#but all this history just to say he doesn't really care or think about his looks at all. So he sees the score and shrugs

[himbosandhardwear]

This is a literal nightmare.

He can see her cheery orange sweater from the doorway, glowing under the sodium desk lamp. As if the library wasn't hateful enough, with it's enforced hush, they had to make everything hard to fucking see too. Ugh, great, she's got fucking note cards! Pink ones!

“Wheeler,” he growls at her, hoping to startle her with his slammed history book.

Unfortunately it doesn't work, only earns him a shush and a few annoyed glares from fellow patrons.

Wheeler looks up from under her lashes, quietly entertained if anything. “Munson. Glad you could finally make it.”

“Yeah well,” he straddles the wooden desk chair, “got caught up sacrificing virgins. You know how it is.”

She rests her pointed chin onto her hand. “So you trekked up to the middle school?”

Shit. Does she have a sense of humor?

“Yeah… Anyway, I'm here now. What torture have you got in store?” He eyes the note cards warily.

“Not these.” She swiftly wraps a rubber band around them and tucks them back into her bag. “I think I know what your issue is.”

“Childhood neglect?”

She gifts him with a snort. “Maybe. I was referring to your complete lack of interest in US History.”

“You can't make me care about it, Wheeler, that's not how this works.”

Her eyes do something that feels patronizing but also like maybe she knows something he doesn't.

It becomes apparent, hours later, that he shouldn't have thrown that gauntlet. Nancy Wheeler is a certified genius. No wonder St- Mmm, no.

“I can't believe you did it,” he admits after successfully passing her pop quiz. “How did you… I mean, I literally just learned all that against my will.”

“Easy. You like Tolkien, right?”

That takes him aback. He stares back at her for a second. “...yeah?”

“So you can absorb details when it's something you're interested in. All I had to do was make it interesting.”

Wow. Yeah, that actually makes sense now that he thinks about it. All she did was humanize the people involved, make them real. He couldn't care less about memorizing the dates of the battles but knowing forty-five hundred men died from Cholera that winter, seven hundred more from infection, it did something to Eddie's brain, forced it to latch on.

“Huh. What are you doing tutoring an idiot like me? You should be getting tenured at Yale or whatever.”

She does something no girl has done to Eddie since the fifth grade, she reaches out and holds his hand. He's too confused to pull away.

“You're not stupid. You're not even apathetic, not really. It's just that no one has ever bothered to teach you in a way that speaks to you. I want you to know that.”

He blinks at her. “Okay. Um. Kinda hard to keep hating you if you're gonna say shit like that.” He tries to laugh it off but she just keeps staring up at him with those big, blue eyes.

“You don't have to hate me, Eddie.”

What the fuck? Why is there a sudden undertone here?

“Sure thing, Wheeler. We should-” He doesn't have much to gather but he uses the little bit he did bring to avoid eye contact. She's gathering her things a lot slower and for some reason Eddie can't make himself leave her here. Fucking stupid white knight syndrome. “Hey, uh, how'd you know I like Tolkien?”

She doesn't look up from wedging a folder into her bag as she says, “Steve told me.”

Eddie’s nervous system goes ice fishing.

When he doesn't, can't, respond, she looks up, sees him staring, wide eyed and shaking. Instead of doing anything to calm him, she makes it worse by saying, “He talks about you more than he realizes. I might've actually been scared of you if I didn't know you have a favorite Christmas movie and that you stress bake.”

This is…cruel? He's not sure what her motive is. Shove their happy relationship in his face? She shouldn't want to do that, because she shouldn't know that Steve and Eddie were���anything. There's no way Steve told her that. The fact that he can feel that his face has gone white and he hasn't responded yet probably isn't doing him any favors.

“I can see there's some confusion happening.” Eddie nods, slowly, certain only that, if anything, he's confused. “Okay,” she drawls. “I feel like you're a cool person to talk to, that I can trust you. You're…safe?”

“Sure?” He has no idea where this is going.

“Right. You know my friend Barb,” she waits for his nod before explaining, “well we've been friends forever. Like, kindergarten forever. And one day, almost out of the blue, we get the idea to try out for Color Guard.” Yeah right. Wheeler and Holland are the last two girls Eddie can picture joining any kind of team sport activity, but he keeps following her story anyway. “We're practicing, right, and we've got our…flags…and we see each other's...flags...and we realize, we don't like…sports. So we quit and decided to do our own thing. Yeah?”

Holy shit. No way. There's no fucking way. Except Wheeler is nodding along with Eddie's shock, as if to say, ‘Yeah, you're getting it.’

He laughs, quiet so as not to alert anyone. The library is nearly empty but they're not the last ones left.

Eddie has to rub his eyes to stave off an impending headache but all in all this session has been quite eye-opening.

“That was pretty slick, I have to admit.”

She shoots him a wicked grin. “It usually is.”

“Ah gross! Don't make it weird.”

Now they're both laughing. Christ.

“I am cool. For the record. Scouts honor.” He holds up the devil horns just to make her laugh again, which she does.

“I know you're cool, Eddie. Inside scoop, remember?”

So much for their budding friendship. The reminder that Steve has said anything about their shared…whatever that was…puts him right back in the frozen pond.

“Steve and I weren't-” He lowers his voice. “That wasn't anything. I don't know what he told you but-”

“He misses you.”

Eddie's frozen guts shatter. Nancy doesn't even have the decency to let him scoop them up before she goes in for the kill.

“He'd be livid if he knew I told you that but it's true. He hates the way he ended it. Thinks you hate him for it, could never forgive him. But you wanted to hate me. Didn't you? Those aren't the feelings of a man indifferent to Steve's life.”

He trembles like an animal caught in a snare. “Why are you telling me this?”

A bittersweet look crosses her face, she looks over at the people sitting four desks over. “I know why he ended it. And…it's not like his reasons have suddenly disappeared. We both know things are precarious for us,” she meets his eye again to make sure he understands, of course he does, “but he's different now. Changed. A good friend. A person who deserves second chances. Deserves to be happy. He said you made him really happy.”

A traitorous tear slips down his cheek. He brushes it away, angry and embarrassed.

This was really fun, Eds, but I can't risk it anymore.

The worst part was, he couldn't argue the first bit. They did have a lot of fun.

God, he misses Steve too.

“If you've moved on, that's okay, I get it. No harm done, like I said, he doesn't even know we had this conversation. But, if you were wondering if he still thinks about you, the answer is yes.”

He nods. That's all he can do at the moment. She cups a tiny hand around his clenched fist and squeezes.

“Oh! Also, I'm thinking of starting an unofficial after school club. You too cool to hang out with me outside of school?”

Whiplash would feel like a pleasant massage compared to this woman, lord have mercy.

“What kinda club?” He asks gamely.

“Friends of Dorothy. You don't think it's just us waving flags, do you?”

Eddie's attention is caught mid-rant by the abhorrent sounds of Carol and Tommy H.

"Oh, Steve! Steve, oh, God, Steve-"

Eddie turns in time to see a pretty blush fill Steve's cheeks. Ah, he must have finally slept with the Wheeler chick. She's seated next to him, looking less than pleased about Steve's friends.

From what Eddie can remember, that's actually the opposite of what sleeping with Steve is really like. He's the noisy one, the one who moans and whines and whimpers when he's feeling so good.

"Fuck, Eddie, you feel so perfect-"

"Yeah, right there, Eds-"

"Keep going, I'm gonna, Eddie, Eddie, Eddie-"

"Eddie!"

"Yeah!" He turns away from King Steve and back to the rest of the Hellfire club.

"You were saying, about that cantrip?"

"Right," he says, shaking off old memories. Now isn't really the time to be revisiting them, anyway.

[wannaeatramyeon]

Your Adventures as the Lookismverse Designer

G/N. Run-ins with Burn Knuckles, Goddog, Allied and Big Deal. Masterlists

Being in the Fashion department, you had assumed your classmates had a passion for fashion. For god's sake, it's in the name.

But no, you're wrong.

Apart from using it as an excuse to wear designer brands from head to toe, no one really gave a shit.

No one cared about the history, about design, fabrication, construction.

No one... apart from you that is.

.

.

Your first client wasn't really someone you could say no to unless you had a death wish.

When the whole of the Architecture department shows up along with Vasco, their terrifying leader, you consider running off and screaming.

It was only Jace Park, who seemed to understand a more subtle approach and how intimidating they looked, that stopped you from wanting to flee to the teacher.

(Strange. You actually don't recall seeing your teacher for months.)

"Please," Jace murmurs to Vasco and he's practically begging. "You didn't need to turn up with everyone. Just leave this to me. Please."

If you didn't know better, you would think Vasco was giving him grateful puppy eyes. But that can't be right. He's a thug.

"Sorry," Jace turns to you, looking contrite and fiddling anxiously with his big ears when you're finally on your own. "Are you the Fashion Designer?"

It should have been a stupid question, considering you're in the Fashion Department.

Except you look around at the so-called boxer who pitifully simps after the brunette all day, the rich blonde kid who never talks to anyone, the other girl who is an aspiring streamer and you sigh to yourself.

"Yes, that's me."

.

.

All things considered, the Burn Knuckles are very easy to please.

It's a design printed on some pre-made boilersuits, not exactly avant garde.

You did touch up the logo though and provided some more clothing options than requested. Boilersuits in a small selection of colours, bomber and leather jackets.

When you hand over the boxes to Vasco and Jace, the latter shakes your hand and the former stares at you with tears in his eyes and asks how they can ever repay you.

You shrug. Because he did already pay you for your time and the materials.

"Don't worry about it." You say, giving him a polite grin.

Vasco beams and you think maybe this guy isn't so scary.

.

.

.

.

Somehow your reputation precedes you.

To be honest you didn't even realise you had any sort of reputation until a guy with a messy mop head and two dogs corners you in an alleyway.

"I heard you're the Designer," he grunts.

A part of you thinks of fleeing once again. A smaller part of you thinks damn, that nickname is kinda cool.

"I am?"

"Don't play dumb. I know who you are."

You would have found him rude and menacing if not for his dogs picking that exact moment to roll around on the floor belly-up, desperately wanting some attention.

"Fuck's sake," he mutters though he squats down anyway to pat them. "So?" he continues, trying to regain his previous threatening aura even as the pups wriggle around under his touch.

"So what?"  you ask, not able to stop the smile creeping over your face at this adorable sight.

"I need some clothing."

.

.

Perhaps the Burn Knuckles gave you a false sense of bravado, thinking everyone would be as easy as them. Unfortunately, this guy is a goddamn headache.

He wants hoodies, which isn't an issue but he wants matching dog-sized ones and he wants you to design the logo from scratch too.

"But I don't do graphic design," you cry and he pretends he can't hear you.

On your twelfth iteration, he doesn't glare at it and praise the heavens; he's finally happy.

Well, happy is an overstatement. He doesn't exactly look happy but he's no longer glaring at you, so you assume in Johan Seong's world, that means he's exhilarated.

The hoodies fit, both Johan and the dogs, and the logo looks good too.

You wave goodbye to the back of all three. Your bank balance is healthier except you hope they never darken your doorstep again.

.

.

(You have no such luck. He returns, months later, requesting tracksuits.)

.

.

.

.

It's a sorry state of affairs when three of the members of Allied are part of the Fashion Department, and come to you asking for help.

"Why don't you design it yourself?" you ask Daniel Park, Zack Lee and Jay Hong.

They look at you like you've grown two heads.

.

.

You will be eternally grateful that Jay Hong is mute, that Vasco is actually the sweetest cinnamon roll, and Daniel Park is pretty easy-going because having Vin Jin and Zack Lee constantly bickering and criticising your design is bad enough.

Apparently these men are very adept fighters. Caught up in some gang shit. It didn't matter. You still wanted to ram your pen through their skulls.

Then throw in someone else called Hudson Ahn who also seems to like giving rude, overly critical comments concealed as constructive criticism -

You threatened to quit more than once.

.

.

Eventually, after staying awake for 46 hours - you all agree on a logo.

"Here." You thrust the USB drive with the files at Daniel Park.

"What do I do with this?"

"You're in the Fashion Department too." You rub at your tired eyes, patience long gone with these morons. "Find a clothing printer yourself. Search for it on the internet. You know what that is right? The internet?"

Somewhere to your right, Vin Jin bursts into laughter.

.

.

.

.

You can't decide if this guy is trying to sell you something or if you're actually falling in love with him by the second.

Hell, he could sell you some snake-oil and you're so charmed you don't mind.

"So, you'll do it?" he asks, holding your hands in his larger gloved ones and you feel yourself simpering like an idiot at the contact.

"Sure thing, Mr. Kim."

"Jake," he says, giving you a toothy grin. "I'm Jake. And this is Jerry."

"Who?"

"Jerry Kwon," A large hulking man steps up besides Jake, offering you a handshake.

What? How did you miss him? You didn't notice him at all.

"Oh. Uh. Of course. Nice to meet you too Jerry."

"Come here, guys." Jake signals for the other men hanging back to come forth. "Ths is Brad and Jerry and Lineman."

Shit. Damnit, you've been so fixated on Jake Kim that you ignored everyone else.

Hell. You didn't even realise there was anyone else.

"Hi," you say, wanting the ground to swallow you up and blushing furiously.

Jake catches your eye and gives you a wink.

.

.

Being completely honest, the Big Deal tracksuits aren't your best work.

You're not too sure on the logo design (though hey - that's not really your handiwork). The placement is a little awkward and the design is sort of plain.

You added gold elements to at least make it a bit more cohesive, and sourced extra durable fabrics with lots of movement as apparently the guys have a tendency to damage clothing during fights.

"What do you think?" Jake says, modelling your finalised version.

From the smile on his face, you could tell he's very much satisfied with your work.

"Looks great," you say and you're telling the truth. Although it's not really the tracksuit that looks great, but the man wearing it. His broad shoulders and tight waist, long muscular legs and-

Oops. You silently apologise for objectifying him.

The way your eyes rake over his form isn't subtle, though it's definitely flattering. Jake playfully throws another wink your way.

[loulovingho]

Let me wear my clown mask. 911: Hawaii with Tommy as the lead. Here we go!

Diving into Tommy's family history. His tumultuous relationship with his father. Maybe his mother is dead, or maybe they have a pretty good relationship and she's hurt that he moved so far away from her.

Revisiting his time in the army. How he was there during the height of DADT. How that impacted him, even though he was nowhere near ready to be out at that point anyway.

Leading the team, maybe the first gay captain this station has ever had (it's 911, they'll make something of it). He's not one to really announce his sexuality, so it doesn't come out until they get sent on a call and someone is being a homophobe (or being harassed in some way).

He starts family dinners at his station, because that was one of the biggest impacts Bobby had on him. However, he's not great at cooking so when they have spaghetti night for the fourth time in a row, they decide to all take turns cooking dinner instead.

The first time he gets hurt it's not on the job. He's hiking and he ends up falling down a cliff and has to be rescued. He doesn't expect his entire team to show up in his hospital room with gifts and treats. When he tells them they didn't have to come, he's surprised by the looks of confusion as the probie says, "Of course we came? We're family." He holds off on the tears until after they leave.

There's a District Captain that leads a group of lifeguards that his station finds themselves working with a lot. He's kind, funny, a good leader, and hot as hell. He and Tommy could go toe to toe in a sarcasm-battle any day. No one is ever sure who would win. One thing everyone is sure of, is that these two like each other. If only they'd figure that out themselves!

Said district captain also helps Tommy to loosen up a bit. He sees Tommy for the mess he is, and he likes the mess, and he also likes to tell Tommy his posture doesn't always have to be so perfect.

Tommy becomes fiercely protective of his team in ways he didn't even imagine he ever would. He beats himself up after someone on his crew gets hurt, tries to think of all the ways he screwed up so it doesn't happen again. The team has to remind him that it wasn't his fault, this stuff happens sometimes, and no one blames him.

Oh yeah, when the district captain is hurt one day, Tommy comes over to bring him soup but ends up staying for three days just taking care of him. Doesn't even think about it.

And when Tommy gets hurt (again) that same captain comes to take care of Tommy. Tommy tries to say, over and over, that he can take care of himself. This guy won't hear of it though. Outright tells Tommy to shut up and let him help or he's gonna be pissed. Tommy doesn't fight it.

Tommy Begins.

Shirtless Tommy at the beach.

We could have so many helicopter crashes. So many!

[gremlinmodetweeker]

Oh my goshhhhhh I just binged all of your eldrich König writing and I’m OBSESSED! I need to know everything, what does it mean that they’re the herald? How many realms are there? What are the geopolitical realities of an (unaligned?) military of summoners? Have summons always been a part of this world’s history?

His mom is the coolest and I love the way the eldrich remind me of Nyx and her many children the chorionic gods.

It’s killing me they haven’t banged it out yet. And if hes bedded other people how did he not know his dick is weird 👀 This konig isnt like others Ive read and I’m just loving the warm and fuzzies from him being such a thoughtful partner but like almost too well adjusted? Miss the pet names though… Can’t wait to read more 💖💯🙌🏻 thank you!

I want them to fuck but unfortunately, here we are. I am suffering so much. Alas, a slow burn must be stirred carefully.

Now! As to what the herald means? I can't say. As to how many realms there are? As many atoms as there are in the universe and then some. They're practically infinite. It just so happens that König comes from one only a couple of realms away. He's not so distant from us, which is part of what allows him to inhabit our reality. If he were too distant, his form wouldn't be able to be corporeal. It wouldn't be able to take shape, period. The farther away a realm is, the less control it has over ours, and likewise us to them.

As for summoners out of the military, summons are very common! Many people call upon summons to help with daily tasks. Some are just for washing dishes or clothes, some are to keep as company on lonely nights. The use of summons varies depending on the person. In this world, humans have dedicated themselves to learning about other realms and pursuing knowledge and arts. They value hard skills made by human hands, though usage of summons to make manufactured goods is still a staple. Some individuals are dedicated to finding more and more summons, others are dedicated to training summons. Humans live luxurious lives these days. After all, if you never have to worry about maintaining a home, what would you do with all the free time? Humans aren't always lazy. Many of us devolved to degeneracy, but those humans didn't last long and didn't produce many more. The ones who had an internal drive were the ones to really carry on having families and pursuing greatness. Though some people still fall through the cracks, humanity has prospered in the age of summons.

Have summons always been here? Not really. They were discovered in the early common era to the start of the industrial age. For this group of humans, the industrial age was the age of summons. The summoning age, if you will. This was what kick-started their technological revolution.

On a different note!

König's mother is a beautiful creature. I truly consider her as close to divine as mortals can bear witness to. I am in awe of her. She is genuinely a fascinating being. She loves her children, she loves life, but she's not a good being. She's the embodiment of chaos, a rung above König. She's as capable of good as she is of bad. I will say, she prefers to preserve life when possible. She likes life, she likes how chaotic it is. She wants to preserve our spontaneity.

She also is very careful about Summoner. She likes our chocolates, but she kinda knows that König and Summoner haven't actually started their relationship, contrary to what König thinks. However, she's certain that we will end up together, which is the main reason she doesn't snuff out our candle before it's been lit. Herald be damned, she doesn't care. If we hurt her baby boy she'll erase our bloodline from the entirety of existence. It's a damn good thing that Summoner eventually ends up with König!!!

[aihoshiino]

After reading 164, I think you are very correct in saying Akasaka doesn't seem to register Aqua's death as a suicide, narratively speaking. It's shown as a martyr / for the greater good / ultimate selfless act that happened because there's no other way to take down the evil criminal mastermind Kamiki (who never got his hands dirty). It makes me so mad because all the elements are there - his loved ones perceiving it as a tragedy, Akane straight up talking about how he didn't look suicidal - but narratively it's just... not. Having Akane being the only person who sees this as a suicide is so cruel to her character, when her introductory arc to ONK was what caused a lot of controversy re suicide ideology when it came out. It's like Akasaka specifically offered a well-intentioned (although wishy-washy) message of "don't kys, people care about you" to her, just to wack her aching heart with Aqua's cold dead body saying "AKCHUALY suicide is okay when you're not being SELFISH". It's just so bad and I can't even read it as a tragic character arc for Aqua because Akasaka refused to acknowledge it as such.

YEAH.... Like I said it's baffling because Akane does Literally describe it as a suicide - given, as you pointed out, her own history with a suicide attempt I guess maybe the idea is that BECAUSE of Akane's history with suicide, she's uniquely positioned to recognise what Aqua did AS a suicide even if Aqua is not really able to frame it to himself in that way. Which... Yeah that's such a horrendous weight to put on Akane especially.

BUT, again, this would require the narrative to properly recognise Aqua's death as a suicide rather than treating it, as you said, as a noble and necessary act of self sacrifice that he HAD to do. It's acknowledged as being sad and that Aqua giving up on his future is tragic but the story nevertheless frames it all Right and Inevitable - I've ranted enough about the "Aqua was reborn to be Ruby's guard dog" shit enough times, but the result is that Aqua's suicide ends up being framed as this pinnacle of devotion and protection and in paralleling it to Ai's death, implies it is an equivalent act of love to her giving those words to the twins. WHICH IS. UM. I THINK WE SHOULD MOVE ON.

I think part of the problem is that Akasaka had gotten way too into this idea of "Aqua and Kamiki destroy each other" as an ending but for whatever reason was unable or unwilling to adjust it to account for the fact that both Aqua and Kamiki had ended up in places as characters where they just would not actually do that. So, ironically, rather than killing that particular darling, he just forced that square peg through the round hole no matter how much he had to shave off in the process. Idk, maybe he thought an ending WITHOUT Aqua killing Kamiki would feel like a letdown and killing Aqua with him was just a way of avoiding having to write The Consequences and massive change to Aqua's character it would represent.

[glisten-inthedark]

I love how I said I was too tired and now here I’m back with another ask lol 

Ugh the Super Spy handhold scene is just PEAK insight into why Will fell in love with Mike. Why Will didn’t list Mike as one of the people he felt babied or treated like glass by. Like he’s not a mistake.

Mike listens to Will and then turns the now-memories into an ability Will now has, something that could help them defeat the Mind Flayer. He doesn’t baby him, he doesn’t treat him like he’s broken or infected or sickly, he encourages him and supports him, and he’s so soft and sweet and encouraging, but the second Will voices fear of the Mind Flayer figuring out that they’re spying, and spying back, Mike becomes so firm and determined and protective in a way that isn’t babying Will but rather throwing up his shield and standing by his side to go through this together.

The Duffers have clearly put so much thought and consideration into why Will loves Mike. They didn’t make it like Dustin and Max—Dustin had a surface level crush on Max, a girl he’d known for a week (and then a month, by the Snow Ball) that he moved on from by season 3. If you’d have asked season 2 Dustin why he liked Max, he’d probably sound a lot like Mike talking about El: she’s so cool, she’s badass, she’s talented at X Y Z. Nothing about how she makes him feel.

The reasons Will gives in the van scene for how Mike makes him feel are illustrated beautifully in season 2. And it sucks that season 3 rocked that—“It’s not my fault you don’t like girls!” but one summer wasn’t enough to destroy was has been building since they were in kindergarten.

Which, on that note, I think is another major piece of evidence as to Byler being endgame in season 5: the fact that they’re filming a childhood Byler + Jonathan flashback scene. I think it can be all too easy to forget that these characters lives are not confined to just the seasons that we have watched them go through. It’s one thing for the characters to talk about meeting in kindergarten, it’s another thing for us to see a scene of them that young and realize, “oh my gosh they really do have so much history and emotional buildup.” Especially if the flashback buyer scene that we do get is one with a lot of emotional weight or baggage (maybe Lonnie and something he did or said will be mentioned) or they make a promise together or one of those classic, “when I grow up, I’m gonna marry you!” scenes (if so, make Mike say it pleeeaaasseee).

They’re giving us a flashback Byler scene because they want us to understand and feel just how long these two have loved each other, even before it was romantic, even before they understood it was romantic. Because they want us/ the GA to see how much it makes sense. How this has been a long time coming.

Okay sleep time lol

Hello, you probably already slept, woke up and slept again lmao

No but in all seriousness, that's exactly what I think too. I believe it can be easy for people to think why would Will fall for Mike? Like, I see people saying that Will deserves better and blablabla.

But! Even with that awful thing Mike has said, he has shown more care for Will than he has for pretty much anyone else.

Mike listens to Will, doesn't coddle him or make him feel like he is wrong, ensures that Will knows he's there for him, supports him and listens to him but not only that, he shows to Will that he can do things himself and that he's not broken or wrong.

It shows how much Mike means to Will that not even those words were enough to stop him from caring about Mike, because the thing is, like you said, we don't even know the extent of what Mike means to him and vice versa.

Using the flashbacks is a sure fire way of letting the audience know that their connection was blossoming for ages, is a way of allowing us to see how much Mike has always cared for Will, even when he couldn't show it properly.

And also I hope you managed to get some rest ❤️

[arcxnumvitae]

How attractive are you from 1-100?

"Hm."

[rcmclachlan]

8x06 fix-it fic: Amnion

Buck doesn't bounce back from Tommy the way he did with all his other breakups for reasons he can't articulate or even look at. He thinks of how long it took him to recover from Abby, but even that felt different, because he'd had hope carrying him through most of it. He doesn't have that now.

The worst part is it's bringing everyone else down. It's starting to affect the job, and he can't take any more of Bobby's pity dinner invites or the kid gloves Eddie handles him with. Then one day, Chimney (in an attempt to lighten the mood) asks Buck if he's pregnant, and it awakens some primordial rage in Buck that he never knew he possessed and damn near rips off Chimney's head about it.

But once the blood levels in his adrenaline start rising and he calms down, he starts thinking about it. Before he knows it he's thinking about it day and night, and now that's starting to affect the job more than his heartbreak had been.

Then one night Maddie invites him over to watch trash TV and eat junk food until they can't feel feelings anymore, but instead of the patented Maddie Hug he's expecting, she hands him a First Response test stick the second he walks in the door.

Five minutes later, he comes out of the bathroom pale-faced and dripping tears because there are two lines in the test result window, and Maddie leads him over to the couch where they curl up and cry together. Just like the old days.

Maddie asks if he's going to tell Tommy, but there's no judgment in her voice, like she's behind him no matter what he decides, and Buck tries to make her laugh when he says, "How do you know it's his? I could've been living it up for the last month. New person almost every night. Exploring myself."

She just gives him a Look. Also patented.

Under the weight of her scrutiny, Buck thinks about Tommy's face before he left the loft that night and how ''Buck'' looked and sounded so wrong coming from him. Like the shape of it was so painful he could barely move his mouth around it.

Finally, he shakes his head. His eyes well up with more tears, which feels impossible, because the human body can't possibly produce this much liquid. He's going to drown them both. "I thought... I thought we had a future, Maddie. I really did. I guess I still get one... but only with part of him."

A couple of months pass and Buck's entire world shifts. The 118 have rallied around him in a way that almost feels like they're closing ranks to every other firehouse. Eddie becomes especially protective and devises a 5000-point care plan that makes him twitch if Buck so much as thinks about deviating from it, but he also keeps telling Buck that he needs to tell Tommy about the pregnancy.

"If only to get his family history," Eddie says reasonably, but there's something pleading in his voice every time, like there's so much more under the surface that he's trying to keep under wraps. Like there's more about this that he thinks Tommy should know.

Chimney's in the middle of explaining why he's stealing the cool uncle crown from Buck and sitting pretty on the throne when Buck asks him about it.

"Is there something about Tommy that no one's telling me?"

It trips Chimney up. Literally. He just barely catches himself from going headfirst into the kitchen counter.

Buck's heart starts pounding. "Chim, does he know?"

"No," Chimney says, firm and almost a little offended. "We promised you we wouldn't say anything. But Buck... you should tell him. You should talk to him."

Part of him wants to whip his phone out right then and there and dial Tommy's number. He could do what he did the first time: ask to meet somewhere and laugh about bad coffee and plead his case for a second chance. He could reach across the table for his hand, but this time, he'd stand up and walk over to Tommy and place it on his belly. "I don't care about firsts or lasts," he'd say. "I care about only's. And you're the only one I want."

But the other part of him, still licking its wounds, hormones in flux and forcing organs to shift and bend as it makes room for the thing he and Tommy made together, bares its teeth and snaps, "He made it very clear that he had no interest in hearing what I had to say."

Chimney never brings it up again.

Meanwhile, Hen goes a little overboard with forcing him to undergo random physicals—she pops out of the shadows twice a day to ambush him with the blood pressure machine, and he keeps threatening to avoid rooms that have doors—but he loves it. His body is a complete stranger to him for the first time in a long time, but the changes he's experiencing are interesting and he's having a blast cataloging every new one. He and Hen have a spreadsheet with like fifty tabs, and she helps him navigate every test his actual OBGYN sets him up for.

He's over her house at least once a week, although pregnancy talk at the dinner table is verboten.

"If one of you says the word 'amniocentesis' one more time, I will start a food fight," Karen had said, finally putting her foot down. Across the table, Denny perked up.

As much as he hesitates to even think the Q-word, it's a pretty quiet pregnancy. The cravings are kind of wild, though, and he goes most of his first trimester feeling like he's going to die if he can't eat rice krispie treats with cottage cheese. Every time Bobby sees him cracking open another container of Hood, it looks like he's seriously reconsidering sobriety.

But as incredible as they are about the pregnancy, they're all tiptoeing around the other elephant in the room: when Buck is going to stop working scenes. He and Bobby have a series of discussions that satisfies neither of them and resolves nothing, and it builds to a big blow-out that ends when Bobby tearfully begs Buck to stop risking his own life and the life of Bobby's grandkid.

After that, it's like some stone thing in him dissolves into sand and he finally eases back a bit in his fifth month. He doesn't put up a fight when Bobby orders him to only handle the winch or stick with hose duty, and if he stays a little closer to the engine because he gets winded so easily these days, no one comments on it.

In his sixth month, the inevitable happens: there's a call out at Palos Verdes and it's all hands on deck, which means the 217 is there too. At first he thinks he might make it through without running into Tommy at all, but he turns a corner and—there he is. Smudged with mud and looking like a drowned rat because of the downpours, but in his turnouts he's big and capable and, for a second, he's walking into First Presbyterian and apologizing for missing the ceremony.

But the memory is easily wrestled back into the past the second Tommy's gaze fixes on Buck's belly.

Buck wants to stage a retreat that would make the Allies at Dunkirk stand up and applaud. He wants to throw his arms open so Tommy can get a better look at it, say something cool and mean, like, "Did you know that INNOTEX makes turnouts for carriers these days? Pretty progressive of them, if you ask me."

He wants to be weak and ask if Tommy will spare him a hug. Just one. Nothing greedy. Just—a moment to soak in his warmth, to inhale the smell of his skin. Enough to carry him through the rest of it.

But he does none of that. He inhales through his nose, lifts his chin, and says, "Firefighter Kinard."

At that, Tommy smiles, and it's completely awful. There's no joy in it. Not even amusement. He looks like he wants to be sick, and Buck feels like a monster.

But Tommy swallows and says, earnest as anything, "Congratulations. I-I knew you'd find it. I never doubted for a second that you'd find the person who'd be your last."

Even as he says it, Tommy's face does something indescribable, but it rips through Buck's chest and shatters his ribs, tearing through pericardial layers until it scores the vulnerable muscle of his heart. It's so shocking that it almost knocks the truth right out of Buck's mouth.

Someone comes over the radio and requests all available first responders with flight experience to report to the B-zone, and Tommy straightens up and locks whatever it was away.

With an unsteady hand, he tips an invisible hat to Buck and says wryly, "Firefighter Buckley," before jogging away.

And Buck stands there like an idiot watching him go. It's that night all over again. It's Buck instead of Evan.

"See you around," he whispers, and then runs back to his post in the A-zone.

+

Tommy gets the call when he's halfway through a burrito foisted upon him by Dana, who had taken one look at him and said, "You look like a flood victim. Eat something before I get HR involved."

He'd taken a mutinous bite and couldn't argue with her. Months later and it still felt like he'd watched everything he loved wash away with a tide he couldn't fight. Except he'd sent the tide himself. He had no business feeling like this.

But they send him to the site of a car accident where a pregnant driver had been T-boned by some asshole who ran the red light, and the RA unit called to the scene didn't have the right equipment to assess the fetus. But the victim's belly was hard enough to warrant a med evac.

By the time Dana gets the victim loaded on the backboard and inside, Tommy's already on with both First Presbyterian and LA General to see whose neonatal surgery team is available.

The door on Tommy's side slides open and Tommy turns in his seat to ask what the hell Dana's doing over there, but it's Hen who's pulling herself inside.

His stomach clenches with dread. "Hen?"

"I'm riding with you," she shouts, taking the headset that Dana gives her.

He looks just beyond her and wishes he'd had the presence of mind to listen to the manifest when Dana had read it aloud to him, because Evan Buckley is strapped to the gurney and looks like he's on a completely different planet.

"Hen." Tommy can't hear him say her name, but he sees Evan's mouth shape the word. Evan reaches clumsily out for her with one hand while pressing the other to his belly.

Hen murmurs something to him that the comms can't pick up, and Tommy wonders if they've notified Maddie, if they've notified the father, whoever they are. If they're already at the hospital waiting for them. If Tommy will have to see them, talk to them face to face.

Tommy bites the inside of his cheek until he feels the hot wash of blood over his tongue, then forces everything down to join the burrito from earlier that really wants to make a reappearance. It isn't his right to know any of it. That went out with the tide, too.

He locks it down tight enough that he gets them into the air so easily they might be a feather on the wind, then he heads in the direction of First Presbyterian. The real start of it all.

They're maybe halfway across the city when Evan shouts, desperation and fear carrying his voice over the rotors, the words sliding together, "Hen, check Nora! Y-Y'need to ch—"

"Nora's fine, Buck," Hen says, her voice clear as a bell in Tommy's ear.

Staring at a skyline he can't see, Tommy says, "'Nora'? Was someone else in the car with him?"

When Hen comes over the comm, her voice is as inescapable as a flood. "Nora's what he decided on for the baby. It's her name."

Tommy's hand tightens on the cyclic so the way it starts shaking won't be so obvious. "Nora was my grandmother's name."

He'd told Buck about the woman who was basically the only family he could stand, who was responsible for not letting him become his piece of shit father, who accepted him when no one else would. She'd meant the world to him. She'd been the world to him. And for Evan to give his kid her name—

Realization hits like a levy breaking, and he turns to look wide-eyed over his shoulder at Hen, because it can't—he couldn't be—

"Patient, male, 33, prenatal course complicated at 8 months gestation," Dispatch had said.

The timeline is right.

Hen stares right back, as good of a confirmation that he could get outside of a DNA test.

Without breaking her gaze, Tommy tells Dana to take over. She gives him an unreadable look but says nothing except, "Copy that," and smoothly resumes their journey while he squeezes into the back. There's hardly any room next to the gurney and his knees are compressing his lungs, but he takes Evan's' hand and stares blankly at the shiner forming around his right eye until Hen breaks the silence.

Why didn't you tell me, he wants to demand, but he knows that if he so much as opens his mouth, he's going to start screaming until someone sedates him.

"For the record," she says, "I hate what you did. I hate what you took from him. But I understand why you did it."

Tommy rolls his lips inward and wants to suffocate himself to death. She understands? Does she? Does she know a life can be obliterated in the span of a minute? Does she know what it is to live a half life, to walk through the world like a five-year old drew a scribble on a blank sheet of paper that was supposed to be a person?

Does she know what Evan looks like when his joy is sucked away? Because Tommy does. She hates what he did? No one hates what he did more than him. No one hates him more than him.

Shakily, he lifts his other hand and touches the tips of his fingers to Evan's birthmark, which used to know the touch of his lips so well that Evan would joke that it was actually in the shape of Tommy's mouth print. Like a brand.

He forces himself to inhale. It seems impossible that Evan's here, carrying their child, their Nora. Evan used to say the lightning strike gave him super powers, made him invincible, and Tommy's ashamed to admit that he almost believed him. It seemed like nothing could ever bring Evan Buckley down, but here he is in Tommy's sky, halfway to Heaven already.

He glances at the LifePAK—where Evan's life has been concentrated into a series of lines and numbers, the reading strong despite everything—and then looks back at Evan, who is still the most beautiful man Tommy has ever seen even now.

"Evan," he chokes out.

There's no answer. At least not from Evan.

Across from him, Hen breathes through her nose and then quietly says, "I'm only going to say this once, Tommy, so I hope you're listening. If you can't trust him to know what his own heart wants, then this flight will never have happened. When he wakes up, you will not have been here. I'll change the manifest myself."

Tommy closes his eyes. Something hot spills down his cheeks.

"I know things haven't been all sunshine and roses for you. Lucy's said you've basically shut down since it ended. I know you're hurting just as much as Buck is... which is why I'm telling you: be sure. He's going to have enough on his plate without worrying about whether or not you're going to swan out of his life again. You need to be sure, Tommy."

Tommy doesn't say anything, but he opens his eyes and holds her gaze without flinching, and he tightens his hold on Evan's hand.

The rest of the flight passes in the kind of silence that feels like a cyst was lanced. Or maybe a boil, as it were.

+

Buck wakes up in stages to find he's in a hospital bed, and when he puts a hand on his belly it's smaller and almost deflated beneath his palm. He is just starting to hyperventilate when suddenly Tommy's there, murmuring to him, "You're okay. Everything's okay, I promise, she's fine. She's fine. Look."

And Buck, heart racing, forces himself to breathe slowly while he follows Tommy's gaze down to the bundle in Tommy's arms. Then he stops breathing altogether.

"She's fine," Tommy says. "A little early, according to the doctor, but absolutely fine."

Buck collapses back to the bed and weeps in relief, because she's fine. She's here and she's fine and she's perfect. Tommy gently places her in Buck's arms before retreating to the chair next to the bed which has a dent in the vinyl in the shape of his ass.

But Buck is enraptured with Nora, who smacks her lips in her sleep, and he marvels aloud, "She has my mouth."

"Thank God for that," Tommy says with a laugh. "It'll help take the focus off my nose. Poor kid."

It hits Buck like lightning that Tommy is here. He's in this room and talking about Nora like—like he knows. And there are things Buck should probably be saying, like apologizing for not telling Tommy about her as soon as he found out, or asking why he's there at all, but the words are crowding in his mouth and he can't figure out which ones should go first.

Tommy's lips twitch in a smile that is awful to look at, like he completely understand Buck's struggle, but his voice is soft and even when he says, "I need you to know that it wasn't about you. Not you personally. It never was."

Buck stops trying to speak and just stares at him, because that is bullshit, and oh, he knows which words should come first, and he opens his mouth to release them into the wild but Tommy holds up a hand.

"I know," he says. "I was a coward and an asshole, and I'm more sorry than I can possibly say. I won't ever be able to make up for what I did. But I need you to know why I did it."

And, in fits and starts before he finally finds the thread, Tommy tells him about Jeremy.

After Tommy ended things with Abby and then finally came out, he dated around for a long time before he met Jeremy, who was brilliant and fun and new. Tommy was the first man Jeremy had ever been with, and Jeremy was the first person Tommy saw a future with. He'd been so sure about Jeremy. He'd believed that Jeremy was it.

Until, almost two years in, Jeremy ended it. He'd sat Tommy down and said kindly, cruelly, "You're amazing, Tom, but you're just the first. You can't be my last." And then he'd left Tommy completely shattered in the rearview.

"That night, when you asked me to move in... it was like I was watching him put on his coat all over again," Tommy says shakily. "But what I felt for you was lightyears beyond anything I felt for him. I'd fallen so hard for you that I knew if I had to watch you walk away I'd never get up again."

Buck stares at Tommy, eyes rimmed red, and says, "So instead you made me watch you walk away."

It must land like a fist because Tommy exhales sharply and hangs his head, bowing around the pain. He sits like that for a moment, absorbing it, before he lifts his head and nods. "Yeah. That's exactly what I did."

There are deep, dark circles under Tommy's eyes that speak of a hundred sleepless nights, and his body is sharper, leaner, trimmed entirely of anything soft. He's made entirely of angles. He's so unfairly hot. He's miserable to look at.

Buck swallows and murmurs, "You look like there's no love in your life, Tommy."

Sucking in a trembling breath, Tommy smiles weakly and sketches a shrug. It looks like the fatigued steel of his edges are starting to crack.

"I left all my love with you that night." His gaze darts down. "Among other things."

Buck looks down at Nora, who's sleeping the sleep of someone already exhausted by existence, or maybe just by her fathers' drama, and thinks that maybe he really has been carrying all his love plus Tommy's around. Because otherwise he has no idea how he's so full of it.

"She's absolutely perfect," Buck says, smiling dopily.

"She's... more than anything I could've ever dreamed of."

He looks up in time to see Tommy drop his gaze to the floor at the same time his shoulders lift and lock like they're bracing for a blow. And in a voice so thin it's barely a sound, Tommy says, "I know I don't have... any right to ask, but is there any... any chance I could be part of her life?"

The tears that have been languishing at the edges of Buck's eyes finally see an opportunity. He doesn't think he could've held them back any longer if he tried.

Mouth trembling, he whispers, "Just hers?"

At that, Tommy looks up, eyes wide, disbelief and hope chasing each other across his face like dogs. He jerks a little in his chair but he doesn't move. He doesn't move.

Buck stares at him, a tsunami pulling everything back from his shoreline, and bites out, "Thomas James Kinard, if you don't get over here and kiss me, I swear to Christ—"

But Tommy's out of the chair and at his bedside, cupping Buck's face and tenderly smearing a kiss over his open mouth, licking the relieved gasp right off Buck's tongue.

Between them, Nora makes a tiny noise, and Tommy startles away just enough that he can press the side of his head to Buck's and gaze down at her with a tremulous smile.

"She really is something, huh? Sorry about the nose, kiddo," he says softly.

Buck knocks their heads together and says, "I happen to love that nose, thanks. And like you said, my lips will help balance it out."

Huffing a laugh, Tommy kisses Buck's lips. And the side of his nose and the bolt of his jaw. Then he leans down and presses a kiss to Nora's little pink and blue hat.

"I'm sure if you are," Tommy murmurs, tilting his chin up so he can flash a brave smile up at Buck, who smiles back.

"I was always sure."

[anneapocalypse]

I really do think they showed us Varric trying to talk Solas down for a reason. Sure, it didn't work. But Varric survived it--when a lot of us, myself included, thought he might not.

I don't believe that Solas couldn't have simply killed Varric if he'd wanted to. We see the kind of power he's wielding now. And he doesn't kill him. He doesn't even attack--he just disarms him so that Varric can't interrupt the ritual. And they talk! They have a whole conversation!

Solas could have killed Varric. He could also have simply ignored him, refused to engage. He didn't. He talked to him, tried to reason with him, argued with him, appealed to their shared history.

Like an old friend.

Even the harshest thing Solas say, "People die every day. It's what they do," this too is an expression of his own guilt. People die because of the Veil, because of him. Don't you see that people are already dying because of him, have been for all these ages? That is is precisely the wrong he seeks to right?

I believe we were shown this particular bit of story to tell us that this is still the Solas we knew. Varric isn't wrong about that much. Solas still cares. He still regrets. He still, deep down, wishes there were another way.

I don't know what that will mean for his fate, or for the story. But I know that's him. It's the Solas we knew.

EDITED TO ADD: Please stop commenting with spoilers on a post made before the game was out. It's really fucking rude.

[inkskinned]

you found out today that a phrase you have used before was coined by an abusive man. this felt like getting your teeth taken out. it made you sick and sad and tired, but not surprised.

bad people tell you to be careful when you talk badly of bad men, that it could "ruin" a life. you had your life ruined by a bad man, not that it ever matters to them. your real life having real consequences is not valued as highly as the potential of his future.

this has always been a frustrating little mathematics problem for you. you've missed school and had to call out sick at work and had panic attacks that lasted for weeks. it stole sleep and food and friends from you. you cried in public, fucked your relationships up. and the whole time: your present has never mattered so much as the great what if! of his future. like - one life (your life) is already ruined, should we really ruin two?

so you live with the consequences and he doesn't, and that's just like, something you need therapy for. you once discussed this with one of your friends over coffee. she chewed the wooden stirrer, looked off into the distance. "once i became a victim, everything that happens to me afterward is automatically less interesting in the eyes of the general public. it is always about him. he changed my identity. to survivor. to statistic. meanwhile this whole time - i am a person."

you learned in college that three out of five of your favorite artists and authors were actually abusive assholes. these days, you are no longer surprised. oh, is that what was happening behind closed doors? of course it was, he was a "genius," and she was just a girl. you are talking about him in art history, so obviously his career was absolutely ruined, for eternity. that's what happens, right? they strike your name from the record and refuse to remember you? nobody really knows her name, but hey. that's what you get for being close to celebrity.

you got into an argument about it, which was a bad argument, because it made you cry. he said what, you want us to just ignore all the things this man did because he made a few women uncomfortable? and you'd balled your fists up and choked on it. later, in bed, you agonized over the response you'd been trying to articulate but never found the right moment to deploy: you are ignoring what any person could do if they weren't being fucking abused. maybe her talents far exceeded his and she was just never allowed to fucking use them. maybe we only see genius in white men because they purposefully fucking squash and silence any other people with talent.

but you'd cried about it instead of saying that, because you are the cost. you are the talent and potential that he took. you used to be brave and smart and clever and unafraid. like a lich, he stole years of your life.

quiet on set made you sad and sick and tired, but not surprised. unfortunately, one of the things he said was true: an entire network of people allowed it to continue. this is not news to you, because you have seen entire networks of people make the same fucking excuses when the same thing or-worse happened to you. and your particular story isn't even in hollywood. it was just a guy. it was still difficult getting people to stand up for you.

you and your friend wait in line for your coffee. like a standup joke, one man turns to the other and says "can't wait for every bitch to come crawling out of the woodwork complaining about harassment. it's another metoo." and you think - oh, that's the network. your boss tucks her hair back and whispers that while your skirt is cute, you're giving the boys the wrong idea. that's the network. when you'd told your "friend" about what happened, she'd said oh you must have misunderstood, that would never happen. and that's the network.

you woke up this morning panting, because years later you still have panic attacks. oh, it's not a network, actually, it's a web. and you, little moth: are you still surprised you're caught in it?

[anantaru]

EX BOYFRIEND LYNEY

— ꒰ synopsis ꒱ — ex! boyfriend lyney headcanons

— ꒰ warnings ꒱ — [ex]plicit, fem! reader, a lil possessive lyney, friends with benefits, rough, experienced lyney

ex boyfriend lyney moves in a way that you cannot possibly get an eyeful of, no hint of what he's planning, no inkling of why he did it— his precise yet persistent methods to win you over again aren't for one to notice, in fact, he doesn't lose his frame of mind during the entire process of your break-up, his aura and certain outbursts are ultimately swallowed down by him so you cannot see them.

the man was keeping his emotions in check in an almost frightening fashion that in recollection, it scares you. one might even go as far and assume that it was for the sake of you, or himself, to suppress his negative feelings in order to make the environment easier for the both of you.

ex boyfriend lyney remains silent for a good while after your break-up, he doesn't reach out to you often but it's because he believes you will take time to get used to being without him again. on the contrary, it gave him the perfect gateway of carefully planning each step out— not unexpectedly, of course, it's important to note that he wouldn't force you to stay with him because he deeply cares about your happiness.

you really want to break up? well, if that's what your heart desires, lyney wouldn't want to stand in your way— instead, he'd make it his most important task to remain friends with you, in order to win you over once more. what most people told you is that “once a book is finished, you cannot reread and take parts out of it, just because you didn't like it or want to change the narrative” it's over, ancient history, printed out on paper.

almost comical, ex boyfriend lyney thinks— after all, he was a magician and utterly skilled in his craft. he could pull it off, right?

before you know it, he will demonstrate the love he harbors for you in a blink of an eye, that passion that was too dark for dim eyes to discover currently— yet one day, he promises you, that he'll draw a veil over all deeds passed and walk you through a new beginning.

ex boyfriend lyney cannot imagine a life without you, it is out of the question because he sees you as family, a part of him, he wants and needs to protect you even after your break up. such strong amibition of shielding his significant other (or now ex), specifically wanting to protect them might stem from him being a big brother and always looking after his siblings.

in the act of love, no other individual could make him feel like you did— it's as if magic pulled at his heartstrings when he sees you, or when you smile at you.

his chest pumps with affection when you're here. he's so eager to show you again, wanting to reproduce memories of the past, back when love was him and you.

ex boyfriend lyney supports you, always, and he does it flawlessly when he fuels your needs, his smoldering gaze always here to help and burning into your body, sending shivers down your spine. there was a problem you faced? do not be scared, because ironically enough, lyney always seems to be there for you, at the right time, the right place and with the right words hand in hand to say.

ex boyfriend lyney will always be there when you need him, and in conjuction, he'll be the answer to all of your hardships, as if he somehow knew why they were happening in the first place. you can count on him always, no? with one voice and the beat of his heart, he's there to look after you while inching closer, giving your cheek a good squeeze before calling your stressed-out expression cute.

ex boyfriend lyney can immediately notice how different you were a couple weeks well into the break-up, but he also likes how you're still getting shy when his attention is solely fixated on you again, like your previous defenses have never drawn life in the first place— it's a pain, a taxing one at that when you realize that you still like him, despite the fact that you promised yourself to detach from any further interactions you and lyney could have in the future, yet proceeding to go against your better judgement.

but after a while, ex boyfriend lyney and you couldn't resist the temptations anymore as you're first agreeing to be friends with benefits for a while— only until one of you finds a serious match again, or another person that was able to outshine any of you, when in reality none of you had even considered dating again.

needless to say, it felt good, like every small movement of him was ten times stronger when he presses himself into you, when he rubs warmly over the throbbing spots only he knew were to find, "you're always so pretty.." he drawls out as your stomach flips at his drunken thoughts becoming real words, angelic tones you could hear.

ex boyfriend lyney makes you take every long breath a lot more meaningful, you felt as if you were breathing in the fumes of a volcano as it captured you in a smoldering haze— taking into account how the bedroom was slowly developing into something humid, heavy, and hot.

ex boyfriend lyney lets you succumb to it fully, and there was so much pressure on your cunt that your back was arching up into his body, your figure held by two hands slipped underneath, the almost agony-like sensation of fullness bristling on your sex as lyney moves and explores further into the realm of your beautiful body.

ex boyfriend lyney knows all of your kinks, or the certain spots you liked being stimulated, the very places you only hoped he'd do whenever he's got you split in half. you definitely notice his self assurance too, it's a bit stronger than last time— how he cannot possibly hold back a ravishing smirk when you're this easy to please.

there's no confusion in his face either, nor was he unfocused, only a dark lust was painted behind his eyes.

ex boyfriend lyney pulls one hand from your hip to your cheek before slanting your head down in order for you to witness the mess he's made in between your thighs.

your hips were pressing up off of the mattress in order to taste more of him, the lustful hankering mounting in your veins as your mouth turns dry as desert bones when your moans increase in length. a just released greed develops from your desperate yearning, it expands in your stomach and multiplies the more lyney pleasured you, the faster he flicks his length over your walls and smears his pre in waves on your wet sex.

"lyney..." you drawl out in an angelic tone that immediately made his heart flutter, "I n-need more," you say, smirking, your hand slowly wafting to your breasts before you're squeezing one of them, twinging at your nipple next. this was on purpose— because you knew how much he liked it whenever you put on a show for him.

so you continue, without a hurry, going with the flow and moving gently between the valley of your breasts until sliding past your lower stomach that was currently feeling full to the brim. yet your hand doesn't stop yet, only halting right above your clit when decent on it.

"I can't... you're so, fuck," his voice cracks, a moan sliding up through his throat. he's done for, you got him now.

ex boyfriend lyney shakes from the warm greeting of your walls sucking him tight, salivating at the sight of your poor pussy squelching clamorously. the magician missed you so much that he didn't want to conceal the burly emotions of his mind from you anymore— in truth, lyney was pathetic, truly without shame.

he shamelessly whimpers into your mouth before lapping at your bottom lip, biting it, sucking and toying with your tongue. he's whining, on the verge of crying due to pleasure, his eyes closed and hips rutting into your heat as the tips of his ears slowly turn pink.

ex boyfriend lyney moans out your name when you lock your legs around his hips, the rough squeezes of your pussy tightening as your body began to ready itself, the pleasure of your climax coming through you in a formidable wave of bliss as the both of you came at the same time, feeling like all the relief in the world settled in your stomach as your arousal glazes all over his shaft.

ex boyfriend lyney lets out a deep, muffled groan as you shake underneath his body. he collapses shortly after on top of you— yet it's all too much for you to keep up with. possible regrets? well, probably, but you're way too dizzy and fucked out of your mind to even force yourself to think about it.

what's there to know for you was that ex boyfriend lyney still loves you more than anything— and if being in this kind of "special relationship" was the best possible outcome for now, so be it.

on the grounds that sooner or later, he will get you back again.

©2024 anantaru do not repost, copy, translate, modify, claim as your own

[lenaellsi]

“Crowley is still an angel deep down” “Crowley is more of an angel than any of the archangels” “Crowley was only cast out because he needed to play his part in Armageddon, he's not a real demon” “Aziraphale wants to rebuild Heaven to be more like Crowley because he’s what an angel should be” no. Stop it. This is exactly where Aziraphale went wrong.

Crowley is 100% a demon. He's not actually a bit of an angel, and he's not cosmically better than any of the other demons we see in the series. He's much less vicious than most of them, yeah, but he's also much less vicious than most of the angels, because how “nice” a celestial being is has nothing to do with which side they're technically on. Crowley's kindness comes from him doing his best to help people despite the hurt he's suffered himself, not any sort of inherent residual or earned holiness. He was cast out just like the rest of the demons, and that's an important part of his history that shouldn't be minimized, excused, or, critically, 'corrected.'

Being angelic is not a positive or negative trait in the Good Omens universe. It's a species descriptor. Saying that Crowley is still an angel deep down because he helps people is an in-character thing for Aziraphale to think, certainly--Job and the final fifteen showed that in the worst possible way--but it's not something Crowley would ever react well to, and it's the main source of conflict in the entire "appoint you to be an angel" fiasco.

We know that Aziraphale thinks Crowley's fall was an injustice, but why? Well, because Crowley is actually Good, which means his fall was a mistake, or a test, or a regrettable error in judgment, or…something. Ineffable. Etc. The point is, he’s special, much better than those other demons, and if they can fix him and make him an angel again, everything will be fine! (So once Job's trials are over, everything will be restored to him? Praise be!) Aziraphale has to believe that Crowley's better traits come from traces of the angel he used to know and not the demon he's known for 6,000 years, because that’s how he can rationalize his incorrect view of Heaven as The Source Of Truth And Light And Good with his complicated feelings about Crowley's fall.

But Crowley's fall was not an injustice because he's actually a Good Person who didn't deserve it. Crowley's fall was an injustice because the entire system of dividing people into Good (obedient) and Bad (rebellious) is bullshit. Crowley is not an unfortunate exception to God's benevolence, he is a particularly sympathetic example of God's cruelty.

And really, Crowley doesn't behave at all like an angel, especially when he's at his best. All of the things that he's done that we as the audience consider Good are things that Heaven has directly opposed. (See: saving the goats and children in defiance of God in S2E2, convincing Aziraphale to give money to Elspeth despite Heaven's views on the "virtues of poverty" in S2E3, speaking out against the flood and the crucifixion in S1E3, tempting Aziraphale to enjoy earthly pleasures because he thinks they'll make him happy, stopping Armageddon.)

Heaven as an institution has never been about helping humanity. And that's not an issue of leadership, as Aziraphale seems to think--it's by design. Aziraphale's first official act as an angel toward humanity was to literally throw them to the lions. Giving them the sword wasn't him acting like an angel, it was just him being himself. Heaven doesn't care about humans. It's not supposed to. It's supposed to win the war against Hell, with humans as chess pieces at best and collateral damage at worst.

Yes, it's easier to think that there are forces that are supposed to be fundamentally good. It's easier to think that Aziraphale is going to show those mean archangels and the Metatron what’s coming to them and reform Heaven into what it "should" be, and that God is actually super chill and watching all of this while shipping ineffable husbands and cheering for them the whole way. And of course it's easier to take Crowley, who Aziraphale (and the audience) adores, and say that he deserves to be on the Good team much more than all those angels and demons that we don’t like. But that's not how it works. People are more complicated than that, even celestial beings.

Crowley is a demon, and the tragedy of his character is not that he's secretly a good guy who is being forced to be evil; the tragedy is that he's lived his whole life stuck between two institutional forces that are both equally hostile to the love he feels for the universe and the beings in it. There are no good and bad guys. There are no "right people." Every angel, demon, and human is capable of hurting or helping others based on their choices. That is, in fact, the entire fucking point.

[ebbpup]

posting about this au cause i like it

more about it under here

timeline time!!

(This part is also like, a headcanon for the canon timeline) so wanda and cosmo leave for vacation, its pretty soon after they stop living with timmy, so maybe when peri is 9-10. they leave him in the care of Cosmo's parents, however it can be difficult for them so other fairies (probably some of the main ones we see outside of the family) would look after him. there were lots of expectations set on him due to how powerful he was at birth and his family history so he always pushed himself to do as good as he could! He even got a scholarship into a really good school!

now, here is where the timeline diverges, while for the canon timeline, Peri keeps trying, gets into a good college/university, becomes a fairy godparents, ect. ect. but not here, when he's about 16 he's tired of all the pressure put on him, he wants out, he envies the humans and wishes he could have a life like that. so why doesn't he? he packs his stuff and leaves. he's figured out how to give himself more human proportions but he has to wear a beanie and a jacket to hide his wings and crown. he manages to find a new family (he says his bio parents are dead), goes to a normal school and starts living a normal, "human" life.

eventually he is able to move out of home and into the apartment complex along with 3 roommates (will design them soon, probably). he gets into college/university and is able to do an online course (of what? idk). his life is good! he hasn't seen anything magical in years! nobody knows where he is (they are aware he is missing in fairy world but have no idea where he could be, not even Irep [or, still Foop since he doesn't know that Peri changed his name] knows where he is)! everything is good. everything is peaceful.

he has no idea that his parents have moved in a floor below him, he only finds out once he runs into the new family in town. Peri bumps into Hazel in her family, that's where the first comic takes place. They keep bumping into him and decide to invite him over for dinner since he seems like such a nice guy and has been very welcoming, Hazel suggests that they invite Wanda and Cosmo too since they've also been very welcoming and they decide, sure why not! By this point Hazel knows that Cosmo and Wanda think that Peri might be their kid since they have told her, and she's gonna give them the opportunity to talk to him! The dinner is a nightmare for Peri, dodging every single question that could reveal his identity, they can't know that he's their son, he can't go back to fairy world! luckily Hazel's parents don't really leave so they can't ask him directly, but the questions do get close. eventually the dinner ends and he can go home.

Que his parents constantly looking for him and Peri hiding, so many occasions of them just missing him. They've probably told others in Fairy World about how they've found him, even Irep finds out (who is now pissed at the name change). So eventually not only is he hiding from his parents, but sometimes others will also try to find him because like dude you went missing as a teenager of course they are looking for you.

also, Peri needs a job and gets hired as a babysitter to look after Dev. Dev and Hazel becoming friends is a nightmare for him.

[vashtijoy]

Quick snippet from 10/26. In case you ever wondered whether Akechi knows Mona talks all along... watch him here, and listen to him. At first he's on script—entirely in control even when he talks about how he was supposedly nearly murdered by himself. It's the same tone he uses on the news. He's gone over this speech a dozen times.

Then Morgana talks, and while Akechi does react, he's still acting. He's still on script, prepared and practiced. The portrait looks shocked, but the model is just standing there, playing detective....

... until Ann steps in with "our friend who taught us about the Metaverse":

He jumps back so fast I didn't have time to load the textbox, lol. "What do you MEAN you had a MAGIC CAT GUIDE, the FUCK??"

Of course he knew Mona talks. How does he expose himself, right away on 6/9?—he hears Mona talking about pancakes. He had to be close enough to hear Mona, the cat. So it's not Mona talking that shocks him, but the revelation that Joker and the rest had help, had a guide from the very beginning, when he did not.

And you can hear his voice change register at that moment. That careful, controlled, rehearsed tone goes out of the window. He talks faster, he pitches up, he's breathless, without a script. He is, in short, more real. And he immediately asks Mona a question:

He really hasn't solved that mystery; he really wants to know. In fact, he has to know—about the difference in their methods and his own, which he just can't figure out....

There's a little of that high-pitched breathiness when he talks about his awakening, too. I'd say that's pretty much how it happened way back when, and he's adapted the story a little. "I can't die here... I need to determine the truth"—of course he did. The same truth that his "sole interest is uncovering"—the truth about Shido and himself.

What about that image of the killer, standing in the entrance to Okumura's Palace? Well, sometimes people think this is a photo, but it's not—Akechi doesn't produce any more photos, he just continues with his story. So this is presumably what Akechi pictures in his mind at that moment. This is his self-image, God help him:

Lastly, here's an incredulous Akechi with a bonus Futaba glaring at him. Don't neglect the models—they really repay close examination, and the face animation is often incredibly detailed. And as for whether Akechi is lying or not at any given moment—it's often easier to tell than you think.

revision history

Click here for the latest version.

v1.0 (2024/04/18)—first posted.

[velvetvexations]

Antigonism

ANTIGONE: I'll do my duty to my brother - and yours as well, if you're not prepared to. I won't be caught betraying him.

What is antigonism?

Antigonism is a transfeminist mode of thought specifically for transfems that embrace solidarity with other trans people, as well as those who are intersex and the queer community in general, under the belief that it's vital to recognize we're all equally oppressed and capable of doing lateral harm to one another

Beliefs of antigonistic transfems include but are not limited to:

accepting that transandrophobia exists

being mindful of exorsexism

not policing the terms that intersex people use for themselves

awareness that other AMAB people can present as feminine without being some kinna insult to us

recognizing that racial hegemony and the cishetpatriarchy are radically different systems of oppression and any comparison between the two, while possible, must be made with exceptional care

rejecting the "reclamation" of radical feminism

finding it appalling to demand that other trans people define themselves as privileged for not experiencing the same things as us - especially when they do in fact experience much of what is commonly, inexplicably cited as unique to transfems.

Isn't that just trans unity?

Trans unity is also great! But I feel like transfems who explicitly reject trans radical feminism could do with a word that is more forceful and specific. Some would prefer that this just be considered the default, and the vocal minority of people who think transfems are oppressed by other trans people should simply be treated as weirdos out of step with the rest of us, but I think there's value in making a strong statement with a term like this.

I've seen a lot of people who legitimately feel like shit because the vocal minority has been so loudly terrible that it's affecting how comfortable they are with random transfems whose opinions they don't know. I understand the temptation to just say they need to touch grass or whatever, but even aside from the fact that things like anti-transmasculinity within the community isn't purely limited to discourse on a dying social media website, I feel like that's blaming them for their reaction to being treated cruelly. I think antigonism could help drill in that there are tons of transfems who back them up, and that they don't need to search for keywords to know that person is safe.

Because, like, that happens to me, too. So many times I've seen a post I really liked and thought was insightful, only to have my distrustful nature lead me to doing such a search before reblogging and being gravely disappointed with the results. That fucking sucks, yall.

Why "antigonism"?

In the legends of Ancient Greece, Oedipus had two sons. One of them, Polynices, would eventually go on to wage war upon his brother, Eteocles, the king of Thebes. There were many telling of the story, some in which Polynices had a very good reason for doing so and some where he didn't.

Polynices and Eteocles both killed each other in the war, but Creon, who took power after, unilaterally declared that Polynices was a traitor. Antigone, the daughter of Oedipus, however, simply does not give a fuck what Polynices did or did not do. When Creon orders that any who try to bury Polynices will be put to death, she proudly does so anyway.

The most famous teller of Oedipus's family history, Sophocles, wrote a play about the war, but it's lost to time and so we know nothing definite about what version of events is canon to Sophocles' play starring the titular Antigone. Considering that the whole point of Creon's character is his dogmatic clinging to law over sense, his assessment of Polynices as being in the wrong for going against authority doesn't clear things up.

I emphasize this because I don't want to seem like I'm framing other trans people - transmascs especially - as requiring forgiveness for some vague past sin. Quite the opposite, just as they treat us as their sisters in spite of that minority of transfems who are awful to them, we must recognize that they're often the first to shut down transmisogynists amongst themselves. Ultimately the point of Antigone's actions in defying the law to honor her brother is that things like that are entirely irrelevant. The fact that the person accusing Polynices of being evil is a jackass, and we know there were versions of the story where Eteocles had it coming, is even more reason to look past his "crime."

ANTIGONE: I owed it to him. CREON: I had forbidden it. ANTIGONE: I owed it to him. CREON: Polynices was a rebel and a traitor, and you know it. ANTIGONE: He was my brother.

Does that mean we should not call out other trans people who are transmisogynistic or otherwise treat trans women badly? Of course not. But we have no more right to abandon or spit on them than they do us, which so many of them refuse to do in spite of the hostility they've often faced. To be an antigonist is to believe that we can do no less for those who do so much for us, and the creation of the term is intended not to spur more to do that so much as to give a name to those who've already been doing that.

Finally, I understand that the plot of Antigone revolving around Polynice's burial might feel grim. Critically, however, Antigone ultimately dies as well.

ISMENE: I must yield to those in authority. I think it is dangerous business to be always meddling. ANTIGONE: You have made your choice, you can be what you want to be. But I will bury him, and if I must die, I say that this crime is holy. I shall lie down with him in death, and I shall be as dear to him as he to me.

We are oppressed by the same forces. We are allies in the same fight. We are friends, lovers, and family. An antigonist is a transfem who believes that all trans people will live together and die together. We are committed to sharing the same fate with our siblings, one way or another. Antigonists see us all as bound together, headed for the same destination, and we would not for a second ever want it to be otherwise no matter where that road leads.

One more thing!

Even if this terminology doesn't catch on, I hope this effort means something to anyone who sees this. <3 Your sisters do love you, I promise.

[oldsoul007]

taste

nicholas chavez x ex!reader

a/n: no disrespect to either of them or relationship all of this is just fiction!

Nicholas and y/n had a special connection when they dated. Their time together was filled with laughter, shared secrets, and memorable moments. However, as life moved on, they drifted apart, and Nicholas eventually found himself in a new relationship with a girl named Victoria.

Victoria is wonderful—kind, smart, and everything Nicholas could ask for in a girlfriend. Yet, despite his happiness with her, y/n is always in the back of his mind. He often finds himself reminiscing about the times he spent with y/n, the unique bond they shared, and the way she understood him like no one else.

Even though Nicholas tries to focus on his present with Victoria, there are moments when a song, a place, or a random memory brings y/n back to the forefront of his thoughts. He wonders how she's doing, if she thinks about him too, and whether their paths will cross again. This lingering presence of y/n in his mind makes him question if he ever truly moved on, or if a part of him will always belong to her.

Nicholas and Victoria were out for a casual stroll one Saturday afternoon when they unexpectedly ran into y/n. The encounter took Nicholas by surprise, and he felt his heart skip a beat. Y/n looked as beautiful and confident as ever, and seeing her brought a rush of memories flooding back.

"Hey, y/n. It's been a while. How have you been?" Nicholas asked, trying to keep his composure.

"I've been good. Just busy with work and everything. How about you?" Y/n replied with a warm smile.

"I've been alright. This is Victoria, by the way. Victoria, this is y/n," Nicholas introduced them, his voice slightly shaky.

"Nice to meet you, y/n!" Victoria said cheerfully.

"Nice to meet you too, Victoria. So, what have you been up to, Nicholas?" Y/n asked, her eyes lingering on him.

"Oh, you know, just the usual. Work's been keeping me busy. It's really good to see you, though," Nicholas responded, feeling a mix of emotions.

"Yeah, it's good to see you too. You look well," y/n said, her smile softening.

"Thanks. You too," Nicholas managed to say, his mind racing.

Victoria, sensing the tension, chimed in, "We should catch up sometime, all of us. It would be fun."

"Sure, that sounds nice," y/n agreed. "Well, I should get going. It was great running into you both."

"Yeah, take care, y/n," Nicholas said, watching her walk away.

As y/n disappeared into the crowd, Nicholas couldn't help but feel a pang of longing. He realized that his feelings for her were still very much alive, leaving him deep in thought about what to do next.

Victoria and Nicholas had been having a wonderful evening at home when the topic of y/n came up. It started innocently enough, with Nicholas mentioning their recent encounter.

"You know, it was really nice seeing y/n the other day," Nicholas said, trying to keep his tone casual.

Victoria's expression changed slightly. "Yeah, it was. But, Nicholas, I've noticed you talk about her a lot lately."

Nicholas looked puzzled. "What do you mean? She's just an old friend."

"Is she really just an old friend?" Victoria asked, her voice growing more tense. "Because it feels like there's more to it."

Nicholas sighed. "Victoria, you're overthinking this. Y/n and I have history, but that's all in the past. You're the one I'm with now."

Victoria shook her head. "I don't know, Nicholas. It just feels like there's something unresolved between you two. And it bothers me."

Nicholas's frustration began to show. "What do you want me to do, Victoria? I can't erase my past. Y/n is a part of it, but she doesn't have to be a threat to us."

"I just need to know that you're fully committed to us," Victoria said, her eyes pleading.

"I am committed to us," Nicholas said firmly. "But I can't change the fact that y/n was a big part of my life. You have to trust me."

Victoria looked away, tears welling up in her eyes. "It's hard to trust when I see how you look at her."

Nicholas softened, stepping closer to her. "Victoria, I love you. I'll do whatever it takes to make you feel secure. But you have to believe me when I say that y/n is just a friend now."

Victoria nodded slowly, wiping her tears. "Okay, Nicholas. I believe you. But let's not talk about y/n anymore. Let's focus on us."

"Agreed," Nicholas said, pulling her into a hug. "Let's focus on us."

As they held each other, Nicholas hoped that this would be the end of the tension between them. He knew he had to prove his commitment to Victoria and make sure she felt secure in their relationship.

Nicholas and Victoria were at the local bar when they unexpectedly bumped into y/n again. It was a moment of surprise for all three, but Victoria's reaction was different. As she watched Nicholas and y/n exchange warm smiles and familiar glances, something clicked in her mind. She realized that the connection between Nicholas and y/n was deeper than she had ever imagined. It was in that instant that Victoria understood the true nature of their bond, and a mix of emotions washed over her, leaving her both intrigued and contemplative about what this meant for their future.

Nicholas and Victoria were sitting in their living room when the tension that had been building up finally reached a boiling point. The topic of y/n had come up once again, and it was clear that Victoria was not happy about it.

"Nicholas, I can't believe you're still hung up on her," Victoria said, frustration evident in her voice. "Every time we run into y/n, you act like she's the only person in the room."

Nicholas sighed, rubbing his temples. "Victoria, it's not like that. Y/n and I have a history, yes, but it doesn't mean I'm still in love with her. We're just friends now."

"Friends? Really?" Victoria shot back. "Because it sure doesn't seem that way. You get this look in your eyes whenever she's around, like you're remembering something more than just a friendship."

"That's not fair," Nicholas replied, his voice rising. "I can't control how I feel. But I'm with you now, and that's what matters."

"But is it really?" Victoria asked, her eyes filling with tears. "Because it feels like I'm always competing with her ghost. I need to know that you're fully here with me, not just physically but emotionally too."

Nicholas took a deep breath, trying to calm himself. "Victoria, I care about you a lot. I don't want you to feel like you're second to anyone. I'm sorry if I've made you feel that way."

Victoria looked at him, her expression softening slightly. "I just need to know that I can trust you, Nicholas. That you're not going to run back to her the moment things get tough between us."

"I promise you, Victoria," Nicholas said, taking her hand. "I'm committed to us. I'll do whatever it takes to prove that to you."

As they sat there, holding each other's hands, they both realized that this was a turning point in their relationship. They had to work through these issues if they wanted to move forward together.

Nicholas had been feeling increasingly guilty about his relationship with Victoria. He knew deep down that he couldn't continue pretending everything was fine. One evening, he finally mustered the courage to talk to her.

"Victoria, we need to talk," Nicholas began, his voice heavy with emotion. "I can't keep doing this. It's not fair to you or to me. I still have feelings for y/n, and it's not right to lead you on."

Victoria looked at him, her eyes filled with a mix of hurt and understanding. "I knew this was coming, Nicholas. I just hoped things would change."

"I'm so sorry," Nicholas said, his heart breaking at the sight of her tears. "You deserve someone who can give you their whole heart, and I can't do that right now."

After the difficult conversation, Nicholas felt a weight lift off his shoulders, but he was also filled with a sense of loss. He decided to reach out to y/n, needing someone to talk to.

"Y/n, I ended things with Victoria," he confessed over the phone. "I couldn't keep pretending. But now, I feel so lost."

Y/n’s voice was gentle but firm. "Nicholas, I still love you, but we can't be together. Not right now. You need to figure things out for yourself first."

Nicholas sighed, feeling the sting of her words. "I understand, y/n. I just needed to hear your voice."

They both knew that this was a time for healing and self-discovery. Even though they couldn't be together, their connection remained a source of comfort and strength for Nicholas.