#but also it's supposed to be a moral tale of what to do and what to not to do
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Growing up hearing parts of stories like The Iliad as a child, I idolized the Achaean Greeks because they were so cool and like the horse thing was *an absolutely brilliant battle tactic.* Actually reading The Iliad is like "Oh gods, why are the Achaean Greeks committing so many war crimes?????? Why are the Trojans the only people who actually have honor and decency??" and immediately siding with Troy because the majority of them Do Not Deserve This and have been majorly unfortunate.
#Except Paris#Paris sucks#But the rest of Troy didn't deserve to share in his punishment#To be fair#can't judge a city for war crime standards that weren't standardize yet/modern lens? Unclear. I still be suspicious.#but also it's supposed to be a moral tale of what to do and what to not to do#and it's interesting how they made the Greeks (protagonists) 'how not to do war 101 and still be honorable'#English Lit for College#The Iliad#I read the aeneid in highschool and now rereading#Actually reading classics has been an Experience#Not a licensed literature discourse#but here's my take#Achilles is not the man most of my class thinks he is#Brb-on-a-ramble?#Brb-on-a-ramble#I don't necessarily understand classic literature or epic poetry though fair warning but we're trying and we're making progress
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Warning- this is a very petty post, but I think I'm entitled to at least one petty, pissed-off reaction every time I finish a classic novel that hit harder than I expected so take this as my quota for the year.
Also spoiler warning for a book that came out over a century ago but still, I didn't know the plot going in so don't want to ruin it for anyone else, if you haven't read it shut your eyes. (Also Local Tumblr User Going Wild Over Book Published a Hundred Years Ago That Everybody Else Already Read should probably be categorised as akey part of indigenous tumblr culture at this point).
Anyway I just finished the War of the Worlds and in between studying I've thinking about Themes and Motifs as you do, and idly looking for further analysis. I then accidentally ran into an article called 'A Quiet Place II Succeeds Where the War of the Worlds Failed' and:
Now I haven't seen any of the Quiet Place films, this is not a rant against them and of course everyone is entitled to their own opinions. But re: the ending of The War of the Worlds, I have to ask, did this guy somehow miss, uh, the entire point of the book or am I just utterly insane?
#You're right it's not very satisfying for humanity that the invaders are foiled by a bacteria and not human action! Maybe that's the point!#Maybe it's supposed to be FRIGHTENING and make you ask questions about what humans will do under extreme stress#Not be a morally uplifting tale about Humanity Heroically Defeating the Martians in a Glorious Hollywood Ending#Maybe it's MEANT to be unsatisfying because this is not a straightforward fairytale#I mean I've only read it once and don't know much about Wells' work so I might have misunderstood the point of the book too#But at places it is a very pessimistic view of the human condition and that's partly WHY IT'S SO POWERFUL#That doesn't mean there aren't moments of individual acts of heroism (the Thunderchild for example)#But the question is not just 'how will humanity beat the Martians and prove that we're still the masters of the universe'#Rather 'a) why is humanity so confident that it's ultimately in control of its own destiny#And b) here's lots of scenes of societal collapse and of people pushed to the brink and what would YOU do in those circumstances?#Would YOU feel remorse about silencing the curate even if it did lead to his death?#What if it rather than a foolish adult it had been a small child?#And even if they were weak did they DESERVE it? Yes it might have been necessary but should it be policy going forward?#Would you also be attracted briefly by the certainties that the artilleryman's (rather fascist) plan seems to offer so humanity survives?#But what sort of humanity would that be if it DID survive and is it worth it? The narrator feels he needs to justify the curate's death#The artilleryman would have probably never have thought it was anything OTHER than justifiable or indeed laudable#Under strain and stress would you start to turn against even your loved ones and become brutal?#Is that the only hope for human survival beyond complete surrender? And was the destruction of London maybe even 'cleansing'#In the eugenics sense or in the sense of a natural horror of dirt and germs?#And the vast exodus of six million people fleeing headlong in panic - we might not have seen that exact phenomenon#But didn't the twentieth century subsequently go on to show us unprecedented scale of slaughter and refugee movements and communal strife?#At the end of the day what really separates humanity from other animals? And what separates us from the Martians?#It's not an uncontroversial book- it was written over a hundred years ago for goodness sake and there are questions worth asking#about the way imperialism and arguments about eugenics and population control and all sorts of other dodgy areas operated on Wells' mind#But dear God I really don't think the problem with the book is that 'Humanity didn't save the day!'#Unsatisfying ending? Yes. A FAILURE? No not in my opinion- looks like it was exactly what Wells set out to do#Humanity didn't win the war of the worlds they had a narrow escape and though it might not be martians next time#Why wouldn't disaster return in the future? Sure we've studied their flying machines and even preserved a martian in a jar#But for all our science what have we ACTUALLY learned that will enable us to avert future human catastrophes? Ethically or socially?#Alright rant over- as usual my opinion is not universal nor necessarily well-informed this take just really got my goat
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Ok when I reblogged this last night, I picked 3rd because thatâs what Iâve heard, but I also said maybe a little bit #4? Because at the time I thought âwell something not really mattering to you = a sort of rejectionâ so I was a little confused as to how they were separate options?
And then when I woke up and I saw this I remembered that the ârejectionâ idea was an antisemitic talking point. As in supposedly you saw the undeniable truth of Jesus and were like nah.
So Iâm not sure how else it couldâve been worded - it was quickly visible to me after a good nightâs sleep - but I wonder how many other people were thinking similarly to me when they picked #4, and how many are genuinely antisemitic. But I hope thereâs just a lot of confused people.
#culturally Christian#Iâm kind of agnostic but I do swear pretty religiously and kind of believe in Jesus and such just sort of out a habit. like if something#more convincing comes along Iâll go with that but currently I just have trouble with the idea the universe started spontaneously#I imagine more that thereâs a higher figure and heâs been running experiments on an infinite amount of universe#like multiverse theory where every little decision splits the timeline etc#and occasionally he throws in stimulae like prophecies or small bits of him so that he can see what will happen#if something good happens to#me that I had no control over#like a free parking space or meeting a dog by chance#I send a kiss up to him just because I kind of want my thanks distributed but I donât know to who? so I figure if heâs an honest guy#heâll do other people favors too#also every time I see a dead animal on the side of the road I send it a kiss because i fervently wish that they died instantly and are#up in heaven and never have to worry about anything again#but otherwise yeah#my family stopped going to church when I was 4#I just remember liking to play with the holy water you were supposed to put on your forehead#and also the church had a really nice low stone wall that I liked to hold onto my mom or dadâs hands as I walked along the top#theyâre divorced (not the catalyst to lack of church) so it was always either one or the other#my grandmother gave me a childrenâs bible and we still celebrate Christmas#so I know a lot of stories from#the kids bible I was given had a lot of bible stories in it and i enjoyed reading it but it felt like an anthology/book of fairy tales to me#more than anything. and ofc when I was little I heard lots of Christmas star#stories both secular and religious. I avoid Christmas media mostly as an adult because itâs so overblown but I figure Iâll share it with my#kids. my favorite Christmas movie of all time is about a cow who wants to become one of Santaâs reindeer and fly. itâs called#Annabelleâs wish itâs pretty cute. I think it falls under a secular Xmas movie but I havenât watched it in a bit#we also celebrate Easter but I think thatâs more because my mom really likes compiling the baskets of candy and spring themed stuff#and of course the Christian channels were always free whenever my family couldnât afford âbetterâ tv. I enjoyed them but preferred pbs kids#because they were less preachy about their morals and I was more familiar with them.#oh also when I make I wish I address it to god out of habit.#about to run out of rags but whatever. my favorite religious swear that definitely pisses people off is âJesus Christ on a pogo stickâ
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Sorry I can't stop talking about that ex-mutual who went off on me last night (well really I only made that one, really long and rambly, pretty over-repetitive post about it) but it's been like just running through my mind because of how hurtful that was from someone that on some level I did consider a friend. Not like a close friend who knows everything about me, in fact as I stated to exhaustion in that post I made earlier, the part that really got me was how much they were illustrating that they DON'T really know about me, how much they just ASSUME without ever having heard or seen confirmation from myself. And how unkind those assumptions were. But I did like them (do? I still have sympathy for them as a person and don't wish them any ill...). I cherished the thought of our online friendship we shared around the time I was 18-20ish or so, and even if we never kept in constant conversation (in fact, before I replied to their message last night, we hadn't chatted through DM since early 2021, if that's saying something). I'm sure they still did/do feel that way about me and this isn't easy on them, that they feel hurt by my posts in some way, etc. I did not go on a rant to them, though, attacking their moral character, calling them a coward who can't take criticism and refuses to learn and grow. I told them I think it's ok if we grow apart and though I still hold my differing opinions from them, it's ok to be upset at me for that. But don't bring it to me.
I would've seriously just preferred it if they unfollowed and left. All I keep thinking about these past couple of hours of marinating on it is: entitlement. I've crossed a line because I don't post about issues in the way they would like me to, and ultimately I still will be voting for Kamala Harris. They maintained that much very firmly even after I replied to their first message saying that they were putting a bunch of words in my mouth and not acknowledging how little they actually know about my views and actions in the real world, off of Tumblr; that I might have ways of caring about and engaging with things that are specifically not on my personal blog because of how toxic some zealous communities on this website can grow to be. They still felt the need to attack me at length for all the things I, in their opinion, "support" because I choose to vote for "a fascist" (meaning Harris). Their opinion that both sides are truly the same is the only logical answer and I'm not trying hard enough to be a good person if I don't agree with that. But that's what makes them presumptuous. That's not what makes them entitled.
I feel like the fact that they really did think well of me at one point, that we shared emotions and kind words with each other, that we talked about music and poetry and all sorts of matters of sensibility together, is why they felt the need to bring that to me. When we feel an attachment to someone, even someone we may be lacking a lot of information about, but there's that mutual sympathy there... we feel that we are invested in them. They (and I) felt that the two of us, as friends, reflected each other's values and sense of self. To be honest I was getting annoyed at some of their posts, too, that were basically fatalist about the US Democratic party and how nothing has ever actually changed since Tr mp left office. I simply don't agree with that analysis, and I didn't know how to sensitively bring that up with someone who I did respect and care for as an individual. They were asserting things that basically implied our views were irreconcilable; and yeah, I basically agree that if you're going to call me essentially a g n cide apologist, I don't really know how to reconcile that with you. I don't think that's what I am; they do. They discussed that because they felt that way they were no longer open to a dialogue (one which I never had brought up to them personally) in their reply to my response to their ask, and blocked me afterward. Well, I think it's ok to not be open to a dialogue. In that case, I really don't know how to defend myself. We're on two entirely different levels of interpretation if mild support of Kamala Harris's presidential campaign is seen as akin to me denying g n cide to you. If that's the angle you're approaching me with, I don't want to have a dialogue with you, either. I don't think one in good faith is possible at that point.
They got angry at me though not just for my differing opinion, but for the disappointment they felt in me for it. I ruined the Diana they had so much respect for. Their initial message reminded me so much of when fans hound celebrities to speak on particular issues they may not know anything about. But at least if you're, like, asking the lead singer of your favorite band to speak about a currently topical issue, you probably are falling back on the argument of thinking they have a higher status to their audience that they're neglecting to use for good. Or maybe they've seemed to do and say things in the past that make their current silence seem hypocritical. I don't particularly agree with the former argument, that every celebrity should use their "platform" to raise awareness for certain causes. There are some times when I think calling on a celebrity to speak on this or that specific thing is just kind of silly. I tend not to proclaim instances where I feel that way publicly, because I don't want to trivialize the issue or the fans' feelings. But there's also the parasocial hurt I've seen some people display when they suddenly interpret a person's silence, or (in their perception) 'inadequate' statements and actions, as genuine indifference. That tends to make fans actually angry, the disappointment that this person they admire could be 'doing better' but isn't. I was told by this person that I'm 'not even trying to do better' when we had never had a conversation about what I'm actually 'doing' or thinking or feeling, even a single time. They let their impression of me fester in silent resentment before finally snapping at me about all the things I never actually said to them.
I'm sure they felt like they had reached their limit of tolerating me, and reaching out was only so they could feel like they had some closure. That they had said their piece to a person they cared about but could no longer associate with. I don't think they actually considered what use their message would actually have to me. That it would be hurtful to be accused of all these moral failings by someone I used to just talk about Jane Austen books with. Someone I shared my poetry and feelings with when I was younger. They must have been feeling 'betrayed' at me for not living up to the expectations and standards they set for me, for not being the idealized friend that I must've seemed when we were in our late teen years. But I am feeling shock and confusion at the sudden void of sympathy or benefit of the doubt being directed towards me from someone I once mutually regarded somewhat highly and rather affectionately.
It didn't have to have been a deep friendship, where we shared all aspects of our life with each other, for this to be hurtful to me or for my words to have been hurtful to them. I'm sure they felt so angry at me because they do think I'm a smart and sympathetic person that they expect 'better' from. But I'm really not your confirmation bias friend. None of the sweet but somewhat shallow memories they once respected me for has to be null and void now because I'm not sufficiently radical in my politics for them. And again, I do think that they were under the impression that they knew my current thoughts and personal philosophies a lot better than they do, because of how much more of an open book I used to be on this website when we first started following each other. I never made some announcement that I was going to start being more reserved about certain things, guys, so, like, don't act like you know everything about me. Because should I have to? I don't have a "platform" or really any meaningful social status on this website. But they still thought I wasn't doing "enough" with it because they interpret my blog as being more intrinsically linked to my actual life than it is. My social status to them was the good opinion they had of me, that I soiled by disagreeing with them in principle about electoral politics.
I'm not less smart or kind than I used to be. That's really not how I make sense of people I mostly like, but who have done or said something I deplore and that disappoints me deeply. You don't have to abandon all faith in the individuals you love. People do not always make sense with your own moral compass, but you can still tell when they're not evil. And I don't think they think I'm evil. I don't think they're evil. None of the sympathy I ever had for them is gone. I'm just honestly hurt and confused. I don't understand why they thought it was appropriate to take up their issues with me in the way that they did.
And again, in every single timeline, I would rather have just been disappointed to see that a once-respected mutual has unfollowed me, after some years of growing apart and changing, than I would to be hurt by someone dramatically going off on me about how they can't be friends with me anymore because I'm just not good enough for them.
#long post#tales from diana#i dont mean to keep making this about the election part of it bc honestly that's the stupidest thing going on here#my first post elaborated more on that but honestly i felt like i was over-emphasizing it#like yes i do hold my opinions still and they certainly have not been changed by the indecent handling of this incident from that person#i don't think their goal was really to change my mind though. just to tell me i had done some wrong#to them or at least to the good will they assumed in me.#they really talked to me as if i had let them down in some catastrophic way#but you know what's also a let-down? having your moral character assumed and attacked from someone you really valued#we talk so much about what we can tolerate in friends and acquaintances these days but i dont think thats really it#i dont know more about their real life situation than they know about mine but#i dont assume it's likely that they go around accusing everyone they know whos voting for harris like they did to me#there was something about their picture of me that was supposed to be 'better' and 'above it'#im sure in their actual life they tolerate those ppl better but for me it was just a step too far#and again i think thats just really where it's truly entitled#like because we were once adolescent bosom-friends that i can't have my own way of thinking and approaching global issues#that i have to downright make the same KINDS OF POSTS that they do (they really said that)#it's just bizarre. i know we didn't know each other THAT well but we know each other. to some extent#and i didn't think i deserved that from them. i honestly dont#i very consciously chose not to do the same thing back of painting the worst possible picture of them.#oh well. whatever... what an empty feeling i'm left with though
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III â GAMBARE, GAMBARE // In the world of crime and blood, Sukuna knows what's off limits. You certainly are one of those things and yet, he's unable to stop thinking of you.
contents: smut, little angst-ish in some places, mafia!au, unprotected sex, a hint of body worshipping, violence, mentions of death, subtle threats, reader discretion is advised â 3,2k words
a/n: third part, thank you so much for support guys! it means the world to me to see how INSANELY big is the tag list now. i literally love y'all~ â¤ď¸ also, just as the first part got inspired by the absolutely menacing quote from our king, it only felt natural to include the famous gambare, gambare (do your best) into this one.
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Sukuna prefers to think of himself as one of significant intelligence. Over the years, during which he ruled over the entire criminal milieu, he proved himself to stand atop of anyone who dared to even think of overturning his jurisdiction. All the exceptionally dumb bold ones that once wished to take the position of a boss from his hands had learned the hard way why troubles with Sukuna Ryomen are the least desirable fate of anyone who bears any volume of oil inside their brains.
Itâs not only tactical or business intelligence that heâs priding himself with. Itâs also the excessive knowledge about general rules of life that allowed him to comfortably push and pull the edges of whatâs right and wrong, bending his own reality to his liking. Now itâs intuitive â he just knows where he can put more pressure and where itâs not worth his time. He knows what to bet his money on and what wonât realistically pay back. And most importantly, up until that point, Sukuna thought he can tell with his eyes closed which people he should consider crossing paths with, what men can be useful whilst he aims to reach his targets and which crowds he shouldnât mess around with â for various reasons, most of which being just business and inconvenience. Same thing concerns women. Ryomenâs position works like a magnet and not a day passes by without girls, often way too young to even think of him, throwing themselves at him, led by fantasies of money and power veiled in the shades of love. If he wished, he could have a different toy every time the night falls and if heâd be just slightly less trained, he might have fallen for the temptation. But he didnât.
Sukuna learned it from experience, not exactly his own, but of his pawns, that allowing random women in the proximity of their profession usually leads to catastrophes. Girls get persistent, they grow attached, they fall in love sooner than itâs even logical and then they threat, they blackmail; all of which eventually leads to their deaths because dealing with just barely adults that weaponize tears and screams is something he doesnât allow in his circle. There were no exceptions, any man bearing similar power to Ryomen knows that thereâs no place for romance in the world of death and bones, the one thatâs stained in red and sorrow. If there happens to be love, itâs always of people from inside the criminal circle, sharing the same set of broken morals. Mafia should never tie itself romantically with civilians. Especially him, the leader, the menace that he is in the world of misdeed, murder and corruption, knew all too well why he should never, ever, even think of someone from outside of his tale as of anything more than one time plaything. That would be irresponsible, straight up naĂŻve. It would be foolish. He knew all of that and not even once he felt any need to engage into any kind of relationship with someone that he deemed non-profitable to his general targets.
Then why the fuck he kept thinking of you? Why he kept seeing you after what was supposed to be a fun one-time fuck? Why did the taste of your lips and the sweet scent of your skin made him so completely addicted that he couldnât focus on his own business without his mind wandering to the memory of you at least once an hour? He just liked your body, he told himself every time he thought of sending you a message. You were a good lay, it was purely physical. You did, after all, take his dick like you were born solely for this very purpose. He was meeting you only for sex and it was an accident that some of these meetings began with a dinner. All of the gifts he showered you with were just a form of payment for the service. Sukuna knew much better than to let his emotions take control of him.
âWhatâs on your mind?â Your quiet voice tore Ryomen out of the realm of his self-criticism. The tone that you spoked with was raspy, the testimony of the rough, throat-fucking he had used you for just few hours prior, and yet, it still somehow flowed with cottony softness, so characteristic to you.
âNothing important,â he replied bluntly, lowering his gaze to where your face was buried into the broad muscle of his chest; your frame completely hidden in his own, much larger and stronger. It was another night you spent in his house, one of those that began with the reservation in one of Tokyoâs best restaurants that served traditional Japanese cuisine. You showed up in a dress made of dark olive silk, long enough to reach your high-heeled sandals and clinging to your shapes as if it was made to be worn over the divinity that was your body. The long, scandalous slit exposed one of your legs and the thin straps accentuated your shoulders and cleavage just perfectly. It was a dress that he himself bought and ordered to be delivered to you in an expensive box before that day. Now that very same gown was laying somewhere, discarded on the floor in the living room of his mansion.
âSometimes I feel like youâre plotting my death,â you chuckled against his skin, the vibration of the act made him scoff because both him and you knew that the scenario you offered wasnât exactly falling into the realm of fiction.
âIf I were to kill you, I wouldnât need to plot it. One bullet is all it would take,â he retorted with calm and despite any logic, instead of creating some distance, instead of running away you hummed at his statement and pressed your lips to the center of his chest.
You were way over fearing Sukuna and his world. The few months that you spend seeing him, you came to terms with the heavy weight of tragic fate that was now resting on your shoulders. It couldnât end well, you shouldnât tangle yourself with a man such as him, the path of your normal life should never come even close to the blood tainted one he was walking through. You should have never left the club with him and once you did, you should have run out his house the moment he gave you a chance. Instead of that, you stayed. That night, after the time of Ryomenâs pursue and the unfortunate event with Naoya and his gang, soon turned into two. Then just few more and then many more. The one-night stand evolved into continuous romance and though it was strewn with roses and intimacy, it came also with the realization that the more you see him, the less days you have left. There was no way for someone like you, an outsider, the mere civilian with no mafia bonds whatsoever, to be living a long life. Sukuna has enemies, there are people that want the power he holds and will eventually target you. That is, of course, if he doesnât kill you himself over time â out of boredom or prevention. You knew a lot, he had told you more than he should.
But you loved him. You had seen him do some pretty dark things that would make most peopleâs eyes water, and in all honesty, it did the same thing to yours, but then, with you, Sukuna was always protective. You loved the way he always seemed to know just what you needed, the way he read you like an open book and knew just what to say or do to put you at ease. You loved the way he made you feel like the only woman in the world, how he made you feel beautiful, even on the days you felt like a total mess. He was a danger, a threat so deadly you shouldnât play with it, he was a flame that you were bound to burn yourself on, but he was also the only person in the world you felt so safe around. Ever since you met, he had protected you. Even if his words were harsh and his own deeds rough, he never failed to envelop you in a bubble inside of which nothing and no one could hurt you.
âOh, how much youâd miss me,â a certain sense of amusement hinted in the tone you used as the sheepish smile stretched your lips. Ryomen acted suddenly, grabbing the tiny thing that was your body and pressing your back to the mattress. His fingers wrapped around the frail of your neck; it wouldnât take much of his strength to snap it and yet, you seemed rather comfortable with his grip secured around your airways. Over the time you managed to grow enough trust to know he wonât hurt you for no reason. Your lover was a man powerful enough, there was no need for seeding fear in you. You were also smart enough to differentiate the real danger from the playful acts. If Sukuna truly wanted you to be scared, you most definitely would be scared shitless.
âYou think so?â His tone dropped an octave as he crawled above you; your bare figure now trapped underneath the weight of his presence. He got your legs between his initially, the heavy shaft of his dick rested over your lower belly as he shifted his hand from your throat down to cup your breasts. Your body seemed to never stop attract him, no matter how many times he touched and tasted it. You looked almost angelic in the dim light of that morning; the remnants of sleep still painted over your features and the only things that disturbed the innocence of your picture were the marks he had left on your plush, velvety skin. Red and angry spots that he sucked onto your flesh adorned the beauty of your frame, ultimately making you his own. âArenât you a little too confident?â
âI think Iâm confident just enough,â you grinned playfully, smoothing over his hands, one staying on top of his palm on your breast and the other reaching up his arm to touch more of him. There was always a hunger lingering inside of you, you were never completely satiated and even if your body was utterly exhausted, you were always happy to take more. Sukuna made you feel ecstatic, like you were really his only one and though it was an illusion that you chose to believe in, it felt good to imagine yourself as his only care.
âAnd why would I miss you, huh? Arenât you only a plaything for me?â The question he asked was meant to sound venomous but the sound of his voice betrayed the lighthearted intention. âDo you think Iâll blink twice when discarding you when I get bored of what you can give me?â
âI donât think youâll hesitate,â a chuckle once again shook your chest gently as you watched how Sukuna gently pulled your legs up from underneath him and brought one of your ankles to his face. The kisses he smeared along your shin were delicate, completely contrasting with the threatful impression that he was trying to make. He was worshipping you so openly, it made you blush every time. âBut even though I know you wouldnât think twice before killing me, I also think youâd miss me afterwards.â
Once the tender caresses finished, your calves landed on top of his shoulders as he leaned forward, squeezing a breathy moan out of you as he pushed his length into you to the very base of it, sliding on enough spit that it made the entrance easy. Ryomen learned your body through and through, he knew you can take it, he knew youâre always ready and eager to take him. Even if itâs early, even if it hurts. No matter when and where, if he told you to sit on his dick in the middle of a grocery store, youâd probably do just that and ask no questions. And yet, he knew where the boundaries are. Not once he pushed you when you were feeling bad. Not once he used you when you were not ready. The knowledge he now had about you came from observation.
âI think I would miss you,â he purred, his lips so close that they brushed against yours as he spoke. Heâs got you in a mating press, filled to the brim with his bricked-up manhood and completely at his mercy. âYou are addicting.â
âSo keep me safe,â you whispered, cupping his face and chasing the kiss he was yet to give you. The request caught him slightly off guard. The pleading undertone made his heart clench; a feeling that heâs gone without for a decade at least and though he hated the odd sensation in his chest, he also couldnât deny the warmth that spread throughout his body.
âYou are safe with me,â the reassuring lie he followed with a heavy press onto your lips, sealing his words with his own tongue and silently promising you his protection. A vow that he wished to keep and yet, feared he wonât be able to. But now, it wasnât important. Now you were here, in his bed, on his dick. Now there was just you and him.
Your dainty fingers found their place in his hair as he began thrusting into you. The new slick that combined with the remnants of the night made his movements easy as he dragged his hips back almost all the way out and then pushed back to the point of his pelvis clashing with the back of your thighs and your ass. The pace he set wasnât fast. It wasnât anything of what heâd most often pick, there was no violence intertwined into the melody of his hips. That morning it was sensual, it was deep and just rapid enough to stimulate every sweet spot inside of you. Stroke after stroke he was driving you crazy, he just barely started and already you felt yourself dripping. The filthy, wet sounds filled in the early aura and the muffled moans and whimpers accompanied them.
Sukuna allowed your legs to fall lower from where they were pressed against your chest and you hooked them around his hips. The newly earned access to his neck and shoulders you immediately used by allowing your hands to wander in the area, scratching his skin just to force a low purr from his throat. Every sound he made, you swallowed greedily as the kiss continued. Your tongues were dancing to the fiery rhythm of intimacy.
The coil in your stomach tightened all too quickly, you wished it to give you more time to enjoy what he was willing to give you but no matter how much you wanted your body to calm down, he made it absolutely impossible to achieve. Your veins were running with pure ecstasy and lust, the heated flurry that now was your brain was focused only on him, on the rhythm of his hips, on every sweet little lie that he whispered to you. Ryomen knew how to make you weak, he knew just how to angle his body to hit that one spot, the most sensitive one and you could feel him grinning against your lips. He knew you were close. The delicious squeezes that your cunt did on his girth were enough of a hint to notice and it gave him a sense of pride to be able to make you come undone so easily.
âJust few moments more,â he murmured and you nodded eagerly. Tears prickled in your eyes, gathering along your lash lines like crystals that he wished to kiss away, but was now too engulfed in the taste of your lips to part. His movements got quicker, just a little heavier as he began slamming into you with more force than at the beginning. Mornings tend to rid Sukuna from the ability to last â the ones that he spends with you in his arms, with your naked body pressed against his, unknowingly shifting against his dick for hours. That makes him unable to keep his composure for too long. Sometimes he feels like you strip him of all qualities that he once prided himself in, leaving him bare only to your eyes, with only the most primal needs exposed and he felt good with that kind of freedom.
ââŚdonât stop, oh god, âkuna~â, you were whimpering, arching your back underneath him and squeezing your little hands over his shoulders. âI canât, Iââ
âOh, you can. Do your best,â Sukuna chuckled, teasing you with such impossible tasks. Your head fell back, your thighs were trembling against his sides and he could tell heâs losing you. You were far too deep in the realm of desire to hear his words; all of your world now came down to what you felt, to how you felt him and Sukuna loved your blissed out state. He loved the way he was the one to push you so far over the edge that you wouldnât notice if the world was ending. But what he loved above that, was how you were gripping onto him; holding him tightly, pulling him closer as if you never wanted him to move away, as if he was everything you needed. And he was.
âGod, youâre so beautiful,â he muttered against your throat, painting the skin over there with wet trails of kisses and new, red marks â the ones gentle enough to fade in a matter of hours. You moaned something incoherent. âCum for me,â he allowed, not even sure if youâre registering his words. It had to be unconscious; the way your brain caught his voice between the blurry lines of everything else.
Your climax hit you like a rock; his name was slipping over your tongue continuously, so sweet and breathless that Sukuna was once again reassured that he never wants to hear anyone else calling him. Your walls were squeezing his throbbing length, he twitched and flexed inside you, groaning with satisfaction and before he allowed himself to come, he pushed himself up. As he sat on his heels, he pulled you with him; your body now on top of him and he used his hands to guide your hips up and down his dick. You wrapped yourself around him, finding a safe space for your face right where his neck connects with his muscular shoulder and all he needed to feel the bliss was the sensation of your teeth sinking into his skin.
White seed painted your insides as he shot it as deeply as he could reach with you on top of him. Few more moves, few more groans and you could feel him relax. His strong arms snaked around your waist as he shifted slightly to lean against the headboard, straightening his legs in front of him. You stayed pressed against his chest, catching your breath and feeling the tension leaving your body as the morning went by. And as Sukuna held you so close to his heart, he couldnât rid himself of the feeling that it felt so right and that made the question bloom inside his brain. Was it still strictly physical? Was it ever only about sex?
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Sometimes I wonder if JKR even realises she wrote Snape as a victim of sexual assault. Because he unambiguously is, and she writes him as traumatised by the incident. So it seems mad to suggest that she might not have thought through the implications of her own writing, but if she did get it, I am baffled by how sympathetic she remains to James. Harry is never really made to confront how vile his actions were, because he looks for comfort from Remus and Sirius rather than telling Hermione who would react in horror and disgust, and he gets to skip over it completely in The Princeâs Tale. JKR clearly considers James a hero, and has confirmed that in interviews. Sheâs even more sympathetic to Lily, who is portrayed as an absolute paragon of goodness, morality and virtue, despite her being attracted enough to James *after* he publicly commits sexual assault on a less privileged kid to marry him! What a malfunctioning moral compass. JKR also has no sympathy at all for Tom Riddle Sr, who is a victim of rape, and his rapist Merope Gaunt, who is herself strongly implied to be a victim of incestual abuse, is condemned by Dumbledore and the narrative not for what she did to Tom but for not being as courageous as nice, pretty, middle class Lily Evans because Merope committed the crime ofâŚdying in childbirth. The only conclusions I can draw from this is that JKR is the sort of ´feministâ who doesnât believe men can be the victims of sexual crimes, and that deep down she thinks being a member of the underclass who canât drag themselves out of it alone is indicative of moral failure.
This! All of this!
I don't think she puts it together at all. She's incredibly tone deaf about a lot of the abuse she puts these characters through. And with the blasĂŠ attitude she has about male victims of SA in the books definitely goes along her brand of toxic radical "feminism". It looks like she just doesn't recognise the severity of what happens to these characters. On top of Severus's attack and Tom Riddle Sr, remember that Ron was roofied with love spell that was intended for Harry, and Moaning Myrtle is incredible predatory towards the boys. Sadly, this attitude carries over from the author to a chunk of the fandom too. I've seen so much dismissiveness of the assaults against the male characters, especially Severus. And it's even more disappointing when I see people who have experienced abuse saying that what Severus endured "didn't count" as abuse. Had someone today on another platform having an absolute meltdown at me, saying that what happened in SWM wasn't sa, and that he wasn't traumatised from his abuse and if his anger was caused by trauma then why wasn't Harry the same. Seriously, you can't tell another person that what they experienced wasn't "bad enough to be abuse", that's a very warped mentality. Survivors are supposed to support each other, not belittle each other's trauma. Also, what book did they read that they think Harry doesn't have issues from the life he endured? He has different issues than Severus, yes, because he had different life experiences and everyone's reactions to trauma are different.
"Merope Riddle chose death in spite of a son who needed her, but do not judge her too harshly, Harry. She was greatly weakened by long suffering and she never had your mother's courage."
WTF is this!!!??? This is just plain victim blaming. "Your mothers' courage"? Lily had supportive, loving parents, was loved by her peers, admired by her teachers, had a very comfortable, secure life. Merope was physically and mentally abused for her whole life. They really criticized the poverty stricken, abuse victim for not being as "strong" as the Mary Sue of the Wizarding World??? Toxic as hell. Personally, as someone who has dealt with self-harm, mental illness and generational trauma in my family, this attitude of "they weren't strong enough" is nauseating and infuriating.
There really is a disturbing trend of extreme poverty equalling a dead-end life with no hope. Which is again an extremally toxic and judgmental attitude and a very dangerous message to put in a book aimed to children. The attitude towards abuse, poverty and indecent assault of men is beyond problematic, not only in the books but in far too many members of the fandom.
I could rant more but this will go on for pages.
#harry potter universe#Anti JKR#anti marauders fandom#severus snape#merope gaunt#tom riddle sr#moaning myrtle#anti lily evans#anti james potter#anti dumbledore#Vent#Rant#Asks#tw sex assault#tw childhood trauma#tw self harm#tw mental health#generational trauma#Poverty
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Regarding Death Wolf...
Hear me out (NO, it's not the kind you are thinking)
We know Death has a job, right? To collect souls and most likely release them to the afterlife.
And for this job, he has to be there when somebody is about to die, as demostrated with him being there moments before Puss' eight death.
Supposing he is THE Death and he has been doing this since the beginning of time (or at least when there were enough stories of the Grim Reaper to adquire a physical form) that means he has seen a lot, A LOT of awful things.
Murders, suicides, massacres, death of infants, people who didn't deserve to die alone, animal cruelty, some other heavy stuff I won't mention here, etc etc etc.
And we thought "man, how is he able to cope with all of that? That job has to be utter torture for someone."
Probably many of you could think that he is able to do that because he is Death, and he was "born" with that purpose and only him can reap souls perfectly.
But while he is a force of nature, he also WAS a force of nature. Let me explain it well: He adquired a personality enough to be angry, excited, frustrated, amazed, happy, among other emotions.
While he has supernatural power and is most likely the most powerful being in the Shrek Franchise (or in Dreamworks as many say) he is also a PERSON.
Someone with a code of honor, morals, opinions, beliefs, etc.
Returning to the question "How can he bear all of that?" taking into account he is no longer an inevitable force, but a character of his own.
The answer is something you may relate to, and that is: Creativity and escapism.
To be the embodiment of Death, the guy is a very creative fella.
First of all, his design. I heard many people saying here and in Twitter that his design is something they would come up in their edgy, teen years of drawing their first fursona.
Guess what? They are right, the wolf form is someone's fursona. It's DEATH'S fursona. He clearly came up with this badass, piercing canine form to blend with the Fairy Tale Land assuming the form of the "Big Bad Wolf". He most likely had other forms he designed over the centuries and was able to present as them like if he were on a role play game in the living world.
His sickles? The weapon of choice with the little crossed cats on it to have a bigger effect of terror for Puss? Those who can become knuckles and join to create a scythe? Those are his creation, probably after thinking it for a while and writing all of those functions on a paper.
The way he presents himself? In the bar? The coins in his eyes as a "watching you" sign while being a cool reference to the Ferryman of souls? He transforming Perrito's forest into the background of a skull? The chilling reveal at the Cave of Lost Souls? The fire ring? It was all him.
As for the escapism part...
When the world becomes too heavy to deal with as real life issues tend to make us feel bad, depressed, angry... we tend to escape it somewhere. And in our time the common place would be the internet as in webpages or comics, stories, etc.
But what has to do with Death Wolf you may ask?
Well, while he would NEVER be able to escape his job entirely, he can have moments where he can enjoy a good hunt of people who don't appreciate life, like the whole plot of the Puss in Boots sequel could demostrate.
He managed to have a little time outside his eternal routine to chase an arrogant cat who took life for granted. He enjoyed it, it was thrilling, it was exciting.
It was a way to escape a monotonous, grim "life", if just for a short moment.
So, when the chase ended as his prey no longer feared him and now was ready to fight for his last life, the wolf retreats, happy for Puss' character development but resigned because he once again had to return to "The Eternal Duty"
And that's not even counting all the times Jack "I'm dead inside" Horner had to interrupt Lobo's hunt and remind him of his job even in his "spare time"
Death knew the chase had to end eventually, but he didn't want it to end.
He didn't want to return to his own world
And if we look at Death like that, then he is probably one of the most relatable characters Dreamworks has ever make.
In the Shrek Franchise:
Monsters can be loved
Princesses don't have to fit the perfect standards of beauty
Handsome guys can be possesive jerks
Love at first sight doesn't work like one would think
Happily ever afters had to be built and not just obtain them with magic
And Death is the most creative and "full of life" being in the world
Because he would absolutely go crazy with his life/work if he wasn't.
Because in a world of Kings, Poets and Soldiers, he's the Supreme King
And he's also a perky goth but none of you are ready for that conversation.
#100% sure that if Tumblr was a thing in the Shrekverse...#Death would have an account#puss in boots#puss in boots 2#pib#pib 2#pibtlw#pib the last wish#puss in boots the last wish#the last wish#death wolf#death the wolf#lobo muerte#pib lobo#puss in boots lobo#puss in boots wolf#pib wolf#pib death#puss in boots death#puss in boots analysis#character analysis#escapism#creativity#shrek#dreamworks shrek#dreamworks#this is probably the discovery of the decade#or the stupidest thing I ever wrote on this website
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Pirates of the Caribbean: Dead Men Tell No Tales; Why It Shouldnât Exist
Or how I invested time and energy into an analysis of a relatively dead franchise instead of doing it for my actual media analysis university course.
An essay by: a bitter and obsessed PotC fan since they were 7, with a lot of free time.
Lads, this is going to be long. You have been warned.
The Beginning
At the very beginning of the movie, we see a young Henry Turner looking for his dad.
Now, we're not talking about characterization problems or how likely it is that a ten-year-old child would risk his life to look for a man he technically only saw once; we're talking about plot problems, actual logical fallacies. My questions are:
How? The Flying Dutchman is a legendary ship, impossible to be found unless She wants to be found. The only reason we see Her in Dead Man's Chest is because Davy Jones himself is looking for Jack to collect his debt, and in that occasion the Dutchman's captain wasn't even doing what he was supposed to do, so he was most definitely in the living world. Will otherwise, he's doing the job Calypso gave him, so he's constantly in between. Is the movie trying to convince me that a kid was able to do something no one in the history of piracy was ever able to do? And even if he did, why hasn't anyone explained me how? He simply looks at a map and throws himself on the bottom of the ocean. How did he know The Dutchman was there? How did he know it would've come to surface?
Where is his mom? We got to know Elizabeth in the first three movies; we know she's a smart woman and we can assume she's an attentive mother. She didn't notice her son preparing himself for a trip in the middle of the ocean to go look for his dad? Was she distracted? Was she outsmarted by a 10ish-year-old? Or is she just not contemplated in this scenario?
Why does Will look like that? Will is doing his job, so... why does he look like he's slowly corrupting? That kind of corruption is the punishment Calypso reserves to The Dutchman's crew when the captain fails her, which isn't the case. Did they forget about it? Was the idea of putting algae on Orlando Bloom's face just impossible to resist to?
Alright, this isn't actually from this movie but it's bothering me, so I have to write it; also, it would make this whole movie unnecessary, so it's somehow related to it. Why (and I can't stress this enough) can't Elizabeth be on the Dutchman? Why can't they do the job together? Is it because she's not a pirate? I'm pretty sure se actually is. Is it because she's a woman? Last time I checked she was the KING. She wants to stay with Will forever, Will wants to stay with her forever, they can literally live forever on the same ship. Why aren't they?
Whatever the Hell Happened to Jack Sparrow
Imagine creating a character that is so iconic whenever you ask a person who was a kid in the early 2000 to imagine a pirate, they imagine said character.
Now imagine fourteen years pass and you decide to ruin that character by making him the most hideous, annoying, idiotic person in the whole saga, and we're talking about a saga that has Philip the Missionary in it. Why? Jack Sparrow is THE anti-hero. Never on the right side, but never on the wrong one. You can tell he's doing something morally questionable, but you still find yourself rooting for him. He's stupid enough to make you laugh, but he's secretly clever enough to always get away with it. Now he's just... drunk. And that's not even an excuse for this horrendous new characterization, because he was always drunk. The guy FORGOT HE WAS ROBBING A BANK, the same guy just one movie earlier was able to escape from the King of England's palace and steal a lady's earring (by pretending to be a literal slut) in the process. He just switched from the iconic drunk bi bestie everyone loves to my cringe uncle that drinks too much at Christmas parties and makes everyone uncomfortable. Please, if the risk is ruining an entire generation's beloved character, either don't make the movie or find a better explanation than "Bad luck dogs you day and night".
The Pearl in The Bottle
So... what you're telling me is that Jack Sparrow, the guy who was able to defeat Hector Barbossa, Davy Jones and Blackbeard thanks to his slyness, and who loves his Black Pearl more than anything else in the world, had said ship in a bottle in his pockets for FIVE YEARS... and he never thought about breaking the bottle to free Her. That's what you're telling me. This is the pivotal point upon which the entire Jack's plot hinges. I... I don't even know what to say. Was this supposed to be funny?
What an Incredibly Lucky Coincidence
A guy needs a treasure to save his father. To find it, he needs the help of a notorious and legendary pirate. He looks for him everywhere, sailing on dozens of ships just so he has the remote chance to stumble across the pirate. The last ship he's been on has sinked, he's the only survivor. He's been found in the middle of the ocean and someone brought him to the nearest city. Which city? I mean, the one that has both the pirate he was looking for and a lady who's the only person in the whole planet who's able to find the treasure he was looking for! And, oh my... he finds the both of them! In that same city! Without even LOOKING FOR THEM! A hell of a coincidence, if you ask me. Also known as lazy writing.
What's Wrong With the Guards?
Now, I know Pirates of the Caribbean isn't exactly known for its accurate historical reconstructions, but why are the guards in this movie acting like they're some sort of hellhounds ready to kill anyone in sight? Even pirates and traitors as Jack and Henry were supposed to stand trial before being sentenced to death. It would've probably been an unjust and barbaric trial, but there should've been one. We literally saw it, in the previous movie. Why's Jack been sentenced to death for simply existing here? He gave pirate vibes and they decided that was enough?
Paul McCartney
This is not an actual point of the analysis, I just wanted to remind people that Paul McCartney is in this movie and that's the only valid reason to watch it.
Salazar
I am confused. Once again, I have questions.
El Matador Del Mar was so good at his job he had almost defeated piracy. "The last ones joined together to try and defeat me". The last what? Pirates? There were no pirates left? This happened when Jack was young, so a lot of time before the first movie, right? Where were, I don't know... Blackbeard? Davy Jones? Barbossa? All the other Pirate Lords? I might be wrong, but I guess Salazar didn't kill them, did he? Why weren't they there during that "last battle" in which "the last ones joined together"?
The Devil's Triangle. I just don't understand what's the logic behind it. So, this is a cursed place. Whoever enters there, can't get out. One would think it means that if you get there, you die; and Salazar does die, but he somehow also becomes a ghost whose only purpose is to find Jack Sparrow and have his revenge. So, do people become ghosts when they get in The Devil's Triangle? We have to assume people have gotten stuck in there before; otherwise, there wouldn't be legends around the place. So why isn't it like full of spirits ready to haunt people? Why are Salazar and his crew the only ones?
Poseidon or Calypso?
What's the Trident of Poseidon? Does Poseidon exist? Isn't Calypso the Goddess of the sea? Breaking the Trident, you break all the curses of the sea, so the Trident must be more powerful than Calypso, which leads to a question. Where is she? She IS the sea, right? So she must have known someone was about to find the Trident and brake all curses, including her one. She just decided it was okay? It really feels like someone decided to suddenly change the world's mythology without giving explanations.
The Compass
This is possibly the most blatant plot hole in the whole saga. Probably the most blatant plot hole I've ever witnessed, and man, I watched all the Harry Potter movies. In Dead Man's Chest, Jack meets Tia Dalma in her "shop" and he tells her he's looking for the Davy Jones' key. She asks him "The compass you bartered from me, it cannot lead you to this?", making another pivotal point of Dead Men Tell No Tales factually senseless.
That man couldn't have given his compass to Jack, because that wasn't his compass.
So either Salazar is lying while telling his tale or they forgot about that line in the second movie. Anyway, let's pretend that line doesn't exist; even if that captain gave Jack his compass in that exact moment, why would it be the key to free Salazar, exactly? How is the compass in any way related to The Devil's Triangle or to Salazar? In the movie, they try to explain it with a sentence: âif you betray it, your greatest fear comes trueâ. So, is Salazar Jack's greatest fear? I really doesn't seem right, Jack almost didn't remember Salazar when Henry mentioned him. To Jack, he's only a guy he outsmarted decades earlier. Also, Jack technically already gave the compass away, twice: to Elizabeth in Dead Man's Chest, to make her find the chest, and to Beckett in At World's End, when they're negotiating.
That's... That's Just Body Shaming, Mate
Let's talk about her. So, the woman's ugly. It can happen that a woman is ugly. Was it necessary to build an entire scene around some blatant body shaming? This scene wants to mimic the similar scene in Dead Man's Chest: Jack's on an island, running from the main villain, and he's forced to do things he doesn't want to do until someone saves him, then it was Will, now it's Hector.
Except in Dead Man's Chest it was LITERAL CANNIBALISM he was facing, and yet he looked LESS TERRIFIED and DISGUSTED. What's exactly the message here? Lads, is marrying an ugly woman worse than cannibalism? I don't know... that was just bad.
Justice for Hector Barbossa
If you know me (you probably don't, but if you do) then you know about my obsession with Hector Barbossa. I truly believe he's the best written character in the saga, and he's in my top five of the characters I love the most in all media. I watched The Curse of the Black Pearl when I was seven and I am autistic, so I had all the time to develop a literal relationship with these characters in my head. As much as Geoffrey Rush's interpretation was impeccable, as always, it really hurt to watch Hector in this movie. He just doesn't sound like him. First of all, why isn't he on the Queen Anne's Revenge? Why's he letting someone else sail around on his ships? He would've never. Why's he just sitting on a throne and shooting musicians instead of, I don't know... being a pirate? Being a pirate is the only thing that matters to him. He says it at the end of On Stranger Tides, and he even says it in this movie, to the witch. "I'm a pirate. Always will be".
So, why isn't he pirating? What happened to him? And what about the pact with the witch? He made her curse all his enemies; that's honestly the most out-of-character thing he could've done.
Seriously, watch this movie, and then The Curse of the Black Pearl and tell me he sounds like he's the same character. Then thereâs his death... was it necessary? And I don't mean if it was necessary to the plot (it wasn't), but the way he died, did it make sense? He takes the sword and sacrifices himself to kill Salazar, but WHY? Salazar was back a mortal. They could've brought him to surface and then shoot him. What was the point of his death, Disney? I will never forgive you.
I would've preferred if they never showed him again. He's alive and living his best life in Tortuga, if you ask me.
How does Carina Smyth exist?
Let's do the maths. Carina Smyth has approximately the same age as Henry Turner, who was born around nine moths after the end of At World's End. At the end of that movie, Barbossa once again stole the Black Pearl (he's iconic we stan a legend), so we have to assume it is during that time (between the At World's End and On Stranger Tides) that he conceives Carina. He stays with this woman during the whole pregnancy, bacause he says he was there when she died. So nine months, at least, right? Except; Jack makes it clear that he and Barbossa met Carina's mom, Margaret, together.
When, exactly, did this happen? It can't be between On Stranger Tides and Dead Men Tell No Tales, because Hector himself says only five years passed between the two, and Carina doesn't look like a five-year-old;
it can't be between At World's End and On Stranger Tides, because we know Jack and Barbossa weren't together, and Hector was too busy losing a leg and planning his revenge by working for the King of England; it can't be during At World's End, because Barbossa was too busy rescuing Jack and then slaying (literally and metaphorically) Beckett's men to save piracy; it can't be during Dead Man's Chest, because he was dead; it can't be during The Curse of the Black Pearl, nor during the ten years before it, because he was... he was a skeleton, I hardly believe he could reproduce, despite whatâs written in some fanficions; it can't be before, of course, because Carina would be too old. The only chance, but it's a stretch, is that Hector and Jack met this Margaret Smyth years and years before, and that at a certain point (while he was still busy slaying, losing a leg or planning his revenge), for some reason he decided to come back to her and accidentally had a daughter. That would mean that Jack remembered Margaret Smyth's name DECADES after he met her.
The Post-Credit Scene: What?
WHY'S DAVY JONES BACK? The Trident technically broke all the curses of the sea. He is THE cursed man of the sea. AND HE'S DEAD. The only answer I was able to give me, is that the moment the Trident broke the curses, the curse that said if you stab his heart he dies was also broken, so he technically didn't die, but it makes even less sense, because if the curses just aren't real anymore, then a man shouldn't be able to... carve out his heart and put it in a chest, right? (Which by the way, makes Will Turner being alive senseless as well). Even if so, Davy should've come back as a human.
My conclusion is that this movie should not exist, and we, as a community, should pretend it was never made. Hector is alive. Bye.
Imago
#potc#pirates of the caribbean#potc analysis#dead men tell no tales#analysis#media analysis#pirates#jack sparrow#hector barbossa#carina smyth#henry turner#elizabeth swann#will turner#calypso#davy jones#salazar
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Gods of the Dark | One | myg (m)
âž Pairing: Dream god!Yoongi x f. human!reader
âž Summary: Donât ask for help in the dark. Itâs an old tale you always heard whispered among the people of your village. But when you find yourself dragged kicking by the man youâre to marry, you have little choice but to beg for help long after the sun has set. The god who answers your pleas promises to save you, but every deal comes with a price.Â
âž Word Count: 21,606
âž Genre: Fantasy, angst, strangers to lovers, smut
âž Rating: 18+ Minors are strictly prohibited from engaging and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately.Â
âž Warnings: Sexist and patriarchal society inspired by medieval europe, a lot of world building and discussion about theories/concept of dreams, discussions of morals and ethics, world building, angst, intense fight scenes, mentions/light depictions of an abusive family, discussions of gender roles and forced marriages, attempted murder via drowning, a physical fight between a man and a woman in the middle of a storm, sexual dream sequences featuring making out, biting (light), grinding, reader having flashbacks of trauma, a lot of thoughts about reader's terrible parents, a sort of power imbalance in the sense that reader is in Yoongi's realm as a part of a deal.
âž Published: July 9, 2023
âž A/N: It's finally here! This was originally supposed to be two giant chapters, but I cannot manage my time in a way to write to ~40k chapters and also fit all of this in a way that is not overwhelming or feels like it makes sense, so I have chosen to do this in 4 chapters of roughly 20k words! Thank you to everyone who has hyped me up for this idea, helped me work out some ideas, or listened to me struggle to write this because I was so unsure about the chemistry between Yoongi and reader at first. I am really excited to be writing this and have taken this in quite a different direction than the original idea when I had when I watched the Lilith MV, but that's okay. I heavily draw on inspiration from the Lilith MV, the song Possession of a Weapon by Ashnikko, The Sandman by Neil Gaiman, the movie The Witch, The Invisible Life of Addie LaRue by V.E. Schwab and the original myth of Hades and Persephone (where I got the deal/living in Yoongi's world idea from).
Special thank you to my amazing beta team who really helped make this fic what it is and make sure it was legible: @theharrowing and @here2bbtstrash
âž Disclaimer: All members of BTS are faces and name claims for this story. This is entirely a work of fiction and by no means is meant to be a projection, judgment or representation of real-life people. Any scenarios or representations of the people and places mentioned in works are not representative of real-life scenarios.
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Tuck a knife with my heart up my sleeve
Change like a season
-
It begins with rain.
White sheets of it beating against the window in a gentle murmur, a soft leak in the corner of the kitchen dripping into the metal bucket your mother has set out. The storm brings a cool wind with it, blowing in on the back porch where your father rocks back and forth in his chair, watching the deluge.Â
Shivering, you throw another log into the fireplace, pulling your shawl closer as orange embers spark and crackle, drifting up the shute. The smell of burning cedar grows and you smile, sitting down in front of the licking flames and holding out your hands to warm your palms.Â
Behind you at the kitchen table, your mother pulls a thread and needle through a dress sheâs been working on, stitching purple flowers into the sleeves. You wonder if sheâs making it for the neighbor's daughter, a girl a few years younger than you to be wed soon.Â
Mother makes some of the best stitching in the village, her practiced hands etching artful flowers and vines and designs on the sleeves and skirts of most of the village women. Sheâs tried for years to pass the craft on to you, but your fingers arenât nearly as nimble and your eye for art is sorely lacking.Â
What you lack in art you make up for in stories, though. Head in the clouds, swimming in worlds, places and things youâve never seen. Lives and people who only exist in your mind, entire fantasies with more colors and sights and smells than your tiny little world contains.Â
Youâd write them down if you could. Writing and reading is not a womanâs craft, though, and you know better than to press your father on the subject any further than you have in the past. A terse word from him and your raw knuckles after being forced to do the wash alone for weeks kept you from bringing up the topic of learning to read and write ever again, especially when you remember the sting of his slap when you pushed too far.
Still, you have your mind. You have the ability to dream up worlds and twist fantasies together, to daze off and pretend that youâre somewhere else. That youâre living another life.
You have the days where you finish working at the inn early, sitting in the corner of the room with hard bread and cheese, listening to the townâs storyteller whisper tales and myths to the children of the village.
For now, it will suffice.Â
When the rain finally slows in the late afternoon, itâs cloudy and cool outside, the perfect temperature for a walk. Pulling on a pair of linen pants and a tunic, you creep toward the door, hoping to avoid the attention of your parents as they begin to prepare dinner in the kitchen, their movements methodical and silent.Â
Carefully, you slide boots on your feet. As you reach for the front door, hidden from the view of the kitchen, you hear your mother call your name. You pause, closing your eyes and grimacing as you call back, âYes?â
âWhere are you going? Itâs wet and cold outside.â
âJust for a short walk.â
âYouâre going to catch a cold,â she protests. Her steps move near you. You pull the door open and step into the wet air, eager to get away from her. âCome help us with dinner.â
âIâll see you shortly, the weather is lovely!â
Before your mother can come around the corner and pin you with her disappointed stare, youâre down the slippery steps and sloshing into the yard, mud and grass sucking at your steps as you hurry. You hear your father yell something like dammit, girl but you canât be sure, the sounds of birds and the bugs swallowing his curses as you rush through the front yard.
The world is covered in a layer of fine mist, tree boughs heavy with rain as they drip drip drip onto the forest floor around you. Thick, gray clouds hide the sun still. Thunder rolls in the distance, promising more rain through the night. You donât mind, diving into the darkness of the trees on a well-worn path through the woods.
Water floods the path up to the ankle, soaking your boots. You grin and kick your feet as you walk, watching the ripples flow outward. Water mosquitoes dance on top of the surface of the flood and you note little tadpoles swim by, confirming that the river by your house is flooding up over the bank and washing into the mainland.Â
This is common most summers. Your house is out of the way from the town, almost a thirty minute walk. This far north, youâre only ten minutes from the edge of the slow-moving river that floods yearly turning the land around your property into a marsh.Â
Itâs your favorite time of year. A heron startles as you wander through the trees, shaking its white wings and shedding water as it hurries away on long, thin legs. You spot a snake swimming through the reeds, rushing away from you once it senses you sloshing through.Â
Closer to the river, you pause. Itâs hard to tell where the embankment dips down with it flooded. You can see where the flood moves faster, powered by the depth of the river and the overflow from the lake up north. Leaning against a tree, you look around this world of water.Â
It seems alien. Trees block out the sky and are reflected in the surface of the flood, giving the illusion that you stand between two worlds, two dimensions.Â
What would that be like, you wonder.Â
According to the high priest in town, there are other dimensions. There are the heavens for the gods of light and love, who bless the world with fire and harvest and rain and oceans, who protect the people and who will absolve you of all sin and greed if you pray to them hard enough and accept them as your patrons. Who will love you only if you are devout.
You donât believe in them for a second. If those gods of love and light do exist, they are not entirely good. They have never answered your prayers, have never saved you from pain or from sorrow. You have begged the gods to give you a new life, to let you leave. To let you go somewhere far away.
They have been silent. They were silent when your father beat you after the first time you rejected a marital match. They didnât help you when he burned all your materials when you tried to teach yourself the shapes and sounds of letters.
So you stopped praying to them.Â
There are other gods, of course. Other places for the wicked, dark gods full of trickery and greed, who seek only to fill the world with sin and deceit, who desire to make humans suffer and lose themselves in hedonism and debauchery. Those gods have a place too, the dark underworld for those who should be punished and reminded what it is to be full of sin.Â
Youâve never prayed to them either, too afraid of what it would cost you. But you wonder if they answer or if they too watch the world from a mountain so high that they cannot bother to help those who need it.Â
Still, you wonder what it would be like to walk between two worlds. To see one reflected in the other, to fall face first into the cool water only to surface in another place, almost an exact replica of where youâre from.Â
It would be nice. Perhaps there you wouldnât be a disappointing daughter who has turned away every suitor in the village, much to your fatherâs rage. There, you would be allowed to pursue reading and writing. Youâd have the agency to sail the world and see the ocean for the first time, to feel the freezing spray of the seas on your face while you hunt the coast for something lost.Â
Always something lost.Â
In all of your fantasies, youâre looking for something. Sometimes, youâre not sure what it is youâre looking for, you just know that something needs to be found. Other times, itâs a specific object or a person, something that, deep down, you know represents the thing you desire to find most: freedom.Â
A small school of fish swim by your feet. They canât be any larger than your pinky finger, scurrying along before theyâre swept up in the suction of the flowing river. Sighing, you push off the tree and begin to head back home, swatting at your bare arms where gnats bite at your sweaty skin.Â
Dark presses in as you walk back. You had stayed in the woods later than you intended, mind drifting far off among the sounds of the world around you. A cool tingle slides down your neck as you walk, water breaking around you.Â
You pause. Itâs the same feeling that you get whenever you spend far too long in the woods and the sun goes down. It feels like thereâs someone there with you, just at your back. Slowly, you turn to look over your shoulder but thereâs no one there, just the warm press of something you canât see.Â
When it happened the first time, youâd been so afraid you ran home. Now, though, you smile and look down at the ground as you keep walking. The presence, whether itâs real or something you have made up in your head, is always comforting. Always there, a gentle press of feeling.Â
There are candles burning in the windows and an owl hoots in greeting when your house appears. Inside, you kick off your shoes and rush to meet your parents at the silent dinner table. Both of them look up at you, your motherâs mouth pinched, eyes weary. Your fatherâs gaze is thunderous as he picks up cutlery and begins to cut into his potato in saw-like motions, his knuckles going white.
You sit down without a word, bow your head to pretend to pray. Your mother clears her throat, drawing your attention. âItâs after dark. You missed your prayers.âÂ
It doesnât matter. You werenât going to pray anyway. But the way your parents look at you makes you drop your eyes down to the table, their expressions alarmed. Were you really about to pray after the sunset, when the benevolent gods were no longer listening? The only gods available to you now are dangerous. Violent. Tricky.Â
Dinner is dry and too heavily salted. Still, you donât complain. Somewhere in the world, youâre sure that there are wonderful feasts being held. Plates and platters of honey-glazed meats, roasted pheasant and charred filets. Whipped sweets and colorful confectionaries, dripping fruits and sugary drinks.Â
None of those places exist anywhere that youâve ever seen, but you like to imagine them as you chew your way through an oppressively silent meal. He says nothing, but you can tell your father is angry once again. Just as well, he at least keeps it to himself through the meal and says nothing when youâre done.Â
âIâll do the dishes,â you offer quickly when your parents finish. Itâs an olive branch and they know it. They accept anyway, letting you gather plates as the soft hush of rain begins again.Â
Rain washes out the night. You canât see anything beyond the water that runs off the roof over the back porch as you dip your rag into warm water, scrubbing at the plates before setting them to dry in the stack next to you.Â
Frogs croak, their loud voices blending together into the roar of the rain. Every now and again, lightning flashes above and thunder shakes the sky. You feel it vibrate through your ribs and you smile, inhaling the charged air.Â
â... doesnât have a choice!â You turn toward the open doorway. You canât see your parents but the window is open to their room, voices coming in and out of the rain. â... force her! Iâve had⌠and heâs already agreed.â
You frown, stopping your scrubbing to lean further, straining your ears. âThis wonât go well,â your mother says.Â
âI donât give a damn! Itâs already done, woman. Enough.â
The rest of the conversation is drowned out by thunder. You frown and turn back to your task, trying to piece together what theyâre talking about. You think back to your mother stitching the dress before dinner and think perhaps theyâre gossiping about the neighbor again. She wasnât happy that she was being married off and everyone knew it.
Still, sheâs doing it. Sheâs stronger than you. Itâs hard to imagine going through with something you donât want, to live a life shackled to another person who doesnât love you. Whose only purpose is to coexist with you and reproduce. To run a household and get through each and every day, the same as last.
Itâs hard to say if your parents are in love. They are tender, at times, but you canât ever point out a moment that your mother or father seem truly happy. Content isnât the same as happiness. Not really. While they work together well and seem to have struck up a balance after the years, thereâs nothing in the way they move through life that seems joyful.Â
You had asked your mom if she was happy once. She gave you a funny look and said, I have a roof above my head and food on the table. How could I not be?Â
Her response puzzles you still. To live is not to be happy. Being alive is just that - being alive. A bare minimum. But truly being happy is something else. At least, thatâs how you understand it. How the heroes and characters in stories and tales live their lives, fighting for happiness.Â
Later that night, you forget all about their whispers behind the sheets of rain. Youâre tired and the storm is soothing, making you dream of a far away land where there are two armies entrenched in war, battling for their kingdoms and lighting the sky with storm magic.Â
Another dream. Another fantasy.Â
-
In your dream, a soft mouth meets yours. The kiss is slow, tongue dragging against yours, tasting of something sweet, mouth warm. It smells like clove and cinnamon, and though you donât open your eyes to see the mouth that slides against yours, you know you are safe.Â
-
It ends in darkness.
Dusk has settled around your home like a funeral shroud. Your father has been gone all day, your mother flippant when you ask about his whereabouts. Your mother is a painted picture of anxiety: mouth pinched, darting eyes that fail to meet yours, and hunched shoulders. It makes your palms sweat, the way she avoids you in the house.Â
Rain comes down in patterns again, bands of storms floating by and turning the world gray. You donât have to go to the inn with the road flooded, so you spend the day at the window instead, watching each storm flash by, listening to the frogs and watching the birds pick through bug-filled waters between each deluge.Â
When the sun begins to set, you find your mother standing near the window, looking through wet glass as she chews the corner of her lip. She wipes her hands on her dress, not picking up that youâre standing in the doorway watching her.
The gown she has been stitching for the past few days lays on the table. Itâs a beautiful thing, bursting with intricate flowers on the sleeves and the skirts. You donât enjoy dresses - much less the kind for marriage - but you admire the careful needlework.Â
âItâs a good dress,â you tell her. She startles from where she stands at the window, whirling around to face you. âOne of your best.â
âYes. I-â something crosses her face thatâs unreadable. âWould you try it on for me? I want to make sure I got the sizing right.â
You shrug and pick it up. Itâs not the first time sheâs used you for sizing and youâre sure it wonât be the last. You just hope that she doesnât make you stand on a stool for hours to place pins in the skirt, mapping where she needs to take in the seams and make the fabric fold.Â
The material is a little scratchy when you put it on. Itâs snug across the chest and a little bit long at the wrist, but the material ripples over you like water. Outside of your room, the sound of your fatherâs voice echoes. He sounds more jovial than usual, laughing loudly - another voice is with him.Â
Frowning, you work the buttons on the side of the dress to secure it shut, pulling the fabric into place. It isnât often that your father has guests over, but you can assume itâs one of his friends he has over for dinner. You make a sour face at the thought that perhaps itâs Mr. Laudermill and his son Nathaniel again, a family your father has tried to pawn you off on before.Â
The list of people your father has tried to get you to marry is astounding. Itâs become a joke in the town, a game of who will he ask next? At first, there were plenty of families who offered their sons to make the union. Now, after how vehemently you have protested for your right to pick your husband yourself, itâs you who is rejected when your father makes dowry offers.
It seems - much to your advantage - that the men of the town and even the neighboring villages grew tired of the girl who liked to say no. It gives you small satisfaction to know that sheer inconvenience has earned you freedom alongside your motherâs unwillingness to force you.Â
Still, the Laudermills are a little persistent. Not your fatherâs favorite option he has ever brought up, but it was one that didnât say no.��
You enter the main house with minor trepidation, uneager to spend the evening sighing at Nathanielâs terrible jokes and attempts to win you over. You wonder if itâs sheer pride that brings him back this time, upset that he cannot beat the town's little conundrum. The unconquerable conquest. You get the feeling thatâs why he and his father visit for dinner sometimes, Nathanielâs pride unwilling to back down from the challenge.Â
Youâd respect him more if he had more admiration for the word no.Â
Nathaniel and his father are in the main room of your home, speaking in laughing tones to your father. Your mother stands near the open back door, hands wringing together. There is another person in your house that you donât expect, though. The villageâs high priest nods his head along with something that your father is saying, wrinkled hands clasped in front of his robes.
Time seems to slow down. You take in the tight expression on your motherâs face, her eyes drifting over to the priest who is dressed in ceremonial purple robes, an air of professional courtesy about him. Heâs nodding to Nathaniel who is speaking now, and itâs when you really look at him, dressed in nice linen pants, a long sleeved shirt and an ornate vest, that you put the pieces together.Â
Too slowly do you react as your father turns to you. His smile is forced and his gaze is burning with warning when he gestures. âThereâs our bride!â
The word sinks in like a blade. Right between the ribs and up, its point poking dangerous at your heart as your blood begins to roar in your ears. Youâre frozen to the spot, staring at them from the threshold of your room. You can feel your pulse throbbing in your neck, your hands shaking.Â
âYou look beautiful,â Nathaniel says, grinning. Itâs a genuine smile, a proud one. Something that says finally. âIâm so glad youâre ready, after all this time.â
âI⌠what?â
In a moment of razor-sharp clarity, you remember the conversation your parents were having last night, soft words whispered under the cover of the storm. You remember something about forcing her and someone having already agreed.Â
No. No. Nonononononono.Â
You donât realize youâre speaking out loud as you back up into your room, the horror settling in as the rain begins to tap on the roof. Your mother looks crestfallen but remains silent as your fatherâs smile tightens and his face reddens.Â
When he says your name, itâs full of warning. The back of your legs hit your bed and your weak knees buckle. You sit down with a huff and shake your head. âYou canât do this,â you whisper. You canât find your voice, canât work your throat louder. âYou cannot make me marry.â
âOf course I can,â your father hisses. His smile drops and in its place is something dangerous. Horrific. The villain of all your dreams and epic fantasies. âI have given you more than enough time to choose. You have not. As the man of this house-â
âNo!â you bark back, cutting him off and shooting to your feet. âI am a person-â
âYou are a woman!â he roars, making the high priest flinch. âYour purpose is to grow up, get married, mind the household and provide an heir! You are the only fiendish woman in this entire forsaken village who seems to misunderstand this!â
âIt is not my purpose!â
âIt is, and you will fulfill it!â he hisses. âYou will marry this man before the gods, with my blessing and the witness of the priest.âÂ
Behind you, thunder rolls. The rain comes down harder. Frogs croak loudly, bracketed by the sound of the trees bending with the weight of the wind. Your heart pounds in your chest as you stare at the people before you. Your mother with tears in her eyes, your father with fury in his face, the priest with disappointment and Nathaniel. Nathaniel with glee. With a grin. With a smirk.Â
âI wonât do it,â you whisper.Â
Before they can argue, you turn on your heel and leap onto your bed. Your father and Nathaniel rush at the doorway, their steps pounding behind you as you crawl through the window, your ribs slamming on the sill as you lean face forward. Rain soaks you immediately, your hands gripping the sill as you haul your middle half over the edge, intending to just flip down into the mud.Â
Hands yank at your legs and you scream, a feral sound ripping through your lungs as you kick backward violently. Youâre yanked back toward your room viciously, rib cage aching where you slide on the concrete frame. With another savage kick, you make contact and hear a loud shout before the hands drop from your waist.Â
Pushing harshly, you throw yourself the rest of the way through the window, falling the few feet down to land with a splash. Your father is screaming inside the house but youâre already slipping to your feet, whatever he says drowned out in the rain.Â
You donât even think. You run, hands picking up the wet-leaden skirts on your dress as you tear off toward the woods. Water rushes around your ankles as you go and you hear commotion at the window as someone clambers through. You donât dare turn around as you rush to the line of trees, unafraid of the dark but terrified of the slamming footsteps behind you.
Itâs impossible to be fast in the flooded woods. You wince as your feet get cut up on rocks and sharp sticks that you canât see. You trip over roots and kick solid things as you slog forward, biting back a cry as you try to flee.Â
âGet back here, you wretched bitch!â Nathaniel screams behind you.Â
It never occurred to you that he could say something so violent. It spurs you forward, mud and water sucking your feet down and making your flight sticky and slow. Rain pelts down between the leaves, the storm lighting up the treetops with purple flashes every now and again. Thunder shakes their branches and rumbles through your feet, the water rushing higher and higher.Â
Nathaniel slams into you at the waist. You scream as he takes you down, his weight on top of you. Your scream is cut off as your mouth fills with water. You swallow in a panic, body thrumming with alarm as you choke, nose full of water, eyes burning. You can hear the dull roar of water, the swish of your tangled limbs on the floor.Â
Clawing at him, you feel your nails rip down soft flesh and hear a muted yell. He lifts his weight off of you and you sit forward, breaking the surface and gasping for air, retching. Your lungs and nose burn as you gasp for air, fighting to get a breath in.Â
Nathaniel is on you again, his hand going for your hair as he digs his fingers in hard, yanking at your scalp. Your hands fly to his wrist and you scream again, pulling at him, trying to free yourself. Tears smart your eyes from the stinging pain as he yanks hard enough that you think heâll tear you right apart.Â
âFucking ungrateful,â he barks.
Your feet slide in the mud as he uses your buoyancy in the knee deep water to haul you back toward the house. You twist in his grip, mewling in panic and pain as you work to get your feet under you and fight back. You let go of his arm and throw a weak punch at his ribs. He grunts but doesnât let go, even as you twist, hands shooting to the ground, digging through soaked earth and weeds until you feel the hard, rough shape of a rock.Â
Grabbing it, you lift your hand from the water and bring it down hard on Nathanielâs wrist. He screams and lets go of your hair. Your fingers ache from the blow but you donât waste precious minutes, scrambling to your feet and sloshing away from him again. Heâs already gripping at your dress, fingers ripping at the fabric to get a hold of you.Â
Desperation claws at you and you scream for help. You donât know if anyone else is out here in the dark of the woods but you donât care. Bleeding, in pain, and terrified, you tear through the water, the rock clutched in your fingers, rushing in the dark as Nathaniel gives chase.
âPlease!â you scream at the dark. âAnyone, please!âÂ
A thread of thought slivers through you about the gods. Praying to the gods has never gotten you anywhere. It didnât make your father let you read. It didnât get you out of your town. It didnât save you from this. The supposed gods who rule with light and love had never heard you and you had long stopped believing in them.
But youâd never prayed to the gods of the dark. The gods who only listen to words whispered after the setting sun.Â
âPlease,â you beg, turning your head to the dark sky. Lighting flashes and thunder rumbles. Cool wind brushes against your face, wind that feels like it whispers Iâm listening. âPlease,â you scream again. âHelp me, Iâll give you whatever you want. Help me!â
Nathaniel takes you down by the waist again. You gasp for air this time as your face slaps the water with a sting. The current is rushing faster here, pulling at you. Deeper. Colder. Youâre close to the river, and you feel the suction of the force of the flow tugging at your body as Nathaniel digs his fingers into the meat of your arms.Â
This time, he doesnât pull you with him. He holds you down, shoving you deeper and deeper until you realize that heâs no longer interested in bringing you back. You kick at him, you tear at him. You slam his wrist with the rock again but his other hand grabs yours, wrenching the weapon away from you.Â
Your lungs are screaming and water is rushing into your nose as oxygen escapes you. His grip is firm and you begin to panic. All you can think is help help help help. Please help.Â
Bubbles escape your mouth as youâre forced to breathe out again. Youâre running out of time and pain starts to build in your chest. You feel the way your lungs squeeze, needing air. You let out more air and press your lips tight, desperately trying not to inhale.Â
Breathe in, your instincts scream. Breathe breathe breathe breathe.Â
Agony. Youâre in agony as you open your mouth in a final cry, unable to form the words. Unable to scream and ask for a higher power that you only believe in at this moment to help you.Â
Water fills your mouth. You swallow it whole, feel it go down as you begin to spasm.Â
Youâre going to die.Â
And then Nathanielâs hands are gone. It takes you a moment to realize that thereâs no crushing grip on your arms and in the brief moment of realization, you barely manage to push up. To break the surface and vomit, water coming out of you in a stinging, horrid mess. Your stomach turns and you feel your chest squeeze as you choke.
The storm is still raging around you, water pulling at you and pressing you into the rough bark of a tree. Blinking tears from your eyes, you look around but itâs too dark to see. You can hear Nathaniel looking for you, screaming your name in the dark.Â
The back of your neck tingles. Thereâs a feeling in the air behind you - that sliver of breath that you often sense when youâre out in the woods alone just after dark. Like something or someone is there with you, just behind you.Â
âWhat is it you want?â a deep, dark voice whispers. The hair on the back of your neck stands on end and you feel chilled to the bone. The voice is like none youâve ever heard, sensual and dizzying.Â
âWant?â
âYou asked for help.â The voice switches to your other ear and you donât dare turn around to find the speaker. âWhat do you want?âÂ
âWhat can you give?â
The voice chuckles. The sound makes you shiver, your eyelids fluttering. The voice purrs, âI can give you anything you dream, little lamb. Tell me: what do you want?â
You think about it. Lightning lances through the sky and for a brief moment, the world is a flash of silver. You see Nathaniel in the light, a few feet away from you. Heâs bloody and heaving, his eyes snapping to where you hide against the tree.
âFreedom,â you gasp as the world falls to darkness again. âI want freedom.â
âWhat will you give me?â
âWhat do you want?â you beg, hearing Nathaniel move toward you.
Thereâs a soft hum and you feel lightheaded at the sound. âYour time.â
âMy time?â
âYour time in exchange for freedom, little lamb. Better hurry, this offer is about to expire.âÂ
Nathaniel screams in a rage. Sloshes closer to you. Your heartbeat quickens. You can feel it in your chest, hear it in your ears, your pulse throbbing as he nears.Â
âOkay,â you whisper, voice coming out shaky.Â
âThen tell me you accept.â
You take a deep breath. âI accept.âÂ
Thereâs a brush at the nape of your neck, warm and soft. Though youâve never been kissed before, you think that itâs the press of lips, intimate and barely there. Something inside you flickers to life, like a new instinct that has opened its eyes for the first time. Youâre aware of another presence, a soft buzz that presses down on you as it stands up next to you.Â
Thunder rolls and you feel someone brush by you. A hand touches your cheek almost fondly, fingers dragging along the curve of your jaw. Blinking slowly, you lean into the touch, seeking its comfort. You donât know who it belongs to. All you know is that just the feel of fingers on your skin has your stomach flipping, your toes curling.Â
The hand drops from your face and you immediately miss the contact. Opening your eyes, you see another flash of lightning. Thereâs someone standing in front of you dressed in black, slick with rain. You canât make out anything much, just the shape of a man in a dark cloak.Â
A god. You know heâs a god, whoever this savior is. You know that something has heard your screams in the dark and has come to give you what you wanted. What you begged for.Â
âShe is no longer available to you,â the god announces to Nathaniel. Itâs not the same whisper as a moment ago, but a deep, raspy voice. Dark. Demanding. âSheâs mine.âÂ
âThatâs my betrothed,â Nathaniel answers, though it comes out like a question, his voice trembling. âIâ she belongs to-â
âMe,â the dark god assures. A loud clap of thunder makes you flinch. âGoodbye, Nathaniel Laudermill.âÂ
Nathaniel screams. You donât know what happens. Thereâs just his shout of terror in the dark and a roll of thunder that shakes the trees and rattles the earth. You feel the vibration in the water from the unearthly thunder before you realize that this sound, this trembling, is the wrath of a god.Â
The sound fades and the shaking stops. You feel more than see the god in front of you turn to face you, a sweeping warmth as he bends down. You cannot make out any features, your vision swimming with bursts of color in the lack of light.Â
âYouâre with me now,â he assures you. âAnd you should not be afraid.âÂ
Gentle hands reach out and cradle your face. Youâre suddenly tired, every pain in your body weighing you down like stones, pulling at you until youâre closing your eyes and succumbing to the heavy exhaustion.
The last thing you remember is your whispered name on reverent lips.Â
-
Youâre dreaming. Your eyes are closed in this dream but you feel light and warm. Fingers brush over your cheek, soft and reverent. You hear a gentle, deep humming, a pleasant melody. It smells like clove and cinnamon, making you drift further into the dream. You lean into the hand cupping your face and hear a deep chuckle before drifting off into nothingness.Â
-
The first thing you notice is the smell of clove and cinnamon. Itâs a soothing scent that sends your heart fluttering as you roll over. The blankets wrapped around you feel divine, soft with a high loft that feels like youâre wrapped in clouds. The mattress is decadent, sucking you in further as you settle in on your side, inhaling deeply.
Then you remember hands tearing at your legs. Ripping you by the hair. Water filling your lungs and throat. The flash of lightning and the cold rain as you were dragged under a flood again and again.Â
With a gasp you sit up in bed, heart hammering. You still as you look around, mouth dropping open at the opulent room. The bed is the largest thing youâve ever seen, on a low platform swimming with charcoal colored sheets and pillows. The headboard looks like polished obsidian, glinting in the low light provided by dozens of flickering candles.
Stone walls make up the room, rough rock with sconces of flickering flames. The room is sprawling with a sitting area a step down from the bed, decorated with chaise lounges, a coffee table and high-backed chairs situated in front of a fireplace. Flames crackle on a log, orange light dancing across the room. On either side of the fireplace are bookshelves that stretch up to the high ceiling.
Across from the bed are open double doors where you can see a magnificent bathroom. From your vantage point, you can just make out sinks carved from a hewn rock and what looks like a trickling waterfall sluicing down the wall.Â
Turning to the left, there is a set of glass doors, a balcony just on the other side. It appears to be nighttime outside, thousands of stars glittering through the glass and the largest moon youâve ever seen suspended in the sky like a lone coin.
Carefully, you peel back the covers. Youâre still in the wedding dress your mother made you. Itâs stained and tattered and bloodied, making your stomach flip uncomfortably as you look down on it. Sitting on the edge of the bed, you place your feet on the stone flooring, expecting it to be cold to the touch.Â
It isnât. Warmth radiates from the floor through the soles of your feet, making you sigh, tension bleeding from your shoulders as you close your eyes for a moment. Though the aches and the pains from being scratched and hit and torn down are gone, you wince as you recall them.Â
Your parents were going to force you to marry Nathaniel. You donât know how you missed the signs before, how you thought that there was any other path. With your elbows pressed to your knees, you hang your head in your hands, pressing your eyes shut and taking another shuddering breath.
This time, a sob slips out. Somehow, you had tricked yourself into thinking that your parents would abide by your wishes to make your own choices. Foolish, you realize. Your father had not grown complacent. He had been biding his time, waiting to strike.Â
The smallest viper has the greatest sting.
And your mother was going to let him do it. The woman who had brought you into the world screaming and bloody was going to pass you off to a man, even if it meant that man dragged you kicking and screaming to the altar.Â
Disgust curls in your stomach and your hands turn into firsts, pressing against your closed lids and making bursts of colors flash in your eyes. Split down the middle, one part of you mourns the loss of the parents you thought that you had. The other is an open wound, festering with a hateful infection at the very thought of them.Â
The sound of the door opening catches your attention. Your heart leaps as you sit up straight, dropping your hands into your lap as a man slips through the large double doors near the sitting area. Your breath catches in your chest as he sweeps into the room, looping his hands behind his back as he sets his dark eyes on you and approaches.Â
Heâs the most beautiful creature youâve ever seen, you think. Inky hair falls into his enigmatic eyes. His skin is deep gold, a contrast to the all-black blouse that he wears tucked into black pants. You see the open collar of his shirt revealing a patch of tan skin and an elegant throat, but itâs his face that shatters your mind.Â
The man - or god, you think - has a square, masculine jaw offset with a delicate mouth the color of rose petals. His nose is straight and wide and would look ridiculous on anyone else. On him, itâs the perfect balance, his cheekbones high and angular, cutting the roundness of his nose.Â
âGood to see youâre awake,â he greets. The man stops at the edge of the step that leads to where the bed sits higher than the rest of the room. You stare and stare and stare at him, unable to process words as he grins at you. His voice is dulcet and warm, but not the voice that promised to save you. âHow do you feel?â
âIâŚâ you rasp out and you shake your head, unable to think of anything else.
His mouth quirks and he nods. âIt sounds like you had a terrible time. How about you take a well-deserved bath and get out of that terrible dress? Sorry to have left you in it, I was under strict instructions not to invade your personal space.â
âYes, please.â You hesitate. âWhere am I? Whose instructions?â
âYouâre somewhere safe with someone who wants you to remain safe.âÂ
âWhere is safe?â
He gives you a secretive smile as he nods toward the bathroom before turning on his heel and striding away. On unsteady feet, you follow him. It helps that the floor is warm, giving you the strength you need to make it down the two steps and across the stone toward the bathroom.Â
âI donât think Iâm the right person to answer your question,â he admits. âIâm just here to help you get settled. My name is Taehyung, by the way.â
âTaehyung.â You say the word, familiarizing yourself with the shape of it as you enter the room and stop.Â
The bathroom is far more luxurious than you realized from afar. There is a waterfall running down the black rockface between two basins, trickling into a little fountain that drains on the floor. To the right side of the bathroom is a large body of steaming water.Â
Herbal scents fill the room as you near the edge of the dark surface of the water. It reminds you of hot springs in a cave near the southern villages, a place youâd only heard of but never seen. Itâs massive, surrounded by a smooth, stone edge. There is a corner full of what appears to be salts, soaps and herbs alongside flickering candles.Â
Opposite the hot spring is a giant glass window that overlooks mountains and lush greenery. From the window, you can see the entire world of wherever you are stretched out in the most dazzling and wonderful display. You canât help but feel as though youâre somewhere that belongs in the epitome of night.
âHow deep is that?â you ask, turning to Taehyung with a wary expression as you gesture to the body of water.Â
His expression softens. âWaist high when you stand in the middle. There is a ledge that you can sit on all the way around. Itâs incredibly safe and very warm. I can stand just outside the door if anything goes wrong.â
âOkay.âÂ
Taehyung points to a stack of clothes resting on a stool near a cabinet full of towels and jars of things. âThose are for you to change into. The towels are for you to dry off, of course. Anything in the bathroom is yours to use.â Taehyung must sense your hesitation, because he gives you a soft smile. âYouâre safe here. I promise.âÂ
âIâd feel better if I knew where here was.â
âBathe. Relax. Then Iâll take you to him.âÂ
Taehyung does not give you a chance to ask to whom he refers. He strides out of the room and the door swings shut seemingly on its own. You blink a few times at it, standing in the middle of the warm bathroom in a daze.
Spinning, you look around the room and find yourself drawn to the window. Up close, you realize how high up you are. Itâs a bit dizzying, and you look down at the ground only to see that there is a garden bursting with purple and blue, neat rows of flowers that stretch until they meet a line of trees.Â
A world of mountains unfolds beyond the window. Youâve never seen mountains but they are larger than you could have ever imagined, snowcaps stark against the night sky. Itâs mesmerizing and a little too big, so you turn away from the window and head for the steaming basin of water.Â
Peaking over the edge, you can see the bottom. It doesnât look that deep, but your stomach twists as you pop the buttons on your dress. Your fingers feel stiff and disjointed as you work to undress. You look down at the ripped threads and the dirty fabric and think about how much time your mother spent stitching it.
Suddenly the dress feels suffocating and you pull hard on the garment, popping buttons from the threads and sending them clattering on the floor. You shed the dress and kick it away from you, stripping off your undergarments and lowering yourself to the edge of the water.Â
A sigh leaves your mouth as you slide your feet and legs in first. The water is hot, though not scalding like you expected. Closing your eyes, you remain sitting on the edge for a moment, letting your calves soak and muscles unwind, fingers gripping the edge tight.Â
Taking a deep breath, you slide forward a little, firmly placing your feet on the ledge Taehyung spoke of. For a moment, your fear spikes. You feel it sharp in your chest and you squeeze your eyes shut, gripping the edge of the basin. With a few deep breaths, you carefully slide down to the ledge proper, sinking in the hot water to the chest.Â
âIâm not going to drown,â you whisper to yourself. The words come out shaky and youâre not entirely sure that you believe them. âIâm not going to drown, I am not going to drown, I am not going to drown.â
You repeat the mantra until you believe it, your fingers grasping the edge of the stone seat as you try to relax and melt into the water. It takes a while, but you finally grow too tired of remaining tense, taking a deep breath and gaining the courage to relax.Â
Gently, you rest your head against the edge of the basin. Heat seeps into your skin and you feel the anxiety bleed out of you, your tensed muscles unwinding. You hadnât realized how clenched up you were until you let go, and your body sags a little bit in the water.Â
Time slips away. Thankfully, your body doesnât hurt the way you anticipated that it would. Frowning, you press your fingers into your skin where there should be bruises and pain. There is no evidence on your skin that Nathaniel laid his hands on you the night before - the day before? Youâre unsure how much time has passed, only that there is an eerie absence of your wounds.
Turning your head, you look at your dress discarded on the floor. Thereâs certainly evidence of a struggle spattered all over the fabric, but it makes you wonder if the god who answered your prayers has healed you.
A god.Â
The thought comes to you in a snap and you stare down at the water, eyes unfocusing as you try to recall the details of what happened. You remember screaming for help, the sound of your desperation ripping through your mouth. You donât think youâve ever screamed like that, terrified and wild. You remember thinking about the gods, begging them to hear you, willing them to listen.Â
Water had been filling your lungs. Crushing out air. You remember the rush of the stream around you as it pulled at your fighting body. Nathanielâs hands gripping you and holding you under viciously, fingers like claws as he tried to drown you.Â
Then you surfaced and choked, completely shrouded in darknessâŚ. And you remember that quiet voice made of smoke and shadow. Thinking of it now makes you shiver, despite how hot the water is. The voice had promised you freedom in exchange for time and had taken you to wherever this place was.Â
You open your eyes, unsure when you had even closed them. Glancing around the room once more, you decide there is no way that youâre anywhere close to home. Youâve never seen anything like this bathroom before, a feat of what appears to be architecture and maybe magic.Â
Soaps and salts line the edges of the bathing pool. When you feel brave enough, you dart across the middle like a minnow, trying not to think about how you nearly crossed deathâs bridge in a shallow body of water not long ago.Â
Unscrewing lids, you smell each of the glass bottles of liquid, humming in delight. You settle on a hard bar of soap that smells like lavender and mint. It feels good to scrub your skin raw. You imagine that youâre washing away all of the memories of Nathanielâs fingers on your skin and the scratchy dress your mother made for you.
Fingers and feet pruned and skin feeling stripped of a top layer, you reluctantly exit the bath. The towels are the softest thing youâve ever felt. You run the fabric between your fingers, tilting your head up at the sky and sighing. Wherever this dark god has taken you doesnât seem so terrifying, yet it puts you more on edge, these luxuries.Â
The clothes Taehyung left out for you fit well enough, though itâs obvious they are not your exact measurements. Heâs provided you with soft, black pants and a loose, black tunic with intricate designs that look like clouds on the sleeves and collar.Â
You hesitate when youâre ready to leave the bathroom. So far, it seems that whatever bargain youâve struck with this god has been in your favor. But you know youâve made a deal in a moment of fear, and youâre not entirely sure what youâve agreed to.
Time.
Though youâre nervous, you canât stay hidden in the bathroom forever. Nudging the door open, you peek around the edge, gaze sweeping the room as you look for Taehyung. Heâs standing in the sitting area, face toward the flickering fire. He looks both terrifying and beautiful, hands linked behind his back as he watches the flames.Â
âYou donât have to be afraid of me,â Taehyung calls without turning around. âI mean it when I tell you that youâre safe.â
Slipping through the door, you walk toward him, regarding him warily. âStill,â you answer. âI donât know where I am. Are you even human?â
He does look over his shoulder then, flashing you a wicked grin. âIâm not.âÂ
Taehyungâs answer doesnât put you at ease, but youâre unsure what to do. Wordlessly, he gestures for you to follow him as he heads through the door and out of the room. For a moment, you hesitate. What would happen if you refused to leave the room? Is your deal with the god already in effect? What are its limitations?Â
You can answer none of the questions you have, so you follow Taehyung, hoping to find answers soon. Except as soon as you step out of the room, you think you might have even more questions.Â
The halls are dark and lit with flickering torches, casting an orange glow up to the cavernous ceilings. Though youâve never been in a castle or seen one, you have an idea of how grand they are. There is no doubt in your mind that this is a castle, the halls resplendent and sweeping with artwork and fabric and statues.Â
In front of you, Taehyung walks jovially with his hands linked behind his back. He hums a tune you donât know, but it sounds smooth and warm. You follow behind him, casting your gaze around as you walk, trying to remember which turns you take and what paintings you pass.Â
You reach a tall, closed set of wooden double doors. Taehyung raps his fingers against the door, looking over his shoulder at you with an excited grin. Your stomach flips and you wipe your palms against the bottom of your tunic. Your hands feel shaky and you twine them into the fabric, willing them to stop.Â
Taehyung must hear someone on the other side of the door, because he opens it and steps in and to the side, gesturing for you to enter. You take a deep breath and walk by him into the room, stopping immediately as you look up, your mouth falling open.Â
Itâs a library grander than you could ever imagine. Your town had quite a small library at the church that belonged to the high priest, but this is something beyond your wildest dreams. The ceiling stretches higher than your imagination, filled with floating lights and stars - the entire night sky is stretched above you in swirling constellations of purple and blue.Â
Three floors make up the library, each lined with books and windows that look out into the evening. You can see sprawling gardens beyond the tinted glass, but itâs the shelves of books that catch your attention. Stepping into the room further, you slowly spin, looking at the sheer amount of volumes that line the walls. There are multiple seating areas with rich, velvet blue armchairs and couches, tables full of books and papers and ink bottles and maps.Â
Your throat tightens as you look at Taehyung, your mouth wobbling. The urge to burst into tears has never felt greater than this moment. You never imagined that you could stand in a room with so many books, and the desire to pull one off the shelf and delve in is cut short by the single, glaring fact that you donât know how to read them.Â
Distracted by the books upon entry, it takes you a moment to notice another presence in the room. You feel a tingle at the back of your neck, one that draws your eyes toward a long table near the fireplace. Itâs the same feeling you had when you were saved from Nathaniel, an awareness that buzzes along your skin.
A man stands in front of the table, watching you with dark, feline eyes. Heâs beautiful. Otherworldly, really. His round features remind you of the moon, but itâs the sharp eyes and the careful pout of his mouth that draws you in. He looks both delicate and dangerous, and you notice the quirk on his lips as he watches you watch him.Â
Heâs in all black. Black pants tucked into black, knee-high boots, and a black, long-sleeved shirt. Thereâs a layer of necklaces around his neck and you can see shapes and runes that are unfamiliar to you. The same runes and shapes are on the rings on his long, delicate fingers, folded in front of him.Â
This is the face of a god. You know it in the way that thereâs something ancient in his eyes and in the way he glows from within. His power is tangible, a crackling energy pressing up against every nerve in your body.Â
âHow are you feeling?â his voice vibrates right to your core. Soft and dark like you remember it, though a little rougher now. Gravelly. He studies you, unmoving. âHopefully well-rested?â
âI feelâŚ. Better.â Finding the words is hard in his presence, especially under the scrutiny of his gaze. You want to dart out of the room and hide, but you also donât want to leave the library without exploring. âI think I should thank you?â
It comes out as a question and he smirks a little. Your stomach flutters at the sight; he raises a brow. âYouâre welcome. Are you hungry? Youâve been asleep for nearly a day.â
The door shuts behind you and you startle, whirling around to see that Taehyung has left you. Your nerves fray further and you turn back to look at the god watching you. Behind him on the table, you realize it is a feast of sorts. Roasted meats and poultry, platters of fruit, plates of cheese and neatly arranged crackers, steaming pans of vegetables and things you cannot identify.Â
He notices. âYou must be starving. Come. Eat.â When you donât move, he sighs. âI didnât save you just to harm you.âÂ
Itâs true enough. You carefully approach the table, eyeing him as he unclasps his hands and pulls out a chair for you. When you hesitate, he arches a dark brow again and you feel yourself grow warm in the face, muttering your thanks as you hurry over to the chair and sit down.Â
The godâs presence is buzzing. He doesnât touch you, but itâs like you feel him anyway, just an inch away from you. He helps you slide your chair in and gives a deep, contented sigh before he moves toward the opposite end of the table, taking the dull hum of energy with him.Â
Across the table, he sits. His gaze finds yours again as you stare at him, finding it difficult to look anywhere else. Even with the smell of a divine meal, your attention on him is a fixed point. If this bothers him, he doesnât show it. Instead, he leans back in his seat, casual and confident.Â
âHave what you like,â he offers. âI donât know what you enjoy and I didnât want to pry.â
The table is full of options. You chew the inside of your cheek. There is glazed duck and roasted ham, creamy looking potatoes and sauced vegetables. Your stomach growls and twists painfully as you stare at your choices.Â
âThe duck is good,â he offers gently. You glance up. He nods towards the dish in question. âSorry, itâs probably overwhelming.â
âA little,â you answer, but take him up on his advice and go for the duck. âWhere are we?â
âIn between.â
You frown as you plate different foods, fingers sticky as you do. Youâre hyper-aware of him watching you and you try not to look up, feeling your hands quake as you add roasted veggies to your plate. âWhat does that mean?â
âExactly what you think it does. Weâre at the in-between of all things. Not a solid place in your sense of understanding. Itâs not a physical manifestation of a land mass, but it is a world that contains physical things.âÂ
âA⌠dimension?â
âExactly. This is my domain.â
âAnd what⌠are you?â
You look up at him then. His lips twitch at the corners and he tongues the inside of his cheek. âA god. But you already knew that.â
âWanted to hear you say it.âÂ
Silence falls between you as you pick up a knife and fork, cutting carefully into your meat. You pop it between your lips, sighing when the duck melts on your tongue with the taste of honey and something else. You sag in the chair, not realizing until now how tense you had been to this point. The food sends a wave of warmth through you and the god watches as you take a few bites, patient as you eat.
âThis is fantastic,â you say, glancing at him as you reach for a glass of water. âThe flavors are like nothing Iâve ever had.â
âI assure you that all things here are like nothing youâve ever had.â You hum in agreement, taking another eager bite. You cannot imagine anything in the real world tasting this succulent. You almost wonder if perhaps this is all a dream. âYou didnât pray before you began to eat.â
Your chewing pauses. Heâs bemused, giving you a sideways grin with his brows raised. You swallow thickly and say, âPraying never got me anywhere until recently. Why did you help me?â
âBecause you asked.â
âYou didnât have to, though.â
It isnât a question. He answers anyway. âI didnât.â
âSo why did you? The other gods have never helped me.â
âThe other gods arenât me.â His voice is soft and lethal, raising the hair on your arms. âWe are not all the same, and youâd do well to not make any further comparisons moving forward.âÂ
You lower your gaze. âI didnât mean to offend you.â
âGods are fickle beings. We are quick to offend and slow to let go. You donât know any better and are thus forgiven.âÂ
âWhat do I call you?â
For a moment, he hesitates. You think he isnât going to answer just as he says, âYoongi. You can call me Yoongi.â
âIs that your name?âÂ
âItâs one of them.âÂ
âHow many names do you have?â
He chuckles. Itâs a delightful sound and you smile, watching him lean his head back against his chair, looking up as he shrugs. âHow much time do you have?â
Time.Â
Suddenly, you remember that you arenât here on this god - Yoongiâs - good graces. Youâre here because you called for someone in a moment of need and he agreed to help you, but at a cost. Your time. He had asked for your time, and a sense of anxiety tiptoes its way up your spine as you think about the ambiguity of his deal.Â
Swallowing harshly, you shift back in your seat. The food in your stomach feels a little heavy, far too rich for you to eat more than a few bites. Youâve only ever known your parentsâ staples of meat, bread, cheese, and root vegetables.Â
âWhen you saved me,â you begin. âYou made a deal with me.â
âI did.â
âMy freedom in exchange for my time.â
His eyes are glittering as he watches you, completely still. The fireplace next to you crackles. It makes shadows dance across his face, giving him the appearance of something wild and untamed. Your heartbeat quickens as you watch him, this godly being, as he stares you down.Â
âThat was the deal,â he finally hums. His head cocks to the side a little. âI donât usually discuss business over dinner.â
âIâm done eating.â
He huffs but doesnât seem annoyed. âPerhaps tea, then? It will help settle your stomach.â
You narrow your eyes. âHow do you know that my stomach needs settling?âÂ
âI know a lot of things.â Yoongi rises and gestures to the chairs directly in front of the fireplace. You stand, following his lead. Thereâs a quiver of energy in the air and you pause, turning to look back at the table to see itâs completely bare, no trace of anything left. You whip around to look at Yoongi as he sits in a wingback chair. âI can do a lot of things.â
A steaming cup of tea sits on a wooden table next to the chair you sink into. The cushions are soft, swallowing you in and making your muscles melt. The cup is warm when you pick it up, steam curling off the surface. Sniffing, your eyes flutter as you inhale the smell of mint.Â
âWhat are you the god of?â You open your eyes and look at him. Both of his feet are planted flat on the floor, his arms resting on the arms of the chair. He looks a little stiff, more so than he did at dinner. Orange firelight reflects in his inky eyes. âYouâre a god of the dark.âÂ
âThereâs no such thing,â he scoffs, and you frown. âYour concept of gods is skewed. There is neither good nor evil, light nor dark. There are just gods.âÂ
âSo it doesnât matter who you pray to?â
âWe donât need your patronage. If we did, we wouldnât be gods, would we?â Youâd never thought of it that way. You sip your tea, letting the warmth and sharp mint bloom in your mouth. âWeâre beyond the simple classification that mortals use to understand and organize what they think our intentions are. I have been classed as both good and evil, light and dark, benevolent and malevolent.â
âBut surely there are things that are inherently evil, even among the gods.â
âOf course there isnât. Evil is a point of view. It is a word used to define the feeling one has when the opposite of their desire occurs.âÂ
âI⌠guess that makes sense. But isnât something like murder wrong?â
âAre you not the villain of the duck you ate today?â You blanch. Yoongi looks smug as he gestures vaguely with his hands. âAre you not evil for calling down the wrath of a god on Nathaniel Laudermill?â
âHe was going to kill me.â
âYou rejected his hand in marriage. You did the opposite of what he desired. I believe in his eyes, you are the evil. Is Death evil for doing what he was made to do?âÂ
Yoongiâs words make your head spin. You gulp a mouthful of scalding tea before setting it on the table next to you, your mind reeling. The realization that youâre sitting in a library with a starry ceiling arguing over morals and the concept of evil with a god who has saved you from certain death makes you giggle.Â
He seems surprised by your sudden outburst, raising his brows as you cover your mouth, your fingers pressed to your lips as you try to contain your sudden mirth. âSorry. This seems absolutely insane. Iâm arguing over the word âevilâ with a god in a realm that is everywhere and nowhere at all. It feels like perhaps Iâm dreaming.â
âYouâre not. Though your dreams are dizzying and far more colorful than anyone else I know. You should be proud of them.â You furrow your brows. How does he know what you dream of? Before you can ask him to clarify, Yoongi says, âYou wanted to discuss the deal.â
âOh. Right. What did you mean by wanting my time in exchange for my freedom?â
âItâs simple. I want you to spend two weeks each month here.âÂ
Yoongiâs words sink in as you look at the window behind him. Outside, the world is sinking into what you think might be night. The sky is swimming with stars and constellations, stuck in a perpetual twilight of sorts. Youâre reminded that somehow, Yoongi is like the moon and the night itself, especially when you find his dark gaze on you as he waits for your response.Â
âWhy?â
He lifts a shoulder. âIâm often very alone. It would be nice to have some company.âÂ
âThatâs it? You just want me to hang out in exchange for saving me?â He nods. âThat seems too easy.âÂ
His lips curve upward. âMaybe Iâm very annoying.âÂ
For some reason you think it might not be true. You think of all the things that youâve heard about the gods. Yoongi tells you that everything you know about them is wrong, but you know that the gods of the dark are tricksters. They are experts in the art of luring mortals in, and you wonder if thatâs what heâs doing now.Â
âDoes it have to be consecutive weeks?â you ask, trying to bide time to collect your thoughts and work out his intentions. âOr can it be a collective?â
âConsecutive.âÂ
âWhat⌠what happens when I go home? With my family.â
Yoongiâs face grows stormy. You shift in your seat. âYouâre under my protection,â he says after a moment of deliberation. âYouâll bear a mark that protects you. No one will force their will upon you again.â
âCan you?â
He shakes his head, long hair brushing the tops of his shoulders. He looks haunting in the firelight, but beautiful. You avert your gaze, fixating on the books in the room instead. âYou have my word, I will never control you. I promised you freedom, that includes me.âÂ
âBut I have to be here. I canât escape from that. Is that freedom?â
âYou made that decision of your own free will. Itâs your words that bind you here, not mine. While youâre here, you are able to do whatever it is you desire. In fact, I encourage it.âÂ
âWording is really important to you, isnât it?â
He chuckles and inclines his head, fingers tapping the arm of his chair. âIt is. Consider the first day of your deal already spent. You slept most of it off while you healed.â Yoongi stands, drawing your attention to him. âSleep more,â he insists gently. âTomorrow, Iâll give you a tour.â
The thought of a tour - and seeing Yoongi for more days - thrills you. Taehyung appears at the doorway as Yoongi escorts you out. He wishes you goodnight and lets Taehyung take you back to your room, though you feel his gaze and presence as you leave.Â
It isnât until youâre back in your room that you realize you never asked Yoongi how long your deal is supposed to last. It occurs to you that while he has given you a sort of freedom, perhaps he has taken something from you after all.Â
-
Tall trees surround you. Above them, you can make out a swirling sky of stars and planets and several moons, so bright that it turns the forest a shade of blue. The woods around you are familiar, and thereâs a well-walked path just ahead of you that leads to the river by your home. Youâve walked among these trees and creatures hundreds of times, but never with a sky like this.
Crickets chirp as you walk through the woods now. Grass tickles your bare feet, the earth soft and damp beneath you. It smells like fresh rain, but thereâs no flood or mud as you navigate by instinct.Â
Itâs peaceful out here. How many times have you come here to escape your fatherâs rage? How many times have you sat, back pressed against a tree, watching the light fade from the world until it was too dark to see where you were going? You always managed to get home safely, even with the lack of light.Â
The river rushes a few yards ahead. You pick a spot to sit and watch, beneath the cover of leaves. The sound of running water and the smell of rain on the wind lulls you into a trance and you close your eyes, resting for a while.Â
Here is where you find peace. Where you dream.Â
Awareness creeps up on you and you open your eyes, looking upward as you sense someone approaching. Yoongi stands next to you, onyx eyes gazing at the river. Heâs in black clothes like before, his hands tucked into his pockets. You smell clove and cinnamon, making you dizzy. Power radiates off of him but it feels warm and safe. Like the night air itself comes from his existence.Â
âAm I dreaming?â you ask him. He looks down at you, an obsidian strand of hair falling in his face. He nods, giving you a gentle smile. âThis is often where I go to dream.â
âI know.â
âHow do you know?â
Yoongi doesnât answer you. He looks back to the rushing river, his face becoming unreadable. He looks like heâs somewhere far away, lost in his thoughts. Absently, he says, âYour dreams are my favorite.â
âWhat do you mean?â
âThey are bright, full of life and color and sound. You dream the way people create art, the way people create worlds. It is rare to see such magnificence among the sleeping.âÂ
âI justâŚâ you shrug. âThink of places I would rather be.âÂ
Yoongi looks at you then and his face is shadowed, full of thunder. âYouâll never be forced to live that life again.âÂ
âDo you promise?âÂ
He opens and closes his mouth, narrowing his eyes a little before shaking his head. You feel a smile tug at your mouth, endeared by his microexpressions. âYes, little lamb. I promise.â
-
You wake with a start, sitting up in bed and looking around. The room spins as your brain tries to catch up with your body, your physical and mental awareness completely out of sync as you swivel your head, drinking in the unfamiliar room and the soft sheets that smell like clove and cinnamon.Â
For a moment, you forget where you are, and adrenaline surges through you. Your fingers twist in the sheets as you ground yourself, memories from the day before slotting into place. Letting out a long exhale, you relax, flopping backward in the opulent bed, your heart rate slowing down as your panic bleeds out of you.Â
Youâre in Yoongiâs home. In a place that is somewhere in between - whatever that means. The god has told you on multiple occasions that youâre safe and have nothing to fear from him and for some reasonâŚ. You believe him. Maybe itâs naive, but you canât erase the feeling that Yoongi is being honest with you, that he has good intentions.Â
Perhaps itâll get you into trouble one day. For now, you cast off doubt and peel yourself out of bed, trailing to the windowed doors that lead to the balcony beyond. You try the handle and are delighted to find them unlocked. Slipping through the doors, youâre met with warm, balmy air. It smells like petrichor, the breeze kissing your skin gently.
Like before, the world seems wrapped in permanent twilight. There is no sun in the sky, but a vast stretch of swimming stars and the largest moon youâve ever seen. In the distance, dark mountains loom over you, their peaks capped in snow and wreathed in mist.Â
Forest stretches out toward them in a vibrant shade of green. Thereâs a settee on the balcony along with a table and chairs. Leaning on the stone railing, you look down to see colorful gardens and a large pond full of vibrant fish.
All of the radiance makes you smile. Youâve never seen colors so rich, and youâre unable to recall if your world was this vibrant. The garden below is bursting with violet and cerulean, the flowers unfamiliar to you. Their fragrant smell wafts up to the balcony, a hint of sweetness in the air.Â
A roll of thunder catches your attention. You look to the east, noticing that one of the mountains in the distance is darker than the others. Lightning crackles in the sky around it and the mist is heavier there. You think the trees are darker too, though you canât tell if theyâre gray or if itâs the shade from the swollen thunderheads drifting over them.Â
Behind you, the door to the balcony opens and startles you. Whirling around, you find Taehyung leaning against the frame, mouth curved upwards in a sideways grin. âWhen you didnât answer the door I got worried.â
âI thought I was safe here? What is there to be worried about?â
He shrugs. âMaybe you took a dive off of the balcony.â
âWhat is that place?â you point to the thundering, shrouded mountain. Taehyung looks where you point, his smile dropping as he stares at the looming peak. âBy the look on your face, somewhere bad.â
âBad is a relative term.âÂ
You scrunch your nose. âYou sound like Yoongi.â
âAlready familiar, are we? Cute.â He pushes off the door frame and beckons you inside. âAsk Yoongi about it on your tour.â
âAre you not coming along?â
âI have things to do.â
âLike what?â
âNot give tours.â
If it werenât for Taehyungâs playful tone and glint in his eye when he casts you a glance, youâd think you were bothering him. Instead of getting angry, he drapes himself on one of the couches by the fireplace, long legs dangling off the arm as he lounges.
Today, heâs in charcoal colored pants and a red, billowing shirt that shows off the smooth, tan skin of his chest. A dangling earring catches your attention as he leans his head back, silky hair shifting. If Yoongi is made of moonlight, you think that Taehyung might be made of sunlight: golden skin, warm energy.Â
âBy all means,â you mutter. âHang out.âÂ
âThis is my home first, human. I shall do as I please.â
You make a sound at the back of your throat and roll your eyes, walking toward a large, polished wardrobe made from dark wood. It smells like fresh cedar when you pull on the brass handle, opening the door to reveal tunics and dresses, all hung neatly.Â
Rich silks, velvets and cottons greet you. You run your hand over the materials, amazed at how soft they feel. They are far better quality than your mother ever had access to. Your heart squeezes when you think of her, and you shake your head a little as if to physically dispel thoughts of your family out of your mind.
Facing them seems like an impossible task. You know that youâll have to eventually. Two weeks with Yoongi in this strange world seems like a long time, but youâre not sure if itâs nearly long enough to mentally prepare to go back and face them after whatâs happened. Will they still be angry? What will they say? Will they have been worried about you all this time?
Thereâs no way to know the answer. So instead, you pretend none of that exists. For once, you have stumbled into a dream and adventure like youâve always wanted, and you intend on playing the part.Â
An emerald shirt catches your eye. Itâs made of a silky material, supple when you rub the sleeve between your fingers. Itâs plain, save for the laced string at the throat to cinch and tie it off. You grab a pair of black, cotton pants as well, the fabric just as soft as the sheets in your bed.Â
With Taehyung humming on the couch, you let yourself into the bathroom to change. You appreciate that the floor is warm wherever you go barefoot, and you quickly slide out of your clothes from the previous day and into the new ones. The measurements are a little off, but more than manageable as you pull the tie closed at your throat. Glancing into the mirror, you canât help but smile a little.
You look so different. The shirt belongs to someone adventurous, you think. Perhaps a pirate or a huntress riding atop her horse through the woods. You slide your fingers along the material, its softness inviting and magical.Â
Two weeks. Youâll be here for two weeks with Yoongi, a god who has been alive for hundreds of years, if your conversation from the night before was anything to go off of. It feels surreal and youâre a little nervous, but more than that, youâre excited.
Suddenly, the world is full of possibilities. No marriage to tie you down, no power held in your parentsâ hands.Â
 âGods youâre slow to get dressed,â Taehyung announces when you enter the room. He sits up, appraising your outfit. âGreen looks good on you.â
âHow many are there?â he cocks his head at your question, peeling himself from the seat. âGods and goddesses, I mean.â
âPfft. Hundreds.â
âHundreds?âÂ
âMaybe thousands, I donât really know. Thereâs basically an infinite amount of universes. All anyone mostly cares about are the Eternals, the gods who remain the same no matter what name or history mortals assign to them.â
âEternals?â
âMhmm.â Taehyung leads you into the hallway. His hands are tucked into his pockets as he strolls leisurely. You follow beside him eagerly, looking up as he seems thoughtful. âGods are hard to define. They are great beings with massive power. Some gods do the same thing, some donât. They come from the infinite amount of worlds to which they are native, and somehow make it into mortal history. But the Eternals have always been here, always known. They do not change.â
âWho are the Eternals?â
âLife, death, chaos, time, pathos, dream and fate.â He makes a face then. âFate and chaos are hard. They work in direct opposition to one another. It drives time insane, naturally.â
Seven Eternals. It makes sense, from a logical standpoint. Every world must have life and death and the passing of time. Where there exists a living thing, there exists a vessel of emotion and dreams. In all worlds there is the potential for chaos disrupting fate.Â
âYoongi is an Eternal?â
Taehyung glances sidelong at you, smug. âYes, Yoongi is an Eternal.â
âWhy do you look at me like that when I say his name?â Taehyung doesnât answer, instead smirking as if heâs enjoying a private joke. Your fists close and open as you swallow down a demand to tell you what he finds so amusing. âWhich one is he?â
âHave you no guesses?â
That makes you think. Recalling the night before, you remember the way Yoongi looks: dark eyes swimming with something magical, a soft and raspy voice, the way he appeared in your dreams.Â
Though your dreams are mesmerizing and far more colorful than anyone else I know. You recall what he said about your dreams, the way he leveled his gaze at you, full of meaning that you didnât understand.Â
âDreams,â you say, certain that you're right. âHeâs the Eternal of Dreams?â
âHe isnât of dreams. He is Dream.â
Youâre unable to clarify Taehyungâs emphasis on Yoongi being a deity of dreams as he opens the door to the same library as before. This time, he doesnât knock. When you step inside, you realize itâs because the room is empty. Yoongi is nowhere to be seen, though pale light filters in through the windows. Itâs still forever twilight outside, yet a little lighter. It feels like morning, even if it does not entirely appear to be morning.Â
Behind you, the door shuts. You turn to see Taehyung has left without another word, leaving you entirely alone in the captivating space.Â
Without hesitation, you walk to the nearest shelf housing rows and rows of books. The spines range from muted browns and neutrals to bright reds and rich blues. Velvet books, leather books, canvas, silk. There is no shortage of materials making up each one, letters painted, printed or stitched down the back of them to denote what they are.Â
Each one breathes a world of possibility as you drag your finger along the shape of them. You wonder how many worlds and histories are scribbled away in the pages of this room, the very idea of it overwhelming.Â
Trinkets and objects youâre unfamiliar with line the shelves as well. Your fingers trace their shape and you wonder what they are. One object in particular catches your eye in the corner of the room. It stands on three metal legs and has large, interlocking rings that spin lazily in some unknown pattern. The rings are hammered metal and appear to have markings engraved on them.
The device slowly spins of its own accord. Upon inspection, there seems to be nothing else responsible for its motion except magic or science that is beyond you. You can see that there are seven metal rings and different markings on each of them, but you cannot guess what the engravings read.Â
âIt represents the balance of the Eternals. Taehyung mentioned you had a vague starting point as to what I am.â
Yoongiâs deep voice makes you leap and screech, spinning on your heels to face him. Your hand flies to your chest and you can feel your heartbeat rattling wildly. Yoongi stands a few feet away from you, hands linked behind his back and eyebrows raised at your reaction.Â
Heâs dressed similar to the night before, though a little more casual. His black pants are tucked into knee high boots, and his black shirt is loose fitted with silver stitching around the collar. You notice that itâs in patterns of stars and moons, furthering your confirmation that Yoongi is associated with dreams in some manner.Â
Yoongiâs long hair is pulled half out of his face today, tied away in a bun. The rest of his hair brushes the tops of his shoulders as his inky eyes regard you patiently. His curiosity makes you feel warm all over and you drop your hands to your sides, fingers twitching.Â
âHow so?â you ask. You turn back to the device. âWhat does it run on?â
âOur energy. Each ring represents a member of my family. The speed at which they turn represents the balance among us. When the speed is off, the balance is off.â
âWhat causes the balance to be off?âÂ
Yoongi steps closer to you. You hold your breath as he does it, but you can feel his presence like a buzzing vibration at the back of your neck.
His voice is softer when he answers, âA number of things. Sometimes some of us arenât always performing the way we should be. Other times, weâre overperforming. Or fighting, really, as siblings are wont to do.â
âI donât know what thatâs like.â
âYouâre not missing much. Especially when your siblings are as ancient and never ending as you are.âÂ
âHow⌠old are you?â
You look at Yoongi to see heâs standing next to you now. He looks at you, face impassive as he lifts a shoulder. âHow old is the earth? How old is existence? Itâs hard to say.âÂ
âWhere do you come from?â
âChaos was first. Life and Death were next, twins born of the sudden whims of Chaos. I was next, for Life often dreamed. Time was always there, though no one knows if Time or Chaos came first. Pathos and Fate came later.â
You nod, though you donât fully understand the scope of how old and fathomless the existence of things like chaos and time and dreams are. It makes your head spin, trying to conceptualize the thing next to you who looks very much like an ordinary man being something so ancient and primordial that he precedes human existence entirely.Â
âYouâre overwhelmed,â he notes, a bit of amusement in his voice. âI donât blame you. The best way to understand it is that I am a living concept that can never be destroyed, so long as there exists something to dream about.âÂ
Crossing his arms in front of him, Yoongi clasps his hands and gives you a slight smile. He has a pretty smile, you realize. Delicate and almost shy. It makes your heart flutter and you mentally chastise yourself for thinking that a being of eternal dreams can possibly be shy.Â
âHow about a tour? Our deal is that youâll spend two weeks a month here. Iâd love for you to feel like this is a place you can be familiar with, if not something akin to a home.â
âHome?â
His smile grows. âIf that word ever seems fitting, sure.â
Home. The word makes you think about what home means to you and suddenly you feel a pit form in the bottom of your stomach. Flashes of a flooded forest, lighting lancing across the sky, hands gripping you tight and shoving you under the water.Â
âUm,â you clear your throat. âSo a tour.â
Yoongiâs eyes glitter as he grins and turns, using a hand to gesture to the wide library. âThis is the main library, but weâll end our tour here. Letâs go through the gardens first, itâs nice weather.â
Yoongi starts without you, leaving you to stand staring after him as he goes. His gait is smooth and confident. He presses on a pane of glass that you realize is a door. A breeze teases the loose pieces of his hair, carrying the familiar scent of clove and cinnamon toward you.Â
For a moment, you stare after him. Yoongi being a deity of dreams makes so much sense in this moment, stepping into the twilight, face tilted upward slightly as though heâs soaking up the sun. He looks radiant. Tranquil. When he turns to look at you expectantly, his rose pink mouth quirks sideways.Â
âRight,â you say, hurrying to follow him. âOutside is where we start.âÂ
When you pass him, you get the sense that Yoongi wants to tease you further. Instead, he says nothing and leads you into the gardens. A cobblestone path leads from the door through wisteria trees, their amethyst leaves swooping down and filling the air with sweet fragrance.Â
Up above, the sky is a mix of blue and purple, thousands of stars twinkling. There is a stone bench near one of the windows of the library, but Yoongi leads you away from the palace and down the path under the trees. The air is crisp and pleasant, cooling your anxious, sweat-slick skin.Â
Yoongi links his hands behind his back. âThis is the library garden,â he informs you, glancing at you from the corner of his eye. âItâs mostly wisteria trees, which are my favorite to walk through when I need to think.â
âTheyâre unlike anything Iâve ever seen.â
âMuch different from the woods outside of your home.â
âYou know the woods outside of my home?â
âYou called me there, remember?â You blanch at the memory, but if he notices, Yoongi says nothing. âBesides, Iâm familiar with the woods that surround your home. Your village pays homage to my brother.â
âYour brother?â
He hums. âLife. Perhaps they donât know that itâs him they pray to, but they do.â
Taking a left, Yoongi leads you on a looping path through the massive wisteria trees. Theyâre larger than anything youâve ever seen, their bows sweeping monoliths of purple, trunks thick as boulders. A strange creature sits on the branches of one of the trees, making you stop and stare.Â
A tiny, carnelian creature sits on a bough, bright against the lavender background of the leaves. It has four legs and scaled feet, sharp talons cutting into the bark as it keeps its balance in the tree. Small wings are folded on its back, bony limbs with paper-thin skin between them, a lighter red than the rest of its body. A long tail snakes around the branch, holding the creature in place as its long neck extends, head tilting to look at you curiously.
âIs that a dragon?â you whisper, staring at it.
Youâve only heard them described in stories, but you donât really know what they look like. It has scales like a lizard and it blinks two large eyes at you, entirely black. There are small horns on its head, and a forked tongue snakes out as it tastes the air.Â
âSheâs a fey dragon,â Yoongi hums, looking up at the creature with a smile. âAnd sheâs not supposed to be in the trees here, are you?â
A puff of smoke curls from the dragonâs nose as it huffs, making you take a step backward. Yoongi lets out a deep laugh that makes a tingle rattle down your spine and your toes curl. The sound is like smoke and velvet, heady in the air.Â
âShe wonât hurt you,â Yoongi assures, shaking his head to continue walking under the dragonâs branch. âSheâs a pesky little thing, but she is incredibly sweet. Fey dragons are much smaller than their firedrake cousins and less dangerous than their basilisk relatives.â
With your eyes cast upward, you hurry after Yoongi, keeping your gaze on the large lizard as you run under the branch. Her dark eyes follow you, unblinking and fathomless. The hair on your arms stands up and you canât help but feel that despite the dragon being small and what Yoongi calls harmless, it is incredibly intelligent.Â
âThere are dragons here?âÂ
âThere is everything here.â
You frown, finally turning away from the dragon as you leave it behind. âThatâs confusing. Everything as inâŚ?â
âWhen you dream, you have limitless potential. You can go anywhere, be anything, see any creature. Dreams even invent things that do not exist in the natural world. Creatures, stories, songs, words, plants. The possibility for creation in a dream is limitless, and this place is the essence of dreams. It is me.â
âSo you are this place and the place is you?â
He seems thoughtful before nodding. âMore or less. This is a dream realm as much as it is a collection of ideas, thoughts and hopes. Everything that every living creature has ever dreamed about walks these lands.â
âEven nightmares?â
Yoongi pulls up short and whips his head at you. You bite the inside of your cheek, unable to meet his eyes under his severe expression. In the distance, you swear you hear thunder. An apology springs to your lips, but before you can give it, Yoongi nods sharply once and begins walking again.
âNightmares too. Do not speak of nightmares here, lest they come searching.â
You think about Taehyung telling you that you were safe but being concerned when you didnât answer the door earlier that morning. A chill seeps into your bones as you rejoin Yoongi on your walk, his pace not as relaxed now.Â
âThey come searching?â you try, a little curious, a little afraid.Â
âYes. They are different from dreams. Unpredictable in a way I admire and dislike.â He glances sidelong at you. âThey have a mind of their own. You are safe with me always, but itâs best practice to not think of them while youâre here. This world has a way of manifesting.â
For a few moments, you walk in silence. You let your questions fall silent as you look around. The two of you exit the wisteria trees to see a large pond. A single, massive wisteria sits on its western edge with a bench underneath it.Â
The surface of the pond is dark and smooth, reflecting the swirling stars in the sky. Yoongi leads you around the mirror surface and points out the mountains in the distance that you could see from your windows.Â
âMountains of Sleep,â he tells you. âIt is where all beings who are ready for their eternal rest come to dream for the remainder of their existence. They are also called the Mountains of Divinity, for there are hundreds of divine immortals among their peaks.â
âReally?â
He nods. âNot all beings rest here. Some prefer their own planes and resting grounds. But this existed before those places, and has long been used for the tired and the weary who are ready to retire.â
âAre they dead?â
âNo. The dead cannot come here.â He hesitates. âWhen they do, it is because they are not a dream.â
You get the sense that Yoongi is talking about nightmares again and you shiver as he takes you around the pond. âDonât let anything in that body of water convince you to go swimming. They wonât intentionally hurt you but they donât understand the concept of human life.â
âThey?â
âThey donât have a name. They are water-folk who were dreamt up by someone once. I admire them and theyâre beautiful and wicked smart, but theyâre a bit cheeky.â
âIâm starting not to feel as safe as you said I was.â
Yoongi stops and frowns. He lifts a hand as though heâs about to touch your arm before he thinks better of it and drops it at his side. You realize youâre disappointed that he did before mentally kicking yourself, feeling a little ashamed to be so affected by a god. Youâre sure Yoongi gets it often, but it makes you feel silly nonetheless.Â
âYou are safe.â He lowers his head a little, catching your gaze. Though his eyes are midnight black, you swear you see the stars above reflected in their dark pools. âBut there are rules everywhere. This place has them just the same as your home did. You were relatively safe there, but there were rules.â
âAnd then I broke them and Nathaniel tried to murder me.â
âNathaniel was dealt with and will never touch you again.â Thunder rolls in the distance and your heart flutters at the vehemence with which Yoongi says this. âThe misdeeds of your family cannot chase you here.â
You donât press Yoongi on the matter. Instead, you let him proceed with the tour, keeping your questions to a minimum as you wonder what Yoongi meant by Nathaniel being dealt with. You recall the soft, susurrated voice against your ear when Yoongi found you. The gentle brush of something like a kiss to your neck. The rage and power as he stepped in front of you to face Nathaniel when the deal was done.
It does not require much to make an assumption about Yoongiâs meaning.Â
The yards of his palace are sprawling and full of color. Gardens with flowers he doesnât know the name of but said a little girl had dreamed them and he liked them so he made more. Butterflies with colors you didnât know existed flitting from plant to plant. Fruit orchards with the ripest, reddest apples youâve ever seen.Â
And the palace. It is the only word you have for it. The building is several stories tall, hewn from dark stone with at least five different towers. Starlight glitters in the windows as Yoongi guides you up the stairs toward the massive double doors that lead to the main entrance of the castle. On the door handle are two wrought-iron griffons with proud faces.Â
Without a touch, the doors open on Yoongiâs arrival. You wonder if the building responds to his presence as the door swings open for the two of you. Inside, the foyer is as magnificent as the library, a lush purple carpet rolling over stone floors.Â
In the center of the room is a massive spiral staircase. Looking up, you see that it goes all the way up the floors of the palace, dizzying circles of floor after floor. Yoongi explains there are other ways to go all the way up to the top throughout the castle but this is the easiest way, though he assures you that by the third floor youâd be out of breath.Â
Each room Yoongi shows you is opulent and warm. Rich, deep wooden furniture, paintings with dark splashes of amethyst, scarlet and gold. Rooms for tea, rooms for painting, rooms for music, rooms for dancing. Yoongi has a room for everything, sometimes occupied by strange little creatures that hide when you walk in or curious things that lift their heads when they see him.Â
No one else besides Taehyung seems to be there, though. You come across felines, little balls of light that bounce around Yoongi excitedly and light him up like a burst of flame, a little furry thing that you think is a fox but in a shade of shocking sapphire, and a massive wolf with eyes like ice that blink apathetically at you as you walk by. But never once do you see another person. Even Taehyung seems to be amiss.Â
âDoes no one else live here?â Yoongi takes you through another room empty of people and things. âItâs so empty.âÂ
He takes his time to answer as you leave the room and move into the hallway. Itâs hard to tell which way youâre going, but you think that youâre headed toward the library again. Your legs ache from going up and down the stairs on an endless tour of rooms, and youâre eager to be in the library once more.Â
âThere used to be,â Yoongi says slowly. âBut people donât tend to do well in places that they donât belong.â
âSo youâre all alone here?â
His smile is sad. âI have Taehyung.â He pauses before he adds, âAnd now you.â
Iâm often very alone. It would be nice to have some company. You think of Yoongiâs words from the night before and suddenly youâre filled with sadness. Sadness for this ancient being, who seems so gentle and quiet. Who lives alone in this giant castle with all of the worldâs dreams around him and no one to share them with.Â
Swallowing thickly, you nod. âHow do you know I belong?â
âPardon?â
âDo I? Belong, I mean. You wouldnât⌠have me here if I wouldnât do well, right?â
âNo one dreams the way you do.â He says this firmly. Confident. Fierce. âI believe there is nothing you wouldnât be able to find here.â
âDo you always know what I dream about?âÂ
âNo. But you dream⌠loudly. Colorfully. Sometimes itâs hard to ignore. I donât like to pry, though.âÂ
âCan you see everyoneâs dreams?â
âMhmm. I even make some.â
This catches your attention and you reach out and grab his wrist, stopping him. He glances down where your fingers touch his skin, your fingers buzzing where youâre connected. You flush with warmth and drop your hand, clearing your throat at how forward grabbing him was.Â
Yoongi is smirking when you ask, âCan you show me?â
âOne day, yes. For now, the end of the tour and lunch.â
At the mention of lunch, your stomach rumbles. His grin spreads into a full smile and Yoongi leads you back to the library. Again, the doors open without his touch and as you pass them, you study them for any sign of an auto-opening mechanism but find none.Â
Yoongiâs magic appears limitless. You remember the food disappearing from dinner, the swell of power as Yoongi agreed to save you, and his sudden appearance as you were drowning. You know nothing about the god of dreams or what heâs capable of, but youâre awed at how easy it comes to him.Â
âThis is the main library.â Yoongi turns around to face you, sweeping his arms out on either side of him. âThere are two others: one in my room and one located in the dream tower.â
âYou didnât show me the dream tower.â
âIâll show you when youâre ready.âÂ
Unsure what ready means to Yoongi, you look around the library. Same as the night before, the shelves are crammed full of books and scrolls, so much paper and ink that it makes you lightheaded with excitement. It still smells of lemon and wax, though as you pass Yoongi to go to a shelf, youâre overcome with clove and cinnamon again.Â
Trying to ignore the shiver that merely walking by Yoongi gives you, you brush the spines of books once again, feeling their potential under your fingertips.Â
âYou always have access to this library. You can read what you like.â
A pang goes through you and you drop your hand. Without looking at him, you mumble, âThank you, but I canât read.â
No response comes. You stare unseeing at the books before taking a breath to turn your head and steal a glance at Yoongi. You expect some sort of amusement or perhaps pity, but his face is unreadable, jaw working.
âThatâs okay,â he finally says. âWe will teach you. After lunch we will make a schedule to help fill your time here. Reading and writing lessons will be a part of that.â
Your heartbeat quickens. âDo you mean that?â
âDo you want to learn?â You nod your head eagerly. He grins gently. âThen we will teach you.âÂ
-
Yoongiâs eyes are dark as he presses forward. Your breath catches in your chest as you lay back, looking up at him with your lips parted, heart hammering in your chest. He settles his waist against you, the weight of him pressing you into your bed as you lay back.Â
He is so beautiful that it puts you in a daze, staring up into his face as he leans over you. His hair is pulled back, but a few dark strands hang loose. His mouth is stained red with wine, making you want to lean forward and taste his lips and feel their softness.Â
Tentatively, you reach a hand up and brush the loose strands of hair out of his face, tucking them behind his ear. You donât stop touching him, though, hand cradling his flushed face. His eyes flutter shut and he leans into your palm as you cup his cheek, thumb sweeping back and forth.Â
âIs this what you dream of?â he whispers, eyes remaining closed. âBeing under me, like this?â
Dreaming. You realize youâre dreaming. You jolt and suddenly, youâre alone.Â
-
âYour handwriting is terrible,â Taehyung admits, looming over your shoulder. You grip the quill tighter, nearly snapping it in two. âBut you learn unbelievably fast. How many of these letters do you think you have consistently memorized?âÂ
Taehyung is in charge of your writing lessons today and you already want to kill him. Itâs been five days of your new residency in the House of Dreams, as Yoongi calls it, and youâve quickly learned that Taehyung is equally charming and playful as he is outright vexing.Â
Instead of turning to give him a very harsh poke in the arm with your quill, you scan the shapes in front of you. There are twenty-six of them, all awkwardly slanted and misshapen where youâve used too much ink or not enough. Using a quill and ink feels alien to your hand and your fingers struggle to remember the proper way to hold it as you draw your letters.Â
âI think most of them,â you answer slowly, mentally sounding out each word on the page in your head as you go. âBut there are a few of them that confuse me. The lowercase âdâ and âbâ I find nearly impossible to recall and âvâ and âuâ are rather frustrating.âÂ
âWhenever you see a âuâ, think of it as having a scoop. Sc-uuup.â Taehyung points to a âuâ on the page and mimics the scooping motion. âMight be easier to associate the sound scoop with âuâ even though the word itself doesnât have a âuâ.âÂ
The desperate look you give him makes him laugh as you struggle to imagine why a word with a âuâ sound doesnât actually contain the letters. Youâre saved from Taehyungâs maddening - but helpful - instruction as Yoongi walks into the library.Â
âYouâd better not be laughing at her again.âÂ
Taehyung steps away from you and bows his head toward Yoongi. âIâm laughing with her. Weâre just sharing amusement over the hypocrisy of letters.â Â
âYeah,â you deadpan. âItâs hilarious.â
Today, Yoongi is in a deep, amethyst colored shirt. Itâs laced at the throat with the familiar moon and stars that he has stitched on much of his clothing, and his hair down and long, slicked back and tucked behind his ears. As always, heâs in dark pants and boots today, the sound of them clicking on the stone floor as he nudges Taehyung out of the way to peer over your shoulder.Â
You tense. Being around Yoongi for the last five days has been intoxicating. It is bad enough that you get distracted during your lessons by the way his voice rumbles when he speaks and the way he chews his lips when working on his own things while you study. Itâs worse that now he invades your dreams, whispering in your ear and hands wandering over your curves, sinful mouth brushing over your skin and leaving you to jolt awake in bed covered in sweat.
The very idea that Yoongi knows what you're dreaming of drives you to the edge of insanity. Heâd promised he preferred to avoid your dreams, but you wonder if he knows. Knows that you have developed an insatiable habit of fantasizing about his hands, or about the tone of his voice.Â
Gripping your quill tight, you hold your breath when he leans over you. Heâs not touching you, but heâs close enough that you feel the heat of him and smell him, cinnamon and clove making your eyes flutter. If you didnât know he was the god of dreams, youâd mistake him for the god of lust, if that was a thing.
âWhy arenât you breathing?â You peer upward to see Yoongi looking down at you. If you tilted your head back just a fraction more, youâd be pressed against his chest. Even from upside down, his moon-pale face and cosmos eyes make you want to scream. âAre you alright?â
âNervous that Iâm not performing well.â
His face softens. âYouâre a quick learner. Donât worry about progress and pace.â
âBut what if I lose it when I go h- back.âÂ
Home. Thatâs what you were going to say. But the idea of home is terrifying. You donât know what waits for you when you go back. You donât know what splitting time between two worlds means. You donât know what youâll do when you have to spend two weeks there before coming back to Yoongi.Â
Five days in Yoongiâs realm has been enough to make you feel like this has always been your life. You fit into the daily routines of Yoongi and Taehyung better than you imagined, and though you still sometimes get lost in the House of Dreams, you discover that youâre adapting.Â
Thereâs always something new to discover, an adventure around the corner. You like learning your letters and the sounds that they make. You love studying the maps in the library and tracing the distances between countries you canât name and have no idea where they are.Â
Most of all, you love exploring. Rooms upon rooms of objects both normal and magical. Creatures that roam freely around the palace - including a clever little fox that has taken interest in following you around as you take breaks from studying by walking around the grounds.Â
While Yoongiâs home doesnât feel like it belongs to you, youâre more afraid to go back to your mother and father than you are to go near the pond at the edge of the wisteria garden.Â
So you avoid thinking of going back.
âYouâll practice while youâre there,â Yoongi says, as though itâs the easiest answer in the world. âYou have to practice every day.â
âMy father wonât- he doesnâtâŚâ You shake your head, unable to get the words out. That your father would strike you to the ground if he found you with books again. âI canât bring anything back with me.â
âSure you can.â You glance at him to find his expression is firm. âI told you, youâre under my protection. Things will be very different for you when you go back.â
âHow?â
âItâs⌠difficult to say.âÂ
Yoongi offers nothing else. You become hyper aware of how close heâs standing to you again and you look down at your letter practicing. With a shaky hand, you dip the quill into the ink, lifting it from the inkwell and letting the excess drip before bringing it over to the paper.Â
When Yoongi makes no move to leave, you inhale deeply to steel your nerves and continue tracing. Heâs content to watch you as you work. If he knows how distracted this makes you, he doesnât let on. Perhaps he has no idea that as you scrawl a shaky letter âkâ, itâs Yoongi who consumes your thoughts.Â
Even in your waking hours it seems youâre not rid of him.Â
Most of your study sessions are like this, Yoongi watching you so closely that it makes your quill bleed too much ink. He is a passive teacher, letting you come to him with questions instead of correcting you constantly like Taehyung does. Even now, when you hesitate on the next letter of the alphabet, Yoongi doesnât offer his help. Lets you figure it out.Â
You dip the quill in ink and continue.Â
After you finish the last shaky letter, you set the quill down, flexing your fingers open and closed. Yoongi makes a satisfied noise and steps away. You turn to see him walking toward the table by the fireplace, which is where you have started to take all your meals. Already, there are platters of food and drinks. Taehyung sits in a chair, plucking a grape from a plate and popping it in his mouth.
âI didnât invite you,â Yoongi grumbles as he takes a seat at the head of the table. You push yourself up from your chair, legs aching from sitting so long. âWho said you can eat my grapes?â
âUgh, Iâm tired of eating alone.âÂ
âLet him stay, Yoongi.â The god looks at you with a glower, bottom lip jutted out slightly. Itâs so cute that you canât help but burst into laughter, hand flying to your mouth. âSorry, I think you just pouted.âÂ
âHe did.â Taehyung grins and leans back in his chair. âHe wants you to himself.â
Yoongi hisses Taehyungâs name, shutting down the teasing immediately. You glance at Yoongi shyly as you sit down but he doesnât meet your eyes, choosing to laden his plate with food instead. You canât imagine why Yoongi would want you to himself, especially when all you do is ply him with questions.Â
Still, a little bit of a thrill goes through you as you start loading your plate, your gaze drifting toward the deity again as he bites into a strawberry, the juice running down his chin. Your eyes track the movement as his tongue darts out, catching the drip before it escapes too far.Â
Yoongiâs mouth is hypnotizing and it takes you a moment too long to realize heâs watching you stare at him. Quickly, you grab a cup and bring water to your lips, gulping the cool water and glancing up at the ceiling, feeling embarrassment bloom like warm liquid through you.Â
When you put the cup down, you swear you see Yoongi smiling.Â
-
Hungry lips suck at the tender flesh of your neck. You gasp, feeling your toes curl in pleasure, head spinning. Yoongiâs teeth scrape against the sensitive skin, the drag of his rough tongue soothing over the bites driving you mad. You let out a soft moan, eyes squeezing shut as you writhe under him.Â
Yoongiâs large hands pin yours above your head, your fingers tangling in the sheets as he continues to ravish your neck with his hot mouth, tongue and teeth. His hips roll over you and you whine, feeling his hard-on pressing against you.Â
Your parents would kill you if they knew you were here like this, trapped under a god of the dark as he sucks on your pulse point, mouth moving upward to nip your ear. Your chest is heaving and you canât get enough breath, overwhelmed by the scent of cinnamon and clove, by the way his mouth pulls sounds from you so easily.Â
Yoongi tears his lips away and looks down at you, eyes so dark and blown out that you think he might devour you, swallow you whole in one bite -Â
âYouâre dreaming of me again,â he whispers. âI donât know if you mean to be dreaming of me, like this.âÂ
You startle, realizing this isnât real, and the illusion fades.Â
-
Twilight skies stretch above you. Itâs warm outside, but the night air is cool against your skin, making you shiver as you sit down, folding your legs criss-cross.Â
âAre you cold?â Yoongi asks, sitting down on the soft grass next to you. You shake your head, eyes fixed on the low table in front of you that's filled with platters of meats, cheeses and crackers. You eye a glass bottle of red liquid that you think is wine, mouth watering. âAre you sure?â
âPromise, the wind feels nice.âÂ
He looks doubtful as he sits down next to you, a healthy amount of space between you.Â
Tonight, Yoongi has insisted on a late night snack outside under the stars. He seems eager, verging on giddy as he glances up at the sky before reaching for the bottle of red liquid and popping the cork.Â
After nearly two weeks in the House of Dreams, youâve learned that this world is forever twilight, lit up by dreams. Here, day and night donât exist in their truest forms. There are always millions of people and creatures dreaming at every moment of existence, not limiting Yoongiâs world and power to times of day and night.Â
The twilight is beautiful. Youâve grown accustomed to the purple tint to the world, the way that it gets just the barest bit darker outside during certain periods, as though even in a world where night and day donât exist, there are still two separate halves of time.Â
Yoongi passes you a glass. You bring it to your nose and sniff, delighted at the scent of cherries and something else. Itâs certainly wine, though you wait for him to pour himself a glass to sip any.Â
Earrings dangle in Yoongiâs ears tonight. Each lobe has a small, thin chain with a moon charm on the end thatâs studded with sapphires, catching the moonlight as he sets down the bottle and sits back. His hair is pulled half-up, half-down again, leaving his full face in view as he looks at you and gives you a gummy grin that scatters your thoughts.Â
âChaos is moving through the sky tonight,â Yoongi informs you, glancing upward. âWhen she does, sheâs beautiful to see. She doesnât do it that often, but sheâs passing us by on her way to do whatever it is she does somewhere. I wanted you to see.âÂ
He holds out his drink and you grip yours tight, raising your glass to clink with his like youâve seen people do at the inn in your village. He turns away from you, bringing his wine to his lips to sip. You follow suit, tentatively tilting your glass.
Sweet cherries bloom on your tongue and you hum in delight. It isnât just cherries you taste, though. Thereâs a lush sweetness too, edged with spice, filling your mouth with warmth. You look at Yoongi as you sip and see him watching with a closed-lipped smile, eyes searching your face.
âYou like it?âÂ
You nod and set the glass down. âItâs delicious.âÂ
âYou like sweet things.âÂ
âAnd you like salty.â He raises a brow in question. âYouâre always going for the salted meats at dinner. And you have salted pork right there,â you point to the meat and cheeseboards. âDo gods get dehydrated?â
âWe do not. I didnât realize you were paying so much attention.â You shrug, picking up your wine to take small sips again. âAnything else youâve noticed?âÂ
Everything, you want to say and donât. Youâve noticed so many things about Yoongi, all of them coming to mind at once. But you donât want to reveal just how much youâve watched him over the last two weeks, paying far more attention than is proper.Â
You could tell Yoongi how youâve noticed that he wears seven necklaces exactly, each with a different symbol charm on them that you think corresponds to the seven Eternals. You could tell him that he has the habit of closing his eyes and tilting his face upward, like heâs absorbing moonlight. You know all of his favorite breakfast items, specifically crispy bacon and sugared strawberries.Â
And there are other things you could tell him, like in your dreams his lips are soft as sin, his voice low and sultry. You could admit that most nights you feel his grip on your waist and that when you study his hands during your lessons, you canât help but already know the shape of them.Â
Perhaps two weeks back in your village is exactly what you need to get the ridiculous fantasy of this eternal being from your head. You donât think you could bear the shame of him knowing exactly what living in the in-between realm has done for your imagination in a very unexpected way.Â
âYou like bacon,â you offer as an answer. âAnd sugared strawberries. In the evening, whiskey is your favorite. It smells a little bit like honey, but still spicy. And you must work in the dream tower often at night, because the door to the tower smells like clove and cinnamon and you always smell that way.â
Yoongiâs brows shoot up. You hide your expression with your glass of wine, taking a long draught. It hums in your veins, warm and rushing like nothing youâve ever felt before. When you lower the glass, Yoongi watches you with an intense expression. You meet his gaze, suddenly unable to look away.Â
The air feels charged as you stare. His eyes dip down to your mouth a single time, then back up to your eyes. The breeze moves strands of his hair and you smell the hint of clove followed by cinnamon, just as you always do when heâs near. Your heart starts to staccato as the silence presses on.Â
A little shriek cuts through the tension like a knife. You flinch and turn around, looking at a red blur of movement burst from the wisteria trees. Tiera lands with a squawk, the fey dragon huffing as grey smoke curls from her lungs. She ignores you entirely as she normally does and skips over to where Yoongi is sitting before she settles next to him, curling like a cat and laying on her tail.
Yoongi laughs. âHello, Tiera.â The dragon chuffs and lets out another puff of smoke. âAre you not going to say hello to our friend?âÂ
When the dragon pays no attention to you, you roll your eyes. âShe hates me.â
âDragons are capricious. Sheâs been with me for over a hundred years.â
âNot very mature then, is she?â
He chuckles again as you pluck cheese from the platter and pop it into your mouth. Youâre delighted to find itâs soft and garlicky with a hint of rosemary as well. âShe is still a child in dragon years.âÂ
âAnd you let her be a glutton.âÂ
âYou could be too.â Your chewing slows and you swallow the cheese hard. You wait to see if heâs teasing you, but Yoongi watches you with a placid expression. âDreams and desires are intertwined, you know. Desires come from dreams. It is in my nature to be indulgent.âÂ
âIâve never really been indulgent in my life.â
âDo you want to be?â
âWhat?â
His mouth twitches. âIndulgent.â
âI think this is indulgent,â you gesture to the food. âAnd youâre teaching me to read and write. That is more indulgence than I could ever dream of.â
He hums and it sounds like disapproval. âI think your dreams are far more indulgent than that.âÂ
He knows. You think heâs going to say something, to ask about the way you dream of him. Instead, he says, âWhen you return, weâll work on your indulgence. There is no shame in wanting things, you know?âÂ
âI donât know. How could I?â
Light flashes above your head. You break eye contact with him to look up and gasp. The sky is full of shooting stars, hundreds of them, maybe thousands. The world lights up as you see rainbows streaking across the sky, bursts of colors and explosions of brilliance shooting through the sky.Â
Your mouth hangs open as you watch, mystified into silence. Youâre sure this is what Yoongi meant when he said Chaos was passing by, for the sky becomes a cacophony of color and stars and light. You blink your eyes, stunned by the display. Itâs the most beautiful thing youâve ever seen, your heart hammering with excitement as you watch it, legs crossed, head tilted up.
The stars begin to slow and there are less bursts of color, until finally, there is just a shimmering wake of stardust and pink simmering in the sky. You look at Yoongi, utterly speechless, to find him looking at you. His eyes reflect the night sky, full of constellations and stardust, glittering in the dark depths of his irises.Â
Yoongiâs eyes are as wonderful as the display above, but you donât say that.Â
âThat was beautiful,â you breathe. âThe most beautiful thing Iâve ever seen.â
His eyes donât leave you when he hums softly in agreement. âIt was.âÂ
Tiera shuffles next to Yoongi, drawing your attention. She snakes her long neck out, tongue tasting the air as she eyes the meat on the table. Yoongi hisses at her and taps her nose in chastisement, earning an angry croak as the dragon shuffles back to her napping position.Â
The rest of your evening is spent snacking in companionable silence. Yoongi doesnât talk much unless heâs answering your hundreds of questions, but tonight, you have none. Youâre comfortable to just look at the world around you, the wisteria branches dancing in the breeze.Â
In the distance, you hear thunder. Your eyes follow the sound to the same dark peak with lightning crackling through the mist. Youâve yet to ask Yoongi about that peak in particular, but you think you know what looms there. You remember Yoongi talking about how there are nightmares in this realm too, and youâre not eager to ask what that thunderous mountain holds.Â
Yoongi doesnât divulge, either. He watches you as you regard the peak and says nothing. Perhaps even the Eternal of dreams is hesitant to speak of that place, which is a good enough reason for you not to press him further on it.Â
When your stomach is full and youâve had another glass of wine, you lay back in the grass. Your limbs feel heavy with drink and your world is tilted on a slow-rotating axis. The buzz in your veins feels pleasant, though your thoughts are a little sticky like honey and they run together, untamed.Â
Careful to keep his distance, Yoongi lays back in the grass with you. His face looks up at the sky, but you look at him. His features are so delicate and soft, nose and cheeks so round. His face donât make sense in your head, so severe and terrifying yet gentle and innocent at the same time.Â
âYouâre staring,â he says eventually.Â
âIâm indulging,â you tease back, loosened up by wine. âYou said I can indulge, so let me stare.â
âWhat is there to indulge in?âÂ
âYour⌠earrings.âÂ
That makes him look at you, a brow quirked. âMy earrings.â
âYes. Very shiny. Very dangly.â
âShiny and dangly?â
âIs there an echo out here?â you demand, frowning at him. âYes, I am indulging in your jewelry!âÂ
âWould you like some earrings?â
âMy ears arenât pierced.â
âWell then weâll pierce them.â
âWell,â you grump. âDonât you have the answer for everything?â
He smiles then, that rare gummy smile that makes you shut right up. âI told you. Iâm indulgent. Anything you want, all you need is to ask.âÂ
Rolling your eyes, you bite your lip to hide your smile at his words. It is insane to you that this ancient being is laying in the grass next to you telling you to only ask what you want. You donât know what you want, but you do know that this feels like a dream. That youâre not really here, and that youâre going to wake up tomorrow and be in your bed at home.Â
Dread fills you at the thought of going back to your parents. In a way, you want to see them. Theyâre your parents and there is⌠unfamiliarity without the sound of your mothers needle stitching through cloth. You could do without your father entirely. The rage inside of you when you picture his face is difficult to quell and is often followed by terror.Â
Yoongi has told you that you will be safe when you return. You believe him. There is no reason not to. But more than anything, youâre terrified about what comes next. Living between two worlds is something you remember dreaming about that one day in the forest, looking at the way the world was reflected back on the mirror-calm surface of the water.Â
Now that you have access to two worlds, you donât know what to do with the other that has brought you nothing but suffering. And yet, you still want to see what is there. Youâre not ready to leave it entirely without knowing.Â
âAre you afraid to go back?âÂ
Yoongiâs question is soft. You donât hesitate to answer, âYes.âÂ
âYou wonât be alone. All you have to do is dream of me, and I will come.â
You hesitate then ask, âDo you know any time someone dreams of you?â
âItâs like hearing someone call my name, but I never answer. My business is in creating dreams, not invading them. People like you are able to spin up dreams on your own without my assistance. I help those who cannot.âÂ
âThat sounds like a lovely job.â
He hums. âItâs not without its stresses. I talk a lot about the nature of dreams, but there is more to me and to my job than that. Perhaps we will leave that for your next visit, yes?â
You nod. âOkay.âÂ
âCome on,â Yoongi sighs, heaving himself upward. âIt is late and in the morning, you must return.âÂ
-
âTouch me,â you beg him, straddling Yoongiâs lap. His head rests against the back of the couch and he looks up at you as you run your fingers through his hair. Itâs softer than you imagined, sliding like silk between your fingers. âYou told me to ask for what I wanted. Touch me.â
âAnything,â Yoongi agrees. His hands skim up your thighs, warm and rough. He squeezes your flesh, making you moan as his hands continue their worship. Yoongi grips your hips tightly, kneading your flesh as he pulls you closer to him. âAnything. Everything. For you.â
-
When you wake up, youâre confused. The roof above your head is wood and thatch. The mattress beneath you is thin and lumpy, sweat sticking the sheets to your legs. Rolling over, your vision blurs until it comes into focus once more, revealing a tiny room with just a bed, a wardrobe and a closed door.Â
Your room. Well, your room in your parentsâ house, you realize with a panic.Â
You shoot up in bed as terror claws at you. Did you dream it all? Was it not real? Nothing in your room has changed and the windows are open to the cool air. Grey clouds drift in the sky and you can smell the petrichor of oncoming rain in the distance.Â
Rushing to your bedroom door, you rip it open, your heart threatening to burst with how hard itâs beating. You donât know what youâre looking for or what you expect to find, but the idea that you have just woken up from the most vivid, wonderful dream is so maddening that you need anything to tell you it was real. That it wasnât in your head.
Your mother is sitting at the kitchen table stitching. She looks up when she hears you. She looks different, leaner and narrower than you ever remember, her greasy hair tied low at her neck. Her hands pause their stitching as she stares at you, stricken.Â
âWhat day is it?â you ask her. The day you had been attacked had been a seventh day. You remember that clearly. âTell me what day it is!â
Instead, your mother screams in sheer terror.Â
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#yoongi fanfic#min yoongi fanfic#yoongi smut#suga fanfic#suga bts#yoongi series#suga smut#bts fanfic#bts smut#yoongi x reader#yoongi x you#minors dni#minors do not interact
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I remember a fair few fics where the premise is vaguely âAziraphale does a blessing/miracle/other religious thing on Crowley and itâs strange/overwhelming/etc for all involvedâ. I just canât⌠find any of them. I remember them being various ratings, pure fluff to pure smut
Your best bet is the divinity kink tag on AO3. Here are some to get you going...
The Agony And The Ecstasy by entanglednow (T)
A split second decision by Aziraphale to save them both from discovery leaves Crowley experiencing something he is unprepared for.
your love is sunlight by EveningStarcatcher (M)
âWhy wait?â Crowleyâs voice was faint, almost a whisper, but lined with the usual forced nonchalance. âWhat?â Aziraphale froze, brow slightly furrowed. âJust, I donât have to wait.â Crowleyâs cheeks flushed. âCould be all better right now. I mean. I-if you wanted.â âAre you asking me to heal you?â Aziraphaleâs eyes flashed with something⌠divine.
A Negative Integer by racketghost (E)
âIâm the holy object,â Aziraphale says, and is also looking frantically around the room, the bookshop, the skylight filtering in the first glimpses of afternoon sun and holding dust particles suspended in their beams, dreamy and soft. âI canât touch you.â âYes you can,â he blurts out, and swallows down the cacophony of what are sure to be any number of embarrassing and hopeful ways in which the angel can touch him, really, whenever.
Bleak Without and Bare Within by Princip1914 (E)
Perhaps Crowley was right, Aziraphale thought. They were both working very hard in sometimes very awful places and for what? It was obvious that they couldnât give up on temptations and blessings entirely--someone would notice, they had to surely--but combining forces here and there? What had Crowley called it, lending a hand, when necessary? It didnât sound too bad. It didnât sound like a good idea either, but Aziraphale supposed that was the whole point. It was a morally neutral proposition, and everything would still get done in the end. âI agree.â Aziraphale said finally. âAs long as you accept that weâre going to have to teach one another.â Or, an angel learns to Tempt, a demon learns to Bless and things get a bit out of hand at the beginning of an unusual Arrangement.
Divine Hands by WanderingAlice (T)
After the end of the world didnât come, Crowley had planned to spend a lot more time with Aziraphale, and Aziraphale didnât seem opposed to the idea at all. Unfortunately thereâs one glaring problem. Crowley has a strong, uncontrollable panic reaction to being touched by something divine. And Aziraphale cannot turn off his own divinity. A Good Omens Holiday Exchange fic written for the prompt: After the Notpocalypse, Crowley and Aziraphale start getting closer...but they find out together that Crowley has deep-seated trust issues triggered by something about Aziraphale that he can't help. They have to overcome it together.
sanctuary by moonyinpisces (T)
âYouâre staring.â âOh dear,â says Aziraphale, completely unapologetic. âHow rude of me.â Crowley begins to smile something slow, bright, and lovely, but he schools it with a bite to his lower lip. Aziraphale thinks of the way he looked two millennia ago, pressed up against the wall with Aziraphale's blessing healing his wounds, the only demon to experience divine ecstasy and live to tell the tale. How Aziraphale's hands itch to do it again, and again, and again. Crowley opens his mouth as if to say something, but then stops and spins around instead to go back to stirring the curry. âShut up,â he says to the stove, flustered.
- Mod D
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as an extension of how hera reads as trans to me, hera/eiffel resonates with me specifically as a relationship between a trans woman and a cis man. loving hera requires eiffel to decentralize his own perspective in a way that ties into both his overall character arc and the themes of the show.
pop culture is baked into the dna of wolf 359, into eiffelâs worldview, and in how it builds off of a sci-fi savvy audienceâs assumptions: common character types, plot beats, or dynamics, why would a real person behave this way? how would a real person react to that? eiffel is the âeverymanâ who assumes himself to be the default. hera is the âAI who is more human than a lot of humans,â but it doesnât feel patronizing because it isnât a learned or moral quality; she is a fundamentally human person who is routinely dehumanized and internalizes that.
eiffel/hera as a romance is compelling to me because there is a narrative precedent for some guy/AI or robot woman relationships in a way i think mirrors some attitudes about trans women: itâs a male power fantasy about a subclass of women, or itâs a cautionary tale, or itâs a deconstruction of a power fantasy that criticizes the way men treat women as subservient, as property. but what does that pop culture landscape mean in the context of desire? If you are a regular person, attracted to a regular person, who really does care for you and wants to do right by you, but is deeply saturated in these expectations? how do you navigate that?
I think that, in itself, is an aspect of communication worth exploring. sometimes you wonât get it. sometimes you canât. and thatâs not irreconcilable, either. itâs something wolf 359 is keenly aware of, and, crucially, always sides with hera on. eiffel screws up. he says insensitive things without meaning to. often, hera will call him out on it, and he will defer to her. in the one case where he notably doesnât, the show calls attention to it and makes him reflect. itâs not a coincidence that the opening of shut up and listen has eiffel being particularly dismissive of hera - the microaggression of separating her from âmen and womenâ and the insistence on using his preferred title over hers. there are things eiffel has just never considered before, and caring for hera the way he does means he has to consider them. he's never met someone like hera, but media has given him a lot of preconceptions about what people like her might be like.
thereâs a whole other discussion to be had about the gender dynamics of wolf 359, even in the ways the show tries to avoid directly addressing them, and how sexual autonomy in particular canât fully be disentangled from explorations of AI women. i donât think eiffel fully recognizes what comments like âwind-up girlâ imply, and the show is not prepared to reconcile with it, but itâs interesting to me. in the context of transness (and also considering heraâs disability, two things i think need to be discussed together), i think itâs worth discussing how heraâs self image is at odds with the way people perceive her, her disconnect from physicality, how she canât be touched by conventional means, and the ways in which eiffel and hera manage to bridge that gap.
even the desire for embodiment, and the autonomy and type of intimacy that comes with it, means something different when itâs something she has to fight for, to acquire, to become accustomed to, rather than a circumstance of her birth. i suppose the reason i donât care for half measures in discussions re: hera and embodiment is also because, to me, it is in many ways symbolically a discussion about medical transition, and the social fear of whatâs âlostâ in transition, whether or not those things were even desired in the first place.
heraâs relationship with eiffel is unquestionably the most supportive and equal one she has, but there are still privileges, freedoms, and abilities he has that she doesnât, and he forgets that sometimes. he will never share her experiences, but he can choose to defer to her, to unlearn his pop culture biases and instead recognize the real person in front of him, and to use his own privilege as a shield to advocate for her. the point, to me - whatâs meaningful about it - is that love isnât about inherent understanding, itâs about willingness to listen, and to communicate. and thatâs very much at the heart of the show.
#wolf 359#w359#doug eiffel#hera wolf 359#hera w359#eiffera#i still have a lot more to say about this honestly. but i hope this makes sense as an overview of my perspective.#with the caveat that i understand how personal trans headcanons are and whatever brings you comfort in that regard. i think is wonderful#but to me eiffel is one of the most cis men imaginable. and that's a big part of what he means to me in this context.#when i said some of this to beth @hephaestuscrew the other day they said. minkowski missteps in talking to hera based on#a real world assumption about AIs while eiffel missteps based on pop culture assumptions. and i think that's a meaningful distinction and#is something that resonates with me in this context as well
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*leans forward
tell me more
*pulls out au I used to roll around in my head at age 12 where gregor/elliot was actually working with the GiW all along, and then almost immediately became a double agent when he realized Danny was half human* but what if we did this again
#What do you meannn#likeare you saying elliot gains morals?#so he was supposed to be playing with a ghosts feelings by going out with that ghosts crush?#all to trap him into a lab for experimentation#and he stops bc thats not actually a ghost but also a human#or does he feel some sort of companionship to being a white haired boy who lies about their identity#wait this doesnt make sense hold on#did Gregor go to the highschool Phantom frequented undercover#and then got sidetracked by this goth and rivalry with the Fenton kid#and then realise Phantom IS teh Fenton kid he's actually realising he has a crush on#and suddenly its the opposite of Wes where he is still lying but all to be as outrageous as possible so the GIW dont find out Fenton is#The Ghost#So now theres these two spiky haired boys telling stupid tales about the ghost hunters son and actually im shipping Wes x Gregor now#what happened here#danny phantom#Wes x Gregor
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One thing the fandom does tht annoys the absolute crap out of me is making Dumbledore out to be this evil villain manipulating kids into fighting in a war and inturn being the cause of all their losses and resultant trauma. He did what he did in the circumstance of a war. And thts still saying something coz hp paints and incredibly black and white picture of war and good vs evil in general
Ofc he's not going to be completely morally right, but given tht the choices r risking losing the war or being morally wrong, u can see the obvious pick.
He didn't manipulate anyone into joining the war, the marauders and lily volunteered(and we hv no evidence of forced conscription in the wizarding world). It's a choice they made right after school and they deserve all the credit for it without reducing it to 'dumbledore raised a child army'. He even offered to be james's secret keeper, but james chose his friends instead, thts not on dumbledore. Seems lyk fandom has a real problem with grasping the concept of characters making their choices without being forced into it, whether good or bad. Even in Harry's era the kids called themselves 'dumbledore's army' and he had nothing to do with it, he even took the fall for their foolishness and saved them from being expelled.
Yes, he manipulated Snape into becoming a double agent early on (he wud hv protected the Potters anyways) but srsly, look at the choices in front of him, what is he supposed to prioritise? a) having a spy in voldemort's circle and gaining information tht cud save countless lives, b) sm death eater crying abt saving only the muggleborn he loves in exchange for her infant son. Also he might hv been manipulated in the very beginning, but adult Snape chose to continue in this role (as shown by the yule ball scene in the Prince's Tale), reducing tht to 'dumbledore manipulated poor, helpless uwu Snape' cheapens his redemption.
Now, with regards to raising Harry lyk a pig for slaughter....what other choice did he have? Smother baby Harry coz he was marked for death? It's definitely his least prettiest move, but what wud u choose btw saving the world and saving one kid? Also he hardly does it out of spite, he really did love Harry, which is y he doesn't tell him about the contents of the prophecy earlier.
Ultimately, he was a very flawed man, but he did what he had to do to win the war and 90% of the cast would be dead without him. He is a complex, flawed, and much more interesting character character without being reduced to evil incarnate, so y bother?
#harry potter#albus dumbledore#pro albus dumbledore#marauders era#james potter#sirius black#remus lupin#peter pettigrew#severus snape#lily evans#first wizarding war#second wizarding war#anti fanon marauders
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Man, I loved Alicole in S1. The courtly love aspect really drew me in and the potential of both characters, individually and separately, made me excited for S2...only for it to fall apart completely. I wasn't expecting it to be The Princess Bride or anything, but damn. It felt like ridicule and even with Criston's speech to Gwayne in the "finale", I can't even muster enjoyment because it's so hollow after what we got in S2. I know it's supposed to be a tragedy but their characters have been written so weirdly that I cringe every time I see a picture or gif of them together.
At university I studied courtly love (l'amour courtois) as it existed in medieval French literature. Because in medieval times marriage, especially among nobility, was a political and economic affair, love was viewed oftentimes separate from marriage. One manifestation of this is courtly love, described as an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and disciplined, humiliating and exalting, human and transcendent" (from The Meaning of Courtly Love).
Some suggest core tenets to courtly love: that the love is illegitimate, furtive, adulterous in nature; that the male lover holds an inferior position to the woman, who is often elevated in station; that the man completes quests, trials, challenges in his lady's name; that there are rules and subtleties to it, similar to chivalry or courtesy (from Ătudes sur les romans de la Table Ronde). Devotion, piety, and gallantry were valued characteristics.
Many stories portray this love, like Tristan and Isolde and the tales of Lancelot and Guinevere, as well as songs, such as dawn songs, or albas / aubades, poems that spoke of lovers parting in the morning before rivals or spouses discovered them. One such song is Reis Glorios by the "master of troubadours" Giraut de Bornelh:
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The potential for exploring courtly love in relation to the pairing of Alicent Hightower and the knight Ser Criston Cole is vast and could have been a fascinating expansion of the relationship between the two as it existed in Fire and Blood. Whether it resulted in a physically consummation of the love or existed as a romantic and spiritual devotion between a noble lady and her knight, there was so much that could have been explored: how does each view the other as the personification of chivalrous ideals of honor, duty, loyalty, piety? How do the rules of courtly love and its secret, private nature influence the interaction between these two? How does their courtly love influence their motivations and the actions they take in their journey? And, if physical, how might each view this in the context of their vows, responsibilities, and their ideals?
The least likely scenario of all of this, when it comes to this pairing, is a situation in which a decades-long mutual admiration somehow evolves / devolves into meaningless physical consummation of the relationship, especially considering not only the illicit nature of such an affair but also the ideals that both characters hold in relation to duty, honor, chivalry, and their own relationship to sex.
Yet once again this is the writers interpreting the story through a solely modern lens. With this tale, they focus on a solely physical experience in the context of Alicent finally "getting off" after being in a loveless marriage all her life, and its purpose is 1) to position her in contrast to the mourning of the main character ie "look how selfish and evil Alicent is, having sex with Rhaenyra's ex while Rhaenyra looks for her dead son" 2) portray her as hypocritical and paint the conflict between the two women as somehow solely the result of jealousy for sexual freedom / hypocrisy at hating sexually free women while wanting it / achieving it oneself (despite this clearly not being the crux of the issues between these two women) 3) set her up to be responsible for the death of her own grandson and lighten / distract the moment of Blood and Cheese with the purpose to mitigate the blame put upon the actual perpetrators by having them have sex during the sequence, pointing the blame at her and Cole for not preventing the act set in motion by the actual perpetrators, removing her role in the actual event as it was written in the source material.
By taking this stance of a solely physical, using each other for sex, modern lens of the relationship between the lady and her knight, it misses out on a more accurate exploration of what love and sex really looked like in a medieval setting. The story truly suffers for it, as do these characters. Instead of an exploration of feelings, motivations, or the development of this relationship across decades, it is reduced to a one dimensional plot device created solely to make the characters look worse in relation to others.
Unfortunately this pairing is not the only part of the show to suffer from this pattern. The result is the world and characters feel incomplete and hollow, divorced from the setting, the logic of the universe, and the humanity of these characters. Nowhere is the "human heart in conflict with itself" that GRRM explores with his characters and stories. And really, courtly love would have been a phenomenal way to build upon the themes GRRM loves to incorporate into his stories.
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With that other ask saying Luz has no future in the human realm right now, especially since sheâs a nonwhite LGBT girl who Republicans would want dead for existing, I thought of something else:
If TOHâs finale aired now, would people react more negatively to Luz living in the human realm and going to human school at the end? She was definitely shown to be more at home in the BI, and again, everyone in power would want her dead or deported or *something*. Recently someone made a joke to me about how you couldnât do The Wizard of Oz nowadays since Dorothy would have absolutely no reason to go back to Kansas. Luz was better off in the Boiling Isles than in a world that hates her for existing.
Please reply.
[Rubs temples]. Guys, guys. Luz is fictional. Her world is not our own. Gravesfield is not depicted as being an unwelcoming place. Her "not fitting in" was just her having trouble in school and two bitchy ladies in the park that she didn't even overhear. She is "more at home" in the BI because it's the place where she can actually do magic, not because Gravesfield was such a horrible place to live in. Camilla and Vee live there full time and no one is worried about them.
Heck, when we do see Gravesfield, it's really not a bad place to live! Masha is able to be out about their gender identity at work, Vee finds friends, Jacob loses his job and gets arrested for assault, two random students praise Luz after her classroom freakout! How is this place so terrible?
Y'all need to stop projecting your own fears and anxieties onto the show, especially when the text demonstrates the opposite of what you're afraid of.
As for that joke your friend made about The Wizard of Oz, you know when that movie came out?
1939.
The final year of the Great Depression. Does the movie go into the world's worst economic crisis? No, because it's about a young girl learning to stand up for herself and not run away from her problems. Kansas is boring and dreary in comparison to the bright and whimsical Oz, but it's still her home, it's where her family is. You could absolutely make it today because it's styled like a classic fairy tale instead of dealing with the gritty reality of 1930s America.
Toh is also a fairy tale. It has straight forward morals, simple characterization, clear distinctions between good and evil, and a happy ending. Any gestures at complexity or subversions are superficial at best. It does not deal with politics or current events. Luz is never in any danger in Gravesfield, she just wants to live out her fantasies and quite frankly, the show is not very good at showing that her life is terrible. We don't even see her get bullied, it's simply told to us.
On a final note, since some people get upset when the hero has to leave the cool fantasy world, the Hero usually has to return home from the Fantasy World because it's a metaphor for growing up/growth/accepting change, etc. Anne is separated from Amphibia seemingly forever. Dipper and Mabel were only supposed to be in Gravity Falls for the summer. Dorothy leaves Oz. Change is inevitable and you can't live in the Fantasy World forever. There are exceptions of course, but that all depends on how the Fantasy World functions in the story. In toh's case, the function of the BI is muddled because there's no clear contrast between it and Gravesfield. The show wants you to think that this place is better for her but it never put in the work to demonstrate why. Luz doesn't really grow much as a character either, her priorities just shift. So in the end, the BI is basically a power fantasy for Luz. She would only find Gravesfield intolerable to live in because she can't do magic, not because of some fault with the town.
Here are the previous asks for anyone curious.
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Worldbuilding wise do you think the ideal woman and ideal man flickers from kingdom to kingdom? I canât see the reach and north having the same ideals and I cannot see the Stormlands and vale or westerlands and dorne.
Yeah I mean itâs like every culture, where morals and ideals vary from place to place due to their history and surroundings etc etc. also prepare for a long tangent as I force you to listen to my sociology and psychology training
1. Itâs canon that Northerners are rougher and sterner people, due to their way of living and the ever present threat of years long winters. Life is first and foremost about survival, so being frivolous and carefree is more looked down upon. Men and women have roughly the same moral standards placed on them I think. Theyâre both supposed to be more serious and frugal, though ofc men have expectations of dominance and strength while women are expected to be stern matrons. However the patriarchal ideas of the south are not as strong up north, bc in a place so often barren and hard to survive in, everyone is needed to put in 100% to keep their families alive. Which also leads me to thinking ab more of a collectivist culture in the north
2. Riverlander culture is also very family oriented. They are steeped in traditions of their houses, and old stories that happened centuries ago still resonate with them. Thus an ideal man is a staunchly good man, one who cares for his family and raises his children well. He is practical, he values the advice of his old advisors and he must be a father to his men, especially the ever-suffering peasants. Women are considered the hearth of the home. She is loyal to her husband, father, or brothers, and must give them the sound advice of women (when appropriate, of course). She is gentle voiced and soft, frequently gives out alms to the poor and passes down the traditional tales to her children.
3. Westerland culture is incredibly individualistic. You are fighting for yourself and your house instead of the collective good. So in both genders, ambition is positively regarded, and men and women are often expected to have sharp wits in order to survive cutthroat politics. However the patriarchy is still like. A thing. So women are often confined to the domestic sphere, but powerful ladies are definitely expected to wield their influence within it. Overall just a very harsh vibe to live up to and stern gender divides despite the opulence and decadence of the culture itself.
4. The Reach is very similar to the Westerlands in terms of morals and ideals, but covers them up far better. It still rewards ambition and cunning, but you have to be incredibly graceful throughout. Manners and courtesy are very alive here. Men are told to be valiant, courageous, and outgoing, and are expected to charm their way into what they desire. For women, itâs a standard for them to be lively and sweet, and thereâs an unspoken expectation that they be able to navigate the court politics with grace. A far more charismatic version of Westerners, if you will.
5.The culture of The Vale is ruled by stuffy social codes. Tradition, honor, and frivolous rules dictate everything about a persons behavior. The ideal man is gentlemanly and noble, who is even handed and respectful in his behavior. He is friendly, but there is a certain aloofness about him that is not to be breached, as it would be a violation of the social code. The model woman is even more aloof, as too much friendliness tells one of her loose morals. A good woman must be above suspicion, withdrawn and just a little bit cold, but still empathetic and devoted (to the gods, her family, and subjects).
6. Dorne is fairly equitable in how they view their men and women, this is true in canon. Oftentimes one of the harshest places to live in Westeros, I feel like there's little time for divisive gender roles when every person is needed to work and help the collective survive. Both Dornish men and women tend to be sociable and friendly, due to their collectivist culture. An ideal man is considered to be outgoing, someone who treats their subjects and friends in a familiar manner. And they must be a least a little bit hot blooded, being seen as a sign they will defend the land Nymeria fought for. Women are supposed to be equally as friendly, frequently having guests over and creating community. They must be bold too, have a will to live in the lands. However, their customs often are mistaken for promiscuity by the non-dornish.
7. The Iron Islands ideal people probably have more of a stereotypical Norse/Viking mindset. It's not an easy land to live in, and both men and women have to be hardened in order to survive, the weak are left behind. For men, it's all a battle of dominance. If a man wants respect, he has to take it. He must be the strongest, the most violent, the man who can lead others to bloody victory. A lot of crass, stubborn personalities exist in turn. Women, even though looked down upon, still have to be as hardened as their men, despite the lack of respect they receive. A "respectable" woman is stubborn and unshakable, with a temperament that can take whatever is thrown at her. However, she is still jeered and disrespected by the men who call her a good woman.
8. The Crownlands are interesting, because there is no one defining culture, it's a real melting pot. The ideal is whatever is popular during any given time, which is dictated by whatever king sits the throne or noble whispers in his ear. So, men have to be very gregarious, able to get along with everyone, incase whoever they are loyal to suddenly falls from grace, and they must curry favor with someone else. Women are expected to be flirty and coquettish, an accomplished girl who can catch the eye of prominent noblemen that can secure their future. Basically a city of snakes and backstabbers looking for footholds into power.
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