#but also at that point why are you following me this is what I'm getting paid to do for the summer & do for credit during the semester lol

[yanmuffins]

waiter! waiter! more phineas and ferb reader pls!

I wonder how the batfam would react once they catch reader inventions on a random tuesday, like, "hm, what a nice day to look out on the window and HOLY SHIT WHY IS THERE A GIANT ROBOT SPITING FIRE WHILE RIDING A ROLLERCOASTER IN MY BACKYARD???"

the events that would follow this incident would be funny and exasperating, me thinks

also, wouldn't it be funnier if Perry the Platypus was part of the JL? and like, no one knows his identity but Superman, and neither of them are willing to talk about it-

I know it would be very unlikely, since everyone there would have enough neurons to recognize a platypus with and without a hat, but for the sake of shit and giggles, just think of how funny that would be

welp, I needed to get that outta ma chest, I hope I at least made you laugh a little, because seriously this is one of the best ideas I've seen in this tag and I can't stop thinking and giggling about it

Stay well!

context.

first: i was not expecting this concept to be so popular!! the responses i've gotten from everyone are so amazing!!  ( ⸝⸝´꒳`⸝⸝) thank you for the ask, anon!! it always makes my day.

i am formally announcing that i will be turning phineas and ferb reader into a fic now. it's too good a concept to pass up. something more light-hearted to work between the other fics i'm writing.

batfamily finding out about reader's whacky inventions would be an event. it so wholeheartedly shatters the image they had of reader to the point they just have to sit with what the hell just happened for a while before they even consider what to do about you next. still so many things that don't make sense. their newest case is how the fuck did we go this long without finding out (Y/N) has been building mechas in our backyard and why are those things always gone when it's convenient.

then the realizations just start dropping on them like an anvil on a looney tunes character. and they kinda feel like shit, cause how did they not notice? really puts into perspective how they've neglected you all this time. so many stunts you pulled right under their nose, on their backyard, their garage, throughout gotham and metropolis. ok, were out there being creative and amazing and you sure know how to spend the wayne family money, they'll give you that, but it was so irresponsible of you! who knows what could've gone wrong. you're not like them! you're a civilian with no training, the only regular teenager in the family, you're the last person who should be exposing themselves doing all that.

bruce goes off on you, screaming about how could you be so reckless, you did all of this behind his back– what? what do you mean he gave his permission? and he is floored, devastated, blood pressure up, when you remind him of every instance you dropped by his office with a document for him to sign or to ask for permission, with proof as you pull out every paper he put his signature without a second look.

and that, ladies and gentlemen, is when reader's dynamic with the batfam does a complete 180 and their little yandere antennae start going off. no more whacky cartoonish shenanigans. at least not without proper supervision. they know you're not a fan of this new arrangement, but you gotta understand they let you go unchecked for way too long! they'll drown you in family activities so you don't even have to worry about it. who wants to build a teleportation machine, anyway? just join them for family movie night.

as for perry, that is going to take them a while longer to figure out. bruce just can't stand another insane discovery, so when batman sees an intelligent platypus wearing a fedora and walking on two feet on justice league headquarters (if we're going by the idea that he's a part of JL), he's just going to think "my kid has a pet platypus. huh."

oh, consider:

dick: "damian, you knew all this time?! our sibling could've gotten into serious trouble! why didn't you tell us about this?"

damian: stares into the camera like he's in the office.

[bumblingbeezzz]

I think somebody out there wants me to kill myself lmao. I keep seeing things on here that could all potentially ruin my mood, and now I see holes getting shot through one of my lifelines amidst the sinking sands of depression. I knew Goku was never entirely a righteous hero, but in fact got a lot of thrill from fighting, which is why he would sometimes leave a worthy opponent alive so he can fight him again, even if they were an extremely dangerous individual to let roam free. But this says that it's literally all he cares about? Some of the claims OP made are, at the very least, not backed up in the source provided by the other poster. It doesn't say here that he only feels companionship not love, and that he would only care for a second if his family and friends died.***

It's pretty messed up. The same article makes both Goku and Toriyama not look so great all at once. In it, he also admits that his motivation for writing DBZ was nothing more than money, and doesn't say that he learned to love it or have any connection to his fans (in fact, he mentions intentionally messing with them and being contrary to their wishes), just seems to imply that it was an easier job than most. I'm tempted to share this with the person who got me into DBZ but also I don't want to ruin anything for them. Then again, they're the type to say "I prefer the brutal truth" so...

Ah fuck but what about all my followers who like DBZ? Goddammit...I wanted to say my piece but I guess it's selfish of me to ruin it for others. But, well, actually there may be some consolation for those who already saw this, because Toriyama also states that he forgets some of the things he writes. He also says he doesn't take care of his illustrations after he finishes them. Which is really weird and kind of disheartening to hear that he had so little passion for the story he built and shared with so many fans worldwide. But the point is, it seems that many fans are closer to the material than even he is, and as I've said before about the Harry Potter series, you can separate the content from the creator by acknowledging that 1) it is fiction and 2) there is a difference between who the author is, how the author interprets their own work, and what enjoyers make of it. These characters live in our consciousness as we built them too. We put our own heart into it just by immersing ourselves in it. Yeah, sure, Toriyama had a different vision of Goku than maybe a lot of fans did, but that doesn't make those interpretations we acquired and stored less valid. We all used our own imaginations to interact with what we watched or read. The version of the character that you see, and which makes the most sense to you is "real," because it's all unreal anyway.

And honestly? A more complex Goku who loves fighting for the thrill of it AND fighting for his friends makes the most sense anyway. We've seen it, we've seen his genuine care and concern. He's proven himself to be "pure of heart."

***Edit: They do actually include more sources that I didn't initially see which does confirm this, at least the part about seeing his family more as companions, though that doesn't change my final statement.

I just really find the fact that the creator of dragonball has stated that Goku canonically cannot feel any kind of love, just ‘companionship’, to be a extremely interesting fact. Like, if his family died he’d be like ‘No!’ and then he’d get over it fairly quickly as if they were only just acquaintances. Same goes with the rest of his friends.

The series creator apparently doesn’t like the anime’s portrayal of Goku. They always cast Goku as a hero, when in the manga he’s really only ‘saving people’ as a side bonus that comes with fighting a stronger opponent. He doesn’t purposefully go in to save anyone unless there is a fight happening at the scene.

So, If Goku hadn’t hit his head, he would’ve just been another Raditz. And it also explains why he’s rather cruel towards Gohan and neglectful towards Chichi.

Apparently Vegeta is the actual exception to his own species. He actually genuinely loves his family, -a rare trait only Goku’s mother was proven to have- whereas Goku is apparently literally unable to have those feelings. It’s kind of ironic; Vegeta is probably the one that would be the most ashamed and resentful to admit he has those kinds of feelings.

[unforth]

I keep seeing posts comparing this to 2004 or other past election losses and how this feels the same or similar to those past times.

As another Old who voted in 2004 (and I missed voting in 2000 by a month and was furious about it) I really can't even put into words how vehemently I disagree.

In 2008, I remember very earnestly sitting down with some friends and saying that if somehow McCain beat Obama, I'd have to join the fucking revolution, because I couldn't believe that this country would elect a Republican AGAIN after the previous 8 years of bullshit. I look back now and think how incredibly naive I was, but I also look back now and think, damn, why aren't I 25 NOW? I can't join the revolution now, I'm 41 and I own a house and have two young children and one old parent depending on me.

Because honestly, truly, as someone who has been studying American history since I was 7, as a Civil War buff with expertise on the years before the Civil War, as someone who has at least some memories of every election since 1988... guys, this isn't the same as 2004. I was furious then. Swift Boat bullshit I swear to fucking dog. And I was and still am fairly convinced that the 2000 election was deliberately stolen. But also I still had every reason then to believe in the rule of law.

In 2004, I still believed term limits would be respected.

In 2004, I still believed a person who wasn't elected would demure gracefully to the winner.

In 2004, I still trusted the courts.

In 2004, I still believed that we'd made progress on bigotry.

I could go on, and to be clear, my point isn't "I thought these institutions were ~good~" in literally any objective sense. Y'all are cynical but my generation was raised by, surrounded by, Vietnam vets and trust me, there was no way to be a kid, seeing what the 70s did to this country, and not come out as cynical and furious as the best of um. (My grandfather was a World War 2 vet, as were his close friends. My father and both his brothers are Vietnam vets, tho my dad didn't go overseas.) But I did believe that even corrupt institutions, even broken racist systems, even fucking Republicans, would follow basic norms of democracy. They said they believed in the constitution and I believed them. I believed that, like Nixon, truly getting caught doing something insane would at least force a mea culpa and turn public opinion. I believed...

Well, I guess it doesn't matter.

Because I no longer believe any of that.

I have watched the guard rails disappear over my lifetime. I have watched the party who once spent 2 years pursuing a guy over a BJ in the oval office elect a convicted rapist. I have watched and at times I've participated and I've voted and I've organized and I've protested and I've read the news more days than not and I've lived and I've grown and I've learned.

I have been an adult, legally, for almost 24 years now.

Guys... there are no norms remaining on the far right. The guard rails are gone. The Fascists control the White House, the senate, the Supreme Court, and things aren't looking promising for the House.

The bus has no brakes anymore. They think they have a mandate - and I can't blame them, as horrifying as this mandate is, because if things had gone the other way and Harris had gotten these results I'd also think it was a mandate.

Please sit with what this means: Trump and the Republican party said, "hand us the reins and we'll make everyone you hate hurt," and more than half the people who bothered to vote said "sure buddy, here goes." We don't have a usurper this time. This is the country that the majority of Americans said they wanted. Whether they come to regret that or not, they saw open Fascism and went "oh yes, count me in." And it wasn't because of the electoral college this time. It was because this country is so bigoted and misogynistic that they'd rather have this than a woman of color in the office.

I'm sick of "well she didn't run a good campaign." (Lie.) I'm sick of, "well we didn't get a primary." (Who cares?) I'm *extremely* sick of "well, Palestine." (Yes! Democrats actions have made the suffering there so much worse! It fucking sucks! You know what's about to suck so much worse?)

15 million people who showed up for Joe Biden couldn't be fussed to place a vote for Kamala Harris. Whatever their reason for not voting, we all knew the outcome if she lost. And seeing open fascism didn't fire them up enough to make the effort, and that's fucking pathetic. The consequences of the worst happening mattered so little to them that they couldn't be fucking bothered to make the minimum effort to stop it, and now millions of people will suffer as a result.

Because here we are: the huge swathe of the country who wanted a strongman now have one.

Look, I don't know what happens next. But I do know, and remember keenly: after 2016, Trump did, or at least tried to do, most of the things he said he'd do. When he was stopped, it was often because of career government employees: judges, bureaucrats, etc. And this time, he's said he's going to purge those people. I don't know if he'll succeed, but I certainly believe he'll try.

This is not 2004 again.

This is 2024. The Republicans have ripped the mask to shreds, shredded apart the book of political norms, and empowered hate, and they've been handed a governmental mandate for stamped "have at with our blessing!" in exchange.

And now they'll use that mandate to make everyone they hate suffer: people of color, queer people, trans people, immigrants, non-Christians.

Don't assume the worst can't happen. I am a Jew, and I have a photo album full of black and white photos of dead people that constantly reminds me: the worst has happened and it can happen again.

Do not despair. Despair is enervating. Be furious. As we should be. These douche bags are repulsive. Be prepared to fight. Be prepared to flee. Be prepared to defend. Don't assume you simply can't do something. There's always something to do, and even the smallest act of defiance can help. There's never any knowing until after which acts of resistance will end up galvanizing the good and just out of their apathy. But that apathy is the enemy.

Because none of this is normal. None of this is "just like when..." Please stop saying it is.

And before anyone screams "privilege" at me, yes, I am in many ways. I'm white. I have access to some generational money even tho my own family lives paycheck to paycheck - we won't be rich but have enough of a support network to be comfortable. I live in a blue area of a blue state. But I'm also a woman (legally speaking, at least) married to another woman - since before Oberkfell, and yes I remember exactly what steps we had planned any time we wanted to leave our state. My wife has physical disabilities. We have two children. Both are biracial (half black). One is trans. We are caring for an elderly parent. I am Jewish and as my kids' birth parent, so are they. I own a publishing company that publishes the exact kinds of queer and kinky lit these people intend to ban. We tick so many boxes of what these people hate.

I know ya'll are scared. Trust me, I'm terrified. But fear is paralyzing. And that won't help. Whatever happens, don't lie down and take this shit.

When Gore lost I was one month shy of my 18th birthday and already in college. I have been fighting my entire adult life, and I'm exhausted. I'm much less able to fight now, much more tied down with responsibilities. But the fight isn't over. I'm checking our passports. I'm packing a go bag. I've convinced one vulnerable friend to move here and I have another who wants to and we're figuring out how to make that happen. I'm protecting who I can, starting with putting on my mask first. I don't know what will happen but if in the end all I can do is uproot my entire life to protect my children then I am preparing to do so. I can at least save them if no one else.

None of this is normal.

And I'm not sure, after Trump's in office, that anything will ever be normal again in the US. At least not the old normal. And there are ways that's a good thing, so many ways that the old normal sucked for so many people, and I'm optimistic that there's a bright future ahead, but man it looks far away right now. I don't want to go back to the old normal, and I want to be part of establishing a kinder, more just, more equal new normal, but we're a long way from there.

Whatever happens, we must endure. We must survive. We must support each other. We must find our allies and be prepared to compromise with them. Don't try to save everyone. You'll fail. Help even one person and you can change the world. Everyone things they can't do everything and so do nothing. That's insane. Do a single thing and it will be better than nothing. One phone call. One letter. One act of defiance. Very few people get the opportunity to grand gestures that matter, and the rest of us will die waiting for that moment. But the secret is that what makes those moments - the time when one person is in the right place at the right time for their action to matter - is built on millions of small moments by millions of people doing what little they can to make things slightly better. Think of every iconic photograph of a Sole Resistor you know of and think about every single tiny thing that had to happen for that moment to occur. Most of us will never me that one person, but that one person is a myth anyway. Countless tiny unseen moments create those myths. Doing literally anything is better than doing nothing.

And tooth and nail, quietly and loudly, in our homes and our towns and cities, during protests or when they come for our neighbors, we must fight.

[feroluce]

Oh my gosh the way the Pop-Up Shop event ended and what it hinted at that's going on rn, and what it might imply about what's in store for the next time we see Sampo, I'm so excited AAAAAAA

Because it seems it really IS our Sampo, and whereas before I was absolutely delighted by the thought that he was possibly getting fucked with by some outside influence, and that was why he was saying such strange things... There's nothing quite like that going on here. There's no memetic virus messing with his head. There's no imposter, no possession, no nothing.

Just Sampo, and the ominous, all-consuming dread that hangs over his head like a guillotine, as he willingly walks right into what he is sure is a trap. ♡

Because this event was weird right off the bat, yeah? Sampo invites us in on a business deal that won't make him any money? The hell???

And I was just waiting on pins and needles for it to make sense, and oh, I was not disappointed at all. Because I've got a nice meta post about it over here, but Sampo actually DOESN'T make a lot of money most of the time- but he does always get something out of his dealings. He works for favors and good will and networking, but never for nothing. And it was the same here!

Sampo didn't make any money with this little business venture because that wasn't what he needed from it. That was never his goal to begin with. He just needed something entertaining.

Sampo has the key to get into the tavern's basement where Sparkle has been keeping his mask for him, but he still needs to be let into the front door of the tavern itself. The fun stories he got from this event were his entry fee. He leaves at the end because he's probably already on his way to Epsilon, where the World's End Tavern should be.

So that explains part of what was so strange this event. It's the rest of his ooc tendencies that have me like foaming at the mouth though because AAAAAAAAAA

There's long been hints of...some? kind of strain between Sampo and the rest of the Masked Fools. Like it starts all the way back in Belobog's main quest with the big infamous fourth-wall breaking sequence, where Sampo talks some shit.

And it continues in the Aetherium Wars event, where we finally get the confirmation that Sampo is a Masked Fool and even get to see him interact with Giovanni, one of his brethren! And where Sampo talks more shit. He also leaves the trailblazer a warning against Sparkle, who they hadn't met yet, and probably the Masked Fools in general.

And for some strange reason, it seems to be popular fanon that Sampo like. Talks a lot of shit? Or is rude in general? Like I feel like I see a lot of jokes about if Hook says a cuss word, it was probably his fault. But Sampo is actually pretty polite with everyone. I think the only time we really see him be harsh is when he has to set some hard boundaries in the museum event. Otherwise, he conducts himself like a model friendly businessman. Like he IS super shady and slimy, but he's still polite about it. I'm pretty sure the only time he actually talks any shit, and so bluntly, is about the Masked Fools or Epsilon as a whole. He really seems to have some sort of beef with them.

There's also his hilarious relationship with Sparkle, which I'm including for consideration because we don't know how common people like her are in the Masked Fools, so she might represent how Sampo interacts with a lot of them. ...But I'm pretty sure Sampo's grudge with her runs deeper than that anyway jdksajfdkljas

She's so funny I hope she fucks with him more FJDKSJAKD

Anyway, the point is, Sampo doesn't seem to see eye-to-eye with a lot of the rest of Aha's followers. And it was never hinted at before the pop-up shop event, but now I'm wondering if it might be like. An actual dangerous sort of situation.

Because during those brief packaging sequences, you get some. Pretty wild text dropped on you. There was actually a really cool explanation for it by another user already! But basically, all of the phrases are more fourth-wall breakage. They're mostly in-game achievements...except for one.

"This must be a trap create"

We never get to see the rest of the phrase. Just "This must be a trap create."

That is the only one we don't have an explanation for yet, at least as far as I know.

AN EDIT: Thank you to @/kittaykattz for this one, because it looks like someone DID find the source of this line. Unfortunately, it only came up in my search after I looked for the full phrase. I couldn't find it on the wiki before orz And yet this somehow does NOT make it any less ominous ajfdklsjkl The full phrase is "This must be a trap created by a Masked Fool!" and it comes from another in-game achievement, "Boxes and Ladders." Which is really cool, because I had figured the last line must be something from Penacony, since it was the only area not represented so far. So in that way, it fits perfectly with the rest of the text. Now we have one achievement from every area of the game, which fits with the theme that Sampo has been following the Astral Express, the trailblazer specifically. It's the way that it doesn't fit that's the weird part though. Because the rest of the lines that come from in-game achievements are all titles; that's why they were so much easier to find. For some reason, Hoyo saw fit to single this one out. They didn't use a title. They specifically chose the line about falling into a trap set by a Masked Fool, a trap with seemingly no way out, where one's only choice is to take a leap of faith and pray to make it out ok in the end.

Love that. Absolutely love that. That's so fucking tasty, I will be daydreaming for days on end now about Sampo finding himself in a horrible situation with no way out where all he can do is make a desperate attempt and pray to whatever might listen (probably not Aha fjaksljdk) that he'll survive it WHEEEEEE

Because Sampo talks so strangely throughout the whole event, but it gets worse day by day, morose and morbid and dreading and sometimes even almost like he's warning the trailblazer against something about to happen.

I've already lovingly discussed it in an analysis about Sampo's name (alias included) but like. There certainly are some fun connections there. The Sampo of myth was smashed and lost to the sea. Poisson was flooded. Brueghel died suddenly and left a final painting of a storm at sea unfinished.

The Masked Fools are referred to with imagery of water and the sea. And frequently so.

And so I do wonder what Sampo knows, and what he's expecting to happen when he gets to that tavern at the end of the world. If maybe he thinks he's walking right into a trap, and is doing it willingly, doing it anyway, because, well.

Belobog is on the line.

And Sampo has already proven he seems so ready to do whatever it takes to protect it.

[just-dreaming-marvel]

Love That Burns ~ 28

LOVE THAT BURNS MASTERLIST

< previous chapter

Word Count: 1,995ish

Summary: The aftermath of the Battle of Alcatraz Island.

Warnings: Possible character death. Grief.

Notes: I know I said that I'm taking a break. I am. I'm focusing on taking care of myself. But I also got to take care of you all. Hopefully, this provides a slight distraction for any pain any of you may be feeling. (Also, I know the gif happened in the last chapter, but it can still work here...)

Reminder: I DO NOT do taglists. Please don’t ask. Please follow and interact! I appreciate any reblogs, likes, comments, and asks! 

The debris and water around the area quickly fell as Jean collapsed, dead. Logan spun around, looking for you. He couldn’t see you on top of any of the debris, making his heart sink.

“Y/N!” He screamed as he began using his senses to find you. “Y/N!” He caught a whiff of your blood and immediately began throwing debris. As soon as he could reach you, he pulled you into his lap. “Y/N? Sweetheart?” His heart dropped at the realization of how cold you were. “No.” 

He frantically looked for any sign that your body had begun to heal itself, but there was none. His fingers shot up to the pulse point at your neck, waiting with bated breath for something—anything to tell him that you were alive. He came up with nothing. 

“No, no, no, no, no!” Tears began pouring out of Logan’s eyes. “Somebody help me!”

“Logan!” Hank shouted, running towards Logan. “Logan, what—“ The blue, hairy mutant came stumbling to a stop. His eyes widened as he took in the scene of you limply laying in Logan’s arms with Jean dead a few feet away.

“Why is she not healing?!” Logan began panicking. What had happened that caused you to not be able to heal?

Hank broke out of his trance and rushed over to kneel on the other side of you. He placed two fingers under your neck and silently prayed for a pulse. His heart sank further with each passing second.

“Logan—“

“Do something, Hank! I need you to do something! Anything! I can’t lose her again!”

“I can find us a jet, perhaps get her back to the mansion. But, Logan, there’s no promises that she’ll… that she’ll wake.”

Logan shook his head, pulling you closer into his chest. “She’s not dead! She can heal!”

“She’s not healing, Logan.”

“No! You need to do something! You need to try! Or I swear to God that I will kill you.”

Hank gave a solemn nod. “I will go see if there’s a jet we can borrow.” Hank rushed off, worrying about how Logan would react if you didn’t wake up.

Logan’s eyes fell back on you. He began rocking back and forth. “I need you to wake up, baby,” he whispered, using everything in him to beg. “This isn’t funny. I know that I’ve made a shit ton of mistakes, but I can’t fix them if you’re not here… Wake up, sweetheart. Please.”

~~~

Hank was thankful to quickly find a jet that they could use. The X-Men piled up in it, steering clear of Logan and you. Hank brought Jean’s body on board, covering it with something so no one had to look. It was completely quiet the whole way back to the mansion.

“Logan,” Hank called once they had landed. “I need you to give her to me.” The Wolverine simply growled, holding on to you tighter. Hank sighed. “I can’t do anything with you holding her.”

“Work around me,” Logan snapped.

“I can’t do that.”

“Try.”

“Logan,” Ororo walked up, trying her hand with him. “We know that you love Y/N; we do too. But you have to let her go in order to help her.”

Logan shook his head. “What if I let her go. and she’s truly gone?”

“We don't know that until we let Hank try.”

After a brief second, Logan nodded, loosening his grip on you. Hank quickly took you and carried you off to the lab. Logan felt empty without you, sliding to the floor and breaking down. Ororo was quick to kneel beside him, trying to comfort him.

“I can’t—She can’t be—I don’t think I’ll—“ Logan’s mind was spiraling so fast that he couldn’t finish a single thought. “I should’ve stayed with her. I should have protected her… Ororo…” She sucked in a breath as Logan used her real name for the first time. “What if I’ve lost her?”

Though Ororo knew that Logan didn’t like physical affection from anyone besides you and sometimes Rogue, but she couldn’t help herself. She flung herself at Logan, holding him close. His head fell against her shoulder as heart-wrenching sobs began to wrack his body. Ororo rubbed Logan’s back as she let him cry. She knew it was pointless trying to say anything of comfort. She had seen you for herself and was utterly heartbroken at the thought of losing you after the loss of Scott, Charles, and Jean. But she didn’t love you in the way Logan did, for as long as Logan had. So Ororo would do what she could, which was to hold Logan as he let out his emotions while she said a silent prayer to whoever was listening.

~~~

Hank had to keep his emotions in check as he worked on you. The first thing he had to do was check to see if you had been injected with the cure without anyone’s knowledge. It was the only thing that he could think of for the reason why you weren’t healing, why you weren’t breathing. As Hank took a vial of your blood, he quickly realized that your blood was bubbling like it was boiling. He quickly began to run the test for the cure as he took another few vials, noticing the same thing: your blood was boiling.

Hank locked down the lab, not wanting anyone to enter if something was terribly wrong. He knew that Logan would fight it and could get in with his adamantium claws, but he had to take that chance. There was something going on with you. His only hypothesis was that Jean’s own powers had down something when she was controlling you. But what? 

Checking the monitoring for your stats, Hank noticed that your temperature began rising again, though you still had no heartbeat. 

“What are you doing, Y/N?” He muttered to himself.

It didn’t take long before Hank could confirm that you hadn’t been injected with the cure. He carefully monitored you, making note of your slowly rising temperature.

“Hank!” Logan yelled, pounding on the large lab doors. “Let me in!”

“Not a good idea, Logan!” Hank responded, not taking his eyes off the monitors as your temperature rose faster.

“I need to be with her!” The monitors began frantically beeping as your temperature rose to dangerous levels. Logan could hear them. “What’s going on?!”

“Stay out there!” Hank backed away as smoke began to lift from your body.

Logan sniffed, smelling the familiar scent of your smoke. He unsheathed his claws and before Hank or Ororo could stop him, cut a large hole in the lab doors. He rushed in, with Ororo right behind him, only to see your body go up in flames.

“NO!” He hurried forward only to be pushed back as your flames suddenly grew. “Y/N!”

“Storm!” Hank shouted. “Can you put her out?”

Storm shook her head. “I don’t know if I should.”

“Someone do something!” Logan yelled.

Abruptly, the flames that had engulfed you disappeared, leaving behind a heap of ashes where your body once was. Logan reached out, hands trembling over your ashes, before collapsing to the ground.

“No,” he breathed out. “No…”

Hank looked down, shoulders slumped as Ororo covered her mouth in shock. The two watched as Logan let a few tears trickle down his cheeks before his jaw clenched and his eyes closed. His hand found the dog tags tucked underneath his leather suit and tore them from around his neck. Logan’s eyes snapped open, with a cold, determined look in them. He stood up and tossed the dog tags onto the pile of ashes. Spinning around, Logan marched out of the room.

“Logan!” Ororo called after him, Hank following. “Where are you going?”

“This is not my home,” he sneered. “Not without Y/N.”

“That’s not true,” she shook her head, trying to get in front of the man. When she did, he simply stepped around her. “This can be your home. We care about you.”

“There’s nothing for me here anymore.”

“Logan, please… we all have lost enough. We need each other.”

“I do better alone.”

“No, you don’t,” Hank responded. “Don’t go, Logan.”

Logan paused for a brief moment, thinking about you. He was sure you wouldn't want him to be alone. But you weren’t here to stop him.

“I’m sorry,” he mumbled before heading upstairs.

Ororo and Hank didn’t bother going after him, knowing that it was hard to change Logan’s mind. And that Logan needed time to mourn your death.

~~~

A week passed since the Battle of Alcatraz Island. Jean had been buried with both her and Scott given memorials next to Charles’. No one was ready to give you one yet. No one had set foot in the lab since you had turned to ash.

Rogue, now going by Marie, returned having taken the cure. She and Bobby finally got to touch, but her biggest concern was Logan.

Though no one had officially followed Logan, they had heard that he was at a nearby bar, drinking and fighting his way through his grief. Ororo and Hank made sure to keep tabs on Logan by bribing bar regulars and did their best to keep Marie from going to Logan. He wasn’t okay, and no one wanted her to see him like that.

“The President wants me to be the new ambassador to the United Nations,” Hank told Ororo one night. They were sitting in the Professor’s office, often finding themselves there at night when they couldn’t sleep. “He wants me in DC tomorrow to announce it.”

“You should go,” Ororo encouraged. “You’ve helped out so much. You need to get back to your own life.”

Hank nodded. “I should clean up the lab before I go.”

“We should put the ashes in an urn. Logan may want them one day.”

“Okay… I just wish I could understand what happened to her. Why did her healing abilities stop working? How did she turn to ash?”

“I do, too. For Logan’s sake.”

“Keep me updated on him, will you?”

“Of course.”

Hank wished Ororo goodnight and headed downstairs to find something to clean your ashes into. He immediately froze at the door when he arrived. The ash pile had grown, with a similar shape to yours. Slowly, he moved closer. All of a sudden, you gasped, shooting up. The ashes fell off of you and onto the floor, revealing your naked body.

“Oh, my— Y/N!” Hank exclaimed. 

He grabbed the lab coat from a nearby chair and rushed to your side. He draped it over your shoulders as he began to take in your form. There were no scars on your skin. It was like brand new.

“What—“ you cut yourself off with a cough. “What happened?” You glanced around the room. “Where’s Logan?”

“What do you last remember?” Hank asked.

“Uh… we were at Alcatraz Island. I was injured, I think… Jean got a hold of me, and then nothing.”

“Well, you died.”

“What?”

“You died a week ago.”

“No,” you shook your head. “That’s not possible.”

“I know, but somehow you died, and then when we got you back here, your body went up in flames. You turned to ash.”

“That’s… insane.” You looked around again, finally noticing the dog tags in your lap. You carefully picked them up. “These are mine and Logan’s. Where is he?”

Hank sighed. “He left after you turned to ash.”

Your heart dropped. “He left?”

“Yes, but we’ve been informed that he’s at a nearby bar, drinking away and cage fighting.”

“I have to go get him.” You scrambled off the table, the lab coat slipping off you.

“Uh, Y/N?”

“What?”

“You may want to put some clothes on.”

You looked down to find yourself naked. You picked up the lab coat and wrapped it around yourself. “Right. Thanks.”

“Be careful. Logan’s not okay.”

“That’s why I can’t waste another second.”

next chapter >

[judyvan]

Dirty Laundry (Payback) - A Sturniolo Fanfic

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Summary: Matt takes you out on a date. Can you focus on the payback plan and put your feelings for Matt to the side?

Warnings: MDNI/ smut/ mattxfem!reader/ pnv/ slight choking/ toxic intentions/ getting payback/ fluff/ pet names (pretty boy, baby)/ multiple part series/ use of "you"

A/N: This is part 3 of my series, "Dirty Laundry." For context, click here to find parts 1 and 2. Interactions are appreciated. Pls don't steal my shit. Thx!💋

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“What the fuck are we doing?” you think to yourself as you pull on a jacket. Matt said the date was a surprise, but he also told you to dress “outdoorsy”…whatever the hell that meant. There was no denying the slight sense of excitement that bubbled in your chest when he told you this date was a secret. Although you knew it was totally because you were going to see Matt, you wanted to convince yourself that it was because you were no longer going to see Matt after tonight. Tonight was it. You needed to find a way to get Matt alone and follow through with the plan before you fell in deeper than you wanted to. The whole point of this was to get back at your ex, not to fall for his brother.

[Matthew Sturniolo]

I think I’m here.

[You]

I’m walking outside now! Do you see me?

Matt honks the horn lightheartedly and your eyes fall on his car. As you approach the vehicle, Matt hops out of the car to open your door.

"You look really good," Matt says, a smiling spreading across his face as he shuts your door and makes his way to the driver's side.

As much as you hate it, you can feel your face grow hot.

"Don't fucking blush at that! What're you doing?!?" you think to yourself, pulling down the passenger mirror to make sure the flush isn't too noticeable. You look over at Matt as he buckles his seatbelt. He's wearing a white t-shirt, a nice pair of pants, and a hat embroidered with flowers.

"You don't look too bad yourself," you say.

Matt tries to hold back his smile, but he fails. He puts the car in drive and starts to move away from your house. The two of you talk and listen to music as he drives. Suddenly, you remember that you don't even know where you're going.

"So, where are you taking me?"

"We are going on a hike," he says shooting you a look.

We are going on a fucking hike for a "first date?!" Great! His brother is a fuckboy, and he is a serial killer.

"A hike," you say confused. "Are you going to kidnap me or something?" you chuckle.

Matt lets out a soft laugh.

"No, I'm not going to kidnap you. I want to take you to a special spot."

"As long as it's not a pre-dug grave, I'm down," you say with a laugh.

Matt smiles at you before returning his eyes to the road. Why is he so hot...ugh? If he keeps looking at me like that I'm going to...

"We're here," Matt says pulling you out of your thoughts.

He pulls into the parking lot and exits the car. After helping you out of the vehicle, he looks down at you.

"Are you ready?" he asks as a huge smile consumes his face.

You take off his hat and place it on his head backwards.

"I'm as ready as I'll ever be," you say, taking Matt's face in your hands.

His smile makes your heart race. Suddenly, your feels his hands snake around your waist as he pulls you closer to him.

"Can I kiss you?" he asks, rubbing his thumb on your lower back.

"I'd be upset if you didn't," you reply with a smirk, pulling his face even closer to yours.

Matt's lips meet yours as he kisses you gently. Although his lips are sweet and warm, the soft kiss sends a jolt throughout your entire body. He pulls away from you and places a gentle peck to your forehead.

"Let's get going," he says, taking your hand in his as he starts to lead you down the trail. The two of you walked with your hands intertwined. Matt leads the way as you take in the scenery. Everything is so beautiful.

"How did you know that I like hiking?"

Matt looks at you and lets out a small chuckle.

"I didn't."

You look at Matt, taking in the sight of him. His lips, his hair, his perfectly tattooed arm, his hand intertwined with yours. You reach for your phone.

"Well, I hope you know that I like taking pictures too," you say with a laugh. You take a quick photo of Matt before quickly putting your phone back in your pocket.

"Let me see the picture," Matt laughs.

"I'll show you later, I promise."

"I'm going to hold you to that. We are almost to the spot. We've got to take this path right here," Matt says, leading the way.

He takes you down a connecting trail, revealing a lot more greenery. You can hear the sound of water, but there are only trees in sight. You pull out your phone and start to take even more pictures. You and Matt continue to talk as you walk through the trail, when a few short trees reveal a waterfall.

"MATT, LOOK!" you say pointing excitedly. You quickly turn your phone and start to snap a bunch of photos of the waterfall. Matt chuckles at your excitement.

"I know. Pretty cool, huh?"

"It so prettyyyyughhhh," you respond looking at Matt.

Matt's hand leaves yours as he wraps it around your back, kissing the top of your head softly.

"I know, I know, but we've gotta keep walking. We are almost there. I promise you'll be able to see it again, the trees break more up ahead."

You nod and continue to walk, Matt's hand resting on your lower back. After walking and talking for a few more minutes, Matt stops you. He grabs your hands and looks in your eyes.

"Do you trust me?" he asks.

"Uhhh, not really. I don't know you super well yet. Why?"

Matt chuckles at your response.

"Because this is a surprise, so I need to cover your eyes."

See...a serial killer.

"Do whatever you have to do," you laugh, "Just please don't hurt me."

You hear Matt laugh as he places his hands over your eyes. His voice guides you, making sure you don't run into anything. You start to feel Matt slow down.

"Are we here?" you ask.

"Mhm," Matt says taking his hands away from your eyes.

After blinking a few times and readjusting to the light, you see the waterfall. It looks 10 times bigger now that you are standing in the grassy area directly next to it. You look down at your feet and see a huge blanket covered in picnic supplies.

"MATT! What the fuck?!" you shriek excitedly, turning to hug him.

Matt laughs, pulling you into his body.

"Do you like it?" he asks.

"I love it!"

That was the problem. He was too hard to not like. At this point, you wish he would've just killed you.

You squeeze Matt hard, taking in his comforting scent before pulling away from him. The both of you sit down on the blanket as your date officially begins. The two of you talk and laugh while enjoying your picnic. You pull out your phone and start to take even more photos.

"Can I see the one you took of me earlier?" Matt asks, taking a sip of his drink.

"I'll show you later," you say.

"Like when I drop you off later orr?"

"Matt, I want you to stay at my house tonight. What do you think?" you ask, searching for a way to get Matt alone.

He smiles at you as he thinks.

"I'll stay with you tonight, but only because I want to see that photo," Matt says with a smirk on his face.

As the two of you finish up the picnic, you stand up and dust yourself off. That's when you feel a vibration in your pocket. You pull out your phone, noticing you have an Instagram notification.

[Christopher Sturniolo]

Can we please talk?

I miss you.

Come pick me up tonight, please.

Without even thinking, you block the account.

"Do you need some help," you ask Matt.

"No, I've got it," Matt responds, throwing everything back into the basket that it came out of.

He picks up the basket and grabs your hand. He leads you back down the trail to the parking lot. The two of you find the car and pack up. Matt helps you into the car before getting in himself. As he starts to drive off you can feel him looking at you.

“What?” you say, smiling against your will.

“Did you have a good time? Are you going to let me take you out again?” he asks.

“You aren’t very good at taking hints, are you? I literally asked you to stay the night at my house tonight.”

You can see Matt lick his lips before his attention falls back on the road.

“Oh, I’m very good at taking hints. I just want to make sure we are on the same page, and I don’t get my hopes up after tonight,” he says.

“Yes, Matt. I plan on sticking around if you do,” you say, swallowing the lump in your throat created by the lie that just came out of your mouth.

“Good. I really like you,” he says placing his hand on your thigh.

“I really like you too,” you say, placing your hand over top of his.

Eventually, Matt arrives at your house. He gets out of the car first to open your door. He takes your hand in his as he walks you to your front door.

"I'm going to take a quick shower and then I'll text you when you can come over," you say, taking his face in your hands.

"I'm going to shower too but trust me I'll be waiting for that text."

The both of you laugh and you quickly press your lips to his. Almost as quickly as you start the kiss, you pull away. Matt attempts to pull you back in obviously wanting more.

"Not too fast, pretty boy. You'll get plenty of that later."

Matt chuckles and places a small peck to your forehead.

"That shower better be quick," he says as he walks back towards his car.

You smile at his words and walk inside, immediately making your way to the bathroom.

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After finishing your "everything shower," you immediately messaged Matt, wanting him to come over as quickly as possible. You want to spend as much time with him as you can, considering tonight may be the last night that you see him. You're setting up your room for a movie night when you get a text from Matt.

[Matthew Sturniolo]

I'm here.

You walk to the front door, flinging it open before Matt can even knock. You grab him by his shirt, pulling him towards your body.

"Get in here," you say playfully, pressing your mouth against his as soon as he enters your house. For a mouth that you just met today, you really did miss it a lot.

You give Matt a tour of your house, saving your room for last.

"I hope you like watching movies," you say nodding your head towards the bowl of popcorn on your nightstand.

"I love movies," he says, sitting his backpack on your floor.

You lead him towards your bed, both of you getting comfortable immediately. Matt pulls you into his body and the two of you agree on a movie. As the movie goes on, you share the popcorn, talk, and admire each other, kissing occasionally. Being here with Matt just felt so right and his body pressed against yours started to make your heart race.

"Do you want any more popcorn?" you ask him.

Matt shakes his head with a smile. You set the popcorn back on your nightstand, freeing up your hands so that you can roam Matt's body. You immediately put your hand on his chest as you place your lips against his. As you deepen the kiss, you swing your leg over his. Matt smiles against your lips before slipping his tongue in your mouth. You move your hand down to his lower stomach, slipping your fingers into his waistband. Suddenly, you start to feel pressure against your thigh. You look up at Matt with a chuckle.

"Is that your phone or are you just happy to see me?" you ask sarcastically.

Matt's cheeks start to flush. He clears his throat and ignores your question.

"Speaking of phones, can you show me those photos you took now?" he asks, desperately trying to change the subject.

"Of course," you say, laughing at Matt's demeanor.

You instantly pull out your phone and click on your 'Photos' app. You scroll to the photo of Matt and hold it up to him excitedly.

"Loooook," you say with a big smile, "You're so handsome. I could literally die."

Matt laughs, kissing your hair as a thank you. You scroll through the next few photos that you captured on your hike, when you land on the waterfall photos. You feel giddy inside as you look up at Matt. Why did he have to be so perfect and take you on the best first date possible. Just being in his presence was enough to turn you on.

"Look at how pretty the waterfall was, Matt," you say, pushing your phone closer to his face.

Matt starts to laugh to himself.

"What?"

"Nothing. I was about to say something really cringey," he says continuing to laugh.

"Well, let's hear it then," you say with a smirk.

"I was going to say that the waterfall was probably the second prettiest thing that I saw today," Matt says winking at you playfully.

"Can I say something cringey too?"

Matt nods his head, rubbing small circles on your thigh with his thumb and placing a gentle kiss on your neck.

"That waterfall will also be the second wettest thing that you've seen all day if you keep talking to me like that."

You can feel Matt smirk against your skin before his eyes land on yours. You smile at him before you begin to pepper kisses against his jawline. You straddle Matt as you lean your face towards his. He takes your ass in his hands as he kisses you passionately. A small moan escapes your lips from the taste of his mouth. You grind against the now obvious bulge in his pants as you kiss him more desperately. Matt rolls you over, placing his body between your legs, never breaking the kiss.

"I need to be on top. If this is the only time I have to get with Matt, I'm going to at least make sure it's good," you think to yourself.

Matt's lips disconnect with yours and meet your neck. His tongue dancing across your skin forces your hips to buck up towards his, searching for friction.

"Take off your pants," you whisper into Matt's ear.

At your command, Matt props himself up on his knees as he starts to pull down his sweatpants. You sit up yourself, pulling off your shirt before you grab Matt by the shoulders, rolling him over. You begin to kiss down Matt's body, grabbing for the bottom of his shirt. Matt lifts up slightly and you pull his shirt off. He then loops his fingers in your waistband, slipping your shorts off, leaving you both in you under clothes.

"I need to get a condom from my bag," Matt says out of breath as you begin to suck hickeys along his collarbone.

"No need," you say, leaning over to grab one from the top drawer of your nightstand, placing the package in between Matt's teeth.

He smiles as he reaches up to unclasp your bra and throws it on the floor. He then pulls you flesh against his chest before placing you on your back once again. Shit. He gently pulls your underwear down and tosses them with your bra. Matt begins to reach for the waistband of his own underwear before you roll him onto his back and mounting him once again. The two of you were just tossing each other back and forth at this point.

"I'll get these, and you open that," you say, sliding his boxers down and flicking your eyes to the condom in his mouth.

Matt pulls the protection out of his mouth and lets out a small chuckle as he tears the package open.

"What're you doing?" he giggles, as he pulls the condom out of its package.

"I'm sorry, did you want me to..."

"No, not about this," Matt interrupts you, "Why won't you let me be on top?"

"It's just, umm," you start.

"It's okay. I don't mind. I'm just curious," Matt says, pulling the condom onto himself.

"I can't finish unless I'm on top."

"Who told you that?" Matt asks with a small laugh.

"Nobody. Just from experience."

"Well, that certainly isn't true. Whoever was fucking you just wasn't doing it right," Matt says with a shit eating grin on his face.

"It was your fucking brother," you want to scream out badly.

"Let me prove it to you," Matt says, rolling you over onto your back for the last time, "I want to see your pretty face."

Matt leans down and kisses you roughly. You nod your head, letting him know it's okay.

"Are you ready?" he asks, lining himself up with your entrance.

"Yes, Matt. Please," you say, quickly looking down at Matt's size. He's bigger than Chris.

Matt starts to push himself into you, both of you letting out a gasp. He stretched you out in the best way possible. After giving you a moment to adjust to his size, he starts to pump himself inside of you. Matt lets out a low groan at the feeling of you taking him in.

"Holy fuck," you moan.

Almost immediately, Matt locates your g-spot and begins to slam himself into it repeatedly. Your back arches off the bed and your sounds of pleasure begin to fill the room. You claw at Matt's back, needing more of him.

"FUCK, MATT! Right there."

Your hands leave his back and fall on the bed. Matt quickly takes one of your hands in his and squeezes it gently as he starts to pound himself into you hard and fast.

"That good?" Matt whispers against your ear.

You shriek in response, the feeling of pleasure consuming you. Matt wraps his hand around your throat and kisses the side of your jaw sweetly as he fucks you rough.

"You okay, baby?" he asks through his low moans.

"Oh my God, Matt! Don't stop!"

"Fuck! I'm so close," Matt groans, taking his hand off of your throat and placing it on your clit, rubbing fast circles.

"I'm gonna... Fuck!" you scream as your orgasm hits you hard.

Matt comes at the same time as you. He continues to fuck himself into you as you both ride out your highs. That was the best you had ever felt. Matt pulls out of you and kisses your face gently. He removes the condom and easily pulls you into his chest. He runs his hand over your hair, softly rubbing your back.

"Are you okay, baby?"

"I'm fucking great, Matt," you say, kissing his chest.

"How do you feel?"

"That was amazing," you say caressing his arm.

"I'm happy I made you feel good," he says kissing your lips lightly, "Do you want me to go start a bath?"

"No need. I don't think I'm done for the night," you say with a playful smirk.

"Before we get too ahead of ourselves, I need to ask you a question," Matt chuckles.

"Go ahead."

"Would you want to meet my brothers sometime? I really, really like you and I want you to meet them, especially if we are going to be seeing each other for a while."

You think to yourself for a moment. Matt is really great. Greater than you pictured. Sure, you only started things with him to piss Chris off, but you couldn't care less about Chris anymore. Why break things off with Matt if Matt is what you deserve. He is everything you've ever wanted and makes up for all of the areas that Chris was lacking in. If anything, Chris seeing you with Matt in person would make him madder than kissing and telling. Fuck this payback plan.

"Yes, Matt. I'd love to," you say, a large smile plastered across your face.

If you would like to join or be removed from my tag list at any point in time, feel free to let me know! 💋

Taglist: @welovestromboli @2prcntmilkluvr @stvrnzwrld @wh0remikasas @imjusthereforthesturniolosmut @chrislovespepsi @leovaldezluvr @maggiie @edwardscoldhands

Come back for part 4 to see how Chris reacts to you being with Matt!

[dramatic-dolphin]

heyyo, sorry if it's a bother but I remember you mentioning somewhere (in the tags of something?) that hungarian might even have more than 18 cases if we count it a different way and I lost that post but I'm still very curious, could you tell me more about this or point me to a source? I love terrorising international friends with the hungarian case system

It's NEVER a bother to talk about linguistics :DD This is gonna be a bit long tho.

The reason for this is that Hungarian has like a million suffixes and not all of them are created equal. So there is a bit of debate over what, exactly, constitues as a "case" here.

The currently accepted safe list of the 18 Hungarian suffixes that are definitely totally cases looks like this:

This is already hilarious, because you, as a native speaker, have no idea what these terms mean, and also because there is nothing at essive-modal in this example. Because we just do not decline the word jég in that case.

(Essive-modal is the -ul in "jutalmul" and "[beszélek] magyarul" btw. Is 'jegekül' a word that exists and makes sense? Discuss.)

These are the "bare minimum" of cases that fit both of the two (currently accepted) rules that 1) a case can be a compulsory argument of a verb (aka you can have a verb that you have to use a specific case with, like "beléptem a házba") and 2) only cases can follow other suffixes (I actually can't think of an example for this rn lol).

Thinking about it, you might even get by with saying we have 17 cases in a pinch, since essive-modal is such a weirdo and useless for like most nouns. Don't quote me on this one though.

Anyways, if you're a bit more daring, you can look at all the other suffixes and say "well, why can't these be cases too?" Like come on, this is missing genitive. Why is it missing genitive? So you put in genitive (embernek). And if that's in, then why can't the others be there too? Which is how you end up with off-the-wall cases like temporal (ötkor), sociative (kutyástul), locative (Győrött), distributive-temporal (hetente), and so on until you reach like 34, or however many suffixes there are. Every suffix can be given a fancy overly specific case name to horrify poor non-Hungarian speakers.

Wait, did I say the bare minimum was 18(-17) cases? Actually no, the bare minimum is ZERO cases. Because you can take the enlightened opinion that "case" as a concept should not be applied to agglutinative languages like Hungarian, and Hungarian cases are actually better understood as postpositions affixed to a noun. (Funnily, this is actually how some of those suffixes became suffixes. Ex: hodu utu rea -> hadi útra.)

So, there you have it. The number of cases in Hungarian is a number between 0 and 35. But probably 18. Unless it's not.

[userautumn]

You are always 100% right and valid btw. Because like buck and Tommy are broken up, but you also have several interviews released today where Ryan calls Buck and Eddie “brothers” and where Oliver explicitly says Eddie is straight so they will most likely continue to be just friends. So if it wasn’t for Buddie, what was the point in throwing away a relationship the audience was actually behind??

Yeah, this has always been my problem with the idea of Buck and Tommy breaking up and, now that it's happened, I can finally unload all my thoughts.

Listen, my Buddie mutuals are very assured that Buck and Eddie will get together and have this lush and beautiful arc where they settle into a relationship and feel out the kinks in their dynamic and really blend together, and I respect that. I would love to see that happen. But I don't have that same confidence. Don't get me wrong, I DO think Buck and Eddie will probably get together, I just don't think it's going to happen until the last episode of the last season in a way that's more reminiscent of Johnlock "canon" (for those who did not watch BBC Sherlock: John and Sherlock continued to live together and raise John's daughter, but this was revealed in a montage without ever actually seeing them get together, or confirm that they were in a romantic relationship) than anything.

Why? Well, because it's easier to tease your audience than it is to follow through.

Don't get me wrong, I don't think Tim is teasing the fandom in a malicious way, and—if nothing else—I know he is very aware of what these boys and the implication of their relationship means to people. 9-1-1 has always handled their relationship with a particular gravitas, and I don't see that changing now. But Tim has been writing Buck and Eddie for years. He knows what gets people going, he knows what this fandom likes to see, and what they'll read into. So why would he rush into making them "endgame," especially if he knows he already wants to take them in that direction? He has no incentive to make it happen Right Now because everyone will lap up what he puts out anyway.

And I get it, because I do love Buck and Eddie's relationship. I love the way they interact with each other and, yes, I will lap up any scene between them. But that's the part I find so draining too. I'm going to be honest, I've never liked a "will-they-won't-they" couple. As a personal preference, I've always liked to have a clear vision of a story's trajectory when I go into it. That's how I write, and that's what I gravitate toward in fiction. So the idea of going through any number of love interests until Buck and Eddie are "ready for each other" (so sick of that phrase. sob.) is literally... exhausting to me, and not in a fun way. Because this is a loop that could theoretically continue on, and on, and on, until whenever the powers that be decide enough is enough.

Sure, Eddie is happy and free now. Great. But he still doesn't know he's Queer. What happens when he does realize that? Does he need to date a guy first in order to be "ready" for Buck? Similarly (because their romantic arcs always run parallel to each other), when Buck fucks and sucks his way through Los Angeles, does he stumble upon a hot girl/guy and date her/him until Eddie's "ready" for him? How many times, exactly, am I going to sit through another love interest until they're on the same page after, by my count, three false starts? You know?

I'm obviously along for the ride. Always have been, always will be, and I fought too hard over the summer to maintain my love for these boys and their relationship to let it waste away now. But I desperately, desperately need Tim to give me something substantial that CLEARLY, and EXPLICITLY indicates IMMEDIATE strides toward ROMANTIC Buddie Canon. And I mean crystal clear. Not "building a thousand words of meta off a single line/moment" clear. Not "this look probably definitely means Eddie was thinking about ripping Buck's clothes off" clear. I mean, I want it so damn clear, a sixty-five year old grandpa with cataracts can see it.

Otherwise I'm just going to get really annoyed.

[captnbunnie]

Oh man, I had been waiting to read this post!! Problem was that everytime I remembered I could not find where I saved it haha (spoiler: it was on my own chat lol)

Anyways, oooh this is very interesting!! It makes Odysseus such a human and complex character, it's incredible the levels of mastery that Homer had with his sotries!

Honestly everytime I read one of your analysis I cannot stop myself from comparing the Odyssey to Epic, and it just makes me realise more and more how much the musical missed and what we could have had! The idea of listening to a musical in which Odysseus is helpless in the face of fate, where he does his best in saving his men, having an objective that is not just about him (seeing Penelope and Telemachus again) but is about all the men that are with him (trying to save the most men he can and take them home with him), just gets me yearing for one!

I still keep thinking about that post you made about Circe, how it would have been so much better if we'd have seen Odysseus not being able to reject Circe's proposal, and him just calling to Penelope and the gods,,, and then later how it would have sounded if instead of "embracing" violence, he had just felt depressed and humiliated after Charybys and Calypso, with only his desire to see his family and kingdom again to push him forward, maybe also as a tribute to remember the sacrifice of his men and their efforts during the war and the travel,,,

I really don't like much how he became a violent beast in the last saga, I think it's very out of character for him (as if everything that happened earlier wasn't lol), but as you said in many other of your posts, I think it would have had a better inpact if the end point of the travel was to show a desperate man trying to come home but left to face the force of nature alone. I think it really does a better job at translating how, even if he has all the resolution in the world, even if he has a very strong wish, even if he tries his best, it does not mean that he'll be able to get what he wants. It doesn't mean anything in the face of reality and nature and fate, much stronger forces then a mere man. I truly enjoy those kind of stories much more because they portray something real, something that could happen to all of us. Instead Epic decided to go to the more "edgy" route, which maybe I would have appreciated more when I was younger haha.

Also while reading this I was listening to "Monster" (one of the songs of the Underworld saga) and it made me just yearn harder for a different adaptation of the Odyssey in Epic haha because I think that that song, if taken out of context (so ignoring everything else that happens in Epic) maybe could have been a song that represented Odysseus in a more "just" way?

Before continuing, I gotta say that I've read only some excerpts and some analysis of the Odyssey, so what I'm about to say might be very wrong haha (but that's why I'm sharing my toughts with you, cause I'm curious to know what you think about this)

Anyways, I think it would be actually a nice song related to him, I really like how he shows empathy towards his "enemies", after all, if I didn't read those scenes wrong, he does the same in the Odyssey. When he enters Polyphemus' cave, even if he knows he might be in danger, he still decides to follow xenia and give Polyphemus a chance to show hospitality (even if it doesn't work out), he is also shown to give Calypso sympathy, when he is about to get home, and see things from her point of view (even after all she did to him). So I think it's a good moment of self reflection for him, it shows that he is not in search for enemies but he just wants to go home.

Even the way he talks about Poseidon, saying "Or does he keep us in check so we must respect him / And now no one dares to piss him off?" I think it does reflect in a way what the Odyssey, or just any myth, tries to warn men about, respecting gods and nature because they are bigger forces that cannot be contrasted (which is very ironic if interpreted like this, because the last saga shows us the exact opposite lol)

And the last verse too "Does a soldier use a wooden horse to kill sleeping trojans cause he is vile? / Or does he throw away his remorse and save more lives with guile" I think it could go along with what you say in this analysis, that he makes decisions that others cannot to save as many people and lives as he can (even if he doesn't get many results,,,) and it also highlights how some people say that he played "dirty" with the wooden horse, but here it makes you realise why he did so, and that his plan is as honorable as attacking directly is.

The only thing that I think is kinda out of place in this interpretation of the song is that here he says that he still has to become "ruthless" to save his men, thus becoming a "monster", which I feel undermines what I said until now, that is that what he did, what others tought was "playing dirty", is actually that, an unjust plan.

Anyways, all this just to say that your analysis have been plaguing my mind and I keep thinking about a different version of Epic, and this song absolutely dealt a blow on me because, it has potential!!!! And yet, it's not used. It makes me yearn so hard for a true adaptation of the Odyssey.

I feel like if one were to adapt the Odyssey with songs, it would be a much better fit a musical series , like hazbin hotel haha (yeah, I want the songs that badly, I love musicals XD)

(Sorry if I started talking about Epic under such a good analysis of the Odyssey, I know that it seems kinda out of topic (and it probably is), but I don't think a comment would have been fit to write all this stuff haha)

Why didn't Odysseus's crew stage a mutiny against him in the Odyssey? (An analysis based on Homer's Odyssey)

It has been a while since the last time I did some Odyssey Analysis and here is an interesting question that goes on in this. A very valid question actually.

During the arduous trip in the Odyssey, the Cephallinians suffered greater loss than anything they suffered at the 10 year war at Troy. They lost almost all ships and all men were dying. They were reduced to a ship of a crew with less than 40 people and they didn't seem to get much hope. So of course one could ask; what was holding them back and didn't fight back against Odysseus apart from the indirect mutiny they did when he turned his eyes away from him to pray? Why their only mutiny was to disobey his orders and slay the cattle of Helios Hyperion? Surely more than 30 men could do plenty of damage to one man right? Why didn't they? And why is it important for the story?

So while thinking about it I came down with some possible explanations as to why that happened;

Odysseus was beloved to the gods

Regardless of their terrible situations, Odysseus probably still had the fame of someone beloved to the gods. He used to be directly communicating with Athena and was under her protection. Despite the fact that he was cursed by a god, there could be some sort of a thought running to their minds; what if we harm him and the gods strike us for it? What if there will be consequences for directly wishing harm to one who was blessed to be appreciated by gods? It could possibly be a risk that they didn't want to take. And it makes sense given how much Odysseus interracted even with minor gods during the trip (for example Aeolus or Circe). Quite frankly they might as well have wished that at some point Odysseus would appeal to yet another god for help.

Odysseus was beloved to his subjects

If you look at my other analysis here You can remember how beloved leader Odysseus was even to subjects such as slaves who in theory would have no real reason to be loyal to him. Odysseus seemed always to be a just and beloved leader and his men on the ship were not an exception. Regardless of whether they had lost faith hin him in his capability to bring him home or if they doubted his judgement, they couldn't get past the emotional connection; Odysseus had protected them during the war to the point of suffering the least possible losses, during the trip he was going to extreme measures to protect them (even the cruel misadventure in which Odysseus cut the rope from his ship to save the last ship from the Laestrygonians might as well have spoken volumes to the men that were saved). It would be hard for them to completely ignore that even in the face of mistrust. Somehow it would also be them thinking that they "owe him" till that part.

Odysseus was hiding stuff from them that could be important

Ironically the very source of their mistrust was protecting Odysseus. Odysseus didn't share with them the nature of the sack of Aeolus even if he seemed pretty clear that they couldn't touch it (and that led to their first tragedies). Later he hid the information that they would have to go through the Sirens till the very last moment where he warned them about it. Later he hid completely the information that they would go through Skylla and Charybdis. His men could think "How many more things did this man know on their way home and hid it from them?" if they captured or killed him in a mutiny how were they sure there weren't more dangers ahead that Odysseus was hiding from them and could either be informed the last moment or not at all? What guarantee did they have that Odysseus didn't know even MORE about their course? They had none. So ironically the very reason they began to mistrust him in the first place became the reason Odysseus was safe from their rage.

No one wanted to take responsibility at time of crisis!

Last and definitely not least comes for me the most important reason of all at least story-wise that shows how excellent writer Homer is into writing human nature. His men didn't stage a mutiny because no matter how displeased they were with his decisions, literally NO ONE wants to have the same responsibility to take decisions in time of crisis! Honestly, how many times do common folk feel themselves find a scapegoat usually to the face of their leaders when things go south? (and for good reason that is given that they are the ones with the responsibility to take decisions). When something goes wrong we blame the leader, the government or someone that has come forth and not only takes the decisions but also is responsible for the blame as well.

During their arduous trip Odysseus took some of the most painful decisions they could imagine in order to save what he could; he advised them to leave the Cicones and they didn't which led to their first tragedy; he tried to correct his mistake by appeasing the god Aeolus, he took the decision to sacrifice his ships in order to save the one he could knowing full well that they would never be able to fight against the Laestrygonians. He knew the 11 ships were lost cause so he acted fast cutting the ropes of his own ship and sailing away, making sure to save what he could even if that meant to the terrible loss. He traveled to the underworld even though he was alive, he chose Skylla over Charybdis knowing that the sacrifice would be too great but still not as great as to lose them all.

Regardless of their emotions at that moment; they put themselves in his shoes and realize that none of them would take the burden of leadership and take those decisions for them. Odysseus with his nerves of steel managed to save them so far even if they had so many losses and undoubtedly they realized that in his shoes they would never be able to act so efficiently and so fast. And knowing their own reactions against him; blaming him for the losses, they realize that none of them would have the guts to take not only the painful decisions but also the blame and hate that follows them. Odysseus was lifting on his shoulder as much hate and anger as very few others; not only his previous experiences at war and his actions but now his decisions of the trip. I have no doubt that even in their anger the men admired how he could carry it all.

Conlcusions:

Homer is a master of words and plot. I have no doubt that if he thought it served the plot he would have mentioned his men staging a full on mutiny against Odysseus or in one way I am almost certain he thought of the possibility being quite doable given as I said above that Odysseys was one man and the others were over 30. However knowing how great he is in protraying human emotions to his writing I think his choice of plot was deliberate.

Not only was Odysseus someone that could erupt not only controversy but also superstition given his close relationship with gods before, his leadership was always admirable regardless of the results (knowing his prudent nature and how plenty of his orders that were disobeyed ended up in a tragedy and let's face it Odysseus was also a brilliant fighter. I doubt anyone would easily take the first step to fight him one on one either!) and above all he was one of the best when it came on taking some really difficult decisions, carrying on his back not only the personal guilt he felt while taking them but also the anger of others and their retalliation. And in an amazingly human writing Homer speaks on times of crisis. When people do not wish to take responsibility at times of Crisis because they know full well that their decisions rarely ever would be painless!

Therefore they couldn't retalliate against him; they didn't want the responsibility of leadership or the blame for the losses. They didn't want to stand against authority directly either. So they took the indirect mutiny decision; when authority is not present they disobey or they break their will when the force of authority.

Could we perhaps one more time appeal to the usual theory of "unreliable storyteller" and speak on how Odysseus doesn't want to mention a mutiny in his story to Phaeakes because he doesn't want to appear as weak leader in their eyes?

We could but in my opinion this doesn't seem likely. Odysseus is already humiliated; shipwrecked and a beggar in their house. He mentioned how it was ellegedly his fault that the whole domino of reactions began when he mentions how he was yelling to Polyphemus being blasphemus that not even Poseidon could put him back together if he had killed him (which let's face it is too much given that gods had no probelm resurrecting some dead before). He had already mentioned his men not listening to him and disobedience was already a heavy thing. He didn't hide most of the unpleasant experiences during the trip so why miss the opportunity of shifting the blame to his men, saying that they stage a mutiny against him thus himself being unable to react instead of stating that he fell asleep during the prayer? To show that his men fear him so they do not dare to face him? Perhaps but it seems unlikely given the whole story in which Odysseus doesn't hide his bad sides from them.

What do you guys think? Let me know to your comments and reblogs below! ^_^

[bibibbon]

Need to get something off my chest

People in the fandom blaming Nana for causing Shigaraki to be abused and all the suffering the Shimura family went through as well as calling her decision to abandon Kotaro stupid is if someone blamed all the abuse and horrible actions of Enji that the Todoroki family had to suffer through on Enji's deceased father.

Specifically people appear to zone in on Nana's call to not have All Might or Gran Torino check in with her family when it makes sense. She knows AFO has eyes and ears everywhere and will use that to kill those closest to her and those around her as we know since Nana's husband is dead by the time Kotaro is given up for adoption and All Might leaves Japan for the US in order to avoid AFO for that same reason. There is also no way for Nana to know that her successor would wind up as the strongest wielder of One For All and would be the first person to take down All For One.

I'm not sure if you were in the mha critical side of tumblr, but this is a very common opinion here. Nana deserved better, and none of the nana hate honestly made sense.

People shouldn't blame nana for doing what she could to protect her child. She explicitly said that she had done it to protect him, and she didn't willingly want to give up her child. The act wasn't done out of malice but was done out of love. Her husband was dead, and all for one was on her tail. She had to train all Might, and there was no safe choice to keep kotaro. It was a hundred times safer to make a distance between her and kotaro so he could live without the burden of his mother's duties on top of him caring or threatening to cause him constant harm.

Nana tried her best as a mother, and we didn't talk enough about it. She, at the beginning, was probably the breadwinner of the family, her job making it so that she had limited time with her son, yet from the flashbacks we see that kotaro loved his mother dearly. He loved her that child him simply cried and cried when she was about to leave, he loved her to the point that he kept her picture acknowledging that she was his mother yet despising that she left him all alone. His hatred of nana stems mainly from feelings of sadness and betrayal, which only exist because he loved his mother and felt safe when she was near.

I suppose we don't talk about the fact that after nana's husband died and she became a widow she had to juggle all the responsibilities of being a weirder of OFA, a mother who had to be constantly active in her child's life and a hero who had to save others while also ensuring that she earned enough money to keep her son comfortable.

I headcanon that at the time nana was never a good cook and that it was her husband that usually cooked for the family but when he died she had to take on the cooking duties which was a struggle but we see her actively trying even including her son in the process.

Giving up kotaro was the most logical circumstance, and I stand by that. I think to a certain extent, kotaro realises that too, and it's exactly why he doesn't blame his mother but blames her job he blames the hero, not his mother. To me, it evidently seems like kotaro separates nana into two different versions : the hero and his mother.

If we follow that belief, it's exactly why the only photo that kotaro has with his mother is so painful. Every time he sees that photo he in a way, is forced to acknowledge that both versions of nana are his mother. The photo shows his mother, but it shows her in her hero attire she is the 7th weirder of ofa in that picture not his mother but the mannerisms, the way she smiles and looks at him is that of a mother's look.

A haunting picture for kotaro. A picture of a mother's love.

Comparisons between enji and nana fall on deaf ears especially when you look at the circumstances and situations that both characters are faced with.

Enji DOESN'T love his children, his actions were out of malice, greed and desire to be great. He sacrificed family for greatness.

Nana LOVED her child. Her actions had a desire to protect, love, and care for her only family, her only offspring. A beautiful light in the world that she doesn't want destroyed by AFO. She had no choosing as I bet if she truly had the choice. She would do anything to love, protect, and be with her child. In a dreadful situation, nana chose the only way to guarantee kotaros safety.

[utilitycaster]

anyway this is obviously a wild shift in the topic of conversation, but I was talking about it in the group chat last night as a distraction and would like to continue the distraction if I am being honest, so, with the caveat that this is based off of Fandom Osmosis Observations and a few reads of reviews and I have at this time played neither of these games, some thoughts about BG3 vs. Veilguard and what I've seen. many thanks to @captainofthetidesbreath for actually knowing things about video games and answering my many questions.

also just putting this up front with all said caveats: if you disagree that is great, I am very open that this is an outside observation and I could be very wrong but I am going to block people who get hostile without warning, and make this nonrebloggable if too many people get hostile. You are always permitted to disagree but like, I don't really care about your opinion if you're not someone with whom I have a pre-existing rapport unless idk you're like, actually a BG3 or Veilguard official story writer who happens to be on Tumblr. If you're a player? You have all of your own biases and they are not mine. Save it for someone who wants to get in a fight about this; I am not that person.

Essentially, what I've seen in terms of criticism from Veilguard that isn't just rampant transphobia comes down to the following:

why am I not playing my previous character from Inquisition again

why am I limited to a fairly consistent through line for the story

But first, I'm going to talk about BG3. What's funny is I seem like a much more obvious candidate for playing BG3, as a longtime D&D player who has come around on Forgotten Realms as a setting. However, while I looked at it for a while, I eventually lost interest for a couple of reasons. One is that apparently all the characters are WAY too eager to romance you which is like, a fun fantasy for 10 minutes but would probably annoy me in the long run. Another is that everyone who watched early reviews and kept abreast with the game told me that there was a clear favorite companion (Astarion) and that many of the characters had most of their interesting flaws sanded down (eg: Wyll was apparently much cockier originally; Shadowheart even more petulant; and as these are perhaps the two characters I was most intrigued by, reducing them to something blander destroyed much of the appeal). But perhaps the most interesting one is that as a boring goodie two shoes sort of person, my thought back when I was like "yeah, perhaps I will play this" was "oh, I do not want to have a murderous urge within me."

It became very apparent, through watching people play through and post on my dash, that if you didn't specifically play as the Dark Urge, and didn't specifically resist that urge, the story didn't really cohere. I have to admit, I know the premise of BG3 very well (tadpoles), and I know a lot of shipping trends (put a pin in that), and I know some of the more obvious points within it (Astarion is a vampire, Gale and Karlach both have bombs in their chests somehow, Shadowheart bleaches her hair) but I don't really have a great sense of the ending, and I did not avoid spoilers.

It feels like BG3 is designed for people who have one of those massive spreadsheets of D&D characters they haven't had a chance to play that are meticulously kept and thoroughly realized...and don't really leave room for modifying to fit the campaign you will actually be playing in. It feels like an OC sandbox simulator unless you do actually pick the choice the writers actually wrote for (Durge), and while it's not technically playersexual...it kinda is. I mean, I am a big fan of the trend in video games towards making it possible to romance anyone because it conjures up the idea of a world of high-powered bisexuals running around, which is very enjoyable for me, but the criticism of the Mary Sue archetype originally was never "how dare you fantasize about being cool." It was "wow, the characterizations are all warped beyond recognition solely so that everyone is in love with this character, and that makes for a dull and unsatisfying story." If you're everyone's type, and it's for romance and not just sheer lust, then either everyone around you is boring and wants the same thing, or you are sort of bland and inoffensive, or else the story is bashing characters together without a good basis for a compelling romance. This is also compounded by the fact that the companions can't get together with each other if you're playing your own character and not an Origins character.

None of this is to say it's bad to like BG3 and again, I didn't play it; but it is why I ultimately said "you know, given the effort involved to play it for me, a person without a gaming system, it's not worth it."

Veilguard has specifically intrigued me for going against a lot of this. You have a lot of choices in your character build, but they're all fairly thematically consistent: you did something within your faction that was well-intentioned but upset higher-ups and so you need to step away for a while. This establishes a personality for you! We know why you're part of a faction but also something of a free agent at the moment. We know why you're here and why you might be a good candidate for the current mission.

I'm not going to go into detail for the choices because while I'm not avoiding spoilers I don't want to spoil a relatively new game for others, but a lot of choices are fairly parallel, not in an "illusion of choice" way - they have consequences - but in terms of hitting similar themes. You can only save one city and both are places you have seen and places your companions have connections to; while the exact details may differ you are telling a consistent story.

I also think the fact that the companions can romance each other in your absence is important too! They exist even when you're not there. They are not just here to woo you, and indeed, they might be a better match for each other. I've been informed this is true in Inquisition as well, and I think it's a much more rich world if you, as the player, as the person who can ultimately decide the fates of your companions, aren't the center of their personal life. I also think it prevents the ability to sand down companions to be more agreeable to you as a player if you have to make an NPC/NPC romance compelling (and I will freely admit that, in a move that is not at all like me, I was pretty well sold by a potential in-game NPC/NPC romance, which is usually not the thing that gets me into works of fiction).

I'm not the right person to speak to the Inquisitor not being a significant character because I did not play DA:I, and I get that 'well, this is a new game with a new protagonist, as there has been for every Dragon Age game' is still not necessarily an adequate explanation. Nor is "hey, maybe it's good to attract new players" even though as someone who is highly attracted as a new player that is my opinion. However, I want to go back to the point about Resist Durge being the strongest option in BG3 in terms of story by a long shot. When I was trying to learn more, I said "ok, so just like how you're Tav in BG3 and Rook in Veilguard, you're Lavellan in Inquisition, right?" and was told that you are not - that's just the elvish Inquisitor option. Obviously this is anecdotal, but the fact that one option was far and away the most popular and thematically resonant is an indication that perhaps bringing forth the Inquisitor is carrying over some of the limitations of that game, whatever they may be. The true argument is "they are trying to tell a specific story here, and it is about a different POV than the one you previously had."

And that's really my point. I know I'm not an expert here - in fact I'm usually quite hesitant to write meta about things in which I'm not highly steeped, and very critical of those people who do - but I think an outsider perspective is useful here. The thing that is drawing me to video games is a new way to experience a fictional narrative (the other game I have been meaning to play - and even own on Steam- is Disco Elysium). That's not what everyone wants! But it is what I want. And so I want to be put into a developed, thoughtful narrative, and I don't mind if my choices are restricted in order to support it, and if I am playing a person I did not entirely choose. In tech, there is a saying of "make it easy to make the right choice (and hard to make the wrong one)" and so if you need your protagonist to hit certain beats, you should make that the required protagonist.

I think a story is stronger if your choices matter but if there is something of a foregone conclusion because it gives the writers thematic throughlines. This might sound a little silly given that this blog is largely dedicated to Actual Play but the thing is, most actual play does have, if not a foregone conclusion, at least a strongly intended conclusion of "work towards uncovering this mystery and achieving this goal", though the success of said goal is not guaranteed. I would argue that when a campaign lacks that, it tends to suffer in all aspects. RPG video games almost always have a foregone conclusion, but that's its own liability. In actual play, lacking a forgone conclusion means you spin off in any direction and it's anyone's guess if it's coherent. In an RPG, having this conclusion but not supporting it through the rest of the game will make it feel contrived. I feel a lot of Veilguard criticism is focusing on small contrivances early on that really mostly matter to a highly specific subset of potential players that prevent much larger and less forgiveable contrivances later on.

Anyway. Again, I am an outsider here, and I'm not here to say that it's bad to have a more open-world, sandboxy game with a self-insert-y OC type; but I have to be honest, I'd rather explore that in a true sandbox of fanfiction or original fiction, which is significantly cheaper and in which I can actually tell the entire story I want to tell. I don't want to be given more choices if a lot of them will be profoundly unsatisfying as a narrative. I don't want to cut through the world like a hot knife through butter. I want to be affected by it, and that's very hard to do with a character whose only trait is "self-insert whom everyone wants to fuck" or "guy that already carries the baggage of years of personal headcanons and highly variable choices that are hard to account for for every single person who ever played the previous game."

[justchillandshipit]

Allow me to take a moment here. Tim just acknowledged couch theory?

Moving on to Buck and Tommy’s breakup, talk about your approach to it. Why was Tommy sure that Buck would break his heart?

Tommy’s older and Buck is very new to this, and whether Tommy was correct or not, I think what he felt like was exactly what he said: I’m not your last, I’m your first, which is a special thing to be, but as Tommy says, it doesn’t usually end up being the same thing. And I think based on what we know of Buck, he’s maybe not wrong. Buck’s a little impulsive when he’s feeling a certain kind of way. He’s like, move on in, bring your couch. So I just think because Tommy’s a little older and wiser or maybe at some level he feels like he doesn’t deserve Buck, I don’t know. But I think he accurately diagnosed Buck. Buck’s still figuring himself out, and boy, that would be quite risky to move in with that guy as much as you would love to.

---

We have a couch reference.

---

Somewhat unrelated but relevant:

I also think that I have finally caught up on all the articles. In every article, someone says Eddie is straight. I want to say about four articles have a reference or a mention of straight Eddie, and there is one in-canon statement from Eddie. So what do we think about that? I instinctively want to say that to have that many denials is sus, but I also have to acknowledge that the question was asked before the response was offered. I honestly don't know what to believe when it comes to the show's direction. I'm still here though and sticking with my original plan to give them until the end of Seasn 8 to move Eddie out of the closet. I will not accept the demise of this ship a moment sooner. It doesn't help that actors are excellent liars. Oliver always makes me second guess myself. lol For now, I'm still here and still clowning.

Other things to consider in favor of Buddie:

There was one article from TVInsider where the interviewer reminded the reader that Eddie said he wanted a beard. Most of us know the gay coding of that word, and that was promptly followed by the Priest pointing out that Eddie was wearing a mask/disguise. This is all within the same conversation where Eddie assumed the Priest was hitting on him, and he called himself straight.

I'm also low-key wondering about the possible conflict between Eddie and Buck coming up. I need more info on that. What?? These two haven't had beef since Buck sued Bobby in Season 3 and Buck and Eddie argued in the grocery store. We all know how Eddie served c#nt like a professional in that fight. Eddie ended up forgiving Buck soon afterward, but Buck was still apologizing four episodes later. lol

I saw in another post where someone compared the image of Eddie in the confessional with the image of Eddie seeing Buck through the peephole of his door. (Hint, both looked like confessional images.) That has to be deliberate.

Tim's comment above referenced Tommy and a couch in a similar context to Eddie and Buck's conversation when Buck said his last few couches came with girlfriends, and Eddie corrected him to say his girlfriends came with couches.

@stagefoureddiediaz 's color theory is still proving accurate as well.

Updates

Buck looking less than thrilled at seeing Laker tickets. Tommy tells him he can use the gift with Eddie and Buck perking up at the idea, only for Tommy to say nope. Joking. (On a second watch, I think I read too much in to this one, but I'm keeping it on the list as very loose interpretation.)

Oliver admits that Buck looked Eddie up and down when he opened the door and knew something was going on with him, but then the whole sit in silence thing. (I know the breakup was on Buck's mind, but I swear he looked like he was trying not to think about Eddie being half naked beside him.)

Also, Eddie was half naked just sitting beside him. I can't help but think of them sitting there like that. Buck and Eddie are going to the same place, but they are taking totally different paths to get there. At some point, they are going to meet each other face to face and be like, you're here.

(I saw a theory. You always have to take these with a grain of salt, but I can't deny the theory sounds good. there have been a lot of parallels that are relevant for Buck and Eddie with the exception of Eddie's shooting.) I did read one interview, it may have been TVInsider, where the interviewer said they hoped Buck wouldn't be in danger. Oliver hinted that Buck was always putting himself in those situations. I think it might be a hint for what is to come. Also, if Buck is putting himself in dangerous situations again, this might be something that has Eddie angry with Buck. I think there is a lot of room for this theory. We'll have to wait and see on that one.

In a previous interview, Oliver told us there was an upcoming scene where Buck and Eddie sat in silence and that it was a testament to their friendship. In the latest interview in Variety, he talks about the scene again but this time he says "that it speaks volumes about their relationship that they could be going through things and handling it so differently but still be there for each other with little need for words. (This is the same interview where Oliver admits that Buck looked Eddie up and down.) At the end of this question, he reiterates that it speaks volumes that they were in different places and could still be there for each other. He says, "I think it really speaks volumes to the strength of their bond."

[goosewithtwoos]

SOFTCORE

pairing: rooster x reader

summary: breeding kink makes brain go brrr

“Please, for the love of God, tell me that’s the last children’s birthday we’re ever going to.” Your feet were killing you and you were pretty sure the top of your scalp was sunburned.

You had gone with Rooster to Yale’s 7 year old nephews birthday party to be a good supportive mili-spouse but you hated kids and having a group of basically first graders running around you had drained you pretty quickly. You never knew how to act around kids, they were so fragile and you had to watch your mouth, it was always a disaster when they were around.

Like today. You’d accidentally swore in the kitchen when you dropped a fork and hit your head on the counter bending down to pick it up. Lucky for you, one of the little things had heard you and repeated it loudly. Despite your pleas to not continue repeating the word, it had ran outside and told everyone.

The dirty looks from the parents did a number on your ego.

Rooster laughs. “Yeah, I don’t think we’d be going back even if we wanted to.”

You groan in embarrassment, taking off your shoes at the door and throwing your jacket on the stand. Thankfully Rooster wasn’t mad about your mouth of a sailor, he’d found the whole ordeal quite funny, but you were still biting back the shame that came from it.

“Kids are the fucking worst.” You claim.

“You know, I’m starting to think you did it all on purpose so now we really won’t have to go to another party.” He hums.

Rolling your eyes you head to the kitchen. “Oh yeah, one hundred percent. I’m really strategical like that.” He was wrong but it was actually a pretty smart idea. Maybe you could claim that you’d done it on purpose.

His laugh follows you and you smile despite still being mentally exhausted from faking a happy attitude around children all day.

Strong arms wrap around you, head resting on your shoulder. He’s tired, just like you, but for so many other reasons.

Roosters’ command has been working him overtime. It was rare he got a break and yet he still chose to spend his little time off at a birthday party for some kid who probably wouldn’t remember anyone’s face within the next 6 months. It was the little things like that which made you love him more but also made your heart hurt. He needed to take more care of himself yet refused to do so.

"Hi." You giggle as he presses a soft, open mouth kiss to your neck.

He hums against your skin. "Hi gorgeous."

You laugh, wrapping your arms around his. Moments like these reminded you why you married him in the first place. His mustache tickles your skin and you can't help but shudder at the feeling. Your neck has always been the most sensitive part of your body and the way he was pressing against you made your brain fuzzy.

"You really hate kids that much, huh?" He muses. "I bet we'd have some pretty cute kids."

You roll your eyes, rubbing his forearms. "They'd all come out with a full head of hair like you."

Rooster groans, pressing up harder against you, nipping at the skin beneath your ear. "Just think about it." His hands drop down to your abdomen. "You'd be so fucking pretty carrying our kids."

As much as you hated kids and thought they were little parasites, his words did have an effect on you. "You insinuating I'm not pretty other times?" You ask, trying to slow the ache forming between your legs.

"You're so pretty all the time but the thought of you pregnant just does something to me." Yeah your mind was definitely out the window with his confession. You had to do something to extinguish this fire before the rollover killed you.

"Yeah cause swollen feet, mood swings, and insane cravings is definitely what every man wants to deal with." His hands were running all across your abdomen at this point and your knees were feeling weak.

He was getting hard against you despite all of your remarks and you'd be lying if you said that the idea of him being so turned on wasn't turning you on too. You didn't see the whole appeal but having a 6'3 Naval Aviator this weak for you made your already hazy mind turn to mush.

"I don't care about any of that. I'd put up with all of it. It'd all be worth it for you. Your hips," he grabs a handful of your side before moving upwards. "and these," he grabs your breasts, squeezing them gently. "getting even bigger."

It was too late. The rollover killed you.

You turn, wiggling from his grasp, so your chest was flush against his. He grips your ass, pawing at it like a man possessed.

"You better take me to bed before I change my mind." You tell him, wrapping your arms around his neck.

"Then you'd better jump." His cocky grin tells you he knew all along this was exactly what he was expecting to happen. That son of a bitch, he'd probably been planning this the whole car ride home while you were still getting over the embarrassment from the earlier mishap.

You jump, wrapping your legs around Rooster's strong waist. He caught you with practiced ease, lightly smacking your ass before carrying you out of the kitchen and into your room. God, he was obsessed with every inch of you.

You kissed him the whole way, on his lips, his neck, anywhere you could. You were obsessed with him. Every little thing about him made you want him more despite him already being yours.

[eschergirls]

November 2024 Escher Girls Updates & Patreon Thank You!

Hi everybody!  It's November, so it's time for a monthly update and to thank all our wonderful Patreon subscribers!

For a quick update about Tumblr, if you've been following the blog you probably noticed that in late September/early October, the Escher Girls Tumblr ran into the infamous "shadowban" bug, which is not actually a shadowban but just a bug that happens to random blogs on Tumblr (more info here). After bugging Tumblr about it a few times, they finally fixed it, which means everything is back to normal and I can send and receive DMs and messages as normal on Tumblr (just in time for the Caption Contest which was handy for giving out prizes to the winners!)

I appreciate everybody who helped me figure it out and especially @haveievermentioned who messaged me to let me know that they weren't getting updates from the EG Tumblr! In the future if you run into any issues with Tumblr or the main site, please don't hesitate to let me know!

Also, if you missed it last month, I've been fixing up the main site and I updated the submission guidelines and also the submission form which now lets you choose a name to submit with and also let me know if it's okay for me to reply to your email address if I need more info about your submission. The new and improved form can be found here: https://eschergirls.com/form/submit-content

And, all new posts on EscherGirls.com now link to the corresponding Tumblr post so site users can easily navigate to the Tumblr cross-post and see what Tumblr users are saying. And when I fix up old posts, I'm now fixing up the Tumblr version as well and adding a cross-post link. It's twice the work but given that many people still view the site on Tumblr, I figure it's worth it to everybody. :3 There are some posts without a Tumblr cross-post link because the Tumblr post has been deleted/hidden because of Tumblr's mercurial algorithmic flagging which can't tell the difference between stuff like a coloured body suit and nudity.

As usual I've spent a lot of time this month working on fixing up old posts, restoring broken images or finding higher res versions of old images, and fixing broken links, etc, also fixing all the formatting of older posts and finding sources.

Here are some of the posts I fixed up this month (for any that want to check them out, the links to the Tumblr versions are included in every post):

This "How To Draw" book depicting women's waists as a ball joint (which explains a lot about why artists think women can just swivel around like rotor blades), and an associated post with that infamous Jennifer Blood cover

The infamous "muscleboobs" how to draw page depicting women's breasts as muscles 

Two different Soul Calibur posts: one with Talim in a boobs and butt pose (and a redraw fix of it), and another with Xianghua, Talim and Ivy in various states of rubberization

Black Canary described by my friend as a miracle of modern plumbing

War Goddess giving up War Goddess-ing and instead going into the butt-selling business

The infamous Glory/Avengelyne cover (the first time I posted Liefeld on this blog after the first 800 posts without him to prove a point that it wasn't just him putting out the insectoid women art) and an associated post

And a caption contest with Avengelyne and Ravyn in pretty hilarious poses and also the winners of that contest

And now I want to give a big thank you to Escher Girls' Patreon subscribers for October!

Thank you so so much to:

Anne Adler Cat Mara Chris McKenzie Em Bardon First Time Trek Greg Sepelak Ken Trosaurus Kevin Carson Kim Wincen Kristoffer Illern  Holmén Leak  Manuel Dalton Mary Kuhner Max Schwarz Michael Mazur Miriam Pody Morgan McEvoy randomisedmongoose Rebecca Breu Ringoko  Ryan Gerber Sam Mikes Sean Sea SpecialRandomCast  Thomas 

And a very very special thank you to JohnnyBob8 for buying me a coffee on Ko-Fi!!!

Thank you so much for helping to keep the site running! The Tumblr technical issues and algorithmic flagging are reasons why Escher Girls has a dedicated self-hosted site, and why I appreciate the support on Patreon and Ko-Fi so much as it helps me pay for hosting, domain costs, and site upgrades and keep the site running.

And thank you to just everybody, all of you interacting with the blog on both Tumblr and on the main site, and who participate in caption contests, and submit things to me, or just generally send me kind words. Thank you all! You make running the site so worth it. :)

Ami

PS: As a reminder, we added a button that links to the Escher Girls Tumblr and to our RSS feed for those who want to follow that way. (For newbies, RSS stands for Really Simple Syndication and is basically a feed you can read using an RSS reader. Simply copy and paste https://eschergirls.com/rss.xml into an RSS reader and it will keep you up to date on Escher Girls!)

Make sure it is eschergirls.com and not eschergirls.tumblr.com, as that is Tumblr, and not the self-hosted site.

If you have any issues with the site or suggestions to improve it, please do not hesitate to contact me and let me know!

If you wish to support Escher Girls, you can subscribe to our Patreon at: https://www.patreon.com/ami_angelwings or donate through Ko-Fi at: https://ko-fi.com/amiangelwings.

[themememerchant]

I'M WATCHING GRAVITY FALLS FOR LIKE THE 13TH TIME AND JUST-

WhY??? IS NOBODY TALKING ABOUT CARPET DIEM???

Like, this episode was so fuking good!

Like-okay, I get that it's just sort of early show filler, but it's fucking amazing filler!

This episode had what I would consider to be some of the best jokes and one-liners in the whole series, and I've seen some parts in compilations here and there, but I feel like we collectively sleep on some of the raw chaos this episode brought!

Here are all of my favorite bits:

Dipper somehow hitting Stan in the head with a golf ball from the attic

Dipper having his leg gnawed by a wolf compared to staying with Mabel and her friends: "...This is still better."

Grenda walking out of an empty closet: "I don't know what I was kissing in there, but I have no regrets!"

Mabel poking dipper with a random twig: "Get ready to be poked by the fun stick!"

Dipper: "Washing clothes is a waste of time! I'm a busy guy!"

Mabel: "I'LL KILL YOU!!!"

The entire scene when Dipper and Mabel start freaking the fuck out over switching bodies

Dipper giving Stan a sandwich made from literal rocks after he ate an omelette shaped like his own face

Soos: "Nobody thinks it's cute when I lie naked on the living room floor."

Wendy just going:"Nope!" And walking away after seeing waddles screwing around with Soos' body

"I'm a creature of the night-But I'm also a creature of passion..." From Grenda's age-inappropriate romance novels

Stan choosing to step up for once and explain the birds and the bees to Dipper, unfortunately, Mabel was the one to receive "The Talk™" under horrible circumstances

Mcgucket finding a random talking pig in the streets, pulling out a knife and a fork from his beard, and proceeding to chase said pig across all of downtown in the hopes of a free meal

Waddles as Soos convincing Stan to give him a raise after Stan originally wanted to lower his salary

Candy switching bodies with Dipper for no reason other than she wanted to and Dipper being so done with everything

Mcgucket: "Come back! I wanna deep fry yer ears!"

Mcgucket as Candy: "I'VE REGAINED MY INNOCENCE!"

Dipper: "Well, I guess I'm a pig now. So that's a thing..."

- *proceeds to gnaw on an apple core*

Sheriff Blubs and deputy Durland presumably following a talking pig and a rabid old man to the mystery shack under the pretense of "-reports of excessive giggling."

Deputy Durland running into a wall five times for no reason after swapping into Dipper's body

Mcgucket threatening to eat Soos after everybody swapped back to their original bodies

- Mcgucket was really on point in regards to comedy this epsiode

Stan once again being hit in the head from a wayward golf ball

- Stan: "Why am I even out here at night?!"

The fact that Waddles, as Soos, somehow: gave a woman directions, presumably flirted with her, proposed to her at some point, and made his way back to the mystery shack in the span of what couldn't have been more than five hours tops

And that's all I can think of

I think I'll make this a regular thing, where I share my favorite bits and jokes from underrated pieces of media

IDK, maybe my sense of humor is just broken...

Either way, I have to go now, my planet needs me

Auf Wiedersehn, all ye rat children of the holy grail.

[additiva]

Can I ask two of the fic ask game?? Of course the fic I wanna know about is frechheit, and the asks are “dvd bonus” and “small things” 🥰

Hello!

You may of course ask two ❤️

Small things and a brief snippet for DVD bonus are both below the cut:

For small things:

One thing I'm not sure was noticed, and certainly wasn't commented on is:

When Charles has his little breakdown in Qatar, it's silent. He learned it when his dad was sick, because he didn't want to put more stress on his family by letting them see how affected he was by it.

The small things is that in Monza the following year after the podium, his breakdown that time isn't quiet at all. And it's because telling Ferrari is much worse to him than anything that happened in Qatar, so he can't hold it back. And also because he, by that point, trusts Max completely to handle all of him. And Max understands how important it is to Charles to hide it from the world, so he hides him away and covers Charles' mouth to smother the sound for him.

-----

Also, here's a snip for you, from that night in Monaco ❤️

-----

It’s late.

It’s really late.

Elsewhere in the city, the track parties are starting to wind down, revellers finally satisfied with the celebrations.

The tiny back-streets of Monaco are a little darker – a little quieter, free of tourists. Most of the residents are already asleep, preparing for work in a few hours.

Lewis wishes he was among them.

God, he wishes.

And he would’ve been if he’d – as planned – left Jimmyz a few minutes earlier; if he’d gotten into the car he’d called to pick him up; if he hadn’t run into the two dead-weights he’s now trying to drag home.

With a sigh, he bends to sit on the road-edge, tapping hopelessly at his phone.

Kill me.

Unexpectedly, it’s only a few minutes later that the response pops up on his screen.

Good morning Lewis. Do you know it is 4 am?

So it is. Actually it’s almost 4.30 -- 4.26. Lewis left Jimmy’z over an hour ago. He can’t believe he’s still awake. He can’t believe Seb’s awake.

I do.

After a moment, trying to feel bad about sharing his misery, he adds: Sorry did i wake you?

No i was awake

God, why?

Why

It’s a school day. It’s my turn to get the kids ready.

Lewis smiles at the image of him puttering around the kitchen in his slippers, making packed lunches.

That can’t be right. Your kids are here with me.

With it, he sends a snap of the idiots in question.

The two of them stand a few metres back, facing off in the middle of the street.

“Charles”, Max scolds, irritated. “You are completely missing the apex. You need to come like this—here, braking already.”

“What? No.” Charles is getting just as heated, tipping his head too far back to see Max under the brim of his Mercedes cap. With his hands, he gestures to a point on the track. “Like this, it is a better exit. Because the next corner, it is faster there. And already you can get on the throttle here.”

They stare silently at one another for a moment, and Lewis actually thinks for a moment that the argument they’ve been having for the past twenty minutes might be over.

“Well no because the track of course would go that way”, Max defends, indicating a spot where the road forks off in another direction.

And they’re off again.

Lewis groans quietly, slumping to rest his elbows on his knees as his phone lights up with a laughing emoji from Seb.

The bickering continues. They orbit one another, arguing. Their brows twitch with bemusement and irritation. They glare and laugh, grabbing at one another’s hands, interrupting gestures and explanations.

They sway together and apart, as Max jabs at Charles’ ribs for a particularly cheeky remark.

Lewis catches himself watching but can’t look away, warm with affection. He only stands to interrupt when they get dangerously close, unable to keep their hands to themselves.

As he approaches to drag them apart, they’re still whispering under their breaths about overtaking rules, lips almost brushing, final shreds of plausible deniability truly in danger.

They seem to have forgotten about him completely, surprised -- and delighted, on Charles’ part -- to see him. Fortunately, it helps to get them moving again, Charles easily shepherded along. Max, for what Lewis thinks might be the first time in his life, seems content to follow a step behind.

-----

Much love friends 😘 tell me your thoughts and feelings 🤍