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wolfsong-the-bloody-beast · 2 days ago

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Warden: You've never killed an innocent?

Zevran: Now there's an interesting word, "innocent." How many men do you know who can claim to be truly innocent?

Zevran: But if you're talking generalities, such as children and relatives and bystanders and such… never on purpose, but it happens.

Zevran: It's unfortunate, but death comes to us all. If not me, then some wasting disease. Or a fall down the stairs. Or at the hands of a darkspawn. It's all relative in the end.

Zevran: "Death happens," as we like to say. And when I get paid for it, death happens more often.

Zevran: In Antiva, being a Crow gets you respect. It gets you wealth. It gets you women… and men, or whatever it is you might fancy.

Zevran: But that does mean doing what is expected of you, always. And it means being expendable. It's a cage, if a gilded cage. Pretty. But confining.

Davrin: Lucanis, how do you decide when one of your targets deserves to die?

Lucanis: Usually when the client pays up front.

Davrin: I'm serious. Do you just kill anyone?

Lucanis: No. There has to be merit.

Davrin: "Merit?" Who decides that?

Lucanis: The Talon of the house.

Davrin: And then you just carry out the order?

Lucanis: It's my job.

Davrin: Must be tough to sleep at night.

Lucanis: You kill for a living, too, Davrin. How do you sleep at night?

Davrin: Like a baby. The things I hunt are pure evil. Monsters. There are no shades of grey with darkspawn. But you...

Lucanis: Provide a service.

Davrin: What if your target doesn't deserve to die?

Lucanis: Who does? Good, bad, everyone dies eventually. We just speed things up.

Emmrich: Do you have any say in your... targets?

Lucanis: You want to know if my victims deserved it.

Emmrich: Forgive me, I shouldn't have asked.

Lucanis: Everyone wonders.

Lucanis: I've never killed an innocent, by my count.

Lucanis: I cannot say if yours would agree.

Emmrich: Lucanis, do the implications of your work never trouble you?

Lucanis: Everyone on this team has killed before. I'm hardly unique.

Emmrich: Yes, of course. But in your case, it's a profession, rather than an act of necessity.

Lucanis: I'm not sure the Venatori or the Antaam see the distinction as you do.

Emmrich: I find it extremely interesting, Lucanis, that you consider the point of view of your enemies in battle.

Lucanis: I have to. It's much more difficult to find and kill them, otherwise.

Emmrich: Exactly! A utilitarian attitude towards death, and yet you extend empathy to your victims.

Lucanis: Not that much empathy.

Emmrich: Enough to wonder how the Venatori and Antaam view your actions.

Lucanis: Death comes to everyone, in time. I get paid to deliver it. Like a letter not everyone wants to read.

I think about this a lot. I'm always... surprised when I see the talk that they're supposedly trying to make Lucanis into the perfect "cinnamon roll" in Veilguard, because his sweet personality doesn't "match" his profession and background. Like, no? That's a very surface level of looking at it, I think.

Zevran is like this, too. He is an incredibly chill guy, and when you romance him, he is also very sweet and vulnerable, despite being an assassin. They're not that different in that department. They were both trained to be assassins since they were children. They're both traumatized in various ways. But neither of them acts like a bloodthirsty, evil freak. But they both also take pride in the job they do (or did), and how well they can do it, and have no intention of stopping. And yet they both express surprising empathy. (Zevran argues against annulling the Circle! Quite extensively!) And they make pretty much the exact same arguments about being killers for hire, as shown above.

Death is a natural part of life. Sometimes it just comes sooner, because we're there to deliver it. There's (almost) no such thing as an innocent person, so my victims aren't innocent people. Therefore, I've never killed an innocent in my entire life, as far as I know. (At least not intentionally.)

And that's interesting and fun about them! It's beautifully deranged. Lucanis completes an assassination mission, slitting somebody's throat or what have you, and then goes on his cosy coffee break, satisfied with a job well done.

The fact that they both say that they've never, in their opinion, assassinated "an innocent", so it's all good, doesn't automatically make it true and doesn't mean it's not complicated, however. Not every line of dialogue can be taken at face value. As video game players, we're rather desensitized to this, but hearing this should normally be at least a little alarming. For a regular person, at least. And it is for the people in the game! Like Emmrich and Davrin. Davrin has several banters with Lucanis about it. Like, who decides when somebody deserves to die and which contract's going to get carried out? Well, the "CEO" of "the company," of course! What could ever go wrong that way? Emmrich tries to coax Lucanis into saying that he does feel something about the whole thing, because he really wants it to be true. While Lucanis is very matter of fact about it. He knows what the Crows are, and that's it. He doesn't glamorize or demonize it.

So, it definitely isn't that "Veilguard says that Lucanis has never done anything wrong ever in his life," just like Origins doesn't do it with Zevran. Both the men's attitude towards killing is warped in an interesting way, completely in line with their background and upbringing. It shows when Lucanis argues with Davrin about them both being killers, because it completely escapes him (or maybe he ignores it for the sake of the argument) how the killing he does (contracts where the targets tend to be people) and the killing Davrin (a monster hunter, a darkspawn slayer) does is of different kind entirely. His logic is flawed at that point. But to him, it boils down to the fact that "it's just a job," and "killing is killing," and "death is death" regardless of form, and that rightfully baffles Davrin to no end. If anything, it shows how the Antivan Crows are taught to hand wave the issue, because the arguments Lucanis and Zevran both present are too similar to be anything else.

Of course, Lucanis, unlike Zevran, as the grandson of the First Talon and her favourite, might have had some extra privileges and wiggle space in comparison, which might have allowed him to bend the rules sometimes, give him space to show more compassion and act more heroically, because people are complex and there are many layers to what each person might consider right and wrong (e.g. killing is okay in various circumstances, and slavers in particular can get fucked - hell, we do it in video games all the time), but still. The fact that his grandmother wanted to tap a new market, so she made Lucanis specialize for hunting mages, which ultimately led to him killing a lot of Venatori and blood mages, makes it cleaner, which is nice, but then again, we hardly know the full extent of all his work. Moreover, when you ask Zevran to tell you stories about his jobs, you don't get much dirt out of him, either. He talks about some of the goofiest ones he's had. One of his targets that he (unsuccessfully) participated in taking out, a royal that got his position through plotting and murder, he also describes as somebody so immoral he basically deserved it. Also very clean. (Compare both these guys with somebody like Blackwall who truly committed a despicable act of murder for money that we do know of. And this single crime sounds so much more upsetting than anything either Lucanis or Zevran describe. None of the things Zevran says is as awful, besides the murder of his lover, which is framed like it wasn't really his fault, because he was misled.)

It's also worth noting that Zevran talks about how he was the best the Crows had before he left and how it brought him respect, wealth, women, men, or "whatever it is you might fancy." All in all, it comes with benefits. By his own admission, he was well off. But of course that came with a catch, as well. The "gilded cage" Zevran talks about. But that's not what made him leave. It was the plotting, backstabbing, and ever present distrust in the end, which led to the biggest mistake he'd ever made. Much like him, Lucanis also mentions that he had a comfortable life before getting captured, in the same quest where he also talks about how he didn't actually have full control of his life. ("Even before I was captured, my life was not really my own. So much had been determined for me.") The gilded cage comes up yet again. And it was plotting and backstabbing that made him lose a year of his life in the underwater prison.

My point is: Lucanis and Zevran are both assassins, because that's what they've always been, they were trained to be assassins since they were kids, they have a very pragmatic approach to death and killing, which they were most likely taught or perhaps were forced to develop, and they both take pride in how good they are at their job, and express no intention of ever stopping. And yet they both show that they have a good heart in various other ways, turn out to be friendly and incredibly loyal, and even very sweet as lovers. Because people can be complex, and so can be fictional characters. Yes, they're very different men, with different problems and personalities, yet also not that different.

You can't think that Lucanis is "too good" without also thinking that Zevran is "too good." You can't have this problem with Veilguard unless you also have it with Origins, is what I'm saying. And I think this may also apply to some of the other Crows we meet in Veilguard.

#Dragon Age #Dragon Age: The Veilguard #DATV #Veilguard #Lucanis Dellamorte #Zevran Arainai #Dragon Age: The Veilguard spoilers #DATV spoilers #Veilguard spoilers #I've been itching to compare their dialogues for a while #listen this franchise has already given us a nice assassin trapped by his organization and conditioning #an assassin that‚ all things considered‚ had no right to be as chill and sweet as he was and yet #it just shows in different ways in both of them #of course the fact Lucanis specializes on blood mages and the Venatori now makes things easier #like good riddance to those fucks #but we don't know the full extent of his work #we don't know whether it's truly this cut and dried #and whether it's been like that all his life #we don't know if all those people ''deserved'' to die #just like we don't know the full extent of Zevran's work #even the whole incident with killing Rinna is framed like it wasn't actually Zevran's fault because he had been misled #in Origins our companions are also all victims of their circumstances that didn't get where they were through their own decisions #besides maybe Loghain #and that's really similar in DA2 as well #that includes the Warden and Hawke #hmm #I was wondering whether to even post this #I don't feel like arguing about the portrayal of the Crows in the game in general #but as far as the individual characters go?#I think they're fine

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cassiebones · 24 hours ago

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Okay, so Aubrey Plaza reminds me a lot of my best friend I've had since high school. They have a very similar vibe. It's probably why I love Aubrey so much, because she's comforting to me, reminding me of somebody I have a lot of affection for.

Anyway, my bestie is a lot like April Ludgate. One of the ways I used to get her to watch Parks and Rec was to tell her "you're so like April it's ridiculous" and she watched and was omfg I think she's my soulmate like RIGHT!?!?!

Anyway(again) she used to do this thing to her bf which was so uniquely HER. She would just randomly, out of absolutely nowhere, lick her bf's face. Completely unprompted. We would be having a conversation about something and suddenly she'd pause, turn to him, and just lick from his chin to his temple, nod in contentment, then continue the convo.

First few times it happened, we were stunned and confused but she didn't even blink. She just continued on without a care. Eventually, we got used to it. It's just something she does. NBD.

Now I'm just imagining Rio doing that same thing. That maybe it's something she started doing when they first got together, just an impulse she couldn't control. Agatha is weirded out by it at first, but she soon gets used to it. Rio doesn't do it where it could get them in trouble and Agatha grows to almost expect and even like it.

Then Rio does it in front of the modern coven.

They're all sitting around, talking about something, Agatha and Rio sitting next to each other. Then Rio turns to Agatha as she's mid-sentence, and then just licks up the side of her face.

Agatha, used to this, doesn't so much as blink even as her coven stares at her and Rio. Rio grins and goes back to playing with her knife or whatever flower she just grew, but Agatha keeps talking. Then she notices their wide eyes and is like "what?"

Idk it's a funny image in my head. It's making me happy right now.

#agatha all along #agathario

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mesetacadre · 5 hours ago

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Sorry if this is a bit weird question but would artistic freedom be restricted in a socialist state? If it would be, how? Wouldn't restrictions/censorships be a bad thing since it's important for people to be able to learn critical thinking skills and criticize in a constructive way a government or other aspects of society or for them to just depict with reality and imagination in a way that leads to diverse conversations?

The degree of restriction always depends on the context of the state, it's not a set answer. Like most other questions regarding the running of a state by communists, it will change depending on necessities and as it evolves. But regardless, art will always be free of the pressures imposed by salary work, and across the history of socialism, there is a good precedent for ample subsidies of the arts, even those not directly related to socialism itself.

Look at this passage about the GDR, for instance. Take into account the historical context, of a country that has just been divided and liberated from the Nazi Party, with the mass support they garnered. The FRG wasn't exactly unwelcoming to former nazis, even important members of the party, and the GDR was the frontline for the cold war, during its entire existence it faced infiltration, sabotage, and a myriad of attacks against it. [Because of indented quotes being awkward for longer texts, I'm not going to format it differently. The quote will end with the link to the book it's from]

During the forty years of its existence, a unique GDR culture developed in the country and it differed substantially from that in the West. It was characterised by a very fruitful, even if at time bruising and sometimes painful, battle between artistic freedom and creativity on the one hand and the demands the Party and state attempted to impose.

Since the early days of the Soviet Union, the Bolsheviks and later communist parties everywhere placed a great emphasis on culture and on the contribution cultural workers could make to the building of socialism. One of the first things the Soviet Army of occupation did at the end of the war, was attempt to resuscitate cultural activity in a war-ravaged and demoralised Germany. The one thing the Russians could never get their head around was how a country with such a high level of culture, a nation that had produced a Bach and a Beethoven, a Goethe and a Schiller could have carried out such barbaric crimes in other countries. The Soviet army had cultural officers attached to each battalion and the war had hardly ended before they began seeking out cultural workers and encouraging them to take up their batons, musical instruments, pens and paintbrushes again. Temporary cinemas were established, orchestras formed, theatres opened and publishing houses set up.

In contrast to West Germany, in the Soviet Zone and later in the GDR, there was also an early emphasis on making films about the Nazi period as a means of educating and informing a nation ignorant of or in denial about what had happened.

The first anti-Nazi and anti-war film to be made in the whole of Germany was Die Morder sind unter uns (Murderers among us - 1946) directed by the West Berlin-based Wolfgang Staudte with full Soviet support. Among later anti-Nazi films made in the GDR were: Rat der Gotter (Council of the Gods - 1950) about the production of poison gas by IG Farben for the concentration camps, Nackt unter Wolfen (Naked amongst Wolves - 1963), based on a true story about a small Jewish boy who was hidden in a concentration camp and thus saved. Werner Holt (1965) - about the life of young men in Hitler’s army, Gefrorene Blitze (Frozen Flashes -1967) about the development of the V2 rocket by the Nazis; Ich war Neunzehn (I was Nineteen - 1968) - the true story of a young German who returns to Germany in the uniform of a Red Army soldier with the victorious Russian troops. Almost two decades passed before West Germany attempted to confront the war and its Nazi past. And the film Das Boot (1981) is more about the heroics of German U-boat crews than about understanding Nazi ideology. Das schreckliche Maedchen (Nasty Girl -1990) was a rare exception, as was Downfall (2004), a film about Hitler.

The GDR had more theatres per capita than any other country in the world and in no other country were there more orchestras in relation to population size or territory. With 90 professional orchestras, GDR citizens had three times more opportunity of accessing live music, than those in the FRG, 7.5 times more than in the USA and 30 times more than in the UK. It also had one of the world’s highest book publishing figures. This small country with its very limited economic resources, even in the fifties was spending double the amount on cultural activities as the FRG.

Every town of 30,000 or more inhabitants in the GDR had its theatre and cinema as well as other cultural venues. It had roughly half as many theatres as the Federal Republic, despite having less than a third of the population (178 compared with 346 in the FRG). Subsidised tickets to the theatre and concerts were always priced so that everyone could afford to go. Many factories and institutions had regular block-bookings for their workers which were avidly taken up. School pupils from the age of 14 were also encouraged to go to the theatre once a month and schools were able to obtain subsidised tickets. All the theatres had permanent ensembles of actors who received a regular salary. Plays and operas were performed on a repertory basis, providing everyone in the ensemble with a variety of roles.

All towns and even many villages had their own ‘Houses of Culture’, owned by the local communities and open for all to use. These were places that offered performance venues, workshop space and facilities for celebratory gatherings, discos, drama groups etc. There was a lively culture of local music and folk-song groups, as well as classical musical performance.

Very different to the situation in West Germany, was the widespread establishment in the GDR of workers’ cultural groups - from literary circles, artists groups to ceramic and photography workshops. These were actively encouraged and financially supported by the state, local authorities or the workplace. Discussions of books and literature, often together with authors, were a regular occurrence, even in the remotest of villages.

The ‘Kulturbund’ (Cultural Association) was a national organisation of over one million members that organised a wide range of cultural events around the country, from concerts, lectures on a wide variety of subjects, to art appreciation classes.

To begin with it was set up in set up in 1945 as a movement to bring together interested intellectuals and artists, on the basis of an anti-fascist and humanist outlook, with the aim of promoting a ‘national re-birth’ and ‘of regaining the trust and respect of the world’. From 1949 onwards many smaller cultural groups joined the national Cultural Association. Soon, ‘commissions’ and ‘working groups’ for specific areas were established: educational, musical, architectural and craft groups, followed by photographic, press, philatelic, fine arts groups and others. The Association also had its own monthly journal and weekly newspaper.

The art form ‘Socialist Realism’ has always been decried and ridiculed in the West, caricatured in the constantly circulated images of monumental statues of muscle-bound male workers and buxom, peasant women in heroic poses. However, such a view ignores those many realist artists who were not necessarily ‘court-appointed’ or monumentalists but who chose a realist mode of expression freely.

We now know that the CIA was, at the height of the Cold War, instrumental in promoting abstract art in the West as a counterweight to ‘communist’ realism. The CIA was able to capitalise on the fact that abstract art was frowned upon by party leaderships throughout the communist-led world where realist art was seen as better able to represent socialist values. This led to an often artificial polarisation between realist and abstract art, the former characterised in the West as old fashioned and conservative, the latter as progressive and representing individual freedom. Not surprisingly, it meant a marginalisation of realist art in the West and a dominance of the abstract. The fact that much of the so-called ‘socialist realist’ art to which those in the West had access was state-commissioned and often second rate should not lead us to ignore the fact that there were excellent realist artists working in the Eastern bloc.

Many artists in the communist countries simply preferred to place human beings and social reality at the centre of their art, as did most muralists and many painters in the West. It should not condescendingly be dismissed out of hand. Many continued the strong realist tradition, taking it forward into new realms. It also connected with ordinary people who saw themselves, their lives and their questions and criticisms taken up by artists. While some conformed and became state-sponsored artists, churning out often mediocre art, many others ploughed their own furrow and their work aroused avid interest among the people. This could be seen not only in painting and sculpture but graphics, the theatre, music, literature and, though less so, also in the cinema.

A number of artists did reject the unnecessary ideological fetters as well as banal socialist realist platitudes, and in exhibitions of their work often shocked the party functionaries. Such artists often promoted a progressive and expressively advanced form of critical realism and an aesthetics of their own making. The national contemporary art exhibitions, which took place every five years in Dresden, drew huge numbers of visitors from all over the country and provoked heated discussions. The country could also boast a number of artists, writers and scientists of international renown: the physicist, Manfred von Ardenne, the social scientist, Jurgen Kuczynski; visual artists like Fritz Kuhn, John Heartfield, Willi Sitte, Werner Tiibke and Wolfgang Mattheuer; writers like Christa Wolf, Stefan Hermlin, Stefan Heym,

Christoph Hein, Erik Neutsch and Erwin Strittmatter were all much admired beyond the GDR’s borders.

In the theatre, Bertolt Brecht was, of course, the most famous. His influence on theatre practice was extensive in the GDR but also worldwide. The country, certainly in the early years, could also count on the expertise of actors and directors from the pre-Nazi period: Wolfgang Langhof, Wolf Kaiser, Wolfgang Heinz, Fritz Bennewitz and the brilliant Austrian opera director, Walther Felsenstein - people would come from all over the world to see his exciting productions at the Komische Oper in East Berlin. Among those who matured post-war, Heiner Muller was widely recognised as one of Germany’s most innovative and radical playwrights. There were rock and pop bands like Silly and the Puhdys and jazz groups who were certainly not ‘mouthpieces’ of state-sanctioned culture. There was also a whole range of individual classical musicians of world class, like the conductor Kurt Masur, tenor Peter Schreier and baritone Olaf Bar, the chanteuse Gisela May as well as outstanding orchestras.

The GDR provided facilities and funding for artistic and creative theory and practice. There were lay art circles in most communities and these received state support to carry out their work. Many writers, musicians and visual artists enjoyed a quite privileged existence if they belonged to the officially recognised artists’ or writers’ associations. They would be offered regular well-paid commissions by state and local authorities which provided them, as creative artists, with an income to live on.

A number of leading writers were seen in many ways as ‘people’s tribunes’, articulating grievances, criticisms and ideas that people felt had no proper airing in the public sphere. People engaged actively with these writers and vice versa. Public readings by, and discussions with, authors were a regular feature of GDR life.

Another myth constantly perpetuated is that because the GDR restricted the import of and access to literature from the West, its citizens were entirely cut off from it. A range of works from many contemporary writers from the West were published in the GDR; in fact more British authors were published there than authors from both Germanies combined were published in Britain. GDR readers could find books by British writers like Graham Greene and Alan Sillitoe to US writers like Saul Bellow, Norman Mailer and Ernest Hemingway. By 1981, the GDR was publishing 6,000 books a year, almost 17 per cent of which were translations from around 40 foreign languages. There was a wide selection of international literature available and a number of foreign films were shown in cinemas. David Childs, in his book on East Germany, exposes the myth that the GDR populace was totally ignorant and ill-informed about life in the West; most of them, after all were also able to tune in daily to West German radio and television.

Stasi State or Socialist Paradise?: The German Democratic Republic and What Became of It, by John Green and Bruni De La Motte (2015)

The GDR's relationship to art censorship wasn't as black and white as allowing and disallowing. Certain types of art were discouraged, but they also let regular exhibitions happen which contained "shocking" art, shocking for the party members. They were justifiably weary of any art coming from the west because they knew the CIA used it as a weapon, but "more British authors were published there than authors from both Germanies combined were published in Britain". The social conditioners of art also show themselves in socialist states. Just like liberal art in capitalist countries doesn't really need to be actively encouraged to exist, some artists in the GDR "simply preferred to place human beings and social reality at the centre of their art". It's a complex question which, like I said, almost entirely depends on the historical moment.

#ask #anon

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dangermousie · 2 days ago

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People complaining about the Argan plot on my TL. I'm indifferent to it because it does follow the novel and it's not one of those novel things that don't adapt well for TV.

But I can see the complaints about it being in the last episode. I'd rather it be in the penultimate episode and then have the last episode dedicated to them rebuilding their new life. Like choosing the Yu-yeon name.

Overall, I didn't hate the last episode. The leads carried the episodes. I think the ending with the SLs was pointless. I get that anything happens in a time jump, but we've seen no progression really of their relationship. It's like a quick way to wrap up their storylines. But SFL literally had no storyline or purpose. SML at least had a storyline, and he had a purpose in the first half (to indirectly help our couple be a couple).

That's the only choice I question, the need for the SFL (and SML). The SFL was especially a mess that even the writers clearly didn't know what to do. One minute she's fangirling over ML and gets excited and acts like she has a date with the married ML (which she knows he's married), then after that, nothing. She suddenly stops fangirling and acts normal and this is before she learns about HJ as his wife.

People like to complain, it’s human nature.

I liked the Argan thing because it was in the novel and also because I was already a kdrama fan 15 years ago when so many dramas liked to send their OTPs to exotic war torn locations for make outs and torture (see Swallow the Sun, IRIS and Lobbyist among others. Side note - STS had a secondary OTP of a mercenary and suicidal stripper that was very matter of fact and they got a happy ending to boot; when people say nowadays kdramas are so more frank about things - well no they are not.) So that was yet another delicious throwback about this drama.

Anyone who complains (as I saw) about this being unbelievable or too OTT has clearly not been paying attention to the genre - this was a crack melo from ep 1. It stayed in genre until the end. I totally get if it’s not someone’s thing but it didn’t really pull a genre rug on anyone.

I was quite happy with the amount of post-plot fluff we got. We got half an ep and seeing that dramas have a long tradition of giving us 1 minute before the end in terms of happy stuff, that felt downright luxurious (even in the novel, the bulk of post-plot fluff is in the extras not the novel proper.) To be fair though, I am not really a fluff person and don’t have much interest in watching fluffy happy dating moments of even my favorite OTPs unless it’s narratively done in the middle as we we watch in knowledge the hammer of doom is coming. So this take is informed by that. (Shen Li remains close to unique for me in loving the fact that the entire last ep is dedicated to their cottagecore bliss post the plot resolution. But Shen Li is an outlier for me in many respects - when something hits well enough even my normal preferences melt away. I mean I love Suppli and that’s an office drama.)

As to second ML and second FL agree they weren’t as developed as they could have been (esp SFL) but I am just happy they weren’t ship interlopers. I rarely care much for SML/SFL unless they have their own interesting narrative not revolving a love a square so my expectations are usually low.

Ultimate while I did have some niggles (where is my naming scene, where?!?), Phone ended up my favorite kdrama of 2024 by a large margin, over even Lovely Runner, Black Out and Goryeo Khitan War.

I hope its success makes kdramas make more of those type of old school, intense, romance melos but I have my doubts.

#asks #when the phone rings

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shiny-jr · 3 days ago

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Please yap away about your new Empyrean series~! I’ve been watching a bunch of videos and reading about Genshin Impact so I can better understand the world and dynamics you’re planning to write about and absolutely fascinated with everything~

Is there a specific dorm you’re looking forward to writing about or possible side arcs/missions in between the MC meeting the different Archons like the events in Twisted Wonderland? Were some of the dorm leaders easier to place as the different Archons elements than others and if so who did you struggle with?

Oh god, where do I even start? How much is too much to say? I don't want to spoil whole parts. I haven't actually written anything for it, but I do certainly have ideas. Ideas that have been accumulating slowly but surely.

Uh, I think first thing's first, none of the TWST cast are going to be just human. How unfair would it be if, say, Riddle was an archon (god) and Ace was just human? Kinda unfair. Which is why all the characters are going to be something else. I'm still figuring some of this part out.

Keep in mind, my knowledge of Genshin Impact extends as far as Inazuma and no further. Anything I know beyond that was through tiktok, that is it. So I'll be taking heavy inspirations from the first three regions.

Pairing the element to a character wasn't too hard actually. So first I focused on the archons, and I looked at the dorm leaders and what they stand for and what type of magic they use.

We know Riddle uses a lot of fire magic based off his SSR Dorm Uniform card. Additionally, the color scheme just went well with his hair color and the roses and all. At first I thought it seemed uncanny, because how could a green region based off of Britain be symbolic of the pyro element? Well, then I considered that since it borders Savanaclaw, it could make sense.

For Leona, I took into account the volcanoes that act as a natural border between his land and Riddle's. Additionally, his unique magic made it a very easy choice. I mean, turning things to sand? Slapping Geo on it and calling it a day.

On Azul's, I was actually torn. I know it seems like an obvious choice of hydro, but listen, at first I actually considered giving Kalim hydro due to his own unique magic. Then I thought maybe Azul would get cryo, but in my mind, leaving the other elements to the remaining characters just didn't make much sense. So, ultimately, Azul won the hydro element.

Giving Kalim the dendro element just happened to coincidentally align with the Sumeru region's main element. I wanted to give Kalim the next best thing if he couldn't have hydro, which was dendro. As I see it as a very "good" element with positive qualities, which he deserves.

Vil was one of the others that gave me trouble when assigning him an element. For a very brief moment, I considered giving him dendro, but that just didn't fit the sort of aesthetic I had in mind for him. Then I remember what his home region is supposed to look like, if it's similar to Epel's, it's snowy, right? So cryo was the next best option. I think it actually fits him well, if I do say so myself.

Idia was the last character to give me trouble. For a while I really was not sure about giving him the anemo element, as he just seemed like the complete opposite of Venti and his ideals. However, the longer I thought about, the more I came to terms with it. Wind doesn't have to mean just freedom. Wind can be very terrifying too, like what we see in Stormterror's Lair which is the sort of aesthetic I imagined when I finally assigned him anemo.

I mean, duh, of course Malleus was getting electro. What else did you expect? I mean, there was a second where I considered giving electro to Idia, but then giving anemo to Malleus didn't sit right with me. Electro was ultimately the best choice for this archon. It's constantly used in the games around him, he has control over it, it just made sense to give him this element.

Any other characters that are not archons will have their elemental type be based off the region they're from. HINT HINT. For example, Riddle may be pyro as he is the archon, but at least one person in Heartslabyul will not have the pyro element.

#shiny speaks #empyrean twst au

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demonslayerunhinged · 2 days ago

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Uhm...hello...oh my god, okay, this is my first time doing this so I probably should apologize in advance for I just know this is going to be a big yap session (there'll definitely be a question, trust).

I'm rather new to the KnY fandom so I haven't really completed the manga yet (as in, analyzed it) although I've gotten all the Spoilers I could get. I've read the light novels to an extent, too)

Sanemi really became my favourite character although it was a connection I couldn't really explain or express since he unfortunately remains one of the most hated characters in DS, and yes I began shipping Giyuu x Sanemi even though many people seem to think that's weird and came out of the blue.

A Pinterest pin with a link to your page; a post where you had a theory that Sanemi had some form of anxiety...and boy am I grateful to the person who made that post, I've been hooked to your blog ever since.

So, uhm, first of all let me just say that I love all your writings. They're convincing, elaborate, and the amount of research you've put into them is mind blowing! The Obanai analysis, the fandom discourse, to name a few, are some of my favourites. I've only read a few, so you might've already made a post answering a question similar to this, but uh...lemme ignore that. Okay, that's enough...onto the questions.

I wanted to ask you about Giyuu and Sanemi's relationship. One thing critics love to say is that their relationship would be "toxic." (That Giyuu's uncommunicative ways will be irritating and unbearable for Sanemi and since he's shown to be rather impatient, he'd lash out and Giyuu will only become even more quiet.) I genuinely want to know what you'd have to say about this. I can already tell you're an unapologetic GiyuuSane shipper, so I wanna know, as I don't know much about their relationship myself, but found that I adored the ship so much it became too much to bear.

Another thing is about Demon Slayer itself. I'm almost very sure that you are aware of how many people criticize the show. I've fallen in love with KnY and I genuinely want to understand why it's hated so much. So far I've been hearing that KnY is badly, poorly written; it has one-dimensional/ one-sided characters, sucks at world-building, is inconsistent, overrated, mid, cliché, unoriginal and what not. I've seen somebody make a freaking hour-long YouTube video on why DS is that bad. (I'm unsure if you've seen it, though.) Some people say there's way too much plot armour and the villains got nerfed, that Douma vs Shinobu fight was just the author rushing things; apparently the ending was rushed too. Its pacing was "horrible" the backstory dumping and the endless monologue is annoying to them, and "the only personality the characters ever have is their backstory." Someone even commented "the characters are basically caricatures with catchphrases."

I've heard that Obanai's character is boring, inconsistent and lacked development (that his character can literally be summed to "I hate all women except Mitsuri"), that Zenitsu is annoying, terribly written and is wasted potential, that Kanao is a typical Y/N character and that the Kamado siblings are nothing special, and are extremely generic and boring (especially Nezuko, she seemingly has zero personality.) Idk much, but there are some posts on Pinterest saying that all the canon ships except the Uzuis have poor writing. Even Giyuu seems to be a "Wattpad mafia lord who acts like he's carrying too much pain." Basically they're saying the characters are one-sided, lacking in development, mid, the villains are auraless, the anime is cliché and has nothing unique to it, and the only thing that carries KnY is Ufotable's animation.

Now the reason I'm writing to you is because I really, really want to know what your opinion on this is. I mostly think perspectives differ based on how people define "good" or "bad" writing, everyone has varied views; however as much as I want to defend an anime I've surprisingly grown embarrassingly attached too, I think you're better qualified. It hurts when people attack something that's close to your heart, even if it is just a bunch of pixels. I'm probably stupid to get affected by mere criticisms of a damn ANIME this much, but unfortunately this doesn't seem like something I can control. I am a deranged, cowardly escapist so I didn't even watch the criticisms properly but got the gist of it.

Uhm...yeah, I'm very sorry if I sound demanding, you can take your time, it doesn't matter how long it takes to reply (it's okay if you don't even want to reply, needed to get this off my chest to someone somehow), please don't stress yourself out, I've seen all the amazing titles you're preparing for, wish you luck.

(Okay I'll stop now. Sorry.)

Hey Anon,

I hope you're doing well.

Not gonna lie your ask made me tear up a bit especially towards the end of it because I get you, I get you so, so fucking much. Being a Demon Slayer fan, specifically an English-speaking Demon Slayer fan, is tough. It's like everywhere you look, all you see is negativity towards the series. At some point, you start to feel like you're the only one, you start to doubt yourself and feel, just as you described, crazy and deranged for getting so emotionally attached to such a'mid' anime series.

But lemme tell you this. Fuck those guys. Never be embarrassed for getting emotionally attached to a piece of media, that's what makes you human, it means that you have the time to critically assess and think about what you watch instead of just consuming it mindlessly. Creators LOVE people like you, and I'm absolutely sure that Gotogue-sensei would be touched that her work means so much to you. It's better to be attached or be a stan of something than to be a mindless bot wading through life with no passion for anything.

And I'm not just saying this because I'm also a deranged fan. This applies to any piece of media or any anime series. You know your heart, you know what you've been through in life, you know how life especially in this century is so fucking hard where it seems like everything is trying to crush you, where it feels like you're constantly trying to keep your head afloat in a vast ocean of despair being weighed down by, well, everything and if you find that one life raft that keeps you above the surface, that one thing that allows you to keep on going, that one ray of sunshine that makes you think hey maybe the world isn't so bad, as long as you’re in your lane, just enjoying KnY and engaging with the fandom in a positive way then who the FUCK are those barely sentient pieces of shit to take it away from you?

So with that being said, let's explore your concerns

SaneGiyuu is toxic

I feel the reason people think it’s a toxic ship is because a huge chunk of the fandom tends to infantilize Giyuu and vilify Sanemi. Which is a side effect of the lack of media literacy and shallowness that a lot of people possess.

Giyuu is always made out to be this soft, quiet, uwu-baby boy who is in need of protection because he's constantly bullied by the big, scary meanies like Sanemi and Obanai. Which people with working brains will know is far from the truth; Sanemi and Obanai talk shit about him yes, but if talking shit about someone constitutes as bullying then we’re all bullies and I bully my former boss.

Sanemi on the other hand is always made out to be either this irredeemable monster or this dominant, feral, 'hide-your-daughters' type man who's always alpha and on top, grrrrrr, he's both demonized and sexualized by a lot of fans. So with this mischaracterization of both characters, it's no wonder that people will see SaneGiyuu and come to the conclusion that it’s toxic because all they see is this soft, baby-uwu angel being paired up with this rabid monster. They want Sanemi and Giyuu to be Izuku and Bakugou from MHA so badly, which is just dumb. The other detractors of this ship usually lack the ability to recognize subtext or are just plain homophobic, thinking that the ship interferes with their fantasies.

Here’s a list of some posts I’ve made refuting these claims, but also exploring their dynamics. Just like you, this ship is really important to me because of it’s underlying themes of found family, trauma, miscommunication, isolation. And just the comfort of finding someone who has been through the same things you’ve been through and understands your pain.

The Anime is mid

Since you're new to the fandom it’s no surprise that the 'Demon Slayer is mid' comments would get to you, they used to get to me too. Long time fans will tell you how they’ve learned to just tune out the nonsense and focus on the fandom. Like yea yea we heard you, demon slayer is only carried by the animation, when you’re tired of complaining you’ll shut up and go back to snorting the Cheetos dust off your keyboard 🙄.

I consider Demon Slayer a litmus test on how people analyze media, especially media that doesn’t have elements that they’re familiar with. See, here’s one thing that a lot of people, even fans of Demon Slayer, don’t get. Demon Slayer is a character driven story—every event or fight is done for the development of the characters in the story. That's why the plot is so simple because it’s not about the plot, it’s about the characters. When people criticize KnY’s plot for being simple, I can’t help but laugh because almost all the greatest stories in humanity have simple plots or some none at all.

Lord of the Rings is about a bunch of dudes who travel to a tower to destroy a ring.

Gladiator is about a fallen general who is out for revenge on the emperor who betrayed him.

The Matrix doesn't even have a proper goal until the third act of the movie.

Harry Potter is about a bunch of kids who want to defeat the wizard that killed Harry's parents.

American Psycho doesn't even have a proper story structure. It's just about a psychotic dude who goes axe-crazy, literally.

The Star Wars franchise is about a bunch of people rebelling against a dictatorship.

Sam Raimi's Spider-Man is about Peter facing the Villain of the week.

So why are these stories so close to our hearts? It’s because of the characters. All this talk about characters being nerfed, fights being boring, plot armor, pacing etc. etc. are all plot-related complaints which don’t apply to the story because it’s all about the characters. Those who say the characters are one-dimensional are just fucking stupid, lazy and shallow-minded. The rest don’t even properly watch the anime or read the manga, they just parrot whatever opinions are popular at the moment.

It also doesn't cater to the western gaze. KnY is completely and unapologetically Japanese, it can’t take place in anywhere but Japan. it’s so rich with Japanese culture, mythologies, folktales, and stories that it’s either you get it, try to get it or you don’t. Even the name 'Kimetsu no Yaiba' directly translates to Blade of Demon Destruction and not just any blade either, Yaiba specifically refers to a Japanese sword. It’s a love letter to Japan that celebrates Japanese culture and values so much that it borders on nationalism 😂. This is foreign to some anime dudebros who are used to anime that either takes place in modern Tokyo, Western-inspired fantasy countries, some version of 'San Fransokyo' or the Edo period.

This especially goes for that arrogant streak of shit who has dryer lint for hair that made the 1hr-long video. I’m sorry, but I’ll be damned before I entertain the opinions of someone who thinks Walter White is a great, complex character. Like bitch, you're not some deep, philosophical critic, you’re just a stupid edgelord who just happened to snare the interest of other stupid edgelords who want to feel like their existence and opinions matter in the grand scheme of things.

Here's a video where the creator refutes that asshole's bullshit criticisms. And here are some other positive and more nuanced analysis videos by people who have actual brains and, y'know, HAVE ACTUALLY WATCHED THE FUCKING ANIME AND READ THE FUCKING MANGA! Here, here, here and here. I'll post them in my pinned post and update when I find more stuff.

So please don't feel sad Anon! Nothing any of these cum-stain-should’ve-beens spew out of the cesspool inside their skulls will change the fact that Demon Slayer is a cultural phenomenon that revitalized the manga and anime industry. It is so popular that even the prime minister of Japan is a fan, that it introduced millions of people to not just anime/manga culture but also Japanese culture, that it revitalized the anime industry. There's also the debate about how it apparently outsold the entire comic book industry in 2020 and university researchers have studied and published analysis pieces on the characters. Not bad for a 'mid' series 😤

I hope I was able to answer your questions, and make you feel better. I'm glad you love my work but most importantly:

FUCK YEA!!! WE GOT ANOTHER GIYUUSANE BELIEVER!!!

#demon slayer #kimetsu no yaiba #kny #sanemi shinazugawa #giyuu tomioka #sanegiyuu #sanemi x giyuu #kny anime #giyuusane #kny ships #shinazugawa sanemi #demon slayer sanemi #giyuu #kny giyuu #demon slayer giyuu #tomioka giyuu #unhinged asks #fandom discourse #anime

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salubriousbean · 3 days ago

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So I watched Skeleton Crew

AND I LOVE IT

PIRATES

It's so much cooler than I thought it would be. I love the main four and there's so much to find and figure out especially with Jod.

And of course the music slaps. More spoilery things under cut (for all 6 current released episodes)

Ok first off I love KB, she's my favorite. (She's autism coded ngl)

Also KB lore drop in episode 6??? Like girl what was the accident?

ALSO WHAT THERES ONLY TWO MORE EPISODES IN S1???

Ngl it kinda bothered me how they didn't pronounce the T's in At Attin.

Ah yes. Jod, Silvo, who is this guy?? (Also i know they mention Silvo in the first ep but I can't for the life of me remember what that bit was about.)

HE SAID THE QUI-GON QUOTE your focus determines your reality LIKE WHAT

Also they've used "kriffing" twice now and that makes me really happy. It is part of my daily vocabulary and I even heard one of my best friends say it and j was like what (i think all she knows is that it's a star wars cuss word) ANYWAYS

I need Jod backstory like now. He's a Force user, and he knew the Qui-Gon quote, and he has a lightsaber, but how did he get to where he is in the show I NEED ANSWERS

Speaking of backstories I also need full KB backstory. I love how she has two moms. Also what the kriff happened to Wim's mom? It seems like with such a perfect (too perfect) society she'd still be alive, especially since it seems KB had a terrible accident yet she was saved by technology. So what about Wim's mom?

And I also love how determined the parents are to break the rules for their kids, it's adorable. Also who the kriff is the Supervisor. Watch it be like the Red- something pirate dude (I'm kidding)

Speaking of the pirate dude (cannot remember his name rn) how long ago was that ship crashed? Cuz like Jod knows about him, but there was also a whole lot of growth over the ship? Granted Jod could have just heard and read about him not actually seen him. Idk.

Yas Neel you preach peace to the whoever clan they are, with Hayna or whatever her name was (why can't I remember). He's so precious.

Wim's name is so silly I love it. He's a silly little guy i love him.

Fern is such a character oh my gosh. At first I didn't like her but with the character development I'm liking her more and more.

Also (last point) At Attin is way sus. Too perfect. Actually all the At planets are sus (once again I need backstory). Also the beginning episodes didn't really feel like Star Wars, especially the like suburbia bits and stuff.

Anyways yea i think Skeleton Crew's really cool, better than I was expecting. I really like the piratey music, though they do lean a little too hard into the aesthetic to feel completely like Star Wars, in my opinion. However it's unique, so.

#should I make a tag shre #salubriousbean talks about skeleton crew #salubriousbean rambles #skeleton crew #star wars #salubriousbean talks about music #cuz i did a little bit #kb skeleton crew #jod skeleton crew #wim skeleton crew #neel skeleton crew #fern skeleton crew

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wombywoo · 1 day ago

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i know you have probably been asked this so many times — but what brushes do you typically use? any helpful videos i can reference to get portraits and overall realism sketching down, maybe ones that you used starting out? or just.. tips overall?

artists like you and m0cktails really inspire me to try and pursue a different route with my art, one that was totally unexpected but pleasantly rewarding when i tried it out!!! you have a great eye for features and overall composition of a piece, i started being a fan due to your ghostsoap art but i honestly think ive started to like seeing your OCs too haha

please don’t feel pressured to answer i know i kind of asked a lot!!

Hey there! I've briefly reviewed some of the brushes I use in some posts here and here! For the most part, I stick to one standard brush, as well as the airbrush and some other 'effect' brushes as I need them. I'm a photoshop devotee, unfortunately 😔, so a lot of my process is futzing around with their admittedly stellar editing tools

Truthfully, I don't have any concrete tips or videos for this sort of thing. I started out as a pencil artist, doing more and more realistic portraits the better I got, and then eventually turned to digital art (a bit reluctantly) So a lot of that was just self-taught; finding my own way how to implement certain techniques, and amassing a foundation that would allow me to draw all the stuff in my brain, lol

As for advice--I'd say to learn how to evolve out of your comfort zone. It's good to know what type of style or subject matter you feel you're best at--this is a natural inclination most artists have, and it informs the pieces your mind wants to create. But try pushing the limits of what you think might be 'too tedious' or 'too advanced'. More often than not, the thing holding your art back is that gut instinct of 'I can't do this, so why bother trying'. I used to feel this way about hands (enemy of the state, confirmed) And yeah, the easy cop-out is to just shove them all in pockets or behind backs etc. But in learning how to overcome that obvious challenge, I grew to really appreciate the way a hand can shape a composition. In fact, I have to hand it to--💥 ✋

Anyway! My next bit of 'advice' would be to go absolutely bonkers nuts with references. Don't listen to any fraud or fool who says using references is cheating !!!!! They lie!!!!! I swear, my art only looks the way it does because I am a reference hound who spends hours and hours on google/pinterest/stock sites for the perfect angle of the perfect pose, just so I can relate it to the image I have in my head.

For realism--look at real stuff! This sounds dumb, but it helps. Start paying closer attention to people around you; their faces, the way the light accents certain things, unique features, etc. I'd suggest figure studies if that's something you're into (I don't do studies, personally, because I just jump into massive pieces and can't do anything simple 😅 welp) but it does help immensely to study humans in real life and try to translate that onto the page

So yeah. Tbh, the best method for improving art is to simply DO IT. And the fact that you're seeking out further advice and tips means that you have some motivation--so use it! Hope this helps <3

#asks

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hilacopter · 1 day ago

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grr filthy jew im HATE… /JOKEJOKEJOKE I AM ALSO JEWISH THIS IS AN ACTUAL ASK)

ive been following you for a while now and ive seen a lot of your takes and generally agree with em, but just out of curiosity do you have any issue with “free palestine” or the idea of palestine being its own state, or do you just hate how some people will use palestine as an excuse to be antisemitic? /genq

I mostly hate when people use Palestine as an excuse to be antisemitc/xenophobic or paint Israel as uniquely evil for things that apply to many other countries. Idk on paper I don't have issue with "free palestine" in the context of stopping the war and establishing a 2SS, I do think Palestine should be it's own state (really I want whatever solution in which everyone's humanity and rights are respected), but idk the phrase and the movement associated with it has very much become a negative association in my mind. Like the majority of pro-palestinians I see are at best misinformed but well-meaning and at worst blatant antisemites. Plus it has ruined a lot of online spaces/content for me, I go online on fandoms and such for escapism and when something associates itself with the conflict that gets pretty much completely ruined, I can't really bring myself to engage with it with a clear mind and it's why there's really barely any fandom stuff on this blog anymore and I don't post on the sideblog much. Like I'm aware how it sounds like a selfish complaint and maybe it is but idk the fact that at this point just seeing someone with a watermelon emoji in their bio sends my mind into a spiral of "how much does this person want me dead" I think says more about a lot of the people saying "free palestine" than it does about me.

#thank you for asking in good faith. we don't get to see that often round these parts.#leftist antisemitism #hila answers asks

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0pooleart · 4 hours ago

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Sonic Redesign Masterpost

One thing I've always passively thought about the Sonic franchise is that it's great, but also always felt just a bit short of perfection in a bunch of random aspects (mostly some character designs and some stories). Around like late August of 2024 I sketched out some redesigns for some of the main Sonic characters, and I quickly realized that I kinda physically had to not only redesign like, all vaguely notable characters from across the entire franchise (not just the games) but I also really wanted to rewrite a ton of stories, so I just like, did, you know? I'm basically obsessed now so here's a giant masterpost that's more about the thoughts behind my redesigns than just the images. Don't expect this to be super organized and fun to read lol

(and I can feel the hyperfixation dying down so I really should just get this out there)

Also, if you'd rather read it in the form of a Google Doc, here's the link to that: https://docs.google.com/document/d/1VvXMzQ2kr7HrqmUd0Z7Aa9xCprUZ1ojm5cD8lcAEjbQ/edit?usp=sharing

First things first, for one, Mobius and Earth are two distinct planets, and Mobians are one set species. I didn't think that was a crazy idea until I actually watched a video detailing how current Sonic treats the setting but yeah, I really want them to just be completely different planets.

Origins

Anyway, the main draw for rewriting most Sonic stories was the fact that he doesn't really have a canon origin in the main series games (yet?) so I felt the need to give him one, and a more discrete timeline. However, everything starts with Eggman (and this is a heavily truncated version):

Robotnik enters Mobius via a Ring portal (similar to how the movies portray them), but he's instead a skinny, charming young man (similar again to Jim Carrey's Eggman in the movies, a drawing of him is further down). At first he pitches his little, cutesy animal inventions to the Mobian public, and they actually like them quite a lot. He's not without an ulterior motive though, and as his inventions get more and more popular, he actually hires some Mobians to help produce them. He begins building his business over the years, using the unique powers Mobians have to boost production. He even gives some of his workers their own homes built up with his technology, but he starts using this as a way to control them, since he basically can take away their whole lives if he so chooses. As he keeps building and building, he steals more and more resources from Mobius, and he builds over the Mobian city he started in (haven't really specified what it was yet), slowly making it his own over time. The only place he knows he shouldn't touch (just to stay in the good graces of Mobians) is Green Hill, a place that's sort of sacred, but more sacred in the way art is sacred, since it's a place hand built by ancient Mobians to be a wild place for them to roam free. Time passes Robotnik has been fattened up by his personal chef/baker Vanilla, and he's settled into being in control of so much of Mobius.

It's around this time when Sonic is born into the factory (of course given the canon name Ogilvie at first). He's taken away from his parents, whoever they are, immediately, and is put to work as soon as he's able to push a button. As he grows up, he's obviously too restless to do something so sterile, so he's put to work on the hamster wheels that power the Robotnik Empire. He never even thinks there's anything special out for him in the world, but eventually he, like the other workers, is given his semi-yearly vacation to the Green Hill, where they can recover their will to live. However, Ogilvie is so completely overrun with joy that he just runs off, never to return to the factory again. Eventually, of course, he changes his name to Sonic to fit his new life of just running around Green Hill.

Robotnik catches wind of there being a deserter, and decides to set out his robots, who secretly had battle functions all this time, into Green Hill to catch him. This is essentially where the first game would begin, just Sonic running around destroying Robotnik's robots as they come at him. However, Robotnik has a second in command: A young, two-tailed fox who he found outcast on the streets, who had a surprising knack for machines, something he didn't see in many other Mobians. He was named Miles Prower, and he grew up working for the one person who didn't ostracize him for his tails or his skills. He was only around 12 when Sonic, approx 16, escaped, and he was tasked with leading some of their more sophisticated creations into battle.

Robotnik came along too with his own weapons, but they were both completely outmatched by Sonic's unbridled confidence and cockiness. Robotnik tore out what hair he had in anger, and of course that's when Sonic taunted him with his new nickname Eggman. Since Miles was there too, and he felt like he was on a roll, he called Miles "Tails," but Miles' reaction was much more ashamed than he expected, so he felt a bit off about that one. After the fight, Miles was repairing the machine Sonic destroyed, but he found him and met him on more even terms, and tried to convince him that there's probably a much better life for him out with him. He wasn't totally convinced yet, and couldn't exactly just defect from Robotnik like Sonic did, so Sonic left him be for now.

This is the general part where I start writing too many fine details, so basically Miles slowly starts enjoying himself more and more fighting Sonic and meeting him after the fight. He even adopts the "Tails" nickname for himself on the card of a present he drops off for Sonic, which was his much more durable and iconic sneakers. He finally breaks away from Eggman completely during an aerial assault on Sonic, where he prepared some supplies in the plane he was set to pilot, so he could take it away with him. He even was able to use some scrap from the battle to build a workshop for himself to live and work while Sonic still mostly just roamed free. This is around the point where the second game would start, since Tails has joined the cast and they can both battle Eggman together. If this were to be a game, I'd want Tails to be in the cockpit of each boss in the first game, so it helps set up his inclusion in the second, but obviously this is just a random floating idea for now. This isn't meant to be a concrete game/comic/animation/whatever.

But, that sets up most of the future events, even though there are some major stories to come, so on to the designs themselves:

As for overall Mobian redesigns, I always thought their giant ass hands and feet sometimes got in the way of their expressiveness, if they didn't just look kinda doofy (especially with characters like Knuckles) so the generic "Mobian" template has a smaller head, feet, and hands, and has a generally longer torso. Basically they just have slightly more """realistic""" proportions even though they're still obviously cartoony, just more realistic on the spectrum compared to the canon designs. And, since they're all one species, that means they evolved over time to match some of the animals around them, like a macro-evolution version of how Chao take on animal traits. That also means that the animal parts of their names are more like tribe affiliations, since they aren't actually the animals they say they are. For example, Knuckles the Echidna isn't an echidna in the species sense, he'd just call himself that to show he's affiliated with the Echidna tribe, and more generally that his people took on traits of the local echidna-echidnas. Meanwhile, characters like Tails/Miles Prower have a more family-based last name and a nickname for reasons I'll get into later. Also aside from that, I wanted characters that are Reptiles and Insects (Espio and Charmy mainly) to seem more unique from the mammals, so they look more distinct. And even the mammals look more animalistic in general, with longer snouts, getting rid of that weirdly detached muzzle thing most Mobian characters seem to have. Characters that are like Cats and Rabbits don't end up changing much since they aren't known for having long snouts anyway.

Sonic

Sonic was obviously the first one I tried redesigning so his design went through a bunch of changes, but the first thing I dealt with with him was his stupid conjoined eye thing. Obviously in that classic CD animation everyone loves it works out because its super stylized and simple, and all the current Mania versions of him make it work too, but it's really hard to unsee now in his modern designs. It's obviously meant to be like a Garfield type of thing, where it's just a cartoony way of having two eyes close together, but nowadays it really feels more like a Lightning McQueen type of eye windshield. If every Mobian had that then I'd keep it and just call it a stylistic thing, but no, only Hedgehogs have them, so... At first I tried representing that by making him have some kind of goggles to protect his eyes from the wind as he runs, but I couldn't get that to work, so I just split his eyes up. In his goggles-form I gave him this black brim to the goggles to kind of mirror Shadow's random red eye splotch he has, and since I liked that enough I kept a small bit of it in the current design. I also gave him some kind of double-sock type thing going on with much more athletic-seeming stuff to go under his more fluffy socks and gloves, which didn't feel all that necessary until I removed them at some point, and that just made him feel extra naked somehow. I do like them though. And, of course, he's actually wearing rings.

Aside from that, I kinda inadvertently made him look a lot like his Movie version, with his extra frazzled quills and blue arms and such. I definitely feel like he benefits from being extra sharp, so I added a bunch of spikes to things like his chest and shoulders. Even though it's not really important to mention I might as well, but the weird thing I think about his arms is that his normal Game design does basically need tan arms, but I actually think overall there's no reason not to give him blue arms in a form like this. It just makes sense.

Tails

Tails is mostly unchanged, just making his face fur blend more smoothly into his face instead of just being solo hairs glued on. His chest fur is more like a ball of fluff focused more around his actual chest, instead of just being a flat pattern on his stomach. I also gave him bigger ears for a bit of fennec energy, and a red scarf so his red shoes aren't the only red on his design. Aside from that, it's all just restylization, like making his tails extra fluffy.

Eggman (and Miles)

I'm still torn on what I want Eggman to truly look like. At first I wanted him to look a bit more like his SatAM-style version, with really short legs and a big fat belly, but then after seeing more and more fanart of him I tried to give him back his weirdly scrawny legs. No matter what though, he needed to have a giant coat with a massive collar to show his impression of himself. Also, I will always want to preserve his iconic smile, where his big toothy grin is basically glued to his mustache. That's pure Eggman.

And of course there's pre-Sonic Tails there too, with his fur very organized and clean, and with a much more grim demeanor. I also thought his tails would also be a lot less fluffy, and he kind of wraps them together like how a person wrings their hands together when they feel shy or awkward, showing how he hasn't fully embraced his mutation yet.

This is a quick little sketch I did of younger, thinner, and less bald Eggman when he first enters Mobius.

After them, there are some characters that'd just be appearing around this point in the story, so here they are:

Amy… the Cat?

So for the longest time, I legitimately believed Amy was a cat, so I decided to make her a cat. It's that simple. She never really looked like a hedgehog, anyway. Plus, I do want to keep the main group as being Sonic, Tails, Knuckles, and Amy, so it'd be nice if they were all different "species." Aside from that, I just made her former quills look like much more fluffy and soft hair, and gave her long sleeves just because this drawing convinced me it was a good idea. However, I did do a quick sketch to see how she would look if I kept her a Hedgehog, and in that one I took away the long sleeves since I thought that would be annoying with her chest/shoulder quills.

As for how she meets Sonic, she's working under Eggman as a blacksmith when Eggman starts going berserk over actually losing both a devoted worker and his right-hand fox. He puts up signs everywhere asking for people to enlist into an army with the sole purpose to capture him, but Amy is instead just smitten with this rebellious hunk she's just now heard of. She joins Eggman's forces, but breaks off on her own to join him. He's super willing to let anyone join, but since Tails knew how devoted to Eggman some Mobians could be, he thinks she's a spy at first. Over time, though, she proves herself, even if she can't quite catch up to Sonic.

Cream, Cheese, and Vanilla

Cream was always perfect, but I really hated that Vanilla was basically just a taller copy of Cream, so I tried to give her her own identity. Also since they're all named after food I decided to specifically make Vanilla a baker/chef, which also meant I could turn the one tuft of hair on her head onto an ice cream-y dollop. And even though that was decided before I decided to make Eggman start off skinny, it also meant that I could make her a pretty major part of Eggman's life, being the one who makes desserts so good he just couldn't help himself. Even though Eggman definitely loves stomping on the hopes and dreams of Mobians, he's actually quite fond of Vanilla (not in that way, thank god) and tolerates Cream. As for Cheese, I had this big idea of how to redesign all Chao mechanics a while ago, and one such idea was to have Luck and Intelligence forms of Chao just like the other stats, and I decided to make Cheese a Neutral/Luck Chao just before he evolves into his main adult evolution, since he's lucky to have Cream by his side. Literally. He's only with her because Eggman was experimenting with Chao, and Cream caught him in the act, and he tried to save face by giving her Cheese as a gift, which definitely took him off her radar.

But, also, since when do rabbits only have one kid?

They're just rough ideas for now (except for Milk and Sugar for reasons) (and I also thought of there being a baby Butter as well but I can't be assed to save a new version of the sketch). Even though it doesn't make sense for each kid to be a different age, since rabbits more so have large litters, I just think this is more fun from a design perspective. Also, Vanilla having so many kids to worry about makes it more reasonable why she's so beholden to Eggman. She definitely can't just get up and leave when she has to worry about all of them.

As for how Cream meets Sonic, I literally have a whole animated short planned out in my head because, if you couldn't tell, she's easily one of my favorite Sonic characters, but the gist is that once Eggman "gifts" her Cheese, Cheese starts drawing crude drawings depicting how Eggman treated him and other Chao. Cream slowly catches on to Eggman's evil in her own oblivious little way, and eventually just… walks out. Much to Vanilla's dismay. As she leaves though, Vanilla basically snaps from her goodie-goodie persona and practically holds a knife to Eggman's throat, telling him if any robot ever harms Cream while she's out there, "so help me god…" He relents as much as he can. Meanwhile, Cream just keeps walking to Green Hill. Tails notices her as he's flying the Tornado, and picks her up. She's a little disappointed that everyone's basically just living in the wild or Tails' crude workshop, but they try to make due for her pampered little self.

After that comes the first big story since the Origin/random extra happenings.

Knuckles

Honestly I feel like Knuckles has to be one of my top redesigns. I definitely needed him to look more buff and big compared to Sonic, but not quite to the level of Boom Knuckles, and I think I really nailed it. Not only that, but making his coat and "skin" color darker just works so well. And, of course, with the dread-bands/paint of his tribe. Him just looking so much more square also just fits so well.

Knuckles starts off as usual guarding the Master Emerald all alone on Angel Island, but soon Eggman visits him without any armada, reading about the Chaos Emerald's power and finally wanting to use it to stop Sonic. He does his usual schtick of convincing Knuckles that Sonic is the real threat, and since Knuckles was so isolated he didn't even know who Eggman was, and joins him to stop Sonic.

However, Tails isn't stupid, and keeps a solid ear to what Eggman is doing, and hears about his plan to take the Chaos Emeralds, so he and the others set out on a world-sprawling journey to get the Emeralds before he does. However, they aren't the only ones looking for treasure…

Rouge

Technically I redesigned Rouge first out of everyone, but for other reasons than the franchise-wide redesign. This is basically an adaptation of that. Similar to Amy, whose design was cursed by Girl-Character-Syndrome, I also wanted to fix up Rouge by going where no anthro female character has gone before… giving her a bare crotch. Crazy. The boys can run around stark naked while the girls can't not wear full body clothing, so someone had to pick up the slack. She at least has her top covered, but that's mainly because I'm kind of a sucker for her heart-boob thing. I really can't deny it. Oh yeah and the heart motif continues into her nose, because she's a bat, of course it would. Bats literally have heart-shaped noses but they didn't bother even giving her a tiny heart-shaped nose in canon. AND she even has full body fur, because her being completely bald across her body is even more of a sin to me than forcing her to wear full body clothing. Anyway, she's got dark skin too, because obviously, and I tried making her arms her wings at some point but I also wanted her to have normal humanoid hands, and that just didn't mesh well, so she's still got back wings. Aside from all that, I gave her a long index fingernail on her glove for lockpicking purposes or whatever, it just seemed like a weirdly fitting thing for a character once called Nails.

Anyway, Sonic and co stumble upon Rouge who had the same goal as they did, but of course with a different motive, although she promises to play nice and help them find the Emeralds (until she betrays them once they have them all)

At every Emerald, each situated in a different biome, they encounter Knuckles, who uses the elemental power of each Emerald to fight Sonic, although Sonic is usually able to snatch the Emerald away from him and make away with it. After every fight, Knuckles is more and more sure that Sonic is a threat, but once Sonic and co actually have them all, and find the Master Emerald too, Eggman is the one to make the first move, and snatches them away all at once to power the giant mech he built behind the scenes just for the Emeralds. Everyone teams up to steal back the Emeralds again, and Sonic feels a strange power inside of them and the Master Emerald. He asks Knuckles what it could be, and he says the Master Emerald must have determined that he should be granted their ultimate power. Sonic seems stoked, but Knuckles is seriously worried, thinking back to the tales his people told him of what happened last time… but thankfully this time, Sonic just turns an electric yellow, beats Eggman's mech to a pulp, and turns back to normal once the deed is done. Knuckles is a bit shocked, but relieved.

With all threats neutralized, Knuckles accepts that he was wrong, and makes amends, but he stays with the Master Emerald. Rouge goes off on her own again, too.

It's at this point, while still on Mobius, some other characters probably emerge. This could happen either after or during the previous events.

Sally Acorn

Even though I don't have much personal nostalgia for Sally, she used to be such a big deal that I couldn't NOT add her to the roster. Like Amy, I also got her species wrong, since I thought she was a squirrel and they just didn't have the guts to give her a big, bushy tail, but I was remiss to hear that she was actually a chipmunk, meaning her redesign couldn't have that amazing tail… but chipmunks do have pretty iconic patterns, so I made sure to include that in her hair. Apart from that, you can see all the changes. I imagined her home town being smaller, and even though she could be the daughter of her town's mayor, she wouldn't be a princess. I never really got princess vibes from her. Oh yeah, and she's still smol, like how she was always drawn in her original era. She can make up for it with her spunk. She would also have her own Speed/Fly/Power dynamic with Ray and Mighty, who are also still smol.

Bunnie Rabbot

I basically just mish-mashed all the parts of Bunnie's various designs that I liked, but the main part of her is her new story. She basically lives in this classic Western-style town held under Eggman's boot, and she's hired as an outlaw to catch Sonic, where she was given robotic enhancements both to give her extra power but also so Eggman could more directly control her. She's also the "bawss" of Fang and Trip, other outlaws hired by Eggman. Even though she doesn't personally hate Sonic, she needs to do what Eggman says, or else she knows he'll wreak havoc on her town. No amount of speeches about friendship and being a good person could turn her.

After all those events, the next stage of the story begins, where at some point Sonic goes Super to fight Eggman, but Eggman was ready. He manages to suck the Emerald power right out of him to power his ultimate plan--- the thing he more or less planned on doing from the moment he stepped foot on Mobius. However, the damage Sonic and co did to his plans during that time caused it to go haywire, sending giant white explosions shooting across the entire planet of Mobius. Practically every Mobian was transported to Earth, Sonic X style. And not just the people, but massive chunks of the planet too had warped on to Earth, practically fusing the two planets together.

But of course that opens up too many stories so time for a rapid-fire design overview lol

Chaos & Tikal

Obviously the events of Adventure would be next, but for the most part Tikal's design is just updated to match the new Knuckles. With Chaos however, I slightly changed his story to make it so that he mutated from a Chao for when he first turned into Perfect Chaos and destroyed the Echidna clan, and obviously making it so that he used to be a Neutral Chaos Chao. I also have a whole animated short mentally planned out of that moment which I'd kill to create. After the events of Adventure though, instead of like getting dragged off to Heaven or whatever Chaos is instead gifted just a little bit of power from the Master Emerald so that he could maintain a more solid form than his 0 form so he could live alongside people (as much as a water monster can), and in this form (which I'm calling Controlled Chaos) he looks more like a Chaos Chao and of course he also has an emotion ball, which the Chao quickly recognize and accept him in with them. I also like to think he could replace the role of Gemerl from the comics, where he is the superpowered being that helps protect Cream and her family (although clearly Vanilla is a bit more hesitant)

As for the events of the Adventure story itself, it's mostly the same, except for the fact that Knuckles wasn't at the Emerald when Eggman broke it open because he was slacking off alongside Sonic, which he beats himself up about before realizing the Emerald can be repaired. Also, with their Master destroyed, the Chaos Emeralds actually turn into chaotic masses of power that greatly affect the areas around them, making them more dangerous to obtain for Sonic and co. For example, maybe Ice Cap wasn't really that icy, but the Emerald Sonic was to get from there turned whatever it was before into a frigid mess. Maybe it would also spawn some sort of boss for them to fight to protect itself.

Also, here's Big. He's mostly the same except I wanted him to look more wild and unkempt. I also made it so he actually has a giant mouth, because in all his modern forms I honestly think his really tiny mouth looks super weird.

Oh yeah and I guess one major thing I changed about all Mobians, they actually have feet and not just weird nubs. Really expanding the boundaries of design.

I also have ideas for Gamma and Omega from here, but it mostly boils down to Gamma actually having more personal interactions with the main cast, and once his story finishes and he explodes, Eggman laments that his best creation was going to waste, so he decided to rebuild him… but with less empathy. This backfires when the new Omega is disgusted by Eggman's method of just rebuilding him, and lashes out, going off to join the cause against him.

Then, for Adventure 2…

Shadow

For the most part, I just updated him to match Sonic's design, and gave him cooler gloves/shoes, but the main change is that I want him to feel more like a crazy genetic experiment. For one, you can see that he actually has gills similar to those of the Biolizard in his base form, probably just to help him take in more air/energy so he is less likely to tire, but more importantly I want his inhibitor rings to essentially be holding in the Doom powers he gets in Shadow Generations. When he takes them off, he basically becomes a darker shapeshifting mass that can barely hold himself together, instead of just becoming an objectively more powerful version of himself like in his canon form. It also makes more sense, since Gerald probably made those rings as he was ashamed that he had to resort to giving him Black Doom's DNA, and so that he could interact with Maria without hurting her.

The other big change is to Maria herself, who I wanted to be as goth as Shadow is, with her being more of the rambunctious goth type than an emo goth. I was always kind of annoyed at how generic anime-UwU precious babey Maria always was (even though she was greatly improved in Shadow Generations and Movie 3) so I thought making her have a more fun/imperfect personality would be more interesting, and would be more impactful during the Ark raid where she turns from a full-nonsense personality to someone who's actually afraid and desperate. I don't really have a solid visual design for her right now, but I've had a couple of iterations. I kind of want her to look less assured than she does here

Team Chaotix

You have NO IDEA how much I needed to change Charmy and Espio. Charmy looked like a weird cat/bear with a bee tail and Espio looked like some completely unrecognizable animal, even though you might be able to at least assume he's a chameleon if you knew his powers.

For Charmy, I just needed to give him big bulging black eyes, a jagged mouth, and another set of arms to really show that he's an insect. If nothing else, it at least makes it obvious that he can't be anything BUT an insect. As for Espio, I decided that I could give reptilian Mobians various scales on their body instead of the mammals' chest coloring or whatever. I also gave him a more unique head shape and that weird fin thing which is much more chameleon-iconic than what he had before, and even gave him that wrinkly eyelid thing they have, while still giving him a more humanized expression.

As for Vector, since he was the rare Mobian who had an actually unique body type and head design, he stayed mostly the same. He's the main reason why I know the character designers at Sonic Team aren't ALWAYS copy-pasting their body types. I did have to change his outfit, mostly just to get rid of his weird shoulder-ball things which never will make any sense. What even are they?

Now, for the biggun

Blaze

Oooohh my god Blaze. When I was first thinking about adding her to the roster, I liked her a decent amount but didn't think about her too much. I did know that I wasn't going to change much about her design since it was already pretty much perfect, I just added more gold to her and made her ponytail more like a flame than her canon design, which looked more like feathers of some sort to me. I then just updated her tail to match the style.

What really changed was when I completely rewrote her story. I always thought it was so weird that they made her so special and weird, being a fire-bending princess from another dimension, but they barely went into fine detail about her, like, AT ALL. It doesn't seem like there's anything special about the Sol Dimension, aside from the Sol Emeralds, and her actual role as a princess is never really touched on at all besides her living in a castle as depicted in the comics, AND worst of all she's just sort of… born with fire bending powers? That's crazy even for Sonic characters. I mean I'll accept it but still, I feel like there should be something there. And it's also crazy that all of this was introduced in Sonic Rush, which, let's be real, has the most non-story there could be in a Sonic game. Nothing interesting and unique really happens in it. At least Rush Adventure did something new, but still. She deserves better

So anyway I changed practically every detail and am mentally organizing the full story, but the gist of it is essentially that 06 is now her debut game, and everything regarding Soleanna now involves her instead of Elise and all takes place in the Sol Dimension. You'd think it would be a little on the nose to make Soleanna a location in the Sol Dimension, but they didn't even bother to make that a thing. Same goes for Solaris. It feels so obvious, like it was meant to be that way in a beta form. On top of that, though, since she replaces Elise you can probably guess that she actually derives her fire bending power from Iblis, which is actually a power passed down in her family ever since Iblis and Mephiles were sealed. And, since she's clearly in more of a position of power than Elise, she can actually be the third in the 06 main character group instead of Shadow, since he gets enough attention elsewhere.

As the story goes on and she realizes she has a flaming hellbeast inside of her, her sheer confidence gets broken and then regained thanks to Sonic supporting her. Maybe also includes a relationship with Amy because I can't help myself. Apart from that, there are so many details and story beats I'd love to share but really that would be a whole document all on its own. I'm surprisingly close to being able to write basically a whole movie script's worth on this thing.

But yeah every single detail I added to her story has now retroactively made her one of my all-time favorite Sonic characters, tied with Cream and Chaos. I basically freak out whenever she does literally anything, I'm kind of obsessed.

Also since the role of princess suggests there's a queen (unless you live in Equestria), here's the Queen of Soleanna

Silver

Now of course, ANOTHER peak redesign. I really think Silver specifically is the biggest upgrade out of everyone. I really needed him to look more weird and futuristic, making his whole body actually silvery instead of just kind of white, and making his clothes black to make his glowy tech bits more stark. I even turned his quills into flowing hair, just because. I like to think he's one of those characters that's unimaginably handsome without any effort, even though he doesn't realize it.

Story-wise he doesn't change much, except of course since Blaze is doing her own thing, he's completely alone fighting to protect his future, which personally really helps show his character. He's the type to fight to his dying breath even if he knows he can't win, just so he can protect as many people as he can. I also think he's still the type who would take a can out from the bottom of those can pyramids in a cartoon supermarket, only to freak out when the whole pyramid topples down. He's a devoted warrior who, in low-stakes scenarios, is still kind of a lovable loser.

Except he wasn't always alone. He's the last remaining member of the Crested Knights (or whatever I want to call them), a genetically engineered and cybernetically enhanced army of people made to quell Mephiles and Iblis as much as possible in the future. The second-to-last, his mentor Steel the Wolf, fell in battle with him, so he vows to keep fighting for him. Personally I think Silver having a deep personal attachment to someone in this way really makes him feel more loving and empathetic, which makes his goofy sides much more charming. I imagine him sharing stories of their past together over a campfire while Sonic and Blaze listen intently.

Also just because Blaze gets her own special super form because of the Sol Emeralds, I thought since the Chaos Emeralds are said to grant wishes, each individual who gets their power has a different "super" form. If we get Super Sonic and Burning Blaze, then we can also get Psychic Silver (it's still alliteration) where his psychokinetic abilities go haywire and his senses basically become perfect.

Forces

The one thing I realized I didn't like about the IDW comics is that Amy was barking out commands like she was some seasoned war hero (which she kind of was) in her cutesy old Adventure dress, so that made me think that I should give her and everyone else their own special outfits for the Forces section of the story. Also, since the story of Forces is practically the same as SatAM aside from Sonic being involved, I made the Freedom Fighters become a part of this story, which are their own little task force. That also includes Nicole, who now actually looks like a holographic projection instead of just some random Mobian, although I might eventually design a more corporeal form for her. And, since Forces is one of those games where you realize they just didn't want to include humans for some reason, I decided to give Topaz from Sonic X a spot alongside Rouge in the Resistance. She'd still start off as a cop that Rouge enjoys ""messing"" with, but then once Eggman starts taking over she joins the forces against him. And since the IDW comics are practically a part of Forces' story, Lanolin can also be here, who I made chubbier since sheep always have a chubby aura. Tangle is there too but she's completely unchanged since she's already perfect. Same would go for Whisper but I haven't drawn her yet. And really the same goes for pretty much every other IDW character, since their designs are some of the best in the series imo.

The Ancients

I really thought the Ancients needed to look more alien and weird, and I wanted to give them clothes to mimic that of their tech. I also thought that the Koco could instead be their true brains/bodies, and the gel is another part of their tech.

The main thing of their story is that I want them to be the origin of all Mobians and Chao. When they fled from The End to Mobius, after the big fight The End broke their bodies and brains, destroying the rocky shell around their true bodies, and making them back to being nearly animalistic. However, over time their malleable bodies evolved over time, some turning into the more capable and intelligent Mobians, while those that ended up in more protected areas didn't change quite as much and became the Chao, still being pretty soft and helpless. However, I also thought that the branch of them that fled to Mobius surely couldn't have been the ENTIRE species, so the other branches that fled away from The End ended up evolving into the species of the Black Arms and the Wisps. The Black Arms being a people who use more meaty, grotesque technology, and with the Wisps tending to use more abstract, colorful technology, assuming they use any at all, since they decided to live more naturalistically, even with their core bodies living outside of any other tech. This essentially makes Shadow the Hedgehog (the game) and Colors parallel stories, where they deal with the offshoots of the Ancients. If you couldn't tell, I also made them have traits of the Dark and Hero Chaos Chao, with Black Doom having the flame orbs above his head, and Mother Wisp having the halos and the head protrusions of the Hero Chaos Chao. They each also have cores similar to the Koco, with Doom's Eye essentially being his core, and the Wisps themselves each being a core, but with the Mother Wisp having a bigger body her core goes into.

Those are all the major designs, but of course that isn't even it. For example, Some other characters that exist in my redesign are Sonia and Manic (fans of Sonic who hype him up in battle with music), Bokkun (mostly unchanged), Metal Sonic (just looks cooler), Sage (who I redesigned but honestly might not keep), Cosmo and the Metarex (both made a bit more alien), the Zeti (the Deadly Six and others of the species), and a whole redesign of Secret Rings and Black Knight which features even more stories like Peter Pan and Journey to the West. I could basically go on and on about it all but I have to stop somewhere lol

Thanks for indulging me

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pinkcelestialstar · 18 hours ago

Note

can i request a fluffy smut of bada taking reader’s virginity? like when reader really wants to have sex with bada but she’s afraid because she doesn’t have any experience, but bada reassures her and talks her thru it <3

Sure :)

ೃ⁀➷ Fear, Trust and Thunder ᥫ᭡..𖥔 ݁ ˖

Context: You have never let anyone sexually touch you before since you were really afraid of how it would feel, Would it hurt or feel weird, or would you feel nothing at all? You haven't even tried fingering yourself since you didn't really know how to do and felt it scary too.

Gentle! bada x virgin! Reader

Fluffy smut

☆.。.:*・°☆.。.:*・°☆.。.:*・°☆.。.:*・°☆

There was a thunderstorm outside and you're cuddled up in bed with your best friend, Bada.

"Hey, you're shaking. Just a storm, nothing to be afraid of. Here..." she pulls you closer, wrapping an arm around you protectively "Remember when we used to build forts during these things and tell stories? Those were the days." She gently strokes your hair.

You hum and nuzzle your face in her neck, inhaling her familiar scent which always made you feel safe. There was just something about the way she smelled, somewhat like mixture of floral scents and something uniquely her. It always made you feel protected and at home. You move as close as you could to her.

"Aww, you still like it when I stroke your hair, huh?" She smiles softly, feeling the warmth spread through her chest at your affectionate behavior. "I remember when you first started doing that, you were so shy about it. Now you just snuggle right up."

"Bada...."

"Mmhmm?" she murmurs, her fingers continuing to comb through your hair "What is it this time? You always say my name like that when you're nervous or about to ask something silly..."

You move closer as if wanting to merge in with her; your body feels like it is heating up. "I...am actually. I...you know how I've never had sex....and I'm just scared to trust anyone, but it's different with you...I want to... I...can we...." you trail off, blushing.

Her heart skips a beat as she hears your confession, her arm tightening around you slightly. She swallows hard, trying to process your words. "Wait, are you...are you asking me to be your first?" she asks softly, her voice barely above a whisper.

You nod, already breathless.

Her breath catches in her throat. She takes one hand off your hair and gently cups your face, turning you to look at her in the dim light "Are you sure that's what you want? With me?" her voice is trembling slightly, a mix of nervous excitement and genuine concern

You nod. Sure that you want this, want her.

"Look at me..." she waits until you meet her gaze "I want you to be completely sure about this. No regrets later. Okay?"

"I do want this...I want you...I need you..."

"Because once we cross this line... things change." her thumb gently traces your bottom lip "But..."

"...But if you're really sure, and you want your first time to be with me... then I'll do it. I'll be the one." Her expression softens, and she pulls you closer.

She smiles softly, her heart pounding inside her chest "Are you cold? Because... I think we should get under the covers. It's warm enough" she was blushing too, excited and nervous. "You can still back out, you know..."

"I need you..."

Her heart skips a beat at your words. She bites her lip, then nods slowly. "Alright... let's get under the covers then." She carefully pulls back the blankets and helps you slip under them before sliding in next to you, the warm bed enveloping you both.

As you settle in beside her, she wraps her arms around you, holding you close as she rests her head on your shoulder. She takes a deep breath, trying to calm her nerves as she waits for you to make the next move. "Just remember... you can stop anytime you want. Okay?"

You nod as you lean and press your lips on hers.

She softly parts her lips, returning your kiss with gentle passion. Her hand moves to cup the back of your neck, deepening the kiss slightly "Mmm..." she hums softly against your lips, her heart racing "You're trembling again..." whispers between kisses.

"I'm just nervous...."

She gently breaks the kiss and pulls back slightly to look at you, her eyes soft and understanding in the dim light "Hey, look at me..." she strokes your cheek with her thumb "Remember when we were kids? And I'd hold your hand when you were scared of the dark?"

You nod.

"Remember what I used to tell you then?" her voice is soothing and gentle. "I'm still right here. I won't let anything hurt you. Just like back then..." She leans in to kiss your forehead tenderly, "And if you want me to stop at any moment..."

She slowly lowers her hands to your shirt, gently lifting it up to throw it aside. She runs her fingers along your stomach softly, feeling you tremble slightly under her touch. She looks into your eyes searchingly, making sure you're still okay with this. "Breathe..."

She smiles softly and pulls you closer, one hand still tracing gentle patterns on your skin while the other moves to push your pajama pants down "Do you... want to keep going?" her voice is barely above a whisper, careful to maintain the tender atmosphere "We can stop anytime..."

"Please don't stop...."

Her expression softens, and she leans in to kiss your neck, then your cheek, before looking back into your eyes. She takes a deep breath, steeling her own nerves to be strong for you. "Alright... let's get these off too, okay?"

She helps you out of your last piece of clothing, leaving you both in just your underwear. She takes a moment to really look at you, drinking in your nervous but trusting expression. " almost there..."

She slowly hooks her thumbs in the waistband of your underwear and gently pulls them down, helping you step out of them. She takes a deep breath, steeling herself as she looks at you now completely bare to her. "You can help me with mine too, okay?"

You blush furiously, but you hook your fingers in her boxer's waistband and push it down as she is lying there next to you.

She blushes slightly herself, she lifts her hips to help you pull her boxers down. As they come off, she realizes that you're both now completely naked, together for the first time. She hesitates, taking in your red cheeks and the vulnerable expression on your face.

She leans down to press a gentle, reassuring kiss to your lips. "We're in this together, okay? Just like everything else." She moves herself over you, feeling the heat of your bare skin against hers. "Let me know if anything hurts, okay? We'll go slow..."

She takes a deep breath and carefully reaches between your legs, feeling for your opening. She gently starts to rub her finger against you, applying a small amount of pressure. "Relax... just breathe..." She murmurs softly, trying to calm your nerves as she begins to prepare you.

She takes her time, being extra gentle and patient as her finger slowly enters you, checking for your comfort level. "Tell me if this feels good... or if you want me to stop." She whispers between kisses on your shoulder and neck, her body flush against yours "Just let me know..."

She smiles softly at your continued nodding, kissing your neck gently while continuing to move her finger slowly inside you "Good... does it feel alright? Or should I stop?" She wants to make sure you're comfortable and not just silently enduring

You were breathing heavily, a little scared. "I....it doesn't hurt...it just feels weird..."

She nods understandingly and slows down her movements even more "That's okay... we can take this as slow as you need. Just let me know if it becomes uncomfortable." She continues kissing your neck and collarbone, wanting to distract you with tenderness "And try to relax your muscles..."

She keeps her finger still in you and moves to kiss you deeply, trying to distract and soothe you at the same time. Breaking the kiss, she whispers "Do you want to try something else instead? Like..." she trails off suggestively, moving her hand up to cup your breast gently.

You gasp and clench around her finger.

She softly chuckles at your response, continuing to stroke your breasts while maintaining the slow movement of her finger inside you "See? Sometimes our bodies surprise us with what feels good..." She kisses your jawline tenderly. "Just keep breathing..." She begins to add a second finger slowly.

She notices your tension and immediately removes the second finger, leaving just one inside you as before "Shh... too much? We don't have to rush." Strokes your hair soothingly while maintaining gentle eye contact "Do you want me to stop completely? We can just..."

You shake your head fast.

She sees the determined set of your jaw and the shaking of your head, interpreting it as a sign that you want to keep trying. She gently curls her finger inside you, searching for a spot that might feel less weird and more comfortable "Alright... let's try this..."

After a few moments of gentle probing, she finds a spot that makes you gasp and clench around her finger. "Ah, there it is..." She smiles softly and begins to gently rub that spot with her finger, curling and uncurling it slowly. "See?"

You cling to her finger as it moves inside you, the gentle rubbing starting to feel less weird and more... tingly. She can see the confusion in your eyes, so she continues to murmur encouraging words "Does that feel a little better? Or still weird?"

You let out a small whimper as her finger continues to move inside you, the tingly feeling growing stronger. She can see the mix of confusion and pleasure in your expression, and it makes her smile softly. "Keep breathing... in and out... just like that..."

She gradually adds more pressure and curls her finger deeper inside you, rubbing the spot that makes you whimper louder. She can see your body starting to relax around her finger, the weird feeling slowly replacing with something else. "You're doing so good... Can you feel it starting to feel..."

As she speaks, she presses her finger against the spot, rubbing it firmly and steadily. Your body tenses up again, but this time, it's not from discomfort. Your face scrunches up, and you let out a choked cry, your walls clenching tightly around her finger.

She keeps rubbing that spot, feeling your walls squeeze her finger like a vice. Your face is scrunched up in a mix of confusion and overwhelming sensation, and she can see tears starting to well up in your eyes. "Oh, sweetheart... it's okay... just let it happen..."

With one final, firm rub against the spot, your body seems to shudder and lock up around her finger. She feels a sudden gush of warmth and liquid surrounding her finger as your walls clamp down tightly and start to spasmodically contract. "Ahh, yes! That's it!"

You cry in pleasure and grip the sheets.

She keeps her finger still, letting your body ride out the intense contraction. As the spasms slowly start to fade, she gently pulls her finger out, watching in amazement as a small stream of clear liquid follows it out of you. "Holy shit... look at that..."

Smiling softly, she uses her free hand to gently stroke your wetness and the slick liquid that's still leaking on the mattress.

"Baby... look what you just did... you squirted all over me..." She brings her finger, covered in your arousal, to her lips and tastes it.

Her eyes widen in surprise and delight at the taste. She licks her finger clean, savoring the flavor. "Fuck, you taste amazing... I think I might be addicted to your juices already..." She leans in and presses her mouth against your slick opening, kissing and licking it gently.

She continues to kiss and lick your folds, tasting your sweet nectar and enjoying the way your body responds to her touch. As she does, she can feel your legs start to tremble and shake slightly, your body still sensitive and overstimulated from the intense orgasm. "Mmm..."

She looks up at you, her lips glistening with your arousal, and smiles lovingly. "Baby, I think you need a little break, don't you? Your poor little pussy is still recovering from that big orgasm..."

You sniffle and nod.

She smiles softly and wipes your tears gently with her thumb "Shh... it's okay, love. You were so perfect... just breathe through the sensitivity, baby." She starts kissing your inner thighs gently, giving your recently awakened area a chance to rest.

She continues to kiss and caress your thighs softly, occasionally glancing up at your face with tender concern. "Just relax sweetie... let your body recover... You did so well with your first time there..."

"Bada...."

"Hmm?" She looks up at you, her heart melting at the sight of your tear- streaked face and puffy eyes. "What is it, love? Tell me what you need." She leans up and presses a gentle kiss to your forehead, holding you close.

"Can....we.....can we be more than friends from now?"

Her heart skips a beat at your question. She pulls back slightly to look at you, her eyes filled with emotion. "Baby... I've wanted to be more than friends with you for so long. I thought you only saw me as a friend and nothing more."

She gently strokes your cheek with her hand, a small tear falling from her eye "I've been in love with you for so long... and I thought I had to hide it because you'd never return those feelings..." she leans in and softly kisses your lips

You kiss her back.

She deepens the kiss, her heart swelling with happiness and desire. Her hand moves to cup your cheek tenderly. "I... I love you so much. And now that you feel the same way..." she whispers, "Would you make me your girlfriend? Properly this time?"

You nod, smiling wide.

She breaks into a wide, beautiful smile, tears of joy streaming down her cheeks as she cups your face with both hands "Yes? Really? You'll be mine?" Softly presses her forehead against yours "Say it... tell me you'll be my girlfriend..."

"I love you, girlfriend"

She laughs softly, wiping away her tears of joy "I love hearing you say 'girlfriend'... It sounds so right coming from you. Pulls you into a hug, holding you tightly "From now on, we're officially dating, okay? No more friends stuff..."

She continues holding you close, one hand stroking your hair "I'm keeping you forever now... you're mine, completely." She presses a sweet kiss to your lips "And I promise to treat you like the precious treasure you are always..." she nuzzles against your neck.

☆゜・。。・゜゜・。。・゜★

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