#but I think there's something to the idea/design of a fantasy world that looks like this one

[monster-noises]

I just Love like... Wildly anachronistic fantasy so much...

Not like.. Dnd Medival-inspired but clearly very ~Fantasy~ renn faire aesthetic

But like.. Ella Enchanted, very vaguely medivial theme'd clothes Definitely from the 00's

like Sure this is a magical realm with castles and kingdoms and dragons and knights in armour and evil sorcerers in dark robes etc... but this purple haired goth bitch with a plaid mini skirt, matching arm warmers and a leather sleevless turtleneck absolutely also belongs here, and so does this cat boy in a short sleeve button up and white skinny jeans, fuck you.

[kingofbodyrolls]

BTS fic recs: June 2024

Hello, how are you doing? We are officially halfway through the year, Seokjin came home and in a few months Hobi too! I decided to change the graphics for the rec list to fit with my main design, I think this is cooler, anyway—Weee~ I managed to read a lot again this month! 👏 So this list is filled to the brim with amazing and wonderful stories! 

Some of the authors on this list is on hiatus, but please don’t let that stop you from reblogging or commentating on their story— because you don’t know when they might pop back in a see your lovely note, so please— if you like something, so some love to the author 🥰

I want to thank each and every writer on this list for creating such wonderful stories and art - you are truly amazing ✨ All the fics on this list hold a dear place in my heart 🥹

❗Most of these fics are smutty or dark as hell, so minors dni.❗ 

If you read anything on this list and you like it, please leave a comment to the writer or reblog the fic, it might seem like a tiny gesture, but it really means a lot for writers and I can guarantee it will put a smile on their faces💜 Let’s share and give lots of love!

Looking for more to read? Check ‘The Library’ or last years recs 🙂

[index] → jan | feb (jhs) | mar (myg) | apr | may | 💜 | jul | aug | sep (jjk)(knj) | oct (pjm) | nov | dec (kth)(ksj) | Emoji meaning → angst = 🌩️, smut = 🥵, fluff = 🥰, comedy = 😂, yandere = 😈, thriller/dark = 👻, fantasy = 🪄.

⭐Knock it Down a Peg @thatlongspringnight [3.3k]  // knj x f.reader // est. relationship // 🥰🥵😂

📝 thanks to an idea from Jungkook’s girlfriend, you and Namjoon decided to try something new in the bedroom.

🗨️ this was just so fucking funny 🤣 I really loved it! Like I was laughing the whole time— that’s how funny it was! A short, but very very funny read! ✨

⭐The Truth Untold @rmnamjoons [10.1k] // knj x f.reader // bf2l // 🥰🥵🌩️

📝 you’ve been trapped for months in a loveless, toxic relationship, too afraid of what would happen if you ever tried to leave. Your boyfriend gets so jealous, especially of your best friend Namjoon, who you’ve missed more than your heart can stand. Now, seeing Namjoon for the first time in weeks, you decide that it’s time to tell him everything, no matter the cost.

🗨️ ah what— this was both sad and very very sweet 😭 It’s sad, because it’s cheating— 😭 What she has with Namjoon is pure sweetness, and he is perfect for her 😭💜 I really loved it, though I have conflicted feelings about the cheating (I always have lol), but it was really good and I really liked it! It was so soft, beautiful and I love their relationship and she should just have picked Namjoon from the start!! Anyway, a really good story that will tear you up a bit 💯 Also, just seeing the banner had me in tears already, and looking at it again, I’m already crying 😭

⭐Park and Ride @here2bbtstrash [4.8k] // knj x f.reader // fuckbuddy!au // 🥵

📝 your fuckbuddy asks if the two of you can drive around a bit first, but he has a hard time keeping his hands to himself

🗨️ wow this was both cute and hot 🥵💯 There’s also a small drabble to it that can be found here: [link]

⭐Cream @luxekook [1.8k] // knj x f.reader // est. relationship, idol!au // 🥵

📝 you thirst over the outline in the pants of kim namjoon’s iconic cream suit just one time too many, and he’s ready to make you pay for it.

🗨️ Namjoon in that cream suit— what more do I need to say? 🥵 (also loved it, in case there was any confusing on that part ✨)

⭐Don’t Want Your Sympathy @sketchguk [9.5k] // knj x f.reader x jjk // est. relationship + threesome (kinda) // 🥵🥰🌩️😂

📝 jeongguk is like an annoying little brother to you, but nevertheless, there’s nothing in this world you wouldn’t do for your sweet, innocent best friend. so what are you supposed to do when he wants to watch your boyfriend fuck you senseless? say no?

🗨️ fuck. I’m going feral over this one 😭🥵 First, oc being best friends with Jungkook, so much so that she and Namjoon are willing to show him how to please a woman, please, I don’t know but that must be like the ultimate friendship goal? 🥹😂 I really loved it, and all the sexual teasing and banter was just so hilarious 😂

⭐Off Limits [completed series] @floralseokjin [n/a] // ksj x f.reader // brother’s best friend!au // 🥵🌩️

📝 you’ve been lusting after your brother’s best friend for a while now, ever since you met him at a house party, flirting it up a storm as you failed to realise who the other was. That was months ago now and things are still awkward, but you can’t ignore the sexual tension that’s simmers between the two of you…and it keeps getting worse…

🗨️ I finally finished reading this amazing series! It was really good, and one of my favorites Seokjin stories 🥰 Towards the ending it good really good and I had a tough time putting it down, because I just had to read how things would fall apart to be build back up again 👏 There was also some small plot twists that I didn’t expect and they were a positive surprise 💜

⭐Stuck with You @taleasnewastime [29.6k] // ksj x f.reader // s2l, Christmas!au // 🥵🌩️🥰

📝 it’s the first Christmas since your dad passed away. You, your mum and sister are going to his favourite place to do his favourite thing, skiing. And yet you’re not there. Stuck. Stranded. Trapped. In seemingly the single hottest place in the world. Your transfer flight cancelled so you’re now stuck between home and your family. A snowstorm that causes all flights to be cancelled, heat that just seems wrong at Christmas, your sister crying and shouting down the phone at you, and to top it off, the most annoying man in the world who’s in the same position as you and seems to think you’re friends because of that fact. Merry Christmas to you.

🗨️ this is truly one of my favorite plots and this fic is just so good, also a favorite, hands down!!! I just love me some good comfort, with angst, then comfort and a happy ending ✨

It was just so well done, the plot, and the characters too 🥹💯

⭐Satan, Baby @johobi [2.6k]  // ksj x f.reader // s2??? // 🥵👻🪄

📝 when the devil knocks, you’re only too happy to answer.

🗨️ I am speechless— it was such a nice, dark and smutty read! Really interesting ✨

⭐Redamancy @jeonggukingdom [7.1k] // ksj x f.reader // est. relationship, valentines day // 🥵🥰

📝 it’s St.Valentin’es Day and as per tradition, you are to surprise your boyfriend with a gift and a chocolate treat. On a whim, you decide to cook an entire dinner for him and bake him his favorite cake: chocolate filling and strawberry and cream toppings. Seokjin is bent down on showing you just how much he appreciated all your hard work for him. 

🗨️ gosh— so sweet, cute and sexy 🥵✨💯

⭐You Suck! @ugh-yoongi [18.3k] // ksj x f.reader // s2l, roommates, vampire!au // 🥵🥰😂🪄

📝 it’s St.Valentin’es Day and as per tradition, you are to surprise your boyfriend with a gift and a chocolate treat. On a whim, you decide to cook an entire dinner for him and bake him his favorite cake: chocolate filling and strawberry and cream toppings. Seokjin is bent down on showing you just how much he appreciated all your hard work for him. 

🗨️ WOW— so many thoughts on this; it was perfect, let me start with that. It was so fucking funny, I laughed so many times. I love Seokjin in this, how kind he is, funny, all that, and how he cares for oc, everything. The smut was so fucking funny, not gonna lie, I did not expect it AT ALL, but that shit had me rolling on the floor 🤣

⭐MicroWave [completed series] @btsmakesmehappy [37k] // myg x f.reader // neighbor!au, s2l // 🥵🥰🌩️👻

📝 Yoongi can’t help to worry about his neighbor. Not only that she almost burned the apartment down, she also trusts people too much, and yet she doesn’t want people to help her. She is just trouble written in bold and capital and he shouldn’t be acquainted with her. But yet, he makes it his mission to help her with all costs.

🗨️ I’m still baffled that this series doesn’t have more notes than it has—- because it’s simply fucking amazing! There’s 5 chapters and I read them so fucking fast, I just had to know what was happening with oc. Good pace in the story 👌It’s a series that features in with 6 others (not all are written and the overall general story seems to be discontinued), and I haven’t read the others yet, but I’m sure they’re just as good as this one! ✨

⭐The Road Not Taken [series; ongoing] @prodagustd [n/a] // myg x f.reader // brother’s best friend!au // 🥰🌩️🥵

📝 if you wanted to stop thinking about Yoongi, the first step was as easy as stop seeing him, but why it seemed like he was following everywhere you went?

🗨️ the author just updated this after months and I’m so happy because I found it so interesting and this chapter was just updated is jam packed with essential backstory! If you haven’t read this one yet, I highly recommend it ✨

⭐Fractured @hamsterclaw [6.6k] // myg x f.reader // detective!au // 🌩️🥵👻

📝 Yoongi’s a murder detective fighting burnout when he’s assigned the case that you and your former partner fucked up.

🗨️ oh, I love a good detective and police au! This was so good, the plot was intriguing and captivating— I really loved it ✨

⭐STEAM [completed series] @hoseoksluna [n/a] // myg x f.reader x jjk // est. relationship // 🌩️🥵

📝 one video call awakens your neediness for two cocks.

🗨️ okay this is really hot— and I really mean it, it’s dirty and filthy with all the good stuff! Yoongi is a bit iffy in this, so is oc, lol. I’ve only read the first one as of posting this, but I intend to read the rest of the series because I really like both the writing and the plot in this, and I’m very interested to know what is up with Yoongi! ✨

⭐Cybersex @gimmethatagustd [14.6k] // myg x f.reader // brother’s best friend!au // 🥵🥵😂

📝 the whole point of being a phone sex hotline operator is that you’ll never have to meet your clients. So what are you supposed to do when you find out your favorite client is your brother’s best friend? 

🗨️ I always enjoy Jai’s work, and this is no different! Such a funny and smutty story. Had me laughing at so many moments, like literally giggling out loud like a fucking fool, and OC’s friendship with the roommate is just so precious 🥹 and how oc and Yoongi actually get together is just so freaking funny 🤭 I loved everything in it so freaking much 💖💯

⭐Beleaguer @httpjeon [2.4k] // jhs x f.reader // neighbor!au, e2l, fuckboy!au // 🥵

📝 your neighbor is a pain in the ass.

🗨️ holy— DAMN! This was so fucking hot, so sinful and the dynamic between reader and Hobi??? How much they LOATHE each other 🤭👏 So freaking good! 💯

⭐Rather Be @hisunshiine [4.3k]  // jhs x f.reader // college!au, dancer!au // 🌩️

📝 you’re finally able to attend your dream school for ballet, where things are going well! You’re making new friends, have a chance to become a principal dancer in the winter show, and you’re growing closer to Hoseok. He’s a talented hip hop dancer, but still reeling after a tough break up, and doesn’t know if he’s ready to date again. Torn between you and his ex, Hoseok must decide where he’d rather be.

🗨️ this was just really cute 💜 Also to note, this has a named oc!

⭐Keeping a Secret @kpopfanfictrash [3.7k] // jhs x f.reader // est. relationship // 🥵

📝 you and Hoseok have been hooking up for a few weeks now. No one in your friend group knows. What happens then, when he shows up at movie night looking better than anticipated?

🗨️ aaaaaaahh~ So fucking cute and hot too, I really loved it 💜💯

⭐Liar, Liar @eoieopda [5k] // jhs x f.reader // fuckbuddy!au // 🥵

📝 Hoseok suspects that you’re “phoning it in” while sexting and he’ll be damned if he doesn’t call your bluff.

🗨️ okay. This was amazing and I really loved it 🥵💯✨ 

⭐Cheap Wine & Second Chances @minisugakoobies [8k] // jhs x f.reader // f2l + valentines day // 🥵🥰🌩️

📝 valentine’s Day has brought Hoseok, your best friend from college, back into your life. Is this your second chance to get the one that got away?

🗨️ oh this is so cute and sweet (and a tad bit sad) 🥹 I love this story, it’s just so cute– the one that got away, and they finally get their chance! So freaking cute and I loved every word of it ✨ 💯

⭐As If It’s His Last @vinetae [4k]  // pjm x f.reader // fwb + f2l // 🥵

📝 it had been a simple agreement. You felt bad at how many times Jimin had a hectic schedule. And while you couldn’t do anything about that, you could offer some services out of pity for the boy..

🗨️ well this was just hot 🥵🥵🥵

⭐The Pitfalls of Silk: drabble @ctrlhope [1.7k] // pjm x f.reader // s2l, hybrid!au, soulmate!au // 🥰🥵😈🪄

📝 the winter gods are out to get you. That could be the only possible explanation for the series of bad luck tumbling before you— tropical vacation cancelled, snow locking you inside. Hell, even your shovel broken in half has got to be the gods playing some sort of trick on you. Pulling you along, making decisions for you as they guide you along the red string of fate. Guide you towards the very spider that found his way into your basement. Allowing him to fall into your heart all the same. 

🗨️ Lily just wrote a drabble for the one-shot I read last month!!! And the drabble was just so fucking cute 😭😭😭 If you haven’t read the original, please do that before you read the drabble, the story is really beautiful ✨

⭐The Group Project @noona-la-la-la [8k] // pjm x f.reader x kth // roommate!au + threesome // 🥵

📝 Jimin is jealous when his best friend and roommate, Taehyung, has a date with the girl Jimin has a crush on.

🗨️ fuck this was so GOOD!!! 💯 Best friend Tae 💜 It was so freaking hot and sinful, like????? Jimin watching them, and then Tae just being best friend ever at the end 🥵 Also, the dialogues were so fucking good! I really loved everything in this 😭

⭐Taste of You @divinelyparkjimin [5.2k]  // pjm x f.reader // childhood friends to lovers, roommates, fuckboy!au // 🥵🌩️🥰

📝 getting yourself off to your childhood friend’s sexual escapades was definitely not on your radar, but seems like it should’ve been a long time ago.

🗨️ a really good read— though Jimin is a total dick in my book 😂 OC isn’t much better, but hey, they do get together in the end, and that is what matters! 💜

⭐Muscle Tension @bluemari23 [0.7k]  // pjm x f.reader // est. relationship // 🥰

📝 you feel a little stressed after a family visit and your husband helps relieve some tension.

🗨️ SFW— sweet fluffiness 🥰 Short and sweet, and I really loved it 💖

⭐Fantasy @pantherxrogers [1.5k]  // kth x f.reader // marriage!au // 🥵

📝 you love a man in uniform. more specifically, you love the way your husband looks in a uniform. he attempts to come home and surprise you, but he's the one left in shock.

🗨️ HOTTTTT 🥵🥵🥵

⭐Shameless @peachypinkygloss [3.6k]  // kth x f.reader // est. relationship, university!au // 🥵

📝 your boyfriend is really kinky. He can never go against his sexual urges, even when you both are in a hot tub with his friends.

🗨️ ADFSFDGFD— Speechless over here 🥵

⭐Backstage @jeonqkooks [0.6k]  // kth x f.reader // est. relationship, band!au // 🥵

📝 intentionally left blank by the author!

🗨️ just hotness 🥵

⭐Good Girl @suga-kookiemonster [3.5k]  // kth x f.reader // office!au, co-workers to lovers // 🥵

📝 you don’t really know much about kim taehyung. what you do know is that he’s your handsome coworker and that, since you just accidentally sent him a nude, you’re good and royally fucked.

🗨️ funny and smutty! Also, what is it about office romance that just hits differently? 🥵

⭐Moonlight [ongoing series] @borathae [6.8k]  // kth x f.reader // est. relationship, vampire!au // 🥵

📝 Taehyung asks you to sneak out with him and you end up making passionate love to him in a hayloft.

🗨️ I love vampires and just from the description and I know the author is amazing at writing, I decided to read this, even though I haven’t read anything from the series at all. But fuck, it was so good! I’ll definitely be checking out the series, it’s a well established one, so there’s a lot to sink my teeth into 😜

⭐Chasing Cars [ongoing series] @oddinary4bts [n/a] // jjk x f.reader // brother’s best friend!au, forbidden love!au, college!au, slice of life!au // 🥵🌩️🥰

📝 when your brother goes to study on a semester abroad, your life collides with his best friend Jeon Jungkook, who's coincidentally your roommate. Will you survive the collision, or will you crumble into dust?

🗨️ I’m on chapter 7 right now (there’s 8 out as of posting this) and it’s still so fucking good! I’m kinda mad at JK though, but it’s okay! I love when stories get me either mad, sad or frustrated at the characters, and Ella is so freaking good at that! ✨ Also, she has been making small drabbles for each chapter from JK’s pov and those are just extremely good too! 💜

⭐Dumbo @cinnaminsvga [17.2k] // jjk x f.reader // s2l // 🥵😂😂

📝 you know what they say about boys with big noses… {or alternatively: jungkook has a big dick but he doesn’t know how to use it, but luckily you’re there to help.}

🗨️ This was just so fucking hilarious I don’t even know where to begin 😂 I don’t know how many times the word ‘dick’ or its many different variations is used in this fic, but damn it a lot, and damn is it fun! 🤣 There’s so many dick jokes it should be criminal! It was so good though, the story was just too funny, almost absurd (lol), but dammit it’s a new favorite! 💯

⭐Fool for You [completed series] @btsgotjams27 [24.9k] // jjk x f.reader // college!au, fake dating, s2f2l // 🥵🌩️🥰

📝 when Jungkook is finally single, you shoot your shot.

🗨️ This is a short series and it’s really good— it’s cute, has angst and a happy ending ✨

⭐Make it Right @jungkxook [11.5k] // jjk x f.reader // band!au, exes to lovers // 🥵🌩️

📝 you’re wholeheartedly, madly in love with jungkook and yet you shouldn’t be because it’s been almost a year since you broke up with him. worst part of it all is that you know he’s still in love with you too.

🗨️ gaaaaahhh, I’m crying 😭 This was so beautiful, bittersweet 😭 I loved it so much and their love, omg, so pure, so precious. His song for her, I’m just like 😭 (can you tell I’m a sobbing mess?) Definitely a new favorites and I loved the fact that, they both knew they were broken, waiting for each other, and even though broken, they will heal and take it slow 😭💯

⭐Coffee Stain @oddinary4bts [1.9k] // jjk x f.reader // grief!au // 🌩️🌩️🌩️

📝 you grief, and it's the expression of your everlasting love for Jungkook.

🗨️ Do you want to cry, but not able too? Go and read this! It’s so fucking sad, but so incredible beautiful and sweet, it will make you tear up in now time. As said before, Ella just have a way with words, and in this one, they sure do hurt a lot 😭 But I fucking love it ✨

Welcome to this new section! This section features member x member stories— if you’re not into that, it’s okay, and you can just skip it. Otherwise enjoy 🥰

⭐Sunday Smut Book Club @gimmethatagustd [7.1k] // knj x myg // s2l // 🥵😂

📝 the cute librarian at Yoongi's local library hosts an adult-only book club. As a fanfiction smut writer himself, Yoongi is intrigued.

🗨️ this was just extremely funny and cute! 🥰 Also, I love that Yoongi writes fanfiction, and as I writer it was very relatable! It has a very ‘meta’/fourth wall feel too it 🤭 Which I fucking adore ✨

Welcome to this small section— it won’t be here every month, only when I’ve written something new, I’ll add it here, just to promote myself a little bit 🫶

⭐Till We Meet Again [11.4k]  // jjk x f.reader // childhood f2l, mermaid!au, fantasy!au, magical!au // 🥵🥰😂🪄

📝 when your childhood friend that you had a crush on, moved away out of the blue— you never thought you’d see him again. A night swim in the ocean will have you feeling delusional, but the voice that fills your ears— sweet like cotton candy, you’d recognize that voice anywhere, it’s Jungkook.

⭐Friendcation: wedding special [12.2k]  // myg x f.reader // established relationship, mechanic!yoongi, roadtrip!au // 🥵🥰😂

📝 Yoongi has done everything in his power to make your wedding truly special, what he couldn’t plan for was the rain. But fret not, a bit of rain will not make your day less special when it’s surrounded by friends and family. And your wedding night? Well, being pushed down into the sheets by Yoongi is easily one of your favorite things.

Thank you so much for reading my rec list, I hope you’ll reblog it to make it reach more people! There’s some insanely good reads on here ✨

I’m not sure I’ll get to read as much in July, because it’s summer holidays ☀️

If you want more, you’re more than welcome to follow me! I do monthly rec lists and sometimes I post my own writing too (only bangtan).  Love you and borahae 💜

[dailyadventureprompts]

Dm Tip: Playing the Villain/ Guidelines for "Evil" Campaigns

I've never liked the idea of running an evil game, despite how often I've had people in my inbox asking how I'd go about it. I'm all about that zero-to-hero heroic fantasy not only because I'm a goodie twoshoes IRL but because the narrative-gameplay premise that d&d is built around falls apart if the party is a bunch of killhappy murder hobos. Not only would I get bored narrating such a game and indulging the sort of players who demands the freedom to kill and torture at will (I've had those before and they don't get invited back to my table), but the whole conceit of a party falls through when the obviously villainous player characters face their first real decision point and attempt to kill eachother because cooperation is a thing that goodguys do.

Then I realized I was going about it all wrong.

The problem was I had started out playing d&d with assholes, those "murder and torture" clowns who wanted to play grand-theft-auto in the worlds I'd created and ignore the story in favour of seeing how much unchallenged chaos they could create. They set my expectations for what an evil campaign was, and I spent the rest of my time developing as a dungeonmaster thinking " I Don't want any part of that"

But what would an evil campaign look like for my playgroup of emotionally healthy friends who understand character nuance? What would I need to change about the fundamental conceit of d&d adventures to refocus the game on the badguys while still following a similar enough narrative-gameplay premise to a hero game? How do we make that sort of game relatable? What sort of power/play fantasy can we indulge in without going off the deepend?

TLDR: In an evil campaign your players aren't playing the villains, they're the MINIONS, they're mooks, henchmen, goons, lackeys. They're the disposable underlings of uncaring overseers who have nothing but ill intent towards them and the world at large.

Where as in a hero game the party is given the freedom to challenge and overthrow corrupt systems, in an evil game the party is suck as part of that corrupt system, forced to bend and compromise and sacrifice in order to survive. The fantasy is one of escaping that corrupt system, of biding your time just long enough to find an opening, find the right leverage, then tossing a molitov behind you on the way out.

Fundamentally it's the fantasy of escaping a shitty job by bringing the whole company down and punching your asshole boss in the face for good measure.

Below the cut I'm going to get into more nuance about how to build these kinds of narratives, also feel free to check out my evil party tag for campaigns and adventures that fit with the theme.

Designing a campaign made to be played from the perspective of the badguys requires you to take a different angle on quest and narrative design. It’s not so simple as swapping out the traditionally good team for the traditionally bad team and vis versa, having your party cut through a dungeon filled with against angel worshiping holyfolk in place of demon worshipping cultists etc. 

Instead, the primary villain of the first arc of the campaign should be your party’s boss. Not their direct overseer mind you, more CEO compared to the middle managers your party will be dealing with for the first leg of their journey. We should know a bit about that boss villain’s goals and a few hints at their motivation, enough for the party to understand that their actions are directly contributing to that inevitable doom.

“Gee, everyone knows lord Heldred swore revenge after being banished from the king’s council for dabbling in dark magic. I don’t know WHY he has us searching for these buried ancient tablets, but I bet it’s not good”

Next, you need a manager, someone who’s a part of the evil organization that the party directly interfaces with. The manager should have something over the party, whether it be threats of force, blackmail, economic dependency… anything that keeps the antiheroes on the manager’s leash. Whether you make your manager an obvious asshole or manipulative charmer, its important to maintain this power imbalance:   The party arn’t going to be rewarded when the boss-villain’s plan goes off, the manager is, but the manager’s usefulness to the boss-villain is contingent on the work they’re getting the party to do.  This tension puts us on a collison course to our first big narrative beat: do the party get tired of the manager’s abuse and run away? Do they kill the manager and get the attention of the upper ranks of the villainous organization? Do they work really hard at their jobs despite the obvious warning signs and outlive their usefulness? Do they upstage their manager and end up getting promoted, becoming rivals for the boss-villain’s favor? 

Building this tension up and then seeing how it breaks makes for a great first arc, as it lets your party determine among themselves when enough is enough, and set their goals for what bettering the situation looks like. 

As for designing those adventures, you’ll doubtlessly realize that since the party arn’t playing heroes you’ll need to change how the setup, conflict, and payoff work. They’re still protagonists, we want them to succeed after all, but we want to hammer home that they’re doing bad things without expecting them to jump directly to warcrimes. 

Up to no good: The basic building block of any evil campaign, our party need to do something skullduggerous without alerting the authorities.  This of course is going to be easier said than done, especially when the task spins out of control or proves far more daunting than first expected. The best the party can hope for is to make a distraction and then escape in the chaos, but it will very likely end with them being pursued in some manner (bounties, hunters, vengeful npcs and the like).  Use this setup early in a campaign so you have an external force gunning for your party during the remainder of their adventures. 

Dog eat dog:  It’s sort of cheating to excuse your party’s villainous actions by having them go up against another villain who happens to be worse than they are. The trick is that we’re not going after this secondary group of outlaws because they’re bad, we’re doing it because they’ve either got something the boss wants, or they’re edging in on the boss’s turf.  This sort of plotline sees the party disrupting or taking advantage of a rival’s operation, then taking over that operation and risking becoming just as villainous as that rival happened to be. This can also be combined with an “Up to no good” plot where both groups of miscreants need to step carefully without alerting an outside threat. 

The lesser evil: This kind of plot sees your party sent out to deal with an antagonistic force that’s a threat not only to the boss’s plans but to everyone in general. In doing so they might end up fighting alongside some heroes, or accidentally doing good in the long run. This not only gives your party a taste of heroism, but gives them something in their back pocket that could be used to challenge the boss-villain in the future.  

The double cross: In order to get what they want, the party need to “play along” with a traditional heroic narrative long enough to get their goal and then ditch. You have them play along specifically so they can get a taste of what life would be like if they weren't bastards, as well as to make friends with the NPCs inevitably going to betray. This is to make it hurt when you have the manager yank the leash and force the party to decide between finishing the job , or risk striking out on their own and playing hero in the short term while having just made a long term enemy. This is sort of plot is best used an adventure or two into the campaign, as the party will have already committed some villainous deeds that one good act can’t blot out. 

Next, lets talk about the sort of scenarios you should be looking to avoid when writing an evil campaign:

Around the time I started playing d&d there was this trend of obtusely binary morality systems in videogames which claimed to offer choice but really only existed to let the player chose between the power fantasy of being traditionally virtuous or the power fantasy of being an edgy rebel. Early examples included:

Do you want to steal food from disaster victims? in Infamous

Do you as a space cop assault a reporter who’s being kind of annoying to you? in Mass Effect

Do you blow up an entire town of innocent people for the lols? in Fallout (no seriously check out hbomberguy’s teardowm on fallout 3’s morality system and how critics at the time ate it up)

I think these games, along with the generational backwash of 90s “edge” and 00s “grit” coloured a lot of people's expectations ( including mine) about what a "villain as protagonist" sort of narrative might look like. They're childish exaggerations, devoid of substance, made even worse by how blithely their narratives treat them.

Burn down an inn full of people is not a good quest objective for an evil party, because it forces the characters to reach cartoonish levels of villainy which dissociates them from their players. Force all the villagers into the inn so we can lock them inside and do our job uninterrupted lets the party be bad, but in a way that the players can see the reason behind it and stay synced up with their characters. The latter option also provides a great setup for when the party's actually monstrous overseer sets the inn on fire to get rid of any witnesses after the job is done. Now the party (and their players) are faced with a moral quandary, will they let themselves be accessories to a massacre or risk incurring their manager's wrath? Rather than jumping face first into cackling cruelty, these sorts of quandaries have them dance along the knife's edge between grim practicality and dangerous uncertainly; It brings the player and character closer together.

Finally, lets talk about ending the villain arc:

I don't think you can play a whole evil campaign. Both because the escalation required is narratively unsustainable, but also because the most interesting aspect of playing badguys is the breaking point. Just like heroes inevitably having doubts about whether or not they're doing the right thing, there's only so long that a group of antiheroes can go along KNOWING they're doing the wrong thing before they put their feet down and say "I'm out". I think you plan a evil campaign up until a specific "there's no coming back from this" storybeat, IE letting the Inn burn... whether or not the party allows it to happen, it's the lowest point the narrative will allow them to reach before they either fight back or allow themselves to be subsumed. If they rebel, you play out the rest of the arc dismantling the machine they helped to build, taking joy in its righteous destruction. If they keep going along, show them what they get for being cogs: inevitably betrayed, sacrificed, or used as canon fodder when the real heroes step in to do their jobs for them.

Art

[transform4u]

My phone seems to be acting strange all day, and now, I found this weird file euroalphamuscle.mp3 while looking around. Got any idea what's going on here?

You pick up your phone and your eyes immediately gravitate towards the file labeled "euroalphamuscle.mp3." A thrill of excitement shoots through you as you press play. The moment you do, your screen comes alive with an array of images featuring impossibly attractive European men. They are all striking: sculpted physiques, effortlessly stylish clothes, and magnetic smiles that seem to radiate confidence. You see them lounging on sunlit Italian terraces, driving sleek sports cars through narrow, winding streets, and exuding a kind of charisma that seems almost unreal.

As you watch, your apps undergo a stunning transformation. Instagram adopts a chic Italian flair, with posts now featuring high-fashion outfits, picturesque views of Tuscan landscapes, and, of course, even more striking men in sophisticated settings. Twitter’s layout changes too, embracing an elegant, minimalist design with a touch of Italian flair—soft, refined fonts and beautiful images of Italian landmarks and style.

Almost instantly, your phone starts buzzing with a flurry of messages. They’re in Italian, and while you don’t understand every word, it’s clear they’re about some incredibly attractive guy who’s apparently way more appealing than you. The messages come from various women, all eagerly discussing this person with a level of admiration that is both flattering and bewildering. You’re usually into guys, but the attention—and the energy of these messages—stirs something unexpected within you.

As for your thoughts, they've shifted dramatically. Your gay identity seems distant now, replaced by an overwhelming desire for hot chicks with big boobs. The thought of having multiple women fighting over you is intoxicating, and it only fuels your newfound lust for power and control. It feels like you're on top of the world - unstoppable and irresistible to everyone around you.

As the messages continue to flood your phone, you find yourself lost in a haze of arousal and entitlement. The idea of having multiple women at your disposal is making you feel drunk with power, and it's impossible not to bask in the attention. Your mind begins to muddle as you think less clearly about everything but sex and power.

You feel a sense of ownership over these women who are fighting for your affection - they exist solely for your pleasure, after all. You begin to see yourself as invincible, unstoppable - someone who can have anything he wants simply by exerting his masculine charm. Your dick throbs harder than ever before as you imagine what it would be like to dominate each woman individually or all at once.

As you process this new persona, the beat of your music sets the tone perfectly. “Ciao Adios” by Anne-Marie pulses through your headphones. The upbeat tempo and catchy rhythm make you feel like you’re dancing through a vibrant Italian street party, perfectly syncing with your newfound European allure and making every moment feel exhilarating and alive. As the melody washes over you, it fuels your growing sense of entitlement even further; now nothing can stop you from having whatever (or whomever) you want.

As you look down at your body, it’s a stark contrast to the Euro ideal that now seems to be taking over your mind. What you see is a plain, unremarkable frame—soft and untoned, dressed in mundane, everyday clothes that barely hint at any form of personal style. You’re just a typical American nerd, the kind who blends into the background of a coffee shop or a library. The plainness of your reflection feels almost self-deprecating, a reminder of a life lived in the shadows of more glamorous fantasies.

But as the vibrant beats of "La Vie en Rose" remix pulse through your earbuds, a tingling sensation begins to ripple across your skin. You watch, almost in disbelief, as your body undergoes a dramatic transformation. The changes are slow at first, then accelerate as if spurred by the infectious rhythm of the music.

Your features begin to sharpen. Your face morphs into a chiseled masterpiece—angular, pronounced, with a jawline so defined it seems almost sculptural. Your chin juts out with a newfound assertiveness, and your cheekbones become stark, catching light in a way that makes you look like a glossy magazine cover star. The skin that once felt ordinary now takes on a refined, almost luminescent quality, accentuating the newly etched lines of your visage.

Your hair undergoes a transformation that’s just as striking. It morphs into a glossy, meticulously styled mane, either slicked back with a precision that suggests endless grooming or styled in dramatic spikes that would fit right in at a music video shoot. The color shifts through to a deep, sultry blacks.

The physical changes continue as your body becomes lean and impossibly toned. Abs and biceps emerge with a definition that speaks of countless hours spent in the gym. Your shoulders broaden, and your chest becomes sculpted into a perfect V-shape, emphasizing the dramatic flair of your new physique. Veins trace the contours of your arms, which are now a testament to muscular dedication. Your legs, while strong, are overshadowed by the upper body’s grandeur.

You’re now clad in tight, flashy outfits that scream confidence and extravagance. The snug-fitting shirt hugs your sculpted torso, adorned with eye-catching patterns or bold colors. Fabrics are slick and synthetic—polyester or Lycra—that make you shine both literally and figuratively. Your jeans or trousers are slim-fit, perhaps distressed or featuring edgy details like zippers or studs that highlight every movement.

The footwear is just as attention-grabbing: designer sneakers or flashy dress shoes with prominent logos or unique designs. Accessories complete the look—a parade of gold chains that jingle with every swagger, oversized watches that gleam in the light, and a collection of rings that sparkle with each gesture. Even your sunglasses have transformed into statement pieces, worn indoors with an air of effortless cool.

Your Instagram and Twitter feeds explode with activity. Text messages from various women begin to flood in, each one filled with passionate enthusiasm for a man who now resembles your transformed self. They’re written in Italian, but the tone is unmistakable: admiration, desire, and a hint of obsession. Comments on your Instagram photos add fuel to the fire, with phrases like “Absolutely stunning!” “Mon dieu, you’re perfection!” and “Is this a dream?” filling the threads.

As these messages and comments accumulate, the sense of validation is intoxicating. You’re no longer the plain, everyday person you were. Instead, you’ve become the epitome of Eurotrash Italian allure, a dazzling figure who commands attention and adoration.

As your phone continues to buzz and vibrate, the messages pouring in are relentless. Each notification that pops up on your screen feels like a shot of pure adrenaline, fueling your transformation into the quintessential Eurotrash alpha male. You start scrolling through these messages, and each one is an electrifying affirmation of the persona you’re becoming.

On Instagram and Twitter, your posts and tweets reflect your newfound confidence and extravagant lifestyle. You craft tweets with an air of nonchalant superiority, boasting about your latest designer acquisitions and the exclusive events you’re attending. Your messages are a masterclass in self-indulgent charm: “Just picked up the latest limited edition from Prada—limited edition, of course. Only the best for me. 😉” or “Another night, another exclusive club. Where else but Paris can you find such opulence? #LivingTheDream.”

The text messages you’re receiving are equally flattering. They come from sleazy women who are dazzled by your new look and lifestyle. They’re filled with phrases like “I saw your photos—unbelievable! Are you really as stunning as you seem?” and “Papi, I need to have the muscles showing me what to do” The attention is overwhelming and addictive. With each message, your confidence swells, and your responses become more brash and flamboyant. You start sending texts like, “Just got back from a VIP section at the trendiest club in Milan. The night was electric. Ever been to a place like that?” and “I’m at the top of the world, darling. Life’s a party and I’m the guest of honor.”

As the messages and responses continue to flow, your personality starts to shift. You find yourself embodying the very essence of Eurotrash alpha male charm. You exude a glossy veneer of supreme confidence and unrepentant arrogance. Your smirk is almost permanent, suggesting that you’re not just the center of your universe, but everyone else’s as well. Conversations with friends and followers become a display of name-dropping and boasting. You recount tales of jet-setting escapades and wild nights with a charisma that feels almost second nature.

The soundtrack to this transformation is a pulsating loop of Eurodance hits and club anthems. Tracks by David Guetta, Calvin Harris, and Avicii fill your ears, their beats driving your high-energy, flamboyant lifestyle. The bass drops become metaphors for your life—each beat a reminder that every moment is an opportunity for grand gestures and even grander statements. “Titanium” by David Guetta blares in your headphones, its thumping rhythm perfectly mirroring your new, frenetic pace of life.

Your party scene becomes a playground of excess. The clubs you frequent are the epitome of opulence—neon-lit sanctuaries where the velvet ropes and designer-clad patrons are all part of the spectacle. You revel in the fanfare that accompanies your entrances, commanding attention with your extravagant style and magnetic presence. Every night out is meticulously curated to maintain your image as the undisputed king of the Eurotrash scene.

When it comes to workouts, your routines are high-octane and showy, designed to showcase your physique rather than actually push your limits. In the gym, under the glow of neon lights, you lift heavy weights with exaggerated grunts, flaunting your muscles with every rep. Your personal trainer is as high-profile as your personal stylist, ensuring that your body remains Instagram-ready at all times.

In your downtime, you indulge in high-stakes hobbies like luxury car racing or poker games. Each pursuit is designed to elevate your social status while feeding your need for constant adrenaline. Your life is a curated display of effortless opulence and unshakable self-assuredness. Every aspect is tailored to reinforce the illusion of a high-flying, high-rolling lifestyle. You’ve become the epitome of Eurotrash allure, a figure whose presence is as polished and provocatively over-the-top as the persona you now fully embody.

You receive a text from one of the women, telling you that she wants to fuck your brains out. She sends a picture of herself, and as you look at it, your dick immediately hardens. This is exactly what you've been looking for - someone who's eager to please and submissive enough to fall at your feet.

You realize that this woman lives in America, which gives you an idea. You decide to take her on vacation with you in Italy, where she can experience firsthand the power and allure of being with a hot Italian stallion like yourself. You plan on treating her like shit - making her work out every day so she stays in shape for when it's time for sex (which will be often), ordering food without asking what she wants because "a real man knows what his woman needs," and making sure everyone knows that she belongs solely to Luca: the ultimate Eurotrash playboy who can have anyone he wants simply by flexing his muscles or smirking cockily.

[crudely-drawn-ben]

Introducing Trilogy

Yesterday I released Trilogy, a new tabletop RPG crafted to support you in having grand adventures in worlds of your own making.

There are several reasons I started writing Trilogy, but the biggest one is that I ran a Dungeon World podcast called Crudely Drawn Swords for seven years and that was a lot of time to think about what we were playing. To a degree Trilogy is the game I wish that we could have had to run the podcast.

Starting from the question "what would a purely PbtA game for epic fantasy look like?" I started thinking more widely - what do I want from a fantasy game? And the truth is that I want a game that supports the structure of characters and their interactions but doesn't tie itself to a specific setting.

Trilogy begins with The Appendices - conventionally in epic fantasy these are at the end and document information about the wider world that might not have made it into the story, but here it is where you sit down as a group and decide what tone you want your game to have, and your world looks like. What kind of place is it? What magic is there? What is religion like? What are the major cultures where the story begins? How would it feel to be in this world? Trilogy doesn't tell you any of these things, it gives you the tools to think through how you want your world to look.

This creates a secondary challenge - without knowing what the world looks like, how could I design character classes for this type of game? Trilogy answers this by going back to the fundamentals - instead of a conventional character class, the playbooks in Trilogy represent a narrative arc. Some of them, like The Fighter, The Priest, or The Magus, look like familiar classes. Others, such as The Volunteer, The Mentor, The Weapon, or The Defeated, are a little different. Character arcs have a set of turning points, story beats that allow you to advance along your arc after you have collected a certain amount of experience. Some are positive and others negative, you choose which ones you want to hit and when, but every character's story has its highs and lows and to get the most from the game you need to lean into both. A character can pass through three arcs as they grow and change, like the three volumes of a trilogy.

The aim of the game is to create a slower but satisfying sense of progression - instead of hit points characters take Stress and Harm like in other Powered by the Apocalypse games that can have both mechanical and narrative effects. That makes combat feel dangerous, but the game also offers more ways to solve problems without getting into combat - I have played games where the player characters never got into a fight, instead resolving confrontations through an ingenious selection of alternative strategies including "lying" and "vomiting magic ink all over the floor." I'm genuinely enthusiastic about this game - I think I would be as excited about it if somebody else had written it. It leans hard into the joy of discovery and the excitement of adventure - you can play it as spooky and whimsical or gritty and hard-edged and anywhere in between.

Because I was writing it I even got to make most of the examples of play roll out as the story of someone's game, something I always appreciate when I read it. It also contains every technique I use as a GM in the hope that even before people get the chance to play it (heaven forbid any TTRPG afficionado have books we haven't got around to playing yet!) people who read it will still be able to use that advice in their other games. So that's Trilogy, the game I've been working on for the last few years. I think it's pretty great and I hope you will too:

Obviously it's a full-priced game and that's a big gamble from an unfamiliar creator - if you want an idea of what it's like in practice we've got the CDS team back together and we're starting a streamed campaign so you have a chance to see it in action. You can find that over on Youtube: https://www.youtube.com/watch?v=NxpXacko9Nc

The first episode includes me notably failing to use OBS at both the beginning and end, and I can't make any promises things will improve in that regard, but it should be a good opportunity to see how the game shapes up from this start and with this crew I know it's going to be funny and take some wild swings. If you're interested in reviewing Trilogy or you really want to give it a try but you can't afford it, drop me a message

[calebwittebane]

alright can i just say something.

can I just voice my opinion can I be heard. this post Bovvers Me. now i know this is a joke post. but in reality, in practice, as it has been released into the world, its a half-joke-post. it gained so much traction because people really do think like this and not for entirely self-deprecating ways--though that would be bad too. listen, when it comes to LESBIAN GAY BISEXUAL TRANSGENDER sex, being submissive is more readily accepted in the culture that is afraid of sexuality, because to a certain degree it appears to remove involvement and intent (which of course in reality it really doesnt, and the idea that it does has been used by predators to obscure abusive dynamics, but i digress). being dominant, being horny without guilt, initiating and "leading" the scene, it involves a level of earnesty that many people are scared of. it is Cringe to them even tough they crave it, but what they want is an oscar worthy performance that hits all the unspoken levels of subtleties and post-post-irony, done by someone without feelings or boundaries or different levels of comfort, who is just here to act out someone elses fantasy and leave. it is a dreary picture of gaysexhavers SO afraid of being earnest, so intent on needlessly judging and policing others all because they do it to themselves first and foremost. a pursuit of joy and understanding gets trampled over by the need to appease The Shame and The Voyeur and The Peer Judgment and to conform to norms even in privacy. the notion that its shameful to be horny, that wanting things is predatory, that youre making a mistake and committing a sin to even be doing this in the first place. the need to have someone to project anxieties and shame onto, the need to look at someones "right" to have a sexuality, unspoken social currency, self-policing. moreover, when a person is designated inherently less deserving of normal things like safely expressing desire, kept perpetually afraid of unknowingly becoming a predator due to some intrinsic quality of theirs, their boundaries are more easily trampled over and their safety is not as readily taken into consideration. not to mention that such pathologizing of agency and expression mirrors the same old dehumanizing patterns found in wider society, as it ends up harming those most marginalized within lgbt spaces--POC, especially Black people, trans women, very gnc people, disabled people, and so on.

TL;DR - people will think and talk like this and then be like "where are all the doms..." this and "no one wants to top..." that

[eskymoos]

Levi Ackerman- The Richest Man in the World

You wanted to make a normal date with Levi more fun and unconventional, but you forgot that he can read you like an open book. Word count- 1409 Female reader x Levi Ackerman SFW

Dating Levi Ackerman can be very exciting. From under the sheets to simple, humble dinner dates. He always has a way of making it memorable for both of you. There is one occasion in particular, however, that will never slip your mind.

It was a hot summer day in Trost when the two of you headed for the heart of the city. There was no end goal other than to put your responsibilities aside and save up some time for each other. You were having an amazing time when a great idea came to your mind. 

There was a tall building on your left– a multifloored store for dresses of all sorts. Green, red, blue. Short, long, exotic. All of it in one place. You weren't surprised considering that many wealthy people lived here and most of them could easily afford to fill their wardrobes with clothes. Your eyes turned to stars and your jaw dropped.

''Hey, why don't we go inside?''

You suggested that and Levi, who was holding your arm to his chest like a gentleman, glanced over at the entrance. ''Hmmm? You like something?''

''Not yet. Come on.'' You urged and he didn't set you back. The Captain followed right after you, curious as to what you had in mind.

The place really was huge and the store owners gladly welcomed you inside, inviting Levi to sit over at a sofa and observe for now. You began looking at every dress, mesmerized at how amazing all of their designs were. 

But there is another thing that you couldn't ignore. You wondered if the reason you never wore dresses is because your body type just didn't allow it or because your budget was too small. Nonetheless it all made you hesitate a bit. You went quiet for a moment.

''Are you okay?'' Levi inquired, already sipping on a cup of tea he was brought while you were zoned out. 

''Yeah.'' You clicked your tongue and resumed the search.

It was best you kept your worries to yourself. You knew Levi was always one to watch over you and be sensible. You didn't want to feel like you've wasted his time so you chose to pretend that none of the dresses were up your alley.

The first one you tried on was truthfully ugly. You didn't have to fake the reaction. The color made your nose scrunch in disgust.

''I feel like a disco ball. There are too many beads,'' you murmured and your gaze ran to your quiet boyfriend. Levi was silent but his eyes were burning right through you. He took another long sip and said nothing. No sign of any emotion. 

Then you tried another one on. It was very beautiful but too long and tripped you over a couple of times. 

''It's my style but too long. I would need them to shorten it.'' You looked down and realized that not even your legs were visible through the material.

Levi was still watching and still saying nothing. You're beginning to wonder if this is boring for him.

Then your interest was piqued by three others. Unlike the first ones, you actually had luck this time. The dresses were the perfect size, shape and color. In fact, they resembled the ones you used to read about in your books. It was a fantasy brought to your reality. 

But you couldn't have Levi know that or else you'd have to tell him how this entire time you didn't have the money for any of this. You know he wouldn't mock you but the guilt would eat at your heart.

''It's…something. These are getting progressively worse, don't you think?'' You asked for his input, finding his sitting reflection in the mirror. Once more his mouth didn't open to speak but his focus went up and down on you. Was he eye fucking you or judging your horrible taste? 

After a few minutes of doubtful thoughts and inner regret, you shrugged your shoulders.

''Well it's fine. I'm glad that we came here at least. Maybe next time I will buy myself something.'' You explained, sighing deeply. What nobody knew was that if you could, you'd collect every single piece of clothing in this building. That dream owned your soul. 

You put on your casual clothes and walked out the fitting room to Levi who stepped closer to you and brushed the hair out of your face. For a moment you got the idea that he was telling you something telepathically but you didn't know what.

''You are beautiful.'' He leaned in to tell you, his voice raspy yet smooth. 

The two of you left, saying goodbye to the workers inside. Your gut shrunk a bit. You didn't know what to feel about what just happened.

And so, the arrows of the clock kept looping and two days passed by. You heard a knock on your door.

You opened it to see Petra and Oluo– two very loyal members of Levi's squad. He had told you many times about them but you rarely saw them.

''Is everything okay?'' You rush to ask, already overthinking what could be happening.

''Oh yeah.'' Petra grinned warmly and lifted a strange, enormous bag in her hands. ''The Captain told us to bring this to you. Enjoy.''

The two nodded respectfully, deserting you there with your own thoughts and a lot of confusion. Why exactly would Levi send you something? The two of you lived together so wouldn't it make sense that he directly handed it to you?

You brushed off all questions and checked the contents of the delivery. Your eyes turned big and round when you saw the three exact dresses you fell in love with the other day. But how? You gave it your best to hide what you felt and even acted repulsed but somehow Levi saw through your disguise. Now it makes sense why he was looking so attentively at you. He was studying your face bit by bit as if it were some kind of science. He knew just what you had on your mind.

All of them were crazy expensive which made you freak out a bit. The Captain went out of his way to purchase them without even looking at the price tag? The idea that he went back for that made your heart melt. It also angered you a bit that this entire time he kept quiet and acted natural while you put up an act.

What a foxy man.

A small note fell off the bag onto the ground and you picked it up to see what was written on it.

Come to my office when you can. Bring the dresses.

Levi

Excited to hear from him, you did just that. You flew out of the house wildly and mounted your horse, heading for the location.

When you arrived, you opened the door to find Hange and Erwin inside, having a conversation with Levi.

Levi looked at you instantly and a spark began dancing in the coldness of his blue eyes. 

''Hange, Erwin, see yourself out,'' he commanded in a reserved tone. Erwin gave him a nod and greeted you idly before exiting. Hange did too, but not before leaning in to whisper in your ear.

''Don't know what you've done to him but he's not himself today.''

You gave them a baffled look. 

''Is that good?''

Hange just grinned, not elaborating any further. They stepped out and shut the door which left just you and Levi in the room. The air turned thick and hard to breathe for a moment.

''Levi, you spent all these money on–''

''Try them on.'' He cut you off, standing up from his seat and approaching you. ''Put them on again. This time be genuine with what you think.''

You sucked in your lower lip and try to formulate a sentence. ''It's too much. It's just too much. I can't possibly pay you back.''

He reached out and pulled you in his arms, his intonation full of sheer affection and pure devotion. ''That's not for you to worry. I want you to try them on and tell me if they need any adjustments.''

You put both hands on his shoulders, ''Are you sure?''

His face moved closer, his mouth caressing your ear. ''Why would I say it if I don't mean it?'' He chuckled. And before you could do what he requested you to, he took your hand and stole your attention momentarily to speak what was on his mind this entire time: ''You make me the richest man in the world, you know that?''

🌹

[fantomette22]

A little something about the students dress

Alright so I was looking at references (to draw a character) and ended up doing a bit of research on academic dresses & graduations uniforms! I only find a couple of things so if someone have more infos I will be very interest!

So in Bloodborne we got those dear uniforms :

The one with the robes is very classic of what people in old classic university still wear for big events and graduations such as in the U.S.A or UK. A decades/century ago they did wore those uniforms of course way more often. Now we wear mostly casual clothes.

(This image always made me think of Byrgenwerth. With the balcony and all. That remind me of a post I made a while ago I have still no clue what those balcony were use for!!!)

At first, I discovered that between a bachelor/licence degree, master degree and phd/doctorate you aren't going to get the same clothes. Plus, colours can differ depending of : the level of the degree, the school or the field you graduate in (can differ depending the countries as well).

Bachelor outfits are the most simple ones with not a lot of colours for most of them. Sometimes they don't have hoods but depends. Sometimes they seems to have very large selves like the Byrgenwerth one. The master ones have a bit more colours and I read generally long sleeves but that depends? Then the phd/doctorate ones are generally very colourful! And like the last sources below v They even had even more beautiful outfit for very important members (so I guess Willem pope outfit still make sense XD)

As for the colors it really depends the country etc but I read red is often associated with medicine and surgery (what a coincidence!). White / purple or even red is for theology and blue could be for sciences (Byrgenwerth/willem researches seems to be quite a mixt with theology/sciences so make sense).

(@katyspersonal we did talk a while back on colours on clothes meaning but hey it had have academic significations that fit well too! So in the end, drawing Laurence with white & red clothes is even more accurate now! XD) Oh I wanna draw him in an entire red academic dress now...Future drawing idea ).

Also I forgot to mentions that there's the hat/trencher that's part of it as well. It's not part of the set in the game but ennemies have it.

Also little side note: some dress have stripes or ermine bands on the clothes that represents their grades and also "academic curiosity, academic honesty, and academic courage."

So i suppose the garb Micolash, Damian & co have would look more similar to a master degree one? I guess?

But I won't throw any rocks at Fromsoftware even if the ones we got might not be too much detailed/ accurate because they sure did their homeworks to find and design those clothes. They aren't historians and they probably found a lot more things than I here (plus Japan don't have those dresses too). They're not going to design like 5 different outfits in the game too XD. (Yes I want more details for my story bc making things way more complicated is way more accurate I guess...) We don't know how exactly those types of institutions fonctions in Bloodborne universe too. And it's a fantasy world after all. So it's free real estate

I dunno if you guys @pyro-madder @karnaca78 @secteel or others could know more about it 🤔

But for now it's all!

Sources :

PS : I found this piece of medieval scholar dress and it really look like the same as the guy in the cainhurst painting and cut content Beltran!

They are probably wearing a "simarre". Some magistrate/ university professor / religious clothes people would wear. So pretty oblivious and what we thought @heraldofcrow

[hotdaemondtargaryen]

EWAN MITCHELL TALKING ABOUT AEMOND TARGARYEN IN EPISODE 3 FOR VULTURE MAGAZINE.

I CAN'T REMEMBER THE EXACT WORDING, BUT I REMEMBER SEEING SOMEONE POST A GIF OF PRINCE AEMOND'S SAPPHIRE-EYEBALL REVEAL AND SAYING, "THIS IS THE MOST ANIME-LOOKING MOTHERFUCKER WHO HAS EVER APPEARED ON A LIVE-ACTION TELEVISION SHOW." THERE'S AN OTHERWORDLY AIR TO HIM.

"So much of the work is done through the costume and the long hair and the eyepatch — because of the talents of makeup designer Amanda Knight and our costume designer, Caroline McCall."

"By taking one look, you can make a rough assumption that he’s probably going to be the bad guy."

"But for me, bringing that otherworldly texture to Aemond, I never watched Game of Thrones, because I wanted to present something fresh."

"I drew on other aspects of pop culture, with ’80s horror icons like Michael Myers: a character who walks so slow but always catches up to Jamie Lee Curtis."

"Aemond hijacks the show and turns it into a horror sequence in the skies above Storm’s End at the end of episode ten of season one."

"It’s this idea of inevitability, something more like an energy as opposed to an actual human being."

"That’s the image Aemond wants to co-opt, that he’s godlike. He operates on a different plane."

"It comes from that cold exterior he’s cultivated over the years, down to the sapphire stone in his eye socket. You don’t know what is going on behind his eye."

THERE REALLY IS SOMETHING VERY "FINAL FANTASY VILLAIN" ABOUT HIM: ELEGANT BUT FIGHTENING.

"You don’t know what he’s thinking."

"People who sit back and smile, don’t say much — they’re the people whose brains you want to pick, but at the same time, you don’t know where you stand."

MY FAVORITE AEMOND MOMENTS ARE WHEN YOU DO GLIMPSE HOW HE FEELS. IN THAT CHASE SEQUENCE ABOVE STORM'S END, AEMOND IS REALLY UPSET WHEN HIS DRAGON KILLS LUCERYS VELARYON. IN THIS SEASON, HE TALKS TO THE SEX WORKER HE'S BEEN SEING ABOUT HOW IT GOT TO HIM.

"I agree. Between episodes seven and eight of season one, he’s manufactured himself into a weapon."

"He possesses this code that stops him from ever being hurt again, like he was as a kid."

"He has to be seen as this bulletproof, untouchable, ethereal presence no one can grasp."

HE BRINGS UP HIS CHILDHOOD IN THE BROTHEL, TOO — HOW HIS BROTHER AND HIS YOUNG UNCLES USED TO PICK ON HIN FOR BEING DIFFERENT. IS ALL THAT IN THE BACK OF YOUR MIND EVEN WHEN YOU'RE DOING THE COOL, SAPPHIRE-EYE STUFF?

"Yeah. It’s partly down to seeing the young Aemond actor, Leo Ashton, in episodes six and seven of season one: the boy underneath the veneer."

"This kid was bullied day in and day out for not having a dragon egg like the rest of the kids in the family. He recognized very early on that he was going to have to go out and get what he wanted."

"I always carried that around with me in season two."

"So he ended up claiming the largest, baddest, oldest dragon in the known world in Vhagar. She’s so enormous, she can’t fit within the confines of any castle wall. Aemond is able to identify with that."

HOW SO? THE BULLYING DIDN'T MAKE HIM FEEL SMALLER?

"It’s the story of the underdog. I have this theory that it’s not so much the person who claims the dragon, it’s the dragon who claims the person as well."

"I don’t believe Vhagar is someone you just stumble upon."

"Although Aemond had to seek her out, she must have seen something in him that he himself hadn’t seen yet."

"Aemond’s the kid who held on. When he realized he wouldn’t get a dragon egg like the rest of the kids, he held on."

"When he was bullied for being different, for not having a dragon of his own, he held on. And when Vhagar took off over the beaches of Driftmark in episode seven, he held on tighter than he’d ever done before."

"I don’t know if any of the other characters would have held on as strongly, because they were gifted dragons when they were kids."

"It’s a tremendous feat of courage to approach Vhagar."

"That’s one of Aemond’s redeeming qualities: He possesses a drive."

"Maybe that kid is still underneath that manufactured exterior."

I WAS HONESTLY SURPRISED TO FIND AEGON AND HIS BUDDIES STILL BULLYING AEMOND DURING THE BROTHEL SCENE IN THIS EPISODE. HISTORICALLY, BULLYING AEMOND HAS NOT WORKED OUT VERY WELL FOR PEOPLE.

"Aegon catches Aemond in a vulnerable spot."

"Picking up the script for the first time and seeing those brothel scenes in episode two and three, I saw a brilliant opportunity to offer a rare glimpse of his vulnerability."

"You only ever see him in his Targaryen blacks, so to see him in that world — not only that, but then humiliated by his brother — is quite shocking."

WHEN HE GETS UP AND WALKS OUT WITHOUT BOTHERING TO DRESS FIRST, SO SURE OF HIMSELF EVEN IN THE FACE OF THAT HUMILIATION, HE SEEMS SCARIER TO ME THAN WHEN HE'S RIDING ON VHAGAR.

I love that line from Michael Mann’s Heat, when Bob De Niro’s character says, “Don’t let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner.”

"That’s the code his character utilizes so he’s able to maneuver around this world without getting caught by Al Pacino."

"Aemond has a similar code that stops him from being hurt like he was as a kid."

"That’s why he’s able to walk out on the madam in that scene."

"He’s humiliated by his brother and all his crew, and it’s like this switch flips. The madam is no more."

"All of these people in front of him? They mean nothing. He stands up, he owns it — Yeah, I’m bulletproof. Anything you say, it will not work. Like you say, it’s scary."

A LOT OF COMPARISIONS ARE MADE BETWEEN AEMOND AND DAEMON, BUT THAT'S A BIG DIFFERENCE: DAEMON GETS INTENSELY ATTACHED, WHETHER TO HIS LATE BROTHER KING VISERYS OR TO HIS NIECE AND WIFE QUEEN RHAENYRA. WE'RE SEEN HIM LEAVE DIFFICULT SITUATIONS, BUT HE STORMS OUT, HE DOESN'T GLIDE OUT. THAT'S AEMOND.

"One hundred percent. You rarely see him lose his cool."

"As soon as you start raising your voice and shouting, you lose the power."

"It’s not to say Aemond isn’t as angry as everyone else behind the smile. He probably is. But he’s able to keep a lid on it and channel it in different ways."

IT'S ALSO A NUDE SCENE, AND I HAVE A FEELING YOU'RE ABOUT TO GET A REACTION AT A VOLUME FEW PEOPLE ON THIS SHOW HAVE SEEN BEFORE. DID YOU HAVE THAT IN MIND WHILE SHOOTING IT?

Mitchell says that the dragon-rider’s display, a topic of much discussion between himself and the creative team prior to filming, was a move “encoded in Aemond’s DNA” — a shock tactic designed to demonstrate that this once-bullied boy will never allow himself to be chastened again.

"Scenes like this start with a conversation about how far you’re prepared to go. It wasn’t a choice we made lightly."

"But it’s true to Aemond that he shocks the audience."

"Weakness is not part of Aemond’s vocabulary."

[amerricanartwork]

Hi! I just wondered if you've played Hollow Knight based off how much you like Rain World. I'd be interested in any thoughts you had on it. :)

Thanks for the ask! No, I have not yet played Hollow Knight, BUT my interest in the game has been piqued! However I still have to see if the gameplay itself seems up my alley, or get invested enough in the characters that I want to discover more than I've already found out (and I have spoiled quite a lot for myself) before I actually decide to buy the game.

Regardless, from what I do know it does seem like an interesting story, albeit one far more tragic than Rain World's in my opinion. The characters I've seen are also pretty cool, both in design and personality. In fact, it was some ship fanart I found a few weeks ago that got me interested in diving deeper into the game once I realized it was where the featured characters were from, especially since one of the characters I had remembered hearing about before.

Here's a little sketch of some characters I was thinking about and whom I've been meaning to draw for a bit! Hornet because she's very Shaped™, Quirrel because from what I've seen he's quite wholesome, and Tiso because he was the first character I heard about and I think he's kinda silly!

Also, some more comparing/contrasting thoughts about the game below:

Firstly, I like how the premise of Kollow Knight involves anthropomorphic insects! It's something I never realized until recently despite being aware of HK for at least a few years, but I usually tend to take interest in stories starring non-humanoid creatures, so it's a plus! I also enjoy the more gothic/Victorian-looking magical high fantasy aesthetic, though it's pretty different from Rain World, which I'd consider far more sci-fi and specbio-esque in its aesthetic.

Now to get into themes, so far Hollow Knight seems to share Rain World's theme of lost/dead civilizations, which is also a very interesting premise to me! However, HK seems to have a greater focus on interacting with the people of its dying civilization and as such you get far more definitive knowledge about what happened to cause it to collapse. The player character seems to take on more of a classic epic hero role, because from what I've heard about the lore and endings, they end up directly influencing the fate of Hallownest, even potentially destroying or defeating the force that caused its ruin. The visuals have this very dark, cool tint overall to sell that gloomy, mournful vibe, and the structures, while presumably old, are still mostly smooth, ornate, and not super deteriorated, with these castle or manor-like appearances more similar to real-life buildings or things in other high fantasy works. Then, the orchestral music I've heard alongside all of these elements really creates this impression in me that it's aesthetic and overall concept is more akin to a high fantasy epic tale, albeit a rather tragic one.

Meanwhile, Rain World seem to have the player take more of an anthropologist role, observing and trying to piece together the story of vast remnants of its dead civilization, which seem alien and impossibly complex because so much of the history they're from has been lost to time. One of the core themes is being very small compared to these long abandoned structures, to really sell the idea that this history is so much older and more intricate than you'll ever know. The colors of Rain World are often warmer, which can be associated with old things, and the structures are far more weathered and broken down, with the only living survivors of the people who made them being the iterators, whom we only get to hear directly from two of. Combined with the focus on simulating an ecosystem, the more directly religious ideas within, the themes of natural cycles and an entire civilization evolving, changing, and ultimately disappearing over deep time, and the overall alien, sci-fi industrial designs of the architexture and strange creature designs that look like things out of "Of Rust and Humus" or some other alien speculative biology worldbuilding project make RW fit well in with that genre of fiction in my opinion.

Sorry if I seem like I kinda took a sudden shift there, but I wanted to talk about this contrast in artistic aesthetics and story genres for a moment because the "lasting impression" an art piece creates something I've recently concluded is pretty important overall in works of art, at least for mine!

But anyway, I hope these thoughts were satisfying for now! Thanks again for the ask!

[dailyadventureprompts]

I think this is the most I've ever agreed with Colville on anything, which is saying something because the man is a genius.

TLDR: Running smaller adventures (like, the span of a level or two) is healthier for your games in the long run because it gives players a sense of accomplishment. The endless mega adventures are pushed by publishers because they make more money, but promote bad design/play habits that not only put undue expectations on everyone involved but also rob the story of vital momentum.

What I was struck by in the video was how much the non-d&d media I've grown up with (open world games, streaming series, epic fantasy books) have coloured my expectations for how long the default d&d game SHOULD be. Sure, I can keep a whole campaign's worth of information in my head down to the accents of the shopkeepers in all the settlements we've visited and the machinations of courtly power players we'll never get to meet, but I can do that because I'm a freak with a head for details and my players mostly aren't.

By stretching out my stories too far I was diluting their effectiveness, as vital information and emotional beats were lost over weeks and months. I was inadvertently inflicting marvel-fatigue on my own party, putting too much work into setups that I might never get a chance to land because building up to big shocking twists and AHA red string moments was what I was conditioned to expect.

I know I was doing this because it's the exact same thing that I see happening with a lot of media I've tried to get into in the recent past and ending up bouncing off of. Just like with marvel (especially the later phases) there's a constant feeling of "what you're looking at doesn't really matter, this is just to set up to something that's going to pay off later", which is so pervasive that it prevents me from getting genuinely invested in anything. I hate that shit, and I would definitely hate inflicting it on my players.

I also applaud Matt here for repeatedly bringing up the idea of "the health of the game", as it's an umbrella term that can not only be used to describe a lot of good practices, but a mindset that we should take around our own tables for ensuring everyone (us DMs included) are having a good time now and into the future.

[northwest-cryptid]

This may only be my opinion on the matter, and I know a few Natives myself who all have their own ideas about this. However; to me if you want to make a Native character, be they for a game, as an OC; whatever doesn't matter. All you need to do in order to make sure you're not being offensive? Just do like, the bare minimum research.

Step 1. Pick a location for your character.

If your character exists within some fantasy world or whatever then it can be a bit harder to pinpoint something like this. At this point skip to step 2.

If your character is of Earth, or is of our known universe (yes this includes sci fi settings), then trace their bloodline back to where they originally are from.

I say this because it will help you with step 2.

You need to know where, or at least roughly where your character is from.

Step 2. Pick a tribe from that location that makes sense for the character.

Again, even a basic level of research goes a long ways here, I know fanfic writers who would get put on a list looking up the ins and outs of some criminal shit just to accurately write a character, I know you have the ability to research shit so I trust you can do this here.

Figure out based on the location you picked for your character, what tribe they would reasonably be a part of. If you find that you'd rather have them in a specific tribe; perhaps one that's important to you or something; you can do Step 1 and Step 2 in reverse order.

The important thing here is that: If you have to make up a tribe, I'm going to understand you don't actually care about them being Native. If you have to give them a specific tribe but you don't bother to give that tribe the basic respect of knowing where they're from I am once again going to understand you just don't actually give two shits about Natives.

Okay so now that we have an understanding of what tribe our character is from, we can begin looking into that tribe's culture. This may be a bit difficult in some cases since not everything is going to just be out there on the internet, and you may also not have a fundamental understanding of the culture and how it's changed over the years. Guess what, that's fine! I'd rather see a character who's specifically said to be Lakota, and who knows about our deities and teachings even if they're the sort of thing most modern Natives don't believe in or care about. Accurate depiction of culture is not a stereotype!

Once we know what sort of things might be important to this character culturally, we can begin to weave small noticeable traits into them, or you can even make those traits a much larger part of the character. As a quick example, for my Vtuber's design I included not only the colors of the Four Directions but often depict them with a braid and use owl feathers as a sort of symbol of them. This all comes directly from the fact my Life Shield uses owl feathers to represent my family, includes the Four Directions, and I literally grew up with a braid and continue to grow out my hair as to have another; it's all part of the culture I was raised in, even if I amplified the importance of some aspects to sort of make them a trait for a character. Again, accuracy isn't a stereotype.

I also want to briefly mention that when you're naming your character I urge you to look up how people in the tribe are actually named, please don't just do the old "color + animal" thing or whatever and think it's fine. Just again, do the bare minimum research to figure out how people in that tribe are named and go from there. I once joked with my partner that "the only thing about the Natives in Twilight that's remotely accurate is that they have the most generic white American names"

If you want an actually pretty good example of what I'm talking about, look no further than Prey. No not the movie, no not the modern remake; but the game from like 2006.

Our main character here is a Native man named Tommy, or rather Domasi "Tommy" Tawodi and he's actually said to be Cherokee. Now you can say what you will about his spirit powers and such, I get it.

But from a sheer design perspective?

Yea that's not bad at all! Everything from the facial features to his name to his general aesthetic is spot on for the Cherokee I've met out at the reservation. This is what I mean when I say accurate depiction of a culture isn't some harmful stereotype.

I'd love to see more Natives in things, I'd love to see Native OCs; but I feel like people are so scared to make Natives a thing because doing so could be racist if you misrepresent us or something. Like okay let me tell you right now you're not gonna do it worse than people who have made millions off selling books and movies whether it's westerns that depict us all as uncivilized killers or whatever the hell was going on in twilight; you're gonna be fine so long as you TRY.

And yes it's actually as easy as a 3 step process, the same sort of thing you'd do for any character really.

I mean think about it, let's say I was some weeb who really wanted to make a Japanese character but I didn't want to do any research. I could make the mistake of putting them in these overly traditional outfits and settings and maybe at least some of the details would be accurate but overall it'd be pretty bad rep, or I could go the polar opposite direction and just make them look like they're some British street punk with their whole aesthetic being way off from the sort of actual street fashion of places like Tokyo; again misrepresenting a whole subculture there. Or maybe I could do what everyone does to Natives and deem them to be some fantasy race who must have super powers and make them into essentially just an anime character; obviously that would be some severely bad rep. All of which could be fixed if I just bothered to go "okay where do I want this person to be from? What sort of culture do people from there abide by in their day to day life? How could I reflect that in a character?"

Honestly that's just good practice for making any sort of character based on a real world group.

And going back to a point I stated in Step 1. If you want to include a Native character in a fantasy world where ya know, America doesn't exist and therefore we couldn't logically have Native Americans; pick a tribe and go off that. As long as it's accurate I don't believe it would be seen as disrespectful.

At the end of the day there will always be people who get up in arms about anything; like it's their job to twist anything into being racist. You will never make those people happy, don't bother trying.

[runningwithscizzorz]

Hello I have an question!

How do you do character design and make yourself come up with creative ideas for them? Outfits, fantasy, etc

I’ll appreciate all and any advice :)

It is very difficult for me to come up with ideas off the top of my head, which is why I’m so grateful that the world makes ideas for me.

For example, the silver horned demon brother, from one of my JTTW comics was annoying for me to think of. “What has horns that isn’t an animal, something ancient and creepy?” I had been looking through videos of cave formations when I saw a kind of build up that looked an awful lot like mushrooms. Bam! One discovery snowballed into this spooky design of the silver horned demon, a decaying eye filled form that lives deep in a cave with his brother

For the Queendom of women, I didn’t even need to think of anything. I simply researched the actual Queendom and based their clothing off of the real people. They have tons of beautiful art and scenery as well, so it was easy to work with once I knew what I was looking for through research

💥WARNING, MAGGOTS SPIDERS AND BODY HORROR❌ I couldn’t find a way to blur the images??

For the design of the seven spider women, I was very unsatisfied with their role in the book. I wanted them to leave a lasting impression with their limited time. I didn’t change anything about their story, but I instead used the fear of insects and impregnating for their monster design, right before Wukong kills and defeats them. They’re based off the wasps that lay their eggs inside spiders, and they cocoon together in an amalgamated form like that of a spider nest, leaving them as horrific humam-spider monsters

[too-antigonish]

The Great S7 Rewrite: 7 July 2024 Update...

Posted this yesterday as a reblog update to the Great S7 Rewrite but now posting separately...

Here's a summary of where we are in the Great S7 Rewrite and some ideas moving forward:

Bone of Contention #1: Opera Rules

@astridcontramundum is in favor of keeping Opera Rules (voiceovers, framing scenes, etc.) as well as featuring more of the bespoke opera written for S7. I love her suggestion that Morse and Violetta have their own leitmotif! 

@oeuvrinarydurian suggested the possibility of leaning into Opera Rules—going a little crazy with tropes and techniques and being fanciful. 

I *love* the idea of leaning into Opera Rules and it’s actually what I’ve thought R.L. should have done all along. Now though, when I think of doing it within the context of the existing storylines we’re working with, I run into difficulties imagining it. The stories don’t fit into a “playful” world. That may simply be my own limitations. I’d love to see it done somewhere, sometime—especially somewhat whimsically and especially in the Morse universe.

One possibility I’ve considered is still having Opera Rules (voiceovers, framing scenes, etc. as well as opera tropes and themes), but actually taking them seriously instead of making them OTT. I’m heavily paraphrasing, but Astrid, in one of her stories has Bix say something like, “Real life isn’t like one of your operas,” to Morse. And it’s always struck me that for Morse, his real life *is* like one of his operas. His childhood? Being essentially orphaned. Evil stepmothers. Oxford? Almost marrying the princess so to speak. Being cast aside and cast out. What he sees at his job? Murder. Betrayal. Greed. Jealousy. Grief.

Basically, instead of making Morse’s life suddenly work according to Opera Rules, you could show how Morse has been living an opera all along by suddenly making all of the parallels visible.

Another thought that builds on Astrid’s idea about both Opera Rules and her later thoughts on the Towpath Case is to center the story on the opera that Morse attends at the beginning, "La Sposa del Demonio" (or "La Cura Per L'amore").  What if the story of that opera is reflected in the story arc of the Morse, Ludo, Violetta—whatever that ends up being? 

Bone of Contention #2: Ludo and Violetta?

Astrid likes the idea of having Violetta genuinely in love with Morse. 

@librawritesstuff brings up Violetta as “Unattainable Fantasy Woman” and points out that part of Morse’s attraction to her can be explained by the fact that by the end of S6, he’s been screwed over in just about every way possible. He’s ready to just say fuck it and go after something just because it’s there and he wants it for a change.

She then points out that the bigger problem with Ludo and Violetta lies in the implausibility of their storyline. What was the plan with Morse? Was there a plan? What’s the deal with the “pet policeman”?

Durian: Hates Ludo and Violetta as characters, but her big issue is with lack of logic in the whole opera storyline and too many implausibilities. Did Morse and Violetta meet at the opera by chance or design? Did Ludo know about them the whole time? What was the “pet policeman” about? Was Violetta actually involved in the nuts and bolts of engineering the accidents?

@fanficrocks Looks at making Morse’s relationship with Ludo more believable: less OTT as a character, maybe journalist friend of Dorothea, this gives a believable reason for him to be in all of the towns where the accidents happen and believable way for Morse to trace the accidents to him. Suggests possibly lose “pet policeman” concept and just have Ludo and Morse friendship poisoned by affair

Astrid again: Loves idea of Ludo as journalist; She notes with Violetta: Morse attaching to her out of recklessness seems reasonable but they didn’t make her attachment to him believable in any way. Also, while there was a reconciliation at the end of S6, Morse would have still been carrying resentment about having been pushed aside

I love the idea of Ludo as a journalist. I’m also intrigued by the possibility that he could be a music journalist. This would provide a plausible explanation for so many things—Dorothea introducing him to Morse, Morse actually wanting to become friends, his frequent travels, etc. 

It also gives me an idea re: the big opera La Sposa. What if it were a newly discovered opera? Morse goes to Venice for the premier. Ludo is there covering the premier but for some reason does not attend with Violetta. The plot of this opera could somehow also form a backdrop for the overall Morse, Ludo, Violetta story arc (story within a story).

I completely agree with Libra about the “Unattainable Fantasy Woman” thing for the initial two week affair. Where that starts to break down for me is with the extended affair and her cooking meals for them in their love nest at Beirut dancer’s apartment. There just seems to be no basis for their connection besides sex. Certainly not enough that he would be expecting her to leave Ludo and start a life together.

If we keep Ludo and Violetta as characters, which seems to be the way things are leaning, I do think they both more or less need personality transplants to justify Morse’s continued interest in them. I’m also with Astrid on having Violetta genuinely in love with Morse. I think they left it ambiguous in the show because they were playing on the whole idea of “If it's beautiful, does it matter if it’s real?” (“treason of images” ) thing, but it never really worked.

As for the overall implausibility of overall opera storyline: Yes!!!! It’s a mess. Every point raised by Libra and Durian is valid. Whatever happens with the storyline, those holes need fixing!

Bone of Contention #3: Towpath Storyline

Astrid: Universe within universe for towpath killings. Make it opera related. Gives more scope for Thursday/Morse conflict. Deranged fan? Thwarted performer? Also, while there was a reconciliation at the end of S6, Morse would have still been carrying resentment about having been pushed aside.

Durian: Eliminate clutter in Towpath mystery: get down to “is it or is it not Carl?” Leaves room to carefully craft the conflict between Morse and Thursday

I definitely agree that the clutter in the Towpath mystery needs to be eliminated. There was no clear throughline and the story pulled in too many directions. The specifics, though, depend on a lot of other decisions that need to be made first.

The conflict between Morse and Thursday definitely needs to be more carefully established. How do we get from the seeming reconciliation of Degüello to sniping at each other in Oracle? I completely agree with Astrid that Morse would have still been carrying resentment, but there needs to be something more to explain how it would erupt in such a public and painful manner.

Bone of Contention #4: The Episodic Storylines

Astrid: “I’d definitely keep those gay wrestlers!  I might feature them more! They could be another nod to it all. Thursday said wrestling was a lot like opera. Heroes and Villains. Faces and Heels.”

I love this comment! And I loved the gay wrestlers. They were just so unexpected and their presence was so understated in a way that I found hilarious. 

But it also gets at one of the themes of S7 that I did actually find interesting: How chance puts us on one side or the other, makes us winners or losers in the great game. Raga is the most blatant about it with politics, immigration, race, gambling, etc. but also with the Faces and the Heels in wrestling or the fate of  the firstborn son vs. the second born.

Ludo sums it up—while also perhaps referring to his crimes—by saying to Morse, “Life, death, rich, poor. It's all a roll of the dice, Morse. There's no reason to any of it. You're not responsible. Some people are just unlucky.” It's eerily reminiscent of Charlie and Conrad Greel in Ride.

OK, I think that's it for now. Please let me know if I misrepresented your comments in any way or missed something that was said! I assure you it was accidental.

[inbarfink]

The deaths of all the Finch kids are really so unbearably tragic. It really speaks to the quality of the writing and storytelling in ‘What Remains’. They’re written as so vivid and human and real, but also so many of them died so young. They were children, it’s so much harder for me to do the whole ‘well, let’s appreciate the life they did have’ thing when the majority of them didn’t even have a chance to become the people they could have become. And yet the image of who they could’ve been if they survived is so vivid in my mind. 

Edith had that line about how she always imagined Molly as a girl she could be good friends with. Obviously if she didn’t die back in 1947 they wouldn’t really be at the same age group, but she’d be one hell of a Cool Aunt. I can only imagine her Weird Girl tendencies would’ve only grown stronger and stronger with age. Considering her fascination with animals, maybe she would’ve gone to study Zoology or Biology when she grew older? And since she was dissecting a sea star just before her canon death…

Sadly, I’m not sure if Barbara would’ve been able to resurrect her acting career. But there’s some subtle hints in her room that in reality she was more willing to move past it compared to her fictionalized version in that horror comic (which can’t be easy when you live in a room your dad themed entirely around your child-star years THANKS SVEN). That ‘horror convention’ seems to be an invention of the comic, Barbara’s actual room has a flier for a ‘Witch’s Ball’ at Orcas Island High School and a dress ready for it. 

Barbara Finch didn’t actually spend her last day on earth hopelessly trying to revive her dead career, she was hoping to have a fun Halloween party like a regular teenager. Maybe the fact that it was hosted by the Orcas Island High School Drama Club implies she still had an interest in acting and theatre. Maybe she could’ve ended up as a classically trained actress with the child-stardom as just a fun quirk of her past? Or maybe she just wanted to take part in the Witches Ball because she likes Spooky Things? And she could have found her way back into the Horror Scene in a different way, like being a writer or costume designer or something?

Maybe Calvin could’ve become an Astronaut like he always wanted? But I think Calvin might’ve been more enthralled with the fantasy of science fiction than the reality of space travel. I’m thinking a lot about how Sam described Clavin in Gregory’s memoriam as ‘lost in his imagination’. Maybe he could’ve become a science fiction writer or something?

Walter didn’t technically die young, but he still certainly lost most of his years to the Curse. Like, a big thing about the tragedy of Walter to me is realizing his original childhood bedroom was themed after “20,000 Leagues Under the Sea” and trains. 

Lil’ Walter did have an interest in adventure and travel, before his fears took it all away from him. If it wasn’t for the Curse, Walter could’ve actually something with it. Maybe he could’ve traveled around a bit and written about his experiences.

Lewis would’ve probably gone into game design. It’s not just how his fantasies manifest to us the players, but you can actually find books about game design and coding in his room. It seems that the problem was that his crappy job and his depression took away any opportunity he might have had to actually pursue this idea. Maybe if Milton never left, these three Finch siblings could’ve combined their creative skills together to make like, a very cool artsy game.

Speaking of which… man, Edith’s death stings the most because we got to know her far better than anyone else. And it’s not even the fact that she never got to share her all of her thoughts and creativity with the wider world that makes me the saddest. Getting to the end of the game and hearing just how much she was looking forwards to be with her son - even with all the hardships of being a teen mom, she was really looking forwards to it. To meet him, to share her stories with him. But instead, that worn old diary is the only connection between them...

And that’s like… part of what’s so great about WRoEF’s use of its own format. Like, the faux-interactive linearity of the Narrative Exploration/‘Walking Simulator’ is so perfect for selling this tragedy. The way each Death Flashback only moves forwards based on the actions of the Player, but it always moves on the same unchanging doomed path - really highlights both how stupidly preventable so many of these deaths feel and really make the Player wish there was a way to change them. After all, all they need is for Calvin to not swing so hard, for Gregory’s faucet to not turn back on, for Walter to not stand directly on those train tracks and everything would’ve been fine. But at the same time it’s so, so clear to the Player that this is an impossible wish. There is no other way these sequences can go - these deaths have already been written. The most you can you is linger, all you can do is delay the inevitable. 

But it hurts.

[wildflower-otome]

[Translation] Shuuen no Virche - Creator Interview: Misa Yoshida

Shuuen no Virche -ErroR:salvation- Official Visual Fanbook Creator Interview

Director | Misa Yoshida

About the project

—First, please tell us how the idea for this project began.

My previous work “Tlicolity Eyes” was undeniably a bright and happy title with no bad ends, but  thinking to myself, ‘I wonder what would happen if I did something the complete opposite?’ was the inspiration for this one.  I wanted to make something that was thoroughly tragic with bad ends. I also had the thought that I wanted to make a title with “grim reaper” as the motif, and the image of the game grew from there.

—Now that the game has been released, were there any big changes from the initial plan?

Before creating the project plan, I always make rough notes, but it really did change quite a lot from my initial concept (that didn’t even make it into the project plan). It had a strong science fiction vibe and was set in a technologically advanced near future world where people continued to live on via ‘memory download.’ The main character was a real grim reaper, and held the power of life and death over ‘men whose existence was inconvenient to this world’.....that was the story. After I wrote it into my notes, I had second thoughts, thinking, ‘No no, this is getting overly complicated!’ and eventually settled on the storyline we have now.

Another thing was that I had definitely wanted Yomi-san for the original art from the beginning, so when I thought of ‘What kind of art did I want to see from Yomi-san?’, I imagined a Western fantasy, that was also a primary factor that caused changes from the initial idea.

—What did you want to place most importance on when creating the game?

What I most wanted to place importance on was how the keywords for this work, “despair” and “salvation” applied to the characters. It must be hard for the players as they see these characters feel pain, joy and sorrow, laugh, despair and experience salvation.....that said, I believe we have brought across the greatest possible despair and salvation they could arrive at from their personalities and situations.

Apart from that, the other thing I wanted to do was to absolutely not use the word ‘happy end.’ When each end is presented, it was done so the words ‘despair end’ and ‘salvation end’ were used in place of ‘bad end’ and ‘good end.’ There is no such thing as an all-out happy ending, that was something I couldn’t compromise on.

—Please tell us if you experienced any difficulties that you can talk about now.

More so than it being difficult, there was a lot of pressure since it was the first time Yomi-san was creating original art for Otomate, but right now as I think about it looking back, 90% of the development period was a tough time. However, back then I was full of adrenaline so I didn’t really realise it myself. It was a sad state of affairs that I realised only when those around me said, ‘You sure went through a lot!’ (laughs). It must have been that the fun I was having was greater than the hardship.

About the visuals

—How was Yomi-san chosen for the role of character design?

From the beginning of planning this project, I felt that I “didn’t want to make the characters feel fictional.” When I saw other works that Yomi-san had created the original art for, from the expressions to their fingertips, they all looked so ‘real’ and unexaggerated I was captivated. Even since then I kept thinking I would like to have Yomi-san work on some original art someday.....I suppose I can say now I did the planning with the feeling of a passionate one-sided love (laughs). After that, my wish miraculously came true when I was coincidentally blessed with the opportunity to get in touch with her.

—Please tell us about how the characters were created.

For the most part, all I did was tell Yomi-san the character’s basic information, their circumstances and situation up until the beginning of the story, along with the essential elements for the character (for example, for Yves it is his mask, Mathis, having a pale complexion from spending all his time inside, and clothes that were easy to move in for Adolphe) and then leaving the rest to her. The characters were mostly exactly as I imagined right from the first draft, so I think now in that respect I was fairly spoiled. What I remember even now is that at the very first meeting I was asked, ‘If possible, I’d like a chronological table’ and that it made me feel even more determined to make these characters feel life-like. 

-Is there anything that changed from your initial plans for the story because of ideas that came about during the character design stage?

There were quite a few, but the one who had an especially important addition was Lucas. The weapon for Bourreau was originally to be only a short sword, but the first design Yomi-san submitted, which had him carrying a spear, looked so very cool we ended up having it become a halberd. I asked that it be designed so that it could fold up much like a three sectioned staff so it wouldn’t be a problem when it came to running around and sneaking into the mansions of Shudie.

—I think one of the standout points for this game is how the fashion suits the setting’s worldview.  How did you decide on things like what accessories the characters wore?

 When it came to characters that were close to the research institute and the center of Arpéchéle, I requested that there be a strong cyber influence. Scien and Mathis’s outfits would be the ones where this is most obvious. Because Arpéchéle is a closed country, I asked for a gothic design for characters who aren’t close to the center. Therefore, for that reason, Ceres, Yves, Lucas and Adolphe, the characters that live in the common district, don’t have a single cyber element. Mathis is in the middle point as far as the ratio between cyber and gothic go, so for him Yomi-san and I compared and contrasted the designs together and used that as a base thereafter. The cyber feel for this game uses electronic circuits as the image, so I had her use that as part of the designs.

—Please tell us if there was anything you paid particular attention to when it came to the general flow and direction of the event CG’s.

There were many times where I would hand over some truly rough notes along with the scenario and mood to Yomi-san and entrust the rest to her. Basically, the same as with the character designs.... Whenever there were any points she was unclear on, she would always ask questions, so production progressed without any worries on my end. She would draw everything as I wanted right down to the finer details so most of the CG’s were done in one go, without any need for retakes. 

—Are there any CG’s that you are particularly fond of?

I am fond of all of them so it’s hard to choose. The first salvation end in the third act in which Ankou gives Ceres the flower bouquet, or the one with Adolphe and Ceres smiling at each other in the field of white lycoris....after much thought, if I absolutely had to pick one, perhaps it would be Mathis’s smile at the end of his salvation end. As per the title, the game is quite serious with many dark scenes, however I feel like this bright CG with its white and yellow colours most suits the words ‘beneath the light of the sun.’ It felt as if it was expressing a single ray of light shining down on their future, no matter how many troubles were to await them from there on, so I remember not being able to help breathing a sigh because I was so moved the first time I saw it.

—What points regarding character settings did you not want to compromise on?

 I am repeating myself, but it would be that they are “living humans.” Although it is a story with the unique set up of ‘memory downloads’ and ‘relivers’, for better or worse, the characters of Arpéchéle, including the ones without sprites, are all human-like existences who fall in love, hate others, want to protect the ones important to them, make compromises, and fear and loathe the things that they cannot understand. “Life” is one of its most important themes, so when it came to portraying humans who are its vessels, I was conscious of the fact it was something I couldn’t treat as unimportant.

—Please tell us if there were any particular aims and themes you had when it came to character settings, interesting inside stories during production or ideas that were rejected partway through.

Ceres

The line “Dear God, I have killed many people” that was used in the first promotional video was what I came up with for her at the beginning and is where her image grew from, making her development process perhaps a little different from the other characters. Ceres’s image flower is the immortelle, small yellow flowers which mean ‘undying love’ and ‘immortality’ in flower language, and that was how I decided her character.....but it came to me later that yellow certainly has a cheerful image.

Her original personality is that of a bright normal girl who smiles often, but she grows melancholy after she starts being called a grim reaper, I would be happy if she could become the kind of main character you would want to cheer on as she regains her original self through her interactions with the other characters. 

Yves

Speaking from a variety of different points, his image was that of a ‘traditional knight.’ Due to his burns, Yves lost the ability to feel pain, was abandoned by his parents and treated as a monster. So that those around him would love him, he had no choice but to become a ‘knight-like existence whom everyone would seek out and depend on.’ That said, even knights are human too, so course I think he would still have his own worries and trials. Because there is no such thing as a perfect knight like in the stories, one is all the more human and beautiful for being imperfect. Yves’s burns are also the result of the human-like emotion of ‘wanting to save a single girl from a fire.’ I believe that such scars are a symbol of beauty, not ugliness. Speaking of behind-the-scenes stories, the first design image that Yomi-san came up with is now the vigilante corps uniform. The inner shirts and trousers are the members’ personal clothes. 

Lucas Proust

I received various opinions regarding his salvation end, but a person who took away so many lives must be punished…..that was the point I absolutely could not concede on. Lucas dislikes when things are not done the proper way, so the rule I decided on was that he would not use casual abbreviated verb forms in his speech. The only time he purposely deviates from that rule is when he says, ‘I love you too,’ just before credits roll for the salvation end. Completely abandoning the version of himself that those around him had wanted, and the rules he had decided for himself, we see that he is finally able to face Ceres head on as his true self, I think that this was a scene with a lot of impact. By the way, the daggers he stabbed into the hearts he extracted were modelled after crosses (they are also shaped like them too!).

Mathis Claude

For me, he was the first character whose setting I had firmly decided on. Because he is an irregular existence who is neither human nor a reliver, I believe we were able to write a story that displayed Arpéchéle’s twisted way of life and view on romance from a different perspective. We weren’t able to have it come up in the game, but the idea was because he keeps his knife hidden behind his right thigh, he has rather bad manners when sitting on chairs, sitting with his arms up around raised knees like a gym student. That said, if we had included it, it would mean having to keep writing scenes where Jean or one of the other characters tell him off each time, so it was with a heavy heart I decided not to. His character tagline is ‘The man spurning his fate to forgive’, but the hidden story behind that becomes pure humans ‘do ○○’ and the character who wasn’t ‘did ○○.’ I thought that it would be nice if people were able to notice this after finding out Mathis’s true identity as a homunculus.

Scien Brofiise

I spoke about this on the official blog, but initially he was a character that spoke politely in front of his subordinates. But as he is now, he is certainly not the kind of man to worry about appearances (laughs). He is said to be someone that can resolve almost anything, but it must be remembered that is only in cases where a cause has been established, and it is something that has caught Scien’s interest, in the game those conditions just so happened to come together. He does not involve himself at all in things he isn’t interested in, or that go against his personal principles.

By the way, as he is the only character that fights barehanded, I imagined his fighting style to be similar to savate (TL note: french kickboxing). Seen from the point of view that it is something he started doing and learnt on his own initiative, it’s sort of like he just so happened to pick up the skill as he trained in self-defence from being targeted so often. Speaking of which, although he is a short sleeper and rarely sleeps in front of others, once you have his trust, he will sleep while leaning on your shoulder.

Adolphe

Truth be told, right up until the end Adolphe was the character whose setting I had most trouble deciding on. It is mentioned in the story, but since he is the only one amongst the characters who is able to live longer than 23 years, he is the character most similar to the viewers. As I pondered on how to make sure such a character held his own amongst the others, I thought there was no other choice but to turn the tables and make him “normal.” If you think about it, dying at the age of 23 in and of itself isn’t normal, and so once I arrived at the conclusion that the existence of such a person in that situation would become special, the rest of his characterization followed on very smoothly.

People were rather surprised with regards to Adolphe’s intonation, but the reason for it was because I wanted it to be one point in common for ‘Adolphe = Ankou.’ Incidentally, as he has spent such a long time living at the institution and on his own, he is the most able cook amongst all the main characters. 

Ankou

I believe there are people who may have realized this, but the origin of his name is that of the grim reaper spoken of in the Brittany region of France, which is why I had him appear in the prologue scenes of the first and second acts wearing the wide brimmed hat and cloak from the legends. Even now when it comes to Ankou, I feel an indescribable emotion. Actually, the original plan for his setting was even more beyond saving.  He had continued to fight for the sake of Ceres’s smile, but after spending so long despairing he grows twisted and his greatest wish instead becomes for him and Ceres to die together. In order for that wish to come true he tries to have her make the wrong answer when it comes to Arpéchéle’s curse…..that was the plan, but it was too dark so we changed a lot of things partway through. The title ‘Shuuen’ (eternal demise) bears various meanings, but one of them is in reference to Ankou. When I was directing Ankou’s final scene in the third act, even now I have a strong memory of praying all the while that he would rest peacefully.

Salome

I received a lot of comments saying, ‘Even just her name is scary!’ (laughs) I believe the Salome everyone is thinking of is the one who was written as a villainess in the play (TL note: Oscar Wilde’s play ‘Salome’), but actually it is the one from the Bible that I had in mind. In the play, she is the one to ask for Jokanaan’s head herself, but in the Bible she asks for it because her mother, who holds a grudge against Jokanaan, commands her to, she is being used by those around her. I borrowed her name thinking that it was similar to the way [Salome from the game] is betrayed by her own relatives, the royal family. No matter what kind of life one lived, it may become something different in posterity depending on other people’s interpretations and hearsay, I think she became a character with that kind of story.

Perhaps getting off topic, but the one to douse Bourreau with sulphuric acid in the fifth chapter of the common route was Salome. She had been following them with the thought of helping Ceres and the others should anything happen, and took action once she realised Bourreau was still able to move. The words, ‘You let your guard down too easily’ were directed towards Ceres and Adolphe.

Hugo

The one person who clearly hates Ceres for being Death. In a different way from Adolphe, he is a man with normal emotions who is afraid to have the girl said to bring death next to the people he is close with, but because he seems to have lived for a long time it is not easy for him to say so openly. I think once you become an adult it gets difficult to tell the person you hate to their face that you hate them. I really did receive a lot of feedback on the emotions that he holds, and there were many things I was made to rethink.

Speaking of background information, he talks about having younger sisters in the game, but he actually has an older brother, making for four siblings in total. His reliver mark is on his back, with the meaning of bearing a household, his older brother also has his in the same spot.

Dahut

As an existence who would not even have been born in a world in a country with a lifespan of 18 years, because of his appearances throughout the second act, to Ankou he could be called an ‘error.’ He is the mastermind behind everything but if not for Dahut, Arpéchéle’s citizens would likely have continued to live closed off from the world, not realising its abnormality as a nation until the day they were invaded by other countries.

His background is that he has a younger appearance than his peers due to the stress he endured when he was younger, but Dahut doesn’t see this as a bad thing and instead uses it as a tool so that those around him will dote on him (let their guard down).

Nadia Proust

‘How could such a thing happen to such a good girl…..’, I received a lot of comments such as these and truth be told, I also agree. To the point that I was racking my brains when coming up with the plot trying to think of a way she could be saved. However, making up my mind that it wouldn’t be ShuuViru if I wrote something so convenient, I decided on that ending.

The scene where Nadia is set free in Lucas’s salvation ending was revised to be as it is at a truly late stage towards the end of development. I believe that it perhaps expresses the scene title ‘Blade of Release’ in the fullest possible way.

It is a regret of mine that we were not able to have a sprite of an older Nadia in the third act.

Capucine

Being the founder of the Exorcist religious organisation while also holding the position of a doctor, nowadays I think he really was a troublesome character. Because he deals with patients out of goodwill on the surface, wanting the fact that he is actually after money to not be too obvious, Capucine is the single character who had his design completely changed from the first draft. Although he has the role of being the villain who is most beyond saving in the game, as his motivations are firmly set it was very easy to move him around in the story.

The background that was most fun to come up with was actually his research lab.

Jean

Despite only ever being written from Mathis’s POV in the game, I had readied a personal history for both his false identity as Jean and his true one as Camille. Not only is it important when creating a story, I believe it shows just how serious “Camille’s feelings about reviving Rosalie” were, that he would go to the lengths of coming up with a history as Jean. It also adds to the feeling of a meticulous plan being put into place.

I also included various small details such as the words ‘Ma cherie Rosalie’ being written in blood on the wall of the underground research lab at Claude Manor along with engravings of the number of victims that wasn’t revealed in the game.

—Please tell us if there were any points that you were particular about when establishing the relationships between characters.

Perhaps it was that they wouldn’t only have positive feelings towards one another. That goes for the other characters towards Ceres, and also the other way around as well. Humans are not made up of only beautiful emotions, because it is not possible to be loved by everyone, I took care so that could be clearly seen, whether as individuals or as groups.

Also, there were actually relationships that came to light after we began writing the scenario! Unexpected chemical reactions occur when different characters come together, and that was especially true for the drinking party scene in the common route. That scene became the decisive blow for Adolphe’s becoming the long-suffering character in the group (laughs).

—Speaking of which, were there any scrapped characters that didn’t end up appearing?

In my first draft notes there was a con-man who had the tagline “The man who celebrates the fate of deceiving others”. His story was that he swindled people in order to save money to treat his sick sister, but once we had decided on Arpéchéle as the setting, thinking that, ‘If you continuously ran scams in a such a small country, you’d soon be found out’, the character was scrapped. The sick sister storyline was inherited by Lucas.

About the story

—Please tell us if there were any specific considerations you had in mind or things you were particular about in the process of writing the story.

It would be the point about, as much possible, not having everything turn out conveniently. In ‘ShuuViru’, an ending where all characters including the sub characters survive does not exist. You could say that it is realistic for happiness to be built on the sacrifice of others, I personally think that it is not possible for everyone to become happy. Nevertheless, when it came to the salvation routes, so that the characters who lost their lives in the events leading up to the ending wouldn’t become mere sacrificial pawns, I always kept it in mind to make all the lives and deaths feel meaningful.

And also, as it is an otome game, no matter the route, I took care not to neglect the “love” aspect.

—Please tell us if there were any troubles you experienced while writing the plot and scenario, or any interesting episodes that occurred during the writing process.

The foreshadowed reveals were really difficult…..the main writer Satomi Nakayama and I brought everything together after a lot of groaning and intensive discussion. There was also quite a bit of fine tuning on where to draw the line when it came to the despair. Going this far might be too much for an otome game, but at the same time since we’re talking about despair, we didn’t want to take a half-hearted approach to it.

As for an inside story, the truth is Adolphe was alive in the first draft of Scien’s route, but thinking that there wasn’t enough despair, and also so that Ankou would be able to talk about the truth after the end, we ended up changing it. Nowadays I think that perhaps might be one of the main reasons people who have played the game often tell me, ‘You’re heartless.’

—Please tell us if there was anything you were particular about in regards to the game system.

That the other salvation ends wouldn’t unlock until the third act’s salvation end was cleared was something that was decided on from the first. I’m sure it must have caused the players a lot of distress [doing it this way] but Ankou being the first one to be saved was a point I couldn’t compromise on. My thought was ‘Who on earth would I save first while leaving behind Ankou, who has continued to fight for the sake of Ceres’s smile for so long?’ Also, another reason was that I wouldn’t be able to write all that I wanted for each of the character’s salvation ends without all of the truths being revealed first. 

This isn’t related to the system, but I took as much care with how things were arranged in the game as time would allow me. From facial expressions, to the timing of changes in the BGM, the movements of the sprites…..I was very conscious of creating a display screen that allows players to immerse themselves in the story without losing interest. By including a lot of sprite cut-ins, not just in the everyday scenes, but in the fight ones as well, I hope that I was able to create a feeling of actually being at the scene.

—Please tell us if there was anything you were particular about when it came to romantic scenes.

Romance is but one aspect of human emotion, so I took care that the flow of the story up until that point wouldn’t feel unnatural. The aim wasn’t to create romantic scenes, but ones that expressed love.

My thought was that as [it is a game with] an overall brutal atmosphere, if I were to forcefully make it romantic, it might cause the kind of heartburn one gets from adding an absurdly large amount of sugar into bitter coffee (laughs).

I also took a lot of care that each of the characters would express their love in a way that was unique to them. 

—Please tell us about a love scene and ending that you were particularly fond of.

I am fond of all of them, but [for love scenes] it would be the proposal amongst the flames in Yves’s salvation route. The reason Yves is able to have the determination to accept everything, both good and bad, is because he is the type of person who has continuously accepted both kinds of emotions. Ceres’s responding with, ‘…..Idiot’ to Yves’s confession, is something I am particularly fond of as it is a response appropriate for a girl her age, in contrast to her usually constrained manner up until that point.

When it comes to endings, it would likely be Lucas’s despair end. Although it is a bad end seen objectively, from Lucas’s point of view it is a happy end in which he is able to become family with the person he loved and live out his last days together with them, as we had the BMG match up with that, I believe it became a scene which left an impression. Also, a ring on a white bony finger is a scenario that I have always wanted to do, I was glad I was able to make it happen.

—Apart from the love scenes and endings, were there any other scenes that you would like people to play close attention to?

It would be the scene where Ankou and Ceres meet, and he smears her lips with blood. It was something I had wanted to do right from the beginning of planning, and when we did, it really stood out visually, so it is a favourite of mine. I think it became a scene with two facets, on your first playthrough, it gives the impression of Ankou as someone suspicious, but when you look back on it after finding out the truth, you are able to feel his emotions and love [for Ceres]. 

—Finally, were there any scenes or routes that ended differently to what you had originally planned?

The same goes for each of the routes, but particularly for the third act, the number of scenarios became much more than we had envisioned. When it came to writing Adolphe and Ankou’s story it ended up becoming longer by necessity, both Nakayama—san and I sobbed over it together (laughs).

When it comes to something I can talk about now, there was actually one more pattern that we came up with for Lucas’s despair end. Roughly explained, it was that Lucas would decide Ceres was a ‘bad girl’ for trying to kill him and cut her down instead. He would raise a baby that was born at the moment of her death as Ceres’s reincarnation, and then when he was near the end of his lifespan, take her along with him in death saying, ‘Next time, let’s be reborn together’…..but it really wasn’t the kind of material that should appear in an otome game so I refrained.

About the sound

—Please tell us if there was anything you were particular about in regards to the BGM production. 

The fairly challenging discussion we had was to create a synthesis of ‘classical compositions that use string instruments and the like’ with ‘cyber techno style noise.’ I had the main theme ‘Shuuen no Virche -ErroR:salvation-’ created first, and even now remembering getting goosebumps hearing the part where the techno noise comes in just before the climax thinking, ‘This is it!’ Just like with the character’s clothing, the techno noise was used as the main music for things with a strong connection to the research lab and relivers, while the classical sound was used for the Drifter legend and everyday life scenes.

Parts of the BGM also feature arrangements from the main theme, which I think is most obvious in tracks like ‘Kaihou no Katsuro -Break-.’

For this game, we asked Ichikawa Jun-san, who has created a lot of BGMs for anime and dramas [to be the composer], his work further expands on the imagery of the scenes for which it is used, there were truly many compositions that went beyond my expectations. There were very few retakes, most were given the OK from the get-go!

-Please tell us if there were any incidents that occurred during the voice recording stage that left an impression.

The voices we heard during the tests were pretty much as I had imagined them to be, so there wasn’t much by way of finetuning. Everyone had thoroughly read through the scenarios and materials, so it felt as if it wasn’t necessary. It was very reassuring when Yoshimasa Hosoya, who voiced Scien suggested, ‘I think this kind of atmosphere would be good for this scene.’

Another event that left an impression was the commotion caused in the booth by how overly realistic Lucas’s voice actor Daisuke Hirakawa’s acting was in the scene where he vomits blood. We were all on edge saying, ‘He isn’t really vomiting blood, is he?!’ (laughs)

—Is there a scene that became more impactful once the voice acting was added?

It would be the scene in Mathis’s route where different memories are downloaded into him one after the other. Along with Kouhei Amasaki’s blood curdling performance, it becomes more obvious that, ‘Mathis’s personality is being replaced’, increasing the atmosphere of despair.

Another is the scene in the third act with Ankou’s line, ‘I want to see Ceres, I can't see Ceres.’ Because of Kazuyuki Okitsu’s performance, I think the amount of pain he went through for centuries feels all the more real. …..If I were to speak about everything in detail, I could go on for quite a while, truth be told, everything became more impactful (laughs).

—Please tell us if you had any special thoughts in regards to the main theme songs, or if you have any anecdotes regarding their production.

OP: Lycoris no Ai (Lycoris Love)

I had a number of detailed requests when it came to the lyrics, so I ended up causing a lot of trouble for LOVERIN TAMBURIN-san…..

I think people who have played the game must have noticed, but the lyrics have a small trick to them, the first time you hear them it is from Ceres’s POV, and then once all has been revealed, become lyrics from Ankou’s POV. I would be happy if my aim to have everyone enjoy even the lyrics was at least slightly achieved. ‘The flowers of demise are an illusion coloured by death’ and ‘I will love you forevermore’ are phrases I am particularly fond of.

Despair ED: Shuuen no Yume (Dreams of Demise) 

From the image of being bound hand and foot, rendered immobile by a fate of death, the discussion was to make a song with a tempo and rhythm that was difficult to take up and hard to sing. Fundamentally speaking, the despair ends are situations in which [the characters] have lost to Arpéchéle’s twisted technology and way of life, so it is noisier and has more of a cyber feel than the OP…..it was that sort of atmosphere I asked them to emphasise.

Salvation ED: Junpaku no Kyuuzai (Pure White Salvation)

The keywords for the song were without a doubt ‘salvation’ and ‘normality.’ For this one, with the meaning of being released from a twisted way of life, I asked that there be none of the [electronic] noisy feel from the OP and despair ED. Also, in the OP there is a line, ‘Taken away by errors, I lost my emotions (heart)’, but in the salvation ED there is, ‘I will live tomorrow following my emotions (heart)’ ….. I am particularly fond of the fact it feels as if part of the phrases in it are in opposition to the OP.

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—What was the response like after the game released?

Since I challenged myself with this title in creating different kinds of themes and endings, character relationships and behaviours, I had steeled myself to receive all types of feedback. However, after receiving passionate messages and comments of support, I was honestly as much surprised as I was happy as I hadn’t expected that so many people would end up playing the game. We have received many comments from those who are looking forward to new developments, so as staff we feel blessed to be in such a position.

—Were there any reactions or requests from fans that particularly left an impression?

It would be [comments about] liking not just one of the characters but all of them. There are many who say they are ‘hako oshi’ (TL Note: people who are fans of all of the characters) when it comes to ShuuViru….I am conscious that is something to feel very gratified about.

Another thing is that there were many comments about wanting to know the origins of the characters’s names as well as their birthdays. It would take a very long time to talk about the origins of all of them, as each of the characters has a meaningful name. If I am blessed with another opportunity at some point, please allow me to take the time to talk about them properly.

In this book I am also introducing the birthdays for the sub characters for the first time as well. Since it has still been only slightly less than a year since this title was released and making them official would constitute spoilers for the third act, we haven’t yet been able to celebrate them, but please allow me to leave behind my ambition of celebrating all the characters someday here.

 —[The fanbook] this time includes Yomi-san’s omake comics and illustrations, how did the creation of those come about?

Yomi-san kindly sent them to me saying, ‘So I’ve drawn these as a bit of fun.....’ However, each time I look at them I tilt my head in puzzlement, ‘She did these “for fun”.....? Aren’t these beyond the level of mere doodles?’ During the busy development period I kept them on my PC desktop as a source of encouragement.

There weren’t any back sketches of Yves, Adolphe and Ankou at the time of design, so once it was decided this book would be created, I had her grant my selfish wish to have some drawn.

—Please tell us if there is anything you have planned for the future, or anything else you would like to do.

In September, [Virche] is in the lineup for Otomate Party 2022, so speaking of the near future that would be one of them.

When it comes to something I would like to see, it would be the characters moving around on stage in a play or musical. Because the clothing designs are very showy and splendid, I think the fight scenes would really stand out!

No matter what form it may be in, I would be happy to be able to show the world of ShuuViru once more. I am striving forward with it firmly in my mind that no matter what kind of new developments there are, it must be something that is able to answer the expectations of everyone who has shown their support.

—Lastly, please give us a message for the fans.

To those holding this book, and those who have played ‘Shuuen no Virche’, I am truly grateful. The reason I have been able to work on these various developments is solely due to everyone’s support. Let me take this opportunity to thank you all once more.

Going through material from the first stage of development in the process of creating this book, thinking, ‘How nostalgic, there used to be these kinds of scenes, I would liked to have written this,’ has been very emotional. I am happy from the bottom of my heart to have been granted this opportunity.

It is my earnest wish that you will love this work, and the salvation and despair that they arrived at, here on and into the future.