#but anyone who has followed me for more than two seconds knows about my impeccable posting schedule
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Meet the (grand)parent
Requested by @pyroxeene [first request wah!!]
Pair: Malleus & GN!Reader (no pronouns used, second person; reader is a Fae who resided in a human settlement in BV)
Summary: You're set to meet the Queen of Briar Valley, much to your pending anxiety. Isn't it fortunate that you have such a considerate partner [and 1 stressed out valet] by your side?
WC: 2.5k
There’s a sense of trepidation in the air. Anyone can see it in the way that your foot bounces ever so slightly on the ground, and how your gaze darts around the room, as though anticipating something dire to happen. With each shift in your chair and each sigh that slips past your lips, the looming sense of anxiety grows—and it’s beginning to get to the Malleus, too.
“You’ll put a hole through the floor at this rate,” he finally says, his voice unusually calm for the storm that’s currently brewing. You look over at him as he speaks, a flash of confusion on your face, and he points wordlessly at your bouncing leg. You sigh and force it to stop.
“I don’t think I’d be able to afford those repairs.”
Despite the nerves, you retain a wry sense of humor about the situation as you go back to looking around the room. It’s a lobby of sorts; a buffer between the hallway and the Queen’s Study, which sits beyond an impressive mahogany door on the far wall. With its dark red walls, wooden flooring, and impressive display of artifacts that look like they date well past your years, it almost feels like you’re in more of a museum than a palace.
Malleus sighs himself as he leans back against his seat, his chin tilting back to stare at the ceiling in thought. You glance back his way and note that his brow is furrowed, as though something is troubling him deeply. Something probably is; after all, you doubt he’s brought many partners into the Palace to meet his family.
Truthfully, you’re thankful that it’s just the Queen you’re meeting—if you had to meet all the Senate as well, you would have dug your heels into the ground outside of those palace gates and refused to budge, no matter how hard Malleus pulled on your arm. As someone who grew up in a human village rather than a Fae one, you still find it jarring just how different the two cultures are. Whereas one comment may be seen as a joke in the human village, it may be taken as a grave offense to a Fae. Because of this, your involvement with the Crown Prince feels more like walking on a tightrope in a storm than an amicable relationship.
“I could just fake sick,” you finally say, leaning towards him a little with a grimace. “If I make myself look queasy enough, the servants will probably usher me out anyway. They seem itching to do so.”
Malleus scoffs softly before looking towards you, one dark brow raising in skepticism. “She’ll know you’re faking it, and then I’ll need to justify why my partner falsified an illness to bail on our first meeting. Would you really make me go through that?”
His expression shifts to a playfully hurt one as you roll your eyes and sink back into your seat again. “No, but that doesn’t mean I’m liking this. I feel like if I move too fast someone's going to try and curse me. It’s quite jarring.”
“Well if someone curses you, I’ll simply curse them back.” Malleus reaches out to lightly pat your hand—perhaps out of comfort, perhaps out of sympathy—before withdrawing again. You miss his touch; ever since you came into the Palace, it feels like he’s been self-aware of how often he’s grabbing your hand, or touching your arm, or standing too close to you. You understand that he has an appearance to uphold, but still… It feels quite grim.
You’re both soon broken from your thoughts at the sound of the door to the Queen’s Study opening. A tall, lanky man dressed in impeccable attire steps out. He fixes you both with a look before closing the door behind him an steadily approaching. Malleus rises from his seat and you follow suit, using his actions as a guidance of your own as the man pauses before bending in a low bow.
“Your Highness, and esteemed guest. Her Majesty is presently occupied with another matter, and has sent me to share her apologies for the delay. May I get you any refreshments as you wait?”
Malleus blinks once before sitting back down which causes you to, once again, follow his actions. “Vuldar… do you know how much longer it will take?”
The man—Vuldar—straightens back up again. He looks slightly ruffled—his collar slightly askew, his brow furrowed deeply—and you're getting a sense that the man may be a bit stressed. “Her Majesty informed me it will be within the hour, although she cannot provide a specific time.”
“Then yes, bring refreshments.” Malleus sighed and pinched the bridge of his nose, an action you’ve come to learn he does whenever he’s feeling frustrated. Vuldar nods quickly before turning and departing from the room, leaving both of you alone once more.
“An hour…” Malleus grumbles, casting a glance to the window on your left. You can see that the clouds are parting over the Valley, giving you a clear view of the many forests and hills that surround the palace, as well as the impressive peaks of the mountains beyond. He taps his fingers restlessly on the armchair. “I apologize, dearest. I didn’t expect it to drag out like this.”
“Well, it’s hard to remain on schedule when you’re ruling a nation.” You offer him a sympathetic smile, which seems to ease him as he realizes you’re not too bothered by the wait. As he turns back to focusing on the world outside, you take a moment to carefully reflect on the situation you’re in right now.
Perhaps you can call it in over your head. Certainly, some would. Certainly, the members of the Senate would. Old money begets old money, and you’re the farthest Malleus could find from such a category. A common Fae, born to common-folk, with no affiliation to the current court or the old High Courts the Draconia’s descended from. The woven tale of your affair with one of the most powerful men in the nation was a complex one that, if it succeeded, would most likely be on-par with the likes of other forbidden loves of the ages. A Prince and a Pauper; a nation's makeshift Saint and a forgotten footnote. You can’t help but hiss between your teeth a little at the thought, which draws Malleus’ attention back your way.
“What troubles you now?” He asks, both eyebrows now raised in interest. It’s your turn to tap your fingers on your armchair in unrest.
“Are we sure this is the right idea? I mean, taking me to meet your family… are we sure we’re there just yet?” You glance his way, hoping to portray your thoughts right, only to see a calm, blank look in return.
“Are you experiencing doubt?” He asks. In a way, you are; how can one live up to a person that an entire nation practically worships? Their golden son? The hope for their future? You knew that being by his side was committing yourself to a lifetime of scrutinizing looks and whispered conversations wherever you passed. Winning both man and Fae was a battle that no one—not even the Night King’s of old—had won.
“I’m experiencing concern, not doubt,” you counter, biting your lip as you do so. Malleus hums and nods in understanding at the change of phrasing.
“Concern… yes. I suppose there is much to be concerned about.” He taps a finger to his lips before shifting to face you more directly. “Do you feel like you’re not good enough to be here? That you’re not up to par to meet the Queen?”
“Yes,” you counter, frowning. Malleus nods slowly as his eyes narrow. You can see the thoughts spinning in that mind of his and you remain quiet, allowing him to form the a coherent train before he continues.
“My father was a commoner, you know.”
It’s not a sentence you expected him to say, and it takes you aback as you look at him. Your expression must’ve spoken your thoughts quite clearly, because it makes a smile spread across his face and a chuckle escape from his lips.
“Yes, my mother raised hell in the courts when she decided he’d be the one she’d marry. According to Lilia, who goaded her on about it, there were many instances where nobles tried to buy her off, to persuade her that a future queen would not benefit from marrying a man who spent his days strumming a lyre and singing in pubs—us Fae have a weakness for musicians, you know. Even my grandmother was convinced that she was simply going through a phase that she’d get out of soon enough.”
“But she didn’t?” You ask, your own lips pulling into a grin.
“Well, I’m here, am I not? It was a hard fought battle, but my mother was more stubborn than my grandmother—a trait she inherited from my grandfather, I dare say—and she eventually outlasted everyone in the court. Their marriage was a happy one, right up until the end.” Malleus sat back again and sighed. “This is not my grandmother’s first encounter with one of her own looking to have a commoner as a partner, nor is it the court’s. If anything, I think you may be far more qualified than my father ever was for this.”
You chuckle at the image Malleus paints. His mother, squaring against her mother and an entire court, with Malleus’ father standing slightly behind her as though she was his own personal shield. You can see that Malleus inherited both her tenacity and her stubbornness—as well as his father’s musical traits. You feel his hand lightly rest on yours again, and sigh in relief.
Perhaps this will be okay, after all.
—--
Sometimes, overconfidence can only take you so far. Vuldar brings you refreshments and vanishes again. You and Malleus carry on conversation after conversation; about the ongoing of the Valley, about NRC, about what you’ve both been up to in your free time. Soon enough, the study door opens once more, and Vuldar appears again with his usual stoic look.
“Your highness, esteemed guest. If you’re ready, you may enter.”
And just like that, you feel your stomach drop once more. You look to Malleus, who offers you a light touch of reassurance on your arm, before you’re both rising and entering the Queen’s Study. It’s only when you’re in does the reality of this really start to hit you, and you don’t even register Vuldar closing the door in your wake. When Malleus drops to a low bow, you follow suit without even looking at the Queen first.
There’s a moment of drawn out silence as you stare at the carpeted floor, only your breathing and that of Malleus’ audible in the room. Finally, a calm, commanding voice speaks from somewhere in front of you.
“Rise, and be seated, both of you.”
You straighten up and follow her directions, and it’s only when you’re seated do you finally raise your gaze to look her way.
Queen Maleficia is someone that you can immediately tell is related to Malleus. They share similar electric green eyes and dark hair—although you do see streaks of silver in hers. They have the same horns, and the same porcelain skin as well. The only telltale difference between them is that Queen Maleficia’s markings on her forehead are displayed, whereas Malleus stubbornly keeps his hidden by his bangs. When her gaze meets yours, you feel a jolt of anxiety race through you.
It feels as though she’s observing you, as well.
“Well.” She finally says, looking from you and back towards Malleus. You feel your shoulders relax as you’re unburdened from that stare. “I must apologize for the delay; as you know, the Senate can be quite… needy in their reports.”
“Lord Voss?” Malleus hums, and his grandmother cracks a small smile—an expression that seems to instantly make her more comfortable to be around.
“Lord Voss.”
“As expected. Fortunately, we didn’t mind the wait too much, did we?” Malleus looks your way, and you realize this is his method of integrating you into the conversation. You clear your throat and offer Queen Maleficia a nod.
“Not at all. The refreshments and the room were quite nice.”
Your answer seems to please her as she gives a small hum in response. “Good, good. Now, it’s to my understanding you grew up in one of the human villages in Briar Valley, yes?”
You nod slightly. “Yes; I was born in one, and I’ve lived there since. It fits me well enough that I see no reason to leave.”
“And how do you find the human villages? Are they quite adequate? Do you find that you have enough amenities to get you by?” Queen Maleficia fixes you with an interested look, and you’re beginning to feel that this isn’t just trying to learn more about you; if anything, it feels like she’s collecting information about the status of her nation. You suppose a Queen never stops her work. However, Malleus certainly does, and he politely clears his throat to interject.
“Grandmother,” he says, his voice low with a hint. He raises an eyebrow at her. “Will you be joining us for dinner tonight?”
Queen Maleficia flashes him an innocent look as she leans back in her seat. “What, dearest? I was just curious. Your partner may have a diverse perspective that I don’t get to hear too often.”
You tune in on the word choice of partner, and send Malleus a slightly wide-eyed look. For some reason, something seems significant that his Grandmother chose that versus something like ‘commoner’, or ‘friend’. Malleus seems to tune in as well as a slow, slightly satisfied grin tugs on the edge of his lips.
“Well, perhaps you can speak with my partner further about that over a meal. We just wanted to come and greet you, after all. To show you that we have arrived safe and well.”
Queen Maleficia hums again as she glances towards you. “Tell me—are you a musician, by chance? Or a bard?”
Confusion flashes through you at this. “A bard…?”
“We did not meet in a pub, if that’s what you’re worried about,” Malleus counters, pinching the bridge of his nose again. Queen Maleficia chuckles and raises a hand.
“Calm down, dear. It already happened once—I just wanted to ensure it wasn’t happening again. I will gladly join you both for dinner, if you’ll have me. It will be interesting to hear your perspective on Briar Valley from the viewpoint of someone closely affiliated with our human residents.”
She gives you a smile that’s both amicable and polite, and you find yourself relaxing further. Between that and the banter she had with Malleus, you’re coming to see that she’s not just the Queen—she’s also a grandmother, and a very sly one at that. Malleus nods politely before standing and gesturing for you to do so.
“Then we look forward to it. But please, don’t just speak about politics the entire night—you are meeting my partner, not a future advisor.”
“Oh, but the opportunity for both is always there,” Queen Maleficia counters, her grin now becoming more coy as she offers you both a wave. “I will see you tonight. For now, I must return to my… babysitting duties, it seems.”
You chuckle a little at the realization she means the Senate and, with the feeling of Malleus’ hand resting on your lower back, you depart—looking quite forward to your dinner tonight, despite everything.
#malleus draconia#twst malleus#twst x reader#twst#wah i took some liberties to make it work what can i say
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HELLO ITS ME HI
i have great news. i have just finished editing my first book!! i am so happy ive been doing it for like two months now and it think its gonna be rly fun to read once it comes out! i will make a post about what and how and when later when i actually thought it all out fully but most of the work is done finally and i couldnt be happier and more excited for anyone curious to see!! so um i guess this was my little update, and you can expect to hear more about it now that im done with the hardest part
also hello hi i am writing a book its gonna be epic pls consider checking it out later when i decide to make a serious post for it its gonna be whump central and will have some bonus content too youll love it i promise okay bye im going back to my little hole where i hide and think about horrifying things id like to enact upon pretty boys :)
#whump#well is it actually#whump in spirit#book#writing#update#i am so excited you have no idea#i may be horribly slow bc my attention span equals to zero and get distracted literally every two seconds#but i have managed to do it and i promise it is good#now to send it off to a couple proofreaders and make a cover#and probably several other things#also yes you heard that right: Bonus Content#i will be back to my monthly writing from now on#maybe#i make no promises#but anyone who has followed me for more than two seconds knows about my impeccable posting schedule#ANYWAY BYE THANK YOU FOR READING I GIVE LITTLE KISS ON YOUR FOREHEAD
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Sherlock Holmes - Kiss Me, Mr Detective
A/N - Season 1!Sherlock, the cutie. And friends to lovers. Two of my favourite things. I do not own Sherlock Holmes, the character, the universe, the adaptations or anything: this is a work of fiction set on the BBC adaptation of Sherlock. Did I still write 8.2k words (exactly) for it? Yes. I also don’t own the song or the lyrics used within, and if you fancy it, listen to ‘Kiss Me’ by Ed Sheeran while reading.
Warnings - Bad language. Mentions of murder and drug usage. Mild angst. Smut, loss of virginity, masturbation, oral m receiving, penetration, unprotected sex, so 18+.
Summary - After a fight with John leaves Sherlock feeling particularly down, he calls on the one person who is always there to support him. Only tonight, it’s different. Feelings come to a head, exploration ensues, but is this just a one time thing? That depends on whether she stays the night...
TO SHERLOCK, it’s just another normal day, whereas to John? He’d rather not admit how regularly these awful days roll around. Sure, the case didn’t go as well as it could’ve, and Sherlock admittedly could’ve made much more of an effort to comfort John after the apparent ‘heartbreak’ he endured. He just could not understand it. Why the hell was John so emotionally responsive to a case they’d been on for less than twenty four hours which turned out to be a bust anyway?
“You are absolutely unbelievable!”
“People die every day, John. You’ve killed people, as have I. It isn’t that great a surprise.” Sherlock deadpans, picking up his teacup, raising it to his lips, drawing a long sip from the warm liquid.
“Oh, yeah, of course. The proud, the cold untroubled heart of stone, that never mused on sorrow but its own.” John mocks. “Do you not even care that people are still dead despite the fact you solved the case?”
“They’d be dead either way,” he reiterates, “at least we got to them before they completely decomposed. Will me caring about them stop them from being dead? No, Dr Watson, it will not.”
“Sherlock!”
“John!” He mimics.
John slams his hands down on the desk, shaking the wood and everything resting on it, surely sending the vibrations through the floor and notifying Mrs Hudson of their ‘domestic’ as she so likes to call them. The buffalo even begins to swing. John’s tea is long forgotten, but Sherlock’s is keeping him grounded, calm, as John waggles his fist in Sherlock’s passive, blank face.
“You-” he pauses, gulping down breath. “You are a fucking machine, I can’t even deal with you right now. How dare you be so cold hearted and untroubled by this. You’re a disgrace.”
As if he hasn’t heard that one before, Sherlock scoffs.
Placing his teacup back down with a clink, he stands, the darkness of the night, of the room, closing in on them both. Nights like these really are danger nights, any night John leaves him. That’s what's coming next, but there isn’t a thing he knows to say or do to prevent the inevitable. He’ll simply just text Her instead, she’ll keep him grounded.
“Why? Emotional context? Emotion, whether of ridicule, anger, or sorrow, whether raised at a puppet show, a funeral, or a battle, is your grandest of levellers. The man who would be always superior should be always apathetic.”
With a huff like a bull, John viciously turns on his heel, blaspheming under his breath, cursing Sherlock out. He reaches for his coat and snatches it off the stand, slamming the door open.
“MACHINE.” John screams before pulling the door shut with a great slam, seething, the coat stand still rocking in his wake.
John’s footsteps thunder down the stairs, but before he’s even gone, Sherlock’s phone is withdrawn, and he’s tapping out a message.
Can you come over? Please? SH
It wouldn’t usually bother him as much. The case didn’t phase him, at all, but John’s opinion did. It always does. But today was a particularly long day of being brutish and rude, cold and distant, his usual and true self, but John’s more and more impatient with him now.
Being called a ‘machine’ is, again, nothing unusual, but this time it stings a little more than usual, especially after his recent arrest, and a fallout with Molly. He only has one person left, right now, who doesn’t hate him. His longest friend, the one he keeps away from it all so as to not tarnish her life with his misdeeds; Y/N, the one he can always rely on.
He knows she’s arrived by the sound of his window crashing open. Crawling up the bricks, skimming the drainpipe, latching onto the ivy; it’s her usual manner of entry. She never uses the door.
Putting his cups and saucers into the sink, he makes his way through the house, opening his bedroom door to find her already sitting there on the bed, her coat hung up on the hook, her work clothes clinging to her body.
“Hey there Mr Detective, you okay?” she asks as jovially as she can muster.
The way he ambles across the room, his dressing gown floating behind him, and slumps down onto the bed, instantly tells her he’s not okay at all. She can’t help but to look upon him sympathetically, edging a smidge closer to him, until he’s prompted enough to wrap his arms around her torso, finding his rightful place tangled around her. She knows him well enough - his past, and his current life - to realise she’s the only person he’s ever felt comfortable enough around to do this with, and that brings her a certain swelling pride in her bosom, one that doesn’t go unnoticed by Sherlock as he feels her skin heat up against his cheek.
It doesn’t take long, either, for his head to follow suit, burying into her chest. He’s always, always had a thing for her boobs, ever since they were in uni together.
That’s something so special about the two of them, he doesn’t have to say anything for her to know he’s not okay the way he does with everyone else. And naturally, he can read everything about her in a split second.
“I’m here, bud.”
Above all else, he just needs to know someone is there for him in moments like these. The world is cruel to him, and Y/N wishes more than anything that it wasn’t. Upon instinct, her hands stray, one to his back, pressing against the silk of his dressing gown, the other cradling his long neck, fingers knotting in the dark curls there.
She isn’t sure how long she stays there, simply holding him, feeling every twitch of his muscles, every breath of his against her skin, but she likes it. Of course she does, every time she likes it. Sherlock brings her an inordinate amount of comfort at the best of times, today is no exception, especially with what the day has held. Even when she’s the one comforting him, he doesn’t realise how much he helps her too.
His flat is so familiar, his bed as comfortable as her own. She knows his sock index, she’s studied his periodic table over his shoulder more times than she’d care to admit, and she even has her own toothbrush in the bathroom in case she has to pop over for an emergency freshen up. Sherlock has, and always will be, her first port of call, and that she remembers as she shifts further onto the quilted bedspread, her phone on his oak bedside locker.
His head begins to stir against her chest, his curls tickling her collarbones, small hums escaping his lips as he pushes himself up, his elegant yet trembling hands still splayed on her waist.
“I could feel your heart beating weirdly, what’s wrong?” he asks, quirking his eyebrows.
“Just the usual.” she vaguely replies.
Sherlock isn’t having it, though, and scans her a little more. “You’re still in your work clothes.”
“Great deduction. I was hoping you’d go a little deeper, though.”
“You hate wearing work clothes longer than necessary, which means you had plans straight after work, considering you finished… five hours ago? That’s your usual time for today. Counting overtime, forty five minutes, walk to your car, another ten, but your umbrella wasn’t working, round that up to an hour, leaving at 6. You arrived home, no, not home, at your boyfriend’s house for dinner. However, you’re not comfortable enough with one another yet for you to use his shower, or perhaps you are, but you elected not to, and stay in damp clothes that only had seventeen minutes to dry with the heater on in your car for the journey there. You ate dinner, Mexican, had a glass and a half of five percent wine, realised you couldn’t drive, but you didn’t particularly want to stay. Nonetheless you sat and watched the telly with him for hours, football, I can see the dreariness in your eyes. I know how much you hate it, and frankly, same. You stayed for almost all of the match, seeing as you’re now sober, but something else happened.” She lulls her head to the side, prompting him, her smile not meeting her eyes. “As soon as the match ended, he tried to make a move on you, he pressed his mouth to yours, he tried to push his hand up your skirt;” his throat bobs with a vicious gulp; despising the thought of anyone else laying a finger on her, “you swatted him away, rightfully so.”
He pauses a minute, his harsh tone of voice and his sharp face softening. He can see the vulnerability in her eyes, her walls about to crumble. This woman he appreciates so much. “He doesn’t deserve you.”
Smiling melancholically up at him, she brings her hand back to his hair, her fingers carding through the soft curls. His face buries back into her chest just as her voice offers a broken whisper, “I broke it off. I was the one who couldn’t commit this time.”
And as she lays her head on top of his, her breathing more shallow, resounding in her chest, he dwells over those very words. The way she said them, not to mention the words themselves, hold a myriad of meaning. What could she possibly-
Oh.
The subtext, yes, impeccable. She’s always had a way with implications and subtext, always knowing that the likelihood of him actually picking up on it is little to none. But now, now he’s become trained to her, her way of life, her way of thinking, her way of speaking. This is too good an opportunity to miss. If she means what he thinks she means, ever hopeful, then this is completely unfamiliar territory.
Gathering all of his courage in one deep breath, he begins to pepper kisses on her skin. The faintest brush of his lips on the tops of her breasts, all that’s available to him with her shirt the way it is. He feels her heart flutter, her breathing stutter, but despite the chemical flush of her chest, he still isn’t quite sure she likes it. Not until he feels her grip on his hair increase, and he glances up to see her head thrown back. Her spine delicately arches against his hand, thrusting her chest further into his face.
His nimble fingers reach for her buttons, undoing the top two, giving him space enough to find the valley between her breasts. Lathering kisses there, licking the swells of her boobs, his tongue pulsates with the increased thrumming of her heart. The sensation is new, so unbridled, and he doesn’t quite know what to do with the stirring in his loins right about now. That unknowing is only further amplified by the sound that rips from her chest when he involuntarily bites down on the supple flesh. It couldn’t be… a moan?
Sure, he understands the chemistry of it, the reactions that occur in the synapses of the brain, the pheromones and hormones released when one is aroused, but this is all new to him. And, from his embarrassingly basic level of theory, surely that doesn’t start until some more stimulation on other parts of the body commence? Nipples, perhaps something lower down… then again, what does Sherlock know?
Of course it’s an intimate moment, the closest he’s been to a woman before, and maybe that’s why he freezes, stops, and she tugs his head up by his hair, her gentle, pleasured smile with her lips softly parted deepening the look of bewilderment painted onto his face. Her eyes are twinkling, alight with an excitement he hasn’t seen for far too long.
“What are you doing?” she whispers.
He shrugs his shoulders with a sudden force, his dressing gown falling off a little. “I don’t know. But now I feel like I read your pining words all wrong.”
She gasps, a wheezing sound, sucking the air from the room. She smacks his arm gently, muffled by his button-down and dressing gown. “I wasn’t pining! I was saying.”
“Hmm, same difference.”
Everyone must acquiesce when it comes to Sherlock Holmes. “But no, you didn’t read them wrong at all, but I know you don’t see me that way, you don’t feel things that way.”
He pauses, his beautiful plump lips pursed, fidgeting on the bed. Brushing her hair off her face reveals the pain she expressed. However, her eyes glued on his, sadness is betrayed in every line of his young, clean-shaven face. His entire bone structure is taking a nosedive.
“For you, I’ve been feeling everything from hate to love to lust, and I guess that’s how I know I want to hold you close.”
“Sherlock...” she whispers, her singular word an inflection of surprise.
Never tearing his eyes from her, his hand comes up to her cheek, rubbing his thumb over the slightly blushing skin, searching her face, with his big blue eyes, for a shred of reluctance. But, all he sees is her, so he elects to do what his heart is yelling at him to do for once, and kisses her breathless. His full lips holding hers, his one hand on her face, the other still wrapped around her back. Hers fly around his neck, clinging to him for dear life.
It doesn’t take long, their movements steadily heating, for their previously slow, intimate kiss to grow into something more, Y/N pulling herself up from the bed and making herself comfortable on Sherlock’s lap. His breath hitches in his throat, a cute little hiccupping sound escaping his lips in between embraces.
As much as he loves just this, soft caressing and gentle petting, he just knows she wants more. He does too, that much is evident from the length prodding at Y/N’s inner thigh as she moves gently on his lap. She won’t make a move, though, he’s too inexperienced, and she’s too much of a sweetheart to corrupt him, so she thinks. Ever since he first saw her, she’s been corrupting him slowly. He didn’t realise at first, but over the years, he began to understand, and now he’s in too deep.
For Y/N? It’s always been him. Every breakup she’s had, she’ll come to Sherlock’s flat, full well knowing the real reason she broke up with them, because she couldn’t commit, because she was too caught up on him.
Skimming his hands beneath her shirt, he savours the press of his hands on her bare skin, warmth seeping from her body into his, his fingers dancing along her spine. Electricity shocks her in bursts, unlike anything else, from his touch alone.
“May I take your shirt off?” he asks.
“Fuck, yes.” she groans. “May I do yours?”
“Be my guest.”
In a tangle of limbs, a few buttons pop off, and eventually, two shirts make it out the other side, tossed from the bed and into the laundry pile. Aka Sherlock’s floor. He’s like that: sock indexes, yet he won’t get a hamper. A walking contrast.
His thumbs press beneath the band of her bra, savouring the pressure of the flesh that falls into his hands, but that’s as far as he gets.
“Never undone a bra before?”
He shakes his head sheepishly. “I know the theory. Just… you always wear peculiar ones.”
“I wear relatively normal bras, and this one is certainly bog standard. Had I known you’d be undressing me Mr Detective, I’d have worn something nicer.”
“Just do it for me.” He requests, chuckling.
She unfastens her bra, and allows her breasts to spill from the cups, into Sherlock’s awaiting hands. The gasp that erupts from him sends Y/N’s brain into overdrive. He’s cupped her chest through her shirt before, buried his nose into her cleavage countless times, but never before have they had such skin on skin contact. Her lips press to his neck, shifting her closer to him. Sucking on his pressure point, she receives a similar gasp in response, only this one is more guttural, more a sound of pleasure than surprise. He’s wilting from a single kiss to his neck.
“Has no one ever given you a hickey?” She husks in his ear, her voice alone sending tremors down his spine.
“N- fuck, no.”
“I’ll make it worth it. All of this.”
“I know you will.”
She fuses her lips onto his again, savouring the faint hesitations as he grapples with his breath, eager to get some control on his mind with all that’s happening. Never did she ever think Sherlock would be here beneath her, his rough fingertips brushing over her peaked buds, and his palms dancing over her waist. Never did she think she’d hear him whisper his next words, either, not in a million years.
“More.” he pleads. “Can we do… more? Whatever that entails?”
“That depends what you want to do.”
“Get me out of these damn trousers. They're rather uncomfortable.”
She snorts lightly, a piggy like sound, the one they bonded over all those years ago. “I can feel why.”
“I imagine you want out of your work trousers, too.”
“God, yes; they’re ghastly.”
“I don’t think so.” he hums. “You look nice.”
Her cheeks begin to burn, blood rushing to colour them, betraying her true feelings, but as he tweaks her nose playfully, the little snort escapes again.
They were in the dining hall, second week of university, almost ten years ago, and Y/N was sitting with her friends, downing enough coffee to sink a ship, eating her hangover away, when her friends decided to make her laugh with tales of last night's drunken events. Unbeknownst to her, one of the greatest minds of the twenty-first century was sitting just a few seats down on the half-empty bench, watching her perceptively in his periphery. That’s when he first heard the sound. The cutest thing, and it startled him into action, beginning his deductions almost instantly. Admittedly, her student ID on the table aided him a little.
He shocked her from her haze, too, as soon as he spoke her name.
“Y/N, eighteen, jurisprudence first year, freshers week over with. You left a boyfriend back home, but you’re more sad about leaving your dog, as I would be. You don’t particularly care about law but know it’s a good undergraduate to receive anyway. Dyed hair, extrovert, killer hangover, and apparently there’s a little piggy living inside your nose. Sherlock Holmes, would you like some aspirin?”
“That’s weird; what are you, some kind of detective?” She asked, sans malice, a playful bounce to her words.
“Chemistry, going for a masters. But I do like the mystery, yes.”
“So you’re… bright. Nice to meet you, Sherlock, and it seems you know almost everything you need to know about me. But yes, I will take that aspirin, if you don’t mind. How was your weekend?”
He smiled at her, the first true smile he’d given in a long time. “It was nice, thank you.”
And thus a friendship was born, all because he heard her little piggy snort.
Her slender fingers work wonders with the fastener and zip of his suit trousers, and even manage hers too, all within the space of a few seconds, but Sherlock is reluctant to let her go, even just to get her trousers off.
“I need to sit up, just for a minute.”
“No.” Sherlock commands, insistent. “We can make this work.”
“Sure we can, but it won’t be very comfortable. Come on.”
She’s barely peeled away from him and wrestled hers off before he’s drawing her back in for a kiss, his trousers settled just above his knees.
“Sherlock,” she protests, mumbling against his lips, her hands on his heavenly, broad, muscular shoulders. “Sher!”
Her squeal at his sudden tug on her panties disappears, captured by his eager mouth. And in fact, her panties seem to disappear along with it, thanks to Sherlock’s swift movements and nimble hands. Maybe he’s had some experience to be so good at this…
“You sure you wanna go this far?”
“More sure than I’ve ever been. I need you.”
He takes a deep inhale, dropping his forehead against hers, his breathing coming out in bursts as he tries to get a grasp on the situation. “Kiss me.”
She doesn’t need to be told twice, instantly getting to work on the waistband of his boxers as his tongue lavishes her own. His hips rise briefly, just long enough for her to tug the elasticated material from around him, slipping past her, and then he kicks it into their growing pile of clothes. His length falls into her awaiting palm, and-
“Wow.” She exhales in amazement. “If I’d known you were packing this much, I’d have jumped you long ago.”
“No you wouldn’t.”
“Absolutely not, until tonight I thought you’d just laugh at me.”
He pecks her lips affectionately, “Never. You’re bloody beautiful, I’ll let you do anything to me.”
“Hmm, anything, you say?”
Stifling a chuckle against her neck, he recommences, “Maybe not anything.”
Yeah, that's definitely the right call. Still, she finds herself all but clawing at him, her breath hovering teasingly just over his lips, their noses touching, her hands clamped to his cheeks, feeling the building heat there. She must be making such a mess of his bed right about now, but for one night? It can’t matter.
This is a one time thing, it has to be. Sherlock just needs to release some tension, she just so happens to be there. Still, she can’t prevent the little glimmer of hope shining through at the possibility of this being a more-than-one-time thing. The moral compunctions of their friendship after this don’t matter anymore, because he’s leaving a fire in his wake, his delicious fingertips digging bruisingly into her bum before trailing lightly up her spine, skimming her shoulder, brushing her neck - arched for him to reach where he wants, able to mark her as his own - and finally slipping over her lips, taken obediently by her awaiting mouth. Christ, if there’s one thing she hopes for tonight, it’s that his actions never relent.
Whether it’s what he intends to happen or not, his fingers in her mouth give her an idea, one she prays he goes along with at least a little, so she pulls away. The dirty, telling smile on her face hints at what she’s about to do, lending Sherlock to shift a little more up the bed, his eyes following her every move. Hands splayed on his thighs, her small fingers gripping onto the fine hairs there, she begins to take his tip into her mouth, never once breaking eye contact with him. Yeah, this is what’ll drive him insane.
Inch by inch, she takes him into the welcoming heat of her mouth, pulling off slowly, only to go down again. She adds her tongue into the mix at some point, too, and her hand, on what she can’t reach, tickling his balls, but further than that, his mind is blank. Hot white, washed with pleasure. The sounds he emits are other worldly, so much that he has to muffle himself with his own hand; what would Mrs Hudson say? He’s always had such control over his mind and body, but this… he’s slowly losing all semblance of control, and he’s not even mad about it. What he does know is that there’s a building heat in his abdomen, a coil about to spring, and his cock is beginning to twitch. If she keeps going this incredible way, her teeth grazing him ever so gently, adding another new sensation into the mix, he’s inexorably going to finish before he can help it.
“As much as I adore your torturous ministrations, I think I need to be inside you…” He husks, his voice deep.
A smirk gracing her lips, she looks up at him through half-lidded eyes, mischief glinting in her pretty little mesmerising eyes for a second, before she hollows her cheeks and takes him wholly, allowing his length to slip partially down her throat. Her moan reverberates around him, and Sherlock begins to thrash above her, scrunching the duvet in his hands, not caring if it creases. If there’s one thing Sherlock hates, it’s creases. And being called a machine by his best friend. Right now, though, it seems as though every misstep in his day has led him here, into the welcoming heat of Y/N’s mouth, taking him so eagerly, her tongue lapping at the vein on the underside of his dick, a string of saliva remaining as she pulls away.
“I think you’ve got a couple of rounds in you, Mr Detective. Can you do that for me?”
“Y-yes.” He stammers, his head tossed back in pure ecstasy a moment later as she begins to work on the head with kitten licks. “But… can I s- fuck me, say something?”
“I plan on it.” she chuckles, “anything.”
She goes back to peppering kisses all over his member, tip to base, brushing his balls, working her way back up.
“Touch yourself f- for me.”
“What? Why?”
Her tone is more inquisitive than anything else, but upon that playfully rueful look in his lust-darkened baby blue eyes, she knows he’s going to get her back for this little display, and he’s just worked out how. It works both ways, she can prepare herself for what’s to come next while pleasuring him. And he gets to watch. It’s a win-win for him. Maybe he likes this sex thing a little more than he’s letting on.
“Are you sure you want me to? I’ll just make a mess on your sheets, Sher.”
She swallows him again, bobbing her head up and down on his length a few times while he grapples with literal reality. He’s teetering on the edge. One more move, and he’s a goner. His head is already against the wall, lolled there.
“I don’t care about the sheets, darling, I need you ready for me.”
She gulps, nods, and reaches one hand around her, skimming over her stomach, until it nestles between her thighs. She rubs her thumb over his tip, collecting the pre-come beading there, while she rubs over her throbbing pearl, pressing softly. Then, as she inches down on his cock, taking him in her mouth, she also collects the slick from between her thighs, and uses it as a lube to push a finger inside herself. Of all the times she’s touched herself, she never imagined, even in her wild Sherlock fantasies, that she’d be doing it with his dick down her throat. With every bob of her head, she scissors herself more, sinking back onto her fingers.
“I think I’m-” Sherlock begins to say, his words cut off by an utterly obscene moan splitting the air.
She hastily abandons her one post, and wraps both of her hands around his girth, working on what she can’t fit into her mouth with her increased speed, licking and suckling his head as he begins to fall apart, coming, with a scream, down her throat, his one hand clamped over his mouth, biting down harshly to silence his cries; the other buried in her hair.
His whole body falls lax, completely spent, meanwhile, Y/N savours every drop she’s been able to draw from him. He softens in her mouth, allowing her change to slip away from him, grasping a tissue from the bedside to wipe away any excess. That’s certainly something she never thought would happen…
He’s calm, though, smiling lazily through hooded eyes, his breathing regulated once more, making beckoning motions to her with his big hands. He’s placated, though, and sliding her hands into his, she’s allowed time enough to get into place, smiling softly at him, raking her fingers over his scalp in a comforting way. Even as she sits herself on his lap, she can feel him hardening beneath her ass, slowly but surely. She was right about him, he’s definitely got another round in him.
“Do you have a condom?” he asks.
“No, sweetheart, they’re in my other bag. I didn’t plan on getting any for a while… do you?”
“Not in here, that I’m aware of. John may have stashed some in my less favoured dressing gowns or socks, and he definitely has some upstairs, but I’m unawares.”
“I’m gonna sound crazy here, but do we need one?” She says hesitantly. His eyes widen, he cocks his head to the side. “I was tested after my last partner, I’m clean, and on birth control. You’re a virgin. There’s no point, is there?”
“You have a considerably good point.”
With that, energy rejuvenated a little, he wraps an arm around her body, flipping them over so he’s on top, shadowing her, looming over her, gazing down at every inch of her naked beauty.
“Take your time. I’ll be your safety.”
“I know.” he whispers, a tearful smile making its way onto her face. “Thank you.”
He needn’t say more, because she already knows why she’s being thanked. For her kindness, for making him so comfortable, for accepting the fact he’s still a virgin in his late twenties and, if he’s being honest, has no damn clue what the practicality and reality of sex is. Sure, he’s seen porn. He’s also looked at John’s laptop. But that doesn’t prepare one for when the moment comes. It’s like all of that goes out the window, and he simply remembers the first time he opened a biology textbook at secondary school, pictures of flushed organs staring back at him, desperately waiting to be relieved. That’s what his own coock is like right now, already hard again, virtually pulsating with hunger in his palm. He strokes himself a couple of times, glancing down at Y/N’s wide eyes.
“Are you okay? Can I…”
“Yes, Sherlock,” she chuckles, “whenever you’re ready.”
Now, he thinks. He rubs two digits through her folds, gathering her wetness, enamoured with the way it glistens on his fingertips. Tentatively, he brings his fingers up to his mouth, swirling his tongue around them to get a taste. Eyes rolling into the back of his head, he moans. She’s better than any cup of tea he’s ever had.
His cock slaps against his lower stomach pleadingly, so he grasps it in his hand, and begins to enter her, pushing gently, feeling every flutter of her walls. Her arms fly out, hands grasping his shoulders, nails leaving crescent moons in their wake at the delicious stretch. It’s nothing like they’ve ever felt before.
“Can I move?” He asks, balls deep inside her, their pelvises flush against one another.
“Please.” She all but begs.
Before doing anything else, Sherlock hooks one strong arm around her body, malleable in his hands, and holds her chest against his. Her breasts push into his skin, her nipples gaining friction from the dusting of hair there. Her one hand cups his slender neck, the other, his sharp cheek. Their eyes meet in a fierce gaze of burning intensity, and he begins to move. Slow, calculated, sharp thrusts punctuate her core. With every heavenly stroke, he can feel the ridges in her velvet walls, squeezing around him unwittingly.
“Jesus,” she cries, her clutch increasing.
“Hmm, not quite.”
The smirk in his words is quite literally audible. He’s so cocky, so full of himself, and fuck if she can’t feel another gush of arousal coursing through her, drenching his cock. How does he manage to be so attractive when he’s so dishevelled?
“Is that good?” He asks, unsure.
“So good.”
She brings her legs up, skimming the clenched backs of his thighs, until they wrap around him, drawing his hips into her at a new and improved angle. Heels digging into the base of his spine, he begins to move with a new purpose, his thrusts more passionate as his breath is drained from him by her kisses, his eyes alight with a new flame.
“Oh my God, Sherlock.” She pants, pulling him in for a kiss he greedily returns.
He drives his hips deeper, squeezing his fingertips into her supple waist bruisingly. It’ll be a mark that she belonged to him once, even just for one night. That’s when he reaches that special spongy spot that makes her entire body buckle. She all but screams, pressing into him wholly.
The coil is building, ready to break. He seems to be nearing the edge, too, his member twitching inside her when he buries himself particularly deep. She’s oh so fucking close… She licks into his mouth filthily, desperately clashing her teeth with his, eager for his kisses to tide her over. Silence her. Shifting his supporting hand, he trails one dextrous finger around to circle her clit, adding the faintest pressure for a moment. She mewls as he groans into her hot skin, clawing at him, entirely at his whim. Now he knows where to press, he settled his grip back around her, and draws her in close. This time around, he bends his knees a little more to measure his movements more carefully, ensuring that he ruts up and brushes her sensitive bud with his pelvis, helped by the extra friction of his neatly trimmed pubic hair on every thrust within her, his tip just scraping her g-spot.
“I- Sherlock, please tell me you’re- oh sweet mercy- close.”
He grunts softly in her ear. “So close.”
Their lips meet tenderly, passionately, in what they acknowledge to be a final kiss, moans mixing between them, savoured by the other.
His thighs clench, her legs tighten around his waist, and finally, her sweet walls flutter, squeezing him as she reaches her climax, his not following long after, spilling inside her, painting her soft walls white, marking her.
“Y/N,” he cries in ecstasy as his orgasm reaches him. “Sher…” she repeats, her saving grace as pleasure washes over her entirely.
Their whole bodies wind up pressed together, bound together as one, skin on skin completely, becoming one another.
He lets her down gently, unravelling his grip, unsurprised when their sweaty skin sticks together. Her long legs unfurl, splaying in a butterfly. Sherlock tumbles ungracefully away, somehow landing with a certain gangly elegance on the space of mattress beside her, his arm instinctively flying over to place on her stomach, the skin hot and flushed red. Her chest moves hastily up and down with the thrumming of her heart, while his barely shifts despite his shallow breaths, his white skin glistening in the moonlight.
“Are you okay?” He huffs, turning on his side. “You look pretty fucked out.”
His baby blue eyes train instantly on her nipples, hard in the open air. This is the first notifier, the first inkling she has to feel self conscious, so she draws the sheet up around her as best as she can. Sherlock’s not having any of it, taking a stronghold on her arms, and pulling her until she’s lying on him, naught to separate them.
“I’ve never been this close to anyone physically and y'know.” He hums tiredly. She’s never heard him sound tired before…
She smiles up at him as best she can, “Are you glad?”
He begins to hold her ever closer, squeezing her tighter, feeling every ridge of her body.
“I’m so glad that you were my first, in so many ways.”
Praise from Sherlock is a rarity, and she’ll take it as and when she can, savouring every moment, this time by holding him like a koala, her grip not wavering.
“I’m glad too, Mr Detective.”
He brushes a kiss to her cheek, “As much as I like this, we need to get you cleaned up.”
A supporting arm beneath her bum, he picks her up, and unsteadily ambles into the bathroom.
“I don’t know much about this, but I know you should probably use the toilet, should you want to avoid a UTI, so if you’d like me to leave…”
He sets her down on the loo seat, cupping his hands over his nether regions, and he hurries to grasp for things, until she puts her hand on his arm, squeezing in a conciliatory manner.
“You do remember the camping trip, don’t you? You really don’t have to leave just because I have to pee, you never did before. In fact, you frequently annoyed me with it if you had a particular point to make, steadfastly refusing to leave the bathroom after following me in there when I went to pee. Why does this change anything?”
He shrugs, dropping whatever was in his arms, “It just doesn’t feel the same now, though.”
“Ooo, and now Mr Detective feels things.” She jokes, poking at his ribs.
He recoils, chuckling with her, “Only for you.”
As Y/N washes her hand, Sherlock begins to wrangle with a floorboard, clattering about until he eventually pulls out a small lock box, from which he withdraws a packet of brand new marks-and-spencer's ladies briefs.
“Why the fuck do you have these? Anything you wanna tell me?” she asks, eyes wide.
“John’s idea. He has plenty of girls over here who frequently stay the night, simply a precautionary error.” He takes a beat, gargling with some mouthwash, “they’re clean, new, I just don’t like the idea of you in dirty underwear, and I know how reluctant you are to go without them whenever you’re not in your own bed. I stayed with you enough nights in university to know that.”
Those nights were awfully painful. She’d take the floor, he’d take the bed, and every time she’d have to wash the sheets. He’d sweat and vomit, shake and cry, plead for the pain to be over. He wouldn’t go to hospital, he wouldn’t call his brother, he’d just turn up on her doorstep, high as a kite, almost in tears, knowing he’d gone a little too far. And each time, it was a little farther.
“Thank you, Sherlock.”
She takes them from him, and begins to shimmy them up her legs, only prevented by Sherlock moving to grab a handful of her arse.
“Hmm, I like this. Fancy another round?” He smirks.
“I’m too tired, babe. Give me a bit.”
He can see the lazy smile on her face, the tiredness in her pretty eyes, so he wets a flannel, and begins to clean her up with gentle movements between tender kisses.
“How do you know how to do all of this?” She asks, inquisitive more than anything.
“Instinct, I suppose. I never read or learned about it, seeing as I never thought it would happen.”
She snaps the waistband before moving her hands to his waist, leaning up onto her toes to reach him, kissing her softly.
“Look at you now.”
After brushing their teeth in an amicable silence, their pinky fingers overlapping on the porcelain of the sink, he aids her back to the bedroom, settling her on the bed. She has things here: deodorant, toothbrush, moisturiser, and yet somehow she doesn’t have underwear, even after all these years. Perhaps that's one too many things to explain…
With superfluous extravagance, he throws her his shirt, offering her a wry wink. She finds a blush clawing its way onto her cheeks, dumbfounded. It smells like him, just like a forest glade if it was rained on by tea and cigarettes. Maybe he’ll let her keep it as a memory.
In such a short amount of time, she’s learnt that he has a very sensitive neck. Very. A single kiss there has him biting back a moan. A low one at that, considering his deep voice also drops almost an octave when he’s aroused. His nipples are almost as sensitive as his neck, and he rather likes it when she tugs on them unwittingly.
His first orgasm comes quickly, but his refractory period is astonishing, and it takes longer to achieve a second high, long enough to make her come more than once, she assumes, though her first orgasm was mind blowing enough for two. Perhaps that’s just because it’s his first time, but it’s impressive nonetheless.
What’s the point in learning all of this if, once he comes around from his post-orgasmic haze, he’ll pretend like it never happened, in typical Sherlock style?
The shirt, though a small gesture, means a lot, and her vision begins to cloud as she looks down at the black cotton.
“You mean you want me to stay?” She croaks.
Sherlock turns to her from his set of drawers, his face full of apparent obviousness, brows furrowed in that cute bewildered way.
“Of course I want you to stay.” He states, like it’s the plainest thing in the world, like it’s stupid for her to even ask. But she’s silent, and when she says nothing in response, he launches into a long winded explanation: don’t show sentiment. “I- I just mean, i-it’s midnight, I’m not having you out in London alone. You stay with me. Only if you want to as well...”
She nods eagerly, “Yes. Yeah, course I want to stay.”
He all but leaps access the room, jumping onto the bed, before planting a proper smooch on her lips, grinning down at her. He slips into his usual side of the bed, and she takes hers, rolling to look at him.
“Don’t get cold.” He warns, tucking the duvet up around her shoulders. She giggles like a child, that small snort sounding again, prompting Sherlock to press his thumb to her nose like a button. “How are you… feeling?”
“I’m fine bub, really. That bloke doesn’t matter to me at all. Bit of a scumbag if I’m honest. You’re the one I’m with, the one I wanna talk about. How are you feeling? Must’ve been a pretty big blow up with John for you to call me and be so... teary.”
He sighs, crestfallen, “He called me a machine.”
Her gasp pierces the air, her hand flying to his hair, stroking in consolation, cooing senseless reassurances to him. She’s done this innumerable times, but now it feels different, like there’s no barrier.
“He’s done it so many times that it needn’t bother me anymore, but the way he looked at me, like I was this abhorrent monster, especially after the day and the disappointing case we had, it got to me. I hate having feelings.”
“You don’t have to hide them with me, though.”
He hums gently, burying into her chest. “I know. That’s why I treasure you so dearly.”
“That means you also have to trust me, and you’re not going to like what I have to say.” His chest heaves, shifting her whole body. That’s his way of giving in. “Please just talk to John. You know that whenever he leaves, he’ll come back, and try to pretend it never happened. He needs to know you’re human and that he upset you, but also that the case upset you as well. No one’s superhuman, and once you let John in on the fact that you’re not a machine, things between you will be so much easier, because you might agree for once.”
“I suppose you’re right.” He grumbles.
He pulls her into his warmth, hooking her leg around his as he snakes his arms around her back, breathing deeply from the crook of her shoulder. She begins to pepper kisses on his salty skin, savouring the taste with every small swipe of her tongue.
“Your heart’s against my chest, your lips pressed to my neck,” he breaks off with a faint whimper when she sucks a little harder, “I’m falling for your eyes, but they don’t know me yet.”
“Of course they do,” she whispers brokenly, hoarsely, “they’ve always known you.” She swallows thickly, “Does that mean it’s a feeling you’ll forget?”
“No, I don’t think I ever can.”
The silent words that pass between them both are so special, too special to be spoken aloud. ‘Think I’m in love now.’
“Kiss me like you wanna be loved.” He begs.
And really, who is Y/N to deny him? They just stay that way a little while, revelling in their lazy kisses, until she begins to fall asleep. It isn’t the first time she’s fallen asleep in his bed, not by any means, but it’s the first time she’s fallen asleep in his arms. She isn’t mad about it.
“Settle down with me, cover me up, cuddle me in. You were made to keep my body warm.” She smiles into her words, and embeds herself into him, entirely covered by the duvet, spattered in his kisses, safe in his arms. Sherlock feels safe with her legs around him, her fingers in his curls, holding himself against her. Amicable silence is how they drift off, Peaceful.
John re-enters 221B at a respectable hour. He got a fair amount of sleep on Greg’s sofa, having no girlfriend in the picture right now, but not enough to deal with Sherlock just yet. Not before his coffee. He expects to see Sherlock sitting in the exact same spot as when he left, perhaps just with a refill of tea, his fingers still steepled beneath his chin, eyes closed yet wide awake. Instead, he arrives at a seemingly empty, considerably clean flat, with no Sherlock in sight. Perhaps the unsleeping man must actually be asleep, he thinks, so he quietens down, and toes off his shoes before wandering farther into the flat. Even if the man does piss him off extraordinary amounts, perhaps he should just check he’s okay…
He gives the bedroom door a quiet rap, listening in momentarily before pushing it open. Frankly, he’d rather have found Sherlock with a cigarette in hand and the whole flat torn to shreds for the level of surprise he gets upon reaching the bed. His first idea is to scream bloody murder, but that might annoy Mrs Hudson, and upon stepping closer, even in the sliver of daylight through the curtains, he sees the duvet riding down a little. The last thing in the world he ever thought he’d see: Sherlock in naught but boxers pressed against a half naked woman, his palm splayed on her bare thigh. Sherlock? Spooning? It seems so, his entire body pressed to this woman. John feels himself go rigid, his feet glued to the floor, his gaze unmoving from shock.
It takes his phone to buzz in his pocket to get him moving, and when he does, all he tries to do is balance precariously on his tip toes in a wry attempt to get a birds-eye view of the whole thing. He’s not disappointed, or disturbed, once he does, though, his army agility proving useful. Sherlock’s hand is holding her, fingers entwined, just next to her chest. He wonders how comfortable it is, but if they’re staying this way, it can’t be too bad. Maybe all Sherlock needed to loosen up was a good shag.
She’s wearing his shirt, too; Sherlock’s black dress shirt from the previous day. And Sherlock? He never seeps in anything less than a full set of pyjamas, he’s weird like that .
This girl begins to stir, her lips parting gently, small hums escaping. Next, her eyelids flutter, and her hair shifts on the pillow. He didn’t make any noise, did he? John was specifically careful not to, just in case. He doesn’t fancy Sherlock’s wrath just yet.
One eye opens, and she whispers, almost incoherently, “Hi John.”
How she knows his name and who he is, he’s not at all sure, because he doesn’t think he’s ever seen this face in his life. The hair is familiar, and maybe, if she were more awake, he’d recognise her smile, but he’s never seen a woman in Sherlock’s company beside Molly Hooper. Speaking of…
Before he can even say anything, though, before he can ask who she is or if she wants tea or if she date-raped his roommate, she’s mumbling, and detaching her hand from Sherlock’s, rolling over. Dumbfounded, John just stands there and watches her cuddle into Sherlock’s chest, her arms wrapping around his torso like second nature. Even in his sleep, not consciously thinking about his actions, he grips her back - one hand resting just above her bum, and buries his nose into her neck.
John can’t help but smile to himself. Maybe their fight was for the best if Sherlock now has a girlfriend, someone he turned to for solace. So, he grasps for the top of the duvet and pulls it up over both of their figures, reaching their shoulders, and leaves, staring wistfully for a brief moment at the seemingly happy couple.
The weight of the duvet of what startles Sherlock, though, stirring him a little, inviting him to him against Y/N’s skin, smiling with eyes barely open. This is really nice, he thinks to himself, not waking up alone.
She smiles back blearily, and in her morning voice, whispers to him, “Kiss me Mr Detective.”
#sherlock#sherlock holmes#bbc sherlock#johnlock#sherlolly#mystrade#sherlock smut#sherlock fanfic#sherlock imagine#sherlock holmes imagine#sherlock holmes smut#william sherlock scott holmes#mycroft holmes#molly hooper#dr john watson#sherlock bbc#john watson#sherlock x oc#sherlock x reader#sherlock fluff#sherlock angst#sherlock fic
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hello!! i saw requests are open and i was wondering how zemo would react to seeing their nonbinary/fem presenting partner in a suit for the first time! i get kind of insecure about if people will find me attractive when im masc rather than fem, so it’d mean a lot! also maybe there can be a suitkovia reference somewhere LOL
Perfectly Suited [Baron Helmut Zemo x Nonbinary/Fem presenting!Reader]
Word count: 1.3k
Warnings: get ready to be loved and spoiled by our best sugar daddy
Author’s note: I hope I managed to get through your wishes, thank you for allowing me to do so
Baron Helmut Zemo was many things, but there were two particular things he liked to regard himself: a man with an exquisite taste and the deepest adoration to his partner.
He was one of those men from another time, he loved, he loved completely, devotedly, without limits.
He loved you with a passion that nobody could deny, it was vibrant, electric, he didn’t need to show pda, just to see you two together proved his care.
He would give all the best to you and only the best, and that’s how you would only eat in the best places, find yourself sleeping only in the silkiest sheets and go to a tailor for any piece of clothing you needed.
Too much? Always not enough in Zemo’s eyes.
He was old fashioned on this: a piece of clothing had to fit like a glove, to suit your habits and not the habits of the mass market, and you better not start him on that topic because he could go on for ages about how the quality of clothing just mirrors the quality of society.
Nevertheless, you’d benefit of all the best tailors of the world, anything you desired, you’d just have to book an appointment with Zemo’s name and you’d be settled.
On that particular evening you asked him to be present for your final fitting, you didn’t tell him what it was but he guessed it must have been something special because it took time.
As you walked into the shop he smiled at you leaning his hand on the lower of your back.
“Show me darling, I can’t wait” he said as he took off his coat moving to a private room reserved for the fittings.
Mirrors and flowers everywhere, the place smelled heavenly and you grew to love it with time.
“Today is the day” the old tailor told you with a big smile, he grew excited with you, he wasn’t a young man and didn’t understand a thing about the whole concepts of ‘modern sexuality’, but he knew clothing, he knew how what you wear can bring you the highest or the lowest.
He hanged your little surprise and left you to change.
You nodded at him as the excitement was taking over you, but also the worry.
What if he doesn’t like it? What if he refuses that side of you? Yes, all good but this is too far? He paid big money for it, what if it is not right to his eyes?
What if he has no reaction at all? Is that good or bad?
You undressed quietly and slipped into your new suit, you smiled instinctively as just wearing it made you feel confident and alive.
You looked up at yourself in the mirror as you laced up the shirt buttons and you indeed liked yourself, you wanted to wear it always, everyday.
You put on the jacket and buttoned it up, a little move from side to side to take in every angle before calling the tailor in.
“I am so good at my job” he chuckled as he adjusted a bit the position of the shoulders and instructed you about how the sleeve of the shirt has to show in a certain way outside of a jacket.
“That’s how you understand if a jacket is perfect for your arms” he explained and he was always covering you in little trivia.
He knew you were nervous, so he tried to distract you.
“Ring the bell when you want me to come” he said as from your changing room you’d get to where Zemo was sitting, chilling on the big sofa, legs spread comfortably as he sipped his glass of ‘welcome champagne’ while going through some catalogues stocked in there.
When the door opened he closed The catalogue looking up at you.
He blinked for a moment as you squirmed under his watch
“Can you do a turn for me?”
He asked moving his finger and you did as asked, a vague sense of nausea and fear taking over you.
He stared at you, the moment you gave him your back the most nerve-racking. When you gained back your starting position he gulped down in one shot the drink he had and left the empty glass aside unceremoniously before standing up.
In your mind, you were already consoling yourself over the fact that it was another time when you will just have to accept things.
“Y/N”
You looked up at him as he called your name.
“You’re so handsome” he said, his eyes shining, a Cheshire Cat kind of smile taking over his lips as he kissed you enjoying the privacy of the moment.
“Y-You do?”
You asked surprised pulling back from that kiss, still doubtful, you got so ready to hear a rejection that you didn’t allow yourself to foresee the amazing smile he was gifting you now. He touched on your sides and up onto your shoulders, the dark fabric slipping through his fingers as he observed you closely before meeting your eyes again.
“Darling” he scolded you gently with that nickname “you even doubted I would love to see you suited up for me?” He asked and you looked down, his hand slowly moving under your chin to make you look up again
“Never look down” he said, his hazel eyes burning holes into you “Remember always: you are the one that makes the rules, you can do everything you want, dress as you want, don’t let anyone tell you that you can’t wear something or do something. If that makes you happy, if that makes you be you, then it is perfect”
You felt emotional as his smile triggered you to smile back, your eyes tearing up a bit.
“Hey, listen to me, I might be right for once, you’re talking to a man with a collection of fur collared coats who doesn’t care at all”
You chuckled, because it is true, you even have got one just for his own pleasure.
“All good?”
You smiled looking at him and you nodded, his arms making you feel safe and secure, that mixed with the power suit you were wearing you felt even bold.
He did a very secure nod before leaning in to ring the bell on the side
“We have only one problem now” he said and you looked at him puzzled.
What is wrong now? You looked down at yourself instinctively.
The tailor came inside smiling warmly, happy to see you two in a cuddly moment
“How you find my job, Sir?”
“Impeccable, as always” Zemo said “but this is an evening suit”
Zemo moved on your side touching onto your jacket, the closeness of him, his warm attentions being a gift for you.
“We need at least two day suits, one in linen for the summer and one for the winter, something thick like Harry’s Tweed” he explained as the man took note “and of course something else for special evenings” he added looking at you.
“Please, I’ll show you the fabrics”
The tailor said to you motioning you to follow him to his table so he could show you all the books with the textiles.
“Perfect, we don’t have much time, so pick wisely, I’ll schedule another appointment soon”
Zemo said checking his watch and you looked at him, once more, very surprised because you had no following appointment.
He smirked leaning to your ear “You don’t expect me to watch you in a suit and not bring you out for dinner” You smiled at him.
“Helmut…” you murmured but many words couldn’t just allow you to express ho much it meant to be accepted, to be even liked in the way he does “Thank you”
He smiled “I love you” he said, as simple as it is “now go pick your fabrics or I won’t be able to wait for the dinner to be over to reach the second idea that suit gave me”
Tagged @cazzyimagines @lieutenantn @handmaiden-of-mischief @thesunflowersutra @zemomybeloved @fictionlandslanddreams @charistory @greeneyedblondie44 @apparrio @hb8301 @whatawildone
Let me know if you want to get tagged too <3
#baron zemo#helmut zemo#baron helmut zemo x you#baron zemo x y/n#baron helmut zemo#helmut zemo imagine#baron zemo x reader#zemo headcanons#helmut zemo headcanon
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MERCY
• pairing; toji fushiguro x reader [ nsfw ]
• premise; it’s the same dance with him, a shameless game of cat and mouse in which he always win but maybe losing is equally as rewarding.
• words; 2078
• note & warning; i’m back with some toji content, he’s just been in my mind a little to long for me not the write about him. some warnings for this one is public, unprotected ( wrap it and then tap it folks ) sex, with the usual grammatical errors—I swear I try to proof read ya’ll but they just manage to find a way to stay in there. i am slowly but surely getting my mojo back.
Old habits die hard; it's easier to hate each other that way. Labeling whatever that was manifesting between the two of you as that, a bad habit. A dirty secret only an onyx sky could appreciate enough to hide. Perhaps that's what kept it alive and kicking, midnight turmoil, where even the most terrible of bad ideas are more seductive.
Though it's debatable if the alcohol left you unhinged, mindless, and bold. What other excuse did you have for allowing the bastard to enter your domain? There was no shame from the thinking without a conscience, but with the pounding music and pulsing lights, you weren't sure there was even space to think. He held a brazen stare all evening, keen to every move you made.
A man's attention was never anything to sneeze at, but when it was a straggler like Toji Fushiguro, it was intoxicating. And more than the liquor, everything seemed to be within reach under his spotlight. He held his distance, clung to the darkness, yet with such an adamant gaze he could have been right there beside you. At least, that's how you imagined it but the game wasn't that easy.
He'd stay in his dark corner, not quite able to step closer until you were ready. Until the heat underneath your skin became unbearable, leaving you an aching mess. That made it easier to devour you. Whether it meant burying his head between your thighs or hooking his arms around your waist and keeping you open. Or bottomed out inside you, mouth feasting on your chest.
The club was full, Friday night packed but it would work in your favor. You knew none of the songs, not that it mattered, it was mere fuel to your movements. A nice accessory to the sway of your hips, to suggestive temptation behind them.
It wasn't worth looking in his direction; he was always watching. At that thought alone, your clothes become a nuisance. A means to an end, that would start with him. Toji was a patient man but knew that patience didn't extend to everyone, you in particular. He was a tease, and as your dress inclined it almost felt as if he'd been the one to hike it up.
A sensation too similar to his hands moving over your bare thighs, ready to pry them open. His smug chuckle was right there feeding your imagination, and as one song faded into the next, there wasn't a spot on your body that hadn't been kissed in theory. With one thought, you were drooling over a man less than ten feet away, fantasizing about all the ways he could take you. It was more of a headache than it seems, and as the pace of the songs picks up, the conscience returns. Whilst you make your way back to the bar. You'd need a little more liquid luck to get through the rest of the night.
“That was quite a show.”
“Didn’t know I had an audience.” What else could you have done but tell a bald-faced lie? Telling him the truth didn't do anyone any good. How you envision him fucking you in the middle of the dance floor.
“Could’ve fooled me." The bar was located farther away from the DJ and next to the restrooms. The quieter end of the venue, but you're sure you'd have heard his smirk regardless.
After all this time, it's only then that you turn to him.“What are you doing here Fushiguro?”
Big mistake, ten feet away he looked the same as when you last saw him, but up close and personal, some details that had escaped memory came back to haunt you.
“Would you believe me if I told you, I’m here to see you?”
Yeah right, “Not in the slightest.”
“It’s true for the most part, had a job in the area and thought I’d pop in do some sightseeing." He shifted his weight back to the counter, his elbows well-rested on either side.
“Well you came and you saw.”
“On the contrary,” he said. The double meaning has turned your cheeks crimson, and you're thankful for the red lights underneath the counter. “Cute dress.”
Images from moments before gloss over your eyes, heating every part of your body. They burned a path down your chest before settling below your hips. “Seriously Fushiguro what do you want? You made it pretty clear we both want different things the last time you popped in.”
“Things are different.” Sincere wasn't the word you or anyone else would use to describe the guy, but his demeanor defied all expectations. He seemed to be a completely different person.
“Yeah, they are,” you mumbled, tossing back a shot you managed to order before his interruption.
“Look," he started and turned to face you. Face inches from yours, his scent enveloping both of you. "I tried the settling down thing and it doesn’t work with my kind of lifestyle.”
It wasn't the words you wanted to hear, but you probably wouldn't have had them anyway. Wishful thinking, “Then that’s clears things up doesn’t it?” Toji Fushiguro didn’t do apologies, much like he didn’t do commitment, and even as he called after you, that would never change. Something you wish your body would recognize, no matter how much it longed for him.
The corridor to the restrooms was too quiet for him being that close to you...too intimate. In the quick second you had turned you back to him, ready to sober up and head home, he’d already been behind you. Pushing you up against the wall in the far corner, his arms barricading you in.
“You’re quite stubborn, you know that.” His voice was low, quiet all to maintain the secrecy veiled in the darkness.
“Thanks, I’ll be sure to add it to my resume.” You witted, going to duck around him but he was quick and with a step forward his hips pushed yours in back place.
“Will you just listen,” he pleaded. Not that you had much of a choice, but he took your silence as obedience. “I won’t make excuses, I’m a shitty guy but it’s gotten me this far. You won’t get the white picket fence with me. That’s not who I am.”
It was true, he was a shitty person. One minute here and the next gone with the wind. All with impeccable timing, usually around when he’d finish fucking you senseless. Truthfully it wasn’t something too much of a problem, it was better if he had his life and you with your own. Though you supposed between the kisses, and that final thrust that brought you both over the edge left some vulnerability.
“If I’m stubborn, then you’re quite dense. I never asked for that Toji. I was fine with the wild sex but was a little conversation too much to ask? You’ve got baggage, newsflash so do I, but you’d think we’d handle it like two grown adults. You’ve always been on the move, please, slow down every once in a while.”
The silence is deafening, louder than the upbeat track in the distance. You were irritated, angry, and, to make it worse, aroused. What else did he expect from you but a meltdown? As he moved his head to your back, he lowered his arms, allowing them to ghost your waist. “I'm sorry,” he said softly, kissing it.
In retrospect, you should have jumped for joy, climbed to the top of the bar, and screamed at the top of your lungs like a lunatic, but you didn't. You didn't want to abandon his embrace at that moment; he had really changed.
The kiss in trial is slow and tender, responsive to not only the worries but any emotion in between. Everything you didn't think he was capable of and all rage bleeds into desire. Each of you starved and desperate to find a fill.
The stiffness of his pants condemned his hold, which found its power over your hips. You want to propose that he return the excitement to your place or whatever hotel he was staying in, but he broke the kiss to turn you around. His patience had reached its maximum for the night.
“Wait for a second,” you mumbled out. A slight moan slipped through feeling his erection firm and strong against your rear. The ends of your dress taunted by his fingertips liked how you pictured them too. “Sorry princess, no can do.”
It’s almost impressive how quickly he lifts your dress and slipping a finger past your thong. But should anyone know your body in grave detail it was him. There’s a ceremonial cheer from the crowd as the DJ lets the beat drop, Toji’s opportune moment of intrusion. Your own cry, not one in interest to the music but the long slender finger to part your folds.
“I’ve waited all night to get my hands on you,” he mumbled out, lips pressed to the back of your neck.
“Toji—”
“I’ll be quick, just the way you like it.”
It’s in your best interest to stop him there, keeping private matters just that, you should stop him...should.
“Fuck…quickly.” you cursed out in compliance. There’s a smirk on his face, you know it. Sure he’s different, but some things never change.
In the second he pulled his finger away, you whimper half expecting for it to slip back in, maybe even with a partner but a casual Friday night turns into Christmas.
“I'll take my time with you later, right now—” he started face pressed into the back of your shoulder. “I just need to be inside you.”
First was the tip of his cock, a feeble tickle before the rest of his inches followed. Stretching you full, slipping deep into your heat. Coaxing the ache that was for him, letting the world see just how easily your body welcomed his own. Yet, it was hard to care about the rest of the world when your own revolved around everything below your hips.
He gripped them tightly, anchoring you there at the hilt with a slow sure thrust before looping a hand to your front. Twisting the nerves in time with his sudden thrust. Quick like he said, but still slow enough to feel him move inside you. In and out, then over again. The excitement of having him there indulging with your body, and the anxiety of getting caught clashed. Making you even more aware of your walls around him, but in his muffled moans there are words of encouragement. Sweet nothings that make your arousal fierce, sexy, and less wrong.
“Don't stop, ” you say a little too loud for doing something taboo but you don't care, “Don't fucking stop.”
The million and one fantasy that flooded your mind on the dancefloor spirals, winding with the moment and coiled in an untamed void. Ready to snap at those trying to control it. And there, shrouded in the thin veil of privacy Toji picks up his pace, teasing it with each stroke until finally, it shudders through. Coming in waves, meeting your peek every time he pushed forward. Bolting down your legs the more sloppy and anxious his hips became.
“Fuck, ” he grunts hands shooting to your chest. Pulling you closer to him, eating up your moans with his.
Almost feral with the way he continued despite his cock’s twitches, he wasn't nearly satisfied but that was a mess neither of you was capable of cleaning up at the moment. Regrettably, you push back on his rhythm stopping it completely. Snapping him from the haze.
“We should go, ” you whisper out on his lips. Which he can only grunt back in response to, hesitant to slip from your warmth.
His hands are glued to your body, unable to null all contact as you tugged your dress back down or as he tucks himself back into his pants. You'd ask whether it was back to your place or his but the languid look on his face as the two of you shamelessly stepped into the light made it fruitful. It didn't matter where the two of you went, he'd have you crying for mercy.
#jjk#Jujutsu Kaisen#jujutsu kaisen x reader#jujutsu kaisen smut#toji fushiguro#fushiguro toji#toji fushiguro x reader#fushiguro toji x reader#toji fushiguro x reader smut#fushiguro toji x reader smut#gojoho
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When Villain!Yuu manages to return to their dimension and finds out their minions did, it’s one of the few times that the Supervisor has lived up to their title as heir. The next day the head of the minions of the attempted murder squad was found battered, covered in bird poo, and tied in front of RSA. If Crowley asks, Yuu makes the excuse that they are simply following one of the rules of villainy. If a minion steps out of line, don’t correct, make an example out of them.
Thank you for the ask, dear anon!
Warning for dark under the cut.
There are three items on the desk.
One is a cellphone. It’s a compact, black brick of a thing, the sort that could survive a drop from a window a story up. Its screen is currently dark and silent. It has not buzzed or vibrated, or given any indication that it’s even on.
The second is a glass of clear liquid. The glass looks pretty standard, no fancy plane designs or rectangular shapes. Just a squat round cup with a round lip and clear liquid an inch or so from the top. There are small bubbles forming in the bottom, the longer it remains undisturbed. It doesn’t seem like those are the results of carbonation, or some other nefarious properties.
No. If anything, the cup is there for the third object on the table.
A pair of two pills are sitting innocently by the cup’s side. One is larger, pale pink, and lozenge shaped. The other is smaller, a capsule that’s colored dark green and blue.
The minion swallows. The phlegm feels like it’s lodged in his throat.
There’s a sigh from the other side of the table.
The Supervisor leans forward. The supervillain’s features are slightly drawn, like they’re preparing to undertake an unpleasant chore.
The minion has the insane urge to giggle at the sight.
“So…” The Supervisor splays their hands. “Unfortunately, following reviews of your recent performance, we have found that you are…not a good fit for this business. It’s been determined that it’s in everyone’s best interests for you to be terminated from your current position effective immediately.”
The minion—or rather, ex-minion—gives a shaky nod.
The Supervisor tilts the brim of their top hat up, so they can better make eye contact with him. “You have two choices for your…ah, severance package.”
One hand gestures to the glass and pills. “Option one: you take these. The pink one is a sedative, and it’s up to you whether you take it before or after the other. It’s pretty fast acting, so it shouldn’t matter so much either way. All you’ll know is just falling asleep.”
The other gestures to the phone. “Option two: I make a call to Dr. Crewel. You’ll be transferred to his department. But in the, ah…volunteer capacity. Instead of the minion one. Do you have any questions?”
There’s a moment of stunned silence.
“W-what?” The ex-minion stutters. “B-but…I, I don’t understand?”
“What don’t you understand?” The Supervisor asks, patience in every line of their posture. Like they were an adult helping to explain something complicated to a small child.
This, in spite of the fact that the ex-minon was a decade the supervillain’s senior.
That helps the ex-minion order his thoughts somewhat. “I-I thought the rules for g-getting fired were that the min-minion in question would be turned over to the police for arrest. Or to the local sup-superheroes.”
The Supervisor nods. “That is what happens in most cases, yes. However, in those cases, the termination is contingent more on minion incompetence or betrayal. You and your…friends, regrettably, fall outside that purview.”
The ex-minion’s mouth moves soundlessly. “But…I don’t understand. Isn’t this for betrayal? That I betrayed you?”
The Supervisor’s mouth tightens, even as the rest of their face remains impassive. “That…is another crime you committed, and one that was taken into account when making this decision. But it is far from the main motivating factor behind all this.”
The ex-minion wracks his brain. “But, what…?”
“You attempted to murder a child.” The supervillain exhales, some dark, wounded emotion entering their eyes for the first time. “Another version of myself, true, but an injured, defenseless child. One who had never done anything to you, or anyone else in this world. Who had no involvement in whatever quarrel you have with me. Who nearly bled to death on my roof due to the injuries sustained as a direct result of your attempted murder.”
The Supervisor shakes their head. “And that would be bad enough, especially as I was under the impression that they would at least be cared for in my absence. Except this? This was not an isolated incident, was it? Looking over the behavior of the perpetrators, it’s become clear this is only the culmination of a dangerous trend I should’ve seen and put a stop to ages ago.”
The ex-minion doesn’t think he can breathe.
“The first endangerment of Miss Elena Blackwood back at the bank. The repeated suggestions of attacking elementary, middle or high schools or public playgrounds to divert heroic attention during heists or schemes. The inclination to ignore my orders when I specified that children were to be released immediately if caught up in a hostage situation we organized. The attempted hostage taking of Mr. Cheka Kingscholar while he was my guest.”
The ex-minion tries swallowing again. When he speaks, his voice is hoarse. “I thought you didn’t know about that.”
He winces at the mindless admission.
The Supervisor’s eyes narrow at him, and fury rolls off them in almost visible waves. There is no doubting the Night Raven’s genetics were used to make them like this.
“I have my ways.”
The ex-minion quails under their glare.
The Supervisor sighs, scrubbing a hand over their eyes. “Do you understand now? You are not being fired for betrayal. You and your cohorts are being terminated for repeated and willful perpetuation of un-villainous crimes of one of the highest orders, in accordance with League Statute A55. So, what’ll it be?”
“Sh-shouldn’t there be a hear-hearing, or, or an appeal, or something?!” The ex-minion begs desperately.
“If you wanted forgiveness, you should have applied to the Royal Sword Association.” The Supervisor rattles off blandly. “We here at Night Raven Corporation specialize in putting the super back into supervillainy.”
The ex-minion slumps. “…I always hated that slogan.”
The Supervisor pulls a commiserating face. “Not some of Dad’s best work, I’ll admit.”
He stares at the pills and at the phone.
“…Which did Miette pick?”
The supervillain pointedly glances towards the glass and its companions.
He snorts. “Naturally. She’d rather be dead rather than be something monstrous like you.”
The Supervisor inclines their head but doesn’t deny his words.
He considers it some more. “…Would I still receive a paycheck? As a volunteer?”
The Supervisor shrugs. “One that’s considerably reduced from what you currently earn, but yes. You would be compensated for your services. And your current life insurance will still be maintained and paid out to those you specify in the event of an accident under Dr. Crewel’s care. Or, indeed, if you take the other option.”
Like he has anyone he wants that money to go to.
His eyes dart between them.
The choice is easy in the end. Miette can call him a coward all she wants beyond the grave, but he’s not letting this thing be the last sight he sees.
“Make the call.”
The supervillain nods, and picks up the phone.
It’s screen lights up as they lift it towards their ear, pressing a button. “Dr. Crewel? Mr. Aston Michaels has expressed his consent to be transferred to the volunteer department. When can we expect pickup? Five minutes? Yes. Yes, this is the last one. Well, thank you for your help. Have a nice day.”
They hang up, and set the phone back down on the table.
Something flickers across their face— distaste? Weariness? Regret? Whatever it is, he hopes it haunts this thing’s nightmares for the rest of its miserable existence. It’s the least it deserves.
The two of them sit there in silence. Then there’s a knocking behind him, and light spills over him as the door is opened.
A pair of minions in impeccable suits step through, nodding to the supervillain, who nods back. Each one of them takes one of his arms and gently pulls him up from his seat.
“I’d say you’re going to be dammed to Hell for this.” He says, almost cheerfully, before they can turn him away. “But I’m pretty sure you need a soul to go down there, and things like you don’t have those.”
There’s a subtle intake of breath from the suited minions on either side of him. He ignores them, his glare fixated on his now ex-boss.
The Supervisor smiles grimly back at him. For some reason, that kind of pisses him off.
“Oh, believe me, Mr. Michaels. I know.”
#ask#tw: suicide mention#tw: human experimentation#twisted wonderland#twst#harrassed villain yuu au#supervillain au#twisted wonderland yuu#twst yuu#the supervisor#villainous paranoiac yuu#divus crewel#dire crowley#why is all my dark stuff for this au#like seriously#office jargon covering up terms of endangerment#yuu goes and gets very drunk with ace and deuce after this
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@shikigamiuwu said :
“Epel’s have a crush to y/n since they meet them and has confessed there love for y/n many times but y/n reject him. So since it was here birthday he thought of confessing again since he has birthday pass, but Y/n reject him again since he has a crush to Vil or Rook (whoever you want) to Epel’s demise, so Epel’s became so frustrated and angry that he just rape y/n and manipulate him on think y/n is not worthy to be with Vil’s so he can have y/n for himself.”
••••••••••
You, my good bitch, have sent like- four big-brained ideas for not only Epel but SILVER BIRTHDAY CRUMBS and I am ascending. Yume does not deserve this, I–
Warnings : Non-Consensual Touching | Non-Con | Yandere
“I like you.”
If it happened to be your first-time hearing Epel say those three words to you in such an affectionate manner, words that are obviously meant to be taken as a confession, it would’ve been enough to put you through a coma because of shock. You’ll be all flustered and probably stutter like a toddler learning how to speak for the first time, trying to figure out if it was a joke or not, despite the obvious signs. I mean...It was a confession from such a beautiful boy after all and you don’t really consider yourself as someone who can reach that level of beauty so, how can you not panic? If it were the first time, you wouldn’t know what to do, what words you should say, or which feelings you should prioritize. You’d be totally lost!
Except…This was no first time.
How many times had this beautiful boy confessed to you over the course of a few months? You weren’t counting, but you do know that you rejected each one of them respectfully and thoroughly. You didn’t why he kept coming back, he’s a lot more persistent than he lets on. “...How many times are you gonna tell me that?” You can answer him as differently as you want, but Epel would only smile at you and say the same thing every time.
“Until you can say that you like me back.”
The first time was as true as it could get, you were flustered, in the state of disbelief, plenty of eye movements going everywhere, grateful but unsure, and nervous sweat formed on your forehead. He loves you in a romantic sense, but even if he was someone precious to you, you just can’t see him as someone more than a really good friend, family even. “...But I keep telling you, I already like someone else.” It was your only excuse; it was a weak reason but at least it wasn’t a lie, Epel should know it more than anyone. It shuts him up, unable to say anything that could counteract your words and at first glance, it looks like a sign of giving up but soon, he’d just shrug it off like you never said anything in the first place.
It was troublesome, Epel wasn’t forcefully pushing his personal ideologies into you but having to tell you something that you already know is tiring to say the least. You wanted to be polite and even appreciate his honesty, but the more times he confesses, the more desensitized you get. Your rejections went from being apologetic to giving out an exasperated sigh and a shake of your head, just wanting to get it over with. It’ll just be the same anyways, the same confession and the same response, there was no point in sugar coating your words at this point.
“I like you.”
Epel might have thought that he’d get the response he wanted if he confesses to you on his birthday, but you could just shake your head in pity. No, you weren’t going to give in to the fact that it’s his special day and feel obligated to reciprocate his feelings because of it. You’d be lying otherwise, and you’re not about to build a relationship out of lies...Seriously, when is he ever going to stop terrorizing you with all these confessions, you’re starting to feel really bad about yourself here.
“Like I said a million times before, Epel.” You narrowed your eyebrows together with a stern and impeccable voice. “I don’t like you that way, I have someone I already like—“
“It’s Vil-san, right?”You widened your eyes as you looked back at Epel, surprised that he gave up a different answer than the usual. He was wearing the same smile as he does before, but up until now, you just can’t stand the fact on how empty it feels.
“H-How did you—“
“It’s obvious. Anyone could easily guess it if they observed you enough...Especially with how you constantly you look at him.” He said, his clear cerulean eyes burning holes into your soul. This made your cheeks flushed, quickly looking down...Do you really act that weird when it comes to Vil? It’s true that he makes your heart flutter and his presence was just something that you can’t turn a blind eye into but...You always thought that you were keeping your feelings cool and low. “What, don’t tell me you’re not aware of it yourself?”
Epel laughed, his hand covering his mouth like a delicate princess. “You’re really funny, charming even when your making such a dumb face too, hehe...” He said with a tinge of adorable red tainted on his flawless skin, rosy cheeks that you could only ever wish in your dream to have. You gulped as he looked back at you, staring straight into your unsettled eyes, making your body tense without knowing the actual reason as to why. “...But that’s only because I really like you that I’m willing to accept any of your bad characteristics. What do you think will I think if I were a normal person? If I were Vil-san?”
Your mouth closed and open multiple times, trying to find the words you want to say. Somehow, you began to piece together what he wanted to say and yet, you couldn’t actually stop him from saying it out loud. You knew it yourself; you didn’t need someone to pressure you into admitting something you already knew. Was Epel this much of a shrewd person before? Regardless, his pink polished lips twisted into a chilling smile.
“I’d think you’re disgusting.”
“You think you’re so smooth, following him around and eavesdropping every time he opens his mouth to talk just to hear his voice. You’re probably the type to steal some stuff from him too, it’s creepy!” Epel said, walking over to you as you kept your head held down, ashamed to be called out like this. “That makes you no different from a crazed fan, a stalker. Vil-san already gets plenty of those, he doesn’t need another one.”
You gasped as Epel grasped your chin, his eyes remaining as dark and cruel as you remembered them before, only that this time, he was no longer smiling. “…That’s why it’s disgusting. That’s not the kind of beauty Vil-san is looking for.” He said as you tried backing away, only for him to keep on stepping forward to stay close to you. “He’ll never acknowledge someone like you.”
You yelped as Epel suddenly pushed your shoulders down, tackling you down to the ground. Grunting, you landed in a not-so gentle manner with his beautiful face hovering above you. “...But I do.” He added, a small smile reappeared in his face, it was more like a pity smile if anything else.
You were getting scared, there was fear in your eyes alone as you try to search for your way out of this situation. Epel has a small structure despite being growing man himself, the different in size between the two of you are barely even noticeable! But with that cold, intimidating gaze, it feels as if you were forced to shrunk down beneath him. “E-Epel—“ Your voice calling out his name only became an encouragement for him to move his hands freely around your body. Even when you widened your eyes as he suddenly lifted up your shirt to expose your chest.
“W-Wait— no!” You can protest all you want, but even struggling against him as a fit resilience did nothing to reach conscience. Your breath was shaking as he merely swayed your flinging arms away, already weakened by your own will, and worked his way into freeing your mounds to be groped. His hand reached the underneath the skirt that you were wearing for his party and wasted no time in reaching for your underwear. Quavering lips turned into gasps of panic as he makes its way down to your erogenous zones, his nimble fingers able to send pleasures down your body. It didn’t take too long before the realization came to you, just how serious this is, that tears began to well up in your eyes.
He took no mind to it though, you plead and beg but you were met with cold, uncaring eyes as you felt a finger sliding in pass your folds. The way you squeaked like a mouse as he bit on your breast too, it was all too insignificant to really reach his ears at all…Looking deeper in the depths of those seemingly gentle eyes, it slowly occurred to you the emotions that he was hiding underneath there. Something that you’ve never noticed until now, or something that you never really bothered to look into, even if it was just for a split second.
All this time, Epel...was angry.
“S-Stop!” As if yelling out in a demanding voice can stop him, it only made him growl in irritation as he thrusted yet another finger inside you. Your willpower was incredibly weak, your stomach was already forming a knot ready to burst out any moment just by his fingers alone. With a scissor-like motion, it’s almost like he knew where to hit you, which places would feel good and would irk you even more, he even dug deeper down your entrance to explore undiscovered places.
An orgasm was inevitable, he was surprisingly skilled with his hands and your body wasn’t able to take all of that pleasure all at once and bursts right then and there. The toll on your body it took had you writhing on the ground, sobbing at the light-headed feeling spreading inside your brain. Epel seemed satisfied though, pulling out his fingers completely to marvel at how soaked you’ve made his fingers to be. “…You’re amazing.” He said, smiling down at you as he began to shuffle in between your legs, not even letting you rest for even a minute. “This is why I like you so much.”
“Please, stop...! W-Why…Why are you doing this…!?”
He leans in, wiping the tears off your cheek as he shook his head stubbornly. “Do you still…not understand?” He said, that chilling smile on his face was making it all the more terrifying for you as he comes and undo his pants. It’s not about whether or not you understood his motive here because you already had way too much time to do that, you were just in a state of disbelief that you’re just…doing anything you can to call off this reality your experiencing at this moment. “I said it over and over again, didn’t I?”
“I like you.”
Epel then chuckled, before shaking his head as if to correct himself from his own wording. “…No, maybe that’s why you couldn't understand.” He said, his smile becoming wider and wider. “Because it’s love.”
“I love you, (Y/N).”
#yandere twisted wonderland#twisted wonderland#epel felmier#yandere epel felmier#yandere#Birthday Crumbs (Epel)
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Impeccably Bad Taste (Drarry)
This might be one of my favourite fics that I’ve ever written? It was just so much fun and I love these two so so much, I’m obsessed with their dynamic!
In which, Harry gets tired of Draco's complaints and wears Amorentia as cologne one day.
“Merlin’s beard Harry there’s not much we can do about being stuck together as potions partners but you could at least not use so much of that awful cologne.”
Harry shot a dirty look at Draco and chose not to reply, instead choosing to continue chopping the newt tails as if he had never heard his Slytherin counter-part. Really none of his complaining was fair, sure Harry wore a dab of cologne but at least it wasn’t nearly as pretentious as whatever citrus-scented shampoo Malfoy used.
Harry tossed the tails into the caldron and stirs it three times, counter-clockwise. He was pretty impressed with himself until it turned an awful mucus green and began spitting flecks of boiling hot liquid everywhere.
“Fuck, what did you do?” Malfoy cried shielding himself.
“I followed the instructions!” Harry protested, reading back over the spell quickly. “Wait shit no, I stirred counter-clockwise, it says clockwise here.”
Malfoy rolled his eyes. “Trust a Gryffindor to be incapable of something as simple as following simple instructions.” He wiped bead of sweat from under his lip and Harry wished his eyes hadn’t followed the action.
Harry stirred the potion rapidly clockwise in an attempt to undo his mistake. After a few moments, it stopped spewing steaming droplets and slowly regained its deep purple colour.
“Shove off Malfoy. I got it back under control, it’s fine.”
“Fixing a problem of your own creation isn’t much of a boast, Mr Potter.” Came Snape’s characteristic drawl. “Ten points from Gryffindor.”
Malfoy’s pink lips curled into a little smirk.
Harry sighed. Just his luck.
****
“He’s just so annoying, you know!” Harry ranted, throwing his hands up in the air as he spoke before letting them fall limp at his side and flopping back onto the grass they were sprawled on.
Hermione raised an eyebrow. “Yes Harry, we know, you’ve been going on about him for, how long has it been now Ron?”
Ron cast a quick tempus, squinting in the light of the sun before turning to Harry. “Twenty minutes mate. That is a bit excessive.”
Hermione hummed in agreement. “That’s a bit of an understatement. Harry, you’ve got to either get over this obsession with Malfoy, or do something about it. Either way, make up your mind soon before you drive yourself insane.”
Harry leaned up on his elbows so he could look at her properly.
“Do something about it? What does that mean? Hex him or something?”
Hermione shook her head and closed her eyes “Yeah, or something.”
****
“There’s supposed to be a faint smell of almonds.” Harry muttered, sniffing the air over their shared caldron. “Can you smell it?”
Malfoy rolled his eyes. “I can’t smell anything over your goddamned cologne. What, do you take a bath it?”
Harry gritted his teeth, trying not to get too riled. It was hot in the dungeons that must be it. It would make anyone irritable. He didn’t want a fight ‘get through this year with as few incidents as possible’ -that was his plan.
“What even is that, sandalwood?” Draco asked. Harry hated that he was right.
“Whatever Malfoy, just concentrate on the potion.” Harry muttered, rolling his shoulders. He could do that.
“I’m trying if you hadn’t noticed.”
There was silence for a few moments as they both leaned over the caldron, taking in deep breaths.
“No almonds, just sandalwood.” Draco drawled and Harry bit his lip. Screw ignoring it.
****
“Hey Hermione, you have a vial of Amorentia, right?” Harry asked his brilliant friend as they sat alone in the common room that night.
Hermione looked at him cautiously. “Yes… Why do you want to know?”
“I was wondering if I could have some?” Harry asked, quickly continuing at his friend’s shocked face. “No! Not to use on anyone, I swear! It’s just to, well it’s hard to explain but I just really need some, only a little dab, I promise.”
“A little dab wouldn’t have much of an effect on a person.” Hermione contemplated.
“Yeah I know, but like I said, I don’t want to use it like that, I‘m not trying to make someone fall in love with me. I just need a little drop, please ‘Mione?”
Hermione looked at him for a long moment. “As long as you’re definitely not going to give it to someone?”
“Of course not, you can trust me.”
“Alright then, I’ll grab it for you. I expect to get the rest of it back.” She said sternly.
Harry grinned. “Of course, it’ll be like it was never even gone.”
****
Harry sat down at the breakfast table trying to hide his smile.
“Wow Harry, you smell amazing, what is that?” Ginny asked, leaning in close and breathing deeply. “It’s like… chocolate chip cookies, right out of the oven.” She sighed.
Her boyfriend Neville who was sitting right next to her, frowned. “That’s not it, it’s more like, soil, the scent of everything growing and coming to life like spring.”
“Don’t be daft Neville.” Ron mumbled around a mouthful of toast. “He smells like lavender.” Ron leaned closer lowering his voice, “Mate, are you wearing Hermione’s perfume?”
Harry bit his lip in his attempt not to laugh and watched as understanding dawned on Hermione’s face. “You used it as a perfume?” She mouthed across the food-leaden table. Harry nodded then lifted a finger to his lips in a silent ask for secrecy. Hermione nodded faithfully.
Harry glanced at the time. “I’d better get going. My first class is Potions and Snape already has it out for me, I can’t be late too.”
His friends nodded in understanding and waved him goodbye. As Harry walked away, all he could hear was Dean’s voice raising above them all, “So what did he smell like?”
Draco walked into the dungeons exactly thirty seconds before class was due to begin. For once, Harry couldn’t wait for his arrival.
They began making the potion in silence. The dungeons were colder than usual – the potions got progressively colder as they brewed and Harry shivered, grateful that Draco was the one stirring today, his long fingers wrapped delicately around the no doubt freezing ladle.
Harry crushed the seven rose petals and levitated them into the bubbling brew, breathing in the refreshing scent that followed. Harry couldn’t help but bait Draco a little.
“Smells good, doesn’t it?”
“Sandalwood? It’s alright, though it’s obvious you love it.” Draco drawled.
Harry’s heart stopped and he waited.
“I meant the potion.” He said barely able to stop his voice from shaking.
“I know what you meant Potter but it’s not like I can smell anything over your goddamned cologne.”
There was no mistaking it this time. Harry was wearing Amorentia but all Draco could smell was… him.
Harry ran it all though his mind, and it all made sense. How could he have missed it? Maybe he was as oblivious as his friends said.
Draco liked him.
And when Harry thought about it, admitted it, he liked him too.
“Draco.” He said and watched the other boy freeze. “Draco , I’m not wearing my cologne, I’m wearing Amorentia.”
Draco turned to him, panic in his eyes obvious but before he could say anything, come up with whatever excuse his Slytherin mind could think of – one that would probably be very good if it wasn’t absolute bullshit, Harry grabbed him by his shirt collar and pulled him in for a kiss.
Draco gasped against his lips, and tangled his cold fingers him Harry’s ever-wild hair and from that moment everything else drowned out. They didn’t hear anything, not the gasps of the other students, nor the ladle as it fell to the floor. No, all Harry could hear was the sound of his own heartbeat – rapid and uneven and feel Draco’s hands in his hair, the sliver of his skin on his neck under Harry’s fingers and those smug lips pressed against his.
He pulled away, gasping and felt his face redden as he realised what he did in front of an audience.
“Potter!” Snape raged, and Harry snapped back to reality, pulling further away from Draco “Fifty points from Gryffindor, for extreme class disruption.”
Draco’s hand slid into Harry’s and squeezed.
“And Malfoy,” Snape continued as he passed their work station. “Ten points from Slytherin, for impeccably bad taste.”
#drarry#harry potter#draco malfoy#harry potter/draco malfoy#hogwarts#hermione granger#ron weasley#ginny weasley#drarry fic#ao3 OpeningMyEyes#harry/draco
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wish I were...
after Harry kisses reader, she watches him mesmerized as his ex walks by
‘heather’ by conan gray WARNINGS - ANGST. WORD COUNT - 2,109
A/N: this is the first imagine I’ve ever posted on here hehe. but this most likely will be a 2-3 part mini series of pure angst...so yay!
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"My goodness, I can't believe it's been a year and this is how we're celebrating it? " I take a sip from my wine glass with a raised brow towards Harry. We were sat on the floor at the recording studio, having a makeshift little picnic to celebrate a year. A whole year of a beautiful friendship. "Well I thought it'd be fitting, ya know this is where we met and stuff. Look, I even got those Korean chips that you snacked on that day!" I laugh as he comically picks up a chip and places it in his mouth, followed by an exaggerated moan. I try to hide the blush rapidly heating up my face at how much effort he put into this silly thing. It started as a little joke I brought up to him one day when we were having a lazy day, and of course Harry would take it seriously. He planned the little picnic basket after a day in the studio when everyone else left and he had asked me to stay a little longer to help him with lyrics and whatnot. It was a complete surprise and I couldn't help but adore how happy and proud he was setting this up.
"Alright I gotta give it to ya H, you are the bestest friend anyone could ever ask for. I'm just happy that you didn't include those disgusting kale chips of yours." The smile that hasn't left his face drops into a shocked and offended look.
"Hey, you said you wouldn't make fun of my addiction anymore." He scoots closer to me, gently poking my rib to which I immediately jump and swat his hand away. "I'm sorry- I'm sorry!" I giggled when he makes himself comfty sat right next to me.
Subconsciously, I move closer till his shoulder touched mine. "I like this sweater, it's fluffy and keeps people warm." I say, huddling into the fabric that Harry gave me to wear when it got colder. "You know what, I like all your sweaters H, they're all impeccable." He chuckles, "really? It looks better on you than me, bubs." I smile, using the over-sized sleeves to cover my face and faking a groan. "Oh you would with that cliché ass line." "It's true! Beautiful in m'clothes." He mumbles and I had to only respond with gratefully lending my shoulder as a resting spot for his head. Considering he literally had to bend his whole body to do so every time he does this, I never understood how he found this comfortable. We shared a comfortable silence for a minute, sipping on our wine, the bottle nearly finished. The courage coming from it is telling me this would be the perfect time. It's the right setting to finally tell him that my feelings go beyond friendship and that it has been since the first month. The thought made me nervous at first, but there had been so many signs from him that had me thinking he's feeling the same way. Maybe those were just my expectations and how loving Harry is, but every time I look at him, I'm mesmerized. "Honestly don't know what I'd do without you bubs." Harry suddenly says and I snap out of my thoughts to glance down at him staring at his empty glass. My heart started beating fast and my breathe hitched when he pulls away only a few inches away to look back at me "This was a tough year and you've been there with me through it all, haven't been this close to someone in that short of time." He says lowly, looking right into my eyes. I take his hand in my small ones and play with his fingers in comfort, as we reflected on how this was both the best and worst year for him. While he became such a successful solo artist after the band and created the best relationships in his life, he reached a mental low dealing with his own insecurities and went through a breakup that took a major toll on him. They ended on good terms, but Harry went through the aftermath of a loss alone. I came in a month after his break up, hired as a lyricist to help him get out of this creative block but also to help him realize how much he was really worth as a person. It was a gradual slow process of friendship at the start, but it quickly blossomed into becoming best friends, growing feelings in between for me. "You're so good to me, I don't deserve it." He was so close and I couldn't tell if I was leaning in or not. My chest feels like it's bursting. "Harry, you've done so much for me, don't put yourself down like that. You deserve my love, mkay?" He looked so vulnerable, staring into my eyes as I couldn't pinpoint what emotion he was feeling right now. I was always able to read Harry easily, but maybe it was the wine that made it harder to understand what was racing through his mind. I couldn't register it. His lips on mine were foreign but felt right, like they fit perfectly. His hands cupping my face gently made me realize this was actually happening. My best friend who I've loved for so long was finally kissing me. "You absolutely deserve mine... " *** My anxiety was getting the best of me. The party wasn't like any other rowdy and crowded New Year's Eve celebration. It was a gathering of close friends and mutual at a penthouse with just enough drinking and fun shenanigans. I knew all these people and they knew me, yet it wasn't easy to breathe regularly for some reason. I smiled and laughed along with the conversation among the circle of friends I situated myself in with Harry standing to my right, two people in-between us. I anxiously played with my fingers wrapped around a bulbous wine glass, zoned out but somewhat participating with the group. I caught his eyes, both of us giving a smile when he shot me a quick goofy face. His eyes trailed down to my hands, an obvious tell. I respond with a reassuring smile, placing my hand on my chest to which he steps outside and moves to stand next to me. I soften as he places a hand casually on my back, rubbing up and down. The nerves die down a bit. Usually, I would of been full comfortable but it was different now. After the kiss Harry and I shared, nothing had changed as much as I wanted it too. There was still the casual flirting and touchy gestures, but other than that, Harry never brought it up. "Soo, what now?" I had asked him when he dropped me off at my apartment. He gives me a tight smile and takes my hand in his, bringing it to his lips. "Still my best girl." I was confused afterwards, not fully understanding how he felt towards me. "Hey, I kind of wanted to talk to you about yesterday... " I approached him in the studio, his sweater keeping me warm that morning. "Oh yeah, you never told me what you wanted for Christmas. And by the way, I'm gonna need that sweater back sooner or later." He chuckles, going back to writing down chord progressions. Him avoiding the subject made me think he didn't want to talk about it, so I stopped trying. It made me insecure a bit to show him any type of affection back, but I didn't have it in me to tell him when I'm engulfed in his huge frame, feeling safe and happy at the moment. What made me snap out of my thoughts was his hand leaving my back and slipping into his jacket pocket. He then started being part of the funny story Mitch was telling, including his own side and little comedic comments that made the group laugh. As much as it brought a smile to my face, there was nothing more I wanted to do than take his arm, wrap it around me and kiss his cheek before laying my head on his chest. He took a second here and there to glance at me, probably aware how tired i was getting even though it was only a few minutes before midnight. The kiss defiantly affected something here, as much as Harry was trying to show that it hasn't, I can at least appreciate the acknowledgment that he shared similar feelings towards me. Maybe this was him thinking about the possibilities afterwards, knowing Harry wasn't very much a confrontational person and has taken time to learn to process things more logically rather than pure emotional instinct. When he catches me staring and throws a knowing smirk followed by a wink, I melt right on the spot but at the same time, holding back from rolling my eyes. I felt his stare kept on me when I looked away, feeling less frustrated and more understanding of his situation. Maybe I do just need to give him time... When I looked back at him, he was now looking away at something else apart from the group. I didn't give it a second glance till I noticed he was fully distracted before Mitch kept calling his name but getting no response back. Harry was in deep trance at something more fascinating than his friend's story, and when I caught sight of what was distracting him, I fully understood why. She stood out, so it wasn't to hard to point her out. But of course she would, she looks stunning in that dress that happens to only be a different shade of color from mine. The natural glam and brightening smile on her face as she talked to mutual friends perfected her look, but it was the sound of her melodic voice that just set the deal. It was her laughter from across the room that caught his attention first, what made him break his gaze on me to her. My first thought was concern for Harry and if he was suddenly feeling overwhelmed or distraught by her presence after a breakup. But then I looked back at him and only saw longing and adoration. It was a look I only was recently familiarized with. I purse my lips to hide the frown set on my face while I felt my heart beat much faster initially, watching him mesmerized as she walks across the floor to greet more party guests. Her blue eyes wide and shining, most likely something Harry was dying to see once again as he hoped she would turn his way. Is this what hopelessness feels like? Mitch gave up on trying to catch his attention as soon as he realized who Harry was looking at, and so did the rest of the group. But here I was, desperately looking up at him in hopes that he would suddenly break away and meet my own eyes that stood right next to him. "Guys! The count downs about to start!" Someone called out, followed by cheers and applause as everyone slowly started gathering towards the balcony to see the firework show and celebration of the city below. She moves away from the crowd though, choosing to be semi alone next to the aquarium with a glass of martini in her hand. More people started crowding around us, the group disintegrated into a whole, but my focus was on Harry. As much as my anxiety and tiredness was getting worse, it couldn't compare to the ache in my chest when he takes a hesitant step towards her direction. In a second, my hand flies towards his and gently tugs to me in a last ditch of desperation while I softly call out his name. Maybe it was the way he stopped and turned his head slightly before completely pulling away and walking towards her, leaving me engulfed with the crowd alone. Or that I could picture the loving look on his face when she finally sees him approaching and gives him a welcoming smile while the sound of people counting down from 20 is muddled into the background. All I could imagine to hear was his small 'hi' and compliment for how beautiful she looks, knowing how nervous he would be. "3, 2, 1! Happy New Years!" The celebration of those around me drowned out my glossy eyes as I see Heather take Harry's hand in hers, sharing that same complete adoration look on her face that I was only just becoming familiar with.
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part 2 A/N: feedback would greatly be appreciated :)
#harry styles#harry styles angst#harry styles imagine#harry styles x reader#harry styles fluff#harry styles fanfiction#one direction#heather#i really listened to this song on loop for 2 hours going through it
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Dazai and No Longer Human’s Yozo
It’s no secret that BSD’s Dazai draws heavily from his real life counterpart, especially from his semi-autobiographical work: No Longer Human. To preface, No Longer Human is written from the perspective of the main character Yozo, with the book itself being a documentation of Yozo’s notebooks (essentially his journals) throughout his life.
As you progress through the novel, it becomes increasingly clear that Yozo lives an extremely two-sided life; his foolish personality acts as a facade to others in attempts to hide the darker nature within him.
Dazai shares that obvious similarity with Yozo, but Dazai is characterized in a somewhat vague and mysterious way that leaves a lot of his inner thoughts up to interpretation and inferences. Thus, I’ll be going through some of my favorite quotes from No Longer Human and analyzing Dazai’s character through his similarities to Yozo.
(For the sake of readability, excerpts from No Longer Human will be in pictures, and quotes from the light novel will be in regular block quotes).
Dazai and Yozo’s Participation in Clownery
To start off, Dazai noticeably participates in the same “clowning” as Yozo, which in particular stands out with PM Dazai.
““How did your leg get hurt?” I pointed to the bandages, thinking that it must be the result of some violent fight. “I was reading a book titled ‘How to Prevent Accidental Injuries’ while walking when I accidentally fell into a ditch.” I wasn’t expecting such an abnormal response.” — LN 2, Osamu Dazai and the Dark Era (Oda’s POV)
This is pretty standard Dazai behavior, but the interesting part is how Yozo specifically used the word “deceiving.” If we were to assume Yozo’s true thoughts are Dazai’s as well, then it would imply that Dazai feels as if he’s manipulating people with his absurd claims (such as the above). However, in actuality, his clownish behaviors sound more like a joke, or some type of self-deflection, rather than an attempt to manipulate people. (Yozo also states that he would often incriminate himself by overexaggerating certain things, but I don’t think Dazai does that).
The second statement Yozo makes implies that he doesn’t care about ethics, morality, or the supposed “right way” of living life that’s described as “righteousness.”
Yozo’s statement on “righteousness” parallels Dazai’s in Dark Era, but Dazai’s statement carries a slightly different sentiment. Rather than being indifferent to the likes of morality, Dazai says that he’s “hated” by the concept of morality.
I’ll be speculating a bit here → It’s heavily implied that Dazai had some sort of dark past that led him to joining the mafia, since he was already suicidal prior to doing so. This suggests that something affected his life so drastically to the point where he could no longer trust in such things as “righteousness,” because righteousness has wronged him in the past.
First, Yozo expresses his fear of people discovering his true nature under the mask of clownery, which would then lead to them pestering him for further inquiry. However, his real fear is that people would mistake his true nature as another part of his typical clownery.
More so than before, this attitude reminds me more of Dazai in the agency, rather than him in the mafia. Even though Dazai danced around darker topics in his conversations with Oda, he was still able to talk about them without much conflict. However, in the agency, Dazai doesn’t talk much about himself or any of his personal issues at all.
Although this scene has comedic overtones, it’s interesting to see that no one would help Dazai if he was actually dying. Still, it could be argued that the other agency members knew it was just Dazai’s regular antics. (or that Dazai wouldn’t die in the first place).
This scenario repeats itself another time when Dazai gets kidnapped by the mafia, and the other agency members kind of just brush it aside. As much as they may trust Dazai to take care of himself (which I’m sure he can do), it’s worrying that the other members may not be open to Dazai’s possible attempts at reaching out for help, if he were ever to make one.
In LN 4, 55 Minutes, Atsushi addresses this issue by asking Dazai why he wants to kill himself, but the answer is left open-ended, with Atsushi himself not remembering the answer (or if Dazai even did answer). You could interpret Dazai’s change from his time in the PM as an improvement of his mental state — which I have no doubt that has happened — but Dazai needs to face his issues head-on if he truly wanted to reconcile with his past.
“Perhaps someone should persistently tie Dazai up, open the lid over his chest and stuff the head of a vacuum cleaner in. They have to let Dazai, who should be screaming in pain and resisting, settle down. Following which, the difficult things in his heart must all be dragged out under the sun and stepped on mercilessly.“ — LN 2, Osamu Dazai and the Dark Era
Oda, the man who understood Dazai more than anyone else could at the time, even specifically stated that the pain in Dazai’s heart must be forcefully dragged out, because he knew that this would ultimately be the most beneficial for Dazai’s sanity.
Throughout No Longer Human, Yozo is often misunderstood by others, or other people simply don’t care about him.
When Dazai goes to visit Oda’s grave in Dead Apple, Atsushi finds him and assumes that he’s visiting the grave of someone important to him, as an act of respect or remembrance, something of the sort. However, Dazai makes the automatic assumption that his “clownish words of deceit” (as stated by Yozo) will always be prioritized over the truth, which is why he chooses to brush off his actions as a joke.
Although I made the point earlier that the agency members don’t give Dazai opportunities to open up about himself, Atsushi is notably different, similarly to Oda, because he’s able to take Dazai seriously and persist even through his antics.
Atsushi takes Dazai’s act of visiting a grave seriously, even when Dazai plays it off, because he knows Dazai is a person just like anyone else. This understanding between them leads to Dazai telling Atsushi about Oda, thereby allowing Dazai to divulge a crucial part of his past.
Dazai and Yozo’s Friendships
Similarly to Yozo, Dazai’s attempt at “disentangling” himself from these relationships only serves to wear him out in the end. However, they also slightly differ in a way: Yozo is unable to form any friendships for his whole life, but Dazai had Oda. I would argue that Oda was Dazai’s only friend, mostly because of this quote:
“Odasaku understood him far beyond what Dazai had ever thought. He had already reached close to his heart, the place near the center of his heart. Before this, Dazai had never noticed there was someone who understood him so well. For the first time in his life, Dazai wanted to know something from the depths of his heart.” — LN 2, “Osamu Dazai and the Dark Era”
Oda was special to Dazai because Oda was able to understand him — maybe even more than Dazai could understand himself — which is why Oda is the only person that Dazai asks for advice from.
However, Dazai does the same thing as Yozo when he “plays the clown” as a form of self-protection from such valuable friendships. (which is probably preventing him from becoming closer to the rest of the agency).
“Things that we don’t want to lose will definitely be lost. Now that it has come to this, I have no more feelings anymore. Things worth pursuing will always disappear the moment before you get them. Nothing is worth prolonging a painful life to pursue.” — LN 2, “Osamu Dazai and the Dark Era”
Interestingly enough, Dazai says this when Ango is revealed to be a spy — before Oda dies. If Dazai was in this state of distress from Ango’s betrayal, you could only imagine how devastating Oda’s death was.
Dazai speaks as if he’s speaking from experience, which suggests that he’s faced a similar loss in the past. Despite this implied experience, he still became friends with Oda (and Ango to an extent), fully knowing that it would only bring him pain in the end. Dazai's statement here acts more as a front that makes him sound cold and detached from the situation, only to hide how he truly feels about losing one of his only friends.
To give some context to this passage, Yozo’s partner, Yoshiko, had been sexually assaulted by a coworker, of which Yozo attributes the cause to her overly trusting nature. Thus, this leads to Yozo’s belief that trustfulness is inherently wrong or creates weakness.
Dazai’s hesitance to form friendships most likely stems from this same inability to trust others like Yozo, but Dazai does trust a few people, namely Chuuya, Oda, and Atsushi.
With Chuuya, there’s a different type of trust between him and Dazai. Their impeccable trust is obviously a key factor in their partnership as SKK, but there’s a certain limit with this trust. They certainly trust each other in battle, but I’d argue that this trust doesn’t extend to their personal business.
As of now, we don’t know a lot about how SKK interacted with each other during their time in the mafia (which could change with the new LN), but I doubt PM Dazai would feel comfortable with confiding in Chuuya with anything because they (kind of) hated each other. The level of trust required for a friendship would involve a mutual understanding between two people, but Chuuya and Dazai haven’t necessarily shown us that they were able to do that.
Dazai essentially broke his trust with Chuuya by leaving the mafia on a whim, but he also intentionally antagonized himself to try to make Chuuya hate him.
This scene also has comedic overtones, but it suggests something a bit sadder about Dazai. There are possibly two motivations as to why Dazai chose to do this: (or a mix of the two)
1. Dazai didn’t want Chuuya to be incriminated as his accomplice when he became an enemy of the mafia.
2. Dazai wanted to push Chuuya away because Oda — Dazai’s most trusted friend — had just died. As a form of self-protection, Dazai broke whatever semblance of friendship he shared with Chuuya in order to prevent the same pain that came with Oda’s death.
It’s also important to consider that trust is a 2-way street; both parties have to have the same level of trust in each other. Just like Yozo, if Dazai is unable to trust anyone, then he may have cut Chuuya off to protect him (since Chuuya may have trusted Dazai more than Dazai was able to reciprocate).
In contrast, Oda and Dazai have a level of unspoken trust that basically motivates Dazai to change his entire life.
“Odasaku’s eyes radiate with conviction. The words are clearly said with some sort of strong basis. Is it past experience? Or perhaps someone’s suggestion? — He is trying to show Dazai the path he once walked. Dazai understands this. Dazai can trust it.“ — LN 2, “Osamu Dazai and the Dark Era”
Returning to Yozo’s question — “Is trustfulness a sin?” — Dazai answers it by showing us the strength of trust in this moment. Trust insinuates blind faith in another person, the willingness to believe someone else without logical reasoning, which makes it all the more important when PM Dazai — the genius prodigy who operates on a solely logical basis — is able to trust Oda and change his path in life.
Atsushi is most likely the one that Dazai trusts the most in the agency, due to the aforementioned issues with the other members. However, it seems more like a budding trust that’s growing to become like Oda and Dazai, but it still requires Dazai to take that step forward to further their trust.
Dazai and Yozo’s View of the World
In this scene, Yozo had made a decision for immediate gratification, but that choice caused him insufferable pain afterwards — supporting his belief that the world was a “place of bottomless horror.”
This parallels two of Dazai’s statements: one from Dark Era and one from Dead Apple.
“Please, take me with you. Wake me up from this rotten world of a dream. Come on, come on, come on!” — LN 2, “Osamu Dazai and the Dark Era”
(Dazai wasn’t talking about himself here, but the allusion sets up a situation where he can talk about himself indirectly — I talk about it more in my other post here)
We don’t really get a reason for why Dazai is suicidal, but from this we can infer that it’s something more complex than he makes it out to be — something like an issue deeply rooted within the world, with no easy solution.
One could guess that this was the result of an unfortunate decision (like Yozo), or the realization that the world was simply a terrible place (possibly because no one cared for him as a kid and he had Mori as a “parental” figure instead).
Yozo expresses his lack of understanding in the compassion of human nature, but Dazai (as we know) seems to understand other people perfectly, as least enough to manipulate them.
However, this forms somewhat of a paradox: Dazai understands people so well to the point that he can’t understand them.
Dazai understands every flawed aspect of a human being — the tendency to manipulate, lie, kill, etc. — most likely because of his past as a young child. “Human beings never did teach” him the hopeful aspect of human nature — the ability to love and cherish others.
Shibusawa in Dead Apple reflects this mindset, but take note of what Dazai says: “You wouldn’t be saying that if you actually had friends” — clearly a reflection of Dazai’s personal experience, by knowing how important friends are.
Yozo’s deathly fear of society tames itself when he comes to the realization that society is really just made up of a bunch of individuals working for their individual benefit, so he has no reason to fear society as a whole.
I don’t believe Dazai has this same fear of society, but he does reflect this individualistic mindset in the way he acts. Often enough, Dazai doesn’t tell anyone about his plans and would rather manipulate people into following such plans, even when it would be easier to cooperate. He always takes care of conflicts by himself, and by his standard.
Yozo’s fear of society possibly manifested into Dazai’s ostracization from society. More speculation here, but → My guess is that Dazai was alienated not only as a genius isolated for his intelligence, but also for his ability. There seems to be some division between regular society and ability-users’ society, but I can see Dazai being rejected by both because he’s the antithesis to all abilities.
Regular society would either shun him like other users or attempt to exploit him for their personal gain (possibly for his intelligence AND his ability), or ability-users would see him as a threat and/or menace to their safety.
When Yozo considers a double suicide with his partner, he comes to this unsure conclusion of whether or not he actually wants to go through with it.
This reflects what Oda believes about Dazai:
“I thought you and Dazai were very similar, unable to see the value of your life, hoping for death, hence jumping into a world of violence and fighting. But that’s not the case. That guy is just a child who’s too smart. Just a crying child who’s been left alone in the darkness, a world of nothingness far emptier than the world we can see.“ — LN 2, “Osamu Dazai and the Dark Era”
At the end of the story, Gide and Oda are different from Dazai because they face an inevitable hopelessness. However, Dazai has a small spark of hope to live on that persists beyond the other two.
This is represented in Dazai’s own statement to Oda, when Oda is set on walking to his death: “Go and rely on something, hope for something good to happen next, that something will definitely happen.”
If anything, this sounds more like a plea to himself than to Oda, but it establishes an important point: hope is built upon the assumption that the future will treat your present desires well. Vice versa, hopelessness is built upon the expectation that the future will neglect your present desires.
It’s a bit wordy, so I’ll elaborate on. Right after Dazai says this line, they proceed to talk about their desires → Dazai wants to find a reason to live, so he joined the mafia; Oda wanted to become a novelist, so he didn’t kill anyone.
Now, the difference between hope and hopelessness:
Oda feels hopeless because he expects that his present desire (to become a novelist) won’t be fulfilled in the future. By losing the one qualification that he felt he had to follow (not killing anyone), he no longer believes that he can become a novelist.
Dazai has hope because he assumes that his present desire (to find a reason to live) will be fulfilled in the future. He doesn’t know that for sure, but he persists onwards regardless of having full assurance or not.
Dazai’s hope and trust in Oda brings him to where he is in the present, and takes him one step closer towards discovering his reason to live.
#bsd#bungou stray dogs#bsd meta#bsd analysis#bsd dazai#dazai analysis#no longer human#bsd oda#surprisingly more oda than i expected#very ramble-y i apologize in advance
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Thoughts on: Criterion's Neo-Noir Collection
I have written up all 26 films* in the Criterion Channel's Neo-Noir Collection.
Legend: rw - rewatch; a movie I had seen before going through the collection dnrw - did not rewatch; if a movie met two criteria (a. I had seen it within the last 18 months, b. I actively dislike it) I wrote it up from memory.
* in September, Brick leaves the Criterion Channel and is replaced in the collection with Michael Mann's Thief. May add it to the list when that happens.
Note: These are very "what was on my mind after watching." No effort has been made to avoid spoilers, nor to make the plot clear for anyone who hasn't seen the movies in question. Decide for yourself if that's interesting to you.
Cotton Comes to Harlem I feel utterly unequipped to asses this movie. This and Sweet Sweetback's Baadasssss Song the following year are regularly cited as the progenitors of the blaxploitation genre. (This is arguably unfair, since both were made by Black men and dealt much more substantively with race than the white-directed films that followed them.) Its heroes are a couple of Black cops who are treated with suspicion both by their white colleagues and by the Black community they're meant to police. I'm not 100% clear on whether they're the good guys? I mean, I think they are. But the community's suspicion of them seems, I dunno... well-founded? They are working for The Man. And there's interesting discussion to the had there - is the the problem that the law is carried out by racists, or is the law itself racist? Can Black cops make anything better? But it feels like the film stacks the deck in Gravedigger and Coffin Ed's favor; the local Black church is run by a conman, the Back-to-Africa movement is, itself, a con, and the local Black Power movement is treated as an obstacle. Black cops really are the only force for justice here. Movie portrays Harlem itself as a warm, thriving, cultured community, but the people that make up that community are disloyal and easily fooled. Felt, to me, like the message was "just because they're cops doesn't mean they don't have Black soul," which, nowadays, we would call copaganda. But, then, do I know what I'm talking about? Do I know how much this played into or off of or against stereotypes from 1970? Was this a radical departure I don't have the context to appreciate? Is there substance I'm too white and too many decades removed to pick up on? Am I wildly overthinking this? I dunno. Seems like everyone involved was having a lot of fun, at least. That bit is contagious.
Across 110th Street And here's the other side of the "race film" equation. Another movie set in Harlem with a Black cop pulled between the police, the criminals, and the public, but this time the film is made by white people. I like it both more and less. Pro: this time the difficult position of Black cop who's treated with suspicion by both white cops and Black Harlemites is interrogated. Con: the Black cop has basically no personality other than "honest cop." Pro: the racism of the police force is explicit and systemic, as opposed to comically ineffectual. Con: the movie is shaped around a racist white cop who beats the shit out of Black people but slowly forms a bond with his Black partner. Pro: the Black criminal at the heart of the movie talks openly about how the white world has stacked the deck against him, and he's soulful and relateable. Con: so of course he dies in the end, because the only way privileged people know to sympathetize with minorities is to make them tragic (see also: The Boys in the Band, Philadelphia, and Brokeback Mountain for gay men). Additional con: this time Harlem is portrayed as a hellhole. Barely any of the community is even seen. At least the shot at the end, where the criminal realizes he's going to die and throws the bag of money off a roof and into a playground so the Black kids can pick it up before the cops reclaim it was powerful. But overall... yech. Cotton Comes to Harlem felt like it wasn't for me; this feels like it was 100% for me and I respect it less for that.
The Long Goodbye (rw) The shaggiest dog. Like much Altman, more compelling than good, but very compelling. Raymond Chandler's story is now set in the 1970's, but Philip Marlowe is the same Philip Marlowe of the 1930's. I get the sense there was always something inherently sad about Marlowe. Classic noir always portrayed its detectives as strong-willed men living on the border between the straightlaced world and its seedy underbelly, crossing back and forth freely but belonging to neither. But Chandler stresses the loneliness of it - or, at least, the people who've adapted Chandler do. Marlowe is a decent man in an indecent world, sorting things out, refusing to profit from misery, but unable to set anything truly right. Being a man out of step is here literalized by putting him forty years from the era where he belongs. His hardboiled internal monologue is now the incessant mutterings of the weird guy across the street who never stops smoking. Like I said: compelling! Kael's observation was spot on: everyone in the movie knows more about the mystery than he does, but he's the only one who cares. The mystery is pretty threadbare - Marlowe doesn't detect so much as end up in places and have people explain things to him. But I've seen it two or three times now, and it does linger.
Chinatown (rw) I confess I've always been impressed by Chinatown more than I've liked it. Its story structure is impeccable, its atmosphere is gorgeous, its noirish fatalism is raw and real, its deconstruction of the noir hero is well-observed, and it's full of clever detective tricks (the pocket watches, the tail light, the ruler). I've just never connected with it. Maybe it's a little too perfectly crafted. (I feel similar about Miller's Crossing.) And I've always been ambivalent about the ending. In Towne's original ending, Evelyn shoots Noah Cross dead and get arrested, and neither she nor Jake can tell the truth of why she did it, so she goes to jail for murder and her daughter is in the wind. Polansky proposed the ending that exists now, where Evelyn just dies, Cross wins, and Jake walks away devastated. It communicates the same thing: Jake's attempt to get smart and play all the sides off each other instead of just helping Evelyn escape blows up in his face at the expense of the woman he cares about and any sense of real justice. And it does this more dramatically and efficiently than Towne's original ending. But it also treats Evelyn as narratively disposable, and hands the daughter over to the man who raped Evelyn and murdered her husband. It makes the women suffer more to punch up the ending. But can I honestly say that Towne's ending is the better one? It is thematically equal, dramatically inferior, but would distract me less. Not sure what the calculus comes out to there. Maybe there should be a third option. Anyway! A perfect little contraption. Belongs under a glass dome.
Night Moves (rw) Ah yeah, the good shit. This is my quintessential 70's noir. This is three movies in a row about detectives. Thing is, the classic era wasn't as chockablock with hardboiled detectives as we think; most of those movies starred criminals, cops, and boring dudes seduced to the darkness by a pair of legs. Gumshoes just left the strongest impressions. (The genre is said to begin with Maltese Falcon and end with Touch of Evil, after all.) So when the post-Code 70's decided to pick the genre back up while picking it apart, it makes sense that they went for the 'tecs first. The Long Goodbye dragged the 30's detective into the 70's, and Chinatown went back to the 30's with a 70's sensibility. But Night Moves was about detecting in the Watergate era, and how that changed the archetype. Harry Moseby is the detective so obsessed with finding the truth that he might just ruin his life looking for it, like the straight story will somehow fix everything that's broken, like it'll bring back a murdered teenager and repair his marriage and give him a reason to forgive the woman who fucked him just to distract him from some smuggling. When he's got time to kill, he takes out a little, magnetic chess set and recreates a famous old game, where three knight moves (get it?) would have led to a beautiful checkmate had the player just seen it. He keeps going, self-destructing, because he can't stand the idea that the perfect move is there if he can just find it. And, no matter how much we see it destroy him, we, the audience, want him to keep going; we expect a satisfying resolution to the mystery. That's what we need from a detective picture; one character flat-out compares Harry to Sam Spade. But what if the truth is just... Watergate? Just some prick ruining things for selfish reasons? Nothing grand, nothing satisfying. Nothing could be more noir, or more neo-, than that.
Farewell, My Lovely Sometimes the only thing that makes a noir neo- is that it's in color and all the blood, tits, and racism from the books they're based on get put back in. This second stab at Chandler is competant but not much more than that. Mitchum works as Philip Marlowe, but Chandler's dialogue feels off here, like lines that worked on the page don't work aloud, even though they did when Bogie said them. I'll chalk it up to workmanlike but uninspired direction. (Dang this looks bland so soon after Chinatown.) Moose Malloy is a great character, and perfectly cast. (Wasn't sure at first, but it's true.) Some other interesting cats show up and vanish - the tough brothel madam based on Brenda Allen comes to mind, though she's treated with oddly more disdain than most of the other hoods and is dispatched quicker. In general, the more overt racism and misogyny doesn't seem to do anything except make the movie "edgier" than earlier attempts at the same material, and it reads kinda try-hard. But it mostly holds together. *shrug*
The Killing of a Chinese Bookie (dnrw) Didn't care for this at all. Can't tell if the script was treated as a jumping-off point or if the dialogue is 100% improvised, but it just drags on forever and is never that interesting. Keeps treating us to scenes from the strip club like they're the opera scenes in Amadeus, and, whatever, I don't expect burlesque to be Mozart, but Cosmo keeps saying they're an artful, classy joint, and I keep waiting for the show to be more than cheap, lazy camp. How do you make gratuitious nudity boring? Mind you, none of this is bad as a rule - I love digressions and can enjoy good sleaze, and it's clear the filmmakers care about what they're making. They just did not sell it in a way I wanted to buy. Can't remember what edit I watched; I hope it was the 135 minute one, because I cannot imagine there being a longer edit out there.
The American Friend (dnrw) It's weird that this is Patricia Highsmith, right? That Dennis Hopper is playing Tom Ripley? In a cowboy hat? I gather that Minghella's version wasn't true to the source, but I do love that movie, and this is a long, long way from that. This Mr. Ripley isn't even particularly talented! Anyway, this has one really great sequence, where a regular guy has been coerced by crooks into murdering someone on a train platform, and, when the moment comes to shoot, he doesn't. And what follows is a prolonged sequence of an amateur trying to surreptitiously tail a guy across a train station and onto another train, and all the while you're not sure... is he going to do it? is he going to chicken out? is he going to do it so badly he gets caught? It's hard not to put yourself in the protagonist's shoes, wondering how you would handle the situation, whether you could do it, whether you could act on impulse before your conscience could catch up with you. It drags on a long while and this time it's a good thing. Didn't much like the rest of the movie, it's shapeless and often kind of corny, and the central plot hook is contrived. (It's also very weird that this is the only Wim Wenders I've seen.) But, hey, I got one excellent sequence, not gonna complain.
The Big Sleep Unlike the 1946 film, I can follow the plot of this Big Sleep. But, also unlike the 1946 version, this one isn't any damn fun. Mitchum is back as Marlowe (this is three Marlowes in five years, btw), and this time it's set in the 70's and in England, for some reason. I don't find this offensive, but neither do I see what it accomplishes? Most of the cast is still American. (Hi Jimmy!) Still holds together, but even less well than Farewell, My Lovely. But I do find it interesting that the neo-noir era keeps returning to Chandler while it's pretty much left Hammet behind (inasmuch as someone whose genes are spread wide through the whole genre can be left behind). Spade and the Continental Op, straightshooting tough guys who come out on top in the end, seem antiquated in the (post-)modern era. But Marlowe's goodness being out of sync with the world around him only seems more poignant the further you take him from his own time. Nowadays you can really only do Hammett as pastiche, but I sense that you could still play Chandler straight.
Eyes of Laura Mars The most De Palma movie I've seen not made by De Palma, complete with POV shots, paranormal hoodoo, and fixation with sex, death, and whether images of such are art or exploitation (or both). Laura Mars takes photographs of naked women in violent tableux, and has gotten quite famous doing so, but is it damaging to women? The movie has more than a superficial engagement with this topic, but only slightly more than superficial. Kept imagining a movie that is about 30% less serial killer story and 30% more art conversations. (But, then, I have an art degree and have never murdered anyone, so.) Like, museums are full of Biblical paintings full of nude women and slaughter, sometimes both at once, and they're called masterpieces. Most all of them were painted by men on commission from other men. Now Laura Mars makes similar images in modern trappings, and has models made of flesh and blood rather than paint, and it's scandalous? Why is it only controversial once women are getting paid for it? On the other hand, is this just the master's tools? Is she subverting or challenging the male gaze, or just profiting off of it? Or is a woman profiting off of it, itself, a subversion? Is it subversive enough to account for how it commodifies female bodies? These questions are pretty clearly relevant to the movie itself, and the movies in general, especially after the fall of the Hays Code when people were really unrestrained with the blood and boobies. And, heck, the lead is played by the star of Bonnie and Clyde! All this is to say: I wish the movie were as interested in these questions as I am. What's there is a mildly diverting B-picture. There's one great bit where Laura's seeing through the killer's eyes (that's the hook, she gets visions from the murderer's POV; no, this is never explained) and he's RIGHT BEHIND HER, so there's a chase where she charges across an empty room only able to see her own fleeing self from ten feet behind. That was pretty great! And her first kiss with the detective (because you could see a mile away that the detective and the woman he's supposed to protect are gonna fall in love) is immediately followed by the two freaking out about how nonsensical it is for them to fall in love with each other, because she's literally mourning multiple deaths and he's being wildly unprofessional, and then they go back to making out. That bit was great, too. The rest... enh.
The Onion Field What starts off as a seemingly not-that-noirish cops-vs-crooks procedural turns into an agonizingly protracted look at the legal system, with the ultimate argument that the very idea of the law ever resulting in justice is a lie. Hoo! I have to say, I'm impressed. There's a scene where a lawyer - whom I'm not sure is even named, he's like the seventh of thirteen we've met - literally quits the law over how long this court case about two guys shooting a cop has taken. He says the cop who was murdered has been forgotten, his partner has never gotten to move on because the case has lasted eight years, nothing has been accomplished, and they should let the two criminals walk and jail all the judges and lawyers instead. It's awesome! The script is loaded with digressions and unnecessary details, just the way I like it. Can't say I'm impressed with the execution. Nothing is wrong, exactly, but the performances all seem a tad melodramatic or a tad uninspired. Camerawork is, again, purely functional. It's no masterpiece. But that second half worked for me. (And it's Ted Danson's first movie! He did great.)
Body Heat (rw) Let's say up front that this is a handsomely-made movie. Probably the best looking thing on the list since Night Moves. Nothing I've seen better captures the swelter of an East Coast heatwave, or the lusty feeling of being too hot to bang and going at it regardless. Kathleen Turner sells the hell out of a femme fatale. There are a lot of good lines and good performances (Ted Danson is back and having the time of his life). I want to get all that out of the way, because this is a movie heavily modeled after Double Indemnity, and I wanted to discuss its merits before I get into why inviting that comparison doesn't help the movie out. In a lot of ways, it's the same rules as the Robert Mitchum Marlowe movies - do Double Indemnity but amp up the sex and violence. And, to a degree it works. (At least, the sex does, dunno that Double Indemnity was crying out for explosions.) But the plot is amped as well, and gets downright silly. Yeah, Mrs. Dietrichson seduces Walter Neff so he'll off her husband, but Neff clocks that pretty early and goes along with it anyway. Everything beyond that is two people keeping too big a secret and slowly turning on each other. But here? For the twists to work Matty has to be, from frame one, playing four-dimensional chess on the order of Senator Palpatine, and its about as plausible. (Exactly how did she know, after she rebuffed Ned, he would figure out her local bar and go looking for her at the exact hour she was there?) It's already kind of weird to be using the spider woman trope in 1981, but to make her MORE sexually conniving and mercenary than she was in the 40's is... not great. As lurid trash, it's pretty fun for a while, but some noir stuff can't just be updated, it needs to be subverted or it doesn't justify its existence.
Blow Out Brian De Palma has two categories of movie: he's got his mainstream, director-for-hire fare, where his voice is either reigned in or indulged in isolated sequences that don't always jive with the rest fo the film, and then there's his Brian De Palma movies. My mistake, it seems, is having seen several for-hires from throughout his career - The Untouchables (fine enough), Carlito's Way (ditto, but less), Mission: Impossible (enh) - but had only seen De Palma-ass movies from his late period (Femme Fatale and The Black Dahlia, both of which I think are garbage). All this to say: Blow Out was my first classic-era De Palma, and holy fucking shit dudes. This was (with caveats) my absolute and entire jam. I said I could enjoy good sleaze, and this is good friggin' sleaze. (Though far short of De Palma at his sleaziest, mercifully.) The splitscreens, the diopter shots, the canted angles, how does he make so many shlocky things work?! John Travolta's sound tech goes out to get fresh wind fx for the movie he's working on, and we get this wonderful sequence of visuals following sounds as he turns his attention and his microphone to various noises - a couple on a walk, a frog, an owl, a buzzing street lamp. Later, as he listens back to the footage, the same sequence plays again, but this time from his POV; we're seeing his memory as guided by the same sequence of sounds, now recreated with different shots, as he moves his pencil in the air mimicking the microphone. When he mixes and edits sounds, we hear the literal soundtrack of the movie we are watching get mixed and edited by the person on screen. And as he tries to unravel a murder mystery, he uses what's at hand: magnetic tape, flatbed editors, an animation camera to turn still photos from the crime scene into a film and sync it with the audio he recorded; it's forensics using only the tools of the editing room. As someone who's spent some time in college editing rooms, this is a hoot and a half. Loses a bit of steam as it goes on and the film nerd stuff gives way to a more traditional thriller, but rallies for a sound-tech-centered final setpiece, which steadily builds to such madcap heights you can feel the air thinning, before oddly cutting its own tension and then trying to build it back up again. It doesn't work as well the second time. But then, that shot right after the climax? Damn. Conflicted on how the movie treats the female lead. I get why feminist film theorists are so divided on De Palma. His stuff is full of things feminists (rightly) criticize, full of women getting naked when they're not getting stabbed, but he also clearly finds women fascinating and has them do empowered and unexpected things, and there are many feminist reads of his movies. Call it a mixed bag. But even when he's doing tropey shit, he explores the tropes in unexpected ways. Definitely the best movie so far that I hadn't already seen.
Cutter's Way (rw) Alex Cutter is pitched to us as an obnoxious-but-sympathetic son of a bitch, and, you know, two out of three ain't bad. Watched this during my 2020 neo-noir kick and considered skipping it this time because I really didn't enjoy it. Found it a little more compelling this go around, while being reminded of why my feelings were room temp before. Thematically, I'm onboard: it's about a guy, Cutter, getting it in his head that he's found a murderer and needs to bring him to justice, and his friend, Bone, who intermittently helps him because he feels bad that Cutter lost his arm, leg, and eye in Nam and he also feels guilty for being in love with Cutter's wife. The question of whether the guy they're trying to bring down actually did it is intentionally undefined, and arguably unimportant; they've got personal reasons to see this through. Postmodern and noirish, fixated with the inability to ever fully know the truth of anything, but starring people so broken by society that they're desperate for certainty. (Pretty obvious parallels to Vietnam.) Cutter's a drunk and kind of an asshole, but understandably so. Bone's shiftlessness is the other response to a lack of meaning in the world, to the point where making a decision, any decision, feels like character growth, even if it's maybe killing a guy whose guilt is entirely theoretical. So, yeah, I'm down with all of this! A- in outline form. It's just that Cutter is so uninterestingly unpleasant and no one else on screen is compelling enough to make up for it. His drunken windups are tedious and his sanctimonious speeches about what the war was like are, well, true and accurate but also obviously manipulative. It's two hours with two miserable people, and I think Cutter's constant chatter is supposed to be the comic relief but it's a little too accurate to drunken rambling, which isn't funny if you're not also drunk. He's just tedious, irritating, and periodically racist. Pass.
Blood Simple (rw) I'm pretty cool on the Coens - there are things I've liked, even loved, in every Coen film I've seen, but I always come away dissatisfied. For a while, I kept going to their movies because I was sure eventually I'd love one without qualification. No Country for Old Men came close, the first two acts being master classes in sustained tension. But then the third act is all about denying closure: the protagonist is murdered offscreen, the villain's motives are never explained, and it ends with an existentialist speech about the unfathomable cruelty of the world. And it just doesn't land for me. The archness of the Coen's dialogue, the fussiness of their set design, the kinda-intimate, kinda-awkward, kinda-funny closeness of the camera's singles, it cannot sell me on a devastating meditation about meaninglessness. It's only ever sold me on the Coens' own cleverness. And that archness, that distancing, has typified every one of their movies I've come close to loving. Which is a long-ass preamble to saying, holy heck, I was not prepared for their very first movie to be the one I'd been looking for! I watched it last year and it remains true on rewatch: Blood Simple works like gangbusters. It's kind of Double Indemnity (again) but played as a comedy of errors, minus the comedy: two people romantically involved feeling their trust unravel after a murder. And I think the first thing that works for me is that utter lack of comedy. It's loaded with the Coens' trademark ironies - mostly dramatic in this case - but it's all played straight. Unlike the usual lead/femme fatale relationship, where distrust brews as the movie goes on, the audience knows the two main characters can trust each other. There are no secret duplicitous motives waiting to be revealed. The audience also know why they don't trust each other. (And it's all communicated wordlessly, btw: a character enters a scene and we know, based on the information that character has, how it looks to them and what suspicions it would arouse, even as we know the truth of it). The second thing that works is, weirdly, that the characters aren't very interesting?! Ray and Abby have almost no characterization. Outside of a general likability, they are blank slates. This is a weakness in most films, but, given the agonizingly long, wordless sequences where they dispose of bodies or hide from gunfire, you're left thinking not "what will Ray/Abby do in this scenario," because Ray and Abby are relatively elemental and undefined, but "what would I do in this scenario?" Which creates an exquisite tension but also, weirdly, creates more empathy than I feel for the Coens' usual cast of personalities. It's supposed to work the other way around! Truly enjoyable throughout but absolutely wonderful in the suspenseful-as-hell climax. Good shit right here.
Body Double The thing about erotic thrillers is everything that matters is in the name. Is it thrilling? Is it erotic? Good; all else is secondary. De Palma set out to make the most lurid, voyeuristic, horny, violent, shocking, steamy movie he could come up with, and its success was not strictly dependent on the lead's acting ability or the verisimilitude of the plot. But what are we, the modern audience, to make of it once 37 years have passed and, by today's standards, the eroticism is quite tame and the twists are no longer shocking? Then we're left with a nonsensical riff on Vertigo, a specularization of women that is very hard to justify, and lead actor made of pulped wood. De Palma's obsessions don't cohere into anything more this time; the bits stolen from Hitchcock aren't repurposed to new ends, it really is just Hitch with more tits and less brains. (I mean, I still haven't seen Vertigo, but I feel 100% confident in that statement.) The diopter shots and rear-projections this time look cheap (literally so, apparently; this had 1/3 the budget of Blow Out). There are some mildly interesting setpieces, but nothing compared to Travolta's auditory reconstructions or car chase where he tries to tail a subway train from street level even if it means driving through a frickin parade like an inverted French Connection, goddamn Blow Out was a good movie! Anyway. Melanie Griffith seems to be having fun, at least. I guess I had a little as well, but it was, at best, diverting, and a real letdown.
The Hit Surprised by how much I enjoyed this one. Terrance Stamp flips on the mob and spends ten years living a life of ease in Spain, waiting for the day they find and kill him. Movie kicks off when they do find him, and what follows is a ramshackle road movie as John Hurt and a young Tim Roth attempt to drive him to Paris so they can shoot him in front of his old boss. Stamp is magnetic. He's spent a decade reading philosophy and seems utterly prepared for death, so he spends the trip humming, philosophizing, and being friendly with his captors when he's not winding them up. It remains unclear to the end whether the discord he sews between Roth and Hurt is part of some larger plan of escape or just for shits and giggles. There's also a decent amount of plot for a movie that's not terribly plot-driven - just about every part of the kidnapping has tiny hitches the kidnappers aren't prepared for, and each has film-long repercussions, drawing the cops closer and somehow sticking Laura del Sol in their backseat. The ongoing questions are when Stamp will die, whether del Sol will die, and whether Roth will be able to pull the trigger. In the end, it's actually a meditation on ethics and mortality, but in a quiet and often funny way. It's not going to go down as one of my new favs, but it was a nice way to spend a couple hours.
Trouble in Mind (dnrw) I fucking hated this movie. It's been many months since I watched it, do I remember what I hated most? Was it the bit where a couple of country bumpkins who've come to the city walk into a diner and Mr. Bumpkin clocks that the one Black guy in the back as obviously a criminal despite never having seen him before? Was it the part where Kris Kristofferson won't stop hounding Mrs. Bumpkin no matter how many times she demands to be left alone, and it's played as romantic because obviously he knows what she needs better than she does? Or is it the part where Mr. Bumpkin reluctantly takes a job from the Obvious Criminal (who is, in fact, a criminal, and the only named Black character in the movie if I remember correctly, draw your own conclusions) and, within a week, has become a full-blown hood, which is exemplified by a lot, like, a lot of queer-coding? The answer to all three questions is yes. It's also fucking boring. Even out-of-drag Divine's performance as the villain can't save it.
Manhunter 'sfine? I've still never seen Silence of the Lambs, nor any of the Hopkins Lecter movies, nor, indeed, any full episode of the show. So the unheimlich others get seeing Brian Cox play Hannibal didn't come into play. Cox does a good job with him, but he's barely there. Shame, cuz he's the most interesting part of the movie. Honestly, there's a lot of interesting stuff that's barely there. Will Graham being a guy who gets into the heads of serial killers is explored well enough, and Mann knows how to direct a police procedural such that it's both contemplative and propulsive. But all the other themes it points at? Will's fear that he understands murderers a little too well? Hannibal trying to nudge him towards becoming one? Whatever dance Hannibal and Tooth Fairy are doing? What Tooth Fairy's deal is, anyway? (Why does he wear fake teeth and bite things? Why is he fixated on the red dragon? Does the bit where he says "Francis is gone forever" mean he has DID?) None of it goes anywhere or amounts to anything. I mean, it's certainly more interesting with this stuff than without, but it has that feel of a book that's been pared of its interesting bits to fit the runtime (or, alternately, pulp that's been sloppily elevated). I still haven't made my mind up on Mann's cold, precise camera work, but at least it gives me something to look at. It's fine! This is fine.
Mona Lisa (rw) Gave this one another shot. Bob Hoskins is wonderful as a hood out of his depth in classy places, quick to anger but just as quick to let anger go (the opening sequence where he's screaming on his ex-wife's doorstep, hurling trash cans at her house, and one minute later thrilled to see his old car, is pretty nice). And Cathy Tyson's working girl is a subtler kind of fascinating, exuding a mixture of coldness and kindness. It's just... this is ultimately a story about how heartbreaking it is when the girl you like is gay, right? It's Weezer's Pink Triangle: The Movie. It's not homophobic, exactly - Simone isn't demonized for being a lesbian - but it's still, like, "man, this straight white guy's pain is so much more interesting than the Black queer sex worker's." And when he's yelling "you woulda done it!" at the end, I can't tell if we're supposed to agree with him. Seems pretty clear that she wouldn'ta done it, at least not without there being some reveal about her character that doesn't happen, but I don't think the ending works if we don't agree with him, so... I'm like 70% sure the movie does Simone dirty there. For the first half, their growing relationship feels genuine and natural, and, honestly, the story being about a real bond that unfortunately means different things to each party could work if it didn't end with a gun and a sock in the jaw. Shape feels jagged as well; what feels like the end of the second act or so turns out to be the climax. And some of the symbolism is... well, ok, Simone gives George money to buy more appropriate clothes for hanging out in high end hotels, and he gets a tan leather jacket and a Hawaiian shirt, and their first proper bonding moment is when she takes him out for actual clothes. For the rest of the movie he is rocking double-breasted suits (not sure I agree with the striped tie, but it was the eighties, whaddya gonna do?). Then, in the second half, she sends him off looking for her old streetwalker friend, and now he looks completely out of place in the strip clubs and bordellos. So far so good. But then they have this run-in where her old pimp pulls a knife and cuts George's arm, so, with his nice shirt torn and it not safe going home (I guess?) he starts wearing the Hawaiian shirt again. So around the time he's starting to realize he doesn't really belong in Simone's world or the lowlife world he came from anymore, he's running around with the classy double-breasted suit jacket over the garish Hawaiian shirt, and, yeah, bit on the nose guys. Anyway, it has good bits, I just feel like a movie that asks me to feel for the guy punching a gay, Black woman in the face needs to work harder to earn it. Bit of wasted talent.
The Bedroom Window Starts well. Man starts an affair with his boss' wife, their first night together she witnesses an attempted murder from his window, she worries going to the police will reveal the affair to her husband, so the man reports her testimony to the cops claiming he's the one who saw it. Young Isabelle Huppert is the perfect woman for a guy to risk his career on a crush over, and Young Steve Guttenberg is the perfect balance of affability and amorality. And it flows great - picks just the right media to res. So then he's talking to the cops, telling them what she told him, and they ask questions he forgot to ask her - was the perp's jacket a blazer or a windbreaker? - and he has to guess. Then he gets called into the police lineup, and one guy matches her description really well, but is it just because he's wearing his red hair the way she described it? He can't be sure, doesn't finger any of them. He finds out the cops were pretty certain about one of the guys, so he follows the one he thinks it was around, looking for more evidence, and another girl is attacked right outside a bar he knows the redhead was at. Now he's certain! But he shows the boss' wife the guy and she's not certain, and she reminds him they don't even know if the guy he followed is the same guy the police suspected! And as he feeds more evidence to the cops, he has to lie more, because he can't exactly say he was tailing the guy around the city. So, I'm all in now. Maybe it's because I'd so recently rewatched Night Moves and Cutter's Way, but this seems like another story about uncertainty. He's really certain about the guy because it fits narratively, and we, the audience, feel the same. But he's not actually a witness, he doesn't have actual evidence, he's fitting bits and pieces together like a conspiracy theorist. He's fixating on what he wants to be true. Sign me up! But then it turns out he's 100% correct about who the killer is but his lies are found out and now the cops think he's the killer and I realize, oh, no, this movie isn't nearly as smart as I thought it was. Egg on my face! What transpires for the remaining half of the runtime is goofy as hell, and someone with shlockier sensibilities could have made a meal of it, but Hanson, despite being a Corman protege, takes this silliness seriously in the all wrong ways. Next!
Homicide (rw? I think I saw most of this on TV one time) Homicide centers around the conflicted loyalties of a Jewish cop. It opens with the Jewish cop and his white gentile partner taking over a case with a Black perp from some Black FBI agents. The media is making a big thing about the racial implications of the mostly white cops chasing down a Black man in a Black neighborhood. And inside of 15 minutes the FBI agent is calling the lead a k*ke and the gentile cop is calling the FBI agent a f****t and there's all kinds of invective for Black people. The film is announcing its intentions out the gate: this movie is about race. But the issue here is David Mamet doesn't care about race as anything other than a dramatic device. He's the Ubisoft of filmmakers, having no coherent perspective on social issues but expecting accolades for even bringing them up. Mamet is Jewish (though lead actor Joe Mantegna definitely is not) but what is his position on the Jewish diaspora? The whole deal is Mantegna gets stuck with a petty homicide case instead of the big one they just pinched from the Feds, where a Jewish candy shop owner gets shot in what looks like a stickup. Her family tries to appeal to his Jewishness to get him to take the case seriously, and, after giving them the brush-off for a long time, finally starts following through out of guilt, finding bits and pieces of what may or may not be a conspiracy, with Zionist gun runners and underground neo-Nazis. But, again: all of these are just dramatic devices. Mantegna's Jewishness (those words will never not sound ridiculous together) has always been a liability for him as a cop (we are told, not shown), and taking the case seriously is a reclamation of identity. The Jews he finds community with sold tommyguns to revolutionaries during the founding of Israel. These Jews end up blackmailing him to get a document from the evidence room. So: what is the film's position on placing stock in one's Jewish identity? What is its position on Israel? What is its opinion on Palestine? Because all three come up! And the answer is: Mamet doesn't care. You can read it a lot of different ways. Someone with more context and more patience than me could probably deduce what the de facto message is, the way Chris Franklin deduced the de facto message of Far Cry V despite the game's efforts not to have one, but I'm not going to. Mantegna's attempt to reconnect with his Jewishness gets his partner killed, gets the guy he was supposed to bring in alive shot dead, gets him possibly permanent injuries, gets him on camera blowing up a store that's a front for white nationalists, and all for nothing because the "clues" he found (pretty much exclusively by coincidence) were unconnected nothings. The problem is either his Jewishness, or his lifelong failure to connect with his Jewishness until late in life. Mamet doesn't give a shit. (Like, Mamet canonically doesn't give a shit: he is on record saying social context is meaningless, characters only exist to serve the plot, and there are no deeper meanings in fiction.) Mamet's ping-pong dialogue is fun, as always, and there are some neat ideas and characters, but it's all in service of a big nothing that needed to be a something to work.
Swoon So much I could talk about, let's keep it to the most interesting bits. Hommes Fatales: a thing about classic noir that it was fascinated by the marginal but had to keep it in the margins. Liberated women, queer-coded killers, Black jazz players, broke thieves; they were the main event, they were what audiences wanted to see, they were what made the movies fun. But the ending always had to reassert straightlaced straight, white, middle-class male society as unshakeable. White supremacist capitalist patriarchy demanded, both ideologically and via the Hays Code, that anyone outside these norms be punished, reformed, or dead by the movie's end. The only way to make them the heroes was to play their deaths for tragedy. It is unsurprising that neo-noir would take the queer-coded villains and make them the protagonists. Implicature: This is the story of Leopold and Loeb, murderers famous for being queer, and what's interesting is how the queerness in the first half exists entirely outside of language. Like, it's kind of amazing for a movie from 1992 to be this gay - we watch Nathan and Dickie kiss, undress, masturbate, fuck; hell, they wear wedding rings when they're alone together. But it's never verbalized. Sex is referred to as "your reward" or "what you wanted" or "best time." Dickie says he's going to have "the girls over," and it turns out "the girls" are a bunch of drag queens, but this is never acknowledged. Nathan at one point lists off a bunch of famous men - Oscar Wild, E.M. Forster, Frederick the Great - but, though the commonality between them is obvious (they were all gay), it's left the the audience to recognize it. When their queerness is finally verbalized in the second half, it's first in the language of pathology - a psychiatrist describing their "perversions" and "misuse" of their "organs" before the court, which has to be cleared of women because it's so inappropriate - and then with slurs from the man who murders Dickie in jail (a murder which is written off with no investigation because the victim is a gay prisoner instead of a L&L's victim, a child of a wealthy family). I don't know if I'd have noticed this if I hadn't read Chip Delany describing his experience as a gay man in the 50's existing almost entirely outside of language, the only language at the time being that of heteronormativity. Murder as Love Story: L&L exchange sex as payment for the other commiting crimes; it's foreplay. Their statements to the police where they disagree over who's to blame is a lover's quarrel. Their sentencing is a marriage. Nathan performs his own funeral rites over Dickie's body after he dies on the operating table. They are, in their way, together til death did they part. This is the relationship they can have. That it does all this without romanticizing the murder itself or valorizing L&L as humans is frankly incredible.
Suture (rw) The pitch: at the funeral for his father, wealthy Vincent Towers meets his long lost half brother Clay Arlington. It is implied Clay is a child from out of wedlock, possibly an affair; no one knows Vincent has a half-brother but him and Clay. Vincent invites Clay out to his fancy-ass home in Arizona. Thing is, Vincent is suspected (correctly) by the police of having murdered his father, and, due to a striking family resemblence, he's brought Clay to his home to fake his own death. He finagles Clay into wearing his clothes and driving his car, and then blows the car up and flees the state, leaving the cops to think him dead. Thing is, Clay survives, but with amnesia. The doctors tell him he's Vincent, and he has no reason to disagree. Any discrepancy in the way he looks is dismissed as the result of reconstructive surgery after the explosion. So Clay Arlington resumes Vincent Towers' life, without knowing Clay Arlington even exists. The twist: Clay and Vincent are both white, but Vincent is played by Michael Harris, a white actor, and Clay is played by Dennis Haysbert, a Black actor. "Ian, if there's just the two of them, how do you know it's not Harris playing a Black character?" Glad you asked! It is most explicitly obvious during a scene where Vincent/Clay's surgeon-cum-girlfriend essentially bringing up phrenology to explain how Vincent/Clay couldn't possibly have murdered his father, describing straight hair, thin lips, and a Greco-Roman nose Haysbert very clearly doesn't have. But, let's be honest: we knew well beforehand that the rich-as-fuck asshole living in a huge, modern house and living it up in Arizona high society was white. Though Clay is, canonically, white, he lives an poor and underprivileged life common to Black men in America. Though the film's title officially refers to the many stitches holding Vincent/Clay's face together after the accident, "suture" is a film theory term, referring to the way a film audience gets wrapped up - sutured - in the world of the movie, choosing to forget the outside world and pretend the story is real. The usage is ironic, because the audience cannot be sutured in; we cannot, and are not expected to, suspend our disbelief that Clay is white. We are deliberately distanced. Consequently this is a movie to be thought about, not to to be felt. It has the shape of a Hitchcockian thriller but it can't evoke the emotions of one. You can see the scaffolding - "ah, yes, this is the part of a thriller where one man hides while another stalks him with a gun, clever." I feel ill-suited to comment on what the filmmakers are saying about race. I could venture a guess about the ending, where the psychiatrist, the only one who knows the truth about Clay, says he can never truly be happy living the lie of being Vincent Towers, while we see photographs of Clay/Vincent seemingly living an extremely happy life: society says white men simply belong at the top more than Black men do, but, if the roles could be reversed, the latter would slot in seamlessly. Maybe??? Of all the movies in this collection, this is the one I'd most want to read an essay on (followed by Swoon).
The Last Seduction (dnrw) No, no, no, I am not rewataching this piece of shit movie.
Brick (rw) Here's my weird contention: Brick is in color and in widescreen, but, besides that? There's nothing neo- about this noir. There's no swearing except "hell." (I always thought Tug said "goddamn" at one point but, no, he's calling The Pin "gothed-up.") There's a lot of discussion of sex, but always through implication, and the only deleted scene is the one that removed ambiguity about what Brendan and Laura get up to after kissing. There's nothing postmodern or subversive - yes, the hook is it's set in high school, but the big twist is that it takes this very seriously. It mines it for jokes, yes, but the drama is authentic. In fact, making the gumshoe a high school student, his jadedness an obvious front, still too young to be as hard as he tries to be, just makes the drama hit harder. Sam Spade if Sam Spade were allowed to cry. I've always found it an interesting counterpoint to The Good German, a movie that fastidiously mimics the aesthetics of classic noir - down to even using period-appropriate sound recording - but is wholly neo- in construction. Brick could get approved by the Hays Code. Its vibe, its plot about a detective playing a bunch of criminals against each other, even its slang ("bulls," "yegg," "flopped") are all taken directly from Hammett. It's not even stealing from noir, it's stealing from what noir stole from! It's a perfect curtain call for the collection: the final film is both the most contemporary and the most classic. It's also - but for the strong case you could make for Night Moves - the best movie on the list. It's even more appropriate for me, personally: this was where it all started for me and noir. I saw this in theaters when it came out and loved it. It was probably my favorite movie for some time. It gave me a taste for pulpy crime movies which I only, years later, realized were neo-noir. This is why I looked into Kiss Kiss, Bang Bang and In Bruges. I've seen it more times than any film on this list, by a factor of at least 3. It's why I will always adore Rian Johnson and Joseph Gordon-Levitt. It's the best-looking half-million-dollar movie I've ever seen. (Indie filmmakers, take fucking notes.) I even did a script analysis of this, and, yes, it follows the formula, but so tightly and with so much style. Did you notice that he says several of the sequence tensions out loud? ("I just want to find her." "Show of hands.") I notice new things each time I see it - this time it was how "brushing Brendan's hair out of his face" is Em's move, making him look more like he does in the flashback, and how Laura does the same to him as she's seducing him, in the moment when he misses Em the hardest. It isn't perfect. It's recreated noir so faithfully that the Innocent Girl dies, the Femme Fatale uses intimacy as a weapon, and none of the women ever appear in a scene together. 1940's gender politics maybe don't need to be revisited. They say be critical of the media you love, and it applies here most of all: it is a real criticism of something I love immensely.
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SIRIUS BLACK
A little Bit of Amortentia
Requested: yes
Prompts: none
Warning(s): none this is a certified fluff piece (2.3K words)
Author’s note: I had so much fun writing this! Harry Potter is such a great world, and I’d love to explore more of it. Requests for HP are OPEN!!
P.S for everyone wondering Remus is actually my favorite out of the Marauders
~
"Well I still think you're missing out," Lilly stated after a long rant and because of how sweet she was, she had decided to stop her mouth right at that sentence.
You only laughed lightly, pushing through the student body with Lily Evans hot on your robe. "Sneaking out to Hogsmeade is something I'm fine with missing out on."
She shook her head, determination settling hard in her brow. "That's beside the point."
"Then what is the point?" You asked, hugging your textbook closer to your chest. When you noticed that the auburn-haired girl was no longer by your side you bunched your brows together and turned around. "Lily? Lily, what are you doing?"
Her eyes were wide, bright green eyes blazing at you. "You seriously have no idea?"
You had idea of course. So much so that you felt embarrassed by the mere thought of it…
Him.
"Come Lily. We're late for Potions."
She shook her head and followed you reluctantly, only because she knew that your professor would surely be disappointed if you two showed up late. Lily and you were after all, Horace Slughorn's favorite students.
"This isn't over," She mumbled.
Perhaps for her it wasn't. Lily Evans tended to see the best in all people. It was the good in her that made her give in to James Potter little after Christmas this year after hating him her entire schooling at Hogwarts.
"He matured a lot," she would tell you, and while that might have been true for James it surely wasn't true for the boy you laid your desires upon.
Sirius Black.
Either he was purposely ignoring you, or he really was a dimwit.
***
"Amortentia is the most powerful love potion in the world. It is distinctive for its mother-of-pearl sheen, and steam rises from the potion in spirals." Horace Slughorn informed, keeping a safe distance from the steaming love potion. The rest of the girls in the class not so much. Each of them neared the potion little by little with a boy in mind. Lily and you both shared the same thoughts as those love-obsessed girls – only you didn't show it. Despite having boys in mind, Lily and you stood put.
"Lily, dear, how about you come here and tell us what you smell?"
You hard-pressed your shoulder against hers as she smiled shyly, obvious to what she was going to smell. James Potter stood at the other end of the assembly of students, looking at his lovely girlfriend with pure adornment.
For a second, they had you wondering if you could ever find love like that.
"Do you know why I asked Lily to tell us what she smells?" Horace asked, sending you a look that had a simple meaning.
"Because the potion is supposed to smell differently to each of us, according to what attracts us…" You answered quickly, just like he wanted you to.
"Marvelous Y/N. Good job," Slughorn praised you whilst ushering Lily to tell you all what she smelt. From the corner of your eye you managed to catch James' sly smirk as his eyes darted from you, to his very uninterested friend.
Sirius Black.
You swallowed, focusing your eyes on your best friend that stood in front of the potion, holding her hair so it doesn’t fall into the potion with a face as red as a tomato. "Vanilla, freshly cut oranges and –"
He cheeks flamed even more if that was even possible. She dashed away from the love potion and stood back next to you without revealing the third thing, although everyone knew already. James was grinning like an idiot. "What was the third smell?"
She shyly turned her mouth to your ear, "James' quidditch uniform."
You laughed out loud before Lily shushed you down frantically.
It was all fun and games until Horace called out for you, "Y/N would you mind telling us what you smell? Don't be shy now, come."
A part of you wanted to say "Yes, professor I would mind." but the other more rational, and smarter part of you had tied your hands behind your back in defeat. Lily gave you a push and sooner than later you found yourself standing over the love potion.
"I-I smell…" You inhaled slowly, the potion's fumes filling you up. Several different scents found their way into your nostrils, making you have a hard time deciphering them because of the sensual overdrive they gave you. "Roses…the smell of sea and-"
"Oh no," you mumbled, barely audible for everyone but yourself.
"Was there something you wanted to say dear?" Horace asked, having heard your mumbling barely.
"No…I um, smell petrichor," You stated somewhat awkwardly but very, very quickly. "You know, um, when the r-rain hits the ground…"
"Ah, yes," realization dawned upon your professor. "A lovely smell. A lovely smell indeed. Very well, miss Y/LN thank you. You may go back to your place."
Lily Evans waited for you, beaming, "Mind telling me what the third smell was?"
"Shut it Lily."
"But I told you mine!"
***
You glanced at the sign above the pink looking door and sighed. Madam Puddifoot's Tea Shop, it said. You had known about this small tea shop that was located on a side road off the High Street in Hogsmeade Village even before you had arrived at Hogwarts. A boy from Hufflepuff had taken you there on a date once, sometime during your fifth year. It wasn't an especially pleasant memory, being cramped and surrounded by snogging couples at only 15 with a boy you didn't particularly like that way. Nevertheless, it had happened, and there was nothing you could do about the lingering memory.
The overall cute place was owned by Madam Puddifoot; the same woman who dearly welcomed you in the moment you stepped through the door.
You hoped to spot Lily there, after all that's why you were there. When the front of your little notebook changed under the influence of the Protean charm, you knew it was Lily instantly. While the Marauders had their own tricks, maps and such, Lily and you had thought of something far more practical. It would do you good, the charm, as it was expected to be known by every student that wants to take the N.E.W.T.
A win-win situation that was.
But although Lily Evans was nowhere to be seen, you still decided to sit down, trusting her not to pull any tricks on you. Save for the snowy weather, your day has been good so far and you didn’t want anyone to disrupt it.
Cautiously, you sat down and leaned against the plush sofa, discarding your scarf and coat along the way.
"What can I get ya lovely?" A sweet woman asked, hearts practically swimming within her irises. A pale pink apron with daisies was secured tightly around her waist, dolling her up prettily.
"I actually won't be staying, I'm waiting for-" You started, although you were sure in the fact you were going to have to buy gilly water at the very least. Even waiting comes at a price here.
But that didn't seem to be the case as the bells jingle and a dark figure waltzes through. The ladies' man, a member of the Marauders that had the most beautiful features pursued by impeccable dark hair and grey eyes walked in without a care in the world. Sirius didn't know it, but he had your toes curling every time.
You immidiately glanced around the cute shop, seeing nothing but loving couples.
No lone girl in the shop save for you.
Realization struck you in the gut and you swallowed, wanting now more than ever to disappear into a hole…or turn into a little bird and fly away.
His eyes swept across the stuffed shop, getting attention of several girls who were obviously there on a date. Boys exchanged distasteful glances between themselves, sensing Sirius to be an equal competitor that could easily give them a run for their money. "Y/N?"
You dared to say his voice softened upon seeing you. "Sirius."
Sirius' smile widened teasingly. It looked like the smile he would give his best of friends.
But you didn't want that. Not that you would tell him that.
He glanced around the shop once again before slipping into the free chair opposite of you. Without a care in the world, he stripped his snowy coat off his shoulders, his muscles tensing under the movements.
You swallowed.
"I'll have some butterbeer thank you," Sirius said, pulling out a generous amount of sickles for the waiting waitress you forgot was even standing there.
"And the lovely lady?" She mused, giving you a wink.
"Pumkin juice." You choke out.
Like a real gentleman, Sirius halted your attempt to pay for your drink with a raised hand and a wink.
Why does everyone keep winking?
You shook your head at the rogue thought.
"4 sickles young lad."
Sirius handed her the coins and she disappeared, leaving a trail of literal hearts whisking underneath her steps. "Talk about exaggeration."
Sirius' low chuckle at your random comment had you flustered immediately.
"So –" You both voiced at the same time.
"No, you first." You said quickly, brushing some misplaced strands of hair out of the way.
"You can go fi-"
You gave Serius the look you would usually give Remus and James many times on many different occasions; the one that said not to argue with you. Only this time it felt like a completely different look. It intrigued the stubborn boy even more; dragging him deeper into the pit of feelings he had for you.
"Fine," he said, casually twining his fingers atop the table. "I have a question."
"Um…o-kay."
He smiled at your nervousness and decided at that moment to just blurt out the question that's been nagging him since it happened. "What did you smell during potions yesterday?"
"Y-you mean when I smelled the Amortentia?" The strongest love potion ever created that had the ability to reveal ones biggest attractions with a simple sniff. “That potion?”
"Mhmm," he said. "If you tell me what you smelled, I'll tell you what I smelled."
"You must be bloody joking," You exclaimed. Almost everyone knew that you smelled someone. Not just the rain and roses. Someone.
Unlike with Lily, they had no idea who it was.
No one knew save for Lily who probably told James.
Who probably told Remus?
Remus, Peter…
Sirius.
A million thoughts raced through your head. What at first was a blind date will turn out to be the biggest prank the Marauders ever pulled on someone. The biggest prank in Marauders history. You were sure of it.
"I-I should go," you muttered, grabbing your bag and coat in a haste to get out.
Sirius' eyes went wide in alarm, "What are you doing, Y/N? Where are you going?"
"Away from you," You said sternly. "I don't plan on being your new plaything so just leave me alone."
"Woah, woah, woah. Why would you think that?" He asked with what looked like genuine confusion as he held your hands in a vise grip to stop you from leaving.
"B-because…" Words stopped coming once you realized.
Telling him the reason behind it would ruin everything.
"Because you like me?"
You stared at him in shock, eyes widened to the size of a quidditch snitch. No, a bludger. "I don't know what to say to that."
Sirius outright laughed at you and your attempt to conceal what you both already knew, "Look…"
You swallowed.
"I like you too Y/N."
"I know, so let's just forget this ever happen- Wait what did you just say?"
The two of you were, unbeknownst to you in that moment, holding hands atop the cute table, looking like a real couple at that moment to anyone who walked into the shop.
"I like you," He repeated slowly, more audibly for you to comprehend this time. "I know I've been a…"
"Bully," You butted in quickly.
"No I wasn't!"
"Severus begs to differ," You reminded.
"Whatever," Sirius brushed you off, tightening his hold on your two hands. Warmth seemed to come off him in waves, making it all the more comfortable to be in his hold. No wonder girls fawned around him. "What I'm trying to say is – the four of us were idiots, and you were the girl I thought I didn't deserve."
You almost melted.
"So, when I saw what James has with Lily," He confessed. "I wanted that…but with you."
"So why didn't you come up to me?"
"Thought you'd reject me," He said quickly.
"True."
The way he looked at you had you tumbling down your brain for word, "B-but you've changed… And I like you too Sirius."
"I'd like to take you out somewhere else," Sirius proposed. "If you'd have me."
"Of course," You smiled, for the first time freely. "I'd like that very much."
Never in a million years would you have guessed this would be happening; Sirius standing behind you, helping you with your coat…
And holding your hand on the way out.
"You still didn't tell me."
“Tell you what?”
"What you smelled in the Amortentia."
The question didn't sound so attacking as it did 10 minutes ago, and you felt like you could answer it with more ease. "You really want to know?"
"Yes, I would like that very much."
"Fine," You stopped somewhere in the middle of the square, feeling quite brave and bold. "You."
He didn't look surprised, maybe relieved more than surprised. The relief shone in his grey eyes, you could see it. His long black hair blew against the wind that swept through Hogsmeade in a wildly matter. Sirius seemed closer now more than ever as he gazed into your eyes. Whilst you probably looked crazy in the cold wind, the weather only seemed to compliment the once a big troublemaker before you.
"Good."
You creased your brows, "You didn't tell me what you smelled."
Sirius chuckled, "You of course."
Pleased with his answer, you let him do something you've been dreaming about for quite some time.
He kissed you.
The kiss felt electrical, making your body go haywire. Sparks, as cliché as they sound, they were there, present from the moment the kiss started and until it ended. Sirius had his warm hand against your cold cheek, bringing you closer than ever before.
You hadn't shared this with any other boy save for the one you were with right now.
You didn't have what Lily and James did because their love was theirs and theirs only.
Sirius and you will build a love of your own. Something characteristic to you two only. Here in Hogsmeade, or wherever in the world. A long life was ahead of you and you, now more than ever, felt like you could do anything.
Even pass the N.E.W.T.
~
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just for you, honeybee (6/?)
pairing: steve rogers x reader (platonic), natasha romanoff x reader (platonic), bruce banner x reader (y/n is a big fan of his), tony stark x reader, bucky barnes x reader
warnings: mention of bucky, fighting, training, mention of guns, takes place during The Avengers
words: 3,359
a/n: part 6! i honestly don't know how long this series will be, but i think i may end it at either endgame or TFATWS. so basically going through all the movies lmao, but skipping over a few. i just want honeybee and bucky to be happy but gotta add some angst.
Transitioning into a new world, the year of 2011, was no easy feat, and you appreciated Director Fury being somewhat patient and honest about how much has changed. Him, and apparently one of your biggest ‘fans,’ Phil Coulson, have been the most helpful with your adjustment, teaching you all about the new technology and supplying you with a new phone, courtesy of S.H.I.E.L.D.
However, along the way, were a few speedbumps. You and Steve trained consistently in S.H.I.E.L.D.’s gym, almost leaving no room for sleep or taking proper care of yourselves. You both knew it was terrible, you should be looking out for one another, but the loss and confusion overran your needs to live a normal life. However, over time, he seemed to adjust better than you, as expected. Even though Steve had only been awake a few months before you, he jumped right back into the new world.
For you and Steve, the both of you had seen Bucky a few weeks ago; you had seen Steve a few minutes ago, from the time you had woken up. To everyone else in the world, including Steve, however, that was history, a moment written in textbooks ages ago; and for Captain Rogers, that moment was months ago.
In your mind, you deserved to release your anger out on some punching bags.
It had taken Director Fury and Agent Coulson a while until they shared the news to you and Steve, that Peggy was alive. They had claimed that since they found Steve, high hopes were in store for finding you, hence saving off on telling him beforehand. Steve had immediately wanted to see her but you hesitated; what would Peggy say to the both of you? How would she react to you both being alive? No matter, Steve had begged you to come along to visit Peg and you caved, giving him some time with her before he called you in.
Peggy’s eyes lit up, “y/n, you’re alive! Sweetheart…”
You smiled, pulling up a chair next to her, “hey, Peggy. How’s the strongest woman alive doin’?”
She sighed, grasping your hand, “better…much better. Howard never stopped looking for you, the both of you. He’d be so happy to see you.”
You sucked in a breath as her eyes turned glossy, “we know, Pegs. We know.”
She held back her tears as she continued, “he had a son, Anthony; just as stubborn but smart as Howard. You’d love him.”
Steve chuckled, “sounds like a handful.”
Peggy laughed before falling into a coughing fit, turning away for a few seconds. After regaining her breath, she turned towards you and Steve, “Steve! Y/N! You – you’re both alive; you came back!”
Steve gave a sad smile as your face fell, “yeah, Peggy, we did…”
Steve’s eyes teared up, “I couldn’t leave my best girl; not when she owes me a dance.”
Over time, the visits to Peggy became too much and you needed to rest. So, with little convincing to Director Fury, you found yourself in a small cabin in Bozeman, Montana, with frequent visits by both Coulson and your new female friend, Natasha Romanoff. At first, you hated the idea of someone visiting you during your time to reflect, but once you realized that she wanted to help you train and become used to your super serum abilities, you appreciated the company.
You barely had any time to adjust to your newfound strength, among other things, and you slowly became grateful that Natasha had joined you over the course of a few months. Sure, sometimes she was so nosy and bossy, waking you up in the ungodly hours of the morning to train, but she had slowly become one of your closest friends.
Honestly, some days it felt as if you just met Natasha the day before:
You stood in Fury’s office, arms crossed, as he stood adjacent to you, Coulson awkwardly standing beside him. “Why are you sending a babysitter to a place where I am supposed to be, oh, I don’t know, relaxing? Reflecting?”
Director Fury grumbled for the umpteenth time, “because, Agent L/N, you never know when the day will come where we will need you and Rogers, along with your special abilities. You are unskilled in hand-in-hand combat, among other areas in defense, and it’d be nice to enhance our agents.”
You uncrossed your arms, still very pissed off, “I don’t want them to visit me every day. That’s my one condition. I need time, Nick; I feel like I haven’t properly…taken everything in. I just want time to myself.”
Phil spoke up beside Fury, “and we respect that, Y/N, we truly do. But we hope you also see where we are coming from. Natasha Romanoff is very skilled in her profession and understands your situation – you’re in good hands.”
“Phil, you’re making me blush,” a female monotonous voice spoke.
Whipping your head around, you were met with a beautiful redhead who definitely seemed like an Agent, someone who meant all business. You’d learn later on that was just a façade.
“I- Y/N L/N, you must be Agent Romanoff,” you said, holding out your hand.
Natasha grinned, shaking your hand in hers, “just call me Nat, Agent sounds too formal. I look forward to seeing what that super soldier serum truly did to you.”
Apparently, not too much as she continuously kicked your ass in combat.
Training with Natasha was, well, with your lack of combat, embarrassing. You had your ass handed to you so many times, it was a bit pathetic – but she always told you that you were improving. You used your heightened senses to your advantage, listening to her footsteps and figuring out what move she intended to use next. You hesitated to use your strength at first, but with continued training, you knew Nat could handle it.
With Nat, you also became very skilled in shooting handguns, rifles, the whole nine. Your aim was impeccable and target training was becoming a breeze. The thought of shooting someone terrified you at first, but when Nat reminded you that hesitation could get you killed, you understood – there was no room for mistakes.
During your stay in Montana, you kept in touch with Steve, but only through short texts. He was not thrilled with you leaving him, but he understood where you were coming from; you needed to mourn but also keep busy, careful to not fall into a dark abyss. Fury kept you updated, telling you that he had pushed himself into training continuously and visiting Peggy all he could. You knew seeing Peg was doing Steve no good whatsoever, and your heart ached...but at least he got to see his long love.
Nat had been there when Bucky’s birthday passed, holding you as you cried, unable to leave your bed the day of and a few after. She held you as you yelled at the sky for taking away the most important person in your life, leaving you so alone. She knew you had Steve, but it wasn’t the same – you needed Bucky. But she also knew by letting you cry, your emotions out of your body, you’d feel so much more at peace.
And she was right.
Natasha also told you about Howard's son, Anthony, and from what you saw on the news, that was definitely Howard's kid. Tony was arrogant, self-absorbed, but did what he thought was right. After his declaration of being Iron Man, you followed Tony all over the internet, but hearing first hand from Natasha of the man that Tony was...Howard would be proud. You wished to meet him, you did, but something pulled at your heart, telling you that Tony probably hated you for taking his dad from him, forcing Howard to become obsessed with finding you and Steve and thus, costing him his life.
Natasha told you he might see you in that light, yes, but if you ever got to know Tony, he'd warm up.
You weren’t healed and you still weren’t okay, but you were…better. You hated whatever being there was in the sky for taking your James, but you came to terms with it. But the one thing you were so resentful about was the fact that there was no body, no funeral for him.
Becca hated that, too.
You had visited her in her old age, just like Peggy, and the two of you held hands as you talked about James and Steve – your boys. She had missed you so much, just like she missed Jamie, and she understood your pain the best. She had tried to encourage a search party for him, to have some closure, but the government refused. He was gone, and they couldn’t send more men to find a disfigured body.
You hated thinking about that, what James would look like. It haunted you in your nightmares, waking you up in the wee hours of the morning, his frostbitten body staring right back at you. Phil had found you a morning after such nightmare, sitting on your porch in nothing but an oversized shirt and a blanket around your shoulders, cheeks wet with fresh tears.
You sniffled once more, wiping your nose with the back of your hand, watching as a black car parked into your dirt driveway. The car opened and Phil Coulson emerged, as expected - on time for your monthly visits. Hugging onto the blanket tighter, you shivered against the cold air, hoping Phil would just leave upon noticing your state.
He did the exact opposite.
Phil took off his jacket, resting it upon your shoulders even though you had the blanket. You sniffled, inhaling his scent, and hugged the jacket closer, feeling Phil take a seat next to you on your wooden bench.
"I always found snow to be soft, almost like a cloud, falling down upon it when James and I would make snow angels," you began. A shiver ran down your spine as you continued, "but now, I can't help but think of his body just...plopping onto the ground so roughly that he was hurting, still alive, yelling out for anyone and..."
Phil ran his hand over your head, brushing your hair back, "freezing."
You glanced to Phil, "freezing to...to death. He must've been so scared, I-"
Phil shushed you as the tears formed, "no what if's, y/n. He's safe now - that's what matters most. You're okay, and so is he."
Your bottom lip trembled as you held onto the dog tags, nodding to Phil's words, "you're right, as always."
Phil gave a tight smile, "let's go inside and heat up some milk, 'm getting tired myself." Coulson held your hand for the rest of the night.
Trying to convince yourself to get some closure, you told yourself that the next time you were in Washington D.C., you’d visit the museum and read all about Bucky, all that he had done, and see the amazed looks of citizens who saw him as a hero. Your James Barnes was a hero to so many people, including yourself, and you should be able to celebrate his goodness from when he was alive.
You were going to go the next day until Director Fury knocked on your door at 2:30 in the morning, holding a file labeled “CLASSIFIED.”
You raised an eyebrow, “couldn’t have given me this at a decent time?”
He narrowed his good eye, “it’s urgent, didn’t have time for formalities, your highness.”
With a snort, you grabbed the folder from his hands, “glad you know how to properly address me. What time do we leave?”
Fury tilted his head toward the quinjet, directing your eyes toward Steve who stood alongside Natasha, “once you get dressed, Agent. You’ll have time to look over the file in the jet.”
You weren’t sure why you got dressed so fast; seeing Steve for the first time in about 6 months, finally going on a mission, or just getting some new sense of scenery. Either way, you engulfed Steve in a hug and he laid a hand on the back of your head, “hey, honeybee.”
Your heart ached whenever he called you that, but you figured it was one of the last things he could hold onto Bucky as his dog tags laid against your chest, “hey, Stevie. So, what’s the deal?”
Reading over the file while Nat gave more information about Clint – someone else who you had grown quite close to – you grew confused. You looked to Steve, “the Tesseract. That’s the blue cube that…disintegrated Schmidt, right?”
Steve nodded, “looks like Howard recovered it and it’s been in S.H.I.E.L.D.’s hands since, but this guy, Loki, wants something to do with it – Hydra’s secret weapon.”
Fury spoke up from the front of the jet, “that scepter he has, it controls the minds of anyone it touches, including one of my sharpest agents. The Tesseract could be the key to unlimited sustainable energy – that’s something the world sorely needs. Falls into the wrong hands, well…”
You shook your head, “you shoulda left it in the ocean.”
Silence overtook the quinjet until Phil came over to your seat, sitting beside you, “I’d like you to come along to recruit another member, if you don’t mind.”
You gave a small smile to Phil, “um, yeah, that’s fine. Where we goin’ and who are we recruiting, Coulson?”
Phil seemed a bit nervous as he spared a glance to Nat, who nodded her head, “Tony Stark, Iron Man.”
You sucked in a breath, “Howard’s son? You want me to come along?”
Phil laid his own hand upon yours that rested in your lap, file forgotten about, “I do, and I hope you wouldn’t mind tagging along.”
Holding back your tears, you nodded, “yeah, yeah, I’ll come. When do we leave?”
“Once we land in D.C., we’ll take a quick trip to New York. Easy car ride.”
You squinted your eyes, “isn’t that like, a 6-hour drive?”
Phil gave an uneasy smile, “not with me driving, we’ll be there in 2.”
You chuckled, “as long as I get there alive, I don’t really care how we get there.”
In all honesty, the drive to Stark Tower was relatively calm, save for swerving through traffic and going way too fast for your liking. Once you arrived, you and Phil talked to the impressive AI named JARVIS who told you both that he was informing Mr. Stark of your arrival.
“Impressive Artificial Intelligence,” you whispered to Phil, “definitely Howard's kid.”
Phil was about to respond until JARVIS spoke up, “Mr. Stark is not in, Agent Coulson.”
Your friend pursed his lips together, “please tell Tony that this is urgent and we need to speak. Now.”
Very quickly, Tony ignored your calls until Phil hacked into the system, overriding JARVIS and his protocols. Phil spoke into the phone, pulling you inside the elevator, “Mr. Stark, we need to talk.”
Tony sighed on the other line, “you have reached the life model decoy of Tony Stark. Please leave a message.”
Phil rolled his eyes, causing you to let out a snort, along with Pepper Potts on the other line, “this is urgent, Tony.”
You and Phil stood in the elevator, about to reach his floor as Tony responded, “then leave it urgently.” Right on cue, the elevator doors opened and Tony held up his glass of champagne, “security breach, it’s on you.”
Tony’s eyes glanced over your figure as you stood beside Phil, Pepper getting up from the floor to greet him, “Phil! Come in. I’m sorry, I don’t think we’ve met yet, Miss?”
You smiled at Pepper, meeting her halfway and shaking her hand, “Agent Y/N L/N, Miss Potts.”
Tony stood beside Pepper, “the infamous Miss America, Cap’s sidekick. How’s S.H.I.E.L.D. treating you? Always annoying you with something, barging in without your knowledge, telling you that you've been asleep for 70 years?”
Phil spoke for you, “I’m afraid we can’t stay. We need you to look this over as soon as possible.”
Tony shook his head, “I don’t like being handed things.”
You let out a chuckle as Pepper took the folder, “that’s fine, because I love to be handed things. So, let’s trade.” With a quick switch of hands, Pepper gave Tony the folder as she handed Phil the glass of champagne, “thank you. Anything for you, Y/N?”
You shook your head, “no thank you, Miss Potts.”
You took a moment to look Tony over. Peggy was not kidding – he looked exactly like Howard, and certainly acted like him, too. They had the same eyes, the same face, and the same attitude; it was almost like looking at a clone of Howard. Your eyes filled with unshed tears but you pushed them back, taking a small breath as Phil continued, “this is not a consultation.”
Pepper’s eyes grew wide, “is this about the Avengers? Which I know nothing about.” She looked guilty once the words slipped.
Tony sighed as he walked away, opening up the folder and looking through it quickly, “the Avengers initiative was scrapped, I thought – and I didn’t even qualify.”
Pepper shrugged, “I didn’t know that, either.”
Tony continued, “apparently I’m volatile, self-obsessed, don’t play well with others.”
You mumbled, “kind of like Howard.” Tony pointed his finger towards you as he nodded, “and she speaks of him!”
Pepper nodded her head, “that I did know,” ignoring his comment towards you.
Phil shifted his weight, “this isn’t about personality profiles anymore.”
Tony grunted, “whatever. Ms. Potts, got a second?”
As the two were talking, screens were lit up of you, Steve, and others fighting, and you stumbled back with a slight gasp, still new to the whole holographic stuff of technology. Phil turned towards you, asking you if you were okay with a look, and you nodded. Pepper looked towards you both and back to Tony, whispering, “maybe while working on this, you can get to know her. Get to know your dad. I’ll take the jet to D.C. tonight. You have homework – a lot of homework.”
The two kissed before Pepper headed your way, “so, any chance you two are driving by LaGuardia?”
Phil nodded, “I can drop you.” Pepper smiled, “fantastic!”
The two began to walk towards the elevator as you looked on at Tony who held a holographic Tesseract in his hand. In that moment, your brain convinced yourself that was Howard, your Howie.
Tony turned towards you, “you joining them or you just gonna stare?”
You took a step back, a frown on your face as you mumbled an apology, meeting Pepper and Phil in the elevator. Pepper turned your way as the doors closed, “I’m sorry about him. When it comes to his dad and you, he gets a bit…”
You finished her sentence, “jealous. He missed out on a lot and I can imagine Howard spent too much time talking about me or Steve instead of him. I understand.”
Pepper gave a tight smile.
In a few short hours, you, Phil, Steve, and a few other S.H.I.E.L.D agents were on your way to the helicarrier, something that only a few of you knew about. You sat next to Steve, looking over Dr. Bruce Banner’s files, examining videos of him as Hulk, and how he was trying to recreate the super soldier serum. You had known about Dr. Banner and honestly, had become one of his fans – when he was in his human form, of course. His works on nuclear physics and gamma radiation greatly interested you and upon reading many of his published articles, you had completely forgotten about his condition. Having the opportunity to meet him in person was certainly one of your dreams and you just knew Bucky was making fun of you for being such a dork.
Phil stood up from his seat, walking towards you and Steve, leaning above you both. Steve looked to Phil, “this Dr. Banner was trying to replicate the serum they used on me?”
Phil nodded, “after Howard Stark’s death in 1991, Dr. Banner made it his mission to replicate it. A lot of people were. You – you both – were the world’s first superheroes. Banner thought gamma radiation might hold the key to unlocking Erskine’s original formula.”
Steve looked uneasy, “didn’t really go his way, did it?”
Phil shifted his weight as he looked towards you, then to Steve, “not so much. When he’s not that thing, though,” you interrupted him with a glare, “sorry, the Hulk, the guy’s like a Stephen Hawking.”
Steve looked to you, confusion written on his face. You shrugged, “a really smart person.”
Silence enveloped the three of you until you nodded to Phil, urging him to continue. Phil seemed all giddy, “I gotta say, it’s an honor to meet you officially. I’ve sort of met you, I mean, I watched you while you were sleeping.”
You snorted as Steve nervously smiled at Phil, covering your face as he continued, “I mean, I was present while you were unconscious from the ice.” Steve stood up as you continued laughing, making his way to the front of the jet, “you know, it’s just a huge honor to have you on board this.”
You followed Phil, clapping him on the back as Steve overlooked the ocean, “thank you for that, Phil, truly.”
Steve elbowed you as he mumbled, “I hope we’re the people for the job.”
Phil’s eyes lit up, “oh, you are – you both are, absolutely! We, uh, made some modifications to your suits, by the way.”
You glanced towards Phil – now this was what you missed.
-
honeybee taglist:
@clownerlyluv
@ginger-swag-rapunzel
@starkleila
@intothesoul
#honeybee#bucky barnes#bucky barnes x reader#bucky barnes series#bucky barnes x you#steve rogers x you#steve rogers x reader platonic#steve rogers x reader#bucky barnes fanfiction#bucky barnes/you#bucky barnes/reader#avengers#the avengers#avengers x reader#phil coulson#natasha romanoff x reader platonic#nick fury#tony stark x reader#howard stark#pepper potts#mcu#marvel x reader#the avengers x reader#marvel series#x reader#x reader insert#female reader#bucky x fem!reader#bruce banner#thor odinson
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Hot spring tales (Hisoka x female reader)
A Hisoka x female reader one-shot, with a sprinkle of Chrollo.
Situated in the HxH universe with canon timeline.
Disclaimer: nsfw, contains smut and explicit sex (but we know you're here for that)
Word count: 5000++ (wow did i just write 5000 words of smutty smut)
----
Pale, slender fingers tap against the phone screen. He finds the contact he is looking for and dials the number, raising the phone to his ear. Around him, dusk settles over the ragged terrain of the Gordeau desert. The wind gains in strength, almost pushing his combed black hair free. The phone rings for a few seconds before the person on the other end picks up.
“Did you figure it out already?”
“Probably,” he says, his grey eyes catching the last wisps of fading light to the west. “The nen exorcist may very well be on Greed Island, which is East of York New. It seems you will need to enter the game as well.”
“Shall I procure one of Battera’s? He did buy all of the ones auctioned this time round.”
“No, that risks complicating things. What we need is a game privately owned by someone who is easily contactable, allows us to stay untraceable, preferably one who we wouldn’t have to kill and is reasonable towards helping…” he trails off, realizing that there is indeed someone who matches the conditions, someone who he would very much like to avoid for the time being… The irony of fate, he thinks, grimacing in irritation.
“It seems we will need to pay a visit to her.”
“Her?”
“I will send the address over to you. It’ll take me at least a day to get there, so you should start moving first. It would be better if you were the one handling negotiations this time round. And avoid mentioning my name, or the troupe’s.”
“Oh?” the voice on the other end piques with curiosity.
“We have… history. I’ll trust that you can strike a deal by the time I’m there?”
“Of course. After all, the chance to fight you is on the line.” He can almost hear the other man smirking gleefully through the phone.
“It’ll be dangerous, so try your best to be good, or our deal is off. Consider this a warning, Hisoka.”
----
You find yourself back at your quarters after dinner, alone in the large dressing room. Looking in the mirror, you arrange your hair neatly around your bun, making sure to tidy it for the next wave of customers tonight.
The underground auction has recently ended, and more people are flocking to your establishment. Kurohasu Onsen (Black Lotus Onsen) is renowned as the gathering-place for anybody who is somebody: a bathhouse that functions as neutral ground for politicians, powerful members of the mafia and hunters who have ties to the underworld to carry out business negotiations. A safe haven for murderers and thieves. All are welcome, although at a hefty price. The exorbitant entry fee is itself a gatekeeper of accessibility, and many have brought treasures and precious artefacts in the hope of gaining your favour. As weapons are allowed for protection, fights inevitably break out, but rarely do they erupt into something serious. All staff at the onsen are strong nen-users who pay close watch to customer behaviour. They have nen-restrainers on hand to subdue feisty ability users, and if not, there’s you, whose mysterious yet formidable presence is enough to elicit compliance. It is not uncommon to see off customers with missing limbs and near-fatal injuries, a warning punishment for breaking the establishment’s regulations. Furthermore, it is the iron-clad rule that the onsen is the one place where truce is enforced, upheld, respected. And you, the infamous proprietor, the black lotus of Kurohasu Onsen, are not someone to be crossed. Your customers are well aware of this.
You get up, ready to leave, when you turn to look at the mirror again. Your black onyx hairpin fits in and across your bun, easily reachable within seconds. Your eyes travel down to look at the black shimmering contours of your silk robe with its ornate floral embroidery, opening at two slits that end above the knee, the garment tied fittingly at the waist with a scarlet obi sash. Presentable, you hum in approval, before walking out the door.
Your secretary Esa is already waiting. “Give me updates,” You demand.
She follows you briskly down the corridor as you make your rounds to greet notable clients. Esa does this every three hours, reciting the list of new guests checked in since the last report, the rooms they booked, the meetings they have arrived for, and the fees paid. You remember everything, noting the ones who offer presents not entirely up to standard, or troublesome ones with a sketchy behavioural record.
“A while ago, a Hisoka Morow checked into the deluxe room. 50,000 Jenny a night for 2 nights, with a possible extension.”
The name catches you slightly off guard. You have never met the man, but from your intel he’s one of the most sought-after fighters at Heaven’s Arena. And a dangerous murderer too. But as far as you know, the man works alone and doesn’t get involved with politics. Why would someone like him be here?
“He has a meeting?” you turn to Esa.
“If he had, he did not say. Most likely for leisure, though. The onsen is famous for its baths too,” replied your attendant matter-of-factly.
You pause for a while to think, before calling over a male security staff with a wave of a finger. “Keep tabs on Hisoka. Let me know if he’s up to anything.” The staff bows and immediately embarks on fulfilling your order. You return to your duties for now, but the seed of suspicion and uneasiness does not go away.
---
“Ahh… now this is not bad,” Hisoka smiles to himself as he climbs into the water. He rests his head against the smooth stone edge of the outdoor bath, watching the steam lift gently from the softly rippling surface. When Chrollo told him about this place, he expected it to be dim and grimy, trawling with underworld scum. Instead, what greeted him was the pure luxury of mineral-rich baths, large clean rooms and 1000 thread-count sheets. He could get used to this. Not to mention…
His eyes wander over the bath, taking stock of the situation. Being quite late at night, most guests have retired to respective meeting rooms for drinks and negotiations, with only a smattering of visitors, mostly individuals or pairs, left lounging in the outdoor section. The only other people are the ever-present security staff, including one particularly persistent male staff standing at the private viewing balcony above. At least the nen users here are stronger than usual. A slight tremor of pleasure runs through his body, and he runs his fingers through his wet hair to shake the feeling before it builds into bloodlust. It’s been a while since he killed. He is still riled up from two days ago, thanks to the blond runt. And Chrollo, that damn bastard.
He observes the nen-users with half-closed eyes. 75… 80… 85… He evaluates. Not too shabby. Then he senses it. 97!! He feels the sudden presence, an impeccable zetsu with a tinge of icy smoothness and fiery calm toiling beneath its surface. It is enough for him to widen his eyes and sit up straight, a hot tingling sensation travelling down his spine, pleasure surging into his body for a split second, almost goading him into a fight right there and then. Well, what do we have here? He looks to the source of this pressure, golden eyes flashing and meeting yours, as you look down at him from the balcony above.
One look and you know he clearly lives up to his reputation. He is suppressing his power by default, but his presence leaves a slight prickling static in the air which only stronger nen users can detect. He also seems to have noticed you, judging by the slight shift his posture, the electrifying gaze beneath his damp red hair and the sudden tension in the air with his nen flaring, almost breaking its zetsu. Despite the distance, both of you lock eyes for a moment, each one feeling out the other, gauging abilities, locating motives. What the hell is his aim? You face the sheer intensity of his gaze with your own cold, calculating glare, both of you guarding your intentions yet attempting to penetrate through the other’s guise, staring each other down as if in a challenge. No one relents. But you can’t help but feel a rising irritation, that the man sitting naked in the outdoor bath three floors beneath you is getting under your skin, and a distracting kind of warmth creeps in... You look away. You nod to the staff to continue strict monitoring and return to your room.
Hisoka watches you leave, and instinctively his fingers run through his hair again, this time harder than the last. Oh, Chrollo… Don’t tell me that’s her? A smile tugs at the corner of his lips. Oh, you were right. This is going to be dangerous.
---
You don’t hear any more concerning updates on Hisoka until later the next day. Besides using the baths for extended periods of time, and mild complaints from other guests of his lengthy and uncomfortable stares, he hasn’t caused any trouble. He hasn’t physically contacted anyone either.
“Come again?” you stop abruptly, mid-way through scanning the paper records of this month’s taxes and bills, glancing up at your secretary.
Esa clears her throat and speaks again. “Madam, Hisoka Morow has requested for a meeting with you today.”
Hmph. You scoff a little, your eyes narrowing to ponder the next course of action. You had expected something like this. There is no way someone like him would travel all the way here just to use the baths, let alone without engaging anyone. If his aim is to negotiate matters with you, it must be something quite serious, given that neither of you have gone out of your way to meet with each other previously.
“Shall I cancel?” Esa asks, ready to deliver the order and reject the fool that had the nerve to request a meeting with you on such short notice.
“No. Make it tonight at eleven, after I complete my usual rounds.”
“Understood.”
---
It is night, and the onsen quietens for the day. Only the soft rushes of spring water from the outdoor baths and the muffled sounds of late-night negotiations drift by. You find yourself finally seated across from him in one of your private meeting rooms, both of you silent but never once taking your eyes off each other, quietly assessing one another.
Now up close and clothed in a blue yukata, accentuating the red hair that falls close to his shoulders, you can’t help but find him just a little more attractive than you imagined. His golden eyes are calm, steady, even confident, a rarity for anyone for finds them in a room alone with you. Most people would have bowed their head in submission long ago. You keep your own icy composure. But the force of his nen suppressed under zetsu, his incredibly toned body beneath his yukata and that arrogant way he looks at you make your body feel warmer than usual.
When he sees you for the first time that night, seated on the far end of the room, he feels it again. That powerful presence that keeps goading him, that sends electrifying jolts through his body. You’re seated comfortably on the floor, almost reclining, yet the hard, murderous edge of your gaze shows you are constantly on guard. Simply exquisite. He almost licks his lips but controls himself. A fine opponent… to kill? No, no, much too soon… that would be a waste. Chrollo comes first.
The meeting hall is much too large for two people, spanning over 24 tatami in size. On both sides, paper screen doors open out into an elegant view of the autumn trees in the estate, shedding its red delicately in the wind. A long, low black lacquer table in the center of the room separates you and him, each of you seated on either end. Silence continues to hang in the air. A staff gracefully pours a luxurious blend of sencha into the cups, before she places the tea pot and tray on the floor, bows, and takes her leave quickly. You notice Esa hovering by the doorway to the room.
“Esa, you may go.”
“But Madam-” your secretary protests but stops as you give her a glare. She of all people would understand you’re probably the last person in the establishment who needs any form of protection. As her footsteps recede down the hallway outside, you turn back to the man in front of you.
“To what do I owe the pleasure of meeting you today?”
“It has come to my knowledge,” Hisoka finally speaks, and the slow, sly curl of his tone lights another fire in you, “that you are in possession of one of the most sought-after items in the world of late. I have a pressing need for it and would like to negotiate a deal.”
“I’m a collector of the rarest treasures, so you’re going to have to be more specific,” you scoff, taking a sip of your tea.
“I’m talking about a certain game.”
“Ah, Greed Island,” you retort indifferently, although inwardly puzzled. Why would he go to such lengths just for a game? Didn’t seem like the type. “What makes you think I’ll agree to your request? What is in it for me?”
Hisoka pauses, contemplating something before pushing onwards with a slight smirk. “I’m not sure if you know of a certain man by the name of… Chrollo Lucilfer?”
He waits for the intended effect and sure enough, you react. Immediately, at the mention of the name you’re hit with an unpleasant sensation that makes you grit your teeth, and your eyes blaze with a hint of fury. Without realizing, a cracking sound fills the room as the cast iron tea pot on the floor dents with the force of your nen.
Hisoka looks at the pot quietly before he smiles, lifting the tea cup to his lips, his eyes only growing darker as he trains his gaze on you. Interesting. “May I know, if it’s not too much to ask, the reason for your disdain of the man?”
“I’ve known him for a long time. He tried to kill me twice, once on purpose and the second time by accident. Clearly, he did not succeed,” you say, finishing your tea.
Beautifully exquisite. Another thrill runs through his spine, almost making him tremble with excitement. Perhaps it would be safe to suggest…
“I’m looking for Chrollo. He’s been running from me for a while now, and last I heard he has been spotted hiding out in the game. I would very much like to settle our score soon. Of course, perhaps to your advantage I fully intend on killing him, with pleasure,” Hisoka continues, waving his hand in the air with dismissive complacency.
“If only it were so simple,” you retort, knowing the full potential of Chrollo’s abilities. “And how can I take you for your word?”
“You can’t.”
You look up in mild distaste at Hisoka. What a bastard. You could slit his throat right now, with that cocky expression of his. And yet, your body feels a little hot when he’s looking at you, his gaze ruthlessly penetrating and his nen just on the edge of flaring.
“Name your offer, Hisoka.” You say his name for the first time, aware of how his gaze hardens when you do so, and your body burns with a strange desire which you suppress under the guise of irritation.
“I’m not offering.”
“What?”
“Allow me to use the game, or I will go on to kill everyone in this establishment, including your precious secretary and all your guests. It’s been a while since I had fun and I won’t stop when I do.”
The audacity. You slam your cup on the table and glare at him, your nen bristling beneath the surface. It was a mistake to let him into the bathhouse. And the worst part is that he is right. He could take out everyone except you here with ease, and you’d lose your manpower, your reputation, your business. Everything you worked hard for since leaving meteor city years ago. Perhaps it’ll be wise to dispose of him right here, right now.
In a split second, you draw the long onyx pin from your hair, leaping across the length of the table with such grace and speed that the tea in Hisoka’s cup barely ripples, as you aim for this throat, slicing the air in front of you. He dodges at the last moment, his eyes wild with a feral look as you nick of a few strands of his hair and the sharp edge of your hairpin draws a faint red line along his throat. He grins. He’s clearly enjoying this. He moves to land a counter-attack but you jump away. You’ve put distance between the two of you again; you grip your hair pin, calm and poised for another strike, while he similarly crouches, one hand reaching to stroke the mark you made on his throat.
“Now you’re just getting me excited,” his voice drops to a low purr.
Here you are, seconds after nearly killing him, and you feel your body reacting to his voice and his unapologetic desire. You know you have the power to end him, yet a tingling sensation creeps over the lower half of your body. You can feel sweat starting to gather around your stomach, while another warm wetness pools further below, between your legs. It’s been so long since anyone made you feel this way. Not since… Your thoughts are interrupted as he appears behind you, aiming for your head.
“Pay attention, darling.”
There’s barely any sound in the meeting room as you and Hisoka continue to spar in near complete zetsu, restraining nen to avoid alerting the attention of other guests and the security staff. His eyes gleam more with your every strike, his moves maintain its strength but do not get more forceful, and neither do yours. You feel the exhilaration of the near-misses, of your bodies brushing against one another before pulling away, the light friction of fabric against fabric, as if locked in a graceful dance that neither of you want to end. Moonlight cascades through the open balcony, and there’s a glint in Hisoka’s eyes.
“Let’s stop pretending we’re serious about killing each other, shall we?” he quips with a smirk.
His words register, and you halt. You weren’t noticing it before, but he is right. You weren't trying. You falter for a moment too long. Then he rushes you, pinning your body down onto the floor with his own weight, brute force mixed with excitement to the point that his nails dig into the straw of the tatami below, ripping it slightly. He raises a hand, about to spill your blood, when your control slips. Before, your brief exchanges saw your body feeling hotter, winding tighter as it did more cautious. But now, with him pressing down onto you from above, not pulling away, gripping with a strength that few possess and with a wicked look in his eyes, you can’t keep it down anymore. You let out a throaty moan as his holds you hard, feeling your underwear getting more soaked with every passing second. His eyes widen in surprise, and he pauses. You and him remain quiet like this for a while, the wind from outside gently caressing both your bodies, teasing out an answer.
Then, as if on instinct, both your mouths crash together. Neither of you are ashamed at the pure lust that erupts between the two of you, bloodlust still not completely abating which spurs you and him on even more. His tongue slips into you mouth, determined on stealing your breath, your hand clasped around your hair pin still trapped within his, his ferocious strength barely just surpassing your own as you do not back down, struggling against the restraint. It is still a fight, after all. Yet his other free hand trails down your silk robe, slithering between the open slits to your thighs before raising one of your legs to wrap around his torso. You moan into his kiss and move against his clothed body, desperate for friction.
"Patience, my dear." He pauses, giving you a sadistic grin.
You’re not going to let him keep staying in control. In a surge of strength you topple and roll over him in a flash, slamming him to the floor and stabbing the pin right into the tatami next to his head, at which Hisoka lets out a loud groan. You press and rub yourself against him, leaving small bites along his neck, your hair starting to come loose and fall to the side of your face from the exertion. The warmth between your legs grows, and it’s not just you. Hisoka is only wearing underwear beneath the yukata, and you feel his erection, hot and hard beneath your rolling hips. You feel your own slick starting to run down your inner thigh, and you ache to be filled.
You pull away and gaze down at Hisoka, who’s just starting to get a little breathless with desire, his eyes clouded with lust. You pull the hairpin from the floor and aim it at his throat. You command, your voice cold and edged with arrogance.
“Stop wasting my time and just fuck me already.”
At this, Hisoka lets out a low growl, flipping you on your back, almost tearing the obi around your waist to shreds with his hands. His mouth latches onto your neck and you cry out, as his hands reach under your bra to free your breasts, rolling your nipples between his fingers, alternating between gentle strokes and forceful pinches. Your body shakes with pleasure and you grind against him, your hands fumbling to move his yukata out of the way. You cover your palm over his bulge, which is already straining hard against his underwear. He bites a little harder on your skin as you do, goading you on. You reach beneath the fabric, stroking his most sensitive spot, and you feel him shudder against you. Oh, to have such a powerful man like him at your mercy.
Before you have time to think, your pleasure increases ten-fold, white-hot and surging through your body as his fingers find their way to your slit, obscenely slick with your honey.
“Oh? This wet for me already?” he murmurs into your ear, sending shivers down your arms and making you moan.
He sits back a little, his piercing gaze boring into you as he lifts his fingers to his lips, licking it clean. “So sweet,” he whispers, his eyes never leaving you, almost taunting your state of helplessness before him, and you twitch with pleasure.
“Shut u-” you demand, stopping short with a intake of breath as his tongue circles your nipple and he thrusts two fingers into your aching slit, expertly thrusting, stroking, caressing, hitting all the right spots as you can’t help but moan and fist his soft, red locks. His thumb finds your bud and rubs, with increasing pressure, matching the circling motions of his tongue. Hisoka pulls away and looks down at you, panting and wriggling beneath his touch, your words incoherent but eyes still fierce with power and control, and he finds himself growing harder, unbearably hungry. You feel his desire through his nen, bristling with lust, fingers coaxing you to bliss and eyes ravishing you unabashedly for everything you are and you feel yourself pushed nearer to the edge.
“I’m close,” you gasp, and you see Hisoka smirk dangerously as he pulls his fingers out of you. The pleasure that builds now cuts short, tapering off.
“Kisama,” you mutter in annoyance as you ram his body against the side of the lacquer dining table, pushing him into an upright, sitting position. He chuckles at your urgency and vexation yet remains turned on as you clutch your hairpin over his throat as a warning. His golden eyes are glazed over and quivering, a sign he is properly riled up, his hair now a mess, and his breathing is slightly heavier than before. You pull his large erection free from his underwear.
“You bastard. I’m not going to give you any time.” You growl, and his eyes grow more piercing.
You lower your soaking, aching pussy onto him. The stretch makes both of you groan in unison, and you almost come immediately from his entrance. He is huge in both girth and length, and it takes a while before you’re accustomed to his size. It was so long since you had proper sex with anyone. After he is buried in you to the hilt, you pause, glaring at him with a look aggressive with lust and a need for control. He moans in pleasure and you feel his grip on you tighten considerably. Then you move, slowly first, then quickening your pace, rolling and rubbing against him so his cock enters you at the best angles. His hands reach up to grab your hips, steadying you while he snaps up into you, pounding with such speed it makes your mind go blank with pleasure.
“Ahh-h—h!” you moan, louder this time, shaking with the mounting pleasure as he enters you fast, viciously, more than you can keep up with. You get wetter with each of his thrusts, squelching and slapping sounds filling empty room as he pulls out and fills you completely again with each punishing stroke. You feel yourself nearing your climax, your body swaying and jiggling with the rhythm as your bounce on Hisoka's cock, pressing your fingers harder around his body.
He senses it too, and growls, refusing to take his eyes from yours. You feel his nails rake your hips, grabbing your ass, pain and pleasure intermingling as your near your end. Waves of white-hot pleasure wash over you as you moan into your orgasm, your eyes closed in bliss as you tremble violently, clenching tightly around Hisoka, muttering curses as you come completely undone.
Before you have time to come down from your high, Hisoka pulls out, his rock-hard cock dripping with your honey, before grabbing you and laying you down on the table, towering over you once more. Then he fully sheaths himself inside you in one go, making you cry out at the jolt of oversensitivity as he pushes towards his own end. Using the slick from your orgasm, he goes even faster now, relentless, his hands holding your legs wide apart so he can have unfettered access to you while he slams into you without restraint.
"You like this, don't you? You like being punished like this?" He purrs with forcefulness, a sign he is close, lustful gaze boring into yours while he pummels into you.
You can't help but shudder at his words, but you spit out through gritted teeth. "Don't get cocky. And don't you dare finish inside, or I'll kill you before you are even done."
His control snaps. You feel his cock twitch inside of you. Then he pulls out and comes, moaning with deep satisfaction in your ear, his warm load spilling onto your stomach. After he finishes, you both gaze as each other for a while, barely out of breath, sweat glistening against skin. Your clothes are both in a mess and disarray, his hands are still spreading you wide and bare torso pressed against you as you both bask in the afterglow, sharing a moment to take in the surreal pleasure of what was an extremely unplanned but steaming hot round of sex.
"So with this, do we have a deal?" He breaks the silence with a devious smile.
"I'm not that cheap if you think once is enough." You retort as you clean up, pulling your clothes back on. "At least three more times, with an additional fee of 300,000 Jenny."
"Aren't you a greedy one," Hisoka smirks, tying his yukata back in place. "Alright. It's a deal, not like I'm complaining. I might deliver more than you ask for." His golden eyes travel across your body once more before meeting yours, and you can still see a faint glimmer of lust, ready to be reignited.
"Enjoying yourself?" An icy voice comes from the darkened doorway.
You don't even need to look to know who it is, recognizing the voice immediately. Cold grey eyes gaze at you from a figure leaning against the entryway.
"Chrollo," you almost spit out.
"Ah," says Hisoka naturally, "you're finally here."
You turn to scowl at Hisoka, realizing his blatant lie from earlier. You wonder for a moment how Chrollo even got in to the onsen without your notice, given that him and the troupe remain high up on your guest blacklist. Then you sense his nen, or rather his lack of it, a blur void except for the vague tinge of someone else’s foreign nen around his chest. A contract, then. He's harmless now.
Chrollo steps into the room, dressed elegantly in a black yukata, his hair let down comfortably. "Seems like you taste in men hasn't changed. I took a gamble on that." His steely grey gaze, piercing, calculating and formidable in confidence, still make you tremble a little, despite knowing him for years.
You take a while to understand and chuckle, looking from Chrollo to Hisoka. "Seems like we both got played."
The latter narrows his eyes at Chrollo before running his hand through his hair, sighing. "Well, as expected of him. Again, not like I'm complaining."
"Hisoka, leave us for a moment," you order.
"As you wish." You feel him step out but loiter along the corridor, waiting to pick up on the following conversation. Now it's just you and Chrollo left in the room. He doesn't move closer to you.
"It's been long. Too... long." Chrollo speaks, his voice calm but you detect a tinge of nostalgia, affection, regret and caution all entangled in one.
You know what he means. You can even see it now, the times he drove you wild, nearly killing you with nen. You can see all the times his lips met yours, growing a steady fire with a kiss, his fingers grazing your skin and making you moan and whimper while you grasp his hair tight in your hands, your mind blanking and feeling the universe come apart and stitch right back together...
"You won't be able to handle me now, in your current state. I would break you. It wont be pleasurable for any of us," you reply coolly. You catch the sound of a stifled laugh from the hallway outside. "Once you get your nen back, I just might reconsider."
You stand up, letting your silk robes fall gracefully past your knees once more. You arrange your bun and slip the onyx pin back into your hair.
"You can use the game tomorrow. I'll have it prepared. Tonight, I'll be busy receiving my payment. In full." You pause a little next to him, giving him one last, long look, before walking out the room and towards your quarters, Hisoka trailing behind.
Alone, Chrollo's eyes are deep and unreadable. Unconsciously, his hands are balled into tight fists by his sides. Then he breathes deeply, chuckling to himself.
What a woman. "Hisoka, you'd better get the job done. Fast."
---
Notes: omg this took way longer than i expected to!!! I’m quite proud of this one ;) I got inspired by a mobage card of hisoka, chrollo and the phantom troupe at an onsen and decided to do this imagine piece! Hope you enjoyed my fellow hisoka simps, it was so fun to write ;)
#hisoka morow x reader#hisoka morow#chrollo lucilfer x reader#chrollo lucilfer#adultrio#adultrio x reader#hxh#hxh imagines#hunter x hunter#one shot
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Naked To the One You Love
by: @ameliaodair
Prompt #46: They really do toast privately in CF – Katniss wearing an orange dress for Peeta and Peeta making cheese buns for Katniss. They wanted something their own. No one knows about it and there’s no baby (as far as they know) but how would this change their relationship? How they make their decisions? Would anyone actually believe them when she gets to District 13? [submitted by anonymous]
Peeta, with the help of Prim and Rye has the perfect day planned for he and Katniss. This is the day they will finally have their toasting. Will everything go as perfectly as Peeta planned it?
This story goes hand-in-hand with my current WIP called, “Another Way Out.” If you want to read more, you can find it on AO3 and FFN.
Word Count: 5768
Rated: M for fluff and smut and lemons.
Warning: Adult content below
Un-beta’d, all mistakes are mine
Naked To the One you Love
| Peeta |
“What are we doing?” Katniss asks as I lead us toward the meadow. It’s early still, the sun barely making its presence known along the horizon as it bleeds its hues of purples, oranges, and pinks into the morning sky.
“Having breakfast,” I tell her simply, shivering from the cold.
“In the snow?” She quibbles, rubbing her hands together to warm them up. I sneak my arm around her shoulder and pull her close. She allows it, pressing her popsicle nose into my neck.
“Just be quiet and follow me,” I tell her, which grants me a scowl— no surprise there. When we finally reach our tree, we climb up and I surprise her by opening the door to our tree house.
“Wow, it’s a lot bigger than last time,” she smiles, looking around the tiny room to inspect my handy work. It was only a little more than a week ago when I found a large plank and, with Rye’s help we got it to the top of this tree. Using some of my dad’s tools, I nailed the plank to one of the sturdier branches. Each day since then I have come out here, adding more planks to it, and now it looks like a tiny little house. Or well, well … more like one … very small room of a rather tiny house. It is just spacious enough for the two of us to stretch out comfortably, but it’s a place of our own, somewhere to go when we need to get away. It’s the closest we can get to the woods since the fence is electrified twenty-four-seven now.
We spend the morning in our little makeshift tree home, enjoying the breakfast I packed and watching the miracle of another sun rise. After surviving the games with the love of your life, you learn to appreciate the little things in life. Like sunrises and sunsets. Like sharing meals with your loved ones. Things you didn’t think were important before suddenly become of the utmost importance. So, Katniss and I bask in the warmth from the sun and just enjoy being together like this. With no cameras and no Haymitch. No Effie or prep teams chasing our tails and scolding us about schedules. As much as we love and adore all of them, it’s nice to have a break from them. Finally, it’s just us, which is just the way I like it.
“I think it’s time to get Prim,” Katniss tells me when she sees the sun positioned above the bakery. It always amazes me how she knows what time it is by the position of the sun.
I frown and jut my lip out, exaggerating my disappointment. “No, not yet. Just one more minute,” I whine, leaning in for a kiss.
“Come on Peeta, I don’t want Prim walking home alone.” Katniss contests, squirming out of my arms. As much as I don’t want to leave right now, I know she’s right. We leave everything in the tree and climb down, deciding we’ll most likely return once Prim is safely back at home. Together, we walk to the school and wait for Prim just outside the gates of the school yard. I’m not sure how much Prim knows much about what’s going on, if anything, but Katniss and I are too afraid to let her walk anywhere in the district alone. Afraid of what Snow might do.
Everyone, even Katniss’s mom said her father’s death was just a stroke of bad luck— that he had an aneurysm that no one knew about, that ruptured. That if they’d had the technology the people in the Capitol have at their fingertips, they could have caught and treated it. But we know better. There was no Capitol technology or any fancy device that would have spared his life. There is no doubt in my mind— or Katniss’s that Snow was the cause of her dad’s untimely death. Of course, it wasn’t him per say, because he was clearly safe inside the President’s Mansion in the Capitol, but more than likely one of his spies here in 12. The timing of everything was just too coincidental, not to mention the fact that he offered his condolences before it even happened.
“Oh, I told Rye we’d stop by the bakery on our way home today,” I tell Prim and Katniss, giving Prim a little wink. It’s a lie, but Katniss doesn’t know that. When I clued Prim in on my master plan just the other day, she was more than happy to go along with it— knowing that we all need something positive in our lives— something to celebrate.
We stop by the bakery and I breathe a sigh of relief that my mother is nowhere in sight. She isn’t supposed to be here for another hour or so, but that hasn’t stopped her from making an unscheduled appearance before. Rye has trouble keeping a straight face as he prepares a bag for us, filled with Katniss’s favorites.
“Hey, I uh … I was about to head out and stop by to see Dad, I can walk Prim home,” Rye suggests, also aware of my plan.
Katniss squirms in place, uncomfortable to even the thought of letting Prim out of her sight but I assure her it’s okay. Rye will protect Prim and keep her safe. They have grown rather close over the last few weeks … or, well, ever since Mr. Everdeen got sick while Katniss and I were still on the Victory Tour.
I remember thanking him for being there for my surrogate family and he rolled his eyes and said, “Yeah, like you’d ever let me hear the end of it if I was there and didn’t help if I could.”
‘Right,’ I thought to myself. ‘It had nothing to do with you actually caring about them, let alone that you are a decent human being,’ but I kept those thoughts to myself.
“Prim is safe with me, I assure you that I will take extra good care of her,” Rye assuages. Katniss squirms uncomfortably, so Rye adds, “Katniss, I promise. You have my word.”
“Extra good?” Katniss smirks after a second, her shoulders slowly relaxing. “Maybe on your way there, Prim can teach you some grammar,” she says in that snarky tone of hers.
“Katniss, we’ll go straight home, I swear!” Prim decrees, clasping her hands together and poking her lip out. Katniss narrows her eyes, which is preceded with a scowl, but then she finally concedes.
“Fine. Go straight home. NO detours.”
Prim wraps her arms around Katniss’s waist and squeals, “Thank you, thank you, thank you Katniss! You are the best sister ever!”
“Yeah, yeah, I know,” Katniss remarks, trying to hide her grin. Like me, she finds it extremely difficult to deny Prim anything.
After Katniss and I collect our stuff from the treehouse, I get an idea. “I want to make a snowman,” I tell her with a cheeky smile.
“A snowman? Seriously? But it’s cold Peeta,” she whines.
“That’s the point. You can’t make a snowman when it’s warm.” So, that’s what we do, we build a snowman until she gets the bright idea to chuck a snowball at my face. And then— it’s on. I scoop up a ball of snow and sling it at Katniss, hitting her square in the shoulder.
With her impeccable aim, I should have known that I had no chance in the world of besting her in a snowball fight.
“Hey, that’s not fair,” she whines when she sees the pile of snowballs I have hidden behind the snowman. She might have impeccable aim, but I am the youngest of three boys— I had to work twice as hard to keep up with them.
“You started it,” I tell her and chuck another ball of snow at her. For the next hour or so, we have fun, smiling and laughing while getting snow blasted in our faces. Katniss tackles me from the side and slams me down on my back. She straddles my hips, pinning my arms to the ground.
“I win, you lose,” she says triumphantly, planting a victory kiss to my lips.
“That may be true, but I think it’s me who is the real winner here.”
Her eyes knit together in confusion, “And just how exactly do you figure that?”
“Well, you’ve got me pinned to the ground, I’m trapped underneath you. I’ll gladly lose to you if this is my punishment,” I tell her with a crooked grin.
“Come on, let’s go home. I’m cold,” she says, climbing off my hips and helping me up. Under normal circumstances I do not need help getting around with my prosthesis. However, the snow adds many challenges to my already uneven gait.
No longer able to feel either our fingers, toes, or our faces, we make our way back to my house to warm up. Rye and my dad are hanging out two doors down, at the Everdeen’s, so I don’t have to worry about anyone barging in on us. Once I get the fire started, we curl up on a blanket I spread out on the floor, soaking up the heat from the flames.
“I’m going to take a shower,” Katniss tells me once the feeling in her fingers returns and then she makes her way upstairs. Her absence gives me the perfect opportunity to get everything in order. The moment she is out of sight, I begin creating a mental checklist of everything I need to do. Once I hear the water splashing against the tile floor, I zip into the kitchen and get to work. I begin by filling a tray with the cheese buns from the bakery— Katniss’ favorite, and pop them into the oven to warm them up. And then I take out the dough of the white bread I prepared a few days ago, made for this exact occasion. I open the drawer that contains the papers and pull them out. “Certificate of Marriage,” I whisper the words aloud.
“Please be okay with this Katniss,” I anxiously tell myself. “Stop it Peeta. She loves you, you love her; that’s the only thing that matters.” I remind myself, trying to talk myself up so I don’t chicken out.
Once all the bread is ready to go, I place them on a table next to the couch and wait for Katniss to come back down.
I am not waiting long when she comes gliding down the stairs in an immaculate floor-length orange summer dress. The straps holding the dress up on her shoulders are skinny, and for some reason they remind me of spaghetti noodles. It is snug at the top and gets looser the more the light orange fades into a deeper orange. My eyes nearly bug out of my head at the sight of her. She is beautiful, she is exquisite and stunning and just … WOW. It must be one of the dresses Cinna sent back with her, because I’ve never seen this one before. And although this one is clearly a dress meant for days with bright sun and scorching heat— it’s not like we’ll be going outside.
It is so unlike her when she twirls around once, a huge smile on her face. “Do you like it?”
For a moment, I’m speechless, “I … I love it, it’s beautiful; you’re beautiful.”
She blushes, joining me on the floor and I prop some pillows up for us to lean against.
“Are you hungry?” I nervously ask her. Dammit, why am I so nervous?
“What do you think?” She huffs, her eyes narrowing with her trademark scowl, which forces a chuckle to escape from my throat. It’s a stupid question to ask anyone who is a resident of 12. Everyone is hungry, even those of us who are more fortunate than the others. I hand her the platter of cheese buns, but she’s eyeing the other tray. “What’s that?” She asks, pointing behind my back.
“Oh, it’s nothing.” I tell her and shift my body, hoping to block her view.
“Oh my God, Peeta; is that—” The papers are all but forgotten as her eyes go saucer eyed when she catches sight of the bread behind me. She crawls over me and picks the bread up, delicately turning it over and over in her hands. “Is this—”
I bashfully look away and nod my head, “It is,” I admit. Her head snaps to the right— and then to the left as she surveys the room. And then it all hits her at once as she realizes what this is. For a moment, I am afraid she’s going to go running for the hills, but instead, she reaches for the bread knife and begins sawing at the loaf. She frees the piece of bread and impales it on a poker before placing it over the fire. While she rotates the poker to evenly toast the bread, she looks over to me, her silver eyes glistening with the flames and smiles.
“Do I ever tell you how much I love you? H-how important you are to me?” She asks as her eyes meet mine. And maybe it’s just the heat from the flames, but her cheeks suddenly flush into crimson.
All my anxiety dissipates into her gray orbs as I extend my hand out, curling a strand of her hair around my finger. “It is implied every single day, in everything you do,” I tell her softly.
She pulls the poker back and places it down next to the hearth, but not before removing the slightly toasted bread from its prongs. She juggles the bread from one hand to the other— again and again as she waits for it to cool.
My eyes are cemented on her while my anxiety rises to a new level as I await her next actions.
“Peeta … you are … the most amazingly incredible person I know— have ever known. And … I never thought I wanted this, but you— you changed everything for me. You changed the way I see the world, and I … I can’t imagine a life without you. And … even if I could, I don’t want to.”
Woah, wait a minute, what is she doing? Those are supposed to be my words.
‘Katniss, what are you doing?’ I ask her in our silent form of communication.
‘I think you know,’ she smiles mischievously at me.
“Uh-uhn, no, that’s my job, I had this all planned out.”
“Oh, so that’s what today was all about?” She exclaims with a bright smile on her face. I can’t help but return the smile as I lean over and press my lips against hers. Using my weight, I push her down onto her back and kiss her deeply— thoroughly running my tongue along her lips, sucking … pulling her bottom lip into my mouth until she shivers.
“I love you Katniss Everdeen,” I mumble through our connected lips. “I love everything about you; even the things I hate about you, I love.” I crawl up next to her, our bodies continuing to absorb the heat from the flames as I stare longingly into her beautiful grey eyes.
“You ruined my plans, I’m not sure if I can forgive you for that,” I quip, smiling and gazing into her perfect eyes.
“What if I …” She intentionally hesitates, lifting the seam of my shirt up and tracing her fingers lightly across my stomach, “do this?” She finishes, sending goosebumps prickling against my skin and I squirm from side to side with her touch.
“Nothing’s ruined,” she promises. “All I said, was I wanted for it to be ours; that I didn’t want the day I became yours, and you mine to be in front of a Capitol audience. As long as it’s just us, I don’t care about the rest.”
And she says she’s not good with words.
I take her hands into mine, our heads sharing the same pillow as we stare into each other’s eyes, “Katniss, I was mesmerized by you since I was a five-year old, snaggle-toothed little boy. I can’t even remember a time I didn’t love you; and for so long, I never thought you would give me the time of day. I thought … for so long I thought that just being your friend would be enough, but after having your love— after having your heart … I can’t imagine a life without you. I know you only said yes because of … well, because of everything, but I swear to you, I will be the best husband you could ever hope to have. I—”
“Peeta, I—” She interjects, but I stop her.
“Please Katniss, please let me finish,” she nods, not pushing it any further. I glance down to the bread and then back at her, “I offer this toasted bread to you with the promise of being your best friend. I will listen when you need someone to talk to; when you just need to vent, my ears will be open, or if you just need a sounding board, I will be that too. You will never have to be alone again because I will be by your side.“
‘Always,‘ I add in our silent way.
“Even when you don’t think you want me there, I will be. I will hold your hand when you’re scared, and I will be right here, right next to you, scared with you. I will tell you that everything will be okay— because even if it’s not, we will have each other. I will always, always be there to catch you before you fall. And … and I’ll give you a push if that’s what you need, too. Because I love you.”
Her eyes are pooled with tears and her chin quivers as she reaches for our toasted slice of bread and holds it up between us. It is the only thing separating our lips. And then I part my lips and allow her to feed me the bread, our bread. Our little slice of heaven that signifies our love. I sink my teeth into the perfectly toasted bread, as does she. Our teeth sink into our promise to the other and then we seal it with a kiss.
“I love you Peeta Mellark, my husband.”
“And I, you; Katniss Everdeen; my wife.”
“I think that would be Katniss Mellark now; get it right,” she tries to scowl at me but fails, erupting in a giggle.
“I like the sound of that, Mrs. Katniss Mellark— Oh, that reminds me!” I exclaim jubilantly, nearly bursting at the seams as I jump up to collect the papers the mayor had given me earlier this week.
“What’s that?” Katniss asks me.
“It’s um … they’re the papers. To um, make it official.”
“Seriously? When— How?” I breathe out a sigh of relief when she doesn’t object. That she seems genuinely excited.
“The mayor. But … we can’t tell anyone; she’ll be in a load of trouble if anyone finds out.”
“My husband … conspiring with the mayor,” Katniss beams, glowing with pride. I am incapable of concealing the cheesy, shit-eating grin when she calls me her husband.
As I watch her grip the pen in her hand and sign her name on all the dotted lines, I pinch myself to see if I am dreaming. I can’t believe it; I am actually, really, truly and officially married to Katniss Everdeen— Mellark.
“Wait! I have something for you,” Katniss says and rushes up the stairs. I hear her run into my room and then a drawer slams before she is sprinting back down the stairs.
“You already gave me a ring, and I um … I want you to have this Peeta,” she says, her cheeks flushing as she reaches for my hand. Refusing to meet my eyes, she slips something onto my finger.
I pull my hand up to look at what she’s placed on my finger to see a ring adorned to the pointer finger of my right hand. Then she takes her ring off the chain of her necklace— (the one I gave her in District 4 the night of my true proposal to her— the one that once belonged to her mother, given to me by her father) and does the same.
It’s a tradition in 12 that goes along with the toasting. Everyone knows that your wedding ring is typically worn on the fourth finger of your left hand, but in 12, it starts out on the pointer finger of your right hand. There was a tradition from before the dark days that said you start off like this because there is a vein … or maybe it’s an artery that runs from your finger to your heart. And since marriage is the ultimate promise, by doing this you are connecting your hearts together. Once the ceremony is over, then you switch it to the fourth finger of your left hand.
Katniss leans over to kiss me and we switch the ring to our proper fingers while our lips are still conjoined. For now. I will eventually have to find a clever place to keep mine until … until well, I don’t know. But the Capitol cannot know we are already married.
After all the traditions are complete, I take our marriage papers to the office room upstairs and tuck them away in a safe place. Then, with a little extra pep in my step, I find my way back to the main room and scoop Katniss into my arms.
“Peeta! What are you doing?” She squeals like a giddy schoolgirl, encircling her arms around my neck. Carefully, I make my way up the stairs and into my room— our room. Who am I kidding? It’s always been our room— no piece of paper or ceremony was needed to decide that for us.
“I am carrying my wife over the threshold. The toasting isn’t complete until that’s been done,” I remind her with a kiss.
“Okay,” she says, nuzzling her head against my chest. No thanks to my artificial leg, we make it up the steps successfully. I press my lips against hers as my foot passes the threshold. Now, all the standard traditions of 12 are complete, except for the final one. The one that really seals the deal. Consummation.
Just thinking the word in my head causes me to stumble. My brain seems to forget how to gracefully put one foot in front of the other and I fall face first onto my bed, my body nearly crushing my beautiful wife.
She giggles; a foreign sound, but it is one that I cherish. “I love you,” I say, pressing my forehead against hers.
“Smooth,” she says, and I can feel her lips forming into a smile against my mouth.
“So, now, we’re supposed to um …” There is a nervous energy between us; she’s scared, as am I. Actually, I don’t think I’ve ever been more terrified in my life, and that’s saying something— having survived an arena and all.
“Katniss, you know … we don’t have to do this, we can just—”
“What? You don’t want to?” She interjects defensively.
“No, no— I mean, yes, I do. I was just saying … if you don’t want to, it’s okay. We don’t have to, we can wait,” I stumble over my words trying to reassure her.
“I want to Peeta,“ she says certainly, never taking her eyes off mine. "I have wanted to for a while now, and I think we’ve waited long enough. Will you … will you help me unzip my dress?” Her eyes flit to the floor as she smiles nervously, her cheeks taking on a rosy hue.
She doesn’t have to ask me twice. While Katniss and I have done many things, getting caught up in heated kisses, touching in places I would rather not mention, we have never gone this far. We have never gone all the way. She turns around and pulls her hair to the side, granting me access to her zipper. I scrupulously glide the zipper down until it refuses to budge another inch and delicately slide the sleeves down her arms. A frown of disappointment encases my lips when she begins to braid her hair.
I press my lips to her bare neck and kiss my way to her shoulder, which causes a moan to expel from her lips. “Leave it down, please.”
“Mmm hmmm,” she moans.
“My God, you are so beautiful,” I tell her, my lips trailing down to the crest of her shoulder. Finally, I sling her dress into the chair next to my bed and she nervously flips onto her back, incredulously facing me.
‘Oh my God, Katniss is naked, bare to me and in my bed,’ I think to myself as I stare her up and down.
Feeling self-conscious … probably due to my ogling her, she reaches over and pulls the sheet to cover her near-naked body.
“No, what are you doing?” I ask her, tugging the fabric back.
“I just … feel so … naked without my clothes,” she says, flushing with embarrassment.
“Well, that’s kind of the point, isn’t it?”
“Well then … be naked with me,” she says, tugging on the hem of my shirt, eager for me to remove it. I slide my shirt off and it joins her dress in the chair. I am hesitant to remove my pants, still self-conscious about my leg.
“Pants too,” Katniss whispers in a raspy— so, so sexy voice.
“I … I—”
“Peeta, I love all of you, even the Capitol-made parts,” she takes charge and flips me over, undoes the button of my pants, and I am too paralyzed to refuse; not that I would want to. She removes my pants, then sits up and straddles my hips. With nothing but our underclothes on, we are completely bare to each other, and I understand what she meant about feeling naked without her clothes. There is nothing to conceal our insecurities, both physical and emotional. But that’s the point, right? To be completely open, bare— naked to the one you love. To have nothing— no secrets between you. However, underneath all my anxiety, I don’t know if I’ve ever felt anything quite this amazing before. We slip under the covers and I click the lamp on that sits on my nightstand. It emanates a soft glow, perfectly lighting the room, while producing a shadow over the insecurities.
“Can I take your leg off?” Katniss asks me. She must be in my head again— I was just too embarrassed to take the initiative— afraid she would find my mutilated leg … repulsive.
“Okay,” I say. For the first time I realize she’s had a lot of practice helping me put it on and take it off as she slips it off with ease.
“I don’t want any part of the Capitol here for this,” she says, placing kisses against the scar on my leg. I pull her up to me and flip her back onto her back.
We are a tangled mess of arms and legs, our tongues dancing together in a frenzy, yet in perfect synchronicity. As if they’d been practicing for years and years until they reached utter perfection. I trail kisses along her neck, down to her collarbone and across her shoulders. I want to kiss every inch of her body; I don’t want to miss a single bit of her skin. I reach down and cup her perfect breasts in my hands and she moans out in pleasure, which causes my cock to pulse until it is fully erect.
“Touch me Peeta,” surrendering to her every command, I stroke her arms, and then add light touches to her perfectly flattened stomach. I caress my hands up and down her legs, trying to muster up the courage to touch her there. Finally, I do, and she’s so hot and wet for me. I slide one finger inside her center and keep it in there while I use my thumb to rub circles on that little bundle of nerves that I know has the power to make her come undone.
Her body tenses up and I know I’ve hit the right spot when she pants out my name. “I could be satisfied … happy, just doing that to you … every second of every minute, of every single day,” I tell her once the intensity of her climax has subsided.
“Then how would you make me cheese buns?” She says with a heavy breath. Smiling, I inch up to her face and kiss her. Soft and light at first, and then harder, deeper— as if I am starving and her lips are the only way to satiate my hunger.
“I need you Peeta; I— I need you closer,” she breathes into me and I instantly know what she means. She wants me to be inside her. We have both wanted this for such a long time, I almost can’t believe it’s actually happening. I kiss her softly as I fumble my way on top of her. Using one elbow to prop myself up, my other hands grips onto my cock as I tease her entrance with my hardened member. Even without being inside her, I can feel how wet she is. Which only causes my already rock-hard cock to pulse even harder. She spreads her legs open for me and I fumble nervously, guiding my cock into her entrance and sliding inside her— slowly at first.
“Is this okay?” I ask her, recalling an embarrassing conversation with Rye as he gave me the intricate details that a girl’s first time can be painful, and that it’s important that they are “ready” prior to penetration.
“More Peeta, I need all of you,” she demands, locking her legs around my hips and digging her heels into the back of my calves. Slowly, I push myself deeper into her, impaling her, until finally, I am fully submerged into her heat.
“Holy FUCK!” I gasp, crying out when my cock is surrounded by her walls. “Is- is this okay?” I ask her again, not wanting to do anything that might hurt her. It is taking every bit of willpower that I possess to keep my body still— to prevent my hips from ramming deep— and hard, into her.
“Oh God, Peeta, you feel so good. Please … please, Peeta—” she begs me, and I’ve never been very good at denying her anything as I submit to her will. Slowly, I partially retract myself from her center and then slowly, slowly push myself back inside, our pelvises grinding against each other. Her nails dig into my back, finding their way to my ass and then she squeezes—
“Holy FUCK, how did you just do that?” I ask when her walls tighten around my cock.
“What … this?” She grins, repeating the action, “You like that?” She says in a teasing, seductive voice.
“Katniss— stop … or I’m going to … or I won’t last, and I want … this has to be perfect,” I beg her and then she reaches up, encircling her arms around my neck and pressing her mouth to mine.
“It’s already perfect because I’m with you,” she tells me in-between heated kisses. And once again, she stupefies me with her words.
“Oh God, I love you too, my perfect, beautiful, amazingly gifted wife,” I tell her, while gliding in … gliding out of her sex.
“Katniss … I’m not sure how much longer I’m going to last if you keep doing that … where do you want me to—”
“Right where you are,” she tells me, knowing what I am trying to say.
“But,” I question her with a raise of my brow.
“I took that pill Effie gave you— I mean, me,” she explains, running her tongue along my ear.
I shiver from the contact and lose all control as I slam into her— again and again before grinding into her center once more. We both grind; hard and slow, and deep— achieving the perfect rhythm until I feel that familiar stirring deep in my stomach— and then we’re both moaning, and yelling, and whispering— shouting— gasping the other’s name and I’m spilling into her, filling her with my seed; both of us believing that Effie’s miracle pill from the Capitol will prevent any watering of said seed.
0 – 0 – 0
Curious about their “unspoken language”? Or Katniss’s father’s untimely death? Or who the mayor of 12 is since it clearly is not Mayor Undersee? Come check out my THG re-writes: Changing the Game (Complete) and Another Way Out (In progress) (The final book/story is TBA). Told in multiple POV’s. AND, find out what happens once Katniss reaches District 13. Does anyone know they actually and officially got married in 12? Does Katniss get pregnant? Does Effie’s miracle pill work for them?
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~*ᑕᕼᗩᑭTEᖇ OᑎE*~
warnings: alcohol consumption, oral sex
words: 2.8k
Prologue
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Perhaps you should’ve have taken Daki more seriously. After that fateful night at the so-called gathering, she’s become adamant on getting you hooked onto the luxurious life. Frankly, you thought the rest of the night was a bore, watching rich people mill about, talking to each other about issues that you could wish to understand. The only thing that really kept you going was the company of your best friend and the delicious edibles set on the many tables.
Time and time again, Daki brought up the encounter you had with Idris’ friends – could they even be called that? She gushed about how handsome Rengoku Kyojuro was, how darling it would be to hang off his arm. You noticed the suggestive hint to her tone; you knew exactly where her train of thoughts was going, and you’d be damned if she acted upon them.
In fact, you’re entirely positive that she’s planning on whisking you into her lifestyle. Even now, as you sit in some one-roomed, slinky club, she taps a manicured finger against her chin. The place itself is dripping with wealth, from the chandeliers hanging from the ceiling, the clusters of velvet chairs, right down to the mahogany bar you sit at. You don’t have the slightest clue how Daki knows of a place like this, but – judging from the few other patrons acquainting the place – it’s meant for those types of meetings. You have the slightest inkling that this is where she met Idris in the first place.
Glancing over at her, you can understand why Idris was drawn to her in the first place; of course, Daki has always been insanely beautiful, but her sense of fashion is impeccable. Combined with her short skirt and the thick platforms on her feet, her legs are long, soft. She looks like she just came off straight off a runway; she might as well have, if the big Chanel logo on her beret hints at anything. She’s perfect sugar baby material, and you’d be lying if you’d say you didn’t respect her for pulling off such a feat.
“Mitsuri really liked you,” Daki’s saying. You snap back to attention, mentally cursing yourself out for getting lost in your thoughts. “She thinks you’re really pretty, too.”
Ah, Kanroji Mitsuri: renowned fashion designer and easily one of the most beautiful women you’ve ever met. Her welcoming, bubbly personality had definitely struck a chord inside you, and you were more than thankful that she had been so nice. Hearing something like that, though… Well…
Staring down at your wine, you swirl the deep red fluid around in your glass. “She’s just being nice,” you say, deflecting the compliment. You didn’t want to get your hopes up for nothing.
Rolling her eyes, Daki pops a grape into her mouth and waggles a finger at you. “Listen here, darling; Kanroji Mitsuri thinks you’re pretty. I wouldn’t take that so lightly.”
“You’re also drop dead gorgeous,” you shoot right back. “Of course you wouldn’t take it so lightly.”
“You’re missing the point,” Daki says with a sigh. “An insanely hot and rich woman – who has a great personality, by the way – is interested in you. By the way you two were talking at the gathering, it’s almost like you two have known each other forever.”
Deciding to take the bait, you set your wineglass down and turn towards her. “So what am I supposed to do?”
“Go on a date with her, obviously. I know Mitsuri will treat you right. And, if the night ends well…” Trailing off, she follows up with a giggle. “We’d be sugar sisters.”
“Come again?”
“Oh, come on, (y/n)! Think about how much fun it’ll be! Mitsuri will spoil you rotten and you’ll have mind-blowing sex.”
Your eyes nearly pop out of your head at the unexpected confession. Wait, did that mean…?
Daki flashes you a sly look. “What, you don’t think I only like men, do you? I may have fucked around with Mitsuri once or twice… But it was only a physical attraction, nothing more. Sometimes you just need to get with a woman.”
Embarrassment crawls up your neck at the mere idea of Daki and Mitsuri engaging in certain… activities. Warmth floods your system; you should be ashamed of thinking of your friend like that, but she did just tell you something you particularly didn’t want to know. And, truth be told, you are growing the slightest bit curious as to how Mitsuri’s like in bed…
A smirk pulls at the corners of Daki’s pretty mouth. She obviously knows what’s going on in your head – the two of you have been friends long enough for it to be second nature at this point. However, it still catches you by surprise as she fishes out a little piece of paper and slides it across the bar to you. “Since you’re clearly thinking about it, have her number,” she purrs. “I don’t think you’ll regret giving her a call.”
Taking the paper into your hands, you examine the neat, curly writing. You can imagine Mitsuri writing down the number, a flattering smile on her face. Your heart nearly skips a beat; did she really feel attracted to you? It’s just that, well, somebody at her social standing would usually stick to someone in the same group. You’re nowhere near it, so to have something like this happen… It’s kind of incredible.
You sigh. “Fuck it. I’ll call her.”
Daki eagerly claps her hands. “That’s my girl!”
-
On second thought, you might be regretting your decision.
Around you, the delicate clank of crystal glasses and fine platters intermingle with the soothing piano music. Other patrons talk amongst themselves, the slight murmur of dozens of voices reminding you of a hoard of bees. Some call out to the waiters passing by, wanting them to refill their glasses or get the check.
The dim, golden light makes the place ethereal, a heavenly glow surrounding everyone’s heads. Your hands glide over the spotless tablecloth, the pristine white of it practically mocking you. Jeez, if a single drop of wine spills on it, they’d probably just throw it away. Damn rich people and their ways – the mere idea of how much this tablecloth costs has your head spinning.
“You don’t have to look so scared,” Mitsuri says. “Believe it or not, but everyone here is just like you.”
You nearly scoff at that. You want to tell her that no, nobody is like you. You’re not rich and swanky, not by a long shot. Besides, this is Kanroji Mitsuri you’re speaking to. She’s part of this crowd; and since she’s a renowned fashion designer with a fairly large following, she’s practically a celebrity.
“I find that hard to believe,” you mutter. Picking up your glass, you take a careful sip of water, not wanting to cause a spill and embarrass yourself.
It’s not helping your nerves in the slightest that Mitsuri looks the way she does; hair pulled into a high ponytail, a slinky dress with a plunging neckline, dangling earrings that reflect the soft golden light. You don’t want to be disrespectful and stare at her pure, creamy skin, but it’s so hard. She’s downright beautiful – breathtaking, even – and it’s a challenge to keep your head on straight.
Her green eyes practically light up at your comment, a light giggle passing through her plump lips. “Everyone feels the pressure, you know. The need to keep up a perfect façade. It’s a shame, really, how so many people in this room wear a mask constantly.” She sighs, then, leaning forward and perching an elbow on the table and resting her chin in her palm. “I’ll be truthful, darling. The very first moment I met you, I knew you’d be different. You’re not some stuck-up corporate brat who’s too deep in their own shit to know right from left anymore. It’s refreshing.”
You can’t help but laugh at that. She hit the nail right on the head; sure, the upper class are usually depicted as being entitled assholes, but to hear it from Mitsuri? That’s just gold. She joins in on your laughter, the sweet, tinkling sound gracing your ears. It’s actually incredible how comfortable you feel around her, despite only knowing her for a couple of days.
“Plus,” Mitsuri continues, her laughter dying down, “I think you’re really cute.”
Scoffing, you try to downplay the excited fluttering in your heart. She’s almost been gushing about how nice you look all night, how much of a pleasantry it was that Daki introduced the two of you. Even better, she was so freaking ecstatic that you called her. Okay, yeah, so maybe you’re interested in Mitsuri. Who wouldn’t be? With the personality of a puppy and the looks of a supermodel, how could anyone say no to her?
“Now you’re just spoiling me,” you tell her.
“What can I say?” Mitsuri replies, voice smooth. “You deserve to be spoiled.”
Shock floods your system, sucks almost all the air from your lungs. Jaw dropping, you gape at her, completely at a loss for words. It doesn’t matter, though; your waiter comes back with the meals the two of you’ve ordered, placing them down gently on the table and busying himself with pouring glasses of wine.
“Enjoy the meal, ladies,” he says, his thick accent flooding his words. With a polite bow, he takes his departure, stepping away with quick, precise movements.
Staring down at the food you ordered, your mouth begins to water. Even though you aren’t the biggest fan of these damned rich people, you’ve got to admit that you’re jealous of the things they eat. Like, look at this! This is something King Midas would eat himself!
“It’s almost as if you’ve never eaten before,” Mitsuri says along with another adorable giggle. “If that’s your reaction, then I’m going to have to take you to every high-end restaurant in town!”
“What? No! Mitsuri, you don’t have to do that!” you ramble. “It’s just… Well…”
“Oh, come on. I want to.” Mitsuri pauses, then, picking up her glass with slender fingers and taking a sip of her wine. “I agree with Daki, you know,” she continues, “I think the two of us could have a lot of fun together.”
“…I’m afraid I don’t understand…?”
Mitsuri casts a devious smile over the rim of her glass at you. “Don’t worry, sweetie. You’ll find out soon enough.”
-
If you can recall it correctly, there’s a saying that would fit perfectly into this moment – blame it on the alcohol. Oh, but you’re not stupid. No, you at least have the guts to own up to your actions, as great or as stupid as they can be. That being said, you don’t want to admit to how desperate you’re feeling.
You didn’t doubt Daki for a single moment. As kind as she is beautiful, Mitsuri is the perfect package. She only managed to prove that point over and over again throughout the evening, swapping stories and genuinely taking the time to get to know you better. You still can’t believe she’s taken so much interest in you, but you aren’t going to complain about it any time soon. In fact, you’re glad that she’s into you.
Perhaps it was your tipsy mind that made you say yes; that’s what you want to believe, anyway. You don’t want to own up to the fact that you practically jumped at the opportunity of Mitsuri taking you home, to some swanky penthouse in one of the richest parts of the city. You barely had any time to gawk at the immaculate décor or overpriced furniture; no, what you got was a short tour as Mitsuri drug you off towards her bedroom.
The moments from there on out became nothing more than a blur. Clothing being slipped off, hands roaming over bare skin, the delicious heat of Mitsuri’s mouth. Your mind is still reeling from the turn of events, but you don’t have a single chance to think about it.
Heavy pants break through your lips, grace the still air in Mitsuri’s bedroom. The mattress is large, unforgivably so, topped with some of the softest blankets you’ve ever felt. Settled between your open legs, Mitsuri looks nothing short of perfection; long ponytail clutched in your grasp, her full eyelashes fluttering, the prettiest of blushes on her face, she’s a remarkable piece of art, reserved for your eyes only. The sounds spilling from between your legs is utterly sinful. Her lips and tongue eagerly work away at your sopping cunt, break down your walls until you’re a moaning mess.
“Fuck, Mitsuri,” you breathe, voice turning shrill towards the end. “That feels so good.”
Mitsuri moans at the praise, her manicured nails digging into the plush flesh of your thighs. Arching her back even more, you’re presented with a better view of her godly ass, the defined dimples on her back. She’s too gorgeous to handle, too fucking sexy. Giving her ponytail a yank, you relish in the pleased hum vibrating in the back of her throat.
“Naughty girl,” Misturi purrs as she pulls away. A mix of slick and smeared lipstick cover her lips, the lewd shine making your insides tighten. “I didn’t say you could do that, now did I?” The mere controlling tone of her voice causes another fat drop of slick to push its way out of your pussy. Eyes locking onto the sight, Mitsuri cracks a salacious smile. “Does baby girl like being talked down to?”
“Don’t… Don’t say it like that,” you whimper.
“I’m just speaking the truth,” Mitsuri purrs. “It’s not my fault this pretty little pussy likes it.” With her words, she traces a finger up and down your slit, collecting even more slick. Waggling the coated finger in your vision, she makes sure your eyes are on her before she slips it into her mouth, her swollen lips wrapping around it. “So tasty,” she moans. “So fucking sweet. You’re a real treat, you know that? It’s a shame Daki didn’t introduce us earlier.”
“Mitsuri-“
“Ah-ah-ah, don’t call me that,” she warns, the honey in her voice turning into something darker, heavier. You swallow thickly. “If you don’t mind, sweets… Call me Mommy. That is, unless you don’t want to cum? That works too.”
Oh, god, with an expression like that and her fingers playing with your sex, you’ll call her anything. “Mommy,” you murmur, “please.”
“Hmmm… What was that?”
Clenching the blankets between your fingers, you call out louder, “Mommy, please!” A loud gasp bursts from your throat, then, as Misturi shoves three fingers into you with no hesitation whatsoever. Her mouth descends on your clit once more, a pleased hum escaping her mouth at your sweet, sweet taste. Your hips buck into her wildly, your back arching off the mattress.
Mind clearing, vision turning fuzzy, your orgasm crashes over, your slick spilling all over her fingers and onto the blankets below. Mitsuri chuckles at that, seemingly pleased with both herself and your reaction. She keeps pressing on, though, her mouth and fingers working you through a second orgasm, and then a third. She’s relentless in her quest to make you cum over and over again, leaving you a shaking, crying mess of overstimulated nerves.
“Oh baby,” Mitsuri purrs once she pulls her mouth away. “You’re such a good girl to me, aren’t you? I’ll groom you real nice, shape you into something utterly perfect,” she continues, leaning in close and brushing her lips against your ear. “You’ll let me, won’t you? Come on, baby, let’s have some fun.” Shuffling up your body, she perches herself over your face, thick thighs encasing your head. “Be a darling and help me out, won’t you?”
“Yes, Mommy,” you coo. “Yes.”
-
In the end, Daki got what she wanted – a sugar sister.
Granted, you weren’t super eager to jump on the opportunity at first, but after some convincing from Mitsuri, you figured why not? As long as it’s with Mitsuri, there’s no harm, really. Plus, if you’re going to continue having incredible nights with her… Hell, of course you’re gonna agree!
“So, how did the date go?” Kyojuro’s voice rings through the phone. He sounds a bit too eager to hear the fine, juicy details.
“Wouldn’t you like to know?” Mitsuri teases. Sitting comfortably next to you in bed, she scans her eyes of your sleeping form, at your bare arms and shoulders unhidden from the blankets. She smiles. “It went great, actually,” she says, voice gentle. “(y/n)’s incredible.”
“She’s a looker, too,” Kyojuro says. Even though Mitsuri can’t see him, she knows he’s smirking. “Real beauty.”
“Heh. It almost sounds like you want me to share her.”
Kyojuro huffs in amusement. “Now that sounds like a good idea. Even Tengen wouldn’t shut up about her after she left. Maybe if you’re feeling generous…?”
Running her fingers over your smooth skin, Mitsuri bites her lip. “…Maybe. If she wants to be shared, that’s up to her. Either way…” she trails off, gives a light giggle. “She’s great in bed.”
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