#but as an adaptation of the first story i just don't think this works

[fruity-pontmercy]

Adding to this!!!

I'm glad to report that Do You Hear the People Sing has made it on Conservapedia's Greatest Conservative Songs list!!!

when I tell you i was dying from laughter. This shouldn't be taken too seriously because the guy who runs this site is clearly a massive moron (he put Pete Seeger songs in this list for fucks sake... THE Pete Seeger! As far as folk music goes he's probably one of the most famous anti-capitalist, pro-union artists out there) BUT I'll take this as an opportunity to continue on the thoughts I didn't quite complete when I first made the original post.

As a Les Mis fandom, it is our duty to recognise that as much as this work is to us an amazing and complex piece of leftist literature, it isn't to the common folk, because most adaptations do not portray the story that way at all. Most of them give off a message of hope and resistance that's vague enough to be used to benefit most political ideologies (from its usage by confederate soldiers in the american civil war to justify slavery, to the absolutely idiotic guy who runs conservapedia calling it one of the greatest conservative songs, to the french government this summer using it during the olympics opening ceremony despite the fact that it's... well... it's a really shit government).

Instead of telling people that they "just don't get the message" (like I've seen people do after the Just Stop Oil incident last october) we should recognise that no, unfortunately, for the masses and for the uninitiated, the Les Mis stage musical as it is today is not a work with an explicit leftist message at all, and oftentimes represents the very commodification of the idea of revolution, sold for the few people lucky enough to be able to afford tickets and who want to be told that there is a revolutionnary hope without actually being confronted with what that means, without being made uncomfortable.

Most importantly, when acts of activism like that of Just Stop Oil happen (and once again, regaqrdless of if you think of it as good activism or not) we should engage in political conversations about said activism, instead of focusing on the incorrect interpretation of our blorbo book from the 1860s...

I guess what I'm trying to say is, we are a very political fanbase, let's try to also engage in political discussions around Les Mis more objectively, by aknowledging how it is weaponized in today's culture, and by detaching ourselves from this (very natural and fair) need to justify the source material at all costs, even when the discussion at hand isn't necessarily about that at all.

Les Mis adaptations and apolitical appropriation

I think it's no secret on this blog that I love the original Les Mis 1980 concept album in French, and that I also love comparing different versions of the stage musical. I've noticed that Les Mis seems to get progressively more vaguely apolitical as time goes on, not only in the way it's viewed in our culture, but in the actual text as well.

It's natural for specifics to be lost in adaptation. It's easier to get people to care about 'the people vs. the king' in a relatively short musical rather than actually facing the audience with the absolute mess that were 19th century french politics (monarchist orleanists vs monarchist legitimists vs imperialist vs bonapartist democrats vs every flavour of republican imaginable). Still, I feel that as time goes on, as more revivals and adaptations of the stage musical come out, the more watered down its politics become. Like, Les Mis at it's core is just meant to be a fancily written, drawn out political essay, right?

In a way I feel that the 1980 concept album almost tried to modernise it with its symbols of progress. Yes, through Enjolras' infamous disco segment (and other similar allusions to the ideals of social change), but perhaps most interestingly to me, through one short line that threw me off when I first heard it, because it seems so insignificant, but might actually be the most explicitly leftist line of all of Les Mis.

"Son coeur vibrait à gauche et il le proclama" (roughly "His heart beat to the left and he proclaimed it" i.e: he was a leftist) Feuilly says, while speaking of the now dead général Lamarque in Les Amis de L'ABC.

What's that? An actual mention of leftism??? in MY vaguely progressive yet apolitical musical??? More seriously, this mention of leftism, clashing with the rest of the musical due to it's seeming anachronism, is interesting not because it's actually more political than anything else in Les Mis, rather, because it's not scared to explicitly name what it's trying to do.

But we've come a long way from the Concept Album days, it's been 43 years, and Les Misérables is now one of the most famous and beloved musicals in the entire world. It's been revived and reimagined and adapted in a million ways, in different mediums, in different languages and countries, and it's clear that it's changed along with it's audience.

On top of pointing out a cool line in my favourite version of the musical, I wanted to write this post to reflect on the perception of the political message of this work. We as a Les Mis fandom on Tumblr are very political, I don't need to tell you that, however, I feel that because this very left leaning space has sprung out of a work we all love so much, we oftentimes forget to revisit it from a more objective point of view.

Les Misérables has a history of being misrepresented, this has been true since it's publication, since american confederate soldiers became entranced with their censored translation Lee's Miserables. However, with it's musical adaptation, this misinterpretation has been made not only more accessible but also easier. As much as I love musical theatre and I think it is at it's best an incredible art form able to communicate complex themes visulally by the masses for the masses, I think it'd be idealistic to ignore the fact that the people who can afford to go see musicals regularly are, usually, not the common folk. Broadway and the West End are industries which, like most, need money to keep them afloat, and are loved people of all political backgrounds (and unfortunately, often older conservatives) not just communists on tumblr. We've seen the way Les Miz UK's social media team constantly misses the mark regarding different social issues, and the way Cameron Makintosh has used the musical to propagate his transphobia, and most of us can agree that these actions are in complete antithesis with the message of Les Misérables as a novel.

But I must ask, how does Les Mis ,as a West End musical in it's current form, actually drive a leftist message, and how are we as a community helping if every time someone relating to the musical messes up if we just claim they "don't get it"?

I'm thinking in particular of incidents like last october, where Just Stop Oil crashed Les Mis at the West End. Whether you think it's good activism or not is not the question I think, this instance is interesting particularly because it shows that, outside of Les Misérables analysis circles and fandom spaces, it is not recognised as an inherently leftist, political or activist work, and instead of just saying they completely missed the point of the musical, I think it'd be interesting to take a step back and look at what the musical as it stands actually represents in our culture today.

I don't pretend to have all the answers, so I won't try to give one, but I do hope we can reflect on this a bit.

[lookninjas]

So I went ahead and watched the new Crow trailer

Yeah, it's exactly what I thought. Simultaneously too clean and yet extravagantly gory. The villains lack any kind of the weirdness we got from Michael Wincott and Bai Ling, who were both so spectacularly deranged. Going to be a lot of CGI (which -- absolutely, yeah, use it for the shooting sequences, please, but if the original production could afford some ravens, you can afford some fucking ravens). Not a fan of them making it so the attack on Eric and Shelly appears to be targeted, as opposed to the random violence of both the original comic book and the original movie. And using a line from the original trailer that was voiced by Brandon Lee is probably just an unwise move in general. (Edit: actually, I'm pretty sure it was the girl who played Sarah who said that line in the trailers. Still not a great way to set yourself apart from the original.)

As far as it being "inspired by the comic book, not the film" -- I mean, okay, it looks like they have the Skull Cowboy? Which did get cut from the 1994 version due to Brandon Lee's death. But again, the whole Shelly backstory thing is very different. The villains look very different. What the fuck they're doing in the whole scene when it looks like there's a prison and everyone's in pink -- I don't know what that is. It wasn't in the comics. This wasn't a girl who saw some stuff that a billionaire crime lord was doing and then they came after her and her fiance. This was a random, senseless killing out of the blue.

And that actually matters, right? Because James O'Barr lost his fiancee out of the blue, to a drunk driver. The Crow was his response to that loss. Changing how they died really does change everything that comes next. It can't be helped.

And it just looks like extruded comic book product. It's like... again, everything's too clean and everyone seems kind of vaguely rich for no real reason but there's also this really cartoonish violence with armies of NPC characters, and it's just extruded comic book product.

Which is unfortunate, because I do get the sense that Bill Skarsgård is legitimately acting his heart out. But it just isn't enough to make this feel like anything but a cash grab on the part of the producers with at least one good performance.

He deserves better. This whole story deserves better.

I just don't think it's going to get that.

[kareenvorbarra]

love to go in the iliad tag on ao3, filter out tsoa and hades game, and watch over half the fics in the tag disappear

[cbrownjc]

Also, I'll be blunt -- half the people who do this wouldn't have the skill or knowledge, when it comes to TV or film, to actually create an engaging adaptation that works in a visual medium anyway. I've found that, 9 times out of 10, book purists tend to come up with some of the worst ideas when it actually comes to adapting a work to another medium. Because they usually never understand that what works on the page doesn't always work visually, or in a different medium from the page, at all.

And I've said it before, and I'll say it again: anyone still complaining that Armand isn't a white redhead only cares about the aesthetic of his looks, not his actual character. The only thing Armand's looks have to do with his character is him looking like a young, Botticelli angel and well:

So really, people are just exposing their racism if they are still harping on about him not being played by a redheaded teenager. (Not to mention the show would have never gotten greenlit if they'd tried to cast an actual teenager in the part who would have to play opposite 30 and 40-year-olds in sexually suggestive situations).

Old book fans really hating on the show, huh? As if we’re ever getting a Lestat more book accurate than Sam Thyne Reid??? I’ve been reading these books since I was 9 and I couldn’t love the show more!!!! You know I don’t know what it is anymore that they’re even complaining about if not the inclusion of bipoc stories? Is it really the pastiche aesthetic that y’all are gnawing bones over? It wasn’t even accurate in the movie!!!! If y’all have any fucking patience we’re getting timeline accurate flashbacks as soon as season 2!!! Lestat is book accurate, and I’m gonna fucking say it, so are Louis and Armand!!! Maybe y’all just haven’t read the books in a while, but whatever nostalgia y’all are salivating for is just that, it doesn’t really have anything to do with Anne’s writing. I’m rereading TVL and PL and nothing in my brain has had to shift from the show to the book, I’m seeing and hearing Sam Reid and Assad Zaman. Y’all really wanted a redhead minor as Armand? Nobody cares! Assad embodies everything that makes Armand’s character. Honestly some of you sound like the same assholes who told me I couldn’t be goth because I was black. Either that or you just don’t understand what adaptation actually means. Either it’s racism or frankly racist leaning and salivating for an ✨aesthetic✨. And y’all better not come crawling when season 3 comes around just because it’s suddenly more palatable and accurate to you. Disgusting!

[fuckyeahisawthat]

Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.

We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.

I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.

But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.

Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.

And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.

It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.

It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.

And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.

[pomefioredove]

Hello! I was wondering if you could do the Dormleaders' reactions to Yuu who, given that they're from another world, is immune to any and all magic spells.

Example: Riddle's 'Off With Your Head' doesn't make a collar on their neck, 'King's Roar' doesn't affect them at all, 'It's A Deal' doesn't take anything from Yuu and acts like any ordinary contract, etc.

However, this means any healing spells has no effect, forcing Yuu to heal on their own.

Thank you for reading this!

*ੈ✩‧₊˚ magic immune reader

type of post: headcanons characters: riddle, leona, azul, kalim, vil, idia, malleus additional info: romantic or platonic, reader is gender neutral, reader is yuu

out of all the dorm leaders, Riddle would be the most annoyed

...not that 'Off With Your Head' would've done much, anyway

you have no magic to take away

but... it's the meaning!

it's symbolic!

even a plain old collar would be punishment enough

but he can't even do that!

hopefully, you're not the type to misbehave, so he won't have to worry about it

if you are...

...expect to spend a lot of your week trimming the hedges around Heartslabyul as punishment

*ੈ✩‧₊˚

Leona doesn't even know until his overblot

...well...

until after his overblot

everyone keeps going on about how lucky you are

(personally, he doesn't see what's so great about being magic-repellent, but sure)

he's... glad you're okay

not that he'd ever admit that...

just don't let it get to your head, alright?

being immune to magic means both bad and good spells

and he's not going to be sanding you again anytime soon

*ੈ✩‧₊˚

Azul is PISSSSSED lmao

all that work he's put into his latest business venture

and for what??

you're not even BOUND by his contracts!

he has a hard time saying goodbye to Ramshackle...

what a nice cafe it would have made...

but, still

there's got to be some way he can use this to his advantage

he's an adaptable man

and he's always looking for a new assistant

*ੈ✩‧₊˚

Kalim is only a little disappointed

first, you can't even cast a spell

now you can't have any cast on you?

you're missing out on all his great party tricks!!!

but... oh, well

he thinks of it as an adventure, or a fun challenge

magicless parties sound kinda cool, right?

and Jamil says it's probably for the better, and Kalim trusts his judgment

(...for now, at least, cough cough)

*ੈ✩‧₊˚

not counting the... VDC incident, Vil doesn't care

unlike your annoying friends, he has no reason to curse you

and he can certainly think of many magicless punishments should you ever misbehave

so, no

not really something that crosses his mind

even when you're unwell (because, of course, he's the first to tend to you), he prefers using natural remedies before magical ones

to him, it's just another piece of the strange puzzle that is you

*ੈ✩‧₊˚

honestly what is Idia going to do

open the gates of hell on you?

nah

even boring spells would be too much effort for a guy like him

he does find you kinda interesting, though

I mean, being immune to magic in this place is a total buff!

imagine a group of NPCs firing magic at you, and you're like, wham! whew! zoooom!

...in his own words, anyway

(it's not actually that cool)

*ੈ✩‧₊˚

Malleus...

where do I even start?

he's so reliant using magic that he can almost sense there's something different about you right away

one on hand, it's a good thing

he worries about you, you know? the students at this school can get... unruly

on the other hand, knowing that you won't respond to magical healing is... worrying

he tries not to think about it so much

his overblot is a different story, though

if he can't put you to sleep, what can he do? trap you at NRC with him forever?

actually... I take it back, he'd totally do that

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[cinematicnomad]

#I think this is good analysis but it’s missing a fundamental element #they don’t think she’s fucked up for anything she’s done or will do. they don’t think her life is a tragedy from her actions. #her life is a tragedy bc she’s a child. think about how much independence and autonomy a child has. #she’s 14. barely out of middle school. #(her actress obviously is older. bc a real 14 year old could not provide the necessary level of performance. but TV claudia is 14.) #claudia cannot exist in human society without a parent figure. which means she is eternally tied to a vampire companion by necessity #book claudia is 5 years old. Louis carries her around like a babydoll. brushes her hair and puts ribbons in it. #obviously TV claudia would not put up with that treatment. she has MUCH more autonomy than book claudia. #but Claudia being uniquely cursed is due to her age. and as her maker lestat is responsible for that #and lestat projects his insecurity back at her #armand wants her out of the way and he recognizes her insecurities/weaknesses immediately and plays them up #that’s why he creates the psychological torture of the baby lulu character for her. #madeleine well that’s interesting. TV madeleine is much more well adjusted as a human being. #book madeleine is a doll maker who lost a child. and Claudia is her replacement baby. they match each other’s freak but it’s crazyyy #they never really touch on Claudia’s age in Europe. they show her basically as a functioning adult. #when like. a biggest part of her tragedy is that she CANT leave Louis. she NEEDS an adult body with her to be passably human. #I’m rambling but yeah. it’s her age. #but she’s literally a black 14 year old who can only go out at night #the human world is so fucking dangerous for her (via @punk-pins)

As much as nearly every character she meets tends to act like there's something uniquely broken and wrong with Claudia, at no point does it truly seem to me like there actually really is? I mean, obviously she is extremely fucked up, she straight up went through a serial killer collecting trophies phase, but there's a level of fucked up that's sort of the baseline for every character in the show, and obviously being turned into a vampire as a child puts her at a unique disadvantage. But for all that everyone around her spends their time bemoaning how dreadful and doomed her life is, even Louis who genuinely loves her but also builds so much of his identity around feeling responsible for her Terrible Fate™, I really don't think she's like, fundamentally damaged any more than any of the other vampires are.

But Lestat is so unwilling to be wrong that every time her life hits an inevitable road bump instead of helping her through it he points and says "look! see! she IS a monster, I was right Louis, making her was a mistake!" (and I think he sees his own monstrousness in her but fails to also see her humanity)

And then Armand meets her and sees only someone who will inevitably lose her mind, so of course speeding up the "inevitable" and siding with the coven to plan her death is just a mercy, absolving himself of any blame. (and he projects his own frailty and desire for death onto her, failing to see her strength and her desire for life)

Which makes it so cathartic when she meets Madeleine, admits to her how broken she feels sometimes, and Madeleine's response is just. Well that's normal. Who isn't a little broken these days. Let yourself feel it, move on, let yourself feel it again if you need to. After spending her life having others act as if her emotions are something uniquely dark and worrying, Madeleine's incredibly blase attitude must have been such an incredible breath of fresh air for Claudia!

To spend her whole life being made to feel like something is Wrong™ with her, and then meet someone who's just like, "yeah, and?? Who isn't? Join the club I guess"

Which makes her death so incredibly tragic and frustrating because like. She was fine! She was making a life for herself! She wasn't doomed by her nature, she wasn't "doomed by the narrative" (whatever the fuck that even means), she was doomed for no reason other than that everyone around her (except for Madeleine) preemptively DECIDED she was doomed and never gave her a chance to prove them wrong.

[thatdeadaquarius]

About your language brainrot. I see your "Reader's writing can't match tyvat's long and flowery writing" and bring you "Tyvat isn't used to books over 50 pages long so a short story to the Reader is a whole dictionary to tyvat readers".

Seriously, have you seen how thin the books are? They don't wrote novels, they write short chapters formatted in the way really old stories are. As in, summarizing all the events down into one smooth story then adding a few quotes. Fanfiction writers are insane. They will willingly sit down and write hundreds of words at a time. To them, a proper modern day story of maybe, oh 10k words or so, would probably be like the Oddessy itself.

If we were to combine the two headcanons. It would end up as many historians being intimidated by this insanely long written scripture in the language of the forgotten.

I'm going to take this a step further and say that if the creator asked some people to proofread their things, it would establish a hiarchy of who is able to actually finish the book the creator read and who isn't.

NOW THIS, THIS IS MY FUCKING JAMMMM

I'm so sorry this is so old!! u probably all know this by this point that I've really slowed down as the year has gone on, but I graduated university and then got my first job so its been pretty crazy!

Sun: Reader (you/they/them)

Orbit: Headcanons-ish

Stars: dash of all the book/nerds of Genshin, heavy on Sumeru?

Comets & Meteors: Content Warnings: Cussing, 16+ Mature Audiences, Spoliers for Sumeru Archon Quests/Scaramouche, & Trigger Warnings: mention of shipping/characters shipping themselves with you.

Comment if any missed, please.

☆

FULL STOP.

THE AKADEMIYA, FONTAINE RESEARCH INSTITUTE, HAVE BEEN WAITTTINNGGGG ON YOUR ASS LMAO

You fall from the fucking sky like a 5 star, or pop out of the Irminsul or whatever

and immediately are mobbed by scholars. LMAO jkjk (not really, bc that's what it’d feel like)

can you even imagine the dread older stories(”the classics” to them), that was instilled in the poor students around Teyvat??

id like to think ur works are the most preserved over the thousands of years of Teyvat archeologists excavating them, in comparison to other authors (teyvat just likes you more, suck it William Shakespeare)

also, bc I cant resist language differences/world building I'm sorryyyy 😭 😭

the vocab of Genshin lang vs. ours, has significantly less vocabulary like their actual dictionary is 1/3 the size of ours type of energy

(Omfg all ur fanfics being considered like insanely long realistic romantic classics or tragedies like Jane Austen-level, and only the richest and biggest play companies put on plays about ur stories bc the script goes on for hours)

(ur plays only get put on for rlly big events bc of this, like Lantern Rite or like a Summer/Winter festival/your birthday, which is, yes, an international holiday)

dude the sheer power move of anything you’ve written being essentially “Journey of the West” to them, like Damnnn.

endless like adaptations, plays, Teyvat-short stories condensing it, (THEIR OWN FANFICTION ABOUT UR STORIES)

the power is, in fact, going to your head every time another scholar both deflates at how long ur stuff is, but also lights up bc they get to read it

speaking of scholars… you know who snatched you up first. you know. you don’t even need to read the next line.

Alhaitham.

sneaky bastard he is, absolutely manipulated, mansplained (and manwhored bc he knows he’s handsome, cheeky little shit) his way into getting you to sit down with him and interview you about both translating other classics, your own, giving your own analysis of others works and ur own, and picking ur brain apart of how/why you wrote urs, etc. its fucking endless,

Kaveh had to come rescue you bc u were starving to death after getting stuck with the Haravatat scholar in his office for nearly 7 hours of interrogation discussion about literature

and Alhaitham wasn't even nearly done, he’d informed you as you left that he already had another appointment for later conversation scheduled (how?? you don't even know ur own schedule??? you have a schedule???) and was looking forward to more of your “creative and enlightening input” :)))

(you’re never going to escape him, not even Nahida herself can save you from his stubborn ass)

On another note, Xingqiu is quaking when you agree to autograph his copy of your stories (of which he has all hard covers of the first edition translations)

Zhongli/Rex Lapis is known for having a near-lifelong passion for searching for your works specifically, and learning how to translate them better into Teyvatian vernacular

like the same way he can absolutely speak on Rex Lapis facts/rocks/adepti info, is the same confidence he speaks about knowing ur work lol

(yes he did also ask for several autographs and another sit-down talk about the works, tho a lot more sneaky then Alhaitham bc he just casually gets u guys into it during dinner)

Barbatos/Venti has written some of the most famous songs based on your stuff, he has his favorites too,

but he always claims the best songs are any that have been written in the story, like either when a character sings something, or there are like quotes from songs ur fanfics are based on lol

(he also demanded to hear what they actually sound like from you, yes, you have to sing them for him lol)

Venti also can surprisingly drunkenly ramble the entirety of at least one of ur stories, like, word for word lmao

(Diluc gave in and did give him a drink on the house for that one, just once, Venti doesn’t remember it lol)

(I forgot to mention, u guys still speak the same language, just like, different versions of it)

ur works being one of the few things all the Archons can freely talk about with each other, like it’s neutral ground bc they’re all fangirling about it lmao

Furina and Neuvillette have had like,, fierce debates over the decades about character dynamics and the general drama of ur stories, they’ve gotten into it enough they’ve stopped talking to each other for a couple days a few times lol

Albedo, Sucrose, Kokomi, Yae Miko, Ei, Raiden, have read every single work they’re gotten their hands on in Teyvat (it took them like a literal year or longer)

Albedo drew you fanart for every single story, bc he’s hyperfixated on everything related to you ngl,

Kokomi had commissioned smaller pocket versions of ur works (which later got popular thanks to Yae Miko) both the OG and the Teyvat shortened versions

THE HARBINGERS ARE THE MOST DOWN BAD LMAO

Childe has literally tried to recreate battle scenes from ur works lmao

and gets especially riled up about fighting someone who resembles any characters from them (esp villains, what a cutie)

You cannot fathom the amount of research throughout Teyvat that has been secretly or indirectly funded by Pantalone/Tsaritsa

from the experts to analyze them, to funding play companies to act them out, to actually excavating places to get more of ur stuff unearthed

(the Harbingers absolutely are the first group of people that got to read several of ur stories first bc of this, like the world’s most exclusive secret book club lol)

Scaramouche used to clown on Childe all the time about how he was too impatient to even “sit down and read the King’s classics”, and he was downright insufferable when he found out about Tartaglia’s habit of recreating battle scenes/that being what motivated him to fight sometimes lol

that being said, Wanderer surprisingly never forgot ur stories.

Even when his memories were wiped for a bit, he found comfort in these fantastical epics still sticking around, even when his old names did not

(he mayyyy or mayyy nottt have secretly namedhimselfafteroneofthetragicprotagonistsherelatesto- )

oh btw, Nahida also found joy and comfort in ur stories when she was trapped, they also helped her literally grow as a person bc she had ur stories to help her sort of process the world/what life was like outside of her dreaming prison 🥺💔❤️‍🩹

◇

OMFG

ANYWAY FULL TONE SHIFT LMFAO-

the ABSOLUTE SPIRAL-RED-STRING-CONSPIRACY-THEORY-BOARD ENERGY IF THIS WAS A BLUNT LANGUAGE AU LMAOOOO

like specifically how Teyvatians like to give all the context ever thru their words, but older deities/beings like you just do simple phrases that can have deeper meanings (whereas teyvat just explains all the meanings behind their words)

STOP there’s like an official display at the Akademiya and Fontaine Institute of red string theory boards 😭😭 (look what you’ve done to themmm LMAO)

for like every story of urs, INCLUDING THE FANFICS STOP

IMAGINE THE SHIPPING WARS IF U EVER WROTE ONE THAT WASNT EXPLICIT OR LIKE ONE OF THE MAIN ROMANTIC INTERESTS HAD CHEMISTRY WITH OTHER CHARACTERS HAHAHAHAA

that's actually what Akademiya scholars argue about the most viciously, it’s like politics you can’t just bring up ships from ur stories casually in regular convos 💀

(poor Cyno has to deal with a shipping war once a year bc someone always makes the mistake of reading ur work for the first time (without being told to not talk to others abt ships lol) and it starts an all out brawl in the cafeteria every time LMAO)

Also yes.

Cyno is a fanboy.

(he has read Creator x Reader-insert fanfiction.)

(As have most of the characters mentioned, and those not lol)

…

(I'm gonna make a whole Creator x reader fanfic post one day i stg lmao)

☆

an iced coffee? for me?? :0

ok but real talk…

wtf do you guys wanna see for new years!!

i didn't do a inktober/october days thingy bc i felt too unprepared (and bc id wanted to post that 1000+ followers eldritch au for Halloween)

but now i kinda wanna, at least for a few days :o

ill post a poll in a minute, so check it out!! but still, please feel free to comment some ideas here! :)

Safe Travels Deafening Dreamer,

💀♒

If you wanna join a taglist, DM me what for! "Pspspsss, please tag me for [All SAGAU posts, Only SAGAU Language AUs, diff fandom, etc.]!"

(If you ever wanna drop, just DM me! "No more taglists/[specifically this AU/fandom] please!")

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @chocogi / @fallen-starr / @areaderofbooks / @devilangel657 / @esthelily

[endless-ineffabilities]

chemical override (6)

Ewan Mitchell x actress!reader

a/n: I hope you all have found ways to cope after the breakup, but here all your questions will be answered on what went down pre-August! Special shoutout to @just-fics-station @thepurplecrown @clarkysblog @hotdismylife and @sprinklesprinkle888 for sharing your ideas and indulging me with the lovely, crazy discourse!

To everyone, I am so chuffed at how this has become OUR story - our lil self-indulgent Ewan Nation production. You all are aces <3

series masterlist ▪︎ main masterlist

In the aftermath of the breakup, the reader and Ewan throw themselves into their work, trying (and failing) to avoid any trace of the other. Will they remain this way - former lovers doomed to drift in each other's orbit?

Some time before August

New York City

The lush office was laden with expensive wooden antiques, one side with built-in shelves displaying film awards and plaques of varying degrees of prestige. A full glass minibar occupied the other side.

The casting director introduced himself as Bruce, insisting that Ewan call him by his first name and not any of that "sir or similar stick-up-the-ass names". Ewan can see him as a mentor or maybe even a friend, Bruce insisted.

After all, they were going to help each other out a lot.

The discussion was straightforward enough, never mind the saccharine tone Bruce seemed to be so good at. Aimed at making Ewan feel welcome, coddling him, remarking with awe at his projects thus far. But there was a fakeness to it. Ewan steeled himself, trying to adapt to the style of conversation. After all, if he is in this for the long haul, then he would have to get used to these situations.

Bruce appraised him, leaning back on his leather swivel chair. "How are you with the fantasy genre? All that YA, lovesick stuff the kids eat up so eagerly nowadays? Personally, I haven't got the taste for it, but it always makes bank, if you know what I mean."

"Oh, well, I'm a fan of all movies. I definitely see why the fantasy genre has made such an impact on audiences, especially with the romance element, you know, I get the appeal."

"Well, son, we've got a solid franchise in our hands here. Some adaptation of an elf-human love story, mind you, it sound ridiculous, but you know how it is. And the team seems to be in agreement - you fit the bill for the male lead. The male elf lead - " he almost guffawed at the thought, then collected himself " - hope you don't mind my saying that you've got elvish features yourself. Long nose, long jaw, lanky. The teens are going to eat you up."

"Ah," Ewan smiled curtly, nodding. There was a backhanded compliment if he ever heard one. "Well, sir, I've read the script - at least, the bit that was sent to me - and it looks quite promising. I'd be honoured to - "

"Of course, of course!" Bruce exclaimed in pleasure, cutting Ewan off mid-sentence. "And there's the case of your leading lady, and this all boils down to chemistry as you know. Our top contender is that Jenna Ortega girl from the Netflix show, you know her?"

Ewan nodded, well aware. He's seen her work, and thinks that she is a top actress of her generation, but leave it to Bruce to reduce her to being that girl from the Netflix show.

"Yes, she's a very talented actress," Ewan replied.

Bruce hums in agreement, head bobbing as a smirk materialises on his face. "Think she's a looker?" he said openly, without shame.

Ewan laughed nervously, his words caught in his throat.

Bruce, characteriscally oblivious to the discomfort of others, carried on. "I only ask because we're going to need you two to be pretty chummy with each other when you jump on this project. It's kind of a condition of the whole thing, but really nothing to concern yourself with." He waved a hand in the air, his proposition barely carrying any weight in his mind. But Ewan was catching on, and he started to develop a dislike about the whole deal.

"What do you mean?" Ewan asked.

"It's pretty common in this business, son. There's a reason why young, new actors like yourself opt to remain unattached so to speak, so they're always open to a PR arrangement or, you know, just so their - your - hoards of fans would think they got a chance with you," Bruce explains lazily. "In this case, since you and Ortega are, as I said, unattached, getting you two together would fuckin' do wonders for our movie."

Our movie, he said, convinced that Ewan was all in, because why would any young actor refuse such a golden opportunity? Franchises like this can set up an entire mainstream Hollywood career.

Ewan thought that he wasn't unattached. Granted, his date with you was yet to happen, but he already felt bound to you. He wished you were the one tapped to be his love interest. Very little acting would be needed there. Maybe he might even be inclined to go along with the idea of selling the relationship, using it for publicity for the film, but even that made him uneasy.

The industry offered a lot of privileges, but more often than not, they come at a cost.

"Sir, I - "

"Bruce."

"Right, sorry. Bruce, I have to tell you that I'm not exactly unattached."

"Got a partner?"

Ewan actually found himself smiling at the thought of you being called his partner. His first easy smile since entering this office. "Yes, she's an actress herself," he agreed.

"I heard of her?" Bruce asked with obvious disinterest. You were but a wedge in his flawless plan.

"She's kind of a new talent like me, but she's brilliant. She plays Alyna Rivers in our show."

"Ah her," Bruce loosened up a little. "I get it, she's a piece."

Ewan cleared his throat loudly, his jaw clenching on instinct. "So, like I said, I'm with her. I'm sorry but this whole PR arrangement with Jenna wouldn't work."

"Look, kid, I want my movie to do well, alright? I got a lot invested here. This PR thing has proven to be highly bankable time and time again. If you don't trust me, I can ask the team to show you the data on all that. It's a lot of boring numbers, but shit, the numbers are never wrong."

"I don't need to see - "

"If you wanna be with your girl, you can, but you just gotta learn to hide it. Sweep it under the rug, you know. Don't canoodle in public, you crazy kids," Bruce offered, like that made things any better.

"You want me to hide my relationship?"

"Hey, now, come on. Word gets around. Isn't your girl also doing this exact same thing with Jacob Elordi?"

"Not anymore, I don't think," Ewan clarifies, "and that was... that was hardly anything. They weren't obligated to do it. It just worked by chance because they were both single for a time."

"Po-ta-to, po-tah-to." Bruce clicked his tongue before making his next point. "So you see how it works, your thing with Ortega won't be any different."

"Do I have a choice?" There it is, the defining factor.

Bruce smiled slowly. The calculating and menacing air about him intensified, and it was obvious he was not there to be Ewan's friend.

"It would be stupid to refuse something like this, kid."

Ewan's blue eyes flashed in return. None of this was ideal, but his nan raised him well, and he knew better than to falter on his values in times of trial.

"Sir, what's stupid is if you ask me to hide my real relationship for the sake of mere publicity for a film."

"Stupid you say?" Bruce sneered, having already discarded Ewan in his mind, his fragile ego bruised. "What a shame."

There wasn't much to say after that. Bruce was clearly not disinclined to reveal the ice that settled in his veins, and it dawned on Ewan that it had always been the case. There was no true hospitality here.

For bigwig casting director-slash-execs like Bruce, this was a transaction. And Ewan was not about to put what he has, or what he could have, with you on the line.

There has to be another way to advance his career. If not bigger productions, then at least those with less domineering producers.

"That is a shame," Ewan said, getting up from his seat. "I won't waste any more of your time, sir. Thank you for considering me."

Bruce's eyes darkened even further. "You're actually refusing me? For some girl?"

Another genuine smile formed on Ewan's face at the thought of you. Some girl.

But you're not just some girl. He nodded without a trace of doubt in his mind, before reaching out to shake Bruce's hand. "If you don't mind, sir... I have to go and see my darling."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Near the end of August

Los Angeles

The modern space sported a minimalist yet rustic feel, the interiors a blend of sterile white and sleek wooden surfaces. Very LA, as they say. The windowed walls offered plenty of light, as well as precious views of the valley below.

"Thank you for agreeing to meet with me, Donna," you greeted Ewan's publicist as she ushered you in her LA office.

"No problem at all, sweetheart," she said. "Please, have a seat. Would you like some coffee or tea? Ewan always has his coffee with way, way too much sugar. Mind you, if that kid wasn't active and boxing all the time, I'd be worried for his health."

You smiled fondly at her genuine concern. "Don't even mention the cigarettes."

"Oh, yeah," she scoffed, settling down on the chair across from you. She could have sat down at her desk, making the meeting more official, but Donna's always had a friendly and open way about her. "So, my sweet, how's your new movie coming up?"

You respond eagerly. The dialogue flowed freely, talking about your film and the lukewarm reception of season 2 of House of The Dragon. And finally, Ewan.

"I really thought he would get the Greta Gerwig film," you said. "Everyone said he was perfect for it. I think Greta herself had nothing but praises for him when they met on Zoom."

She sighed thoughtfully, "I thought so too. And, theoretically, he did have that one almost booked up. But there was an issue with one of the producers, which - I don't even want to get into that."

You shook your head, catching on whom she hinted at. "Donna, I heard... well, it didn't go too well in New York, didn't it? Ewan told me about it but... if you can tell me more, I just want to understand why - "

"Sweetheart," she offered a smile, but it doesn't reach her eyes, "you should talk about this with Ewan."

"I tried. But he wouldn't budge. Mallory told me... that it might have been because of me that he didn't get the role? And also why he's struggling to get roles now? Donna, I... I can't have that."

It took some time for her to formulate a response. She didn't want to step in something that's none of her business. Your relationship with Ewan is yours. But when his career is on the line, she supposed that she needed to have some say in that.

"He met with this top producer in New York. This real old money Hollywood guy. For decades, he's built careers for the greats, you know - Pitt, DiCaprio, Theron, and whatnot. There was a franchise project practically offered to him on a plate, but Ewan refused, because a non-negotiable was that he would have to hide you in favour of a PR arrangement with his leading lady."

You swallowed, the weight of the truth making itself clear. "Couldn't he have just done the movie without that?"

"You would think," she grimaced, "but some producers... when they want something, they have to get it. And well, Bruce wasn't lying, that would have sold the movie well."

"I thought we were past this," you expressed sadly. "I understand how PR relationships work. Just recently, I found myself kind of in the middle of one. But there was no pressure, it wasn't forced on us, and it was meant to be all in good fun."

"I know, sweetheart," she insisted, reaching out to squeeze your hand. "Bruce is an outlier now. Most of the time you do get lucky, with an all-around supportive production team, just like with your project with Elordi."

You hummed in agreement on that positive note, but your mind kept drifting back to Ewan.

Donna continued, wrapping up her story, "but Bruce is still here, and he still has a lot of power. But you know, it'll be fine. Ewan's got such a huge fanbase and so much talent that it'll only be a matter of time before something else knocks on his door."

You wanted to share her sense of optimism, but something ate at you. What else will Ewan have to sacrifice just to be with you? This was his dream, his one dream, and you were standing in the way. How much longer before he is offered another project but he refuses to take it for your sake? Your thoughts blurred together, bordering on irrational, but you couldn't help it.

All you could picture was the unabashed sincerity on his face, that sense of wonder, when he told you that acting had always been his dream.

Being tied down to you, this early in his career, would surely only hurt him. And you don't think you're worth it.

"Ewan loves you, sweetheart. Anyone with eyes can see that," Donna said after a while, heeding the storm brewing in your expression.

He loves you. It was true.

Less than a month in, and you've already found yourself with a love that you've never felt before. And perhaps never will again.

And that was the problem.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Late September

The podcast moderators are overly welcoming, if not a little loud for Ewan's taste.

The BBC podcast is called Loose Ends, and it's one of the first things Ewan agreed to take on upon returning to England.

He had wanted to head straight home to Derby, to bury himself in his heartache and bitterness, but the team for the show tapped him for a couple more promotional stints, riding on the high of the season finale. And who better than Ewan to offer to the media, the undeniable fan favourite.

Clad in an old gray shirt and blue jeans, people would think he just rolled right out of bed. He didn't really have the motivation to put in more effort. The only striking thing about him is his newly bleached head of hair, supervised by his stylist for a photoshoot a few days ago.

It was ironic, the timing of such a change. Ewan knew that if word got out that you dumped him, he would never hear the end of the joke of that being the reason for his hairstyle change, typical of all heartbroken sods.

Everyone bursts into laughter when he tells them about his mum's reaction to his nude scene. It feels like going through the motions, and he must have been so out of it, so forlorn, that his team prepared an outline for him prior to the interview. The questions and answers all pre-agreed.

Make them laugh. React as required. Remember to speak when spoken to. The mantra goes on in his head.

And don't think about her.

An impossible task, worsened when a moderator goes off script and asks, "Now it wasn't me who saw this, as I'm not on social media myself, but one of our interns did mention that you ventured into Instagram recently? Is that true?"

Oh fuck.

"Mmm, yeah, I guess," Ewan laughs nervously, his hand massaging the back of his neck in a self-soothing motion.

"And your first post went viral? What can you tell us about that? Our listeners would love to know."

"Uhhhm - " He remembers that the broadcast is live, and he can't exactly ask them to edit this part out, so he quickly settles for something indirect. Inconclusive. Safe. " - did it go viral? I'm not too sure how that thing works. I haven't used any kind of social media before."

"Apparently it did! And it had to do with the subject featured in that photo, Ewan. Your costar - "

"Mmm," Ewan stops him there, "didn't you say that you don't use Instagram?"

"No, I think I'm too old!" The moderator laughs.

"It's insane, that whole thing," Ewan shakes his head. "I don't know how to handle it. I'm logged off most of the time."

"Oh, you log off?"

"Yeah, yeah, helps me keep my focus, you know. Keep calm and all that."

"It can get frivolous, can't it?"

Ewan hums in agreement, and thankfully, the moderator moves on to his last question. One that does not breach the subject of you.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Another day means yet another media stint for Ewan, this time for Now TV.

Still in London, his stylist Davey and the rest of the team prepare him for a day of brief interview clips, to be posted on the social media pages of the company.

Davey had half-joked about Ewan needing even more concealer than usual, the shadows under his eyes having significantly deepened after the breakup.

Some of his team have gotten wind of what happened. They would curiously ask about you, how often Ewan keeps in touch with you while you're on set...

You must be on FaceTime everyday!

Is it hard to be doing long-distance so soon?

Do you miss her? Is that why you're not getting any rest?

...but Ewan would only laugh uncomfortably, dismiss it by bringing up another topic or shifting the attention to someone else, or excuse himself to go for a smoke.

He'd been drowning himself in cigarettes and caffeine during the day, pint after pint in the nighttime. Aimless.

He is coping. He knows how it must look, but he deserves this. He deserves to drift for a while. It's the only thing he can do to keep himself from jumping on the next flight to Atlanta and begging for your hand back.

You said you love him. You did. He hangs on to it like a beacon in a storm. No matter how pointless it may seem, with you choosing someone else over him.

Work is becoming something of an anchor, something that keeps him from spiralling. He's an actor, and he has always wanted to be an actor. People now have expectations of him, and he will answer the call.

The interview session begins with generic questioning, stuff he's answered before on several occasions.

How special is the bond between dragon and rider?

What is a funny moment from set that you can share?

How similar are Aemond and Daemon?

All safe. He's proud of himself for not breaking mental clarity thus far. You're in the back of his mind, dormant as a memory, and not something looming darkly over him. For a while, at least.

But then he is asked, If you could invite any 5 people to a Ewan Mitchell dinner party, who would you pick?

"Matthew McConaughey - "

You.

" - Bruce Lee. I think they could strike up an interesting conversation - "

Your name echoes in his mind, and he can't control it.

" - Andrea Riseborough. She's just a chameleon, like in any role she undertakes -

You have great taste. Even if you would make him eat spicy food again, he'll take it. He'll endure anything for you.

He's stumped for a second, lump in his throat, and his effort in avoiding you leads him to mention someone who will always be a comfort to him.

" - Maybe my nan, because I miss her -

Your name. He has to say your name. Who else? Think of someone else.. but who else? Who would be better?

" - and then, another person. Let's make it from the show... it would be Alyna Rivers."

"Oh really?" The interviewer asks. She's not really meant to respond in this instance, but she knows that the fans would go crazy about any mention of you or your character, so why not jump on this opportunity? "Can you tell us why you chose her?"

"Uhhm, well, she's just an amazing character, you know, fiercely loyal, beautiful, tenacious," Ewan replies easily, "so yeah, she would make for good company."

It is obvious that he is describing you just as much as he does Alyna Rivers, and no doubt, the fans will catch on to this detail.

Later, he's asked about his favourite part about season two, and he duly answers, "Seeing more of Aemond and Vhagar's bond and how that perhaps have gotten stronger. Aemond has definitely reined her in, after the accident at Storm's End."

Then, "There are some new additions to the show. Do you have a particular favourite?"

Another obvious piece of bait. And he takes it, he doesn't care anymore. What's the use of denying the truth?

"A favourite new character? Oh, well, uhmm... I really do like Alyna, and I think I've said before that Aemond and her are quite similar in a sense that they both know what they want and how to achieve it. It's just a shame they're on opposing sides, because if those two get together... " he trails off, leaving it up to the audiences to fill in the rest of the thought.

And they eagerly do. The clips where Ewan mentions Alyna get the most traction, flooded with comments that more or less talk of the same thing -

We know why you chose Alyna, Ewan. We know your ways.

He could have said Alys. Or Gwayne. Or even the ghost of Daeron ffs. But nooooo.... it's Alyna Alyna Alyna 😮‍💨

I wonder if she's there behind the scenes

yeah shes definitely lurking in the background!

Aemond and Alyna better have at least a scene together in season 3!!!!!

Someone kidnap Ryan Condal and make him write this

Ewan doesn't see any of it. Not that he's missing out, because he soon feels the need to call his younger cousin to ask her how to turn off his notifications on Instagram.

Day in and day out, his one single post gets dozens of new comments and likes, a brutal reminder of what he's lost. He could just delete it, and get rid of his profile entirely, but he hates to imagine the discourse that would follow.

All the invasive allegations and rumours. So he leaves it be. It makes no difference to him now. Let people believe what they want.

To his chagrin, he finds himself scrolling on his home page once in a while. The addictive element to it was true, and for him, it's exacerbated because the things he sees are often related to you.

Photos of you from fanpages and news accounts. Ones where your friends have tagged you. It's a toxic habit, looking through it all, but he can't help himself.

Then one day, as he's slouched on the seat in his London apartment, phone propped on his knees, he sees a cutout photo of his face on the corner of the screen. He clicks on it, and it's an image of him interposed among different posts. Posts which he apparently liked.

"Oh for fuck's sake," he cusses at himself, reading the caption.

Boyfriend lurking? - Ewan Mitchell may play a formidable TV villain, but in real life, he's just like us. Click on the link in bio to see his series of liked posts!

Dread takes root in him, followed by self-loathing. Why couldn't he just keep off this bloody thing? He takes to the comments to see what he has allegedly liked on accident and it's predictably photos of you - you at a premiere, stills of you as Alyna, and even, heavens fucking forbid, a behind the scenes shot of you getting pretty close with Jacob Elordi on the set of your film.

He vividly remembers seeing that last one, because he went on a bender after coming across it.

Cursing himself and his wayward, sticky fingers, he exits the app and deletes it from his phone.

Whatever goes on there, whatever people might leave on his profile, he washes his hands of it.

He calls up several of his mates, asking them if they want to come over for a few drinks.

"Again, Ewan?" one of them exclaims. "C'mon, you gotta take a breather, mate."

"I don't need a breather." I need her.

"Ewan - "

His composure breaks, all his damned frustrations rising to the surface, and he confesses, "I wonder if she thinks about me."

"Hang in there, mate. We're coming over."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

October

The director finally yells a satisfied, "Cut!"

It's only taken a good twenty-something takes for you and Jacob to nail a challenging scene. You had been on a roll since the beginning of the shoot, the last few weeks seemingly a breeze on paper, though it's a constant struggle to keep it together.

You've had to quell your internal dialogue so it does not stray to him. His smile. The feel of his skin against yours. His way of subtly picking up on details, and doing sweet things that surprise you as a result.

But you received word just before the scene that a few of your friends have come to visit, waiting back at your trailer - Phia, Fabien and his girlfriend, Bella.

And so, as if on instinct, Ewan is all you can focus on, every repressed memory of him rushing in like a tidal wave.

Do they know? What could you possibly say to justify what you did? You can only hope he took on that project, to give you a bitter sense of vindication.

It's the only thing that keeps it all the bay, the only thing that keeps you from jumping on the next flight to England and grovelling at his door.

Phia has her arms wrapped around you the moment you open the door to your trailer, loudly squealing, "I missed you!"

You sink into the hug, comforted by her presence.

As well as the fact that she represents some connection to Ewan.

Phia, Helaena. Helaena, Aemond. Aemond, Ewan.

It's a sick game to play, but it's what you have.

"Hey, yous," you hug Fabien and Bella in turn. Not long after, you're all lounging on director's chairs right outside your trailer, enjoying a bit of sun.

"How's our big Hollywood star?" Phia quips, her lips curling in her trademark pleasant upturn.

"Hardly a star," you shake your head fondly. "More of an indie darling."

"Of course, of course," she relents, before going on a monologue about how she's been keeping tabs on your project, how she just adores the costume designer whom she spoke to at length while you were working, and how the rest of the cast is rooting for you.

The rest of the cast.

"Ah, are they?" you ask, making a conscious effort to not simply blurt out his name. What does he think? Has he mentioned you at all?

Do they know?

Do they secretly hate you for what you did?

"Mhmm, right Fabs?" she says.

"Oh, definitely." Fabien agrees right away.

"How's your film? Are you done shooting in Philly?" you ask him.

"Just about done, but I think we're doing some final reshoots next week. I'm just glad my girl's here to visit," he slings an arm around Bella, who smiles and leans closer to him.

You smile at the sight, but it visibly falters. Ewan could be visiting you on set right now, just like Bella with Fabien, if you hadn't fucked it all up.

They notice.

"Love," Phia sighs, her tone softening. "I just want you know - we want you know - we're here for you, okay? No matter what you went through with... " A pause. Like saying his name would open up the floodgates.

Your gaze falls to your lap in shame. You pick on invisible lint on your trousers. Bite your lip. Breathe deeply.

Don't cry, don't cry, don't cry.

"So you guys know, huh?"

"Well, more or less," Phia says. "I just spoke with... Ewan... recently. He's back in Derby for the time being, and he's - "

"He's a bit rough," Fabien says firmly. He's not taking sides here, but he's heard from Ewan, and he feels the need to have his mate's back. "Look, I don't want to pry, but what happened? It seemed like you guys were doing so well together!"

"You don't have to tell us," Phia adds, shooting Fabien a look. "But if you want to, we're here to listen. We love you both and we just want to help, love."

You feel your eyes welling up. Leave it to Phia to be oh so sweet. You can't lie to them, you don't want to. Even if you did, they would see right through it.

Your friends know you too well.

"I... I miss him."

Phia squeezes your hand, and the whole story is about to spill out of you when you hear your name being called.

It's your assistant Clara, letting you know you're needed back on set.

You swallow back tears, standing on your feet, trying to maintain enough composure so you can grant yourself access back to your character.

"Go do your thing, superstar," Phia smiles comfortingly. "We'll be here when you're ready."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

November

"I'd like to propose a toast," Tom declares out loud in the empty pub, "to Ewan, Hollywood's new elf... Lord? Prince? Ah sod it, cheers!"

Round the table, Ewan, Fabien, Luke and Elliott all raise their pints with a collective, "Hear, hear!"

The pub has been cleared out for the lads, thanks to a favour called in by the twins, with the owner being their gym buddy and good friend.

"Thank you," Ewan replies, smirking. "I am your new elf prince, address me as such."

"Your ears have never been pointier, mate," Luke quips.

After a month of moping back home in Derby, or recovering as Ewan prefers to put it, he got a call from his manager telling him that the offer from Bruce still stands.

Apparently, the production team for the movie still had him tapped as the prime choice for the lead. After observing his audience metrics and overall viability, they decided that the movie would fare the best with him in it.

They had planted some half-baked announcements in the media, stating that it was Ewan against Joseph Quinn and Manny Jacinto for the role, and the fan reaction veered in Ewan's favour by a landslide.

Even though Bruce had an unsavoury word or two to say about him, he was willing to work past it, so long as Ewan would be more amenable to his demands.

After careful deliberation, Ewan chose to throw caution to the wind, and accept the role. So what if he has to pretend to have a real-life romance with Jenna? This is what you wanted.

"I'm glad you finally came out to see us, mate," Fabien says. "It's been a while."

"Yeah, fuck's sake. Remind us never to break your heart! That was tough to witness, you hunkerin' down out there all mopey and whatnot," Elliott laughs.

"Mmm." Ewan takes a swig of his beer to hide the wince he couldn't hold back. His friends, and most of the cast know by now, not in too much detail, of what went down between the two of you.

A typical short-lived romance of two actors. A summer fling. Most of them would look back and only see it as that.

Even though it was so much more. Even though Ewan still recalls how warm and soft and beautiful you felt as you whimpered underneath him, the loss of you as painful as getting hit by a freight train.

The liquor helps. Burying himself in work helps. Denial... well, that certainly helps the most.

When he goes out to the back garden for a smoke break with Fabien, he tricks himself into believing it's mere curiosity that compels him to say, "Phia mentioned that you guys went to Atlanta."

Fabien is rendered off guard, because he knows what's coming. "Yeah, we did. Bella came with us too. She was visiting me on set," he says, measuredly.

"Mmm." A long drag, a flick of ash towards the ground, an unaffected shrug - and eventually, with as impassive of a tone as he can muster, Ewan asks, "So how is she?"

Fabien smiles knowingly. "She's doing great. Her film's looking pretty good." He's privy to the truth, after he and Phia managed to gently coax it out of you over several martinis at a hotel bar in Atlanta. But he doesn't think it up to him to reveal that to Ewan, out of respect for your privacy.

While he might not share your sentiment, he thinks it's not in his place to tell Ewan that you basically lied for his sake.

But that doesn't mean he won't drop a helpful nugget or two.

"You know, I don't exactly know what's going on... but her and Jacob came across as nothing more than friends."

Ewan's hand freezes mid-air, the cigarette inches from his lips. He loathes the sense of hope that immediately bloomed in his chest. He's so bloody easy. One miniscule hint, and his delusions break through the wall of indifference he worked so hard to build.

"She said she has feelings for him," Ewan stresses, trying to convince himself. What was the fucking point of all this... this pain... if you never did?

"Hey, mate, I dunno," Fabien puts his hands up, "just telling you what I saw."

"It doesn't matter." It does. "She ended it." He wants you back, he will always want you back. "It's better this way."

"Is it?"

Ewan doesn't answer. He doesn't know how to, without grossly embellishing the truth.

Fabien watches his friend, sensing his hesitation as he averts his gaze. One thing becomes clear to him - you and Ewan are far from being over.

So he says, "She misses you, you know."

Ewan regards him with a stony look, one that slowly softens to reveal the broken boy inside. For but a moment, before he clears his throat and throws the butt of his cigarette on the ground.

"Let's head back inside."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

December

You're back in London, as production for your film is paused for the upcoming holiday season.

Work is supposed to be the last thing on your mind, but it just so happens that your manager has you booked for a chemistry read for a yet undisclosed film.

Phia came over to your apartment, insisting that she help you get ready. When you asked how she found out about your audition, she was quick to say that she was up for the role as well but didn't think it was right for her.

"Why not?" you ask, as she hovers over you, patting blush on the apples of your cheeks.

"Oh, you just get a feel for these things."

"Phi, it's just a chemistry read," you say, when she reaches for the mascara. "I don't need to get all dolled up for this."

She gasps, "Oh, but this is showbiz, darling. We always have to put a face on."

"Fine," you relent. "Do your worst."

The makeup she ends up doing on you is minimal, but it enhances your features just the right amount. You rush through your final preparations, folding up the script sample you were given and stuffing it in your purse.

Phia stands out on your balcony, in the middle of a call. The window screen is slightly open, so you hear snippets of the conversation as you walk by.

"Is he ready?" she asks. Who's he? You assume it's the guy you are doing the read with.

You don't know about him, but you are ready, so you stick your head out to say, "I gotta go, Phi."

"Oh!" She startles a little, angling her phone away. "Already?"

"Yeah, the read's at 4, I believe. Just lock the door when you leave, 'kay?"

She hurriedly whispers something to her phone, presumably ending her call. "I'll actually head out with you," she grins. "My work here is done anyway."

"Any plans for the night?"

She shrugs, "Might meet with Tom and Martha."

"Oh, why don't I meet you guys after my thing?"

"Uhhhm," she chews on her lip, thinking. Under her breath, you barely hear her mumble, "... hoping you'd be busy."

"What?" A restrained chuckle escapes you, confused as to why she's being so coy.

"Nothing," she tilts her head. "We can meet if you'd like."

The weird exchange is out of your mind when you arrive at the casting agency. You run the scene through in your head as you walk in the building, up the elevator, down the long hallway.

It's a heartfelt scene, if not a little tense, a dialogue between reunited ex-lovers.

Your manager Polina and publicist Mallory greet you at the doors, swiftly briefing you before directing you in.

"They're waiting, just walk right in, doll," Polina says.

"Okay, wish me luck!" You have your hand on the door handle when Mallory strangely remarks, "Don't hate us, sweetheart!"

"Why would I - "

"Go, go," Polina guides you in, then shuts the door behind you.

The office sports an spacious and open layout, with plenty of natural light streaming through large windows. The primary workstation is partially hidden behind a subtle partition. You see silhouettes of a few people behind it, so you walk down that way.

The figures reveal themselves soon enough - the casting agents you recognise as Patrick and Amie, sitting in front of the actor you're meant to read with.

A range of emotion washes over you, but you don't even have time to reckon with them. The casting agents divert your attention from Ewan, as they approach you with wide smiles in greeting.

"So nice to finally meet you!" Amie croons. "Take a seat. You two already know each other, of course. Between us, there won't really be a question of chemistry here."

"Right?" Patrick adds, looking between you and Ewan. "The fans sure think so, and we have to say we already agree."

"So just give us a minute to set up," Amie says. "Then we'll start."

You smile stiffly, settling down on the opposite end of the couch. You keep your gaze straight, trying to keep your attention on Patrick as he sets up the camera. Your heartbeat races the entire time, and you feel your hands getting clammy.

"They're all in on it," you hear Ewan say, prompting you to finally look at him directly. You take him in hungrily, admiring his outline, ever so handsome with his Targaryen-blonde hair and black leather jacket.

A weak "Mmm?" is all you can muster.

"Our teams, Tom, Phia... they set us up. Tom came over and I overheard him on the phone with Phia."

"Oh," you mumble. He doesn't even spare you a glance, leaning on the armrest on his side of the couch. He looks as if he'd rather be anywhere but here, next to you, and it hurts.

It's what you deserve.

"Is this not a real chemistry read?" you ask meekly.

"I suppose it is," he laughs humourlessly, "but it's not a coincidence that you and I just happen to be the only ones scheduled for today." He turns to you, giving you a critical sideways glance. "Didn't see that coming, did you?"

"I... I can leave if you want - "

"Mmm," his brows furrow, "you do seem to be good at that."

You look away. He is not being fair, but you weren't neither, that wretched night back in September.

And he is making you pay for it now.

But then you hear him speak in a softer tone, "Stay."

Stay. When you look at him once more, his attention is entirely on you, arm outstretched on the couch like he just tried to reach for you but decided against it.

Stay, he asked. So you do.

It's what you should have done, months ago.

"Okay, guys. Whenever you're ready," Amie says. She and Patrick take their seats in front of you, with the camera on a stand between them.

The script crinkles on your lap as you hold it with shaky fingers. "It's been a while," you read out your opening line.

The dialogue plays out twisted and ironic, now that you know who your scene partner is.

"Hardly," Ewan responds in character. "I feel like no time as passed."

"Feels like a lifetime."

He pauses, then sighs, "Do you even miss me?"

"How... how can you even ask me that?"

"How can I - "

"Why didn't you... why didn't you fight for me?" your voice breaks, the lines hitting a bit too close to home.

"You're a fucking hypocrite," he spits with venom. "You weren't exactly giving me anything to fight for."

"I did it for us. I did it all for us." If you didn't feel like crying at the weight of the scene, you would have rolled your eyes at the similarities.

"Like I said - nothing to fight for."

"Nothing? So you're telling me I was nothing to you."

"No," he levels you with an icy look, "you were everything to me. Everything. But you left me behind, and for what? So you can run off with the rebel sect?"

"The mission needed me. You wouldn't understand." You feel a sense of relief when the sci-fi elements roll in, otherwise you might have given in to your emotions and sobbed right there on the damn couch.

"I needed you," Ewan says, eyes not leaving yours. "I needed you and you abandoned me, just like that."

"And are you not better for it? When I left, did they not make you General?"

"See, that is the difference between you and I," he says coldly. "I wouldn't have traded what we had for anything - no position, no amount of wealth, no glory... I would have chosen us every time."

"Aaand cut!" Patrick jokes, effectively breaking the tension.

The two of you have unconsciously drifted closer, now only a foot part. Ewan does not drop your gaze, watching you closely. You see his eyes flit down to your parted lips, and he leans in almost imperceptibly.

"Alright, how about we go one more time?" Amie says, diverting your attention. "Give us a different take, and then that's it!"

Ewan settles back on his end of the couch. When he reads his lines again, his tone is harsher and he no longer meets your eyes.

Patrick and Amie commend you both afterward, singing praises about your acting abilities. Ewan is polite as always, blushing and grateful, but he practically dashes out of the door when the meeting finishes.

You're left standing with Amie, as Patrick has taken to his laptop to file the footage.

"The way he looks at you," she sighs dreamily, referring to Ewan. "You'd think the sun shone out your arse, doll."

"He... he was just in character," you disagree. "He's a good actor, as you know."

"Yeah, I mean, he nailed the part's rancour perfectly. But his eyes - oof - you've got a good one there."

Oh. Of course they would still assume you and him are together.

How desperately you want it to be true.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

An hour later, you've just sent Phia a text saying - You owe me. Where do I meet you guys?

But you hear a knock on your apartment door. If you didn't buzz anyone in, it can only be a neighbour or someone the doorman recognised.

Someone familiar to you.

And it's him.

"Ewan?"

"I need to speak with you."

You step aside so he doesn't linger at your doorway. He walks past you, a welcome if not unexpected presence in the room.

You can't decipher his expression, his gaze angled downward as he leans against your kitchen counter.

When the silence becomes almost deafening, you laugh awkwardly, about to make some silly remark on whether he is still in character. But he doesn't let you diffuse the tension.

"I want you," he blurts out without warning. "God help me, I still want you. I think I might have a fucking problem because how can I... after what you did - " A momentary glance of betrayal, but you see the spite clear in his eyes. " - but I do. I can't get you out of my system."

"I'm sorry - "

"I don't need that," he says sharply. "I don't need your sorry. I need you. I need to have you, and maybe this way, I'll satisfy whatever pointless desire I still have in me."

"What are you saying?"

"I'm saying - I'm asking - will you let me have you?"

"Ewan, I don't under - "

"I'm saying that we should sleep together," he says bluntly, and it feels like the rug has been pulled from under your feet, "but only just. You won't be mine, and I won't be yours."

"You're kidding."

He shakes his head, before adding, "Don't worry. It'll be our little secret. To the rest of the world, I'll have a different girlfriend anyway."

His words register, along with the bitter ache at his words, that you won't be his, he won't be yours. This is purely for pleasure. There used to be love here, and now he just craves the comfort your body allows.

You'll be using each other.

You should refuse. This is not healthy; this is not how you move on. Can you even go back to being good friends after this? But also - what have you got to lose?

What, except for him, and for good this time?

What, except everything?

"So what do you say - " He closes in on you, and with every bit of malice intended, the name no longer possessing the sweetness it once held, he sneers, "- darling?"

💌 next chapter

Taglist: @namelesslosers @skymoonandstardust @valyrianflower @luckyfirebasement @omgsuperstarg @elissanatok @callsignwidow @sinistersnakey49 @darkwriteracademia @yyrzmomo @queenofshinigamis @luvaerina @shamelessblazecrown @mirandastuckinthe80s @elleinex0x0 @pierrotlu @aegonswife @strangersunghoon @lunampacheco @writer-ann-artist @gaiaea @of-swords-and-words @ateliefloresdaprimavera @m00n5t0n3 @helaenaluvr @peachysunrize @annie-ruk @luvly-writer @ananas26t @athenafaes @lovelyteenagebeard @mamawiggers1980 @moongirl27 @katherine93 @barnes70stark @justbelljust @cloudroomblog @somestufftoday @esposadomd @girl-in-the-chairs-void @insideyourimagination @vyctorya @wildrangers @livcookesgf @onlyrealjoy (continued ... )

Some notes in the margins...

Well well well... the transition from friends to lovers to strangers to angsty FWBs sure is a slippery slope!

The time jumps are so we get through the moping quicker! It's mostly back to the regular shenanigans in the next part. Only, you know, angst-ridden. But you hurt Ewan, reader. *wags finger* Don't say you didn't expect this switch! Tsktsk

So what now - will you accept this arrangement? Will things ever be truly okay? Part 7 is going to be hot and hilarious and stupid and messy, just as the doctor ordered.

Let's hash it out in the comments, shall we? 🗡💕

[alastor-simp]

Alastor with a female reader who is selectively mute Part 2

Here is part 2 of this story. Mimzy is gonna be in this story as well, since we havent heard her talk yet or what her personality is like, im just gonna write how I think she will talk and act. Enjoy everyone:)

***5 Months Later***

You had adapted to hell surprisingly well. Yes there was some bumps along the way, due to you being mute, but you adjusted as time went on. Your relationships with everyone in the hotel had grown significantly. Charlie adored you and loved you like a sister. She was this close to telling her dad if it was possible to adopt you into the family, but you frantically declined as you suspected it would complicate things, but it was sweet that she loved you so much to do that. Vaggie slowly adjusted to you, don't blame her, she was always untrustworthy of everyone in the hotel, but she came around sooner or later. She offered to teach you some self defense as you were still an easy target. It was a bit difficult, but you managed despite your clumsiness. Angel Dust was a bit annoying in the beginning as he really wanted to hear your voice, but the puppy dog eyes you gave him made him quit. Now he treats you like his bestie, taking you shopping and having you attend some of his shows, which flustered you, but you wanted to support him. Niffty found you adorable when you first met and she still does. She has tried not to speed run towards you, since it always shocked you, causing you to drop your notepad in the past. It took a while, but she was able to do it. Husk was literally your dad figure. He always came over when you appeared upset about something and offered to cheer you up with his card tricks or make you a virgin cocktail, especially since your alcohol tolerance was negative 1000. You loved that he became that caring towards you, especially how gruff he was with everyone else. Sir Pentious was a new addition to the hotel. He first appeared when he tried to blow up the hotel a second time, only for Al to defeat him easily. Later after that, he became a patron at the hotel. He wondered why you didn't speak, but after a talk with Charlie and Vaggie, he no longer questioned it. He did enjoy your company, whenever you came to his work space, as he was crafting his inventions. His Egg Bois adored you as well, which pleased him. Alastor had become almost your protector/best friend. Its crazy to think how in the beginning, he was a bit annoyed when you didn't respond to his question, to now where he was always there to help you whenever you were in a pickle. His radio tower was your sanctuary as you always headed up there during his broadcasts. Alastor would always anticipate you coming as well, as it made his day a whole lot better whenever you showed up and took a seat next to him, admiring him as he continued his broadcast.

Getting ready for the day, you stood in front of your mirror, making sure you look spiffy. Alastor had invited you to attend one of Mimzy's shows at her club. Excitement raced through your body, and you nodded quickly when he asked you. Alastor mentioned before that her shows were very entertaining, so it made you very happy when he invited you to come. After a few minutes of looking yourself over, you walked over to the bed and grabbed the cell phone that was there. Charlie had gotten you it a few weeks ago as a gift. She had installed a text to speech app on it, so whatever you typed on the phone, a voice would respond back. Tears filled your eyes when she gave it to you, almost apologizing for all the trouble she had to go through to get it for you, but she said it was fine and it hardly cost anything. You knew she was royalty, so one cell phone wouldn't be a big deal, but it was to you. After a bunch of persuasion from Charlie saying it was really alright, you accepted the cell phone, not before engulfing Charlie in a hug. It took a while to get use to it, but it got easier over time, and it was a whole lot better then the notepad.

Rushing out of the room, your feet carried you over to the lobby, where a certain deer demon was patiently waiting. Alastor's ear twitched when he heard the pitter patter of your feet, turning to face you with a smile. Stopping to catch your breath, you stood in front of Al and gave a small wave, causing him to chuckle. His eyes scanned your outfit and found it to be perfect for today's activities. "Excited are we, my dear?" Looking at Al, you nodded your head, smiling widely. How adorable he thought. Hooking his arm with yours, Alastor banged his microphone on the ground, causing a portal to open in front of you. "Transporting like this may be new to you, my dear! Hold on tight!" The both of you entered the portal. It felt extremely odd, but you powered through it. The portal had brought you in front of a large building, with a large neon sign reading "Mimzy's." There was a crowd of demons around the building, probably ready for the show, as Mimzy was very popular. Entering inside, your eyes were drawn to the decor. It was a lavish place, the walls were covered in burlesque posters, and string lights decorated the ceiling. It had a very spacious bar and in the center of the room was a large stage with a small band in the background. Heading over to a certain section, there was a table that read VIP. This must be for us, since Alastor was a frequent visitor at this place. Sitting down in the seat, Alastor called over a server, asking for their most popular giggle water, while turning to you and asking what you would like. Taking your phone out, you typed your answer and played it out:

"𝙹𝚞𝚜𝚝 𝚊 𝚜𝚑𝚒𝚛𝚕𝚎𝚢 𝚝𝚎𝚖𝚙𝚕𝚎 𝚙𝚕𝚎𝚊𝚜𝚎."

The server was confused at that, but just shrugged and nodded while going over to complete the order. Alastor was not fond that you had to resort to that annoying technology to speak, but he did noticed how more calm you were using it then the notepad, so he kept his opinion to himself. After the server returned with the drinks, the lights began to dim, and the crowd began to let out cheers, as the main entertainer made her way to the stage. Mimzy was a very short demon, a little chubby, but very gorgeous. Her flapper dress suit her very well, as she made her way to the center of the stage. "Good evening, Ladies and Gents! Y'all ready for tonight's performance?" Cheers and whistles were the response to that. "That's what I like to hear! Hit it boys!" The stage lights flashed, as Mimzy walked closer to the front of the stage, standing in front of the microphone, ready to amaze everyone.

(LOVE THIS SINGER, Check her out)

The performance drew to a close, and you were blown away. Her voice was amazing. Loud cheers and applause radiated throughout the whole room, as Mimzy gave a bow. Both you and Alastor clapped with the crowd as Mimzy left the stage, leaving the band there, as they played some jazz to keep the entertainment alive. Alastor turned towards you, asking if you enjoyed the show, to which you responded with an enthusiastic nod. "Why Alastor! You made it" a familiar voice, called out from behind the both of you, as you saw Mimzy walking towards the both of you. "Of course, Mimzy my dear! You do know how much I adore your performances!" Alastor smiled as he greeted Mimzy, placing a kiss on her hand. Mimzy's eyes then locked on you. Oh boy, you hoped she was friendly. "Oh My Goodness! Who is this adorable little peach?!" Oh thank Lucifer, she was a nice demon. "Ah yes! This is another acquaintance of mine! Say hello my dear!" Mimzy glanced at Al when he spoke, then turned back to you with a kind smile. "How ya doin suga~? Did my voice blow you away?" Feeling uncertain, you wondered if she was going to treat you differently if she knew you were a mute. She seemed friendly enough, plus Al said she was a good friend. Slowly you grabbed your phone and typed out what you wanted to say to Mimzy.

𝚈𝚎𝚜! 𝙸 𝚎𝚗𝚓𝚘𝚢𝚎𝚍 𝚢𝚘𝚞𝚛 𝚙𝚎𝚛𝚏𝚘𝚛𝚖𝚊𝚗𝚌𝚎 𝚟𝚎𝚛𝚢 𝚖𝚞𝚌𝚑. 𝚈𝚘𝚞 𝚑𝚊𝚟𝚎 𝚊𝚗 𝚊𝚖𝚊𝚣𝚒𝚗𝚐 𝚟𝚘𝚒𝚌𝚎. 𝙸 𝚊𝚖 𝚜𝚎𝚕𝚎𝚌𝚝𝚒𝚟𝚎𝚕𝚢 𝚖𝚞𝚝𝚎, 𝚜𝚘 𝙸 𝚊𝚙𝚘𝚕𝚘𝚐𝚒𝚣𝚎 𝚒𝚏 𝚢𝚘𝚞 𝚏𝚒𝚗𝚍 𝚝𝚑𝚒𝚜 𝚊 𝚋𝚒𝚝 𝚘𝚍𝚍.

After the voice played, you pointed your eyes to the ground, feeling very shy. Clenching your hands under the table, you worried Mimzy was going to mock you for not speaking. "Oh my satan! Alastor, where did you find this angel? She is simply precious!" Mimzy had grabbed your cheeks, and began to squish them, like what a mother would do to a baby. "She had arrived in Hell a few months ago! She is a shy little one!" Alastor chuckled as he watched Mimzy coo at you. "No apologies needed suga~! Just happy you enjoyed the show! Here, let me give you a VIP pass so you can visit with no problems. Okay, darling?" Mimzy let go of your cheeks, and handed you the card. She had a very motherly side to her, which you liked. Grabbing the card, you nodded your head and smiled. Mimzy smiled and hugged you again. She then departed both of you as she had to meet up with some gents on the other side of the room. Both you and Alastor stayed at the club for a little bit, chatting about certain topics until you realized it had gotten late. Exiting the building, both you and Alastor decided to walk back to the hotel. Could have teleported, but the breeze was nice plus you both needed to stretch your legs after sitting for a long time. Your arm was hooked with Al's as he walked with you. Always such a gentleman. After walking for a couple of minutes, Alastor had stopped in his tracks. "My dear, may I ask you a question?" Alastor turned towards you, as he let your arm go, as he left you to stand in front of him. Staring into his eyes, you looked to see if there was any evidence of anger in them, but you found none. There was a little hint of sadness though, yet Alastor was still smiling. "I noticed during conversations with others, you always apologize! Why is that, my dear?" Tilting his head at you, he waited for your response.

Painful memories from your past began to flash in your mind once Alastor asked that question. Tears started to form, but they were blinked away. Reaching for your phone with trembling hands, you slowly wrote your answer and played it for Al.

𝙳𝚞𝚛𝚒𝚗𝚐 𝚝𝚑𝚎 𝚝𝚒𝚖𝚎 𝙸 𝚠𝚊𝚜 𝚊𝚕𝚒𝚟𝚎, 𝚝𝚑𝚎𝚛𝚎 𝚠𝚎𝚛𝚎 𝚜𝚘𝚖𝚎 𝚙𝚎𝚘𝚙𝚕𝚎 𝚠𝚑𝚘 𝚍𝚒𝚍𝚗'𝚝 𝚏𝚒𝚗𝚍 𝚖𝚢 𝚌𝚘𝚗𝚍𝚒𝚝𝚒𝚘𝚗 𝚊 𝚋𝚘𝚝𝚑𝚎𝚛 𝚠𝚑𝚒𝚕𝚎 𝚘𝚝𝚑𝚎𝚛𝚜 𝚍𝚒𝚍. 𝚃𝚑𝚎 𝚘𝚗𝚎𝚜 𝚝𝚑𝚊𝚝 𝚍𝚎𝚝𝚎𝚜𝚝𝚎𝚍 𝚒𝚝 𝚜𝚊𝚠 𝚖𝚎 𝚊𝚜 𝚊𝚗 𝚊𝚗𝚘𝚖𝚊𝚕𝚢, 𝚊 𝚏𝚛𝚎𝚊𝚔, 𝚊 𝚠𝚎𝚒𝚛𝚍𝚘. 𝙸 𝚠𝚊𝚜 𝚕𝚘𝚘𝚔𝚎𝚍 𝚍𝚘𝚠𝚗 𝚊𝚝 𝚏𝚘𝚛 𝚋𝚎𝚒𝚗𝚐 𝚝𝚑𝚎 𝚠𝚊𝚢 𝙸 𝚊𝚖 𝚊𝚗𝚍 𝚠𝚊𝚜 𝚜𝚎𝚟𝚎𝚛𝚎𝚕𝚢 𝚋𝚞𝚕𝚕𝚒𝚎𝚍 𝚋𝚎𝚌𝚊𝚞𝚜𝚎 𝚘𝚏 𝚒𝚝. 𝙾𝚟𝚎𝚛 𝚝𝚒𝚖𝚎, 𝙸 𝚋𝚎𝚐𝚊𝚗 𝚝𝚘 𝚋𝚎��𝚒𝚎𝚟𝚎 𝚝𝚑𝚎𝚒𝚛 𝚠𝚘𝚛𝚍𝚜 𝚊𝚗𝚍 𝚜𝚝𝚊𝚛𝚝𝚎𝚍 𝚝𝚘 𝚊𝚙𝚘𝚕𝚘𝚐𝚒𝚣𝚎 𝚏𝚘𝚛 𝚎𝚟𝚎𝚛𝚢𝚝𝚑𝚒𝚗𝚐. 𝙸𝚝 𝚠𝚊𝚜𝚗'𝚝 𝚝𝚑𝚎𝚛𝚎 𝚏𝚊𝚞𝚕𝚝 𝙸 𝚠𝚊𝚜 𝚝𝚑𝚎 𝚠𝚊𝚢 𝙸 𝚊𝚖, 𝚒𝚝 𝚠𝚊𝚜 𝚖𝚢 𝚘𝚠𝚗.

Tears rolled down your cheeks, as you pointed your head to the ground. Everything you felt from back then began to pour out of you, and you couldn't stop. Alastor was silent in front of you, and you figured he was upset with you, but before you could type a response, you were caught off when you felt someone wrap their arms around you. You found your head being placed in the crook of his neck, as he held you tightly. HE WAS HUGGING YOU?!? The last months while staying at the hotel, you were able to find out that Alastor didn't liked being touch. Yes, he would touch you and the others, but it mostly involved an arm hook, slight shoulder hug or head pat. You never expected that Al would be hugging you like this. After a few seconds, he began to speak. "I am truly sorry you had to suffer through that, my dear! But let me tell you this, people who mock and taunt others for being odd or a little strange are the ẗ̸̝́r̴̦̒u̵̦̅ē̴̢ ̶̰̈́s̴̱̈c̷̪͒ù̶̧m̶͇͐ ̸͎̔ò̴̦f̸͔̈́ ̶̦̃t̶͈̽h̶̟͌ȩ̴̾ ̴̯̀è̴͍a̴̞͝r̸͙̊t̸̰̕h̸̤̉! They are the true monsters! Don't believe their heinous words! To me, you are the sweetest and most unique demon in all of the seven rings! Never apologize for being the way you are ever again!" His words made you cry even more. Moving your hands slowly, you placed them on his back, tightening the hug. You felt the slight flinch from his body when you did that, but he slowly relaxed and squeezed you tighter.

The hug lasted for a bit before Al slowly released you, snapping his fingers to have a handkerchief appear in his hands, as he wiped your tears away. Once he finished, he leaned down and placed his hands on the sides of your mouth, moving them up to make it appear you were smiling. "Come on, my dear! Smile!" The smile on his face was outstretched, revealing all of his sharp teeth. His antics never ceased to make you laugh. Looking at him, you gave him a great big smile. Chuckling, Al leaned back up and grabbed your arm again, continuing his walk back to the hotel. After about a few minutes of walking, you both stopped in your tracks as an unknown voice called out to the both of you. "Well well well, if it isn't the Radio Demon."

*(TO BE CONTINUED)*

Part 1 of the Story is Here

Part 3 of the story is Here

[rambling-at-midnight]

Pros and Cons of Midnight Snacks

Pairing: Jason Todd x Civilian!Reader. No pronouns so can be read as any gender!

Summary: Meet-ugly with the Red Hood due to a gas station robbery gone wrong.

Word count: ~2k

(I'm branching out to other fandoms, apparently. Let me know if you want a sequel. Enjoy!)

You weren't born in Gotham, so it sometimes still surprises you that you had adjusted so well to its particular brand of crazy.

You're from somewhere a little more south of New Jersey, although most places in the U.S. are a little south of Jersey unless you're a lobster farmer from Maine or a tree hugger from Vermont.

Both of those descriptions sound critical, but they weren't meant to be. Right about now you're seriously considering taking up lobster farming.

No one sane ever moves to Gotham. Everyone knows the stories, and even if most of the country didn't believe all of them, most people aren't stupid enough to disregard them. And you certainly weren't stupid. But rent was dirt cheap for a city, and so was tuition for GU's vet school. So you thought to yourself, "How bad could it really be," bought pepper spray and a taser, and accepted the admissions offer.

You'd always liked iced coffee more than green bean casserole and peach cobbler, anyway.

Reading news articles hadn't been enough to prepare you for the utter insanity of Gotham City, unfortunately. But you adapted. You always did. Upgraded your taser, memorized the bus schedule, learned the less sketchy areas of town, did your best not to get caught outside after dark. Kept your head down, ignored the crime lords and genetic experiments gone wrong and lunatics and vigilantes scurrying along the rooftops, and you'd survived for almost two years without many incidents.

But you'd gone to the library because you were critically unable to work in your apartment, gotten distracted by panicking about how little you really knew about next week's test content, and stared at the pages of your textbook for almost an hour as you fought back tears. So now you were running late and it was dark as you walked home because the buses were down. Of course they were. That lunatic that thought he was a crocodile had smashed a bunch last week and they hadn't been replaced yet.

Goosebumps prickle on the back of your neck, but you tell yourself it's nothing. Keep your head down. Criminals target the people that look most obviously paranoid first.

You're just burnt out. Severely. But the end of your sophomore year of veterinary school was looming, which meant you would have a relaxing three-month vacation before the next one started.

And no, you weren't thinking about next year's summer 'vacation' of clinicals. Because if this year was bad after a year of summer vacation, what will it do to you to have no break at all?

That's a future you problem, thankfully.

You're still feeling sorry for yourself when you reach the gas station right next to your apartment building. You walk right by it, remember what's in your fridge or pantry—thanks, grocery store self, thinking you don't need any snacking foods—then backtrack.

Since starting vet school, you've tried to be healthier with your eating habits. Brains lacking in nutrients absorb information less efficiently, after all. But you're still a sucker for Cheez-Its and energy drinks.

You won't drink it tonight, obviously.

Right as you put the items on the counter for the bored-looking cashier to scan the barcodes, something cold presses to your temple.

The cashier freezes, eyes blown wide with panic.

"Easy there," someone says to your left. A man, voice oily in a way that sets your teeth on edge immediately. "Do what I say, or I blow their brains out, then yours."

A gun.

A gun is pressed to your head.

Because of course it is. A shitty way to end a shitty day. You should have kept walking right past the gas station.

Before you moved to Gotham, you might have screamed and panicked, but you know better now. You know to stay calm.

You clench your fists to stop them from shaking so noticeably, but otherwise don't move. You've seen hostage situations before, because this is Gotham, but you've never been the hostage.

The gun feels heavy. And so cold, like it's sapping all the heat from your skin.

"Okay, dude," the cashier said soothingly. "You want the money in the register?"

The robber scoffs. "Obviously."

"All right." The cashier's voice is even and soft, unthreatening. You wonder if training for situations like these are required for cashiers in Gotham. It certainly hadn't been for your old job, although that hadn't been in New Jersey, and it hadn't been at a twenty-four seven gas station, either. "I need to get a key to unlock it, okay? So I'm reaching below the counter."

"Just get the key," the robber demands. The gun shifts against your temple. You fantasize for a half-second about acting like an action hero, disarming him and taking him down all on your own. But you're not a vigilante and you've never been in a real-life fight before. You don't think you're fast enough to get out of the barrel's way before he pulls the trigger. If you managed to shove it away, what if he fired and hit the cashier instead?

Then comes the sound of another gun clicking.

Great, you think half-hysterically. Just what we need. Even more deadly weapons.

"Lower the gun," growls a modulated voice, and everyone freezes.

The Red Hood is standing behind the robber, also pointing a gun to his head like the meme of people lined up in a church with guns aimed at the person in front of them.

The robber lets his gun dip a little bit. Distracted enough that it's not pressed directly to your temple anymore.

Not to brag, but you recover the quickest. It's probably the adrenaline.

Thank God you keep your keychain in hand while out at night. Your fingers shake, but you have your pepper spray up in a second, and the robber's turning to look at your sudden movement when you squeeze down on the nozzle.

The spray hits him directly in the eyes, and his howl of pain is immediate. But you don't stop spraying, even when the cashier starts to splutter and your own eyes water.

The gun goes off, once in the robber's hands, and a second time when it hits the ground because he's dropped it in favor of clutching his burning face.

You stop the stream of pepper spray, because now the air is spicy when you breathe, but can't force yourself to lower your hand. The Red Hood quickly handcuffs the would-be robber, which is only difficult because he's clawing at his eyes in pain, and executes a tricky-looking martial arts move to get him on the ground.

Despite everything, you're impressed.

The Red Hood is bigger than maybe anyone you've ever seen before. He could have punched the robber in half like paper, probably, but you appreciate the finesse a little bit more.

"Hey." A gentle voice, and gentle hands, take the pepper spray out of your grip. "Quick thinking there," you're complimented. By the fucking Red Hood, one of Gotham's most infamous crime lords. The first time you read about him in the papers, he was chopping off people's heads, and every story since has been similarly alarming. But he's not supposed to be here; the Red Hood stays in Park Row, which locals call Crime Alley, apparently, and you've always steered very clear from that part of town.

"Can you look at me?"

You do. Maybe he won't chop off your head if you listen well enough.

"Are you okay?"

You blink. That... does not compute.

The Red Hood doesn't save people. And he doesn't leave Crime Alley. So what's he doing outside of Crime Alley, saving people?

The robber is still screaming, eyes screwed up in pain. He's handcuffed on the ground.

"You should probably let him wash out his eyes, at least," you tell the cashier. "Pepper spray is pretty painful." You'd sprayed yourself once out of curiosity, realized how much it burned, then sprinted to the shower to rinse it off. Which, pro tip: not a good move, especially with warm water. Water reactivates it by opening your pores, or something, and when you're in the shower it just spreads all over your body.

Your eyes are watering. The Red Hood sees that, because he tells you, "Let's get some air," and tugs you out of the gas station.

He's right. The cool night air does feel good. You blink away the stinging in your eyes and he repeats, "Are you okay?" His voice is robotic from the mask, but kind of pleasant at the same time. You'd never guess just from listening to him that he's a killer.

"Yes," you say automatically. "Thanks," you add. You're lightheaded for some reason; you sway on your feet.

"You sure?" he asks critically. "You look... pale." Judging by the pause, 'pale' wasn't the word he really wanted to say. The red helmet tilts. "You weren't shot, were you?"

"I don't think so," you shrug. Then you look down at yourself and realize that there's a large bloodstain on your hip. "Never mind. I think I was."

"Jesus!" he yelps at the sight. It's kind of funny, actually, this grown man built like a brick shithouse yelping at the sight of blood. "Why didn't you say anything?"

You shrug and peel your sticky shirt away from the wound to inspect it. "I thought I just bumped something." Sure enough, it's just a graze. You weren't sure which shot had hit you, but you'd honestly been injured worse. Plus, supervising surgeries at the animal clinic you'd worked at for years has desensitized you to the sight of blood. Maybe it's also altered your perception on what 'serious injuries' count as; the amount of times you've been bitten by startled dogs...

"You need to go to the hospital."

"It's just a scratch," you argue. "I can't go to the hospital. I need to feed my cat."

"Your cat can wait. You're bleeding a lot."

"I'm already late, and if I miss dinner, he'll start pissing all over my apartment."

The Red Hood sighs. "Where do you live?"

Your mouth opens to answer on instinct. You snap it shut just in time and glare. "Why?"

"So I can feed your cat for you while you go to the hospital."

It's nice of him to offer, but... "No."

"No?"

Maybe it's not the best idea to refuse Gotham's most prominent crime lord, but it would also be pretty stupid to tell a strange man where you live. Especially when he happens to be said crime lord.

"Look," you sigh. "I'm a vet student. I have surgical tools at home to treat myself with, and I promise, under the blood, the bullet barely hit me. I've been hurt worse by Chihuahuas that hate the vet."

"There's no way I can convince you to change your mind?"

"It's been a long day," you sigh. "I really, really just want to go home." And he's blocking the path. Your apartment building is directly behind him, just calling your name.

"At least let me walk you to your building." He holds his hands up at your suspicious look and assures you, "I won't ask for the apartment number."

"I'm literally right there." You point.

He turns, sees how close you are to being home, and says, "Seriously?"

"Seriously. What are you doing here, anyway? I thought you were some kind of villain."

"I'm reformed," he grumbles.

"Well, good for you."

You make sure you have your keys and your wallet, then step around him and make it all the way to your building's door before he calls, "Wait!" The Red Hood's jogging to catch up to you, holding the box of Cheez-Its and energy drink you'd almost died for. "You forgot these," he says.

"Thanks," you say, taking them. It would have been a shame to waste four dollars.

"You're welcome," he says. There's something odd about his voice, but you attribute it to the mask, scan to be let into the building, and make sure it's fully closed before heading to the elevator.

Your cat is unhappy about dinner being an hour late. He weaves between your feet, making his protests loudly and viscerally known. You wince. He's worse than the dogs that bark in this building sometimes.

Your poor neighbors.

You give him his wet food, then hop in the shower to clean off your hip. It bled a lot, but once the blood washes away, it's actually not as bad as you thought. You've stitched up animals before, but never yourself, and decide against trying tonight. If it heals a little unevenly, who cares? No one will see it, anyway.

You pad the wound with gauze, tape it over, and fall into bed. Staring at the ceiling, you're forced to admit to yourself that you may be looking up more in the future. Just to see if anyone in a red helmet is running on a rooftop nearby.

It was a long day. But, strangely, almost dying wasn't the worst part of it.

Actually... it may have been the best part.

~~

Forever tag list:

@lemirabitur @annymcervantes @queenmissfit @quiet-because-it-is-a-secret @iksey @thehyperactiveteen @luxmoonlight @andreasworlsboring101

[ane-doodles]

I refuse to create a new au, let's call it "alternate timeline"

Ok so, this is based on this illustration. They were just thoughts that came into my head while I was coloring. I'm bad at narration and good at lists so bear with me...

We are located in the time just before Narinder discovers/creates/idk the way to revive mortals. He is still the bishop of death with his own cult and there are no problems with the rest of the bishops. I want to add a note: since this is set before the whole betrayal thing here Narinder is portrayed as calmer focused on his own thing.

The lamb (we will call her Avan hehe) is part of the cult of the red crown. She is really interested in everything related to spirits and gods and often gets into trouble because of her curiosity.

One day in particular she decides to follow one of the fireflies/devotion lights through the forest and ends up meeting the bishop of death who, thanks to a convenient breeze, ends up revealing his face by accident.

I don't know what happens in this period of time but the lamb ends up visiting the forest often to meet Narinder until it becomes a kind of habit.

Visits in the forest become common company within the cult as well. Avan receives as a gift the red cord that she uses as a belt to match Narinder (thanks to this other cultists believe that she has ascended to a new position and do not usually bother her with questions)

Avan ends up helping Narinder perfect the resurrection method with the knowledge she has of materials (bones, plants, among others) in addition to providing a different perspective and questions to the god of death. In the end they end up achieving the result that we know in the game. [for the ritual to work the summoner gives a small fragment of his life, since Narinder is immortal this does not affect him in any way]

Here the pre-game events take place: the bishops don't like this, they plan a way to stop what Narinder has started and opt to imprison him in the gateway, but first they must kill him (inspired by this post, go check it out )

So Narinder is killed but he is not immediately chained, but rather the bishops decide to first put an end to the cult (to prevent knowledge about the resurrection from being dispersed). Avan's life is spared because "she seemed to be close to Narinder and his memory should not be forgotten" (me to myself: HA FOOLS! they left alive the only one who really knew the resurrection ritual)

As the massacre takes place, Avan (between terrified and confused) decides to do the resurrection ritual on her own. She takes Narinder's heart and hides deep in the forest.

As Avan is a mortal, the ritual affects her quite a bit (you can see her blackened fingers in a sketch). Narinder is brought back to the world of the living as a demigod, as Avan's mortal life was not enough to bring him back fully.

This is where the story gets a little blurry because my imagination started to run out…

While Narinder fervently desires to take revenge, his powers are truly limited now, and abusing them could kill him and even the lamb. Avan, for her part, prefers to hide at least for a while, scared of the bishops and the idea that they will discover that she was the one who brought Narinder back to life.

How the hell do you hide a cat at least three times your height?

Before the story went totally off track this was supposed to be some sort of Narinder flashback for the CFP Au

I did think about designing a lamb especially for this one, but I prefer to take and adapt Avana, it's more fun and I think the blue suits her well.

Is this a romantic Au? dramatic? Platonic? of friendship? of survival? idk, be creative with your own imagination and enjoy.

[writer-logbook]

5 tips for proofreading & their pros and cons

Define your objectives for each chapter. In my case, some of my chapters are better written than others. My objectives for them will differ. Before starting my proofreading, I list my needs and areas of improvements, and I write them down somewhere so I have them in front of me rather than in my head alone.

Pros : allows you to know which points you need to focus on ; provides a guideline adapted to your needs.

Cons : risk of losing homogeneity and fluidity + flaws may be shifted to other chapters that didn't have them before due to a sudden imbalance.

Plan several proofreading sessions, each one of them addressing ONE NEED AT A TIME. (E.g., one for grammar, another for style, and a final one for coherence. ) And I insist on the "one need at a time" part. Even for those who can multitask (unlike me), I really don't recommend settling for a single proofreading session. It could interfere with your concentration and let you skip some flaws. And please, always give your chapter a final read after your edits to ensure that the elements make sense as a whole, and are not repeated every two paragraphs (I plead guilty, your honor)

Pros: allows you to focus precisely on each point, and give it dedicated attention.

Cons: you can quickly get confused and risk multiple re-readings + significant time investment.

I make my corrections on a separate file. Whatever you do, it's always better to have a backup and therefore to save your files (don't blindly trust autosave) to create archives. I think it's a two-ways process : 1) you open two files simultaneously, one with your V1 and one, blank, where you'll rewrite your chapter as you make changes. Eventually, this new doc will become your V2 ; 2) you copy the parts to proofread into a new document and edit directly in there.

Pros: allows you to rewrite as you wish without being discouraged by the following paragraphs - especially in case of the first way.

Cons: requires multiple files (maybe multiple screens to be at ease) and better organization.

Change the typography. I don't know about you, but after a while, I'm struck by semantic satiation (click on the link - it's Wikipedia -, it's very interesting) and nothing makes sense anymore. After the 52,846th proofreading, I might as well read in another language. I've found a relatively effective trick - not as effective as a complete break, but sometimes you need to move forward - which consists of changing the typography. I can't remember who gave me this advice though, but be sure they've been thanked more than enough in my mind. In any case, seeing words change their shape significantly helps my brain to stay focused and attentive. (Maybe it's just my mind playing tricks on me but I only see the results.)

Pros: it's simple to implement.

Cons: I don't know if this trick works for everyone or if I'm the only weirdo (you can tell me in the comment section).

Take notes. This is a very personal tip but I keep a proofreading logbook. Like, I record in a few sentences the first time an element is mentioned, how it's describes, and most importantly… I MENTION THE DATES. The story I'm currently writing is heavily governed by a chronological system, so I have an absolute need to keep the day count up to date.

Pros: helps avoid inconsistencies and oversights.

Cons: very tedious to maintain and creates (a lot) of extra work.

I've started my prooreading journey yesterday and I already want to die. If I find in the edits something that is worth making a post, be sure that I will. Or let me know if you're simply curious.

Gentle reminder : Best is the worst enemy of good so, at some point, you'll have to let it go and let your chapter live its life to its fullest. Don't be hard on yourself and be proud of your work - or know that I am.

[thankskenpenders]

After a recent interview where Iizuka said it was possible for IDW characters to show up in the games, I've seen some discussion about how the characters need to be introduced "the right way" for people who don't read the comics. And, like, this is obviously true to some extent. You want to convey why people unfamiliar with them should care about these characters, instead of just assuming everyone already knows who they are and their whole backstories and everything. (Anyone who's watched Disney+ Star Wars already has some easy examples of times where they were like "you guys already know this character from the cartoons, right?" and casual fans were completely lost.) But I think people are overestimating how much work this would actually take, especially people who argue that the characters need full-blown reintroductions in the games that depict their backstories all over again and treat them as characters Sonic doesn't already know

I think it's easy to forget that not everyone who plays Sonic games has played every Sonic game. Kids especially. Every single major recurring character in the games debuted before today's generation of Sonic kids was born, and as such every new game is someone's introduction to those characters. The games with the introductions for the Chaotix, Blaze, Silver, Omega, Cream, the Babylon Rogues, Fang, Mighty, Ray, etc. are straight up not available at all on modern hardware without resorting to emulation. To many people picking up Team Sonic Racing or Mania or whatever, those characters are already some random characters Sonic apparently already knows from some previous story. These are not things that every single person who picks up a new Sonic game is intimately familiar with. And yet the games don't feel the need to stop and recount their entire backstories every time they appear.

Also, like, even if you have played every single game, Sonic already has a long history of introducing new characters with little to no fanfare, often treating them as characters Sonic has already met. Core characters like Tails, Amy, and Metal Sonic were really just dropped into Genesis era sequels with no explanation for people who didn't read the manual (i.e.: most players). Sonic has a kid sidekick and a girl who has a crush on him and a robot duplicate now, just roll with it. The modern era would continue to do this with characters like the reimagined Team Chaotix, or Orbot and Cubot, who just appeared in the games one day with no setup. We got along just fine.

(This is to say nothing of the nature of the creative medium the IDW characters originate from, where every new comic arc is treated as somebody's first and supporting characters are periodically given reintroductions to get newer readers up to speed. We've been over Whisper's backstory multiple times now.)

Again, obviously I do want characters like Tangle, Whisper, and Surge to show up in the games with compelling introductions that do the characters justice, but I think people are overthinking how much effort that actually takes. You do not need a whole elaborate adaptation of Whisper and Surge's backstories in the games just for them to have a cameo. You can have Sonic already know them, and if the details are even relevant you can convey that stuff in other ways - brief exposition in the dialogue, context clues, in-game character bios, new stories that showcase their important character traits without 1:1 recreating the stories that have already been told, out-of-game promotional videos and animated shorts like the ones they did to get people up to speed on who the hell Fang is, etc. This is pretty basic stuff when writing for a long-running multimedia franchise.

[fuckyeahisawthat]

There are so many places in the Villeneuve Dune adaptations where he just...takes all the narrative pieces that Frank Herbert laid out and subtly rearranges them into something that tells the story better--that creates dramatic tension where you need it, communicates the themes and message of the book more clearly, or corrects something in the text that contradicts or undermines what Herbert said he was trying to say.

The fedaykin are probably my favorite example of this. I just re-read a little part of the book and got smacked in the face with how different they are.

(under the cut for book spoilers and length)

The fedaykin in the book are Paul's personal followers, sort of his personal guard. They show up after his legend has already started growing (the word doesn't appear in the book until chapter 40) and they are people who have specifically dedicated themselves to fighting for him, and right from the moment they're introduced there is a kind of implied fanaticism to their militancy that's a bit uncomfortable to read. They're the most ardent believers in Paul's messianic status and willing to die for him. (They are also, as far as you can tell from the text, all men.)

In the book, as far as I can remember (I could be forgetting some small detail but I don't think so) there is no mention of armed resistance to colonialism on Arrakis before Paul shows up. As far as we know, he created it. ETA: Okay I actually went back and checked on this and while we hear about the Fremen being "a thorn in the side" of the Harkonnens and we know that they are good fighters, we don't see anything other than possibly one bit of industrial sabotage. The book is very clear that the organized military force we see in the second half was armed and trained by Paul. This is exacerbated by the two-year time jump in the book, which means we never see how Paul goes from being a newly deposed ex-colonial overlord running for his life to someone who has his own private militia of people ready to give their lives for him.

The movie completely flips all these dynamics on their head in ways that add up to a radical change in meaning.

The fedaykin in the movie are an already-existing guerrilla resistance movement on Arrakis that formed long before Paul showed up. Literally the first thing we learn about the Fremen, less that two minutes into the first movie, is that they are fighting back against the colonization and exploitation of their home and have been for decades.

The movie fedaykin also start out being the most skeptical of the prophecy about Paul, which is a great choice from both a political and a character standpoint. Of course they're skeptical. If you're part of a small guerrilla force repeatedly going up against a much bigger and stronger imperial army...you have to believe in your own agency. You have to believe that it is possible to win, and that this tiny little chip in the armor of a giant terrifying military machine that you are making right now will make a difference in the end. These are the people who are directly on the front lines of resisting oppression. They are doing it with their own sweat, blood and ingenuity, and they are not about to wait around for some messiah who may never come.

From a character standpoint, this is really the best possible environment you could put Paul Atreides in if you want to keep him humble. He doesn't get any automatic respect handed to him due to title or birthright or religious belief. He has to prove himself--not as any kind of savior but as a good fighter and a reliable member of a collective political project. And he does. This is an environment that really draws out his best qualities. He's a skilled fighter; he's brave (sometimes recklessly so); he's intensely loyal to and protective of people he cares about. He is not too proud to learn from others and work hard in an egalitarian environment where he gets no special treatment or extra glory. The longer he spends with the fedaykin the more his allegiance shifts from Atreides to Fremen, and the more skeptical he himself becomes about the prophecy. This sets up the conflict with Jessica, which comes to a head before she leaves for the south. And his political sincerity--that he genuinely comes to believe that these people deserve liberation from all colonial forces and his only role should be to help where he can--is what makes the tragedy work. Because in the end we know he will betray all these values and become the exact thing he said he didn't want to be.

There's another layer of meaning to all this that I don't know if the filmmakers were even aware of. ETA: rescinding my doubt cause based on some of Villeneuve's other projects I'm pretty sure he could work it out. Given the time period (1960s) and Herbert's propensity for using Arabic or Arabic-inspired words for aspects of Fremen culture, it seems very likely that the made-up word fedaykin was taken from fedayeen, a real Arabic word that was frequently used untranslated in American news media at the time, usually to refer to Palestinian armed resistance groups.

Fedayeen is usually translated into English as fighter, guerrilla, militant or something similar. The translation of fedaykin that Herbert provides in Dune is "death commando"...which is a whole bucket of yikes in my opinion, but it's not entirely absurd if we're assuming that this fake word and the real word fedayeen function in the same way. A more literal translation of fedayeen is "self-sacrificer," as in willing, intentional self-sacrifice for a political cause, up to and including sacrificing your life.

If you apply this logic to Dune, it means that Villeneuve has actually shifted the meaning of this word in-universe, from fighters who are willing to sacrifice themselves for Paul to fighters who are willing to sacrifice themselves for their people. And the fedaykin are no longer a group created for Paul but a group that Paul counts himself as part of, one member among equals. Which is just WILDLY different from what's in the book. And so much better in my opinion.