#but act like they have all the authority over the supernatural world

[delusionalwritingsofagay]

Jasper hale, reader is a newborn vampire so they're still super emotional so they throw a tantrum and end up breaking several trees running from Jasper

Through the Storm

Pairing : Jasper Hale x Male reader Tags: Established relationship, Hurt/comfort, New-born vampire Reader Word count : 884 Y/n: Your name  L/n: your last name

In the heart of the dense, shadowy woods of Forks, Washington, a tempest brewed—not of rain or wind, but of fervent emotions. Jasper Hale stood at the edge of a clearing, his golden-brown eyes scanning the horizon, tinged with concern. His boyfriend, Y/N, a recent addition to his supernatural world as a newborn vampire, was currently in the throes of an emotional outburst.

Y/N’s transformation had been abrupt and jarring, a shift from the mundane world of human existence to the tumultuous life of a vampire. Though he had Jasper’s support, the emotional roller coaster was often too intense to handle. Having his powers amplified in this new, heightened state, Y/N felt every sentiment explode within him, and today was no different.

“Y/N!” Jasper called out, his voice a smooth blend of calm authority and underlying anxiety. “Please, just talk to me!”

Y/N, his dark eyes swirling with tempestuous feelings, was already a blur as he ran deeper into the forest. The trees loomed like sentinels, swallowing him whole as he sprinted with the reckless abandon of youth. He didn’t want to be followed; it felt suffocating, suffused as he was with so many chaotic emotions that he could barely breathe. In his wake, the trees swayed, some branches snapping under the raw power of his fury.

“Y/N!” Jasper’s voice echoed, tinged with desperation. He knew that running was a part of this new existence, but he also understood that it wasn’t the solution. He took off after his boyfriend, every instinct urging him to bring Y/N back, not just to safety, but to himself.

In a fit of rage, Y/N barreled through the dense underbrush, shouting words of frustration into the unforgiving air. “Why can’t you understand?!” He threw up an arm in a visceral act of defiance, and the nearest tree shattered like glass, sending splinters flying into the air. “I don’t want this—none of this!”

Jasper felt the shockwaves of Y/N’s emotions wash over him. Pain, confusion, a furious need to escape the confusion of his new life—it was all so overwhelming. The emotional storm threatened to drown him, yet he pressed on, his heart aching for Y/N, who was struggling far more than he let on.

“Just stop for a second!” Jasper pleaded, his breath steady even as his heart raced. He understood the gravity of the situation, the need for his boyfriend to let it all out. But as a seasoned vampire, he also knew that letting loose could lead to destruction—not only of the surrounding world but of Y/N’s own fragile psyche.

When Y/N finally slowed, panting, it wasn’t from exhaustion—it was from his own tumultuous feelings. Jasper caught up, eyes narrowing as he surveyed the devastation around them: trees uprooted, leaves scattered like the remnants of a storm, the earth itself marked by Y/N’s anguish.

“Y/N” Jasper said softly, carefully stepping so close that he could almost touch him. “This isn’t who you are. You’re not a monster.”

With those words, the dam broke. Y/N’s breath hitched, and a moan of distress escaped him. The surge of emotions cranked higher, feeling like a tidal wave ready to crush him. “But I am! I feel everything too acutely! I can’t… I can’t control it, Jasper!”

Jasper took another step forward, aware that he couldn’t lose Y/N to this tempest. He reached out, cupping Y/N's face in his cool hands, forcing his boyfriend to meet his gaze. “You’re not alone. I’ve been through it too. You’re going to get through this. You just need to let me help you.”

Y/N’s emotions swirled violently, but there was something steady in Jasper’s presence—a rock amidst his storm. Slowly, the overwhelming tide began to ebb, and beneath the chaos, a flicker of trust surfaced.

“What if I hurt you?” Y/N whispered, his voice trembling like the calm before the storm.

“You won’t,” Jasper assured him, his tone firm yet gentle. “I promise. You’re stronger than you know, and I won’t let you go.”

Y/N’s resolve wavered, and like a child longing for solace, he collapsed into Jasper’s embrace. The strength of his boyfriend, the warmth of his love, wrapped around him and quieted the chaos within. “I don’t want to be a danger,” he murmured, the pain in his voice cutting deep.

“You won’t be,” Jasper replied softly, brushing his fingers through Y/N’s hair, soothing the turmoil. “We’ll figure this out together. Just take it one day at a time.”

Under the shade of the towering trees, slowly regaining their composure, Y/N felt a small flicker of hope ignite within him—a realisation that perhaps he had the strength, with Jasper by his side, to face whatever challenges lay ahead.

As the quiet settled around them, the broken trees stood as reminders of the storm, but also of the peace they’d found in each other. Jasper held Y/N close

[fanhackers]

Fandom/Activism

I interrupt my dive into Abigail DeKosnik’s work to note that as the United States moves deeper into its (apparently endless) election season, we’re seeing a lot of fandom-as-activism starting to emerge, as well as activism-as-fandom. De Kosnik herself was one of the early writers on fandom/activism, writing “Participatory democracy and Hillary Clinton's marginalized fandom” for the very first issue of Transformative Works and Cultures in 2008; more recently, Aja Romano wrote about how Donald Trump’s followers can be seen to be acting like a fandom for Vox: “If you want to understand modern politics, you have to understand modern fandom.” 

TWC hosted an entire guest issue on Transformative Works and Fan Activism, edited by Henry Jenkins and Sangita Shresthova; Jenkins and Shresthova also collaborated on By Any Media Necessary: The New Youth Activism (NYU, 2016) which collects essays on fan activism. Other essays on fandom/activism have been published by TWC with Alex Xanthoudakis’s Mobilizing minions: Fan activism efficacy of Misha Collins fans in "Supernatural" fandom (2020) and  Hannah Carilyn Gunderman’s Fan geographies and engagement between geopolitics of Brexit, Donald Trump, and Doctor Who on social media (2020) being recent examples. Meanwhile, Tanya Cook and Kayle Joseph are the authors of Fandom Acts of Kindness: A Heroic Guide to Activism, Advocacy, and Doing Chaotic Good (Penguin Randomhouse 2023), a guide on how to use fandom and fannish strategies to make a difference. 

Some examples of fandom/activism emerging this U.S. election season include Heroes 4 Harris: Kamala-Con  which is scheduled to happen online today, Sunday September 8, 2024, 1pm PT / 4pm ET: this is billed as “a Comic-Con for Kamala” and “the largest fandom led gathering in support of a presidential candidate in American history.” It will feature: “actors, writers, directors, and super fans of Hollywood's most inspiring heroic fandoms” and promises not just inspiration from some of our favorite stars (Mark Ruffalo, Sean Astin, Rosario Dawson and others - not to mention Henry Jenkins himself) but also breakout groups and training in “fan mobilization.”  

Meanwhile, Lynda Carter (always a Wonder Woman!) is also trying to get out the fan vote for Harris with her group Geeks & Nerds for Harris Walz (@GeekOutTheVote); this is also billed as “a fan activist campaign” and they are planning special online events, the first of which will be an online call on September 24, 2024.  As they describe on their website: “Fandom has never just been about media consumption. Fans are artists, creators, and digital ambassadors. When we share what we love, it radiates around the world. And to paraphrase the Vice President, it’s how we show them who we are. By connecting battle-tested campaign canvassing strategies to the heritage and practices of fan communities, we can encourage fans to get out the vote in key battleground states.”

Donald Trump, aside from being his own fandom with himself as fan in chief, also seems to have had some self-identified fandoms collectively organizing for him over the years - these include Fans of Kanye West, Fans of Race Car Driving, and, strange but true, Fans of the 1980s, who apparently believe that Donald Trump would also be a fan of 80s horror movies, Scritti Politti, and  the soundtrack to Pretty in Pink. (I’m not making that up; it’s on their Twitter.) That said, Mel Stanfill’s newest book Fandom is Ugly (2024) argues that, despite its popular reputation, media fandom is not essentially progressive; that in fact, “reactionary politics and media fandoms go hand in hand.” Stanfill’s book looks at the ways in which fans have organized in conservative, reactionary, or even hateful ways, from Gamergate to the collective abuse and harassment of actors in the latest Star Wars franchise. 

The discipline of fandom studies is now being used to study all different kinds of affiliations and advocacy movements, not just those based around film, tv, sports, or music. Fan studies is now applied to political and social movements. Jenkins is still a powerful voice on the relationship between fan studies and participatory democracy (whether progressive or reactionary): read this 2024 interview with him published in Communication and the Public: “The path from participatory culture to participatory politics: A critical investigation—An interview with Henry Jenkins.”  As Jenkins notes:

Part of the ethos of fandom is to ask questions—from nitpicking to imagining other outcomes, different trajectories for character arcs, and other worlds where the story might occur, all of which is expressed through fan works. I would say that fans are often more critical than the general audience in asking these questions, which makes them somewhat different from many partisans and activists I might know who rarely question their beliefs and ideological commitments. And fans are more tolerant—as an aggregate—of different interpretations than partisans are of different ideological stances. So, you could do worse in grounding a democracy than engaging with fans.

[pendragonsclotpole]

I need to preface this post with the fact that I’ve been aware of Supernatural for as long as I’ve known what the terms fanfiction and fandom mean. It’s one of those pop culture moments that’s existed on the periphery of my mind as something really beloved and bemoaned about by people on the internet, but it’s never been something I really cared about outside of some iconic memes.

For the past four days, I’ve been watching Supernatural non-stop in my free time. I think I sat through eight episodes straight on one of those days, and I just have to say, the show is phenomenal.

I don’t know where to start, I could make a dozen of these posts about various points throughout the first two seasons and it still wouldn’t be enough. I’ve now taken a break at episode one of season three, because now that it’s a weekday I have work and can’t dedicate the time I could on the weekend.

First, Jared Padalecki’s acting is so beautiful and poignant and emotional. He really makes Sam Winchester into the bleeding heart of the whole show, and the entire time he’s on screen I worry about Sam. His portrayal of Sam’s heartbreak and desperation at Dean’s impending death after the car crash, as well as Sam’s horror at the reveal of what John told Dean before dying held a tragic desperation and denial that really embodied what the character represented in the first two seasons. Even as a hunter and with his special abilities, Sam felt like a quasi self-insert for the audience. I don’t mean that in a bad or overly tropey way, but in the way that he felt robbed of a proper childhood in favor of his father’s crusade. Sam is the angry, indignant younger sibling who never bore the brunt of responsibility like the older sibling did and it shows. In some ways, it makes him more entitled—I don’t mean that Sam does not have the right to be angry with John Winchester. He does. Fuck John Winchester. I mean entitled in the unintentional, coincidental way that your little brother or sister always demands the things you never had or rebels against the authority of the parent without ever dealing with the consequences you did as the older sibling. It reveals the veneer of freedom he had and the protection he received by virtue of his place in the Winchester Family. For me, it made him unbearably real, and this feeling of realness was made worse by the genuine naivety and innocence he keeps even as he continually gets screwed over by the demons. There’s a steadfast belief in the goodness of others within Sam that often conflicts with the sense of goodness he believes he lacks.

Sam trusts so easily, but he understands people in ways that should be antithetical to his upbringing. It took me forever to reconcile why he seemed so familiar, until I realized that Sam Winchester, for all that he was one of John Winchester’s son, had received the unconditional love of an older sibling for his entire childhood.

I don’t mean the perfect, kind, healthy love that often exists between fictional siblings. Too often I’ve watched media that makes me wonder how siblings like that even exist, or conversely, made me glad my siblings weren’t so fucked up.

I mean the kind of platonic love that exists between siblings living in the liminal space of love and hate thanks to the single fucked up connection that draws them back together continuously out of some sense of duty or commiseration or the need to be understood.

I mean the kind of love between siblings that would wither away when in a perfect world that does not stake their survival on their codependence of each other, but that in an imperfect and real world is equated to familiarity. Sam and Dean against the world—against John Winchester.

Out of all of the episodes I’ve watched in the last day and a half, perhaps the one that struck me most was episode 20, Season 2. What is and What Should Never Be. Not only was the title a bit of emotional whiplash—the juxtaposition of Should and Never lending a finality or a sense of wrongness that can’t be replicated by the words “Could Never—but we see Dean and Sam in a world where their one connection, hunting, has completely vanished and at a high cost to all the people they’ve saved, but mostly to Sam and Dean themselves. They’re connection as ride or die brothers is gone, replaced by an ostensibly better, healthier, more normal future liberated from the expectations of the rest of the world.

Without the death of Mary Winchester, Dean and Sam are no longer Dean and Sam. They’re just two people, connected by the two people that raised them, and likely to drift apart after that connection dies—frayed ends of a tapestry pulling apart and unraveling. Dean gains a mom and a normal life, but metaphorically loses a brother and a sense of purpose. Who is Dean Winchester if he’s not a hunter and Sam’s brother? And the sad thing is, neither of these are traits Dean ever chose. They are conditions foisted upon him, perhaps not intentionally, such as in the case of Sam, but ultimately placed on his soul until they tethered themselves to the very core of what being Dean Winchester is supposed to mean. The end of the episode, and Dean’s choice to return to the real world, regardless of Sam waking him up, is Dean fully giving up his dream in order to save Sam and be a hunter. The fallacy of the episode is in the choice Dean makes, which the more I think about it, feels less like a choice and more of an inevitability but one compounded by Dean’s readiness and willingness to go with it.

This is where I get to the crux of my surprise with these first early seasons of Supernatural: Dean Motherfucking Winchester.

I don’t know what I was expecting from early seasons of Supernatural, especially with the context of the later seasons. Maybe an overly cheesy, early 2000s ode to roadtrip Americana with a self-reverential take on the classic gun slinging frontiersman of the Wild West and bad supernatural CGI. Not to say it isn’t that (shout out to Sam’s comment on Dean’s particular brand of butch), but what surprised me was how real the connection between the characters was manifested on screen and how much good will the show built up in the audience. There came a point where I sided with Dean so much in the events of the show that I felt like I was riding shotgun in the impala. I saw it with every compliant “yes, sir” he gave to John, with every teasing comment he threw at Sam, and with every act of selflessness he exhibited by protecting other people. This isn’t to say that Dean is perfect. Sometimes he doesn’t take things seriously enough, or he’s willing to sacrifice people for some misguided greater good, or he’s obsessed with saving Sam even when he wouldn’t be if it were anyone else, but Dean has a conviction so many people lack. He has the capacity to love at a great cost to himself, either because he believes himself unworthy of being loved or because he’s not used to anything else.

Jensen Ackles does such a good job at this portrayal and with such a different technique than Jared Padalecki. Ackles embodies the desperate need for self-assuredness that Dean breathes, as well as the genuine fear he has of being seen. I love laughing with Dean as much as I love screaming at him for how stupid he’s being. If Sam is the self-insert, then Dean is the tragic hero, although that comparison feels like a poor facsimile for what Dean Winchester truly is because I don’t particularly feel an overwhelming sense of pity at his state or at his hinted downfall with that demon deal. If anything, I feel a sense of indignation mixed with understanding and frustration that Dean can’t catch a break but at the end of it all, is just how he prefers it.

It shouldn’t be a shock to admit that even without knowing what happens from seasons 3 to 15, I know how Supernatural ends. Just thinking about the ending makes me wonder if I should even continue it past season 5, but that’s a decision for another time.

For now, there’s something unbearably tragic in seeing Dean Winchester so close to a chance of a normal life and apple pie happiness (something he really seems to desire no matter how much he denies it) and then having to give it up, not just because it’s not real, but because he believes it should never be real.

Dean Winchester deserves better.

[ianthe-is-a-bitch-and-i-love-her]

I first realized that the best ghost stories are love stories after watching The Haunting of Bly Manor, and though I've experienced a lot of media since that reaffirmed that understanding, The Narrow by Kate Alice Marshall really feels like it's closing the loop. It rhymes with Bly in a way that feels like I've come to the end of some great journey, and am now prepared to start another. Like Bly, The Narrow is a story about abuse. It's a story about possession, in more than one sense. And it's a story that asserts that true love, the love that's worth keeping, is the love that knows how to let go.

Our story follows Eden, a senior at a prestigious private boarding high school rich with history and legends, especially around its deadly river, The Narrow, which is unapologetically based on the Bolton Strid. Eden is excited to return to school and escape a summer vacation marred by a profound abuse that she is refusing to think about. However, upon arrival she discovers that her parents have neglected to pay her tuition - coincidentally, they've had to pay a lot of legal fees recently - and she is forced to take on a unique arrangement to remain enrolled. She must act as the live-in companion of fellow student Delphine, a reclusive girl who cannot leave her carefully refurbished dorm room, as any contact with water sends her into seizures. Eden knows something about Delphine that almost no one else does, however - at the beginning of her first year, Eden saw Delphine fall into The Narrow and be swept away - and what The Narrow takes is never returned.

The mystery at the heart of the story is, ultimately, not that complicated, but it is beautiful in its simplicity and the way it plays with the reader's expectations. Those expectations are shaped heavily by Eden's point of view, and Eden is a triumph of an unreliable narrator. She actively avoids thinking about things that weigh on her and occasionally skates over her own actions where they clash with her self-image, but these more obvious and dramatic omissions draw attention away from the subtler ways that her biases and coping mechanisms shape her understanding of the world around her, and it took me until about the three-quarters mark to know where and how to disbelieve her perceptions. She is incredibly compelling, deeply empathetic, and absolutely drowning in self-worth issues. The supporting cast is equally compelling, and the author injects a surprising sense of depth into each member of her friend group in remarkably few lines. Each give the impression of being flawed, well-rounded, but fundamentally decent people, and they all feel very distinct from one another. I was going to highlight one of them as a favorite example, but I genuinely can't pick between them. The adults too are well-rounded and compelling, which I feel is often a shortcoming of horror in an academic setting (is that what dark academia is? no one will tell me). And of course Delphine herself is quite compelling; a little odd, very intense, and eminently sympathetic, her dynamic with Eden is fresh, engaging, and believable.

One thing I really want to highlight about this story is its willingness to engage with real-life messiness that is often elided in ghost stories and love stories. The mechanics of the supernatural are not well understood in this story, and no tomes of ancient lore exist to guide the protagonists. Their methods of interfacing with the supernatural are cobbled together from their own intuition and their vague impressions of the occult from pop culture and religious mysticism, and their efficacy is neither reliable nor consistent. Similarly, the story is not afraid of engaging with the fragility and volatility of young love, the way it can feel all-consuming and eternal in one moment and fizzle out the next. This sort of messiness always appeals to me in fiction, and it is remarkably rare outside of deliberate genre subversions, so I was absolutely thrilled with it here.

I would recommend The Narrow without hesitation to anyone who likes ghost stories. I would also recommend it for its exploration of abuse in a variety of forms, and for its depiction of the aftermath of said abuse. Take that same recommendation as a content warning, though, and I'll toss in a more specific one for involuntary drug use.

[zorilleerrant]

Tim is fine with being protected. It comes from being the least trained in a family full of people with borderline supernatural skills, it comes from playing backup, from being the eye in the sky during so many missions when he has more support skills than those better equipped to be boots on the ground. It comes from being on so many teams with so many people with so many powers and it comes from being practically family to household names. It comes from being the one Robin that’s always there for Batman to play it safe with.

Tim is not fine with a civilian putting himself in danger. It’s not because it’s Bernard, he tells himself, over and over again. It’s any time it’s someone with less training, less armor, less experience in the field. Anyone with fewer weapons, anyone with fewer allies, anyone who can’t see the split second decisions the villains are making with someone else’s life on the line. Anyone who didn’t devote themselves to this, who didn’t look at the symbol of the Bat and agree to be part of the venture, paring off every extraneous branch on the journey until the pike is honed smooth, ready to throw.

It’s every civilian, but it’s one civilian, one with a lopsided smile and the most textbook perfect punch he puts his whole weight behind, a body at peak physical health but without the kind of reflexes scarred in day after day he needs to stand his ground. Smooth skin, few scars. Hands soft despite the callouses and gentle, carefully applying stitches, bandages, injections they’re not yet used to holding. One civilian with ridiculous, almost unintelligible good luck wishes, and no fashion sense, who talks too fast to keep himself safe when he’s in someone else’s sights.

But Bernard knows people, he knows places, he has a name with weight where Robin’s doesn’t matter much and Tim Drake’s even less, and he’s willing to throw it around Tim like the shield it is. He puts his body in between Tim and harm, and still that easy smile, still those eyes shining with some kind of hidden plan, some words unspoken because you know that once they are, they’re going to be good. He doesn’t tell Tim the way out. Tim isn’t supposed to have the kind of skills he needs to navigate a situation like this, so why let him in on the secret?

From everyone else’s perspective, Tim is soft and small and spoiled, Tim is the kind of kid who doesn’t even know himself enough to be sure he wants to hold hands. A rich kid who’s never gotten his hands dirty, a pretty little trophy on the arm of someone whose gaze holds the weight of the world when he carefully measures his words. Someone there to giggle when Bernard asks if they’re absolutely sure they really want to do that.

Bernard knows who he is. Bernard knows what Tim would throw himself bodily between, knows how much he would give, how much he has given, for his friends, and his family, and Gotham. How much he would give for Bernard. He knows that Tim would fight tooth and nail, and how well he knows where each tooth and each nail fits for maximum damage, to keep himself alive those few seconds long enough to wait for help. Bernard knows what Robin can do, would do, will do again once they’re out and safe and free.

But Tim knows just how fragile the human form is. How many bones there are to break and how many pints of blood there are to lose, how deep scarring has to go before it’s impossible to move. He knows the spots that hurt and the spots that harm, and he knows that the bravado is just a façade. That if anyone sees through Bernard’s act, sees through his ploys and appeals to an authority that scares him as much as his audience, that Bernard has just as many points of vulnerability as anyone else who’s lain broken and cold before him.

Tim will be the princess in the castle, and Bernard his knight, but for all the things he knows a dragon can do. Tim can count the dragons around them. Bernard can, too. Bernard’s been a dragon on his own, or else the child of one, and he knows firsthand the burns they leave, and still he sweeps across the ash like it isn’t even there. It’s Robin who can do something, Robin the wizard with ancient tomes and sage advice, but Tim is the only one here, and no one ever wants the princess to rescue herself. He has to let Bernard be his knight.

But Bernard speaks the magic words, and Tim does trust him, places his life so carefully in his lover’s hands and closes his eyes against the chill, and Bernard takes that gift for what it means, carries it with all the weight it has and tucks it up so gently against his own heart. Tim isn’t always the one with the way out, and he isn’t always the one who can do the protecting, and he’s used to that. But he slips his fingers through the one hand he thought he’d always be able to hold without being led by it, and lets that perfect image shatter. There’s no keeping Bernard away. He’s already involved. More involved than Tim ever was, in some ways, and less in the ways that Tim can still keep him out of it. Not safe, none of them were ever safe, but not as fragile as the snowglobe he was trying to frame the picture with, and there are more angles than he was prepared to watch. Still, Tim has contingencies. And the contingency, now, is to let Bernard protect him for once, just like he promised he would.

[sleepy-autumns-world]

Doll Face ♡

Dean Winchester x Fem!reader (Romantic), Sam Winchester x Fem!reader (platonic) [overall sfw]

Author's note: My very first fanfic I hope you enjoy!

Warnings: Fluff!!!!, Blood, Being tied up, general warning for supernatural

Synopsis: While on hunt with the boys, you get kidnapped by a skinwalker that then steals your identity. Takes place in season 1

Words: 1595

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Dean was roused from his light sleep as the phone on the wall of the dingey motel began ringing, they were in a rural town in search of some kind of beast. Dean walked over half-asleep, and picked the phone off the dock. It was Sam, he sounded…panicked. He was talking fast and breathing faster he was rambling about something, he was talking so fast that Dean could barely make out his words. “Sammy, slow down! What’s going on?” Dean said to his brother over the landline. “Sorry, sorry.” He took a deep breath before continuing, “Y/N and I went to ask the police for the reports about the recent attacks, then the power cut and three out of five of the police officers were lying on the floor dead with their entrails laid about. We got the surviving officers out of there. Y/N is fine but she seems…off, not anything i’ve ever seen on her. She won’t talk and she has…this strange blank expression. I'm not sure what kind of creature we’re dealing with, but I'm worried.” Sam explained the situation to the best of his abilities through his panic.

***

You wake up a few hours later, you can’t move and you don’t know where you are. The air smells damp and musty, the place is dimly lit. Wherever you are, it definitely has something to do with this creature you’re after. You try to break your wrists free but as you try to break the rope you feel a sharp pain shoot down your spine and the waking world starts to fade. You fight but your struggle only lasts for a few seconds. The last thing you hear before you black out is a malicious laugh.

***

Sam speeds back to the motel with ‘you’. -You didn’t say anything the entire drive, you always have something strange on your mind and aren’t afraid to make it known. It was one of the many things Sam loved about you, so it was unusual and worrying, just how quiet you were. On top of your silence, you didn’t even look at him, not to mention you had a devilish smirk as you looked out the window supposedly lost in thought- He gets out and you silently follow behind him. The two of you walk into the room to see Dean sitting at the desk with a bunch of books. “You figure out what we’re dealing with yet Dean?” Sam looked over to Dean who gestured for him to talk with him, alone. You stood by the window watching the rain fall, lost in thought with that same odd smirk. Sam and Dean slip into the other room and Sam notices Dean’s serious and concerned expression. “Sam, I know what we’re dealing with and I know why she’s acting strange…” Dean stared back at you. He resumed “I think we’re dealing with a skinwalker. And I…I think it took Y/N and disguised itself as her” Sam’s eyes widened, it was all clicking in his mind. If Dean was right, then they needed to find you and fast.

***

You slowly came to, your mind was fuzzy and your head was throbbing. You didn’t sense anyone…or anything nearby. You breathe a sigh of relief, as you do so, a wave of pain spreads through your chest. As a matter of fact, breathing itself was agony but you need to get out of here and find Dean and Sam. You wrack your foggy brain, trying to remember anything before you passed out earlier. Wait, that laugh I heard, it…it sounded like my voice… Suddenly, everything made sense, that thing was a skinwalker and it was wearing your form. What if it goes after Sam or Dean? You have to get out of here. You strategically move your wrists in an attempt to break them free. After a few minutes, your hands are free. You quickly untie your legs and stand up. Perhaps a little too quickly, your vision clouds and you breathe heavily causing even more pain in your chest. You lean onto the wall for support, after a few minutes, you collect your bearings and start looking for an exit.

***

Dean moves toward the skinwalker wearing your form in the other room. Sam has a face riddled with shock, he’s worried Dean’s about to do something stupid and get himself hurt. The creature turns to face him with a maniacal smile. “We know you’re not her, Where is she?!” Dean raised his voice at the creature. It smiled only wider before lunging at Dean, pinning him to the ground. Sam attempts to wrestle it off of his brother, who is currently swearing like a sailor. After a quick tussle, Sam has it pinned and Dean is shooting it daggers. “If you don't want a silver bullet to the heart, i’d suggest telling me where you took her” Dean’s voice was low and threatening. Sam was slightly caught off-guard, it wasn’t often Dean used that tone. The skinwalker narrowed its eyes and smiled wider. Dean caressed his gun before pointing it directly at the skinwalker’s chest. “Last chance buddy” his voice was slightly shaky. He didn’t want to shoot you even if it was just some monster pretending to be you, afterall you are his girl. It whimpered before speaking “Fine! Fine. She’s in the abandoned Auto shop down the road. Please, just don’t shoot” Dean looked down at it with a stoic expression before pulling the trigger. The creature screamed and melted away, its blood seeping into the carpet. Dean quickly grabs the keys to his baby and gestures to Sam to stop staring at the E.T. looking corpse and follow him.

***

You walk through the damp hallways. The smell of mold is so strong it makes you dizzy but you carry on. Every breath sends jolts of pain through your body, you’re beginning to suspect you may have a few broken ribs but that’s not important right now. All of a sudden your vision clouds and you collapse against the wall. Perhaps your condition is worse than you originally thought…

***

Dean drove to the abandoned auto shop, hoping that the damned thing wasn’t lying. Dean parks the impala and both of them step out. Sam goes over to the trunk to get some weapons just in case there’s more than one, as Dean tries to pick the lock on the front door. Sam walks over to Dean with silver bullets and silver daggers. Dean got frustrated with the lock so he instead took the unconventional route of just kicking it down. They quickly run through the halls in opposite directions calling your name. Sam spots you unconscious and slumped by the wall. He picks you up and starts walking in the direction Dean went. “Dean, I found her!” He called down the hall. “Thank the lord. I'm coming” Dean says relieved before walking out with Sam following behind with you in his arms. Dean unlocks the impala and Sam gently sets you in the backseat. Dean drives back to the motel, softly humming Metallica the entire way back. Dean parks and gets out. Sam walks over to your door and carefully picks you up out of the impala and follows his brother back to the motel room. Dean waits for him to catch up and takes you from Sam while shooting a dirty look. Sam puts his hands up, smiling and stifling a laugh. Dean rolls his eyes and walks into the motel room. He sets you down on his bed. You open your eyes slightly, after a few minutes. You hear Dean’s voice “You awake babydoll?” You nod. “Ol’ Sammy’s in the shower” He smiled before sitting down on the bed, next to you. “How ya feeling? And I swear if you say fine, I will back hand you woman” He glares at you, he knows you a little too well. “I-it hurts t-to breathe” your voice comes out slightly louder than a whisper but sounds more like a wheeze. He looks concerned “You think you might’ve broken a rib?” you nod. He takes your flannel off and lifts up your shirt. He gently presses on your black and blue rib cage. You wince and try to hold back cries of pain. He lets go and looks you in the eyes. “Well baby girl, I think you’ve got at least two broken ribs. Not much I can do ‘bout that. You’re just gonna have to wait it out. When Sammy comes out I'll get you some ice from the lobby, but for now I'll give ya some pain killers” He smiles and brushes some hair out of your face. “When you’re feeling better you can shower and get that blood off ya” You were exhausted and just wanted to sleep. You buried your face into his chest, knocking him back slightly. He laid back and put his hand on the back of your head, running his fingers through your hair. You listened to his heartbeat for about five minutes before falling asleep on his chest. Sam came out of the shower and witnessed the sight of his brother trapped under you. It was cat rules, if the Y/N was on you, you are now trapped until she moves. Sam stifled a laugh and Dean Shot him a dirty look. He loved when you laid on him. He fell asleep with you in his arms about 15 minutes later. Sam giggled and took out his phone, taking a picture. “Adorable”

The End

[blankd]

The Common Language(TM)

Saw a post trying to explain how Common (a... common language) exists in fantasy settings and (I assume) DnD. I personally disagreed with OP's interpretations as they funneled explanations into two camps:

-Humans are so imperialist they made everyone else speak it (a travesty to act like humans are the center of the universe again)

-All languages form Common out of trade necessity, BUT the words contributed retreat into fantasy stereotypes (orcs are warriors, elves are artisan waifs, etc.). Which, IDK guys, at best it comes across as over-explaining US English with extra steps and baggage.

Now personally, I treat languages in my own campaign as mostly geological*- because I'm running a campaign, not writing a book/wiki/conlang.

*A few languages are bound to their speakers simply because they don't have humanoid mouths, eg: Primordial is spoken by Elementals, AKA sentient elements, etc.

Naturally, this led to wondering how the existence of Common could be a larger feature that could be interacted with. While conlangs can be fun, they are often treated as fossils when players probably prefer to walk among dinosaurs.

Note: This is written through the lens of DnD/a fantasy TTRPG, but it could probably function elsewhere with mindful tweaks., build according to your preferences.

In this scenario, all cultural languages exist, but a reverse tower of babel situation occurred. So now the world has a large magical tower that gifts all sentient humanoids (PCs/NPCs) with Common.

For World Flavor:

The immediate obvious possibility is that several nations/peoples agreed to collaborate on this, it's up to you if any individuals are named. But since it was so long ago, that might be lost to time. Or maybe it was recently completed! Regardless, is the tower a Wonder that is communally protected or does this responsibility fall on a certain group?

Or is the Tower Divine? A gift from a god of language, a god of peace or something else entirely (a god of venom who wanted to afford all mortals the ability to hurt each other with words, etc.)? If it is divine, what is the story that explains it? Is there a faith that worships the Tower (and its god)? How do people who may dislike this god reconcile the benefits of the Tower with their distaste for the deity?

Or is it an (inter)national archaeological mystery that is currently being studied? What has been hindering progress? Is it people (who has right over this) or something more otherworldly (supernatural defenses)?

Or maybe it really is just a funny little quirk of the world- a team of wizards bestowed the world with a lingua franca for an easier conference since they don't have time to learn other languages, back to other stuff!

For Conflicts/Hooks:

Is it housed in the current world's seat of power (or was a superpower built around it)? Is this fact used as a Divine Right to be an Authority over others?

Are new words added? Does this affect magic with Verbal Components? Is this how the world's spells are created? Are expeditions sent into the Tower to attempt to add more spells? Have magical words (spells) been lost (or removed)? Does this mean the Tower is ALSO the world's seat of magic?

Can Mundane words be lost? Does this somehow erase *all* instances of this written word? Or does it remove their inherent meaning and Essence (eg: if the word Sweet was lost, would all things cease to be sweet or would sweetness slowly bleed out of the world as sweet and its synonyms are eroded? How would the remaining languages try to preserve this concept in reaction to the Tower?

Was this word loss an accident or intentional?

Is this aspect abused? Is/has it been used as a political weapon/threat? How does exterior damage to the tower, if it can suffer any, affect the language it actively imbues in people? Or does it merely impact how effective its power is?

Or is the Tower decaying and there is a lingual epidemic where communication is collapsing in places that have become overly reliant on the Common provided by the Tower? What do attempts to fix the Tower look like? If the Tower is Divine in origin, how do the pious interpret this development (a test, malice from another god, etc)?

Is a lack of Common in a person used as a pretense to do harm to them? Is it used as 'evidence' to strip them of rights/dignit? Or is speaking Common a litmus for adulthood (eg: babies babble, adults converse, etc.)? How does this belief affect Mute or Deaf people?

Are there people that believe in the superiority of a Cultural Language (since they equate effort to value and Common requires 'no effort')? Are there people that consider Common to be a mark of a lack of intelligence?

Is there an effective range to the Tower? Is there a material or other phenomena that interferes with the Tower's effect on people? How would the PCs react to suddenly being unable to speak Common within their own party for a scenario?

How would anyone react if mundane livestock suddenly spoke? What if fields of plants started screaming?

Would anyone seek a way to sever the tower's influence from themselves (or others)? If the Tower can magically/divinely influence people with the ability to use Common, what else can it do? Would someone ever seek to alter this aspect of the Tower? Could they use it to continuously, universally emit healing? What about silence? (Is the Tower simply automatically converting all words to Common, effectively robbing all the intricacies of natural cultural languages?)

Would there be a reason to destroy this tower? Who would benefit from it (culturally/politically/etc.)? How would the world be changed if it was suddenly destroyed? Who would attempt to fix it? Could it even be fixed?

For Mechanics:

Some challenge uses have already been suggested above with Common Language and/or Verbal Magic dead zones.

But more cut and dry mechanics could tie to how Silence, Comprehend Languages and other linguistically-tied spells tap into/invoke the Tower and even require a nonstandard component.

Additionally, maybe this is where the Power Words (Kill, Heal, Stun, etc.) originated from and can only be found there- and what if there are more?

If you wanted to get cheeky you could probably attribute other word/language spells (Healing Word, etc.) to the Tower, but every table is different.

Hopefully this inspires some fun at the table. Or if you're already running a campaign, you can downsize this effect to a dungeon/wizard's tower/town.

This idea is of course free for use, and if you do use it, please share your story of how it played out! Have fun o/

[theoncomingchaos]

How MYATB fits the Gothic genre

WARNING: BOOK SPOILERS

Alright, first off, I know the author was not intending to write a Gothic romance, but it seriously fits the genre so well and I need to talk about it.

Here are the main elements of Gothic horror

Supernatural elements

Omens, nightmares, or curses

Unnerving Atmosphere

Gothic Hero

Gothic Villain

Romance

Emotional Distress

Mystery

Power Imbalance

Here is how MYATB fits the criteria.

Supernatural elements primarily come from the cultivation, the magic poison and flowers etc.

We see Huai'en having nightmares about the cliff pretty frequently, and the poison acts like a curse where the cold weather brings him pain. Particularly, the curses in Gothic horror often connect to the past. This can be ancient or recent, and this curse connects to Xiaobao's personal past.

In this story the weather is the main source of unnerving atmosphere. Winter brings physical, torturous pain, and if it rains at all during the several days it takes to perform the cure, then Xiaobao will basically be doomed.

A Gothic hero usually has some big flaw and struggles against some kind of temptation. For Xiaobao, his flaw is that he was spoiled, weak, and naive. He has never known pain, any time he had a slight inconvenience he could cry out and someone would immediately help him. So, learning to see the world as it is, take responsibility for himself, and fight through pain to do what he knows is right is a huge part of his journey. The temptation he struggles with is desire (lust/love). We see this in him proposing to multiple girls in one night and his frequent patronage to brothels, we see this in the way he throws himself onto Huai'en, and we see this in the way he struggles between his continued desire for Huai'en vs. all the hurt, guilt, and red flags.

A Gothic villain usually encapsulates the temptation that the hero has. They are often powerful, beautiful, and seemingly able to work outside of ordinary societal restrictions without fear or restriction. In a Gothic romance- this can be the/a love interest such as in Phantom of the Opera, True Blood, Interview with the Vampire or Jane Eyre. In love, they are often obsessive and controlling, they are liars (from omission or directly), and often have a dangerous side and/or secret. Huai'en is a powerful cultivator, he keeps his identity a secret for good reason, and he is canonically extremely beautiful. Especially in the book, he is a clear symbol of Xiaobao's weakness: he is both beautiful and lustful which early series naive Xiaobao would have thought was all that mattered in being the perfect partner. Although we know most of his worst traits come from his abusive upbringing and his youth, Huai'en absolutely fits the elements. He is obsessed with Xiaobao and extremely possessive. Xiaobao is the only thing he has ever wanted in his life and he is absolutely willing to take Xiaobao away against his will to keep him. His plotting where he attempted to protect the Jin family often included lies of omission because he was trying to control the situation himself. In both the book and series, he shows his violent side both on the battlefield and in bed. The difference here is that unlike many others in this genre, Huai'en is allowed to change and grow for the better and the narrative rewards this change. Eventually, he becomes more selfless in his love.

The romance is obvious. What is beautiful here is that the way they grow is not only perfect for their individual characterization, but it also makes them more suitable for each other. Xiaobao becomes someone who can be an equal partner for Huai'en, and Huai'en becomes someone who can genuinely love Xiaobao.

Both Huai'en and Xiaobao experience extreme emotional distress throughout the story. Xiaobao has to deal with losing his home and the guilt he has over hurting his family and endangering his friends. He has emotional distress over loving Huai'en and wanting to hate him for everything he has done. Huai'en has emotional distress from first discovering desire and his obsessive need for more love and closeness, the abuse and continued pressures of his adopted father, and then trying to get back with Xiaobao while being constantly rejected and pushed away.

The mystery comes primarily from the courtly intrigue. What did the Jin family do? What happened to Huai'en's mother? Who is his father?

The power imbalance between Xiaobao and Huai'en is obvious. Huai'en can and often DOES do whatever he wants to Xiaobao even against his will and Xiaobao can't do anything about it. Xiaobao originally thought he had the power via his money (and when he thought Huai'en was a woman) and coming to terms with not being the one in power in a relationship for the first time in his life is a big blow for him in the book. Xiaobao does gain power in the relationship, but physical power and even social status both leave Huai'en far above. Huai'en may leave behind his family name, but he is still the emperor's son, and the emperor still favors him as such. In the book, even Yuzhan still protects him within limits.

Anyway, looking through the lens of a different genre can bring some new perspective to a story and because I am a fan of Gothic literature, it just makes me love this story even more to see the connections. The book has some stuff that makes it VERY hard to read sometimes, and there are some moments that make you realize the author probably needs a bit more time to cook, but there is a lot of really nicely done narrative beauty in the bones of the story. I'm so happy to see how the series has taken these bones and elevated it. I really hope they stick the landing.

[cantsayidont]

Recentish movies of note, or not:

BOTTOMS: Ridiculous "teen" comedy about two gay high school losers, PJ (Rachel Sennott, who also co-wrote with director Emma Seligman) and Josie (Ayo Edebiri), who seize on a rumor about their having been in juvenile detention to start an after-school "self-defense club," in the hope that introducing the school's hottest cheerleaders to the cathartic thrill of girls beating the shit out of each other will finally give these hopeless (and ho-less) virgins a chance to score. So silly that complaining about the stupidity of the plot seems a tad churlish, but the story misses some obvious comedic opportunities, and despite the premise, the film eventually becomes far more interested in cartoonish violence than sex. If you dig the overall vibe, you might not care, but as a gay teen sex comedy, it's ultimately less successful (and less outrageous) than BOOKSMART, even though only one of the latter film's teen loser heroines is gay.

DO REVENGE: Black comedy homage to the teen comedies of the '90s and early '00s, inspired in part by the 1951 movie version of STRANGERS ON A TRAIN, about a disgraced prep school popular girl, Drea (Camila Mendes), who joins forces with gay weirdo Eleanor (Maya Hawke) to avenge herself on her former friends and find out who leaked her sex tape — a plan that involves giving Eleanor a makeover so she can infiltrate the popular kids. Hawke is a delight, Mendes is very good, and the homoerotic tension of their odd relationship makes the movie fun for a while, especially if you appreciate the many self-conscious homages to prior teen movies. However, a major reveal late in the second act makes hash of the already sloppy plot, and the finale is both nonsensical and as antisemitic as STRANGERS ON A TRAIN author Patricia Highsmith, which leaves a sour aftertaste.

IT'S A WONDERFUL KNIFE: Bizarre slasher movie pastiche of IT'S A WONDERFUL LIFE, about a teenage girl named Winnie Carruthers (Jane Widdop of YELLOWJACKETS), who kills the masked serial killer who's been terrorizing the small town of Angel Falls and murdered her best friend (Hana Huggins) at Christmastime. A year later, everyone in town seems to have gotten over it except Winnie, who's miserable. On Christmas Eve, she's magically transported into an alternate timeline where she was never born and the masked slasher has continued murdering people, including Winnie's brother (Aiden Howard). To set things right, Winnie has to stop the villain all over again with the help of Bernie Simon (Jess McLeod), the town outcast and the only one who believes her story. Not scary, gruesome, or suspenseful enough to be much of a horror movie, but there are enough grisly murders to make the comedic holiday fantasy aspects seem a trifle sociopathic, and a late reveal that the killer has supernatural powers beyond just stabbing or slashing people feels like one ingredient too many in an already convoluted plot. The main redeeming feature is that it's ultimately a gay love story, which I wasn't expecting, but appreciated nonetheless.

THE KILL ROOM: Uma Thurman, Samuel L. Jackson, Joe Manganiello, and Maya Hawke go slumming in this dumb black comedy about a handsome hitman named Reggie (Manganiello) who becomes the sensation of the art world after his mob intermediary (Jackson) concocts a scheme to launder Reggie's payments by selling his abstract paintings (under the nom de plume "the Bagman") through a burned-out, Adderall-snorting art dealer (Thurman). Intended satire of the cutthroat vacuity of the art world lacks bite and no part of the plot makes any sense, but sheer star power gets the movie through about half its 80-minute running time before the banality becomes terminal.

POLITE SOCIETY: Silly British action-comedy by Nida Manzoor (creator of WE ARE LADY PARTS) about Ria Khan (Priya Kansara, delightful), a Pakistani teenager who aspires to be a stuntwoman, and her quest to save her flaky art student older sister Lena (Ritu Arya, radiant) from marrying a handsome doctor (Ashay Khanna) who seems a little too good to be true. It looks great, and the characters are very charming, but the story waits much too long to clarify the stakes of the plot: Until the finale, we don't know if Lena is actually in any danger or if Ria is just letting her imagination run away with her, and that uncertainty becomes an unwelcome distraction in the later action sequences. As a result, it feels more like an update of the John Hughes perennial SIXTEEN CANDLES than the over-the-top action movie it obviously aspires to be.

SHIVA BABY: Low-key but vivid comedy of manners, written and directed by Emma Seligman, starring Rachel Sennott as Danielle, a bisexual 20something Jewish girl who secretly pays her bills as a sugar baby. When she goes with her parents (Fred Melamed and Polly Draper) to a shiva, she finds herself trapped with not only her most annoying relatives, but also her disgruntled ex-girlfriend (Molly Gordon), her current sugar daddy (Danny Deferrari), his gorgeous blond wife (Dianna Agron), and their new baby. Seligman milks every awkward nuance of this uncomfortable social situation for maximum dramatic effect, and the tension of the final scene (which is nothing more complicated than the characters trying to squeeze into the back of Danielle's father's minivan) will drive you right up the wall.

VOLEUSES (WINGWOMEN): Is it really possible for a 40-year-old Frenchwoman living in the 21st century to not know that lesbians exist? One wouldn't think so, but watching this jokey buddy-action movie suggests that director/co-writer/star Mélanie Laurent desperately needs some kind of educational intervention in that regard. This is for all intents and purposes a lesbian romance: Master thieves Carole (Laurent) and Alex (Adèle Exarchopoulos) live together, routinely sleep in the same bed, and plan to retire together; they constantly express their love and affection for one another, and when Carole discovers that she's pregnant (the hows of which are never explained), Alex immediately assumes that they'll be moms together. Nonetheless, the story not only attempts to no-homo this cozy domestic scenario, but also presumes that there's no way Carole and Alex's relationship could ever be the de facto marriage it obviously already is — indeed, a crucial story moment involves Carole tearfully wishing she were a man so she could love Alex the way she deserves! If the movie had been made 50+ years ago, this might be poignant, but in 2023, it's just weird, and the resulting cognitive dissonance largely overshadows the thin plot, which concerns Carole and Alex trying to persuade their bitchy, cheerfully murderous employer Marraine (Isabelle Adjani, barely recognizable beneath her big hair and oversized sunglasses) to let them retire, while training a younger woman named Sam (Manon Bresch) to become their driver and the ambiguously defined third in their domestic ménage à trois.

[cadmium-free]

Day 2 of 26 with @neopetsdotcom

POISON FOR THE FAIRIES (1986)

Lauren's review (from letterboxd)

First of all this happened to me in real life. Secondly it’s really cool to have a movie that explores the specific flavor of horror of like. Being a child, and not having been in the world long enough to be sure of what is true or not. The world felt more magical to us as children, the boundaries of what is possible had not been filled in yet, the yet unknown world was filled with endless potential. but for these same reasons, it felt equally more terrifying to us too. This movie captures that really well

While watching this, we know that Veronica is lying to Flavia, we as adults know that witches aren’t real, and that Veronica is just a neglected child who has experienced terrible tragedy and is grasping at whatever power she is able to. But you can feel Flavia’s fear just as strongly as if you didn’t know, her mind caught right on the edge between the absurdity of Veronica’s claims and the fact she has been shown just enough evidence that it’s impossible for her to write Veronica off completely. You can feel horror of the toxic friendship she falls deeper and deeper into, the sheer helplessness of the situation. It generates true horror, and completely without any true supernatural elements and little to no violence. With one. Notable exception

Also I have GOT to give a shout out to like, costuming, set design, cinematography, sound design, etc, for genuinely tricking me into thinking this movie was made when it was set (1965) and not when it came out (1986)

Awl's review (from letterboxd)

There is a niche of horror films interested in friendships between young girls, but none tackle it quite so well as Poison for the Fairies. I think these movies often take the stance that something is wrong with one of the girls, or that the act of separating two girls is what leads them to do something terrible. Poison for the Fairies deftly states that little girls are weird. They like to play in the mud and catch frogs just as much as they like to pamper dolls and puppies.

That isn't to say there is nothing deeper going on than weird girls in this film. This is a movie about an absence. Flavia has everything: wealthy parents who adore her, nice toys, a beautiful dog, and love. Veronica's parents are dead, and she is left in benign neglect in her grandmother's home in her nanny's care. She wants terribly, and Flavia has no defence against her. 

And so the pair flit between gentle goofy play and Veronica asserting power over her new friend. She is full of tales of witches and fairies from her nanny and she aspires to the power the figure of the witch commands in a world where her classmates mock her. For all her bossy cruelty, she strikes a tragic figure.

And the two are trapped in an insular world separate from adults. The film reinforces this cleverly by making the adults a faceless authority. They are abstracted into rules and love by filming them from behind or their faces cut out of frame. We only see the faces of dead adults or the terrifying visage of the old witch.

This all worked for me because I've been in these childhood friendships. I've been taken in by the charm of a domineering friend and then rushed home terrified at the ghost stories other little girls told me. Toys they covet demanded from me between making witch brews in the mud. These friendships hurt in ways you're too young to know how to deal with yet. But each side of that relationship is struggling to find their own place in the world.

In the end, only one girl holds herself as a witch, familiar cradled in her arms, and cruel deeds laid bare.

[thatfragilecapricorn30]

Is 'Will They or Won't They' about David and Gillian?

I finally got around to reading Will They or Won't They by Ava Wilder, which is a novel about two Hollywood actors (Lilah and Shane) that star in a hit TV show in which their characters are a fan-favorite ship, but the actors famously hate each other. The author is annoyingly coy about who the book is about (if anyone) and in The X-Files fandom, fans have speculated that it's about David and Gillian. So what did I think? (mild spoilers below)

Yes, the book is definitely about Gillovny!

The show Lilah and Shane star in (Intangible) is filmed in Vancouver and is extremely popular. It's also a paranormal show: "Walt's main innovation had been to bring in every mythological creature under the sun, as well as open the show up to the world of larger supernatural conspiracies (government or otherwise)." (pg 34)

Lilah, like Gillian, has short, chin-length red hair.

Shane is described as "beautiful" with "long legs, long lashes, dark hair that fell over his forehead without reaching his eyes. Not just beautiful, but attractive, too." (pg 4)

Lilah and Shane meet before their audition, in a room with all the other candidates. They chat while waiting and then are both hired due to their intense chemistry with each other, which is pretty much how The X-Files audition went.

Both actors are unknowns when they are hired and the show propels them to mega-stardom: "He was the only person who understood what she was going through, because he was going through it, too: the surreal, thrilling, terrifying, one-in-a-million experience of going from nobody to capital-S Somebody practically overnight." (pg 80) This sounds a lot like how David and Gillian describe their relationship.

They famously do not get along on set, meanwhile their on-screen chemistry is ever-present and their characters' slow-burn romance is what hooks the fans: "No matter how the two of them felt about each other when the cameras were off, it was the chemistry between their characters, Kate and Harrison, that made the show worth watching." (pg 16)

The showrunner suggests that Lilah and Shane go to couples counseling, which Chris Carter recommended to David and Gillian.

Lilah and Shane participate in a photoshoot that sounds just like the Rolling Stone shoot, in which they are in bed in minimal clothing, while the photographer takes pictures from above.

Lilah and Shane's characters are known for gazing at each other: "...staring longingly at each other when they thought the other one wasn't looking." (pg 19)

No, it's probably about some other couple or no couple at all.

There's no height difference between the two. In fact, it's specifically stated that Lilah and Shane are almost the same height (and Lilah is taller if she wears heels).

Shane was not interested in being an actor, but was scouted and encouraged to audition for the role of Harrison. He had zero acting experience before the show.

The book opens with Lilah returning to Intangible after leaving the show for four seasons. Which I guess is similar to The X-Files but is a much larger gap than David's absence.

Most of the similarities between this book and The X-Files occur in the first half. Once past that point, the characters are pretty fleshed out and don't seem like they are necessarily based on anyone in particular.

Parting thoughts:

There are so many similarities between Lilah/Shane and David/Gillian and their experience on The X-Files that it almost feels like it has to be about them. I've seen speculation that it's about Ian Somerhalder and Nina Dobrev on The Vampire Diaries, which is also a possibility.

Whether or not it was about David and Gillian, I enjoyed the book and would recommend it if you're into romance novels.

If you read this book, what do you think? What famous Hollywood couple was Ava Wilder basing her story on?

[dingodad]

Since Hussie only exists because Universe C exists, do you think that technically means that the author in the story only exists because the main characters created them? The author creates the characters and the characters create the author? Is the reason Hussie is able to be the author, because universe C is outside canon, therefore canon can be influenced (commanded) from there like how Trollian allows you to view and influence any point on a timeline from the outside of it?

I don't feel so confident that your fundamental assumption here is necessarily correct.

It's true that Hussie's world is alluded to as some kind of higher dimension separated from Homestuck's world by a fifth wall and outside of the green sun's domain, and the presence of one of his curtains on Caliborn's Earth can be taken as suggesting Hussie lived on Earth at some point in its history. On some thematic level Universe C is more the "real world" than Homestuck is, so it does make sense for the story to have been written there.

BUT, there were also two different Andrew Hussies with two different personal histories in the pre- and post-scratch timelines of Universe B. So my assessment is that we're not necessarily supposed to come to the conclusion that Hussie is anything more than a normal human from normal earth.

Because I maintain that the ability to "be the author" within Homestuck's setting is not necessarily some supernatural power. All you need to do to be Homestuck's author is just sit down and write Homestuck! That's what Scratch does, after all - and the manifestations of the author within the story do all their authoring not from some higher dimension but rather up close and personal. Scratch separates himself from events by staying on the green moon, but that's not because of some special properties the moon has, and even though he DOES have extremely powerful supernatural abilities, he performs his most potent acts of "authoring" merely by talking - whether that's to the characters or to us the audience.

The whole point of Homestuck shining the spotlight on the "narrative" and the role of "narrator" is that we CAN'T assume Hussie was actually influencing or commanding the characters in the story in some supernatural fashion. He's just sitting at a typewriter/command terminal/computer and relaying their story to us, and because that's our only source we're forced to take it at their word that this is how events actually happened. The trolls can watch events unfold, but their influence only extends as far as asking nicely. The same is true of the exiles, even if their interactions with the story are literally referred to as "commands". Scratch can't actually mind control his characters into doing anything; all he has control over is how the events are told, and we should assume that this is exactly the same level of influence Hussie is exerting.

[minefield-of-a-ninja]

All fics are 18+ ONLY unless otherwise noted

SERIES

*at least three parts or chapters

28 Days - AU Dean Winchester x several AU SPN characters

Summary: Dean Winchester is an addict and an alcoholic, a USMC veteran, a father, and an older brother. As Battalion Chief with Lawrence Fire & Medical, Dean comes under investigation when he makes a dangerous and impulsive decision, defying his superiors and abandoning the team he is supposed to lead. He is given the choice to go to rehab for 28 days, or jail. His lawyer insists on rehab, and Dean begrudgingly abides.

Characters: Dean Winchester, Sam Winchester, Emma Winchester, Jack Kline, Victor Henriksen, Jo Harvelle, Gordon Walker, Bille, Crowley, Rowena, Missouri, Meg, Pamela, Gabriel, Lydia, Casey, Jamie, Carmen, Tessa 

Warnings/tags: 18+ ONLY, emergency action, fire, drug use, thoughts of death and dying, teen endangerment, references to underage drug addiction and prostitution, partially told through flashbacks 

Words: 33K

Author’s notes: Inspired by the film 28 Days and following canon themes from SPN, this is a fic about Dean, a firefighter who goes to rehab, not about Dean as a firefighter.

And Then There Were Three - Winchester brothers x original female character

Summary: Natalie and Dean are in a “not serious” relationship until one night, she and Sam take a step that will change things forever.

Warnings/tags: 18+ONLY, rough sex, squirting, anal sex, butt plug, bondage, dirty talk, orgasm control, double penetration, polyamory, W*ncest adjacent

Words: 13,500

Black Tie Optional: sequel to Plus One - Dean Winchester x Vanessa (OFC)

Summary: The last time we saw Vanessa, she was swooning over Dean’s lasting impression. Now, we fast-forward a year to see what she’s up to.

Pairing: Dean Winchester x OFC Vanessa Martinelli, (eventual) Sam Winchester x OFC Emma Olsen

Warnings: 18+ ONLY, HBO RomCom bullshit

Words: 17K

Combat Baby - Dean Winchester x Jo Harvelle

Summary: canon divergent - Dean’s sweet, but Jo likes him nasty

Warnings/tags: 18+ ONLY, rough sex, biting, dirty talk, brief name-calling, exhibitionism, role play, squirting

Words: 3,073 WORK IN PROGRESS

God Only Knows - Dean Winchester x female reader

Summary: One weekend, years ago, lives rent-free in both of their minds. Three-part mini-series.

Warnings/tags: 18+ ONLY, pining, clothed sex, couch sex, hungover sex, fluff, roomies to lovers, idiots in love

Words: 5,500

If We Make It Through December - Dean Winchester x Donna Hanscum

Summary: Donna is horrified to learn that the boys have never had a proper Christmas, so she invites them to her house for the holiday.

Characters: Dean Winchester, Donna Hanscum, Sam Winchester, Jody Mills, Claire Novak, Kaia Nieves, Patience Turner, Alex Jones

Warnings/tags: there was no rebar, 18+ ONLY, fluff, light angst, domesticity, holiday celebrations

Words: 12K

The Kinda Girl You Like - Winchester brothers x original female character

Summary: After Sam reveals to Sofie his sub that he likes to watch, she decides that they should act on it. Then he tells her what exactly it is that he likes to watch…

Warnings/tags: 18+ ONLY, sub-sharing, bondage, rimming, the jockey is my favorite sex position, dirty talk, W*ncest adjacent

Words: 6,500

Leaving Heaven - Dean Winchester x Taziana Smith (OFC)

Summary: Tazi is a bounty hunter of mostly human things. She isn’t firmly seated in the supernatural world, but she’s familiar enough that she’s recruited by an old friend of John Winchester’s to capture and deliver a brief acquaintance of her own.

Characters: MOC/Knight of Hell/Demon Dean Winchester, Sam Winchester, Crowley, Lee Webb, original characters

Warnings/tags: 18+ ONLY, this is not your mother’s Dean Winchester, brief dub-con, mentions of the foster system, references to past rape, commiserating over childhood trauma, threats of sexual violence

Words: 16,500 WORK IN PROGRESS

The Mud On Your Boots - Dean Winchester x Donna Hanscum 

Summary: Dean and Donna finally give in.

Warnings/tags: 18+ ONLY, dirty talk, fluff, consent is sexy, period sex, fisting, blood as lube, shower sex

Words: 8k (permanent hiatus)

Plus One - Dean Winchester x Vanessa (OFC)

Summary: Vanessa hates weddings until she meets a handsome stranger who agrees to help her mix things up for the night.

Warnings/tags: 18+ ONLY, fingery things, squirting, and Dean has no refractory period bc this is fic

Words: 9,600

Pretty Reckless - MOC Dean Winchester x pre-slayer Faith Lehane

Summary: AU where s10 Dean stumbles upon another hunter so much like himself. When their connection grows inexplicably stronger, they find an answer they never thought existed.

Characters: Dean Winchester, Faith Lehane, Sam Winchester, Castiel, Crowley, Cain

Warnings/tags: 19+, rough sex, prostate massage, magical bond

Words: 15K

Run Me Like A River - AU Dean Winchester x AU Jessica Jones

Summary: AU wherein Jessica Jones is super-powered by gov’t experiments to create elite soldiers, the Winchesters are military officers in humanity’s War Against Evil, and they have all gone AWOL from their assigned roles. Dean and Jess embark on a relationship that ends abruptly and explosively until Dean calls her for help on a very personal case.

Characters: Jessica Jones, Dean Winchester, Sam Winchester, Arthur Ketch, Malcolm is Jess’s cat 

Warnings: 18+ ONLY, this is not your mother’s Dean Winchester, major character death, unhealthy relationship dynamics, bondage, rough sex, anal sex, ptsd

Words: 14K

Seasons - Dean Winchester x unnamed female character

Summary: She is his safe haven, untouched by anything else or anyone. 

Warnings/tags: 18+ ONLY, canon divergent - no Cassie or Lisa, non-linear storytelling, four seasons, angst, hurt/comfort, references non-con unprotected sex, loss of a pregnancy

Words: 12K

Temporary Scars - Dean Winchester x Donna Hanscum x Benny Lafitte

Warnings/tags: 18+, Angst, Donna has intimacy issues, Dean’s the sweetest, self-sabotage, sort of established relationship, Benny’s swoony as fuck, Dean’s in love, polyamory, pregnancy kink

Words: 4,500 (permanent hiatus)

Unopened At Your Feet - AU Sam Winchester x female narrator, AU Dean Winchester x female narrator

Summary: This is the story of how I broke my own heart.

Characters: Female Narrator, Dean Winchester, Sam Winchester, Becky Rosen, Meg Masters, Benny Lafitte

Warnings/tags: 18+ ONLY, weed-smoking, canon-compliant date-rape/roofie (Becky), love triangle

Words: 12,470 WORK IN PROGRESS

Where Is My Shiny Gun? -  Dean Winchester x Donna Hanscum (voyeur Sam Winchester)

Summary: canon divergent - Sam finds himself in a quandary when he realizes he has feelings for Donna by way of the obvious mutual attraction between her and Dean.

Warnings/tags: 18+ ONLY, Sam is kinky, Dean is adorable, so is Donna, Dean likes to give Donna massages, Sam directing while masturbating, brief spanking + breast slapping, brief knife play - no blood, W*ncest adjacent

Word Count: 7,800

ONE-SHOTS

A Fight For Love & Glory - Winchesters x you (female)

Summary: You’re struck by sex pollen, so Sam and Dean agree to help you out.

Warnings/tags: 18+ ONLY, sex pollen, feelings of guilt, ass play, dirty talk, W*ncest adjacent

Words: 2K

Bad Girls Underneath -  Ruby 2.0 x Dean Winchester x Jo Harvelle

Summary: Ruby and Jojo get hit by a sex curse again; this time, they need Dean’s help.

Warnings/tags: 18+ ONLY, magical-dick/male-gaze bullshit, probably too much commentary and emotional complication, why am I like this, I’m sorry, sometimes I can’t help myself, fisting, brief choking

Words: 2,600

Cactus - Dean Winchester x Meg Masters x Castiel

Summary: Post-battle, exhausted and wanting, Dean and Meg and Cas take care of each other.

Warnings/Tags: 18+ ONLY, dreamlike sex, a little choking, Dean’s always hungry

Words: 3,200

Caveat Emptor - Dean Winchester x original female character

Summary: Gabriela Cruz invests in a Victorian mansion in the middle of America where the rule of Buyer Beware is absolute. When her twin sister goes missing, a couple of federal agents show up. Lucky for Gabi, Dean and Sam Winchester are on the case.

Characters: Gabriela Cruz, Camila Cruz, Dean Winchester, Sam Winchester, Ed Zeddmore, Harry Spangler

Warnings/tags: 18+ ONLY, language, mentions death of family members, cursed object, mentions of blood + gore, sarcasm, twin dynamics, explicit sex

Words: 4,600

Crazy On You �� Dean Winchester x female reader

Summary: You’ve had a shitty day, but this beautiful, unfamiliar boy will make it all better.

Warnings/tags: 18+ ONLY, Impala Sex, there’s a knife but not in a bloody way

Words: 4K

Crossroads and Bound - Dean Winchester x female demon reader

Summary: He agreed to this.

Warnings/tags: 18+ ONLY, femdom, Dean’s tied to a chair, wearing a cock ring, face sitting, things might get a little rough, but it’s all in good fun, squirting

Words: 2,250

The Curve Of Your Pretty Gown - Dean Winchester x female reader

Request: Hey hon! Ok, so it’s my birthday today, so maybe a story about Dean surprising me/ the reader by turning up unannounced to wish me/the reader a ‘happy birthday’ and there’s lots of smut ❤️

Warnings/tags: 18+ ONLY, a little angst

Words: 2,200

Deep - Dean Winchester x female reader

Summary: Dean shows you more about pleasure than ‘deep’.

Warnings: 18+ ONLY, Dean being perfect, sensual massage, Dean being the best lay ever, biting, Dean being a fairytale prince, the jockey is my favorite sexual position, try it, it’s amazing, talking during sex, gratuitous use of terms of endearment bc it’s Dean

Words: 3K

Discord and Rhyme - Knight of Hell/Demon Dean x female reader

Summary: He’s on the prowl.

Warnings/tags: 18+ ONLY, this is not your mother’s Dean Winchester, rough anal sex, crying during sex, blood during sex, there’s a lot of purple prose and excessive descriptions of taste and smell here, sexual coercion, dirty talk

Words: 1,750

Ennui - Knight of Hell/Demon Dean x unnamed female character

Anonymous Prompt: “I really want demon dean stalking someone but I don’t know how to do that with consent? But guh just the thought of him.

Characters: Knight of Hell/Demon Dean Winchester x unnamed female character

Tags/warnings: 18+ only; this is not your mother’s Dean Winchester; stalking; exhibitionism; voyeurism; dirty talk; horny on aisle 3; fuck it, we ball

Words: 2,400

Equilibrium - Dean Winchester x female reader

Summary: They have balance.

Warnings: 18+ ONLY, established relationship, cock warming

Words: 1,400

Get Down, Make Love - Winchester brothers x original female character

Summary: Steph decides to cut loose and push the envelope with her favorite fellow hunters.

Warnings/tags: 18+ ONLY, hot tubbing, drunk sex (consensual), dirty talk, mfm spitroast, W*ncest adjacent

Words: 3,200

Hark and Hush - Purgatory Dean x wolf spirit in a female body

Summary: This is the story of how Dean Winchester hunted, became enamored with, and slew the ancient spirit of the Big Bad Wolf.

Warnings/tags: 18+ ONLY, this is not your mother’s Dean Winchester, stalking, blood, gore, rough sex, character death

Words: 2,200

Hide Your Love Away – Dean Winchester x female hunter reader

Summary: Mutual hunters seek comfort for a night and a lifetime of memories.

Warnings/tags: 18+ ONLY, ass play

Words: 3,600

His Sword - Michael/Dean x female prostitute

Summary: Michael takes some time to remind Dean who’s in control.

Warnings/tags: 18+ ONLY, edge play, bondage, knife play, blood play, choking, rough sex, name-calling, character death

Words: 2,300

Just My Imagination - Dean Winchester x female Zanna

Summary: After Mary leaves the boys a second time, Dean needs a reset, or to blow off some steam – something. He heads out on a snowy evening the night before Christmas and finds just the right thing.

Warnings/tags: mature, Hallmark channel fuckery

Words: 2,800

One Night Only (23 in 1) - Dean Winchester x Mila (original female character)

Summary: While on a job in the middle of America, Dean enjoys a rigorous night of mutual gratification with a local art student.

Warnings: 18+ ONLY, ass play, shower sex, dirty talk

Words: 5,500

River - Dean Winchester x Ty (Original male character), Dean x Benny implied

Summary: It’s Dean’s first winter after sending Benny back to Purgatory.

Warnings/tags: 18+ ONLY, implied underage prostitution, semi-public sex

Words: 1,600

Rules Are Rules - MOC Dean Winchester x female reader

Summary: Dean hasn’t been himself lately. The Mark has seen to that.

Warnings/tags: 18+ ONLY, hand around the throat, rough sex, squirting

Words: 2,400

Shattered Like A Stone - Demon Dean Winchester x original female character

Summary: The Mark is demanding, and the demon in Dean can’t deny it any more than he can deny her; it just might get everything it wants tonight.

Warnings/tags: 18+ ONLY, this is not your mother’s Dean Winchester, rough sex, bondage, multiple object insertion, suicidal ideation, darkfic, self-destruction, bloody sex, sadism and masochism, anal sex, Jameson as lube, spit as lube, face fucking, Daddy as title, misogynist language, choking, strangulation, assisted suicide

Words: 6,800

Some Stranger’s Hand - 2009 Dean Winchester x 2014 Risa (The End)

Summary: He lost everything.

Warnings/tags: 18+ ONLY, plush pink pillow lips for my Eloise

Words: 1,700

Spark, Flicker, Blaze - Dean Winchester x female reader

Summary: Somewhere along the line, her life became something she didn’t like. On her 35th birthday, she makes a decision to change all of that.

Warnings: 18+ ONLY, overly descriptive orgasms, Dean’s the best birthday present ever

Words: 2,200

Stuff & Thangs That Are Awesome… And Not Awesome - Dean Winchester x female character (1st person POV)

*TWD Crossover

Prompt(s): 1) Dean has been arrested twice for indecent exposure – once was in a grocery store. 2) Jensen or Dean x Reader, a small public place, he pins you to the wall, covers your mouth and fucks you. 

Characters: Dean Winchester, Bobby Singer, Rick Grimes, Shane Walsh

Warnings/tags: 18+ ONLY, Rick Grimes eye-fucking, Shane Walsh having a pissing contest with a young, cocky Dean Winchester

Words: 1,300

Supernova - MOC Dean Winchester x female reader

Summary: Since Dean’s had the Mark and the Blade, he’s pulled away from you, afraid of hurting you. You miss him, and you’ve had it. One night you push him to the edge.

Warnings/tags: 18+ ONLY, bondage, blood play, biting, bruising, knifeplay, rough sex, dubcon/mindfuck

Words: 2,500

Triptych - Dean Winchester x bisexual female couple

Summary: Dean’s on a case and meets two beautiful women. One of them is recently divorced, and the new couple invites Dean to help them kick off their new life together.

Warnings/tags: 18+ ONLY, sex toy, Dean’s real good at sex

Words: 4,700

Wait Till My Brother Gets Home - Winchester brothers x female reader

Summary: She wants to lose control.

Warnings/tags: 18+ Only, rough sex, hair pulling, mfm spit roast, bruising and chafing during sex, W*ncest adjacent

Words: 2,450

When We Fall Then We’ll Know Each Other - Dean Winchester x Benny Lafitte (voyeur Castiel)

Prompt: “There’s nothing wrong with women, but a woman can’t hold you down and fuck you like I can.” 

Warnings/tags: 18+ ONLY, cum and spit as lube, anal sex, voyeurism

Words: 1,400

QUICK AND DIRTY

*1K words or less

Barbed Wire Carnival - Choose your own Winchester

Summary: Absence of feeling.

Warnings/tags: mature, angst, dark descriptions

Words: 300

Brimstone - Dean Winchester x female reader

Summary: He’s exactly what she wants.

Warnings/tags: 18+ ONLY surprise, bitch

Words: 450

Bring It On Home - Dean Winchester x female reader

Summary: Let’s pretend Dean wouldn’t be terrified to welcome love into his life.

Warnings/tags: 18+ ONLY, established relationship, comfort, fluff, handsy Dean

Words: 1K

Communion - Dean Winchester x female reader

prompt: Fluffy dean or Jensen smoking weed plz, ty

Warnings/tags: 18+ ONLY, marijuana use

Words: 1K

Crash Through The Surface - Dean Winchester x Jasen (original male character)

Summary: Dean remembers his First.

Warnings/tags: mature, bi-sexual Dean, references to prostitution

Words: 800

Custard Pie - Dean Winchester x female reader

Prompt: Dean/OFC based on Led Zeppelin’s ‘Custard Pie.’

Warnings/tags: 18+ ONLY oral sex

Words: 800

Drag You To The Shore - Dean Winchester x GN reader

Prompt: Dean Winchester settled in between someone’s legs on the bed. Like his back to their chest, their legs wrapped around him, heels keeping his thighs open while they jerk him off, explicit but soft vibes.

Warnings/tags: 18+ ONLY

Words: 800

Fall Away Into - Dean Winchester x Ruby 2.0 x female reader (voyeur Sam Winchester)

Prompt: “Dean x reader x Ruby 2.0 with Sam watching from the corner.”

Warnings/tags: 18+ ONLY drug-induced sex, OOC Dean, mff spit roast, use of the word bitch during sex, rough sex, hate sex, W*ncest adjacent

Words: 530

Foxholes - Annie Hawkins x Bobby Singer/Dean Winchester/Sam Winchester

Summary: Annie recalls time spent with each man and what their facial hair told her about them.

Warnings/tags: mature language and references to sexual activity

Words: 349

The Gazelle - AU Dean Winchester x AU Benny Lafitte x female reader

Summary: They aim to please.

Warnings/tags: mature, power exchange, Denny apparent

Words: 1K

The Good Slayer - Dean Winchester x Faith Lehane

Prompt: Dean and our girl Faith. (This is a sequel of sorts for Pretty Reckless.)

Warnings/tags: 18+ ONLY, talking during sex

Words: 800

Hollow - MOC Dean Winchester x female reader

prompt: Would anyone be willing to write something with Dean [or Jensen] x reader to the song Love on the Brain by Rihanna

Warnings/tags: 18+ ONLY, dirty talk, rough sex, angst

Words: 1K

I’ll Keep Them Still - Dean Winchester x Jo Harvelle

Summary: Dean remembers promises and pictures in his mind. And he remembers her.

Warnings/tags: mature, songfic, angst, dream/afterlife sequences, purple prose, I’m sorry

Words: 1K

Just One More Peaceful Day - MOC Dean Winchester x female reader

Prompt: angsty Dean with the line “I can still remember just the way you taste” from the song “It’s been a while” by Staind

Warnings/tags: 18+ ONLY, blood play, knife play, mentions of addiction

Words: 700

Laissez Les Bons Temp Rouler -  Dean Winchester x female reader

Summary: He’s got a dirty mouth when he’s drunk. 

Warnings: 18+ ONLY, dirty talk, a dirty public bathroom during Mardi Gras

Words: 600

Lifting the Veil - Choose Your Own Winchester

Summary: You’ve been missing something of paramount importance - until now.

Warnings/tags: 18+ ONLY, infidelity, squirting

Words: 1K

Mind Blown - Dean Winchester x female reader

Summary: Mind-blowing orgasms can sometimes be literal.

Warnings/tags: mature, transient global amnesia after sex, dirty talk

Words: 560

Nihilism - Knight of Hell/Demon Dean x female reader

Prompt: Can you tell me about the morning after going several rounds with Dean he rolls over in bed and adjusts the covers, causing you to forget your shift to be his good girl a couple more times?

Warnings/tags: 18+ ONLY, this is not your mother's Dean Winchester, name-calling, rough sex, nihilistic themes, Knight of Hell Dean, fantasies of being fucked to death? Idk it’s one of mine, might as well be yours, you’re female AFAB in this scenario

Words: 800

One For Tomorrow, One Just For Today - Dean Winchester x female reader

Prompt: before leaving on a hunt, Dean sings “Love Me Two Times” to his lady.

Warnings/tags: 18+ ONLT, Dean can actually sing, and he does it during sex

Words: 660

The Prerogative To Have A Little Fun - Donna Hanscum x Jody Mills x Winchester brothers (kinda)

Prompt: Donna’s visiting Jody for the weekend and the boys swing by on their way home from a hunt. Dean mows the lawn, Sam fixes a leaky shower head, Dean makes dinner, and they both do the dishes. Meanwhile, the ladies sit back and enjoy the domestic display.

Warnings/tags: mature, men doing manly things, inspired by Shania Twain’s song “Man! I Feel Like A Woman”, W*ncest adjacent

Words: 1K

Recompense - Dean Winchester x female reader

Summary: Dean is sorry for hurting the ones he loves.

Warnings/tags: mature, angst, Dean saying hurtful things then trying to make up for it

Words: 500

Scream - Dean Winchester x past-female reader

Summary: Dean tells us the real reason he loves “All Saint’s Day” as much as he does.

Warnings/tags: mature, references to coming untouched, getting turned on by scary movies

Words: 320

Soft Cell - Dean Winchester + teenage female

Prompt: Dean + reader dancing in the bunker

Warnings/tags: one F-bomb bc Dean

Words: 720

Through The White Night - AU Dean Winchester x original female character

Summary: 18th Century matrimony isn’t as simple as it is today.

Warnings/tags: mentions of wall sex and finger-y things

Words: 560

Wish - Dean Winchester x female reader

Summary: You want it to be love – but it isn’t. You want him – but you can’t have him. 

Warnings/tags: mature, sepia-toned angst ™ @boondoctorwho

Words: 765

With Pleasured Hands - Dean Winchester x female reader

Summary: He’s got secrets she has yet to uncover

Warnings/tags: mature

Words: 500

[theyanderespecialist]

NEW RULES AND LINKS: REQUESTS OPEN

[Okay I am going to adress some serious things here, yes, I wrote some stuff I am not proud of. It was at a time I was going through my repressed memories of sexual abuse/forced sex/etc from when I was a child. Now yes some of the stuff was with characters that are 15 years old with adults. I am not proud of these works, they are not what I value as a minor should never be with a child ever. Same with a lot if not all the incest stuff. I will not be writing that stuff in the future. For obvious reasons, I also been fazing out a lot of stuff like that and agining up characters to 18 or older. 

My request to all of you if you find something like this tell me about it, I will completely remove it. 

I was in a bad place when I wrote it, dealing with repressed memories of my sexual abuse my father did to me. Does it make it right no. But I do have the responsibilty to delete it. So if you see any of it, send it my way and I will delete it.

I am sorry for anyone these things may have hurt or made feel ill. I will do better.]

(Okay as the years have gone on rules have changed so here are the new links/rules/and more, please enjoy!) 

FANDOMS I KNOW AND AM ABLE TO DO (I WILL DO AGED UP CHARACTERS)

Anime

.One Piece (not very far in!)

.Bleach (Up to Aizen’s Defeat)

.Ouran Highschool Host Club (Read all the mangas as well as watched the anime)

.Demon Slayer (Watched All Current Seasons)

.Naruto (Watched the full series)

.Hetalia

.

VIDEO GAMES

.FNAF

.Poppy Playtime

.TF2

.Overwatch

.Resident Evil

.Your Boyfriend

.Dream Daddy

.Outlast

.A Hat In TV

.Wolf Among Us

.Tales From The Borderlands

.Borderlands

.

Movies

.MCU/Marvel

.Xmen

.Deadpool

.DC Universe

.Psycho

.Nightmare Before Christmas

.Nightmare on elm street

.Texas Chainsaw Massacre

.House Of Wax

.The Boy

.Friday The Birthday 13th

.Silence of The Lambs

.Disney Animated Films (The Classics mainly)

.Alien

.IT

.Predator

.The Shining

.Star Wars

.Halloween

.Split/Glass

.Kung Fu Panda

.Rise Of The Guardians

.Five Nights At Freddy’s (Movie Verse)

.Harry Potter (Yes, TRANS Inclusive 🏳️‍⚧️ FUCK JK ROWLING)

TV Shows

.True Blood

.Supernatural (only a little bit)

.Hazbin Hotel

.Helluva Boss

.Good Omens

. Avatar The Last Airbender

.Hannibal

.The Walking Dead

.The Cuphead Show

.Adventure Time

.Bates Motel

OTHERS

.Creepypasta

.SCP

.Greek Mythology

.Norse Mythology

.REALLY ALL THE WORLD’s MYTHOLOGIES

.Spooky Month

Links

My youtube: 

My New Wattpad: https://www.wattpad.com/user/TheYandereSpecialist

My Archive Of Our Own: 

My Twitter aka My X: 

My co author Tumblr: 

https://www.tumblr.com/mamamaries

Yanderes are not ideal partners to have in real life, Simping for them and shipping characters with characters is fine. As long as your separate fiction from reality. And Do not be gross or illegal about it. If you break these rules I will most likely delete your requests. I will give you chances to correct it of course. 

This is just for fun and not to be taken seriously. 

Also please respect what IS Canon. These are fanfiction such, so it is NOT Canon! 

1: NO INCEST (I know I used to do it and I may still do it in some regards but it will not be the norm at all) AGAIN INCEST IS NOT OKAY IN REAL LIFE 

2: No yanderes under the age of 18, that means the following! 

2.A: Some Characters can be under 18 (If they are like Gods/Demons/And so on) BUT They look like adults and are mentally mature and are actually over decades old (Like Hetalia Characters, being like Italy who is physically like 17 but is HUNDREDS Of years old. And Has been potrayed as an adult like going to war and having jobs and so on) 

2.B: Character that look or act under 18 (Such as Latvia or Seland from Hetalia) but are decades old... (They are way to sus and that is not okay Latvia acts like a 15 year old at most. Sealand has mental state of like a 11 year old so no) but they are physically over 18 (like hundreds of year old and still look ten GAGS) 

2.C: And then stuff like the baby greek god (who has a physical body of a baby but acts and thinks like an adult man and has sex even tho his body is a baby! NO STOP IT) and other stuff. Just ew

3: I am doing a LOT Less smut scenes for various reasons, so NSFW I may do, but a lot of it will be turned down

4: Some monsters and aliens are okay (RULE IS THEY CREATURE OR MONSTER HAS TO BE SENTIENT) 

5: No Bigotry or Phobia Or MAPS NO FUCKING MAPS

6: No real life people, from history, actots, yourubers, minecraft, vtuburs, NO REAL LIFE PEOPLE

7: Almost NONE small time creations or fandoms, As those are by small creators and I respect them for what they do. 

8: BE SPECIFIC WITH WHAT YOU  WANT If you are not I will not do it. 

9: Any gender/Identity is welcome

10: Almost any sexuality is allowed (AGAIN MAPS YOU ARE NOT A SEXUALITY STAY AWAY FROM THE LGBTQIA+) 

11: You can have Genderbent Characters (Aka change their female in the request) 

12: NO OC 

13: This is fiction so we can do almost anything with characters make the gay make them a different gender. 

14: Yes canon characters can be yandere for other canon characters (NOT OC) 

15: I do many fandoms new and old, it does not hurt to ask if I do a fandom you don’t know if I do or not 

I think that is it thank you! 

[myangelhaven]

This is my recommendations of SUNGHOON fics! It will be updated once in a while for new stories I have read. Hopefully the links work (lemme know if it doesn't)

Credits to the authors!! All informations written are taken from the authors' post and has not been modified. Reminder that some fics are NOT for minors, so please read the key and avoid 18+ contents.

HAPPY READING!!

KEY

[❀]: fluff [𖤓]: angst [𖦹]: humour [☄]: sad [☾]:smut [⟡]:smau [✮]: my favs

˖⁺‧₊˚ ˚₊‧⁺˖✮-----------SUNGHOON-----------✮˖⁺‧₊˚ ˚₊‧⁺˖

ONESHOT

Hard thought! by @jaylaxies [☾]

Little secret by @luvyjwz [☾][fwb][cheating] 0.4k

you face a close call with your little secret, sunghoon.

They told me to by @soobnny [❀][bff2l][drunk confessions] 1.7k

sunghoon has a lot of things he wants to say to you, and it takes a couple drinks and a messy trip back home to finally say them

Two dim stars by @pookhee [❀][𖤓][☄][heartbreak][cheating][hurt/comfort] 1.8k NEW

in which you caught your boyfriend cheating and you meet a new star, one that shines brighter than the rest

Two is better than one by @jaeyunsz [☾][w/ jay]4.6k

your fuck buddy sunghoon has a hot roommate called jay so he might have offered jay to have a threesome with you. 

Rain by @minghaoyoudoin [❀][☾][✮][e2l] 9.7k

Unlikely Likelihood of falling in love by @soobnny [❀][𖤓][✮][e2l][fakedating au] 14.5k

march was a strange month. for one, you’d manage to string yourself into fake dating the one person you hated in the campus - park sunghoon

SERIES

Behind the scenes by @liliansun [❀][𖤓][⟡][s2e][e2f][f2l][pining] 24 parts

Sunghoon was at the top of his game, staring in every major romance drama to hit the big screen. When he met you, he expected to watch you swoon over him like his previous co-stars, but you’re not so impressed when meeting in person. Modeling is looking at lot better than acting right about..now. ACTION!

The Jock by @jongseongsnudes [❀][brothers bff2l][the ending 😭][there's a soon-to-be sequel] 26.9k (5 parts)

“Everyone knows Park Sunghoon as the handsome, charming jock that all the girls want to be with and all the guys want to be. You however, know him as your brother’s cocky best friend who always finds ways to annoy you so how you end up pinned on the bed by him one night… is quite the story.”

Twitch rivals by @soobnny [❀][𖤓][⟡][✮][exes2lovers][e2l] 38 parts

nothing is worse than getting paired up with a stranger for twitch rivals 2022, except maybe being matched with your very competitive ex boyfriend park sunghoon.

Bed of lies by @svnoohe4rts [𖤓][☾][✮][fakedating au] 40k (4 parts)

to prove to his best friend that he could get any girl he wants, park sunghoon makes a bet. within the next 30 days, he has to make the next girl that walks into the room fall in love with him. sunghoon, however, hadn’t anticipated the feelings he would gain during those 30 days.

Stupid cupid by @yeongwonie [❀][𖤓][⟡][✮][e2l][slowburn] 50 parts

alone on valentine’s day, you decide to sign up for the student council’s fundraiser: a matchmaking survey, hoping to at least get a few laughs out of the whole ordeal. little do you know, park sunghoon (your archenemy since junior high) has the same idea. but it’s fine! your student body president, kim sunoo, would never tamper with the matching system, right?

Sorry, I'm am anti-romantic by @sankyeom [❀][⟡][s2l][fakedating au] 40 parts

after years of casual dating and never committing to relationships, your friends challenge you to fall in love. which is why you seek out park sunghoon, the campus heartbreaker, to pretend to break your heart. little do you know: his reputation is a complete lie.

My (accidental) demon roommate by @ddeonuism [❀][𖤓][⟡][✮][supernatural au] 61 parts

Sunghoon wasn’t expecting to be sent to the mortal world by his “father”, much less being forced into attending college (he’s a demon! why would he need to?!) and being accidentally summoned by a clueless human almost had him marching straight into Hell to have a word with its ruler. Only he couldn’t, because he was already bound to you by a fucking paper-cut sealing your contract which means he can’t just leave the mortal world without taking something of yours in return.

⠄･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄more to come!⠄･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄

☆------------------enha masterlist------------------☆

[wicked-witch-for-hire]

Literary references in Gale's selection remarks

I. Theatrical plays (Shakespeare & Walter Scott)

- A rough tempest I will raise. - Shakespeare - Tempest, - this is a mash-up of two quotes:

In Act V, Scene 1, Prospero uses the phrasing "when first I raised the Tempest". In the same scene, he recites a soliloquy about the great works of magic he has accomplished, before finally renouncing magic altogether: " ... But this rough magic I here abjure ..."

This is an incredibly apt sentence for Gale - one can interpret this tempest as his magical capabilities or just the calamity of the orb, or even his end game choice. The whole play which begins with a shipwreck might be compared to the plot of BG3.

- What fools these mortals be. - Puck - A Midsummer Night’s Dream

- All the world's my stage and you're just a player in it. Shakespeare, again. As You Like It Link

- Oh, what a tangled Weave we web! - riff on a quote from Sir Walter Scott's play Marmion.

The original quote is "Oh, what a tangled web we weave, when first we practice to deceive!"

II. Pop-cult

- Swords, meet sorcery!

This is a reference to the term "Swords & Sorcery" which was coined by F. Leiber (author of the Fafhrd and the Gray Mouser series) in 1961. Quoting from wiki: Sword and sorcery (S&S) or heroic fantasy is a subgenre of fantasy characterized by sword-wielding heroes engaged in exciting and violent adventures. Elements of romance, magic, and the supernatural are also often present. Unlike works of high fantasy, the tales, though dramatic, focus on personal battles rather than world-endangering matters. Sword and Sorcery tales eschew overarching themes of 'good vs evil' in favor of situational conflicts that often pit morally gray characters against one another to enrich themselves, or to defy tyranny.

- Gone with the Weave.

I think this is just a reference to the term "Gone with the wind" but not infamous book, lol.

- No gloom, all doom.

Riff on the popular expression "gloom & doom".

III. Religion

- Seek and you shall find me.

Jeremiah 29:13 You will seek me and find me when you seek me with all your heart.

Matthew 7:7–8 "Ask, and it will be given you. Seek, and you will find. Knock, and it will be opened for you. For everyone who asks receives. He who seeks finds. To him who knocks it will be opened.

While I don't think Gale is our Lord and Saviour, this is an interesting line. I would not be surprised if the writers had also remarked on his peculiar resemblance to someone...so I think this is an inside joke.

- Let me recite their demise.

This alludes to the custom of reciting prayers for the dying and the dead (a common practice in Abrahamic religions).

IV. D&D homages & references

- Don't make me go all Edwin Odesseiron on you.

So Edwin was a possible companion in BG1 & 2. A lawful evil red wizard of Thay. If you have seen the new movie I don't need to explain further, but for those who don't: basically Lorroakan as a companion. He greets the protagonist with this: “ Greetings. I am Edwin Odesseiron. You simians may refer to me merely as "sir" if you prefer a less... syllable-intensive workout."

Gale basically threatens to go all power-hungry wizard on us - mind, this is a funny line you can only hear if you select him in combat over and over again (spamming).

- I hope Halaster takes good care of Tara while I'm away.

Halaster Blackcloak was was a notorious, ancient, and utterly insane wizard who resided within his lair, the infamous Undermountain ( located deep beneath the city of Waterdeep) and died in 1375, so circa 120 years before BG3 takes place (late 1492). As part of his many preparations to escape death, Halaster created a number of clone-bodies to receive his consciousness, which he kept locked in protective stasis and located throughout Undermountain and the lower reaches of Waterdeep. When Halaster died prior to the Spellplague, it was possible that one or more of these clones was activated and set free by 1479 DR, although this is not confirmed.

I guess this must be a joke in wizard's circle in Waterdeep :-) This is also a spam line, so one can only hear it if they really like to click on Gale.

- Coliar, Karpri, Anadia... So many worlds still to travel. One day. (looking at the astrolabe)

Coliar, Kapri, Anadia - are all planets in the system (Realmspace). Toril is the third planet, where Faerun is. To reach these places you need to use spelljammers. Gale needs to hitch a hike from Lae'zel I guess.