#but at least these because they are the main focus

[kamiversee]

˗ˏˋ My Love Note ´ˎ˗

10 | I know that's

❧ Synopsis | In which Choso Kamo, your asshole of a best friend, starts to change after you get involved with a rather cheeky cashier, Gojo Satoru.

❧ Content | language, tension, flirting, mention of drugs & alcohol consumption, sexual tension, teasing, taunting, etc.

❧ Word Count | 7.2k (phew.)

❧ Pairings | Choso Kamo x f!reader & Gojo Satoru x f!reader.

| Chapters mlist |

——Back in your room, you wasted no time calling Gojo back. That whole… thing with Choso is something you’ll save your worrying for another day. As of right now, Gojo should be your main focus since you have a Halloween party to attend with him tonight.

Laying stomach first across your surprisingly neatly made bed, your feet dance back and forth in the air as you hold your cellphone to your ear and listen to Gojo ramble to you about his day. He didn’t address the phone hanging up at all or the way he definitely heard Choso’s voice before the line disconnected earlier—he just got on the phone, asked if you were alright, and then when back to what he’d been telling you before.

Which brings a nice smile to your face. It’s refreshing to have someone like Gojo to talk to, honestly. Not only do you really enjoy conversing with him or listening to him talk but, you also like how he didn’t question you like crazy. That simple act alone took some weight off of your shoulders because it meant you didn’t have to lie again. God knows you hate lying to the guy. 

But you’re not gonna tell him the truth either because the truth is terrible. How do you even being to explain to your crush that you almost fucked your best friend again in the short amount of time you were off of the phone with him?

“So,” Gojo continues, clearing his throat a bit between words. “Aside from tonight’s party, you don’t have any plans for today, right?”

Your head tilts further against the phone as you release a gentle sigh, “To my knowledge, no I don’t have any other plans. Why?”

He yawns softly, “Because, that gives us enough time to go last-minute costume shopping, remember?”

Chuckling into the phone, your lips curve into a smile. “Don’t you have work?” You ask.

You can’t see it of course but, Gojo rolls his eyes at that, “I mean, yeah… But I’m sure my boss won’t mind if I close up a bit early. It’s Halloween.”

“If you say so,” You comment. “I’m assuming you want me to meet you at the cafe in a few hours then?”

“Yup,” Gojo hums with a sassy lil pop of the ‘p’ at the end there. “Til’ then, I’ll have to drown myself in work. My break’s about to be over.”

You click your tongue and frown a bit, “Aw, well hopefully time flies by fast.”

“Yeah, hopefully.”

· ───────── · ꨄ · ───────── ·

Once off of the phone with Gojo, you spend your day holing yourself up in your bedroom in an honest attempt of avoiding Choso. Luckily for you, at no point did he come knocking on your door trying to gain a bit of your attention. This provided you with a rather relaxing morning and afternoon of bedrotting.

Not the most productive thing to do but, hey, at least time flew by pretty fast. After lazying around for hours waiting for the right time, you ended up rolling out of bed and throwing on something cozy to go out in—you’d be changing into a costume in an hour so there was no point in dressing up too cute or anything. 

You end up exiting you apartment wearing something easy to get in and out of so that when you do find your costume, and in the event that it later gets uncomfortable, you have something else to throw back on. 

Taking a walk all the way throughout your campus just to reach that cute lil’ cafe you’ve grown to love and adore, you felt the season of fall brushing all against your skin as you walked. It’s as if that hectic morning of yours never even took place with how peaceful this part of your day was. For just a moment, it was only you and your thoughts. No horny Choso humping against you like a dog in heat, no anxiety induced thoughts screaming at you everytime Gojo talks to you… just, tranquility.

And when you finally arrive at the designated coffeehouse you’ve been to time and time again, a smile is painted across your face before you even push past the front doors. The sun is making it’s set so the sky is all pretty with different hues of oranges and reds—something you took a few pictures of on your way here.

Grabbing a hold of the warm metal door handles, you give it a light push and that homey smell of coffee rushes into your nose. A smell in which you’ve grown quite fond of given what follows shortly after…

No one is inside except for Gojo so the smile on your face merely brightens as you meet eyes with him. Almost like a damn puppy, his entire demeanor lightens up at your presence, pretty dimples peaking out in his cheeks as he reciprocates your happy expression.

You’re approaching the counter and he’s making his way around it, all too quick to embrace you by wrapping his muscular arms around your waist and pulling you in close. Gojo lets out a long sigh, “Been’ waiting all day to do this, y’know.” He tells you, voice muffled slightly with the way his face slowly barries itself into the crook of your neck.

You hug him back with the same amount of passion he’d approached you with and then smile. “Do what? Hug me?” Your voice is gentle against his ears and unbeknownst to you, his heart feels all weird in his chest. Then there’s these flutters your feel in your stomach at how good he smells and how stupidly clingy he seems to be today.

It’s this strange mix of coffee beans and his cologne that seeps into your nose now, making you hug him just a bit tighter to simmer into the scent some more. He smells like a hard working man and you simply love that for whatever reason. You suppose that thing people say about a man in uniform is true after all…

“Yeah,” Gojo soon answers your question whilst lifting his face from your neck and meeting your eyes again. His gaze stays put for barely even a second before he’s cracking a smirk and leaning in to kiss you. 

A brief grin ghosts your lips as he kisses you. Your arms firmly wrap around his neck and you push up on your toes a bit to deepen the connection of your mouths. Gojo’s lips feel like comfort against your own, almost as if you were ice and he the sun—his every touch melting you in his hands. You let out a small hum in between the kiss as he slots his lips against yours further, steadily drawing your bottom lip into his mouth and sucking on it.

His tongue dances against the plump skin for only a moment before he pries himself away and you both ease out a small breath of air. “And that,” Gojo says, “I swear you’re on my mind all day.”

Such a soft admission spoken to you so suddenly makes you gulp. “Am I now?” You whisper, noticing how he’s leaning back in for another kiss already.

Gojo wets his lips and smiles. “Yeah,” He utters back just as softly, skin brushing over yours, and eyes narrowing, “Jus’ can’t get enough of you.” Is the last thing he tells you before he’s ridding himself of all the space between you two again.

No one else is in the establishment, so you kiss for a hot minute. It’s soft at first, like always, but then it gradually heats up. His hands move to your waist and his head tilts further while his tongue makes its journey into the wet caverns of your mouth. Groaning at the sweet taste resting there, Gojo unconsciously steps forward with you. You naturally follow his lead and he ends up kissing you until your lower back meets the counter.

Not sparing you the chance to break the kiss, Gojo bends down a little and swiftly lifts you up onto the counter—his lips never once leaving yours. He feels starved as he makes out with you right in the middle of where he works. Hushing out a simple, “Taste s’sweet,” In between your lips.

You mutter his name somewhere throughout the kissing and one of your hands ends up on his chest, very faintly pushing him. As the kiss is severed, Gojo has this needy expression all over his face and his cheeks are reddened. He’s so pretty that it genuinely hurts to look at. It almost isn’t fair.

“Don’t we have some shopping to do?” You remind the man in a slightly breathless tone. 

Gojo bats his lashes at you almost innocently. “Yeahh, but we have time, don’t we?” As the words roll off of his tongue, his lips are curving into that taunting little smile again, and then his dimples are making yet another appearance.

His hands, which are so stupidly soft, trace the outskirts of your thighs upon the counter. Those almost beryl-blue eyes of his scan over your face, taking in every inch and curve, studying you, and getting mesmerized by you. If you looked way too closely into it all, you’d almost asume the guy was in lo—

You clear your own throat to cut that thought off. “No, it’s Halloween, silly.” You remind him with a smile, glancing down to your hands on his chest and moving your fingertips to trace what you can feel beneath his clothes. “There’s barely gonna be costumes as is, the later we go, the less there’ll be.”

Gojo sighs while he thinks for a moment. His bottom lip protrudes as he pouts and you can’t help the way you chuckle at that. “S’not funny. I really did miss you,” He tells you again, tipping his head down into your neck and pressing his lips against your skin, “But you’re right, we probably should head out now.” He’s agreeing with you with his words but the way he’s planting these soft pecks against your neck is saying something else entirely.

His kisses tickle and you end up holding onto his shirt a bit and letting out a giggle, “Satoru,” You call out once, receiving no sign of him stopping his ticklish kisses. Then you squirm and he smiles against you. “‘Toru,” You say, to which his teeth graze you.

“Such a tease,” Gojo simmered into your skin hotly. “Callin’ me that nickname like you don’t know what it does t’me…”

Full on smiling now, you angle your head to look at him and he pulls away from your neck to meet that incoming gaze. His pupils seem to expand ever so slightly as they’re met with yours but, you may have imagined that. “It does something to you?” You ask innocently as you push forward to slide off of the counter, “I had no idea…!”

That cheery faux innocence in your tone makes Gojo’s smile expand before his eyes roll. He watches the way you step aside and straighten up your clothes before sending him one last glance. Something about you really keeps his mind at this mushy state because every time his eyes lock with yours it’s like he can’t form a single thought in his brain that doesn’t involve you.

Staring, letting a small moment of the eye contact pass by, Gojo scoffs softly. “Riight, sure you didn’t.” He replies to your last comment sarcastically.

After that brief conversation, which could’ve easily progressed into something more if you didn’t stop him, you assist Gojo in cleaning up the cafe so he can leave with you. All you had to do was wipe a few tables off and then you watched him sweep and mop. It seemed like not many people had come in today given the state of the kitchen and how clean it was (you’d picked up on how messy it gets when Gojo is swamped with customers a while back).

Small talk is held almost the entire time up until he finally closes up and walks you to his car. It’s then that silence is welcomed back into your space and even as you walk with him, you still feel this comforting air wrapping around you. Especially when Gojo throws an arm over your shoulder and soon opens his car door for you. He’s so strangely perfect that you can’t help the way you feel for him.

Even throughout the car ride to… the nearest costume shop? He plays a bunch of Halloween songs and throughout Micheal Jackson’s ‘Thriller’, you notice that even Gojo’s singing is perfect. Hence why by the time you two make it to your destination your cheeks hurt from how hard you’d been smiling and you can hardly remember the last time a guy, aside from Choso, has made you laugh this much.

The shop he takes you to is rather… pricey, you note as the two of you stroll through together. And yeah, most of the shelves are cleared off and whatever’s left isn’t anything super creative. Gojo guides you to the back of the store though and you swear he had this all planned out in his head with the way he leads you straight to a particularly cute couples costume. 

“Y’know,” You start off, picking up the clearly designated costume that stands out in contrast to the other last-minute options left on the surrounding shelves. “If you wanted us to wear matching costumes, you could’ve jus’ said something.” 

When you glance back to Gojo, you notice the way he’s got a hand scratching the back of his neck and is looking off to the side nonchalauntly. “I have no idea what you’re talkin’ about, sweets…” He hums, that faint pigment of pink coating his cheeks yet again.

You snort, “Really? So how is it that you’ve led me all the way back here and straight to the only decent costumes left in this store?” As you speak, you lift the two costume packages up and hold them out to showcase them to him. “Not to mention, they just so happen to be the only matching ones too.” 

Gojo redirects his eyes to the items in your hand and he grins innocently. “This is a coincidence, really.” He chuckles, “I mean why would I—“ He stops himself mid-sentence at the look you’re giving him and just ends up sighing in defeat. “Okay, okay, fine,” His hands went up, “Ya’ caught me.”

You smile, “Mhm, I know. Now, are you gonna go ahead ‘n ask me to match with you orr…?”

His shoulders sink a bit, “Do I have tooo? You’re already holding the costumes, are you really gonna make me ask—“

“Yep,” You hum in response with a mocking pop of the ‘p’.

Gojo scoffs playfully. “Fine.” He starts, stepping closer to you, “Do you wanna be the cowgirl to my cowboy and y’know, ride throughout this Halloween night with me?”

There’s half a beat of silence that passes after the cheesiness that just left his lips before you burst out laughing. “You’re so corny, oh my God.” You snicker out in an airy tone.

He joins your giggling with his own and then tips his head to the side, “So is that a yes orrrr…?”

Rolling your eyes, you nod. “Yeah, I’ll be the cowgirl to your cowboy tonight, Satoru.” Then you hand him his designated costume and brush past him.

Gojo clenches his fist and brings it down to himself in celebration, whispering a little, “Yess.” To himself childishly while you make your way to the nearby dressing room.

There were other last minute costumes that’d caught your eye on your way to the back of the store but, you think you’re pretty content with the cowgirl costume you end up putting on. Sure, you passed the classics like witches, cheerleaders, vampires, ghosts, etc… but this costume fits you so well that it’s almost as if it were made for you.

It fits your body almost like a leather glove but without being too uncomfortable or tight. It’s a top and bottom set—mostly consisting of black and an accenting hint of red here and there. 

Once you get it on, your body is quickly flattered by the fabric. The top is long sleeved, cropped up high, and has a knot that ties right in the lower center of your chest with a vest that has these sparkly red stars on it. Then there’s the sorry excuse for shorts accompanying the top, that’s decorated with this semi-chunky belt with matching sparkly red stars. Lastly were the boots and hat, both black with hints of red, that completed the look.

And once you got a glance of yourself in the nearby mirror, you were gagged by how good you look. You spun around to get a full view of yourself, noticing the hug that the shorts have on your ass, shaping you perfectly. Hell, you almost never wanna take this damn thing off. And contrastingly enough, part of you is a bit self-conscious to actually go out like this.

It’s not until you take a deep breath and step out of the dressing room that your confidence returns to you with the wolf-whistle you recieve from Gojo. Your eyes had been somewhere on the floor until you heard the sound he let out, lifting your gaze to find him slouching back against some chair he managed to find and pull up. He’s got his legs all spread like some slut (not that you’d ever say this aloud, of course) and you don’t think there’s a single thought of innocence in your head as you take in the sight of him.

His costume is matching yours but, there’s a lot less skin showing, obviously. The shirt he has on is rolled up to his elbows and he’s got a teasing amount of his chest revealed—matching you with that low v-cut top you have, except his shirt is just a bunch of buttons undone.

His lower half is your typical pair of cowboy pants, all snug against his thighs, fabric straining over his muscles, and—

“Eyes up here sweets’,” Gojo says with a snap of his fingers. You flinch and revert your gaze to his face, gulping at the way he’d caught your gaze trailing elsewhere. “There she is,” He purrs, motioning with two fingers for you to walk toward him, “C’mere. Lemme get a better look at’cha.”

You almost awkwardly shuffle over to him, shyly covering your exposed midsection and trying to calm the pounding of your heart with each step you take. “Satoru, d-don’t you think this is a bit…” You hate how nervous you are right now, as if he hasn’t seen you with less clothes before.

Once you find yourself standing right in between his legs, he peers up at you with that ridiculously handsome smile of his. “A bit what?” Gojo hushes out as he reaches forward and moves your arms out the way to expose all of you to his greedy eyes. “I think you look perfect, like always.” He practically whispers, leaning forward and planting an all too affectionate kiss onto your stomach.

You flinch again and instinctively move your hand to his shoulder to push him back a bit, “Thank you but, I feel exposed.”

He acts as though you shoved him back, slumping into the chair like he was before and giving you this lovestruck expression as he meets your eyes. “S’okay,” Gojo tells you, “I’m sure there’ll be a lot more people wearing a lot less tonight so, you’ll feel more comfortable once we’re there.”

You give him a little nod in response and he moves his hands to trace your hips, feeling the tight fabric of your shorts beneath his fingertips and taking a deep breath. 

“And if not,” He moves to stand up and you’re reminded of the height difference between you two all over again. “I’ll give you my jacket or something, okay?”

Nodding again, you feel so safe beneath his gaze—almost like nothing else really matters when you’re around him. 

Once that’s all been settled, you and Gojo leave the costume shop. You forget to question him about how the hell you two were able to leave without paying for anything but, the rest of the night takes over all those questions you love asking him so much.

· ───────── · ꨄ · ───────── ·

Before you even know it, you’re pulling up to this huge house, distant thumping sounds of music and giggles heard throughout the air as Gojo parks his car not too far off. There’s vehicles placed all down the street, people all over the front yard, some just hanging out and others taking pictures or even making out.

It’s been a while since you last attended a party but, the sight of multiple skimpy outfits brings you a sense of comfort as soon as you step out of the car. The music from the house is so loud that you can’t even make out what song is playing right now due to the bass. Even so, Gojo quickly approaches your side and rightfully places his arm over your shoulder like he did earlier, keeping you nice and close to him while the two of you make way for the entrance.

The atmosphere is overly lively. You can hear and see people laughing, talking, dancing, drinking, etc. The music vibrates off of the house walls as you and Gojo walk in, shuffling past hella people just to make it fully inside. The house-, mansion, really, is packed with semi-drunk college students and you’re quickly reminded why you don’t surround yourself with party goers almost every weekend like you used to. 

There’s definitely heads turning as you and Gojo navigate through the crowd of people but, you can’t really tell if that’s because of him or you.

You would’ve loved to say that Gojo was the most attractive man there but… it’s really hard to say that when you’re quickly stopped by some tall polished blonde man wearing a priest costume. Ignoring the way Gojo’s got an arm around your shoulder entirely, this guy grins at you kindly and he’s got the prettiest honey brown eyes taking in all of you as he leans toward you to voice a compliment.

“Beautiful costume,” The man says to you simply. From where you and Gojo had made it to, the music wasn’t overwhelming and you could actually talk to someone without yelling or leaning in too close.

Naturally, you smile in thanks and give him a little nod. “Thank you, I like yours as well. You’re a priest, right—“

“Nanami!” Gojo beams beside you, unconsciously telling you the name of the blonde man you were seconds away from making casual conversation with. “The hell are you doin’ here?” He asks in a taunting tone.

Nanami’s face flicks into something tired at the mere sound of Gojo’s voice. “I should be asking you that, Gojo. You’re supposed to be at work right now.” He says sternly.

Gojo chuckles lightly, “Oh don’t be like that, boss.” He says, taking his arm from around you and moving to tap Nanami on his arm, “It’s Halloween!”

Nanami sighs. “Yes, yes, I know. That’s why I’m not upset or anything but, you could’ve sent a text. I’d like to be aware of whether or not my cafe’s closing early.”

It suddenly clicks for you that Nanami owns that beloved cafe you visit practically everyday—something which, getting a good look at his chiseled face, just fits him. Nanami is exactly what you imagined Gojo’s boss looking like, honestly. The only thing surprising you here is the fact that he’s around the same age.

You’re about to say something to insert yourself back into the conversation but you’re interrupted by a familiar voice. “Oh my God, Satoru! You made it!!” Hori says overly cheerful.

By the time you turn your head to spot her, her arms are wrapping around Gojo’s waist and she’s hugging him tightly. Gojo hugs her back with one arm and forces a friendly smile onto his face.

“Hey Hori,” Gojo greets rather plainly. “Are you dressed as a… bunny?” He asks as he looks down at her within his grasp. You couldn’t really see her because of the way she was hugging Gojo but that didn’t bother you too much when Nanami steals your attention away with a light tap.

“I didn’t get your name,” He says to you, having leaned in a bit so that you could hear him clearly.

“Oh,” You chirp before extending a hand out and voicing your name to him. Nanami nods as he shakes your hand. “It’s nice to meet you, Nanami.” You greet officially.

He grins kindheartedly, “The pleasure is all mine, honestly.”

There’s a moment of prolonged handshaking before someone bumps into Nanami’s arm and your hands disconnect. You both look to see who it is and you’re met with this brown haired guy dressed as some kind of criminal (?). Tugging the skimask up off of his face, your eyes are greeted with a very contrasting face. He’s got these big doe-like eyes and his features scream innocence in a way.

“Woah, you’re pretty,” He chuckles, clearly tipsy off of whatever drink seems to be held in his left hand. “Y’Mind if I get your number?”

Your eyes go wide at his straightforwardness and all you do is smile at first. “Uh, I’m actually…” You slowly glance to where Gojo is, only to find that he’s been dragged elsewhere with Hori. You see his a peek of his snowy white hair amid the crowd and your shoulders slump a bit at how quickly he just left your side. Turning back to the brunette male, you nod, “Y’know what, yeah, sure.”

Nanami clears his throat and his phone is held out soon, “Me too actually,” He chimes in.

With that, you're entering your number into the two guy’s phones and then handing their devices back to them. The brunette soon informs you that his name is Ino and the three of you stand there making small talk for a bit.

It’s mildly concerning that Gojo just left you like that but you distract yourself with the two men talking to you at the moment. 

After chatting with them for a bit, they eventually part ways with you and you navigate your way through the sea of party people alone. There’s not a single familiar face throughout the crowd and it’s not until you notice you’re getting stares from people that you start feeling self conscious again. 

You thought that maybe if you made your way to the dance floor and vibed by yourself for a bit, you’d be fine. But, you don’t even make it that far because somewhere throughout your shuffling through people, someone grabs a light hold of your arm and pulls you out of the crowd.

You stumble into step to see who the hell decided to grab you like that. It wasn’t aggressive or anything but it was concerning since you’ve only seen unrecognizable people thus far.

“Finally a familiar face,” The sound of Utahime’s voice hits your ears and she’s turning to face you after pulling you far away enough to talk to you. “Y’know how long I was in that damn crowd looking for literally anyone I knew? I’m so glad I found you.” She says with a sigh.

Your chest feels light as you drink in her wearing a cheerleader costume. “I’m glad you found me too, I was walking around here for maybe ten minutes or so.” You explain.

She rolls her eyes, “I thought you came here with Gojo? Did that asshole ditch you?”

You’re quick to shake your head. “Nono, he didn’t ditch me! I think Hori pulled him off earlier and I was talking with these other guys so we just got separated. Any longer in that crowd and I would’ve called him.”

Utahime pauses for a second while she gathers your words. Then, her expression changes and she smiles at you. “Oh, okay. I was just making sure because Gojo can be a real dickhead sometimes.”

“Think so?” You end up asking. This was the first time you’d heard anything remotely negative about him so, of course your curiosity is piqued.

“Yeah.” She replies, clearly having no intention of going further into an explanation at the moment. Then, with a sigh, she allows her eyes to drop down along your figure. Utahime lets out a small up and her head tilts, “Anyway, you look good—love the costume.” She compliments, her tone light and almost flirtatious.

Though, you could totally be misinterpreting things. “Oh, thank you! I love yours too, it fits you nicely.” Your returned compliment makes her smile and she allows her arms to fold beneath her chest.

“Aww, thanks. I think I—“

“Utahime!!” And there she is again… Hori. Cutting off yet another conversation and spawning into the scene out of seemingly nowhere, dressed as Regina George’s sorry excuse of a bunny from Mean Girls 1 (which is fitting since she’s blonde as well), Hori’s all smiley and her cheeks are lightly flushed. “I was looking for you everywhere. Where’d you run off to?!” She huffs as her arms wrap around Utahime’s singular arm and her head comes to rest on her shoulder.

Utahime says something to respond but all words and sound practically dies out in your ears as a pair of arms wrap around your waist from behind and a fluffy head of hair rests on your left shoulder. Flinching at the sudden contact, you don’t even get the chance to say anything before lips are grazing your ear and a familiar spread of warmth is brushing at your skin.

“Was lookin’ for ya’ everywhere, sweets.” Gojo hushes out into your ear. “God, you smell so good,” His voice lowers and the arms around your waist begin to shift along with his head. The tip of his nose is soon felt burying itself into the crook of your neck and he inhales sharply while his slender fingers smooth over the exposed skin of your waist.

Your body tenses up due to all the sudden touches but, a smile is sparking across your lips before you even realize it. “Thank you, Satoru. And, I was looking for you too… for like, ten minutes actually.” You inform him, earning a gruff little hum in response. “You invited me here ‘n then left me in less than five minutes…”

Gojo grimaces once the mentioning of his departure hits his ears. He sighs into your skin before pressing a small kiss at it, “M’sorry. First Hori pulled me away to find Suguru, and then some other people came pulling me along… I should’ve come back for ya’, my bad.”

You lean back against his touch a bit and your back becomes flush with his chest, “It’s okay, I’m glad you found me.”

“Yeahhh,” He sighs. For a second, you begin to wonder if he’s drunk with how sly his words seem to fall off of his tongue. “To make up for it though.. We could go—“

“Lemme guess, dance?” You cut off, recalling the last party you went to with him and how the same exact thing happened then. He really was a people magnet all around, huh?

Chuckling, Gojo gives your body a small tug and your ass is brought back toward his crotch. “You know it,” He says cheekily as he lifts his head from your neck and then drops his hands to your hips. It’s swift the way he spins you around to face him, your hands soon finding place on his chest and your eyes meeting his pretty blue ones. After which, he allows his hands to sneak behind you and grab a nice handful of your ass within his palm.

Ultimately, you were left looking up at him all surprised and confused. Gojo is touchy, sure. He always has been but… he doesn’t normally touch you so intimately out in the open like this. It was different. Not that you minded it but, it left you to wonder who or what he wanted to showcase these touches off to…

His cheeks were similarly flushed to how Hori’s were when you last looked at her, again leading you to wonder if he’d dranken anything. “Satoru,” You call out gently, moving your hands to cup his cheek and lull his expression a bit closer to your own for better study. “Have you been drinking?”

Gojo’s eyes take a second to actually focus on you, which silently tells you all you need to know. “Juuuust a lil’, yeah.” He admits to you.

To which you frown, “You went off and drank without me too? Wowww.” Your voice is clearly dramatic but Gojo seems to pout anyway.

Leaning in to you, he rests his forehead against yours and his arms circulate your waist again as he hugs you properly. “I jus’ had like, one cup of somethin’.” Gojo explains, his voice softening whilst his lashes bat in an innocent manner.

You stare at him. “One cup and you’re tipsy already?” You say, releasing a soft fit of laughter.

Gojo scrunches up his face a bit and you feel like it’s just you and him in the room right now, despite sounds of people laughing and talking all loud surrounding the two of you. “Mhmm. I don’t drink too often ‘cause I can't really handle alcohol too well,” He explains to you with a slight clearing of his throat.

The distant sound of Tory Lanez’s ‘The Color Violet’ can be heard and it makes Gojo lift his head and glance back toward where most people are dancing and the music is at its loudest.

Your eyes remain up on the man, “Should I be worried?”

He looks at you again and smiles, his brows tweezing together. “What? No. I’ve been told I get clingy when I’m drunk but aside from that, I’ve never done anything… stupid, I guess.” You hum in acknowledgement and Gojo starts backing away, tugging you along with him before he motions toward the dance floor. “Now c’mon, I owe you a dance, don’t I?”

It takes you a second or two to allow your body to be pulled properly with him but after that, your hand ends up in his and he soon pulls you through the crowd of people. 

· ───────── · ꨄ · ───────── ·

The music gradually gets louder and louder until it consumes the entirety of your senses. You could feel the vibrations of the bass within each step you took, the music blurred throughout your ears, and all the dancing and lingering smell of marijuana and alcohol truly gave you that party atmosphere you’d forgotten about over the years. Before you even realize it, Gojo’s got you somewhere lost amid groups and groups of people dancing, trailing you closest to him using the grasp he had on your hand until you were able to dance right with him.

In contrast to dancing at that gala with him, you feel a lot more at ease here (surprisingly). Instead of gentle sways and intimate slow dancing, it’s more of sensual rolling of bodies against one another and long lasting glances all up and down your body that make you feel warmer than you should be. 

Gojo’s got his hands everywhere with little care as to who sees what. From your hips, following their structure and the way you sway them around and against him, to your waist, twirling you around so that your back is facing him one moment and then vice versa so he can gather all of your neon illuminated features.

His favorite bit of the dancing is very obviously when your back is facing him and you dance against him. It’s in the smooth rock of your hips against him that he gets lost in, eyes all casted downward on your lower half, watching the way you dance back against him. One moment he’s smiling and the next he’s genuinely dazed by you. Then again, it could’ve been the alcohol in his system that made all his senses feel heightened like that.

Gojo felt like he was high simply from dancing with you. So much so that at some point he had to ask you if he could go sit down for a bit because you were uh… causing a bit of stiffening to stir up in between his legs. Part of you wanted to tease him about how just a bit of grinding back on him had turned him on but, another part of you was ready to loosen up a bit and partake in some drinking of your own.

Nothing crazy of course but, you felt like you would be a little stiff in the crowd without Gojo by your side and if he wanted to go sit down but you wanted to continue dancing, you’d have to get some alcohol in you to lessen the tension in your body. As such, a small conversation between you and Gojo took place and he ended up pointing you toward the kitchen before letting you know he wouldn’t be too far off.

The house was huge but with the directions he gave you, you figured you’d be fine.

And honestly? You were fine navigating through people on your own this time. But just in case, Gojo did take it a step further and message you the same thing he’d told you (just in case you didn’t hear him perfectly enough over the music). 

How considerate of him. You thought to yourself as you made your way down a hallway and toward the far off kitchen.

Upon entering the space, you spot a few people making their own drinks, smoking, or talking with a friend but ultimately it’s a lot more laid back in comparison to the dance floor you’d previously been on. This allows you a moment to breathe, exhaling softly as you make way for the first stack of red plastic cups you find.

As you find a decent space on the counter to prepare your stuff, you begin to replay the small events from this party in your head. Smiling, you realize how wonderful everything’s been going for you thus far. You met two guys who were really nice, one of whom seemed to be acquainted with Gojo, Utahime was really friendly with you, and then dancing with Gojo just felt… nice. It was almost like things had gone too good for you tonight. Well, safe for Hori repeatedly interrupting something for you and failing to even say hi to you.

It’s not like you were expecting her to but, it would’ve been nice. She was standing right in front of you. Twice.

But hey, maybe she didn’t even remember you and the small convo you had with her. After all, this is her party and she clearly knows a lot of people so there’s probably a million and one things occupying that brain of hers. Speaking of which, that small conversation you had with her reminds you… didn’t you invite—

“How much for a ride, princess?” Choso’s voice suddenly hits your ears and you practically flinch out of your skin.

Your elbow instinctively shoots back and you nudge him right in his stomach with a loud yelp, “Jesus-, fuck, Choso!” You spew out before clasping your hands over your mouth in response to the sound of surprise you’d let out. “Scared the hell outta’ me.”

He lets out a laugh in between some sort of cough, probably one provoked from your strike against him just now. Slowly, his coughing fades into a full on chuckle and you move your eyes to gather the sight of him behind you. He’s wearing red and black, his hair tied up into two messy pigtails using these red hair ties, and—holy shit. Choso’s dressed up as Garu from Pucca. 

The realization makes you gasp dramatically as you turn around to face him fully. “Oh my God? Are you… Is that a Garu costume?!” You exclaim, moving your hands to his shirt and tugging him a bit close as you study the big red heart imprinted on the center of it.

Choso finally clears his throat and drops his eyes down to the way you’re pinching the hem of his shirt in between your fingers, “Uh, obviously?” He remarks sassily before lifting his gaze to your costume and cocking his head to the side. “And what are you supposed to be? A cowgirl?”

“Obviously,” You say mockingly. “Didn’t you just ask me how much for a ride like twenty seconds ago??”

His red gloved hand moves to brush your touch off of his shirt and then he smirks. “Yeah, ‘n you didn’t even answer, jus’ gave me a mean nudge to the gut…”

“You scared me!” You huff out to him.

Choso’s eyes settle firmly on the cleavage of your tits, not making any sort of attempt to avert his gaze as he talks to you, “I know.” His tone makes it seem as though he did that on purpose. “But I had to get back at you somehow. Who the hell invites their friend to a party and then makes no attempt to see if they’re still coming or if they even made it?”

Oh damn. You did kinda forget about him as soon as you got around Gojo… You don’t think Choso’s even crossed your mind again since earlier that morning. “Ohh uhm, sorry about that.” You say, a slight awkwardness drafting by mere seconds afterwards.

Choso gives you this loose nod of his head before stepping past you. “Yeah uhuh,” He hums casually whilst taking two of those red cups out from their stack. “Too distracted dancin’ with your partner to think about me, right?”

Your eyes follow him as he moves and you watch the way he fixes two drinks—one of them clearly for you. “He… He’s not my partner, Cho. I just—“

“No? But you two are matching,” He points out as he interrupts your next sentence. “Cowboy and Cowgirl too, how cute,” Then, Choso’s turning his head to look at you with this expression you can’t quite read as the next words leave his lips lowly. “Wonder if you’ll ride him the same way you did me.”

“What—“

He scoffs, “Yeah, y’gonna show him all the things you showed me?” He presses even further, taking a step away from preparing those drinks and toward you. Your body seems to not want to listen to you because you remain still and don’t even try to step back. Choso leans in close and angles his head to the side as his eyes remain dead set on yours, “Hm? Are you gonna beg him to fuck you the same way you begged for my cock that night?”

You’re left staring at him all speechless and dumbfounded, no sharp remarks to throw back at him, no attempts at arguing with him, just… nothing. 

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[scribeofmorpheus]

Dragon Age Veilguard: Love, Wisdom and Pride

A very long Dragon Age post!

Warnings for: Veilguard Spoilers, Solavellan spoilers.

Okay, so I will preface this by saying that this ‘analysis’ primarily focuses on Solas’ arc; both romanced and unromanced. It isn’t intended to be a romanticised analysis, though it is very much enamoured with how a romanced Solas and his relationship with Lavellan foils (and informs my reading/reception of) that of Solas and Mythal’s relationship in Veilguard. There is a relationship I will address that I feel does parallel Solas and Mythal! Scroll down to “Reading Between the Lines” if you wanna skip my little intro below. Spoilers follow.

Truth be told, I wasn’t ever expecting much in terms of actually getting a sequel to Inquisition. The game dev market went through a tumultuous reshuffle before the remake madness breathed life back into many studios. Bioware game sequels (Mass Effect Andromeda) were underwhelming and not as fleshed out since the EA acquisition. I absolutely believe Bioware would have been shunted had Mass Effect Legendary Edition not been so successful. EA’s reputation was always lacklustre and underhanded, but laying off or losing several head writers attached to Bioware with almost two decades of work under their belts was the biggest red flag. Trevor Morris not being asked to return in exchange for a ‘bigger name’ was also a grave warning that returning to the atmosphere, ambience and world of Thedas that we knew was getting further and further away from a plausible reality. And on top of that, there’s the fact Solas was never intended as a romance interest during early development of Inquisition.

Solavellan seemed doomed!

Despite this, I still held out hope for a sequel, but I feared we’d always be in permanent Solavellan/developmental hell. Heck, I’m still waiting for a Beyond Good and Evil sequel—the game released in 2003! So, actually witnessing people play Veilguard, seeing reactions to it, seeing memes and gifs and essay pieces (like this one), it’s like my community has awoken again, and I never thought I’d see the day. Yet I am not blind to the fact we were robbed of so much potential. I knew thing’s wouldn’t live up to re-emerging expectations when Dragon Age: Dreadwolf was rebranded to Veilguard—the shift seemed to imply less of a primary focus on Solas (and apparently, according to the artbook, the early concept art proves this implication correct).

Things seemed even more dire when the devs revealed there was no tapestry mechanic. I had only one hope: that with the Inquisitor’s confirmed return, we’d get at least some form of catharsis for our Inquisitors (Lavellans and otherwise), if we couldn’t get the conclusions to so many storylines present in each of our worldstates. My main fear was that they’d go the clichéd Ultimate Sacrifice route (which happens anyway, but in a way that makes thematic sense given the stakes and heavily blighted worldstate).

Suffice it to say, there was a lot of evidence that Veilguard would disappoint me in the end. But it hasn’t. It hasn’t lived up to the many expectations and marks of excellence that the Dragon Age world built itself into with the first three entries, that’s for sure, but I am also just so deprived of conclusions, of endings (whether it be because TV doesn’t exist in a sustainable format anymore or that comicbook movies are made with a sequel in mind, never letting anything just “Exit Stage Left” gracefully; or the fact we live in a regurgitating content cycle with late-stage-capitalism where anything remotely profitable gets turned into a caricature of itself: Squid Game, Star Wars, etc.). The cycle is so exhaustive that I am actually at a point where I can say I am content with the ending we were given (on a Solas/Solavellan front), Veilguard gave me relief, and beautiful, achy pain to boot. Though I would absolutely be disappointed by both the "non-romanced Solas" endings, given that Solas winds up either "dying alone, forever" or turns to Tyranny.

Now onto the actual review of that Solavellan ending, Mythal and themes of Love!

Note: I have only gotten the ‘best’ ending in my first playthrough, but I also thought the consequences of not maxing factions would be more… dire? Another note, pls, if your romanced Inky swore to stop Solas, how does that ending differ, if at all? Let me know, I’m dying here!

Sidenote: I’m working on writing another review about my views on the ‘sanitised’ worldstate, the new companions (and why I think Varric was the wrong choice to have as an advisor in the game, given that the Inquisitor or Morrigan would have been more impactful; and not to mention that Cole or Briala should have been companions), removal of the tapestry and what it means for the future of stories in Thedas (The Story We Lost is such a poignant compilation of the sheer volumes of lost lore and depth that I honestly think I won’t go as in-depth on that review as this one), and why I think Veilguard is my final entry into Dragon Age.

Reading Between the Lines: What Pride Hath Wrought

One thing is for sure, Trick Weekes flourishes when writing within the ambiguities and complexities of meaning. This makes every word uttered by Solas so great to dissect, he's a god of lies not because he 'lies' but because he's so careful with how he phrases things, what he holds back, and what he reveals.

For instance, the famous Trespasser exchange where Solas mocks his own follies with sarcasm by saying:

“What is the old Dalish curse? May the Dread Wolf Take you.”

Then a softer, more saddened and beaten-down Lavellan replies:

“And so he did.”

This irks him. Because he then realises in that moment that he absolutely did take advantage, but for some reason he frames it around sex rather than power because that’s easier to address than the latter. And he rejects the notion, even though he brought up the expression he knows to mean nothing close to a sexual inuendo for being ‘taken’, and yet he has the gall to try and derail the conversation by pivoting and saying:

“I would not lay with you under false pretences.”

When I first had this dialogue exchange, I was baffled, because did this mean that there was another meaning to ‘Dread Wolf take you’ that Dalish clans lost through the years, or was it more of a self-deprecating joke Solas had with himself because he, the Dread Wolf, romanced (took) a Dalish Inquisitor (away from her people’s beliefs, histories, past), and he found irony in the saying?

On the surface, “wouldn’t lay with you under false pretences” could simply mean “we didn’t sleep together” or “we did sleep together, but I wasn’t taking advantage as the Dread Wolf, I was simply Solas in your presence”. But I have recently thought of a more… ambiguous reading.  Lay could have been used in a milder, more vulnerable way; to mean to be at peace, to be completely vulnerable, as if to sleep. In that sense, the phrasing becomes: “I could not be at peace with you because I was living a half-truth”.

I absolutely think the moment he feels he is truly beyond hope is when we see his expression of abject horror as Lavellan shouts: “I would have had you trust me!”. He realises then that he did fuck up, he did take the choice away from her because he thought he knew better, him and his pride led to a decision that hurt someone close to him, and he could finally see how wrong he was, how alike the entire situation became to Mythal’s treatment of him. Especially if Lavellan asks to go with him. Because he can see that despite the hurt, the lies and the betrayal on his part, Lavellan still wishing to join him draws too close to his first regret: following Mythal.

Whether he likes it or not, Solas’ love which could burn like a bonfire was directed at a powerful woman—a Herald, an Inquisitor—and inspite of her greatness of character, it still shaped her into someone willing to follow him on his dinanshiral out of love, much like he left the Fade and took physical form for Mythal. So now whenever I hear Lavellan shout “Var lath vir suledin”, Solas replying with “I wish it could, Vhenan,” changes drastically with the Mythal reveal, knowing he always walks away from the Inquisitor in Trespasser.

“I wish it could, Vhenan” sounds heavily like: “You would regret me, as I regret Mythal, and I cannot bear for that to happen us.” More poetically, it could read as: “I wish our love could overcome a duty that has lasted an incomprehensible amount of time, I wish I could change my nature, but then I’d be twisted into a demon, like the spirit of Wisdom in the Dales; and yet again, I would become your regret.” These two readings are very, very romantic. Realistically, given what we know of his kinship with Felassan, and how they were comrades and friends for centuries (“A story unfinished. His back turned!”), and given what we know of the complexity of Mythal’s will that presides over the creation of his very being, and yet he was still able to muster the strength to kill a fragment of her to fulfil his mission,  “I wish it could” was most probably a lament: “Do not ask me to hurt one of the two women I’ve loved on this journey, because if it ever came to it…” he would.

Knowing what I know of Solas, of how he was able to convince himself that Varric’s death (avoidable as it was) was just another necessary step, that it was just another sacrifice, another loss that would be worth something only if he completed his ritual, I have no doubt that Solas would also be able to rationalise hurting Lavellan (which is why in his mind, turning away from her, breaking her heart, leaving with no explanation and aiding her in Trespasser so she could live whatever few years remained in “relative peace” is actually an act of preserving that love). I partially think the reason he reveals the truth in Trespasser (especially for a romanced Lavellan) is in the hopes his ‘truths’ will push her away. But on a deeper note, I think he also thinks of it as some twisted form of repaying her for loving him to the point that he could have almost forgotten what it was to be the Dread Wolf, to just be with her as Solas, that night at Crestwood. Maybe his harsh truths would push her to the point where she’d give up her love for Solas, now that she knew he was the Dread Wolf, freeing her from the shackles of their love. He’s very self-flagellating, all about self-sacrifice for the ultimate goal, the ends always justify the means, he will endure any pain and punishment as long as Arlathan returns in the end.

What is his love of a mortal compared to the despair and loss of an entire empire? Solas views himself as selfish for falling for her, and that nearly broke him, if he was selfish enough to leave the dream of Arlathan behind for her, what would that do to his spirit then?

In his way of thinking, perhaps telling the Inquisitor the truth is a way out, a rationale they can use to justify stopping him or to make it easier to hate him as the Dread Wolf rather than love him as Solas (someone he hasn’t been in so long).

‘Masking’ as the Dread Wolf

During Trespasser, the Inquisitor has every right to despise Solas after all they’ve learned, and I think he half reveals the truth as a tactic so the Inquisitor can have an excuse to hate him, to be driven to anger and have less pull over his choices, once they learn the truth. Solas is particularly skilled at making other’s play the role that makes his own choices seem inevitable, he orchestrates a lot of events to play out in a manner where it's easier for him to talk himself into bringing down the veil.

He goads Elgar’nan to anger easily. He inspires the spirits to fight for him to the death as a necessary distraction during the war. He absolutely allows the Inquisitor to speak to him one last time so he can offer insight, yes, but also so he can easily frame his actions as just and inevitable. But, Oh boy does he get in for a shock if the Inquisitor shows empathy towards him, it scares him because he’s become accustomed to being seen only as the Dread Wolf. To be understood? That gives way to remorse. And remorse gives way to doubt. And he cannot doubt his purpose, twisted as it is, it is all he has left of his former self. Without it he would most likely change into something different. Someone he doesn’t recognise.

This fear intensifies more so if a romanced Lavellan asks to go with him, and in that case, he takes command and distances himself away (rejecting the help of someone close to him; the chance for a possible betrayal; the chance at another Felassan or Mythal [x]; the chance to twist Lavellan outside of her purpose, in this case, the purpose would be love/empathy) but not without showing remorse at having sacrificed yet another relationship for his crusade.

“Ir abelas.”

Sorrow for what cannot be is at the heart of why the Solavellan romance is so powerful, especially because even though both Solas and Lavellan love each other passionately, love alone cannot be enough when faced with regrets. Love would ultimately be stifled. Corrupted into something else over time. And so, for Solas, having loved and lost tragically is better than having loved and corrupted.

He will not do to Lavellan what was done to him, even if it is her choice, because she knows so little, her naivete cannot close the distance of a millenia’s old sea, and it would hurt him immensely to take advantage of her kind heart [x].

By leaving, he keeps her heart pure. And the yearning! Knowing the love is there, but on its own it cannot be invulnerable to corruption, so it is better to lose it than twist it. Ugh! Him leaving Lavellan is the ultimate show of love! IT IS A WISE DECISION. A rare glimpse into pure wisdom. Which is why he kneels beside Lavellan in Trespasser, he does not “Stand Tall” in the face of Wisdom’s heart. He kneels beside her. And when he stands tall again, he is Solas once more, filled with regret, and once through the eluvian, he returns to masking as the Dread Wolf.

Sidenote: It’s especially confounding that Veilguard allows Rook to push the Inquisitor to save or stop him after you’ve reached act 2 despite your world state choice (I think this was done in case they feared the Inquisitor wouldn’t stand by Solas after everything he was revealed to be responsible for in Veilguard, however it doesn’t work because the Inquisitor wasn’t an advisor, Rook never told them what they learned from the wolf statues, so having a stranger hold the ability to make Lavellan keep her promise or not rings hollow). Personally, I wish the Inquisitor’s presence had more weight in the non-Solavellan endings, too. I wish the Inquisitor could end up being the last friend/former love that Solas destroys (if you don’t collect the wolf statues) which then prompts Rook to fight him because Solas’ last tie to empathy failed to redeem him, that the Inquisitor falling is the last straw and Solas snaps, choosing to be a villain in the hopes of being stopped because he can’t stop himself, and not the ‘I am a God’ ending they gave us. Same for if your Inquisitor vows to stop him. I also wish the Inquisitor was the one to do the wolf statue missions. Would have been a nice secondary protagonist mission like the switching perspectives between Kratos and Atreus in GOW: Ragnarök (the old guard and the new; Inquisitor and Rook). I would have loved if they dedicated more dialogue to Inquisition days too, which is why I think Cole should have been a companion (if he wasn’t recruited, he could simply be a compassion spirit that ‘follows’ the greatest pain in the Fade that yearns to be healed, giving a compassionate viewpoint to Solas’ folly; recruited Spirit Cole could have a greater connection to Solas than even Varric, seeing as Cole was most likely a literal representation of Solas rewriting his own history by preventing a spirit from becoming too ‘real’; Human Cole would have a deeper connection to the world of Thedas, and could have been a great tool to prove how change was inevitable, not always a bad thing, and inevitably out of even Solas’ control. But alas, we live with what we are given! Even Imshael could have served in this role! Spirit/Demon of choice and it wasn’t incorporated into the game that supposedly asks you to make the greatest world-changing choice ever; redeem the Dread Wolf or end the age of the Evanuris entirely?!

Now onto the next segment: I want to talk about Solas’ regrets and how I read the ‘love story’ between Solas and Mythal, and why Lavellan (and what she represented) wasn’t enough to get through to him (and that’s a very believable thing, that’s what makes their love both tragic and epic!).

The High Price of Redemption

A romanced Lavellan has the most agency to see through his guises, if she resolves to save him, but even she cannot undo the shackles that still bind him to Mythal—the binds that twisted Wisdom so far from its purpose it became Pride, even when he burned (Mythal) from his face. (Likewise, A close friend Inquisitor who promises to save him is most likely a parallel to Felassan, again, they cannot undo the shackles of regret either.) I fully believe the vallaslin had a deeper magic than simply marking one as being committed/devoted to an Evanuris, I think it linked them magically, and since Solas was the first to burn the vallaslin away, he probably wasn’t as good at severing the link on himself as he was for other elvhen, so maybe a part of Mythal’s will still lingers in him, twisting him to Pride still.

In Veilguard’s final confrontation, I love the intention of showing how Lavellan approaches Solas slowly, as she doesn’t know who she’ll be faced with up those steps, Dread Wolf or Solas. But when she speaks to him, trying to get him to change his mind yet again, forgiving him for his wrongs, we are reassured that Wisdom hasn’t been completely consumed by Pride despite everything we’ve witnessed in the game because he bows his head at her in reverence as he apologises.

He shows humility towards her. He elevates her and her enduring love as worthy of his respect, but he does not consider himself worthy of hers. Thus, Lavellan pries open the door to acceptance but his heart is still not enough. Which is why love alone cannot turn the tide. He’s too broken to accept it. He doesn’t think he deserves it, so the only way out is through; to continue the ritual, to prove he was right. The shackles persist. Varric’s death weighs on his conscience now more than ever. Possibly members of Rook’s team too if they died on his crusade. But he is vulnerable enough for Morrigan to approach, and now Rook can use Mythal’s essence to make the final push. The only way he could be with Lavellan, the only way he could atone for the past and shed the weight of his armour (his crushing duty to the Elvhenan) is as Wisdom, fully restored, unbound by mistakes.

“Ar lasa mala revas.” He could only find absolution once Mythal (the angered and more brash essence of Mythal, the one unchanged by Flemeth and all the human women’s lives she’s been shaped by, but the closest iteration to that of Mythal in Arlathan, the version that he perceives as having every right to be angry at him for turning his back on her, for not going that last final stretch with her and subsequently, not being by her side when she died) severed the final connection: facing his regrets, showing humility and apologizing, while not taking away the blame but sharing it.

What is Benevolence without Wisdom if not Hubris?

We know Elgar’nan was twisted to Tyranny during the war, and I saw a post somewhere where someone wondered what led to his corruption, and what he was before (leadership/command). Likewise, Mythal was not above corruption.

So far, I’ve seen a lot of takes on Solas’ ties to Mythal, the power dynamic of being a student/disciple enamoured (could be romantic) with the benevolence of Mythal, but not how Mythal’s purpose was possibly also twisted towards hubris the moment she asked Wisdom to turn physical and build weapons from its knowledge, twisting it to Pride. Without Elgar’nan’s tyranny to rally against after the war with the Titans, Mythal would most likely turn a similar route, seeing her ruling as “necessary” for the people: “If not me then who?”. And that is a very short stop and quick drop to “I am your all-powerful ruler, I liberated you, and only I can guide the way”. Benevolence twisted by hubris can easily turn to Tyranny too, only one more subtle, a kind of cultish indoctrination compared to violent subjugation. If Solas had not turned his back on Mythal when she chose to be Evanuris (a god over her people) then they most likely would have made the worst (best) pair in the Evanuris. Pride is the Seventh Deadliest Sin. But imagine Pride next to Godhood?! That is frightening. So, when Solas burns the vallaslin, walks away and works against the Evanuris, I believe that he also inadvertently stops Mythal from becoming a corrupted version of herself. The sorrow at having lost her closest confidant and “love” grounds her, keeps her saintly in Solas’ mind, and in some ways, perhaps saves the Elvhen empire from a worse fate than him erecting the veil to begin with. But neither of them ever consider this. And I think that sort of self-blindness perfectly encapsulates how flawed both Mythal and Solas are. Now onto love.

Solas and Mythal – a Love too complex to simply classify as mortal ‘Love’.

There’s no doubt Mythal and Solas shared a deep bond, one that definitely had love in it, when we hear Mythal calling him ‘love’, without the possessive ‘my’ in front of it, it’s easy to misconstrue what type of love they share. A small nitpick, but like a thorn, it applies sometimes just enough pressure to change a perspective. Not calling Solas “My love” but instead choosing to simply use “love” works within those wonderful ambiguities/complexities that Weekes thrives in.

If one started out as a spirit, it’s safe to say concepts like familial bonds, romantic bonds, and blood ties mean little to nothing. There is no one type of love and there is every kind of love all at once. It is only once physical bodies are introduced, that physical touch, the ability to stab someone in the back, to kiss out of affection, to hug out of empathy, to strike out of anger, that love now becomes this twisted thing too. There are no spirits of love because spirits always possessed love, but there are demons of Desire (Gluttony) and of Rage (love denied).

I believe, from DGL’s acting skills, his soft whisper, his almost submissive smallness in the breadth of Mythal’s already soft voice, that Solas was in love with Mythal, devoted as a student, beguiled by her benevolence, content even in her shadow, and possibly star-struck. He was in love with someone who doesn’t have the possibility to love him back the same, it is not in her nature to love those beneath her in the same intensity that those who look up to her do. It’s like a priest being in love with God. The priest can devote themselves, sacrifice everything, but a God will always love their flock equally, but they can still play favourites.

Benevolence cannot be enamoured with Wisdom because to be truly benevolent they must possess Wisdom but there is also Pride to be had in walking beside benevolence, but they can never be on equal footing. Likewise, Solas’ love is not reciprocated entirely by Mythal, but she does love him back in her own way. While Mythal is definetly Solas’ first love, layered and complex, it is also strangled by regrets and twisted by uneven scales of power. It would never be a nurturing love, only a consuming kind.

When he speaks of Mythal during the Solavellan ending, he calls her his “oldest friend”, much like what Mythal says, (paraphrasing) “would you have me be angry at my oldest companion whose experienced so much with me”. Because friendship is perhaps the easiest way to describe their companionship. They went through many iterations, one certainly holding romantic tensions (specifically from younger Solas), but ultimately, with that much time shared, kinship/friendship becomes the easiest to surmise. You can love your friends, fall in love with them, fall out of love with them, only to love them again, be disappointed in them, etc.

Media today is flushed with romance as a linchpin for driving a hero to make dire choices, and that has warped our perception of how a platonic/non-romance-based relationship can be all-consuming, and sometimes more impassioned than strict romance. But, to make it easier for people to understand Solas’ motivations, it's easier to see their love in the light Taash sees it (an unreliable, somewhat “still juvenile” narrator, in that they are still growing into themselves and their culture and the world): “They were doing it”.

However, Bellara, a companion whose entire companion story is linked to her strong, deeply character-driving relationship with her brother (platonic love) refutes that reading by saying (paraphrasing here): “We don’t know if their ‘love’ is the same type of love we tend to think of in a masculine and feminine relationship.”

Felassan’s letter after the Mythal Dragon fight alludes to Solas having been in love with Mythal, but nothing about how she felt. This is why I consider the Solas/Mythal relationship to be more of a one-sided romantic love, but a requited ‘love’ relationship for them both.  

A parallel I find so compelling: Solas and Mythal vs Briala and Celene. Solas and Briala both hold deep emotions for people in great power with the ability to end a tyrannical cycle of subjugation, enslavement and classism, yet for both of these ruler’s charisma and well-meaning intent, they often are swayed to side with tyranny. For Mythal, that was Elgarnan, the Evanuris who made all the other’s worse tyrants; as well as her own hubris for believing her presence alone could dampen the ravenous hunger for power that the rest of the Evanuris held at the small prospect of leading the Elvhen in a time of confusion (being a North Star is hard when all the other lights around you aim to blind the flock into submission). For Celene, this is more about the nuances of retaining favour, pull and power over other noble families, their backing (be it financial, political or simply cut-throat), and their support so she can be the ‘lesser of two evils’ compared to Gaspard’s warmongering personality and Florianne simply being a puppet with no backbone. Both Briala and Solas are turned to pawns despite their immense strength and compassion for their respective elven plights; Briala is rendered a fangless lion (for lack of a better metaphor) if she is reunited with Celene, whereas if she is chosen to puppet Gaspard, there’s every likelihood her story could parallel a ‘power-mad’ Solas if he’d been tethered to Rage (at betrayal) and not Regret (at having not rejected Mythal when she asked him to take a physical body) throughout his tenure as the Dread Wolf.

Solas and Lavellan – a Heart that was never intended to be Given/Taken

Now I will compare the lack of possessives in front of Mythal’s “love” to Solas declaring Lavellan as ‘Vhenan’ and then ‘Ar lath, ma Vhenan’ vs ‘Ar lath ma vhenan'; again, the coma is the thorn, the pause that shapes the quiet unsaid things we can deduce. In the Trespasser cutscene DGL puts the pause after “Ar lath”, even though the subtitles construct the sentence with Vhenan as a proper noun since it’s a nickname often used by Solas: “Ar lath ma, Vhenan”. But I believe Solas actually says “Ar lath, ma Vhenan”.

With “Ar lath, ma Vhenan” the stressor is after the pause, so the line reads: “I love [you], my heart.” And with “Ar lath ma, Vhenan” it makes even less structural sense but can be inferred to mean: “I love you, Heart”.  

The possessiveness of “My” is what definitively differentiates the love Solas feels for Lavellan as one more of the romantic side, it is a love of yearning and desire and a wish to have one last good thing that is pure and incorruptible. The one thing he had left to give. His heart. But that does not mean his heart is enough! The rest of him is still bound to the love of Mythal that was twisted through the ages. That changed him. And given how Pride often comes before a fall, I absolutely understand why Solas is actually very brash and ill-considering when he’s romancing Lavellan (“The kiss was ill-considered”/”It would be kinder in the long run”/”I wanted to show you what you mean to me”). He's on a precarious cliff during Inquisition. His first plan failed. He's allowed ancient elvhen magic to fall into a blighted Tevinter magister's hands. Literally everything the Inquisition did could have been for nought if the Mark had fallen to the wrong person. Things could have easily fallen apart for Solas too, so why not indulge in something trifling and fleeting? Execpt it wasn't trifling. Nor was it fleeting. And when he saw that the fall could potentially not happen, that the Inquisitor could do it, save Thedas and retrieve the orb, he was struck by the gravity of his brashness, of letting impulses control him instead of acting according to a plan. But it was too late. They'd both fallen for each other.

Solas didn’t expect to form entanglements within the Inquisition. He was committed. He was angry at the world, “walking through a sea of tranquil”, called flat-ear by the Dalish that later chased him from their village when he proved he was the Dread Wolf. He was despised by people who looked like him. Spirits were constantly being abused and turned into demons. People erected monuments to heroes who slew demons. Mages were caged. Elves were subjugated. The empire fell. Humans razed the lands with their wars and petty squabbles of succession. The darkspawn tainted the land. The dwarves would never dream. Solas awoke to the worst possible fate; in his eyes, it was all his fault.

So when he kisses Lavellan in the Fade, impulsively, he isn’t kissing her there because it is less ‘real’ than if they kissed while she was awake, it makes it so much more real. He’s kissing her in the space where he is most himself. Where he can shed the body he was forced to build and trap himself within, the body of Pride. He is acting on the impulses of an enlivened Wisdom spirit that does not consider tomorrow, for the first time in a long time. It isn’t a long game with Lavellan, like so much of his life has been about always thinking to the future, always considering the outcome, machinating, scheming, the wiles and woes of every trickster god in mythology. It’s being in the moment with her that is all-consuming. It lowers his guard, leaves him vulnerable, and when she enquires about the Fade or spirits or histories, he gets to be useful as pure Wisdom again.

Lavellan challenging him when he first shows animosity or irritation towards the Dalish (a prideful act), and then him being taken aback when she explains that maybe the Dalish could be shown another way (making him consider her words, being given a morsel of wisdom back, reminding him of his old self), these are all small moments where Solas can begin to see springs of hope in the broken world. And that’s terrifying. It means he’s destroying not just himself, but the memory of Mythal and Arlathan too, all for the love of a woman who fell for an apostate.

The best, most genuine unmasking of Solas for me is during Wicked Hearts, when he’s tipsy on wine, has no inhibitions, and revels in the intrigue, the gossip, the dancing, the music (something we now know is important enough to have an entire music room in the Lighthouse), the sex! He is at his most relaxed, and then he asks Lavellan to dance, not caring about how it would look for the “Inquisitor’s serving man, Solas” to be intimate in a fucking Orlesian palace with the Herald of Andraste, right after stopping an assassination attempt! He finds comfort in the world of Thedas at that moment. Something he rarely shows so outright.

When he takes Lavellan to Crestwood to confess, I believe removing her vallaslin wasn’t entirely just for her, it wasn’t just to free her from slave markings or to simply reveal a form of a truth he wanted to tell her, it was to resolve himself of what his first purpose was supposed to be, what she distracted him from. Removing the vallaslin had been something he’d done for the slaves of Arlathan, it was what earned him the mantle of Dread Wolf. When he removes Lavellan’s vallaslin, he resets.

Thedas cannot allow Wisdom to truly exist without fear of corruption to Pride, Thedas the world he was responsible for shaping, literally the Maker of the Veil, and he falls for a woman Heralded as Andraste’s Chosen One, Mythal’s incarnation in the South. The irony. The cruel, cruel irony. The Inquisition is tied to his past, every Andrastian he meets, every Dalish person with vallaslin on their face, every slave or city elf. Tevinter worshiping the dragons that still have the essences of the Old Gods. His heart alone cannot withstand all of the punishing, gruelling, oppressive weight that is Thedas. Even for Lavellan. So he frames their romance as this tragic, short-lived tale that was beautiful but ultimately destined to end. He expects it to pass for her, she’s mortal after all. But he also leaves his heart with her, literally giving her power over the last uncorrupted part of himself. Think Will Turner and Elizabeth Swann at the end of World’s End, but metaphorically. He gives her his heart to safe keep as he goes on a journey that could corrupt a heart, turn it cold and bitter, destroy it.   

Ar lasa mala revas. You are free.

He frees his heart.

Lets it go.

Twice!

So only once he is relinquished of his regrets, once Mythal does the same for him, only then is there “Nothing left except their love”. Because Lavellan still held his heart there was still something left after. Something beyond despair and regret and loss. He had given his heart to her to safekeep. And she did. Lavellan returns his heart to him when he is freed. What Mythal had to break so Solas could heal right again (like a bone), Lavellan casts a splint around so it can be set and heal properly. This is the difference between Mythal’s love and Lavellan’s. Both Mythal’s love and forgiveness broke him, but Lavellan’s love gives him the strength to Stand Tall one last time.

Solas, before Pride alone, as Wisdom (perhaps Solas always meant both Standing Tall and Wisdom, for Wisdom can grant one pride to stand tall for what they believe in), finds contentment with the rare and marvellous spirit that endured (his Vhenan). Wisdom endured because of humanity, something benevolence is beyond.

Bellanaris

When Lavellan offers to go with him, to continue on the dinanshiral that she already considers herself a part of, Solas is legitimately taken aback. His expression is soft yet full of disbelief and awe. He actually stops walking a few frames before Lavellan says this, as if hoping Lavellan would say something to him!

And then she basically proposes to him! “Bellanaris!” I absolutely adore the fact that Lavellan promises them eternity. A vow as sacred as a death right, as protected as an ancient, elvhen, undisturbed burial ground in the face of Orlesian colonialisation. They endured and now they will have an eternity. For once, we have an elvish tale that is not a curse, it is a love story with reunion at its core, where both elves reclaim something precious that was denied them.

Lastly, i am absolutely frothing at the mouth that Solas and Lavellan primarily speak in elvish! And even more feral at the fact Solas does not try to talk her out of joining him (because this sweet talker very well could!). He simply tells her where he is going is terrible. And she shuts that shit down immediately. No repeat of Trespasser. She's standing beside him, the South has all but fallen, whatever ties yet survive are strained, and she has fought the good fight for 8 years. I think the Inquisitor was about ready to leave Thedas behind.

The last decisions Solas makes are of his own volition. Entering the Fade for atonement. Stepping into the Fade with Lavellan (It was confirmed by Weekes that Lavellan’s presence in the Fade prison would fundamentally change it in a way we haven’t seen!). Thanking Rook for giving him one last shot at getting happiness. All his own!

This is the look of a man finally reunited with his wife! So much emotion in ONE frame. God! There’s never been a character like him. A love story like theirs! I’m so happy I got to see this ending. Full circle!

P.S. If you read this far, woah nelly! That’s crayyzeee, so here are some more great pieces: Why it was important for Lavellan to kneel for Solas as he knelt for her in Trespasser in the Solavellan ending [x], and here’s a great deep-dive on Solas as a spirit of Wisdom [x].

[black-fist-order]

This gentleman was a college professor in political science. He gives some intriguing insights here...

"Friends,

A political disaster such as what occurred Tuesday gains significance not simply by virtue of who won or lost, but through how the election is interpreted.

This is known as The Lesson of the election.

The Lesson explains what happened and why. It deciphers the public’s mood, values, and thoughts. It attributes credit and blame.

And therein lies its power. When The Lesson of the election becomes accepted wisdom — when most of the politicians, pundits, and politicians come to believe it — it shapes the future. It determines how parties, candidates, political operatives, and journalists approach future elections.

There are many reasons for what occurred on Tuesday and for what the outcome should teach America — about where the nation is and about what Democrats should do in the future.

Yet inevitably, one Lesson predominates.

Today, I want to share with you six conventional “lessons” you will hear for Tuesday’s outcome. None is or should be considered The Lesson of the 2024 election.

Then I’ll give you what I consider the real Lesson of the election.

None of these are The Lesson of the 2024 election:

1. "It was a total repudiation of the Democratic Party, a major realignment."

Rubbish. Harris would have won had there been a small, less than 1 percent vote shift in the three main battleground states. The biggest shift from 2020 and 2016 was among Latino men. We don’t know yet whether Latino men will return to the Democrats; if they don’t, they will contribute to a small realignment.

But the fact is America elected Trump in 2016, almost reelected him in 2020, and elected him again in 2024. We haven't changed much, at least in terms of whom we vote for.

2. "If the Dems want to win in the future, they have to move to the right. They should stop talking about 'democracy,' forget 'multiculturalism,' and end their focus on women’s rights, transgender rights, immigrants’ rights, voting rights, civil rights, and America’s shameful history of racism and genocide. Instead, push to strengthen families, cut taxes, allow school choice and prayer in public schools, reduce immigration, minimize our obligations abroad, and put America and Americans first."

Wrong. Democrats shouldn’t move to the right if that means giving up on democracy, social justice, civil rights, and equal voting rights. While Democrats might reconsider their use of “identity” politics (in which people are viewed primarily through the lenses of race, ethnicity, or gender), Democrats must not lose the moral ideals at the heart of the Party and at the core of America.

3. "Republicans won because of misinformation and right-wing propaganda. They won over young men because of a vicious alliance between Trump and a vast network of online influencers and podcasts appealing to them. The answer is for Democrats to cultivate an equivalent media ecosystem that rivals what the right has built."

Partly true. Misinformation and right-wing propaganda did play a role, particularly in reaching young men. But this hardly means progressives and Democrats should fill the information ecosystem with misinformation or left-wing propaganda. Better messaging, yes. Lies and bigotry, no.

We should use our power as consumers to boycott X and all advertisers on X and on Fox News, mount defamation and other lawsuits against platforms that foment hate, and push for regulations (at least at the state level for now) requiring that all platforms achieve minimum standards of moderation and decency.

4. "Republicans cheated. Trump, Putin, and election deniers at county and precinct levels engaged in a vast conspiracy to suppress votes."

I doubt it. Putin tried, but so far there’s no sign that the Kremlin affected any voting process. There is little or no evidence of widespread cheating by Republicans. Dems should not feed further conspiracy theories about fraudulent voting or tallying. For the most part, the system worked smoothly, and we owe a huge debt of gratitude to election workers and state officials in charge of the process.

5. "Harris ran a lousy campaign. She wasn’t a good communicator. She fudged and shifted her positions on issues. She was weighed down by Biden and didn’t sufficiently separate herself from him."

Untrue. Harris ran a good campaign, but she had only a little over three months to do it. She had to introduce herself to the nation (typically a vice president is almost invisible within an administration) at the same time Trump’s antics sucked most of the oxygen out of the political air. She could have been clearer about her proposals and policies and embraced economic populism (see below on the real lesson), but her debate with Trump was the best debate performance I’ve ever witnessed, and her speeches were pitch perfect. Biden may have weighed her down a bit, but his decision to step down was gracious and selfless.

6. "Racism and misogyny. Voters were simply not prepared to elect a Black female president."

Partly true. Surely racism and misogyny played a role, but bigotry can’t offer a full explanation.

--

Here’s the real Lesson of the 2024 election:

On Tuesday, according to exit polls, Americans voted mainly on the economy — and their votes reflected their class and level of education.

While the economy has improved over the last two years according to standard economic measures, most Americans without college degrees — that’s the majority — have not felt it.

In fact, most Americans without college degrees have not felt much economic improvement for four decades, and their jobs have grown less secure. The real median wage of the bottom 90 percent is stuck nearly where it was in the early 1990s, even though the economy is more than twice as large.

Most of the economy’s gains have gone to the top.

This has caused many Americans to feel frustrated and angry. Trump gave voice to that anger. Harris did not.

The real lesson of the 2024 election is that Democrats must not just give voice to the anger but also explain how record inequality has corrupted our system, and pledge to limit the political power of big corporations and the super-rich.

The basic bargain used to be that if you worked hard and played by the rules, you’d do better and your children would do even better than you.

But since 1980, that bargain has become a sham. The middle class has shrunk.

Why? While Republicans steadily cut taxes on the wealthy, Democrats abandoned the working class.

Democrats embraced NAFTA and lowered tariffs on Chinese goods. They deregulated finance and allowed Wall Street to become a high-stakes gambling casino. They let big corporations gain enough market power to keep prices (and profit margins) high.

They let corporations bust unions (with negligible penalties) and slash payrolls. They bailed out Wall Street when its gambling addiction threatened to blow up the entire economy but never bailed out homeowners who lost everything.

They welcomed big money into their campaigns — and delivered quid pro quos that rigged the market in favor of big corporations and the wealthy.

Joe Biden redirected the Democratic Party back toward its working-class roots, but many of the changes he catalyzed — more vigorous antitrust enforcement, stronger enforcement of labor laws, and major investments in manufacturing, infrastructure, semiconductors, and non-fossil fuels — wouldn’t be evident for years, and he could not communicate effectively about them.

The Republican Party says it’s on the side of working people, but its policies will hurt ordinary workers even more. Trump’s tariffs will drive up prices. His expected retreat from vigorous antitrust enforcement will allow giant corporations to drive up prices further.

If Republicans gain control over the House as well as the Senate, as looks likely, they will extend Trump’s 2017 tax law and add additional tax cuts. As in 2017, these lower taxes will benefit mainly the wealthy and enlarge the national debt, which will give Republicans an excuse to cut Social Security, Medicare, and Medicaid — their objectives for decades.

Democrats must no longer do the bidding of big corporations and the wealthy. They must instead focus on winning back the working class.

They should demand paid family leave, Medicare for all, free public higher education, stronger unions, higher taxes on great wealth, and housing credits that will generate the biggest boom in residential home construction since World War II.

They should also demand that corporations share their profits with their workers. They should call for limits on CEO pay, eliminate all stock buybacks (as was the SEC rule before 1982), and reject corporate welfare (subsidies and tax credit to particular companies and industries unrelated to the common good).

Democrats need to tell Americans why their pay has been lousy for decades and their jobs less secure: not because of immigrants, liberals, people of color, the “deep state,” or any other Trump Republican bogeyman, but because of the power of large corporations and the rich to rig the market and siphon off most of the economy’s gains.

In doing this, Democrats need not turn their backs on democracy. Democracy goes hand-in-hand with a fair economy. Only by reducing the power of big money in our politics can America grow the middle class, reward hard work, and reaffirm the basic bargain at the heart of our system.

If the Trump Republicans gain control of the House, as seems likely, they will have complete control of the federal government. That means they will own whatever happens to the economy and will be responsible for whatever happens to America. Notwithstanding all their anti-establishment populist rhetoric, they will become the establishment.

The Democratic Party should use this inflection point to shift ground — from being the party of well-off college graduates, big corporations, “never-Tumpers” like Dick Cheney, and vacuous “centrism” — to an anti-establishment party ready to shake up the system on behalf of the vast majority of Americans.

This is and should be The Lesson of the 2024 election.

What do you think...?"

Robert Reich...

[mins-fins]

˖﹙💌﹚DARLIN'

｡｡｡ silly little mark lee, well of course you're in love with him!

P ─  mark lee x m!rdr. G ─ fluff, university au, sleepover, hurt/comfort, friends to lovers, self indulgent. W ─ swearing, mentions of drinking, depressive nightmares. WC ─ 2.1k.

mark is afraid he has some sort of psychic connection with you, he turns and creates contact with the wooden post of a bed frame.

he replies in a grunt, head beginning to pound with an indecipherable extent of pain. he bites back a wince, teeth about to sink into his tongue as a typical response, eyes struggling open as he observes his surroundings.

jeno has an arm thrown over his back, his snoring elevated as his proximity is much too adjacent, his nose scrunches up in irritation, the touch irking him. he’s just barely able to throw the arm off of him without causing a disturbance, fortunately jeno’s a heavy sleeper.

he’s unaware of why he’s awaken exactly, or how he even ended up on the floor with tangled blankets surrounding the circle of.. everyone. of course chenle decided to take the bed, he’s selfish like that (well mark guesses it’s his huge ass house after all, yet he left them to sleep on blankets? or did they fall asleep on the floor without realizing? he can’t remember). jisung’s crazily long legs tangle with donghyuck’s, no use in attempting any escape that way.

jeno rolls over and unconsciously begins cuddling jaemin, well of course, how cute.

renjun is the only one who appears comfortable enough, graciously embezzling everybody else’s blankets in order to create his own makeshift sleeping bag.

he squints, as if striving to capture a semblance of sight in the darkness, the door is cracked open, a crack of light permeating the small space. his back emits a tiny crack, he ignores it as he somehow stands on his two feet.

mark wobbles in the manner of a child taking their first steps, much too groggy, hands coming to rub at his eyes despite light being naught. he blinks down at his feet, narrowly avoiding his foot coming in contact with donghyuck’s heat, he trips over the uneven carpeting and stumbles himself out of the frankly claustrophobic room.

mark didn’t fret, he easily noticed the lack of your presence, he recalls you falling asleep right beside him, even with the muddled memories of the past few hours. he finally did wince once his eyes met the piercing lights of the extensive hallway, what was the point of even keeping them on?

either way, that happens to contain the least of mark’s concerns, he thinks he has a good idea of why you suddenly disappeared from the group you had fallen asleep with. he knows you well enough to scope out a definite answer.

and it’s exactly how it appears in his mind, you just so happen to be downstairs, fidgeting with a cup that contains nothing. mark blinks, catching your attention immediately. “y/n?”

“can you believe even his water tastes expensive?”

the question is passive, mark’s aware of the kinds that exist with you. it’s a cover up for something more, a bit of concern hidden behind the usually playful gleam of your eyes.

he’ll entertain you for a moment.

“really?”

you hum, clearly put off by the lack of an immediate inquiry,

because for as much as mark’s knowledge of you presides, your knowledge of him exists in the same boat. he surmises it’s a bit of a double edged sword, but then again, he guesses your friendship is an example of that very phenomenon.

yet the fondness he retains could never be replicated with one other person. “yeah, typical rich people bullshit”.

there remains a collection of cups clattered in the kitchen sink, unwashed, reeking alcohol just barely fluttering its way up into the air. mark has half a mind to scrunch his nose, and if the dishes were the main focus, he would’ve fully grimaced.

good thing they aren’t the main focus.

he slips by your side easily, yearning to grab ahold of your hand, but afraid of irking you when you already appear so skittish. he somehow crams the desire downward, instead gazing upon your trembling fingertips. “why’d you get up?”

he just barely deciphers the underlying whine in addition to the clearly desperate question, his eyes probably gleam with rashness, as if he’s your lover complaining about your decision to get out of bed.

well it is always warmer with you around, though mark lee cannot admit that to any person, not even you yourself.

you contemplate, mark notices the shift of your expression. a drop to his stomach, if you do feel the need to lie, then it’s possibly something worse than what he originally thought, unlike your typical streak of insomnia, it has to be something.. more.

and he’s just the slightest bit afraid.

“water”.

“really?”

your right eye twitches, mark fears the impending irritation upcoming. “yeah” you breath, averting your gaze as your fingertips circle the curvatures of this fancy looking glass, the reflection of your dark eyes visible in the silica sand.

he sucks his teeth.

the resounding action offends you, if the corresponding look mark glimpses once you whip your head is enough. “what?”

“what?”

your face falls flat. “why are you looking at me like that?”

“why are you lying?” mark rebuts, attempting his best shot at forbearance despite how bothered he is by your indignation. “it’s just me..”

your go to response is a dry chuckle. “i know that, it’s not like i’m scared of you or anything, it’s just..”

it’s just..

nothing.

because mark knows you won’t tell him, the pertinacity of your character consistently permeates no matter what, and mark loves you, so so much, but he can’t help his elevated apprehension. his fingers drum onto the porcelain counter before him, contemplation behind his eyes.

“it’s obvious something’s wrong”.

and from your corresponding look, you’re practically placing a curse on mark’s whole entire bloodline. he supposes certain things never really do change, even if that includes obstinacy.

mark adjusts his bracelet, stepping closer as he swipes one of your fallen eyelashes from your cheek. “you could make a wish..”

he’s stalling, stalling much more than you typically do, but he can’t exactly help it, if you don’t want to confess the deepest anxieties which make you awake at night, does he really have any right to dig deeper despite his clear intrigue? you’ve never been that kind of person, his intention is to always seek your comfortability, even if it slowly kills him inside.

you stare, tilting your head and blinking at his pointer where a fallen piece of your eyelash rests. “do you really believe in that shit?”

“i enjoy tradition”.

that earns a shy smile, you’re very aware of that one, it seems that you simply relish in the manner of mark’s reply. you remain silent, again focused on your very eyelash resting atop his fingertip. “okay, i made my wish”.

mark is staggered for a moment. “what? what do you mean?”

“i made the wish in my head”.

mark uncharacteristically pouts, now that is unfair. “you can’t just do that!”

you shrug. “it’s a secret”.

the whisper causes the click of his tongue, he presses his pointer finger to his thumb in a gentle action of getting rid of your eyelash. “fine, keep your secrets..”

he doesn’t exactly realize the double sided nature of that reply, and despite his disquietude in your displayed fits of seclusion, he keeps silent on the issue he has nothing of a bearable thought on.

still, your amusement prevails.

“you know, i think—”

well mark has no time to dwell on the end of his sentence, because you step forward and pull him into a staggering embrace. it isn’t staggering in an emotional manner, you typically enjoy hugs, it’s simply.. unexpected.

your arms practically cradling his upper body, you tuck the side of your face into his neck, as if striving for a degree of comfort only he could grant you. you take in a deep breath, yet you keep silent either way.

while he is stunned, his arms consciously squeezing around your waist, well now how can he not worry? you don’t just hug out of nowhere, especially if mark is talking first.

“hey, is everything okay?”

nothing of a verbal reply, you merely nod.

how you two end up on the couch? mark barely remembers.

there isn’t a lack of space, mark is sure this one is actually a pull out, but you two decide to squeeze onto it anyway, something of a natural warmth emanating from the embrace you so dearly cherish. mark doesn’t mind, it’d be worse if you were just avoiding him.

so really, this is the best case scenario.

“you know, you have to tell me when.. this happens”.

this could equate to several things, sleepwalking, nightmares, spontaneous depressive episodes, on an especially terrible level it could be all three, but he’s simply throwing darts at a board and hoping one of them sticks. “what is this?”

“whatever has you awake tonight”.

you have that puzzled expression on your face, an expression mark questions more than anything, now replicating it on his own features. you then quickly avert your eyes, which is difficult considering you find yourself pressed into him. “i know it’s just— i don’t know, i’m scared..”

and of course, honesty includes the scratching of your nails against any surface in immediate reach. mark can’t exactly stare elsewhere, you appear to fear even the slightest corners of this huge room. “of?”

you don’t answer that one.

so mark won’t press further, that’s enough of divulging for tonight he supposes..

“you don’t want a blanket?”

“it’s warm enough” in tandem with your response, you nuzzle into the side of mark’s neck. he can’t exactly disagree, and you obviously observe that part. “besides, we know you aren’t getting up any time soon”.

“you’re technically crushing me so what could i even do?” he inquires, lips taking an upturn at the glare you pair with a glare as your soundless reply. he winces at the pinch you decide as your go to, nose scrunched up in irritation.

“i could kill you”.

“sure”.

though you’re typically numbing, mark doesn’t want to let go, it’s as if you encapsulate the feeling of alleviation with just your arms around him alone. you two are lying together on a couch you could only ever dream of buying, somewhat chilly yet aided by the mellowness of your embrace.

usually the close proximity would irk mark, the affection would be so.. out of place if it wasn’t you. he guesses that the ‘favoritism’ donghyuck goes on about isn’t all a fallacy, but he isn’t all for admitting that.

mark gazes upward at the ceiling, crinkling his nose at the shade it’s painted. your reticence endures, not yet asleep, mark can still feel your fingertips scratching at the seams of his oversized shirt, you never sleep easily.

it occurs to mark that you probably have a few more things left to mutter, your tense, fingers trembling against the ends of this couch. “what’s on your mind?” he whispers, lips pursued.

you contemplate, clear distinguishing naught. for the first time in a while, you ponder with confusion written all over your features, a battle of your conscience and your heart, anxiety manifesting in the picking of your nails.

“don’t know why i let myself get scared of things like this anymore..”

“well you aren’t used to it” he runs a finger through your hair, an act which typically calms you down. “everyone is scared of something, it doesn’t just go away with age unfortunately”.

you manage to hide your smile, but mark can make it out the stretch pleading for you to just stop being stubborn for once. you again glance away, conflicted. “fucking hate nightmares”.

you then look up, and mark wants to fall. you stare into his eyes, mark maintains eye contact though he knows it’ll be bad for his heart, yet he does so anyway, egotism carrying his movements.

mark really wants to kiss you, it would be a perfect moment too. you stare with such a gentle manner, as if mark laid his life out for you instead of just offering a regular seam of comfort, and he wants to die a little.

well he could do that, and he does,

just not on the lips.. not yet..

he leans forward, lips pressing to your forehead. your eyes flutter closed, and whilst you don’t verbally react, mark is aware of how you feel.

“think you could go to sleep like this?”

you take in a deep breath, making yourself content on the couch with mark beside you. the hug keeps mark on his feet, he doesn’t want for you to let go, you don’t either, it’s as if you’re a perfect fit for each other.

your adjacent breathing steadily comes to a close, not sleep just yet, but mark is determined to make it happen. his hand rests on your back, warm and inviting. “thank you..”

it’s alright, it’s nothing, mark would do anything for you, the sight of your own contentment joys him to no end.

“it’s nothing..”

it isn’t, feelings can await the aftermath, he’s happy now, perhaps a bit in love as well.

[didalexiabreakupwitholgaisback]

I think it's hilarious how people seem to think rotation is such a bad thing. Like I feel so bad for Ona because she barely spends time off the field for club or country. The games are going to come hard and fast this month, and the more rotation, the better for the future of the club and the health of the players.

I will also say it's one of the least realistic parts of playing fc, because the substitution system in player career mode makes no sense. There's no player rotation, so I'll just watch as players get more and more tired because they get played every game, and there's nothing I can do about it. Then anytime I sub off during a game, the social media shows that I've played a bad game, and that's why. Like it's one of the least realistic aspects to the player career mode.

yes, i think most ona fans are begging for pere/montse to rest ona way more than she currently is being rested. 😅

rotation is absolutely not a bad thing. frankly, we need more of it! and people need to understand where players fall in the line-up. would you call keira walsh a bench player? heck no. the same goes with ingrid engen. when you have the best players in the world, sometimes you can't play them all at once. and fans need to understand that. 🙏

it's a different situation for them compared to vicky, kika, jana, and others who have not broken into the starting XI and would be considered to be developing players.

ultimately, i think it was just a handful of ingrid stans who riled up the fandom. it's really not that big a deal. and the main thing is to be happy about the 3 pts on the road and now turn full focus on to tuesday 🤷‍♀️

[hyenafu]

I know this might seem like a bit of a random question, but what are some criticisms of Slightly Damned you can't stand, and what are some you think are at least somewhat valid? I only ask because I do have a few problems with the comic (not really gonna go into here because I don't want to come off as too critical obviously) but I feel like some of the more noteworthy ones have been too long established to just change it altogether, and the best one can do is make something better from its foundation (which I must say, you've done a really good job at ^^)

The complaints that I think are the most unfair are by bigots who think my comic is only getting more inclusive because I'm pandering to wokeness or whatever. These people are also the most likely to misgender me and have no idea what they're talking about. They just can't stand the bare minimum of gay and are often hypocritical, using fallacies as the basis of their arguments. It's tempting to want to argue back, but when has that ever worked on the internet? I think the most valid complaint is that the pacing of the comic is too slow. Sure. Not much I can do about that one. My comic alone doesn't pay all my bills. If I focus exclusively on work, I get depressed, so I have to goof off sometimes. I'm just one person. I don't have a team. I'm doing the best I can already. Another valid complaint is that people don't like my blend of humor and drama. Sometimes readers find it inappropriate or jarring. It's valid because I recognize it as a difference of opinion and understand why they feel that way. But I don't care. I like my weird mix of goofy faces and drama. I sometimes make jokes during periods of great stress in real life. I love all the wacky faces and over-the-top cartoon action among dire circumstances in comics like One Piece and Usagi Yojimbo. Like, it's just my style, man I don't seek out unsolicited advice about my comic. Some people may think that's snobbish of me, but the truth is, very little of what you find that way is actually valuable.

"And as to those critics, she said that she’s managed to do something that might make us all better off- she doesn’t read the comment sections. In perhaps the most roundabout poignant part of the talk, she likened receiving feedback about her work as being like consuming food. She would take a pie from someone she knew and trusted but compared taking unsolicited barbs from strangers as “licking a handle on the subway.” She used to pay very close attention to that kind of critique because she felt that it somehow would make her a better creator but ultimately decided that it was only toxic." - I HAVE SEEN OLIVIA JAIMES, THE CARTOONIST BEHIND THE NEW NANCY, by Rocko Jerome (2018)

Besides the outright hateful sentiments, a lot of unsolicited criticism can be categorized as "I don't like this story because it didn't do what I wanted it to do." Which is fine. I do the same thing when I try to process stories and talk to my friends about them.

But I don't get in the author's face to tell them I think they did a bad job. At the end of the day, no matter how crap I think someone's story might be, I'm not psychic. I don't really know if they did exactly what they set out to do. For example, people have never stopped giving me crap about the death of certain characters. But their whining has only made my convictions stronger. I don't like when other stories don't take deaths seriously, with a real sense of permanence and grief that is not easily solved. To someone else, seeing that character be alive might have solved all sorts of problems they had-- but that's not my story. I've had someone tell me that the focus on Buwaro and Kieri's mushy romance is too distracting to the main story. I don't think that person knew that a large part of why I started making this comic in the first place was as a vehicle for my OTP. I also want to make said vehicle entertaining and worthwhile. If I didn't succeed for that person, that's fine. But don't tell me that half the reason I made the comic is distracting from it. What do they know about what I want? What do you really know about what the author wanted to achieve? That isn't to say that my comic is immune to scrutiny. Of course it has problems; every story has problems, depending on your perspective and the basis by which it's getting judged. I've solicited and received thoughtful criticism and helpful advice from teachers, my advisor, my friends, and from reading/watching tutorials. Some I agreed with, others I chose to ignore. Sometimes it just took a while for me to come around. I hope I never stop learning and improving. Like you said, I have to keep working with the foundation I already set. But I don't feel trapped by it; my creativity is being challenged in new ways. I have a lot of playing pieces and now I get to see what kinds of connections I can make between them with my older, more experienced (both good and bad) mind. Since Slightly Damned is a story serialized over a long period of time, a certain amount of it is made up as I go along. I do have plans and goals, of course, but I'm also discovering this world alongside my readers.

[bibibbon]

My Hero Academia is the first series ever where the main character get throw in the sideline so much he is not the main character anymore for another character. Like holy shit wtf man. I am still struggling to understand the ending despite rereading the entire time. There are rushed endings but my god at least the author in rushed endings do give him some of respect to main character. In MHA, it is nothing

When it comes to shonen anime and manga (i say shonen because that's where i have seen, it mainly happen tbh)

Heck, this is a common thing to the point that there are YouTube videos based on showing it. Take, for example, this👇.

In this case, you kinda get the obvious, which is the main character : izuku midoriya and the one who stole the show : katauki bakugo.

See here is the thing a lot of the time mangakas due to the competitive and toxic industry they are in will prirotise and parade the fan favourite character as that's what gets them money. While you can argue that this may not be true for every series, you have to admit that it's weird that just right after bakugo started getting popular after the sports festival arc he also ended up getting a lot more screentime and that in my own opinion is due to the money that bakugo can bring into the series.

Now add this and combine it with the fact that horikoshi has stated that his favourite character is also bakugo katuski, and then you get well a certain mixture (unpleasent to say the least)

Due to this combination, the focus of the story shifting to bakugo makes sense while izuku becomes an accessory piece to the story that the author uses to vaguely delve into the intracies he built in his story.

I wasn't particularly surprised by the ending as the treatment of the izukus character and the way the stories themes were being handled were already quite poor from the beginning of the bakugo vs. izuku 2.0 fight, meaning that my expectations were low.

There are various posts talking about the characters' assassination that izuku has been through, and honestly, I agree heck I was one of them.

[universalzones]

"Really? And here I thought they came all this for a fucking tea party with scones. Obviously I know GUN isn't here to just fucking talk, and I'm sure they have their own plans to be a pain in the ass. Though in case you forgot YOU'RE the hero, even to their bitch ass's. How do you think they'll react if you go off the fucking rails. At least if I do it then it'd be way easier for The Restoration to cut me off real quick." It was a blunt and harsh truth, though being such a loose cannon came in handy in a situation like this.

"What do you take me for, a fucking idiot? I'm well aware that I'll have to convince Kit NOT to fight GUN and let them arrest me, and doing that will be like pulling fucking teeth. That doesn't change the fact I trust only you to get him home and to keep your mouth shut just where it is. I'm not telling saying you can't be angry, though take it from me, you don't want it controlling you." Until today most of Surge's choices were driven by her anger.

"Look, I know you ain't happy about my choice, though believe it or not it's for me too. I got shit I need to pay for, and not everything is as easy as changing and running around helping people. Sometimes jail time is need, though I'm sure we both know some crazy threat will come up to force GUNs hand to let me loose to help which could help me get out faster." Surge main reason for doing this was clearly for Kit, though another reason was doing it for herself.

"So if you're done arguing with me then lets get to this fucking checkpoint and make sure GUN knows trying anything stupid will piss both of us off." Surge was ready to start telling GUN to pack it up and go the fuck home, if only for the fact it would get Drippy home faster. "Besides, in case you forgot we got giant Momma Wisp up there." The tenrec doubts GUN wants to fuck with a Wisp that side.

===========================================================

"Belle Bot wasn't designed programming of hacking, and it was something we put on the back burner as it was made mainly for defense purpose's. Simply put, it can't do something on this scale, though I suppose it'll work for at least jamming their communication and airships if need be. Belle Bot, run program delta nine B on all GUN communication devices and airship within range."

Belle Bot's eyes would glow green for a moment. "Executing command and calculating time until completion. Calculation complete. Command will be fully done in six minutes. Recommending to avoid conflict until process is complete." The bot would then put it's focus on completing the command.

"Why? It's not like you did this to me, and honestly I couldn't care less about your existence by this point. At this point my dislike for you is only because of how continue to let Sonic act so foolish and not convince him to end Eggman. Heroism is fine, though there's a clear line between heroism and stupidity. You and I both know if Sonic really wanted to he could end Eggman at anytime. I'm sure even you can, though you don't." For the most part Kitsunami had gotten past Starline's programming expect for a voice every now and then.

"So there's nothing to talk about as I just don't like you, though I can also admit I don't trust you either. Mainly because our points of view are so far apart and so different. If it helps I can say it's no longer personal as I apply this logic to Sonic and plenty of your friends." Kitsunami could now say he was mostly thinking for himself, even if most of his motivation was to help Surge.

All Sonic could see in that moment was red, and that anger was bubbling up like geyser ready to blow. He didn't have much in this world that he cared for, and he knew Amy was a tough girl. But seeing her like that just flipped a switch for him. Maybe it was that curse that linked him to her, or maybe was just his own protective nature as a guardian of his world. He didn't know but he'd never felt such a desire to put someone in the ground. Even despite the fact that he was hyper aware Surge was trying to prevent him from making a huge mistake. It didn't really register completely.

He grit his teeth and leaned in close to Surge and was seconds from speaking, telling her where she could shove her worries. If she knew Abe like he did, if she had any idea of all the awful things he was party to. She'd have wanted to put him in the ground to. GUN drove Gerald mad, tossed shadow in a damn stasis pod, killed maria in cold blood and so much more! there was alot they would never atone for in Sonic's eyes---all of this was just another drop in the bucket.

" Talkin' ain't ever gonna be GUN's language! I am so sick of tryin' to talk with those people! they only language they get is force, so i'm just gonna speak there language!?! "

He had no qualms busting Surge's face wide open to get to them either! Luckily Tails voice was perhaps the one he needed to hear most, mostly because of how close they were. But despite that it didn't make him less angry, it just made him bury it again and hide away like he always did. When he thought about it, he was kind of a coward wasnt he? always hiding, always tucking his tail and running from all that pent up aggression.

Surge could see his hostility ebb away, it was likely the first time she'd seen him so worked up. Yes he did care for Amy, like he cared for Tails, and anyone who threatened them was on his shit list!

" ... Mark my words, they ain't here to talk Surge... those bastards are a bunch of child killin' life ruinin' sacks of absolute shit. I'll play nice... but the moment i find out Abe was behind Amy's attack... the gloves are off... i ain't puttin' that to the side. You'd do the same if it was Kit... "

He looked away from her to the airship that was just within sight of them now.

" They ain't here to help... you an i both know it... this is gonna be us vs them... i'll wait... and i keep my promises. So you can relax... "

He was still very obviously pissed off, and only holding back for the time being. One wrong move by GUN was likely to set his ass off. But he knew if GUN had his way they'd lock them both up for sure. His eyes went to Surge though and narrowed as he realized something important and, as he needed some way to direct his anger he snapped at her instead.

" and YOU need to tell him the damn truth! because i sure as fuck ain't gonna explain it to him. Do you think for a moment he'd listen to me or tails anyway? You need to tell him, and soon..."

===============================================

Tails wasn't sure if it was Belle in control or an auto pilot in truth it was hard to tell. But he was pretty impressed by the over all craftsmanship of the bot. It was impressive and showed how far she'd come! He was always impressed by her work, and it was proof in his mind that Eggman's bots could do good given the right program and incentive.

" And who do you think designed the artificial Chaos? Doctor Gerald Robotnik... Eggman's grandfather. Lots of Eggman's technology was inspired by Gerald, even if Gerald's intentions were pure... alot of his tech was turned into weapons for GUN or worse... locked up for being to dangerous. But i guess you know more about it then i do... just hard not to see the similarities "

Tails had been working the entire time he was talking. He connected the satellite to the Belle Bot which gave her access to the eye in the sky. This also allowed her to interface with the restoration com network fully, and reconnect the broken bits from the EMP with the satellites network.

" I got it, i do hope Belle doesn't mind me using the belle Bot as a relay... but, that should reconnect Restoration communications. Also you should be able to use the belle bot's signal to connect to the satellite using it as a proxy. That should limit any risk to your own equipment... "

Not that there was any risk to begin with, but he hoped it quelled Kit's paranoia.

" I... know i probably shouldn't even say anything. But... I'm Sorry you know, for everything that's happened... Deep down i guess i just want to find some middle ground for you and I... I just want us to be able to talk ... work this all out somehow. "

He sighed and gave Kit a side glance with one of his ears falling over

" When this is over... do you think... we can talk? Not asking for anything else... just a chance for us to talk, "

[stickynotelovers-art]

TW/CW: Depictions of anxiety/panic

Okay here's part 2 of chapter 2!

I had some trouble choosing on how to do Mikey's reaction. Originally, back in like April or so, I was going to have a heavier tone and have Mikey going into a full on panic attack. However, I decided that I didn't think that A) I could properly portray that. People handle panic differently and I didn't feel I could do it in a way that would come off correctly. B) I had started rough sketching that concept and just really didn't know how to arrive from point A to point B for it in a concise manner. This way I ended up doing it is more clear cut and still gets Mikey's distress across, but keeps on the more light hearted side. And C) that would have required me drawing 6 characters interacting in as little as 3 additional panels and I did not desire to do that at all.

While this ended up more comedic, I think it still shows that Mikey is not having a good time. I don't remember who pointed it out, but I agree with the idea that when Mikey is upset he is loud. Loud crying, very vocal on his feelings, asks for attention, and just very much letting everyone know how he feels. However, when Mikey cries or is upset, but is silent about it, then something is extremely wrong. Mikey wordlessly retracting into his shell I think would be a good indicator for Donnie that something's up.

Masterpost\Previous\Next

[liauditore]

Equally Invalid

[smimon]

Giant K series #14: you can always count on Jesse 🧡

Okay this episode is a bit different so the text part goes in the beginning! Fair warning that this story is not comedic but very emotional, however with a hopeful conclusion 😊

Change of tone! Today we cry 🤧

[maeamian]

Becoming deeply radicalized against the idea of crewed Mars missions, y'know how the Rovers keep sending back better and better data what if instead of that we made an even bigger one and devoted nearly 90% of its capacity to holding a guy in a bubble on top of it instead of sending back useful data, but wait! They'll eliminate like a half hour of latency and also almost certainly contaminate the landing site and possibly the entire planet, so it's not all downside.

[mushed-kid]

quick hunk drawing because i felt like it

idk if the colors are right but i tried

[creativity-deficient]

I think my main complaint with all these specials coming out is that they no longer feel…special?? Don’t get me wrong, I’m glad to be getting new content and I always end up enjoying them regardless (and I’m sure I’ll enjoy this one too it looks like it’ll be very funny) they just lack any sort of nuance to me. Like the plots to them feel like fairly ordinary episodes, just longer, and they’re always either Randy or Cartman focused. I get that they have a contract and are obligated to put out a certain amount of specials, I just wish they’d change them up a bit? Like they just don’t hit like past specials anymore.

[nikikikiko]

still thinking about that scene where noah finds kid after beating up mosquito and kid throwing liz and patty away so they could be safe. thinking about how liz initially tried to get kid back but then recognized the threat level and understood immediately that she couldn’t do anything without making kid’s sacrifice in vain. thinking about how patty insulted liz because liz wasn’t doing anything and how patty desperately wanted to ignore the dangerous situation just to get their pseudo brother back.

thinking also about the fact liz & patty had to break the news about everything, and how useless patty must have felt snd that’s why she’s training physically harder to be a kind of pseudo-meister. thinking about how liz might have so much guilt over needing to do the necessary thing for her and patty’s survival and how that might have been a reoccurring thing in her past.

i have so many thougjts abt that particular arc can you tell

[qilingxiong]

chewing glass someone else watch draw the line please please PLEASE it's such a smart show