#but also i just thought it was so snow

[lady-snow-flower]

if this is my boulder I'm loving a boulder if I'm waking fingers interlaced if I'm touching the cover of a sweetest book if I'm receiving beetle dispatch if I'm sending a latte six hundred miles if the context of a chord makes it more beautiful if I'm settling in midday light to watch a roommate's show if his laughter's as permanent as his loss if we're listening to the same music two thousand miles apart if I’m attentive to a light-webbed tree if I'm laughing with you at a midnight creek if I have a body if that body feels air if the boulder has texture and temperature if I can love the boulder I will

-jessica castro-rappl

[malinaa]

if i think about the hunger games in peeta's perspective i WILL start sobbing

[jonsnowunemploymentera]

I feel so dumb for never having realized this before but I was thinking about the bookend in AGoT between the Others, the dragons, and two heroes: Waymar Royce and Daenerys Targaryen.

While squaring off against the Others, Waymar Royce asks for a dance.

Ser Waymar met him bravely. “Dance with me then.” He lifted his sword high over his head, defiant. His hands trembled from the weight of it, or perhaps from the cold. Yet in that moment, Will thought, he was a boy no longer, but a man of the Night’s Watch.

It’s notable that this scene is eerily silent save for the bits of dialogue. And when Waymar’s dance finally begins, there’s a notable lack of music.

The pale sword came shivering through the air. Ser Waymar met it with steel. When the blades met, there was no ring of metal on metal; only a high, thin sound at the edge of hearing, like an animal screaming in pain. Royce checked a second blow, and a third, then fell back a step. Another flurry of blows, and he fell back again.

I’ve always asserted that Ser Waymar is a failed last hero if we judge his success based off Old Nan’s blueprint.

So as cold and death filled the earth, the last hero determined to seek out the children, in the hopes that their ancient magics could win back what the armies of men had lost. He set out into the dead lands with a sword, a horse, a dog, and a dozen companions. For years he searched, until he despaired of ever finding the children of the forest in their secret cities. One by one his friends died, and his horse, and finally even his dog, and his sword froze so hard the blade snapped when he tried to use it. And the Others smelled the hot blood in him, and came silent on his trail, stalking him with packs of pale white spiders big as hounds—”

Both Ser Waymar and the last hero lost their companions and both had their swords shatter to the cold. Yet Waymar failed to complete one important step: find the children of the forest. The children are also known as “the singers”. So it’s notable that Ser Waymar attempts to dance without any music(ians) to accompany him. And because he does so, his dance ends in failure.

But then we have Daenerys Targaryen in the Dothraki Sea.

As Daenerys Targaryen rose to her feet, her black hissed, pale smoke venting from its mouth and nostrils. The other two pulled away from her breasts and added their voices to the call, translucent wings unfolding and stirring the air, and for the first time in hundreds of years, the night came alive with the music of dragons.

Dany performs a miracle in bringing dragons to life, the first person to do so in centuries. And these dragons sing a song that proclaims her, an exiled young princess and a widow, Azor Ahai reborn - the champion of fire, and warrior of light.

This bookend between the first and last chapters is so poignant. It’s not just that fire has returned to combat Ice. It’s that Dany brought back the music necessary to complete this dance. We start the book with a failed hero and end it with the rise of a true one; also interesting that Waymar’s end comes while he’s down on his knees whereas Dany rises to her feet reborn.

This makes Dany’s identity as the promised prince(ss) all the more impressive.

“He has a song,” the man replied. “He is the prince that was promised, and his is the song of ice and fire.” He looked up when he said it and his eyes met Dany’s, and it seemed as if he saw her standing there beyond the door.

Waymar failed because he didn’t have a song to accompany him. Yet Dany has a song to dance to. A song of fire.

I think this raises some interesting questions regarding the nature of this great conflict. There not only has to be a song to dance to, but it seems that there is a key distinction between the singer and the dancer. Rhaegar Targaryen failed to fulfill the prophecy because he was the singer and not the dancer. His role was to provide the hero’s musical accompaniment. In a way, it’s almost like he as the bard is the herald. And the herald is rarely, if ever, the main character. So notice how Rhaegar heralds the hero, the king, while looking at Dany.

But! - there’s different kinds of songs. Dany has one, made by her dragons. But it’s not be the only one. The children of the forest are heavily associated with the last hero and while Waymar Royce is dead, there lives another: Bran Stark.

Bran found the children, the singers, and is a step closer to completing the last hero’s journey.

Now Bran is an interesting case.

“Go,” Bran whispered to his own horse. He touched her neck lightly, and the small chestnut filly started forward. Bran had named her Dancer. She was two years old, and Joseth said she was smarter than any horse had a right to be.

He has a dancing horse but at some point has to leave her behind. So does that mean that he has to learn to do the dancing in his own way?

And I find it interesting that Bran has a female dancer horse because this creates a neat parallel with Dany, a dancer who may also be the stallion that mounts the world; if it’s not her, then it has to be her mount, Drogon. This is important if we consider that the last hero, Azor Ahai/the promised prince, the Stallion That Mounts the World, etc. are all different yet complimentary manifestations of one heroic legend.

But the issue of songs doesn’t end there because there still exists one Jon Snow, another version of the last hero and promised prince. Jon isn’t a bard but he has been positioned as being adjacent to dancers. I won’t harp on about Jon’s parallels with Waymar Royce because they’ve been done to death. But it seems that Jon, like Bran and Dany, will succeed where Ser Waymar failed.

Because not only does Jon have music to herald him:

That night he dreamt of wildlings howling from the woods, advancing to the moan of warhorns and the roll of drums. Boom DOOM boom DOOM boom DOOM came the sound, a thousand hearts with a single beat.

But he is also positioned as a last man standing among many dead heroes:

“Stand fast,” Jon Snow called. “Throw them back.” He stood atop the Wall, alone. “Flame,” he cried, “feed them flame,” but there was no one to pay heed. They are all gone. They have abandoned me.

And he has a sword that will not shatter against the cold:

“Snow,” an eagle cried, as foemen scuttled up the ice like spiders. Jon was armored in black ice, but his blade burned red in his fist.

It’s noteworthy that Jon is the son of a singer, Rhaegar Targaryen. The very singer who sang the song of ice and fire; and notice how Jon is clad in both. Plus he has been mentored by another, Mance Rayder, whom he eventually succeeds.

At a quick glance, it’s very interesting to me that Jon is constantly listening to songs beyond the Wall. There’s the song of the blue winter rose (which in a way heralds his own birth), the song of Joramun and the Horn of Winter, and many others.

It’s also noteworthy just how often giants are mentioned as the subject of songs in Jon’s POV chapters. I bring this up because of the Last of the Giants:

Ooooooh, I am the last of the giants, my people are gone from the earth. The last of the great mountain giants, who ruled all the world at my birth.

I think there is a parallel here between the dragons, the giants, and the children of the forest. These are all dying species, yet they linger on for the song of ice and fire still needs to be brought to completion.

And let’s consider where our heroes fit in all this. Dany commands the dragons, Bran learns from the children, while Jon begins to befriend the giants. All these creatures make musical accompaniments for our heroes to dance to.

Lastly, I’m inclined to think of the Stark girls though I’m not entirely sure where they would fit in all of this. Arya, at some point, trains to be a dancer:

On the way back to his chambers, he came upon his daughter Arya on the winding steps of the Tower of the Hand, windmilling her arms as she struggled to balance on one leg. The rough stone had scuffed her bare feet. Ned stopped and looked at her. “Arya, what are you doing?” “Syrio says a water dancer can stand on one toe for hours.” Her hands flailed at the air to steady herself. Ned had to smile. “Which toe?” he teased. “Any toe,” Arya said, exasperated with the question. She hopped from her right leg to her left, swaying dangerously before she regained her balance. “Must you do your standing here?” he asked. “It’s a long hard fall down these steps.” “Syrio says a water dancer never falls.” She lowered her leg to stand on two feet. “Father, will Bran come and live with us now?”

Now Arya is no singer, but her wolf is.

In another place, his little sister lifted her head to sing to the moon, and a hundred small grey cousins broke off their hunt to sing with her.

On the other hand, Sansa is no dancer but she is known for her ability to sing. And boy does she sing beautifully.

Her throat was dry and tight with fear, and every song she had ever known had fled from her mind. Please don't kill me, she wanted to scream, please don't. She could feel him twisting the point, pushing it into her throat, and she almost closed her eyes again, but then she remembered. It was not the song of Florian and Jonquil, but it was a song. Her voice sounded small and thin and tremulous in her ears. Gentle Mother, font of mercy, Save our sons from war, we pray,

In fact, a lot of Sansa’s songs are prayers for those who dance to the music of swords. Her songs are soothing, calming. And see this during Stannis’ assault on Kings Landing when she is able to calm Sandor and the noble women through the power of song. Hers is not a song to dance to, it’s a different kind though I’m not entirely sure what it entails. I do want to say, though, that Sansa is often paralleled with creates that take flight; various birds and bats. So she is a singer, much like the dragons.

I may have neglected other characters here, but I just thought it was intriguing that our main heroes (Jon, Bran, Dany, maybe Arya) are all positioned as dancers for the song of ice and fire.

[antigonesghosts]

What I loved about Cinderella's Castle is it is so entirely about Ella. We know starkid can handle a show with tons and tons of characters but I found it quite refreshing for it to be so wholly her story? I think it was a lovely choice for this show and man Bryce did such a perfect job of it, she is truly such a star

[outoftoucherlocksholmes]

ironically i came down with a fever while working on this so like don’t worry phoenix i get you

[0m3n-0f-d3ath]

Otto and D3-C1 in Arcane

They’re wanted for bot fights

[capricioussun]

🌻 for Edge?

🌻 (sunflower) - What’s something your character has grown out of? Did it happen gradually or was it a drastic change? What caused this shift?

When Edge was little, he was actually entirely nonverbal! I always like to imagine most Papyri are quiet when very young, and took a while before their first words, but few to the same degree.

Id say it was both gradual and drastic, as he started offering a few sparse words to Red when he was around 6-9, but once they were on their own, there was more pressure to "act normal", so he wound up forcing himself to verbally communicate more frequently than he would've chosen.

Whiiich also sort of answers the next part! It was mostly pressure from "the outside world" (the rest of the underground). Pretty much anything can be perceived as a weakness, and since "quiet" reads more as "shy" for a child/teen, Red discouraged Edge from communicating predominantly in Hands.

[miramelindamusings]

@prudensvulpes requested Sora with Dylan Hollis' energy where he has his own cooking channel! Thank you so much for your patience! And this was alot of fun to do! I used Dylan Hollis' "Fake Apple Pie" tiktok (shortened to certain moments and some moved around for comedic effect!). I hope you like it and thank you again :)!

And here's a bonus sketch because I couldn't resist drawing Sora's face lighting up the same way Dylan Hollis' does when a recipe is actually good!:

[calamitoustide]

also thinking about Regulus and Sirius seeing each other after Sirius ran away and after Regulus got the mark. I'm thinking of them having the last conversation where they're not just screaming at each other and pushing on bleeding bruises. I'm thinking about Regulus going on about how Sirius left him, and Sirius just stops him and says, "If I stayed I would've given up control of everything that I am. I would be what they made me. I would be a puppet on their strings. I would go against everything that I know is good." and Regulus would just look at him, and he'd look smaller than Sirius had seen him in years, and he's say, "But we would've been together."

And they'd never speak again.

[ganondoodle]

some more ideas for the totk rewritten project (botw2);

underground general ideas i thought about what to theme the underground after, and since its vaguely like underwater in canon i thought id push it much much further, you cant actually dive and while id love that i do want to stay within a certain possible range of it still being a sequel to botw and somewhat based on totk- so im putting the low gravity effect away from the sky and instead in the underground, the ENTIRE underground, that way it is distinctly different in the way you have to play since you gotta work around the low gravity effect, the entire plant life and enemies will also be based on deep sea creatures- anglerfish like ones that half burrow and lure you with their light, those fish (or are they worms?) that hide underground as soon as you step too close, maybe they hide initially but only to make you go closer and try and snatch at you

much more glowy things too, basically everythings got some sort of light on it, there are different creatures flying around that all feature some sort of glow, so there is stuff to see but you cant immediately know what it is, theres a unique kind of plant that when you bother it spews out a dark cloud of spores (kinda like in tp) that dims any light you had; there are some landmarks you can activate or repair with the help of zelda but there is no way to illuminate the entire map and the lil light ferns expire slowly too

i also want it to be way more wet, not full with water but maybe a thin layer of water at most places and some drops from stalactites that fall constantly

there are shadowy ghosts there as well but they CAN aggro (still working on it), either by taking a weapon from their grave or some other things; also considered them or some other enemy that stalks you for some time and the only clue you get is maybe double sound of your steps or something at the very edge of your screen but you can never catch it when looking around (i dont want to make it a horror game but do want the underground to stay as creepy as when you first get down there), something elusive and shadow based that is rarely encountered but stays creepy for longer than the miasma hands sicne it cant get stuck on anything and the only way to be safe is while in the air

maybe some miasma reanimated corpses of ancient shiekah killed when the ancient hyrulean king turned on them (only foudn in the underground in this way; there are others but unposessed in alot of the broken shrines and old laboratories so seeing one suddendly move and crawl after you is probably pretty scary, kinda like the vroken guardians sometimes being still functional)

the dongos are the main friendly animal you can discover there and tame (still working out more details) they can climb around, always emit a little bit of light and the shadow enemy wont latch onto you as long as you are near a dongo, maybe even most enemies will leave you alone if you are riding one, as they are slower than horses, with the exception of gigamas (or a similar enemy ill redesign for that) as they are the natural predator of dongos; when you get to close to one it will react to it and if a fight is initiated it burrows away (you can call it and it comes back to you if you are out of range of that enemy)

tameable animals since i played skyward sword recently i just realized again how much fun it is to fly on a bird, sicne im already dividing the three map layers a bit more i thought it would be cool to make these layers more distinct, in some part by the tameable animals- the sky has birds (based on dinosaurs), the surface has horses, the underground dongos- neither of them can follow you to one they dont belong and the way to call them switches as you switch layers

im not sure yet if those birds should be ridable or are only able to give you a small boost upwards when you call them

magic bar so instead of actual batteries i planned to, as i said before, to put that into links shiekah arm prosthetic, and instead of giving you literal battery symbols on the screen it would be a bar right below your health and next to the symbol of the current selected arm ability

krog seeds a bit more to the krogs- as i said before they are no longer the way to make your pockets bigger- among an armor set i also thought about making the most expensive reward OR the end reward for finding all of them be the eponator zero- maybe it went missing during the cataclysm and maronus (engl. hestu) finds it at some point, so you get your bike back but its locked behind something bigger so you are unlikely to exploit it early on

(EDIT) (forgot to mention the dragons- im putting them each in one layer of the map- eldra in the underground bc gan is there and youknow, demise coming from the ground and fire being associated with the ground etc, farodra on the surface GREEN etc, and naydra in the sky, bc wisdom and owls and gods and all that weeeeee)

(on a sidenote im also thinking about ditching the building mechanic to some extent since i dont think it fits very well as a whole and it makes it too easy to completely skip stuff- i want the main way to move things or to get around be the hookshot/grappling hook part of links arm; still working on all that though .. so far it does seem likely like it will be much more limited)

[prolibytherium]

Iceland was so fucking cool btw

[what-plant-metaphor-am-i]

Mini analysis/interpretation of the ‘you look good in firelight’ scene

Obi feels more comfortable in the dark - obscured from prying eyes - is more in his element. Relaxes and is less jokey and deflective, more honest. Shown in this scene with shirayuki and she must see him be like that a lot at night.

She finds his comfortable, natural demeanour attractive and that links with when he is lit by firelight.

[tourettesdog]

Me being in the Phandom like

[flos-obsessivus]

You can’t keep putting hot men in the jailllllll! You’ll have to put me in the jail too atp 😭😭😭 (but also I love youuu and your arrrrrrrt muah!)

I'm sorry! 😭😭

I want to make an official art piece for them before letting them out so I can have a reference sheet in case I want to draw asks. I also need to create a short story so people will have an idea for the lore for each book.

And thank you! I'm glad people like my content. 🤭

[threeeyesslitthroat]

You ever think about how Coriolanus never left the arena either?

"Because if he dies, I'll never go home, not really. I'll spend the rest of my life in this arena trying to think myself out. "

-The Hunger Games.

I wish I could put this together better, or have a poetic zinger to get to the heart of this matter, But I really think that when you think about it, you'll also realize that Coriolanus never left the arena, and this lead to him realizing that he was really good at playing the Hunger Games, and thus made the entire world of Panem an arena. Because if you can control the one and only game, than of course you will always land on top.

I don't think I could go so far as to say that it was his coping mechanism, but since he clearly was a touch traumatized from the up close death of Arachne, the death of his fellow students and the bombing itself, including the fact that over the course of weeks Coriolanus was literally an eighteen year old that was put into the position of plotting other teens deaths in order to come out on top, as well as being ordered to go into the arena itself and had to kill another person in self defense, all leads to how he ended up viewing the world as an entire arena even after the games were over.

He literally betrays his two "allies" in Sejanus and Lucy Grey because he never stopped being inside the arena.*

I do however think that the biggest factor that leads into this is that in Mockingjay, its revealed that he used Game techniques as defenses against the city. With Mutts and pods that killed anyone who triggered them, not just rebels.

that's not really a sign of someone who is viewing the world with even a semi normal brain. Granted, it was an effective defense, but only for very short periods of time, and not very effective against literal armies, or even just several legions. Seriously, If Snow had thought just once outside his arena worldview, he would probably had thought of better strategies against the rebels, or even had seen that he was truly on a losing game and had surrendered far earlier. relying entirely on gamemaker logic was what lead him to such a defeat.

Because maybe we could talk about how Coriolanus never left the arena, while Katniss and every other tribute tried to leave.

[spideyhexx]

feel like some people don’t comprehend that partially the point of tbosas is that you can sympathize with Coryo. It never excuses his actions nor does it try to, but it’s way more complicated than Coryo just being ‘psycho’