#but all this history just to say he doesn't really care or think about his looks at all. So he sees the score and shrugs

[lizzybeeee]

Personal take: One of the weirdest things Veilguard did, outright baffling, in fact, is how it feels like they reset the status quo of the world to Origins - even further back, if anything.

The game avoids (at all costs) meaningfully delving into exploring what these events/lore reveals mean to the world and characters at large. But the entire time I was thinking: holy shit this is bad.

What happens in game has very, very bad implications for the rest of Thedas and how they're going to look at groups like the Elves and Mages. I'm looking at this from the perspective of someone whose played all three previous games, not from the perspective of datv which really brushes over all moral complexity and sociopolitical issues. Of course, it's just my interpretation but its based off what happened in previous games.

Elves

The Elvish Gods of legend came back, blighted, and ended up wiping out the majority of the South - I find it hard to believe that the elves would not be 'roped in' as being responsible somehow.

Elves could sneeze in a previous game and people would blame them for causing a plague and purge the alienage -> life is shit for an elf and the events of datv would have absolutely made life a thousand times worse.

Would there be purges of alienages? Are there groups like the chavaliers or mobs of humans going about an killing elves because 'It's your Gods. It's your fault.'

Obviously, it isn't. But there are plenty of examples in Thedas' history of people acting rashly/cruelly out of terror and anger - and it's the most vulnerable people, like the Elves and Mages, who are targeted.

The Dalish Elves, what remains of them, would likely be perceived as 'Blight/Old God worshipers' - people would chase them off for the 'crime' of living too close to them in the woods in DAO.

Terrified, angry people would not care if the Dalish said they had nothing to do with what's happening - there would be bloodshed.

If anything improved for the elves from the time of Origins -> Mahariel, Tabris, Lavellan, or Briala...it's likely back to ground one as the best possible outcome, and closer to the Exalted March on the Dales at it's worst.

Mages

Mages could, potentially, have been living a life of unprecedented acceptance if Leliana was Divine -> along come the Evanuris, mages, who are allied with the Venatori who are causing devastation in Orlais and the Free Marches specifically.

Missive - Message from the Front -> The Tide Turns "The Venatori and the Orlesian royal armies clash daily in Orlais. Val Royeaux is now under control of the rebels, and from there the Venatori launch attacks as far east as Kirkwall."

The original magisters (evanuris) wielding the Blight and Old Gods 2.0 x2.

Any templars who remained, who had the old mindset and outlook of how mages should be treated, absolutely would be pointing at the venatori and saying "we warned you what would happen without the Order."

Normal people wouldn't give a shit that it's only a 'few' mages -> their entire home is gone, their families are dead, and the people responsible are wielding magic.

Fear of magic would likely be at an all time high - If the Order doesn't exist people would likely be demanding for them to come back.

The mages - whatever goodwill they earned - are likely being faced with suspicion and terror because this is proof of what magic can do in the hands of power-hungry douchebags.

Maybe they help to fight and people don't get so suspicious of them - who knows! This game doesn't want to address the previous games so it's in limbo.

Spirits

Other people have done great posts about how the spirits were completely tossed aside in this game. Three games worth of humanizing spirits, with Justice and Cole, only to go back on it with Solas reinforcing the Veil and...maintaining the status quo?

He so earnestly discussed with us his perspective on spirits and how they're just as 'real' as those on this side of the Veil - we saw it with Cole firsthand. But I guess they can all chill in the Fade till Solas dies or whatever.

I'd argue that the elves and mages are in an even worse position than they were in Origins. It's just not fulfilling, to me at least, to see the World I got so invested in just regress to the status quo after three games of challenging it. For it to not be meaningfully discussed or spoken about in-game, just brushed aside...I may not have liked the decision to do this but it could have been interesting (at least) if they actually discussed it.

Also, people don't just 'band together' because of the Blight - Origins showed us very well that in times of strife and pressure peoples petty/deeply ingrained beliefs, prejudices, and values come to the forefront. Alistair's comment about “You know, one good thing about the Blight is how it brings people together" -> was him being snarky about how everybody as Ostagar was on the verge of throwing hands with each other. They were united in cause not in belief - the cause being to eradicate the darkspawn.

It's just so grim, and with how they handled sociopolitical issues and moral complexity in datv (not at all) I have no hope that they'll be able to address this at all, if they even bother to and don't just...ignore it, I guess.

Maybe this is what the devs meant when they said that the 'tone' was similar to Origins - just straight up erasing whatever strides was made in the previous games and setting it back to square one lmao

[horsechestnut]

I think my ideal Steph, Cass, and Tim dynamic would be that they're all best friends, but they can not all hang out together. Like, if you ask any one of them who their best friend is they genuinely will not be able to pick between the other two, but all three of them together triggers each of their insecurities in the worst way and always leads to a fight.

Like, Steph and Cass are so affectionate with each other, and constantly flirting and Tim assumes their teasing, but what if they're not, and oh god is he third wheeling on a date between his ex-girlfriend and his sister? They don't actually want him here, they invited him to be nice and he was to oblivious to realize it wasn't genuine. He should leave. But before he can come up with a believable excuse they've changed topics and... hang on, did Steph just say her dad threw a book at her once? Because so much of Steph and Cass's relationship is built on an understanding that they won't make a big deal when they mention something messed up about their past that they just say stuff like that, but Tim does not have that same understanding. So Tim hears that and instead of rolling with it, it's "Steph you can't just say that like it's not a big deal... why is Cass laughing? You can't laugh at that it's fucked up! I don't care that it was a long time ago!" And now Cass is confused and Steph is angry and Tim feels like shit for probably ruining what they wanted to be a date and frustrated that he's being treated like he's overreacting despite being the only one with a normal reaction to child abuse. Mostly he's terrified that he screwed this whole thing up somehow and neither of them is going to want to hang out with him again.

Meanwhile Steph and Tim are so intrinsically linked to each other. They've shared things they will never share with anyone else, they were each others first love. And Cass understands that, she does, but it's hard sometimes seeing how easy they are with each other. The way Steph knows Tim's upset without having to read his body langue the way Cass does or Tim can predict exactly how late Steph will be to any given situation. More than that though, what truly makes her want to hide away from them, is the history they both had but didn't share. The sly comments about Tim looking like a character Cass has never heard of or jokes that make no sense but send Steph into laughing fits. The kind that when she asks are brushed off with "it was an old meme" or "just a show from when we were kids". The reminders that she isn't normal, she can never really be like them. If she doesn't ask most of the time it doesn't occur to them to explain, it seems so obvious to them. They start doing a synchronized dance from some movie that came out when they were in middle school and Cass slips away into the shadows. Later she gets a string of concerned text that slowly turn angry when she doesn't answer. Cass never tells them what was wrong.

And it's hard for Steph to look at Cass and Tim and not feel jealous, because more than just being friends, they're siblings. They are full members of the club, Bruce's children, let into the fold in a way she never can be. She doesn't even want to be anymore if she's being honest, but it still stings. They'll casually mention family dinner or reference inside jokes from the last Wayne charity whatever and Steph will feel the growing desire in her chest that she can not, under any circumstances, let anyone see. The desire that has caused her so much pain, she will not give it control over her again. And Cass calls Tim Robin sometimes, and he calls Cass Batgirl in return, and Steph has to bite back the urge to scream at them that she was Robin too! She is also a Batgirl! But it doesn't matter because she wasn't Cass's Robin or Tim's Batgirl, and it drives her insane that they're romanticizing that time, because don't they remember how much of an asshole Bruce was back then? And now Tim is mad at her for bring up the past as if they're not the ones who started it, and Cass is assuring her that Bruce has changed, and maybe he has, but it's to fucking late! He already ruined any chance of Steph every feeling fully comfortable with her place in their lives. So she storms off, fuming, leaving a baffled Tim and Cass to go enjoy their stupid family dinner.

So yeah, they are best friends. They all love each other more than they know how to say, and trust each other more than anyone else in the world. But they can never all hang out together. That only ever ends in disaster.

[blowthemoonout]

So I did the thing I am trying not to do (looked at social media) and...sometimes I feel like everyone else has watched a different game than me. I don't get why Trent having an awful performance is more likely to be because he actually doesn't care, rather than because he got in his own head, let his mistakes snowball, and was going through it.

I've seen takes ranging from calling him arrogant and lazy, to saying he should be immediately stripped of his vice captaincy, to arguing that he's actually NEVER been that good of a player and we've all gaslighting ourselves for years about him. Not isolated takes either, any of these.

He had an atrocious performance. Nothing went right for him. He looked upset, not apathetic, imo. None of this calls for rewriting history, or making up motivations for a person we do not actually know, or jumping to the least charitable conclusion. All of the criticism stops being valid or productive at that point, and there was plenty of valid criticism to be had.

Idk, this is a trend I've noticed for a while and it just really bothered me today. Sometimes it's good to take a moment and remember that we do not know these people and don't have access to what they're thinking or feeling at any given time. Acting like we do in order to create a narrative is toxic imo, particularly when it's done publicly.

[arcxnumvitae]

How attractive are you from 1-100?

"Hm."

[hairmetal666]

It's Wayne that goes with him when he buys the truck. He offers to go with him. Uses one of his few days off to do it.

On the way there, it strikes Steve that his own father would never do this with him. The man hadn't even bought the Beemer himself, just sent an assistant to take care of it. And here Wayne is, driving them to a used car dealership, humming along to some old country-western song on the radio.

It takes three dealerships for them to find it, but Wayne is patient, stoic, takes careful note of the cars that catch Steve's interest. He asks the salesman if he can pop the hood, peers at the engine, kicks the tires. He asks questions Steve would never think of, about adjustments to the odometer, history of repairs, if it was in any accidents.

Steve never considered wanting a truck, doesn't think it's his style. But he's walking the lot at the third dealership, and he sees it. It's a Chevy, blue and white, a few years old. It's in good condition, but was obviously used for work.

He walks towards it.

"You like this one?" Wayne asks. If he's surprised, he doesn't show it.

"Yeah, it's--yeah," Steve nods.

Wayne does his checks, asks his questions, gives a nod of approval.

It's the first car he takes on a test drive.

He barely has it on the road before he knows it's the one. It surprises him. He always thought he was his true self in the BMW, but now--the engine has a throaty grumble to it, can feel it rumbling through his foot on the pedal, and it's--it's--perfect.

"This it?" Wayne asks as they pull back into the lot.

"Yeah, yes. It's. Yeah."

"Well, let's get to hagglin."

Wayne is, of course, an expert haggler. By the end of it, he's got a couple thousand dollars knocked off the asking price, Steve more than within budget.

They drive back to Wayne's little house on the outskirts of Hawkins, the one the government gave him, the sun just disappearing behind the horizon.

Eddie stands on the small porch, wide smile on his face.

"Wow, Wayne," he says. He wraps an arm around his uncle's shoulders. "You really did a number on him."

"It's a solid vehicle, Ed."

"Never took you for a truck man, Harrington," Eddie teases.

"Can't you see how gorgeous she is?"

Eddie raises an eyebrow, his smile not faltering. "Wow, it's true love then."

"Looks like it. Wanna come for a ride?"

There's only a second where Eddie hesitates, but then he's running inside to grab shoes, tripping on his way to the truck.

---

It happened like this:

Eddie Munson died in the Upside Down in 1986.

He's reanimated by Vecna for the final battle, a puppet to do his master's bidding.

When they win, when Vecna is dead in a pile of dessicated vines, they can't find Eddie. Scour the Upside Down for him and come up empty. They have to assume he's dead, like everything else there, kept alive only by Vecna's power. None of them want to leave without him, but the world is destabilized, they can't stay, El has to close the gates.

That night, Steve pulls the battle vest from under his bed, sobs into the blood-soaked denim, the grief from the loss just as fresh as March of '86.

He and the kids, they go visit Wayne. It becomes a regular thing.

Two weeks after the end of Vecna, Wayne calls him. He's panicked, near hysterical, nothing like the man Steve's come to know.

He goes, fast as he can, to Wayne's house. All the lights are off, the front door ajar, and he runs, clattering into the living room.

Wayne is in the recliner, face pale and strained, and on the couch--on the couch--

Eddie Munson.

His hair's lank, his skin sallow, the light in his eyes dim, but it's him. Unquestionably.

Steve does the only thing he can think of, calls Hopper. He shows up a little while later with El and Will.

"I called Owens," Hopper says.

"Why would you do that?" Steve is angry.

"Look, kid, I get it. But none of us are equipped to deal with this."

He's right, so they wait.

It doesn't take the doctor, El, and Will long to figure that Eddie is Eddie, even though his heart beats a little slow and his skin's always cold and his blood is slightly the wrong color. He's still at least 75% human, and that's enough.

Only those six people know. It's dangerous to tell anyone else when the world still thinks Eddie Munson is a serial murderer. Owens asks for time to clear his name, and they have no choice but to agree.

After two days, Steve thinks he should give Eddie and Wayne space, but as he rises to go, Eddie's hand grips his wrist. "Stay?" He asks. Steve doesn't leave.

It's hard, keeping the secret from the rest of the kids, Robin. He wants to tell her, more than anything. About how they share a bed most nights, how he's memorizing the shape of Eddie's body in a way he shouldn't, how the gentle desire turns to profound longing--but Eddie's safety is the most important thing, so Steve keeps it to himself.

---

They go out in Steve's truck almost every night, always on backroads. It's the only way Eddie can leave the house.

It's Steve's favorite thing, the only time Eddie seems truly happy. They roll the windows down, turn the music up, and whip around deserted farm roads. Sometimes, Eddie will stick his head out the window, shout out into the night.

Steve is in love with him.

He has no idea if Eddie feels the same, figures it doesn't matter. He'll harbor this flame for the rest of his life without complaint because Eddie is alive.

He thinks he's done a good job at hiding his feelings, thinks he's able to avert his gaze, hide his blush, when Eddie comes out of his room in only his boxers, thinks Eddie hasn't noticed how Steve's eyes linger when they share joints lying in the bed of the truck.

Except tonight--tonight--they're driving back home, and Eddie, he's been quiet, distant, fidgety, and now he reaches out to turn down the radio, which has Steve's stomach in a knot.

"You--Steve, you've been so great. To me and Wayne, and--you're family, you know? To us, you're--but--"

And Steve thinks this is it, that Eddie noticed, that he's being let down easy, and he wants to throw up, cry, but Eddie's still talking.

"You have a life to live, right? You're--you're 23 and you're not stuck here like me, and I know Robin is ready to go and the kids are--they're going to college soon, and you shouldn't stay here for me, I'm--"

"What?" Steve says.

"What?" Eddie echoes.

"I don't want to leave," Steve says.

"But--"

"Where you are is where I want to be."

"I'm in love with you," Eddie says. Cover his face with his hands.

Steve pulls the truck to the shoulder. His hands are shaking.

"You love me?"

"I'm sorry." His apology is muffled. "I didn't mean--I know this fucks up--"

"Eddie." He says, soft. "Look at me?"

One deep brown eye peers up at him. "Eddie, I--I'm hopelessly in love with you."

Both eyes now, mouth a bright curve. "You mean it, Harrington?"

"Fuck, can't get enough of you, Munson."

"You know, if I thought for a second anything like was possible, I would've--fuck, I would've made a move ages ago. I would've--"

"Shut-up," he whispers against Eddie's mouth. "Kiss me."

---

And later, Robin will ask if he has someone, and he'll say yes, and she'll ask, soft, "is it him?" and he'll nod, and they'll both cry.

Later, a news report, Eddie Munson's body was recovered from the bottom of Sattler Quarry, bearing the same wounds as Vecna's other victims.

Later, Chief Powell will hold a press conference, say they're looking for a man named Henry Creel, wanted on suspicion of killing his mother and sister and the aggravated assault of his father with an MO that matches the 1986 killing spree.

Later, Steve will shave Eddie's head, Eddie crying softly as the hair tumbles to the bathroom floor. Steve will kiss the tears away, one by one, say, "I know it's hard to let go. But we'll move away, to a place where people say 'you look like that guy, that Eddie Munson,' and you'll say, 'I get that a lot,' and your hair will grow back, if you want it to."

Later, they'll invite everyone to Wayne's , everyone except Dustin, busy in Boston with an internship, and Eddie will be there to welcome them.

Later, he and Eddie will take the truck, drive up to Boston. And Eddie, he'll spy Dustin first, walks up to him and says, "Pretty metal tattoos, little dude," and they'll all cry until Dustin stops to yell at them for keeping the secret.

Later, Steve and Eddie will leave MIT--Dustin screeching that they have to call him every night promptly at 8pm still ringing in their ears-- in search of their future.

[voiider]

Okay alright I'm tired of giving more children to Bruce Wayne I think we need to start taking some away 

Tim getting kidnapped (but in a way they don't announce Tim Drake-Wayne as missing??) and is given Something that induces amnesia but he escapes or maybe just literally wanders away but like he's in the middle of Ohio and he's walking down the road unsure of his own name or where he is and a weird looking camper pills over and a large man leans out the window and says “you doing alright there, sonny?” 

And he doesn't really know so he sorta shrugs so they pick him up and the man introduces himself as Jack and this is his wife Maddie and their two kids Danny and Jazz and they're just heading back from a camping trip and they can take him into town (Amity?) and take him down to the station and help him get things figured out 

The police take his picture and upload it to a “found” database or smth but there's no active or recent cases in Ohio for missing persons (or teenagers) matching his description 

(But also, Amity is pretty disconnected from the rest of the world digitally. They mind their business. Sure they run this boy's face in the newspaper and let the neighboring precincts about him but there's not much more they can do until this kid gets some memories back)

So he goes to stay with Jack and Maddie (idk how i don’t care about LAWS) while they wait to see if they get any hits or until he gets some memories back and they register him under Alvin (“hmm maybe... Tom? No, definitely not. Caroline? Alvin? That sounds the best I guess”) Fenton at the local high school so he can keep getting an education (and Alvin isn’t sure why, but this sort of feels like a waste of time, he already knows all this math stuff and why would he want to read Of Mice and Men he’s pretty sure someone told him John Steinbeck was a hack. Or maybe not. He can’t remember) but it’s simple enough and he likes the Fentons even if they keep trying to convince him ghosts are real 

And maybe they are. Actually. Real that is. He saw one the other day and had to double check if knowing ghosts were real is a common knowledge thing that he forgot of if he never knew in the first place. Jazz tells him that ghosts are pretty much an Amity specific thing but that they appear other places and then Jack and Maddie set him down and give him the entire history of ghosts that night and then show him their lab which is pretty cool

And maybe he accidentally suplexed someone who startled him in the halls on his first day and also fell asleep in science,but give him a break! he’s going through a lot right now

But his new brother roommate friend? Is helping him adjust at school by telling him who to avoid and what not to eat from the cafeteria and Jazz is in most of his classes but also he’s not sure why they’re trying to act all sneaky about this Inviso-Bill/vigilante situation because like. That’s clearly just Danny with white hair? He looks the exact same? Also he literally saw Danny walk through the bathroom door last week if it wasn’t obvious enough.

So Tim really isn’t expecting Danny to be surprised that he picked up a thermos that Phantom dropped when he and his friends ran off to fight another ghost

[anneapocalypse]

I really do think they showed us Varric trying to talk Solas down for a reason. Sure, it didn't work. But Varric survived it--when a lot of us, myself included, thought he might not.

I don't believe that Solas couldn't have simply killed Varric if he'd wanted to. We see the kind of power he's wielding now. And he doesn't kill him. He doesn't even attack--he just disarms him so that Varric can't interrupt the ritual. And they talk! They have a whole conversation!

Solas could have killed Varric. He could also have simply ignored him, refused to engage. He didn't. He talked to him, tried to reason with him, argued with him, appealed to their shared history.

Like an old friend.

Even the harshest thing Solas say, "People die every day. It's what they do," this too is an expression of his own guilt. People die because of the Veil, because of him. Don't you see that people are already dying because of him, have been for all these ages? That is is precisely the wrong he seeks to right?

I believe we were shown this particular bit of story to tell us that this is still the Solas we knew. Varric isn't wrong about that much. Solas still cares. He still regrets. He still, deep down, wishes there were another way.

I don't know what that will mean for his fate, or for the story. But I know that's him. It's the Solas we knew.

EDITED TO ADD: Please stop commenting with spoilers on a post made before the game was out. It's really fucking rude.

[inkskinned]

you found out today that a phrase you have used before was coined by an abusive man. this felt like getting your teeth taken out. it made you sick and sad and tired, but not surprised.

bad people tell you to be careful when you talk badly of bad men, that it could "ruin" a life. you had your life ruined by a bad man, not that it ever matters to them. your real life having real consequences is not valued as highly as the potential of his future.

this has always been a frustrating little mathematics problem for you. you've missed school and had to call out sick at work and had panic attacks that lasted for weeks. it stole sleep and food and friends from you. you cried in public, fucked your relationships up. and the whole time: your present has never mattered so much as the great what if! of his future. like - one life (your life) is already ruined, should we really ruin two?

so you live with the consequences and he doesn't, and that's just like, something you need therapy for. you once discussed this with one of your friends over coffee. she chewed the wooden stirrer, looked off into the distance. "once i became a victim, everything that happens to me afterward is automatically less interesting in the eyes of the general public. it is always about him. he changed my identity. to survivor. to statistic. meanwhile this whole time - i am a person."

you learned in college that three out of five of your favorite artists and authors were actually abusive assholes. these days, you are no longer surprised. oh, is that what was happening behind closed doors? of course it was, he was a "genius," and she was just a girl. you are talking about him in art history, so obviously his career was absolutely ruined, for eternity. that's what happens, right? they strike your name from the record and refuse to remember you? nobody really knows her name, but hey. that's what you get for being close to celebrity.

you got into an argument about it, which was a bad argument, because it made you cry. he said what, you want us to just ignore all the things this man did because he made a few women uncomfortable? and you'd balled your fists up and choked on it. later, in bed, you agonized over the response you'd been trying to articulate but never found the right moment to deploy: you are ignoring what any person could do if they weren't being fucking abused. maybe her talents far exceeded his and she was just never allowed to fucking use them. maybe we only see genius in white men because they purposefully fucking squash and silence any other people with talent.

but you'd cried about it instead of saying that, because you are the cost. you are the talent and potential that he took. you used to be brave and smart and clever and unafraid. like a lich, he stole years of your life.

quiet on set made you sad and sick and tired, but not surprised. unfortunately, one of the things he said was true: an entire network of people allowed it to continue. this is not news to you, because you have seen entire networks of people make the same fucking excuses when the same thing or-worse happened to you. and your particular story isn't even in hollywood. it was just a guy. it was still difficult getting people to stand up for you.

you and your friend wait in line for your coffee. like a standup joke, one man turns to the other and says "can't wait for every bitch to come crawling out of the woodwork complaining about harassment. it's another metoo." and you think - oh, that's the network. your boss tucks her hair back and whispers that while your skirt is cute, you're giving the boys the wrong idea. that's the network. when you'd told your "friend" about what happened, she'd said oh you must have misunderstood, that would never happen. and that's the network.

you woke up this morning panting, because years later you still have panic attacks. oh, it's not a network, actually, it's a web. and you, little moth: are you still surprised you're caught in it?

[velvetvexations]

Antigonism

ANTIGONE: I'll do my duty to my brother - and yours as well, if you're not prepared to. I won't be caught betraying him.

What is antigonism?

Antigonism is a transfeminist mode of thought specifically for transfems that embrace solidarity with other trans people, as well as those who are intersex and the queer community in general, under the belief that it's vital to recognize we're all equally oppressed and capable of doing lateral harm to one another

Beliefs of antigonistic transfems include but are not limited to:

accepting that transandrophobia exists

being mindful of exorsexism

not policing the terms that intersex people use for themselves

awareness that other AMAB people can present as feminine without being some kinna insult to us

recognizing that racial hegemony and the cishetpatriarchy are radically different systems of oppression and any comparison between the two, while possible, must be made with exceptional care

rejecting the "reclamation" of radical feminism

finding it appalling to demand that other trans people define themselves as privileged for not experiencing the same things as us - especially when they do in fact experience much of what is commonly, inexplicably cited as unique to transfems.

Isn't that just trans unity?

Trans unity is also great! But I feel like transfems who explicitly reject trans radical feminism could do with a word that is more forceful and specific. Some would prefer that this just be considered the default, and the vocal minority of people who think transfems are oppressed by other trans people should simply be treated as weirdos out of step with the rest of us, but I think there's value in making a strong statement with a term like this.

I've seen a lot of people who legitimately feel like shit because the vocal minority has been so loudly terrible that it's affecting how comfortable they are with random transfems whose opinions they don't know. I understand the temptation to just say they need to touch grass or whatever, but even aside from the fact that things like anti-transmasculinity within the community isn't purely limited to discourse on a dying social media website, I feel like that's blaming them for their reaction to being treated cruelly. I think antigonism could help drill in that there are tons of transfems who back them up, and that they don't need to search for keywords to know that person is safe.

Because, like, that happens to me, too. So many times I've seen a post I really liked and thought was insightful, only to have my distrustful nature lead me to doing such a search before reblogging and being gravely disappointed with the results. That fucking sucks, yall.

Why "antigonism"?

In the legends of Ancient Greece, Oedipus had two sons. One of them, Polynices, would eventually go on to wage war upon his brother, Eteocles, the king of Thebes. There were many telling of the story, some in which Polynices had a very good reason for doing so and some where he didn't.

Polynices and Eteocles both killed each other in the war, but Creon, who took power after, unilaterally declared that Polynices was a traitor. Antigone, the daughter of Oedipus, however, simply does not give a fuck what Polynices did or did not do. When Creon orders that any who try to bury Polynices will be put to death, she proudly does so anyway.

The most famous teller of Oedipus's family history, Sophocles, wrote a play about the war, but it's lost to time and so we know nothing definite about what version of events is canon to Sophocles' play starring the titular Antigone. Considering that the whole point of Creon's character is his dogmatic clinging to law over sense, his assessment of Polynices as being in the wrong for going against authority doesn't clear things up.

I emphasize this because I don't want to seem like I'm framing other trans people - transmascs especially - as requiring forgiveness for some vague past sin. Quite the opposite, just as they treat us as their sisters in spite of that minority of transfems who are awful to them, we must recognize that they're often the first to shut down transmisogynists amongst themselves. Ultimately the point of Antigone's actions in defying the law to honor her brother is that things like that are entirely irrelevant. The fact that the person accusing Polynices of being evil is a jackass, and we know there were versions of the story where Eteocles had it coming, is even more reason to look past his "crime."

ANTIGONE: I owed it to him. CREON: I had forbidden it. ANTIGONE: I owed it to him. CREON: Polynices was a rebel and a traitor, and you know it. ANTIGONE: He was my brother.

Does that mean we should not call out other trans people who are transmisogynistic or otherwise treat trans women badly? Of course not. But we have no more right to abandon or spit on them than they do us, which so many of them refuse to do in spite of the hostility they've often faced. To be an antigonist is to believe that we can do no less for those who do so much for us, and the creation of the term is intended not to spur more to do that so much as to give a name to those who've already been doing that.

Finally, I understand that the plot of Antigone revolving around Polynice's burial might feel grim. Critically, however, Antigone ultimately dies as well.

ISMENE: I must yield to those in authority. I think it is dangerous business to be always meddling. ANTIGONE: You have made your choice, you can be what you want to be. But I will bury him, and if I must die, I say that this crime is holy. I shall lie down with him in death, and I shall be as dear to him as he to me.

We are oppressed by the same forces. We are allies in the same fight. We are friends, lovers, and family. An antigonist is a transfem who believes that all trans people will live together and die together. We are committed to sharing the same fate with our siblings, one way or another. Antigonists see us all as bound together, headed for the same destination, and we would not for a second ever want it to be otherwise no matter where that road leads.

One more thing!

Even if this terminology doesn't catch on, I hope this effort means something to anyone who sees this. <3 Your sisters do love you, I promise.

[wannaeatramyeon]

Your Adventures as the Lookismverse Designer

G/N. Run-ins with Burn Knuckles, Goddog, Allied and Big Deal. Masterlists

Being in the Fashion department, you had assumed your classmates had a passion for fashion. For god's sake, it's in the name.

But no, you're wrong.

Apart from using it as an excuse to wear designer brands from head to toe, no one really gave a shit.

No one cared about the history, about design, fabrication, construction.

No one... apart from you that is.

.

.

Your first client wasn't really someone you could say no to unless you had a death wish.

When the whole of the Architecture department shows up along with Vasco, their terrifying leader, you consider running off and screaming.

It was only Jace Park, who seemed to understand a more subtle approach and how intimidating they looked, that stopped you from wanting to flee to the teacher.

(Strange. You actually don't recall seeing your teacher for months.)

"Please," Jace murmurs to Vasco and he's practically begging. "You didn't need to turn up with everyone. Just leave this to me. Please."

If you didn't know better, you would think Vasco was giving him grateful puppy eyes. But that can't be right. He's a thug.

"Sorry," Jace turns to you, looking contrite and fiddling anxiously with his big ears when you're finally on your own. "Are you the Fashion Designer?"

It should have been a stupid question, considering you're in the Fashion Department.

Except you look around at the so-called boxer who pitifully simps after the brunette all day, the rich blonde kid who never talks to anyone, the other girl who is an aspiring streamer and you sigh to yourself.

"Yes, that's me."

.

.

All things considered, the Burn Knuckles are very easy to please.

It's a design printed on some pre-made boilersuits, not exactly avant garde.

You did touch up the logo though and provided some more clothing options than requested. Boilersuits in a small selection of colours, bomber and leather jackets.

When you hand over the boxes to Vasco and Jace, the latter shakes your hand and the former stares at you with tears in his eyes and asks how they can ever repay you.

You shrug. Because he did already pay you for your time and the materials.

"Don't worry about it." You say, giving him a polite grin.

Vasco beams and you think maybe this guy isn't so scary.

.

.

.

.

Somehow your reputation precedes you.

To be honest you didn't even realise you had any sort of reputation until a guy with a messy mop head and two dogs corners you in an alleyway.

"I heard you're the Designer," he grunts.

A part of you thinks of fleeing once again. A smaller part of you thinks damn, that nickname is kinda cool.

"I am?"

"Don't play dumb. I know who you are."

You would have found him rude and menacing if not for his dogs picking that exact moment to roll around on the floor belly-up, desperately wanting some attention.

"Fuck's sake," he mutters though he squats down anyway to pat them. "So?" he continues, trying to regain his previous threatening aura even as the pups wriggle around under his touch.

"So what?"  you ask, not able to stop the smile creeping over your face at this adorable sight.

"I need some clothing."

.

.

Perhaps the Burn Knuckles gave you a false sense of bravado, thinking everyone would be as easy as them. Unfortunately, this guy is a goddamn headache.

He wants hoodies, which isn't an issue but he wants matching dog-sized ones and he wants you to design the logo from scratch too.

"But I don't do graphic design," you cry and he pretends he can't hear you.

On your twelfth iteration, he doesn't glare at it and praise the heavens; he's finally happy.

Well, happy is an overstatement. He doesn't exactly look happy but he's no longer glaring at you, so you assume in Johan Seong's world, that means he's exhilarated.

The hoodies fit, both Johan and the dogs, and the logo looks good too.

You wave goodbye to the back of all three. Your bank balance is healthier except you hope they never darken your doorstep again.

.

.

(You have no such luck. He returns, months later, requesting tracksuits.)

.

.

.

.

It's a sorry state of affairs when three of the members of Allied are part of the Fashion Department, and come to you asking for help.

"Why don't you design it yourself?" you ask Daniel Park, Zack Lee and Jay Hong.

They look at you like you've grown two heads.

.

.

You will be eternally grateful that Jay Hong is mute, that Vasco is actually the sweetest cinnamon roll, and Daniel Park is pretty easy-going because having Vin Jin and Zack Lee constantly bickering and criticising your design is bad enough.

Apparently these men are very adept fighters. Caught up in some gang shit. It didn't matter. You still wanted to ram your pen through their skulls.

Then throw in someone else called Hudson Ahn who also seems to like giving rude, overly critical comments concealed as constructive criticism -

You threatened to quit more than once.

.

.

Eventually, after staying awake for 46 hours - you all agree on a logo.

"Here." You thrust the USB drive with the files at Daniel Park.

"What do I do with this?"

"You're in the Fashion Department too." You rub at your tired eyes, patience long gone with these morons. "Find a clothing printer yourself. Search for it on the internet. You know what that is right? The internet?"

Somewhere to your right, Vin Jin bursts into laughter.

.

.

.

.

You can't decide if this guy is trying to sell you something or if you're actually falling in love with him by the second.

Hell, he could sell you some snake-oil and you're so charmed you don't mind.

"So, you'll do it?" he asks, holding your hands in his larger gloved ones and you feel yourself simpering like an idiot at the contact.

"Sure thing, Mr. Kim."

"Jake," he says, giving you a toothy grin. "I'm Jake. And this is Jerry."

"Who?"

"Jerry Kwon," A large hulking man steps up besides Jake, offering you a handshake.

What? How did you miss him? You didn't notice him at all.

"Oh. Uh. Of course. Nice to meet you too Jerry."

"Come here, guys." Jake signals for the other men hanging back to come forth. "Ths is Brad and Jerry and Lineman."

Shit. Damnit, you've been so fixated on Jake Kim that you ignored everyone else.

Hell. You didn't even realise there was anyone else.

"Hi," you say, wanting the ground to swallow you up and blushing furiously.

Jake catches your eye and gives you a wink.

.

.

Being completely honest, the Big Deal tracksuits aren't your best work.

You're not too sure on the logo design (though hey - that's not really your handiwork). The placement is a little awkward and the design is sort of plain.

You added gold elements to at least make it a bit more cohesive, and sourced extra durable fabrics with lots of movement as apparently the guys have a tendency to damage clothing during fights.

"What do you think?" Jake says, modelling your finalised version.

From the smile on his face, you could tell he's very much satisfied with your work.

"Looks great," you say and you're telling the truth. Although it's not really the tracksuit that looks great, but the man wearing it. His broad shoulders and tight waist, long muscular legs and-

Oops. You silently apologise for objectifying him.

The way your eyes rake over his form isn't subtle, though it's definitely flattering. Jake playfully throws another wink your way.

[anantaru]

EX BOYFRIEND LYNEY

— ꒰ synopsis ꒱ — ex! boyfriend lyney headcanons

— ꒰ warnings ꒱ — [ex]plicit, fem! reader, a lil possessive lyney, friends with benefits, rough, experienced lyney

ex boyfriend lyney moves in a way that you cannot possibly get an eyeful of, no hint of what he's planning, no inkling of why he did it— his precise yet persistent methods to win you over again aren't for one to notice, in fact, he doesn't lose his frame of mind during the entire process of your break-up, his aura and certain outbursts are ultimately swallowed down by him so you cannot see them.

the man was keeping his emotions in check in an almost frightening fashion that in recollection, it scares you. one might even go as far and assume that it was for the sake of you, or himself, to suppress his negative feelings in order to make the environment easier for the both of you.

ex boyfriend lyney remains silent for a good while after your break-up, he doesn't reach out to you often but it's because he believes you will take time to get used to being without him again. on the contrary, it gave him the perfect gateway of carefully planning each step out— not unexpectedly, of course, it's important to note that he wouldn't force you to stay with him because he deeply cares about your happiness.

you really want to break up? well, if that's what your heart desires, lyney wouldn't want to stand in your way— instead, he'd make it his most important task to remain friends with you, in order to win you over once more. what most people told you is that “once a book is finished, you cannot reread and take parts out of it, just because you didn't like it or want to change the narrative” it's over, ancient history, printed out on paper.

almost comical, ex boyfriend lyney thinks— after all, he was a magician and utterly skilled in his craft. he could pull it off, right?

before you know it, he will demonstrate the love he harbors for you in a blink of an eye, that passion that was too dark for dim eyes to discover currently— yet one day, he promises you, that he'll draw a veil over all deeds passed and walk you through a new beginning.

ex boyfriend lyney cannot imagine a life without you, it is out of the question because he sees you as family, a part of him, he wants and needs to protect you even after your break up. such strong amibition of shielding his significant other (or now ex), specifically wanting to protect them might stem from him being a big brother and always looking after his siblings.

in the act of love, no other individual could make him feel like you did— it's as if magic pulled at his heartstrings when he sees you, or when you smile at you.

his chest pumps with affection when you're here. he's so eager to show you again, wanting to reproduce memories of the past, back when love was him and you.

ex boyfriend lyney supports you, always, and he does it flawlessly when he fuels your needs, his smoldering gaze always here to help and burning into your body, sending shivers down your spine. there was a problem you faced? do not be scared, because ironically enough, lyney always seems to be there for you, at the right time, the right place and with the right words hand in hand to say.

ex boyfriend lyney will always be there when you need him, and in conjuction, he'll be the answer to all of your hardships, as if he somehow knew why they were happening in the first place. you can count on him always, no? with one voice and the beat of his heart, he's there to look after you while inching closer, giving your cheek a good squeeze before calling your stressed-out expression cute.

ex boyfriend lyney can immediately notice how different you were a couple weeks well into the break-up, but he also likes how you're still getting shy when his attention is solely fixated on you again, like your previous defenses have never drawn life in the first place— it's a pain, a taxing one at that when you realize that you still like him, despite the fact that you promised yourself to detach from any further interactions you and lyney could have in the future, yet proceeding to go against your better judgement.

but after a while, ex boyfriend lyney and you couldn't resist the temptations anymore as you're first agreeing to be friends with benefits for a while— only until one of you finds a serious match again, or another person that was able to outshine any of you, when in reality none of you had even considered dating again.

needless to say, it felt good, like every small movement of him was ten times stronger when he presses himself into you, when he rubs warmly over the throbbing spots only he knew were to find, "you're always so pretty.." he drawls out as your stomach flips at his drunken thoughts becoming real words, angelic tones you could hear.

ex boyfriend lyney makes you take every long breath a lot more meaningful, you felt as if you were breathing in the fumes of a volcano as it captured you in a smoldering haze— taking into account how the bedroom was slowly developing into something humid, heavy, and hot.

ex boyfriend lyney lets you succumb to it fully, and there was so much pressure on your cunt that your back was arching up into his body, your figure held by two hands slipped underneath, the almost agony-like sensation of fullness bristling on your sex as lyney moves and explores further into the realm of your beautiful body.

ex boyfriend lyney knows all of your kinks, or the certain spots you liked being stimulated, the very places you only hoped he'd do whenever he's got you split in half. you definitely notice his self assurance too, it's a bit stronger than last time— how he cannot possibly hold back a ravishing smirk when you're this easy to please.

there's no confusion in his face either, nor was he unfocused, only a dark lust was painted behind his eyes.

ex boyfriend lyney pulls one hand from your hip to your cheek before slanting your head down in order for you to witness the mess he's made in between your thighs.

your hips were pressing up off of the mattress in order to taste more of him, the lustful hankering mounting in your veins as your mouth turns dry as desert bones when your moans increase in length. a just released greed develops from your desperate yearning, it expands in your stomach and multiplies the more lyney pleasured you, the faster he flicks his length over your walls and smears his pre in waves on your wet sex.

"lyney..." you drawl out in an angelic tone that immediately made his heart flutter, "I n-need more," you say, smirking, your hand slowly wafting to your breasts before you're squeezing one of them, twinging at your nipple next. this was on purpose— because you knew how much he liked it whenever you put on a show for him.

so you continue, without a hurry, going with the flow and moving gently between the valley of your breasts until sliding past your lower stomach that was currently feeling full to the brim. yet your hand doesn't stop yet, only halting right above your clit when decent on it.

"I can't... you're so, fuck," his voice cracks, a moan sliding up through his throat. he's done for, you got him now.

ex boyfriend lyney shakes from the warm greeting of your walls sucking him tight, salivating at the sight of your poor pussy squelching clamorously. the magician missed you so much that he didn't want to conceal the burly emotions of his mind from you anymore— in truth, lyney was pathetic, truly without shame.

he shamelessly whimpers into your mouth before lapping at your bottom lip, biting it, sucking and toying with your tongue. he's whining, on the verge of crying due to pleasure, his eyes closed and hips rutting into your heat as the tips of his ears slowly turn pink.

ex boyfriend lyney moans out your name when you lock your legs around his hips, the rough squeezes of your pussy tightening as your body began to ready itself, the pleasure of your climax coming through you in a formidable wave of bliss as the both of you came at the same time, feeling like all the relief in the world settled in your stomach as your arousal glazes all over his shaft.

ex boyfriend lyney lets out a deep, muffled groan as you shake underneath his body. he collapses shortly after on top of you— yet it's all too much for you to keep up with. possible regrets? well, probably, but you're way too dizzy and fucked out of your mind to even force yourself to think about it.

what's there to know for you was that ex boyfriend lyney still loves you more than anything— and if being in this kind of "special relationship" was the best possible outcome for now, so be it.

on the grounds that sooner or later, he will get you back again.

©2024 anantaru do not repost, copy, translate, modify, claim as your own

[lenaellsi]

“Crowley is still an angel deep down” “Crowley is more of an angel than any of the archangels” “Crowley was only cast out because he needed to play his part in Armageddon, he's not a real demon” “Aziraphale wants to rebuild Heaven to be more like Crowley because he’s what an angel should be” no. Stop it. This is exactly where Aziraphale went wrong.

Crowley is 100% a demon. He's not actually a bit of an angel, and he's not cosmically better than any of the other demons we see in the series. He's much less vicious than most of them, yeah, but he's also much less vicious than most of the angels, because how “nice” a celestial being is has nothing to do with which side they're technically on. Crowley's kindness comes from him doing his best to help people despite the hurt he's suffered himself, not any sort of inherent residual or earned holiness. He was cast out just like the rest of the demons, and that's an important part of his history that shouldn't be minimized, excused, or, critically, 'corrected.'

Being angelic is not a positive or negative trait in the Good Omens universe. It's a species descriptor. Saying that Crowley is still an angel deep down because he helps people is an in-character thing for Aziraphale to think, certainly--Job and the final fifteen showed that in the worst possible way--but it's not something Crowley would ever react well to, and it's the main source of conflict in the entire "appoint you to be an angel" fiasco.

We know that Aziraphale thinks Crowley's fall was an injustice, but why? Well, because Crowley is actually Good, which means his fall was a mistake, or a test, or a regrettable error in judgment, or…something. Ineffable. Etc. The point is, he’s special, much better than those other demons, and if they can fix him and make him an angel again, everything will be fine! (So once Job's trials are over, everything will be restored to him? Praise be!) Aziraphale has to believe that Crowley's better traits come from traces of the angel he used to know and not the demon he's known for 6,000 years, because that’s how he can rationalize his incorrect view of Heaven as The Source Of Truth And Light And Good with his complicated feelings about Crowley's fall.

But Crowley's fall was not an injustice because he's actually a Good Person who didn't deserve it. Crowley's fall was an injustice because the entire system of dividing people into Good (obedient) and Bad (rebellious) is bullshit. Crowley is not an unfortunate exception to God's benevolence, he is a particularly sympathetic example of God's cruelty.

And really, Crowley doesn't behave at all like an angel, especially when he's at his best. All of the things that he's done that we as the audience consider Good are things that Heaven has directly opposed. (See: saving the goats and children in defiance of God in S2E2, convincing Aziraphale to give money to Elspeth despite Heaven's views on the "virtues of poverty" in S2E3, speaking out against the flood and the crucifixion in S1E3, tempting Aziraphale to enjoy earthly pleasures because he thinks they'll make him happy, stopping Armageddon.)

Heaven as an institution has never been about helping humanity. And that's not an issue of leadership, as Aziraphale seems to think--it's by design. Aziraphale's first official act as an angel toward humanity was to literally throw them to the lions. Giving them the sword wasn't him acting like an angel, it was just him being himself. Heaven doesn't care about humans. It's not supposed to. It's supposed to win the war against Hell, with humans as chess pieces at best and collateral damage at worst.

Yes, it's easier to think that there are forces that are supposed to be fundamentally good. It's easier to think that Aziraphale is going to show those mean archangels and the Metatron what’s coming to them and reform Heaven into what it "should" be, and that God is actually super chill and watching all of this while shipping ineffable husbands and cheering for them the whole way. And of course it's easier to take Crowley, who Aziraphale (and the audience) adores, and say that he deserves to be on the Good team much more than all those angels and demons that we don’t like. But that's not how it works. People are more complicated than that, even celestial beings.

Crowley is a demon, and the tragedy of his character is not that he's secretly a good guy who is being forced to be evil; the tragedy is that he's lived his whole life stuck between two institutional forces that are both equally hostile to the love he feels for the universe and the beings in it. There are no good and bad guys. There are no "right people." Every angel, demon, and human is capable of hurting or helping others based on their choices. That is, in fact, the entire fucking point.

[oldsoul007]

taste

nicholas chavez x ex!reader

a/n: no disrespect to either of them or relationship all of this is just fiction!

Nicholas and y/n had a special connection when they dated. Their time together was filled with laughter, shared secrets, and memorable moments. However, as life moved on, they drifted apart, and Nicholas eventually found himself in a new relationship with a girl named Victoria.

Victoria is wonderful—kind, smart, and everything Nicholas could ask for in a girlfriend. Yet, despite his happiness with her, y/n is always in the back of his mind. He often finds himself reminiscing about the times he spent with y/n, the unique bond they shared, and the way she understood him like no one else.

Even though Nicholas tries to focus on his present with Victoria, there are moments when a song, a place, or a random memory brings y/n back to the forefront of his thoughts. He wonders how she's doing, if she thinks about him too, and whether their paths will cross again. This lingering presence of y/n in his mind makes him question if he ever truly moved on, or if a part of him will always belong to her.

Nicholas and Victoria were out for a casual stroll one Saturday afternoon when they unexpectedly ran into y/n. The encounter took Nicholas by surprise, and he felt his heart skip a beat. Y/n looked as beautiful and confident as ever, and seeing her brought a rush of memories flooding back.

"Hey, y/n. It's been a while. How have you been?" Nicholas asked, trying to keep his composure.

"I've been good. Just busy with work and everything. How about you?" Y/n replied with a warm smile.

"I've been alright. This is Victoria, by the way. Victoria, this is y/n," Nicholas introduced them, his voice slightly shaky.

"Nice to meet you, y/n!" Victoria said cheerfully.

"Nice to meet you too, Victoria. So, what have you been up to, Nicholas?" Y/n asked, her eyes lingering on him.

"Oh, you know, just the usual. Work's been keeping me busy. It's really good to see you, though," Nicholas responded, feeling a mix of emotions.

"Yeah, it's good to see you too. You look well," y/n said, her smile softening.

"Thanks. You too," Nicholas managed to say, his mind racing.

Victoria, sensing the tension, chimed in, "We should catch up sometime, all of us. It would be fun."

"Sure, that sounds nice," y/n agreed. "Well, I should get going. It was great running into you both."

"Yeah, take care, y/n," Nicholas said, watching her walk away.

As y/n disappeared into the crowd, Nicholas couldn't help but feel a pang of longing. He realized that his feelings for her were still very much alive, leaving him deep in thought about what to do next.

Victoria and Nicholas had been having a wonderful evening at home when the topic of y/n came up. It started innocently enough, with Nicholas mentioning their recent encounter.

"You know, it was really nice seeing y/n the other day," Nicholas said, trying to keep his tone casual.

Victoria's expression changed slightly. "Yeah, it was. But, Nicholas, I've noticed you talk about her a lot lately."

Nicholas looked puzzled. "What do you mean? She's just an old friend."

"Is she really just an old friend?" Victoria asked, her voice growing more tense. "Because it feels like there's more to it."

Nicholas sighed. "Victoria, you're overthinking this. Y/n and I have history, but that's all in the past. You're the one I'm with now."

Victoria shook her head. "I don't know, Nicholas. It just feels like there's something unresolved between you two. And it bothers me."

Nicholas's frustration began to show. "What do you want me to do, Victoria? I can't erase my past. Y/n is a part of it, but she doesn't have to be a threat to us."

"I just need to know that you're fully committed to us," Victoria said, her eyes pleading.

"I am committed to us," Nicholas said firmly. "But I can't change the fact that y/n was a big part of my life. You have to trust me."

Victoria looked away, tears welling up in her eyes. "It's hard to trust when I see how you look at her."

Nicholas softened, stepping closer to her. "Victoria, I love you. I'll do whatever it takes to make you feel secure. But you have to believe me when I say that y/n is just a friend now."

Victoria nodded slowly, wiping her tears. "Okay, Nicholas. I believe you. But let's not talk about y/n anymore. Let's focus on us."

"Agreed," Nicholas said, pulling her into a hug. "Let's focus on us."

As they held each other, Nicholas hoped that this would be the end of the tension between them. He knew he had to prove his commitment to Victoria and make sure she felt secure in their relationship.

Nicholas and Victoria were at the local bar when they unexpectedly bumped into y/n again. It was a moment of surprise for all three, but Victoria's reaction was different. As she watched Nicholas and y/n exchange warm smiles and familiar glances, something clicked in her mind. She realized that the connection between Nicholas and y/n was deeper than she had ever imagined. It was in that instant that Victoria understood the true nature of their bond, and a mix of emotions washed over her, leaving her both intrigued and contemplative about what this meant for their future.

Nicholas and Victoria were sitting in their living room when the tension that had been building up finally reached a boiling point. The topic of y/n had come up once again, and it was clear that Victoria was not happy about it.

"Nicholas, I can't believe you're still hung up on her," Victoria said, frustration evident in her voice. "Every time we run into y/n, you act like she's the only person in the room."

Nicholas sighed, rubbing his temples. "Victoria, it's not like that. Y/n and I have a history, yes, but it doesn't mean I'm still in love with her. We're just friends now."

"Friends? Really?" Victoria shot back. "Because it sure doesn't seem that way. You get this look in your eyes whenever she's around, like you're remembering something more than just a friendship."

"That's not fair," Nicholas replied, his voice rising. "I can't control how I feel. But I'm with you now, and that's what matters."

"But is it really?" Victoria asked, her eyes filling with tears. "Because it feels like I'm always competing with her ghost. I need to know that you're fully here with me, not just physically but emotionally too."

Nicholas took a deep breath, trying to calm himself. "Victoria, I care about you a lot. I don't want you to feel like you're second to anyone. I'm sorry if I've made you feel that way."

Victoria looked at him, her expression softening slightly. "I just need to know that I can trust you, Nicholas. That you're not going to run back to her the moment things get tough between us."

"I promise you, Victoria," Nicholas said, taking her hand. "I'm committed to us. I'll do whatever it takes to prove that to you."

As they sat there, holding each other's hands, they both realized that this was a turning point in their relationship. They had to work through these issues if they wanted to move forward together.

Nicholas had been feeling increasingly guilty about his relationship with Victoria. He knew deep down that he couldn't continue pretending everything was fine. One evening, he finally mustered the courage to talk to her.

"Victoria, we need to talk," Nicholas began, his voice heavy with emotion. "I can't keep doing this. It's not fair to you or to me. I still have feelings for y/n, and it's not right to lead you on."

Victoria looked at him, her eyes filled with a mix of hurt and understanding. "I knew this was coming, Nicholas. I just hoped things would change."

"I'm so sorry," Nicholas said, his heart breaking at the sight of her tears. "You deserve someone who can give you their whole heart, and I can't do that right now."

After the difficult conversation, Nicholas felt a weight lift off his shoulders, but he was also filled with a sense of loss. He decided to reach out to y/n, needing someone to talk to.

"Y/n, I ended things with Victoria," he confessed over the phone. "I couldn't keep pretending. But now, I feel so lost."

Y/n’s voice was gentle but firm. "Nicholas, I still love you, but we can't be together. Not right now. You need to figure things out for yourself first."

Nicholas sighed, feeling the sting of her words. "I understand, y/n. I just needed to hear your voice."

They both knew that this was a time for healing and self-discovery. Even though they couldn't be together, their connection remained a source of comfort and strength for Nicholas.

[ebbpup]

posting about this au cause i like it

more about it under here

timeline time!!

(This part is also like, a headcanon for the canon timeline) so wanda and cosmo leave for vacation, its pretty soon after they stop living with timmy, so maybe when peri is 9-10. they leave him in the care of Cosmo's parents, however it can be difficult for them so other fairies (probably some of the main ones we see outside of the family) would look after him. there were lots of expectations set on him due to how powerful he was at birth and his family history so he always pushed himself to do as good as he could! He even got a scholarship into a really good school!

now, here is where the timeline diverges, while for the canon timeline, Peri keeps trying, gets into a good college/university, becomes a fairy godparents, ect. ect. but not here, when he's about 16 he's tired of all the pressure put on him, he wants out, he envies the humans and wishes he could have a life like that. so why doesn't he? he packs his stuff and leaves. he's figured out how to give himself more human proportions but he has to wear a beanie and a jacket to hide his wings and crown. he manages to find a new family (he says his bio parents are dead), goes to a normal school and starts living a normal, "human" life.

eventually he is able to move out of home and into the apartment complex along with 3 roommates (will design them soon, probably). he gets into college/university and is able to do an online course (of what? idk). his life is good! he hasn't seen anything magical in years! nobody knows where he is (they are aware he is missing in fairy world but have no idea where he could be, not even Irep [or, still Foop since he doesn't know that Peri changed his name] knows where he is)! everything is good. everything is peaceful.

he has no idea that his parents have moved in a floor below him, he only finds out once he runs into the new family in town. Peri bumps into Hazel in her family, that's where the first comic takes place. They keep bumping into him and decide to invite him over for dinner since he seems like such a nice guy and has been very welcoming, Hazel suggests that they invite Wanda and Cosmo too since they've also been very welcoming and they decide, sure why not! By this point Hazel knows that Cosmo and Wanda think that Peri might be their kid since they have told her, and she's gonna give them the opportunity to talk to him! The dinner is a nightmare for Peri, dodging every single question that could reveal his identity, they can't know that he's their son, he can't go back to fairy world! luckily Hazel's parents don't really leave so they can't ask him directly, but the questions do get close. eventually the dinner ends and he can go home.

Que his parents constantly looking for him and Peri hiding, so many occasions of them just missing him. They've probably told others in Fairy World about how they've found him, even Irep finds out (who is now pissed at the name change). So eventually not only is he hiding from his parents, but sometimes others will also try to find him because like dude you went missing as a teenager of course they are looking for you.

also, Peri needs a job and gets hired as a babysitter to look after Dev. Dev and Hazel becoming friends is a nightmare for him.

[vashtijoy]

Quick snippet from 10/26. In case you ever wondered whether Akechi knows Mona talks all along... watch him here, and listen to him. At first he's on script—entirely in control even when he talks about how he was supposedly nearly murdered by himself. It's the same tone he uses on the news. He's gone over this speech a dozen times.

Then Morgana talks, and while Akechi does react, he's still acting. He's still on script, prepared and practiced. The portrait looks shocked, but the model is just standing there, playing detective....

... until Ann steps in with "our friend who taught us about the Metaverse":

He jumps back so fast I didn't have time to load the textbox, lol. "What do you MEAN you had a MAGIC CAT GUIDE, the FUCK??"

Of course he knew Mona talks. How does he expose himself, right away on 6/9?—he hears Mona talking about pancakes. He had to be close enough to hear Mona, the cat. So it's not Mona talking that shocks him, but the revelation that Joker and the rest had help, had a guide from the very beginning, when he did not.

And you can hear his voice change register at that moment. That careful, controlled, rehearsed tone goes out of the window. He talks faster, he pitches up, he's breathless, without a script. He is, in short, more real. And he immediately asks Mona a question:

He really hasn't solved that mystery; he really wants to know. In fact, he has to know—about the difference in their methods and his own, which he just can't figure out....

There's a little of that high-pitched breathiness when he talks about his awakening, too. I'd say that's pretty much how it happened way back when, and he's adapted the story a little. "I can't die here... I need to determine the truth"—of course he did. The same truth that his "sole interest is uncovering"—the truth about Shido and himself.

What about that image of the killer, standing in the entrance to Okumura's Palace? Well, sometimes people think this is a photo, but it's not—Akechi doesn't produce any more photos, he just continues with his story. So this is presumably what Akechi pictures in his mind at that moment. This is his self-image, God help him:

Lastly, here's an incredulous Akechi with a bonus Futaba glaring at him. Don't neglect the models—they really repay close examination, and the face animation is often incredibly detailed. And as for whether Akechi is lying or not at any given moment—it's often easier to tell than you think.

revision history

Click here for the latest version.

v1.0 (2024/04/18)—first posted.

[astrowarr]

“How d’you care so little?” Joel fumes, eyes ablaze as he paces around the shattered glass and splintered wood of his car. It's pretty well decimated, and he's been growling and frothing about it in Gem's ear for an hour now. 

She prods testily at the soft, upturned earth carefully covering their pitfall. “It's not that I don't care,” she huffs, jumping back when the dirt crumbles a little under the toe of her boot. She glances up at Joel, who is practically shaking with rage. He can't keep his eyes off the dumb car. “You know, you really could've fixed it by now.”

Beat of silence. Then, pouting and everything, he grumbles feebly, “Shut up, Gem.” 

There's no heat behind it. If anything, her words seemed to have knocked the wind from his sails of war; he's slumped against the car now, arms crossed as he glares to the side dramatically. God, he sure does put on a show, she thinks with an overwhelming wave of affection. 

It's not that Gem doesn't care. But she can't get this feeling from the four mangrove walls of her stupid barn. She can't even get it from winning. So they can burn down everything she owns, take every last life she has to spare. In the end, none of that is tangible. None of that is what matters. This is a game, and games are meant to be played. That’s what counts for her. Why should she take issue if the universe works as it was so lovingly intended to? 

All she wants to leave behind is a trail of blood and ruin as she puts up a fight. She wants to leave her mark on this world and all the people it holds. She wants to make it hurt, once she's allowed to. She wants to play the game well, exactly how she was made to play it. She cares about that. 

Gem cares, too, about the love she dredges up along the way. She thinks of her hands set to the backdrop of a blood-caked cloak, of long brown hair curling over her fingers as they dig in tight. She thinks of the sharp edge of her sword pressed against pale skin, and the thud of knees hitting the ground. All of that meant something. It still does, she believes, in certain ways. 

“I care,” she says, feeling oddly self-conscious. Maybe it's because she knows Joel now: he can't stop caring. It explodes from every pore in his body, an inescapable curse. It's been his undoing, or so she's heard; he's easy to anger, but if you ask her, he's mostly just… easy to love.

It’s this fact that has her saying quietly, “Just… I gotta pick and choose, you know?”

She's not like Joel. There's only so much room in Gem's chest, and it's permanently occupied with a bleeding, open wound. It takes up a lot of her as she skirts around it, giving its raw, frayed edges a wide berth. Joel has an infected hole in his heart too, but his preferred method of dealing with it is tearing it wider with his bare hands.

“Yeah,” Joel drawls absently, scratching his cheek. “Never been quite good at that, I reckon.”

Gem gets that. It must be hard, holding everything so tight that it rips you apart. The thought of losing that much agency has a venomous, stinging feeling crawling down the center of her back. But… 

“You're doing it right now,” she points out, gesturing vaguely at his poor car. “You could've gone on a rampage, if you wanted.”

He scoffs. “Trust me, I wanted."

“You didn't though.”

Joel blinks. “Guess I didn't.” The answer is simple, but leaden with something that has branches so complex, it nearly consumes his words entirely. Gem can't name the something; she lacks the history she'd need to do so. Even so, his face is remarkably… light? That's a word for it. Maybe he's finally cut the infection from his own wound.

She hums in lieu of response, turning her gaze back to the trap. Whatever is draped over Joel's mind, she hopes it doesn't render him too docile. The game stops for nothing, and it deserves to be played to its fullest, Gem thinks, no matter what's left standing come judgement day.