#businessmed

[biomaterial]

is it a chicagoland or general american thing to handshake when meeting in very casual circumstances? this keeps happening lately and, while i appreciate the apparent respect, it's so silly.

[sparklymilks]

fun cowboy hats :) from here

[a-solitary-sea-rover-backup]

If there’s one big name missing among nations contesting the America’s Cup, it is Australia, but that could be changing.

A wealthy businessman and top sailor, John Winning Junior, is trying to become the catalyst for the return of the nation which has played a big part in the Cup’s history.

[moonchildstyles]

https://www.tumblr.com/mr-styles/720028326884950016/harry-out-in-london-june-13 older h waiting for pretty girl as she gets her nails done while he takes businessmeating walking around :( </3 I’m obsessed w him 🧸

NOOOOOOO IM SO OBSESSED W THAT IDEA STOP:((((((( her being at a nail appt and hes calling into his meeting just walking around waiting for her :( he def dropped her off and gave her a little kiss before he was like "text me when ur done" like just so casual and cute before hes just out and about doing his big job waiting to se her cute nails :(

[shivafinz123]

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[kaiju-film-liv]

The Origins of Kaiju Films

Welcome to my five-part analysis of the Kaiju genre. Kaiju films have always fascinated me for their engaging special effects and compelling social commentary.

Kaiju which roughly translates to “strange monster” is often characterized by massive animalistic creatures wreaking havoc on metropolitan areas. Kaiju are often associated with creatures like Godzilla and Mothra but the concept has existed for much longer. In Japanese folklore large creatures or animalistic spirits have existed for quite a long time. The first use of Kaiju in film was not Godzilla (1954) it was actually a translation for the American film The Beast from 20,000 Fathoms (1953) which used the term on its Japanese poster as a synonym for monster. Godzilla (1954) was the first film to use it to describe the monster itself. 

Godzilla (1954) set the tropes by which the Kaiju genre would become synonymous with. The massive monsters, the destruction of cities, the political overtones in the thematics of the film. All three of these aspects would become common place in Kaiju films going forward.

 The film was written and directed by Ishirô Honda with co-writers Takeo Murata and Shigeru Kayama. The film's special effects were done by Eiji Tsuburaya. The company behind the film Tōhō Motion Picture Company was the go-to production company for Japan during WWII but post-war due to labor disputes it began to falter. The success of Godzilla and the branding around it has maintained the company into the modern era.

Ishirô Honda from a young age had a desire to work in film but was drafted into the military for eight years right when his film career began. While in the war between Japan and China, he was a prisoner of war. When he returned to Japan he also saw the ruins of Hiroshima. These experiences informed the political messaging in his films.

The criterion article “Godzilla’s Conscience: The Monstrous Humanism of Ishiro Honda” written by Steve Ryfle when speaking of Ishirô Honda’s shaping of the Kaiju genre stated “Other directors had begged off the project, believing it was ridiculous, and that it would likely end up a laughingstock. But to Honda, this was no joke… Honda created a monochrome masterpiece of sci-fi horror punctuated by extensive destruction sequences that elicited real-life fears of nuclear terror. Images of Tokyo smoldering in the wake of the monster, of irradiated civilians setting off Geiger counters, and of the Japanese military overmatched by the seemingly indestructible foe helped turn Honda’s entertainment spectacle into a cautionary tale about the atomic power that had not long ago been unleashed at Hiroshima and Nagasaki.”

The article also mentions the success of Honda’s films globally “Honda’s films were distributed around the world more widely than those of any other Japanese filmmaker prior to Hayao Miyazaki. In addition to having been embedded in popular culture for decades”

Ishirô Honda would continue to work on Toho Kaiju films for years after Godzilla (1954). He directed Rodan (1956), The Mysterians (1957), Mothra (1961), and Destroy All Monsters (1968). He was also a long-time friend of Director Akira Kurosawa helping him on films like Stray Dog (1949), Kagemusha: The Shadow Warrior (1980), and Ran (1985).

https://hivemind.modlangs.gatech.edu/non-fiction/kaiju-x-kami/

[ausetkmt]

Hot97 - Hip Hop & R&B News: EXCLUSIVE: 50 Cent Responds To Daphne Joy's Claims With Official Statement

[cyberbenb]

Investment bank founder detained at border with Poland, his company says

The Ukrainian businessman and the founder of the Concorde Capital investment company, Igor Mazepa, was detained at the border, Concorde Capital announced on Jan. 18. Law enforcement officers also ente Source : kyivindependent.com/businessm…

[haison-1]

Good movie deserves to be watched, "the banker" Revolutionary businessm...

[wombocombo4x3]

Game-like motion by a tired old man. Hiroaki Tanaka ミソジサラリーマン -Businessm...

[stephentaylorpropaganda]

Stephen Taylor Daily Politics Show Interview

[ajayguptabachpan]

Education Investor: Essential reading for education

Ajay Gupta

AJAY GUPTA | BUSINESSMAN, AUTHOR AND EDUPRENEUR

https://lh3.googleusercontent.com/sEVjm689YUNi-LfeRjqzegB2o6q7X124UXtG7VmKmWEhuYck278pv9-5e5JUzeAbs2Y_0S2jI-O4ZZfBT6OW3g_rIrbNwmZ_KM-pP-00qG7m6YwKy2GXptZHITINQ10aqw=w1280

Well-known for his Bachpan Play School chain, Ajay Gupta has strong business acumen and is an entrepreneur on wheel chair. After overhauling the preschool segment as early as 2004 with Bachpan and establishing over 1200+ play schools across India, this eminent education investor extended the scope and ventured into the formal education segment with the Academic Heights Public School (AHPS) chain. He also co-founded Rishihood University and completed the learning curve for students from PG (Play Group) to PG (Post Graduation).

A pioneering entrepreneur on wheel chair, Ajay Gupta is a seed investor for many startups. He believes in the vision of Aatmnirbharta and seeks to make his contributions to this vision. Primarily an education investor, Ajay Gupta also authored the book "Decoding Business Minds" which gives practical tips of business startup to aspiring entrepreneurs. The book not only puts forth tips of business startup but does so in the form of stories, analogies, and real-life experiences.

Ajay Gupta has a business experience of over three decades in various segments such as education and healthcare. Given his varied experiences, education investor Ajay Gupta holds a vision that is larger than life, and this is what makes "Decoding Business Minds" a must-read as well.

Visit Our Site

https://lh4.googleusercontent.com/F4N0AwGzcKs66P65UA4Vdtfa4Kx_IFeisUkQVXvivCVMjJyBBJ8mbF4pTbALy5bbz_ck00fq6i9_QZVB0BrVQBJj6L0rlYz8XW7X4qdW5cmtNN6eiK94nQqazJ9oPFvzeQ=w1280

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Improving playschool education

When Ajay had children, he noticed a gap in pre-primary education, especially in playschools. He realised that it was only the very affluent who were able to access quality education at the playschool level.

“I could not attend playschool. Several decades later, when I enrolled my children in playschool, I was not happy with the quality of education being provided. And I always wanted to do something in the field of education. Finally, I had my breakthrough in 2002,” says Ajay. He started the groundwork for building a playschool chain in 2002 and worked on it for two years. He felt that there was ample space in the education sector.

“The playschool industry was not that established, there was no curriculum. When I saw my daughter’s preschool book set, I felt cheated. There were only one or two books. This motivated me to research for two years and make playschool education more reliable and justified. I then developed a curriculum, content, and educational toys. We also conducted teacher training, and were ready for launch in 2004,” he says.

However, he did not let these obstacles hinder his progress.

At the age of 16, he made the most of his time by beginning to trade the teacher of his ninth-grade commerce class, he says, inspired his sense of enterprise. And hi is the best and growing Entrepreneur on Wheel Chair

“In our first class of Commerce, our teacher spoke about what is needed to be a good businessman, in which he spoke about risk-taking ability. And I was sold on the idea that day itself, and decided that I would be a businessman,” says Ajay. While pursuing his graduation, he started working at his family businesses, which included a sweet shop and an exports business. By the age of 24, he set up a string of successful businesses, including some chit fund companies, computer education centres, etc.

https://lh3.googleusercontent.com/nr8SVU010xVhGXFlxVhYZhinAUOkHRnecE6EJUMDgaDu_zSjqwB7_gkHfIJhAFkkych8gJ6C_s0rknPUkjbj970yKYPYooqDPNzY2hsLRm-qf1aWSljZYEU_Eky1wR5CVg=w1280

[delectablywaywardbeard-blog]

Beltrame, 'avanti con l'alleanza di imprese per l'area Med'

(ANSA) – ROMA, 16 GIU – “Continueremo ad alzarci mano nella mano per portare avanti il discorso”, sottolinea la presidente di BusinessMed, Barbara Beltrame Giacomelli, vicepresidente di Confindustria, al seminario che a Bruxelles trae la sintesi alla chiusura del progetto Ebsomed cofinanziato dalla Commissione europea. La cooperazione tra associazioni di imprese per lo sviluppo imprenditoriale…