#burma campaign
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captain-price-unofficially · 8 months ago
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A lone B-25H Mitchell from the 12th Bomb Group over Burma in 1944.
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carbone14 · 1 year ago
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Chasseurs Curtiss P-40 Warhawk des Tigres Volants (1st American Volunteer Group) en formation au-dessus de la rivière Salouen (Salween River) à la frontière sino-birmane – Campagne de Birmanie – Guerre du Pacifique – 28 mai 1942
Photographe : R. T. Smith
©San Diego Air & Space Museum
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gallerycityuniverse · 10 months ago
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GoodJadeit Etsy shop wishes you a happy Valentine's Day, filled with love and joy! 🎉💖
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Link to shop: https://www.etsy.com/shop/goodjadeite
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if-you-fan-a-fire · 1 year ago
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"THESE ARE THE TROOPS, who'll shoulder a big share of the fighting when the time comes to push the Jap out of occupied areas in the Far East. With oriental war cries on their lips, infantrymen of the Chinese Expeditionary Force hurdle a wall in the obstacle course at American training centre in India. They carry bolt-action rifles. (U.S. Army Air Force photo from NEA)"
Kingston Whig-Standard. June 9, 1943. Page 5.
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bookloversofbath · 2 years ago
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Burma 1942: The Japanese Invasion: Both Sides Tell the Story of a Savage Jungle War :: Ian Lyall Grant & Kazou Tamayama
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acoatforamonkey · 2 years ago
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Myanmar Diaries - The Myanmar Film Collective
Myanmar Diaries Myanmar Diaries is a hybrid film about life under the regime of terror in Myanmar in the aftermath of its military coup of February 1st, 2021, told through personal stories by a group of anonymous young Burmese filmmakers. It is produced by Netherlands-based ZINDOC and co-produced by Norwegian Ten Thousand Images. Built up of short films by ten young anonymous Burmese filmmakers,…
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maxwell-grant · 16 days ago
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im researching Scarecrow hench-people and the DC wiki is really unhelpful, can you give me a list of a few notable ones. Also who's this Autumn from the Audio Adventures people keep mentioning. Is she a canon character or is she an OC
thank you! also loved the list you did of your favorite hench people
Thank you! Now that you mention it, it does seem like Scarecrow's kinda lacking in terms of notable henchmen, even purely in terms of visually distinct one-offs. It might have something to do with how little he's been traditionally focused on crime and coalition building, per se, and more so on lone terrorist campaigns and experimentation. Besides Scream Queen, who I already went into in the other post, these are the ones that I can think of:
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Autumn / Miss Autumn is canon to TBAA, she just never showed up in the show. We hear about her in S1 via two scenes where Miss Tuesday talks about her friend in Scarecrow's gang, another villain assistant named Autumn that she always texts with and coordinates with, and then later she'd appear in issue #6 of the Audio Adventures comic, kidnapping Dick while he's disguised as a Burma Shave Boy and bringing him over to the Scarecrow as part of his plan. She claims to be a scullery maid in charge of the "kitchen" and is instructed by Crane to prepare a new batch, and Dick finds an Arkham Asylum physician's clearence and security badge that might belong to her, given Miss Tuesday in the show claims to have grown up in Arkham and the two seeming to be fairly close friends.
The Audio Adventures Special prequel comic released along with S2 also showed that, along with his biker gang to peddle in the street, he employs dealers hidden in plain sight such as the elderly librarian Mrs.Elliot, who we don't get to know much more about other than her being known by Dick and his friends, and a willing enthusiastic participant in the Scarecrow's plans to sell drugs to kids, as well as kidnap and experiment on them.
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In terms of notable henchmen I think the first one he ever got were the Strawmen from Batman #296: said to be named Otto and Raymond, former students of his who've joined him and became students of the Scarecrow, serving as the muscle to his operation.
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There's Linda Frittawa / Fright, introduced in a Judd Winick arc by the name of "As the Crow Flies", who became his assistant and confidant, while secretly manipulating him under a deal she made with the Penguin. She's the one who turned Scarecrow into the Scarebeast, and eventually showed up later working for Jeremiah Arkham Black Mask.
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Not quite a henchwoman per se but there is a character named Haunter who showed up in the 2017 Batman (vol.3) annual, who's able to kill people with her DNA and who coordinates a small-scale fear gas with Jonathan to make her escape from Arkham, and it's said the two had a "twisted mutual admiration thing" before Batman put her away. She's only made two appearences in total, in two anthology shorts penned by her creator Scott Bryan Wilson, and I'm including her because given her name and gimmick and lack of prominence, she might as well be a Scarecrow henchwoman or partner or extension of his deal.
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There's a fairly long pattern of Scarecrow being responsible for the creation of new villains with his experiments even if they don't necessarily go on to become henchmen - Madame Crow from Tynion's run was a former student who was tortured with fear toxin for months and took over a year to recover, before embarking on her own fear toxin campaigns. Colin Wilkes from Streets of Gotham was an abused orphan kidnapped by Scarecrow and given Venom injections before being ordered to attack Batman, and who was freed and became a hero. The Gotham Knight movie states that this version of Killer Croc was experimented on by Jonathan Crane, who caused his condition to worsen and seems to have kept him around a sewer hideout as an attack dog. The Titans show had him behind the resurrection of Jason Todd and his transformation into Red Hood, and Gotham had him create the show's version of Joker Toxin that kicks off Jeremiah Valeska's transformation.
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And finally, we'd be remiss not to mention that a couple of times in his older appearences he's had a pet raven named Nightmare, a concept that's come up again in more recent kid-friendly books where it's named Croward instead, who assisted him in his criminal endeavors. I suppose that raven evidently doesn't make too much sense given Crane's backstory revolving around the crow trauma inflicted on him by his grandmother, or that trained birds are still very much Penguin territory in spite of him never using them anymore, or it clashing too much with the darker tone and vibe he's supposed to have, but there's a self-evident charm to the scarecrow-themed villain having a pet raven circling him.
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daughterofdessalines · 1 year ago
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COMMIT TO NEVER STOP TALKING ABOUT “GEN0CIDE CULTURE” IN PALESTINE,CONGO,SUDAN,BURMA & other places in the world 🌎
THEY WANT US TO FORGET ABOUT MASS EXTERMINATION CAMPAIGNS ON THIS PLANET.. THEY WANT US TO IGNORE IT.
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greatworldwar2 · 12 days ago
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• Satoru Anabuki (Japanese IJAAF Ace)
Lieutenant Colonel Satoru Anabuki 穴吹 智, Anabuki Satoru, was depending on the source, the second or third highest-scoring flying ace of the Imperial Japanese Army Air Force in World War II, with 39 victories (51 claimed).
Born into a farming family in the Kagawa Prefecture, he graduated high school to take the entrance examination for the Juvenile Flying Soldier School and entered the Tokyo Army Aviation School in April 1938, In Oct 1940, he was enrolled in Tachi'arai flight school in Fukuoka Prefecture graduating in March 1941 in the 6th Juvenile Soldier Course and receiving a promotion to corporal in October. He was assigned to the 3rd Company of the 50th Air Squadron, stationed on Formosa in 1941. With the outbreak of the Pacific War, he fought in the conquest of the Philippines, where he claimed his first victory, a Curtiss P-40, on December 22nd, 1941 flying a Ki-27 aircraft. On February 9th, 1942, he shot down two more.
He returned to Japan with his squadron in Apr 1942, where the squadron was re-equipped with Ki-43 Hayabusa aircraft; Anabuki named his new fighter "Fubuki", partially based on his own surname. In Jun 1942, his squadron was transferred to Burma, where he would see combat over Burma, India, and southwestern China. He was promoted to the rank of sergeant in Dec 1942. On December 20th, 1942, he shot down a Blenheim bomber over Magwe, Burma, the first of many bomber victories. On December 24th, he shot down three British Hurricane fighters in combat over Magwe, Burma. In May 1943, he received a new Ki-43 fighter; he named this new aircraft "Kimikaze" after his wife Kimiko. He was seriously wounded in combat while flying "Kimikaze" over Rangoon, Burma on October 8th, 1943; after initial recuperation, he was transferred to the Akeno Army Flying School in Ibaraki Prefecture, Japan in Feb 1944.
In late 1944, after being cleared to fly once again, he shot down four US F6F Hellcat fighters over Takao, Taiwan and the Philippine Islands while ferrying Ki-84 Hayate fighters from Japan southwards. In December 1944, he was promoted to the rank of sergeant major. In the final months of the war, he was an instructor at Akeno with frequent combat assignments; in this role, he scored his 39th and final confirmed victory (53rd claimed victory), a B-29 bomber, over Japan while flying a Ki-100 fighter. After the war, he joined the Police Reserve in 1950, eventually reaching the rank of captain. Later, he joined the Japan Ground Self-Defense Force, becoming a helicopter pilot stationed in northeastern Japan; he retired from his military career in 1971 at the rank of lieutenant colonel. He worked for Japan Airlines before retiring in 1984. Many of Anabuki's victory claims during the Burma Campaign have been contested by comparing them to Allied records of lost aircraft on particular occasions. In several cases, there were no records of Allied planes even operating in the area where the claims were made. Anabuki passed away on an unknown date in June of 2005 at the age of 83 years old.
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fatehbaz · 10 months ago
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hi! SUPER interesting excerpt on ants and empire; adding it to my reading list. have you ever read "mosquito empires," by john mcneill?
Yea, I've read it. (Mosquito Empires: Ecology and War in the Greater Caribbean, 1620-1914, basically about influence of environment and specifically insect-borne disease on colonial/imperial projects. Kinda brings to mind Centering Animals in Latin American History [Few and Tortorici, 2013] and the exploration of the centrality of ecology/plants to colonialism in Plants and Empire: Colonial Bioprospecting in the Atlantic World [Schiebinger, 2007].)
If you're interested: So, in the article we're discussing, Rohan Deb Roy shows how Victorian/Edwardian British scientists, naturalists, academics, administrators, etc., used language/rhetoric to reinforce colonialism while characterizing insects, especially termites in India and elsewhere in the tropics, as "Goths"; "arch scourge of humanity"; "blight of learning"; "destroying hordes"; and "the foe of civilization". [Rohan Deb Roy. “White ants, empire, and entomo-politics in South Asia.” The Historical Journal. October 2019.] He explores how academic and pop-sci literature in the US and Britain participated in racist dehumanization of non-European people by characterizing them as "uncivilized", as insects/animals. (This sort of stuff is summarized by Neel Ahuja, describing interplay of race, gender, class, imperialism, disease/health, anthropomorphism. See Ahuja's “Postcolonial Critique in a Multispecies World.”)
In a different 2018 article on "decolonizing science," Deb Roy also moves closer to the issue of mosquitoes, disease, hygiene, etc. explored in Mosquito Empires. Deb Roy writes: 'Sir Ronald Ross had just returned from an expedition to Sierra Leone. The British doctor had been leading efforts to tackle the malaria that so often killed English colonists in the country, and in December 1899 he gave a lecture to the Liverpool Chamber of Commerce [...]. [H]e argued that "in the coming century, the success of imperialism will depend largely upon success with the microscope."''
Deb Roy also writes elsewhere about "nonhuman empire" and how Empire/colonialism brutalizes, conscripts, employs, narrates other-than-human creatures. See his book Malarial Subjects: Empire, Medicine and Nonhumans in British India, 1820-1909 (published 2017).
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Like Rohan Deb Roy, Jonathan Saha is another scholar with a similar focus (relationship of other-than-human creatures with British Empire's projects in Asia). Among his articles: "Accumulations and Cascades: Burmese Elephants and the Ecological Impact of British Imperialism." Transactions of the Royal Historical Society. 2022. /// “Colonizing elephants: animal agency, undead capital and imperial science in British Burma.” BJHS Themes. British Society for the History of Science. 2017. /// "Among the Beasts of Burma: Animals and the Politics of Colonial Sensibilities, c. 1840-1940." Journal of Social History. 2015. /// And his book Colonizing Animals: Interspecies Empire in Myanmar (published 2021).
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Related spirit/focus. If you liked the termite/India excerpt, you might enjoy checking out this similar exploration of political/imperial imagery of bugs a bit later in the twentieth century: Fahim Amir. “Cloudy Swords” e-flux Journal Issue #115. February 2021.
Amir explores not only insect imagery, specifically caricatures of termites in discourse about civilization (like the Deb Roy article about termites in India), but Amir also explores the mosquito/disease aspect invoked by your message (Mosquito Empires) by discussing racially segregated city planning and anti-mosquito architecture in British West Africa and Belgian Congo, as well as anti-mosquito campaigns of fascist Italy and the ascendant US empire. German cities began experiencing a non-native termite infestation problem shortly after German forces participated in violent suppression of resistance in colonial Africa. Meanwhile, during anti-mosquito campaigns in the Panama Canal zone, US authorities imposed forced medical testing of women suspected of carrying disease. Article features interesting statements like: 'The history of the struggle against the [...] mosquito reads like the history of capitalism in the twentieth century: after imperial, colonial, and nationalistic periods of combatting mosquitoes, we are now in the NGO phase, characterized by shrinking [...] health care budgets, privatization [...].' I've shared/posted excerpts before, which I introduce with my added summary of some of the insect-related imagery: “Thousands of tiny Bakunins”. Insects "colonize the colonizers". The German Empire fights bugs. Fascist ants, communist termites, and the “collectivism of shit-eating”. Insects speak, scream, and “go on rampage”.
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In that Deb Roy article, there is a section where we see that some Victorian writers pontificated on how "ants have colonies and they're quite hard workers, just like us!" or "bugs have their own imperium/domain, like us!" So that bugs can be both reviled and also admired. On a similar note, in the popular imagination, about anthropomorphism of Victorian bugs, and the "celebrated" "industriousness" and "cleverness" of spiders, there is: Claire Charlotte McKechnie. “Spiders, Horror, and Animal Others in Late Victorian Empire Fiction.” Journal of Victorian Culture. December 2012. She also addresses how Victorian literature uses natural science and science fiction to process anxiety about imperialism. This British/Victorian excitement at encountering "exotic" creatures of Empire, and popular discourse which engaged in anthropormorphism, is explored by Eileen Crist's Images of Animals: Anthropomorphism and Animal Mind and O'Connor's The Earth on Show: Fossils and the Poetics of Popular Science, 1802-1856.
Related anthologies include a look at other-than-humans in literature and popular discourse: Gothic Animals: Uncanny Otherness and the Animal With-Out (Heholt and Edmunson, 2020). There are a few studies/scholars which look specifically at "monstrous plants" in the Victorian imagination. Anxiety about gender and imperialism produced caricatures of woman as exotic anthropomorphic plants, as in: “Murderous plants: Victorian Gothic, Darwin and modern insights into vegetable carnivory" (Chase et al., Botanical Journal of the Linnean Society, 2009). Special mention for the work of Anna Boswell, which explores the British anxiety about imperialism reflected in their relationships with and perceptions of "strange" creatures and "alien" ecosystems, especially in Aotearoa. (Check out her “Anamorphic Ecology, or the Return of the Possum.” Transformations. 2018.)
And then bridging the Victorian anthropomorphism of bugs with twentieth-century hygiene campaigns, exploring "domestic sanitation" there is: David Hollingshead. “Women, insects, modernity: American domestic ecologies in the late nineteenth century.” Feminist Modernist Studies. August 2020. (About the cultural/social pressure to protect "the home" from bugs, disease, and "invasion".)
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In fields like geography, history of science, etc., much has been said/written about how botany was the key imperial science/field, and there is the classic quintessential tale of the British pursuit of cinchona from Latin America, to treat mosquito-borne disease among its colonial administrators in Africa, India, and Southeast Asia. In other words: Colonialism, insects, plants in the West Indies shaped and influenced Empire and ecosystems in the East Indies, and vice versa. One overview of this issue from Early Modern era through the Edwardian era, focused on Britain and cinchona: Zaheer Baber. "The Plants of Empire: Botanic Gardens, Colonial Power and Botanical Knowledge." May 2016. Elizabeth DeLoughrey and other scholars of the Caribbean, "the postcolonial," revolutionary Black Atlantic, etc. have written about how plantation slavery in the Caribbean provided a sort of bounded laboratory space. (See Britt Rusert's "Plantation Ecologies: The Experiential Plantation [...].") The argument is that plantations were already of course a sort of botanical laboratory for naturalizing and cultivating valuable commodity plants, but they were also laboratories to observe disease spread and to practice containment/surveillance of slaves and laborers. See also Chakrabarti's Bacteriology in British India: laboratory medicine and the tropics (2012). Sharae Deckard looks at natural history in imperial/colonial imagination and discourse (especially involving the Caribbean, plantations, the sea, and the tropics) looking at "the ecogothic/eco-Gothic", Edenic "nature", monstrous creatures, exoticism, etc. Kinda like Grove's discussion of "tropical Edens" in the colonial imagination of Green Imperialism.
Dante Furioso's article "Sanitary Imperialism" (from e-flux's Sick Architecture series) provides a summary of US entomology and anti-mosquito campaigns in the Caribbean, and how "US imperial concepts about the tropics" and racist pathologization helped influence anti-mosquito campaigns that imposed racial segregation in the midst of hard labor, gendered violence, and surveillance in the Panama Canal zone. A similar look at manipulation of mosquito-borne disease in building empire: Gregg Mitman. “Forgotten Paths of Empire: Ecology, Disease, and Commerce in the Making of Liberia’s Plantation Economy.” Environmental History. 2017. (Basically, some prominent medical schools/departments evolved directly out of US military occupation and industrial plantations of fruit/rubber/sugar corporations; faculty were employed sometimes simultaneously by fruit companies, the military, and academic institutions.) This issue is also addressed by Pratik Chakrabarti in Medicine and Empire, 1600-1960 (2014).
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Meanwhile, there are some other studies that use non-human creatures (like a mosquito) to frame imperialism. Some other stuff that comes to mind about multispecies relationships to empire:
Lawrence H. Kessler. “Entomology and Empire: Settler Colonial Science and the Campaign for Hawaiian Annexation.” Arcadia (Spring 2017)
No Wood, No Kingdom: Political Ecology in the English Atlantic (Keith Pluymers)
Archie Davies. "The racial division of nature: Making land in Recife". Transactions of the Institute of British Geographers Volume 46, Issue 2, pp. 270-283. November 2020.
Yellow Fever, Race, and Ecology in Nineteenth-Century New Orleans (Urmi Engineer Willoughby, 2017)
Pasteur’s Empire: Bacteriology and Politics in France, Its Colonies, and the World (Aro Velmet, 2022)
Tom Brooking and Eric Pawson. “Silences of Grass: Retrieving the Role of Pasture Plants in the Development of New Zealand and the British Empire.” The Journal of Imperial and Commonwealth History. August 2007.
Under Osman's Tree: The Ottoman Empire, Egypt, and Environmental History (Alan Mikhail)
The Herds Shot Round the World: Native Breeds and the British Empire, 1800-1900 (Rebecca J.H. Woods, 2017)
Imperial Bodies in London: Empire, Mobility, and the Making of British Medicine, 1880-1914 (Kristen Hussey, 2021)
Red Coats and Wild Birds: How Military Ornithologists and Migrant Birds Shaped Empire (Kirsten Greer, 2020)
Animality and Colonial Subjecthood in Africa: The Human and Nonhuman Creatures of Nigeria (Saheed Aderinto, 2022)
Imperial Creatures: Humans and Other Animals in Colonial Singapore, 1819-1942 (Timothy P. Barnard, 2019)
Biotic Borders: Transpacific Plant and Insect Migration and the Rise of Anti-Asian Racism in America, 1890-1950 (Jeannie N. Shinozuka)
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USAAF Curtiss P-40N from the 80th Fighter Group "Burma Banshees" in Burma, 1943
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carbone14 · 11 months ago
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Le soldat J. George des South Wales Borderers (Howard's Greens) de la 36e Division d'infanterie britannique revient d'une semaine de patrouille – Pinwe – Birmanie – Campagne de Birmanie – Guerre du Pacifique – 19 novembre 1944
Photographe : Lieutenant W. Austin - No. 9 Army Film and Photo Section, Army Film and Photographic Unit
©Imperial War Museums - SE 564
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usafphantom2 · 6 days ago
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Spitfire vs. Hurricane: An In-Depth Comparison of Two Aviation Titans
November 15, 2024
While the Spitfire had the edge in speed and agility, the Hurricane excelled in durability and ease of maintenance. This made the Hurricane the backbone of the Royal Air Force (RAF) during the early stages of World War II, particularly during the Battle of Britain, where its ability to take punishment and keep flying was invaluable.
The Spitfire’s Role
With its superior agility, the Spitfire was well-suited to dogfighting with the nimble Messerschmitt Bf 109s. Its speed and maneuverability gave it the upper hand in many aerial duels.
The Spitfire quickly became a symbol of British resilience and fighting spirit, and its name was synonymous with the defense of the United Kingdom.
The Hurricane’s Contribution
While the Spitfire garnered much of the glory, the Hurricane played an equally important, if not more critical, role. Hurricanes accounted for the majority of RAF victories during the Battle of Britain.
Their primary role was to engage and destroy German bombers, which posed the greatest threat to Britain’s cities and infrastructure. The Hurricane’s ability to take on these heavily armed and armored targets was a key factor in the RAF’s success.
The Global Reach of the Spitfire and Hurricane
As the war progressed, both aircraft were deployed in various theaters worldwide. The Spitfire saw action in the skies over Europe, North Africa, and the Far East, while the Hurricane was used extensively to defend Malta, North Africa’s deserts, and Burma’s jungles. Each aircraft adapted to the unique challenges of these environments, further cementing their legendary status.
The Strategic Impact of the Spitfire and Hurricane
The Spitfire and Hurricane were not just aircraft but symbols of hope and defiance. Their success in the Battle of Britain prevented a German invasion and gave the Allies a much-needed boost in morale. The legacy of these aircraft extends beyond their technical achievements; they represent the determination and courage of the men and women who fought to protect their homeland.
Battle of Britain planes flying in formation
Legacy and Impact: Icons of the Sky
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The Spitfire’s Enduring Legacy
The Spitfire’s speed, agility, and firepower have made it a favorite among aviation enthusiasts and historians. Its design is often cited as one of the greatest achievements in aeronautical engineering. The Spitfire’s legacy is also preserved in countless museums, airshows, and memorials around the world, where it continues to inspire new generations.
The Hurricane’s Place in History
While sometimes overshadowed by the Spitfire, the Hurricane holds a unique place in history. It was the workhorse of the RAF during the early years of the war, and its contribution to the Allied victory cannot be overstated.
The Hurricane’s rugged reliability and adaptability made it a critical asset in multiple theaters of war. Today, the Hurricane is remembered for its pivotal role in the Battle of Britain and its service in many other campaigns.
The Spitfire vs. Hurricane Debate
The question of which aircraft was “better” often sparks lively debate among aviation enthusiasts. The Spitfire’s superior performance makes it an easy favorite, but the Hurricane’s durability and adaptability also give it a strong case. In truth, both aircraft were essential to the Allied war effort, and their complementary strengths made them an unbeatable team.
The Pilots Who Flew Them
It’s important to remember that behind every Spitfire and Hurricane was a pilot who risked everything to defend their country. These men, many of them young and inexperienced, took to the skies in machines that were often pushed to their limits. Their bravery and skill were as crucial to the outcome of the Battle of Britain as the aircraft they flew.
The Legacy of the Battle of Britain
The Battle of Britain remains one of the most significant events in British history. It was a turning point in World War II, and the Spitfire and Hurricane were at the heart of that victory. The legacy of this battle and the aircraft that fought it continues to be celebrated today, reminding us of the sacrifices made in the name of freedom.
The Spitfire and Hurricane in Popular Culture
Over the years, the Spitfire and Hurricane have become cultural icons in films, books, and even video games. Their sleek lines and powerful engines symbolize British engineering and wartime resilience. Whether portrayed in battle scenes or on display at museums, these aircraft continue to capture the imagination of people worldwide.
Conclusion: A Partnership in Victory
To definitively state which was “better” – the Spitfire or the Hurricane – would be an oversimplification. Each aircraft had unique strengths and played a vital role in the RAF’s strategy. The Spitfire’s agility and speed complemented the Hurricane’s durability and firepower, creating a partnership greater than the sum of its parts.
Together, the Spitfire and Hurricane changed the course of World War II. They defended Britain from invasion and became symbols of hope and resistance. Their legacy lives on in the annals of history, in the memories of those who flew them, and in the hearts of those who continue to honor their contribution to freedom.
In the end, the story of the Spitfire and Hurricane is not just about two iconic aircraft. It’s about the people who built them, the pilots who flew them, and the battles that shaped our world. Their legacy is a testament to the power of innovation, the courage of individuals, and the enduring spirit of those who fight for what is right.
For more insights into the Spitfire and other crucial military aircraft, visit Aces In Action. Here, you’ll find an amazing piece of artwork by Craig Tinder titled “Cannon Hit Spitfire” that illustrates the Flt. Lt. Eric Stanley Lock of No. 611 Squadron – the highest-scoring Allied pilot during the Battle of Britain. The limited edition canvas print even includes a piece of an authentic Supermarine Spitfire relic from a starboard cowl panel.
14 July 1941 – Flt. Lt. Eric Stanley Lock of No. 611 Squadron, engages an enemy Messerschmitt Bf 109 in his Spitfire Mk VB resulting in his 26th and final aerial victory. Flt. Lt. Lock was the highest-scoring Allied pilot during the Battle of Britain with 21 victories. During his final mission on 3 August 1941, he was last seen in Spitfire W3257 departing for a ground strafing attack. He never returned home.
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@Amznewspaper.com
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dnickels · 1 year ago
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RE: 5x05. I have no idea how much I'm supposed to read into this, but that has never stopped me before:
It's VE Day. Havers is back in England. The post office, telephone system, communication infrastructure etc all still work. So where is Cap's sense of urgency coming from? He knows the full name and regiment of a serving officer, a letter will get where it needs to go, they're very good about that over there. Yes, Cap's been waiting, but its been six years, he can wait a little longer-- hang out in the bushes until he sees Haver's car drive away and bang on the window, if he insists on being an insane person (<3). Figure out where he's billeted. Japan hasn't surrendered yet, so I suppose there's a chance Havers could get shipped to Burma or something and potentially die there, but he's not going to go straight from the cocktail reception to the troop ship, especially if everyone there is about to get "Hitler defeated"-levels of drunk. ("They're all red tabs, surely decency and decorum--" they are going to roll those old soaks out of there in wheelbarrows)
The urgency isn't because Havers might die. I think Cap knew his time was short.
He's a middle aged man in tolerably good shape, all that ration food aside. He make good time on his morning jogs, and his biggest ailment is 'creaky knees'. "Widowmaker heart attack out of nowhere" isn't an unheard of COD for someone who seems otherwise fine, especially someone who has been under a fair amount of stress (six years of wartime, including the fucking Blitz would do a number on my heart) but his sudden relocation makes me pause. It's only been about a year since he got relocated away from Button House, right? What was all that about? It's presumably still requisitioned, given that they're throwing a swanky victory party there and Heather Button is nowhere to be seen, but has the weapons program been disbanded? Or was there some reason to pull the CO out of a high-stress position and send him to the beach to take potshots at seagulls? (I am being glib here-- the coast was NOT a stress-free place when you can see your enemy just across the Channel). I genuinely forget what he said he was doing in season three-- was he even still in the army at all, or did they send his ass to the Home Guard? Even they got a campaign ribbon.
I think Cap made one last push to get to the front, and while its very clear that this dingus should under no circumstances be on the front line (<3) they humored him with a medical-- and found something really troubling. Or maybe he went in of his own accord, the old flutter, or maybe it was just a routine checkup. Either way he got some very serious news, so sorry old boy, just one of those things, could be any day now-- best make sure your affairs are all in order.
Hence the single-minded desire to meet, once last time. Everyone else clearly drove-- did he walk all the way from the train station, down the country lanes? Did he feel a little short of breath scaling all those walls? Did every set-back and stressor make him more determined-- just give me a little more time, just a little more time...
It could also be that he just got yelled at so hard he died of it, which is almost certainly how I will go, but that was my immediate impression and it has not left me, nor have I known peace. I know there's a few holes in my theory but I haven't talked myself out of it yet. For me the kicker is that he experiences at least ten devastating emotions in the last moments of his life, but "surprise at entering cardiac arrest" does not appear to be one of them. It looks more like grim acceptance. Stoic in the face of death-- a soldier to the end.
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ginandoldlace · 4 days ago
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Horse Guards at the Major General’s Review, I was able to come up to eye level with Lord Roberts of Kandahar in all his glory!
When you consider the campaigns of the late Victorian era, they’re usually commanded either by Lord Roberts or Lord Wolseley. From Ethiopia to Burma, from Afghanistan to South Africa, Field Marshal the Lord Roberts, or ‘Bobs’, was known as one of Britain’s most gallant and capable commanders.
Here he’s dressed in his sheepskin patrol jacket and pith helmet as he was dressed on the road to Kandahar in the Second Afghan War in 1880. He rides atop his famous charger Volonel.
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tieflingkisser · 3 months ago
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“End the Impunity”: Rohingya Muslims Under Attack by Both Burmese Army and Rebel Group
Up to 200 Rohingya Muslims were killed in drone strikes last week in Burma as they attempted to flee to Bangladesh. This comes amid intensifying conflict between the military junta and the Arakan Army, a rebel armed group. Human Rights Watch says the military and the Arakan Army have both committed extrajudicial killings, unlawful recruitment for combat, and widespread arson against Rohingya civilians. “They are the enemy of each other, but when it comes to the Rohingya issue, they have the same intention,” says Nay San Lwin, co-founder of the Free Rohingya Coalition. Only about 600,000 Rohingya remain in Burma, down from about 1.4 million before a campaign of ethnic cleansing began in 2016, though Nay San Lwin says the Rohingya genocide goes back even further to 1978.
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