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#but as mentioned i'm excited by how many people now know and love the fact that fred is autistic
nemmet · 1 year
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honest to goodness my ultimate dream is to someday make a youtube video essay on fred as an autistic character. i've already made a good handful posts on the topic, and anyone who knows me knows how passionate i am about this aspect of him, but i really feel that a video essay would be the perfect format for a thorough breakdown on it all.
fred's autism isn't quite as speculated/widely known as velma's being a lesbian, but recently many more people have been (re)discovering his autistic coding (and canon autism in sdmi!), celebrating and identifying with it. as an autistic person with a special interest in this silly character, it makes me so happy! i'm hopeful that this will someday lead to a piece of scooby media where it's fully canon again, maybe even mentioned in the text like velma's crush on coco in trick or treat.
all this being said, i think there's now an audience out there that would be interested in hearing about the history of his character, the autistic traits he displays, why people like me find him relatable, and so on! the only things holding me back are that i haven't yet seen everything scooby that he appears in (i grew up on all the movies but am still not up to date on many of the tv shows), and my terrible organisation skills (oops). so i made this post as sort of a prompt for myself, and for people to add their thoughts/suggestions for if i do manage to make it (you will of course be fully credited if these are mentioned in the video). does it double as an excuse for me to ramble about my favourite character? yes, absolutely.
that's all for now, goodnight coolsville (gets promptly run over by the mystery machine)
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sweetbans29 · 4 months
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Feud - CC
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Pairing: Caitlin Clark x Reader
Summary: You and Caitlin navigate a long-standing basketball feud (based on THIS, THIS, and THIS request)
Warnings: mentions of injury, slight angst, happy ending
Word Count: 4.4k
Sweetbans Masterlist
AN: I am saying this now, I do not think I will be doing a part 2 for this. Not anywhere in the near future at least.
If someone were to tell you by your senior year of high school you would have a rivalry going on between you and some girl from Iowa, you would call them crazy.
You grew up in Southern California - attending Mater Dei High School and playing ball year-round. You were looked at as one of the most promising college recruits alongside girls like Paige Bueckers and Caitlin Clark. As exciting as it is to be named alongside these girls - it also came with its challenges.
The media caught wind that you were talking to Iowa. Talking initially all about how Iowa was going to be a powerhouse of a team having both you and Caitlin. When you announced that you committed to South Carolina - that is when they immediately pitted the two of you against each other.
It was all funny to you since you had never met the girl. You were encouraged to not look into what the media was saying but there were times that just wasn't possible. You saw how they compared the two of you - never showing the full truth. Even in the facts, they would only take bits and pieces of it and try to show the world how one was better than the other.
When you got to college - it only got worse. You remember your first game against Iowa. It had been all the media could talk about - seeing you go up against Clark for the first time. You saw headlines that went from saying how you didn't want to live in Caitlin's shadow or how you couldn't keep up with Caitlin's growth. Other headlines talked about how she hated you so much that she made you choose a different state to go to school. All of it was a load of bull in your opinion.
At your first game against the Hawkeyes, you were more nervous about all the talk surrounding you and Caitlin than the game itself. You couldn't get the last headline out of your head - 'Caitlin Clark to run circles around SC's freshman'.
"Hey, don't let any of what they are saying get to you," one of your teammates Aliyah says breaking you from the trance you were in.
"Ya, no. I'm good," you say coming back to reality. Aliyah just nods, giving your shoulder a squeeze.
The team goes and plays an incredible game. You were up at the half and were ready to take the second half which is exactly what you did. It was probably your best game yet and you couldn't be more proud.
At the end of the game, someone comes into your locker room and asks you to step outside. You follow before heading to the pressor to find Caitlin standing in an empty hall.
You are surprised and nervous all of a sudden but make your way over to the girl.
"Hi," you say not really sure what to say.
"Hi," she says back. As if just as nervous as you, she awkwardly extends her hand, "I'm Caitlin." You shake her hand and introduce yourself. She continues.
"I wanted to meet you in person in a controlled environment," she says with a little laugh eluding to hiding your first meeting from the media.
"Ya, they have been sort of insane," you say with a laugh of your own. "You had a really solid game today - I can see why so many people love you." You look at the girl standing before you and see her begin to fidget.
"Me?" She says on the verge of shock. " You dominated that court today - I was having a hard time keeping up with you. If anyone had a solid game it was you." She says.
"Well, thank you CC." You say with a smile. "That means a lot coming from you."
"Of course..." She says.
"I am really glad you came here," you begin. "If I'm honest - the media has been a lot recently and I know you are nothing like they are making you out to be. I don't know how you have felt about it but I truly appreciate this gesture. We don't need to be the best of friends, but we don't need to be strangers."
"I like that, although I will never stop trying to beat you on the floor." She says.
"Oh, I expect nothing less. Now knowing you are a sweetheart, I have no problem keeping up this 'feud' the media is creating - it's what the people want." You say playful giving her a little push.
"Oh that won't be hard considering the second we step onto the court my only goal is to bury you into the ground," Caitlin says with a smile. "I am sure we can keep this up and give them what they want with ease. Just know, it is all love off the court."
The two of you exchanged numbers and went on your way. Over the course of the next few years, both of your paths crossed several times. At games, award events, and random camps. Every time the two of you were in the same building the media would eat it up - always posting photos of the two of you giving each other death stares (which never really happened, they just timed it perfectly to make it seem like that or take snippets completely out of context). Since you first met her, the media hasn't taken such a big toll on you. It also helped that she would text you whenever something overly threatening or mean came out. It had you falling for the girl every time - deciding to push the feelings aside, thinking it was just her being sweet.
It was your junior year when things heated up in the media even more than they had in the past. Going into March Madness, all they could talk about was you against Caitlin so much that it brought back all the drama that started when you were going into college. Through it all Caitlin had reached out and reminded you none of it was real. It was very sweet of her.
Your two teams were facing off in the final four and you could not be more prepared.
The game was a close one the entire time - neither team had more of a 5-point lead at any time. It all came down to the final quarter.
Tied going into it - both teams fought to go to the championship game. Two minutes into the quarter things took a turn for the worst.
You were guarding Caitlin - staying vigilant on defense, ensuring she didn't get a good shot. When she went up on a jumper you hit her arm while trying to block the ball drawing the foul. You cursed at yourself for allowing her to go to the free-point line.
She makes the first one with ease and sets back to the line for a second. Everyone anticipates it going in but the second she releases, you can see how her eyes shift as she begins to make her wait for the ball. You cut in front of her, jumping up going for the rebound as she does the same. You get your hand on the ball trying to hold onto it as you make your way down to the ground.
What you weren't expecting was to be shifted so much that when you came down you landed directly on your knee, causing you to let out a murderous scream. Your hands immediately let go of the ball and make their way to the center of the pain - your knee.
The stadium silences immediately - leaving only your cries as you curl up into a ball.
Caitlin - being the closest one to you is hunched over you with her hands on your shoulder while your teammates run to get medical.
"You're okay, you're okay." She keeps muttering as she really doesn't know what to do to comfort you. She knows she is the one who knocked you off balance in the air but never imagined this to happen.
"They are coming," she says trying to restore hope in you.
The medical team comes up and instantly knows they need to get you out of there immediately. They call for a stretcher which comes within seconds of them asking for it. Your eyes are glued shut as you bite the top of your jersey to avoid letting out any more screams.
The pain has blocked out anything and everything happening around you. You can't even remember how it happened, all you know is the centralized pain.
Caitlin watches as they remove you from the floor. She has never been this distressed when it has come to someone leaving the floor due to injury - not even girls from her own team. Cait makes the mistake of looking up at one of the monitors as they replay what happened and tears begin to form on the brim of her eyes as she clearly sees she is the cause of your injury. The media is going to have a field day with this but even more so - all she could think about was how she could ever begin apologizing to you.
Kate makes her way over to the shaking girl and pulls her into a hug.
"That wasn't your fault," she says in her ear. "Don't carry this."
Kate had been the only person on the team who knew the friendship that had been growing into more than Caitlin knew how to put into words. Kate could also see, Cait was very much at fault for what happened but knows how much Caitlin keeps in her head and shouldn't shoulder this right now.
Once you are taken through the tunnel - everyone does the best they can to regroup from the traumatic scene that had just taken place.
Your team was trying to regroup as they had to make adjustments on the court after losing their star player, also just trying to remain composed after seeing and hearing you go down. Kate was trying to get Caitlin to calm down and get her head back in the game. The crowd at this point remained silent until play resumed.
Your team lost to Iowa by 4 and no one could blame them. It was a hard loss but everyone was more concerned what the outcome of your injury would be over the ending of March Madness.
Once you were taken back, they decided it would be best to take you to the ER to get checked out. Shortly after arriving, they determined it was a transverse patella fracture which meant your patella broke into two and it would require surgery to fix if you ever wanted to play again. It was a no-brainer.
The next few days were a whirlwind for you - they kept you in the hospital as they prepped for the surgery and you started recovery after.
Your team came to visit and took turns rotating so you wouldn't be alone. Your manager thought it would be best to stay off of social media which you didn't argue with one bit. The last thing you needed was someone saying how your career was over. You went so far as to get a secondary phone and phone number just to communicate with the team and your family.
Once you were let go from the hospital to recover at home, you finally got your phone back and it was filled with messages. You scanned through them stopping at the one that caught your attention the most.
Phone in hand, you stared at the dozens of missed calls and messages from Caitlin. You clicked into her messages and began to read about how sorry she was and how she wanted you to let her know when you were home. You fought with yourself to listen to all of the voicemails she had left and settled on listening to the last.
You click on it and bring your phone up to your ear.
"Hi," she sounds completely defeated. "I know I have left you countless voicemails but I just really want to see how you are doing. This was never meant to happen - I...I don't know what was supposed to happen but it was not this." You hear the shakey breath that she takes before continuing. "I don't want to keep bugging you if you don't want to talk to me. If I were you, I wouldn't even be listening to this and would have just deleted it but I know you are better than I am and just pray that this gets to you. That this gets to you before any of the media gets to you or spins the story into something it's not. Not that you owe me anything, but I ask that you don't listen to any of it. Don't do that to yourself because none of it is true. It is all lies that they have spun to their own narrative." She is crying now but does the best she can to cover it up. "This was never supposed to happen, I am so sorry." She struggles out and hangs up.
You imagined the first handful of messages were similar to this one and decided not to listen to them. It wasn't out of anger or resentment but you knew that in order for you to move on you couldn't hang on that moment.
The next few months consisted of recovery. You were determined to come back for your senior year and were going to come back stronger and more prepared than you have ever been. When the season started - you were back to training but weren't jumping back into games until the third week into the season.
Your manager did a really good job of keeping you out of the media - per your request leading up to the season. The first time you were brought back into the light was during your team's first game of the season. You were on the bench - coaching and encouraging your team. It wasn't the first time the media had seen you but the first time they got to talk to you. There were preseason training videos that were released that showed you back in practice but always highlighted other players on your team.
During this first game though, you were going to be mic'd up for a midgame interview.
"We are so excited to have you on the air as your team kicks off the season, can you give us insight on how recovery went for you?"
They were really just jumping in. You let out a little laugh and proceeded to answer the question.
"I am excited to be back - recovery was not easy and challenged me in more ways than I expected it would but I can honestly say it has grown me in more ways than playing would have." You say as your eyes are glued to the game happening in front of you. "That a way Tessa! Get back get back!" You yell to your team.
"We got word that you will be back on the court in a few weeks, are you excited to be playing for your senior year?" Was asked next.
"Of course. I have been itching to get back on the court - YES PAOPAO! AND ONE! - sorry, yes I am ready to get back out there and help my team on the court. We have a single mission and are ready to conquer." You say.
"Does that one mission have anything to do with Caitlin Clark?" One of the anchors asks, curiosity getting the best of them.
You take a second to compose your answer.
"I wish nothing but the best for the girl. She has really elevated the game and visibility of women's sports in general. If our paths cross again, which I can see happening - there are no ill intentions." You say and then give your exit, going back to the game.
Caitlin was watching and couldn't stop replaying the video. You never responded to any of her messages - even the ones that came further along in your recovery. You had cut her off knowing it was what you needed. She couldn't blame you but really wanted to pick up where the two of you left off - during your time of not talking she realized how much she wanted you in her life. You were one of the only people she met with the same mentality as she had and could share in the craziness that the media spat out. You brought out the best in her without even being in the building.
Cait watched you for what felt like the hundredth time and really hoped that your paths would cross this season.
Both of your teams went the whole season without playing the other. This only built the tension for the NCAA tournament. You had jumped seamlessly back in with your team and contributed to their undefeated season. Caitlin and the Hawkeyes fought hard coming back for redemption. As the tournament heightened and both of your teams kept winning - the media kept circulating articles about the faceoff everyone has been waiting a year to see, Caitlin and you on the court again.
Right before the Final Four - videos of your injury circulated again and pitted Caitlin as the villain in this completely made-up narrative. When hearing them - it took everything in you to not reach out to her. Everyone was telling you not to talk to anyone about Caitlin. Your manager also strongly advised you to not make any contact considering everything was under a microscope.
You did really well until you saw that Iowa was playing UConn in the final four. You had been friends with Paige for years now and knew they were ready to take on Iowa but something in your heart was rooting for Caitlin.
The morning of the Iowa v. UConn game you did it. You pulled out your phone and sent a quick message. It was a simple text but carried more weight than just the words present - it was the first contact you had initiated since before your injury.
Caitlin was still in her apartment when she got the message. She was straightening her hair with cameras on her for a documentary coming out on ESPN. She puts her straightener down and picks up her phone, trying not to show the message's effect on her knowing she was being recorded. Looking at the phone for longer than needed her eyes were glued to it.
[Other half: You got this.]
She doesn't know how to respond but she wants to. As she is thinking through how, her phone rings. It's Kate. She answers and quickly makes her way out of her apartment knowing she is picking up Kate before heading to the stadium.
Caitlin didn't mention the text she had gotten - not that she could mention anything with the camera crew still present but her mind was going crazy.
The Hawkeyes went in and took UConn by two points, sending them back to the championship and facing off SC in the championship. The face-off every sports fan has been waiting for.
The celebration was grand but Caitlin's mind kept wandering back to how she was going to respond to you.
When she was finally able to make it back to the locker room, she sat and responded to you.
[CC: Can we meet up after we play?]
Caitlin sent it and sort of regretted asking but she wanted to talk to you face to face. You responded faster than she had expected.
[Other Half: Yes]
The championship game comes faster than everyone anticipated. Both teams preparing for one final game. Up to this point - you alongside a Kamilla had committed to the draft. From Iowa - Caitlin had made her statement saying she was going to the draft. Both of you know this last game is a significant one. It would be the last of your college career.
The game is a crazy one - buckets exchanged with the leads fluctuating between your team and hers. At final buzzard it was your team that came out on top.
The celebration was epic as you saw Caitlin and her team make their way to their locker. Pictures were taken and confetti was thrown. When things begin to die down you see Caitlin emerge from the tunnel looking for something. You have an idea that she is looking for you and are proven right when she spots you, nervously making your way to you.
When she approaches you - the two of you nod to one another saying little good jobs. The amount of cameras surrounding you is insane as they get the content of you two together.
You want to put this college feud behind you as you both head into the W so in one swift movement, you remove your jersey. Caitlin takes the hint and does the same leaving you both in your undershirts.
You pass your jersey to her and she does the same with you. You both hold them up and let the media get all the photos they want of the two of you. Once you are done, you pull her in for a hug.
"Meet me in the coach's room," you whisper in her ear. She nods and the two of you part.
You finish the celebration and interviews and head back to grab your stuff. Before heading out, you make your way to meet Caitlin.
When you get there you see a girl sitting in a chair, looking down at her hands as she picks at her nails. She doesn't hear you enter but looks up when you close the door. She immediately stands and makes her way to you not really knowing what to say.
You look at her and pull her into a hug. You never said it but you missed her more than anything.
"I am so sorry," she says, her words muffled as they are spoken into your neck.
"Stop apologizing." You tell the girl in your arms.
"It was all my fault - I was mad and didn't realize my strength when I went up. You were out because of me and I will never forgive myself for that," she says not wanting to let you go.
"Caitlin lighted up on yourself." You say and pull away to look her in the eyes. "If I am honest, I blamed you at first. I was upset and frustrated and blamed you. But as time went on, I realized I only had myself to blame. You were playing the game - I would have done the same exact thing. As I was recovering - I started to be thankful for what had happened because it forced me to grow up. No one likes to be injured but I wouldn't be who I am today if I didn't have that time."
Caitlin nods along to everything you say. You bring your fingers to wipe away the tears that fall.
"If anything I should be the one apologizing," you say and Caitlin shakes her head from side to side.
"No, you have nothing to apologize for."
"I do, I cut you out and I shouldn't have. I am sorry." You say. "Friends?" You ask sticking your hand out in a joking manner.
She takes your hand and shakes it. "Friends." She confirms.
The next week is a whirlwind as the two of you part ways to get ready for the draft. You two talk at least once a day trying to figure out what the next chapter of your lives could possibly look like.
When the night finally comes, it is more than you can imagine. Seeing so many congregate to highlight the sport and get ready for another great season while welcoming the new rookies is something you will never forget.
Caitlin is picked first - heading to the Indiana Fever. You could not be more excited for her. You were mentally prepared to head to the Phoenix Mercury or the New York Liberty.
It comes as a complete shock when you are picked by the Indiana Fever as well. You head up to the stage and go through your initial interview.
As you make your way back - you barely get to the hall before you see someone running up to you. Before you know it, Caitlin is in your arms. Her body is flush against yours as her arms wrap around you, squeezing you with everything she has. You lift her off the ground and squeeze her right back.
You could care less about who is watching - the only thing running through your mind is that you are about to spend the next four years with the girl in your arms.
When you place her on the ground she doesn't let you go but rather buries her face into your neck. You smile and let her hug you for as long as she wants.
It's in this moment that things begin to stir inside you. Your heart swells and you feel whole. Your hand comes up to hold the girl's head. There is no way the two of you are just friends and this moment solidifies that for you.
Weeks pass after the draft and you are getting situated in Indiana. You and Caitlin decided to find an apartment together.
The night of the draft the two of you found your way back to each other after going your separate ways to celebrate. That is when Caitlin admitted to having feelings for you dating back to your sophomore year of college. You sat there in complete awe of the girl and admitted that you had just recently realized your feelings for her but could probably date it to your recovery. From then on the two of you decided to take it slow - knowing how the media has been towards the two of you up to this point.
That sort of flew out the window when she asked you to find an apartment together when you both moved to Indy. And you were sure as hell glad she did.
After four years of the media pitting the two of you against each other, you were finally able to change the narrative. You were no longer rivals but now the new power team ready to take on the W.
AN: Tried to get a little of everything in here, I hope you enjoyed it! And as always, thank you for your love and support 🤍
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andy-wm · 25 days
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i'm wondering how your thesis of "idols will come out when they want" fits into your insane shadow analysis attempting to prove jimin and jungkook fucked in the middle of their travel show (amongst other things)? like do you get joy out or trying to drag someone out of a closet they might not be in? or is it something else? just curious! 😀
Hey wdcmaxy
Since you have the guts to use your name I'll respond :)
So, you read my thesis?
*Sips whisky*
Cool. And you read my insane shadow analysis too?
Hmmm... do you come here often?
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Let me answer your question then.
I think we both know the shadows analysis isn't really insane - it's based on very basic earth science. Shadows grow longer as the day progresses because of the rotation of the earth on its axis. You sound reasonably literate so i assume you know this already.
I guess your description of my shadow analysis ( I think I'll name my next racehorse 'Shadow Analysis') as insane is an attempt to discredit the idea that a fair bit of time passed while Tae was out of the house? But that was kinda silly on your part. Even children know that shadows change as the day passes.
Nothing insane about it.
He was gone for hours, no debate.
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Now let's move on to the fucking part, and when and how idols choose to come out.
This is actually worth discussing.
As flattered as i am that you think my tiny insignificant blog could be a game changer for anyone, let's be real.
How many people, besides yourself, do you think read my blog?
Serious question.
I'm estimating maybe 100. Double that on a good day. Maybe 300 if i write something REALLY profound which doesn't happen often.
I am way less excited about my impact on the world than you are, because I'm a realist.
BUT if by some strange twist of fate my blog came to the attention of someone whose opinion mattered (I'm not counting you, don't worry) do you think they would take it seriously? Do you REALLY imagine a random tumblr post about shadows could make someone believe that an idol was gay if they didn't already believe it?
Here's a great example of how that wouldn't happen:
You, dear reader.
You're my example.
You came here to tell me I'm speaking shit and that I should pull my head in, correct? My insane shadow analysis hasn't changed your beliefs at all. You're here, throwing a tantrum on my page, because you don't agree with what I'm saying, not because you suddenly believe it.
Or ...
Perhaps you suspect it's true and that scares you. Maybe you can't be absolutely sure I'm wrong and that's why you need to yell at me? Could that be it? Time for a bit of self reflection?
Either way, it's not going to make an iota of difference in the grand scheme of things.
We are all just dust motes floating through time and space, my friend. You dont need to worry so much. The universe is unfolding exactly as intended.
However... There are a couple of things we should agree on:
The fact is that the shadows grew long and therefore, time passed. And Tae was out for several hours. Maybe he went out for a bit of afternoon delight himself? Maybe Jimin and Jungkook played Pokemon Go all afternoon, or prayed, or practiced their English, or braided each other's hair.
Regardless of whether they did or didn't fuck, or how many times, or on what surfaces, the time still passed.
And whether I write my blog or not, people will believe what they believe. And they will be gay or they won't be gay.
And even though I never mentioned anything about them fucking in that post, whether you like it or not Jimin and Jungkook might be fucking right now, as you read this.
One last thing...
Please bear in mind, through all of this, that fucking is not the be all and end all of life. Sure its a lot of fun if you do it right but the notion that it's more meaningful than sharing your innermost thoughts and feelings, or giving someone your time and energy, is bullshit.
You can have a roots-deep love for someone and never even think of fucking them. Or you can meet someone in a public toilet and have at it, and leave without even knowing their name.
Sex does not equal love. Fucking is not that big of a big deal.
Unless...
Unless you're fucking someone the patriarchy doesn't want you to fuck. Then its a major issue.
Hear me out.
The need to control who we fuck is based a patriarchal need to control material wealth.
To control material wealth, the patriarchy needs to control reproduction (so they can be sure their wealth stays with their bloodline, because wealth is built over many generations) and to do THAT they need to control womens' bodies.... and to do that, of course they need to control who women fuck. And who men fuck too!
Do you know what the ACTUAL issue is with men who like dick? They don't automatically buy into the patriarchal way of life. (where's the solidarity, lads?)
Why don't they?
Because lifelong monogamy and marriage and nuclear families don't matter as much when you're not equating love with sex, and sex with reproduction. When your goal isn't to accumulate wealth and pass it down to your children.
Same thing applies to women who love women. They aren't focused on being demure and pleasing the men in power. They aren't focused on making themselves wife material. They will challenge the status quo and maybe even (shock! horror!) decide not to have children. How the heck do you make sure your money and power stays in the family, how do you build an empire, when the women are perfectly happy having sex with each other and don't want to love, honour and obey??
And whose fault is all this?
Its got to be the damned queers, right? They're making people think there might be other ways to share your life with those you care about! That's why its important to squash down gayness whenever you can, right, wdcmaxy?
Look at them destroying the fabric of society!
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If Jimin and Jungkook ARE fucking every chance they get, good for them. I hope they're balls deep and breathless, hitting all those sweet spots for each other having a really good time.
And if they're not fucking, it actually doesn't matter to me because the way they support each other and share their hearts is beautiful. (I do think they are fucking though)
Truthfully, whatever they're doing, as long as they're happy I'm happy.
Can you say the same, wdcmaxy?
Peace.
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intynidad · 1 year
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YES MAKE A PART 2 OF SHAPESHIFTER
they’ve been living in my head rent free since i read the fic and i’m gonna lose it
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You guys really liked that fic huh
I tried my best at doing smut even though shapeshifter can change all o their body, hope you guys like it!
(I’m planning on making a new part that is more explicit??? But idk if you guys would like that)
Love has many forms pt 2
NSFW
warning: yandere tendencies?? (Not a lot but im gonna say it just in case), mention of female and male genitalia (not towards reader) minors DNI
Some people are like two perfect puzzle pieces, fitting together effortlessly and completing each other's picture. It's a beautiful connection that brings harmony and joy. However, your last relationship was different. You and your partner were more like two corner pieces of the same puzzle, belonging to the same game but unable to fit no matter how hard you tried.
In your current relationship, things were different. While you remained the same little puzzle piece, your partner was like water, flowing and fitting into every nook and cranny around you. Their ability to adapt to every situation and effortlessly surround you was one of the perks of dating a shapeshifter.
Their shapeshifting abilities added a thrilling element of excitement and adventure to your relationship. Witnessing their seamless transformations into different forms and their effortless blending into various environments was truly awe-inspiring. They made it clear since day 1 that they didn't mind changing all of themself to fit your likes. It sounds romantic or even a little comical but the way pure obsession dripped from their eyes made you believe them.
Their abilities were present even in the most intimate moments of your relationship
Sometimes their hands were small and delicate and sometimes where rough and full of scars, both of them made and excellent works on touching your body and having the knowledge that your partner could be anyone you ever dream of aroused you
At first you were shy about asking about using their powers in the bedroom, after all you told them you wanted to love them as they are, but they were their powers and they have told you that they didn't mind…
So the first time you ask them to change into a celebrity you had a crush on, you tried and tried to not moan the celebrity’s name but it slowly fell out of your lips, again they said that you could moan the name of whoever you wanted after all THEY were them in that moment
Then it was a supermodel you thought was hot, after that they even started to experiment with their different forms.
Sometimes they had a pussy dripping from arousement for you, sometimes they had a cock erect and hard ready for you to suck on
Sometimes they made themselves bigger while being inside you just to watch you squirm and your little please of “its too big” “i'm gonna break” just motive them to do it again
Sometimes they had small breast that you could fold with one hand and sometimes they had huge breaths that they loved to let you suck and squish
Your partner was very happy that you ask them about using their powers, after all the more they know about your body the better they can make you moan.
The fact that they just know that even if you break up with them, you will never have his pleasure with anyone else makes them smile, and even if you break up with them they just need to assume a new form for you to fall in love again and again and again.
Now that they know your preferences you won't be able to escape them, but since that wont happen they prefer to continue making you feel good.
The favorite moment was when the watch you ride them, since they started to add texture on their cocks you been cumming faster and faster, they think is adorable how you eager you are bouncing up and down on them, is so cute watching you bite the pillow of your shared home trying to stop yourself from moaning but they know exactly how to make you sing like a little bird for them
And believe me for them you sing like an angel
Their angel
And no one else
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kathaynesart · 10 months
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Replica Holiday Special Winners!
Happy Holidays everyone! It's that time of year and you know what that means! Time to announce the winners for the DTIYS Replica Holiday Special Cover!
I received so many wonderful submissions. Far more than I had anticipated! They were all so unique and creative and it was an absolute joy to look at each and every one of them! I really underestimated however how difficult it would be to choose with them all being so unique from each other. In the end, I decided to gauge the top picks on how well their cover captured the "essence" of what this Special is going to be like! Without further ado, here are the winners.
HONORABLE MENTION - @matchstique
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Buddy! I love this piece so dang much! It has so much character and perfectly displays the wacky hijinks we can expect as well as the huge amount of stress our poor boys are under during these trying, pregnancy times. The movement and colors work so well and make me excited for what comes next! Seldom do I see pregnant females shown as the badasses they are, but you have gone and turned Cassandra into an absolute icon with this piece! Bless you!
3RD PLACE - @thegunnsara
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Sara, the shear amount of craft you put into your art is STAGGERING. Every scuff on Raph's shell and wisp of smoke screams of a quality I can only hope to attain someday. I literally want to be you when I grow up! That said, the concept of this piece is also fantastic. One of the things I'm must excited about for this Special is getting to see Raph and Casey as they were and witnessing the strong bond they share. I love them dearly and this cover captures their strength and tenacity so perfectly. Gods among men.
2ND PLACE - @cupcakeslushie
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Slushie, this cover is so damn fun and dynamic that I can't stop looking at it! Your attention to detail and composition are masterful and the fact that you could fit such a bombastic battle into such a limited space speaks to how crazy talented you are! You also do a wonderful job of retaining both the intensity of the apocalypse but also that playful edge that Rise always manages to retain! It's definitely the cover that would catch my eye on a shelf and make me want to turn the page to see what happens next!
1ST PLACE - @abbeyofcyn
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Cyn, the moment I saw this cover, I gasped! It's funny because this is both a piece I could have totally seen myself doing had I done the cover, yet crafted in a unique way I could have never come up with on my own! On top of that, this slick composition scratches my little designer brain juuust right. The use of the hands motif is such a great element because to me, it encapsulates the conflicting themes of family/parenthood with the drama of what it means to be human. On top of that, having each character as one of the digits both connected to and encircling Casey is such a wonderful touch that really drives the symbolism home. Somehow, you managed to peer into the future and perfectly capture how the finale of this special is going to feel. Thank you so much Cyn for such a wonderful piece!
~~~~~~~~~
Now that I think about it, looking back on these winners as a set, all four them actually do an amazing job as individual covers for each of the four "acts" that will make up this special. That was not at all my intention, but it kind of worked out perfectly for that. Gets me all emotional!
I also definitely want to put a spotlight on the other amazing submissions, many of which made it SO close to the top slots! I was going to post these pieces individually but I was worried people wouldn't then go to their blogs to view the covers, so instead have a compilation and links to the full versions! Please check out everyones amazing covers and give them some love. They all worked really hard and it means so much to me. Thank you everyone!
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@dreamundraws - LINK @honeylief - LINK @gemini-forest - LINK @memorydarkness - LINK @skullythefriendlyskullface - LINK @v-albion - LINK @its-wabby-stuff - LINK @yris-latteyi - LINK @reagi-df - LINK @chaoscontrol50 - LINK / LINK @murasakibonnet - LINK @hitwiththetmnt - LINK @xandriagreat - LINK @karonkar - LINK @sunydays - LINK (sorry my dear, yours did not appear on my hashtag reference at first! D: But still love it!) @quailaz - LINK @delicatechildwitch - LINK
Thank you again all of you! You all did such an amazing job!
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hijackalx · 10 months
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MALE BG3 COMPANIONS TURN ONS/KINKS +18
FEMALE BG3 COMPANIONS
NON-COMPANIONS/NON-ORIGIN COMPANIONS
A/N: i limited myself to just 5 per companion otherwise this would get wayyyy too long lol but if u guys want pt. 2 let me know 💗
ASTARION
CORRUPTION
ok this is mostly because he has more than one instance in the game where he mentions virgins lol. i think he would totally get off on "corrupting" someone inexperienced and sweet, like i can see him loving the idea of teaching u or showing u new things. will poke fun at how innocent u are and the whole time he's ROCK fucking hard 😭😭
BRAT TAMING
this man loves to play games. he likes people who have nerve but mostly because it feels so good to put them in their place. the act of MAKING u obey is so hot to him and soooo fun (he’s also into how it humiliates u by making u submit)
AGE DIFFERENCE
NOW LISTEN !!! LISTEN he is OLD !!!! as FUCK !!! he's been alive a longggg time. i think it probably turns him on to be more experienced than u not only in bed but in general. ok i will come clean i'm thinking of the conversation he has with wyll about the word "agog". like secretly he probably loves that ur so young and dumb 💗 (even if ur not actually young, just young in comparison to him) he feels some kind of superiority when he bestows his old man wisdom upon u ⚡️🧙‍♂️ also it prolly adds some "forbidden" or "taboo" feeling to the sex that he likes 🤫
BONDAGE
the fact that u trust him enough to do something like this is so hot. he likes to watch u struggle against the restraints while he teases or overstimulates u. probably the type to use silk or fluffy handcuffs lol. afterwards he’ll kiss any bruises/marks left behind (the best part)
DACRYPHILIA
I ALWAYS SAY THIS IM SORRY but since he has that sadistic side i genuinely think he's into seeing u cry. the sounds/faces u make and seeing u reduced to such a vulnerable state. will try to overstimulate u to the point of tears so he can wipe them off ur face and make u clean them from his fingers hehe 💗
GALE
TEMPERATURE PLAY
OF COURSE this mf is using magic for this. he'll get pretty creative with it too— ooh wait bondage using ICE restraints??? yes ??? no ??? can he do that ??? anyway. he will tease a lot by switching between hot and cold, mostly because he loves watching how u react. likes if u use it on him too but not as much as he likes using it on u.
EXHIBITIONISM/VOYEURISM
i think he’s the type of dude to want to watch u touch yourself. and vice versa. will also want to jerk off while watching clone!gale fuck u. he’ll want to fuck in places where u guys might get caught too, mostly because he wants to show u off and make other people envious
SEX TOYS
^^ like i said before he’ll want to watch u use toys on urself, also might like it if u let him tell u how to use it. he’ll use some too, but usually only if u want to watch him use it on himself (or if u use them on each other obv). he doesn’t really use them much alone. the exhibition part is what’s most exciting to him
FACESITTING
probably one of his favorite positions honestly. he just really likes to eat u out and he’s soooo good at it. loves the feeling of ur weight on his body and how u grind against his face. it also gives him lots of access to ur thighs so he can squeeze and kiss them 💗💗
CLONING
i already mentioned how he’ll watch clone!gale fuck u. but he will also want to tag team/double team u with clone!gale 😭😭. can he do clones of other people? if he can he might also like making a clone of u too. that would be the craziest foursome ever holy shit LMAOO imagine getting fucked by URSELF (he would be so into watching that honestly that’s a gale top 3 fantasy moment)
WYLL
BREEDING
i think he wants to have so many babies. and to stuff u full of babies. filling u up with his cum is so hot to him and he will go multiple rounds just to really get it in there LMAO also really likes the way his cum looks when it’s leaking out of u 💗
PRAISE
he loves to give AND receive praise. he will tell u how ur doing so good for him and how beautiful u look. BUT he also wants u to tell him how good he’s making u feel and how handsome he is (he’ll lowkey get kind of insecure if ur too quiet, he really feeds off of how u respond) he also likes praise in the form of noises too if ur too shy to say anything lol
ROLEPLAY
i think he would he into roleplaying a little bit. particularly him being a knight and u being his prince/princess. will want u to dress the part and everything. he really gets off seeing u in the regal get up— i don’t think he would go too overboard with the knight thing though (like putting on an entire steel knight outfit 😭😭 that would take too long to get off. he’d combust) but he’ll prolly put on a little chainmail or something if u want.
CLOTHED SEX
yeah he’s going to want to fuck u with the princess/prince fit ON. but also i think he’d really be into dry humping tbh….. like if he’s saving himself until marriage then i don’t think he sees dry humping as real sex so it’s okay ooohh that’s so naughty wyll 😈😈 probably loves to watch u get off on his thigh through ur clothes
SENSORY DEPRIVATION
THIS…… might be far fetched…… but i feel like he’d be into this. like blindfolding (yes he’d let u blindfold him too), wearing gloves when u touch each other and etc….. wait the gloves is actually so hot though like leather gloves? imagine he blindfolds u and then touches u with the gloves on…. ooh baby
FEMALE BG3 COMPANIONS
NON-COMPANIONS/NON-ORIGIN COMPANIONS
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lushafterglow · 6 months
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Bite me
Chapter Two -> you only live once.
Paring: Streamer Sukuna x Influencer F!Reader
Summary: Your new friend Nobara invites you to one of her and her giant group of friends hang out. You didn’t know it was street racing, nor did you knew if getting in Sukuna’s car during it was a good idea. But you still did it.
Masterlist
Warnings: 5 year age gap, street racing, cursing.
Taglist: @cosmicbreathe @mangiswig @nyxlai @attackonnat @rqdior @ashfrommyfire @christinerose380 (just ask to be added)
Series masterlist
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A few days had past since you’d gotten the dm from Sukuna. You two texted pretty regularly each day, and you never mentioned anything to anyone. You had also assumed Sukuna said nothing to anyone as well.
You were pretty open with your followers, you’d always were one to tell them about something when you were excited. However, this felt like something that was just for you. The secret texting, was a secret, one only the two of you knew, and you loved that privacy.
You and Nobara pulled into the location and you looked around as if you weren’t in the right place.
“Are you sure this is the right spot?”
Nobara nodded enthusiastically at you and got out of the driver’s seat and you followed after her. “And you're sure I’m not intruding?”
Nobara gave you and a side hug before her voice spoke out, “As if, everyone is cool with you being here.”
You nodded your head before you readjusted your hat. “How many people are here?” You had noticed a bunch of cars lined up. “The entirety of our group, most of the guys are racing.”
Wait what? Racing?
Before you could ask anything an arm wrapped around you and Nobara and a familiar voice spoke — except this time it wasn’t on a screen.
“What took you guys so longggg.” It was Gojo Satoru. You had to stop a little fan squeal. This man has won championships in gaming.
Nobara didn’t share the same excitement you had as she pushed his arm off of her and scolded him for invading her space.
You couldn’t help but feel eyes on you. You looked over Gojo’s shoulder and saw a piercing gaze staring directly into your eyes.
You notice how his jaw twitched a little, and the annoyed curve of his brow. Your breathing started to slow as you looked at him, eyes full of curiosity.
Sukuna wore a black leather Jacket with black jeans and a dangling earring. A white piece of gum flashed out his mouth before his tongue drew it back.
Your breath hitch and he gave you a smirk that could give the devil himself a run, but maybe he was the devil. He looked so sinfully beautiful, but maybe he was the apple offered to Eve. Because he looked so tempting to try, you couldn't help but wish for that.
Lost in your thoughts you hadn't noticed Gojo walking you to the cars that you had previously seen lined up. Nor did you notice Nobara and Gojo's conversation, only snapping out of your mind when Gojo brought you into the conversation. "Well Y/N thinks I'm gonna win right?"
He looked down at you expectantly, as if the possibility of you saying no was impossible. "I'm the best." He added on as if that was a fact,, and truthfully there are very few that could give Gojo a run for his money in anything. "He looked down at you expectantly, as if the possibility of you saying no was impossible. "I'm the best." He added on as if that was a fact,, and truthfully there are very few that could give Gojo a run for his money in anything.
"I think you better live up to your word." You told the tall, snow-white-haired man. Who in return gave you a grin that was filled with his ego.
Someone hit Gojo's shoulder and then pointed to the line-up with all the guys getting into their cars. Gojo immediately took off with the guy you now recognize as Geto Suguru.
The two best friends got into their own cars and you looked to the car two down away from Gojo. The car was dark red and you looked to the figure who blew smoke out from their cigarette.
You knew who it was before the smoke even cleared and showed his face.
He threw the death stick onto the ground and stomped it, making his way to the driver's side of his car. He opened the door and just before he took a seat inside he gave you a little wink.
All the car's engines roared to life, each of them revving it. You and Nobara had front-row seats, though you were standing. You noticed each and every car didn't have a driver's plate.
A girl waved a green flag and all the cars immediately took off, flying. you watched as the car zoomed and you turned to Nobara who was cheering her girlfriend, Maki on. "What are the rules?" You asked her curiously.
"The guys have to go about three blocks away, there's checkmarks, and there's five laps, so five times they have to pass each check mark." You nodded in understanding.
On the board where the girl with the green flag was, had all the racer's names. Gojo hit his first check mark and Sukuna not even a second later hit it as well.
Soon the racers finished their first lap, and you expected Sukuna to keep going but he smashed his brakes and rolled down his window.
He pointed to you and then gestured for you to come to him. You pointed to your self causing him to yell, "Yes, and hurry up!"
you hurried over to him and he immediately spoke before you could. "Get in." he reached over and opened the door. As you went to tell him no fucking way a white car flashed past the two of you. "You're causing me to lose babe. Get. In."
The authority in his fast made you sit so fast, and the second you closed your door he sped off. Quick as you could click your seat belt in place. Holding on for dear life. "Are you crazy?!"
Sukua looked in his review mirror and gave you a little hum. "Maybe. So a celebrity crush on me huh?" You didn't even know what to say, should you call him crazy again? He seemed pretty fucking self-aware. Not to mention the sound of his voice made your brain dead for a second. His stream audios did his voice no justice.
You couldn't even help the thought passing through your head. 'He would talk you through it.'
"I- uh have no idea what you're talking about."
As if your heart couldn't beat any faster he looked away from the road and to you. "Sure babe. But I will say, you calling Gojo hot pissed me off."
You hurried and leaned across the console, pushing his head back to the road. "I'm going to die tonight." The sound of his laughter filled the car. "Loosen up, you only live once." His veins flexed as he shifted gears and gained a more focused look on his face.
You slowly shook your head and scoffed in disbelief. "I wasn't expecting us to meet like this, under the circumstances."
A devilish smirk grew on his face as he shifted gears once again and leaned over the console to whisper in your ear, his eyes not leaving the road.
"I'm so glad you think of me."
By the time Sukuna was coming up to the finish line you were actually having fun. You had your hand out the window, and when he crossed that line you noticed he was second by the last second.
Gojo had won and you couldn’t help feel a bit responsible for Sukuna’s lost, he wasted time making you get in the car.
“I’m sorry for the lost.” The two of you hadn’t left the tinted car, but Sukuna did turn it off. “Nah don’t worry about it. Winning wasn’t my goal today.”
You you gave him a curious glance, “what was the goal?” He let a little laugh flow from his lips. “To get a pretty girl alone tonight.”
Your lips frowned in a sour mood. Of course his goal was to find a girl and get laid tonight. “Should have known that. The girl with braids is cute.” You pointed out to the girl that Sukuna was subconsciously looking at.
Sukuna looked over to you and his grin widened as he leaned over the console.
You looked back to him and gave you a raise brow as if to say ‘really?’ His voice came out in a whisper but he still had that rasp to it. “Think about it.”
Almost instantly you knew what he was talking about. You. He had gotten you alone in a car. He wanted you alone.
You nodded your head and rolled your lips in embarrassment. Though you were a bit happy you were alone with him and not the other girl. “So what now?”
Sukuna’s eyes casted down to your lips and spoke while never looking away. “Well the windows are tinted.”
“When he freezes over.” No way would you do that while 1. You’re with a bunch of friends and 2. With someone you just actually met.
“I could probably get that to happen.” Spoken like the devil he is.
Before you could further continue the conversation some banged on the window cause you to jump, as if you were sticking your hand in the cookie jar.
Sukuna opened the door and it was Yuji, his brother. “Yo, after party you comin?”
‘Biggest fucking cock block.’ Was what Sukuna wanted to say but instead. “Yeah I’m on my way now.” Sukuna got out the car and you did the same, returning Yuji’s wave with your own.
You followed Sukuna to the house that was actually really fucking fancy. “Where are we?”
Sukuna looked down at you then back around the house. “Gojo’s house. We always start are races here and then finish them here.” You nodded in understanding and went to the kitchen. Sukuna right on your tail.
The second you were in the kitchen, you saw Nobara, Yuji, Gojo, Geto, and another kid you didn’t recognize.
Nobara was the first to see you and gave you a red cup, “have fun!”
She was already pretty drunk and you still needed a ride to get home. Though Sukuna words from earlier flooded your mind. ‘You only live once.’
You chugged it down and everyone cheered, maybe it was time to finally have some fun.
You stumbled into the parking area where all the cars were at, and started to pull out your phone. You tired to hit the password for it but your fingers hit other buttons and you ended up locked out your phone for 5 minutes.
A groan left your mouth as you felt the wind start to nip at your shoulders. When you stumbled a second time you dropped your phone and just before you yourself dropped hands caught you around your waist.
“Easy there.”
You recognized his voice. You looked up to the spiky pink hair and red nipped at your cheeks, but you blamed the cold. “Shhhhhh— hi.” You slurred your words causing Sukuna to laugh.
“Can you walk.” In an attempt to show him you started to do as so only to stumble to the left.
Before you could make a second attempt he lifted you up — bridal style — and started to carry you to his car. “Wait my phone!”
Sukuna placed you in the car and handed you your phone he had already picked up. He buckled you up and closed the door.
He got on his side and repeated the process besides the seat belt part. “Where do you live?” Luckily you could remember that as you listed off your address.
The engine roared to life and you could help the giggle leaving your mouth, you had thought you were going racing again. Though to your dismay he kept the speed safe and took the back roads to your house. 
You hummed to the radio and Sukuna subconsciously hummed to it as well. Sukuna looked over you for what seemed like the millionth time. He grabbed your hat causing a whiny hey leaving your lips. He had adjusted the hat and placed it on his own head.
When you had gotten home he helped you out the car and into your house. He walked you over to your bed and before you laid down you reached you arms over his shoulder and brought him into a hug.
“Thank you for tonight.”
Sukuna only use one arm to wrap around your waist, and after a second he used the same are to put you into your bed and the other to put the blankets on.
When you woke up Sukuna was gone and you had a killer headache in replacement of him.
Hiiii part three should be out soon!
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whenmemorydies · 5 days
Text
You love taking care of people: Fine Dining in the Time of Late Stage Capitalism
CW: this post discusses toxic and abusive workplaces and makes brief mention of institutional child abuse and intergenerational trauma. I might also talk about global systems collapse, for shits and giggles. Also this is another long one. You know the drill. Lets have a cuppa. Also this is my last minute submission to Sydcarmy Week 2024 and the theme of “you love taking care of people”. Enjoy!
I have a confession to make to The Bear fandom:
The food is my least favourite part of this show.
Its not that its not interesting. It definitely is. I'm a home cook and for the most part, I enjoy cooking (when I can do it at my leisure and not like most mothers, while balancing the mental load). I just find all the other aspects of the show much more fascinating.
In fact, I think this show about a bunch of cooks in commercial kitchens is so popular not so much because of its take up of cooking but its unflinching and loving interrogation of grief and trauma, including the kinds that get passed down through families.
The truth is, I've also never been overly excited about the world of "fine dining." I grew up in a large, Tamil family and so our meals were big, shared and not necessarily conducive to the minimalist plating preferred in exclusive, "gourmet" spaces:
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Photograph is mine, delicious Jaffna Tamil spread is the handiwork of my great aunt (Kunchi Ammamma or “little maternal grandmother”), arguably the best cook in our sprawling, extended family.
As tumultous as family life could get, I often experienced meals (that, lets be real, were almost always prepared by the women in my family) with my loved ones as a happy experience. I mean we also had our share of blow ups at the kitchen table but what was always consistent was the love and care that went into the food that we were given to eat. It was woven into the rich and complex flavours that made up the curries, varais, and sambals we had on our plates (and that even now, make me salivate just thinking about). It was spread throughout the warm, coconut-y rotis and steaming rice and puttu we ate with our hands and used to mop up all that spicy, flavourful goodness.
And if there's one question I heard more than any other from older family members growing up, it was "ni sappittiya?" ("have you eaten?"). More than "how are you?" and definitely more than "I love you." As with many Global South cultures, for Tamil folks, food is used for nourishment but also as a primary means of conveying deep care. Obviously Tamil people don't have the monopoly on using food to show their affection (or even the monopoly on using food to replace actually saying the words "I love you" lmao). Food has been found to increase interpersonal closeness and can also contribute to emotional regulation. Feeding a child is one of the first means of bonding between parents and children. Food also plays a big role in the course of romantic love: as a basis for first dates and future time spent with a partner, and of course also as an aphrodisiac.
As Cesar Chavez, Mexican-American civil rights activist, labor organiser and co-founder of the National Farm Workers Association (which later became the United Farm Workers union) said,
The people who give you their food, give you their heart.
You love taking care of people
Conveying care and love through food is a theme that comes up repeatedly in The Bear. Recall 1x02 Hands and the phone conversation with Nat and Carmy:
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Natalie: Chefs always say a big part of the job is taking care of people, right?
Carmen: Yeah, yeah. No I guess.
Also recall an almost identical bit of dialogue between Carmy and Sydney, under the world's most famous table that had absolutely nothing wrong with it in 2x09 Omelette:
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Carmen: You love taking care of people.
Sydney: Yeah I guess.
Here's some further mirroring between Sydney and Carmy about giving people joy through food. Recall again the phone call between Carmy and Nat in 1x02 Hands:
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Natalie: When did the breathing problem start?
Carmen: I think maybe sometime in New York. I was throwing up every day before work.
[...] Chef was a piece of shit.
Natalie: Then why'd you stay there?
Carmen: People loved the food. It felt good.
Also recall the conversation between Sydney and Marcus in 1x08 Braciole:
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Sydney: I want to cook for people and make them happy, and give them the best bacon on Earth.
Be gentle with each other, so that you can fight stronger together: seasons 1-2 of The Bear
As rough and tumble as The Beef was, the clear throughline in season 1 (when The Beef was in operation) was the importance of the relationships and care between the show's characters. This was also the case in season 2 where the majority of the season was spent in the context of renovations and training prior to the opening of The Bear (in that season's last episode).
In season 1, we had Carmy leading the crew at The Beef by being patient, clearly explaining technique and positively reinforcing his staff's work.
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Above left: Carmy walking the BOH crew through making Donna Berzatto's Lemon Chicken Piccata in 1x05 Sheridan. Above right: Carmy encouraging the crew to keep up their current pace in 1x06 Ceres.
We saw him working with Sydney, supportively encouraging the team to go further, to push themselves. We even saw Carmy at ease enough to talk about Mikey and his mother while at work. We had a Carmy showing us how integrated he can be.
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Above: Carmy and Tina in 1x05 Sheridan
Heck, we even had a Carmy who wanted to get a compost installed at The Beef for processing food so that it didn't go to waste. Recall this golden bit of dialogue between him and Sweeps in 1x01 System:
Carmen: Eh yo Gary, you set up a compost for me today, Chef?
Sweeps: After I do my thing in the place.
Carmen: That's very clear. Thank you.
We had a Carmy who had time. Recall the below scene in 1x02 Hands before Sydney gives Carmy her draft business plan for The Beef (that she drafted on her own initiative and time to support his family's struggling business. If this man doesn't hurry up and fight for her in s4 istg...):
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Sydney: Hey you got time?
Carmen: Always. What's up?
Similarly, we had Carmen in the first episode of season 2 making time to talk to a clearly distraught Richie:
Richie: Yo you ever think about purpose?
Carmen: I love you, but I do not have time for this, alright? *starts to walk up the stairs out of the basement*
Richie: *Nods, looks dejected, sniffs*
Carmen: I have time for this. *comes back down the stairs and sits with Richie*
Most pointedly in season 1 we had the conversation between Sydney and Carmy in 1x03 Brigade which lays the blueprint for their joint vision for the restaurant and which should have acted as a touchstone for both of them in season 3:
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Sydney: You know, I think this place could be so different from all the other places we've been at. But in order for that to be true, we need to run things different.
When I said I didn't think that the brigade was a good idea, you didn't listen. And its not that you told me that I had to. [...] But you just didn't really listen and if this is going to work the way that I think we both want it to work [...] I think we should probably try to listen to each other.
Carmen: Yeah. You're right.
Sydney: The reason I'm here and not working somewhere else, or for someone else, is 'cause I think I can stand out here. I can make a difference here. We could share ideas. I could implement things that make this place better. And I don't wanna be wasting my time, working on another line or tweezing herbs on a dish that I don't care about, or running brunch, God forbid.
Carmen: *nods vigorously*
In season 2 while The Beef undergoes its facelift into The Bear, some of the show's most beautiful moments were when characters displayed their faith and trust in one another. Recall 2x01 Beef where Sydney asks Tina to be her sous chef, or 2x02 Pasta where Sydney and Carmy send Tina and Ebra to culinary school (and Tina's unwavering belief in and support for a nervous Ebra once they get there), and 2x03 Sundae and 2x04 Honeydew where we see Carmy and Sydney send Marcus to Copenhagen to stage with Chef Luca and build up his skills as a pâtissier.
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So what happened at The Bear?
Season 3 of the show has been the most divisive of the series, with its preceding two seasons being almost unanimously adored by fans and critics alike. There's been a lot of debate on here and elsewhere as to why this is the case. What appears to be a dominant line of reasoning in this regard is the shift in Carmy and his approach to running The Bear as a fine dining institution.
At The Bear, we have Carmy as an Executive Chef who's berating, hostile, and blaming everyone else for his emotional state ("You guys are fucking killing me"). We have a Carmy who has taken "every second counts" to a point so minute that he has given up smoking because of the time away from the kitchen that it will cost him. We have a Carmy who has no patience for his team, almost all of whom have no experience working in fine dining before the opening night of The Bear. We see how out of sync Carmy and Sydney are ("Been off"). We have a Carmy who is reverting to patterns of behaviour that have been modelled for him by two of his abusers: his mother, Donna Berzatto and his previous boss, Chef David Fields, Executive Chef at Empire.
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Perhaps second only to Donna and her stand in Claire, Chef David Fields' toxic legacy haunts season 3 of The Bear.
This is nowhere more clear than in the sheer wasting of food and money in season 3 epitomised by Carmy's insistence on changing the The Bear's menu every day (to quote Tina: "Every day, Joffrey Ballet?!") and his repeated throwing out of dishes he deemed "not perfect."
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The waste did not go unnoticed by other characters on the show. Recall Natalie telling Carmy off in 3x03 Doors:
Natalie: The menu cost is out of control.
Carmen: Nat, figure it out.
Natalie: Oh. Oh. Figure it out? Wow.
Carmen: Figure it out.
Natalie: Why don't you fucking figure it out?
Carmen: I'm trying to use less shit.
Natalie: Okay, well, whatever you're doing, the R&D [research & development] of that, its fucking us.
Carmen: Well, we're using the best shit.
Natalie: Duh. Duh. Well, duh.
Carmen: Duh? Don't duh. No duh. [lmao this dialogue]
Natalie: Don't buy fucking crazy shit and then use it once, Carm. It's so wasteful. Duh! Duh, duh. Fucking duh, bro.
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In episode 3x05 Children, Uncle Jimmy commissions The Computer to come in and run analytics on The Bear in an effort to get its costs under control (LOL at his assessment below, scrawled on the back of the dodgiest looking pie chart I've ever seen):
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Computer: This sample is based on the month and a half we've been operating and does not take into account any funds spent previously on build, friends and family budget, other assorted fuckery.
Carmen: I mean, there hasn't been that much fuckery.
Cicero: Oh neph. You specialise in the fucking fuckery, bro.
Uncle Jimmy had plenty to say about Carmy's use of the former's funds (which Jimmy has duly invested in The Bear to support his nephew) including Carmy's decision to spend $11,268.00 on Orwellian butter (aka Dystopian Butter from the Fucking Rare Transylvanian Five-Titted Goat, lmao).
Even Carmy was under no delusions about how wasteful he was being this season. Recall his discussion with Sydney in 3x05 Children:
Sydney: You know what we should be doing?
Carmen: Produce vendor. You don't have to say it.
Sydney: Okay, I didn't say it then. I didn't say anything. Do you want me to say something?
Carmen: That I'm jamming us up 'cause we have a new menu every day and the economics aren't great?
Sydney: Well, I'm an accomplice, so...
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Note: the language in this small bit of dialogue struck me as being off. Why does Sydney needs Carmy's permission to say anything? Its like she knows that he knows the constantly changing menu and exorbitant expenses are an issue but doesn't want to say anything until Carmy brings it up first. @yannaryartside has a great break down drawing the analogy between Sydney's "accomplice" confession here with Molly Ringwald's (sorry I dunno what her character's name was) confession about facilitating her partner's substance abuse, during an Al-Anon meeting in 1x03 Brigade.
We have Carmy repeating harmful patterns of behaviour at work that he has picked up from his personal life (for example, from his mother) but also from his professional experience.
The world of fine dining that both Carmy and Sydney came to The Beef from was marked, by their own admission, with "complete and utter psychopaths" who screamed, pushed and yelled at their staff (recall Sydney's disclosure to Carmy at the end of 1x05 Sheridan) or "fucking assholes" (in the case of Chef David Fields), who made their staff "very, probably mentally ill." Sadly, this aspect of The Bear is not fiction. @moodyeucalyptus pointed out in this post that both Carmy and David Fields appear to have elements of their characters based off of real life fine dining wunderkind Chef Charlie Trotter: a Chicago-based chef known to be brilliant but who mistreated his staff so badly that he had two class actions brought against him (one by FOH staff, and another by BOH staff led by James Beard Award winner Beverly Kim).
There are other stories about the grinding nature of the fine dining industry which we'll get into below. We'll also look at a few stories of chefs who are leading a renaissance away from the "toxic, hierarchical shit show" that has historically plagued fine dining and who Joanna Calo and Chris Storer may have front of mind as they take us through Carmy and Sydney's journey together in season 4 (because as tempting as Shapiro's offer is, we know Sydney isn’t leaving Carmy). But first, we need to go further back in time to look at how the fine dining industry itself has created the conditions for a chef like season 3 Carmy to exist in the first place. Lets look at the system, baby (to quote Tina in 1x01).
The Bear's culinary ancestry: Chef David Fields and the Fine Dining Industry
I should say that I did not want to go too far into history with this post. After Carmen, Natalie, and the Berzattos, I was committed to trying to write shorter meta (/snort). But I'd be remiss if I didn't talk about the origins of fine dining, and before that, the rise of Europe as the base of "haute cuisine" (which itself is directly tied to its history of colonialism and...Empire *badumbum* @freedelusionshere has made the point that The Bear writers have given Chef David's restaurant the name Empire purposefully and they're not wrong). All of this informs the current state of fine dining today.
Though France is often credited as the place where restaurants began (in the 1700s), its been established that folks were eating in communal restaurant settings all over the world, including in China about 700-600 years earlier. The origins of western fine dining (the tradition that Carmy and Sydney have trained within) however, are synonymous with French cuisine and the efforts of Georges Escoffier (who Carmy name drops in 1x03 Brigade).
The French Brigade
Escoffier was responsible for developing the French Brigade system of organising kitchen staff which is still used today in many restaurants worldwide, including at The Bear. The French Brigade was based on Escoffier's own military experience in the Franco Prussian War and was set up to identify roles in the kitchen and increase efficiency and consistency so that restaurants could scale their work to serve larger numbers of customers.
The thing with anything based on structures found in the military is that its going to replicate hierarchy (a chain of command is central to the running of military operations). In fact, much of 1x03 Brigade is spent with Sydney resisting what she identifies as the imposition of a "toxic hierarchical shitshow".
Mariya Moore-Russell, the first Black woman in the world to get a Michelin star (who also happens to be from Chicago) talks at length here about the benefits of the French Brigade for systematising commercial kitchens but also how easily it can get corrupted if the wrong people are in the kitchen. She says in those circumstances, the Brigade can quickly perpetuate, racism, sexism, perfectionism and "all of the isms." My fav quote from the video? When Russell talks about the French standardisation of cooking adopted by most kitchens in fine dining industry (at 23:39):
They were like okay, how do we take what Grandma does, what Mama does and make it you know efficient and consistent but also just extremely stressful for everybody involved? (lmao)
Note: Moore-Russell has a series of videos on YouTube about her experiences in fine dining which are very illuminating. She's also such an engaging storyteller. For example, watch "My path through the restaurant industry".
Service à la française to service à la russe
In addition to the French Brigade, another development in the history of western fine dining was the shift in styles of food service from service à la française to service à la russe. Service à la française ('service in the French style') involved serving all the dishes for a meal at once, allowing patrons to serve themselves. Think something akin to buffet style. See below for table layout using service in the French style from 1775:
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Source: Wikipedia.
To me, service in the French style looks kind of similar to how my Tamil family lays out our meals (as can be seen in the first picture of this meta, minus the pheasant, moonshine and roasted woodcocks...lol). This style of service also looks a whole lot like "family style" dining which can be described as: "when food is brought to the table on large platters or serving dishes rather than being individually plated. Guests then serve themselves from the dishes which are passed around the table." In fact, service in the French style or family style dining is how many cultures serve and eat their food, both in the home and in restaurant settings (whether they use these terms to describe that layout is another matter).
I also seem to recall a couple of soulmates Jeffreys deciding to open a family-style restaurant in 1x08 Braciole (which @bootlegramdomneess has also pointed out in her post here).
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In the 19th century, service in the French style became replaced in European restaurants by service à la russe ('service in the Russian style'). This style of service is what Western fine dining and haute cuisine restaurants utilise to this day. It involves bringing courses to the dining table in sequence, one after the other. Courses are portioned and plated before being brought to the diner by service staff.
In the case of Western fine dining, Escoffier shaped haute cuisine ('high cooking') through the use of his French Brigade system and the implementation of service in the Russian style. Haute cuisine has undergone shifts and changes since the 19th century including with the nouvelle cuisine movement in the 1960s which was marked by a focus on fresh produce, paired-back menus and a focus on invention. Haute cuisine of today has been described as a fusion: employing elements of nouvelle cuisine and more elaborate techniques and processes from Escoffier's system.
To my mind, service à la russe involves a lot more people (definitely more wait staff) to have it deployed effectively. When you have more people, you have more room for error (like all those dropped dishes in season 3). Family style service or service à la française allows people to serve themselves. It encourages sharing. Personally, I prefer the latter. Also can we talk about how small the portion sizes are in haute cuisine? lmao. I get it, its art. You need a gigantic plate for a small piece of hamachi because thats the canvas. Some (read: me, lmao) might also say its big ol' waste to wash a plate that size for food that takes up maybe a 1/5 of its surface area. Can we also talk about the concept of "chargers" (which the Computer rightfully rips into Carm and Sydney for in 3x05 Children) - why do you need a table setting that no one's gonna use? I'm sure there's other aspects to haute cuisine that make no fucking sense but honestly this meta is gigantic enough as it is so I'll stop there lol.
Anyway, notably it is service à la russe and food that would be described as haute cuisine that we see at The Bear. Family style is nowhere to be seen in season 3.
Colonialism, Empire and the rise of Western food cultures
A fact that is often left out of discussions about why the French and other European countries developed such globally renowned food cultures as well as their staggering wealth and status as "first world countries" (particularly in the period between the 1600s to the 19th century) was that at around the same time, these nation states were expanding their own empires by colonising other parts of the world with the express purpose of acquiring ingredients (and other resources) that they did not have access to in Europe. A brief and non-exhaustive list of examples below:
Europe's demand for flavour was so great in the 1600s that the Dutch traded Manhattan to the British in order to secure the Indonesian island of Banda Run which, at the time, was the world's only source of nutmeg. When they first arrived in the Banda Islands, the Dutch killed and enslaved much of the Bandanese population, taking control of the island's local nutmeg plantations. This violence would come to be known locally as The Banda Massacres.
It was the hunt for a direct trade route with India for black pepper that Christopher Columbus used to pitch his voyage to the King and Queen of Spain and which ultimately led him to the Americas. Columbus' arrival precipitated the colonisation of the Americas, which resulted in enslavement, disease and outright genocide, decimating First Nations populations throughout North and South America.
The colonisation of the Americas would also lead to the exporting of various foods that have come to be staples in European cooking. For example, the tomato - the key ingredient in many Italian (and Italian American) dishes - orginated in South and Central America and was brought to Europe via Spanish colonists.
The British set up their infamously brutal East India Company (EIC) to control the Indian subcontinent and the trade of various resources including precious metals, opium, textiles (silks and cotton), spices (such as cinnamon, black pepper, nutmeg, cloves, mace) and other food items (like salt, sugar, coffee and tea). The EIC would later be supplanted by the British Raj in Britain's stranglehold on India and after almost 200 years of imperialism and economic fraud, it has been estimated that the British drained India of nearly $45 trillion. I can't even begin to fathom an amount of money that large but the British could, and that theft powered much of the empire during its height.
The influence of Indian ingredients and cuisine spread throughout the British empire, including back to Britain itself. In fact, through colonisation and empire, Indian influences appear in various global cuisines (including other European cuisines as well as in the Caribbean).
Indeed the British's impact on food globally included its colonisation of Australia and New Zealand. These two colonial outposts essentially became gigantic cattle and sheep runs for the British who facilitated the wholesale theft of land - and in the case of Australia, did so without even bothering to enter into treaties with First Nations people - in order to run livestock that was then exported to feed Britain.
In order to satisfy its sweet tooth, France operated huge sugar plantations on the backs of the labour of enslaved Africans, particularly in Haiti (known at the time as Saint-Domingue). In the late 1700s, Haiti was responsible for exporting 40% of all the sugar consumed in Europe. The human cost of this was high and brutally violent. Eventually in 1803, after many armed revolts, enslaved African-descent people kicked the French out of the country after over a hundred years of heinous exploitation (thereby creating the first Black republic in the world). The French were so economically dependent on the colony for its production of coffee and sugar that when Haiti got its independence, France decided to punish the new republic for the loss of future income on Haitian exports, demanding 150 million francs in gold as compensation. The French sent warships to enforce this cruel debt. All in all, Haiti spent approximately $21 billion paying off France for the freedom that its people had already lost their lives and shed their own blood for. The debt (which involved the fledgling republic taking out exorbitant loans and fundraising amongst its citizens) was not paid off until 1947: 122 years after it was initially enforced. The French even charged Haiti interest.
Were it not for its vicious history of slavery and its century-long extortion of its former colony, I'm pretty sure France wouldn't have had the quantities of a certain key ingredient necessary to develop its worldwide reputation for pastries and desserts. I mean, you try making a crème brûlée, an eclair, a tarte tatin, a sweet galette, a mille-feuille, a madeleine, a crepe...without sugar.
This history deeply informs fine dining today. For centuries, Europe underdeveloped much of the world (borrowing Walter Rodney's turn of phrase) through colonialism and imperialist extraction. It then used those spoils and excess wealth to, among other things, develop its own food cultures and then self-proclaim itself as the cutting edge of the culinary world. To be clear, you can only faff about in a kitchen and create fancy sugar palaces and 10-course meals if you have the means and resources to do so. Haute cuisine is a product of wealth and resources, accumulated over time. Europe's colonial history also dictates which cuisines are recognised via awards like the Michelin star system. Hell, it dictates why you have the French (Michelin is a French tire company) dictating what constitutes "good" food in the first place. If you want to read more about this topic, this essay on Medium provides a good overview of the sad, racist state of affairs over at the Michelin Guide.
Where Europeans colonised and settled, this same lens was applied. This is why you have the undervaluing of Indigenous cuisine and ingredients in Australia, a situation which has only recently begun to shift. The colonisation of Australia actively involved the lying about Aboriginal foodways in Britain's attempt to falsely claim that Aboriginal peoples were nomadic hunter gatherers who did not use their land. Its why the history of how enslaved Africans brought their food cultures with them through the Door of No Return and transformed American cuisine, is not more widely known. Its why so few chefs of colour have been recognised for Michelin stars globally.
Empire and The Bear
Season 3 of The Bear pays clear homage to the impact of European empire on the world of fine dining in a few ways. The most obvious is the fact that Chef David's restaurant is literally called "Empire" lol. Another example and one of the most visually striking to me occurs in 3x01 Tomorrow. First, recall Chef David Fields' outright theft of Carmy's dish (I think we've established that you can't get more empire than the theft of food, yes?). Can we talk about how not only did Fields steal Carmy's dish but also, turned it into the most beige meal we've seen on The Bear to date, bar that single sprig of dill fighting for its life?
Carmy's penultimate plate (the final version being The Best Meal That Sydney Ever Had™):
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Chef David Fields' dick measuring exercise version:
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Carm was not a fan:
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Can we talk about how the original plate featured the colours of the Italian flag (green, white and red) - emblematic of Carmy's cultural heritage and what is certainly one of the single biggest influences in his culinary journey (the dish also features fish, just like the main course in La Vigilia, the Feast of the Seven Fishes) - but after Fields was done with it, that shit was practically three shades of mayonnaise?
Can we talk about how Carmy's version of the dish almost certainly had a varied and dynamic flavour profile while Fields' looks just how I imagine it tasted like: whatever flavour meh is. The dish literally has no acid from what I can see (ingredients: paupiette of hamachi, fennel soubise, potato chip and dill). And I *know* a balanced dish has salt, fat, acid and heat (cos Chef Samin Nusrat told me).
Can we also talk about how Fields hates the most commonly traded of spices? The one that Columbus was looking for when he landed at what is now the Bahamas. The one that was an integral part of the East India Company's business plan rort to fuck India and South East Asia more generally?
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Carmen: He hates black pepper for some reason I'll never understand. (from 3x10 Forever)
White folks in Europe were so hungry for spices to liven up their food that they invaded large swathes of the rest of the world to get the stuff. And yet, here we have Chef Fields, disliking Europe's gateway spice: the one that the Romans (Carmy's ancestors) had been trading with the East for centuries prior to Europe’s imperial frenzy, and which now makes up 20% of the world's spice trade.
Is the man so dedicated to meh that he couldn’t even bring himself to embrace pepper? Used to be one of the best chefs in the world, is right Chef Luca.
On top of dubious taste (I'm not a food critic but no one can tell me that hamachi and fennel soubise dish tasted anything other than fucked lmao. idc idc), Chef Fields is also one of the clear antagonists in The Bear. Along with Donna Berzatto, he is one of Carmy's two primary abusers. His impact on Carmy was never as clear on the show as it was in season 3. Lets take a closer look at that impact below:
Culinary ancestry and intergenerational trauma
Both Donna and David are ancestors of a kind to Carmy. Donna is clearly a biological ancestor in that she's Carmy's birth mother. I've argued here that David Fields is a culinary ancestor to Carmy. For ease of reference, I'll include my explanation of what I mean when I say "culinary ancestry", from that earlier meta, here:
Most folks understand ancestry to refer to our family or genetic lineage. When I was in university, I learned about intellectual ancestors or genealogy: where one can trace your intellectual lineage - the thinkers and creators that have shaped your understanding of the world and/or your chosen profession. I think its useful to take this concept and apply it to The Bear to help understand what the show is saying about legacy. I wouldn't limit the concept to "intellectual" ancestry though. It might be more helpful to talk about culinary ancestors in this context because the process of creating food - crafting dishes - isn't solely an intellectual exercise. It engages our intellect yes, but also each of our senses, our memories (recall that chocolate banana from 2x10 The Bear), and the need to nurture and be nurtured. Culinary Ancestors Carmy's culinary ancestors are varied given his work history. We know he's cooked under some of the best chefs in the culinary world of The Bear, including: Daniel Boulud (of Daniel), René Redzepi (of NOMA), Thomas Keller (of The French Laundry), David Field (a sociopathic Joel McHale, of Eleven Madison Park Empire), and Andrea Terry (a sublime Olivia Colman, of Ever). I'd also include here Mikey, Donna and Natalie Berzatto. I'd include cousins Richie Jeremovich and Michelle Berzatto as well. These are the home and line cooks Carm grew up with, watched in his mother's kitchen and at The Beef. He took his lessons - the good and the bad, learnt voluntarily and involuntarily - from all of these people, incorporated them into his working self and transmuted them into his food.
NOTE: In "Ancestors and The Bear" and in other meta I've written, I've incorrectly noted that Chef David Fields was the EC at Eleven Madison Park (instead of Empire). This was due to the fact that up until 3x10 Forever, we are not told the name of the restaurant that Fields and Carmy worked at together. In the draft script for the pilot, the restaurant is identified as EMP (Eleven Madison Park) by Sugar (see p 23 of that script), however this appears to have changed to "Empire" during the course of the show's development.
Through the lens of culinary ancestry, there is a clear connection between Carmy's wasteful R&D and menu choices in season 3 with the "lessons" he received under the tutelage of Chef David at Empire. For example, and as discussed above, the refusal to serve any dish that isn't viewed as "perfect" led to extreme amounts of waste at both The Bear and at Empire.
Additionally, Chef David focused on "subtraction" (recall his writing "SUBTRACT" on green tape and sticking it to the expo of Empire in 3x01 Tomorrow) and never repeating ingredients in the dishes that came out of Empire. Instinctually, these two strategies appear to me to be techniques to create needless scarcity. They're attempts at repression in and of themselves. Carmy adopts these philosophies and tries to implement them at The Bear as well. They manifest in his unilaterally overhauling the original menu at The Bear (without Syd's input) as well as his insistence that the menu change every day.
Minimalistic subtraction of elements was also a characteristic of Escoffier's approach to cooking which would be taken even further with the nouvelle cuisine movement in France. That movement focused on minimalistic dishes with fewer seasonings and sauces. Chef David Fields is clearly rooted in the French school of fine dining in this approach.
Subtraction also shows up in the show in a more dire way: in the cutting off of relationships and the whittling away of self.
I recently come across a promo still for The Bear. It features Carmy as the CDC of Empire, plating a dish. I've seen the image before but I never noticed the writing on the wall next to Carmy before. It reads:
"Its only after we've lost everything we're free to do anything"
This quote also appears in the 1999 David Fincher film, Fight Club (which itself is based on the book by the same name by Chuck Palahniuk):
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Left: Carmen Berzatto, CDC at Empire in The Bear; right: Tyler Durden, general nihilistic fuckwit in Fight Club, also preaching the gospel of David [Fields].
This ethos, written on the wall and haunting the kitchen at Empire is emblematic of how Chef David operates. It reads like a fucked Psalm, giving a poetic shimmer to Field's abuse. Chef David tears down his staff, verbally degrading them to the point that he has the gall to whisper "you should be dead" to them. (OK. Can we...for a minute...imagine being a manager and that being your management style? Telling your best performing staff that they should be dead? Excuse me, mon cheri? A literal devil).
Chef David literally strips his staff of their dignity and their connections to the outside world. He makes them lose their sense of self and claims its all to make them better chefs. He tells Carmen in 3x10 Forever:
Chef David: So you got rid of all the bullshit, and you concentrated, and you got focused, and you got great. You got excellent.
The parallels between Carmy's experience at Empire - and even in the Berzatto household - and the critique of performative violent masculinity that Fight Club was trying to get across are worth pointing out. In Fight Club, white men beat each other up to try and assert control over a perceived loss of power. At Empire, Chef Fields consistently berates and degrades Carmy, clearly threatened by his CDC's talent. Similarly we have Richie complaining about having to take orders from "toddler" Carmy, saying "I was a baby too once, Syd. Nobody gave a fuck" in 1x02 (which could have been the origin story of any one of the men who joined Brad Pitt/Edward Norton to carry out "Project Mayhem" lmao. In fact, I wouldn't be surprised if a lot of the dudes on Reddit fawning over Richie circa seasons 1-2 also watch Fight Club as if it was some sort of aspirational manifesto and not the satire that Fincher intended it to be).
Chef Fields is meant to be representative of a toxicity found in the restaurant industry globally. There have been numerous reports of the physical and psychological violence meted out against kitchen staff by those higher up in the brigade.
Additionally the structure of the French Brigade system is such that those at the bottom - stages - are often expected to work for free. While unpaid internships are common in various lines of work, those industries start to run into trouble when large amounts of their products and services depend on unpaid labour. In fact, darling of The Bear, René Redzepi of Noma faced criticism of his restaurant's unpaid internship program. The internship program was rife with stories of ridiculous working conditions. Redzepi finally began paying interns in 2022 but then announced that Noma would shut down regular service at the end of 2024 due to being unable to afford its staff (at one point, unpaid stages made up almost half of Noma's staff).
The fact that entry into the world of fine dining means people need to work for free as a stage automatically eliminates this as an option for folks who cannot afford to volunteer in order to gain work experience. This would disproportionately impact on certain communities, particularly communities of colour whose members may not have access to sufficient wealth that would allow them to work for free. This is clearly illustrated in The Bear where we see that Carmy has the safety nets and access in place that allow him to stage at various fine dining institutions and gain much sought after experience (e.g. his family's ownership of The Beef and his ability to work there, his cousin Michelle's restaurants in NYC and his access to those spaces). Sydney, Tina, Marcus and even Richie have very different entries into the world of restaurants and fine dining.
The issue of sexual abuse and harassment in the restaurant industry is also very subtly broached in The Bear (though it is more heavily implied in the draft script for 1x01), particularly in 1x07 The Review with Richie accusing Sydney of giving a food critic head in order to get a positive review for her risotto (season 1 Richie was genuinely the worst). But the issue is huge, with more sexual harassment claims filed in the US in the restaurant industry than any other field of work.
Even scrubbing floors by hand and cleaning with a toothbrush, while ensuring sparkling kitchens, have also historically been used as a means of punishment, particularly in institutional settings. During Australia's Royal Commission into Institutional Responses to Child Sexual Abuse, there were numerous reports of children in care homes being forced to scrub floors with toothbrushes as a means of physical punishment and control. (CW: the above link discusses accounts of institutional child sexual abuse).
Given the above, its clear to see that the industry - the system - facilitates a whole lot of shit that its workers are subjected to. So when Chef Adam Shapiro catches Sydney as she leaves the train station in 2x04 Violet and asks her how she's doing, her response is telling:
Sydney: It's been a long month [at The Bear].
Chef Adam: Ah. That bad?
Sydney: No, just-- Restaurants.
Chef Adam: Yeah. Right? Why do we do this to ourselves?
Sydney: 'Cause we're crazy.
Chef Adam: Yeah. What was this month's crazy?
Sydney: Um. The kind that's inherited.
Chef Adam: *Nods emphatically* Understood.
This Financial Times article on the dark side of restaurant culture in Copenhagen, sums things up perfectly:
“We always had this joke, an explanation for why things are so horrible: shit falls down,” [Chef Levi] Luna told [the author Imogen West-Knights], with a cold laugh. In the kitchen, the head chef gets mad at the sous-chef, who gets mad at the person below him, a chef-de-partie, who then takes it out on a stagiaire. Then one day, the sous-chef is the head chef, and he has learnt how a head chef behaves: badly. It should give a sense of the strength of feeling I encountered about how damaging this system is that several people independently described it as being like children who are abused going on to commit abuse as adults. This is the dark flipside of the restaurant-as-family metaphor.
Challenging the status quo @ The Bear
By the end of season 3, Carmy appears to recognise that subtraction in his life is not going to bring him happiness. In fact, in 1x08 Braciole, he identified subtraction - specifically, the cutting out of people from his life - as the reason his life got quiet as he grew more isolated. In 3x10 Forever, when he finally confronts Chef David, Carmy laments the psychic and physical impact of Fields' abuse as well as the isolation it engendered. Fields, psychopath that he is, remained unfazed:
Carmen: You gave me ulcers, and panic attacks, and-and nightmares. You--You know that, right? Do you-- Do you understand that?
Chef David: Yeah, I gave you confidence, and leadership, and ability. It fucking worked.
Carmen: My life stopped.
Chef David: That's the point, right?
Additionally, its worth pointing out that despite all the focus on precision, minimalism and (quite frankly) rage being put into the impeccably plated dishes of The Bear, it's the messy, juicy, multi-ingredient filled Italian beef sandwiches that remain the site's best seller. Indeed, in 3x05 Children, Nat tells Carmy that the sandwich window is the only thing at The Bear making any money. So much for subtraction.
We also see Carmy resisting a total acquiescence to Chef David's approach to running a kitchen early on in season 3. His non-negotiables read in the hindsight of the entirety of the series like his attempt at integrating the lessons he’s learned from various kitchens. It’s why the list says “no repeat ingredients” AND “vibrant collaboration”. We know that vibrant collaboration had to come from someone else’s kitchen cos Fields certainly wasn’t collaborating with anyone. That asshole was out there dictating like a fascist.
Additionally, while Carmy has realised the dangers of the fine dining industry by the end of season 3 (and not for the first time - recall in 2x01 The Beef when he called the Michelin star system "a trap"), and while Sydney grapples with her role as an "accomplice" to Carmy's season 3 bullshit, their protégés Tina and Marcus continue to keep the flame of genuine care, collaboration and inspiration alive. This is most clearly seen during the conversation Tina and Marcus have in 3x09 Apologies where they discuss Marcus' mother and his memories of her as well as brainstorm ideas for Tina's cauliflower, brussel sprouts and horseradish dish (please for the love of gad, give us more Tina, Marcus and Ebra next season).
Challenging the status quo in the real world
There are also actual chefs in the real world who appear to be doing something different with their work: embracing their own food cultures that have historically been locked out of the world of fine dining and also trying to run their kitchens in more egalitarian ways.
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Above clockwise from top left: Chefs Tim Flores and Genie Kwon of Kasama, Chef Adejoké Bakare of Chishuru, Chef Asma Khan of Darjeeling Express and Chef Mariya Moore-Russell formerly of Kumiko and Kikkō.
The first, most obvious example of this for The Bear fans is Kasama, (shout out to @currymanganese and @thoughtfulchaos773 for introducing me to the above linked, short doco) the Filipino American restaurant founded and run by Chefs Tim Flores and Genie Kwon (who also happen to be married) in Chicago. Kasama is also where Carmy and Syd were meant to have their palate cleansing "reset" in 2x03 Sundae and where Sydney may have also been hit on by fellow Coach K fan, Kasama bae (shout out to @sydcarmyfan for verbalising what I squee-ed about on first watch of this episode lmao).
Both Flores and Kwon come from fine dining backgrounds but appear to challenge some of that industry's basic tenets, including the messianic role of the EC as top of Escoffier's brigade food chain. Flores openly states that his cooking is an ode to his Filipino mother who regularly taste tests his food. In the Nick Cavalier doco linked above, Flores states "if [his mother Lolly Flores] eats [the food] and there's no reference to her dish at all, I'm not doing the right thing." Flores and Kwon also operate Kasama using a hybrid model (that I think would send regimental Escoffier into a tailspin) where they offer fast and casual service featuring Kwon's baked goods during the day and offer a Filipino tasting menu led by Flores for dinner service only. Kasama was awarded a Michelin star in 2023, the first Filipino restaurant in the world to achieve that title. It also took home a James Beard Award that same year.
Note: if you haven't already, have a read of this interview of Tim Flores and Genie Kwon conducted by the Michelin Guide. ISTG Storer and Calo have read this and lifted whole paragraphs for The Bear's script. An excerpt that stood out to me, in particular:
The two first met at Bib Gourmand restaurant GT Fish & Oyster, also in Chicago. "He was leaving as I was starting. So we didn't overlap for very long. But I actually went to eat at the restaurant that he was working at afterwards, and I had one of the best experiences of my life at a tasting menu. And after that we started talking and hanging out, and eventually started dating," recalls Kwon about how she and Flores first met.
Sounds a lot like a couple of Jeffs we know, yes?
Also check out Chef Adejoké Bakare, who in 2024, became only the second Black woman to get a Michelin star in the world (the first being Chicagoan Mariya Moore-Russell who announced in 2020 that she was taking a break from her career for her mental and physical wellbeing and who also...is married to a chef lol). Bakare's restaurant, Chishuru in London, specialises in West African cuisine rooted in Bakare's Yoruba, Igbo and Hausa cultures. Bakare, like Genie Kwon, has a background in biological sciences. She also began her career as a home cook, then ran a fish and chip cart while studying at university in Nigeria. Once she moved to the UK, she ran a supper club and later won the opportunity to run a short term pop up restaurant. During the ceremony where she got her Michelin star, Bakare noted "[i]t did feel rather odd at last night's ceremony that 90% of the room was white middle-aged men. But the passion I see among young women in the industry is such that I'm confident things will change."
Take also Chef Asma Khan, who got her start in the industry as a home cook and then began running supper clubs out of her house in the UK. She then opened up the Darjeeling Express with a group of South Asian women she had met when they were all fairly recent arrivals in the UK, none of whom had formal culinary training. To this day, her kitchen remains fully staffed and run by women.
In this TEDx Talk about her work, Khan says:
"I wanted to cook but I actually wanted to feed people. This gave me the greatest pleasure. I felt at my most powerful when I was able to serve someone something I had cooked. In some ways it was my way of showing affection and love, and being able to give them something that took them home."
Sounds familiar yes? Like a couple of Jeffreys in season 1 of a certain show?
About the systemic sexism in the industry, Khan says:
"But at that time, in England, anywhere in the West, everywhere you looked it was male chefs you saw that was on television [...] in the media. It was always about men who were cooking kitchens. The greatest irony of it all is that [...] in every South Asian home you go to, you will invariably find a woman [cooking] but in every South Asian restaurant you go to, not just in India but in Pakistan, Bangladesh, Sri Lanka, almost everywhere in the world, you will usually find a man cooking in the kitchen. And it was a desire for me that I wanted to cook but there was no road or route in front of me."
Khan elaborates further on the skewed and gendered manner in which elite fine dining operates, in this article:
“There is no public hanging [in her restaurant]. Male chefs have made cooking into a combat sport. I think it’s a reaction to the idea that cooking is feminine: I’m not the dinner lady! I’m not your grandmother! Sorry, but if you’re constantly screaming at staff it means you’ve trained them badly.”
Khan is describing the hyper-competitive nature of fine dining (and her suspicion that in a highly gendered industry that is populated by majority men, that there is a need to perform a hypermasculinity in order to put distance between themselves and the historically feminine-gendered roots of the act of cooking) and how Khan wanted no part of it, for herself, her staff or her patrons. In this Guardian article, Khan points her attention directly at the toxic work cultures of many fine dining institutions:
Khan sees herself as a vital heckler on the sidelines of the industry, rather than part of its elite club of star chefs. She is especially scathing of a macho restaurant culture that has allowed workplace bullying and abuse to become normalised – and of those who enable it.
“My deep concern during the pandemic is seeing very prominent people with considerable wealth remove the entire workforce without a safety net.” A surge of restaurant and pub workers were reported to be sleeping rough in central London in April, a fact Khan can’t shake. “It is so shameful, my heart bleeds for the industry, it is immoral. I don’t want restaurants to be ranked by Michelin stars for the fluff and edible herbs they put on a plate. I want to know how they treat their people, they should be ranked on that. Where there is bullying and racism, where there is sexual harassment, where staff don’t feel safe, people should boycott those restaurants. I don’t want to see them prosper.”
Honestly, after reading some of the horror stories about work place practices in the restaurant industry, I'm with Khan. I'm also with Flores, Kwon, Bakare and Moore-Russell. I reckon Storer and Calo are also with these folks too and that we're going to see a shift in season 4 of The Bear that reflects the larger industrial change in the world of fine dining that chefs like these are heralding.
The death of fine dining
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Above: Carmy's phone in 3x05 Children
Like @freedelusionshere says here, I don't think its a suprise that season 3 ended with Ever's funeral. The fine dining of Empire and even Ever is dead. How can it not be given the way its been largely running to date, as discussed above? How can it not be when we are living in a time of severe food insecurity precipitated by runaway consumerism and the twin existential threats of global climate and extinction crises. How can anyone in good conscience justify charging exorbitant amounts of money on a plate that is not going to fill patron's bellies while there are communities worldwide who do not have enough food to feed their children? When some communities, even in so-called "first world" countries like America and Australia cannot access clean drinking water?
Truly, the argument for fine dining posited by Will Guidara in 3x10 Forever made me (and I'm sure many others) actually cringe.
There's nobility in this. [...] We can give them the grace, if only for a few hours, to forget about their most difficult moments. Like, we can make the world a nicer place. All of us in this room. We have this opportunity, perhaps even a responsibility, to create our own little magical worlds in a world that is increasingly in need of a little more magic.
There *is* nobility in nurturing people, in feeding them. But in a time of the multiple and rolling, global existential crises, where particular communities are being targeted not just for marginalisation but whole scale eradication, this is not a time for more "magic"; particularly when those "little magical worlds" are reserved for the select few who can afford them. We don't need more holes to bury our heads in. We need real spaces of care that are accessible, kind (read: not nice, but kind. there is a big difference) and nurturing. And those spaces need to be those things not just for the patrons who visit them but also for the staff who work there.
There is also literally no time for escapism, at least not of the kind that late stage capitalism promotes and as described by Guidara in 3x10. We are living at a time where food systems are said to make up one third of all greenhouse gas emissions, pushing the climate crisis further to the point of no return. What's the point of making magic worlds to escape an actual world on the brink? And while your magic-making contributes to the brink getting closer? Its like putting lipstick on a pig.
Indeed some have posited that it was the British Empire's remaking of the world to feed Britain (which we've looked at briefly above) that has been the single biggest contributor to the current environmental crises facing our planet. The Bear acknowledges the issue as well. Recall 2x04 Violet when Tina visits Jerry at the farmers' market and his explanation for why he has so little produce to sell:
Jerry: There's fewer and fewer moths to grow vegetables now, and 'cause of that, there's fewer and fewer farms. Used to be you could come down here, buy everything you needed for a full menu. All in one spot. Whatever grows together, goes together.
The reason there are fewer months to grow vegetables is because of climate change which has impacted on everything to season length, groundwater and rainfall levels (as the two main sources for global farming irrigation) and increased periods of drought and heatwave.
So whats next for The Bear?
Season 3 put us through the ringer with Carmy replicating toxic practices in his restaurant that are rife in the industry at large. Yes, Carmy also has mental health issues and is a survivor of multiple sources of trauma. We know this. I've talked about this at length here and here. But he's also a guy who's running his own business with folks who are dependent on their place of work for their livelihoods. As such, he, Nat and Uncle Jimmy (as co-owners of The Bear) have responsibilities to their staff.
As EC at The Bear who is directly responsible for managing BOH, Carmy has a choice to make about whether he "blows his trauma through" (shout out to Dr Resmaa Menakem and his book My Grandmother's Hands) the bodies of those closest to him, including the crew at The Bear. Just as parents have to work on themselves so that they don't replicate harmful patterns of behaviour in raising their children, so too do we all in our daily relationships, including where many of us adults spend most of our waking lives: at work.
Like Richie observed, Carmy is not integrated in season 3 but neither is the industry in which he's working. A menu that constantly changes, wasteful food practices, a food production and agricultural industry that contributes to a third of global greenhouse gas emissions leading to increased global warming. These things are absolutely not integrated. In many ways, Carmy's mental state in season 3 - anxious, agitated, exhausted, is a reflection of the times. Given all of the above, Carmy's "I'm so fucking sick of this" in 3x09 Apologies hits me harder in the chest. Yes Carmy, you should be. Now go do something about it.
Having looked at the career trajectories of a few talented, conscientious chefs in the course of writing this meta, I think its pretty clear that the old way of running restaurants a la Chef David Fields is over. As we sit at the precipice of climate disaster, watching multiple genocides unfolding at once, during a time of massive food insecurity, who the hell has time to be suffering in the way Chef David made his employees feel in the course of making food that is meant to nourish people? What fucking cognitive dissonance is required to continue on THAT kind of a path?
Come season 4, I reckon we are going to see a massive shift in the trajectory of The Bear. This will be precipitated by multiple things (like the review Carmy got at the end of 3x10 and whatever the fuck Uncle Jimmy is up to with that box and those golf clubs lol) but most significantly, by a realisation on Carmy's part that his version of Michelin mode IS NOT IT.
I reckon Carmy and Sydney are going to continue to work together but they'll go back to the original plan they made with one another in 1x08 Braciole. They're going to go back to family style. They're going to treat their staff better (after Carmy apologises lol). They're going to shift from wasteful, haute cuisine to sustainable food practices that support producers and the planet more broadly. They're going to leave Chef David Fields' scare tactic of subtraction behind and lean into using more pepper.
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Above: Sydney's notebook as she workshops a recipe at home in 1x08 Braciole.
Tagging: @moodyeucalyptus @currymanganese @hwere @freedelusionshere @thoughtfulchaos773 @ambeauty @brokenwinebox @devisrina @espumado @fresaton @kdbleu @vacationship @birdiebats @bootlegramdomneess @mitocamdria @tvfantic87 @angelica4equity @anxietycroissant @turbulenthandholding @yannaryartside @afrofairysblog @ciaomarie
cos you may be interested but as always, I'd love to chat to whoever wants to about this stuff!
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onmyyan · 4 months
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👋 You mentioned that Marcos killed the earliest out of his brothers and is the best at it, and even that he's gotten paid for it before. If you're still taking requests I'd love to see Marcos in a "falling for the mark" situation where someone hires him to "handle" the reader but during the research process he falls in love with her (or he can fall in love at first sight or even after their first conversation, whatever works best) and ends up killing the person who hired him instead
Loooove your OCs, especially the Delmonts! Super excited for whatever you drop next!
Marcos felt his fingers twitching in his coat pocket as he entered the building, making a b-line for the mahogany bar full of patrons he couldn't help but grin to himself, this was his favorite part after all.
Sure he was good at the killing bit and sure he was talented at it, man oh man did his skills shine when it came to the parts before that, the stalking, the studying, he relishes the feeling of getting to know his target, and today that target was you, a pretty little bartender who'd been unfortunate enough to serve Marcos client, Tito, see Tito liked to get hammered and run his mouth, turns out he said some things to you, his bartender, that really shouldn't have left his mouth and now to cover his own ass, he'd hired Marcos.
You were a classic case in his eyes, in the wrong place at the wrong time, overhearing something you shouldn't have, put you in the line of sight of a bad man like Marcos.
He came on a particularly busy day intentionally, wanting to see you in your natural state amid the chaos of rush hour, and he noticed a few things immediately, you were very attentive to your patrons, probably how you ended up in this mess he thought to himself, it showed a level of care not many people had in their jobs, the second thing he noticed was your laugh, it carried over the music and the chatter and the yells from customers, and he felt a twinge of guilt, the idea of never hearing that laugh again, of depriving the world from it, didn't sit well with him.
He shifts in his seat uncomfortable, lost in his subconscious he doesn't realize he'd walked up to the bar, sneakily taking his place amongst the crowd, he let his eyes drift to you from your Doc Martin's to the old jeans you had on, then up past your wonderfully sculpted ass, and finally settling on your face, this is when he knew he was really fucked.
You filled glass after glass never stopping, your motion fluid and smooth, he could watch you work forever, and he did. So long in fact the bar had closed, "you know I've never had someone take this long to decide what to drink." You joke making your way towards him, most of the lingering patrons were slowly, drunkenly, heading for the door, leaving Marcos and you alone. In theory this was the perfect time, he could finish the job and pour himself a drink before anyone noticed your body.
But he didn't.
Instead he smiled, his ringed fingers knocking into the wood of the bar, "Maybe I'm shy."
"A pretty boy like you? No way." Your response was quick, like your mind, your warm (e/c) eyes held him there where he sat, unable to lift a finger to do his job. "You probably say that to all your customers, but I know I'm the prettiest." He leaned into his chair, red eyes never leaving your gaze, "Well no matter how true that is, it's closing time gorgeous, order something now or hit the bricks." You leaned on your hand , nails drumming along to the music playing from the speakers above you.
"what takes the longest to make?"
"are you trying to screw with me?"
"No! I just don't know how else to stall long enough to get your number." He folds his fingers together, resting his chin on his hands, the pose makes you laugh, you shake your head ripping a piece of napkin, you jot down a number and slide it to him with two pretty fingers. "Here, now get out."
And he did, with a grin so wide it showed off all his teeth, he couldn't recall the last time someone had lit a fire under him the way you did, the piece of napkin seemed to burn a hole in his pocket, all he wanted to do was call you and really lay on the charm he knew he had, but first, he had a visit to make to his friend Tito. He whistles the song that was playing as he left the bar and thumbs the knife in his pocket, someone would be dying tonight, but it wasn't you.
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augustinapril · 1 year
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Heyyy Spence
So I saw that you wanted some batfam requests (especially platonic ones) so I was wondering if I could ask for a batfam (you pick whatever characters you want to be added) x bat!sibling reader who’s getting a special award but doesn’t tell anyone about it? Not bc they don’t think the family will care, they just think that the rest of them are busy and don’t want to bother them. They somehow find out though and are all there so surprise the reader?
If not- that’s totally fine too!!
Take care <333
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Spider || Batfam
Paring: Batfam & gn!reader
Sypnosis: You're Brooklyns resident Spider, or The Insect, as Heaven likes to call you. It's a job you've taken with honor, and you're being thanked for it by the city. What you didn't expect was to see your family in the crowd.
Warnings: kind of a spiderman x dc crossover? r is basically the spiderman of DC, talks of heights, violence and terribly written fight scenes, reader is threatened by a villian, swearing, mentions of food, its poorly written I'm sorry!!
wc: 3.2k || nav || m.list
a/n: shout out to @lu-vin-it for being a character in this fic! he also happens to write so you should definitely go check out their stuff (that's a threat not a request). thank you @lemkay-luminary for proofreading!! <3 reblogs > likes!!
˗ˏˋ ★ ´ˎ˗
Gotham City was constantly buzzing with life, along with death. It was a violent city, full of murderers, thieves, robbers, and villians drowning in a thirst for blood. More times than you could count, the city has stolen the life of people you've cared for. 
It held too many bad memories for you to stay. You loved the city, and it would always be your home, but you had a new home in Brooklyn, too.
Brooklyn gave you a breath of fresh air, here you could see the sun most days. It was calming, the warmth of it a comfort. You love it here and the people here love you in return.
"Spider!" A little girl from down below shouted, strawberry ice cream smeared across her face as she pointed up at you. "It's Spider!"
Her father gave her a light lecture on how it was rude to point when you attached yourself to the side of a building, offering the little girl a wave. She waved back, squealing in excitement at the fact that the Spider was waving at her. 
"Y/n, you know those guys we've been tracking for God knows how long?" Heaven's voice spoke through the comms, startling you.
"I don't, actually, I think they've managed to slip my mind." You retorted sarcastically as you jumped off and swung your way to a nearby rooftop.
"You were bitten by an insect, I can treat you like an insect." 
"Spiders aren't insects, they're—"
There was an annoyed huff that cut you off, it made you snicker. "Fuck you. I should make you do all this by yourself, but I don't. Be grateful. Anyways, so I've gotten a location on them, Visage is most definitely there."
"Where?" You asked quickly. Visage has been tormenting the city for a while now.
"Near Plymouth Church. They've been spotted in some run down building near it." 
"Thank you." You responded and the comms cut out.
That's when you jumped, arms behind you, the breeze pushed against your suit. It was exhilarating to fly through the air, being so high above everything else. 
Helping people in the way you do, swinging through the city and hearing people like that little girl call out to you was worth every risk the job came with. You'd put yourself on the line every time because you're here to protect them. 
Which brought you here, on top of some building across from an abandoned grocery store. Your eyes were glued to the doors, as you watched and waited for something to happen.
A man walked out, wearing protective green gear. It was Visage, you knew it was. There was no mistaking him and his rather ugly suit. 
"Visage, my man, what's up?" You jumped over to the power line nearby, standing on top of the wooden pole. His head snapped up to you, and the second it did, you webbed him. Jumping up you yanked him up with you. You grabbed ahold of his head and slammed it onto the pole. There was a crack in his helmet, him falling to the ground and letting out a pained groan.
"Fuck," You heard him hiss under his breath, struggling to pull himself off the ground. You didn't give him much of a chance before you leapt down in front of him, landing before swiping him off his feet.
"I'm gonna kill you," He raised his gauntleted hand and he fired at you from his spot on the ground.
It was one of his weird creations, Vistech as he liked to call it. It made you realize that villians are extremely uncreative when it comes to naming things.
"'I'm gonna kill you' blah blah blah, I've heard it all before. Your words mean nothing." You retorted, moving out of the way of whatever it was he shot at you. He had a nasty habit of creating new concoctions and testing them on you.
You were sure you probably seemed cocky, and the way he tensed made it evident he wasn't very appreciative of your attitude. "You're really annoying, you know that?"
After that he charged at you, gear adding power to his steps. Your senses spiked, making you leap out of his way. His gauntlet grabbed hold of your arm, as he throwed you towards a nearby wall. 
The impact knocked the wind out of your lungs, falling to the ground with a wheeze. You could hear his heavy boots hit the ground with each step he took towards you. You pushed yourself off the ground, then you lifted your hand and shot webbing at his face. His cries were muffled by the substance, his hand scratched to try and get the webs off. 
You fully pushed yourself off of the ground, wincing in pain. Much to your dismay, the second you were on your feet Visage had pulled off the webs. He ran towards you again and you were lucky to move out of the way on time.
You put your hand behind his head and slammed it full force into the wall, knocking him unconscious. You crouched down, inspecting Visage's guantlet, lifting the heavy metal. It was warm to the touch, most likely because of the weird substance in them.
You looked them over, searching for a way to remove them . It was more sophisticated than you originally thought, but you found it eventually. 
You knew Visage wasn't the highest of rank in whatever business he worked for, but he was high enough on there for you to get some information on the entire organization. 
You tied him up with your webbing, and when you heard police sirens you leapt up to the rooftop of the nearest building, Visage's guantlet in hand.
***
The fight had been all over the news.
Some people praised you for your efforts whilst others said you were nothing but a menace, but the mayor, much to your surprise, was extremely pleased with your work.
She made an announcement on television about wanting to thank you personally for everything you've done for Brooklyn.
Which led you here, stood near the entrance of the building the mayor did most of her work in. She looked elegant, black pencil skirt hugging her legs and waist, a matching jacket on top of a white dress shirt. She was so put together it made you nervous.
You didn't look put together. Not that you really could in your spidersuit but you still felt self-conscious. 
Yet she offered you a warm smile, holding her hand out towards you. "Spider! It's nice to meet you in person."
You smiled back, though she couldn't see it from underneath your mask. "It's nice to meet you too, Madame Mayor." Her hand was warm against the fabric of your suit.
"So you and I will just walk out that door," She began, pointing over towards the door. "And I'll greet the crowd, give a speech, and then I'll shake your hand once more. I'll warn you now, there will be a lot of people."
It was strange how you could fight dangerous people and yet the mention of a crowd made your heart rate pick up. 
You nodded, and she smiled again. Her heels clicked loudly against the white flooring of the office building, your steps quieter than hers. You made sure to wear your converse here. There had been many times you forgot to slip on your shoes before heading out of your bedroom window, your mind racing to find reported criminals.
The doors opened, sunlight shined through as you exited the brick building. There was an abundance of people in the crowd, the snapping of pictures and shouts of Spider filled the atmosphere. There were news reporters that surrounded the barricades of the stairs, keeping the rambunctious crowd from getting too close.
"Hello people of Brooklyn!" The Mayor waved, sun reflecting off of her white painted nails. The way she handled the crowd made you envious and it took everything in you not to teeter on your feet to calm the nerves. 
The crowd gave a series of shouts and greetings in reply, making the mayor laugh. She was good at this, but you suppose she had to be. That's when she introduced you, another wave of excited noise spilled from the ocean of people across from you.
"Hello." You replied as you waved and cringed at how awkward you probably sounded. Another group of greetings sounded around you.
People could be loud when they wanted to be, and that amplified in groups. You eyed them, and noticed the little girl from a few days ago again. She rested on top of her father's shoulders—her face was ice-creamless now—and her abundance of red waves was put into braids with ribbons tied at the end.
She made you smile from under your mask, as the beginning of the mayor's speech slipped past your ears. You moved your gaze from her, your eyes looked over the people and that's when you saw them. Your family in the very back.
Dick looked silly. The entirety of his outfit was just Spider merchandise and you were sure he seemed like an obnoxious fan to the rest of the crowd. Jason stood away from him, probably upset that he had to stand so close to Dick when he looked like that. He blended in more with the crowd, he wore simple attire that any normal person would wear in public. Not that he was normal, he just didn't like to stand out in such a way. 
Your father wore a suit. A very pristine suit, as usual, no one except reporters ever wore something so proper to an event like this. 
Steph had the biggest smile ever on her face, hair pulled back by a purple headband, dressed simply in a long skirt and a purple cardigan to cover it. Tim stood next to her, adorned in a sweater Bernard had given him and a pair of shorts. The both of them were on the opposite side of the crowd. Cass was not too far away. 
She had never enjoyed crowds, or people in general. You wouldn't have noticed her if not for your enhanced senses. She leaned against Bruce's car, the entirety of her black attire blended in with the car's paint. Damian was beside her, arms crossed. The warm weather had him in a simple pair of brown cargo shirts, his green t-shirt blended nicely with them.
Damian probably didn't want to come. Not that he didn't love you or anything, no he often talked about how you were the most tolerable out of the rest of his family, he just never saw the point in coming to something he could very easily watch on TV. You were going to make sure to thank him later.
You returned your attention back to the mayor. As she was nearing the end of her speech she turned to you. "—And I'd like to thank each and every one of you for coming here today. The Spider has done so much for our city this last year, and it seemed rude to not provide our hero a proper thank you."
Her hand reached toward you once again, but before she could grasp your hand an intense feeling of danger hit you. Your head snapped up, turning over and noticing a man—one of Visage's men it seemed from the apparel he wore—directing one of the  special guns directly at the mayor. You shielded her quickly, pulling her away just as he pulled the trigger. 
The crowd screamed at the sound, erupting in panic. You should've known this would have happened. Nothing is ever so easy.
 "Are you okay?" You asked the mayor, and she nodded, mumbling a thank you. You once her over just to make sure before jumping back into the crowd. It was almost as if the man multiplied in your short time of making sure the mayor was okay. 
"Can't you guys take days off or something?" You asked, annoyed when you webbed one of the weapons, yanking it out of his hands and sticking it up against the wall of a building. "Seriously, you guys are everywhere. I think you might need to bring this up with your boss."
One of them charged at you, which you swiftly moved out of the way but kept your foot in place, snickering when she tripped on the ground. 
You jumped, legs pushing you high enough to land on the top of a street lamp. You'd yanked one of the men up with you, slamming his head into the light before webbing him to it, leaving him dangling when you jumped down. 
"Do you ever shut up?" A woman shouted, irritated with you. She lunged at you, but hit the wall—hard enough as to where you could hear a loud groan.
"Only if you say please."
There was only one person left, he radiated irritation. It was easy to piss these people off. If it were a sport you'd have 1st place medals galore.
"And then there were two." You joked, watching as he pulled out a similar weapon to the first guys.
"Shut your fucking mouth!"
You scoffed, preparing yourself to attack him before you answered. "Do you people have no manners?"
It was a swift motion, webbing the weapon so he couldn't fire. He tried to rip off the webs before you got him in the face. His sounds of confusion were muffled, and you took this time to kick the legs out from under him, sticking his hand together 
Within minutes, you'd gotten all of them tied up. It was a swift battle—if you could even consider it one—and now you made your way back to the Mayor.
With a quick once over, you knew she was okay. Shaken up, but overall physically okay. You still asked to be sure. "Are you okay?"
She looked at you, offering a smile. "Yes, I'm okay thanks to you. Thank you again, Spider. For everything. I don't know where Brooklyn would be without you."
You couldn’t think of a response. Talking to people was hard, but talking to the Mayor was harder. Especially when she said something like that. “It’s no problem.” You said, though you questioned if it sounded awkward.
After assisting to make sure everyone was okay. You felt a small tug at the stretchy fabric of your suit. Your head drifting in the direction of the source, your heart warmed. It was the little girl from before. “Spider!”
You grinned underneath your mask, crouching down to see eye-to-eye with her, taking notice of the adorable crochet beanie in her head. “Hello. I really like your hat!”
She giggled, the brightest smile you’ve ever seen crossing her features. “It has you on it!”
"It does! Did someone make it for you?"
Her waves bounced around her head when she nodded, grabbing ahold of her father's hand and shaking it around. "My daddy made it for me! Isn't that right, daddy?"
He gave a proud grin, though it wasn't as bright as it would be if he didn't look so exhausted. "Yeah, that's right, sweetheart. I did make it."
"You should convince him to make me one," You joked, looking up at her father. "It's an awesome hat. I'm honored to have such a hat with me on it."
"She wouldn't stop pestering me until I finished," He replied, shaking his head with a chuckle. "She asked me everyday if her hat was done. She loves you."
You warmed and looked back at the child. "And her love will always be appreciated."
After a rather hard goodbye, he led her back towards their small car. It took a few hours, but eventually you were able to make your way back home for a quick meal. You had some spare time before you decided you were going to force yourself back out into the city, hoping to finally give yourself a chance to relax.
Though it seemed your plans had been foiled, the smell of Mac & Cheese filled your apartment, and the slight chatter of familiar voices bouncing off of the fake wooden walls.
"Alfred?" Your eyebrows rose when you saw the man that was basically your second father standing in front of your stove, a pot in front of him as he stirred a wooden spoon through the creamy noodles. "You're making Mac & Cheese?"
Alfred never enjoyed making Mac & Cheese like this, far more into homemade foods rather than the cheap store-bought boxes. He enjoyed putting care into his cooking, and boxed Mac & Cheese took that away. In his eyes, at least.
You set your stuff down, listening to Alfreds words even though he didn't look at you. "I would have made something else, but it seems this was all you had in your cupboard, L/n."
"Fair." You shrugged before you heard someone clearing his throat.
"No hello to your father?"
You looked at him and smiled. "Hello Father."
Jason snickered, as he crossed his arms over his chest. "You sound like Damian." His feet on your table made you send him a light glare.
"Better him than you, Jay. And get your nasty ass feet off my table." You shoved his feet off of the fake wood, as you ignored the glare he sent you when you walked by, and ruffled Damian's hair. "How's the favorite brother?"
He huffed in annoyance and shoved your hand away, an incoherent grumble being your only response.
"Y/n!" Steph interrupted, a blur of purple passing your vision as he gave you a swift hug, arms wrapping tightly around you. "We missed you!"
"I missed you guys too." You grinned, brushing a few strands of blonde hair that fell out of her headband behind her ear after she pulled away. "Where's Cass and Dick?"
As if on queue, Dick walked through the door, his hand in the air as he answered. "We're here!" He had a flare for the dramatics, his high-school yearbooks and his years of theater could prove it. 
Cass' entrance was far more tame, as she carefully walked through as to not drop the big yellow box in her hands,closing the door with her foot. "We brought cake."
"Cake?" You weren't expecting cake, and especially not store bought cake. Alfred would be quivering in his boots if he didn't have to hide his irritation. 
"You didn't tell us about the Mayor." Damian interrupted, his arms crossed. Irritation was written all over his face—which seemed to mask his slight pain about the topic—and you were hit with a sudden pang of guilt.
"Sorry, Dami." You began, as you gave an apologetic smile. You looked at all of them, trying to explain yourself. "You guys are all so busy, I didn't wanna pull you away from your work."
The explanation seemed silly now that you said it out loud. It was a stupid reason, your family cared about you a lot and it probably seemed like a kick in the face. You continued, words spilling out of your mouth in an anxiety consumed guilt.
"It's not that I thought you guys wouldn't care or anything I just— I don't know, I didn't wanna pull you guys away from something more important."
"No work could ever come above you," Bruce spoke quickly, taking your hand within his. He squeezed it, as if it were to make his words stronger with meaning.
And in a way it did, it reminded you that your family may be busy, but you all would always put each other first.
˗ˏˋ ★ ´ˎ˗
sorry this was all over the place!! constructive criticism is always welcome!! please consider reblogging if you did enjoy it!!
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coupleoffanfics · 1 year
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Hey, it’s almost 1am and I’m riding the angst train I wanted to ask ur opinion on something.
How would the fam react to Y/n getting grievously I hired or dying by the hands of a villain or by Jeremiah and getting caught in the crossfire???
❤️❤️❤️
I'm so glad that people like reading my stuff. It's more self-indulgent, but what fanfic isn't self-indulgent?
Anyway, I'm so excited by seeing this ask because it sounds fun to write about. Let's start with the "less" angsty one. y/n getting gravely injured (I'm assuming that's a typo) by a villain.
TW: Mention of suicidal ideation once and gore.
Getting Gravely Injured by a Villain
It'd depend on the Villain. The family is going to act accordingly in their personas. Their punches are probably hitting harder than usual.
Jason might shoot the villain in the head, but ultimately can't. He's in Gotham following the Bat's rules slightly. So he'll just shoot their knee.
y/n isn't Batgirl anymore. So that means the villain must know the publicity they'll get by attacking, kidnapping, or holding a minor celebrity would give them. The fact that it's Bruce Wayne's daughter who's painted out to be a saint by the media would spread like wildfire. They'd have to be doing it to get attention or money.
How severely y/n was harmed doesn't matter too much. Bruised, broken bones, stabbed, etc are going to make the family more protective. Trying to persuade y/n into coming back to the manor, so that they can keep her close and prevent this from happening again.
Now the Valeska twins will differ in how y/n gets hurt and their reaction.
Jerome is like a child on a sugar high when with y/n. Wouldn't deliberately harm her in any way. Kidnaps y/n and go on a joy ride around the city even though she has no choice and isn't finding any joy from this. She'll probably get a scrape on her legs or arms from falling because Jerome is running too fast while he is holding her arm. Maybe have a bruised arm or wrist because of how tightly he holds her.
He doesn't think too much about things and will get into dangerous situations. Pick a fight or mock the wrong person leading to a shootout. He's having too much fun to care about anyone until y/n is hit.
One of the family members finally caught up to Jerome and was ready to— oh, my God y/n is bleeding from her side! Oh, fuck! AHHH! Jerome knows he can leave y/n in the hands of whatever bat family member showed up. She'll be in good hands while he hunts down the one who shot her.
"I know you're one of the 'good guys', but take care of her. If I hear that you did something that upsets her I'll— actually, I'll keep that a surprise." He looks at y/n who is just bleeding on the floor and in pain with a big ol’ smile. "I'll make sure to give you the head of that fucker who got you. Until then see ya later, toots!"
After that y/n is forced to stay in the manor. They made a deal that it would just be a few weeks, but her stay is indefinite.
Bruce
Opens the door one day to find a large box. It wasn't a delivery because it has no shipping information on it. Just an envelope with y/n's name on top of it. Bruce opens the envelope first and reads the letter which has poor handwriting.
Hey, doll!
Hope you're resting up and not in too much pain. I didn't think picking on a mob boss would get so messy. They just couldn't take a joke. I'll pick a more private place for our next date cuz I know how shy you are. Hope seeing them brightens your day. Made sure to get rid of the eyes since I know how you don't like too many eyes on you. Didn't know who shot you, so I just killed everyone who was there.
Love Jerome.
Bruce doesn't need a minute to take things in. He already knows what's in the box and sends it to the authorities. Does not mention a word of this to y/n. She is already going through a lot and best to not tell her.
He does increase the security around the manor. He ends up putting a tracker on y/n because knowing where she is the only way to keep him from worrying.
This further solidifies that she needs to be in their protection to keep this mentally disturbed boy away. The whole thing is twisted but the line "a more private place" bothers him the most. He's not letting his daughter be alone with Jerome longer than she already has.
Dick
It's early in the morning and Dick wanted to check up on how y/n doing. As he walks up to the manor there's a large box sitting in front of the door. A letter sits on top of it with y/n's name on it. Rips up the envelope and begins reading the letter.
Once Dick was done reading, he looked down at the box. Noticing dried blood around the box. This makes him nauseous and immediately goes to Bruce to inform him. They sent it to authorities so they could identify the heads in the box.
He doesn’t tell y/n or the others about this. Everyone is already in a frenzy from the events prior, so it seemed best to keep this between him, Bruce, and Alfred.
"Made sure to get rid of their eyes," Dick isn't sure why that sticks with him. Maybe it's because he wonders if Jerome beheaded them or took out their eyes first. It doesn't matter though because he needs to keep his little sister safe.
Barbara
Doesn't even want to go near it, checks that there isn't a bomb in there waiting to explode. She takes one peek in the box and immediately looks away. Does not read the letter because what was in the box said what needed to be said. Informs the whole family and that sets the mood for the day.
She checks up on y/n after telling everyone. The poor girl is so overwhelmed by everything that she doesn't want to be around anyone. Spends most of the day with y/n, trying to cheer her up. Get sweets since that's y/n weakness and sugar releases dopamine. She has Alfred cook y/n's comfort food.
The day is meant to help release all of the stress. Barb wasn't sure if it was working until y/n said thank you before going to bed. Barb makes a promise to herself that she'll become better at shielding y/n from this type of depravity.
Jason
Can tell who this is from just by the envelope. y/n's name with little hearts around it. Shoves it into his pocket, he'll give it to y/n when he sees her. Opens the box to be hit with a familiar disgusting odor. Looking inside there are 3 heads. Recognizes one of them being a mod boss he has on his list for a while now.
Jason wasn't sure what to expect, but it wasn't this. He pulls out the envelope and tears it open to get some sort of context. Reading the letter left him unsettled and a little…satisfied? Grateful maybe? For taking care of those who harmed y/n even though it was entirely Jerome's fault that this happened in the first place.
Closes the box and informs the whole family of what he found. Everyone is put more on edge. y/n isn't allowed out of the manor for a few days. y/n is upset by the news and she’s more quiet the following days.
Jason almost wants to laugh at, "They just couldn't take a joke." Bets that these" jokes" were just thinly veiled threats and pointing a gun at them. He probably would have snickered if this didn't involve y/n.
Tim
All he wanted to do was check the mail. Now he's reading a sort of love letter written by a psycho and looking down at the heads that could not look back at him. Their empty eye sockets had- ugh, God there was so much blood.
Debates on whether he should tell y/n about this, but ends up telling her. There was no point in hiding it because she'll probably find out one way or another. Sees the guilt and horror flash across her face. Wants to comfort her as much as he can, but all she does is detract from him. Of course, when Barb opens her arms y/n jumps into them. What happened to them always being there for each?
Doesn't like, "our next date", one bit. He doesn't like the insinuation or the thought of it. He starts keeping his eyes peeled for Jerome and ears open if anyone has information on where he is or going. The sooner he's in Arkham the safer y/n is from him and going on that next date.
Damian
Not impressed. The delivery was lazy and the writing was so sloppy that he almost couldn't read it. The heads must have been cut with a butter knife with how unclean and jagged the cut is. Every unprofessional. Nonchalantly brings this up at the table during breakfast. Not even when everyone is finished, just right in the middle of it.
Never really had respect for a villain or any, but the whole "Didn't know who shot you, so I just killed everyone" was almost respectable. Damian having a speck of respect doesn't mean he likes Jerome. Still thinks he's stupid and annoying.
He'd give him a 3/10 for the delivery and would not order again.
Per-Spray Jeremiah isn't going to do anything, but Post-Spray Jeremiah is a different story. Will break one of y/n's arms or legs just so that she can't get away from him too easily. Though that's going to the extreme, he's more likely to guilt trip her. Getting into her head isn't hard and more effective.
"I thought you loved me. You were the one who always said you loved me. y/n, who has been here for you the most and always will? Not your best friend, Norah, she's leaving you behind and you know it. Not your family because they never cared about you in the first place. No one will love you like I do. You need me, y/n."
By the time the family saves y/n and brings her back to the cave for medical attention. She's consumed by guilt and almost believes she deserved any harm done to her. Will cry to Barb about this and only Barb.
Concerned by this revelation Barb will tell the whole family. Bruce is worried as it's clear that y/n's mental state is worsening. He knew that it would be after bad being kidnapped by Jeremiah, he just didn't think it would be this bad. Bruce and Tim have the same idea to get y/n another therapist if she's still not seeing one.
Jason and Damian are mad that y/n would think that she deserves any pain. Jason is kinda, sort of, not really more understanding about the whole thing than Damian. He gets how she could feel that she failed Jeremiah. If she has revealed that they had been dating and she can't or won’t give up on him, everyone is conflicted and concerned.
Dick has had the most romantic relationships and will try to convince y/n that Jeremiah is a lost cause now. Leading her to a spiral into a depressive episode. Oops!
If y/n is on the verge of death the family freaking the fuck out. Slowly recovers at the manor and convinces her that staying with them is the best thing for her. Depending on if her injury is life-threatening or not will determine how cooperative she is.
Getting Killed by a Villain
Doesn't matter who it is Jason is shooting them on the spot. Though with how emotional and choked up he's getting, he'll probably miss. Damian would react the same way if his whole body didn't stop upon seeing y/n's lifeless eyes. He doesn't want to step near her to see if it was true that he lost his sister.
Bruce, Dick, and Tim will force themselves to act professionally. They're still in their hero personas and killing was a strict no. If the whole family is there then whoever killed y/n is getting a beating of their life.
It could also depend on who's at the scene. Bruce and Dick hold on to the moral code that killing is wrong. This will prevent any further killings from happening.
Damian and Jason would probably end up killing the villain after seeing y/n's corpse. They know it's not going to bring back y/n, but what else can they do except making the villain to pay their debt?
Tim teeters between the lines. If Bruce or Dick is there then he's on their side of not killing. If it's just Damian and/or Jason then he won't stop them. He won't participate just stands back to let them do their thing.
Depending how and when she died will weigh heavily on their mind. Quick and painless before they got there? At least she didn't have to suffer too much, but still keeps them up at night.
Tortured for hours before succumbing to her injuries? They already feel guilty that they couldn't save her on time, but her last hours of living was being in pain will only intensify it. Out of the whole family, Jason would probably be the most distraught by this. He reopens old wounds and memories. y/n meeting a similar end is horrifying to him.
Get there on time, but it’s too late to save her from her injuries. Then slowly dies in their arms. If they're all there then y/n is dying in Bruce's arms.
"Please tell Jeremiah, I'm sorry and- and that I love him. Tell Norah that I hope s-she achieves her dreams of becoming a doctor. Are- are you still there? I can't see or feel you." She can slightly hear Bruce's deep voice while what seems to be the others are screaming. It's getting harder to hear and her body is starting to feel heavier.
This is the end and everyone knows it. Jason, Tim, and Dick don't want to accept it and are trying to patch her wound(s). Trying to get help there as soon as possible. Bruce and Damian are quiet trying to listen to her soft voice get quieter.
y/n starts slightly laughing, it's a nervous tick. "I always fantasize about having enough courage to end it all. Bu-but I- fuck. I'm such a fuck up." She starts crying and any words of comfort are either not heard or ignored. Starts coughing blood, but that doesn't deter Bruce in the slightest. Damian squeezes her hand though he doubts she can feel it.
"I don't even feel the pain anymore…At least I…At least I'm not dying alone." It isn't long before she stops breathing.
Alternatively, I thought of y/n saying, "I wished I was surrounded by loved ones." But she wouldn't stay that no matter how angry she is at the family. Might think it though.
In both cases of the Valeska twins, y/n would be caught in the crossfire. Jerome isn't going to kill y/n because she's his one and only. Jeremiah isn't going to kill y/n because why would he kill his wife? He's already planned out most of their whole lives and she already signed the mentally fabricated marriage certificate.
Jerome gets into a frenzy seeing y/n drop dead. No one is spared from his wrath. He can't bring himself to look at her body and will just leave. Inactive for a short time before getting back into the swing of things.
She is buried next to Jason. The family will catch Jerome hanging around her grave "talking to her" or something. Who knows what the hell he's doing. They'll have to chase him off or turn on the sprinklers if they want him to leave.
He didn't kill her himself, but he's still responsible for the events leading up to it. Meaning the family isn't going to pull back any punches.
Post-Spray Jeremiah has a similar reaction to y/n's death. Honestly, y/n could have died by just jumping in front of him to take a bullet. Doesn't matter how much y/n should hate him, she can't bring herself to. Ultimately it doesn't matter how she died, Jeremiah will blame Batman or the others for their inability to save y/n. Deflecting any responsibility.
This reinforces that he has to destroy Gotham and make it into his perfect image. y/n always talked about wanting to make the world a better place and that's exactly what he's doing.
If she dies in his arms he'll make a quick escape with her body. Having Echo hold back everyone to buy him time. Buries y/n in an undisclosed location and the tombstone will stay y/n Valeska instead of l/n or Wayne.
If he knew of the family's identity, he'd make subtle jabs at them. Mocking them for their mishandling of y/n. When or if he takes over Gotham he'll make sure that they all have front-row seats of the destruction before killing them off.
If he's feeling ruthless he might just have one of his followers get plastic surgery to look like y/n. Even change the pitch of their voice to get close enough to y/n's. Then send the follower after them and make various claims about how they lied about caring about her. How they let her die on purpose. That she'll never forgive them.
Traumatizing the whole family. Will make his follower's death gruesome just fuck with them and have them relive that day.
Bruce regrets not having kept y/n closer. He has a lot of 'should haves’ and 'if only’ in his head. He knows that's not going to do anything, but it'll take a while to accept her death. Always visits her grave every week.
Dick wishes that he'd been a better brother to y/n. He'll often wonder if she's looking down at them from above. Any mention of her will upset him for a while. Tim feels the same as Dick but often finds himself reminiscing about those happy moments. When they're smiling and laughing, once the memory is over he's left feeling melancholy.
Barbara is heartbroken by this. y/n always talked about how she wanted a normal domestic lifestyle. How much she loves Jeremiah and believes that he's the one. Now she's in the dirt and never experienced that simple quiet life she wanted. Carries a photo of y/n and her smiling on her all the time. Believes that y/n is in a better place where she can live out her dreams. One day Barb will see her again and give her a bone-crushing hug.
Jason and Damian think of throwing her body into Lazarus Pit if they have access to her body. Jason seriously thinks of it for only a minute before throwing it out. The pit messed him up and he can't handle bringing y/n back only for her mental turmoil to worsen. Damian doesn't think about that. He wants to apologize for all he's said and done. He wants his sister back, but the family is quick to turn down the idea. Explaining how it could only lead to more pain.
Damian would most likely listen to the family since they're technically right. Although there is a small chance that he wouldn't listen and do it anyway. Right out of the pit, y/n's thinking of her only love. Tries to run back to Jeremiah, but Damian is not having any of that. 
When he returns to the manor with y/n tied up the whole family will have a verbal MMA fight. After that, they lock y/n in a nicely furnished room with hidden security cameras. y/n is like a zombie. Only has one thing, rather one person on her mind. She's a shell of who she once was.
At least they have a second chance, right?
y/n can not go ten minutes without talking or asking about Jeremiah. Will speak with herself if there isn't anyone else with her.
I think this turned out horrible, but hope you enjoyed this. Feel free to ask anything else as my inbox in always open. Also sorry for misspells or grammar mistakes, kinda rushed this.
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miidnighters · 2 months
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It's my birthday ! To celebrate, I wanted to put together a little shout out of people I love because it's the most surefire way to get compliments back in return (I'm kidding!). Thankyou so much for writing with me and mashing our barbies together and making this hellsite such a fun place to be.
Also, seeing how this has changed from my last shoutout at Christmastime - notably, the people I tagged as "people I love who I don't write with very much" but who now I write with or talk to every day lmao.
Please let this have tagged everyone I wanted to tag
@92328
I love u so much. U know I do. I love all the random questions u ask and ur request for Isaac Facts and the fact that you refer to Morgan as "Nora's Husband" and the way you wanna lock Flynn up in a tower to keep him a baby forever. Never change lmao.
@bloodykneestm
Bender ur characters are chefs kiss and our dynamics are chefs kiss and I get such a huge smile whenever I see u in my notifs (either here or on disco). I love the things we come up with together.
@cigarettesandcoffee
My darling! I know you're not writing a lot atm but it makes my day whenever we chat and whenever you pop up with some random love. All of our pairings are so good and I can't wait to see what we cook up for the others.
@draconisa
I know you're ALSO not writing a lot atm but Dany and Isaac have my whole heart plus everything that we're doing on the multi for everyone there like. My brain is still stuck on Harts and Vasile like. Does it get any better?
@epistrefei
HELLO. ARTEMIS. WOW. I am so in awe of the original spin you're able to put on such a well-known character - and it's not just Artemis and Billie, it's Barty and Flynn, and watching what you do with Zahrosa and so many others.
@exquisitexagony
Sami is my baby. The relationship they have with Flynn and Bella (or Bella and Arthur) and all the others is so special to me, as well as everything we have going on your other blogs (Callie and Shimi, for example? Yes).
@fangmother
Rainer is who I want to be when I grow up. If I could be half as confident and gave less fucks. I love seeing all the wild shit she gets up to and following her different relationships with people who have been in her life for varying lengths of time.
@freekzout
What can I say about the freekz? Callie and Funke's relationship is so special to me BUT also the friendships we've built? Lu and Ruth? Flynn and Ruth? Bella and the both of them? Not to mention your other blogs - Bella and Connie in particular.
@inrovina
Every relationship my characters have with Xeno is SO special. Flynn and Lake are SO special. I'm so excited for what other shenanigans they get up to and all the potential new stuff we're doing on your multi !
@kurjaks
I need to put this man in an enclosure and study him. I love him so much, and I love the careful way you've crafted him, and the truly unique way he carries and conducts himself. PLUS the way we chat ooc? Peak.
@mystiika
Every one of your muses is a darling to me. We've started creating such interesting relationships between a few of our muses in varying stages of romance or friendship and I cannot wait to do more with you.
@recitedemise
Every time I see you in my notifs I know I am getting fed the Good Shit. You have such a way with words and what we've crafted between Gale and Callie is really something special to me. Plus to varying relationships w Harts and Bella? Yes.
@sorrowsick
There is no muse of yours that I don't love down bad. We have some truly batshit stuff going on and I know that I can always come to you with the wildest ideas and we can make it work. I am truly your biggest fan.
@soulmissed
August is the only child character I write with and I think that says something bc it's hard to write a child without them being too much of a caricature and it's hard to build relationships without them being one-note but you so it SO well, so we have such beautiful ties.
@starlyht
One of the true lights of my life I adore seeing u on my dash and in my notifs. We have some great ties between our characters and I truly love seeing your thoughts on lycanthropy or drow society or whatever takes your fancy.
@stcllata
I love that every pairing we toss together just seems to Work lmao. Whatever the situation, whoever the muse, we can always put them together and come out with something good. And by good I often mean shippy but like. Who's gonna tell us no?
@tewwor
I am so in awe of your mind and your worldbuilding, and I am so lucky to be able to play in these spaces you've built. I love the relationships we've built and I love that we can throw different characters together to see what sticks.
@vitalphenomena
I say this with the UTMOST affection but this is the most messed up roster of characters I've ever seen and I adore writing with them. I adore exploring all the different facets of their characters and how my characters interact with their struggles bc they're NOT perfect.
@whileurmine
If I see a man over 30 on my dash, odds are it's you. I love your roster and I love our OOC hate sessions and I love that we can both puck up and put down starters like nothing. Whether it's something established or a new idea we can always put a pair together.
@yxkanna
I know you're ALSO not writing atm but I have to let you know how much I love you and your babies. Not just Nick but all of them. We have some really interesting dynamics both platinic and romantic and I can't wait until you're back to pick them up.
And then of course some other shoutouts of people I don't love any less but perhaps don't write with or talk to as often <3 (which should change, honestly. Come yap w me <3)
@abysswarden | @berylcluster | @bucketkicked | @byanyan
@coastercrushed | @corsey | @cragsnow | @demonstigma
@downspirals | @fvzzyelf | @godstrayed | @hegrudges
@idnull | @kxllerblond | @lcngdays | @nabaidhean-neonach
@platiinums | @pohlepen | @redemnation | @strszyga
@withbeasts | @xinxiins
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thewertsearch · 2 months
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Ask Comp 17/7
@shelbybunny asked: a note most people havent noticed from my observations: kanaya tied eridans cape around her stomach wound
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Kanaya absorbs the fashion sense of anyone she slays. She's basically a goth Kirby.
@deshah asked: I have caught up on reading your live blog just as you reach one of my favorite action sequences! Kanaya is brilliant and I am so excited that you are reaching this point in her story. On an Aradia note: I think that you should listen to '(kind of) still alive' and 'Almost There' Aradia version (in that order) because feels. You have motivated me to listen to homestuck parodies again. Not to mention revisit my (many, many) homestuck crossovers… Thanks for the liveblog, it is so much fun! Also i saw your recommendation list was missing hemostuck which is just such a shame. I think it constitutes spoilers? Although it is very AU. That one is by roachpatrol and urbanAnchorite on ao3. Also! Space Bro by JumpingJackFlash, also on ao3 (definitely spoilers) there's even a song about that one! I hope these are okay to send? I'm not 100% on the etiquette. Anonymous asked: howdy wert! dunno if you answer stuff on this blog still but I figured it wasn't fit for the main one -- in your long break, did you check out any of the various media recommended to you? :0 (<- totally didn't recommend something and definitely isn't now wondering if you read/liked it, unlikely as it may be with the long list of recs)
I've added them all to the list! Feel free to recommend anything else, too - but I probably won't get to any Homestuck fics for a long time, since they're a bit of a spoiler minefield.
So far, the only recommendation I've followed up on was Hollow Knight - and I'm glad I did. I've played it, like, three times now. If your own recommendation isn't a Homestuck fic, let me know!
@segfaultvicta asked: i just found your liveblog and I've been doing nothing but reading it since. i have no idea if it's complete, if it's stalled out somewhere, or if it's ongoing, or when it started; i have deliberately kept all of this information from myself, i just hope that regardless of anything else your asks are still on so i can tell you how absolutely fucking MAGNIFICENT your analysis is and how much of a joy it's been to read. bravo. <3 @segfaultvicta asked: there are so many things that you're correctly understanding, or at least digging into at the right level and with the correct approach vector, that it took me MONTHS of puzzling out and later information to grok, and i'm good at this kind of nonsense. it's WILDLY impressive even if/when you are barking up the wrong cosmic apple tree. this liveblog continues to be an utter delight.
Hell yeah. Welcome to the show!
It's a great motivator, knowing that there are people having this much fun with the blog. Sometimes, on quiet days, I'll notice my notification counter is ticking up by a couple of notes a minute or so - and 90% of the time, that means someone's just discovered the blog, and they're binging the whole thing.
That's so cool, I don't even have the words! I look up to binge-worthy livebloggers!
Anonymous asked: Vriska really do be the kinda person who's like "I love a woman who can kick my ass." She probably only saw Kanaya as a potential matesprit after she proved herself powerful. Before that, she likely didn't view her as one because she saw her more like a harmless 'mcfussy fangs'.
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You could have had it all, Vriska - if you'd only turned to look at her.
Truly, you are your own worst enemy.
Anonymous asked: I'd like to just adress the fact that Eridan, the troll who had 'aspirations' of killing every troll below him on the hemospectrum, only permanently killed the SINGLE troll that was above him on the hemospectrum. Good job, Ampora! ~DJ @manorinthewoods asked: It's comical how pathetic Eridan was. He seems to have power but it's always immensely fragile. Pathetic in life, pathetic in death, pathetic in ancestry. It's no surprise that his final step in the dance is to be sawed in two to prove Kanaya means business. ~LOSS (20/6/24)
Dude took more Ls than a Countdown contestant. Seeing Feferi confront him in the Bubbles is sure to be cathartic, and I, for one, cannot wait.
@manorinthewoods asked: Who the hek coded Trollian. ~LOSS (2/7/24)
That's Sahlee's endgame, naturally. My fic will be as self-fulfilling as Homestuck proper.
@bladekindeyewear asked: Quote you: "You Want An Auspistice? Then I’ll Give Your Legs Some Space From Your FUCKING TORSO" Funnily enough, on Andrew Hussie's ask blog back then, he ALSO jokingly described this well-justified murder as Kanaya auspisticizing between Eridan's upper and lower torso, after forcibly auspisticizing her way through the rest of the showdown members. "Putting Space between them" is a nice added pun of you though!
Hehe. I didn't originally intend to make an Aspect pun, but I noticed after I'd written it, and decided to leave it in.
Anonymous asked: "If the Bubbles do preserve doomed souls, then we might also run into […] the Jade he couldn’t save. That’s a pair of ghosts I’d be very interested to meet." Are we sure a doomed Incipisphere would have resulted in a doomed timeline on Earth for Jade to die in? Dave and Rose said as soon as John went off to die, they never heard from Jade OR THE TROLLS again. Karkat told John during ectobiology that Earth was a divorced temporal context from the kids' game outside of chat/timing convenience.
Yeah, I think there's a decent chance of that. It was weird that the stranded Future Jade never tried to contact her co-players, and one of the simplest answers was that she'd simply stopped existing. I live in hope, though!
@elkian asked: A really interesting thing I've noticed about Homestuck (lampshaded by Hussie's commentary) is how often the perspective switches away from fights, usually so smoothly or jokingly it's not obvious. I've heard the Hobbit/LotR books do something similar. We don't see Bro die, his opponent becomes unkillable by him and he's dead a few pages later. The Trolls' Black King, the Guardians' deaths, etc. It's a very interesting narrative choice. @elkian asked: belated followup to last ask ig - not sure what the given reason was but I think Hussie avoids showing us fights with foregone conclusions unless there's a good story reason. We know the trolls beat their BK before we even met all the trolls (and obscuring that fight lets Hussie pull fun things like the Bard of Rage reveal). Vriska vs Tavros was never in his favor, but it meant something for their character development so we saw it, etc.
Yeah, I really liked how this was done with Bro, specifically.
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Cutting away from this confrontation highlighted how completely pointless it would be to depict it. We all know what happened here, and seeing it happen would give us no new information. Bro, like any mortal, was instantly one-tapped.
Besides - we saw the end of that fight.
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It ended right here.
Anonymous asked: its funny how dd, the character associated with diamonds, is textually implied to be jack’s moirail ‘lousy dignitary, keeping your murderous tendencies in check’ Anonymous asked: I feel like you probably noticed this and just didn't say anything, but it's still so hilarious to me how clear it is that Andrew Hussie knew exactly what he was doing showing us the walkie-talkie scene just now with DD and his diamond card suit symbol "keeping [Jack's] murderous impulses in check"!
Damn, I actually didn't pick up on that. It's consistent with the rest of the Crew, though - Hearts is a romantic shipper, and Slick is all about hate. It seems CD is destined to become a mediator.
@mhafanlol2000 asked: What do you think LE looks like?
Occam's Razor would suggest he's a Felt creature - but since Jade would be 'terrified' by his true name, I suspect he's actually someone we've already heard of. After all, Jade would have no reason to be terrified of a name she doesn't recognize.
Anonymous asked: what if sburb is modded minecraft
tired: joining the wertsearch gigasession wired: joining the wertsearch minecraft server
Anonymous asked: Oh yeah we've all be there, I remember one time I got really obsessed with tinkercraft, not cause of the actual crafting system, but because of the furnace, and decided I Must build a furnace from bedroom to build height and fill it up
Update: I've built two nuclear reactors so far, for fusion and fission respectively. Between them, they produce a gargantuan amount of power, but that's only secondary to their main function - namely, antimatter production. Once I get that sorted out, we'll be, like, 5% of the way to the AllTheMods Star, which will finally allow me to make Creative Mode items.
Then we're starting on the Gregstar. If you don't know about the Gregstar, you don't want to know about the Gregstar.
85 notes · View notes
lampiridaes · 6 months
Note
HIIII
Your finally open again 🫶🫶🫶
Can i request a tsukasa, rui and nene x reader (separate) and the plot is something like the song “something stupid” more specifically the verse “ the time is right your perfume fills my head the stars are read and oh the nights so blue, and then i go and spoil it all by saying something stupid like i love you “
Thank you xxxx I’ve missed youuu
♬ now playing: "i love you..."
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-> saying you love them so suddenly, so unexpectedly... are you trying to give them a heart attack?
★ — chars ; tsukasa , rui , nene
★ — notes ; HELLO H :333 finally writing this. VERY SORRY FOR THE WAIT!!!! lowkey got rlly excited to write this then BAAM. SCHOOL WORK EVERYWHERE.!!!! also listen to the song on loop as i was writing (michael buble's cover ft reese witherspoon bc i LOVE michael buble's voice) and it got me in the mood!!! I HOPE U LIKE READING THIS AS MUCH AS I LOVED WRITING IT!!!
★ — warnings ; open endings for all of them (nothing rlly insane lol) , otherwise none!
★ — taglist ; @asherenjoysart , @nogenderbee , @akitosheart , @nenes-numberonefan , @mintchocaur
affiliated with @virtualbookstore ★
★ track one: tenma tsukasa
the day before, tsukasa had invited you to go with this festival with him. there'd be lights, games, prizes... just about any other regular festival.
and yet, here you are with him. people around you are chattering, 'you won!' sound effects can be heard blaring around the entire area.
... surely, if you dropped the 'L' word, he wouldn't hear it.
"...i love you, tsukasa."
a soft yet sad smile can be seen on your expression. you really just said that for no reason, didn't you? how silly.
well, that was what you thought until tsukasa turned back at you, with this bright red blush on his face. yep, definitely heard you.
"...you do?"
this might be the most quiet you've heard from the boy. you were surprised he could even say something like that in such a meek voice.
it's all up to you now. do you want to admit it, change your friendship with him, or would you rather deny it and go back to square one?
★ track two: kamishiro rui
like every other day, you go hang out with rui as he's working on robots for a future show. as always, he appreciates your company. you're a good friend to him, and you also don't touch his works in progress without letting him know.
... also, you tend to ask him questions as he works. not too many to distract him, of course. he finds that rather cute, whether you believe it or not.
he also finds you keeping him company endearing, making sure he doesn't feel lonely... and it seems like you have similar feelings.
"i love you."
is what you thought you thought to yourself, but when rui looked back at you with a startled look on your face, you suddenly realize that you, in fact, said it out loud.
"i meant- i meant your inventions! your work... it's really impressive, rui."
great save there. he totally believed that. especially with how much you stammered.
"oh, that's disappointing. i was about to say the same back to you."
rui had that signature smirk of his, though this one... you could easily tell he lacks the regular cool, level-headedness it usually has.
whatever his intention was, it ended up making you blush in the process. this guy is really going to be the death of you, isn't he?
★ track three: kusanagi nene
you really can't shut your mouth, can you? the original plan was to simply help nene memorize her lines, making sure everything sounded smooth.
yet now you found yourself gazing at her adoringly. one thing led to another, and you just had to tell her that-
"i love you."
it was as if time stopped. you cover your mouth with your hand, gasping with surprise. nene wasn't any different—she was in total disbelief. and if that wide-eyed look on her face told you anything...
"...it's the next character's lines. i'm just... trying to help, yeah?"
the awkward smile on your face didn't make your words any more believable. not to mention, nene has already scanned over the script, she already knows what the actual line is!
"...i love you too."
... that wasn't nene's line. mostly because that wasn't even the other line to begin with, but when nene said that...? oddly suspicious, in the best way possible.
when you finally have the courage to gaze at her once more, you can even catch a glimpse of her subtle yet gentle smile.
"that's my line, after yours."
in a way, she wasn't wrong.
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weasleycream · 3 months
Note
May I request Harry Potter x aunt reader
Y/N is James' sister and Severus' best friend. This sparks a fight between the siblings and they lose touch. Y/N marries Severus and becomes an auror with a reputation as a fierce hunter of Death Eaters. After a successful career that has brought her many scars and fame, she returns to Hogwarts as a Defense Against the Dark Arts teacher. Harry doesn't know he has an aunt, and Ron is curious why the teacher, who is nicknamed "Snape in a Skirt," is so nice to Harry. Voldemort then reveals to Harry that Y/N is his aunt and that he wants to kill her because she only causes him trouble
 ˃̵ᴗ˂̵     !! ( uyeueujg my first order 😭💗 ) Of course! I like the idea of ​​James having a sister who marries Severus in the future, it sounds pretty interesting🤔. I will do my best to develop your idea to the letter, thank you very much for your request! I hope you like it <3.
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ㅤㅤ୭.ᰍㅤ𝅄  ֹ    " 𝐒𝐞𝐯𝐞𝐫𝐮𝐬 𝐢𝐧 𝐒𝐤𝐢𝐫𝐭 "  🪽    Ⳋ
ઈઉ ݁  ㅤִㅤ𝐒𝐡𝐢𝐩𝐬 ; 𝐒everus 𝐒nape x 𝐅em!𝐀unt!𝐑eader
ઈઉ ݁  ㅤִㅤ𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬 ; Use of bad words, mentions of death/blood/scars, family fights (between siblings), Bad grammar in English.
ઈઉ ݁  ㅤִㅤIn this OS Gilderoy Lockhart resigns as soon as the petrifications begin to occur
ઈઉ ݁  ㅤִㅤ𝐓𝐢𝐦𝐞 ; The Philosopher's Stone, The Chamber of Secrets
ઈઉ ݁  ㅤִㅤ 𝐖𝐨𝐫𝐝𝐬 ; 3.2k+ (I still see it as too short, help💔)
ઈઉ ݁  ㅤִㅤ𝗨𝗻𝗰𝗼𝗿𝗿𝗲𝗰𝘁𝗲𝗱.
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Maybe for her brother being with someone like Severus Snape was something to consider himself a "traitor" and even more so since she was his little protégé and little twin sister. It was frustrating for him to see how the other half of him was best friends with his biggest enemy, to see how those two were inseparable.
It would not be a surprise to many, even James and his band of friends, to know that Severus no longer had eyes for Lily Evans (which James is partly grateful for) and now those looks of excitement and excitement are directed towards his sister Y/N Potter. Which sparked a loud dispute with The Marauders and Snape in the background, allowing them to hear all the twins' commotion.
"Merlin, James! Stop bothering me! Just because you're my brother and you ask me to end my friendship with him, I'm not going to do it, you understand!? I'm already tired of you interfering in my relationships just because you don't like them for nothing!" The feminine screams at her brother, who was in front of her red with rage and fury that had accumulated for a long time. “Accept it, James, Sev and I are never going to separate no matter how much you want us to, much less without one good reason."
"Do you want a reason? Fine! It's simple, I don't want you to be the same as that first-class idiot, who only knows how to follow Lily like her dog, it's not good for you to be with people like him"He snapped with anger in his voice as he looked into his sister's insistent eyes, clenching his fists at his sides causing his knuckles to quickly lose color and turn white.
Y/N, full of annoyance and disbelief, spoke: "That's the stupidest thing you've ever said in your life, James. I'm not going to separate from Sev because of that stupidity, he suits me, and much more than you if you ask me! He is "Much better than you in several ways! I like him! And I'm not going to allow you to keep giving me stupid numbers just because you don't like him!"
Severus, who was witnessing the arduous scene, froze in place upon hearing his friend's words. Apparently every attempt to eliminate every feeling he had for her, thinking that it was not reciprocated, was in vain. He, who was in a state of shock, could not allow himself to continue listening until she screamed again in fury.
"Fine! This ends here, James, if you don't like the idea of ​​seeing me happy with the person I love and long for, then this is all over, ignore the fact that I am your sister and don't talk to me again, because I already see that "The only thing you're doing when you talk to me is hurt me!"
She snapped red with anger with tears threatening to come out of her ocean blue eyes. He turned around and began to walk with heavy steps, pushing Sirius with his shoulder as he went, taking Snape by the hand, beginning to leave that place without preventing the crystalline tears from starting to come out of his eyes as he was far enough away from him over there.
"Uhmm… Y/N… I'm so sorry for what just happened because of me with your brother… I really didn't mean to."He apologized sincerely making them both sit on the roots of a tree near the Black Lake. He wrapped the girl in her arms as soon as they sat down, beginning to caress her wavy, silky hair.
The girl began to shake due to the sobs of her sadness, soaking her friend's robe with salty tears, alerting the black-haired man who squeezed her tighter against him. "Don't apologize Sev… It's not your fault, it's his for not accepting that he is a selfish fucking idiot who should let me be happy with the person I love"
"Oh… Yes… About that… Do you really feel that way about me? I mean… It's exciting to know that I'm loved by the most beautiful girl there has ever been in all of Hogwarts.." He murmured softly. against his hair, lightly inhaling the girl's soft fruity aroma, and then feeling how she tensed a little and separated from him a little to look into his eyes.
The girl, who had already stopped shedding tears little by little, slowly blushed at her opponent's words. "Sev… I've been in love with you for a year… But I never wanted to tell you for fear that you would continue to love Lily…" she murmured, looking away from him, avoiding the embarrassment of the moment.
"Fuck Y/N… You don't know how much I wanted to tell you this for a long time… You know? Yes, I still love Lily." The brunette squirmed in her place, pursing her lips, avoiding saying anything while she narrowed her little eyes that longed to throw away. tears again at what was said. "But like… A friend?… Since I met you, some time later I discovered that Lily was just a crush since she was the first girl I met in my life… But then you came along and changed that… "And it wasn't just a crush… It's something true, and knowing that you feel the same is… Encouraging."
"Sev…" He whispered, looking up again, moving from his eyes to her lips slowly, getting a little closer, remaining a few centimeters from her face. The boy swallowed hard nervously while he did the same action as the girl in his arms, shortening the short distance, touching his lips in a very small but lasting kiss full of feelings.
"Y/N… Will you allow me to be the happiest man and be your boyfriend?…" He asked shyly cupping the brunette's small blushing cheek, cupping her face affectionately.
"Of course, Severus…" She responded by giving him another small kiss and then hugging him tightly again, sealing their love under that tree on the lake, without imagining what things his future would bring.
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After long years without contact with her brother after that tedious fight, she married Severus some time ago after becoming a kind of Death Eater hunter, taking many of them behind the bars of Azkaban prisons. She knew that her husband did not like this work at all despite having been a Death Eater after graduating, he did not like at all that his smooth and soft skin had now become scratchy and calloused with scars due to the risk of his job.
Despite all this, he had to accept that there was good news in his life, such as the time he notified him that James and Lily had gotten married and had a child, he felt so happy for them that he had forgotten for a moment that he had already He had no contact with his brother, holding back every desire to want to go visit them and see his beloved nephew Harry.He knew very well in advance that after the birth of his nephew, his brother along with Lily had died at the hands of Voldemort and that Harry, being barely a baby, was able to survive the feared Adava Kedavra, making him a celebrity in the magical world, of course. This news devastated Y/N, who sought great comfort after her grief with her husband, trying to overcome the pain of her loss at all costs.
After the years, she wanted to leave her job as Aurora and started teaching at Hogwarts, she knew that her nephew was already there, she knew that Voldemort had returned for him and perhaps for her too, but still, she wanted to spend time with him, although for on the other hand, Severus, who quite renounced this decision, had no choice but to accept, understanding his beloved's desire to meet the only family he had left.
Upon arriving at Hogwarts as a Defense Against the Dark Arts teacher, surprising many when they saw how close she was to Severus Snape, making more than a smile and sigh from the 'most feared professor at Hogwarts', some even noticed the ring that both wore it on their ring finger, it being impossible not to notice the similarity of these, it was there that they nicknamed her 'Snape in a skirt', something that inevitably reached the ears of the great Harry Potter, who had noticed a great resemblance between him and her physically.
Harry even thought he was going to have another teacher with an attitude as scary as Snape's after Gilderoy ran away and 'Snape in a Skirt' arrived when he heard fourth year boys, like the Weasley twins, saying that the new teacher was very heavy and quite scary when you notice her scars on her arms, neck and face, but her surprise was great when it was time for Defenses Against the Dark Arts and the woman treated Harry as if he were her son, unlike the rest, They were treated as if they were in Potions class.
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A week after Y/N's arrival, petrifications continued to occur at the School of Witchcraft and Wizardry, which worried everyone greatly, even rumors reached the new teacher that Harry was 'The heir of Slytherin' being a Idiocy on the part of the students. She had already interacted with her nephew on several occasions without him even knowing that they were related to her, although talks about her with her group of friends were inevitable after he and Y/N finished talking.
"I still have a question… Do any of you know why they call him 'Snape in a Skirt'?" Harry questioned his friends, receiving a silent denial from Hermione, but a quick and boisterous nod from Ron.
"Of course! You're too lost not to have listened yet," she said as she looked at him with bored but emotion-filled eyes, receiving a 'I'm sorry' from Harry. "It's okay. Well, almost everyone says it's because of her attitude, everyone complains that she's like Snape but a woman, hence her nickname, although there are some who say it's because she's very close to the Potions professor and because ' "They share rings very similar to those of a marriage. But still, that doesn't take my mind off the fact that she's only nice to you, Harry." He explained making quotes with his fingers and emphasizing the 'share' and then looked forward again and prevented his bad luck from playing against him again and causing him to collide with someone again. or hit something.
Hermione snorted and spoke "Well, they're right in both situations, she has a very strong character and her scars speak for themselves… And about the ring, well… I never looked closely but you don't have to be very smart to see which are very similar in terms of design." This made Harry think extremely, remaining silent as he walked next to his friends who were once again fighting over some pointless thing. She had her suspicions about Snape for a year, and now he is involved with Slytherin because of his Parcel, and now with the arrival of that new teacher and her great physical resemblance and her strange change of mood with him, it was starting to be a headache for him.
That same night, Harry along with Ron and his former Defenses Against the Dark Arts teacher were able to discover the chamber of secrets by entering it, so that Harry continued advancing after one of the teacher's idiocies, he finally found himself with ' Tom Riddle' who after a short conversation mentioned something that left him disconcerted.
"Haven't I told you? Murdering impure people doesn't matter to me at all, for several months the ones I've been looking for are you and your aunt." This left Harry cold, it couldn't be possible that they were looking for his Aunt Petunia, she doesn't even have a drop of magical blood. "How is it possible that a baby with no extraordinary magical talent defeated the greatest wizard of all time? How could you escape with only a scar while all of her powers were nullified?"
"Why are you interested in how I escaped? Voldemort didn't live in your time… And why would you want to kill my Aunt Petunia, if she's a Muggle?" Harry asked quickly in response without backing down, regretting it for a moment when he noticed the abrupt change in 'Tom's expression and the tension was becoming more and more noticeable in that place.
Angry and angry 'Tom' responded: "Voldemort… It is my past, present and future…" He turned around and with his wand began what apparently seemed like writing in the air leaving the letters in his wake. of his full name, and after a movement he rearranged them, thus leaving the phrase 'I am Lord Voldemort' and spoke again. "And your aunt… I'm not talking about your pathetic, bony Dursley… I'm talking about Y/N… The sister of the famous James Potter, and the aunt of the great Harry Potter…Don't think I'm going to let her go, it's just a thorn in the side if she's alive… She has to die so she doesn't interfere with my plans anymore."
Faced with this revelation, Harry remained static and in shock in his place, despite all the dust and dirt on his face, you could see how his skin was turning pale little by little, and then he began to engage in a fight with the Basilisk afterwards. that Dumbledore's Phoenix arrived with a hat with a sword that appeared shortly after inside it, concluding with the bloody death of the enormous snake.
Harry, trying to put aside the fact that the Basilisk bit him with its poisoned bite, approached Ginny taking her hand listening to Voldemort's ramble, then took the diary and opened it and then took the tooth that he pulled out of the Basilisk and stabbed the blank page of the book, causing some kind of bloody textured ink to come out, receiving angry and desperate screams from Voldemort, he continued stabbing the book until 'Tom Riddle's' body was no longer there with them.
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Hours after Harry and the others were able to leave thanks to the Phoenix and Harry and Ron spoke with Headmaster Dumbledore and had a small fight with Lucius Malfoy, before dinner in the great hall, he searched the entire castle for his teacher and aunt. , Y/N, finding her in one of the hallways that led to the dungeon halls.
"Professor Y/N! Can I talk to you for a moment, please?" She asked politely with a shy look and frown. "Is something important"
The one with ocean eyes turned around when she heard her nephew's voice, giving him a small smile. "Of course Harry! What do you need, little one?" She responded kindly as she looked into his eyes fondly.
"Well… As the director may have already told you… I was with Vold-…You-Know-Who" He interrupted himself, knowing that not many like the mention of that disgusting wizard's name. "Yesterday in the chamber… He told me something that was quite disconcerting… Why didn't he tell me? Why didn't he tell me that you are my aunt?"
The woman just sighed and placed her hand on the boy's shoulder as she opened her eyes to speak. "You know, Harry? You're just as direct as your father was…" she murmured with a sad, nostalgic smile and a lost look before sighing lightly again. "I never told you because I never had the chance… I couldn't be there for you when you were little… And now that I got to see you here, I just didn't have the courage to tell you and have you face the fact that I'm a Terrible aunt for that…"
"Still, it's quite strong to know that I don't just have my Aunt Petunia as a family… I wish you had arrived earlier, you know? I had a horrible time at the Dursleys' house and with no place to go." go… And now I find out about this.."
"I know, little one… And believe me, I'm so sorry… I'm so sorry, Harry… I just… When I found out that James and Lily got married and had you, I just… I wanted to see them." …But I couldn't… I was still afraid of seeing your father after our fight and thinking that he could still hate me for that…" He paused when he noticed that his voice broke as he felt the knot in his throat, and then continued "I always wanted to meet you… And take care of you after what happened… But I never knew your whereabouts… I never knew… But you don't know how happy I am to know that you are here… Live, despite everything you've been through…"
The youngest just nodded with teary eyes and managed to rush towards her to hug her tightly, releasing all the pain and happiness he felt after he found out that that fearsome teacher was his aunt and that she always loved him.
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They both arrived at the large dining room and the one with brown hair saw her beloved nephew in the distance with his friends talking, he turned around and saw her and then greeted her with his hand and a small smile and eyes of joy, he returned the greeting and smile. and then continued on her way with her husband to the teachers' table, where they sat together and he spoke.
"Apparently you already talked to Potter about that, dear," he whispered so that only she could hear as he took her hand under the table without anyone noticing, stroking the back of her hand with his thumb, gently tracing the scar that adorned it with the finger.
The woman smiled warmly, leaning down to rest her head on her lover's shoulder, feeling how he tense up at the demonstration of affection in a public place, where it is not supposed to be known about their relationship.
"Well Mr. Snape, I had to do it at any moment, after all he is my nephew… I knew that despite what happened, he was going to accept me, after all, who wouldn't accept a beauty like me?" The woman joked as she looked into his eyes, separating herself a little with her smile remaining a few centimeters from her face.
The man who only looked at her tightened his grip on their clasped hands and murmured: "Well… You're right… It would be unforgivable just not to accept someone as beautiful and incredible as you, darling.." He said so that Then the woman approached again, leaving a soft short kiss on his lips and then kissing his cheek and the tip of his nose when they separated, surprising everyone who had decided to fix their eyes on the two at that moment, between those, Harry, who seemed like after that scene, just wanted the world to swallow him up and spit him out in Azkaban to erase all memory of that sight.
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੭୧    ݂   Soooooo… What did you think? I'm not very good at this kind of things yet but I still hope you liked it ㅜㅅㅜ, especially to the person who requested it, regarding that, thank you very much for the request! I quite enjoyed doing this!🥹❤️‍🩹
— ˚ 🪦  ⌢ 𝙏𝙚𝙭𝙩𝙪𝙖𝙡 𝙖𝙚𝙨𝙩𝙝𝙚𝙩𝙞𝙘𝙨 𝙘𝙧𝙚𝙙𝙞𝙩𝙨 𝙖𝙣𝙙 𝙙𝙞𝙫𝙞𝙙𝙚𝙧𝙨 𝙩𝙤 𝙬𝙝𝙤𝙢 𝙞𝙩 𝙢𝙖𝙮 𝙖𝙥𝙥𝙡𝙮! <3
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thatstonedwriter · 1 year
Text
The Ace up my Sleeve
─── ・ 。゚☆: *.☽ .* :☆゚. ───
A/N- Apologies for the wait. I hope I was able to do justice for this request. If any revisions need to be made, I'm more than happy to take suggestions/critiques. Enjoy <3
Contents; asexuality, romantic, polyam relationship, mentions of relationship insecurity, comfort/fluff
Feat; Fizzaroli x Ozzie x Reader, Blitz, Stolas
─── ・ 。゚☆: *.☽ .* :☆゚. ───
The occupants of Hell, as horny as they can be, are no strangers to the rest of the LGBTQ+ community. No matter where you fall on the ace spectrum, when you come out, you're met with unconditional love.
Asmodeus said it best, "Lust shouldn't be about force. It's an art. To be earned, and enjoyed." There are many, many different kinds of intimacy and affection outside of the physical/sexual realms. Fizzaroli and Asmodeus would know a thing or two about that. As most people know, these two are big on communication. In fact, once you're all somewhat settled into the relationship, y'all set up a time to actually talk about the expectations you each have going forward. This is probably when it comes out you're ace. No matter where you fall on the spectrum, Fizz and Ozzie are happy to accommodate you. Even if you're not involved with the sexual aspects of the relationship, they make sure you're involved with everything else. Reading together, watching TV, playing games, partaking in substances, baking, going on walks, listening to music, you name it. There are so many other facets of a relationship that they're so excited to share with you.
Stolas is another who has to know early on. Likely occurs when he's flirting with you and notices you're uncomfortable. He's marginally better at communication (look at his texts with Blitz and try to disagree with me). If you don't bring it up, Stolas will, whether its in person or not. He wants to set clear boundaries so as to ensure your comfort and the stability of your relationship. Now, he's a passionate person who wants a passionate partner. But don't think that it exclusively applies to sex. Stolas wants to be wanted. He would love nothing more than to spoil you with nights spent on Alpha Centauri (pls someone get that reference), trips to your favorite sight-seeing spots, extravagant evenings spent in the shopping districts. Of course, passion can be found in the simple things, too. When you get him a thoughtful gift, write him a poem, take photos of him, set up a date, the list goes on. At the end of the day, he can't complain. As far as Stolas is concerned, as long as you love him, he's the luckiest being in every universe.
Blitz doesn't know until he absolutely has to. He's flirtatious, for sure. But lets also account for his affinity for being stupid (I say it with love). When you tell him, he's surprised (mainly because most of the people he knows are horny). It's actually a nice change of pace. It takes some getting used to, but he really enjoys learning about what else a relationship can be. It's new- having someone not just want him for sex or to steal things or kill people. Someone just wants him for who he is. Of course, that doesn't mean he knows how to show affection. Blitz is so used to being flirtatious and "weird," so have a spray bottle ready at all times. It's not that he doesn't respect your boundaries, its that he's afraid you'll leave. He doesn't believe someone could just want him for who he is, and he projects that insecurity onto you and the relationship. They key to things with Blitz is time and communication. No matter what though, he does love you, so much it makes him afraid. But it doesn't matter, because you love him too.
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