#but I've never done digital art
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shwinlsol · 3 months ago
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I apparently have an affinity for drawing grizzled old men and their psychopathic exes
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stargirl230 · 1 year ago
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Sunshowers ☀️
It’s crazy to think I started this before I came to college and now I’m heading home for break…anyway here’s the final piece!
(no reposts; reblogs appreciated)
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crabsnpersimmons · 10 months ago
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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torgwn · 2 years ago
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june from the animes! (id in alt)
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martyryo · 2 months ago
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More vamp marla cause I keep thinking about her (click for better quality 😿)
Closeups
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oldrudshore · 3 months ago
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Come on now. Do it like you mean it
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omaano · 6 months ago
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If you're still taking requests on the polyam drawing thing, D2 with Padme/Rex/Anakin?? (with Rex in the middle getting smoochies 😚🙏💖)
If you're not, then just thank you for sharing I'm enjoying seeing the cute poly/platonic art! 😊
Changed to E3 for a pose, and I’d turned it super self indulgent (pretty purple background for me yay!☺️) I hope you will like it too! Thanks for asking!💕
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I really like this look for Padme (mostly because of her beautiful hair), and I also wanted to deck Rex out in something pretty too. It’s a nice pink tinted dream :3
Polyam/platonic poses for these sketches
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ieatedrawegg · 23 days ago
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Click for better quality. I redrew this piece that was from last october, old one under the cut
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bluespiritshonour · 7 months ago
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here's 18-19 year old aang sketches. been hearing aang is ugly discourse—no he ain't. he was just 12.
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kirby-the-gorb · 8 months ago
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#kirby#daily kirby#my art#digital#hal laboratory#nintendo#so like aliexpress used to have a terrible reputation in terms of like quality and truth in advertising and such right#but like. amazon and etsy are swamped with bootleggers and dropshippers now too#so I figured like. can't be any worse right?#besides I know how to double check descriptions and measurements and examine images critically#I've shopped shady sites before like back when banggood was the only place to get those cute diy miniature kits#(now you can get them at regular craft store chains which is Wild to me)#but I have never opened aliexpress because everyone was always just like 'Never Go There'#(but then again these days folks are doing massive temu hauls left and right)#(so clearly norms have changed even if common perception of aliexpress has not)#I open it up and I immediately find the rug I spent an entire day hunting for unsuccessfully earlier in the month.#and a ton of incredible bootleg kirbs.#and a style of hair clip I've been hunting for for *years*.#soooo I spent the entire day in a pastel fugue lol#(I have not spent any money yet but I'm probably gonna)#(so like I can't confirm that you're not gonna get scammed or whatever just like. use common sense.)#(don't trust sale prices read descriptions/reviews when available and try to avoid work stolen from independent artists)#(that's usually gonna be on printed stuff like phone cases and posters)#(and tbh I have no qualms with stolen official art as long as the quality is as advertised)#(but there's a big difference between stealing from Multinational Corporation and stealing from Some Guy)#anyway done rambling now <3#favorites
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eldritchstormisanartblog · 3 months ago
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SALVATION,
DAMNATION
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rudymentari · 3 months ago
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Click here to enter a form!!!
[Click here for higher quality versions of the examples]
Reblogs greatly greatly appreciated [Resolving my financial situation will allow me to produce work much quicker, including the video these examples are based on]
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averlym · 4 months ago
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ghost story premiere day! check @melliotwrites for more info
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#*there's less than a day left* me: does this count as a prediction :33 sorry it's vague i just predict Vibes. stream sheep in wolf country#last several hours i can post this before it comes across as a Reading Comprehension Cringefail! due to the new update (premiere)#which is also to say i've rushed it in the last 24h after cc told me ''go for it''. i haven't digitally rendered like this since i was 15#in lieu of character designs falling into my lap from above i give you wolf & sheep & wolf & sheep. also House. also fire and water concept#brought to you by (1) general excitement i've been swept up in // (2) cc; who i messaged yesterday with a sketch on a half-wet receipt#and was an enabler of this nonsense // (3) copious usage of the procreate liquify tool and eyedropping colours from the pinterest boards#(4) '' rotatable 👍 '' from cc which means that the house in water isn't beset by reflections and vague. and this work is rotatable.#bonus points if you treat both sides as a spot the difference game.#tempted to print this out as like a6 merch. lowkey. // (4) me rendering last minute on the last possible day [art proj flashbacks] //#(5) ghost story art draft 1 i did like dec last year involving a shelf; incense sticks; peeling paint; spilled cup; the whole shebang -#if you look at the water house there's incense sticks in the window. yippee! had fun with that... it never made it out of sketch.#and then i lost the paper. alas. sorry i guess that was fated to never be. here's attempt 2.0 with months of hindsight#anyways let's talk really quick about song assocs! water imagery @idk you anymore // sheep in wolf country!! pretty obv. above#there's a house & there isn't a house. much House. idk how else to put it. // also that one timeline (not a song) saying <house burns down>#incense sticks mentioned in i breathe in you breathe out // the lighting for the field of grass comes from there's a house:#'where the grass looks like fire sick with anticipation'. also in the same song: pond mentioned 💥💥 body of water moment //#also also the house in this work is like. if you took the ghost story header & the ghost story programme houses and smushed them tgt#except i was lazy to render wood that clearly. and last note here is that the smoke was kinda insp from how clouds are done in chinese art.#ghost story musical
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40cleverways · 4 months ago
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"Date" Part 1
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oneluckydragon · 1 year ago
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I know it's a story, oh I know it's just a story. But why does it feel like my worst nightmare?
My Explorers of Sky Hero, Echo!
Lately I've been writing a study on her and this paragraph is taken from my rough rough draft. It's a more in-depth exploration of her character/origin/experiences and since I am a huge fan of the darkrai reincarnation theory, this is my personal take on the concept.
I think it's a bit poetic that Echo, in the aftermath of everything, winds up as a dark-type again (and one connected to the moon no less, the irony) as well. I mean, her timeline of lives has literally been this:
Darkrai (New Moon/Pitch Black) -> Human -> Eevee (Evolution) -> Umbreon (Moonlight)
A lot of her evolution into umbreon has to do with her personal trauma/amnesia and also significant influence from dusknoir (who she trusted and cared about), but deep down I feel like her evolution was also partially determined by the fragmented remnants of her original self. She even tried to evolve into leafeon, which obviously, did not work out as planned. Perhaps this is her past lives way of manifesting in her current self, though she is no longer the same pokemon anymore. Maybe it has something to do with self-forgiveness or acceptance? She still has a lot of healing to do, though.
Once evolving into a dark type, Echo slowly starts to regain some of her memories from her time as Darkrai. And Team Wish's new friendship with Cresselia, who is more perceptive than she has any right to be, gives Echo a lot of insight into exactly who she is. This spirals into Echo battling the reality of her past actions alone for a long time because how is she supposed to admit the truth to Sora? That she was the direct cause of their shared suffering? That she and darkrai are one and the same? That all of the pokemon of the future lived in an eternity of hell because she desired it? Of course, she keeps quiet for a long time out of pure fear-- because if Sora rejected her, she'd fall apart. It's a lot to keep secret but what else can she do?
And bonus!! Does Echo's shadow change during each night of the new moon? Hmm. Sure does seem like it.
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leopah · 6 months ago
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hello ORV community
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