and they often came out too rough, too harsh. it was the best he could do, he was trying to communicate effectively, he really was. but time and time again you’d failed to try and understand his pleas past the words spoken to you; to actually listen to them, and comprehend them, and not just listen to respond.

so, being you, you retorted like the stubborn girl you always were. the stubborn girl he’d fallen so helplessly in love with and was only trying to protect with his entire being.

you scoffed, rolling your eyes at him in disbelief. “look, you can’t tell me what to do, miles. i can do what i want.”

he didn’t hear anything that came from your mouth, because the expression on your face had completely distracted him from the conversation at hand.

“hol’ on, did you just roll your eyes at me?” his brow raised, daring you to answer that question with anything but a ‘no’.

what you responded with wasn’t necessarily a ‘yes’ per sé, but it definitely wasn’t any better.

“oh, so you wanna control my face now, too? dictating what i do with my life or the shit i say isn’t enough for you?” you challenged.

his head dipped back as he laughed, a deep, provoked laugh— though the both of you knew nothing was funny, and that this was always how he reacted before he actually got angry. laughing it off was a means for him to screw his head back on right, as if a warning to you to not push him too far, because anybody who spoke to him with this kind of gall just had to be joking.

he exhaled heavily, a hand scrubbing down his face.

“can’t lie, you talkin’ mad crazy right now, ma. i think you need to cool it with that.” he warned, corners of his lips turned into a forewarning leer. “ima let that lil’ shit you just said slide, cause i love you, and ion wanna hurt your feelings, but we done talking about this.” he decided, leaning forward to prop his phone back up on his desk before scooping his playstation controller back up into his hands.

“and watch your mouth.”

chin retreating towards your chest, you were taken aback at how quickly he decided for the both of you that the conversation was over, as if you had to agree with him, as if things were decided simply because he’d said so. and somehow, you found it in all your unbridled nerve to make things worse.

“yeah, you’re right. we are.”

thumb pressing to the red X, you hung up the phone, leaving miles to gape at the black of his screen with shock etched into his features. he waited for you to call back and tell him it was an accident, and sat there for a minute, leg bouncing to maintain what little patience he’d managed to cling onto during this entire ordeal. he swallowed his pride and called you back, only for the screen to read ‘facetime unavailable’ after just two rings. you declined it. squaring his jaw, he calmly nodded to himself, phone snatched up, jacket thrown on and controller tossed onto his bed— game forgotten about.

“bet.”

____

you were fuming after you’d hung up the phone, steam probably would’ve been puffing from your ears if something like that were possible outside of the cartoons. there was a tiny part—no, a huge part of you that knew you shouldn’t have hung up on him like that; that regretted it. a part that knew miles’ was genuinely trying his best to speak to you calmly in the way he’d learned how, specifically for you, when calm was something he rarely ever felt. but you couldn’t help your anger either, and figured a break from the conversation, and a shower to calm you down would do the both of you some good.

you sauntered out your bathroom after about twenty minutes, a towel tightly wrapped round your damp torso and a heavy, depleted exhale departing from your lungs.

you felt relaxed. the heat of the water had washed away most, if not all of your anger towards the situation and you sighed to yourself, ready to come back to the discussion with a level head, and to apologize to your boyfriend for snapping at him and ending the call so abruptly. it was rude of you, and honestly you hadn’t thought it through until you had already—

“you know, ion usually fuck with cats like that, cause y’all kinda freak me out. but you cool.”

the inner dialogue of your thoughts were cut off by a familiar voice, muffled through the shut door of your bedroom.

“what the fuck—“ you hurriedly started towards the door, hand barely remaining on the doorknob for a second as you flung it open, to see none other than your boyfriend, miles, sat in your desk chair with your cat, bella, in his lap.

he was leaned back, his large green puffer jacket still on, legs spread in his grey sweats. he looked very comfortable for someone who had just broken into a home.

“how the hell did you get into my house, miles?”

you stared at him unbelievingly, quickly shutting the door behind you. he was in no rush to lift his head to address you directly as he scratched the underside of bella’s chin with his pointer finger.

“window. you should really lock that.”

“even if i had, you would’ve picked it.” you argued.

“true.”

his eyes eventually met yours, and they gave you a drawn out once over, gaze following the drops of water that rolled down your skin. there was a hint of a smirk on his lips, and he almost forgot what he came here for. almost.

you felt your face heat up, grip tightening over your bath towel as you shifted on your feet, suddenly feeling flustered from the boldness of his gaze. so he looked away.

“let’s hope that shower gave your mama some of her sense back, huh?” he dipped his head down to address your cat in a sweet voice, before gently lifting her off his lap and placing her back onto the floor, only for her to drag her head and body along his calf with a purr. traitor.

he leaned back once more, hands patiently clasped between his open legs and head cocked to the side, twin braids swishing behind him when he did so.

“so wassup? you wanna try that conversation again?” with a brow raised he studied your features, as if he were silently challenging you to talk that same shit you did over the phone to his face.

“do you know what boundaries are?”

“nah, not really.” he admitted.

you swallowed, gesturing towards the open room for a reason you didn’t know why.

“can i at least get dressed first?” you cringed at how your voice sounded when you spoke, but the way he was looking at you had your mind reeling and you could only focus on one thing at a time— the argument long forgotten. to be honest, you don’t even recall what you had a problem with.

he shrugged. “sure, if that’s what you’d like.” arms crossing over his chest he spun around in your swivel chair, now facing the same window he’d come in through. “lemme know when i can turn around.”

you sighed.

this boy was going to be the death of you.

- please do not plagiarize, copy, or repost my works to other platforms!

likes, comments, and reblogs are very appreciated 💗

[mstase]

DESCRIBING THE MOON SIGNS

some of these are based on the people I’ve met, so you may not resonate with some of it. there are also probably other aspects in your birth chart that say otherwise, so please read this with a grain of salt.

♨️ aries moon - such people have a subtle yet sharp look, often with a prominent feature like a wide forehead or a generally strong build. their fiery emotions are written all over their face, and you can spot their short fuse from a mile away. they’re not the type to bottle things up; it’s more like they need to let it out, erupting like a volcano. these folks are impulsive, prone to sudden outbursts, but surprisingly, they don’t hold onto grudges—they move on as fast as they flare up. they tend to have mood swings, being all emotional one minute and totally chill the next. there’s this childlike energy about them—they get hyped up easily and are full of passion. but just like kids, they can be pretty immature when it comes to handling their feelings. when they were young, they might have fought a lot due to their impatient nature and tendency to react quickly and get frustrated, but they eventually grow out of it. i know some aries moon peeps who get physical when they can’t calm down like throwing stuff, kicking around, or yelling and screaming to let out that frustration.

🍥 taurus moon - they’re really laid-back to be around, always giving off a calming vibe. picture doe eyes and soft, prominent cheek, kind of like a bambi. these individuals are typically grounded and don’t easily get irritated, but they know when to assert their boundaries. they prefer doing their own thing and steer clear of drama. however, they can be quite stubborn and once they’re fixated on something, it’s hard to sway them. emotions tend to linger with them for a long time because they manage them steadily and slowly. one thing about them: they despise being rushed. like typical taureans, they take their time with things and enjoy a slower pace. when they feel emotionally unsettled, they seek comfort, even if it’s not always the healthiest option, it helps them escape. they thrive in cozy, gentle environments, feeling most at ease when they’re at home. quite possessive people and can come across as controlling at times, especially with those they like; they tend to be fond of physical touch.

🗣️ gemini moon - they have really expressive eyes that light up when something catches their interest. always cracking jokes and endlessly curious, they’re a blast to be around. a bit scattered sometimes, but they’re great at keeping a conversation going. sharp as a tack, they might seem like a clown sometimes, but they’re actually deep thinkers. they are prone to mood swings; their minds are constantly buzzing with a million thoughts, which also impacts their mood. however, they don’t really express or dwell on these emotions much because their minds are wrapped up in their interests, which can make them come across as emotionally closed off. at other times, they tend to rationalize their emotions rather than genuinely feeling them. these people get extremely bored easily, constantly needing mental stimulation. hence, they have a need to always ask questions, to know everything and understand how things work, in order to keep their minds busy. they could be the type who has trouble sleeping because their minds won’t quiet down, and the same goes for their mouth.

🦀 cancer moon - very emotionally receptive, they can easily read and understand others just as much as they crave understanding for their own feelings. they feel things deeply and take it all to heart, often needing space to process. naturally nurturing, they care very deeply and want it to be acknowledged. they might be the one looking out for their siblings or the ’mom’ figure in their friend circle. when upset, they can be passive-aggressive, but most of the time, they keep their pain to themselves. their heightened sensitivity makes them get hurt more easily than others, which is why they sometimes come off as defensive. these people have a hard time moving on from the past and like to reminisce a lot. they remember every single thing, the good and the bad stuff people did to them, and when they’re not feeling right, they tend to hold onto grudges.

⚜️ leo moon - they are all about expressing themselves creatively, typically through singing and/or dancing. they are incredibly generous and always there for the people they cherish. however, i’ve noticed they can struggle with self-esteem, leading them to seek validation and acceptance. they have fragile egos and are extremely sensitive to criticism, often feeling challenged in their accomplishments or goals, even when that’s not the case. when they feel validated, they bring good vibes, filling up the room with warm, loving, and super enthusiastic energy—that’s just how they give back. they are prone to dramatic displays of emotions, often without realizing it, due to their naturally expressive and fierce nature. i’ve also noticed that they tend to talk a lot about themselves and may unintentionally interrupt or overlap in other people’s conversations. this can make them appear conceited, but they are just really eager to share a lot about themselves.

🔍 virgo moon - they’re super helpful, sometimes a bit too much, and very responsible. it’s like they think no one else is gonna sort stuff out, so they always step up as the “fixer” even when it’s not really their problem. they’re just really big on analyzing everything to get to the bottom of things. they can often seem all critical and constantly nitpicking, but really, it’s their way of helping you improve and showing they care. they notice every tiny detail, and if something’s off, it bugs them big time—total perfectionists. they’re pretty hard on themselves, likely due to early expectations and responsibilities weighing on them. they worry a ton, even about the small stuff, sometimes to an unhealthy level of obsession. they need a lot of alone time to process these thoughts, as they’re highly sensitive to their surroundings, which doesn’t quite help with their anxious tendencies. they can be self-conscious and prefer to keep their emotions in check, often analyzing their surroundings to gauge if it’s safe enough to express how they feel.

🧁 libra moon - these people are easy to hang out with—chill, laid-back, and down-to-earth. they prefer to keep things peaceful, so they can be somewhat passive and struggle to say no because they dislike upsetting people, which heavily impacts how they feel about themselves. confrontations aren’t their thing either, and setting boundaries isn’t their strong suit. they value fairness, detest any kind of injustice, and adhere to their morals. they’re open-minded, always looking at things from different angles, which makes people feel comfortable talking to them about anything. (they are also great listeners). they can be overly concerned about how they appear as they have a strong need to feel ”pretty” and liked. when decisions need to be made, they’re very indecisive and tend to let their friends choose for them. they dislike aggression and are put off by unnecessary meanness, as they themselves keep their less pleasant emotions in control without necessarily suppressing them. most people i’ve met with this have good facial harmony and are pleasing to look at.

🦂 scorpio moon - they might not seem like they’re paying attention, but believe me, they’re tuned in. you’ll be amazed by the random stuff they pick up just from quietly observing things and people. sometimes they don’t even have to actively watch; they just get it with one look, seeing through the facade because they operate similarly, like hiding behind that secretive and mysterious wall that they cling onto. they have zero tolerance for dishonesty, and the ones i’ve met with this are extremely blunt. nothing gets past them; they can sniff out lies or insincerity from a mile away. like all water signs, they’re super sensitive but get triggered easily. oh, and they can hold a grudge forever. they’ll remember what you did to them five years ago and still think you haven’t changed. they might seem chill on the outside, but inside, there’s a whirlwind of intense emotions that can erupt suddenly. they probably struggle with talking about their feelings and, with their secretive nature, you’ll never really know what’s going on with them.

🎃 sagittarius moon - adventurous folks who are always down for a good time, even if it gets them into trouble. they find optimism and humor in everything, so it’s pretty easy to lighten up their mood. they’re strong-willed and passionate about their feelings, not holding back when they speak their mind. sometimes they crack jokes at the wrong time or in a way that might offend—it’s just their impulsive nature. despite that, they’re incredibly cheerful and goofy, always ready to laugh and spread their enthusiastic energy. sometimes they can come off as ’know-it-alls’ without trying to be arrogant; they’re just super into their optimistic wisdom. many of them may have travelled a lot growing up or just liked to wander outside instead of staying indoors—the type who were always out exploring the city. they dislike uptight, dependent people; they need someone who can loosen up and loves freedom as much as they do. being tied down in any way is their worst nightmare, so good luck trying to control them.

💼 capricorn moon - these people can keep their cool even in tough situations. they’re not into big emotional displays and often come off as closed off or shy. it takes them a while to open up because they don’t think it’s necessary. although they are not unemotional; in fact, they care and love very deeply but are more private about it. they probably grew up in a household where showing emotions was restricted, or they had to grow up fast due to responsibilities. they might also have a hard time showing vulnerability and are super protective of themselves. they’re incredibly self-reliant and independent and sometimes feel guilty about asking for help. they give the best advice, but don’t count on it to cheer you up because they’re all about logic and practicality. sometimes, they keep their problems to themselves because they don’t like feeling like a burden to anyone, or they simply feel like no one cares.

🌀 aquarius moon - constantly feeling misunderstood, they feel like people talk more than they know. are humanitarian, but at the same time, they hate people. they are highly observant and can naturally grasp people’s minds and behaviors. they cherish their independence and personal space, which means they don’t do well with clingy people. consequently, they keep most people, including friends, at arm’s length. these people are pretty good at hiding their emotions. they aren’t likely to be very grand in expressing how they feel, which is why they can sometimes come across as detached. at times, they just process their emotions differently. i see them as being more rational and logical in their approach. also, they may find it challenging or uneasy to cope with deep feelings of vulnerability. very super accepting of people because they’ve been there themselves—being the odd one out. intelligent people can sometimes be very stubborn and think they are always right.

🐟 pisces moon - they are very empathetic and compassionate, making them great listeners. however, they often feel emotionally overwhelmed because they easily absorb other people’s pains and problems. sometimes, they struggle to understand and express their own emotions due to their impressionable nature. highly sensitive to their surroundings, they pick up on every subtle detail that others often miss, which can be overwhelming. they also find themselves easily drained in busy environments, constantly absorbing the emotions and energies around them. therefore, they require ample downtime in peaceful, quiet settings to recharge. they can feel like their needs get ignored and that they end up giving way more than they get back. one thing about them, though, is they tend to be very passive to the point where they can easily be taken advantage of, which is something they need to work on to build more assertion. the people i’ve met with this moon were exceptionally talented, whether in art, writing, or any other form of expression.

[dcxdpdabbles]

been thinking bout Jason’s doll like Jason won’t let any of the Batfam live down the fact that he was right when Danny reforms however none of them are going to let go of the fact that Danny being half dead did in fact make the doll haunted

It's alarming how obviously haunted Jason's doll is. Now that he had introduced him to the rest of the family, Jason seemed to go nowhere without Danny.

He was there, sitting on Jason's lap at meal times, leaning against the pillows whenever they sat down in the movie room, and wearing his own little goggles when Jason went for a ride on his bike. Danny was there whenever Jason was heading off to bed, curling around the porcelain toy like a child.

Hell, Tim is pretty sure he saw Jason walk out of the bathroom after a shower with Danny tucked under his arm once.

He understands Bruce's worry about how attached Jason seems to be to Danny. The only time he ever left Danny behind was to run around as Red Hood, but even then he insisted that Danny have his own communicator.

It had looked rather silly on the doll- Dick had to duck tap it to Danny's head since there was no ear to push into- but that did not stop Jason from consistently narrating what he was doing and speaking to Danny.

Tim had just been thinking of turning off his communicator when a series of whispers bursted to life in his ear. He had nearly missed a step when jumping to the next roof, heart pounding in his chest as a instantal fear dug into his core.

A second later, he could wrangle the fear into something manageable, thanks to his training. He hears his various siblings doing the same through the coms as Jason laughs "You said it, Doll."

"That was Doll!?" Steph exclaims in Tim's ear. There is a tremble in her voice that he relates to.

"Yeah, isn't he hilarious?" Jason responds with a chuckle. Then, another series of fast-past whispers—sounding like more than one person—is heard, and Jason roars with laughter.

Tim shivers, reaching up to switch off his com. At once, Babs remotely turns it back on. "Saftey protocols state these stay on due to Two-Face's escape."

Rats.

Tim tries his best to finish the rest of his patrol, only occasionally jumping at Danny's random burst of whispers. He stops two carjackers and a mugging and finds some clues as to where Harvey may have hidden.

It's a long night despite the slow crime, or maybe it's due to the lack of sleep catching up to him, but when Tim returns to manor he is half dead on his feet.

He barely has the mind to write up his report for the night and stumbles upstairs, peeling his costume off as he goes. Just as he can spot the doorway of his old room, Tim can feel his eyelids sliding close.

There is only a silver of sight now because he forces them to not close completely through sheer will power

He fumbles for the handle of the door leaning heavily against the wood, when he realizes he's not entirely alone in the hallway. He glances in the direction in what he assumed was Dick- as his brother's old room is also on down this hall- and is shock when he makes eye contact with someone he does not know.

It's a handsome boy. One that he's seen very clearly in a photo.

Freezing, Tim dares not to even breathe as Danny tilts his head and carefully floats over to him. There is a semi-see-through effect going on with his body, but it does not draw away to Danny's concern experssion.

Tim's heart is beating a mile a minute. Crude, had he taken in fear gas at some point?

Danny pauses, inches from his face, staring intently. Tim can barely breathe, so scared his arms and legs feel like lead. Ice runs through his viens and Tim has half the mind to think This is it. This is how I die. before Danny reachs out and touches him.

More specficelly he picks Tim up like a bag of grapes and throws open the door. The ghost carries his horrified form to the bed, tucking him gently before petting his hair.

"Good..night..sleep..tight…love…you...Tim. Sleep...well.," Danny whispers, the words just barely audible with the strange overwhelming mutters of unknown voices. The ghost turns around and flouts right through Tim's door. A few seconds later, it, slightly becomes ajar due to a doll leaning on it.

Its unblinking eyes stare deep into Tim's soul. He whimpers and clings to the blanket hard.

Tim isn't sure, but he gets the sense Danny is laughing at him.

[callie-the-creator]

sfw. warnings: obsessive behavior, slight stalking, jealousy, saiki uses his powers for selfish reasons, etc.

author’s note: oh, don’t mind me, just writing some headcanons if saiki was ever a yandere.

• you and saiki first met in chūgakkō, junior high, but he didn’t fall in love with you until a few years later when you two were already in pk academy. maybe it’s all the accidentally bumping into him, dropping your papers and saiki being the one to help you pick them up, making awkward eye contact in class, hanging out with one another outside of school, or touching on the same snack you both are aiming for at either the vending machine or at the store... all the things somehow have you involved these recent days and saiki is less than impressed at first

• saiki has always stated time and time again that he personally does not think he will not fall in love, so he always watches others who are in love and help them if he can, but here he is…completely captivated by you of all people. he didn’t know why though, was the author just really that bored?

• good grief

⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺ ✦ ⊹ . * ꙳ ✦ ⊹ ⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺ ✦

• let it be known that he does possess the power to alter your perception of him. saiki could always just make you fall in love with him just like that…but…what’s the fun in that? no, no, he wouldn’t dream of doing that to you

— however, since saiki was born with the uncontrollable ability to read the minds of all living creatures in a multiple-mile radius…he can read your mind, he knows all of your favorite things, what you dislike, your hobbies, and your address. he didn’t mean to at first, but he did find your thoughts and imagination fascinating. he even finds himself listening to you during class like you’re his favorite podcast

• saiki is crazily protective over you.

— there was a time where you nearly got mugged! and when i say ‘nearly’, well, let’s just say you should be grateful saiki was there to protect you. can’t you see that he’ll always be here for you in a time of need? he’ll keep you safe, but only if you see that for yourself…

• saiki doesn’t think he’s the jealous type, but he will stop any other man who has a crush on you by any means necessary by either relentlessly embarrassing them for the rest of the day or wiping you from their memory because only saiki can have you. no one else. he doesn’t care how many people he has to make forget you to become your boyfriend

• what’s that? you wish it was a sunny day in japan instead of a rainy one? don’t you worry about a thing! saiki will handle that for you!

• stalking you is almost child’s play to saiki since he has so many powers to ensure you don’t spot him — shapeshifting, teleportation, you name it! but this is a good thing because you don’t have to worry about him being an aggressive type of yandere

— if he is following behind you when you’re walking home, i do think saiki would change to his female self, so you would be less scared

• once the author made you bring coffee jelly to school and willingly give it up to saiki after seeing him light up at the sight of it, saiki knew that he just had to marry you

• he could, quite literally, turn the world upside down for you if it meant that you’ll be with him.

[katescorner]

thinking about olympic athlete!oikawa tooru today who made it to the paris olympics, representing argentina (proudly, he might add), and his whole story leading up to the games is full of drama and expectations because of course fate would line things up perfectly for the two nations he held in his heart to rival each other on the world's court.

he hears the cheers of fans and friends along with the jeering boos from the locker room, and he thinks, has he really betrayed his birth country when "home" no longer feels like home? with rising pressure, competition tastes like a bitter word when the opposition is all familiar faces. but he didn't make it this far by being sentimental. he trained for this. he sacrificed for this. he—

"the world is watching, tooru."

your voice is soft, but it cuts through the static of his thoughts. it parts his negativity with gentle movement until all he sees is you, and suddenly, he can breathe again. so he does. he draws in a long, deep breath, and you wait for him to speak to you.

"i'm scared," he whispers. "i don't want to disappoint anyone."

his admission is proof alone of how far he's come already, willing to admit insecurity and allowing vulnerability in difficult moments. oikawa tooru is not the same man he was when he left the land he'd known all his life (leaving claw marks into the grass and ground of his hometown; they forget he was only eighteen when he uprooted himself in the name of his passion) and when he let his mother tongue fall flat so he might have a chance at becoming the best (people forget that learning languages isn't some indirect relationship, when one rises, the other does not always fall; he remembers the words he came from, the intonation and the vocabulary, the slang and the meaning of it all; he remembers, still).

oikawa tooru is not the same man he was when his childhood friends saw him last. he's grown in his time apart from them; they all have. he's miles tallers and his horizons have expanded. he's changed, but that doesn't mean he's a stranger to himself.

(i'm scared they won't recognize me.)

"you are still the person they all befriended and the man i fell in love with, and i am so so proud of you," you answer his underlying question with a kiss to his cheek, a reminder of your love. "you aren't disappointing anyone with your decisions."

"but the people of—"

"the people will cope. they'll have to." you shrug. "what else can they do? what you do isn't up to them. it isn't up to the public because the roster that made it all this way and achieved this much lists oikawa tooru, starting setter, not the guy in the eighth row calling you names, not the displeased broadcaster with a combover, and certainly not anyone else."

you take his hands into yours. you're careful because these are the instruments of his success. his fingernails are always cut short and his skin is soft except for the pads of his fingers which are rough but not calloused. he doesn't let anyone else handle him the way you do, drawing circles and hearts into his palms and pressing kisses into his joints.

"as long as you are happy with the decisions you've made to get here, no one can take that away from you." you look into your fiancé's eyes. "are you happy, tooru?"

and he thinks about the uneasiness he felt landing in argentina, the finality in not buying a return ticket, and the eagerness for volleyball that earned him an easy spot under the guidance of jose blanco. he thinks about the sleep that he lost from being hungry in an unfamiliar country, missing his mother's cooking and the smell of yakitori and takoyaki when he walked down crowded streets filled with vendors.

but he also thinks about the first word that he learned in argentina, hermanito, tossed around during practice when he didn't even know how to ask for a pass because he didn't lose a brotherhood when he left japan, he just gained one in argentina. he thinks about the grueling process of overturning his birth citizenship, the uproar he caused in a country across the globe and the apology he almost let slip for it because everyone thinks it was just for volleyball. oikawa tooru, the athlete who doesn't know loyalty, but what do they know of the open arms he received in argentina when japan turned him away?

he thinks of how stress melted from him that first night after receiving his new passport, walking to your shared apartment with his stomach grumbling at the smell of choripán and alfajor as he hummed along to lamento boliviano. he thinks of how joy spilled into him, realizing he was finally home.

so he nods at your question and he draws stuttered hearts into your palms and he presses a kiss to your temple.

(thank you for seeing who i am.)

"i'm happy."

[cakelitter]

Kiss It Better

Older! Leon x Fem! Reader

⋆·˚ ༘ * ୨ৎ ⋆·˚ ༘ *

warnings: daddy kink, p in v, oral (f receive), breeding kink, spanking, dirty talking, established relationship

words: 3.3k

a/n: hi hi!! no summary for this one cause... idk, a surprise? Reader is attention deprived, but I'd always be demanding more if di Leon was my bf like hello? (never shutting up about him) anw hope you enjoy!!

⋆·˚ ༘ * ୨ৎ ⋆·˚ ༘ *

Your boyfriend is mad at you.

And how does he decide to punish you? In the cruelest way possible, a way that he knows you’re not strong enough to handle.

Ignoring you.

Robbing you from his attention and validation, treating you like how you’d probably get treated on a daily basis with a guy your age.  

He has never been the type to give you attitude, or even raise his voice, but that does not mean that you go unscathed when you mess up. Right now, he is living his life like he normally does, well his life before he met you apparently. No pet names, no kisses, no “I love you”, not even looking at what you’re talking about and just replying with the most unenthusiastic hum he can muster up at literally everything you say.

“Daddy, look at this cute dog.”

“Hm.”

“How was work?”

“Hm.”

“I almost got ran over by a truck on the highway.”

“Hm.”

It’s pissing you off, and that’s exactly why he’s doing it. Figured out which buttons to push to get on your nerves, and is actively pushing every single one of them. You curl up on his side, wrapping your arm around his neck and place your head on his shoulder. And in return his eyes remained glued to the TV.

You’re going to cry, rip your hair out, and throw yourself off the balcony.

Worst part is that you actually apologized, not once, not twice, but three fucking times, and yet, it all falls to deaf ears. Why is he acting like you kicked homeless puppies or set an orphanage on fire?

Daddy is supposed to be forgiving, and he always has been; pulling you into a hug after each argument, kissing your face and all over your body till you feel better. But apparently daddy is under new management now, following a new set of policies that are getting in the way of your dire need for his attention.

The first day you realized that he’s ignoring you, you’d talk to him and he won’t respond, and if he did it was short and dry answers. Treating you like a persistent fly that just won’t leave him alone, the smile on his lips that was always present when he looked at you is now hid behind his cold gaze.

You tried cuddling, cracking a few jokes, and even started a conversation that you just ended up having with yourself. All of those strategies were met with the same result, nothing. It’s like someone took the man your loved and replaced him with a brick wall, devoid from any capabilities of forming emotional connections or any sort of bond for that matter.

On day two, you tried to make it harder for him to ignore you. Wearing the skimpiest clothes around the house, putting on his shirt with nothing underneath and even went the extra mile of spraying yourself with his perfume. You practically threw yourself over his lap, nuzzling into him and peppering kisses all over his rough stubble.

Nothing.

Actually, he did say something. “You’re blocking the TV.”  

Felt like a slap to the face, you stare at him for a bit hoping that he acknowledges your existence. Again, nothing. His dick is half hard beneath you, aching for your wet heat, and instead of making you ride his dick till you’re crying, he remains still. So now not only is he ignoring you, he’s ignoring his cock as well.

Fine then, the shirt is now off, you are sleeping in your shared bed fully naked and bare like the day you popped out into this world. Figured since Leon is stubborn, maybe he just had a high ego and is too embarrassed to break whatever promise he made to himself to ignore your pathetic attempts of winning him back.

He’ll walk in the room, find you basically giving him an invitation to touch you, waiting patiently in case he changed his mind, and fall right into your trap. A fool proof plan…

The number of times you’ve gotten clowned are getting embarrassing at this point.

Not only did he not do anything, he didn’t do as much as touch you the whole night. Sleeping on his side of the bed and leaving you in the same position you fell asleep in. The arms that would wrap around you during the night are missing, same goes to the hot breath that would fan out on the nape of your neck as you drift off to sleep. Again, cruel old man behavior.

And so, today marks day three without attention. You’ve lost your appetite, lost smell in your left arm, eyelid keeps twitching, haven’t been sleeping well, and you’ve become much irritable. This is getting out of hand; this man has no mercy for your soul. He might as well just shoot you in the leg instead and you’d accept that any day over what he’s doing right now.

You’ve considered just getting on your knees, intertwining your hands together and begging him to talk to you again. Usually, you are never this desperate for a man to talk to you, except for him. Leon has showered you with love every day since the two of you got together, his best and only girl, the apple of his eye, the sole reason he keeps going. You’ve gotten so accustomed to being his baby that it has become an innate need.

In the midst of your desperate attempts, you reach plan C. If it doesn’t work you’ll just give up and actually start acting like a normal fucking person for once, but god forbid things need to reach that point.

This time you don’t say a word to him, ignoring him the way he’s ignoring you. No good morning, no pleading, nothing.

You hop in the shower and then begin to get ready to go out. Your hair is done with extra effort today, and makeup is on point. Not sure if the outfit you’re wearing could be even classified as “clothes”. Cleavage on display, and ass almost hanging out of the miniskirt you have on.

It’s probably illegal to walk out dressed like that, a hazard to public safety. You might as well wear lingerie and call it a day; but believe it or not, that’s what you’re aiming for.

You can see Leon’s eyes look up from his laptop momentarily as you walk past him to go grab something from the other room, but just as you expected he minds his own business, going back to whatever he was doing.

That’s until you see his figure walk into your shared bedroom, leaning back on the door frame, watching you add some final touches to your makeup through the reflection of your vanity. You pretend like you didn’t see him, directing all your focus onto lining your lips.

“Where you going?” Ah, there it is, the first proper sentence he’s said in the past three days.  An achievement that surely deserves a celebration.

 This is what parents must feel like when their child speaks their first word. The child being a man in his late thirties and twice your size, but you digress. With your eyes remaining glued to your lips, you speak coldly. “Out.”

“Out where?”

“There’s this new club my friend wants us to check out together.”

“Which friend?” The look plastered on his face is hilarious; his eyes moving back and forth between yours and your poor excuse of a skirt. He seems worried, more for himself than for you, watching his faux confidence crumble in front of him.

“Won’t be gone for long, don’t worry.” You reply, closing your lip gloss and putting it back in your makeup bag while rubbing your lips together.

“I didn’t ask if you were going to be late or not, I asked which friend.” This tough demeanor doesn’t suit him, he’s clearly out of his element. Fixing his posture, he crosses his arms waiting for you to respond. “Does it matter, Leon?”

You dropped the bomb, letting his name slip out your lips instead of the D-word feels weird, borderline painful, but it had to be done. He goes quiet, your eyes too scared to look back at him through the mirror which has been serving as a way of communication between the two of you.

Can’t remember the last time you addressed him with his name, took you no longer than two weeks to start babbling daddy; his name long forgotten and dust collected in the back of your mind. He liked it, a name only you get to call him by, a trigger you pull causing him to immediately slip into the protective mental space, a space only reserved for you.

“Leon?”

You’re going to shit your pants this actually not even funny.

“Um, isn’t that your name?” Grabbing your purse, you give yourself a one final look over before walking towards the door. Your legs feel wobbly, never the type to start any of these kinds of petty situations. Usually all you have to do is flutter your lashes at him and he immediately gives you whatever you want, this time however he brought this onto himself.

Walking past him, you can feel his eyes burning into the back of your scalp, his energy feeling heavy. You feign confidence, walking slow, posture straight and hips swaying from side to side. Truthfully, you are fighting the urge to just book it and run as far as these heels can take you (not that far) before he does whatever is running through his mind.

You don’t even get to make it two steps away from the door before a hand yanks you back into the room, and throws you over his shoulder.

“Leon, I’m already late, put me down!” A loud smack echoes through the room as a stinging pain overtakes your senses. You yelp out, blood rushing over to the red handprint on your ass, heat spreading on the area.

Your back hits the plush mattress of the bed and within seconds he’s on top of you. His hand grabs one of your thighs spreading them wider as the other goes for your neck. Crashing his lips against yours, a groan escapes your lips, as his hips thrust against your core, hardened dick rubbing against your panty clad cunt.

“Oh yeah, I’m sure that ‘friend’ of yours would be pissed.” His breath feels hot against your lips with each word that leaves his mouth. “What did I tell you about lying, baby?”

Should’ve known that lying doesn’t work on him, never did and never will. Has you memorized by heart, starting from your actions, reactions, and every thought that crosses your mind.

Reality is, there is no friend, and there is no new club. You just wanted to get a reaction out of him, and making up a whole scenario was the only option you had left. “I’m sorry.”

His hand lands on your ass once again with a loud slap, your body jolts in pain as you bite your lip to suppress a whine. “Sorry what?”

“I’m sorry daddy.”

“Atta girl.” He coos, his hand rubbing against the burning skin, rewarding you with a sweet kiss. “See that wasn’t so hard, was it?” The cold air hits your nipples as he drags your top down, revealing your breasts too him. He gropes one, moving over and giving the stiff peak a firm pinch. “Why’d you lie sweetheart?”

Him and those fucking questions, can’t the interrogation wait till he fucked you? His hips continue rubbing against yours, the gusset of your panties is soaked with your arousal. “Wanted daddy’s attention.”

“Of course you did.” He chuckles lowly, eyes focused on your tits as he plays with them. A smile flashes across your lips, maybe your plan did work after all, not fully the way you intended it to; but it worked nonetheless.

His hands are on you, he’s speaking again, and his cock in near reach. Maybe life’s not so bad after all.

“I wouldn’t call this a win, sweetheart; think I might just play with these tits and leave you like this.” The smile that was once present on your glossy lips disappears, your heart drops at the possibility of him leaving you to deal with the aching between your thighs, again. It’s been three long rough days without his dick, he can’t be doing this to you.

“No, no, no please daddy, I’m sorry.” You shake your head from side to side, knots forming between your brows, hoping that your pleading is enough to convince him.

“Was actually going to apologize for being so mean to you lately, but after seeing you act like this… I don’t know, baby.”  You whine, head falling back down on the mattress below.

Frustrated, tears begin to brim in your eyes as your hands reach over and grab his muscular forearm. “I’m so sorry, daddy. I promise I won’t do it again.”

His eyes stare into yours, he stays quiet for a moment before his eyes soften. Dropping down, he places a kiss on your forehead, his thumb caressing the side of your cheek. “Pretty girl, I’m sorry too, shouldn’t have been so harsh with you.”

He presses another soft peck on your cheek, smiling at you warmly. Your heart begins to thump faster, your sadness dissipating with each passing moment. He’s back, you can’t tell of you feel good because the two of you made up, or because his hard cock is still rubbing against your wet heat.

“I need you.” you whisper, rubbing against his hand like a kitten. Chuckling, he nods and kisses you this time on the lips and it feels ten times sweeter than normal. Rubbing your sides, his hand slithers down to your clothed clit, rubbing soft circles, causing your back to arch.

���Think it’s about time to makeup it up for you, sweetheart.” You hum in agreement, capturing your bottom lip in a bite, and spreading your thighs even wider, inviting him to continue. His lips connect to the tender skin on your neck, kissing and biting down on it, your hands tangling between his soft locks and closing your eyes in pleasure.

Moving back, he admires his work momentarily before dropping down to his knees at the foot of the bed. Unzipping your skirt, he pulls the fabric down before tossing it somewhere behind him along with your soaked panties. Calloused hands snake the inside of your thighs, gentle caresses along with some gropes here and there.

His fingers spread your lips open, in awe at the view in front of him, your arousal evident and dipping down from your core like a waterfall, down to the sheets below. “Missed you too, baby. Daddy missed you so much.”

Those words are not for you, but for your cunt, addressing it like it’s his. An open-mouthed kiss gets placed on your clit, his blue eyes staring deeply into yours as he does so. The scene on its own is enough to make you cum.

Teasing you, he places a few more on your thighs; eyes not leaving yours for a minute. He rubs his cheek against the soft skin, the stubbled chin feeling prickly. Giving it the love and affection that it missed out on.

You wait patiently, letting him enjoy and take his time, basking in the heart warming feeling of it all. Like always, good behavior never goes unnoticed, and so he rewards you by pulling the hood of your clit back, and sucking on the sensitive bundle of nerves, a satisfied groan vibrating through it amplifying the pleasure.

His skilled tongue makes out with your pussy, licking and fucking itself into you. Your moans fill the room, gripping the covers below you for dear life. Feeling your orgasm around the corner, but as soon as you notice his hips subconsciously thrusting into the footboard of the bed below, groans coming out of his busy lips, the knot in your stomach snaps immediately, causing your thighs to squeeze around his head as he holds your hips in place.

Placing your foot on his shoulder, you pull away from your core, the uncomfortable sensation of overstimulation taking over your senses. He moves back, stubble glistening in the mixture of your fluids and his spit.

He looks into your half-lidded eyes for a moment, his hand rubbing your thigh affectionately before kissing the inside of it. “So pretty, such a pretty girl.”

Your heart flutters, getting high on each love filled word he says. Grabbing his hand in yours, you pull him up towards you, connecting your lips in a kiss much more tender than he ones before. Lust and desire dissipating, replaced with the warm feeling of adoration. He pets your hair, leaving a final peck on your nose, causing you to giggle in response.

The mood however shifts again when you feel the imprint of his cock through his sweatpants; the familiar aching between your legs ignites once more, begging for him. “Daddy.”

“Right here.”

“Want you inside” He captures your bottom lip into a deeper kiss, his hands assisting yours in taking his pants off. Breaking the kiss, he fully removes them, revealing his thick cock to your desire filled eyes; the flushed pink tip, and the dollop of sticky precum begin to drip down the side of it.

He wraps his fist around it, pumping himself a few times, earning a sharp inhale out of the sensation. The head bumps against your clit, slapping against it a few times before guiding it down to your entrance. The two of you moan at the stretch, his fingers digging into the plush of your thighs. “So tight, sweetheart. Fucking meant for this dick.”

Your eyes flutter close, trying to compose yourself before you feel him begin to move. You can feel every inch and every vein inside your velvety walls. The aroma of sex over takes your senses as his thrusts begin to pick up speed.

Wrapping your legs around his waist, his fingers intertwine with yours as he slams into you, deep and speedy thrusts causing the bed to creak beneath your masses. “Take it, baby. Take it so daddy can fuck you full of his cum.”

Your walls pulsate around him, your hand squeezing his. “Want it.”

“Fuck, might knock you up sweetheart. Make you a mommy as an apology.” Your back arches, his voice bouncing off the walls inside your mind. You nod, biting down on your bottom lip, head empty and pussy gripping his length.

“Like that? Mark you as mine forever, pretty tight pussy all mine.” You wail, gripping onto his shoulders tightly, leaning back your head in attempts to stop yourself from being too loud. “Gonna keep you here all night, make sure that this sweet cunt takes it.”

Pleasure blinds your vision as you let go, your cum coating his dick as he begins to chase his own high. Your head lolls emptily to the side as he continues to fuck into you relentlessly, the head board hitting the wall behind it. Your tits bounce with each thrust, the image of you getting pumped full of Leon’s cum still evident in your mind.

His hips shudder as he releases inside of you, hot and sticky fluid accompanied by some curses and words of praise, earning a satisfied hum from you. Thrusting in a few more times, he admires the sight beneath him, distributing your fluids evenly.

He pulls out, flopping down next to you, as his arm wraps around your body, pulling your closer to his chest. Rough hands pet your hair, as he rests his chin on your temple, keeping your body warm next to his.

The two of you sit in silence momentarily trying to catch your breath. Your eyelids feel heavy, body completely worn out and satisfied as you start slipping away into a much-needed worry free rest, hearing your lover whisper something into your hair.

“Sorry for being mean, sweetheart. Daddy loves you.”

⋆·˚ ༘ * ୨ৎ ⋆·˚ ༘ *

divider by: @/floriseu

[vanmarkus]

I know we all love the idea of Eddie keep flirting with Steve and calling him pet names, because he thinks he can get away with it.

But I've been thinking about Steve casually calling Eddie baby without even registering what he's doing.

Like they are standing outside the van with the hood open and Steve just tutting at him like "Eddie, baby, you really gotta get your transmission checked, this is like the third time this month" and Eddie's losing his shit, mouth hanging open in shock, but Steve has no idea and it just keeps on happening after that.

Next time it happens, they are all over at Steve's, having a movie night and Steve has El and Max passed out on him, making him unable to get up from the couch without waking them and he just whisper-yells to Eddie "Hey babe, could you pass me a beer? Kinda tied up here" and Eddie just blanks and says nothing, but gets a bottle from the sixpack on the floor and Steve says "thanks" like it's just how things have always been between them.

And Eddie's working himself into a frenzy. Has Steve got no idea about what he's doing to him? Because Eddie's been lowkey crushing on Steve since he got mixed up in the whole Upside Down business and it just got worse when he woke up at the hospital to Steve holding his hand and giving him the brightests of smiles that there was, rubbing his thumb over Eddie's knuckles, whispering a soft "Hey there sleeping beauty, how're ya feeling?" while being completely oblivious to the suspicious look Wayne was giving them. And sure, hanging out with him nearly every day didn't help the situation one bit.

But this. This is going to be the death of him.

And it just keeps on happening. Steve murmurs "goodnight baby" into the phone before hanging up, he shouts "babe, come here, you gotta see this" when Lucas ends up stuffing fifteen oreos into his mouth (which is a new personal record) and whispers "hey baby, I'm sorry, I know you'd rather do something else, but I promised Mrs Wheeler" when they're watching Holly's ballet recital, waving at her from their seats when her eyes land on them.

It all comes to a head when Eddie's stupid van breaks down in the middle of fucking nowhere, on their way back from Indianapolis, after going there to buy a special boardgame for Dustin's birthday.

There's not a single car or house to be seen anywhere in a ten mile radius.

"Oh this is just great," Steve hisses as he jumps out of the car to walk around and Eddie does the same. He pops the hood and watches as a small cloud of smoke slithers out of it.

"Shit" Eddie swears under his breath. It looks bad.

"See baby, that's exactly why I told you to get it checked! Because I didn't wanna get stuck in fucking no man's land!"

"Look, I'm sure if we just leave it to rest a little..."

"Rest? Eds, come on, you know that's not how it works. We gotta walk up to the next gas stop and phone someone to tow it."

"Fuck, fine!" Eddie grunted. "But it gets dark in like twenty minutes."

They both know that they can't handle walking out in the wild after dark. Not after everything and not with all the nightmares that still tormented them most nights.

"Then I guess we're sleeping out here tonight." Steve says, dropping his hands on his hips. "You have pillows or some shit in the back?"

"Got a couple of blankets, yeah."

In the end they lay down two blankets on the bottom of the van and bundle up some old jumpers Eddie keeps in there for pillows. They lie there, facing each other in the dark.

"Hey... I'm sorry about all this" Eddie whispers, like his voice could disturb anyone out here in the middle of nowhere.

"It's okay, I just wish you'd pay more attention to stuff like this. I mean shit, babe, what if it's just you out here, huh? What then?"

"Steve-"

"I mean, I just hate to think about how shitty it would be, to be out here alone, in the dark... plus I'd worry myself sick not knowing where you are, you know?"

"Steve."

"Yeah?"

"I'm not alone."

"No, no you're not alone" Steve agrees with a private little smile.

They settle into a companionable silence and Eddie's almost certain that Steve is just about to drift off, but he can't contain it in himself any longer; he has to ask.

"Hey Steve?"

"Mmh?"

"Why uh... why are you keep calling me...?" He can't bring himself to say it out loud without his face heating up.

"What?"

"Names." He settles, hoping that Steve would get it.

"Names?"

He's gonna make him say it, isn't he?

"Yeah like uh... baby."

"Oh"

Even in the darkness of the van Eddie can see how the colour darkens in Steve's cheeks.

"Does it bother you?" Steve asks after a beat and Eddie just sighs out a soft "no".

"Okay."

For a long moment it seems that this is all Eddie's gonna get, but then Steve shuffles a little closer and runs a finger along Eddie's palm before taking his hand into his own.

"It just felt right, you know? Calling you that. I dunno, it was like how it was meant to be."

"That sounds kinda romantic, isn't it?" Eddie's shooting for a joke, but Steve just sighs timidly.

"Yeah, it does, doesn't it?"

"Steve-"

"Eddie... can I?" He doesn't finish it, but Eddie knows he'd say yes to pretty much anything Steve could ever ask from him.

"Yeah" He breathes with a little nod and Steve scoots even closer, placing his other hand onto Eddie's cheek. He leans in and looks him in the eyes for an impossibly long moment, making sure he's got permission one last time.

Steve whispers a soft "baby" onto his lips before finally closing the gap between them.

[neoplatinum]

morning beauty | myoui 'mina' minari

summary: has mina always looked this beautiful?

pairing: mina x 10th-member!reader

themes: fluff, major major fluff, minor 2yeon, rest of twice

wc: 3.9k

you had something to confess, a little guilty pleasure of yours, well guilty as in you didn't want the other members to find out. but it was truly something you enjoyed for yourself and kept hidden away from the rest of the girls.

you always chose to room with mina, because you liked waking up to her. it started when it was something jeongyeon commented on during the 2022 once day fanmeeting.

when jeongyeon explained that she would like to be reborn married to mina, she explained it was because she wanted to wake up to mina's face everyday. while chaeyoung and nayeon were playfully laying their claim on their women.

you realized you never actually slept in the same bed with mina, so you don't know what jeongyeon means by it. mina's gorgeous, you could never deny that, but wow does jeongyeon sound like she has a crush. you laughed at the sight of a jealous chaeyoung and nayeon.

letting the thought slip into the back of your mind for a while.

--

until twice's 5th word tour: ready to be was starting up. after the grueling work and practice that came with preparing for a seven leg tour, also was the need of having partners for hotel rooms. the first foreign show was kicked off in sydney, australia.

the beautiful warm city with bright lights shining in to the hotel lobby. while you were still trying to adjust to the time difference. just as you were about to yawn, body sinking into the hotel couch, mina walks up to you.

"hi, we're going to be rooming together." in that quiet, calm voice of hers, handing you a second key card. you nod and continue to yawn and rub at your eyes, ready to get settled in the hotel room before soundcheck. stuffing the keycard into your pocket, and rolling the luggage towards the elevators.

the room was gorgeous, facing the beautiful sun shining in, but you felt like a heavy log in water. the time difference was really messing with your energy levels, so you begrudgingly rolled your luggage inside. flopping onto the bed immediately.

mina's quietly humming a song as she gets settled. tucking her luggage away on her side of the room, and then getting ready to play on her switch.

you watched her, with your body laying flat on your stomach, but your head turned towards her. hearing the low sounds of her game, she doesn't say much, but it's comfortable being around her.

she’s always brought you a comforting sense of home even if you are thousands of miles away from korea.

mina's a nice contrast from constantly rooming with nayeon.

nayeon always flings her outfit all over the bed, even landing them on your bed. chargers and phone misplaced all the time, begging you to call her number and to find her chargers. this is a much different change of pace.

you wake up to the sight of mina, wearing cute jeans and a plain tee, long hair running down her back, her face away from you. rummaging through her toiletries bag for something. then she gets up to go wash her face. her face half turned towards you when she realizes you are awake.

you let out a small gasp, has her side profile always been this pretty? your eyes go wide, trailing down her face, from the sharp eyebrows to the beauty mark above her lip and her defined jawline. it's all too much for your heart to handle while still waking up.

"i'm going to go wash my face before soundcheck." she says quietly, nodding at you before disappearing into the bathroom. you begin to wonder what's in the sydney water.

--

the rest of the soundcheck and concert, you've been in a daze: a mina daze. constantly eyeing her from across the stage, side glances and unfocused. has she always looked this good?

you try and snap out of it before the concert starts, but as you watch mina perform 7 rings from behind the stage, your jaw drops naturally. eyes glued to the screen, watching her turn around to drop her ass. you nearly drop your mic.

jeongyeon stares at the performance, cheering mina on, but her eyes fall on you, watching you watch mina. she keeps that in mind.

the rest of the concert goes off without a hitch, the crowd's shouting and the energy in the sydney night is beautiful. you're enjoying a break as the group takes a quick break to chat with fans. you lean down to grab water bottles, handing some to the other members.

then the big screen shifts to mina, and you hear her voice reverberate around the stadium. you try and watch her across the stage, but she's blocked by tzuyu so you turn to watch the 4k big screen instead.

and as she shares her feelings for the sydney onces, you get entranced by her speaking. watching the way her eyes shine under the fluorescent lights and the gorgeous outfit she has on. the second time that day you ask yourself, has she always looked this good? mina continues to talk until you notice yourself being shown on screen, eyes glued to the screen.

you completely miss the timing for your turn to speak, and then nayeon and jeongyeon are making a big deal about you staring at mina. pushing and shoving you playfully as you try and play it off coolly. it's too late though because the internet's already circulating with videos of you staring down the screen with mina's face blown up.

onces all over the internet are making memes over it, the sight of your face, jaw dropped and just in awe of mina on the big screen.

by the time you are focused on the concert again, and interacting with fans. you begin waving and doing requests off of once's posters.

laughing at one that's asking for sana's hand in marriage, you tug her towards the excited fan and watching sana offer her hand out, laughing and running away. as if she didn't just kill that poor fangirl.

--

the walk out of the van into the hotel lobby is tiring, you can feel the adrenaline finally wearing off. the intensity of having to perform for so long taking a toll on you, you keep massaging your shoulder as you follow the girls up the elevator. jihyo and jeongyeon happily chatting about being in australia. and looking forward to exploring local spots.

mina taps you lightly, and you turn your body towards her.

"i brought massage oils." she says quietly, pointing towards the hand thats been rubbing your shoulders. you thank her quietly, letting her walk you to the hotel room, too tired to even talk.

you fall into a chair, watching mina take out another toiletry bag. grabbing some massage oil, taking the time to work the muscle aches and the tension in your shoulder. a nice relaxing feeling with her pressing the buildup away.

"thank you mina." you offer as she leaves to go wash off the massage oil. your cheeks dusted light pink at the attentive care she has for you, even if she's bone tired from her own performance.

after doing your nightly routine, you get ready to sleep off the exhaustion, dreaming of soft hands and long jet black hair. dreaming of the girl in the other bed in the room.

--

waking up you feel like you've been transported into a different world. eyes watching mina do her morning routine so gently and quietly. moving around to collect her outfit for the day, and to put on light makeup.

you try and concentrate on your own morning routine, but you keep glancing over at mina through the wall mirror as she fixes her eyeliner by the other sink. with your face dripping in water, you forget what you were supposed to be doing. that warm yellow light bringing a gorgeous hue to her skin.

walking out to join the other girls for breakfast didn't help either as mina was seated next to you, taking the edge seat closest to the window. the sun bouncing off her skin, glowing even more than in the bathroom. dahyun had to tap on you five times to get you to pass her the syrup bottle.

you try and snap back into the real world, but with a face like mina's, how can you?

--

the melbourne concert was amazing, the synergy in the air making you forget about your little dilemma. you playfully tugged chaeyoung along, running around the stage and making half hearts with her at every corner. hearing the shouts of fans at the sight at every pose. you nearly run into mina at one point, not noticing her in your peripheral until it's too late.

at the last second, you pull her body towards you, arms circling her waist in a protective hold, making sure she didn't fall backwards off the stage. in the stress of the moment, you don't realize how close you are to her face, until you look up. her eyes staring into yours, and your eyes go wide at the closeness.

trying to play it off, taking your arm away from her waist and asking if she's okay. but the video is circling the internet that night, fans squealing at the near kiss.

you try and avoid the topic as you and mina get ready for bed, mina wouldn't confront you about it, you know that much. she's quietly humming another song as she cleans up her make up bag. sorting it and tucking it away.

you try and think about anything else other than her, this mina fixation is slowly eating up your attention.

--

with the osaka and tokyo shows, you begin to get closer to mina, her taking time to bring you around to her favorite spots when she was younger. she's in her home country, and her parents are friendly, familiar faces.

they offer nice gifts to all the members, even asking you how your shoulder is doing. you reply that it's doing well, all thanks to mina's massage oils. they smile at that, glad their daughter is so nice and thoughtful to the other girls.

mina brings all the members over to the myoui residence for a sleepover.

you get a real feel for pre-debut mina. the game obsession is still obvious, but you also discover her childhood memories. photos littered in her room and a giant wall dedicated to the group. you try not to tear up at the sight of everyone as the final lineup from sixteen, but the memories are coming back.

she walks in with a box in her hand.

"this is for you, from my parents." and you look down and see massage oils, top of the line and very very expensive. your eyes widen at the sight, you would never justify buying this for yourself.

"oh mina, you don't have to." you push the box away.

"my parents insisted. i told them about your shoulder, and they ordered it right away." you smile at that, the myoui's are always so thoughtful. you begrudgingly take the box, and thanking her parents for the wonderful gift. promising to always look after mina.

that night as you get ready for a sleepover at the myoui's with all the girls huddled up in her living room floor, you think that you would love to live with mina.

--

then came the US leg of the tour, and with it came more moments spent with mina. you nearly had a heart attack when you found out mina was experiencing back pain the whole concert. she didn't even mention it, just pulled out a back brace from her luggage and wrapped it over her shirt.

mina had to calm you down from calling your manager, your frantic voice demanding a doctor visit immediately. she managed to convince you to let it go, with the promise of much-needed rest and letting you take care of her.

so you use the massage oils her parents bought to massage her back every night. attentively rubbing her lower back and then to her upper back. removing the knots in her shoulder, mina falls asleep at one point, so you tuck her in. pulling the comforter up and washing your hands before getting ready for bed.

with her back pain having flair-ups, you always carry her luggage, insisting that she doesn't carry heavy things. you insist even if she rolls her eyes because you'd rather have an unhappy mina who feels coddled than a mina in pain and aching from carrying around her luggage.

you start to question why you do all this for mina.

--

you've developed a routine since rooming with mina at every hotel. always tucking away mina's luggage by the side of the bed that is closer to the bathroom. in that corner that she always likes, always setting her makeup brushes from biggest to smallest, left to right on her vanity. you always make sure the water you brought to her was warm, not too hot but also not too cold.

when mina is feeling a little under the weather from being in the rain for the atlanta concert, you urge jeongyeon to come with you to buy medicine for her.

you stroll into the target, looking around for cough drops and cough medicine, going up to the cashier and through the use of your translator app, you successfully are directed to the right row. getting cough drops for mina.

while you are busy debating between two brands, with jeongyeon holding a basket full of remedies, jeongyeon asks you this.

"who is mina to you?"

"mina? she's our member." you laugh, what a silly question jeongyeon.

"no, who is mina to YOU?" jeongyeon asks again, as you shove one bag back into the display. then reaching into the back of a different row to get a bag of cough drops that hopefully no one has touched.

"she's my..." you stop, hand on the bag. a little confused by what jeongyeon means. "why are you asking this question?"

jeongyeon keeps shuffling her feet, peering on the other side and picking up a box of travel toothpaste for herself. "you've just been really close with her, and now you're even out here buying medicine and little things that she likes."

"well of course i would, it's what you would do for nayeon." you roll your eyes at the obvious.

"exactly, nayeon and i are together, and when she was sick you didn't rush me out here to buy her medicine. so what does that make mina to you?"

you grab the bag, placing it into the basket and briskly walking away.

"hey! you can't avoid the question!" jeongyeon catches up to you, while you continue to ignore her, and then you see a row of red. the nintendo switch display aisle.

bingo.

you begin searching through the rows of game cartridges for pikmin 4.

the game that mina's been raving about the release for. talking to you animatedly about how she excited she is to get her hands on it, talking about her obsession with the previous games. you kept that in mind to buy it for her when it releases.

with the chaotic schedule, mina never had the time to buy the game, so you took it upon yourself to buy it for her.

"oh you are so in love with her, dodging my question only to buy mina a switch game?" jeongyeon smirks at you placing the game into her basket.

"am not!" you shout back, and jeongyeon cackles because you're lying through your teeth. your cheeks are flushed, and you're throwing the worst temper tantrum ever.

"yeah, sure." jeongyeon continues to cackle as you take the basket out of her hand, rushing forward to pay for the stuff, ignoring the way jeongyeon is just waiting for you to look at her with that knowing smirk of hers.

you are not giving her the satisfaction.

you return to your hotel room after shoving jeongyeon to her room. begging nayeon to take her girlfriend away so she can stop asking you if you're in love with mina.

obviously you are not.

you walk into your own room, seeing mina laying like she was before you left, switch in hand and looking pale. you immediately press your hand to her forehead, oh good, she doesn't have a fever.

you start taking things out of the shopping bag. cough drops, and bottle of cough medicine in case she needed something stronger. pedialyte to rehydrate herself, chicken soup that won't hurt her stomach. and tylenol medicine in case she gets a fever. at the display of all the items on her nightstand, you scratch the back of your head. did you really buy that much?

"thank you, you really didn't have to get me so much. it was only a cough." she says quietly, taking the bag of cough drops and ripping it to throw one in her mouth. you realize you have definitely overreacted, but how could you not when mina was coughing?

then you remembered the gift in your hand.

"i also bought something for you." you hand her the physical copy of pikmin 4. watching the ways her eyes go wide, excitement coursing through her, she leans forward, offering you a hug, that has you frozen. and she turns to open the game. you sit by her side the rest of the night letting her explain the game to you.

oh god, maybe you are in love with mina.

--

it becomes a habit, watching mina play her games every night, no matter how hard or confusing the game was, you alway sat by her to watch her. sometimes she caught you watching her instead of the game and would just redirect your focus back to the game.

then it becomes a habit of sleeping in the same bed. you wake up to the sight of mina, always waking up before her, sometimes you liked tucking her hair out of her face if you were bold. or plugging her switch into the outlets when she falls asleep playing it. you don't question it when she gets closer to you, and you lay your arm over her protectively.

today, mina didn't even want to wake up, so here you are, arranging breakfast in a tray from the lobby, bringing it up to her. with jeongyeon following you, you forget about how this isn't normal behavior for you. so dedicated and attentive to mina's wellbeing.

you walk in and gently place the tray by the counter. then you sit down to wake up mina, tapping her shoulder in a way you know won't spook her. as she slowly gets up, you brush her hair away, you also unwrap utensils for her to eat the breakfast you have for her.

she's enjoying her meal, with you making sure each bite isn't hot, blowing on it if it's too hot. and then you hear it.

"oh. my. god." your head snaps towards the hallway, the sight of jeongyeon and nayeon peering in, with jeongyeon filming the whole interaction. nayeon giggling like an idiot and hitting jeongyeon on the arm. then you get up ready to chase them out the room, them both turning on their heel rushing out the room.

you grow embarrassed, cheeks and ears flushed red and you look at mina, who also seems embarrassed being caught like this.

"let me go talk to them." you say, needing an out from this awkward moment. mina nods and continues eating her meal, letting you walk out, with your hands in your pockets and a nervous shiver down your spine.

you spot the two girls, eyeing jeongyeon's phone, and you can see it even if their back is turned to you. nayeon's snickering and jeongyeon's loud gasps. the video of you hand-feeding mina playing through the speakers.

"jeongyeon!" you shout as you get ready to snatch the phone out of her hand. she's quick, tucking the phone into her shirt. if it had been literally any two other members, you would not have to lose your head like this.

"so...mind explaining to us what's going on?" nayeon looks at you amusedly, pointing at the hotel door. you shake your head no, adamantly.

"oh also, just so you know, jeongyeon sent the video into the groupchat." nayeon says to you, and jeongyeon chases after her girlfriend down the hallway. you get ready for the confrontation that's going to happen when everyone in the group chat sees the video.

--

jihyo has you and mina in two chairs, watching you two closely. eyes boring into your and then into mina's, it keeps going on until you finally snap.

"jihyo please, can you just say what you want to say?" you sigh.

"okay, i had to do this to jeongyeon and nayeon when i found out they were sleeping together." she explains, you gag at the information, while mina looks away. "are you two together?"

"we're..." you trail off at the end. you haven't asked mina at all, you barely know if she feels anything towards you. mina taps her foot rhythmically. a nervous tick she's developed over the years, you hold her hand, and she stops tapping her foot.

"ooookay, i'll let you guys talk it out." jihyo slips out of the room, closing the door behind her.

you look at mina, she's not looking at you either. but the urge to confess was too much to handle, and you realize words are tumbling out of your mouth, before you had the time to think it through.

"i like you mina, i realized it through this tour, with how beautiful you are, i mean that inside and out. you were so attentive about my shoulder and you always offered to give me a massage even if you were tired from the concert."

you continue to word vomit in front of her.

"i mean i always knew you were gorgeous, but wow you take my breath away. seriously, all those videos circulating the internet was actually because you took my breath away. i want to wake up to your face, every. single. day. i don't know if you like me back, but i really do like you."

her face is beet red, hands rubbing one another as she listens to you talk, and then without another word, she gives you a quick peck on the lips, and returns to her seat. even more embarrassed than before.

"mina?" you gasp out. feeling for your lips, ones that she just kissed. she shakes her head no, but her feeling are betraying her. her body sinking into herself.

you giggle at it; it's cute that she can't even say it. "i'm going to assume you like me back because you kissed me."

she nods her head shyly, and then you let out a laugh.

--

at the very last concert of the ready to be tour. you're busy trying to tease tzuyu with momo. a wonderful encore stage to wrap up the amazing 49 concert tour. you continue to circulate the stage, often chasing jeongyeon and nayeon, when you spot a sign, "mina, will you marry me?"

you squint a bit at it, a little hard to read in the night, but when you get it, you immediately bring the mic to your lips, accidentally speaking into it.

"you can't marry mina, i'm marrying her."

the video breaks the internet.

--

a/n: this is a birthday gift to minari!! thank you to @im--yoong who messaged me requesting this fic, this is the video that inspired this fic!!

ALSO HUGE HUGE HUGE SHOUTOUT to @cry4mina who helped me move this story along, frfr saved me. bare-faced mina could save me, i believe it. stay safe and stay healthy everyone!

[linkspooky]

JASON TODD VS. DABI: WHY NOT ME?

"You haven't been here long but you've seen him, right? The batman. The batman. He lives in darkness, to find the helpless and bring them into the light. So I have to wonder...why couldn't he do it for me?" The Boy Wonder: Issue #2

This is the story of the boy who didn't get saved. The story of a boy who really ought to have been saved. Of course, every victim deserves to be saved, but this boy was the son of a superhero. Can a hero who saves everyone, but fails to save his own son really be called a hero? As for the son, how does it feel to watch his father save complete strangers but let him fall to the wayside?

Jason Todd and Dabi are two characters with similar backstories and motives (so similar it's possible Dabi is outright based on Jason Todd) which are worthy of comparison. These are two tragic arcs which explore the conflict between a hero's responsibility to act as a father, and their responsibility to save people. As I said they are tragic because in both cases the hero fails, as a father, and a hero. However, I'm comparing the two because Jason Todd's story is a well written tragedy, and Toya's story is not.

If you were to write a story of my life, it would surely be a tragedy.

Aristotle's Poetics is the first attempt to define what Tragedy is, not as a story where sad things happen but a specific story structure. He outlines not only what makes tragedy, tragedy, but also what makes a good tragedy.

The Plot, then, is the first principle, and, as it were, the soul of a tragedy: Character holds the second place. A similar fact is seen in painting. The most beautiful colours, laid on confusedly, will not give as much pleasure as the chalk outline of a portrait. Thus Tragedy is the imitation of an action, and of the agents mainly with a view to the action.

I use this quote because the painting metaphor is a great way of explaining what I'm getting at, you can have a painting with the most wonderful colors, you can have a story with really good ideas like the Todoroki family plotline but if you don't use those colors correctly all you're going to end up with is a bad painting.

In poetics Aristotle clearly defines a tight well-structured plot as the first priority for effective tragedy, character as second.

Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long

To make sure you understand, it's vital in tragedy for all the pieces to fit together. Tragedy is a specific story format. Good tragedy uses the parts of a story well, but bad tragedy is sloppy and poorly put together. In tragedy, the whole has to be greater than the sum of its parts. The Todoroki Family are all good characters out of context, but the story could have enhanced their characters but detracted from them due to how poorly it is told. The fact that a lot of MHA fans are in love with the Todoroki family out of the context of the story, but also have constant complaints for how Horikoshi handles their plotlines is, in my opinion, very telling.

What Aristotle goes on to posit is the best tragedies do not come about by accident, but rather by the direct actions of the characters.

But again, Tragedy is an imitation not only of a complete action, but of events inspiring fear or pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will thee be greater than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design. 

Therefore Tragedies require consequentialism, like Newton's Third Law, every action will have an equal and opposite reaction. To simplify a good tragedy arises from the consequences of the character's actions (or inaction). The most basic form is that the hero of the story will have a tragic flaw that they fail to improve upon in time and then leads to their destruction. In essence, tragedy is where the hero fails. Not only does the hero fail, but the hero loses, and that irreversible loss is what defines tragedy. Medea slays her own children, Oedipus rips his own eyes off and deserts his kingdom, Creon Antigone is buried alive and Creon's son, her fiancee, commits suicide.

These events share two things in common, they are irreversible (hence why they feel like good endings), and two they evoke catharsis. Aristotle defines the goal of tragedy to evoke terror and pity. We feel alongside these heroes, Medea was abandoned by the husband Jason who she left her home and slaughtered her own brother for, Oedipus did all of his crimes unwittingly and is a victim of fate, Antigone was doing the right thing by burying her brother so his soul could pass on to the afterlife.

There's all different sorts of tragedies, Hamliet explores more here. I'd say UTRH and Hellish Todoroki Family are tragedies centered around grief.

Tragedy works on extreme emotions, and extreme hard-hitting consequences to the hero's failures. The worst thing a tragedy can be is boring.

The Tragic Hero

Now that I'm done lecturing you let's actually talk about both My Hero Academia and Batman like I promised. Both of these stories don't actually feature the central victim as their protagonist, and that is a feature not a flaw.

Rather, the story we are being told is that of a tragic hero, failing to save a tragic victim because of their own personal flaws.

These flaws are called (hamartia) or "error in judgement". A hero, being called a hero of a story is often unaware of his flaws which is central to what makes them unable to fix those flaws in time. That flaw can later lead to a moral failing, such as Othello's jealousy, initially jealousy is an understandable emotion, but then it leads to him trusting Iago over his own wife and killing his wife in a rage.

Most importantly, the hero’s suffering and its far-reaching reverberations are far out of proportion to his flaw.

Let's begin with talking of the heroes and their flaws, Batman and Endeavor. My main reason for comparing these two is in these specific stories they have the same flaw, inability to move past their personal guilt towards their son, and the same conflict the duty of a father versus the duty of a hero.

However, Batman functions as a tragic hero, and Enji does not. The summary of their conflict is right here in these two panels.

A parent is required to place their children above everything else, because they are the ones responsible for bringing that child into the world. Bruce Wayne made the decision to adopt Jason. Enji made the decision to have children, however with Enji you have the added insidious motivation of he only wanted to make designer babies and just didn't care for the ones who didn't turn out right.

Bruce attempts to do both, to act as a father for Jason and also a crime fighter as batman but he can't do both. This comes to a head in Death of the Family when Jason is having serious trouble because of his lack of a strong parental figure, and Bruce knowing that Jason is in trouble chooses still to go off and fight crime instead of staying with him. The choice to place crimefighting over the child they chose to take responsibility for has the unintended consequence of getting that child killed.

Whereas Enji makes the same choice over and over again, ignoring Toya's clear troubles at the fact his father no longer spends time with him and choosing to run away to the world of heroes because he doesn't want to face the fact that his actions are severely hurting his son. Bruce's motivations are more sympathetic admittedly he wasn't actively practicing eugenics, but the choice is the same and the consequences are the same.

Both Bruce and Enji are forced to bear witness to the deaths of their children when they are not there, specifically because they made a choice to be a hero instead of staying by their child's side. A situation directly caused by their choice to be a hero over a father, and a situation that would have been avoided if they had stayed with their child in their time of need. Jason runs off when Batman tells him to stay and gets kidnapped by the Joker, if Enji had been on Sekoto peak that day Toya would never have accidentally lost control of his fire.

This is just the backstory however, the main event that kickstart this plot is the unexpected return from the dead of both Jason and Dabi. Each story follows the same plot beats. A new villain appears to challenge Endeavor / Batman. The villain reveals themselves as their dead son. Both Endeavor / Batman are given a chance to try reaching out to their sons, but they choose not to.

Then even though they are given a second chance with a miracle of a dead son coming back to them, they choose the exact same thing they chose before, being a hero and because of that the tragedy repeats itself. For both of them they are unable to save their son again, and the son goes through a second death. History repeats itself, the lesson isn't learned.

Their fatal flaw is their guilt. This is a story about grief and mourning after all, a son who is died, buried, but never grieved properly, never mourned, an open wound on the father suddenly coming back. The inability of each to process their grief blinds them from seeing the fact the son has come back, and they have a second chance.

Toya has internalized he is a failure, because Enji literally called him that. Jason believes that Batman thinks he is a failure. In both cases the father is the one who failed, Bruce at least acknowledges this but cannot communicate it in any way shape or form.

This guilt and responsibility both Enji and Bruce feel causes them to self-sabotage. They no longer have the confidence they are in the right (they no longer feel like heroes because they have failed to be heroes to their own son).

You can also add the layer of complication that since both men chose to be heroes in the past, they do not know how to handle the situation as a father now that they're being challenged to step up as one. Unfortunately, they are not the fathers that stepped up.

The reason their grief becomes a flaw is because they put their grief over their victims. . Each man is aware too much of their own failure, and while they should feel guilty they make the classic mistake of placing their own guilt over the feelings of the victim. The guilt they feel for causing the death and the genuine grief of losing a son is given priority over Jason and Dabi who you know... actually died.

An overwhelming grief and guilt is understandable because grief is a messy and human emotion, losing a child is an unimaginable tragedy that should never be inflicted on anyone.

Yet at the same time both Dabi and Jason are grieving to. This paradox that Batman only thinks of his own grief at losing a son and never stops to think about how Jason must feel leads to one of the best lines in Under the Red Hood.

"The father had lost a son, and now the son had lost a father."

Batman's guilt is so strong over being the cause of Jason's suffering, that the suffering of the victim himself is ignored. To be fair to My Hero Academia, the Todorokis say a similar line to Enji.

However, this is where I begin to get into the difference between ideas and execution. Tragedies are stories of actions and logical consequences, every action has an equal and opposite reaction in Under the Red Hood. Batman is punished for the choices he makes, the choices he doesn't make, and the choices he fails to make in time.

The Todoroki plotline features almost none of its character making any choices of substance, and because of that the plotline says the right things over and over again, but it all comes off as tell don't show.

I'm going to quote @codenamesazanka's post right here a couple of times because they describe the complete failure of the Todoroki plotline to show us a reason why we should be feeling things for the characters artfully.

We've heard Enji say this before - I'm sorry, I intend to atone. It's indeed the right thing to say, it's exactly what he should be saying and acting. Natsuo is declaring no contact - That's fine, I'm sorry, I accept this as part of my atonement and will continue. Touya calls him a coward - That's fine, I'm sorry, I accept this as part of my atonement and will continue. The public hates him - That's fine, I'm sorry, I accept this as part of my atonement and will continue. But you can only hear this so many times before you want to snap and beat the character, the story, the writing over the head with Enji's wheelchair. Why is that? He's behaving exactly as he should, and yet...

The reason why it fails to evoke strong feelings is because of what we'd called "narrative dissonance." The actions of Bruce and Enji are the same, they both neglect to do anything, make any real attempts to reach out to their victims because they're paralyzed by guilt.

However, we are told that they have entirely different arcs. Bruce's arc is a tragic fall. He's failing as a hero. While we are being told that Enji is experiencing an arc of atonement. Enji is supposed to be improving himself, and Bruce is supposed to be experiencing negative character development but they both do the exact same thing in story. Bruce neglects Jason, we are told by the story, by the characters in the story that Bruce is failing Jason. Enji does nothing in time to actually atone for Toya or try to help him, yet, we are told again, and again, and again, and again, and again, and again that Enji is atoning with nothing substantive to show us this is the case.

To show what I meant instead of telling this scene is in chapter 252.

This scene is the ending point in chapter in chapter #426.

It's just him repeating the exact same sentiment and yet in a more than 150+ chapter gap, Enji never made any action to show he was now placing his family first. Enji didn't say anything to Dabi when he revealed himself as Toya. Enji didn't look for Toya in the months before the final war arc. Enji literally appeared on live TV in a broadcast that Toya was watching and said the very selfish "Watch Me" atone for the crime of creating Toya instead of literally talking about Toya or too Toya. Well, that would have rocked the boat too much... THAT IS LITERALLY THE POINT. Enji had to somehow break from tradition or make some significant sacrifice onscreen to his social standing to show that he's willing to put his family first. Enji decides to go along with Hawks decision to not face Toya head on, making the decision to be the hero for the final time which directly causes Toya to get up after Shoto brings him down non-lethally and make one last attempt to suicide bomb for his father's inaction.

Bruce does nothing for a long time in Under the Red Hood. He ignores his initial instinct that Jason came back and instead makes a long investigation on whether or not someone can come back from the dead in order to distract himself. When Jason takes the mask off, Batman already knew but was pretending otherwise because he didn't want to face the reality.

Even when Jason takes his mask off, Bruce still takes on the "I need to investigate this" angle even though Jason calls him out that deep down he already knows it's the truth. This of course foreshadows Bruce's underlying flaw, he doesn't want to face Jason head on because he feels too much grief about what happened to Jason and his guilt is more important than Jason's own grief. Just as the father has lost the son, the son has lost the father.

What follows is several chapters of Batman fighting crime as usual and making no attempts to directly search for Jason. They cross paths a few times but when they do Bruce doesn't follow. In fact, Bruce only shows up when Jason sends Bruce a sample of the joker's hair and Bruce knows that the Joker has kidnapped him out of Arkham. Bruce almost lets Jason get killed by Black Mask because he doesn't know whether to stop Jason or save him yet again, and then they have their final showdown where Jason has kidnapped the joker to demand Bruce kill him, and Bruce finally attempts to talk him down.

Out of context it sounds like I'm describing the same plotline, to the point where if you haven't read either, it looks like I'm complaining baselessly. Why is one hero doing nothing until it's too late good, and the other bad? The difference is of course context, or rather framing. Bruce's actions are called out by the people around him (Dick, Jason, Alfred) as him handling the situation wrong. Whereas both Enji's internal monologue and other characters say that he is doing his best to atone for his actions and deserves a chance, but the events we are shown in story are the exact opposite.

Here's another example to SHOW my point. Here's Dabi with my special, hardcover edition of under the Red Hood.

I reread the entirety of the fourteen chapter plotline and the majority of internal narrations come from characters outside of Bruce observing his behavior and commenting on how differently he's acting. Jason's backstory for instance is told by Alfred, not Bruce. Dick Grayson the first Robin comments on Batman's odd behavior. The rest are the third person narrator. Bruce has four instances of internal monologues spanning a few pages each in a 378 page story. (Alfred has the most internal monologues and he's presented as a more trustworthy unbiased narrator than Bruce, to get us to question Bruce's actions).

"Information travels on many routes, sometimes it comes predictably like the tides. You just need to know where to stand and meet it. Other times it's elusive and you have to root through the garbage to find it. In the last few years I've come to rely on Barbara Gordon, Oracle, we all did. Utilizing every form of surveillance equipment she has been the eyes and ear [...] but those days are over. I can't rely on anyone anymore. [...] and tonight it's also about the company I keep. It's different with him [night wing] out here. I think about when he was younger, when I was younger, it was different, simpler and I miss it. I miss those days, for that it's hard to be around him.

This first internal monologue is a case of unreliable narrator, because as soon as finishing it Dick Grayson / Nightwing shows up, offers Batman his help and while Bruce at first refuses it the two of them are forced to work together to fight Amazo. What does this show us? Bruce is not alone, but Bruce actively acts like he's alone ignoring the feelings of the other people around him. It exhibits a flaw of Bruce and the bad headspace he is in mentally (if I remember correctly Stephanie Brown recently died in the comics while this storyline was being published. It establishes Bruce's improper coping mechanism with grief, and how he is going about it the incorrect way.

Bruce says I work alone, and then Bruce says it's easier working with Dick, I miss it, but I can't go back to those days. It's bruce's contradictory thinking patterns in the same chapter that stop him. it's bruce's fault he cannot connect to Dick, and he is actively mourning the past because his relationship with Dick has changed.

Now the final part of the monologue in that chapter.

He's quick. Not just fast, agile. He's not thinking about his next move, he's just making it. He's been trained well. And there's something about him. Something familiar. There was something interesting about before he cut the line, before it had been taught. That had to have been practiced. Either that or just plain dumb luck. No it's not luck.

This is the first hint that Bruce already suspects it's Jason from early on but is in denial about it. This unreliable narrator trope also gives an agency to Bruce's decision, he is actively choosing to ignore the possibility that it's Jason because it doesn't want it to be.

Whereas, a lot of Endeavor's plot takes away any agency from him. For example, he doesn't even know that Dabi is Toya, because if he had the sneaking suspicion and ignored it like Batman did that might have made him look bad. We can't have the main character in a tragedy looking bad now can we?

The second monologue is more denial.

That device is from Kord industries. I should know. Ordered it special from them. How can he have it? No more dead ends. No more questions. No more guessing. Tonight I find out what is passing for the truth.

Reading between the lines this is outright confirmation Batman already knows.

The third is a brief reflection in his feelings for Jason.

The armor has to be light enough to fit but strong enough to protect. But sometimes a great many times, it's not strong enough. It wans't strong enough for Barbara who has to fight from her chair. It wasn't strong enough for Stephanie, other dear soldier enough dear grave. And it wasn't enough for Jason. Willful Jason. Who ignored the danger. Who spat at risk. Who was never frightened enough. I've always wondered... always... was he scared at the end? Was he praying I'd come save him? And in those last moments when he knew that I wouldn't. Did he hate me for it?

This monologue directly shows without stating it outright, Bruce is prioritizing his feelings of grief and failure mixing them in with his genuine grief over the loss of a son. it's selfish of him, but grief is a selfish emotion.

Here's the thing Bruce is allowed to be selfish and to not have the correct reaction to his grief, because the whole story is centered on Bruce being unable to get his shit together in time, and this picture into his emotions is an explanation as to why. Bruce is afraid of being hated by Jason. Jason of course has every right to hate him for failing as a father, but still I think not wanting to be hated to a person you loved so much and feel genuinely sorry over what you let happen to them is an understandable reaction.

Meanwhile we have Enji saying repeatedly all the right things in his monologue, the selfless, I don't need to be forgiven, it's okay if they hate me, I just need to atone but he never actually does anything. There's no explanation for why he isn't doing anything either, so that narrative dissonance. We're shown why Bruce doesn't act in time, he's internally a mess to be frank. We are not shown why Enji doesn't act in time because his internal monologue tells us again and again he's committed to atoning and he understands what the right thing to do is.

As Codenamesanzanka says:

Enji is still saying all the right things, but the story isn't giving him the opportunity to actually do the right things. To have his new actions matter. I have no doubt about his sincerity in his mantra, but without the 'show', it's hollow. Similarly, "Let's talk" is actually kinda bullshit too, because it's so vague. This is less about Enji, and more about the writing, how it set up this scene. "Let's talk" or "I want to talk" or any of that variation is repeated 6 times, without anything more or specific added.

There's an excess of repetition of Enji saying he wants to atone, he's ready to atone, without any of that materializing in the story.

As @class1akids says in this reaction post:

It also feels also super-hollow to say he's sheltering the family from the fallout, after they've just talked about how Fuyumi lost her job (and got a new one through the connections she herself built). How is he going to do that?

The fourth because I don't want to write it down, it's just Batman monologueing on how his partnership with Jason is still good and explaining the technical details of his fight with count Vertigo. It's in chapter 10 if you must look it up.

So four monologues total. Two monologues establish indirectly that Batman knows that Red Hood is Jason and doesn't want to face him. The third monologue establishes why he doesn't want to face him, he's afraid of being hated. The monologue is in line with Bruce's actions in the story, Bruce investigates several ways of reviving from the dead instead of looking for Jason.

The character's reactions around Bruce are also talking about how he's not acting like himself. Especially Alfred's who speaks of Bruce's indecision, on whether to put a stop to or save Jason.

"It is curious. He is lost in thought. It is not like him to spend vast stretches of time immobile, where his mind is gripped in the solitary process of deduction. This is quite different. He is hesitating. At a loss for what to do. I believe it is about Jason. And whether or not to stop him or save him."

This is illustrated in two scenes later where Jason spends a long time simply watching when Jason is fighting enemies, first in a fight against Captain Nazi, and second Black Mask. Jason even gives a direct callout of that behavior.

Jason: What the hell took you so long? Couldn't decide if you wanted to let me live. Batman: Shut up and fight.

Observed by Alfred Bruce is completely stalling and can't choose, observed by Jason Bruce can't decide whether to let Jason live or not. Bruce hesitates twice. We know why. We see it in action. It's called out as flawed behavior.

Now let's cover all the tell that don't show that is Endeavor's many monologues.

Pro Hero Arc:

I have to safeguard the future for them. That's the job for whoever's on top. What about the lives I cut short? Just demanding forgiveness isn't enough, it's too late for that. At this point I need to atone there's no other route.

Hellish Todoroki Family 1:

I'm trying to make ammends going forward. It might be too late. but I fall asleep every night thinking about it. Lately it's been the same dream. The wife and the kids looking happy at the dinner table. But I'm never there with them. It might be too late but I fall asleep every night thinking about what I can do for my family. I wish you could be here too, Toya. It's always the same dream. My whole family's there but not me. If I really care how they feel [I'll remain here].

I'm not going to read 200 chapters so I'm just going to ballpark it based on memory. Here we go.

Dabi's Dance:

My eldest, Toya didn't harbor frost within him. He didn't have a way to overcome the inescapable downside of overheating but I nevertheless sought to raise the boy as a hero. [...] Because Toya had more potential than me I placed my ambitions on his shoulders. I thought it could be you. You could have been the one to reach my eternal goal. My frustration... My envy... The ugliness in my heart... you could have been the one to smash it all to dust.

Plot twist this is the only monologue I like. It's different from all the others, and it's the only one where Enji is being emotionally honest. He put the emotional burden of his own emotional insecurities on an eight year old child, and expected to live vicariously through him and when Toya failed to live up to those expectations he just abandoned him. It alligns what we have been shown so far, Enji is not acting like a reptentant man here who realizes the harm he's done to Toya and only thinks of Toya as an extension of himself and his own regrets.

The Fight Against AFO:

My mistakes took the form as Toya leading to many stolen futures. The past never dies. Rage, resentment and even penace wound together toward the future. And the future is a path for the young. A path with so many branching choices. That's why I must win this. [I'll keep paying my penance. I'll win today and keep my eyes on Toya.]

When Enji decides to double Suicide with Toya:

I take full responsibility. I swore to bear the burden and live my life atoning for it all. However, you've been watching me all this time. While I couldn't be there to watch you. You were someone I especially needed to do right by. No I can't let you meet your end alone, but I won't let anyone else get caught up in our tragedy.

Hellish Todoroki Family Final:

I came to talk about what's to come. I'm retiring as a hero. That was my initial plan even before the war started, but now I can't even walk on my own. The hero endeavor burned to death. Your flames were really stronger than mine. [...] You're right. You know everything about me, Toya. After all you were always watching me. And you wanted me to do the same for you, but I didn't. Not matter what anyone says your heat does come from my hellflame. From now on I'll come everyday, so let's talk. It's too late now, so let's talk. [...] You're free to hate me. Anything is fine really, so throw it all at me.

This one is spoken dialogue but it's still a four-page long monologue. Every one of Enji's monologues with one exceptionsays the same thing: I'm sorry, I'll spend the rest of my life atoning for my actions.

We're repeatedly told Enji is atoning but he acts like Batman. Then, his actions should be framed as Batman, not atoning but avoiding any responsibility.

As observed by Class1akids when we were discussing the update:

Everyone else faces an uphill struggle with their lives, but we should all feel sorry for Enji atoning and being in hell. I hate Hori's compulsion to over-write his abusers and over-explain their atonement. He does this with Bakugou too but with Enji it's more irritating. It was so much more enjoyable when he just wrote the thing but didn't point at them and say -> look, they are atoning. Aren't they soooo cool??

Enji's internal monologues and the other characters frame him as some sort of martyr, while on the other hand it's clear by both Batman's actions and Alfred's observations he's not acting like his usual self. In fact, this is an interpretation of Under the Red Hood that I love from the writers of the video game Arkham Knight that does a less tragic retelling of Under the Red Hood:

Batman doesn't fight victims. He saves them.

Therefore if Batman is fighting Jason, a victim, he's not acting like Batman. I'm also fine with Arkham Knight being an Under the Red Hood retelling because it's a different story. Comics do this all the time, different universe versions, popular storylines adapted into different mediums. It also works as a commentary on the original story, by showing what Batman could have done to lead to a more positive outcome it makes Batman's choices in Under the Red Hood worse and more tragic because he could have saved Jason, there was still a chance.

So here we have two flawed tragic heroes who are meant to be both pitied and condemned for their actions. One of them is all pity with no condemnation. The other is both pity and condemnation, Batman is grieving, but also he's failing his responsibility towards Jason. Therefore one protagonist works, the other fails utterly.

I'm not saying abusers don't deserve redemption. I'm not saying Enji should have died in order to atone. I'm not saying that the underlying problem with the arc is that they decided to make Enji sympathetic and a focus of the arc. The most important problem is the breaking of one of the fundamental rules of storytelling: Show, Don't Tell.

The Tragic Villain

Not only does The Hellish Todoroki Family plotline fail to make Enji a compelling protagonist, it also fails it's biggest victim. Now, these are both stories that end with the hero failing to save their victim. So if both of these stories have the same ending, why am I saying it failed Dabi, but not Jason?

Well, let me explain.

Dabi and Jason are both villains turned victims. The stories themselves are about this ambiguity. How much should the be held responsible for their own choices? If they are actively harming innocent people, then shouldn't they be stopped? Should they be automatically be forgiven just because of the pain and grief they've suffered, even if they've been causing it to others?

Both characters are also reflective of their fathers because they are too being selfish in their grief, they want their grief acknowledged and so are violently lashing out.

Jason and Dabi both make plays at being vigilantes at first, Dabi wants to inherit Stains will, and Jason Todd wants to be a better bat-man by taking control of the drug trade in Gotham and cutting crime down by executing gang heads. However, neither of them are being honest with this and it's shown through their actions, both of them abandon their original plans.

In the final showdown all Toya cares about is facing Enji on the battlefield, and when he's on the brink of death his mind erodes to the point where all he can do is scream for Enji's attention while his flames get hotter and hotter.

Let's take about Jason first and how his narrative treats him a whole lot better and more sympathetically, with more humanity than Batman. Jason is still held responsible for his choices, he is criticized by Bruce for murdering gang leaders and passing it off as justice. He's also blatantly shown to be a hypocrite. My favorite scene from Red Hood: Lost Days, the official UTRH prequel.

"I want to kill the joker in a cool way. Just sniping the Joker from a rooftop isn't dramatic enough for me."

This scene, and the final scene of UTRH underlines Jason isn't executing criminals because he believes it's the right thing to do, or because of his stated motivation that killing the joker would prevent more future victims.

Instead his every action is to set up a scenario where he makes a selfish demand of Bruce. He wants Bruce to prove to him that he would choose him over being a hero, by setting up his final scenario. Him, the Joker, and Batman. Jason will shoot the Joker. Bruce has a gun. He can either choose to let Jason kill the Joker, or kill Jason to stop him, either way it makes it clear what Bruce's priorities are.

The underlying reason for this is similiar to Bruce. Just like Bruce, Jason is deeply afraid that Batman doesn't love him. That he thinks of him as a failure. (This is Toya's main reason too).

He also interprets Bruce's failure to avenge him to mean that Bruce didn't even care enough to mourn him. If Bruce loved him enough, he'd choose him over the joker, but he's so afraid that Bruce doesn't love him enough that he's going to force Bruce to choose.

Along the way he's also going to behead several crimelords in order to put an exclamation point on that point.

The way Jason completely unravels in the confrontation shows this insecurity, he begins with monologueing about how batman should totally kill people, until his fear that he wasn't important enough, and his grief at losing his father is revealed.

Batman: I know I failed you, but I tried to save you. I'm trying to save you now. Jason: Is that what what you think this is about? Your letting me die. I don't know what clouds your judgement worse, your guilt or your antiquated sense of morality. Bruce, I forgive you for not saving me. Jason: But why on god's green earth is he still alive? Ignoring what he's done in the past. Blindly, stupidly disregarding the whole graveyards he's filled with people. The friend's he's killed. I thought killing me - that I'd be the last person you ever let him hurt. Jason: If it had been you that he beat to a bloody mess. If it had been you he left in agony. If he had taken you from this world. I would have done nothing but search the planet for this pathetic pile of evil, this death worshipping garbage, and sent him off to hell.

Direct statement, it's irresponsible of Bruce to let Joker live after killing Jason and should have put him down to prevent future victims. Reading between the lines, Batman not taking revenge for Jason is a sign that he didn't love him enough, Jason loves Batman more because he would have taken revenge.

As the confrontation continues and Jason's mental spiral worsens, to the point where he can't keep up his pretense of self-righteousness.

Jason: I'm not talking about killing cobblepot, or scarecrow, or riddled, or dent. Jason: I'm talking about him. Just him. And doing it because...he took me away from you.

The father had lost the son, and now the son had lost the father.

Jason's revenge is just a cover, for his grief at losing Bruce. I think this also shows a really positive aspect of Jason's character to humanize him instead of condemning him for his actions to ignore or even justify the suffering he endured: Jason really loves Bruce.

I mean how meaningful is the statement: "Bruce, I forgive you for not saving me."

Bruce has been afraid to hear the whole time that Jason hates him, that he won't forgive him, but Jason loves him deeply. In fact his love is almost equal to his rage because Jason is a deeply emotional person, and these little details make him human and not just like a plot obstacle that Bruce has to face. A metaphor for his past failures.

Dabi is drawn as a crying boy who wants comfort, Jason is shown to be a crying boy who wants comfort through both dialogue and action without us directly needing to be told. It's a heartbreaking line and doing it because he took me away from you and it lands perfectly because the narrative wants us to just look at Jason's grief. It doesn't add an asterisk* even though he was in pain, he's done unforgivable things that can't be justified to undercut Jason's suffering.

In fact that might be another underlying problem with The Hellish Todoroki Family, the narrative tries too hard to make you feel a certain way instead of just presenting things as they are to make you come to your own conclusion. UTRH doesn't support Jason's revenge based serial killing of villains. It doesn't say he's justified to cut off the heads of mobsters. However, it doesn't excessively state "Well, I'm really sorry what happened to you but what you've done can't be forgiven" so we don't have to challenge ourselves to feel too much empathy for Jason's suffering.

Meanwhile even when Toya tries to express his rightful anger and grief, we're always met with someone shutting him down and saying well yeah, but you're wrong, involving innocent people is unforgivable.

As said by @stillness-in-green in the replies to this post:

I think so much harm (in-universe, but the state of the Twitter fandom makes me think the messages are pretty toxic irl, too) comes out of portraying the Heroes as needing to weigh in on the *morality* of the Villains' actions before they gauge "saving" them, when that is not a thing that glorified cops have any business thinking they have the right to do. Demanding repentance before the rehab is so bizarre.

You can say someone's actions are wrong without using it as a factor to consider whether or not their suffering as a human being should be acknowledged, and like I said there's multiple instances of people just yelling at Toya how immoral he is instead of addressing the elephant in the room.

You're wrong, you're wrong, you're wrong, you're wrong.

(Okay, I understand that some people have interpreted this as a show of Honnae and Tatamae, the Todoroki's who are a very repressed household are finally talking about their feelings even if those feelings are selfish and ugly).

(I'm not criticizing Shoto for saying that the people he killed were his own choice necessarily, Shoto is a character who's actions need to be read more deeply than his words he was dedicated to bringing Dabi down without him burning himself any further start to finished. My criticism lies in the fact that Hori uses Shoto as a mouth piece because he thinks we need to be reminded that murder is bad).

However, even acknowledging that time and place man, time and place. They couldn't have done that in the aftermath, when Toya isn't burning to death?

Hey buddy, you're being selfish.

Toya: AHHHHHHHHHHHHHHH I'M MELTING, I'M MELTING.

This is I feel the underlying problem with the way the arc is written, not because the Todorokis are a very traditional Japanese family and there are cultural reasons they express their emotions differently, I'll give a caveat to that it's a nuance I might not understand.

However, I am arguing the actual problem is tell don't show. Horikoshi thinks that we as an audience need to be told multiple times that murder is bad, and we cannot be trusted to interpret that on our own.

Under the Red Hood shows both sides of Batman and Jason's debate, and let's us just come to the conclusion that Jason is in the wrong because revenge isn't justice. Horikoshi reaches no shit sherlock levels of telling us that we're not supposed to approve of Dabi's murders.

it's also a matter of giving Dabi narrative space to express his feelings, like every time Dabi tries to talk he is continually shut down (Shoto does engage Dabi talk to him and listen to why he didn't come back though I'll give him that) and it seems to be to push forward this weird idea that you shouldn't sympathize with the pain Dabi has endured or the ways he's dehumanized unless he does something to prove he deserves to be treated like a human being first.

Jason gets to monologue and make an entire argument, and his argument also shows the depths of his love for Bruce and what a deeply feeling person he is, and how those feelings being hurt and twisted could logically lead to his lashing out.

Compare this to Dabi who doesn't get a final monologue, but is instead reduced to a completely mindless state where he just cries out for his dad's attention. He doesn't get to make his argument.

Jason and Dabi both choose to blow themselves up, but Jason gets enough character agency to show this is a deliberate choice he's making even if it's the wrong one. He retains his character agency and ability to make decisions until the end of the narrative.

Jason's also you know physically crying. The end result of the narrative is about wrong choices that both Bruce and Jason make together, and then suffer the consequences together. Bruce watches the same failure play out again and he isn't able to save Jason, Jason doesn't get what he wants, he doesn't get revenge and he doesn't get to reunite with his father. It's tragic for both of them, and brought about by decisions both of them made.

Whereas yes Dabi makes a lot of bad decisions leading up to the last war arc, but in the end his final fate is up to a choice Enji made to not face Toya in the final battle.

However, while the final consequence of the battle is brought about more by Enji's decisions than Toya's, it's Toya who endures all the suffering and punishment. It's Toya who is in an iron coffin, and doomed to slowly and agonizingly die with all of his skin burnt off unable to move. Toya doesn't even get agency after the arc is over. Enji still has a wheelchair, Enji can still move around, Enji's still fucking rich, he's not in prison for his actions, he as Rei wheeling him around.

Toya's agency and choices are all taken from him, presumably to serve the plot purpose of making Enji save him to finish off his arc, and then ENJI DOESN'T EVEN SAVE HIM.

Also I think it's important to mention, Bruce's tragic ending is brought about by him attempting to save both, trying to save the joker and Jason with the same action. Whereas Enji's tragic ending is brought about by Enji NOT LIFTING A FUCKING FINGER TO HELP. Yet, it's Dabi who has the lion's share of suffering, and is sentenced to this horrific state of being skinless in an iron coffin and only being able to be awake a few minutes a day with no choice but to waste away.

Bruce is also immediately called out for his actions, by the Joker of all people, you handled this all wrong, it's your fault. Bruce is right to not kill the joker, killing the Joker would not have solved any of Jason's problems, but the fact that he put off facing Jason for so long, and his inability to communicate that he loves Jason is what leads to Jason thinking that the only way to prove Bruce loves him is to force him to choose. It's because Bruce has utterly failed to show him in any other way that he is loved.

Joker: Oh my god, I love it! You manage to find a way to win, and everyone still loses. I'm going to be the one who gets what he wants tonight, badda bing, badda boom."

I'd also like to add that a lot of agency in Enji's actions are taken away too, to make him look more blameless. It's not Enji's fault that he didn't say anything to Dabi during Dabi's dance, he passed out because he had a punctured lung. It's not Enji's fault that he spent a month protecting Deku instead of searching for Toya, he had to protect innocent people. It's not Enji's fault that he didn't go immediately to face Toya in the final war arc Hawks told him not to.

It's not Enji's fault that he made Shoto and Toya fight like Pokemon instead of cleaning up his own mess, and also he feels really sorry for it and as soon as he's done punching the bad guy he'll look after Toya he promises.

Enji does get called out for this behavior but it falls flat because it only comes from the villain AFO, and Toya himself. As I stated above too, the ending is more influenced by Enji's actions not Toya's (because Toya's agency is stripped away until he's mindless) but Toya is the one who has to die while Enji gets to live and atone.

That is the real sticking point for The Hellish Todoroki Family, the way it ends.

Themes Are For Eight Graders

The underlying problem with the whole arc and why The Hellish Todoroki Family fails as a tragedy, is because it wasn't written to be a tragedy.

The above quote is from an interview with the writers of the widely hated Game of Thrones Season 8, which took a sudden tragic turn for Dany's character, gave her an incredibly dehumanizing ending of being put down like a rabid dog by her own lover, an ending that was neither foreshadowed nor did it match with anything written before.

In this meta here by @hamliet it goes far more into depth that Game of Thrones isn't a tragedy, but a piece of Romantic fiction (not a love story, Romanticism is a genre of big emotions, the beauty of life, larger than life ideas hence why it fits well with fantasy genre, it can be sad but it doesn't follow tragic structure).

Dany is a romantic heroine, a deconstruction of the idea of the classic warrior princess trope, and you know a colonizer, but she's not meant to be written as an inherently bad person. There are people who say that Dany was going to die in the original books. I'm one of those people. Me. However, context and framing matters, Dany for all her colonizing ways does genuinely want to do the right thing, so it's likely she'd die a heroic death as a reflection of her selfless intentions (and intentions do matter for fictional characters) whereas in the show she's put down as a villain.

Now watch me I'm going to coin a term for future literary critics to use: Narrative Gaslighting.

Narrative gaslighting is different then Show Don't Tell, where an author has just failed to properly show what they're trying to tell you in the story. Narrative Gaslighting is when a narrative deliberately tries to mislead you, straight up lies to you, or just insists things that did not happen totally happened guys. Much like real gaslighting, Narrative Gaslighting makes you feel stupid for interpreting things a certain way and insists you were wrong all along.

Narrative gaslighting is when Tyrian gives a speech that everyone should have suspected Dany when she burned slavers alive that she was secretly evil and would one day turn on them.

Like, no.

Dany is flawed because she is a foreigner, interfering with the politics of a different country that she does not understand in order to gain enough resources and men to return to her home country and invade that country to exercise her right as a Targeryn to uphold the divine right of kings.

Game of Thrones doesn't mention any of that shit that's in alignment with the previous actions in the story, it's just insisting the very ableist notion that Dany was insane all along and her violence towards other people is the result of her mental illness.

(Also before anyone says, so if she's a colonizer than how can she have good intentions, everyone is Bad in Game of Thrones, they're all waging war to vie for a throne, monarchy is bad guys. IDK how to tell you that Game of Thrones has gray on gray on gray on gray morality).

(Also this aside ties into the hangup of MHA and most popular fandom culture on Twitter, that Dany's moral failings somehow disqualify her from her humanity. In spite of the fact that on top of all of that she's a rape victim, and like, Dany's only on that continent in the first place because she was sold as a bride.)

But here's the same weird subtext that Horikoshi's writing of Dabi. The fact that Dabi was continually victimized and denied human dignity does not need to be addressed, because he did the bad things and didn't atone properly enough for it first.

In essence this random post on the gunnerkrigg court forums I found on the same day the chapter came out, displaying apollo's gift of prophecy.

"When someone is persecuted, it's important to inform everyone about their flaws. That way you don't have to feel anything about all the times that they were denied human dignity."

So, Dany is not written as a tragic hero but a romantic one, we as an audience are both meant to acknowledge her flaws and sympathize with her, not demonize her in an ableist way for being insane, and even if Dany is meant to die the tragic way she dies does not match up with all of the narrative foreshadowing that was built before that.

Like, for instance a lot of POC after the show ended kept telling everyone that Dany's actions in a foreign country were seriously problematic, and not only did the audience not listen but the showwiters didn't acknowledge it with the same subtlety as the books. So those people especially were able to pick up Dany's character flaws, and when the show finally acknowledged them it's not even in the way that critiques of the show were pointing out Dany's flaws it was just "she was insane all along." Not like taking time to go "no matter what the intention, interfering with the politics of a foreign country is wrong."

The problem with the Todoroki arc is essentially the same, down to the ableism (because outsiders continually call Dabi either a maniac or insane Demon without even giving credence to his grievances about hero society he's just reduced to an insane fringe element of society, and Dabi himself is reduced to a completely mindless, childish, insane screaming state where he can't make active decisions).

The Todoroki Arc is not set up to us as a tragic one. The ending is pretty clearly telegraphed to the whole audience. People are not wrong for thinking that Toya's ending would be either rehabilitation like Rei with the eventual hope of being welcomed home, or some kind of house arrest where he still gets to be with his family.

Everyone happy at the Dinner table and Enji not sitting with them.

"I wish you could be here, Toya."

"We all have to go stop, Toya."

"In that case, I'll make him sit down for a bowl with me."

Even Shoto's efforts to take down Toya non-lethally are rendered completely pointless, because Toya gets back up again and then burns himself alive (completely by his own choice so no one has to feel bad that they failed).

The story sets up the expectation that Toya is going to be brought home and sit down for a meal with his family. Then it makes you feel stupid for going in an entirely different direction. It was always going to end this way didn't you know The Todorokis are a tragedy?

Well, I just spent a very long section of this thesis statement illustrating that if it's supposed to be a tragedy, then it's still not written well.

It's a written as a romantic story of a family healing, and the villain getting saved, only for the villain not to be saved and the story to just keep on going like not getting saved isn't a huge failure. This is something that should permanently destroy the main characters, that they got the chance to repeat Sekoto peak and be there this time and they all utterly failed. I feel bad for Shoto most of all because he did everything right, and he still loses his brother, but does the story show that?

The problem is the story is blatantly lying to you about the fact that Toya was somehow saved, even though he LITERALLY LOOKS LIKE HELLRAISER. To quote Codenamesanzanka again:

But I feel the story couldn't give us that because it will remind the reader and everyone just how much Touya will be missing. In-story, talking any more will overburden Touya's heart - and how apt is that metaphor? So let's talk about how we'll talk, but that's all that's allowed here for this scene. Else we'll see how unfair it is that Touya has to be confined to this room, he isn't with his family and they have to come to this prison just to tell him about their day, and soon he will be gone. Details make it real, and it would've exposed the lie that Touya was saved in an actual way. The story knows it too - "this extra time Shouto gave us." This is all 'extra', and not the core. [...] If the story was sincere that this is a case of "it's simply too late" - as it should be!!! imo, to really drive in the clear point that they failed, they did not get the save they wanted, because that's the truth - the tone of the chapter isn't tragic enough for that. The tone is going for 'Making Peace With This'. We've skipped the stages of grief and all we have is acceptance. The characters have accepted this, and so must the readers as well.

Therefore it's narrative gaslighting, the story is making us doubt our perceptions and trying instead to manipulate us to feel a certain way. We don't have to question the unfairness of Toya's fate, because look at all the people he's hurt, and look how Enji is atoning and taking responsibility.

The story builds up the idea that Enji will choose Toya. That he will choose being a father over being a hero. Enji doesn't do that, and it's Toya who suffers the horrific, painful consequences while Enji gets off mostly scott free. Mind you it's also ableist to suggest that being in a wheelchair is some sort of life-ending consequence like he's fine. The story even goes out of its way to say how avoidable this ending could have been if Enji or Rei or someone lifted a single finger to give Toya the acknowledgement he wanted, and then gives it a "Too little, Too Late" conclusion but doesn't acknowledge that this is where it's ending and instead tells us that Enji has successfully atoned.

"Everyone's watching me. So this is what it's like. If it was such a simple thing, then why not sooner?"

If it was going to turn out this way Toya should have just died here, not because death would somehow be a mercy compared to life in prison, but because the Todoroki Family doesn't deserve to get to pat themselves on the back. If they let Sekoto Peak happen a second time, then they should have to deal with the consequences of that.

It would be consistent is my point. This is written as a "Too Little, Too Late" kind of ending, but we don't get the emotional response from the Todorokis that they've let Toya die a second time.

On the other hand, UTRH has the exact same tragic ending but it doesn't make me angry because it's honest about it. The Todorokis let Sekoto peak happen a second time. Batman let Death in the Family happen a second time, but look at how even the narration and comic panels of the story acknowledge it.

"Fate is a funny thing. It swells up like a raging current and we are forced to travel. It provides us no exit. No deviation. It drops us in a bottomless ocean and compels us. We either swim, or drown, and sometimes as we struggle against the tide, a great truth arises."

One ends with Enji meaninglessly stating that he'll spend the rest of his life atoning for Toya and watching over him (which I guess will be like two months tops) for the fifth time. The other ends with Batman being lectured by the Joker of all people of how he chose wrong and being forced to watch once again as a warehouse blows up, and he's completely helpless to save Jason.

UTRH ends with the message that Batman sucks, Enji's atonement arc ends with Natsuo calling him cool for atoning and UTRH makes me like Batman way more as a character. Whereas at this point I feel nothing from the Todoroki Family, except for a disgust for the way that Toya not only has to die, but has to die a slow, gruesome death while the rest of his family walks away with the small comfort of "oh at least we'll get to say what we need to say before Toya passes."

Especially with the fact that Toya's greatest fear was that when he died, he died meaninglessly because his family never grieved him and all moved on with their life. I guess we don't have to analyze how gross the underlying message that criminals don't deserve to be sympathized with because themes are for eighth graders.

EPILOGUE

The post is finished but apparently everyone expects me to cover every single possible angle even in posts this long.

You didn't address the cultural aspect. Under the Red Hood is a western story, and Todoroki Family is based on eastern concepts.

The post isn't about that. The post is long enough I can't cover every single topic. Here's someone who covered that topic thoroughly. This one discusses more about the nuances of collectivism.

Also, since the Todoroki Family obviously copied Under the Red Hood's homework, it warrants a comparison. Especially since it seems to critically misunderstand what made the original work.

Which is a valid form of Literary Criticism, as Ursula K Le Guinn once said:

 It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does.

The Todorkis aren't all to blame for Toya. Natsu, Fuyumi and Shoto are innocent:

You're right. It's just easier to refer them as the Todorokis then specifying "Enji and Rei" each time.

You didn't mention Shoto once in this post:

I have no cricism for Shoto's role in all this. In fact I think he's the best written part. I praise it here.

Shoto is a good boy, and he deserved to spend more time with his brother. The fact he won't be able to sit down and have dinner of him, is the greatest tragedy of them all.

[doctorsiren]

Today’s textured canvases once again featuring that Legally Mom AU 😁

Miles and Phoenix were never separated, and so they remained best friends through high school and college. They both went to law school, but Phoenix got a BFA and went to law school wanting to defend artistic and creative rights. He also went because he would be bored all day if Miles was still going to school and he wasn’t

Edgeworth actually becomes a lawyer and he works at his mother’s firm

Mia ends up working there instead of at Grossberg’s because it makes more sense that she would work at the firm connected to DL-6 and also uh she would have a woman as her boss lmao (Eleanor ends up becoming like a mother-figure for Mia, and Miles becomes like a younger brother to her)

Since Mia isn’t working at Grossberg’s, she wasn’t involved in the Fawles trial (which was prosecuted by Franziska). Diego was the defense attorney on that one, and he went on a solo mission to investigate Dahlia. He and Mia met and became friends, but Diego kept the Dahlia investigation close to his chest and a secret, partially to protect Mia (since they were friends now and since she was a new attorney and inexperienced). Diego and Mia finally ask each other out one day, and they plan to have a date later that week, but Diego then has to go to a meeting he has…which was with Dahlia…and he got poisoned…and by the time he wakes up, Mia is dead and they never got to go on that first date. He was asleep and unable to protect her, which is why he didn’t tell her about the Dahlia investigation in the first place. He ends up blaming the Edgeworths (Eleanor and Miles) for her death.

Dahlia (Iris) still dates Phoenix since Phoenix and Miles are dummies and have yet to confess their feelings for each other (although Eleanor can tell). Since Mia wasn’t a part of the Dahlia investigation, and since it was handled by a different firm, it didn’t raise any red flags when Phoenix started dating this chick. Phoenix was also in the courthouse library that day because, again, he wanted to go to law school with Miles (subconsciously pulling an Elle Woods).

When the murder of Doug happens, Miles isn’t a lawyer yet since, even though he could have skipped a grade or two, he never did because he didn’t want the increase in social isolation and also didn’t want to get separated from his friends he already had at his grade level. So he’s the same year as Phoenix (senior in college). I think Eleanor would then be the one defending Phoenix (rather than Mia) since she’s also basically a mother to him (he practically lived at the Edgeworth household since his home life wasn’t great, and then he moved in after his mother passed away his senior year of high school. So he’ll call her Mom and such, but he doesn’t refer to Miles as his brother and neither does Eleanor refer to them as brothers since She Knows What They Are [even if they don’t really know yet lmao])

We also figured out that for Turnabout Goodbyes, Eleanor is the one framed for Hammond’s murder since MVK wants to get rid of her as she is still trying to investigate the truth and he can’t have that. Miles has to defend his own mother BUT THEN when Miles starts saying the stuff about how he probably is the one who killed his own father, Eleanor then defends HIM and it’s just…Ough…mother son bonding over murder and death of father 😭😭😭😭

Just some thoughts 😁

[heartfullofleeches]

What if someone from "Sheep"'s old pack came back around and tried to expose them, maybe for joy in suffering or to get people to split away and have an easy meal?

Sorry if this read weird I'm tired as hell

(I doubt any of them would recognize "Sheep" after all these years, but here's what would happen if any predator tried to reveal "Sheep's" identity.")

[Warnings Physical Violence, "Sheep" has a panic attack.]

-

"How stupid can you lot be?"

No...This isn't real. It's all a bad dream, right? You'll wake up any minute now, surrounded by all your friends and neighbors you've yet to acquaint yourself with. Perhaps you'll finally join Rabbit on one of their picnics. Or maybe Swan can teach you how to play chess - surely he must be tired of you asking which piece is which every time you play.

Claws digging into the meat of your shoulders stake you within the world of this cruel reality. This isn't a dream. You can't wake up, even if you chewed your own tongue off and suffocated on the blood as every cell in your body screamed at you to do. It would save you the torment. Your mouth hangs open, ragged draws of air and the smooth, filed surface of your canines preventing you from carrying out the deed.

"A sheep? This thing?" The cackle he barks causes your knees to curl against your chest - body instinctively trying to make you as small as possible. What do you have to be do afraid of? If you weren't so spineless you could've done something by now. Everyone is going to die now, and they'll die hating you.

"I wouldn't be surprised if we grew up from the same pack!"

It won't be long now- the concern for their fellow neighbor bleeding away to further terror and confusion. Were you responsible for the recent disappearances? How long until you devoured everyone? Monster. Beast. Wolf.

The townspeople are in a frenzy. What should they do? If the wolf's claims are true.... No- That could be dealt with that. The most important thing was getting you away from him before he hurt you anymore. They're so many of them. It'd be easy, right? The thought crosses their minds, but no one dares to speak first. A rabbit grows annoyed of their hesitance. Whilst the town is bickering amongst themselves, you're laying there - cowering for your life as that wolf threatens to ruin it for you. It isn't fair. The knife in their basket was for cutting cakes for you to share...

"Liar....."

As the rabbit weaves through the crowd, another resident of the town returns home from her daily gatherings. Rocks weight the pockets of her dress - the shouts and panic from her fellow neighbors channeling miles throughout the forest. Scrambling to find the sharpest one, she throws it directly at the back of the wolf's head.

"You damned liar!"

The wolf staggers forward - a pitiful whine escaping you as his claws retract from your shoulder. Blood gushes from the back of his cranium, a sharp ringing in his ears bring him to his knees - landing center on the blade aimed at his stomach.

"About a week ago, Sheep and I found a robin's nest in my backyard.... They got all teary eyed when the last egg wouldn't hatch... Tell me.... Would a wolf do that?"

Rabbit plants their foot on the wolf's chest, twisting the handle of their knife as they rip it from his bowels. The wolf grabs into their ankle, using what little strength he has to shove them off of him. Mouse leaps onto him from behind, slamming another rock into the nape of his neck.

"Take it back! Take it back! Sheep isn't anything like you! How dare you accuse them! You monster!"

Stop....

Your voice is too quiet for any of them to hear. You doubt that'd stop them anyway. They'll kill him. He came here to do the same, but does that make it right? Strong arms lift you from the dirt floor - mindful of their antlers as they place your head to their shoulder. Mayor Moose always knew you best - hushing your sniffles as soon as they begin. Swan stands off to the side behind him, refusing to meet your eyes. He tucks the coat of his suit over the handgun strapped to his belt.

"I'm sorry..... I'm so sorry."

"What are you apologizing for?" Swan still fails to look up at you. He knows if he does- there's the smallest chance he'll give into your pleads.

"Get some rest. You'll need it after the day you've had."

Carried away from the commotion, the defenses your fellow townspeople confess, the blood they spill so that your innocent is kept - the blood loss and sheer shock of it all lulls you into a dreamless slumber.

It's the best sleep you've gotten in months.

[vampiresfromxenon]

Kiss It Better

Astarion x gender neutral! Reader/Tav

Around 2.2K words 

Tags: Fluff, kissing, blood, soft!(ish?) Astarion, hurt/comfort, angst, 3rd person, no use of y/n

CW: Blood, deep wound on hand, existential thoughts (?)

Summary: After accidentally cutting your hand on your blade, Astarion is the only one in the camp to help you deal with it. You’ve been seeing him for awhile now, but this is the first time you’ve ever seen him actually care. Perhaps he does feel the same way about you…

~

With the daylight fading, you rest just outside your tent, wiping the blood off of your blade with a damp rag. As you sit there, shining it to perfection, you can’t help but analyze your reflection, thinking about the events that led you to having newer, fresher scars on your face. It’s been a few months since the start of this nightmare, since the start of having these things inside your head. The tadpoles weren't that bad to deal with, but your feelings were worse. 

You’ve grown to love all the companions you’ve met along the way, laughing and enjoying their company as you travel across the land, searching for answers, for a cure. You all keep each other safe in one way or another, and while you hate to get too attached, knowing this won’t last forever, you feel as though you found your family, especially since you can’t remember your real one. God, your real family. One you once knew but now have no memory of. Your past is a mystery, and it haunts you, much more than the gnawing idea that you could become a mind flayer at any waking moment. 

You want to remember. Oh, so desperately do you want to remember, but you can’t. That is not an option for you. And besides? What good would that do you now? You can only confront the horrors that lie before you. The thought of losing your friends, the thought of losing yourself. The thought of losing… No. You can’t bear the thought of losing him.

You find your heart sinking in your chest at the thought of him turning into a mind flayer. Your chest aches at the thought of where you promised you’d stab him if, Gods forbid, he turns. Looking into his eyes and seeing nothing, no life, no character, but a vessel. A vessel for these wretched things. It was becoming too much to handle. Your body begins to tremble from these false images enveloping your thoughts, these twisted and sickly ideas corrupting your mind for far too long. You’re so distracted by these terrors that you fail to notice the fact that you started to scrub the blade harder, or even more pressing, the fact that you dropped the rag. 

In one swift movement, your palm forcibly glides across the blade, drawing both blood from your palm and a string of curses from your mouth. The images disappear, fleeing your mind as you pick up the rag and crush it into the palm of your hand to stop the bleeding. The blade was no longer important in this moment, tossed off to the side for later. You storm into your tent, clutching your hand, searching for any sort of healing potion or power that you could find. Shadowheart and the rest of the camp had left to explore the town for the night, leaving you all to your lonesome, or so you thought. 

You sit on a cushion, exasperated and upset with yourself and your doomed existence. Removing the cloth, you take a closer look to see just how bad the wound is, trying to ignore the stinging feeling. Distracted by the blood, you fail to hear a visitor’s light footsteps approaching. 

“Oh dear, what happened to you?” A charming voice rings out. 

You turn to see a pale, slender elf standing in the opening of your tent, his white hair perfectly styled as always, his piercing red eyes invading your soul. Shoving the rag back into your burning palm, you attempt to hide your mistake, though you know he smells the blood from miles away. 

“I had a moment of clumsiness, nothing more.” You stated in a nonchalant tone, attempting to downplay your embarrassment. 

You turn your hand away from him, your eyes drifting around your tent, avoiding his gaze. He slowly approaches you, kneeling down on the cushion you are sitting on. He moves his head to meet your gaze, not wasting a second of eye-contact. 

“Mind if I take a look, darling?” He purrs, asking more nicely than usual. 

Your heart begins to race as he leans over you a little, prying into your personal space. If it were anyone else, you would push them away, but he invited himself in so much that you couldn’t help but miss it when he left. However, in this moment you did not want to feel this vulnerable, this embarrassed at your mistake; you couldn’t help but push him away just a little. After all, he is not known for having the best 'bedside manner’, if any at all. Meeting his eyes, you give him a knowing look.

“I’ll be alright on my own, thank you, Astarion. Besides, I thought you went into town with the rest of the camp?” You inquire, suddenly aware of just how much your feelings of being alone may have been an illusion. 

“I had no need to go, and honestly I couldn’t take any more of Gale’s whining about ‘needing to eat magical artifacts’. I know everyone complains about my diet, but let’s be realistic here for just a moment…” He looks away smirking, proud of his own snarky comment. Turning back to you, there is suddenly a shift in tone on his face. While he still has his typical look, one that is oozing with flirtatious energy, he looks a bit more serious, concerned even. You’ve never seen this side of him before, and it shocked you considering just how insignificant he’d find a wound like this normally. 

“Let me see it, please.” His voice was low, softer than usual, but commanding. One of his hands reaches across you, his hand ghosting over yours. You can’t help but lift your bloody hand so his palm touches the back of your hand. Never breaking eye-contact, he pulls your hand closer to him, gently pulling the rag from your white knuckles. Looking down, he notices just how bad the cut is, taking up most of your palm. 

“Oh, my dear… How did you do this?” His voice is more concerned now, his thumb gently rubbing circles into your wrist. His eyes soften, and you can’t help but think back to what put you in this mess to begin with. Your body trembles once more, eyes breaking his gaze as you stare down at your hand. 

“My hand slipped while cleaning my blade. It’s alright, I just need to wait for Shadowheart to come back…” You trail off. 

“Why wait for Shadowheart? I can make you feel better, you know…” His free, slender hand reaches down and grabs your chin, gently raising your head to face his again. You blush from his touch, his willingness to command your body. Your mouth falls open a little, unsure of what to say or how to respond to such a comment from him. You were used to his flirting, but this unlocked a whole new feeling in you. He could sense your speechlessness, and so he did the one thing he knew how to do best: make you even more flustered. 

“Would you like me to kiss it better?” He asks in his normal, teasing tone. This offering catches you off guard, breaking your immersion in this intimate moment. You can’t help but laugh, thinking now that he was only just charming you like he does everyone else. Continuing to laugh, you call him out. 

“Very funny, Astarion. Hilarious. Need I remind you of when I was opening up to you not that long ago and you said almost the exact same thing? Seems to me you’re running out of tactics here.” You roll your eyes, not amused by his antics.

You feel his grip tighten on your bleeding hand, pulling it closer to him. Looking to see what he is doing, you connect with his eyes one more time, seeing an almost predatory look. You stop laughing, your face heating up once again, your heart pounding as his soft lips connect with your wounded palm. It still stings, and you wince a little at the contact, but you can’t seem to look or pull away from him. He kisses all along your palm, and you can feel him gently sucking at the blood. Not only was he kissing you better, but he was feeding on you. 

If you weren’t so attracted to him, you’d be much more upset. Instead, you sit on this cushion while the vampire of your desires kneels before you, kissing and sucking at your wounded palm. You can feel his tongue lapping at your skin, his fangs ever so slightly poking out from behind his lips. Yes, he was feeding, but was he… actually kissing you too? His hands continue to massage the back of your hand and your wrist, trying to provide you comfort without completely invading your space. Eventually he stops, planting a final kiss on your wrist, his mouth covered in blood. He licks his lips, and you can’t help but tremble now but for a whole new reason. 

“Better?” He asks, smiling enough to show his fangs this time. 

“You just wanted an excuse to suck at my hand, didn’t you?” You raise an eyebrow, an attempt to see through him.

“I am always looking for any excuse to suck at any part of you, my sweet.” His voice is low once more, a rumbling laugh escaping his lips.

He finds a section of the rag not absolutely soaked in blood and pushes it back into your, now much cleaner, palm. Your whole face is flushed now, unable to think of any more witty remarks or comebacks. For the second time in just a few small minutes, he found yet another way to leave you completely speechless. The sly vampire decides to take advantage of your silence once more. 

Letting go of your hand, he leans forward, his lips connecting with yours. It’s soft, gentle, and new. To be fair, while you have spent a few intimate nights together, this moment here alone feels so much more real, so much more genuine. Almost as if he was kissing you… because he wanted to. A real, genuine want. His hand caresses the side of your face, his other landing on the small of your back as he continues to kiss you. Without hesitation, you lean into the kiss, your body elated by his touch. It’s not long before he deepens the kiss, his tongue parting your lips, wanting more from you. 

He tastes of iron, what more could you expect, but for once you don’t hate the taste. You invite it more into your mouth as he continues to lean even further over you. He begins to push you back, your body relaxing into the cushion. He breaks from the kiss, planting small kisses on your face, trailing them down your jaw and to the side of your neck. You can’t help but close your eyes, softly sighing as he kisses at your skin, sucking softly, his fangs once again poking you. He had been feeding off you almost every night now for weeks while you were dead asleep, and while it was unusual for you two, it was so much more enjoyable to experience it this way. He lifts his head, meeting your eyes as a way of warning you he was about to bite. He opens his mouth, his fangs protruding, ready for the taste of your flesh and blood. 

“Helloooo? Astarion? Tav? We’ve got some goods!” Yells out Karlach, just a few meters away from your tent.

Shit. He sits up, kneeling over you, looking dissatisfied. You sigh and throw your head back into the cushion, frustrated. His cool hand caresses your cheek before tracing down your arm. He leans in close to your face one last time, his breath warming your skin. 

“Shall we finish this later tonight, my love?” He purrs, not even remotely finished with you.

You nod, still unable to speak from the last few eventful minutes. He kisses your cheek before standing. “Find me in the woods at our little spot, just after everyone has gone to bed. Don’t keep me waiting.” He flashes one last cheeky smirk before exiting your tent. 

“Hello, Karlach. Gale find any boots to devour today?” He quips, and you can’t help but laugh when Gale offendly responds.

The camp erupts in conversation, and you find yourself leaving your tent after a few minutes to track down Shadowheart. She heals you in her tent, though she has quite a few questions. Giving vague enough responses, she accepts them and lets you be on your way, but she’ll definitely be curious about it for a while. 

No matter, the only thought you could think of now was what Astarion had planned for both of you tonight; you knew exactly what was going to happen, but there was this whole new sense of excitement now that you could tell there was something deeper, real, and authentic going on between you two. You lie there in your tent, waiting for the snoring and sleep talking to begin to resonate throughout the camp, eager to scamper off into the wilderness with the elf you adore.  

-

Author's Note:

Hello! I haven't written any fan fiction in a loooooong time, and none of it was ever good to begin with- I've been struggling with writer's block for awhile now, and this was the first thing to break me out of it... lmao. I am very new to BG3 in general honestly, and I just barely started act 2. Please no spoilers, but also if Astarion is sorta OOC, I hope that explains why too :)

I've only had Astarion for what, two, three weeks now, and this man is just so whewww. I thought of this fic idea right as soon as I started a longer drive, and I started recording my thoughts on video so that way I wouldn't forget anything before I could start writing hahaha- I blushed so hard writing this, hope y'all feel the same

Hope you enjoy!

[freyanistics]

The fetishization of Hobie Brown

Side note: This post is not intended to start up the age discourse that surrounds Hobie. I am not going to get into it as this argument/debate comes up every so often and really doesn’t prove anything on either side you are on. I’m not dissuading anyone from absorbing any content of Hobie and saying it’s problematic EXCEPT for the things I’m pointing out in this post. If you see Hobie as a minor, that’s fine. If you view him as an adult, that’s also fine. Until the directors come forward and confirm his canonical age I am not going to bring up the same facts that is brought up whenever his age comes to discussion. This is just me bringing up a reoccurring issue I’ve noticed that doesn’t get too addressed by the community (and when it does it’s often pushed to the side)

The fetishization and inherently the oversexualization of Hobie Brown is not only problematic but also harmful. Black men being fetishized has been going on for decades since slavery times. I’m not going to go too deep into the history but if you’re interested this creator has a very good video discussing it.

With Hobie Brown being a darkskin black man that is part of the punk scene and comes off with a “rough” exterior you’re going to have people put stereotypes on him. Despite how he’s portrayed in the movie I’ve seen people headcanon him as this cold person who wouldn’t care about his partner’s feelings or come off as a womanizer that sleeps with a lot of partners without a care in the world. He fucks rough and is aggressive while the reader is this innocent person pulled under his spell. That’s where some of the problem delves with him being portrayed as this aggressive and sex deviant who doesn’t care about his partner(s) feelings. It’s a stereotype a lot of (mainly non black) people see black men as.

Despite the fact that Hobie in the movie shows to deeply care for his friends, even going as far as helping Miles who he didn’t even know up until now. He’s shown to be gentle when handling Mayday. Yet people still want to paint him as the polar opposite.

Take Miles G for instant. I’ve seen him get the same treatment with him being painted as a “gangster” who is aggressive and your typical gang lord despite him only having five minute screen time. While yes from that little time he does seem to be the much colder version of Miles Morales painting him out to be a thug goes into that dangerous fantasy a lot of people see black men. People (again mainly non blacks) view black men as this dominant and powerful man who is always aggressive in and out the bedroom.

The same can be said for Miguel who even the screenwriters have written him as “animalistic” and “feral”. Writing him off more as some beast than a human being.

Circulating back to Hobie there’s nothing wrong with finding him attractive the problem delves if you’re headcanoning him or viewing him as your stereotypical “hood” boyfriend who is deprived of any other emotion except for anger, jealousy, or this sex god who will beat up people for even looking at his partner. When we make these harmful stereotypes about black characters it starts to trickle down to irl and how we view actual people.

And we end up seeing shit like this on the daily. I don’t even have to explain why this is problematic.

All in all Hobie Brown is much more than just a pretty face. He’s a young black man living in an oppressive fascist society that he’s actively fighting against. He deserves to be treated more than just a sexy conveniently attractive guy but a much more complex character who’s backstory in atsv is still a mystery. If you’re just gonna sexualize him 24/7 and not see him anything outside of that you’re weird, and you’re even weirder if you headcanon with “he’s ugly but he got that big dick 🤪.”