#but I'll write anything

[bluerosefox]

Mama Bat

There was a baby in the Batcave.

There was a baby in the Batcave.

There was a glowing, white haired, Lazarus green eyed baby floating in the freaking Batcave!

A baby that was currently wearing a superhero themed footy pajamas and making tiny circles in the air as they coo and make spit bubbles.

A baby Cass had found while on patrol... in Hong Kong before suddenly and somehow appearing in Gotham. In the Batcave.

Along with them, sitting innocently on the batcomputer chair was a baby bag (themed after Black Bat somehow) full of everything a baby needed a glowing green sticky note with purple handwriting on it.

'Cassandra Cain-Wayne

Take care of our little Ghostling. Everything will make sense in due time.

P.S Daniel enjoys the stars.

-CW'

By the time Bruce finished reading the note aloud, Cass had manged to get a hold of the baby who was making happy noises and patting her cheek.

And a second later a blinding light overtook the baby and once the light was gone, the baby now had black hair and bright blue eyes.

[caspercryptid]

Hello everyone I am so unbelievably pissed about the NaNoWriMo situation that i'm going to take my massive stack of writing and craft books and my English degree and channel all my rage into making an email newsletter to send craft-oriented writing prompts and tips during the month of November. Say No to NaNoWriMo, but yes to WriMo. You get it.

I'm not going to make this have the same goals as Nanowrimo-- I'm not reskinning it but less ableist, I just really think having a whole month where people focused on their work is pretty cool and I want to keep up that spirit. This is going to be informal and run by Just Me, though I'll make a discord server if it's clear there's interest. Direct questions to @nowrimomo , which I literally just made and so will look like a skeleton currently.

I'm going to include prompts from various professional sources with options for Fiction, Nonfiction, Poetry, and Fanfic, so everybody can get in on this. It doesn't matter what you write, but we should all Write More.

[dapper-lil-arts]

My latest one shot fic is out, and the subject is exactly what you'd expect, lmao. Applejack and Rainbow Dash compete to see who's the best lesbian.

[quadrantadvisor]

DPxDC Danny/Jason Soulmates AU WIP

-

Jason's timer read 044389:21:08, when the display suddenly went dark. 44,389 hours. Five years, 24 days, 13 hours, 21 minutes, and 8 seconds until he was fated to meet his soulmate.

Or not. Because the time stopped.

It wasn’t supposed to happen. He did his research, and with the resources at his disposal (namely, a batcomputer,) he knew for a fact that there should be no way to defy the fate of a timer. People had tried. Avoidance, isolation, putting a hit out on your own suspected soulmate. Nothing worked. Trying to delay the inevitable put you on the path to meet it. Sure, there were people who lamented the unfairness of their own situation, who were devastated they never got time with their soulmate, famous deaths on opposite sides of a battle, etc. But soulmates always, always met eachother, face to face.

Not him, though. His soulmate was dead. Five years early.

Bruce didn’t get it. Dick wouldn’t talk about it. Alfred only looked at him with pity in his eyes.

Jason wasn’t sad that he was the only person on the planet who’d never meet his soulmate. He was fucking angry, because it wasn’t fucking fair. It was another person in his life who was supposed to care about him that he’d never get to have.

So when he found out he had a mom, somewhere out there, who he’d never had the chance to meet… he had to go. How could he not?

-

It was Sam who noticed, when it happened. Danny had just finished a stupid fight with Boxy, and he, Sam, and Tucker were finally ready to call it a night. Danny de-transformed and grinned, shaking the thermos proudly. “Gonna get these guys back into the Ghost Zone,” he said, when suddenly-

“Danny!” Sam yelped, and snatched at his arm.

Danny stumbled, nearly dropping his precious cargo. “Whoa, Sam, what-?’ he stopped, looking as she turned over his arm, baring his wrist.

His timer was dark, like people who’s soulmates were dead. The numbers still showed, faintly, but they were stationary. The countdown had stopped.

Ice spread through Danny’s veins, like the cold that rushed through him when he went ghost, but worse, so much worse.

Danny’s ghost form didn’t have a timer, which honestly freaked him out, but as a human it had always behaved completely normally. When he turned back, it would be there, the time having elapsed just the way it was supposed to. It had been so reassuring. He was alive. He’d make it at least five more years, and be able to meet his soulmate, who would hopefully be able to accept him the way he was. He wanted that so badly. He wanted someone beyond his friends to talk to, to know him as a person and a ghost. He wanted to not be afraid anymore.

He’d just passed the five year mark, not that long ago. He’d been so excited to be that much closer to someone so important.

And now something was horribly wrong.

“Dude, that’s jacked up,” Tucker said, noticing the problem with wide eyes.

“Did anything happen today?” Sam asked, her expression hardened with determination. “Did you notice anything weird while you were transformed?”

Danny shook his head. “No, no it- it was running while we were at school, and we’ve been fighting ghosts since then. I don’t know when it would’ve…” Danny could barely make himself speak. “Is it my fault?” he said, almost to himself. “Did I spend too much time as a ghost and it just-”

Sam gripped at his hand. “No, Danny, it isn’t your fault. Whatever the problem is, we’re going to figure it out, okay?”

“Yeah man,” Tucker added, clapping a hand on his shoulder. “Hey, maybe your parents can actually help this time? Weird magic science is kinda their thing, right?”

Sam looked less sure, but nodded all the same. “You’re going to meet your soulmate. Okay?”

“Okay,” Danny said, quiet, looking down at the stopped numbers on his wrist.

-

Edit: Added a readmore

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[iindigoeyed]

saw this dress and purse and i KNEW i had to draw this, it's so her!!

[sygneth]

I have had a lot of thoughts on the original story after listening to the Sherlock&Co "Gloria Scott" and a new headcanon just dropped.

Chapter 1: part 1 - part 2 - part 3 - part 4 - part 5 - part 6

Masterpost (Index)

AO3

thoughts, if you're curious:

As far as gay Victor Trevor absolutely got me, I don't think there was anything serious between him and Holmes. This all comes down to my reading of Holmes, who is (to me) too aroace-spec to get involved in a regular relationship (althouuuughh about Holmes, his sexual and romantic orientation and him discovering it I have had so many thoughts I could write a whole essay). He likes to have a default person though, someone who will take him as he is, and maybe even admire a little - now that's Watson, earlier it was Trevor.

And yea I think Victor got a crush straight away after their first meeting, maybe they even talked about this at some point. Maybe Holmes said that he won't be able to reciprocate this affection but if Victor is fine with keeping things as they are, then he is too. I like to think they stayed pen friends even after Trevor's leave.

I feel like I should emphasize this? My intention in the comic was to make Trevor visibly flustered because he didn't expect a young attractive boy (he's hopeless in my head), while Holmes simply didn't expect to see someone his age and so sincerely sorry.

[cheswirls]

short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

-

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no.  You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience. 

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.”

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”

[poorly-drawn-mdzs]

Get Souped!

[becca-e-barnes]

Honestly, it might not be everyone's thing but the thought of sweet, domestic free use makes me purr 😵‍💫

Just the thought of baking in the kitchen with some quiet music playing that you can't really hear when the mixer is running. Wearing a cute little dress with an apron on top, knowing that your husband has been enjoying the way the hem flutters just above your knees.

Bucky's always been full of compliments but never more so that when you're making him his favourite sweet treats. He appreciates you. All of you.

"Such a good little wife for me." He's been sitting at the kitchen table, waiting for your mixer to finish incorporating the dry ingredients into your chocolate brownie batter.

With your back to him, he can't see the smile that tugs at the corners of your lips. He can't see the joy you feel at being able to show him how much you love him.

"You're so gorgeous, do you know that?" He's already crossed the space between you, standing behind you and trailing his lips up your neck.

His hands feel huge on your waist and you feel how desperate you are to melt against his broader frame. You're safe and loved and appreciated and it makes you want all of him.

"I think you'll like the panties I'm wearing." You whisper, trying not to look at him as the kisses to your neck pause.

One hand slips from your waist, under the hem of your dress, trailing up the outside of your thighs.

He doesn't know whether to expect lace or cotton or silk or something else entirely but his breath catches in his throat when he finds nothing. No fabric at all. Just more soft, warm skin.

"Fuck sweetheart, you've been at home all day with no panties on?" The hand disappears and you hear your husband undo his belt buckle.

"No, I took them off before you got back." Somehow he likes that answer more. They came off just for him.

"You must've been hoping I'd take care of you." He gives his stiffening cock a few strokes before pulling your dress up and bending you over slightly.

His tip has no trouble slipping inside you, followed quickly by the rest of his length. You're almost embarrassingly wet just from knowing that he was looking at you.

"Just you keep doing what you're doing. Don't let me distract you." He groans as he thrusts into you, enjoying the tight, wet heat of your body and the way you try to turn your attention back to your mixing bowl.

[thasorns-moved]

BAS ASAVAPATR PONPIBOON AS KORN IN 4 MINUTES สี่นาที (2024) dir. Ning Bhanbhassa Dhubthien

[mellosdrawings]

i love the n2 squad 🙇🏻‍♀️ please spare any angst crumbs if you have some

"I love the n2 squad, please make them suffer <3" Sorry that made me cackle xD Same tho

Angst 1:

Jamil is obviously very self conscious about his position compared to Leona and Vil. No matter what he stays stuck in his own mind about being a servant while they are (basically) royalty, being only vice Housewarden while they are Housewardens, being in second year while they are in third year, etc. He's seen with his own two eyes what Vil and Leona are capable of too.

He's not self-deprecating so much as he is frustrated. He wants to be worthy of them, he knows he can hold his own beside them. But he's still very self conscious and he hates it.

It comes in little things, but one of the scenario I've thought about is "kneeling" (no, not that kind, perverts /jk). Vil, while being the most perfect goddess ever, isn't actual royalty, and Jamil has knelt for him a few times while dancing and caring for his feet after wearing new heels for too long. With Leona though? Nope. He completely blocks. Just the thought makes him resent himself and Leona. But also Leona despises how obviously Jamil treats him and Vil differently.

(How do they resolve that? Well first they talk it out despite both being wound up. Vil acts as mediator.

And then Leona shocks everybody by kneeling to Jamil. He tries to even things out even though he can't change their situation. Yet. Because in truth he's such a sap that his very first thoughts about marrying his boyfriends happen here. He can even things out.)

(“Do you want a massage ?”

Leona and Vil’s attention crash on him with a weight that sends Jamil off balance. “What ?” he asks.

“You wish to massage my feet ?”

And Jamil realizes the implications of what he just said. There are massages and there is kneeling at one’s feet to attend to them. And Jamil has sworn to himself that he would never kneel again, that he would find a way to get back on his feet to stand as high and proud as Kalim, that no matter what he would never fake submission again.

It’s not fake here. Submission ? Maybe. Worship ? Definitely. But it’s not fake. Jamil would gladly go down on his knees for Vil, any and every time without a second thought, without shame. Because Vil wouldn't ask that of him. Vil doesn't need to belittle anyone to be able to stand over them, Vil would never belittle Jamil like that.

So Jamil goes down on his knees and lays a hand on Vil’s calf. “It’s alright,” he reassures them, and for once he means it. “Here.”

Vil only hesitates a couple more seconds before he gives one foot to Jamil.

While his hands work the blood flow inside Vil’s feet and calves, he takes a side look at the heels. They are brand new, Jamil sees, not even a single sign of wear on the soles. They have cut into Vil’s heels a bit so Jamil avoids the area and mentally notes to check into the bathroom for a first aid kit.

Vil sighs, melts into his seat, and Jamil smiles to himself.

And then Leona huffs. And it doesn't sound like a good thing.

Even Vil redresses in his seat to send an inquisitive glance at him. Leona just shakes a lazy hand toward them and turns on the bed for a nap. “Ignore him,” Vil says to Jamil. “He’s being petty.”

“Why, do you want a massage too ?”

Leona snarks a sardonic laugh. “As if you’d drop on your knees for me.”

And…

Jamil wouldn't. His hands halt on Vil’s feet. Jamil doesn't think he could kneel for Leona like he does for Vil, at least not without feeling resentful. The last thing Jamil wants is to find any reason to resent Leona. But things as they are, Leona’s status reminds him too much of the Asim.

He could kneel for Vil without feeling ashamed of himself. That man was no man, but a deity descended to earth in the form of the most gracious and beautiful being they could find. He has hordes of people willing to stand in lines for a second of his time, helpers all around him adjusting his clothes and makeup and hair. He worked hard to end where he is.

Leona is a prince. Born into royalty, possessing servants, and any time Jamil thinks too hard about them he’s unnerved.

Of course he loves Leona. Of course he’d do almost anything for him. But Jamil has been conditioned to serve and Leona is used to be served and Jamil just can’t.

He can’t.)

(Drabble I've had in my drafts for a while.)

Angst 2:

Another LeoJami but it's just too easy to imagine them at odds.

The first few months are... difficult, to say the least. Because while Jamil is very good at forethought, he's also used to have a very open and talkative ward. Leona though seems to be unable to express himself properly, barely saying a word, talking in riddles, etc.

Of course Jamil explodes at some point. "Can't you just be clear for once?! Do I have to play mind games whenever I talk with you?!"

Oh, but it's not just between those two. As I've once said, communication is a pretty difficult thing for them all. Vil isn't faring any better. He does keep things to himself far too much until he reaches breaking point, keeps his hardships from the other two until they have to physically restrain him into bed so he can take a break and talk to them.

(“Why are you kissing me ?”

Jamil thinks Leona has fallen asleep once more until the man finally moves, just enough to show his face to Jamil without actually releasing him.

He looks positively unimpressed.

“You are very slow on the uptake, Viper. Not the first time I guess.”

Jamil feels like punching him. Is that a quip about how long it took him to understand Leona's intentions back in Tartarus ?

“Contrary to popular belief, I cannot read people's minds,” Jamil says with gritted teeth. He's just good at guessing what Kalim wants from him since they have done it for so long, and people started thinking that's just a thing he does with everybody.)

(Short excerpt from my LeoJami fic)

Angst 3:

Also, for a few weeks after they start dating, Jamil is... very confused about Leona and Vil's flirting. When he talks like that to other, it's certainly not because he likes them, so it just sounds like they are fighting to him. It makes him a bit anxious for a while before he eases into the relationship and gets used to their love language and banters.

Plus, in my own headcanon Leona and Vil have been something for some time now, so Jamil also has the fun ordeal of carving his place into the relationship. Try to be with them and not with them. Leona and Vil have to learn to change their habits to make some place for Jamil, while Jamil has to assert himself. It... becomes angsty really fast until they are forced to tackle this issue.

(Jamil has never felt more awkward.

He’s in the back with Vil, Leona acting as their personal chauffeur, holding a manicured hand in his like it is the most natural thing in the world. And he feels awkward.

Vil and Leona have been bickering (flirting) ever since they got in the car and Jamil just doesn't know what he’s supposed to do. They have a snark in their flirting that Jamil could never reciprocate. He’s been bitchy with Leona a few times but that hadn't been flirting at all then. Leona just got on his nerves and Jamil had to exteriorize his annoyance somehow, it’s been in the form of arrogant remarks and biting threats that never once deterred Leona.

And he won’t even try with Vil. There’s no way he’s baring his fangs at him, even for a flirt or a joke.

So here he is, listening to a flirting Vil and Leona must have honed for years, and he feels like a complete stranger. He might as well not be here, he’s not even sure Vil and Leona would realize if he vaporized into dust.

It's not the first time he feels like that in only a week. Vil and Leona are assertive, Jamil is not. Vil and Leona have history. Jamil is brand new. Vil and Leona have their habits. And Jamil… well, his habits are to stay quiet to the side until the big shots ask something from him.

Jamil isn't complaining. They have been nothing but fantastic all week with him, Jamil must have reached the gates of heaven and been allowed in to enjoy such wonders. He wouldn't trade that for anything.

But… At times it feels like it's only Vil and Leona, and Jamil doesn't know how to dance around that. He's not sure if he should carve his way into their walls until he is completely nestled and they couldn't possibly remove him, or whether he should let them be just Vil-and-Leona, even when Jamil is around.)

(Drabble I've had in my drafts for a while)

Angst 4:

No, actually I'll keep this one for later 😏 Just know it involves a STYX rewrite with @aria-faye and it is veeeeery angsty (and soft. And angsty. And soft. And very angsty)

(Sneak brainstorm arts from the project fufufu)

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[milkamel]

💜 Pain sharing AU ❤️ Here's some HorrorDust fluff! :D As I mentioned, I wanted to expand this AU's lore onto the other characters so I started with them, they're very lovely <3

There are also other pairings that I haven't revealed yet and they're a secret for now >:D

Dust belongs to ask-dusttale Horror belongs to Sour-Apple-Studios

[mobius-m-mobius]

You wanna hear a good story? Listen to this one.

Mobius + comfort

[mintypsii]

sketchbook doodle reqs from twt (part 1)