#but also how much was genuine feelings and how much was seeing her as a novelty?

[wosola]

French kisses .2 - Lucy Bronze x French!Reader

Summary: This is during Lucy Bronze’s time playing for Lyon, she's just gotten into a relationship with R, a 22-year-old student. For R it is the first time sleeping with someone.

Warnings: This is an 18+ fanfic with explicit content, so minors DNI.

Part 1 here.

It was only a few days ago, but Sunday felt like a lifetime away as you recalled how your parents had adored Lucy. You remembered how Lucy had picked you up that Sunday, looking stunning in an outfit you hadn't seen before. She had arrived a full ten minutes early, a small smile on her face as she told you that punctuality was key.

You re envisioned the way your mom’s eyes sparkled when Lucy walked in with a bouquet of flowers, the perfect way to win her over; your mom loved flowers. "Pour toi," Lucy had exclaimed with a warm smile, her accent adorably imperfect as she stumbled over a few words in French.

Your dad had been equally impressed when Lucy handed him a bottle of expensive whiskey, having confirmed with you just the day before if it was an appropriate gift to give him. “I heard this is your favorite,” she’d said, her voice unexpectedly confident as she raised the bottle.

You adored the way she’d won your parents over. You where glad your parents where this welcoming, that they just wanted to see you happy, because you knew it was often not as pleasant for people to bring a same-sex partner home.

It was clear Lucy had learned everything she wanted to say in French, she’d probably rehearsed every potential compliment and conversational quip, ready for the moment she needed it. It worked though and in some strange way it made you fall more in love with her.

You felt a swell of pride watching her engage with your parents, laughing and sharing stories that bridged the gap between her world and yours. It was so nice to finally been able to bring someone home. Maybe it would be the only person you would ever bring home to your parents, because she was the love of your life.

Safe to say it had been a great success and the next dinner had already been planned before the two of you had left.

-

Now it was Thursday; the day you’d been waiting for. It was the day.

Your apartment was cozy, located near the university and just the right size for you and your roommate. It was great you could live there, as your parents lived outside the city, in such a rural place that buses didn't even dare to go near there.

The living room was a mix of mismatched furniture; a well-loved couch, a small coffee table cluttered with textbooks and half-finished mugs of coffee and a tiny kitchen that smelled faintly of whatever you’d cooked that week.

Earlier this morning, your roommate had teased you mercilessly about Lucy. “You’re glowing! I swear, it’s like you’ve got stars in your eyes,” she had said with a playful smirk, knowing you hated that kind of soppy stuff. But beneath the teasing, you sensed her genuine happiness for you, knowing you had found someone you really really liked and who liked you equally as much.

As you came back after classes that day, your roommate had left, spending the night at her boyfriend’s place. Leaving the space feeling oddly quiet yet filled with the thrill of anticipation.

So you had thrown yourself into preparation mode. You changed the bed sheets. You scrubbed the countertops and vacuumed the floors, wanting everything to feel just right.

Then came the shower, you put yourself through an extensive cleansing ritual, lingering for way too long under the jets, letting the hot water cascade down your back like a soothing embrace. Because besides wanting to feel clean, you where also nervous quite nervous.

Deciding what to wear was another challenge in itself. You tried on three different outfits, each time pulling everything off again and tossing it aside in frustration. Finally, you settled on a simple yet elegant outfit that hugged your figure perfectly, something that made you feel confident and beautiful.

As you stood in front of the mirror, taking one last look at yourself, you couldn’t shake the excitement mixed with a touch of anxiety. You took a deep breath, reminding yourself that it was just Lucy. The doorbell rang, pulling you from your thoughts and you knew the evening was about to begin.

Lucy showed up at your apartment with two bags in hand, insisting that you must not peek inside. “It’s a surprise amour,” she had declared, a mischievous twinkle in her eye that only made your heart race faster.

After exchanging a kiss, Lucy walked over to the kitchen and you stood there unsure of what to do. You watched as she moved things from one bag to another, a hint of excitement bubbling in your chest.

Finally, she spoke up, her voice cheerful. “Alright, love, if you want to unpack these things, it’s for dinner. I’ll just duck into your room for a bit and try to be quick, okay?”

She approached you again, planting another kiss on your lips and you smiled back at her, feeling warmth spread through you at her demeanor. “Don’t come peeking…” she joked, pulling you in for another kiss.

You broke the kiss and chuckled, “I wont,” waving her off as she disappeared down the hallway.

As you busied yourself in the kitchen, the anticipation of the night filled the air. You draped a dark red tablecloth over the coffee table, setting down all the different food Lucy had brought. You couldn’t believe your eyes as you uncovered the dishes. It was almost like a tapas table, but then all of your favorite things from different traiteurs. The logo from your favorite fromagerie was unmistakable on one of the little brown bags and your heart raced; you rarely treated yourself to these luxuries. Lucy had gone out of her way to buy all of it.

After placing down glasses and cutlery you only needed plates, so you walked back to the kitchen.

Lucy softly closed the bedroom door, as she was done setting things up and walked over to you. Coming up behind you, she placed a soft kiss on your neck.

You tensed momentarily but quickly relaxed into her touch. Your nerves were on high alert because of your nervousness. But you liked how she held you, her touch sending a delightful shiver down your spine.

“Ah, at the coffee table?” she asked, a surprised tone in her voice.

“Yeah,” you admitted sheepishly. “I thought it would feel.. less formal. We can change it if you want, but I thought… cozy?”

“It’s perfect,” Lucy assured you, her eyes gleaming with appreciation. “Perfectly us.”

You turned to face her, taking in the beauty of her features; her bright eyes, the gentle curve of her lips and the way her smile seemed to light up your kitchen. This was the face you had grown to love, the face you wanted to see first thing in the morning and the last thing before drifting off to sleep. You leaned in slowly, noticing how she tilted her head to meet you halfway, not taking the lead as she would usually do. The kiss was soft, filled with the promise you both felt lingering.

“Are you nervous?” Lucy asked quietly, pulling back slightly to gauge your expression.

“Uhm… I have nerves, but I’m mostly excited, I think,” you replied, your gaze dropping to where you absentmindedly played with her fingers, tracing their robust form.

“Well, I just wanted to say,” Lucy began, reaching up with her free hand to tilt your chin, ensuring you met her gaze. “If you want to stop at any time, you can always say so. I… uh, nothing will change between us if that happens, okay? For you, I would wait a hundred years if that’s what you need.”

You chuckled softly, your heart swelling at her words. Leaning in, you kissed her again, savoring the taste of her lips. “I love you.”

‘’I love you too,’’ with a smile on her face, Lucy gestured toward the food on the coffee table. “Okay, let’s eat then, I have searched all of your favorites, maybe I missed some I don’t know, I hope not but I-.”

You interrupted her, smiling ‘’are you nervous?’’ You asked her, hearing her rambling.

She scratched her neck, biting her lip. ‘’I want this to be perfect, for you.’’

‘’It is Lucy, don’t worry,’’ you took her hand as you took two plates in your other hand and pulled her to the couch.

After setting the plates down you settled down on the couch.

Lucy followed, settling beside you, she leaned forward to open the bottle of rosé crémant. You’d once mentioned liking it better than champagne and it made you smile that she’d remembered. You knew she hadn’t chosen it because it was less expensive but because it was what you preferred. It was something you loved about her, Lucy wasn’t just listening; she cared.

After filling your glasses, she handed one to you and raised hers to clink. You watched her, catching the slight hesitation as she searched for the right words to toast.

You chuckled and stepped in to help, saying what felt like the obvious toast “to us.” Your gaze locked with hers, and you tapped your glass to hers.

"To us," she repeated softly, her eyes meeting yours with a smile before she took a sip.

After that, the two of you eagerly started digging in to the food.

Lucy stacked her plate and sat back on the couch “Mmm, this is amazing.´´ she said with her mouth full. ´´I love all the food you’ve introduced me to in France.”

You laughed. “I could give you a dried-out baguette and you’d still enjoy it.”

Lucy rolled her eyes, nudging you with her elbow. “Not true. I have taste. Great taste, even.”

“I know, I was just teasing you.” You leaned in close, a playful glint in your eye. “Sorry,” you whispered, stopping just inches from her face.

She smiled, tilting her head even closer. “Hmm… I think you’ll have to make it up to me.”

You let your lips brush against hers, the anticipation crackling in the air. “And how exactly should I do that?” you said, taking the plate off of her and blindly put it back on the coffee table.  

“Maybe a kiss.” Her words were soft, lingering just against your lips before she captured them fully, her mouth warm and inviting. The kiss deepened, her hand slipping around your waist, drawing you in against her. You let go, sinking into the kiss, savoring the way her fingers grazed the small of your back. Shivering as her hands cupped your ass, fingers digging in, urging you even closer.

Without breaking away, you shifted onto her lap, you gasped softly as her hands found their way to your hips, holding you as she carefully flipped you both, positioning you between her and the couch. Your legs wrapped instinctively around her and you could feel her weight balanced on her forearms bracketing against you, her feet slipping on the smooth floor as she struggled to hold herself steady.

But none of that seemed to matter. The only thing that mattered was the feeling of her pressed against you, how her hips moving against yours, the barely restrained hunger in her touch. Her lips traced along your jaw, pressing against your neck in a way that sent chills across your skin. Each soft grind sent ripples of electricity through you, your breaths becoming shallow as you felt yourself getting unsteady.

Your fingers curled into her shirt as her lips moved softly along your neck, the sound of her low hum sending a rush of heat through you. Then, just as suddenly, Lucy seemed to become aware of something, pulling back to look at you, her gaze hazy and unfocused, like she’d just come back down to earth.

You smiled, biting your lip, your legs tightening around her, holding her close.

She gave you a breathless smile, leaning in to kiss you again, this time softer, a little more composed. "Uhm, we should continue eating, hm?" she murmured, her voice laced with both amusement and hesitation.

"Well.. I’m not that hungry anymore," you replied, eyes locked with hers. Your heart tutted loudly in your chest. Your cheeks felt burning hot and you ached for something. You didn´t know what for, but you where wanting.

Lucy´s cheeks tinged pink, but she managed to keep her gaze steady. "Okay," she breathed, though there was a flicker of unsteadiness there.

Noticing it, you chuckled, slowly loosening your legs from around her. "But we can eat, " you teased, ‘’if you are hungry…"

Lucy’s mouth curved into a mischievous grin. "Oh, I’m hungry,´´ she murmured in a low, playful growl, ´´but not for the food" sweeping you up into her arms.

You giggled, letting yourself melt into her hold as she carried you down the hall.

When you reached your bedroom, she set you back down just before the door, gesturing grandly. "After you."

Stepping inside, you smiled. Your bedroom was transformed; the curtains were closed, a soft glow of dozens of candles casting warm, flickering light everywhere, their soft glow enveloping you both. The bed was covered in rose petals, arranged in the shape of a heart.

"It’s beautiful, Luce," you murmured, touched. "You put so much effort into this."

She shook her head modestly, glancing away. "No, it’s really nothing, I just wanted to—"

You turned back to her with a chuckle. "The candles are fake, I hope?"

Lucy laughed, scratching the back of her neck as she joined you in the room. "Oh, yeah. I figured it was… safer… and you know, I could put them on already."

You nodded and closed the space between you, pressing a soft, lingering kiss to her lips, wordlessly letting her know just how much everything meant to you.

Lucy held your gaze for a moment, eyes soft before she took your hand, leading you gently toward the bed.

The room felt warm as you stepped inside, the soft glow of candles casting flickering shadows on the walls. You turned toward Lucy, feeling the quiet electricity in the air between you both.

There was a heartbeat of silence, a moment where the two of you just looked at each other, taking in this instant you’d both waited for.

Lucy broke the silence first, her fingers brushing over your cheek, down to your jaw and pausing there as her eyes searched yours. Her gaze was soft, maybe a little nervous but entirely steady, holding a depth of care that made you feel like you were the only thing in the world she could see. “You’re beautiful,” she whispered, her voice thick with quiet awe.

A shy smile tugged at your lips, and you stepped closer, letting your fingers find the hem of her shirt. “Can I…?” you asked softly, meeting her gaze, asking without words if this was all right.

Lucy nodded, her hands finding their way to your waist, fingers light as though she were both carefull and eager all at once. You began to lift the fabric, inching it upward, feeling a heady mixture of nerves and excitement that made your fingers tremble.

As her shirt lifted, more of her skin was revealed in the warm candlelight and you let out a soft, almost breathless laugh. “You’re… hmm,” you murmured, not able to hide the excitement in your voice.

She chuckled softly, helping you remove her shirt.

Once her shirt was off, you let your fingertips trail slowly along her arms, feeling the curve of her bicep, your touch reverent as if she were something precious, almost sacred. She stayed still, watching you with parted lips, her breathing just a bit heavier then usual.

Your hand continued down over her shoulder and chest, tracing lightly as you went, feeling the defined muscle under soft skin. Fingers sliding over the line of her collarbone, pausing briefly at her chest before continuing downward to her stomach. Your fingertips brushed over the lines of her abs, feeling the strength there. She shivered under your touch.

Her own hands found the buttons of your shirt in response, looking at you for approval and after you nodded she took a steadying breath before unbuttoning them, her eyes never leaving you as more of your skin was revealed. She was quiet, reverent almost, as though seeing you this way was something that left her breathless.

And there you stood, inches apart, taking each other in. The hunger was there, palpable, but so was the sweetness, the awe, as though you were both seeing something rare and precious—something you wanted to savor.

Her lips found yours again, the kiss deepening as she guided you backward, her hands brushing over your shoulders and sides. When you reached the edge of the bed, she swept the rose petals aside with a quick swipe. She lowered you carefully onto the bed and you tugged her down with you.

With a quiet breath, you reached back to unclip your bra, letting the straps slide down your shoulders. Lucy watched closely, her gaze warm and attentive. She gently slipped the bra off for you, tossing it aside without her eyes leaving your chest.

You whispered her name, wanting her attention, ‘’Luce’’.

She lifted her head, searching your eyes with a slight smile.

"Take yours off too?" you asked, almost shyly.

She nodded immediately. “Of course.” She sat up slightly and tugged off her own bra, letting it fall to the floor as well before leaning back over you, her bare chest now in your view. Your gaze lingered, appreciating every detail, your lips parting slightly as you took in the softness and beauty of her skin, her hardened nipples inviting your touch.

Seeing you captivated, Lucy gently took your hands in hers, smirking a little as she guided them to her chest. She laced her fingers through yours, encouraging you to cup her breasts, your palms brushing over the sensitive peaks. You gave a gentle squeeze, feeling the heat of her skin against your hands, still entranced by her body.

Lucy’s smile softened as she took in your focused expression. “Feels good?” she asked amused.

“Mhm,” you murmured, still in a bit of a daze before you blinked, meeting her eyes. “Yeah.”

..

part 3 next monday

[rezwrites]

Hey, can you write something for Agatha Harkness? I love her. Yandere/Dark! Agatha Harkness x reader, reader is summoned to be part of Agatha's coven and Agatha grows obsessed with reader after becoming her friend and feeling a connection. Thank you 🩷

Of course, also I’m very sorry that this took so long!

a/n: slight au where the road is real/Rio has no presence.

Agatha and Teen had approached you asking for your assistance in walking The Road. Laughing in their face at the absurdity, “The Road is a myth.”

Even if it wasn’t, it was a death trap. Many stories from your mother and her coven about The Road have passed your ears. Every witch, with the exemption of Agatha Harkness, lost their lives trying the reach the end. You’ve felt inadequate as a witch, unable to resonate with a coven of your own. Even though you’d love to have that sister and companionships you’ve done well enough without them.

Teen droned on as you walked away from them. Only stopping in your tracks when Agatha chimed in talking about forming her own coven. A lesson drilled into your brain since the day you were born resounded within: Agatha Harkness is not to be trusted. Turning around you regarded them both, warily. Awkwardly handing you a card Teen expressed that he’d hope to see you there.

Contemplation weighed heavy on your mind the rest of the day. The possibility of finding a coven was tantalizingly, but you’d have to suffer through the proximity of Agatha and the other witches she convened. Deciding the end outweighs everything else you make your way to Agatha’s house in Westview.

Agatha kept a close focus on you the moment you made your presence known in her home. Her eye constantly shifting to you as you sung your part of The Ballad. You’re voice is beautiful she thought, like a bird singing its morning song.

After pairing with Agatha in the first trial you notice Agatha gradually getting close to you. Thankful that you had her as an anchor in your hallucination, you doing that same for her. Taking the opportunities to know more about you, realizing she’s slow to open up about herself. Rightfully so, since much of the air is still tense with distrust around her. She seemed genuine when she asked about you, making small gestures to be sure your safe- keeping you close to her, guiding your steps so you don’t trip. Her hands softly brushing over you from time to time.

After losing Alice, your distrust cemented again. Insisting that she couldn’t control it, you strayed away from her. Agatha lets you go, not without keeping close eye on you. Watching you gravitate towards Lilia, Agatha internally seethes.

Lilia’s words of wisdom and talks about her travels brought you solace. It was a devastating experience to see Lilia close the Iron Maiden, locking herself in the trial room. Screaming her name, pounding on the door the tears rushed down your face. Agatha had to drag you away and calm you down, Teen staying behind to comfort Jen.

“Lilia, no. How could she?” You could help but sob at the loss of her. Falling to your knees, your face in your hands.

“There’s nothing we could’ve done.” Agatha rests her hand in your shoulder, lightly squeezing it. Wiping your tears, you stood up brushing yourself off.

“Stay with me. I want- no need you by my side.” Agatha’s voice firmed, “You need someone to take care of you.”

“No I don’t. You think I’m weak don’t you?” Your face twists in irritation.

“That’s not what I’m saying.” Her fists clenching and unclenching.

“Then what exactly are you saying, Agatha?” You exasperated, throwing your hands up.

“In certain situations I can protect you. That’s all I want to do, darling.” She reached out to you, retracting her hands when you stepped away.

“I can protect myself. We’re almost at the end.” You walk back to gather Jen and teen, leaving Agatha alone.

Slipping into your shoes everything goes black until slit of light appears, revealing Agatha pulling you out of a body bag, “It’s alright dear. It’s just the last trial.” Observing Jen unbind herself and Teen find a body for his brother, your hope shrunk as they disappeared from the trial room.

You remained silent as Agatha grieved, planting something in the ground. You rested beside her as she cried, rubbing circles on her back. Humming a small tune you watched the lights go out by the second; attempting to make peace that this might be the end.

Agatha’s gasp caused you to look down where you saw a dandelion growing from the soil. As the ceiling started crashing down Agatha pulled you up from the floor, guiding you to the door. Coming out of the trial room you both find yourselves in Agatha’s backyard, Teen and Jen waiting for you both. Teen offered Agatha some of his power only is she doesn’t take all of it.

Watching Jen and Teen leave, you stared in thought. The Road was a waste. You didn’t find your coven, the one that Agatha conjured up dropped like flies. Back to square one with a heavy heart in your chest. A soft grip on your wrist pulled you out your bleak thoughts, but you didn’t face her.

“You think The Road didn’t give you what you needed, but it did. You’re just too stubborn to see it. The companionship you crave so much, you don’t a coven… you just need me.” Agatha’s pupils turned purple as your mind grew hazy, struggling for clarity.

“Shh…don’t fight it, darling. I’ve got you.” Agatha’s honeyed voice rang through vividly. Holding you tight against her chest, Agatha pressed her fingers closer to your temple, “I failed to protect someone once, I won’t let the same happen to you.”

[last-flight-of-fancy]

Started thinking about Riku-Kairi parallels and symbolism wrt the ending of kh2 so please hold while i get needlessly verbose about it-

specifically it started with this gif

and ofc adhd is as adhd does and started going down the rabbit hole of connecting the dots.

The act of reaching out a hand/hand holding is a recurring thing in kh, the vast majority of which is chock full of meaning and symbolism, and this is no exception. This is the culmination of The Hero's Journey part of Sora's tale, the return home, and the heartfelt reunion between long-seperated friends. fun fact the heroine's journey follows the hero's journey for the first third or so before continuing on. kinda like how kh continued on long after things seemed to be 'resolved'. weekly plug to look up Howler's Heroine's Journey essays if you haven't yet

The angle from which I am viewing this scene right now is in regards to ofc Riku, and his own iconic pose that we see the first time in the intro to kh1 (and many, many times since)

And this is where my riku-kairi-are-inverted-parallels-to-each-other brain starts barking like a dog because oughghghghggh same pose opposite side completely different body language- AHG.

And this matches their character arcs (as well as their respective combined arcs with sora) to a T as well. Riku's pose is the first we see, way back in kh1, and his hand is as much a taunt as it is an offer. Very befitting his relationship to sora in that game, which was coloured by a forged rivalry and intense jealousy (to quote the ultimania; Complicated Feelings) of/for sora.

(it is also notable that to date this gesture has yet to be resolved. the closest they've gotten is when sora grasped Riku's hand in kh2 on finding him- albeit in Ansem's visage.

Symbolically this is Sora attempting to accept the gesture, but this time it is Riku who fails to meet him halfway, too deep in guilt and regret to feel worthy of it. his hand is turned downwards, limp and unresisting.

And again in DDD when Riku grabs sora's hand/wrist in an attempt to wake him from his nightmares, but this time sora isn't capable of reciprocating. like two ships passing in the night, always reaching but never quite meeting)

(this one isn't quite as strong in the visual symbolism specific to the Riku Pose, but i did think it bore mentioning)

to return to the first gif however, for Kairi her posture is much less stiff, leaning forward with palpable releif at Sora's return. Honestly the fact that she holds out her left hand (which as far as i know is not her dominant hand) marks this as a very deliberate choice to parallel her as opposite to riku. and much like the rest of kh2's ending, it FEELS like a culmination, a completion of their arcs.... and most certainly isnt.

Which i mean to say, it's a mid-point. And the reason I say this is because of one little thing.

The seashell charm.

There's a sort of irony here in that the charm that was meant to reunite them in this moment is also symbolically like a wedge between them. A heartfelt and meaningful gesture, don't get me wrong! i love this scene and the genuine emotions within, but i do love chewing on the way this gains a slightly different meaning in the greater context of later story beats; specifically that of kh3.

With how pointed and direct the parallel is between kairi and riku in these scenes, it did make me pause for a moment thinking about kh3. i know we've all seen a thousand and one analysis' of the paopu scene at this point, but forgive me as i must do so again under this specific lens.

'how does the paopu scene relate to the hand extended gesture at all?' i hear you ask, and on the visual surface not much. it has more to do with sora and kairi's relationship arc through the games and, of course, the lingering loose thread that was the cave drawing.

The paopu scene is a touching recreation of that cave drawing, one enacted by a pair of kids who didn't know if they would live to see another sunset. It's also probably the most symbollically dense thing in all of kh and that is saying something so I'm going to try and keep my observations limited to just what is relevant to this post- and that would be the way that the paopu scene is a direct continuation of Kairi's 'you're home' gesture in kh2.

shooting stars are also a common recurring symbol in kh, and that's the symbol that ties these two scene's together. if kh1 is two disparate stars each trying to reach the other (the cave drawing, the seashell charm, the way their hands are seperated at the end of kh1), and the end of kh2 is that of the stars finally meeting (the single seashell star charm pressed between their palms), then the paopu scene is that of the stars passing each other by and beginning their own journey's anew (two stars held by crossed arms, each now holding a small piece of the other (bitten fruit) to show that their meeting may have been brief but it was meaningful)

it is in this way that kh3 quietly and tenderly closes out sora and kairi's combined arc, as two unlikely friends who then drift apart again, shining brightly for the shared experiance, Remind mostly serves to support that finality, tying up the last couple loose ends between them, and leaving the two far more comfortable with each other than they ever were while that arc was still ongoing (which i read as them no longer being uncertain as to what their relationship is; that of friends, and not whatever so many others around them had pushed and assumed)

(seriously look at how much more comfortable they are with each other the second the pressure to be something they're not is off. the awkwardness is completely gone i love it)

All of this is ofc still in parallel to Riku, who boasts no such star imagery (instead he has the iconic Heart of KH itself), and in fact while he symbollically continues to reach out to sora, physically he has completely refrained from doing so at all- in fact most examples of the Gesture in kh are deliberately invoked by other characters in order to bring riku to mind in some way (and often more for the players benifit than sora's)

axel in CoM,

(i have given up on tumblr gif search)

YMX in DDD,

which then immidiately cuts to riku in kh1 just to make it as blatant as possible that yes the reference is intentional (i guess CoM was too subtle somehow so they had to make sure this time)

and even Riku himself to Namine at the end of kh3, representing Repliku's final wishes in a funny sort of symbolism oroboros.)

and it's not a coincidence that the completion of that connection provides definitive closure to the arcs in question; that of namine to repliku, but also a little bit to riku himself. namine still has a role to play, but that role (i think) is more or less exclusive to her relationship with sora. namine and riku's relationship arc, background as it is, is complete, and now both are connected primarily through their incomplete arcs with sora.

(which makes the way that sora and kairi's example in kh2 is a complete outlier really interesting tbh. smth smth thinking your relationship is one thing and if it was that thing then yes that would have been the end, but it wasn't that thing and thus it wasn't the end smth smth comphet metaphor smth)

which brings us back to how riku himself hasn't really reached out to sora directly since kh1, the act that set off both of their journey's. The reasons for that are many- guilt, fear, a certainty that sora will not reach back and that he doesn't deserve it anyway- but despite that the Gesture is still subtly affirmed as being Riku's over and over again, never quite letting the audience forget it... because eventually this bit of symbolism so consistently portrayed throughout the series will reach its own conclusion, starting how it began with one deuteragonist reaching out to the other, and this time the other reaching back to complete the gesture.

[judgeanon]

How do you feel about David Cain disappearing almost entirely from Cassandra's narrative?

Honestly? It's a bit of a bummer. David is a humongous piece of shit monster who deserves everything bad that happens to him. But he also has a genuinely poignant "relationship" with Cass, where you can tell he fell in love with what was supposed to be just a weapon, and that love broke him irreparably. To the point where he doesn't even try to get Cass back once she rebuked him (V2 non-withstanding).

That relationship is so, SO much more powerful and interesting than "evil dad wants to turn his hero daughter into a killer". And between that and the fact that David was far more important for Cass' training and development than her mother, it sucks that he's mostly been swept under the rug in favor of said mother.

It was "nice" to see him brought up in that Detective Comics backup, and I imagine that he'll come up during the new Batgirl run. But yeah, David is a loathsome motherfucker but excising him from Cass' backstory hurts Cass' character, depriving her of a really interesting relationship.

[edandstede]

nandor seeing guillermo being praised by jordan and deciding to tell guillermo he’s proud of him, that jordan is right to like him so much, as a desperate attempt to show him he can be like jordan too. he knows guillermo is pulling away and has been for a while now

nandor choosing scarborough fair to be played on the radio, a medieval song about unrequited love where the man expects the woman to perform impossible tasks, and then she’ll be his true love. simon and garfunkel’s version also heavily features war imagery, referencing a general giving orders to his soldiers who fight for a cause they long ago forgot. he then later plays a classic breakup song by jojo, which is a fucking hilarious gag for starters and very nandor, but it is about a spurned lover who believed her partner’s lies and were promised forever only to be let down. it’s also specifically about being cheated on, which says a lot about how nandor feels about guillermo and jordan

nandor being so hurt that he regressed back into his former self, the warlord, wearing literal armour to block out everything, ordering guillermo away as he’s the enemy. he becomes cold and brutal in the face of heartbreak. he took this blow so hard and felt it was the only way to protect himself and lash out in the process, wanting to make the company pay for taking guillermo away from him and also causing him to lose his job which had genuinely given him purpose and enjoyment

guillermo saying that their purposes are leading them in different directions and that’s okay, but neither acknowledging that they’re just grasping at straws because they don’t know what they want anymore. or rather they do, but they don’t know how to face it, how to discuss it, how to begin to unpack it. guillermo wanted vampirism until he realised what he’d have to do and give up, and nandor really did want guillermo by his side until he had to show guillermo a kindness and let him keep his humanity — a choice we know nandor wishes he could have, given his past pursuits of humanity himself

if they stepped back and looked at it, their paths are conjoined, and though they’re diverted now they will merge again because they both have what the other wants if they’d just open their fucking eyes and figure out where they go from here, how they make it work

fuck me man

[amazinglyashy]

Hi! I was wondering if I could request a prompt where the reader is out at night with the LIs, wearing a pretty outfit, a man just approaches her and rudely asks “how much for a bj?” How would they react/protect her from such a creep?

(Sorry, for my English, I hope it made sense haha🤞🏼)

Very Minor N/SFW Warning!! This one really made me laugh because this has happened to me before, and the situation mostly pans out with my own partner having to yank me away to avoid having to post bail on me later in the evening. Remember to leash your dogs kids! Thank you for the request!! <3

LaDS men when you get catcalled/propositioned on the street

Xavier -

He's apologizing profusely to you because the ensuing bloodspray from how hard he punched the guy in the nose got on your dress and he genuinely feels awful about it.

There is not much to it, besides he acted embarrassingly quickly, to the point you wonder to yourself if he's just been silently waiting for this moment to come.

He's used to going out with you for drinks or evening dates- it's one of the more common ways for the two of you to hang out aside from spending the evening in one of your apartments with the other. Juggling work and clocking out with social activities would also mean walking late at night, to go to a movie or even on a snack run.

So needless to say, he has in fact, been mentally preparing himself for something like this to happen.

He can't help it.

He doesn't ever want to see you disrespected- he doesn't care the context. Work, family, friends-

And now, what, a stranger asking you for sexual favors?

You wait calmly with him while he speaks to the officers about what happened, trying to contain your giggles at how sheepishly he looks at the ground, his face still painted with the most adorable anger.

Zayne -

Quickly, he's pushed you behind himself and holding eye contact with the guy. It doesn't matter if he's drunk, or perfectly sober, Zayne won't excuse someone saying such a ridiculous thing to you.

He has his usual air of politeness and manners, but the bite in his voice is more than apparent, even to someone who doesn't know him. Dressed as nicely as he is with the air he carries around him, it's a weird experience for those who don't know how protective Zayne can get.

He will tell the man to give you an apology and back off, or there will be consequences.

You know what those consequences are, and despite feeling smug about how protective Zayne is, you're trying to grab his arm and stop him, to no avail.

If the creep tries to reach for you, Zayne will back up into you to force you back gently, and the man will quickly realize that he can't reach forward anymore-

Even as Zayne walks away with you, the ice is still creeping up the man's body. Slow enough, but still moving.

Hopefully an OTTO calls for help in time. Hypothermia at night would suck.

Rafayel -

He's immediately between you and the guy, hand long since dropped your own as he crosses his arms and stares the guy down.

If you hadn't known him so long, you would expect him to fire off a tirade of insults and comments at the guy- but you know Rafayel. You know him well.

He tells the guy to back off, in the most simple of terms as he glare is enough to set the man alight- and Rafayel's evol does just that when the guy doesn't seem to back down- lighting up the shoulders of his clothing and causing him to flay around screaming, as Rafayel pulls you to keep walking.

The amount of tasteful compliments on your attire rise, and you know he's doing it to keep you from internalizing the earlier interaction and stop dressing how you want.

He doesn't need some random freak to keep you from expressing yourself how you want to. Of course, he'll always find you attractive, and the little outfit you're wearing is doing numbers to him, but that's not his focus here at all.

He wants you to feel comfortable, confident-

And he'll do everything in his power to make sure you always do.

Sylus -

I am not entirely sure the man who's asking you has finished his sentence before he's slammed once against a nearby building and then released.

Sylus makes no motion to indicate that it was his doing, continuing to walk along with you to wherever the two of you had been going in the first place-

But you knew.

You had seen his stupid red mist envelope him.

For a second, you'd been scared that he was going to kill the guy- and while you knew someone who was comfortable saying such a thing to someone needed to be put in their place, 'murder' was not at all the same as 'putting someone in their place'.

No, he was just slightly- sort of- broken.

Just a bit.

Sylus won't react much, he may give a passing comment about the man, but otherwise, he's back to complimenting you or conversing with you about whatever subject you two had been discussing prior to the creep showing up.

"Sorry, sweetie. I know you don't like bugs. I tried to handle it as... efficiently, as possible."

[velvetvexations]

my personal take on "antigonism" is that it's entirely what you make of it. which is to say, i agreed with your post explaining why you felt such a term was necessary, and i do think this mentality of "most of us are normal about each other" and simply assuming we understand each other's experiences by virtue of being trans is reinventing artificial gender solidarity between cis people ("bros before hoes", "girl's girl") but superimposed onto trans people. which can be particularly contentious, given that we're an extremely traumatized bunch with a lot of baggage and massively diverging perspectives on all kinds of things. relating to each other outside of conventional gender relations means we have to put in that much more work to bridge the gaps between us, because we can no longer rely on the common assumptions made about men and women to carry our interactions, if that makes sense.

i do think a whole word for transfem-to-transmasc solidarity does toe a line between being unnecessarily inflammatory and conditionally useful. i'm genuinely glad for the people who felt seen and appreciated by the fact that a transfem made so explicit her stance on intracommunity issues. i'm also sympathetic to the people who feel put-off by such a word. when does allyship become chauvinistic? there is no word for a non-misogynistic man to signal to women that he is explicitly anti-antifeminist, for example. do we need one? i think a vast majority would say no, on account of simply stating he believes in feminist principles to suffice. so i'm wondering what specifically the push was for you to coin a word around tfem4tmasc solidarity, because while i do think trans people as a whole need to take significantly more initiative about rooting out transmisogyny and transandrophobia both, i'm not quite clear on what could signal more clearly a transfem's stance on intracommunity dialogue than just saying "i believe in transandrophobia and condemn all radfems". all feminism, transfeminism included, has had their malicious actors-- the existence of transradfems isn't really anything noteworthy as far as the broader feminist conversations go.

i hope this doesnt come across as confrontational because i think the people who found comfort in the fact that you are willing to go that far for them is truly heartwarming. i just don't want to see us splinter further into microfactions over something like one person coining one maybe-overenthusiastic word on the internet

Sincerely, there is a word for men who are anti-anti-feminist, though, they're feminists. Granted, self-identified "feminist" men have somewhat of a negative stereotype associated to them, but still, feminist men are feminists.

One of the biggest reasons I think a term would be useful is because so many people feel unsafe in the trans community because of trans radical feminism right now that it can help them relax a lot when they see a trans woman identifies as such. Just reminding people with assurances that most trans women are Normal doesn't really help that when they keep running into ones who aren't over and over.

TRFs are aggressive about this stuff. Seriously, every single day, post after post, their primary form of activism is crying about TMEs stealing kinks and liking a children's toy too much. I feel strongly that should be countered. Even if they aren't the majority, they sure as hell act like it and repeat how great it is that every single trans woman except velvetvexations alone agrees with them.

To be absolutely clear, I do not think I'm the only non-weird trans woman! That is just literally what they say about me! They may be the minority now but that frog is boiling.

IRL transmascs are forced out of spaces and talked over when they're let in because mascuwinity is scawy, No doubt transfems have similar problems because some spaces are TERF-y, but that problem is exacerbated when social media is filled with TRF rhetoric because it gets drilled into people's heads they need to be worried about that, and I don't think "touch grass" is a good response to that.

Hell, what if someone touches grass and then they do happen to end up having people be transandrophobic/exorsexist/intersexist/etc. to them? "Oh, well, that didn't count, try again somewhere else, I prommy that's not Normal."

It's all about volume. I feel very, very strongly that volume is necessary here, to combat the feeling that that radical feminism is around every corner and help people feel at ease and know trans women are with them.

[rekino2114]

How would the ddlc ladies react to their partner telling motioning them over, only to be kissed on the forehead and called a good girl?

The ddlc girls' reaction to being kissed and praised

M/n:thanks for requesting someth-

A/n:Monika....what are you doing in my author's note?

M/n:it's been ages since you wrote something about me, I just wanted to thank the anon for requesting

A/n:they didn't request you specifically you know?

M/n:I'm sure they did that to not make the other girls feel bad, I'm definitely their favorite

A/n:just get out this is already too long

M/n:No way, not only do you not write anything about me for so long, but you also forbid me from breaking the fourth wall? That's literally my thing

A/n:Fine, I guess you can stay here when I write ddlc stuff if the readers are fine with it

M/n:hehe, good boy

A/n:...........

M/n:what? It fit with the post

Monika

It's me ˆᵕˆ

What did I tell you?

Is confused at first but just giggles and accepts it

She quickly kisses you back, on the lips this time, and you just start making out passionately

She also praises you back for how well you kissed her

"Hm? What is it darling?"

Before Monika could say anything else, you kiss her on the forehead

"Good girl"

She stands there for a second before a teasing smile appears on her face, and she giggles

"Oh, I see. Well, since I'm such a good girl"

She hugs you closer to her and whispers in your ear seductively

"Then you be good too and give me a real kiss"

She kisses you passionately as you two fall on the bed and wrap your arms around each other while making out

Yuri

Yuri.exe stopped working.......genuinely you might have broken her

She was already blushing when you kissed her, and she went the reddest you had ever seen her when you praised her

When her brain fully processed what you just said and did, she just fainted from emotion

"Is something wrong y/n?"

Yuri blushed as you got close, and her cheeks got even hotter when she felt your lips on her forehead

"Good girl"

Her brain short circuited when she heard you say that, she mumbled an incoherent string of words struggling to come up with a response

"E-eh....w-ha d-did you- just......w-what w-why-"

When she finished, she fell on the bed with an even redder face

"A-are you ok yuri?"

Sayori

She blushes for a bit before thanking you and kissing you on the cheek as thanks

Meanwhile, in her mind, she's processing all that:it actually felt really good when you called her good girl, you helped her discover she might have a thing for being praised

After this, she'll try to do more stuff for you in hopes that she'll get praised for it. It's really adorable

"What's up babe?"

"Oh, nothing, just wanted to do this"

You kissed sayori's forehead and she blushed but still kept her beaming smile

"Good girl"

"E-eh?"

"Oh, sorry do you not like that?"

"N-no......actually I kinda liked it.....a lot"

Sayori started playing with her fingers and blushing more, you giggled and pat her head

"You're such a good girl, you know that?"

"T-thanks"

Natsuki

She kinda ignored you when you first motioned her over, but eventually went where you were

She blushed so much when you kissed her, and when you praised her, she might have considered slapping you

She'll try to act mad at you for giving her unprompted affection, but she easily caved when you hugged her and started to cuddle (she's just a grumpy cat fr)

"*sighs* what is it?"

"Finally!"

"If it was something important, you could have used your words"

"Well, you still came so"

You pressed your lips on her forehead and watched as her face became as pink as her hair

"I guess you're still a good girl"

"W-what did you just call me you idiot?"

"Good girl, is there a problem with that?"

"Y-yeah there is, don't call me like that again dummy"

"I dunno, I think you liked it~"

"S-SHUT UP!"

[treason-and-plot]

“Of course you can rely on me,” says Roy, her words causing the lump in his stomach to turn into a cold, heavy stone. “I’ll always be there for you. I love you, for Christ’s sake. You’re the most important person in my life. And I’m really sorry if I made you doubt that last night-”

“There was no ‘if’, Roy,” says Anya. “You absolutely gave me a lot of doubts. And they’re still there.”

Jesus, thinks Roy, why the fuck am I the bad guy? He takes another deep swig of his beer while he considers his position. But the rational part of his brain seems not to be working properly today. It’s been compromised by genuine fear that he could lose Anya if he doesn’t quickly get a handle on the situation. He also realises that he wasn’t lying when he told her she was the most important person in his life. And he understands for the first time what people mean when they say that they don’t know whether to laugh or cry.

“Baby, I’m sorry. No ifs. I’m sorry for making you feel that way. I’m a selfish, insensitive arsehole. And I’m going to do my best to try and explain why I was distant last night,” he says. “I’m not defending my behaviour, I’m just trying to provide you with some context, okay?”

“Okay,” she says quietly.

“Well, first off, I was angry and upset even before you told me about your Dad because Sonia had told me she wasn’t going to let us see the kids on Friday night,” he says. “So, yeah. There was that. And okay, I know now that it wasn’t that much of a huge deal compared to what Michael did, but it still really affected me.”

Anya says nothing, her eyes scanning his face as he talks.

“And I felt like I couldn’t share my feelings with you because you were so distraught, and I guess that kind of made me resentful and caused me to withdraw,” he continues, warming to his story. “It was childish of me, and pathetic, and I have no excuses for not putting your needs before mine. You’re right. I let you down. And I really hope that…that you can forgive me. And believe me when I say that I’ll do everything I can to try and make it up to you.”

“Thank you,” she says in the same quiet voice.

“Are we… good, then?” he says.

“Why did you question whether he was cheating?” she says.

“What?”

“You asked if going to a prostitute was cheating. Your exact words were: “Is it technically cheating, though?” Why did you say that? How could you say that? Are you saying that you think that it’s okay for married men to visit prostitutes, Roy? I’m just really confused. And concerned that we have different viewpoints about what constitutes cheating. I mean, do you honestly think it would be morally okay for you to visit a prostitute? I really need to know!”

[crooked-wasteland]

I think what annoys me so much about the way the show blasts Blitzo for being a cold and unromantic partner is that it’s a perfect example of ignoring worldbuilding to make a character look worse.

By human standards, Blitzo abandoning someone when they tell them that they love him is pretty cowardly and understandably upsetting. But in Hell standards? Verosika should’ve fucking known he’d run away because Hell seems to look down heavily at the concept of love. This is like knowing that it’s taboo to kiss and then getting mad at a character for not kissing you. You can’t blame someone for being adjusted to what society expects of you. Verosika can still be hurt but it’s genuinely insane how much she clings on to this hate like he did a crime.

And the fact that we just skip over seeing their relationship is also infuriating because I get the feeling that Viv was both not interested in actually showing us what Verosika was like and also afraid to make her do anything that feels more in line with her character which is act angsty and spiteful

I've had a thought about Verosika. From the we've seen this season, the writers have actually listened to and addressed criticism for the show. The Ghostfuckers leaks show an overhaul of the original story, the fact that episodes got shifted around at the start of the series, the blatant un-writing of the assassination plot, and the fact that Unhappy Campers was the only pre-special episode to not be in the season 2 trailer (most likely because it was still in the early stages of animation due to massive rewrites to incorporate more Millie) are all evidence to this. It's obvious the crew is not happy about it, but they are listening.

With that in mind, the show has repeatedly been accused of extremely sexist writing in favor of the male cast. As such, it's not surprising to see the pivot more towards "humanizing" the female characters in specific. I remember seeing a lot of comments about how they wouldn't forgive the show if they made another female character irredeemably cruel and brainless following The Circus, and even louder after Western Energy.

What fans had wanted was a complicated or even toxic dynamic where both characters weren't perfect, but still held Blitz accountable for his actions, fairly. What they got was the cheapest, laziest writing I've ever seen. Not only does it not make sense in regards to the established world building of Hell's attitude towards love, it still makes no sense for Blitz to run away just because Verosika said she loved him, only to then adopt a child. He explicitly goes to the pound looking for a pup, pivoting to taking in Loona out of pity. It's like saying marriage is too much of a commitment, but still having kids.

Instead, Medrano overcorrected to pander to critics the same way she panders to her fans. Verosika is not an irredeemably cruel and stupid, spiteful woman. She's a perfect victim actually. Not only is her only crime falling in love, but the relationship ended so fast and sudden that she didn't have any time to do anything.

All these choices feel not only deliberate, but resentful in how little care went into the writing. The most drastic overhaul being to Ghostfuckers where the entire narrative trimmed down and immensely reworked already existing elements into the script. It goes to show the level of improvement possible to an idea when given better direction, but it also shows the limitations of not having actual writers on the team.

Ghostfuckers does an amateur's best and comes out generally okay, but still suffers from over reliance on tropes without narrative substance. It's the genuine best that can be done with this team. And unfortunately that's still not good enough.

[lovemyromance]

(Not a troll ask please don't shoot :D - genuine question)

But I feel like it's really downplayed how much Gwynriels gaslight the fandom. I joined ACOTAR bc I saw Gwynriel fanart and thought they were cute. I Got all the way to ACOSF still hoping for Gwynriel and got a whole lot of NOTHING. And honestly I think Elain is as interesting as cardboard (sorry), but you'd have to be downright blind to ignore she had something going on with Azriel.

Then I saw on titktok about the bonus chapter, everyone going in saying omg thats where gwyn & az are mates! So I cracked it open, read it - and bruh - HE'S OUT HERE TRYING TO GO DOWN ON ELAIN??

How can you put THAT interaction & the conversation he had with Gwyn side by side and people are walking away from it saying Gwyn & Azriel are mates?

I'm so genuinely confused why someone would start that nonsense. The way I ate up Gwynriel art/fan theories it was like she was a major character there from the start and they'd already had 8 kids and a HEA.

Then I open the books and they barely even have a conversation??

It was honestly really annoying. felt like a scam, like one of those authors peddling their book on social media and then you realize its a wattpadd fic written by a 12 yr old not an actual book

If it helps - we're all confused. Nothing has been proven yet about any remaining couple so idk why the Elucien and Gwynriels are out here straight up inventing fiction and trying to pass it off as fact to anyone willing (and even unwilling) to listen.

This ship war could've just been - "Hey I like Elucien more!" Or "I love elriel!"

But instead of just accepting these are all opinions and not actually what is in the books - people decided to straight up gaslight and claim that Elucien are a couple and Gwynriel are mates.

If you cannot point to it on the page where such a thing it explicitly happened - then it is not canon.

Lucien & Elain? They're mates. That's canon.

What's also canon - is that not all mates are a good pairing and end up happy together.

Whats also canon - is that the cauldron was wrong.

It shouldn't be hard to reach accurate conclusions if people stopped treating their wants and headcanons as fact.

Like for gods sake - let's just look at fanart. I'm not saying that every piece of fanart is canon or even should be canon - but elriel has much more canon fanart. Thats literally a fact. They have multiple major moments together - on the page.

What is canon Elucien fanart? When she falls out the cauldron - naked and humiliated and he gives her his cloak? When they sit together over a tea service acting uncomfortable? When she avoids him every other time she sees him?

What is canon Gwynriel fanart? When he gives her boss a secondhand necklace to give to her or anyone else? When he - and cassian and everyone else - watch her cut a ribbon she sees as an enemy?

I've seen so many people open up these books expecting some grand romance between Elain & Lucien and end up disappointed because... she doesn't even want to be in the same room as him.

So many Gwynriels with similar stories to yours expecting some entertaining Gwynriel love story only to also end up disappointed because Gwyn doesn't even exist till the last book and she and Azriel barely interact.

They chose to believe in a nonexistent ship and are trying to compete with canon Elriel evidence. Like ok - tough shit? But you can't just start making shit up.

Until Elain accepts that bond - or even gives Lucien the time of day - they're not a couple. They are nowhere close to endgame if everything she has done and said has shown us she doesn't want him.

Until Azriel himself declares Gwyn is his mate or vice versa - they're not mates.

And yeah I'm gonna get a lot of backlash from the "foreshadowing and crumbs" crowd.

But let me ask you this:

There are some Elriels who think the mating bond between Lucien & Elain is fake. There is plenty of evidence and similar language used about their bond that resembles the fake Rowan & Lyria bond. Plenty of signs showing their bond isn't quite right.

do you think Elriels can then claim it's canon that the Elucien bond is fake?

"We have crumbs and foreshadowing and similar language used" too. But do you see us going around claiming it's canon?

No.

We are very clear about the distinction between canon and headcanons. About what's in the books, and what is just pure guesswork and theory.

"Sparky spark" and "elucien is endgame" are both theories until proven. They are NOT canon.

Wish they'd just learn the difference. They'd be a lot less unhappy fans.

[ethicaltreatmentofcowplants]

ARAMINTA: So here we are!

LILAC: Wait - is that thing getting closer? Will I have to ride it?

ARAMINTA: No, you won’t have to ride her. Duchess is only here because she hasn’t quite maxed out TEMPERAMENT, and Dodo’s getting tense moodlets from his lack of skill building. They’re working together.

LILAC: He’s still a Slob?

ARAMINTA: Anyways. 

LILAC: So he’s still a Slob.

ARAMINTA: Welcome back to the third in our series of gardenside chats, where we will be discussing what’s different about Round One-

LILAC: And whether my sanity will survive the journey.

ARAMINTA: Now this will be the first time when eliminations occur. Once all the households are played, a final points table will be tallied, and we will unfortunately have to bid a sad farewell to three contestants.

LILAC: Oh, I can think of one or two who you wouldn’t be sad about.

ARAMINTA: It’s about who you take to, Lilac, not me. This will also be the first round where a skill building system comes into play. Basically at the end of your household’s rotation, your total sum of skills will be added up, and they will count towards your points along with friendship and romance.

LILAC: And while I obviously can’t be eliminated - although it would make quite a plot twist if I was - my skills have been cheated back down to zero too. Apart from PAINTING and KNITTING since those are tied to already completed aspirations, and WELLNESS since I have a glitch where I won’t run anywhere.

ARAMINTA: Also since this is the first time contestants will be playable for the Watcher, we will learn what they think of you in terms of attraction level.

LILAC: Oh, I have a pretty good indication already. (winks)

ARAMINTA: Attraction level as well as compatibility and sentiments will also remain. As the Watcher is using the time decayed version of First Impressions, those sentiments will eventually fade - with hopefully new ones to replace them.

LILAC: So in sum, a contestant’s score will come from friendship, romance, skill, attraction, compatibility and any positive sentiments?

ARAMINTA: Exactly. Moving on - we have some viewer submitted questions. This one is for Lilac - alright, don’t be concerned with what my feelings may be. 

LILAC: You are a precious blonde pony and we should always be concerned with your feelings.

ARAMINTA: Thank you, but please don’t worry. On Mad About Dodo, did you want me to win?

LILAC: Initially, no. It’s not that I didn’t want you to win, but that I took time to warm to you.

ARAMINTA: (wryly) That I hear a lot.

LILAC: What won me over was the second day, when Dodo made a joke that was uncomfortable for Lyric and you called him out. I thought ‘okay, this girl is genuine. She has principles - she’s not just telling Dodo what he wants to hear. She’s not afraid to risk her place in the competition to do what she thinks is right.’ And maybe he thought as much too.

ARAMINTA: He wouldn’t have meant to make them uncomfortable. But I wanted him to apologise, or at least to not make jokes like that to them ever again.

LILAC: And you weren’t even that close to Lyric, were you?

ARAMINTA: I liked them, and have a lot of admiration and respect for them. However I didn’t bond with them as much as I did some others. Perhaps if we had spent more time together.

LILAC: We’ve seen how saying anything other than someone being your best friend forever can get twisted, but nothing wrong with that. If anything it’s more admirable that you stepped up for someone else when you had a much stronger bond with Dodo at the time.

ARAMINTA: Awww, thank you so much, Lilac! Next question: which contestants are you looking forward to spending more time with the most?

LILAC: Basically anyone who I felt like I still didn’t have a sense of after the introductions, though I get that three hours in front of live cameras isn’t exactly the most natural and authentic setting in the world. Piper - I’ll be looking to see if there’s a spark. We vibed but we had no romance at the end of our time, although it’s very early in the competition still.

ARAMINTA: Exactly. I had no romance with Dodo at the end of his introductory round, as did a lot of other castmates who eventually fared well.

LILAC: Well you had Leo to contend with. If ‘buzzkill’ were a pixel…

ARAMINTA: (laughs) He’s not so bad.

LILAC: Neither is bacteria in small quantities. Another is Sage. I feel like she was a bit… intimidated, maybe? Hopefully she’ll be more at home once we’re together in a household. Okay, question for you now. What advice will you give to the contestants?

ARAMINTA: Make friends. Not out of some kind of strategy - this isn’t Simsvivor - but because this is such an unique experience, and you’ll want to have people through the other side who get it. Also life will just be easier for you and you’ll have less regrets if you do. 

LILAC: Right. Plus I’m only one Sim so you’re gonna need to fill your social meter in other ways. Also being LOYAL traited, I’m looking not just at how someone gets along with me - but how they treat everyone else around them.

ARAMINTA: (silence)

LILAC: I am, Minta - I swear! (laughs) Trust me, I know the difference between what I’m looking for in a partner and someone who may or may not be a good-

ARAMINTA: And sometimes a pixel simply needs a change of scenery to make life changes. One of the most important things I learned from Mad About Dodo is that not everyone comes into their save file with the ideal set of circumstances for them to thrive.

LILAC: Oh, thriving at villainy is still thriving. And another for you: why did you take this gig?

ARAMINTA: While I don’t think it was down to any malice, I felt like the contestants on Mad About Dodo could have - and should have - been better protected.

LILAC: Yeah, you were in the hands of a megalomaniac who viewed you all as dolls from his toy box and had fun with you accordingly.

ARAMINTA: Leo is… impulsive. Not uncaring, but impulsive. And he tends to be more of a ‘big picture’ thinker and not so considerate of the finer details. Anyway, once I learned that a bachelorette would be held in my home world, I wanted to do what I could to ensure that the cast would have a safer experience. With it being in Henford, I felt some kind of… ownership and responsibility, I suppose you could say.

LILAC: Two very foreign concepts to some others.

ARAMINTA: Not being the producer or the director, I won’t have as much pull. As the host, however, I hope that I can be an advocate for the needs of the contestants. Along that note: any concerns so far?

LILAC: The competition has attracted a lot of outdoorsy, country types. Which I get, given- (waves hand at the lot). And they should do well. I’m not concerned about that. But I’m a city girl through and through. There’s something about a place with some… bustle, that makes me come alive in my bones.

ARAMINTA: Normally I’m the anxious one. I think that’s more of a question for the fourth round.

LILAC: I think so too.

ARAMINTA: And if it comes down to that? Well, there’s one residential lot in San Myshuno that isn’t an apartment. Finally: can we deduce anything at all from the introductory round?

LILAC: That you’re a much better host than Leo?

ARAMINTA: (laughs) Oh, too rude!

LILAC: But true! You didn’t completely centre yourself, and you knew when to fade into the background and when to come forward and keep the conversation going. And you didn’t wow-wow with any-

ARAMINTA: And that is all for now! Best of luck to you, Lilac. Just continue to be genuine - and try to have a good time with it. What wasn’t shown so much on screen was that hardships aside, we did also have some fun on the island. This is an adventure and the opportunity of a lifetime, after all.

LILAC: An adventure I can undertake without even leaving my home lot? Perfect for a LAZY sim.

household one: day one should go up at 10 pm* my time

*GMT 10 am |  EST 5 am |  PST 2 am

lyric by @micrathene-w, dodo by @akitasimblr

[clubsmarties]

Eli smiled and sighed as he chewed his lip before getting up off the chair to be centimeters away from her face. That almost mischievous childlike smile displayed as he brought her chin up with his fingertip and pressed a fleeting but warm kiss on her soft plump lips. "I don't think kissing you would ever disappoint me." He situated himself back on his chair and wrapped his ankles around the legs of the seat. "The saddle night was a good day. I'm sorry it got cut short. My little sister needed me and if you ever meet her, you'd see why. She and I are really close. She's my best friend. Just don't tell my brother and sister," he chuckled making his eyebrows crease. "Our little secret." The thought had crossed his mind once but ended up deciding that it was best if he didn't. "I wanted to but I think I'm going to stay or find some place to settle that would still be a flight away from them. I think I exhausted my time in Chicago." A sort of melancholy took over his voice saying that out loud. Her excitement was contagious and it made him nod. "I'd love to meet your best friends. That's a genuine feeling because I don't normally like to meet people." The bribery bit had him smile at her. He did wonder what she'd have up her sleeve.

"Don't worry about that. I don't deem you too much. Has anyone ever deemed you to be too much?" His curiosity had gotten him to ask the question. Otherwise he didn't think she'd have hesitancy over being known. "Realism isn't a bad thing. Though it's good to have a balance." he hummed and nodded. "We can learn together. I know a few things but the kitchen isn't really my forte. Eating is though. I wouldn't mind learning together and coming up with different recipes to try." It was a nice thought. Laurel and him in the kitchen making something and having fun. Not paying too much attention to the exact recipe just winging it at times. He smiled as they fluttered one quick time and shook his head. "I'll proudly take the title then. I don't know who to thank. Mom or dad could have had green eyes. Who knows."

"I fooled you with my subpar dancing skills. Mama P used to love to be twirled so every chance we got we used to twirl her. So she'd take us around the kitchen to dance. It was Papa P who used to teach us how to lead." The last time he skiied was last Christmas. The last holiday that was normal. "Not since last year. It was a family trip. I've got a picture of that time in my dorm. I love the snow. It's a magical place and would love to go back. Maybe rent a cabin and spend the holidays there." A dream he knew that couldn't be made reality since he didn't have the funds to actually do it. At least not yet. "Have you ever been?" He shrugged his shoulders and cleared his throat. "Some people deem readers dorky and nerdy. So, it is not everyone's favorite hobby." She was cute when she laughed and her eyes sparkled with that joy. "It has worked. You have charmed me. Maybe now you should write a self help book on how to flirt the right amount."

"A one person type huh? Seems like we've got that in common." The smile he threw her was one that was half amused. "Cheerleading and tennis? Consider me more than intrigued. Do you still remember your cheer routine?" He'd wait until later to let her know he was one of the few cheer guys at the bottom of the pyramid. She didn't need to know that right now. "Silence isn't all bad. It depends on the person you're with. If they're using silence as a means for punishment then yeah that is not good. But if you're sitting in silence with someone who makes it safe and warm then you'd find it's also very fun. As for stargazing we should go sometime? I can't say I'll be full of facts but maybe I'll end up surprising you." Just then their food arrived and he grabbed it. "Shall we head back to the room?"

Laurel shook her head before smiling at his question. "Are you disappointed the kiss wasn't my favorite part? Maybe I just need a reminder," she teased. Although, she quickly corrected the confusion. "Sorry, I did mean the Halloween dance being my favorite part of the night though. That time at the Saddle, the kiss took the prize that night." Her head tilted curiously when he spoke of his siblings, she remembered him sharing about his move to Texas. Laurel just wondered why leaving became the choice if it wasn't top of the list. "I get it. It must've been a difficult decision to leave. Would you move back, after school?" She nodded in confirmation, her smile remaining as they talked of her dad. "Yep. I mean, not near campus, but he lives in Austin. I get to see him some weekends, or if he's near campus, we grab lunch." Laurel's happiness couldn't be contained, even now that he mentioned stopping by the diner. "Wait, really? Not because of the special, but just so you can say hi. If you wanted." Her eyes were practically shining with anticipation, the thought of bribing him started as a joke, but now she was eager to put it in practice. "Wow, so free rein in the bribery space. I'll begin thinking of bribing options." A moment was spent trying to decipher if he was serious, and she leaned yes. "Good to know, because now I know I definitely won't keep them to myself."

His head tilt was enough to have her quickly provide more context to her words. He seemed genuinely lost, as if not liking each other wasn't an option. "No no, I didn't mean because of you." She was almost certain there was nothing he could say that would deter her. "I just meant like...you deem I'm too much after you get to know me. Hey, I have confidence in this. Just a smidge of realism." Getting her hopes up would be devastating, but she couldn't bring herself to fall into that rabbit hole. Instead, focusing on his dramatic gestures. Laurel grimaced for a second, wooed with food. "I'll need to learn how to cook more than a grilled cheese." She hoped he meant the different food places she could take him to. If cooking was in question, she had just been given a map to his heart that she couldn't use. Unless she took up cooking classes. Yep, that could be an option. Laurel couldn't help the burst of laughter while he fluttered his eyes. Was it wrong to say that it was hot and incredibly charming? How was she not supposed to fall? "Yup, those eyes. Hm," feigning to be thinking about whether he took the title or not. "Yes, definitely the prettiest I've seen."

"I can never contain my questions, as you've seen, so you won't need to worry about that. I'll ask each time." Her curiosity won each time, and even the awkward questions didn't keep her. His answer surprised her, evidenced by the amused grin that followed. "Really? The way you were dancing, I would've thought it was a main hobby." Being led in the dance floor was definitely a new one for her. "Suitable might be a stretch, but any time you need a dance partner, I'll happily sign up. Why's it boring? There's boring books, sure, but don't know about the whole activity." Not really her cup of tea, too much silence. "I knew you were full of surprises, skiing is an interesting one. Have you been recently? I mean, I know Texas is not really the spot for it." At the question of her own hobbies, Laurel's thoughts ran trying to think of something. Only distracted by his follow-up question, which made her laugh once more, covering her face momentarily. "It's working then? I knew that how-to guide would come in handy," she joked, gaze peeking through her fingertips covering her face, before her hands dropped back on the counter. "But nope, not on my hobby list. That'd mean flirting everywhere, and that's more of a one-person thing for me. I'm trying to find new things to be honest. I did cheerleading way back when, some tennis and that was fun. Lately, books are also making my list." Because of school, but still. "I really like stargazing, not super great at it, but it's nice. The good kind of silence."

[aihoshiino]

The babygirlification if Hikaru is crazy in this fandom... I can't believe that people seem to believe he did zero bad things when ch109 literally showed him standing over Yura and saying that she died so he could feel something...? Just because he's not the one who pushed her, doesn't mean he wasn't an accomplice! (I don't see how Nino would've known about the hiking trip without his help. Also don't see why he would be there monologuing unless he's also a hiking enthusiast who just happened to be there.) He could be both! He could be someone Ai loved but also be a person who became lost without her! Look at Aqua who literally went on a maniacal journey of revenge that saved literally no one & killed 2/3 people whom Ai loved. Because she's gone. The way I see Hikaru's character is that, he loved Ai and understood her as a person instead of the persona she presented. Yet her passing made that persona the only legacy she left behind (in his eyes). She was seen as "the idol closest to the Dome" even though she didn't care! That title wasn't given to any of the other Bkoma members, just her. And, he wasn't really allowed into their children's life because she said so. The only thing he's got left were the "lies" and despite knowing that killing people for her legacy is not what she would've wanted, she's not around to stop him anymore. I think he was a man driven to desperation and doing terrible things because his love was genuine yet no one taught him how to love properly. And her final "rejection" made him believe that being a terrible person was the only thing he could be. Which was why Ai's video became such a huge blow to him: he could've lived without her knowing that her as a person didn't let go of him, yet he went down this path thinking that the true her rejected him & the "lies" was the only thing he could take.

I don't think Ai's rejection broke Hikaru, per se. I think she made him believe that he was worthy of love and not broken (like he thought). And the way things unfold drove him into a spiral that was planted long ago. Humans don't need to be innocent to be worthy of love. The HKAI relationship was two traumatised children finding comfort in eachother. And Hikaru's crimes were about someone letting intrusive thoughts get to them. I don't like how Akasaka handled it at all, but I think erasing Hikaru's grief and the destruction it brought isn't a good way to read his character.

SO, for what it's worth, I do think the way you've analyzed Hikaru here is how he was intended to be read by Akasaka, at least by the end of the story, I don't blame anyone at all who went into this final stretch of OnK legit thinking we were going to get a reveal that Hikaru was not just a straight up villain or at least sympathizing with him and interpreting him as a slightly softer character, because the story basically spends the entirety of the Movie Arc beating you over the head with Extremely Sympathetic Hikaru Characterization.

Hell, it starts asking you to sympathize with him basically from the word go. The first concrete fact we learn about him outside of Aqua's insanely (understandably!) biased POV immediately throws every explicit and implicit assumption we have about him out the window. Not only does his age mean that he was one of Ai's peers and not, as Aqua seems to have been assuming, an older man who had victimized her but we learn this information in tandem with realizing - as Akane points out - this means Taiki was conceived when he was eleven years old, with all that implies. Akane's disgusted reaction pretty clearly telegraphs to the reader how we're supposed to take it and… idk, maybe this sounds cynical, but giving a character a backstory of CSA is like the Press To Make Audience Instantly Want To Protect This Character's Smile button. It very much primes you to want to feel bad for him.

109 does throw a spanner in these works and I do remember even at the time feeling very fucking uncertain about OnK potentially going for the grody old trope of "this character was a CSA victim and now they're Evil" (IF ONLY I FUCKING KNEW) but the more I re-read 109, I felt increasingly uncertain of what, exactly, we were supposed to take away from it. I actually had a suspicion for a really long time that 109 was so heavy handedly and overtly portraying him as a straightforward villain specifically to mislead the reader When They Cry-style and that he wasn't the one responsible for Yura's death at all.

Add all this to the fact that the Movie Arc centers Hikaru's victimhood and his extremely sad wet cat pathetic boy characterization literally at the expense of Ai's story in the movie that was supposed to be about her but what the fuck ever and it's really hard not to think that this is how the story wants you to feel about Hikaru. Hell, the Movie Arc even asks us to empathize with Airi, who is a fucking child rapist. I don't think it's unreasonable for anyone to assume that we were not supposed to think of Hikaru as a straightforward villain, especially when Ruby basically, like, looks into the camera when she's having her meeting with him and goes "nobody is born ontologically evil btw people get fucked up by their environments and blaming individuals for systemic issues isn't how anything gets fixed".

Also, like… I want to be delicate about this but I think it's also important to remember that Hikaru's motivations and supposed villainy as portrayed in OnK as of late are pretty outlandish and hard to connect with. But there are almost certainly people in OnK's audience who are also C/SA survivors who are able to resonate with a more grounded portrayal of him. I don't blame anyone at all for preferring a more sympathetic take on him in that case.

[whateverisbeautiful]

Sorry if this is somewhere on your blog already but I was just curious if you had any thoughts on Michonne/Judith & Michonne/Carl and any moments you had that were your favourite or maybe top 5? Maybe even just Grimes Family 2.0 family moments you really enjoyed.

I relish any opportunity to reflect on the Grimes family, so thank you for this! Sorry, it took me a minute to respond. I adore Michonne’s relationship with Judith and Carl. They are both so important to Michonne’s healing and development and she’s so important to theirs as well. I like how through each relationship with her kids we got to see different aspects of Michonne’s motherhood.

With Carl being older, Michonne was able to first establish a genuine friendship with him first and then fully step into that mother role in his life. And then with Judith, Michonne got to raise her from the earliest stage of her life and see Judith grow up to be so much like her mom Michonne.

I definitely have favorite moments between Michonne/Carl and Michonne/Judith that I’ll share next. For this post, I wrote below my Top 5 Grimes Family 2.0 moments from TWD. 😊⬇️

#1: The Train Tracks (4.15) 

This scene is so special for so many reasons and it’s one of my favorite scenes in all of TWD. I mentioned it in the Top 30, but one of the many things I love about this moment is how happy and light-hearted it is even despite their difficult and uncertain circumstances. Like they truly had so little at this time and yet it felt like they had everything because they had each other.

And before this, it was already more than clear that Michonne was vital to the Grimes, but seeing the way she was able to carve out some fun for Carl along their travels and make this world feel less dark and bleak for a moment further cemented how much Carl needs her, not just to protect him but to add brightness to life too. Their little competition and sharing of candy was such a nice depiction of Michonne and Carl's bond. And of course, Rick grinning from ear to ear while watching Michonne and Carl together really completes the scene and communicates that he has most certainly fallen in love with his son’s best friend. 😊

#2: The Scale of 1-10 (4.16) 

There are a couple scenes between Rick, Michonne, and Carl on the road in the season 4 finale that could make my list of favorite Grimes family moments. They had so clearly become family and you just knew no matter what happens next this family unit would remain intact. But a scene that quickly comes to mind when asked about fav Grimes family moments is when the golden trio is hovering over a fire and Rick asks them how hungry they are on a scale of 1 to 10.

I always find that whole scene so sweet, especially when Michonne and Carl both answer above 10, and when Michonne says "28" Rick gives her the food first. And then when Carl wants to go with Rick to check the snares, I love the way Rick includes Michonne in that and wants her to come along as well. It was truly giving family camping trip and it showed how much Rick views Michonne as part of the Grimes family.

There’s also a s4 finale scene where Carl asks about what they’ll tell Terminus about themselves as he seems to be wondering who they’ve become and what parts of themselves they should share considering they’ve had to do a lot of tough things to survive. It’s such a subtle moment but I always love that when Carl asks this weighty question, Rick’s first instinct is to share a look with Michonne. To me, that look showed that Rick entrusts Michonne as a fellow parent to also be able to step in and address Carl’s questions.

And I love that she’s the one to respond and that Carl got to have both a mom and a dad to turn to during this time. Especially later when the Claimers show up, I think a huge reason why Carl didn’t entirely spiral after that experience is because he was able to have two parents who could both fiercely protect him and emotionally support and comfort him.

#3: The Morning Routine (6.10)

Anytime we got domestic Grimes Family moments it was always gold. And I love the insight we got into how the Grimes spend their mornings during that 6.10 episode. It was all so comfortable and I love that it’s a scene that includes Rick, Michonne, Carl, and adorable baby Judith too. Of course, the flirtatiousness and steam coming off Richonne as they near finally taking their relationship to the next level are great, but I also love the whole playful parents vibe with Carl having such teen responses to his parents calling him and his dad’s goofiness with repeating what he said.

I always appreciate that whenever the Grimes got a chance to enjoy some periods of normalcy with each other there was often lots of smiles and laughter included in those moments because they make each other happy and bring out each other’s most at ease side.

#4: The Art (9.01)

It is impossible for me to not smile over the opening Grimes Family scene in the season 9 premiere. Again, I love the way this gave insight into how their family spends quality time. With Michonne having been shown to love art, it’s the sweetest thing to see her out on the patio talking about Judith’s paintings with her and being so encouraging about it. I also love that we got to hear Judith talk more in this scene and that she has such a fondness for their family and friends with how she always likes to draw them, including her late brother Carl. 🥲

And then Rick walking out and taking in the image of his wife and daughter is also so heartwarming. You just know he’s looking at them in that moment and thinking about how they’re his heart and they’re what makes life so worth living. And then the way Rick asks about the grumpy face and Judith says he gets a grumpy face and big tummy, I’m smiling just thinking about how cute that was. And it’s made even more perfect when Michonne can’t help but let out her adorable laugh.

The Grimes family's moment in the field with the birds was also such a lovely visual. I love the way Judith has her hand over her mom’s as Michonne holds her and the way it shows yet again how Rick and Michonne both value giving their kids these moments to appreciate the beauty that’s left in the world. 

#5: The Family Fun Day (9.03) 

I feel like this one making the list of favorite Grimes Family 2.0 moments needs no explanation but of course, I still have to gush about it a little more lol. This montage was everything from beginning to end. And this scene technically includes RJ too which just makes it all even better. 😊 Along with what I’ve already shared about this scene in the Top 30, I love the way this Family Fun Day reminded me of how Judith has long been a beacon of hope for Rick and Michonne and just her presence always helped bring them to where they need to be and to who they are most meant to be.

Judith needing formula played a big part in Michonne going to the prison and meeting her future Grimes family. Wanting to find a home where Judith could live played a big part in them going to Alexandria. And after losing sons and enduring so much, Rick and Michonne were able to still remain in tune with their parental side and their playful side through raising Judith and making sure her life and their lives still included fun and joy.

And seeing the three of them get to just be solely focused on being family and playing and enjoying the day during their Family Fun Day was food for the soul. In the deleted scene on that picnic blanket, Rick basically suggests he hopes for more years spent like this and it makes sense because whenever the Grimes family are together and just getting to be present and at peace, there’s nowhere else they’d rather be and there’s nothing more I’d rather see than Grimes Family 2.0 getting to live happily.

[aquaticmercy]

Not a request but just some thoughts! I don’t know how to explain it but:

Bucky: girl dad through and through

Steve: Boy dad (I love him so much but i genuinely feel if he had a daughter he would raise her like a son because he don’t know what he’s doing)

Sam: Both boy and girl dad, but the boy always turns into a carbon copy of him while simultaneously being a mama’s boy

omg thank you anon for these thoughts!

Enjoys these Dad! Bucky, Steve, and Sam blurbs!

Bucky Barnes

Bucky Barnes would make the best girl dad. And he’s the best girl dad precisely because everything he’s been through. Because all of the violence and trauma. It’s why he’s so gentle with his daughter, why he’s extra careful around his little girl. 

He spent years being nothing but a weapon, and now that he has the life he shares with you and your daughter, he is so scared of hurting either of you that he treats you both like you’re made of glass. 

He still has that 1940s mindset buried in there, though. Not because he’s a jerk— he knows better than that— but because it’s just there because it was drilled into him from a very young age. 

He catches himself sometimes thinking her daughter should be all dainty and protected and doted on 24/7, and he reminds himself that she has to learn how to be on her own someday.

Still, he treats his daughter like he’s her bodyguard, the way he does with you. He still opens doors for you, stands just a bit too close on the sidewalk. He’s got this invisible shield around both of you. He doesn’t even mean to; it’s just there instinctively.

So now imagine his face when his little girl starts ditching dolls and princesses for more  traditionally masculine things. 

Bucky is very supportive, although he has to manually override some of his 40s brain.

She loves the drums, and he’s all for it. He gets her lessons. He sits next to her during practice to catch all the sticks she drops trying to do complicated tricks. He high fives her whenever she does a sick beat. 

She’s also all about football (soccer). He notices it when she’s cheering for the women’s national team during the World Cup like her life depends on it. 

Bucky immediately starts looking at tryouts and academies. When she has a game, he’s out there on the sidelines, grinning whenever she does anything even remotely good, screaming encouragements when she loses the ball, and celebrating with her when she scores a goal.

But god, it’s hard for him to watch her take a tumble, all elbows and skinned knees. She hits the ground here and there and he winces every time, heart in his throat. He’s so adorably worried until she gets back up and gives her daddy a big thumbs up. 

And yet when she goes in for a not-so-great tackle, he’s the loudest one cheering on the field (and the first one complaining when the ref gives her a yellow card).

But then. Then she decides she wants to try Brazilian Jiu-Jitsu. She says she wants to be tough, like him.

This is where Bucky might draw the line. “There’s no way,” he tells you. Not his little girl, rolling around on some mat with kids twice her size, learning to choke people out. 

It makes him think of all the things he’s done, the things he was forced to learn, the violence he was engineered to deliver, and he can’t bear the thought of her going anywhere near that world. 

He wants to shield her from it, to keep her protected, untouched by any of that.

You, of course, see right through him. You sit him down one night and tell him, gently but firmly, that she’s her own person. 

That she’s got his strength. And if she wants to do this, it’s because she wants to be more like him. Because she looks up to him. Because she thinks her daddy is the best person in the world.

It takes a while, but he comes around. But not only because his little girl wants to be like him, but also because he sees so much of you in her. 

You both have the same spark, the same drive, the same way of nudging him to grow. To challenge his thoughts and beliefs.

He watches his daughter march into her first Jiu-Jitsu class with this fierce little smile, the kind he remembers seeing on his own face back in the day.

Don’t get me wrong, he’s terrified. But he’s proud, too. Because she's challenging him to be better, braver, just by being herself. 

And every time he watches her spar, he finds himself cheering—softly, at first. Soon, he’s the loudest parent in the room. His little girl, fighting her own battles, just like her dad.

-

Steve Rogers

Steve Rogers would be a fantastic boy dad.

He’d never admit it, but part of him always fantasised having that kind of relationship with his own dad—playing catch and putting on barbecue, doing all those white picket fence  father-son things. But his dad died when he was young, and even if he hadn’t, Steve would be too small, too sickly, to keep up. 

Now, with a son of his own, he absolutely craves bonding with the kid. And of course he’d love him no matter what, but there's just enough super-soldier serum running through his son’s veins to let him be strong and athletic.

And for a while, everything’s perfect. Steve takes his boy to baseball games, teaches him to throw a curveball, and they spend endless afternoons in the yard sprinting (Steve slows down a bit) and throwing frisbees. During the summer, you could hear them both laughing and talking from sunrise to sunset. It’s everything he dreamed about.

But as his kid grows, Steve starts to feel a distance.

His son’s childhood is just... different.

He’s popular at school and his biggest worries seem to revolve around sports day, acing his tests, and keeping up with all the clubs and extra classes he’s signed up for. His son doesn’t have to fight his way through the day just to be heard or seen. People listen to him. He’s the kid everyone wants to be around. His friends look up to him.

Steve can’t help but remember how different his own childhood was—every day a fight just to prove himself, to survive in a world that didn’t give a weak kid like him any breaks.

He remembers those long, lonely days where he’d sit at the edge of the playground, watching the other boys run across the field, laughing and tackling each other in games he could never join. Sometimes, he’d be nursing a bruised rib or hiding a scraped knee, feeling a bit isolated. He remembers how desperately he’d wanted to be a part of it—to have a world that embraced him instead of challenging him at every turn.

Now, watching his son grow up so different from that—so at ease in his own skin—fills him with happiness. Still, Steve feels a strange tug in his heart. 

Steve can’t help but feel like he’s on the outside looking in, wondering if he can truly understand this world his son is growing up in. He’s scared that him and his son wouldn’t have anything in common anymore.

One evening, after the kid’s asleep, Steve finds himself talking to you for hours about his anxieties.

He tells you how strange it feels, how he doesn't know if he can relate to the person your son is becoming. He can’t shake the feeling that, in some way, his boy’s growing into a world Steve himself never got to experience. A world he cannot help him with.

But you’re there, holding his hand, reminding him that love doesn’t need to look like a mirror. 

A few days later, Steve goes to pick up his kid from school, and what he sees, he will never forget. 

His son was on the playground, standing tall, facing down some older kid who’d been picking on another student— a little boy in a wheelchair. 

Steve’s son was defending someone who couldn’t defend themselves, just like Steve would’ve done back in the day— just like he always does.

When they get home, Steve’s got tears in his eyes as he hugs his son, barely able to say how proud he is. He runs upstairs to tell you what your son did. 

After that moment, all his worries vanish. Steve’s son might not have his struggles, but he's got his heart. 

And that’s all you ever really wanted.

-

Sam Wilson

Sam Wilson as a dad? He’s wonderful. 

You’ve never seen someone so comfortable just rolling with whatever his kids throw at him. 

His little girl has him wrapped around her finger.

When she drags him into one of her imaginary plays, he dives right in without hesitation. 

The two of them have this whole routine now: she’ll declare herself the “Queen of Cupcakes,” and before you know it, Sam’s transformed into her nemesis, “The Grumpy Troll.” 

He’s got a whole stash of masks and scarves just for these characters. He looks ridiculous in a pink tutu and tiara, but he’d never miss the chance to be part of her little kingdom.

But his daughter is not only about tea parties— She’s only eight, but she’s strong-willed and headstrong. She insists on trying things herself first, even if she has to wrestle with it. 

One time Sam reached over to help her open a jar, and she looked up with the most serious little frown, shook her head, and said, “Daddy, I got it.” And she did, after two minutes of huffing and puffing. 

Another time, Sam finds his daughter in the kitchen, a stool dragged up to the counter, sleeves rolled up, determinedly making her own peanut butter sandwich. She’s got peanut butter smeared from cheek to elbow, but she’s concentrating hard, tongue poking out a little as she spreads it just right. When Sam offers to help, she shakes her head without even looking up, determined to get it done.

Then there’s his six year old little boy, who’s gentler, in that way that Sam is. He’s kind-hearted and hilarious in a way that catches you both by surprise. 

After every mission, his son’s the one who toddles over and asks, “Daddy, are you okay?” like he’s got this radar for how people are feeling. He reminds Sam of himself, especially when he worked at the VA.

Sam even found him in the backyard last week, carefully placing a bowl of water and crumbs of bread on the grass. He said “The little bird with the hurt wing might come back, and I don’t want him to be thirsty.”

Another time, he offered his favourite blanket to his sister when she had a cold, even though he always sleeps with it himself. He just tucked it around her shoulders, giving her a quick hug before running off.

And just like his dad, your son is very clingy— very attached to you. If he sees you’re tired, he’ll nestle up on the couch next to you. And when you’re out of the house, he’ll carry your sweater around, or ask a hundred times when you’re coming back.

On the first day of school, your son’s practically clinging to your leg, not quite ready to let go. His eyes are all big, and you could feel how nervous he is without you there. 

Sam crouched down and starts giving him one go his famous pep talks. Before he could finish, his big sister steps in. 

She promises him they’d sit together on the bus and during snack and lunch time, and that she’ll teach him how to be “brave like Papa.”

Your son squeezes your hand one last time, then lets go, holding onto his sister’s instead as they both walk on the school bus.

“Did you see that?” Sam whispers, his voice full of pride. 

He wraps an arm around you, pulling you close. You lean back into him, watching your kids grow up in front of your eyes.

-end