#but apparently struggle to be authentic to myself when I’m by myself

[jilliam]

There’s this one tiktoker who made a few viral videos talking about relationships I’ve noticed in a few of her videos she mentions feeling like she is being blamed by these men for her relationships ending/other party losing interest or feelings, which I can kind of relate to but also not really

Like in general I am pretty sensitive to blame/criticism, and can sometimes feel like I’m being blamed/criticized for something when really the other person is just voicing a frustration (think ‘damn the laundry isn’t done yet’ but I hear ‘you’re lazy/dumb for not starting laundry earlier’)

But that’s generally not the case for me in dating I guess, like whenever I’m dating someone new and they told me that they didn’t want to continue seeing me or that they lost interest in me, I’ve always kind of seen it as a ~them problem, like the other party is telling me a fact about themself. I never internalized their reasoning as something that was my fault or that they were blaming me for losing feelings, maybe because I think of myself as a generally authentic(👁️) person and so it’s not like I have any regrets about my behavior or what I could have done differently

(unlike the laundry example, where I clearly see how I could’ve started laundry earlier)

[bisluthq]

Hi nat, I don’t wanna sound like a hater but I’ve just been struggling sm lately bc I feel so disconnected to Taylor iykwim? Like she just seems unrecognizable and excuse the parasocialness but like idk I think I just need to separate from the fandom because I just feel she’s so different in the past year and it makes me so sad. Everything just seems somewhat staged and inauthentic. I really loved her and even considered her as my favorite person and lifesaver at some point. But that beautiful, genuine, and talented person that i thought she was is not there anymore. I really saw myself in her at some point and really believed she was a gift to this world with the happiness she brought to people and how she was unapologetically herself, from the intimate fan interactions and public vulnerability and need for privacy she showed compared to other celebrities. Especially the fact that she’s been trying so fiercely to rewrite the history of the past 7 years of her life and is doing a complete 180 on the life she said she wanted is so disheartening to watch as a long time fan. I really thought that rep - evermore Taylor was really her most authentic self but idek anymore. The person she is now is like an entirely different persona and it makes me really sad. I hope she can find herself again for her own sake but i think this is just who she is and who am I to judge that lmao? At the end of the day no person with that amount of money or fame would be relatable. Look I always have to remind myself I don’t know her obviously but I thought I had gotten a pretty good sense from following her the last 12 years. Idk honestly I’m just kinda ranting here but was wondering if anyone else felt like this lately. A lot of my irls and friends have been saying they feel the same disconnect.

Xx anon ❤️

no shade queen and I’m sorry you’re feeling sad but herein lies the problem: “I really loved her and even considered her as my favorite person and lifesaver at some point.” That’s not a fair thing to put on Taylor. She’s literally just some lady lmfao and she’s an extremely talented musician, and she’s hot, and she’s very funny, and she’s a good writer even when it comes to prose, and she’s hardworking as fuck, and she’s apparently quite kind, and she also apparently makes nice food, and she has cute handwriting. That’s all we really know about her tbh. She can’t be our fave person or our lifesaver because like we don’t know her?? It’s not fair to put that on her.

on a very minor scale when I did professional activism/politics and on an even more minor scale on this blog when it was very big like sometimes I felt like I had this responsibility to people to like idk be something for them. And I can’t lol because I’m just a girl who likes to make jokes and write and teach history and drink and recently to go rowing lol. It’s not fair to expect me to be anything other than an interesting essay (in the activism days) or a funny joke (in the blogging days). I can’t be responsible for other shit. Taylor has that on the HUGEST scale and I can imagine how stressful that is and it’s not yk fair. I personally think she’ll get bored of being this public in a bit but she’s having fun rn. She’s got a cute boyfriend and her career is doing stellar and she’s got the I cut down on alcohol glow and shit like let the lady live for a bit. She doesn’t owe us shit. And I’m not convinced she’s a different person, I think she’s just not caring if people see she’s yk who she is - not an angel, not a hermit artiste, just a girl who’s trying to vibe.

I also think for me personally I’ve enjoyed a lot of her recent music so that adds to it. I love Midnights and I love the 1989 Vault and idk I am happy to let her vibe like she doesn’t owe us shit. Far be it from me to tell you to buy her $20 teacups or whatever to sponsor her trips to KC - I don’t lol - but I think it’s deeply unfair to expect her to be your lifeline or whatever like that’s genuinely not on her.

All this said, if you’re not vibing with music or the brand rn that’s okay. Harry Potter was HUGELY important to me in my preteens and into my teens and then as it happened, it turned out that JKR was a really bad person and I reread the books genuinely for science and they weren’t that great like there was a lot there I found actively not okay so aside from how I wouldn’t publicly be a millennial Potterhead anyway probably because I’m not yk that bloody weird I actively disengaged and I asked family and friends to stop buying me Robert Galbraith books and I just like… disengaged. Never watched the cursed child, haven’t watched any of the fantastic beast movies after the first one, never bought any merch again even when it’s a bit cute, just totally cut myself off. That’s MY choice. It’s not JK’s. JK is out there vibing like as she should but I don’t have to support her and she doesn’t owe me shit lol so like yes our moral compasses unfortunately do not align and that’s just the reality so I can be all dramatic or I can just stop buying her shit lol and I’ve chosen to do the latter and I don’t have any bad feelings towards her. We just don’t agree on morals. If you don’t agree with Taylor on morals or even lifestyle that’s also fine but again that’s a you problem not a Taylor problem 🤷🏻‍♀️

hope this made sense and helped although it was rambley.

[dailyaudiobiblechronological]

12/6/2022 DAB Chronological Transcription

2nd Corinthians 10 - 13

Welcome to Daily Audio Bible Chronological, I'm Jill. Today is the 6th day of December, welcome. It's so good to be here with you as we journey through the Word of God together in chronological order. And we are winding our way down this long road of this long path we have been on in the journey of the Bible, and what a journey it has been. It's my joy and my honor to be here with you as we are within 30 days of finishing. And finishing is what I hope that we will all do individually, collectively, and in community. Today we're continuing the reading in 2nd Corinthians. And so we're reading today chapters 10 through 13. This week we're reading the New Living Translation, 2nd Corinthians chapter 10.

Commentary

Let's talk about super apostles, shall we? I don't think these are apostles with superhero capes. Despite imagination pulling from The God of Your Story today to orient us in the context of today's reading. Although scholars have debated for centuries about who Paul was talking about when he discussed super apostles in our reading from 2nd Corinthians today, this is the likely scenario. People who had a different set of convictions about Jesus had begun visiting churches that Paul had established with great persecution and difficulty. Their teachings were different from Paul's and were apparently being validated by their association with some of the men who had walked with Jesus during his ministry. Super apostles, a claim Paul couldn't make because he had never met Jesus during his earthly ministry. The Gospel they taught was nuanced in a way that was disturbing to Paul, since Paul considered their selfvalidation boastful and selfserving, he too felt the need to boast in response. But this put Paul in a strange position, because boasting isn't usually considered a good thing, especially boasting about oneself. But he didn't feel like he had a choice. He didn't want the Corinthians to be swept into teachings that he hadn't given them from the beginning. This was a matter of great concern to him yesterday and today. We watched Paul squirm over this because he didn't want to get into a boxing match over who was the most authentic follower of Jesus, a no win contest of validation by comparison. On the other hand, the Corinthians were being influenced negatively, so Paul felt the need to tell the people of his struggles to bring the Gospel to them in the first place. What can we make of all this? Was Paul simply a very insecure man? Maybe, after all, he was a human being with the same struggles we each face. But this had nothing to do with why he felt the need to boast. Paul told the Corinthians exactly why he was going through this uncomfortable exercise. Confessing, I am jealous for you with the jealousy of God himself. I promised you as a pure bride to one husband, Christ. And then it ends by saying that tomorrow we'll hear Paul boast. And we heard that today it's a little uncomfortable, isn't it? It does sort of lead you to questions of is this an insecure man? Maybe overcompensating and then we can just pull out that mirror, look straight in the mirror. Do we maybe do this ourselves? Do we overcompensate in areas maybe if we even lack feeling seen, feeling appreciated, feeling known. I know I very much deal with that especially around the holidays. I tend to think that everyone's happiness and expectations sit on the shoulders of my 4'11'' self. And I can tell you that there are days but that gets really heavy because of expectations that I feel I need to meet and expectations I put on myself and then complain about why nobody appreciates all of this that I'm doing. And you know just there I've engaged in the pity party. Point being I cringe a little bit listening to Paul talk about Boasting and then I just have to wonder who's cringing listening to my insecurities play out like a broken record. And I think the resolve here today is to Boast in our weaknesses. Because in our weakness God is our strength. He carries us, he carries us through. He shines bright. We become acutely aware of our dependency on him and our weakness and we if we're doing it right, cling to him day by day, minute by minute, depending on his strength that is made perfect and weakness.

Prayer

So Father, we thank you for that strength today. That strength that only comes from you, that supernatural strength we're lost without it. We so need it. Minute by minute, day by day. We thank you that it is available to us. You are available to us and I thank you for carrying us on the days that we need you and on the days that we don't think we need you, that we still do. Thank you for being there. Thank you for being safe, for being our refuge, our very present help and time of trouble. We pray this now. In the name of the Father, the Son, the Holy Spirit, amen.

Announcements

Daily Audio Bible, that's home base. Check it out if you have not. Take a look around at the website. There is still time to shop at the store if you have not and maybe you're just maybe you're a Christmas music buff. Last year, our son, Maxwell Harden released Christmas time. Beautiful and haunting collaboration if you will of his musical genius through digital platforms. And it's beautiful. It's one of my favorite holiday pieces. Not just because it's my son but because it really is a beautiful piece of work. Also recently released Sleep, a great gift you could gift to someone digitally that is maybe dealing with fear or anxiety or even sleeplessness. I know many people said I tried to listen but I didn't make it through it. That's the whole point. So check those things out, they are available to you. If you would like to partner with the Daily Audio Bible, thank you so much for each and every partnership. We could not do this without you. That is the truth. If you're giving by mail, DAB PO Box 1996, Spring Hill, Tennessee 37174. Or you can hit the Give icon up at the top right hand corner of that mobile app. Or look for the Give icon on the website. If you need prayer, if you'd like to pray for someone that's previously called in, several different ways for you to do that 800 583-2164. Or once again utilizing the mobile device at the red circle button up at the top right hand corner, you have two minutes on the prayer line, hit Submit, turn the wheel to Chronological and it will get to the right place. That's it for me today. I'm Jill. It's my joy to be here with you on this journey of transformation through the Bible in chronological order. Until tomorrow, love one another.

Community Prayer Line

Hey DABC, it's refined by the fire in Ohio. It is November 30 and I wanted to call just to check in. Happy Thanksgiving to everybody in the US or anywhere that was celebrating last weekend. I hope you all are well. Just wanted to encourage everybody whether you have been here all year, it's amazing that we have made it eleven months so far and if you are just joining us, that's okay. Just hop in to hear what God has going on today. Don't worry about trying to catch up because we're getting ready to start the cycle all over again. I know personally I had joined the DAB community somewhere mid year like August about six years ago. And at first I thought maybe I would try to catch up, but honestly that was the best advice was just get your word for today and keep moving forward. So I hope you guys are all doing well. Hopefully you can take some time. Like I'm reminded myself during this Advent season, it gets so busy and so crazy so fast just to rest in Him, commune with Him and remember to stay connected to our community. Love you guys all, talk to you soon.

It's December 1. This is saved by his grace in Happy Valley. And I'm calling for Rachel. Rachel, I just heard your call in today and I want to say welcome and your story sounds a lot like mine. I grew up in the church, drifted away and got this sudden feeling at one point that I needed to find a church home again. That was years ago and it's only been maybe five or six years since my son in law talked me into listening to the Daily Audio Bible, which has meant so much to me and has really changed my life. But I wanted to tell you your strong feeling that you wanted to get back into the Word, that was God who has when you look back some day you will realize that even though you didn't think about him or notice him. He was right there with you every step of every day of your life. And he finally said, it's time for you to come closer to me. And that was the feeling that brought you to us. And I thank him for yet again bringing a child close to him like he did to me. And I want to welcome you, and it will be lovely knowing that you're sharing the reading.

Good rainy morning. DABC family, today is Wednesday, November 30, and I just heard our sister Diane Olive Brown calling, and I just wanted to say many blessings over you and your family today. God has really blessed you with a light and beautiful spirit. When you call, I always smile. Hearing your voice, I just feel warmth and welcomed and as if I just walked into a home and there were baked cookies. They like hot chocolate, and I wasn't allergic to hot chocolate. Thank you. Thank you for calling in. May God bless you this season. May God bless you and your husband. May he cause his face to shine upon you and give you peace. And as we're going to the holiday season, to all the listeners out there, I just want to challenge you to stay focused. As Diana Brown talked about, you know, prayer, just continue seeking God. Whatever you're believing god for, he has not forgotten you. He is right there with you in the middle of your storms, if you're going through a storm and in the middle of your celebrations, if you are going through your celebrations.

[smolbeanie1221]

I was fucking miserable when I was trying to convince myself that I was a Christian like everyone else in my family.

My stepdad loved me all through high school in very painful ways. Body shaming me, making me feel as tho I didn’t the right to be depressed, making me feel like I was an intruder in the happy little world of him and my mom, constantly teasing and picking on me in emotionally harmful ways both at home and in public, as the pastor of a church referring to me as “baggage” in the middle of a church message after complimenting my mom for the millionth time and saying how lucky he is to have her… and oh yeah there’s the baggage aka me the stepkid, never listening or trying to understand me, showing no respect for me as a trans and queer person.

And yet… I’m the one who’s living in sin bc I never felt the Christian god but I could feel and connect to nature and the spirits around me who I truly feel accepted by? I’m the one living in sin bc I am being my authentic self, which happens to be a different gender than what some doctor assigned me moments after my birth? I’m the one living in sin bc I am capable of loving anyone regardless of gender or physical characteristics? I’m the one living in sin because… I’m actually trying to be open and accepting and loving and respectful of everyone around me. Because I’m being my authentic self? Which apparently has never and never will be good enough for my stepdad.

His love for me, which as a Christian pastor should be an example of the Christian god’s love… my stepdad’s love destroyed my mental health for fucking years. I still deal with the fucking trauma he caused me. I struggle with motivation to lose weight to be healthy bc I just hear his voice body shaming me. I haven’t set up an altar yet or figured out what my craft and practice will look like bc in the back of my mind, I’m ashamed of my beliefs, and there’s a part of me that hopes I’ll wake up one day and be a Christian and “normal” in my family. I haven’t seriously looked into top surgery yet bc despite the pain he put me through, I still don’t want to disappoint him for the hundred millionth time. I hate what he put me through, i hate that his love for me has left me with so much trauma. And yet i know that in his mind, because I’m the sinful queer pagan one, I’m the only one to blame in his mind. If you just believed and followed God and rejected your sinful queer attraction and understood that you’re truly a girl, things will all be wonderful bc you’ll be back on the right path. That’s probably what he thinks. I know he doesn’t think he has done anything wrong. But how could a pastor who prayer walks with god and does outreach to communities and preaches every Sunday, how could he be wrong? Obviously his love for me is good and correct and godly. Definitely not harmful or traumatic or… gods forbid emotionally abusive?? Nooo he would never be considered that! Not when I’m the queer trans pagan one who is so clearly the sinner.

Just to be clear, while this vent is mostly centered around the specific Christian asshole who happens to be my stepdad who “loved me” in incredibly painful ways, I’ve also been loved unconditionally and wonderfully by Christians. So I’m not saying all Christians are like my stepdad. But even most of the Christians who love me unconditionally would say that I’m wrong the way I am, and they still love me in ways that are disrespectful, aka deadnaming and misgendering despite knowing that it’s rude and things like that. But some Christians, even if not every loving action is perfect, you know that it’s a pure love. Those Christians are not like my stepdad who has been cruel to me without ever caring or apologizing.

Also while I am pagan and not a Christian, it really had nothing to do with me being queer or the treatment of my stepdad. I had many positive Christian influences. I also had Christians who respected the fact I’m queer and affirmed that you can be queer and Christian. And that’s great. I just realized my beliefs are totally different and that I simultaneously do and don’t believe in many things. So I’m not saying my stepdad is the reason I’m pagan. He is however the one who left me with a lot of trauma in the name of “loving me” and “god says and that’s why what I’m saying is always right and you’re always wrong.”

I said this a couple years ago (one year ago?) and most of the comments on tumblr actually did not know this, so to reiterate what you’re up against: a VERY mainstream belief among American Christian fundamentalists is that they are the only ones who experience love. They raise their kids to think that everyone “living in sin” (all other faiths, atheists, and LGBT people) goes through life sad and empty, falsely believing they know what love feels like, and will never know until they’re “saved.” It’s not as simple as them diminishing the humanity of others out of hate, but being deeply brainwashed to believe others are automatically mentally less human. They are also very good at convincing new converts that they really are experiencing this “real” love for the “first time;” the same way members of all cults can become wholeheartedly convinced that they’re receiving psychic alien messages or communing with spirits. Cult conditioning is simply that powerful.

[goldislops]

Knowing Death

The most effective thing in getting to know death isn’t being with dying people but sensing myself as being a continually dying person.

Sallie Jiko Tisdale, “Travel Guide to the End of Life”

CLICK HERE TO READ THE ARTICLE

Travel Guide to the End of Life

An interview with Sallie Tisdale, death and dying educator

Sallie Jiko TisdaleSummer 2018

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Photograph by Robbie McClaran

“I have never died, so this entire book is a fool’s advice,” writes Sallie Tisdale at the start of her latest work, Advice for Future Corpses (and Those Who Love Them): A Practical Perspective on Death and Dying. However, there’s wisdom in knowing that you don’t know it all, and Tisdale’s enchanting prose searches as often as it instructs. In addition to being a writer, Tisdale is a Buddhist practitioner and teacher, a nurse, and an end-of-life educator who leads workshops on preparing for death; her depth of experience at the side of the dying is apparent throughout.

In these essays, Tisdale tells of the death of her Zen teacher, her mother, her close friend Carol, and others she has known, and asks questions many of us avoid: How do we define death? How do we manage physical pain or grief? Does our dignity depend on our health? This book, Tisdale writes, is meant to help you prepare for your own death and the deaths of those closest to you. It’s a travel guide to the end of life, a map of the territory, not a book of spiritual guidance. At its close, Tisdale even offers four appendixes for those seeking advice on the practicalities of death preparation. “My Death Plan,” “Advance Directives,” “Organ and Tissue Donation,” and “Assisted Death” prompt readers to consider their preferences for pain management, rituals and services, burial place, funerary rights, and more.

“If you die once, you will never have to die again,” Tisdale told Tricycle in February,recalling a teaching she heard when she was a young Zen student. At the time, she found the sentence perplexing. But as her practice progressed, the deep sense of release that she experienced—a “falling away of body and mind”—encouraged her to continue, and eventually led to the understanding that one can meet death as wholly as one aims to meet life. In the interview that follows, she tells Tricycle how she cultivated familiarity with her own mind while tending to her patients and loved ones, and why considering our own death just might make us happier.

—Marie Scarles, Associate Editor

Why did you feel compelled to write this book? I’ve been leading workshops and small groups about preparing for death at my Zen center for about a decade. I started to hear that people in other groups wanted to see the syllabus and material I was using. So I thought I could develop it into something that would be comprehensive and useful for people.

Preparing oneself to die is an inescapable challenge. It is also part and parcel of religious practice. I’m struck by the fact that as Buddhists we know this and yet it doesn’t come up in conversation all that often. We self-censor. We think, Oh, if you were a really good Buddhist you wouldn’t have those feelings, you’d wouldn’t have that fear, you wouldn’t be confused, you wouldn’t be struggling. You’d have it all figured out. This is very damaging to us. Our practice is about authenticity, rigorous self-examination, and honesty. If we’re honest, we’re going to admit that none of us is quite ready to die.

Nothing is more intimately the result of your whole life than how you meet death.

In the book, you write that when we’re speaking with someone who is dying, we need to avoid telling them what they should do or how they should feel. Are these “shoulds” another form of censorship? I’m going through this with a friend right now. I was with him last night, and one of the things that he’s really struggling with is his deep fear of self-extinction. I have to bite my tongue not to try to reassure him, not to try to take the fear away from him, but to let him explore it and feel it. It’s his, and his perspective on it is very different from mine. It’s not my life.

It’s so easy for us to pop in and say, “You should be feeling this,” or “Of course, you want me to do and say this.” But when we do, we’re missing the fact that nothing is more intimately the result of your whole life than how you meet death. We have to notice our urge to put our own veneer on someone else’s experience.

I’m sure I’m less uncertain and awkward than most of the people in the room, but I am still awkward and uncertain at times at that bedside: I’m not sure how to answer a question, or I’m looking for comfort with the silence, knowing there’s nothing to be done about certain things. I’m still just trying to meet the experience all the time, and stuff comes up for me, of course. It does for all of us. But it’s really myself that I’m encountering, the ways I think it should be. This is the way I want it to be for me. That fundamental egotism is still there, even at somebody else’s deathbed. You have to continually notice this fundamental egoism.

I imagine this process of getting to know your own experience—as well your nursing work—has helped you navigate encounters with death. Of course, every death is different. Yet there are remarkable similarities. We’re not that different from each other. You can really predict and expect certain things with the deaths from chronic illness. Even with sudden deaths, once the moment of death is reached, it’s the same moment. It’s something you recognize if you’ve seen it before. It’s like that line in the Theravada version of the Mahapari-nirvana Sutra where Ananda says that the hair on the back of his neck stood up when the Buddha died. There’s something we recognize there that goes really deep.

I also want to say that I had a lot of fun writing this book. I feel a lot of joy in the face of the preciousness of life—a kind of silly joy at times. Not only are there these rituals of crying and role change that every culture has around the deathbed, there’s also a deep worldwide culture of laughing at death, making fun of it, joking about it. I think it’s because it puts us face-to-face with the deep love that we feel for each other.

This reminds me of a 2007 study you mention in the book that says thinking about our death makes us happier. Yes, but they explained this happiness in a different way. They’re talking about terror management theory—the psychological belief that it is fundamental to human nature to be terrified of death and that you can’t escape the terror. Terror management theory states that you can’t not be afraid of death. I don’t believe that. I think we are all afraid of it until we know it. When we really know it, that’s what spares us from the terror. Terror management theory says that this is part of being human, and that we do a tremendous number of things to distract and protect ourselves from this fear. I think we’re healthier than that. In the Buddhist sense, we have the potential to be as healthy and whole around this as around everything else in our life.

An awareness of death comes and goes. We’re hyperaware of it at one moment, maybe when someone close to us is dying, and then it fades away again. How do we get to know death, or maintain this sense of awareness? I’m a Zen practitioner, so the language I’d use here is “the falling away of body and mind.” If we become familiar with what it means to arise and fall in every moment, if we become familiar with the emptiness of the purported self and we come to accept ourselves as a loosely cohering set of compounded things, we don’t believe in the self all the time. Of course, we constantly forget and remember this again, but over time we do become more familiar with ourselves as impermanent, and eventually we come to see the glory of that. The grace of impermanence is that we belong to everything, that we are not separated from anything, that we are not isolated. As I say in the book, we may be waves on an ocean, but we are waves that know we are waves. That’s what I mean by really getting to know death. It’s not just spending time at a bedside, being with people who are facing death, getting to know your reactions to it. In a practical sense, this can be very helpful. But the most effective thing in getting to know death isn’t being with dying people, but sensing myself as being a continually dying person.

There’s a saying I’ve been told as long as I’ve been practicing: “If you die once, you will never have to die again.” I heard that when I was very young, and I didn’t know what it meant, but I do now. When I first experienced the falling away of body and mind, even a tiny bit, it was as though I had been a tightly wound spring, and I thought, I’m going to continue to unwind forever. There was such relief and relaxation and peace in the realization that this constriction would keep letting go. I could just look forward to more and more relaxation. Throughout my life I have continued to feel that spring unwind, a little bit at a time. We have as many lifetimes as we need to get there. [Laughs.]

Still, I will feel afraid when it’s my time, when I get that bad diagnosis and I’m on that doctor’s table. I’m sure there will be resistance and fear. So let’s admit it: The resistance is there. The denial arises. Admit that. But there will also be curiosity and wonder at the point of facing death, just because I have looked at it enough.

Your experience as both a dharma teacher and a nurse comes through in the book: you’re writing from the perspective of someone who has witnessed countless deaths. Yes, but that doesn’t mean that I don’t feel uncertainty and awkwardness as well. We bring our whole self there. It’s significantly easier for me to do this with a client than a friend.

When my mother was dying, my siblings looked to me like, Well, you can take care of her. And I had to say, No. I’m the daughter here. I have to be the daughter here. Sometimes, no matter how much practical experience you have, you have to bow to the fact that this is not your role this time. You need to be the daughter or the mother or the friend. Most of us will lose some friends, our parents, our siblings—but not that often. So it’s always okay to be who we are in these moments. It’s always okay to have the weaknesses and the confusion and the questions that we have. It’s always all right to just say, “I don’t know. I’m not sure. I’m scared. I’m worried. I’m afraid of this. I’m not sure what to do next.” It’s okay for all of those feelings to be there. We really will trip ourselves up if we think we have to have it all together.

I was thinking about this last night while sitting at the bedside of my friend, someone I’ve known for 40 years. He’s really scared to die. We learn in our practice to deal with our own suffering. We learn to recognize other people’s suffering, and we learn to see the sources of suffering. But it’s really hard to learn that you can’t take somebody’s suffering away from them. It’s important that we remember the bodhisattva Guanyin, she who hears the cries of the world. She’s the witness; she’s not fixing everything all the time—she is just seeing it. There’s so much we can do for each other, but 
we can’t do it all. It’s not possible to entirely comfort and console another person. They have—we have—to feel pain. It is part of this life. 

Caretakers’ Dos and Don’ts

An excerpt from Advice for Future Corpses (and Those Who Love Them)

If you are dying, you can say anything you want. You can say it when you want, and to whom you want. And you don’t have to say anything at all. Most of what I offer here is for the visitor, the companion, the helper. You have to follow some rules.

Think about how you explain ordinary information: the washing machine is on the fritz, we’re out of milk, I got a parking ticket today. Then think about how you communicate more urgent news: I wrecked the car. The power’s out. It’s different. Consider how you react in an argument. That’s different, too. Do you shut down, stop thinking? Do you start to cry or yell or leave the room? We all have a pattern for difficult conversations. If you are going to spend time with a dying person, know how you handle emotional scenes. What scares you? What makes it easier? Make a list. Practice!

Listening isn’t that complicated. It’s hard, but it’s not complicated. Few of us communicate really well. We think explaining ourselves is key, but listening is the most important part. Half the energy of caring for a dying person is listening, really listening. We are driven to think of ourselves first, and spend half the time appearing to listen while we prepare what we are going to say when it is our turn to speak. So: Listen. Say: This sounds very difficult. Say: I can tell how much thinking you’ve done about this matter. Say: Um-hmm. Tell me more. Keep bringing your mind back to the present moment when you stray. Invite detail. Ask questions and make it clear that you want to know. Anxiety makes it difficult to remember information, so repeat yourself if necessary. Speak in a calm and unhurried way. Reflect what you’ve heard, because you might have heard wrong: It sounds like you are saying you are afraid. Clarify, because you might have heard wrong: Let me make sure I understand. I think you are saying . . . If you can do these things, you are almost there. Be calm. Be nonjudgmental. Repeat.

If you are spending time with a person who is dying, you be­come a protector. You are the defender of modesty, privacy, silence, laughter, and many other things that can be lost in the daily tasks. You are the guardian of that person’s desires.

You will become a gatekeeper. Everyone needs a gatekeeper! Be the one who can say with a smile, Goodbye, Aunt Lucille.The one who can reach out a hand to the visitor and say, Time to go. We’ll call when we’re ready for another visit! while walking to the door.

Visitors come in many forms. Lots of friends will just drop in for a cup of tea and a few innings of the baseball game and take the garbage out when they go. Hurray for those friends. But you may also meet what the writer Glennon Doyle Melton calls the Fixer. This is the person who is certain that my situation is a question and she knows the answer. The Fixer is on the edge of her seat, ready with the solution. Melton went through a difficult breakup, and so she also knows the Comparer: the visitor who only appears to listen, who is just waiting for the chance to explain how his experience, or his nephew’s experience, or his aunt’s boyfriend’s cousin’s experience, compares to yours. Sooner or later a visitor arrives with what I think of as one-downmanship: the person with the sad face who spends their entire visit explaining why their troubles are worse than yours.

Set boundaries—for visitors, but also for yourself. Start with setting the boundaries for the visit, and do this every time. Say, I can stay for an hour, or I’ll be here until dinner, when Mary arrives. Before you leave, tell the person when you will be back. This removes the uncertainty, the unbounded edges that can make for a stressful conversation. A boundary gives both of you a space in which to be together. If you’re going to be coming regularly, you might offer a frank contract: when you will be there, for how long, to do what. If you can’t stand daytime television, can you watch Days of Our Lives anyway? If you don’t like cigarettes, can you sit easily with someone who smokes? Don’t say: I told you to quit smoking.

There are lots of ways to help besides making soup and sweep­ing the floor. (Those are often good things to do.) You can help people write letters or arrange a meeting. Offer to buy groceries or do the laundry, drive to an appointment or organize the bills. Offer only what you can deliver: I will stay with you through the night, or I will mail these letters for you. Be specific. (Then do what you say you will do. Not to put too fine a point on it, but you only get one shot at this.) Write all these things down and put it on the refrigerator. Your friend has enough to remember without keeping track of the calendar. Don’t say: Be sure to keep me posted.

Ask permission for everything. Be aware that you have the power here. (Be willing to discuss this fact.) Ask permission until your friend says, Quit asking for permission. Ask if a person wants to talk before you plunge in with the news of the day. Would they rather listen to music or play checkers or watch The Walking Dead? Do they want to take a shower? Do they want to eat something? If so, be clear. Vanilla or chocolate ice cream? is easier to answer than Is there anything you want to eat? Always ask for permission, but give permission, too. Permission to be sad, to be angry, to be sleepy or bored. To be something other than dying. To die.

Ask about privacy and confidentiality, favorite foods, how they want the room to be set up. Lights up, or down? Door open or closed? Music on or off? Agree on a signal for ending the visit. Know when to leave. Know when to be quiet.

You have to be honest with the dying person, but above all with yourself. There is nothing else worth doing here. Honesty is generosity, because when you are honest, you offer what you can truly give. Be honest about your own emotional state, without burdening the sick person. Resist your own impulses, your need for consolation, your wish for power, your urge for denial.

Know your limits. You have to grieve, and that means you have to go away sometimes. If you are hungry or need a rest, take care of yourself. If you’re anxious or worried, admit it. (Just don’t ask your friend to fix your feeling.) There’s a tricky balance between keeping your feelings in check and being authentic. You may try to downplay things, especially tears and anger, but you don’t have to hide them completely. On the other hand, you may be surprised by jealousy, irritation, and loneliness, and these are really yours to sort out elsewhere. Don’t say: Why didn’t you call me first? Why did you tell her before me?

Knowing these things is half the battle. The other half is watching and working with what happens.

A person who is ill may try to trigger your reactions. People may be testing whether you can handle talking about a difficult subject. Good listening goes a long way toward showing acceptance, and so does an open posture. Don’t stand over a person in bed or bustle around when they’re talking. Settle down, relax, keep your posture open, and try not to touch or soothe the difficulties away. You might feel a powerful urge to soothe painful feelings, to cover up. Don’t change the subject.

If there is a topic you absolutely cannot discuss, make that clear. Can you be still while a person cries? Don’t put a person in the difficult position of upsetting his caregiver. Don’t hide all your feelings under a bushel, but be a grown-up and manage your grown-up pain.

A person overwhelmed with illness may displace difficult feelings and shift attention away from the problem she is afraid to face. The big problem at hand. The ego is often about seven years old and prone to distractions when uncomfortable, like a kid who spills his milk just as you ask whether his chores are done. Adaptation takes many forms. Some people rationalize destructive behavior, ignore consequences. Some people will regress under stress, reverting to behaviors they used when they were much younger, refusing to take responsibility and looking for another person to act as the adult. There’s nothing inherently wrong with that; we all like someone else to be the adult sometimes. Just notice if it’s a pattern, and be careful. Watch the urge to become parental under stress, to take charge and try to manage the situation. Taking charge protects you from having to feel hopeless, but may not be what the person really needs.

Balance affect. If the person is hurried and talkative, you can speak slowly and listen. If they are withdrawn, you can start by doing the talking. If they are pacing, sit still. Notice incongruence. Is the person smiling while they tell a sad story? Are they clenching their fists while they say everything is fine? Dying tends to create incongruent feelings. You don’t have to challenge this. The person is working things out. Just be congruent in yourself. Don’t be afraid to cry a little sometimes; that’s congruent.

One way I might manage the hardest parts of being sick is to intellectualize my feelings. Perhaps I talk about the kind and brand of walker I want and ask you to check on prices. But I never say how it feels to need a walker (or a burial shroud). I may complain about how long it takes you to bring me lunch because I don’t want you to notice that I need help getting up from my chair. I don’t want to notice it, either. If I get angry at you for being late, I can briefly forget how it feels to need your help in the first place. Humans deflect when things hurt, and we are quick to project our struggles onto other people, using another as a kind of surrogate. I may talk about how Uncle Mario needs to use a walker now. I’m not just distracting you; I’m also testing you. I’m learning important information about how you feel about people who need walkers.

What not to say: Don’t talk like that. Let’s just talk about something happy. One of the most common ways we defend ourselves is by denial. We may simply deny what we’ve been told is true. Things not to say: My mother’s biopsy was negative. You look fine. Are you sure you’re sick? Denial is normal, but notice your own. A dying person may deny the truth for a long time. How often do we deny another’s denial? How often do we try to drag a person to the place where we think they should be, instead of meeting a person where he or she is? This is where open-ended responses help so much. Reflect on what you hear. Ask for more detail. Ask for what it means. Listen. 

♦

From Advice for Future Corpses by Sallie Tisdale. Copyright © 2018 by Sallie Tisdale. Reprinted by permission of Touchstone, an imprint of Simon & Schuster, Inc.

Thank you for subscribing to Tricycle! As a nonprofit, we depend on readers like youto keep Buddhist teachings and practices widely available.

Sallie Jiko Tisdale is a lay dharma teacher at Dharma Rain Zen Center, and a dharma heir of Kyogen Carlson. She is the author of Advice for Future Corpses (and Those Who Love Them): A Practical Perspective on Death and Dying and The Lie About the Truck: Survivor, Reality TV, and the Endless Gaze.

[ruminate88]

When You We’re Labeled As a Kid In School:

okay so, the difference between a label and a diagnosis??? Apparently a diagnosis is more of a “condition” and a label, is more of a “general term” or “description” ?????

EITHER WAY, I didn’t test very high in the 1st grade so by the 2nd, they “labeled me” with both a learning disability AND A.D.D (minus the Hyper part) but I was hyper at times just that my dad constantly yelled at me to sit down and shut up!! 😝 I wasn’t allowed to act all crazy silly when he was around. Only my mother would let me be more my authentic self but even then, she was strict at times.

Especially when I was around other adults in the 90s, they don’t let you just act out all crazy….. BUT it led me to feel I have to hide and can only show my “crazy side” when I feel 110% safe. IT HAS BEEN A HOT MINUTE since I felt that safe with ANYBODY!! Truly since I left my best friend Lori. 😩 (that’s a separate story)

My parents also pushed against the labels on me and tried to treat me normal as if nothing was wrong with me BUT I KNEW I felt less than and excluded in school. I only ever felt smart when I was in music class. 🎶 After I became homeschooled, my focus was on taking care of my grandmother and bro’s kids. At that point, I only felt stupid when I HAD to learn something new or somebody would make a comment against me being homeschooled… often people are cruel and judgmental of that.

Needless to say, I tried SO HARD not to wear that label or let myself get down about it. It was a sensitive topic for me and I often struggled to tell people because I would get embarrassed but I taught myself how to make websites and I began to write songs and fan fic. I wrote a 5 book series on a celebrity once 😳😳 LOL so… yeah, I tried to make myself believe I’m smart with English and writing. Not crazy about math but I can do basic math. What more do you need in life?

By choosing not to let the labels and judgements define me, just let it be part of my story, I realize that you can overcome anything!!! Same with healing these emotional wounds. It sucks to think my exes chose to hurt me seemingly without a care. Don’t know their hearts and I’m not there judge BUT I can’t let their impact on me get me too down. It’s easy to think I’m broken or damaged because of them BUT I’m not. Only wounded and healing every day ❤️‍🩹 I faced suicide and depression the whole time I was talking to them. I STILL chose not to let that be my “identity”. I’m a person beyond the labels, the mental battles and the judgments!!

ONE DAY AT A TIME I am growing, learning to be resilient and love myself 🫶🏻❤️‍🩹 I know my exes seemed to be selfish but that doesn’t mean they “love themselves” but I hope they do and I hope they overcome ALL their struggles and can finally feel “good enough”!

[sajaffery]

3...

i have to come up with a different proverb. maybe a new one. this is harder then i thought. but im really enjoying doing it. it feels like a wrting exercise. shit! it is a wrting exercise and i hate those. i absolutely hate them because they feel gimicky and unimaginative. but i came up with this on my own. so is it unimaginative? wait isnt there something called free association writing? is that what im doing right now? im not sure. i dont think youre allowed to think in that you’re just supposed to write and write and write and write. but how can you write without thinking? okay charger has been plugged back in and i can stop and think again. full disclosure by the way i am cheating to a certain extent because i keep editing every fifth mistake i make. im still leaving a lot in there to make this feel authentic. i felt like adding an emoticon there. cue self loathing. but no wait. old white men dont like emoticons do they? that good we like that. but young white girls do like emoticons. and justin bieber. dont know which way to turn now. lets move on. and i’m blank. i cant get justin bieber out of my head. good thing its not young white girls because that would be creepy. andd liable. is liable the right word. i want to google but i cant. new rule! no googling allowed. just train of…no no no. we cant use that either no trains allowed. old white men use trains. river of thoughts? cheesy. to similar to stream of consciousness, which isnt so bad because Virgina Woolf is a dead white woman. and i hate to love joyce. Love Dubliners. Love the idea of Ulysses, despite never getting past page 50 and not understanding what the hell happened in the forty or so pages i do read. except a young jesuit was or wasnt shaving. no word count either. new rule. im always checking word count to make myself feel good but we wont be doing that anymore. but i cant do this in the mornings anymore. not when i have to write. i mean seriously write because i would like to get published one day. read my name on the cover of a book. a hardback thak you very much because i do still love those (dead white men be damned) even if i dont particulalrly like paying for them. 15.99 for a book is ridiculous. especially when you can get it for 1p plus shipping costs in a few months time. i just cheated again. i deleted a whole paragraph i dint like anymore. its just felt repetitive like i was just telling you the same thing all over again in different word. filler. and we don’t like filler. its something EL James would use. i’m so glad EL James has become the by word for bad literature. she fully deserves it and im not just saying that because shes made a shit load of money. it does help though.it also helps that everyone seems to know who she is. James Patterson is equally shit, actually hes a different kind of shit. those alex cross books werent too bad to begin with. they certainly made good movies. anything with morgan freeman is a good movie. i hope if god does exist he does look like him. i wouldnt mind listening to him for all off eternity then. but then he started buying up unpublished manuscripts, polishing them up and printing them as his own with the real author getting a co-write. that fucking pisses me off. and he has the nerve to defend it by saying that he’s helping young unpublished authors. no you’re not asshole youre just printing money and using struggling authors just like every other arsehole looking to make a quick buck is. but you cant badmouth patterson because most nonreaders don’t know about him. but everybody knows EL James. god bless anal beads. okay im back. its the same day but i just posted this went downstairs to make some more green tea and came back up to add a little more to it. had two slices of chocolate cake too. i thought i was eating more because i was having a hard time writing but apparently i just like cake. and stuffing myself to point of explosion. edited slices and explpsion. there must be a way to switch off the squiggly lines that come up while im wrting this. typing. i’m only typing this.

[blindbeta]

Blind / Low Vision Person’s Review of “Blind” by Rachel DeWoskin and Why Writers Should Not Underestimate the Benefits of a Sensitivity Reader

[Content warnings: spoilers for the book. Ableism. Brief mention of an accident involving eye trauma. Mentions of suicide. Stereotypes about blind people. Also this review, because I focused on the portrayal of blindness, comes across negatively. Please know that I have no hate for the author and might even read another book she wrote. However, I did not like the way this book portrayed blindness and, as difficult as it is, I wanted to be honest in my review.]

I struggled with the title, and I’m not even sure benefits is the appropriate word. What I want to convey here is not Brought to You By Big Sensitivity Reader Company vibes, but more This Book Was Not Good and It Needed a Sensitivity Reader Very Badly vibes.

Blind is about Emma Silver, a high school student who goes blind in a traumatic accident. Here is a good summary and review by a blind person. I listened to the audiobook, which was narrated well. I’ll start by saying this will only be a review of the portrayal of blindness — I’ll try to leave my other opinions out just to keep things focused.

Unfortunately, focusing on just blindness means that it will not make this review more positive, because this book is about a blind girl recovering from going blind. In a way that is both inauthentic and swerves well out of the author’s lane. I say that because, as I hope will become apparent, this book consists of main character Emma being sad about being blind for the majority of the book. The book doesn’t simply have a character who goes blind. That is the main character’s entire arc.

This is a long review. However, I believe it will be invaluable for my readers and anyone who is interested in writing a blind character. Because this book passes most of my minimum standards for writing blind characters and was still lacking due to many factors, including stereotypes. I included many sub-headings so you can find specific topics easily.

Helpful Links

I include these links in the review. I’ll list them here for easy finding.

Here are two reviews of the book by blind readers: one and two.

Here is a video of the author talking about some of research she did for the book.

Here is my post Things I Want to See More Of / Less Of.

Here is my post about writing a blind character adjusting to being blind and being all sad about it when you aren’t blind yourself.

And finally, here is the post I shared that lists misconceptions about blind people.

The Author

The author, Rachel Dewoskin, is not blind. I did as much research as I could, but even if I hadn’t done so before reading the book, it was obvious she wasn’t blind herself. There are too many inaccuracies and offensive moments. This becomes a problem not because her MC was blind, but because she told a blind person’s story and used tropes in ways I think would be better off written by a blind person. If I’m going to read a story like this, I don’t want to read it from the perspective of a person who isn’t blind. When I get into the details of what went wrong, I hope you’ll see why.

Did the author do her research? Yes. The author met with blind people, clearly researched assistive technology and cane skills, and even taught herself contracted Braille. She talks a little about it in this video.

In fact, I wanted to say I am so impressed and grateful this author immersed herself in things like Braille and cane skills. None of my followers have shared that they went to a Lighthouse For the Blind or taught themselves to read Braille or spoken so passionately about why they loved it.

But sometimes research falls short. Or it is simply not enough.

That’s why I’m writing this review. For you writers writing blind characters when you aren’t blind. Because while the author clearly had good intentions, while the author clearly did her research and put in the time to learn and listen in ways I don’t think many of my followers have yet — the book was not authentic enough for me.

This book needed several sensitivity readers. If it had any, I would be surprised.

The Cover

The audiobook seems to have Braille on the cover, but I can’t tell if it is accessible or simply a picture of Braille. The cover features the word Blind in white print on a black background, with what seems to be Braille in rainbow colors that also spell out the title. I’ll reserve judgment here, since I don’t know the answer. If the Braille is tactile, then the cover is fantastic.

In the video I linked, the author seems to be holding the hardcover edition of the book with Braille on the cover. I can’t tell if the Braille is actually tactile or not.

What I Liked About the Book

I wanted to list a few things I liked about the book.

1. The main character is Jewish.

2. Emma has a large family full of well-developed characters and realistic portrayals of various ages. Everyone reacts uniquely to her blindness and I thought these characters were all used well. The scenes with Emma and her older sisters as well as the scenes with her mom were really great.

3. Emma gets therapy for her trauma. She also gets training to use a cane. These are annoyingly rare in stories.

4. As I said, the author clearly did her research. This is obvious when reading the book and In everything I found when researching the author after I finished it. I want to give the author praise here. I thought her explanations of technology Emma uses were the most accurate I have seen so far, both in books and when doing sensitivity reads.

What I Didn’t Like

I will start with this: Emma, after a year of learning to use her cane, is still using a cane inside her own house. After a year. This is not realistic, nor does it seem comfortable at all to use a cane in one’s own home. I don’t know anyone who does this and according to the other reviews, I am not the only one who was surprised by this.

Basically, this story would be okay with some inaccuracies. That’s to be expected. The real issue I had with this book was that it uses tropes the blind community generally hates and that the book is literally about !!! a character going blind and adapting. That’s the story. If you remove the blindness and the trauma, the story falls apart.

The author told a story that was not hers to tell and she did so badly.

If you are confused about why I dislike this, please read this post called Writing Blind Characters Accepting Being Blind When You Aren’t Blind Yourself.

What Did The Author Do Badly?

Trauma and Blindness

The story starts when main character, Emma, goes blind after a fireworks accident. Not only is this cliché, but it also tics one of my boxes in my Things I Want To See Less of post. This author wrote about a character going blind due to a traumatic accident. Link to the post.

In telling a story that was not hers to tell, here are some harmful things in the book:

The author does not do a good job of separating Emma’s trauma from her blindness. To be fair, this is difficult and most people don’t know to go about doing so with purpose. There are a lot of times in the book where the fact that Emma is traumatized leads to her saying a lot of terrible things about blindness and blind people that are never corrected or contradicted in the story. Again, if you are not sure why this is a problem, read the link I shared to my post.

Here are a few times this issue came up:

-Emma develops a habit of rocking, which myself and many reviewers know to attribute to trauma, but it isn’t clear if the author thinks blind people rock, as the stereotype indicates. Is Emma rocking as a trauma response or because she is blind? The book doesn’t make it clear. This is a time where authors need to be clear.

-Emma assumed she will never get a job, be kissed, get married, etc, after going blind.

-Emma yells about being ruined due to her blindness. The first two hours of the audiobook consist of Emma complaining about being blind. She mentions never being able to get a job a few times, assuming she won’t be able to work. While blind people do struggle with employment, this is due to discrimination, lack of transportation, lack of accommodations, lack of community support, and other systemic issues.

-Emma calls herself disfigured.

-Emma states she wanted to die. In another part of the book, when a background character we never met, Claire, completed suicide, Emma wonders if she was so focused on Claire because she wondered if she wanted to kill herself too.

-On the subject of the character, Claire, Emma states: “How easy would being gay be compared to being blind?”

This is especially damaging because some people are blind and gay. It also isn’t fair for Emma to compare them and the systemic issues that are faced by blind people and gay people. Emma not only trivializes homophobia, but also decides being blind is worse. For Emma, being blind is the worst thing ever, which is very isolating to read.

There are times where the fact that Emma is traumatized was not only grouped in with her blindness, but where the author used trauma to write ideas about blindness that are ultimately harmful.

This book, if readers of the blog want to read it, should be a lesson on why separating trauma from blindness is important. Whether that means making clear distinctions in the narrative itself or just not writing about a character going blind after a traumatic accident.

Let’s continue the overall things done badly.

Stereotypes and Tropes About Blind People

1. Rocking —

I have already mentioned the rocking thing above, but to reiterate here, not all blind people rock to orient themselves.

2. Touching Faces —

Emma and another blind character literally feel each other’s faces, one of the most hated tropes for blind people. In another scene, Emma feels another character’s face without asking.

3. Where Are the Audio Descriptions? —

Emma compares her life to a horror movie she couldn’t watch. This is a subtle reinforcement of the idea that blind people don’t watch films or television. The book makes no mention of audio descriptions. I suppose Emma and all the other blind characters simply don’t watch films or shows anymore.

4. Supposedly Fake Service Dogs —

Emma gets a dog that is specifically said to not be a guide dog. Emma brings this dog to restaurants and to school. Emma explains that she can get away with bringing her dog because no one wants to tell the blind kid no. This was, as you may be able to imagine, frustrating to read. Plenty of blind people have been denied access to transportation and buildings with a guide dog that is supposed to be able to travel freely. Emma’s blindness would absolutely not be a big help to her in bringing her dog places where it is not allowed. In showing Emma getting away with bringing her dog into restaurants when he is explicitly not a service dog, the author is contributing to a huge myth that prevents actual service dogs from traveling freely. Yes, this is only a book and it probably isn’t falling into the hands of someone powerful — however, it has probably been picked up by a business owner, a driver for public transport, a teacher, etc.

5. Avoiding words like see and look —

Emma avoids words like see and look. She also gets angry at her friends for using such words. At one point, Emma’s friend says something and Emma snaps, “I can’t see”. This prompts her friend to, according to Emma, never make that mistake again. Toward the end of the book, Emma is still avoiding such words.

Here is a list of misconceptions about blind people. Look at #6.

Here is another review of this book that also touches on this issue. The reviewer states: “The strange thing is that I’ve never known any blind person avoiding the use of words like “see” or “look.” Again, I’d hate for sighted people to read this book and think that blind folk all avoid words with visual associations; in fact, the only blind friends I talk to moan about sighted people avoiding the use of such visual words because they think we’ll be offended!”

6. All Blind People Are Apparently Totally Blind —

At one point in the story, Emma attends a school for the blind. Another character, who I think was Emma’s mother, says that the campus is beautiful. Emma makes this remark: “Why bother making a school for the blind beautiful? It’s lost on everyone anyway.”

Wow, Emma, that was rude. This is another example of where Emma’s pain and anger cause issues for readers. If they take this at face value, they may think that blind people don’t notice or appreciate beauty. More importantly, they might also assume, like Emma, that all blind people can’t see. As I have stated many times on this blog, most blind people have residual vision. Not everyone is totally blind. This is why, like beautiful grounds, schools for the blind also have things like stairs with high contrast.

7. Subtle Use of the Idea That People With Low Vision Should Rather Strain Themselves Than Be Blind —

This one was less obvious for me. However, once I thought about it again, I understood what I was reading in this character. There’s a rather outgoing character named Seb whose personality is very refreshing in this story. Seb attends the school for the blind with Emma. Seb has low vision.

So Seb wants to get a job. Remember how Emma was afraid she wouldn’t be able to get a job now that she is blind?

Instead of showing Seb getting a job to prove that idea wrong, he knows he has to conveniently not mention being blind when he applies, showing up in sunglasses and without a cane. The book states he worries he wouldn’t be able to fill out the application.

Here is what the book states:

[Quote] “He got hired without telling any of the guys who ran the place that he wasn’t sighted; I know because he had confided in me and Dee the week before that he wanted the job—if friend worked there and said they had an opening—but Seb was worried he wouldn’t be able to fill out the application. So he showed up one night before closing time, wearing sunglasses and not carrying a cane, and asked all casually if he could grab and application and bring it back the next day.

And he spent all night filling it and brought it back the next day. He didn’t mention that he was blind or that the application had taken six hours to finish with the help of his sighted brother.” [End quote]

Seb has no obligation to reveal any personal information to them. If he wants to fill out the application on his own time, in a way in which he feels comfortable, that is fine. However, the book implies he thought he would not be hired if they knew he was blind. Rather than talk about the employment discrimination that is such a huge problem for blind people, the book decides to skip over this. And rather than address Emma’s fear-based expectation that she will never get a job, presumably because she doesn’t think blind people can do anything, the book ignores it.

Seb getting a job, especially in this way, does absolutely nothing to assuage Emma’s fears. Or challenge any possible low expectations the readers may have.

Seb fills out the application by himself and it takes six hours. Six. Hours. His brother also helps him eventually and it still takes that long. No one I know, even with intense internalized ableism, would sit there for six hours doing something like that.

Seb should be using a magnifying device or a scanner app. There is tons of technology out there for people with low vision and the author chose to include absolutely none of it in the book. Instead, she chose to show a character struggling for six hours without exploring his reasons for doing so. Does he do this because of internalized ableism? If yes, how can the same character tell Emma the school will get rid of her “Poor Blind Kid bullshit”?

Now, in some families and some cultures, it would be more appropriate for a family member to help. However, the author tells us nothing more about Seb’s culture, his family life, or his motivations. I assume he did not ask for his brother’s help until later, because I can’t fathom why having a family member help from the start would take six hours.

Why is a character doing this in a story that is supposed to be about adjusting to blindness? Clinging to his remaining vision instead of using a few adaptive tools to make things easier on his eyes hardly makes him a good role model for Emma. Why is a character modeling independence in this specific way? In a way that tells Emma that it is better to struggle with a little vision than to be totally blind?

This is reinforced when Emma says some kids, including Seb, pass well. This is something that cannot be given nuance unless it is written by someone who experienced it. Otherwise, the story shows Emma over and over again that being blind is bad. Undesirable. Which is ableist.

Do people struggle with this? Absolutely. Did the author write it well? No.

And Here Are a Few Things That Could Have Been Done Better

In this section, I wanted to go over things I thought could have been done better. They aren’t necessarily harmful, but I wanted to mention them.

Sunglasses

The main character wears sunglasses when she goes out. This is likely because she has a scar she feels self-conscious about, but this is still a big stereotype that the author could have taken more care with.

O&M Issues

So Emma has someone come around to teach her orientation and mobility, which was nice. The author put in her research here as well. However, the instructor leaves after a time, which seems odd. Rather than work with her around her schools or other locations, he decides she has learned all the basics. I received O&M training until university.

Now Let’s Examine The Blind Characters vs Tropes

In this section, I want to go over the biggest tropes in the stories structure, the number of blind characters, and what I normally advise to get around these issues. We’ll see how this advice compares to how the book turned out.

So, the things to look out for are:

-tokenism

-blind characters going blind through trauma

-blind characters being sad about being blind

Examining Tokenism

Emma is not the only blind character. The blind characters include: Emma, Sebastian, Dee, and Annabelle. I normally say to have one other blind character at minimum. The book meets that requirement.

Examining Blind Characters Going Blind Through Trauma

I also normally suggest avoiding characters going blind through trauma, especially main characters. If the writer would like to go ahead with this, I normally suggest 2 or 3 other blind characters who didn’t go blind through trauma. With 2 as the minimum. I admit, I prefer the main character not to be the one going blind through trauma, simply because the main character has so much power in the perception of the reader.

Let us examine each character.

Emma - went blind through a traumatic fireworks accident

Sebastian- unknown

Dee - unknown

Annabelle- went blind through Retinitis Pigmentosa

On the topic of Dee and Seb, Emma does mention they may have better hearing, which she claims you only have if you lose your sight before the age of ten. We can guess that Dee and Seb both went blind in early childhood or were born blind, but we aren’t sure. What I want here is explicit confirmation that other characters didn’t go blind through accidents. We only get that with Annabelle and her RP.

Not only that, but the other blind characters are not in the novel as much. Annabelle only shows up at the end, seemingly as a way for Emma to help another recently blind person to show how she has developed. Seb and Dee are only in a few chapters, mostly as flashbacks. They don’t get much backstory or development either.

However, it fills my minimum requirements, so I’ll let it pass.

Examining Blind Characters Being Sad About Being Blind

This is literally Emma throughout the entire book. Until the last few chapters.

Annabelle has a similar, shorter arc, although she is only 9 at the time. Annabelle comes in near the end of the book.

It is normal for people to need an adjustment period, particularly if they are young. However, to have the entire book consist of Emma being sad and having trauma focused mostly on her blindness is not something I’m okay with. Especially because, as I wrote in this post, it can leave non-blind readers with a very negative impression of blindness. Again, why would I want to read about this arc from an author who isn’t blind? Why make the entire book about adjusting to blindness?

Anyway, then we have Seb and Dee.

There characters were refreshing in this story, which is mostly Emma being sad and angry.

Dee doesn’t seem to be sad, but we don’t know much about her. She does seem well adjusted and laidback. She and Seb go skiing, so that’s something.

Sebastian gets a little more attention in the story. He does tell Emma the school for the blind will knock the “BPK bullshit” or “Poor Blind Kid bullshit” right out of her. I thought it was funny. Sebastian also has a big personality and interests outside of moping about being blind. He enjoys skiing and, according to Emma, he would have no problem with presenting on the Lighthouse For the Blind in front of people who aren’t blind, unlike Emma, who struggles with calling attention to her blindness. Which I can understand, what with the awkward questions her sighted classmates give her.

However, Seb also has an issue with hiding or fighting against his low vision in some parts of the story. If Sebastian were the main character, I could understand some of the things he does. However, this does not go well at all with Emma’s arc.

Anyway, Seb and Dee don’t get nearly enough time in the book for me to feel 100% comfortable using them as exceptions.

How Would a Sensitivity Reader Help?

If I were doing a sensitivity read for this book, I would suggest including more about Seb and Dee and the school for the blind. I would have explained that the way the story sidelines them shows Emma is not okay associating with her blind friends. I would have asked for more backstory, more contrast between them and the main character, and possibly a few more blind characters Emma met at the school for the blind.

If the writer was insistent on having Emma go blind in an accident, I would have suggested reducing the time she spent depressed and shifting the focus from her blindness to her traumatic accident. I would have had the author work harder to separate the two, even if it took Emma a while to do so. I would have also suggested reducing Emma’s remarks or have them called out. For example, her comments about not being able to get a job or beautiful schools being lost on blind people. Sebastian would have been excellent in this role.

I would have worked with her to either get rid of or subvert the list of stereotypes. Most of them are easy fixes.

I would have told her blind people don’t use canes in their houses. I would have given suggestions for assistive technology for Seb to use. I would have helped her with the section on trauma and blindness, reducing or erasing a lot of the issues I included there. I would have suggested giving Emma an arc that isn’t entirely about adjusting to blindness, even if her story starts with going blind.

I probably would have seemed nicer about my feedback because the author still had opportunity to make changes.

The author could have done more research on stereotypes and cane usage, but I think there is an important lesson here about the benefits of sensitivity readers.

In the end, a sensitivity reader would have fixed most of the problems in this story, despite the amount of research the author did. Research cannot always teach you everything and that is where a sensually or authenticity reader comes in. Moreover, there is a certain respect in involving communities you are representing. In paying them in money or exposure. In listening to their voices and respecting what they say. If the author was willing to learn Braille and sit with blind people to learn about canes and technology, why did she stop at getting sensitivity readers? Why does it feel like she didn’t want to include the blind community in any meaningful way?

I hope this helps someone.

-BlindBeta

[indepth-mbti]

This might be too specific, but as someone who’s believed themselves to be INFP their entire life, I’ve noticed the more I study cognitive functions that I generally prefer the feeling and intuitive functions over thinking and sensing. Since I’m an introverted intuitive type, I still find myself using Ni a lot. How do you tell if you’re genuinely a mistype, or if you simply have a well developed function that may not be in your stack?

Specifically, I’m starting to wonder if I may be an INFJ, which I know can seem absurd since it doesn’t share a single function with INFP, but it’s difficult to tell when I struggle to identify my thinking and sensing usage. My Fi, Ni, Ne and Fe are very apparent. I also find myself using Ti and Si more often than Se and Te. I find that the more I learn, the harder it is to objectively analyze myself. Sorry if you’re not really doing these kinds of asks, but I thought it’d be worth asking if you have any advice on the topic of self typing.

It's okay to be confused. I've been studying this theory for like 6 years and Fe and Si were hard for me to understand. Sometimes I think I won't ever truly understand high Fe users.

Most NF types have a hard time finding out their true type because they focus too much on their idealistic tendencies and are unable to sort out how their Ne+Fi emulates Ni or how their Ni+Fe emulates Fi.

What will help you to know if you're an INFP or an INFJ is to actually understand that cognitive functions are dualistic. Fi goes with Te and Ni goes with Se. This not only applies to the cognitive stack, but it also affects the meaning of the cognitivie functions. What does that mean? That you can't understand Fi without Te. What do you mean when you say that your Fi, Ni, Ne and Fe are very apparent? An apparent Fi always goes with an apparent poor/low/clumsy usage of Te. Fi doesn't make any sense without Te. Fi orients the cognition towards subjective and personal sources of feelings, its judgment is personal and they trace a strong bond with the decisions they make; Fi also desires independent and authentic self-expression, so they understand reality and the system as something separated from their individuality and their values (Te - objective structures of reasons).

And this applies to all 8 cognitive functions. Don't study functions as mere definitions; study them as a dualistic combination of patterns that explain how you process the outside world. There's always a pure relationship with the outer world (extraversion) behind how you're internalising your subjective impressions of it (introversion).

If you think that you also use Ti and Si, maybe your problem here is that you don't know how to properly spot your extraverted functions (which is a common problem in persons who lead with an introverted function).

I want to point out a thing you're saying here: you say that you "use" functions and that they appear to be "developed". It's hard for me to know if you're really using these cognitive patterns or if you're just analyzing your behavior and trying to make it fit the definition of Ni. But I want to add that we don't simply "use" functions; that functions are not buttons that we click on to do certain things, and of course "usage" doesn't mean development. Development doesn't occur naturally; it requires conscious effort - yes, even with the dominant function, nobody is born with a developed cognitive function.

[cuddlepilefics]

Hug me again, I don't feel good

Fandom: Stray Kids

Sickie: Jeongin

Caregivers: Stray Kids

Prompt: Fever @sicktember

No one’s POV.:

Stray Kids members always tended to drown their maknae in affection and although he always pretended to hate it, Jeongin secretly liked it. As long as the didn’t undermine his independence that is. Him pretending to hate their hugs, led to the members toning it down a bit, only going full out when they were in a teasing mood and felt like going on their youngest’s nerves. Today they had had to get up early, having a packed schedule ahead of them and not having slept much, the mood ranged from sleepy to grumpy. Jeongin certainly fell into the latter category. He wasn’t usually moody when he was tired but when he was woken up this morning, he felt more exhausted than he had when going to bed the previous night. As soon as they were in the car, he leaned his head on Hyunjin’s shoulder, dozing off again. Considering it was a rather long drive, most of them were trying to get a few more moments of shut eye. Their day would start with a photo shoot, followed by an interview and an afternoon of dance practice. To say Jeongin wasn’t looking forward to it would have been an understatement. He didn’t mind the photo shoot, which was comparably the least tiring activity of the day. The interview wasn’t too bad either but he really dreaded their dance practice, feeling too tired to move. Maybe he’d just need to wake up properly and he’d feel more energized over the course of the day.

While they took turns getting their make-up done, the group slowly started to come to life more. Chan had had his second coffee of the day, making the mistake of getting Felix one too, who was now going through a variety of fortnite dances and hyping Jisung up. The rapper didn’t even need coffee to go crazy, merely someone else he was sharing a braincell with. Together the two tried their hardest to get a reaction from Changbin by annoying him but the older kept a straight face, simply ignoring the pair. At some point, even Chan joined them. Minho and Hyunjin had originally started planning their dance practice but had soon gone over to teasing each other, which escalated to Minho threatening his dongsaeng. Seungmin and Jeongin really seemed like the most normal ones in the group. On other days, Jeongin might have joined his hyungs, having fun and fooling around but today he just couldn’t seem to shake his sleepy haze. Maybe he should get himself a coffee too, since it seemed to have worked wonders on Chan and Felix. Unfortunately, the photo shoot started before Jeongin had the chance to get coffee but the boy pushed the thought away. Busying himself would certainly do the trick too.

The photo shoot didn’t go as well as Jeongin would have liked. Usually, he had no issues with the bright lights surrounding him but they sure made the temperature on set toasty. The maknae was sweating much more than he was used to during photo shoots, even having to get his make-up retouched multiple times. This wasn’t like him and it was humiliating. The staff already clicking their tongues at the boy constantly needing his make-up fixed. Aside from the humiliation, Jeongin felt plainly disgusting with his clothes sticking to him. As his mood was dwindling, his discomfort became more apparent to himself and to the photographer, who kept reminding him to smile authentically. How could he smile authentically right now? He was sore from exercising the previous day, he was burning in his skin, his clothes stuck to him and pretty much everyone on set was annoyed with him. No, smiling seemed like the least thing he wanted to do right now, yet Jeongin always smiled. Maybe not as convincingly as usual but he smiled.

The more time passed, the more the hectic surroundings were getting to him. He was pretty much melting in the thick clothes and was slowly developing a headache, with how bright everything was. The flashing lights were worse though, leaving him feeling disoriented as he tried to follow the instructions given to him as fast as possible in hopes of getting things over with. Sweat was beading his forehead but instead of sending him to get his make up retouched once again, the photographer decided to take a few last pictures, which he’d edit later on, before releasing the boy back to the waiting area. A few of the members still needed to get their individual shots taken, so it was rather quiet back there. Jeongin debated removing his make-up completely but he didn’t want to bother anyone to put another full make-up on him for their interview later. This wasn’t his first photo shoot, so why had he been struggling so badly? In a matter of minutes, the smile he had plastered on, faltered and a single tear trailed down his cheek. Then another. Pursing his lips, Jeongin tried his hardest to calm down and hold the tears back. He didn’t want to mess up his make-up even more. The harder he tried though, the harder it got to keep it together. Yet he only allowed himself tiny, quiet sniffles after already being a burden to so many people so early in the day. He just wanted to be professional.

His efforts were in vain though, when Chan entered the waiting area after finishing his shots. He knew his dongsaeng well enough and calmly went over hugging the younger. “What’s up?”, the leader hummed, taking a step back when Jeongin tensed in his arms. The maknae was already sweating and he didn’t want to be touched, feeling as disgusting as he felt at the moment. “Frustrated”, Jeongin muttered, avoiding eye contact with his hyung, “was holding everyone back with how often I needed to get my make-up fixed.” – “It’s alright. Don’t worry, everyone who’s stood under those floodlights will understand. It does get toasty there sometimes”, Chan assured. He knew he’d probably feel the same if he was in Jeongin’s position, so he made a mental note to make sure the boy wouldn’t get teased for it. The maknae had already accepted that crying had ruined his make-up beyond what could be fixed and accepted the make-up wipe his hyung handed him. Still sniffling quietly, he scrubbed at his face to get it all off. He already contemplated what to tell the staff, who’d need to reapply everything for their interview earlier. At some point, he had managed to pull himself together but still looked a bit gloomy, besides, his face had taken a flushed pink shade, probably from how roughly he had rubbed it. Handing him a bottle of water, Chan sighed: “You feeling better now?” Jeongin shrugged. Did he? He was still just as hot as he had been previously and his head still hurt, through he wasn’t as disoriented. It was nice and quiet now, there were less people and it was less bright, so he had probably just gotten overwhelmed earlier. “I think today’s just not really my day”, he pouted, “I feel like I still haven’t managed to wake myself up and my head hurts from all the chaos.” – “Should we go and get you some coffee? Might at least help for the interview”, Chan offered, “Come on, let’s get out of here for a bit.”

Chan took his dongsaeng to a coffee shop nearby. They could have gotten coffee somewhere closer but he wanted to give the younger some space from their work environment. Jeongin however shuddered the moment he stepped foot outside the building. It wasn’t cold outside but the temperature change messed with his body. The maknae didn’t even notice how he started to walk progressively closer to Chan till the older wrapped an arm around his shoulders, asking: “Are you cold?” Jeongin shook his head but was betrayed by another shiver running down his spine. ‘That’s odd’, Chan noted but decided not to point it out. Instead, he just let the younger stay as close as he wanted. That proved to be of great help when Jeongin stumbled, tripping himself and only being saved the fall by the leader’s arms around his middle. “S-Sorry”, he laughed shakily, already tearing up again. “No, it’s okay”, Chan assured, moving away when the younger regained his balance. That resulted in a whine from Jeongin, who moved along, leaning against the Aussie. “Innie, what’s going on?”, the leader frowned worriedly, confused by the maknae’s behavior. Realizing his actions, Jeongin straightened up and mumbled: “Dizzy.” Why couldn’t the other hug him again? It was exactly what he needed right now, with how upset and cold he felt.

From that moment on, Chan kept a very close eye on Jeongin. He really didn’t seem to be himself today. After they had gotten coffee and returned to the venue, the youngest had gotten comfortable against Felix’ side, who absentmindedly ran a hand up and down the younger’s back. Felix noticed how damp and sticky Jeongin’s shirt still was and offered him to get changed into a fresh one. “No, don’t want to take it off. I’m cold”, the maknae protested, catching most of the members’ attention. Shaking his head, Felix sighed: “Yeah, no wonder you are cold. Your shirt is wet. You’ll feel warmer in a dry one.” – “Hyung, can I have your hoodie?”, Jeongin pouted, giving Hyunjin puppy eyes, who was quick to give it to him. By now, all of them had caught on to their youngest acting weird but could they blame him? They had slept so little, none of them could possibly be in their right mind. At least Jeongin seemed satisfied, pulling the long sleeves of the dancer’s hoodie over his palms. Knowing they’d have the interview next, they all filed into the van.

As soon as they were settled, Jeongin cuddled into Minho’s side, the dancer sitting next to him taken a back. It wasn’t usually Jeongin initiating the skinship but that didn’t mean he minded it. Smiling softly, Minho played with the maknae’s hair and studied the younger’s face. His closed eyes seemed a bit puffy, brows furrowed while sweat beaded his forehead and a small droplet dripped down his temple. Not knowing whether the boy was awake, Minho didn’t dare ask Chan if anything had happened while they were gone. Instead he just decided to let the boy rest on him. Looking up, he met eyes with Jisung, who seemed to think the same. Something wasn’t right. When they arrived, Minho went ahead to talk to Chan, leaving a sleepy Jeongin in his seat. Jisung had stayed behind to wait for the younger, linking their arms but still lagging behind. “Is everything okay, Innie? You seem off”, the rapper asked quietly. At this point, the maknae didn’t feel like keeping up appearances anymore and hesitantly admitted: “I kinda feel off.” – “Are you sick? You know we could let you sit out if you’re sick”, Jisung frowned but his dongsaeng was quick to shake his head, muttering: “I don’t think I am. Probably just slept too little and don’t feel like myself.” The older nodded thoughtfully as he guided Jeongin to get his make-up done again.

Jeongin was the only one needing his make-up done, which gave the rest of the group some time to talk. “He isn’t usually that clingy and he just admitted to feeling off”, Jisung informed and Chan nodded, sighing: “He was really emotional earlier and after almost falling over, he said he was dizzy.” – “Don’t you think he might just be tired? He does tend to get more affectionate when he’s tired”, Hyunjin mused looking at Jisung who had talked to their youngest mere minutes before. Nodding, Jisung pointed out: “He doesn’t think he’s sick and told me he slept to little but I need, who hasn’t? Yet he is the only one that out of it.” – “He seemed to be in pain when we drove here”, Minho disagreed, looking at Chan worriedly. The leader shook his head and sighed: “Let’s just wait, I’m sure Innie would talk to us if something was badly wrong.” Not feeling satisfied with that, Seungmin slipped out of the room, to check on his only dongsaeng privately. He quietly stood in the doorway, watching the younger doze off in the chair. “Do you feel alright, Jeongin-ah? Your face feels really warm”, their make-up noona asked, carefully applying a thick layer of concealer under his eyes to cover the lack of sleep. Jeongin smiled a bit and hummed: “I think the bright lights at the photo shoot heated my skin up a bit. I’m okay.” Seungmin however was only more convinced that the younger was not. Especially now that somebody else was sensing something off as well.

When his make-up was done, the make-up noona glanced at Seungmin and smiled before leaving the two boys alone to talk. “Hey”, Seungmin hummed, sitting down next to Jeongin, “How do you really feel? Something’s not right.” That was enough to bring the younger to tears again and he chewed on his lip, desperately trying to not ruin his make-up again. “H-hyung, I -I don’t know”, he breathed. He cursed himself, why did he have to be so emotional today? When he didn’t elaborate further, Seungmin got up and pulled Jeongin into a hug. He too noticed the heat radiating off the maknae and gently brushed his hand against the boy’s forehead, calmly asking: “Can you describe what you feel? Maybe we can make sense of it.” Jeongin nodded and took a few deep breaths to calm himself down. “I-I just feel really out of it, like I still haven’t woken up since this morning although I’ve been up for hours and even had coffee with Channie-hyung. My head hurts since the photo shoot and I keep sweating although I’m not hot at all anymore. I’m pretty cold actually”, he admitted with shaky hands, “For some reason I don’t feel really steady on my feet and kinda dizzy and I’m really sore from exercising yesterday. Could – could you hug me again? I don’t feel good.” Seungmin complied instantly, hugging the younger tightly and whispering: “I think you’re sick, Innie. To me it feels like you’re sporting quite a fever, which would explain why you feel the way you feel.” – “I can’t – I can’t be sick. My stomach feels perfectly fine, so it couldn’t be a stomach bug but my nose and throat are perfectly fine too, so it couldn’t be a cold either. None of this makes sense, why does nothing make sense?”, Jeongin whimpered, getting worked up again. “Shh, some bugs come only with a fever but that doesn’t make you any less sick. Does that make sense?”, Seungmin soothed, running his hand up and down the younger’s back. Sniffling quietly, the maknae nodded. Unwrapping himself from his dongsaeng, Seungmin smiled: “Alright, let’s go to the others and see what we’ll do about it, yeah?”

He pulled Jeongin to his feet too but the boy stumbled as soon as he was upright, crashing into Seungmin’s chest. Luckily, the older was quick to react and tightened his arms around the maknae, holding him steady while they waited for the dizzy spell to pass. Then they walked back to the room where the rest of the group was waiting. “Hyung, Innie’s sick and running a fever”, Seungmin announced as they walked up to Chan. Pressing the backs of his fingers against Jeongin’s forehead, the leader frowned: “You’re burning. Why didn’t you say anything?” – “I-I …” – “Hyung, we pieced it all together just now. He wasn’t aware”, Seungmin explained, reassuringly holding the younger’s hand. Jeongin nodded, face crumpling as Chan pulled him into a hug. “Do you want to wait here for us to finish the interview?” – “N-no, I can do it. They don’t have many questions for me anyway”, the youngest insisted. Minho joined them, agreeing: “We can cover for him, he just has to sit and look pretty. It’d be more frustrating to be dragged here for nothing. Afterwards we’ll take you home, yeah Innie?” – “No, I want to go with you”, Jeongin whined, always hating to be alone when he was feeling poorly. “We’ll see about that, let’s just get this interview over with”, Chan settled, seeing that it was their time to go on stage.

It went quite well with Jeongin just sitting there in silence. When they walked off the stage though, the maknae broke down, the tears he had held back, now spilling over. Felix was quick to pull him to a quiet corner of the room, cooing: “What’s wrong?” – “Do-Don’t know”, the younger choked out, his voice cracking pitifully. “Just really emotional, huh?”, Jisung hummed, running his hand through Jeongin’s hair. He had followed them worriedly, only getting more worried when the maknae desperately tried to pull himself together but failed. Watching him struggle like this really broke their hearts. Holding his dongsaeng tight, Felix whispered lowly: “You can cry, Innie. Don’t suppress and bottle it up. If you feel like crying, that’s alright, we don’t judge.” The younger nodded, hiding his face against the dancer’s shoulder. Giving them some privacy, Jisung went to get changed. When he was done, Hyunjin had already taken a bunch of make-up wipes and traded places with Felix, so the Aussie could get changed too. “Come on, let’s get your make-up off, so you can sleep. I bet you’re tired”, Hyunjin hummed, gently removing his dongsaeng’s make-up. He did his best to make the younger boy comfortable and couldn’t help but coo at how adorable Jeongin looked in his hoodie.

They got back into the car, where Jeongin settled against Seungmin, shivering slightly. Chan carefully hung his jacket around his youngest dongsaeng’s shoulders and smiled when the boy’s eyes closed. With how exhausted Jeongin was, it came as a surprise to none when the calm movement of the car lulled him to sleep. Not having the heart to wake him, Chan ended up carrying the maknae up to their dorm and to his bed. Minho soon followed them with a bottle of water and fever-reducers, which he placed on Jeongin’s nightstand, along with a note to take them later, when he woke up. When the two oldest members were satisfied their dongaseng was settled, they left the room and got ready for dance practice. Jisung plugged the maknae’s phone in to charge before leaving his roommate to get some rest. While Minho and Hyunjin discussed their dance practice, Felix grabbed a few plushies and took them to Jeongin’s room, so he wouldn’t feel too lonely while they were gone. They were almost ready to leave, originally scheduled to head straight to the company building from the venue of their interview, so they were running a little late. Changbin decided to make one last trip to the bathroom, running a washcloth under cold water and taking it to the maknae’s room. When he gently brushed Jeongin’s hair out of his face, the boy’s eyes fluttered open, disorientedly blinking up at the rapper. “Shh, go back to sleep”, he shushed, carefully spreading the cold compress on his dongsaeng’s burning forehead. He didn’t want to mention the medicine because that would’ve probably woken the younger up completely and they had agreed to let him sleep at all costs. Jeongin would find the medicine when he woke up. Hoping he’d sleep through most of their dance practice, so he wouldn’t feel lonely, Changbin promised: “We’ll be back before you know it.” Then he snuck out of the room and joined the others, eager to get their practice over with and back to the dorm as soon as possible.

[ianthe-is-a-bitch-and-i-love-her]

On Education

An excerpt from Memoirs of a Flesh Eater, never published.

Previous Excerpt

Next Excerpt

I think every parent struggles with the question of when they should teach their children hard truths. At some point, every child needs to learn about death. They need to learn about hatred. They need to learn about the horrors people will inflict on them for being different. This is something that is as true for ghouls as it is for humans. For most people, it is a fact of life that someone will hate you for existing.

Human-on-human prejudice is still something I don’t fully understand. At least humans have a reason to hate us. I don’t know why they go looking for reasons to hate each other too.

Educating ghouls is a challenge. We need to know about ourselves, of course. We need to know about our kind - our needs, our history, our ways of moving through human society - but we need to learn everything that humans learn too. The more we can fit seamlessly into the human world, the safer we are. You probably don’t know this, what with how much the news loves a story about a ghoul living in secret among humans, their murders exposed to the shock of their friends and acquaintances, but those of us who are brought up among humans don’t get found out very often. It’s the feral children, the big city packs that still hunt most of their food, the all-ghoul communes, that are easier targets for the exterminators. Those of us that are fully integrated are much harder to sniff out, unless we seriously fuck up.

{Editing Note: Don’t say fuck. Even though it’s a really good word}

The best way to make sure a ghoul can pass as human is to start us young. Get us into kindergarten, then elementary school, and keep going all the way through college. There’s nothing better than hands-on training. That’s what my mom did for me, mostly. I was raised in human society, in the human public school system, and I’ve never had a true close call. I’ve never caught the eye of an exterminator, and no human has ever asked me pointed questions about my habits or diet.

For the sake of completeness, I should say that I was in the human public school system for everything except for middle school. It’s not like that’s a great loss, though - everything I’ve heard about middle school sounds like hell. I don’t know how any of you survived going through puberty in front of all your peers.

{Editing Note: I am not talking about ghoul puberty unless I can find a reliable human to tell me what their puberty was like. If I wrote about something that I thought was ghoul-specific but is actually normal I’d die on the spot. I’d call a fucking exterminator on myself.}

Conventional schooling might be the best setup for success, but it’s also the most dangerous route. Kids talk, and that’s as true for us as it is for you. It takes a lot of work to make a child understand that there are some things you can never tell anyone, not even your closest friends, not ever. It’s not a fun burden to grow up carrying either. I’ve known the fear of death for literally longer than I can remember. I’ve known that letting myself be truly honest and vulnerable with any of my classmates would bring it to me and my parents before the day was over {Editing Note: True vulnerability is what I need now, though. I should find a place to talk about my dad}. It’s more loneliness than any child should ever grow up with. I was lucky; I found Scarlet in 4th grade. There are plenty of ghoul children that don’t find each other until high school, if there are even any other ghoul children to be found.

Some parents decide that the risk is too great. They’d rather have alive children than well-adjusted children, so they homeschool them {Editing Note: Okay, that’s way too harsh. Don’t be biased}. I did get to experience this approach for those couple of years when I wasn’t in middle school, and it does have some advantages other than safety. When I was in public school, my mom had to find time after school to teach me about our people. In a homeschool setting, ghoul studies could actually be integrated into our curriculum. It wasn’t completely asocial, either - ghoul parents often use their Society connections to find other ghoul children that are homeschooling so we can learn together. I met my second best friend, Scorpio, because we were homeschooled together.

{Editing Note: My friends are going to read this. I need to make it super clear that Scorpio is the second best friend I made chronologically. I’m not ranking my friends in front of the entire world.}

Scorpio’s a good friend, but he’s also a good case study for the drawbacks of homeschooling. He was homeschooled K through 12 and he is definitely the worst of my friends at passing. He has no idea what’s normal for ghouls vs normal for humans, so he compensates by either saying nothing or saying the most obvious, outlandish lies you could imagine when childhood comes up in conversation. In his defense, those lies are usually pretty funny, and he does connect pretty well with the right kind of people. Scorpio’s got a bunch of very specific subjects that he knows a ton about and loves to talk about. He and Scarlet can go on for hours about literary theory.

{Editing Note: That’s too meandering. I’m just trying to explain why some ghouls homeschool and some don’t - I don’t need to put my weird friends on blast.}

There’s another kind of formal schooling for ghouls that’s much, much rarer - the ghoul private school. The only one I even knew of, St. Raymond’s, was shut down last year by exterminators. Normally I’d tell you to take the lurid details you hear on the news with a healthy pinch of salt, and I still would, but that many rich young ghouls, completely cut off from the rest of humanity… it’s hard to predict what becomes normalized in that kind of echo chamber.

Fortunately, my patron knows more people than I do, so I have more to offer you than grim speculation. According to her, these kinds of places always have a very small student body, rarely breaking a hundred. The lesson content is pretty similar to homeschool - fully integrated ghoul curriculum, plus a few specialized lessons on blending into human society. Out of necessity, they’re almost always boarding schools. It’s easier to keep a low profile if you don’t have a bunch of ghoul kids not used to hiding going to and from the campus every day.

Apparently, it’s that kind of logistical challenge that makes these schools so rare. Aside from all the money you need to run a school in the first place, and how careful you need to be to pass scrutiny from the Board of Education, providing discretely for the needs of that many ghouls is an organizational nightmare. I mean, there’s a reason that ghoul families are so small, a reason why even our extended households rarely do more than scrape the double digits. There’s only so much flesh that can be safely obtained in one area at a time. There aren’t a lot of ghouls that have the resources and the inclination to put one of these schools together.

There is, of course, one more ways that ghouls are educated - the school of hard knocks {Editing Note: That’s such a trivializing way to put it. Have some sensitivity, me}. Given how short our average life expectancy is, it’s inevitable that some ghoul children have to fend for themselves from a very young age. I doubt it comes as a surprise that most of them don’t manage to integrate into human society very well. The lucky ones figure out early on how to kill discreetly, how to hide their nature from observers, and how to vary their hunting patterns enough to avoid the attention of the exterminators. The rest either starve quietly or die violently.

Most of these feral ghouls who survive to be teenagers eventually find each other and form packs. From a pure survival standpoint, this is a bad move. A group of feral teenage ghouls have a much harder time covering their tracks than they would as individuals, but for most, the chance at companionship is too tempting. It’s miserable, being alone in the world. Packs offer most of them the best chance to escape loneliness that they’ll ever get. And for most of them, it ends in a shallow grave within a year. Putting down a pack of feral ghouls is a good headline for an exterminator, and it’s a lot less work than trying to ferret out those of us who’ve figured out how to pass. That isn’t how the majority of ghouls die, but it’s how a plurality of us do.

For those few feral ghouls that survive to adulthood, their lives take one of three paths. Sometimes they find a patron and fall in with a household, and they do their best to heal from the trauma of their childhood. They do their best to find a happy life in human society, just like those of us who were luckier. Sometimes they become true Hunters, living their lives on the outskirts of our Society; still embraced by us, if only at an arm’s length. I’ll talk more about them later.

And sometimes, they become the Lost. Not that ghouls from any walk of life are immune to that fate, but… I’ll get to them later too. You may not have heard of them by that name, but I guarantee you’ve heard of the Lost.

{Editing Note: That’s a really grim note to end the chapter on. I should play with the structure a bit and find a more uplifting note to leave this subject on.}

{Editing Note: Or I could ask Kestrel. I’m sure she’d have ideas on how to better write the section on feral ghouls, and she could help me strike a more authentic tone. But… I don’t want to upset her. She doesn’t like to think about it, and I don’t want to hurt her. Is this important enough? Would she think it’s important enough?}

[michyreadsthenwrites]

Plain Bad Heroines - Let Me Give You My Thoughts On This (Character Analysis)

**major maaaaajor spoilers ahead**

(Here we begin with the handful of characters from Danforth’s sophomore novel that have found their way into my heart and apparently, this Word document. It didn’t hurt that they were all women that love women. And I mean, they really loved women.)

 ·   Merritt Emmons is easily my favorite character. She’s got that dry, sarcastic humor and air around her that makes it really easy to love her and hate her guts all at the same time. (If she were here, she’d tell us that this was a talent, not a flaw.) I felt personally affronted when characters in PBH didn’t like Merritt, like they were overlooking the diamond in the rough right in front of their faces. Then, like most things, it became pretty clear: Merritt Emmons could be one hell of a bitch at times. But it really only made me love her more. I realized that I identified with her. Yes, about being a queer woman that really fucking loves other women, but also because she was a writer that wanted her writing to stay true to how she wrote it, especially with so many people traipsing all over it and trying to make it into something it’s not. That was where I realized I loved her early on; when she pitched a genuine fit over who was to play Clara Broward. It was something so petty and childish, something so very me to throw a fit in a packed room of professionals when you have no idea about that kind of world and what it demands. But she fought for what she believed in, alright. Until she didn’t. This made me love her some more, incidentally. We got to see Merritt’s character development throughout the novel, and more specifically, we got to watch her bounce back and forth between the person she was too scared to be but wanted more than she could ever admit, and the person she spent twenty long years being; the person she was oh-so-tired of introducing to people. This constant shift between new-Merritt and old, crabby, prickly-Merritt was a very raw and vulnerable thing for us to experience as an audience. Merritt was certainly a lot more refreshing than every one of the overdone-Hollywood-types we became acquainted with within the book. She was mean and arrogant and wildly insecure, yet somehow confident and sure of herself, when it came to her work or her knowledge or anything that had to do with any book written, ever. A walking paradox, that one. Merritt was a good way to remember that real people, not built-and-put-together-by-Hollywood-people don’t always have their shit together, and they can’t always get it together by the end of a novel, albeit a long, six-hundred-page one. I think I’ll cut myself off here, friends. Not that I want to, but I feel we have a lot to get to in these pages, and Merritt Emmons can’t be the star of all of them (lord knows I’d let her, though). To sum it up: Merritt Emmons was the star of this book, for me at least. And I hope for you too. (This means go get your ass over to your closest B&N and buy the damn thing).

  ·   Harper Harper is somewhat of a mystery to me. She was a major character in the story, as well as one of our three protagonists, our three heroines, and yet I have trouble finding her as authentic and outlandish as she tries to come across. What I’m still having trouble deciphering is if this is an intentional character flaw created by our Miss Danforth, or if Harper Harper really has nothing to her besides being completely reinvented and marketed by Hollywood. Even in saying this, I know I have to give Harper credit where it’s due. She’s a proud queer woman in the movie industry, as well as openly queer online and really with just anyone and everyone she meets. She’s known for various flings and love-interests of the week, which is still a gross misrepresentation and stereotype of (masc?) lesbians and how they’re emotionally unavailable and unfaithful, which again is a possibility of the author’s intentional writing, something that we can leave for further discussion. We do get a bit of a glimpse into Harper’s life – her real-life – about how her mother is struggling with her sobriety, how her little brother seems to be caught in the middle of her mother’s messy relationships, and how she really has mixed feelings about how she fits into her new movie-star life. That’s about all we get from Harper, though. And it really is almost enough realness to take away from the fact that everyone else in the world sees Harper as the face of Hollywood, as this thing of beauty and money and badassery instead of a real person. But still not enough. And I could be wrong, friends. I could be pulling all of this out of my ass because Harper Harper is a badass queer woman that took over the movie industry with barely any experience under her belt. Harper Harper took every room she walked into by storm, and she made everybody pay attention to her, and she became the character we had a little crush on, simply because she was that big of a deal. But nothing of substance, not really. Not ever. But perhaps she had been her most real self with Merritt Emmons, in between the quiet pages that we didn’t get to read entirely. Merritt, our dry and arrogant and favorite heroine, had been Harper’s favorite, too. The most credit that I find myself giving Harper is her aid in Merritt’s character development. She brought Merritt out of her shell in a massive way, though at times she did have a hand in driving her back into the said shell. It was flawed, their relationship, which is another authentic Harper Harper insight we saw, as little of it there was. They were hot and cold, on and off, but always so enthralled with each other. And while Harper seemed to have had an impact on Merritt (among other factors), it doesn’t seem like Merritt had the same effect on Harper. I could be wrong and do feel free to correct me, friends, but Harper Harper did not come out the other end of PBH a changed woman. She was not burdened with the weight of a life-changing revelation. She was Harper Harper, as she always was, floating and untouchable, the kind of woman you wished to know, maybe to be, but also the kind you see right through. They’re transparent, friends, that’s what I’m trying to get at here. And they tend to stay that way. And I realize as I’m nearing the end of this, that I sound harsh in my critiques and analysis of Harper. I don’t mean to come off that way, friends, I really don’t. The truth is I love Harper, she’s everything we wish we could be. She’s gorgeous and sought after, can land any girl she wants with the bat of her eyelashes and a lazy smile. But you have to remember, she’s everything we’re not. I can only speak for myself, friends, and I encourage you to speak for yourselves if you find you have anything to add. I never related with Harper the way I did with Merritt’s character, but that doesn’t mean that Harper isn’t a beautiful enigma waiting to be unwrapped. I just don’t happen to be the kind of reader that would know where to begin unwrapping her, if that makes sense. And because I’m afraid it doesn’t, I do believe it’s time to stop with the metaphors and wrap this up nicely for you, friends: Harper Harper is number two on my list of favorite characters from PBH, and that is not something done lightly or by accident. She was one of our three heroines, after all. And a proper heroine she was, friends. Don’t you ever forget it.

  ·   Libbie Packard broke my heart more times than I count, friends. You’ll notice I have kept her maiden name, then. This is intentional, friends, for our Libbie never wanted to be a Brookhants, not really. It wasn’t towards the end of PBH that we learned much of what we now know about Libbie, and how it came about that she had been married (to a man no less!), as well as the very young principal of an all-girls school. Throughout their chapters in the book, Libbie and Alex, her Alex, were seemingly at each other’s throats constantly. There seemed to be a mysterious tension that we as an audience weren’t privy to – but it didn’t stop us from speculating. I found myself drawn to Libbie more than I did her counterpart, and I still can’t point my finger as to why. Libbie seemed sad, right from our first introduction, and Alex always seemed angry and cynical (as a queer woman in 1902, is there any other way to seem?). This might serve as a dual character analysis yet, friends. I’m not sure how much I’ll have to say about our Alexandra Trills, but Libbie Packard deserves a long sentence, or two. You know when something finally clicks into place and you can’t help but just let out a long “ooohhhhhhh”? That’s a recreation of how I looked when I read the explanation of how Libbie Packard became Libbie Brookhants. Learning that she had become pregnant with a baby she didn’t want was mind-blowing enough, and it filled in the blanks of how young, gorgeous Libbie had become the wife of a rich, old, old man. Libbie gave up her child was because she didn’t want to be a mother, and she had originally rejected Harold Brookhants offer of marriage because she didn’t want to be a wife, regardless of false the marriage was. And for a while, Libbie’s new life was amazing; she got to live with her Alex in a beautiful house and became the principal of a promising school. This was the life she’d always wanted. Or was that just what we wanted to believe, friends? Only at the end did we learn that Libbie had rejected Harold Brookhants offer (to live a quiet, queer life with her lover and without the child she clearly didn’t want) because she didn’t want to be tied down; not to Harold, not to anyone. If you think about it, friends, this was exactly the life that she had been living for years to come now. The tension with Alex had much to do with the circumstances surrounding them at Brookhants and the evil that was unfolding before them, but it seemingly had even more to do with the fact that Libbie Packard felt smothered. She was hiding secrets from Alex, secrets that she felt could destroy this already fragile relationship that they had between them. How vastly different it was to read and experience their relationship at the beginning of their love; playful and full of joy, both women giddy with the promise of something new and exciting. To compare that kind of love to the broken, tight-lipped, empty vessel of the relationship they now pretend to have is heartbreaking. And yet, completely understandable. Alex had fallen in love with the Libbie she wanted her to be, not the Libbie she was. Our Libbie wanted to be eternally young; playful and happy, bouncing from city to city with Sara Dahlgren in a sea of eligible bachelors (and bachelorettes!). It was almost a shock to discover that this life Libbie tried so hard to defend and protect was not a life she had ever wanted for herself. Despite this, she loved her Alex and her students, and devoted her life to them. There was that whole business with cheating on Alex with Adelaide the housemaid (don’t even get me started on that broad) but I’d like to extend to you, friends, the fact that I won’t comment on this. Queer relationships in 1902 are definitely not what they are now, complete with century-old curses and dead schoolgirls. Libbie Packard became the 1902-lesbian-headmistress version of our stereotypical bored housewife, stuck in a marriage that she secretly wishes she could be free from. And my heart broke for her, friends, it really did. But she was a heroine all on her own. A deeply intelligent and remarkable woman. Make no mistake, friends. Libbie Packard and Libbie Brookhants differ by more than just a surname. Our young, vivacious Libbie disappeared the moment she accepted Harold Brookhants’ offer, and this is indeed the sad truth of it, friends: Libbie Packard was gone before she could ever find herself. But Libbie Brookhants was our gorgeous, brilliant, queer heroine that never got what she deserved. So, friends, let’s all have a moment of silence for our dearly departed Libbie Brookhants… wherever she is.

·   Alexandra Trills is a character that I don’t know where to begin with. Her end is not one that I saw coming, at least not in the gruesome and deranged circumstances that came to surround it. Or maybe, friends, I just didn’t want to acknowledge the clear downwards spiral that our Miss Trills had seemed to be heading towards. Her steadfast and growing obsession with the death of Florence Hartshorn and Clara Broward was apparent in every page we turned, and the following death of Eleanor Faderman did not aid in absolving Alex of her obsession with the one, single copy of a book they had all possessed at one point: The Story of Mary McLane. Alex grew hysterical in her investigation of the novel and whatever evil she believed it had brought to the students of her school. I remember feeling a bit hysterical myself at times, following along with Alex’s scrambled train of thought that never seemed to find a place to stop. She was right, you know, my friends. And now what does she have to show for it? A gruesome death and an eternity of haunting the same grounds, day in and day out? I may not have liked her, and felt like she had been the reason Libbie was so unhappy and stuck in a life that she did not want, but the way Alex’s story had ended really did take me by surprise and break my heart. She deserved a better ending than what she got; she deserved to reconcile and fix her strained relationship with Libbie. Damn it, they deserved to live quiet, happy lives with each other. Neither of them got the endings that they deserved, and God, did they deserve plenty. This, friends, is the hill I choose to die on tonight.

 Alright, friends, this is it for my character analysis of Emily Danforth’s Plain Bad Heroines! I have a special place in my heart for book characters that you can relate with (or characters that just really make you love them). The way that Emily Danforth brought our heroines to life was remarkable and highly impressive (I say this because it’s decidedly been a while since any book character(s) have weaseled their fictional way into my little heart). It’s rare that I give a book five stars (check out my Goodreads reviews) (oh god, please don’t), and yet halfway through PBH, I knew that this book deserved it. Good book characters are the ones that stick with you long after you’ve closed the book on them, and our heroines are stuck with me. And believe me, friends, I’m certainly not complaining. 

[ill-be-istj-if-no-one-else-is]

Hello, Em! Would you be willing to help me find my type? I’m in my early 20s, if that helps. I’m pretty sure I’m an Fi-dom, but I also see a lot of myself in Si-dom descriptions. I’ve always been a very emotional person, but I almost never discuss it with anyone. Whenever I do get upset, it’s almost impossible for me to explain how I’m feeling, so I try to find ways to be alone, so it doesn’t come out as sarcasm. My two biggest conflicts at work are with one coworker, who seems really nice (1/7)

until she finds out that she can’t control you, and my manager, who’s super outgoing and honestly just too much for me in the morning (he’s better at the people side of business than at the actual business side). I care a lot about other people and have tried desperately to pick up hobbies that my friends and family were interested in so that we would have something in common, but I couldn’t force myself to enjoy something just to be liked more. I really don’t like conflict, but if it comes down to it and I don’t see a way out, I tend to cut people off because I don’t see the point in continuing the (2/7)

argument. Typically, my main method of staying out of arguments is only giving my opinion if someone directly asks for it, since I struggle to sugarcoat the truth to soften the blow. Some of the major things that will set me off are when I think that people are just saying things without actually meaning them and when I feel that someone is bulldozing someone else. I remember one friend who would just tell people whatever they wanted to hear to keep them happy and I could never take her (3/7)

seriously. My sister and I tend to butt heads since I’m one of the few people who will stand up to her and call her out. I’m always on time and considered one of the more dependable people in my friend group, because both of those attributes are signs of respect in my mind. If you say you’re going to do something, do it. I would say I’m decent with details, but often will find myself double checking what I think the answer is because I don’t have a ton of faith in it. Whenever someone places an order, I always read it back to them, just to make sure I didn’t miss anything, because (4/7)

I will forget if I don’t have it written down. When I’m baking at home, I still will read the recipe, lay out everything I need, and put things away as soon as I’m finished with them, so I don’t add something twice. Whenever I’m working with deadlines or am stressed, I will try to organize my thoughts with pro-con lists, diagrams, or charts, but I have to admit that it doesn’t really help all that much, I will almost always end up trying to justify what I wanted to do in the beginning. (5/7)

One of my strengths at work is that I’m observant and tend to pick up new skills rather quickly, though I will always double check the first few times to make sure I’m not actually screwing it up. I tend to take failures personally, even though I know I need to learn to see it differently One thing that I struggle with a lot is feeling like I’m always running out of time. I allow myself way more time than I really need to reach my destination and as a result am always (6/7)

early and almost never have an overcrowded schedule. I hope this is enough to go on, I tried to condense as much as possible! (7/7)

----------------------------------------

Hi anon,

From the initial two parts, I think you are likely an introvert, and my guess is not a high Te user; I tend not to like people who are nice until it becomes apparent they’re only interested in control but I also tend to confront them head-on. My guess is also that you aren’t a high Ti user, just based on your writing style and initial focus on emotions so at this point I’m looking at dom Fi/aux Fe, with an eye towards sensing given what you said about Si.

After reading through entirely, I think ISFP sounds right:

I think the part about hobbies could go either way with high Fe or Fi, and taken in context with the part about cutting people off I would say this sounds more like high Fi. I also think that your difficulty in sugarcoating, instead choosing to just not bring things up, is also more indicative of Fi, and in general your attitudes about authenticity cement that.

Editorializing a bit I am in fully agreement with you on punctuality - it’s a sign that you respect people (being late sometimes is understandable because life happens but being flaky outside of a dire emergency is not), and I tend to associate this more with sensing just because it’s a way of showing respect through real-world actions; I think love languages are kind of silly but I also must admit that showing vs. saying does have something of a sensing/intuition split.

The conflict between wanting guidance but also following your original intent feels very true to high Fi/inferior Te, and the choice to implement those external but concrete tools seems in line with Se.

Observant and quick to pick up new skills is a hallmark of high Se as well. Overall, ISFP fits you very well - I think you happen to fall on the more meticulous side, either because you are starting to explore your inferior Te or just because it’s been necessary or useful for you in work or life.

Finally I want to say that this did provide a lot of useful information! This is actually how a longer ask should be structured to get a good answer; you provided tons of concrete, meaningful, and as-objective-as-possible examples with explanations, and while you brought up some potential types you’d considered you structured it as “these are the functions I think I may have” at the beginning and then let the information stand for itself rather than pre-arranging it into arguments. Overall this is a great example of an ask!

[certifiedceraunophile]

Hi! A fan of your writing here. I just love the way you write Caroline. An Avoidable Heart is my comfort fic and I am constantly in awe with the way you write and craft the dynamics in that story. Caroline's inner monologue is just priceless and God! I just love that intro scene where Caroline is walking into the Mikaelson compound with vampires and hybrids in the surrounding ready to pounce on her.

I would love to hear how you would have visualized Caroline crossing over into TO or not? Like in what season and why? How it would have likely gone?

Thank you!

First of all lovely anon gimme a moment to breathe, asdfghjkl why are people so lovely 😭😭🥺✨ It means sooo much to me that you’d take the time to jump into my inbox and send these kind words, like please I’m not worthyyyyy, But you make me smile and feel really freaking warm so *handcuffs your hand to mine* you aint leaving 💖✨💞🙃

But OK ALSO oh my god dude THAT CAROLINE WALTZS INTO THE COMPOUND AND TAKES ON A COUPLE HUNDRED VAMPIRES BY HERSELF SCENE???? Ughhhhh I’m sorry but I have SUCH a boner for Caroline in that, like my badass -I admit kinda op- QUEEN IS HERE and she’s fucking shit up, I’m sorry but I love that scene so much it’s so dear to me I was killing myself over how self-indulgent and grossly Over powered Caroline is but like idgaf man it’s such a hot scene and Caroline is practically invincible and we just love to see that, so seriously lovely anon, you telling me you LOVE that scene??? Puts the biggest smile on my face and reassures me a LOT bc I was whining and cribbing over how absolutely unbalanced that scene is to literally everyone BUT LIKE YOU JUMPING OUT OF NOWHERE and pointing that exact scene UGHH…...meant to fucking be the both of us 💖💞✨

And ALSO Caroline’s monologue is quite honestly the easiest inner monologue out of the three voices I wrote for that work, Klaus’s is the real pain in the ass tbvh like it is NOT easy writing pretentious besotted losers with a Kardashian complex especially when you need to make them sound cool when they’re the lamest OP dude bros to ever exist - and no I don’t hate Klaus although I seem to try my darndest to convince ppl I do- I just personally believe that a feral fucker like that with a thousand years of existence under his belt can grow a pair and graduate from his kindergarten level of emotional maturity to adult sometime soon, But then on the flipside he’s so grossly adorkably smitten and feral for Caroline plus hella horny for her all the time that its usually easy to write the trashed and devoted idiot he is into something pretentious and powerful and potent when relating to his unflappable arrogance and his narcissism, but sometimes I also need him to be *deep* and ffs profound for the sake of the plot and jfc my muse just wont work with me on that, she’s like I’m sorry I’m not about to bust my ass to make this mongrel intelligible like no sir all I wanna do is make him uncomfortably horny for Caroline and leave him like that.

So smh yeah the struggle is real….but lmao Caroline is just so precious and fiercely protective and just so achingly lonely in that story, so desperate for connection and trust and intimacy yet so guarded and impervious to everyone like it hurts me to write her like that but it really challenges me as an author to balance out her inherent light with the “void” I create in her and through her, so yeah it’s a very fulfilling task and I wouldnt change it one bit, and also I had to balance out her physical op-ness w half a millennium of the ugliest emotional trauma lol so I guess that figures, but the point being….once again I am overjoyed knowing that you liked a facet of the story that I tried so hard to make as authentically Caroline and achingly real and moving as I can and I cannot possibly feel more accomplished than rn for it so ty ty ty ty for reaching out to me and telling me *tackle hugs* It makes me GIDDY knowing that you enjoyed that particular part of the story like ugh stab me please you're too sweet.

And ok NOW, coming to The Originals part of the ask, (also please note that when I say TO headcanon; Hope does not exist, Hayley is a dead in a ditch and ofc Klaus will stop being that lil bitch they tried to pawn off as Klaus in TO) 

HEADCANON 1

Honestly my biggest headcanon when it comes to TO crossovers somehow always include non-humanity!Caroline like it’s just so perfect to me?? The opportunity to make shit BLOW UP b/w them like imagine the DEBAUCHERY, the heat, the SEXUAL TENSION, the repression of one Klaus Mikaelson, the EXPLORATIONS, and omg the role reversal when Klaus has to be the voice of moral reason between them and not bc he believes Caroline would not be able to stand herself if she does something heinous and monstrous but bc he wants her to be completely and utterly herself, and yk *aware*, when she DECIMATES ppl to the ground and is in full-on predator mode, like he wants her monster to come out and play with him when no part of Caroline is locked away or suppressed, so obviously when she is w/o her humanity KLAUS exercises restraint on her behalf, like can you imagine that, Klaus restraining himself and being the vague, extremely broken and just largely inaccurate moral compass between the two of them for ALL the wrong reasons- and the entirety of NOLA just standing there watching him herd this baby vampire who seems to be intent on riling him up and angering him when all she is doing is giving him a massive hybrid hard on, like IMAGINE THE GOODNESS of non-humanity Caroline wrecking NOLA and Klaus letting her wreck it bc he is helpless in the face of Caroline Forbes and also bc he is quite honestly *enjoying* the debauchery himself so why put a damper on the festivities.

-I might wanna add that I favour this headcanon a lot bc I genuinely do not even remotely *like* the idea of NOLA as Klaus's chosen place to set his roots so like I would love Caroline going to NOLA and destroying everything there just bc I detest NOLA and the storyline behind it in TO. (yes is it petty? Obvi, but like I am a petty soul and I make no apologies ma’am)

HEADCANON 2

So yeah that’s my main TO headcanon, but my other one being, one I talk about very frequently, scream about in tag rants to an obsessive level, and like this is a cracky one but still very valid, where Caroline rolls up to NOLA humanity intact and all, finds Hayley preggo and is just laughing her fucking ass off bc anybody ANYBODY, with half a brain and a two minute convo w klaus would know how UTTERLY stupid the entire baby shit is especially when it’s with an immemorable one night stand, and Caroline’s just losing her shit about how like an entire city is obssessed w this baby and she just straight up tells Klaus he’d SUCK as a dad (which he really does tho like he was a shitty fucking dad canonically too) and Klaus is just like *sigh* girl tell me about it. I mean basically he’s finally relieved that someone is on his side about the whole baby thing and how he definitely does not want his entire millennium of life to finally sum up to this one squalling leaking stinky infant/unicorn Hayley is apparently baking in her oven, and I say this headcanon is cracky bc klaus would never have put up w this mess long enough for Caroline to come in and sort it out, there’s this preferred method of disposal of his called heart ripping that would've been employed quite early on and honestly saved us all a lot of brain cells and minused years of life, bc let’s be real any Klaus who’s NOT a lil snivelling bitch wearing a Klaus skinsuit would’ve yeeted the baby and the mama first chance he got, and that’s just how I see it.

Lmao I really hope I didnt scare you away w my *strong* opinions Ik they can be a bit much but I enjoy having them so theyre not going anywhere, anyways this ask answer got WAYYYY too long but I’m hoping I answered your question well with this or atleast left you slightly confused and bemused over my feral screaming....either ways I’m really really really happy to have got your ask and the chance to rant so much bs, Twas cathartic and honestly I had nothing to do today so I was more than happy to dish this baby out for you. Thank you so much sweet anon for putting a smile on my face today I am absolutely HONOURED by your words you’sa cutie 💖💞✨🗣🗣

[logicgunn]

🖋🎖😈📚

🖊 Post a snippet from a current WIP.

“Did you know that women earn eighty two cents to a man’s dollar?”

“Yep.”

“And, did you know that women masturbate as much as men do?”

“I’ve read the book, Rodney.”

“I just think it’s interesting that no-one knows these things. Some of what Heightmeyer writes should really be common knowledge. There should be classes teaching it to kids. Today I learned that I’m not living my most authentic life. How did I get to thirty nine without knowing that?”

“I think you’re taking the book a little too much to heart.”

“But what if I’m sabotaging myself?”

“I’ve never met anyone as authentic as you, buddy.”

“You’re just saying that.”

“It’s true. You have no filter whatsoever. If anything, you’re a little too authentic.”

“Oh, ha ha.”

“But I’m glad you’ve cheered up a bit. You sound a lot less despondent then when you first arrived.”

“Well, I...I’ve had some time to think things through.”

“And what conclusions have you drawn?”

“It’s not entirely my fault. What happened, I mean. There might have been some mitigating factors.”

🏅 What is something you recently felt proud of in regard to your writing (finished a fic, actually planned for once, etc).

Getting Pina Colada finished was a huge struggle in parts, but the way it's made a some people really happy is pretty rad.

😈 Is there anything you enjoy doing that you think your readers hate?

Hah! Well apparently I have some readers that have VERY STRONG FEELINGS about not having trans characters in anything they're reading, so...

📚 Do you read your own fic?

Yes, regularly. I write the things I want to read, and also I like to check for mistakes periodically. You know that way you think a fic is error free then you post it on AO3 and immediately notice 3 spelling mistakes in the first paragraph? Sometimes I need a little distance from my fics before I can find the most obvious ones!

[seafleece]

Hey, random question, but what do you think are the M9's love languages?

oh, anon, you absolutely did not sign up for this and i am so sorry, but here we are. i had to look up the five types and keep them in the google doc to remind myself what they were, but uhh here’s almost 4000 words of character analysis and discussion of debatable quality

jester: 

my initial thought was quality time— an obvious and painful one, as it’s the one her mother wasn’t able to provide. i think the sleeper, though, for jester, is acts of service. 

with beau, this especially shows up in reference to healing— jester having a more healing-focused cleric around is a big relief, especially for someone so close to warlock status that she almost was one, but very notably, she very much wants to heal beau. she specifically apologizes for not doing so in the chantry, and attributes that to beau’s absence rather than anything else; more generally, there’s a huge amount of distress on jester’s part when beau is hurt, and that she wants to be the one to heal beau (notably, with the gorgon, she RAN to beau, was immediately upset both times beau started getting petrified, and even dissuaded caduceus or caleb from using their turn to heal beau so she could instead, making sure to be Right There even while nott was applying the oil). she also seems to really value the instances when beau does things for her, especially since there are specific acts that beau reserves for jester (engaging with religion in any capacity, wearing a dress for jester and more broadly allowing jester to pick her clothes, a concept which beau probably has an explicitly negative association with from her mother).

it’s also muddled jester up the worst when it comes to relationships she understands less— the “kiss” with fjord in the temple that was a vehicle for giving jester air, most specifically, comes to mind— and she’s really come to terms with this by realizing that romantic feelings weren’t really what he was expressing, and that it wasn’t necessarily what she was feeling, either. it’s noticeable in how she describes her relationship with the traveler— she feels like her service to him is doing little things for him, and asks, when she’s unsure, when the traveler failed to act on her behalf when they were kidnapped, if she did something wrong to make him angry, and literally desecrates a temple to make up for it as soon as they’re back in town.

and the thing is, quality time isn’t really what was lacking in her relationship with marion— marion probably did have time to spend with jester for at least a little while every day. the problem is that marion simply couldn’t provide jester with things that she needed: access to the outside world and companionship. she had to learn from near-scratch how to navigate relationships of varying intensities, and it shows with her initial zeroing in on fjord as an iteration of the dashing sailor her momma told her about, as well as her more slow-burn come to trust and really invest in and love beau, because she’s never had a relationship like that with a girl, and maybe didn’t even know it was something she could have, or something she could want.

jester’s her proudest when she’s doing things for other people, even if they maybe wouldn’t love her doing it if they knew— threatening beau’s dad because she hates that he hurt her, hearing that beau was thinking about leaving and marching in to modify memory a hag, writing astrid a letter because caleb seems like he liked her, asking essek if he likes caleb because caleb seems to like essek, painting yasha’s room in the xhorhaus, finding outfits for everyone. she struggles with how to rein in showing it and thinking first about the potential consequences, and is unsure how to navigate what it means when she’s shown it in return, but it’s messy and heartfelt and sincere. with her mom, she really clearly appreciates when her mom does do things for her— providing a home for her friend’s family, allowing the m9 to stay in the chateau, coming to the party with them despite her agoraphobia. i’m sort of banking on a scene where jester talks to her about it, apologizes for leaving, and reaffirms that it means a lot to her that marion is stepping out of her comfort zone for her.

beau: 

words of affirmation. this is NO DOUBT something her parents didn’t give her, maybe ever. this is baked into her relationship with them— she knew that her father wanted a boy, he probably Told her this, and she wasn’t one. it’s something she could literally never be, an aspect she would be forever resented for, that would tinge everything her father ever said to her. her mother also probably didn’t give her much if any affirmation, as she was trying to police and fix beau’s behavior to avoid thoreau’s anger for both of them, and never properly elaborated to beau that her intention was to keep beau from being punished (not that it would have made it okay, for the record). it’s also why her conversation with her parents in 92 immediately threw her off, because for once they actually told her she’d impressed them, that she’d done good, and it’s rough as hell to see that. 

unfortunately, it’s also the thing she’s least likely to get from everyone else unless she’s at her worst, because almost everyone else, including fanon, seems to have profoundly absorbed this idea that beau is rude and abrasive and sarcastic and she’s just. not. she might have been at the start, but she’s always been especially soft with jester, she and caleb are very mutually assured about the sort of affection they show each other, she’s always been either openly flirting with or just sort of tenderly awkward with and trying around yasha, she and caduceus have a fun and pretty peaceful dynamic i always love to see, and we know caduceus, for at least a while, considered beau his favorite. 

then, there’s the characters she’s known for butting heads with the most: fjord, with whom she’s developing a sibling dynamic to rival hers with caleb and really obviously is ride or die for; nott, who used to openly insult beau and just about everyone else, and who is now 1/3 of the chaos crew beau is also in; and molly, whose death was a HUGE turning point for beau in terms of a) taking stock of her morals and how she intended to act on them and b) expressing love for someone so you know they know it, before it’s too late. 

jester seems to see this the most, no surprise there, and dairon also sees a lot of potential in beau not because she’s strong or fast (she’s from a martially focused monastery), but because she’s smart. dairon talks about and to beau very affectionately compared to other mentor/guardian figures she’s had, and i think it means a lot to her coming from both jester and dairon. she certainly returns the favor for both of them.

fjord: 

this one isn’t immediately apparent, so i’m gonna start by talking about the nature of his relationship with caduceus (and see where it gets me). 

okay, i lied, i’m starting with molly.

fjord and molly had a thing. it’s clear in retrospect, and i’ve talked about it, but i think it has to do with where fjord was in his quest to reinvent himself. molly was someone who, for all intents and purposes, had flawlessly become a new person— not necessarily because of a concerted effort to change who lucien was, but a different person nonetheless. fjord wanted desperately to believe that that was attainable for him, and thus saw a lot in investing in molly. molly was a silent affirmation that fjord could really pull this off, could really reinvent himself and be fine.

also, molly was hot. enough said.

caduceus, on the other hand, offered something different. caduceus came along right before fjord’s willingness to help uk’otoa was first tested— fjord rose to the occasion, but the whole time there was someone new along, someone whose faith in his deity seemed assured. assured, that’s something fjord never had.

afterward, he got to see what it meant to believe in a god like that, and he started to want in. caduceus seems like a very honest person— though really, it’s just because m9 doesn’t know the right questions to ask him— and his god is the god of the sea, too, right? fjord really lost a rock in molly the way i don’t think a lot of people realize, and it’s why his swallowing the summer’s dance felt so meaningful. he was keeping a part of molly with him, and i wonder if he misses that part of his falchion. after he lost his inspiration for recreation, he started to put stock into authenticity as the answer, and caduceus as the vehicle. and the wildmother was very accepting, too, took him in like a lost sheep.

where fjord is now, i think he values the covenant (which i realize i actually define later, so if i forget to reorganize these before i post, then oops) in a similar way to caleb. more specifically, though, he decidedly the word owe in talking to beau about the group’s relationship, which, among other things, speaks to acts of service. fjord has work to do to earn his place as a paladin of the wildmother (and a good amount of work to do indeed, if getting trounced by darrow was any indication), and he feels the need to repay caduceus for his help, companionship, and guidance. fjord also gets hurt and KO’d. a lot. i think he takes it on the chin as his role in the group— that’s his job, and he has faith in caduceus and jester to keep him up. they’re not done yet, they haven’t finished serving one another, so beau leaving is of considerable offense (near-mutinous, to be specific).

caleb: 

words MEAN SHIT to caleb, you can tell in the way he talks. everyone remembers the times he’s told nott he loves her, he responds best to beau because i think he really loves the way she talks, he shows his feelings in really passionate speeches to nott, to beauregard, and most recently to essek. there’s absolutely a reason why so many goddamn quotes from campaign 2 are attributed to this dude, and it’s because he monologues like a fucking champ. their group is named after his accent. 

as for receiving love, though, i think it’s a little different. we know from talks that he’s placed a lot of value on the things jester has done for him, and moreover to be herself as someone who gives recklessly, but as far as we know he doesn’t intend to do anything with it. with nott, i’m tempted to create a new category that’s something like a covenant? he and nott agreed to travel together and help each other under the worst conditions, and they’ve stuck to this fastidiously. this covenant, this commitment to the group, is something he extends to everyone— he is not willing to walk away from this, and hasn’t been for a long time, he believes in all of them, truly, what they can do— and cherishes the fact that everyone has kept this, except for two very specific moments. beau, when she introduced the threat of her leaving the party, and yasha, when she was taken over by obann. for beau, he actually seemed fairly quiet compared to fjord, and i’m not sure yet on why this is, other that i think he trusted fjord and jester to talk her down. as for yasha, he seems to be really invested in commiserating with yasha as two haunted ones (literally), and sees her as someone who also really values the group but sees her ability to belong as tarnished by what she’s done. 

for the purposes of this, i’m gonna refer to it as that, as a covenant (yes i’m a failed church kid, what of it) and as separate from acts of service, because it’s more akin to the promise of one major, permanent act of service to each other. i wonder if it’s this steadfastness in that idea that partially led caduceus to continue and develop the idea of his role, because caleb and the rest of team cockroach, as i call them, were gonna keep that covenant if it killed them, and caduceus could keep them from getting killed, at the very least, if he entered into it.

but anyway, that covenant now extends to essek, if he decides to take it. and if he does, that will mean something infinite to caleb, i think. 

caduceus: acts of service.

okay. i wanna talk about caduceus and danger.

caduceus doesn’t heal himself. we know this. he heals everyone else, and not himself. 

i’ve been checking critrole stats on this, and if i’m reading correctly, he has taken the most damage (157) in one episode than anyone else. and it’s not a small margin. the closest is yasha (129) and i’m almost certain that’s from the episode where she decided to literally get attacked until she passed out. i was trying to guess which episode this was from, and then it hit me: probably the episode where he fucking died, right? because it really just never came up again.

caduceus has: started to drown at least 3 times in his first month on the job, been killed by nott, been beaten near to death when yasha was charmed, and been very quietly and very badly stabbed in the back by a disappearing assassin. he’s also died at home, as a family tradition.

there’s a million better meta posts about caduceus’s relationship with death, or even about him not healing himself, but I just want to set it as potential precedent for the idea that caduceus, to some degree, sees value in himself as someone who doesn’t mind dying in a fight. for one thing, it’s been a temporary thing almost from day one with m9, as jester immediately invested in diamonds when they got back to town. it’s not his first rodeo, either, and his family has normalized death to an, and i say this more because of how it’s affected him rather than because i dislike the idea of normalizing death, an upsetting degree.

giving healing, that’s his job, but eliminating himself as someone who needs help or healing, well, that’s healing in a way, too, right? if he doesn’t get healed, it’s more for everyone else. worst comes to worst, jester can heal him if need be. or, y’know. not heal him.

caduceus’s relationship with m9 has noticeable transaction rhetoric, and i wonder where that really fits in with his family. obviously, his role in the family was implied as the one who stayed behind, and his parents definitely imparted a need for him to be stable, a role he’s continued to fill for m9 to his quiet detriment but i think he’s also jumped on the opportunity to finally be the older one, the wiser one, of the group. there’s a power caduceus has over the group that’s really understated— they just sort of listen to him, even if what he’s saying doesn’t actually make sense, because he started with nott, beau, and caleb as a wise savior, a protector, and upon finding the others, it’s not like jester, fjord, or yasha were filling that role. molly certainly wasn’t either— it’s funny, how in retrospect caduceus seems inevitable to the group because they really didn’t have anyone like him. the closest thing to a voice of reason they had was fjord and caleb, and early on, caleb was not in great standing because of his and nott’s perceived standoffishness, and fjord threw up ocean water, so like, what’s up with that, right?

at the very least, he definitely believes he owes the mighty nein something, a role to fill, a job to perform. a service to act out, if you will. his job is to heal, and he does less healing if he heals himself. he seems to view him taking a hit as a win, in a way— it’s a hit that someone else doesn’t take.

i have a lot of hope that reconnecting with his family and seeing how he’s grown while they haven’t allows him to revisit his notions of what he needs to be, and i have a lot of hope that moving forward, he’ll be able to invest more in the other motif he’s developed, which is gift-giving: fjord, with the star razor; his sisters, with the hat (which seems small but like. boy’s had it for a while) and the flute; and, most recently, in helping jester pick out everyone’s outfits. it allows him to feel like he’s giving something to the people he cares about without it hurting him.

yasha: 

truly everything. it’s hard to get a read because yasha really just soaks in all the love m9 wants to give her. if i had to guess further, i’d say we should look at her and molly’s relationship, because molly’s the only character we’ve seen her unabashedly love, and the thing that stood out most to me was physical touch. that echoes really depressingly with her “fight” in 89— she got something out of being that close to someone, even if it felt like reparation or atonement, and i think the only person in m9 who’s been really unafraid to touch yasha is jester.

i’ll admit i have a soft spot for yashter, but, like, it’s there, right? the obvious trust, the faith jester has in yasha and the fear and turmoil when that was tested? i remember really clearly jester giving yasha a piggyback ride in zadash in an early ep, and like— when’s the last time someone was strong enough to do that? when’s the last time someone wanted to do that for yasha? everyone’s mistrusted yasha to some degree for the entire run of the campaign, and, like, how much did her hopes to get close to everyone else just evaporate after the king’s cage? does she really even believe she can have it again? she was so close— jester trusted her fully, she and beau were in a comfortable mutual place with flirting, she’d talked to caduceus and jester about zuala, she even felt comfortable picking up nott and throwing her around (which, by the way, i love their dynamic).

she seems to have leaned more into the protective, threatening stance since they got her back, which, if she’s comfortable with it, is just fine— maybe she’s shifting more towards acts of service, but i just hope it isn’t her just accepting the idea that everyone will always be afraid of her, that she won’t be close like that again. because molly wasn’t afraid of her. jester wasn’t, and i don’t think she is, now— but fjord showed a lot of distrust, and i think yasha’s scared of the degree to which she hurt beau and how to even broach that discussion, and she attacked them, how could they ever forgive her or trust she wouldn’t do it again? 

(i wish i had a happier end to this, so i’ll just say that she did seem comfortable last ep, and that she may or may not have interest in getting a tattoo from jester? interesting stuff.)

veth: 

on a person to person level, veth definitely feels she and caleb are acting on the promise they’ve made to help each other— now she’s reached it, things are a bit more nebulous, but it’s obvious she wants to stick around for him. i’ll admit, her words to everyone in 97 were a bit surprising to me— she hasn’t really been good at conveying emotion like that before unless she’s desperate or really upset, and i imagine it was something she started planning in her head to say to everyone as soon as the first ritual didn’t work. that might be, i think, what she felt as relief, just not being able to articulate what she wanted to say to everyone.

as for her family, veth believes she owes her best self to yeza and luc— she kept herself from them not because she couldn’t have gone back, but because she felt like someone else, like someone worse, and the exaggerated tendencies from her previous life only reinforced this— she didn’t believe she deserved to be around them, before now. before caleb, i don’t know if she had any hope for returning to them at all, and he changed that entirely.

i’m also very interested in why veth is able to reconcile her marriage with yeza as veth with her loving caleb as nott, and if she sort of considers herself as two different people. we’ve seen so little of what she feels comfortable expecting from other people— for now, i’d say acts of service seems appropriate? but maybe something closer to just. fulfilling promises.

bonus: for the other two who are considered part of the mighty nein

kiri: 

words of affirmation. i’m a HUGE kenku stan, anyone who’s played d&d with me knows this, and i’m especially fascinated with the relationship with words when you can only speak the words you hear/remember. on the most basic level, if you speak to kiri, you are giving her a gift, you’re giving her the ability to speak, too. and if those words are affirming, then she can say them back! and you’re giving them to her, in a sense, to use as she pleases and repeat them to herself, even, and i just love that image— her, to herself, saying “i love you” in other people’s voices. i’m ride or die for kenkus, and kiri started it.

essek: 

okay, so almost everyone in the m9 could be read as needing words of affirmation, because it’s so clear that they need more love and knowledge of love than they’ve received, and have found it in each other. essek has quite literally found it in m9 for the first time. he absolutely needs all of these, like, ASAP, but i think it’s what everyone says to him that get him the most. caleb’s speech, obviously, but it’s also them casually referring to him as their friend, it’s jester’s messages, even if he’s busy. it’s important to say, though, that i think it’s a specific type of affirmation: things that have nothing to do with his magic ability (and moreover, any of these gifts that have nothing to do with it). essek’s built his entire life on the idea that he is someone incredibly powerful and smart for his age— m9 are probably the first people to make him feel like he was more than that, because they want to know about the rest of him, and in becoming friends with them, he’s confronting the fact that he doesn’t really believe there is a rest of him. they want to know a part of himself that he at best has neglected and has been neglected by others, and at worst that he believes does not exist. when they talk about him as a friend, it adds to who he can be. he’s seeing, for the first time, that he can exist as someone else than his abilities and his ambition.

i initially started off with words of affirmation and he clearly needs that, but i think he really just needs all of these in a very specific way: he needs to feel love that is not based in merit, that pertains to who he actually is in this life rather than what he can become in the next, that values the life he’s living right now, because he’s not getting that from the dynasty. it seems like a low bar, maybe, to people who only have the one life, as far as we know, but his arc this campaign shows that it really, really isn’t.