#but also im really close to the end of the game and like. no :( i don't wanna be done :(( I wanna go on more adventures :(((

[seriousbusiness4130]

also major fuck you at any and all who started using the word autistic as a synonym for something or just someone being stupid.

seriously what the fuck is wrong with you people 😒

fuck everyone who's started saying the r slur again i hate you and i hope your life falls apart and you die alone

[1-nexomon-a-day]

4/11/24 - Nara

[just-another-colin-kinnie]

"Oh! Stanley, look! It's your co-worker, Jack! Isn't that- Oh. It... appears as if he ditched his office footwear along the way here... that's not professional at all."

his name is jack and he is a single celled organism <3

in all seriousness uhm this is for that thing by @springbon-t-art because i wanted to also hi spring your sona is really fun to draw :)

[catkin-morgs-kookaburralover]

the internet: yeah to practise harm reduction you go for areas that have more flesh to avoid going too deep and needing medical attention

me, an idiot: let's pick this spot anyway, how bad can it be. ...how did i get that deep that quickly

[prosebushpatch]

So I decided to restart my animal crossing new leaf for the 3ds file completely but I didn't know that Tom Nook would OFFER TO BUY the entire town and let you carry over the money to the new town and it's hysterical because the mayor basically peaces out, cashes in on 30 million bells, changes entire identity, and accidentally becomes the mayor in a new town. There's a fanfic there but I'm too lazy to write it.

[gio-cosmo]

Yk what. We need more games like Mystic Messenger in this day and age bc that shit was INSANEEEE the grip this game had on me in middle school was revolutionary. Like you’re telling me I was out here setting alarms to wake me up in the dead of night to talk to fictional characters?? You’re telling me one of the bad endings is the apartment the MC is in literally exploding?? You’re telling me if I missed one specific chatroom I lose all chances of getting the ending I want and have to start all over??

[charliesinfern0]

just finished watching the live action osomatsu-san movie and it was pretty good!! it was really funny, the sets were really cool, and the actors were all really good! (though jyushimatsu ended up being my favorite hehe ^^)

here are a few screenshots i took that i thought were funny :)

[planet4546b]

like the thing is that i only ever saw like 'wholesome' etc fan production about the wrights so its very strange for me to be midway into aa4 and for the entire game to be about performance, illusion, stage presence, and lying, and for trucy to be so clearly someone who is very often acting and for apollo himself to be outright like 'i think the very sweet father daughter relationship between trucy and phoenix Is An Act' and to be sitting here tapping my chin like hmmmmm. ok something is going on here

[bwobgames]

Just re-read beebo and I am no longer insecure about too much dialogue in game. I am great at dialogue.

[sushisocks]

Hey there! I believe you said in another post that the final confrontation would be unlikely to happen if lenny and sean were alive, so i'd like to ask if you could expand on that pls(if u havent already and i just didnt see it lol)

Btw on a side note im actually super invested in your sean content😭😭the fandom seems to only talk ab him to label as an idiot, so as a fellow sean lover the way you characterize him has me so in love❤️❤️❤️❤️

Oh Anon you are SO LOVELY!!! Thank you not only in giving me the opportunity to rant more about Sean and Lenny (which I am always so willing to do), but also for your super kind words!! Sean is very dear to me, and I'm glad my reading into him as much as I do strikes a chord with other people ;;u;;

The way the general fandom often characterizes him isn't very surprising to me, given his personality & the surface level impressions he gives, but maybe for now I'll save THAT rant for another time, else we stay here forever lmaoo

So, to start answering your question, I believe you're talking about my post from a few months ago, where I talk about how I believe Sean & Lenny would've sided with Arthur & John if they'd lived to see the final confrontation. In it I mention how I find that final confrontation a lot more unlikely were Lenny & Sean to survive that far and stick around for the entire thing.

Now, WHY do I believe this? I touch on it briefly in that original post, but let's really get into it here!!

Okay to start off, there's a LOT of ways I see things going, in regards to Sean and Lenny, were they both to survive, because it adds SO MANY variables, but let's start at the very top.

At a meta level, it is important to recognize that RDR2 is a prequel to RDR1. This meant from the get that RDR2, as it is canonically, was bound to a certain outcome, to set up for RDR1. This ALSO means, that every step from the start of RDR2 was very much there not only to lay the groundwork for the end of RDR2 but also add another emotional layer to RDR1. This is all certainly things we are aware of already, but I think it's important to have that context in mind while we talk about alternative outcomes.

Because, see, Sean and Lenny HAD to die for the outcome in RDR2 to be the one it is. Not only them, but Hosea, Kieran, Molly, and Susan's deaths are ALL integral and important to the story, they ALL make a difference and contribute in pushing the story a certain way, and in reinforcing the steadily increasing hopelessness which infest the gang from Sean's death and out.

So if we're like "what if none of them died?" there are suddenly a LOT of new variables for every mission and every scenario we know from the game, which need to be considered. This is true EVEN if the change in survival count is only reduced to Lenny & Sean.

How different do you not think Shady Belle would have felt, initially, without Sean's death hanging over it? What about the bank job -- would Lenny & Sean end up on the boat to Guarma? What would've happened to them there, then? Would either of them be caught by the Pinkertons instead, with John or in his stead maybe? What other options would there have been, where would they end up at the end of that?

And already here we have to consider how those experiences might've impacted them psychologically, because of who they are.

In the post I mentioned earlier, I talk about how Lenny is new to the gang and probably isn't as stuck in it mentally as Arthur and John, nor do Sean and Lenny have the same emotional attachment/baggage in regards to Dutch. They're loyal of course, because they feel a sense of obligation to the gang, because it provides them with safety, friends, and allies, in an otherwise unkind world.

But what then happens when that changes?

How do you expect Sean and Lenny to respond when the gang starts turning on itself? When Dutch visibly starts losing it? When people start snapping at each other and threatening one another in the middle of camp?

(I have a half-formed thought here about how people would ABSOLUTELY be snapping and talking down to Sean in a way more cruel way towards the end of the game, for trying to keep things light and easy, yknow, fulfilling his role in the gang. I can only imagine what that'd end up doing to him, tbh.)

And, I'll be repeating myself from other posts here, but how do you think Lenny, a young black man painfully aware of the social structure as it exists in America at that point in time, would react to realizing what Dutch's plan with the Wapiti is? Same goes for Sean, who has SEVERAL instances through the game showing him just as politically aware as Lenny - certainly moreso than Arthur.

Would the outcome for the Wapiti tribe be the same, do you think, if Charles had more people than a very sick and tired Arthur to lean on, willing to help? Would Lenny in particular want to stick around to see Dutch attempt to drive the tribe into the ground for his own gain?

Also, I'm sorry but like, Lenny has a camp interaction with Dutch where he disagrees with him (about Miller, Dutch's favorite author) and explains why in a very well-articulated manner. In one instance, Dutch gets straight up offended by it, bcz Lenny can argue very well (and is RIGHT mind you lol).

I do absolutely believe that Lenny would not just sit around quietly in Beaver Hollow. I'd expect him to be among the most vocal in their discontent with the situation, and probably the best at arguing against Dutch.

That is, up until a certain point. Lenny is a young black boy, and Dutch is a white authority figure. Watch Dutch snap and yell at him, like he does John in Ch6 for example, and see how much longer Lenny sticks around fr. The trade is loyalty for safety and the same in kind. Why do you think members start leaving when things start looking their worst? And don't you think Lenny would be among the first to see the writing on the wall?

Though that is hinging on that very specific vibe in Beaver Hollow, where they're all scattered and losing their ties to one another. Add then in Sean, who is VITAL as social glue, and for making conversations easier. If he, and Lenny, and Mary-Beth, Tilly, Arthur, Charles, etc etc, insert your favorites here, managed to retain some of that community feeling, despite it all, then I absolutely see Lenny sticking around for them.

Same goes for Sean, tbh. I can see him leaving earlier, bcz the trade stops being equal and bcz he's not being taken seriously, and I can see him staying, for his friends.

There IS also a version of things where things are similar and I do see Sean siding with Dutch; but that is a very sad and lonely Sean, who is VERY different from where he's at in Clemens Point, and I think that's an unfair perspective to take for him in general.

Okay so, now we're back to that final confrontation, after I said I found it unlikely, why is that? Because, with every question I've posed thus far, about what Lenny & Sean's reactions might've been to canon events after their deaths, I have essentially presented a variable that comes with their survival to those points. Them being there for it, HAS to mean a change, has to mean something different happens, because their deaths are direct contributors to the path we already know the story takes WITHOUT their presences.

Now, what are those differences and changes? I honestly can't answer; something being different earlier or later can butterfly-effect into something completely new or remarkably similar to what we already know. I could sit here all day and wax poetic about all the different options and possibilities for where things could go, were ANY character to survive past their death point, BUT thankfully, that is what fanfiction is for, lol.

I hope this satisfied some of your curiosity, dear anon!! It was a lot of fun for me to write and think about, so thank you very much for asking!!!

[peachybuggames]

sooo ive finally gotten around to (binge) playing bug fables after years of knowing of/having it and ive made it very far in!!! like 32+ hours im (minimal/very vauge spoiler ahead) just past the giants lair, actually! speaking of the giants lair, i just have ooone statement when it comes to it:

what the FUCK what the actual FUCK!!!!!

[leijonzzz]

I LOVE SUIKODEN SOOOO FUCKING MUCH

[astrxealis]

hiii :333 i think i am alive !! ( small update in da tags )

[pallases]

[ajdrawshq]

started up Q2 since my brother doesnt have a lot of time to play p5 (understandable tbh) and . the knowledge of when this is supposed to take place in p5 makes this entire game a little funnier. what the fuck do u mean theyre doing this right before Saes palace. i cant tell if this is weirder for Akechi or everyone else

[todayisafridaynight]

Right??? Thanks so much! I actually first fell in love with Jo's character when RGGJo's voice lines came out haha, so it's super fun to be able to share them.

But I can think of a couple of reasons for the wild personality gap, and for me it starts at their respective roles. Obviously main antagonist and major supporting character are going to draw different levels of attention to themselves, but I think it's chiefly that RGGJo is not just Jo, but he's both Jo and Masato as one character.

RGGJo is much, much closer in age to Ichi, and though they're not "twins" like Ichi and Masato are (RGGJo is a little more than 2 years older), it's thematically there I think. The whole "twin dragonfish," dark and light, two sides of the same coin kind of thing.

And just as Ichi was initially conceptualized as a sort of "greatest hits compilation" of the previous protagonists' most compelling traits, I think there's a strong case for RGGJo being the same for the previous antagonists--specifically Nishiki, Ryuji, and Mine, who are pretty clearly Yokoyama's favorites anyway lol.

I have a feeling casting has something to do with it as well. RGGJo's actor, Hiroki Takahashi, is actually the exact same age as he is, and he's voiced his fair share of fun, flamboyant villains. If I wanted to speculate, he's also voiced his fair share of BL, so that may be why RGGJo's voice lines have a Certain Slant to them; directing his delivery to capitalize on his established appeal (although he has quite a range) makes sense.

Tsutsumi is also only a few years off from Y7Jo, and he was cast for having the dignity and screen presence to "make every word feel like it might have a deeper meaning." Yokoyama (and Takeuchi) wrote the games, he and Nagoshi handled the casting, and Yokoyama generally handles the voice direction for the main story, so a lot of it's specific to his vision.

Within that context I think it's relevant that he wrote Y7Jo while picturing Tsutsumi specifically. RGGJo was more malleable and less "consequential" in terms of the franchise, so, y'know, why not have a little fun with it? I think that's reflected in their designs as well. RGGJo's is larger-than-life while Y7Jo's is relatively subdued.

Overall, I get the sense RGGJo's role is more akin to "son" and "brother," (aniki, if you will), like Masato, whereas Y7Jo's role is more akin to "co-parent" and "father" and I guess "Evil Stepdad" in a Cinderella kind of way. It's not exact across the board, it's not literal across the board, but it's the archetype, right? And I think that does, exactly like you said, have far-reaching consequences for their backgrounds and who they've become as a result.

BTW, you actually are up to speed on Ichi's story, because uh… that's where it stops lol. It was discontinued at roughly the equivalent of the start of Chapter 12 in 7; the rest of the story was written, but not published. It Kills Me.

But I think, despite any concrete backstory, the implication for RGGJo is that (if I assume he joined earlier than Ichi, which would make sense given he's captain), he was at most 18 or 19 when he joined, and he's exactly the same kind of Arakawa fanboy Ichi is. The 15th anniversary book goes on to say he "was purely in love with [Arakawa]'s greatness" and so cannot tolerate the idea of allowing him to live and die in obscurity at the bottom rungs, of Arakawa being in a position not equivalent to his "greatness" in his eyes.

But Ichi thinks that's regardless of what Arakawa himself may want, since RGGJo is apparently not going to stop until he makes him chairman, which the Arakawa Ichi knows wouldn't really care about. I think there's an interesting mix of selflessness and selfishness in his desires that reminds me of Mine.

And that's explicitly as opposed to Y7Jo, whose loyalty remains the same, but whose feelings and motivations are complicated by the existence of Masato; the usage of "purely" before is notable here, as another suitable translation would be "uncomplicatedly," which to me would suggest that degree of admiration is a component of his loyalty in 7 as well.

So I think you're absolutely right the circumstances with Masato are a major aspect of what's going on with Y7Jo. It's inextricable because he's got this immense gratitude towards Arakawa for raising his son and also a need, a primary driving force, to be a part of his son's life at (almost) all costs. The natural result of that is going to be reluctance to do anything that tips the balance.

I think that's one of the things that make him so compelling, he's forced to make a lot of tough, meaningful decisions and there's often (but not always) no right answer. And that's really clear to see with Aoki, as you say.

(Kind of a side note, but somewhat contrary to the above, Masato may actually have existed in RGGO's timeline. There was a comment from Yokoyama or Takeuchi suggesting he's not in RGGO not because he simply "doesn't exist, but specifically because Arakawa may not have opened the right locker or may not have made it to the lockers in time. I guess the other implication would be that Masato would've been Arakawa's biological son in RGGO instead, since RGGJo would've been too young and there was no need for a switcheroo? It was just an off-hand comment, but it's interesting to think about.)

Also, loved your tags haha. It's SO funny you start off like you're going to say something crazy and then it turns out to actually be something I wanted to write about in the previous ask, but that I cut out because I couldn't make it flow. I guess it might just be the case that I'm crazy on the same wavelength?

But yes! I think a lot of the time, impressions of that aspect Jo's backstory sort of begin and end at Evil Stepdad Perpetuates Cycle Of Abuse, perhaps understandably, but there's genuinely so much that's established in both his and Arakawa's backstories that have clearly stayed with them that I'm positive your take on it is at the very least least true to the character, whether or not it's intentional.

Because like, Arakawa and Jo both came from abusive households. And they're both affected by Aoki's "parental abuse" (although Aoki doesn't know it himself, I guess he doesn't need to). But the way Arakawa has always dealt with abuse is defiance; I think the implication of one of the first scenes is that that's how he got his scar. Jo, on the other hand, has always dealt with abuse with avoidance. Running away. Brushing it under the rug, like he says he and Ikumi had done all their lives; I think that statement's fairly clearly linked to abuse and neglect.

And I think that shows both in Arakawa and Jo's respective responses to traditional authority figures and in how they choose to handle things with Aoki. Arakawa defies Aoki's plans in his own way at every turn, and he ends up getting killed for it. Jo, on the other hand, ignores it until there's nothing left to do but sever himself completely, in the same way there was nothing left to do back then but run. IT'S SO. Ugh.

Each Jo's respective role in the overall plot of their stories definitely plays a part in why they turn out different from each other the way they do; it's interesting to see how RGG decided to handle Jo's character to sort of 'adjust him' to fit better as more of a background figure than The Big Bad, and to especially see how his relationships end up is spectacular. Choosing to divide that devotion between his son and his boss in Y7 is something I'm just positively obsessed with: it's clear he joined the yakuza predominantly for Masato's sake, but the concept of Jo gradually coming to genuinely respect Arakawa as an individual opposed to someone that he just happens to have to follow after because his son's involved heightens him as a character for me (I might have to write a side piece on the psyche of Jo- there's just a bunch of aspects to him that I want to explore better and really intrigue me, but I refuse to try and squeeze any of that into this long-as-is answer lmao).

I definitely recognize Ryuji and Mine the easiest in RGGJo (Mine's influence still persists a bit in Y7 to me, if not solely for his devotion and his own version of The Knife Scene existing as The Eye Scene; though Jo's anger wasn't purely due to Arakawa's death in that scene like Mine's was due to Daigo's 'death', it was clear Arakawa's passing was a sore subject). Jo's dedication to Arakawa in RGGO really is totally reminiscent of Mine's devotion to Daigo: both willing to take drastic measures to secure the ones they idolize the spot they feel they deserve and to exterminate any opposition to that dream (if I'm remembering Mine's RGGO story right wherein he partakes in the Okinawa deal as a HUGE ploy just to secure Daigo remains chairman should he wake up, but I don't have to clarify how that didn't go as planned).

As for Nishiki, it's clear Jo borrows his 'position' in the story, just as Ichi obviously takes Kiryu's. To yoink a phrasing from another ask I got, they're 'dark parallels': though they both clearly want the best for Arakawa, they're going about it in different ways (in that sense, Y7Arakawa's line about him seeing the Arakawa Family as his 'sons' makes this situation a little funny: just two kids fighting each other for what's best for their dad lmao). It's a shame the story didn't go on any more after the Millenium fight, but I'm a little happy knowing in that I'm not missing anything (what I will scratch my head over is what RGGOMasato would've been like. I guess it's not exactly certain whether or not he survived The Locker Incident or he was just so considerably normal he wasn't worth bringing up, but regardless I'll have a ponder about it..). It'd be rad if RGG ever decided to release at least the drafts of the rest of the story one day, but I won't hold my breath.

I've peaked over at Takahashi's past roles (I didn't realize he's voiced so many characters I know omg), and I think that's a fair conclusion to come to: he repertoire combines characters with sort of 'harsh' tones to their voices/dialogue, but as you said he does benefit from having voiced some 'lighter' characters! As for Tsutsumi, I think I've made it a little clear on my blog that I've taken time to look at his past projects, and though I haven't seen all of his roles, Jo's an interesting inclusion to his list (but by no means an inappropriate fit. If I were to compare him to one of Tsutsumi's past roles, Nobunaga Oda from Honnouji Hotel is similar in being an intimidating man with a violent reputation but still having a 'soft'/deeper side). It gets more fun when I think of it: Tsutsumi, from what I can gather, is a tad renowned for playing loving fathers (whether they're perfect fathers depends on the character, but they all absolutely adore their kid/family- this might be the only time I've seen him play a father and he isn't doting on his kid, lmao). Yokoyama and Nagoshi are definitely masters at deciding who should play who and how to utilize their talents efficiently, and having prior knowledge to Tsutsumi's roles, I feel as though audience members would have been able to get a hint at Jo's whole character early on (just as RGG had capitalized on Takahashi's reputation) which I personally find to be a fun tidbit, if not just grateful that they chose such an excellent actor to play such an intricate character. Ergo, his ability to give 'deep' performances and have that sort of presence and give his character that type of atmosphere definitely helps enhance the human aspect of Jo's character.

It's a great blend into Jo's otherwise cold demeanor, and going off the idea that RGGJo was a combination of Masato and Jo, the decision to have Jo be a committed father to Masato (as much as he's allowed to be, anyhow) while Masato became the power-hungry villain (even if RGGJo's motivations were ironically centered around Arakawa succeeding moreover himself), it's somewhat of a roundabout way to have them still be connected: though they're not the same character anymore, there's that bond that keeps them stitched together that I find neat.

AND THANK YOU ABOUT MY TAGS I can't sugarcoat it, I'm not a very confident person, so I'm glad you've gleamed there's some validity to what I'm saying. And I'm glad you've expanded on not just Jo, but Arakawa's upbringing as well: though they both come from abusive homes, they do handle it differently, and I feel so blind for not even having wholly noticed it in how they react to Aoki- it's so brilliant I almost want to scream. It's a tragic irony that despite Jo resolving to not 'half-ass' things anymore and to face things head-on, to 'take responsibility', he incidentally falls back into trying to avoid the problem for as long as he can. It's poetic really, and I'm positively going to go insane over the fact.