#but I promise I'll try to keep writing it

[mostlysignssomeportents]

Antiusurpation and the road to disenshittification

THIS WEEKEND (November 8-10), I'll be in TUCSON, AZ: I'm the GUEST OF HONOR at the TUSCON SCIENCE FICTION CONVENTION.

Nineties kids had a good reason to be excited about the internet's promise of disintermediation: the gatekeepers who controlled our access to culture, politics, and opportunity were crooked as hell, and besides, they sucked.

For a second there, we really did get a lot of disintermediation, which created a big, weird, diverse pluralistic space for all kinds of voices, ideas, identities, hobbies, businesses and movements. Lots of these were either deeply objectionable or really stupid, or both, but there was also so much cool stuff on the old, good internet.

Then, after about ten seconds of sheer joy, we got all-new gatekeepers, who were at least as bad, and even more powerful, than the old ones. The net became Tom Eastman's "Five giant websites, each filled with screenshots of the other four." Culture, politics, finance, news, and especially power have been gathered into the hands of unaccountable, greedy, and often cruel intermediaries.

Oh, also, we had an election.

This isn't an election post. I have many thoughts about the election, but they're still these big, unformed blobs of anger, fear and sorrow. Experience teaches me that the only way to get past this is to just let all that bad stuff sit for a while and offgas its most noxious compounds, so that I can handle it safely and figure out what to do with it.

While I wait that out, I'm just getting the job done. Chop wood, carry water. I've got a book to write, Enshittification, for Farar, Straus, Giroux's MCD Books, and it's very nearly done:

https://twitter.com/search?q=from%3Adoctorow+%23dailywords&src=typed_query&f=live

Compartmentalizing my anxieties and plowing that energy into productive work isn't necessarily the healthiest coping strategy, but it's not the worst, either. It's how I wrote nine books during the covid lockdowns.

And sometimes, when you're not staring directly at something, you get past the tunnel vision that makes it impossible to see its edges, fracture lines, and weak points.

So I'm working on the book. It's a book about platforms, because enshittification is a phenomenon that is most visible and toxic on platforms. Platforms are intermediaries, who connect buyers and sellers, creators and audiences, workers and employers, politicians and voters, activists and crowds, as well as families, communities, and would-be romantic partners.

There's a reason we keep reinventing these intermediaries: they're useful. Like, it's technically possible for a writer to also be their own editor, printer, distributor, promoter and sales-force:

https://pluralistic.net/2024/02/19/crad-kilodney-was-an-outlier/#intermediation

But without middlemen, those are the only writers we'll get. The set of all writers who have something to say that I want to read is much larger than the set of all writers who are capable of running their own publishing operation.

The problem isn't middlemen: the problem is powerful middlemen. When an intermediary gets powerful enough to usurp the relationship between the parties on either side of the transaction, everything turns to shit:

https://pluralistic.net/2022/06/12/direct-the-problem-of-middlemen/

A dating service that faces pressure from competition, regulation, interoperability and a committed workforce will try as hard as it can to help you find Your Person. A dating service that buys up all its competitors, cows its workforce, captures its regulators and harnesses IP law to block interoperators will redesign its service so that you keep paying forever, and never find love:

https://www.npr.org/sections/money/2024/02/13/1228749143/the-dating-app-paradox-why-dating-apps-may-be-worse-than-ever

Multiply this a millionfold, in every sector of our complex, high-tech world where we necessarily rely on skilled intermediaries to handle technical aspects of our lives that we can't – or shouldn't – manage ourselves. That world is beholden to predators who screw us and screw us and screw us, jacking up our rents:

https://www.thebignewsletter.com/p/yes-there-are-antitrust-voters-in

Cranking up the price of food:

https://pluralistic.net/2023/10/04/dont-let-your-meat-loaf/#meaty-beaty-big-and-bouncy

And everything else:

https://pluralistic.net/2023/11/06/attention-rents/#consumer-welfare-queens

(Maybe this is a post about the election after all?)

The difference between a helpmeet and a parasite is power. If we want to enjoy the benefits of intermediaries without the risks, we need policies that keep middlemen weak. That's the opposite of the system we have now.

Take interoperability and IP law. Interoperability (basically, plugging new things into existing things) is a really powerful check against powerful middlemen. If you rely on an ad-exchange to fund your newsgathering and they start ripping you off, then an interoperable system that lets you use a different exchange will not only end the rip off – it'll make it less likely to happen in the first place because the ad-tech platform will be afraid of losing your business:

https://www.eff.org/deeplinks/2023/05/save-news-we-must-shatter-ad-tech

Interoperability means that when a printer company gouges you on ink, you can buy cheap third party ink cartridges and escape their grasp forever:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Interoperability means that when Amazon rips off audiobook authors to the tune of $100m, those authors can pull their books from Amazon and sell them elsewhere and know that their listeners can move their libraries over to a different app:

https://pluralistic.net/2022/09/07/audible-exclusive/#audiblegate

But interoperability has been in retreat for 40 years, as IP law has expanded to criminalize otherwise normal activities, so that middlemen can use IP rights to protect themselves from their end-users and business customers:

https://locusmag.com/2020/09/cory-doctorow-ip/

That's what I mean when I say that "IP" is "any law that lets a business reach beyond its own walls and control the actions of its customers, competitors and critics."

For example, there's a pernicious law 1998 US law that I write about all the time, Section 1201 of the Digital Millennium Copyright Act, the "anticircumvention law." This is a law that felonizes tampering with copyright locks, even if you are the creator of the undelying work.

So Amazon – the owner of the monopoly audiobook platform Audible – puts a mandatory copyright lock around every audiobook they sell. I, as an author who writes, finances and narrates the audiobook, can't provide you, my customer, with a tool to remove that lock. If I do so, I face criminal sanctions: a five year prison sentence and a $500,000 fine for a first offense:

https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff

In other words: if I let you take my own copyrighted work out of Amazon's app, I commit a felony, with penalties that are far stiffer than the penalties you would face if you were to simply pirate that audiobook. The penalties for you shoplifting the audiobook on CD at a truck-stop are lower than the penalties the author and publisher of the book would face if they simply gave you a tool to de-Amazon the file. Indeed, even if you hijacked the truck that delivered the CDs, you'd probably be looking at a shorter sentence.

This is a law that is purpose-built to encourage intermediaries to usurp the relationship between buyers and sellers, creators and audiences. It's a charter for parasitism and predation.

But as bad as that is, there's another aspect of DMCA 1201 that's even worse: the exemptions process.

You might have read recently about the Copyright Office "freeing the McFlurry" by granting a DMCA 1201 exemption for companies that want to reverse-engineer the error-codes from McDonald's finicky, unreliable frozen custard machines:

https://pluralistic.net/2024/10/28/mcbroken/#my-milkshake-brings-all-the-lawyers-to-the-yard

Under DMCA 1201, the Copyright Office hears petitions for these exemptions every three years. If they judge that anticircumvention law is interfering with some legitimate activity, the statute empowers them to grant an exemption.

When the DMCA passed in 1998 (and when the US Trade Rep pressured other world governments into passing nearly identical laws in the decades that followed), this exemptions process was billed as a "pressure valve" that would prevent abuses of anticircumvention law.

But this was a cynical trick. The way the law is structured, the Copyright Office can only grant "use" exemptions, but not "tools" exemptions. So if you are granted the right to move Audible audiobooks into a third-party app, you are personally required to figure out how to do that. You have to dump the machine code of the Audible app, decompile it, scan it for vulnerabilities, and bootstrap your own jailbreaking program to take Audible wrapper off the file.

No one is allowed to help you with this. You aren't allowed to discuss any of this publicly, or share a tool that you make with anyone else. Doing any of this is a potential felony.

In other words, DMCA 1201 gives intermediaries power over you, but bans you from asking an intermediary to help you escape another abusive middleman.

This is the exact opposite of how intermediary law should work. We should have rules that ban intermediaries from exercising undue power over the parties they serve, and we should have rules empowering intermediaries to erode the advantage of powerful intermediaries.

The fact that the Copyright Office grants you an exemption to anticircumvention law means nothing unless you can delegate that right to an intermediary who can exercise it on your behalf.

A world without publishing intermediaries is one in which the only writers who thrive are the ones capable of being publishers, too, and that's a tiny fraction of all the writers with something to say.

A world without interoperability intermediaries is one in which the only platform users who thrive are also skilled reverse-engineering ninja hackers – and that's an infinitesimal fraction of the platform users who would benefit from interoperabilty.

Let this be your north star in evaluating platform regulation proposals. Platform regulation should weaken intermediaries' powers over their users, and strengthen their power over other middlemen.

Put in this light, it's easy to see why the ill-informed calls to abolish Section 230 of the Communications Decency Act (which makes platform users, not platforms, responsible for most unlawful speech) are so misguided:

https://www.techdirt.com/2020/06/23/hello-youve-been-referred-here-because-youre-wrong-about-section-230-communications-decency-act/

If we require platforms to surveil all user speech and block anything that might violate any law, we give the largest, most powerful platforms a permanent advantage over smaller, better platforms, run by co-ops, hobbyists, nonprofits local governments, and startups. The big platforms have the capital to rig up massive, automated surveillance and censorship systems, and the only alternatives that can spring up have to be just as big and powerful as the Big Tech platforms we're so desperate to escape:

https://pluralistic.net/2024/03/23/evacuate-the-platforms/#let-the-platforms-burn

This is especially grave given the current political current, where fascist politicians are threatening platforms with brutal punishments for failing to censor disfavored political views.

Anyone who tells you that "it's only censorship when the government does it" is badly confused. It's only a First Amendment violation when the government does it, sure – but censorship has always relied on intermediaries. From the Inquisition to the Comics Code, government censors were only able to do their jobs because powerful middlemen, fearing state punishments, blocked anything that might cross the line, censoring far beyond the material actually prohibited by the law:

https://pluralistic.net/2024/02/22/self-censorship/#hugos

We live in a world of powerful, corrupt middlemen. From payments to real-estate, from job-search to romance, there's a legion of parasites masquerading as helpmeets, burying their greedy mouthparts into our tender flesh:

https://www.capitalisnt.com/episodes/visas-hidden-tax-on-americans

But intermediaries aren't the problem. You shouldn't have to stand up your own payment processor, or learn the ins and outs of real-estate law, or start your own single's bar. The problem is power, not intermediation.

As we set out to build a new, good internet (with a lot less help from the US government than seemed likely as recently as last week), let's remember that lesson: the point isn't disintermediation, it's weak intermediation.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/11/07/usurpers-helpmeets/#disreintermediation

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en (Image: Cryteria, CC BY 3.0, modified)

[rootedinrevisions]

Just...Stay: Part 2

SUMMARY: Tyler has to prove himself and win back your trust after nearly losing you for good. As he tries to commit to building a life together, the past tensions resurface, challenging both of you to confront the insecurities and fears that have kept you apart.

PART 1 HERE

A/N: I tried to write this using some of the ideas that you guys had for where YOU would like to see the story go (ie: a little bit of Tyler groveling, her moving on, and Tyler having to try and win her back! Hope you like it! xx

WORD COUNT: 4.8k

WARNINGS: Angst. Fluff.

TAG LIST: SEE COMMENTS

If you would like to be added to any of my Tag Lists or be tagged for a specific character please feel free to comment, send an ask, or send a DM and I'll be happy to get you added! Below are the fandoms I currently write for.

Glen Powell (himself and the characters he's played)

Twisters (Mostly Tyler right now, but possibly others soon)

Top Gun: Maverick (Hangman, Rooster, possibly others soon)

Marvel / MCU (Bucky Barnes as of now, but possibly others soon)

WWE / Wrestling

You stand on the porch, watching Tyler’s taillights disappear down the long, winding road. The ache in your chest tightens, and you whisper to yourself, He’s gone. This time, for real. You let out a shaky breath, gripping the porch railing as if it can steady the chaos churning inside you. You’ve waited so many times for him to turn around, to decide he wanted you as much as you wanted him. But he’d made his choice, and you can’t keep waiting for him to want you.

With a shaky breath, you went back inside, the echo of his last words still hanging heavy in the air. Your hands trembled as you reached for your phone, already pressing the familiar contact without needing to see the name. When the line connected and your mother answered, you could barely get out a word. But she didn’t need you to; she recognized the silence, the breathless, broken sound of you holding back tears.

“Oh, honey,” she said softly, with that knowing sadness in her voice. “You don’t have to say a thing. I know.”

The crack in her voice brought the tears you’d been fighting up to the surface. The dam broke, and everything you’d been holding in—the hope, the ache, the final goodbye—poured out, leaving you unable to respond as she filled the silence with soft, soothing words.

“I’m coming over,” she assured you. “Just sit tight. I’ll be there soon.”

You nodded even though she couldn’t see you, wiping away tears as you settled back against the counter, feeling like the empty space Tyler left behind was somehow everywhere now, pressing in around you. The quiet house felt so much bigger without him in it, the emptiness swallowing every corner that once held laughter, whispered promises, and the comfort of his steady presence—even if it was always temporary.

Later, you and your mom sit in the living room, the stillness almost too much to bear. She’s wrapped her arms around you, her gentle strength holding you together when you feel like you’re falling apart. You try to hold back the tears, but the weight of everything—of hoping he’d turn around, hoping he’d realize he was making a mistake, hoping he’d come back up those steps to say he was staying—finally breaks.

Your mom rubs small circles on your back, her voice soft and steady. “He made his choice, and someday, he’ll understand what he’s lost,” she murmurs. “You did everything you could, honey. You deserve someone who’s going to put you first.”

You nod, though it doesn’t stop the ache gnawing at you. For the first time, though, you start to let the truth settle in: that you deserve more than the waiting, the hoping. That you deserve someone who chooses you fully, every single day.

Later that night you stand in front of the bathroom mirror, the harsh light making your face look even more worn from the day, you brace yourself for another quiet night. You slip into your pajamas, ready to try and sleep through the ache in your chest, when your phone lights up on the countertop. Tyler’s name stares back at you, as if daring you to pick up.

Your heart thuds painfully, and for a split second, you’re tempted. He’s calling, just like he said he would. But you can’t answer this time. You can’t let him back in, not after everything. So you hit the red button, sending his call to silence.

Thirty seconds later, your phone lights up again—his name filling the screen once more. The resolve you’d tried so hard to build threatens to crumble, but you steady yourself, knowing you need to stay strong. You told him what would happen if he left. You’d made it clear, and this time, you have to stay firm with that.

With a deep breath, you hit “Ignore” again, feeling both the sting of regret and the strength of your own boundaries. It hurts, but you know it’s what you need to do.

You turn your phone face-down on the bed, trying to ignore the nagging pull to check it. But when you do, Tyler’s message is there, waiting.

Tyler: Can we talk? I just want to talk to you.

You close your eyes, feeling the weight of every unsaid word between you. He wants to talk, but he still isn’t saying what you need to hear—no apologies, no acknowledgment of what he’s putting you through, just the same vague promises. Another message appears as you sit, reading it with an ache building in your chest.

Tyler: Please. Talk to me darlin.

You want to answer; some part of you always will. But there’s no real shift in his words, no sign that he understands what you need. It’s just Tyler reaching out like he always does, and leaving you to carry the weight when he pulls away.

So, you let the messages sit. They stare back at you, blue checkmarks confirming that you’ve seen them, leaving him on read for once. It takes everything in you, but you put your phone on silent and push it to the side. This time, you’re standing firm.

* * * *

A few months had come and gone since you’d last heard Tyler’s voice, and while the ache lingered, day by day, you’d felt it dull. The first few weeks had been the hardest—filled with reminders of him in places you hadn’t even thought to look. But with time, you’d found a new rhythm. You packed up his things and stored them in the barn loft, out of sight and mostly out of mind. There’d been a few days when you’d thought he might call again, but each week that passed with no message made it easier to let him go.

Then, just a few nights ago, you’d bumped into Matt at the bar. The quiet, shy boy you remembered from high school was still there, but he’d grown more self-assured, his conversations easy and light. He’d listened intently, asked thoughtful questions, and laughed at your jokes, which was a nice change after months of heartache. When he’d asked if you’d join him for dinner, his eyes hopeful yet calm, you found yourself agreeing without hesitation.

Now, as you finish getting ready, you catch a glimmer of that anticipation you thought you’d lost. It’s a soft, hopeful excitement, different from the wild spark you’d once had for Tyler, but maybe that’s exactly what you need.

As you slip on your shoes and give yourself one last look in the mirror, a strange mixture of nerves and excitement tingles in your stomach. It’s been so long since you let yourself look forward to something like this—putting on a new dress, curling your hair, and swiping on lipstick just to feel a little spark. It feels nice to step into a night that’s full of possibility, even if it’s quieter than the whirlwind you once imagined with Tyler.

Matt isn’t the kind of guy who will leave you on edge, wondering what comes next. That thought is comforting as you smooth the fabric of your dress and check your reflection one last time. He’s steady, warm, and easy to talk to, and when he’d asked you out last week, you’d felt a genuine flicker of excitement—a feeling you hadn’t allowed yourself in ages.

Your phone chimes, breaking the silence of your room. You glance over, expecting it to be a text from Matt saying he’s on his way, but instead, you freeze. 

Tyler’s name flashes across the screen, and for a moment, everything else fades.

Tyler: Hey. I know it’s been a while, but can we talk? I’ve been thinking a lot. Just… if you have a minute.

You stare at the message, feeling a swirl of emotions you thought you’d buried. It’s been weeks since his last message, and each day that passed without one felt like another small step forward. You’ve been letting him go—pushing his things up into the barn loft, moving him out of your thoughts inch by inch. But tonight, of all nights, he’s suddenly there, reaching out again.

The phone chimes again, and another message appears.

Tyler: I’m sorry. I miss you. Just thought you should know.

Your heart clenches, but this time, you feel a new kind of strength holding you back. You let out a shaky breath, reminding yourself that you deserve someone who doesn’t make you wait and wonder, who doesn’t leave just to come back again. Tyler’s voice and his words, tempting as they are, can’t keep pulling you under. Not anymore.

With that, you tuck your phone into your bag, letting his message go unanswered as you grab your keys. Tonight, you’re stepping out into something new, something steady and full of hope—maybe even something that finally lets you move on.

At dinner, you and Matt settle into a cozy booth near the window, the glow of candlelight casting a soft warmth across the table. You offer a smile, and he returns it, looking just as eager and nervous as you feel. The waiter takes your orders, and for a moment, you both fumble with your menus, using them as a buffer against the quiet that settles between you.

“So,” Matt says, clearing his throat, “how’s work been treating you?”

You launch into a polite summary, and he nods along, sharing his own stories from the hardware store, a few of which earn a chuckle. But as you finish, another silence slips in, and you feel that small, familiar tension build in your chest. You drum your fingers lightly on the table, scanning your mind for something—anything—to say. Just as the silence is about to become too much, Matt asks if you’re excited for the weekend, and you let out a quiet sigh of relief.

You tell yourself it’s probably just nerves, that this is normal. After all, it’s been a couple of years since you’ve been on a real date, and first dates are always a little awkward. But as you lift your glass to take a sip, you can’t help but think back to the times you’d come to this same restaurant with Tyler. How the conversation would flow so easily, sometimes even late into the night. You’d swap stories, share laughs, and talk about everything and nothing all at once. There was never a lull, never a forced smile or the need to fill the quiet.

You catch yourself before the memory sinks any deeper and shake your head, forcing a smile as Matt picks up on a new thread of conversation.

Stepping outside the restaurant after dinner with Matt, you hold the door open just long enough to make sure he’s following when you feel yourself bump into someone headed in. You stumble back, and strong hands instinctively reach out to steady you. You begin to apologize, breathless from the sudden collision, only to look up and freeze. 

Those familiar, green eyes meet yours, and for a moment, everything around you blurs. Tyler stands before you, in a red button-up, worn jeans, and that off-white Stetson you know all too well. He murmurs your name, his voice thick with something unreadable as he holds you in place for a heartbeat longer than necessary. 

But before you can react, Matt is by your side, his hand pressing warmly against your lower back, gently pulling you away. 

Tyler releases you, his gaze lingering as Matt asks if you’re okay. You nod, feeling a bit dazed, and allow Matt to guide you toward the street.

Tyler calls your name again, his voice softer, a thread of desperation woven through it. But you glance back only briefly before following Matt down the sidewalk, his arm curling around your shoulders protectively as he continues talking, oblivious to the moment that just passed. 

You try to steady yourself, but the weight of Tyler’s gaze is still on you, even as you walk away.

Watching you leave with someone else beside you, Tyler’s heart twists in a way he didn’t see coming. The sight of Matt’s hand resting comfortably on your shoulder, of you turning away from him so resolutely, strikes deeper than any storm he’s ever chased. It’s in this moment that something cracks, and he realizes with painful clarity just how much he’s let slip through his fingers. The thought of anyone else sharing the moments you once shared together is a weight he can’t shake. As he watches you disappear into the night, Tyler makes a silent vow to win you back, whatever it takes.

Matt drives you home, the quiet hum of the engine filling the comfortable silence between you as you watch the streets blur past. He’s considerate, not pushing for conversation, as though sensing the hints of distraction lingering in your gaze. When he pulls up to your house, he steps out first, hurrying around to open your door. You offer a grateful smile, following him to your porch as you fish for your keys.

Standing under the dim porch light, you both pause, caught in that familiar, tentative moment that usually ends with a goodnight kiss. Matt smiles, leaning in with a softness in his eyes that tells you he’s hoping for more than the simple goodbye you’re about to offer. And though part of you wants to bridge that gap—maybe even craves the closure it could bring—Tyler’s face flashes in your mind, his eyes catching yours across that restaurant entrance, and you can’t shake the thought.

You lean forward, placing a gentle kiss on Matt’s cheek before stepping back, your hand lightly on his arm. He seems to understand, though a hint of disappointment flickers in his eyes. “Goodnight, Matt,” you say softly, your hand dropping back to your side.

“Goodnight,” he replies, a warm smile slipping back into place. He pulls you in for a quick hug, his embrace steady and reassuring, but he doesn’t push for more. 

Watching him walk back to his car, you feel a pang of guilt. Matt’s a good man, and he deserves someone whose heart isn’t scattered across memories and what-ifs.

You let out a slow breath as his car pulls away, whispering into the stillness around you. You know you’re not quite there yet.

Minutes later you are in the kitchen, getting yourself a glass of water when you hear it. When you hear him. The rumble of his truck reaches you before the sight of it does, that familiar low, steady hum breaking the quiet night. You freeze in place, feeling the sound more than hearing it, the way it seems to settle into your bones and send your heart racing. You step over to the kitchen window, barely breathing as you watch him pull up, headlights cutting through the darkness until he shuts the engine off.

For a moment, he doesn’t move, just sits there, his silhouette still and contemplative. You’d know the tilt of his head, the set of his shoulders, anywhere. 

Slowly, he climbs out and makes his way up the path, boots crunching on the gravel. With each step he takes your mind races, grasping for words, trying to brace for the conversation you know he’s here to have.

When he reaches the front porch, he pauses, hands on his hips as he lets out a long breath. His eyes flick to the window, and you step back instinctively, as though he might see you. 

You feel a sharp pang in your chest, the past month of silence cracking open like fresh heartbreak. Then he’s knocking, the sound a low, insistent rhythm that echoes through the house, reaching you where you stand, rooted in place.

You take a deep, steadying breath, one hand reaching to your chest as if to calm the beat of your heart. You can’t avoid him now. Whatever he has to say, you need to hear it. Your fingers wrap around the doorknob, twisting it as you remind yourself to stand strong, to keep your heart guarded.

With one last breath, you open the door, meeting Tyler’s gaze—the same gaze that’s held you and let you go too many times to count. Tyler’s eyes find yours, raw and pleading, and his face softens in a way you haven’t seen in a long time. He takes a shaky breath, his words tumbling out in a rush like he’s been holding them back for too long. 

“I know I messed up. I know I’ve given you every reason to walk away,” he begins, his voice low and thick with emotion. “But I can’t lose you. I can’t…not like this.”

His hands run through his hair, and for a second, he looks at the ground, gathering himself. When he looks back up, his eyes glisten, and he steps closer, his words growing more insistent. 

“These last few months, you not talking to me… I can’t even explain how much that hurt. How much I’ve missed you—missed everything we had. I kept thinking, maybe if I left you alone, you’d be better off. But I was wrong, and now I can’t stand not being near you.”

He takes another breath, his voice catching slightly as he adds, “I want to come home. I want to be with you. I want to come back and stay this time…if you’ll have me.”

You feel your heart stutter, your mind racing to process what he’s just said. You’ve wanted to hear those words so many times before, but now…now that he’s here, your defenses come rushing up. 

You try to keep your voice steady, shaking your head as you take a step back. “Tyler…you don’t just get to come back whenever you feel like it. You left. You made that choice, and I—” But you stop, seeing the way he looks at you, eyes shining with the tears he’s trying to keep back.

He’s holding his breath, his chest rising and falling like he’s struggling to hold himself together. The vulnerability in his face hits you like a wave, breaking down the walls you’ve been trying so hard to build.

“Please,” he whispers, voice barely above a breath. “I know I don’t deserve it, but I…I just need you to know that you’re it for me. You’re home. Not just this house or the land…you, darlin’. Anywhere you are, that’s where I want to be. I don’t want to run anymore.”

You feel a knot in your chest tighten, torn between the longing in his words and the pain of what’s happened.

“Tyler,” you begin, voice unsteady, “I can’t do this again. I can’t open myself up just to watch you walk away.”

His hand reaches out, hesitating before he rests it on your arm, his thumb tracing a gentle line along your skin. “I’m not going anywhere this time,” he says softly, his voice trembling. “Not unless you tell me to.”

The look in his eyes tells you he’s here, truly here, every bit of himself laid bare for you. And for the first time, you see a man who’s willing to fight—fight to be with you, fight for a future together, fight to make up for every broken promise.

You cross your arms over your chest, the weight of his words sitting heavy in the air between you. For a second, it almost feels like you can’t breathe. His words are exactly what you’ve wanted to hear, but there’s still a part of you that’s scared—scared to believe him, scared to fall for this all over again. You take a step back, trying to distance yourself from the emotions that have flooded your chest.

“How do I know?” you ask, your voice barely a whisper but carrying the weight of every question you’ve been holding onto. “How do I know this time is going to be different? How do I know you’re not just saying what I want to hear, again?”

He pauses, his face tightening for a brief moment, before his eyes soften, his sincerity cutting through the uncertainty. “All I can do is prove it to you,” he says quietly. His words are steady, but there’s an ache beneath them, something that makes your heart skip. “I can’t change the past, but I can damn sure try to make up for it.”

He glances toward his truck, his hand dropping to the side before he looks back at you. “I brought an extra bag with me this time,” he says, his voice steady with a quiet determination. “I was hoping you’d let me leave it here. Maybe when I come back in a couple weeks I could come back with the rest of my stuff…and that you’ll let me stay.” He looks at you, his eyes open and honest, no pretense, no bravado—just the raw truth of a man who wants nothing more than to rebuild what he lost.

You feel the sharp sting of his words sink into you, and for a moment, you’re speechless. Tyler Owens, the man who once seemed so lost, so unsure of anything but the moment, is telling you he’s ready to plan. You feel the ground beneath you shift as he continues.

“I’ve talked to Boone, Lily, Dexter, and Dani about it,” he says, almost as if it’s something he’s already put in motion. “I’ve been thinking about moving up here, about making it work. I know it’s not just about me anymore. I know what I did, and I know what it’s going to take for you to trust me again. I want to be here, with you. And I’ve already been figuring out how I can make it work with storm chasing. With the team.”

The weight of his words hits you like a freight train. Tyler, who’d never seemed the type to plan, to make a life out of more than just surviving, is telling you that he’s thought ahead. He’s thought about you—about living with you. The logistics of his work, where he’d fit in with the team, how he could make it all work—things he’d never even considered before.

He never once brought up the idea of moving in, of building a future with you, before. Now, he’s here, telling you that he’s ready. And as much as your heart aches with uncertainty, something inside of you can’t help but feel the tiniest thread of hope tugging at you.

You swallow the lump in your throat, trying to find the right words, trying to keep your guard up, even as your heart beats louder with each passing second.

“How do I know this is real?” you whisper, your voice breaking slightly.

Tyler’s eyes are locked on yours, his expression soft and full of sincerity, the words that leave his lips quiet but sure. “You’ll know by what I do. Not by what I say.”

As you stand there, the flickering hope mingling with every guarded part of you, you can’t hold back anymore. You have to ask him, to hear him explain it in a way that might finally make sense.

“Why, Tyler?” you say, your voice laced with hurt and frustration. “Why do you do this? The hot and cold? Coming back and then leaving just when I start to trust that you’ll stay? Why am I never enough for you to choose me?”

Your words hang in the air, heavy, but Tyler doesn’t flinch. He looks at you, and for a moment, you see something raw and vulnerable cross his face—an expression you don’t think you’ve seen before. He takes a shaky breath, his hands running through his hair as he struggles to find the words.

“It’s not that you’re not enough,” he says, his voice soft but resolute. “You’ve always been enough—more than enough. It’s me who hasn’t been enough. I’ve been scared… scared of needing someone the way I need you, of letting myself feel things that deep. I kept convincing myself that I’d be fine on my own, that I didn’t need anyone, but that was never true.”

He pauses, glancing away before he meets your gaze again, his eyes intense and filled with regret.

“Seeing you moving on, watching you with him tonight…” He trails off, swallowing hard. “It made me feel something I never want to feel again. The thought of you with anyone else—it made me sick. It took almost losing you for me to see that I can’t keep doing this. That if I kept running, I was going to lose you, really lose you. And I’d have no one to blame but myself.”

He reaches for your hand, his fingers hesitant at first, as if he’s waiting for you to pull away. When you don’t, he takes your hand fully, his grip firm yet gentle.

“I know it doesn’t excuse anything,” he admits, voice heavy with sincerity. “I know I messed up. But being without you, thinking I’d lost you for good… it’s been hell. And if there’s any part of you that can still trust me, even a little, I want to show you that I’m ready to be here for real. To stay. I can’t keep running from the one thing that matters most to me.”

Tyler’s gaze doesn’t waver from yours as he takes a slow step closer, his hands resting at his sides, waiting. He opens his mouth, then closes it, the tension in the air so thick you could almost touch it. When he finally speaks, his voice is quiet, but you can hear the vulnerability underneath.

"Please, just… give me a chance," he says, his words hanging in the air.

You swallow hard, your heart caught in a war between hope and doubt. You’ve been hurt before, but everything in you is screaming to believe him. You close your eyes for a moment, taking a deep breath, feeling the weight of everything that’s happened, everything that’s led to this moment. And then you open your eyes again, meeting his gaze.

"Tyler," you begin, your voice softer now, but still firm. "This is your last chance. If you mess this up, there’s no coming back from it. I can’t keep doing this. I won’t."

He nods immediately, his face lighting up with the smallest hint of relief. "I swear, I won’t. I won’t mess it up." His voice is more confident now, as if something in him has shifted—something that wasn’t there before.

You feel a knot in your chest loosen, though doubt still clings at the edges. But as you stand there, looking at him—really looking at him, all of the pain, the fear, and the uncertainty—starts to fade away. It’s like for the first time in so long, you feel like you can let your guard down, just a little. You give a small nod, the corners of your lips lifting despite the tears threatening to fall.

"I’m trusting you," you say, your voice barely above a whisper. "Don’t make me regret it."

Tyler doesn’t say a word. Instead, he steps in closer, his hands gently cupping your face, as if he’s scared you might disappear if he doesn’t hold on to you. His thumb brushes along your cheekbone, a slow, tender motion. The air between you both feels charged, full of something real, something raw, something that hasn’t been there in so long.

And then, without another word, he leans down, his lips finding yours in a kiss that’s soft but intense. His mouth moves against yours with such tenderness, like he’s trying to pour everything into it—his apology, his promises, his love—everything he’s been holding back. You melt into the kiss, feeling his warmth, his sincerity, his desire for you.

The kiss deepens slowly, as if testing the waters, but it’s gentle, filled with the kind of care and emotion that you’ve been missing for so long. And in that moment, all of the fear and doubt you’ve been carrying seems to dissolve, replaced by something that feels like home.

When the kiss finally breaks, you both stand there for a few moments, foreheads resting against each other, breathing the same air. Tyler smiles against your skin, and you can feel the weight of everything shifting.

"I won’t mess this up," he whispers again, his voice thick with emotion. And for the first time in a long while, you believe him.

[7ouls]

im REAAAAALLY sorry for the likje longest wait ever but in the meanwhile i've wiorked on my oc too so i'll prob post abt it soon. sorry if this is short or bad but it took me a long time to get motivation to write this 😓

(this isnt proofread so if u see any mistakes dont mind them i’ll correct them tomorrow cause im too tired)

fem! reader btw

Daisuke never liked to rely too much on other people, he was always told how annoying he can be so that would make him even more of a weight than he already is.

Although he can’t complain when his girlfriend is the one who gets to take care of him. After what happened at the Tulpar you could see big changes in his attitude, he tried to smile at you but you can see that it’s not the same genuine lovely smile he used to give you in the past, when he was still on earth with you.

You were his girlfriend before he got the news from his parents about the internship and no matter how much you tried to convince him to not leave he still did, promising you that he’d come back for you. He wasn’t wrong, but this isn’t what you were expecting.

He had many scars around his body, barely able to move. He was put in a wheelchair for a few months, just until the scars have healed and he could get back in feet.

Daisuke’s parents found him a therapist, ignoring the boy’s wishes not to. Because after all he had you, you were the only one who he opened up with about what happened to all of them, about how guilty he felt for them. You were the one holding him in your arms after he cried on your shoulder for hours, you were the one changing his dirty bandages but most of all you were the one that loved him.

At nights like this you liked to wait until Daisuke was sleeping to leave him on your shared bed and go out your balcony to watch the sky filled with the city’s light, and when days were harder you took the hidden pack of cigarettes and light one up.

As you were watching the sky above your head you felt moving inside the house but didn’t think much of it, as it could be your pet just wandering around.

Your presumption turned out to be wrong as you heard your name be yelled from your bedroom, you quickly get inside to check on the voice and found your boyfriend on the floor. You run to him and slowly get him back on your bed. He pouts seeing your worried face checking for any damage.

“Are you okay? How did you get down there, most importantly why were you th-“ He stops you before you can bombard him with even more questions.

“I’m sorry Y/n, i just needed to drink something and when i saw that you weren’t here i tried to take it myself but i couldn’t...” You could see the disappointment in his eyes, you thought he might be feeling like a weight on your shoulders so you tried your best to comfort him.

“Daisuke look at me. You don’t have to apologise, it’s my fault. I should’ve been there for you but i wasn’t and i’m sorry about that. You shouldn’t force yourself to move too much, the doctors said that your body is still too fragile to sudden movements.” The boy looked at you, the mention of doctors saddened him.

“I’m so tired of these doctors, i sometimes wish you could be the one treating me instead. And the therapist girl always keeps trying to make me spill stuff, is it wrong that i don’t want to talk about it? She keeps asking about you a lot too, she might be thinking that you know more than her.”

“She wouldn’t be wrong, if it makes you feel any better i could try speaking with her.” He tiredly nodded at you and you both get back in bed, drifting off into sleep while holding him.

“Goodnight Y/n, i love you.”

IDK HOW I FEEL ABOUT THIS. i weote it in 2 hours so maybe that why its so bad and yea im so tired idek what im saying

[rubyin-wonderland]

Cupcake

opla!Sanji x gn!reader

Summary: During some late night baking, your flirty crewmate decides to keep you company.

WC: 1.9k

Warnings/tags: traditionally feminine adjectives (pretty, gorgeous, beautiful) but no gender is explicitly stated, fluff, self deprecation, lots of compliments, self indulgent

Note: first attempt at a Sanji fic because branching out is important

Night has overtaken the ship. It's calm, and stars blink in the sky, twinkling for the world to see. The soft rocking of the water has lulled nearly everyone aboard into a sweet, lovely sleep.

You were the only one awake, settled in the kitchen, a pile of various ingredients surrounding you as you prepared to bake. There was no reason behind your choice of late night activity. No anniversary or debt in need of repaying or any special event that required baked goods. It was just a calm enough night, and you couldn't sleep, so it seemed like a proper course of action.

As you began to measure out the ingredients, separating them into bowls for organisation, you heard a creak, followed by footsteps. Somebody else was awake, and was coming closer.

You watched as the door opened, revealing Sanji, yawning, before noticing you, and stopping dead in his tracks, surprised at the sight of you, hard at work this late at night.

"Well, good morning." He gave you a quick smile before stretching a little bit. "Couldn't sleep?"

"Kind of." You watch as he approaches you, inspecting the counter and your little process. "What are you doing?"

"Making cupcakes." You answered simply, dropping the flour into the bowl, a cloud of white rising as the flour settled.

"So late at night?" "Maybe I'm really early. How about you?"

He smiled. "I was going to get a glass of water." You gestured behind you. "Go on, I won't stop you."

He passed by you to grab a glass. "So, baking all alone?"

"Yeah. I find it relaxes me." He nodded, then took a careful step towards the door. "Well, if I'm bothering you-"

"You're not."

The words came out quick, and you had hoped you hadn't sounded desperate. You doubted the chef could ever be a bother to you, and you truly hoped he would stay to accompany you while you worked.

"Oh. Well then, could I stay? And watch you bake?" He moved back to the side of the island, standing opposite you, looking hopeful that you would say yes to his request. "Only if you promise to stay out of the way." You said, trying to push back a little after your small outburst earlier.

He nodded and pulled up a chair, sitting down to watch you work. You moved swiftly, pouring the ingredients into their proper bowls, making sure the measurements were just right.

"So," he broke the silence between you. "Do you bake often?"

"I used to. It was quite the hobby back at home, but I haven't had the chance to do it here yet." Sanji nodded. "What do you like to make?"

You smiled, thinking back to the copious recipes you had backed up in your brain. "Where do I start? Cookies, breads, pastries, pies, anything really. And cakes." You gestured at your handiwork. "Cakes, of course."

"Are they your favourite to make?" Sanji asked. "Oh yeah. Used to spend all day decorating them with my mom. Icing them with my favourite colours and absolutely drenching them with sprinkles." You smiled at the memory. "Sounds nice." Sanji smiled back. "She'd like you." You said suddenly.

"She would?" He asked, a little taken aback.

The look on his face told you that you might have messed up again, possibly treading a little too close to the knowledge that you liked him. But it was too late to backpedal.

"Yeah. She'd probably call you a sweetie, invite you to dinner, and insist that you leave the house with a pair of newly knit socks."

"Your mother sounds lovely." You nodded. "She is. I hope she's not lonely without me to keep her company." "I'm sure the people of your village take good care of her." Sanji comforted.

"I'm sure too. Maybe I'll write her a letter sometime. Maybe she'll even write back. One can hope."

"I'm sure she'd be happy to see you sharing your talents with your crew."

You nodded your head in thanks. "Oh, you flatter me."

"You are quite worth it." He smiled at you, something you had taken a liking to. He reminded you a little of what you imagined princes looked like in fairy tales. Handsome, charming.

The conversation went cold as you continued working, focused on the process ahead of you.

You stirred the batter, carefully adding the dry ingredients to the mixture, combining the two.

You were focused, making sure not to spill anything as you worked carefully.

"You're really pretty when you're focused."

The words slipped out without warning. Even Sanji seemed a little surprised at his comment. He'd flirted with you before, but it had always been so worked up. An act. Over dramatic and at least to you, unserious.

You had never taken his compliments seriously. At best, you thought he was trying to make you feel better about yourself. You figured it was just an act he put on to humour you, and you enjoyed it, even if it didn't boost your confidence all that much.

Admittedly, you liked Sanji. Far more than any of your other crewmates. If he were to feel the same, you would be delighted, but you were almost entirely sure he wasn't. He also flirted with Nami, and so many others who would likely be much better matches for him.

You could stand having his pity flirts to tide you over while he found someone he truly liked.

However, this was no typical flirt. There was no quick wink or smirk on his face. Just honesty. And that was so unexpected you nearly dropped your bowl.

You managed to set the bowl of dry ingredients down without spillage, trying to calm down the incessant fluttering in your chest.

"I mean, you, uh, I was going to say, I only meant that..." he was unable to say anything coherent. A man with a thousand lines backed up in his brain, suddenly rendered speechless.

You backed away from the counter, trying to ignore the warmth spreading across your face. Your jaw went slack as you watched him try to come up with something, anything, to save himself.

"I'm sorry, I should just go." Sanji was as red as a tomato, taking his glass and shuffling towards the door.

"Wait." Your voice commanded him, and he turned around to face you again, looking rather ashamed of himself.

"Did you mean that?" "It just slipped out, don't be uncomfortable, I just-" "You really think I'm pretty?" You didn't believe it, but maybe you could humour him for once.

He almost laughed in disbelief. "Of course I do! Who wouldn't?"

"Plenty of people. Lots of men. And I mean lots." Sanji scoffed. "Forget them. They're nothing but trouble. You're gorgeous."

You could sense it returning. The typical flirting. His overdramatic way of trying to comfort you.

"Oh please, like you haven't been playing with me all this time too." You swatted your hand at him. "You and your over the top flirting, I know what you think of me."

Sanji frowned, confused. "And what do I think of you?"

"Not much. You notice me and don't want to hurt my feelings by ignoring me so you flirt anyways. I know you don't truly think I'm pretty-" he practically gasped at your statement. "-but I promise I don't hold it against you. It's nice that you try to get me to think I'm pretty, but I know I'm not. That's okay. I have other skills."

"How could you possibly think that?" Sanji looked more than horrified. "I have never flirted with anyone I have found less than stunning."

You laughed, getting back to your baking, mixing the dry ingredients with the wet. "There's a first time for everything."

Sanji looked absolutely distraught. "You don't seriously think I say everything I do to you as a joke? As consolation?"

You shrugged. "I mean, yeah? You just always put so much effort into your flirting, I thought it was a joke. I never knew if you meant it or not. I figured you didn't."

He walked forward, looking you in the eye from across the island, trying to convey how truthful he was being.

"I promise you, you are beautiful. Any old fool could see that. You are pretty when you're focused and I have never been more enchanted by someone in my life. And I mean that."

You laughed awkwardly, face still blazing hot. "Okay, you don't have to prove it. You can stop it, Sanji."

He circled the room until he was stood right next to you. The last of the dry ingredients fell into your batter and you set the bowl down, not mixing it yet.

"If you do not believe it tonight, I will tell you tomorrow, and the day after it, and the day after that, for however long it takes for you to believe it."

You chuckled softly. "Okay. I gotta finish these cupcakes." Sanji gently reached out a hand, resting it on your shoulder so that you would look at him.

"You are pretty, whether you believe it or not." You gently shrugged him off, though treasuring the feeling of his hand touching you. "Okay, whatever you say."

The two of you did not speak after that. He returned to his spot on the other side of the island, and the two of you spent the rest of the baking process in silence, until the last batch of cupcakes were removed from the oven.

"I'm gonna get a bit of sleep before the sun rises." You said quietly, waking up your companion, who had been napping on the countertop.

"Of course, cupcake." He said, clearly tired and a little delirious. The mix-up was clear, and yet, it had sounded like a pet name. And you giggled. The second the noise left your mouth, you turned red, and ran from the room, scurrying back to your bedroom to get a few blinks of sleep before the next day's adventures.

When you awoke, you did not feel well rested at all, but at the very least, you could sneak a tasty cupcake in at breakfast, as long as Luffy hadn't found and finished them all as soon as he saw them.

The kitchen was lively with early morning chatter, and you noticed a plate of neatly decorated cupcakes on the counter. Iced with your favourite colour, drizzled in sprinkles. Each one prettier than the last.

You looked over at the chef, who was caught between two pans of scrambled eggs and bacon, trying to see if it was him who had decorated them.

He looked up from his work briefly and smiled at you.

"Good morning cupcake." Your face burned under his eyes. Of course he had heard your giggle, and of course he was holding it against you.

"Did you do this?" You asked, pointing at the cupcakes. "Yes, I'm sorry but I figured you'd like them nice and iced. Like you said earlier. I left most of the rest for you to decorate, if you want."

"I didn't know you knew my favourite colour." You said, picking up a cupcake, admiring it.

"Of course I do. Someone so pretty deserves to have things remembered." You rolled your eyes at his not-so-sneaky attempt at flattering you. "Nice try, Sanji, but I'm not a fool." You took a bite from your cupcake.

He sighed. "I'll have to try harder next time."

"You don't have to do this. I'm fine, I promise you."

"I'm not doing this because I have to, cupcake." He grinned at the flustered look on your face. "I'm doing this because you deserve it."

[belovanat2]

Our new chance, pt 2

Agatha and Rio are given a new chance. 

It's age regression, if you don't like it, don't read it.

Alice is the reader's name, unrelated to the show.

I'm going to write several chapters, so it may take a while for the story to unfold. 

English its not my first language.

Alice.... This name has haunted them both for years, ever since Nicky left.

The two pull themselves together, and return to the questioning.

"What are you doing in our house, Alice..." Agatha continues with her questions.

"I... I... I promise I wasn't stealing anything, I was just hungry," the girl starts to say, trying to keep calm.

"Alice, come on, let's go to the table and talk," Rio says, urging the girl to get up. But Alice backs down.

"Please don't call the police! Please, anything but that!" She begs, and tears start to flow again. 

"Nobody said to call the police, calm down!" Agatha says harshly. Rio rolls her eyes, her wife sometimes only made things worse.

"I promise that if you get up and talk to us, no one will call the police," Rio says, holding out his hands for the girl to get up, who accepts shyly.

"Finally..." Agatha says, sitting down and leaning on the table.

"Agatha, calm down..." says Rio, glaring at her wife.

"Ok ok, I'm sorry" Agatha says making a peace sign.

Alice felt a little safer to sit down in the chair where Rio was pointing, but she was still scared that she had been caught. She didn't trust these women.

Rio sits down next to her wife, and they both face Alice.

"Okay, let's start at the beginning... what do you want here?" Rio is direct in her question and Agatha laughs, where is her wife's calm? 

"I told you... I was just hungry and your house was the only one I could get into, I'm really sorry," Alice replied with a trembling voice.

It would be a lie to say that the two witches weren't touched by the girl's tone of voice, they were increasingly holding back so as not to give in to the girl's cuteness and innocence in front of them. But that would be trusting too soon.

"And why did you have to come into our house to eat, that's what we don't understand" Agatha slams her hand on the table, a little harder than she meant to, as Alice slumps back in her chair.

"It was my last option, I had nowhere else to go and I was hungry," Alice says, analyzing the reaction of the two women. They were scary, but something made her feel that they weren't evil.

"Where do you live?" Rio asks, and from Alice's expression she sees that she's asked the right question.

"It's a long story..." says the youngest, fiddling with her hands anxiously.

"We've got plenty of time, don't worry," Agatha replies.

"I don't have a house.... Not anymore," Alice says with a sigh.

"What do you mean?" Rio asks, and Alice lowers her head.

"I had to run away, so I don't have anywhere else to go, that's it..." she gives up and gives away a bit of the situation. The two women look at each other worriedly. Why would a young girl like that run away from home?

"How old are you?" Agatha asks, clearly calmer and more touched by the situation.

"17..." Alice slowly raised her head so that she could look at the women again, "that's why I'm asking you not to call the police, I'm begging you," her eyes were pure despair and fear.

"Relax, we won't call the police," Agatha replied.

"Really?" Alice looks at the woman in surprise "Thank you! I promise I'll pay for the grapes and I'll clean up what I broke and..." Rio interrupts her.

"How long have you been away from home?" The woman was worried, even though the teenager in front of her was almost an adult, she seemed helpless and smaller than any other teenager.

"About two weeks, I think..." Alice replies and the two women stare in shock.

"And where were you staying?" Rio asks, and the younger woman shrugs.

"I had to cross two cities to get here, I stayed on the street anyway," she says with unexpected normality.

"That's dangerous!" Agatha says indignantly. Rio nods in agreement.

"I'm fine..." Alice says without much certainty, and she looks at herself. She clearly wasn't well. She had lost weight, was dirty, hungry and cold.

"You're hungry, I'll heat up some food for you," Rio says, getting up, and Alice gets up with her

"No need, I don't want to get in your way any more than I already have…”

"No, you're going to stay there and eat," Agatha replies, staring at the girl, leaving no room for complaints.

"Okay..." she replied in frustration, sitting down again. But she wasn't going to lie, she was starving.

The three of them stay in silence for a while, a very uncomfortable silence for Alice, until Rio brings the girl a plate of hot food.

"Here you go, enjoy," Rio says smiling, and sat down next to Agatha again.

"Thank you" The girl then picks up her fork and starts eating. That food was wonderful. She devours the food quickly.

The two women were happy to see the scene and to see the little girl enjoying her food. The poor thing must have not eaten for days.

"Do you want more?" Rio asks and Alice says no with a shy smile.

"I'm full, thanks," she replies as she takes a sip of water, then makes a thoughtful face.

"A penny for your thoughts," Agatha says with a sarcastic but not malicious laugh.

"I don't know your names yet..." Alice says, staring at the two.

"I'm Agatha, and this is my beautiful wife Rio," Agatha says smiling at her wife. 

"You have very beautiful names" the girl says sincerely.

"Thank you, dear," Rio replied, "your name is very pretty too." 

It was true, they both loved the name Alice, it was part of their story, even if they didn't understand why.

"Thank you for everything, for the food, it was very good, but I think I'd better go now" Alice says with a sad smile, heading for her backpack.  

Agatha and Rio looked at each other, not knowing what exactly to do. They weren't going to call the police, but they didn't have any duty to the girl either, right? It wasn't their responsibility... of course it wasn't.

"Alice mom, I told you, her name will be Alice!" Nicky corrects Agatha for the hundredth time 

"Do you promise you'll take care of Alice mom?" Nicky asks Rio

Memories come back to them... there was no connection! It was just a silly story their son told.

"No, stay!" Agatha replies impulsively, even she is startled by her own invitation. Alice looks at her in confusion.

"You don't have to..." the younger girl starts to reply.

"Spend the night here and then we'll talk more, okay?" Rio insists. They couldn't leave the girl alone on the street.

"I don't know if I should..." Alice replied uncertainly, she didn't want to abuse the women.

"Just one night and then you can go," Agatha said, and Rio agreed with her. The older women looked pleadingly at Alice, who gave in.

"Okay, I can stay for the night"

[angelltheninth]

Arcane Characters Make Food for You

Pairing: Jinx, Vi, Caitlyn, Maddie, Ekko, Vander, Silco, Sevika, Viktor, Jayce, Mel x Fem!Reader

Tags: fluff, established relationship, domestic fluff, kissing, making food, teasing

Ko-Fi | Rules | Fandoms and Characters

A/N: I already wrote this on my old blog but now is a good time to re-write it.

Jinx knows how to cook pretty well, surprisingly enough. Or maybe not so surprisingly given how she's always the one making things and experimenting. However that also means she might make some really weird meals.

It's something you'll have to deal with if you're with her and might have to develop a strong stomach. She already has it because she grew up in Zaun and ate a lot of different things. For you she wouldn't recommend some of them yet and she will try her best to make something that you'll like. And she won't get too offended if you don't eat her cooking right away.

"I made ya some breakfast, ta-da! It's a little sticky but don't worry, eat your fill and I'll clean up the mess later. Don't look at it like that, it might not look pretty but I promise ya it's so good. I could eat this every day. I hope I'll get to eat it together it with ya every day, sugar."

Vi doesn't know how to cook because she never had the opportunity to learn. The first few dishes are bad, like really bad, almost burn the toast and eggs type of bad but Vi she isn't the kind of person to give up. She'll keep trying until she gets it right.

There have been times where she did burn things and she won't let you eat it since it's not right. She wants you to have the best of the best, even if she didn't. Might get a little distracted when you're in the kitchen with her so she prefers to cook by herself even if you're there with her. Regardless of how many times she gets it wrong she at least wants to learn to cook your favorite.

"Yes, this is burned toast but this time it's not my fault, it's yours. Well you're the one who walked in here looking all cute and distracted me. One kiss is all it takes if it's from you, sweet stuff. Sit down and let me do this right and if you do you'll get something sweeter than this."

Caitlyn knows how to cook really well. She did grow up with people doing the cooking for her however she was curious and wanted to learn how to do it on her own. She's a very hand-on learner, now she can use some of her skills to make you happy.

She gets up really early anyways so she might as well make breakfast for the both of you. The first time she brings you breakfast in bed she thinks your reaction is cute, the way you stare at her, eyes wide and drooling over the food. For her it's not odd to have breakfast in bed. And if you stick with her you'll get used to her pampering you. Be sure to tell her how the food tastes.

"Good morning, darling, I brought you something. See, I didn't just brag about my cooking skills, this is me showing you I can cook. Showing off? Suppose I am a little bit, it's not my fault you didn't really think I would bring you breakfast in bed."

Maddie can cook some dishes but she can cook them well. Her skills aren't anything impressive but they don't need to be because she can get take out too. But she is more than happy to share what ever she makes with you.

She falls back on take out more often than she would like to admit. However not when she invites you over to her place, then she will put her best foot forward. A lot of that is because she wants to impress you hard, but it also gets her to work on her skills either way she wins. She keeps looking at you very intently while you take that first bite. Thankfully she doesn't seem to do a bad job if your smile is anything to go by.

"I'm not weird for watching you eat, it's called being smitten, gorgeous. Anything you do is interesting to me, you know that by now. This isn't empty flattery. I already got you to eat my cooking, I don't need to butter you up at this point."

Ekko isn't the best cook out there, he will be completely honest with you. While he does know the basic things you can't really expect anything fancy. If anything he focuses more on the dish being filling than tasty.

The thing about him cooking for the two of you is that he can only do it on his free time, which isn't a lot. Therefore he wants to make it a bonding activity. A cute date of sorts, mostly in the late evening when the rest of work is done. Sometimes he will try to surprise you but its hard when his living space isn't that big and everyone knows everything in the Firelights. The gesture counts.

"There wasn't much time so it's pretty simple, but at least it's your favorite, Firefly. No, I actually finished the new project, I had extra time to kill. Please, don't thank me! It seemed only right for me to make you something after you cheered me up this morning."

Vander knows how to cook really, really well. He kids to raise, and he was on his own for a very long time, he had to become a good cook. Plus he makes awesome drinks, being a good cook was a bonus skill for him.

He's always the first one to wake up and start the day in the Last Drop and he always makes breakfast for everyone. Not just breakfast but every meal, his kids need to eat a lot, there's always a little left over for later. Even if he feels a little sleepy himself he at least wants to put something on the table. It's the dad instincts in him. And husband instincts, hopefully.

"Don't ya even think about sneaking up on me right now, darlin'. I've got a pan full of sizzling hot oil in my hand, I don't want it all over us. Hugs are fine, I always love ya being close to me, but keep your hands to yourself. We both know ya get handsy in the morning."

Silco didn't know how to cook before he adopted Jinx, since then he's had to learn. It wasn't easy but now he does know a lot and he can impress the woman he's dating. Now when you stay over you can expect good for for your date, and good food when you wake up.

When the dating gets more serious he lets you help him cook, but until then he pretty much does it on his own. Jinx will go nowhere near the kitchen alone, not after that one explosion. He does have a list of recipes that he makes the most. And a few that he made up. Sometimes ingredients are hard to come by so he needs to improvise.

"Pass me the flour would you, love? This time I will follow the recipe, yes, the last time there was a bit too much sugar in there. I know you liked it but it's not the healthiest thing now is it? Fine, call me a worried dad, I know you think it's attractive."

Sevika isn't able too cook that well, she never was, she always liked others cooking for her though. However when you tease her about it she takes it as a challenge. And you know damn well that she doesn't back down from a challenge.

Curses a lot when she messes up, though you can bet that she's not gonna let food be the thing that beats her. When you walk into the kitchen it's a mess which will take a while to clean up. But at least she managed to make the dish this time and it's quite good. For her hard work you give her a very passionate kiss and that just makes her wanna work harder. That's the best reward she can ask for.

"One kiss for at that work, doll? I think I earned myself a little more than that, maybe you on the table instead of all this food. Yeah, I know it's gonna get cold, you're right. Can't let all this hard work go to waste, but when we're done we have to work all that food off."

Viktor doesn't have as much time to cook as he could if he worked a bit less. Not that his skills are award worthy but he can make a few things, at least in his opinion. Give his cooking a chance.

When he was a student in the academy he had to learn how to make quick meals and that is where most of his strength is. Just very simple dishes but he knows how to make them well. There are times when he himself forgets to eat so he makes sure he gets a good meal when he can. If you're part of that that's even better. Having you eat his cooking makes cooking more fun.

"If you think cooking this is so easy then you make it will you, beautiful? Ah so now you like it, I see how it is. I'm just kidding, I love making food for you when I can. But if you want to make it yourself please let me do a taste test first. I promise to be brutally honest, just like you are with me."

Jayce has absolutely no skills in the kitchen unless you need him to fix or build things in there. He knows this too and will admit it right away. Trust him he is much better in science than in cooking food.

That being said he will join you in the kitchen when you cook. He takes an interest in it because the way you cook makes his mouth water. When he learns about what your favorite food is he wants to lean how to cook it. However he does this in secret because he wants to surprise you. Sure enough he's able to get the biggest smile out of you when he presents you with your favorite meal.

"I learned it secretly, all for you, babe. Well I am quite good with my hands and I enjoy working, that was just another excuse to learn. Of course I don't have an ulterior motive for it! But if I did... and if it was kissing... would you kiss me for doing a good job?"

Mel is actually an amazing cook and knows a ton of recipes. Including your favorites of course. Do you really think she'd invite you over and offer you nothing to eat?

It's been a long time since she had to cook for anyone but herself but she's not bad at it at all. She has high standards when it comes to good food specifically because she holds herself to high standards. It doesn't matter how simple or complicated the meal is. When she invites you over and offers to make you food you better believe you're eating good that night. Not strictly food either.

"Beloved, slow down a little, the food isn't going anywhere and neither am I. We have all night. Every time I make food I do so because I want to enjoy a good meal, and you should too. And please be careful, I don't want you to choke, on the food that is."

[narcissistcookbook]

Hello mx cookbook!

I'm writing this on anon, because a this story's a touch personal. And english isn't my first language, so there might be some mistakes. It might also get fairly long.

Anyway, the reason I'm sending this ask is because I wanted to tell you how much your music has affected me. Seriously, there's a whole story to this, too. I'll try to keep it short, but I promise, it does eventually come down to your music.

I come from a country and culture where education is valued pretty highly (even though under our current government, the system is in absolute shambles.) All high schools here require a complex entrance exam process, and there are a few so called "elite" insitutions that are insanely hard to get accepted to. It was my dream since I was a little kid to achieve just that, and I eventually did. Cool, right?

So anyways, it was horrible. The details aren't exactly important, but I was cast out of the community and bullied relentlessly for two years before I eventually transferred to a different school.

But in those two years, music was my only comfort. I'd have my headphones in 24/7, listening. Obviously, I was bound to discover a lot of new music this way, and I did, while simultaneously strengthening my preexisting obsessions. But your music stood out to me so much, and it really helped me through those two hellish years.

For example, I used to listen to Good Morning Sunshine on the bus to school every morning, it was the only thing that gave me motivation despite how exhausted I was.

By now, I am doing much better, I've gotten out of my "hallucinating angels in first period gym class" state, but I still listen to your music a lot. It serves as a reminder to me that despite how bad things were at the time, I'm in a much better place now.

And Good Morning Sunshine still gets me back on track if I'm ever feeling demotivated. Your lyrics have forever captivated me and they consistently keep pushing me to better myself and my life.

So thank you for that. From the bottom of my heart.

Thank you for this 💜 I'm so glad my songs have been a comfort, that's all I ever really want to hear

[zettaireido-emotion]

Camus character analysis: games VS anime

If you finished the Uta no Prince-sama anime and your opinion of this man is "wow, he's kinda terrible," I don't blame you. in fact I've seen a lot of people say this

In this post, I want to talk about his characterization in the games and give my two cents on what the anime was trying to do with him, especially in his single focus episode Saintly Territory (S3E6).

Disclaimer: I wrote this on a whim because I'm sick and stuck at home so if anyone reads this, sorry I might go all over the place

Spoilers for all of the games!

The "be my slave" thing

Starting with Anime Camus's most egregious crime: treating Haruka like a servant/slave (however you want to translate it)

Basically in his focus episode, Haruka is tasked with writing a song for Camus. She wants to learn more about him in order to write it, but Camus will only let her follow him if she acts as his servant. She accepts without complaining, Cecil is rightfully angry, Haruka continues anyway and the song gets completed.

Now, am I about to say that Game Camus would never do this? No because he literally does lmao.

The anime doesn't pull this "servant" plotline out of nowhere, here's the context in his route:

Haruka accidentally overhears Camus talking about a plot to assassinate Saotome on the phone. When he notices that she heard everything, he basically tells her that he has to kill her now. But if she served him, he'd be able to keep an eye on her, make sure she doesn't leak anything, so she could escape death.

Okay uh "work under me or DIE" isn't exactly better, nor is it a good start to a love story, but I'm not finished!!

(A side note: I have to add that the anime made him look like an even bigger asshole and borderline dumb when it came to the things he made her do. Like he expected her to know that snapping your fingers means you want coffee without prior explanation. bro

^This might have been for comedic effect but I promise he can be actually funny and endearing.)

What the anime couldn't cover

The Camus episode wraps up with Haruka pulling through and writing a song that makes Camus "sincere," he says it's cool at the very end and that's the episode. I think the problem is that we technically didn't see him being sincere or what that even means to him, besides when he was singing (banger song btw)

It's a shame because in a 20-minute episode you really can't show the game experience of slowly piecing together what this man's problem is.

First of all, in Debut and AS you'll be quick to notice that he always has homeland and duty on the mind, constantly reminding himself that he's in Shining Agency/Japan for a reason, and it's NOT to have fun or make friends

The truth is, he slowly starts to appreciate the banter with his colleagues, music, and working there in general.

But because of his initial mindset, he has to rationalize & justify every connection he forms, like "it's just for work" or worse: "actually it was ALL A LIE and I NEVER ENJOYED A SECOND OF THE TIME WE SPENT TOGETHER, I'm such a great actor haha"

He uses that to fool himself and to push the other person away so it doesn't happen again. This scene is probably the best example:

(I'll be using google lens because it's faster but I checked that the tls were okay)

He also does this in the Non-Fiction drama, which may or may not have actually happened, but I think it's still a pretty good reflection of what could happen in reality because he tells Ranmaru their bond was a lie, then mopes around in his guilt thinking about the good times and wondering why he's sad, and THEN later doubles down on the "it was a lie, I don't care about you" because he just can't let himself get attached to anything.

Basically, he's terrified at the thought of forming actual bonds because he genuinely thinks he's nothing if he stops being a cold weapon:

At one point he does admit he sucks (as a love interest)-

-which is pretty huge by utapri standards. I love these games, but the amount of times where a male lead does something icky, and everyone, including Haruka, acts like it's normal or like it's Haruka's fault is ehhh but I digress

Upbringing

Of course he's very proud of his homeland and status, but sometimes it's to the point of thinking he can't be anything other than his title. So why is he like this?

We got to hear about his childhood from Camus himself a few times, and it often ended with Haruka thinking "wait? that's kinda messed up?" and Camus insisting it's nothing/it's normal so yeah that's something...

His parents were in an unhappy arranged marriage, and his mother was forced to birth an heir which traumatized her so much that she can't see Camus without falling ill. Overall it's a pretty tragic situation since what happened to her was horrible, though not Camus's fault either. Even now she refuses to see him, and I wouldn't say that makes him sad because he never really met her, but simply knowing of her sacrifice probably adds a lot of pressure. As in, he only exists for this one purpose (inheriting his father's title and serving the country), so if he doesn't play his part correctly, it would have all been for nothing.

He was raised by his father not as a child or son but as the heir, always treated and judged as an adult (even during physical training apparently, make of that what you will)

When Haruka asks about childhood memories he has a very hard time finding something that doesn't have to do with his duties or the nation. And then admits he didn't truly have a "childhood" since he was never treated like a child

As for the queen, I think his love for her is sincere: she taught him a lot of things growing up, and according to him, she's also a victim trapped by her duties so he wants to ease the burden.

So hypothetically, if he found things or people that made him happy in Japan, he would feel obligated to lock them away because that happiness is incompatible with his life: he'll have to leave when his mission ends, he shouldn't be spending time on things that aren't "useful" as he doesn't have the free will to pursue them

In his mind he's completely tied down by the fact that he was born and raised for a single reason, and the fact that he does want to serve the queen.

(This is Saotome describing him btw)

Also it might sound ridiculous to bring his self-worth into question because of how pretentious he is, but I've counted a few situations where he seemed to have complete disregard for his own life, only worrying about Haruka and Cecil's safety in scenes when they were present. And he thinks wanting to be loved unconditionally is a childish thought he shouldn't have.

"Double Face" was a lie. There's like at least 10 layers

On the surface he does have two personas, his perfect polite butler act for the media, and his cold bitchy attitude off camera. But honestly, even when he's not acting as a butler, he's often putting up a front to hide any form of vulnerability (from himself as well)

His main struggle is finding who he is outside of what he's being told to do. Before, he never actually stopped to think about what he WANTS because it just never occurs to him, or if it does he ignores it.

That's why realizing that he has his own desires is essential to his character development, and him staying with Quartet Night (and Haruka in his routes) is so important. It's why Reiji feels the need to reach out and when he does, Camus either freezes up or tears up;

This all makes him the opposite of Ranmaru (being true to yourself and sincere), and similar to Ai (gradually learning to view the world in a less cold and logical way), but I kind of want to save that for another post lmao

He is especially hard on Cecil because Cecil says & does whatever he wants, and everything still works out for him, which is a way of life that Camus can't imagine for himself at all (despite maybe wanting it?)

That he can realize this and eventually admit out loud, despite all his pride, is also one of my favorite things about him

Season 2 does hint at something, so that's pretty cool!

Side note, I really love that his theme in the new Oracle series is "Change," the melting of ice.

So what was the anime supposed to do??

Of course there's no way to show all this in a single episode or even during the runtime of the anime, and I never expected them to because the story is very surface-level (that goes for all characters).

It's just unfortunate since the anime is the most accessible and well-known utapri media in the western fandom, and the character's main episode is bound to leave the biggest impression.

I understand the choice of being laser-focused on the servant plotline, it's supposed to be funny (?) and waters him down to a trope that's easy to understand at first glance (the step-on-me guy I guess)

Still, I can't help but compare it to Ranmaru's episode, who was also hard to work with in the games but was chill in S3E7 and got to pet cats. Anime onlys will never know how much Camus loves to dote on his dog smh.....

[hugespace]

Last week I decided to revisit my WIPs and @becausethathappens wanted to know more about one of them - “Find Yourself, Lose Yourself”, which has been sitting in my drafts since August 2021.

Now, I can’t really take credit for the idea behind this fic, I’m pretty sure I saw someone saying they’d like to read a story about R&L exploring gay bars together but for two different reasons and I just decided to try writing said story; the problem is though - that was nearly 2 years ago, and I absolutely cannot find that post/comment now. So, if anyone reading this happens to remember who first came up with it, please let me know, as I’d like to give them credit. (And if someone else already wrote a story like that - also let me know, and I’m sorry! I wasn’t keeping up with new fics while on my hiatus, so I might have missed something!)

I only managed to write 3 chapters back then, and I’m just posting the first one for now.

***Find Yourself, Lose Yourself***

Rhett finds himself having to come to Link’s rescue one night, when his friend’s journey of self-discovery becomes a bit too much for him. He promises to be Link’s moral support from that point on, but will there be consequences?

***1,2k***

An unpleasant and aggressive sound pulls Rhett out of his sleep with a gasp. He has been dreaming about something he can’t remember now; the end of the dream was too sudden. For a second, his brain feels cloudy, he doesn't know what is happening. The initial confusion associated with abrupt waking up goes away quickly, however; he's in his bedroom, where else could he be. It's dark, clearly still middle of the night, and the only source of light is the ring of bluish glow around the downturned screen of his phone laying on the bedside table. Phone, which is vibrating furiously, almost like it's trying to free itself and fall to the floor. So that's the sound, his brain finally catches up.

Rhett quickly picks it up, glancing at Jessie, who is thankfully still peacefully sleeping next to him, arms hugging a pillow and mouth open. He looks at the screen - unknown number. Then the time - 2:13 am. Who could be calling him at such an hour...? He briefly considers declining the call, but an uncomfortable feeling in his gut makes him reconsider. What if it's an emergency? His wife is next to him, both sons in their rooms, but there's still his parents, and brother, and- And Link, he realises, recognising the 818 area code in front of the number. He has to pick up.

Rhett quietly gets up and leaves the bedroom, simultaneously pressing the green symbol on his screen. "Hello-?" he gently closes the door behind him and shuffles towards the door to the backyard in the dark. "Mr. McLaughlin?" a male voice inquires in return, slightly drowned by a distant sound of music in the background. "Yes...? Yes, that's me. Who's calling?" "Brad Whittler, I'm here with your- friend? Charles. He gave me your number to contact you, so you can get him, I don't think he's in a position to drive." It takes Rhett a moment to comprehend the stranger's words. Charles...? Does he know anyone…? OH. LINK.

His heart speeds up so abruptly and with such a force, Rhett feels like it might want to jump out of his ribcage. “What happened-?! Is he hurt...?” “No, no...” the tone of the voice is casual, not filled with concern, Rhett thinks. “He's not hurt, not physically, at least. He's having a pretty bad panic attack, though.” Rhett’s imagination is getting ahead of him, trying to complete what he's hearing. Was Link in an accident...? Is he at a hospital? Did something happen to someone else? “And he might be kinda drunk to be honest.” the man on the other side of the line adds after a few seconds, cutting right through Rhett's racing thoughts. Drunk...? What the hell? “I- Where is he? Where should I come?” “Bullet Bar, do you know the address?” He doesn't, he’s never heard of that place. What was Link doing there, anyway? It was obviously a bar, that much was in the name, but neither of them were ever really big on pubs, and certainly not in the recent years. Rhett switched to speaker and wrote the address given to him by the man in his notes' app, thanking him for the information and promising to be there as soon as possible. The navigation showed him he was in for a ride to Burbank, a different side than the studio, but still around 35 minutes away.

Rhett went back up to he and his wife's bedroom and gently shook her shoulder, trying to wake her enough to let her know what's going on. "Jessie? Baby." "Hmm...?"Jessie opened her eyes and blinked a couple of times, trying to get used to the darkness and to being awake in the first place. "I got a call, Link's somewhere in Burbank and needs me to get him." he spoke in a soft voice. "Don't worry, I think he's fine, I don't know much, but he's not hurt in any way" he added, seeing the sudden alarm in Jessie's eyes. "Do you want me to go with you?" she asked, pushing herself up on her elbows. "No, no, thank you. Go back to sleep, he's okay, it's not an emergency or anything. I'll let you know once I've got him, okay?" Rhett leaned down to leave a kiss on Jessie's forehead. "Are you sure...?" "Yeah, yeah, absolutely." Jessie didn't seem entirely convinced, but she laid back down and asked him for a promise to call her and tell her if everything was alright as soon as he was with Link. Rhett gave her another kiss and jogged out of the room, only grabbing a pair of sweats and a hoodie on his way. He quickly put them on, pocketed the phone, his wallet, and a set of keys, and rushed to the car.

The night was relatively cool, and the streets were calm despite it being a weekend. Rhett had to really control himself not to start speeding, his need to be there as soon as possible and find out what the hell happened was strong, and the fact that the roads were so empty made fast and reckless driving rather tempting. Wouldn't bring anything good if he got in an accident though, he reasoned, trying not to exceed the speed limit. Without any external distractions from other cars around him or sounds of people going about their daily lives, Rhett's brain quickly occupied itself with more or less probable scenarios and mind-boggling questions regarding Link's whereabouts and the reasons for his panic attack. In his rush, he hasn't even checked what that place was, it occurred to Rhett. He only put the address in the navigation and followed the directions.

He would find out soon, he realised, hearing his phone tell him to drive another 5 miles straight ahead and then turn right to reach his final destination. The part of Burbank he was now in seemed to be significantly livelier than what he drove by on his way there. Colourful neon signs on both sides of the street illuminated the sidewalks and people standing or walking on them – numerous party-goers smoking, drinking, talking loudly and animatedly.

"Your destination is on the right." the navigation declared all of a sudden, in its dry and emotionless tone of voice. Rhett slowed down and quickly glanced at the place he was supposedly trying to find. It was indeed a bar, or maybe a nightclub. The building looked innocuous, a bit shaggy even – with black walls with grey brick peeking out from underneath bits of chipping paint, and a simple red sign above the door. He parked his car in front of it, not caring about doing a good job of it, and as he was starting to reach for the handle to get out of the vehicle, he noticed something that has somehow slipped his attention when he first looked at the building. A big rainbow flag was stuck in a flagpole on top of the building and moving slightly in the wind. He brought his eyes back to the sign on the front of the bar and then opened his notes app to make sure he was in the right place. He was. He looked around and spotted another sign, standing next to the building and proudly declaring "Bullet Bar - 40 years of gay haven in Burbank!”

Was Link in a gay bar?

***

More disclaimers! The Bullet Bar is a real gay bar in Burbank, I know nothing about it though, apart from what it looks like and that it’s been around since the 80s. I just wanted it to be a bar that’s not in WeHo or some other extremely busy place. (And also, I promise Rhett has a legitimate reason to be surprised by Link’s whereabouts, not just “why would he be in a gay bar”)

[psychotic-nonsense]

"I'm sorry."

It's the first thing Steve says after everything.

After getting Vecna Cursed. After nearly dying. After a hallucination of Eddie saved him. After running through a looped forest. After finding sanctuary in Steve's memory of that Starcourt bathroom. After Eddie reveals himself as Eddie.

It's the only thing he can think of. It's not big enough to fit everything, but it's the only thing that fits in his mouth.

"Don't be."

Maybe that's the only thing Eddie can think of too. The only thing Eddie can bear to say.

Because don't be can't stop Steve's eyes from watering when he sees the vest in his closet. Don't be can't stop Steve's feet from dragging him to the cemetery every evening to clean Eddie's graffiti-covered tombstone. Don't be can't stop Steve from sitting beside Wayne and listening to him talk about the Eddie he remembers. Don't be can't stop Eddie's body from showing up in Steve's dreams, nor Eddie's corpse from his nightmares. Don't be couldn't keep the pain away enough, didn't stop Vecna from latching onto it while Steve was walking alone in the woods.

Don't be isn't enough for what Steve wants to hear. But even stuck here waiting, hoping, for someone to get Steve out, there just isn't enough time.

"I miss you."

"...Why?"

Eddie says it back so quickly, so quietly, like it's just unfathomable to him. Maybe it is, considering their last memories. But their eyes meet and he looks just as sad, just as longing, as Steve.

"You were my friend."

Steve can't help but say it like that. Like they were friends for years instead of days. Like Eddie was that important to him in their final moments. Like his heart really aches for Eddie every second of the apocalypse.

Can't help but say it like he means it.

"I wish we could've had more time..."

Steve's voice cracks a little there as he turns away, hiding. It's all he wants. It's all Vecna used to entice him with. It's all that's keeping him going, to finally fulfill the last request Eddie made. It's all he has left to feel close to Eddie.

The Eddie that's sitting right next to him, silent, his sight weighing on Steve's skin. Conscious and aware and the real Eddie. Trapped in Vecna's head as a backup power source, yet who still risked everything to come save Steve. Who Steve will never see again because killing Vecna means killing Eddie for good, and his heart doesn't want it, is begging for another solution...

But for once, his broken head overpowers his shattered heart.

"Maybe we did."

Eddie takes Steve's hand. Meets Steve's surprised look with his own small smile of hope. They're both suddenly tearing up, eyes glistening with life in this gray stall.

"Maybe in another world, we got a second first chance. A first second chance. Maybe even a third, or fourth. Maybe in a different life, we had everything we wanted. Because you, Steve Harrington, are too good for me to be doomed to meet just once."

And for a moment, Steve sees it. Feels it. Versions of them connected through the universe.

Little kids playing in the lake. One with bruised skin and shaved hair, loud but unfathomably lonely. One with a bruised heart and soft eyes, timid but stubbornly hopeful.

A rockstar with glittering chains, center stage in the spotlight. A set of eyes in the crowd or behind the curtain, watching only him.

A werewolf and a vampire, two cryptids of horror, meeting in the dead of a full moon night to feel safe with the only other one who understands.

A future where they won, where the only death was the one that mattered. A process of healing and learning, coming home to a family every single day.

A world without pain, without their hell, where two high schoolers found freedom from their shackles and company in each other. Hiding away together in the dark corners of the town.

Steve even sees other versions of them. Versions that he knows were originally never supposed to meet, yet forces so much greater than them pulled them together.

A metalhead drug dealer, constantly getting into trouble with one nail-bat-weilding cop.

A criminal's fugitive nature leading him to a rugged trailer park, and the dangerous owner within one such home.

An eccentric king in an old coliseum, always choosing one particular warrior as his champion.

A young programmer being pulled away from his work by sobs above his apartment, running upstairs to check on the law student that recently moved in.

Two actors, finding an easy friendship in the months of filming one season of a show that would change their lives.

In that moment, Steve's overwhelmed by the closeness he suddenly feels with the soul beside him. Falling into tears, he pulls Eddie into a tight hug, holding him so so close to convey everything he can't say. Feeling Eddie hold him back, hearing everything Eddie can't say in return.

Familiar music comes on outside the stall. Robin's voice calls out to him, telling him to come home.

And when he does leave, Steve hopes that someone out there will understand that he never can. Because here in Eddie's arms is the only place that will ever truly feel like home.

"Thank you... for everything, Eddie."

Thank you, Steve. For everything and more..."

--------------------

- List of AUs, in order, after, "Versions of them connected through the universe": Childhood Friends / Rockstar!Eddie / Werewolf!Steve & Vampire!Eddie / Eddie Survives / No Upside Down & High School

- List of Multiverse Steddie AUs, in order, after, "...yet forces so much greater than them pulled them together": Eddie x Gator / Baron x Michael / Geta x Sean / Keys x Eric / Quinn and Keery

[brb-on-a-quest]

I had a thought last night, and even though the only canon bat source I've had is WFA, and I've only *just* started getting into fanfic, so characterizations may not be accurate/have been done before, but IDK. I need this to exist out there.

Timothy Drake-Wayne writes fics sometimes.

It started off with the necessity of creating so many fake IDs. One thing led to another and Tim was coming up with backstories for all the Johns, Marys, and Joes that he invented while doing his Gotham digital surveillance. After all, he was trying to make these people's fake IDs look as real as possible, which meant more than just a name on a couple of sheets of paper.

It means creating a fake digital footprint. For each one.

So, on the rare occasions when things are calmer, and he's not immediately needed, he sits on his computer and types out head cannons for each of the OCs he has created. He spends a lot of time doing research on different cultures, neurodivergencies, physical abilities, and backgrounds to try and 1) paint accurate pictures and 2) learn. He hides the world building tidbits in a secret folder that he's taken so many measures to hide from Oracle (she already knows, but she doesn't actively look after finally figuring out what the folder of names, complete with physical descriptions, life stories, and preferences is out of respect for Timothy). (Also, all this writing knowledge actually comes in handy for crime-solving things, but he doesn't fully realize it at the time).

Tim even went as far as to make social media accounts for some of his favorites and posts bits and pieces of the head cannons to make them, again, seem like real people. Just in case. As a precaution. You never know.

Jason finds out somehow, in a freak accident and collision of siblings that so often happens. Tim is sweating bullets, trying to steel himself for the endless teasing. He is fully prepared to delete every single file that's in that folder and deny that it ever exists for all eternity.

Except Jason doesn't. Jason's too much of a literary nerd (granted, he prefers more classic literature than social media fics, but this is another thing he can connect with his little brother on- he's *excited*) to tease Tim about the writing. He kind of persuades Tim to take more time for his hobby because Tim has some markings of talent in his very specific creative niche. Tim may have also convinced Jason to try it exactly once, to create a fake Twitter profile for Mr. Darcy and create shitposts from his point of view. He has a great time with it once, and then he moves on (but sometimes he creates other accounts for other characters that Tim doesn't know about).

They make a pact between the two of them not to tell the others; they'd ask too many questions and make it less fun.

But every once in a while, Tim would walk into Jason's place to crash for a bit, steal all of his Red Bull, update Jason on his writing projects, and get writing advice.

[ejsuperstar]

whatre your ocs thoughts on each other

@catofaurora

[zombubble]

Chat have we just gotten to the last chapter (before the epilogue) of draft one?!

Yes, we have uwu.

Endings are hard.........

[shirogane-oushirou]

had a dream that gave me the drive to FINALLY pick v.esperia back up so i can try to finish all of the endgame shit and grade farm before starting new game +.

in the dream, the v.esperia gang and i were all in the s.haikos ruins -- the whole gang, incl r.aven and j.udy and p.atty. i was these but was also accessing my gamer knowledge to be like "hey that's a trap switch, step away from it", and uh. while i was being buddies w everyone, i was also being "buddies" w r.aven WEKJSNFKJNSF we were being so flirty, and r.ita just kept looking over at us and going "ew..." sjnfdkjn :') she's great.

anyway. i find it funny that i have so many oushirou dreams but they're mainly "i found ancient merch at this random store, i'm going to buy every single thing money be damned, i Need These" with the occasional "you're meeting him in a horror dream w no logic. he is going to disappear or die or suffer horribly, and when you wake up it's either going to be like 'what the FUCK' or 'that was the funniest shit it could have possibly been."

...while i have r.aven dreams a little less often but they're ALL "just hanging w my dubiously romantic friend(?) r.aven" in different situations sdjkfknkjn.

"him and r.ita accidentally world hopped and we're hanging out (and r.aven and i are cuddling) until they randomly hop back".

"he's a 'camp counselor' at some kind of adult summer camp and he singles me out and protects me from weirdos, invites me to have lunch w him."

"he's a teacher / prof / scientist / it was vague, but we were taking shelter from a tropical storm w others and getting close in the enclosed space."

and noooooooow "i world hopped to t.erca l.umireis and could help them reach places they may not be able to normally w my Big Girthy Gamer Brain" <3

this always brings back the love i have for him, but for MONTHS i've been in such a mood of "oughhhh i want to go back to v.esperiaaaaa i was SOOOO CLOSE to ONE HUNDRED PERCENT COMPLETION, SOOOO CLOSE to NG+... but going back to games after a feww years.... bad...." so it was enough to FINALLY push me back into the game. and i'm loving it. i love this fucking game so much. this is a Real Place. To Me. and i want to finish all of the remaining shit so i can restart and go on another fun adventure w my fwiends (and UNLOCK THE R.AVEN COSTUME I MISSED BC I DIDN'T DO ONE (1) STEP IN A SIDE QUEST. RAAAAGH.) and do it with all of the grade shop perks applied ahehehehe.

[vv-ispy]

.

[adozentothedawn]

And so it is done! Praise be our bird lady Hylea, even though she was a dick to me while making it.

I tried getting multiple different lighting situations, but unfortunately none are great. If we're getting some sunlight tomorrow maybe I'll post another one in natural light.

Now, eagle (hah) eyed viewers might notice that there are two different shades of pink in this banner. This is definitely on purpose and not cause I ran out of the first one and bought a wrong one to stock up and then only noticed when it was too late.

You might also notice that wings don't look like weaving. That is cause they aren't. While the egg and the top part honestly went amazingly well on the round loom, the wings unfortunately bend into the wrong direction for the most part so it looked garbage when I tried to weave it the way I do usually. I then tried to weave it on top of the background, using the weft as another warp, but didn't look great either. Then I got the idea to maybe use the fact that I branched out in textile arts recently and just try something completely different. I ended up using a backstitch basically, but through the string itself to make it stick in one line. Honestly I'm kinda proud of that thing, cause it did come out pretty good. (Except that the one top line somehow got too long which meant I had to staunch the right wing so it wouldn't look too off kilter but at that point it would have been ludicrous to try and fix it so I did my best to work around it.)

Tbh I was too lazy to look up proper rim techniques but hey it works, so whatever.

The next project will take a while for sure, because I have about 5 million Christmas ducks to crochet, so we'll see when I get back to it.