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fearsmagazine · 11 months ago

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SAW THE MUSICAL: THE UNAUTHORIZED PARODY OF SAW Extends Off-Broadway and Announces National Tour.

After an astonishing New York run this Fall, SAW The Musical The Unauthorized Parody of Saw has extended its run Off-Broadway at AMT Theatre (345 West 45th Street) through Jun 23, 2024. It will also kick off a national tour in LA with a six-week run beginning Feb 29 at the Hudson Theatres Mainstage (6539 Santa Monica Blvd, Los Angeles, CA 90038 in Hollywood) SAW The Musical: The Unauthorized Parody began performances Off-Broadway on Sept 16, 2023, with its New York Opening Night on Sunday, Oct 1, 2023, and was called "Hilariously Absurd" by NPR. The run is extended through Jun 23, 2024, in Midtown's Theater District.

Danny Durr as Gordon and Jill Owen

The National Tour stops include Los Angeles, CA (Hudson Theatre Mainstage, Feb 29- Apr 7, 2024 ); San Diego, CA (Tenth Ave Arts Center, April 10 – 28, 2024), Las Vegas, NV (May 1 – 5, 2024), Portland, OR (Alberta Abbey, May 15 – Jun 9, 2024), Greely, CO (Union Colony Civic Center, June 2024), Chicago, IL (Jul 26 – Aug 18, 2024). Exact dates, locations, and tickets can be purchased by visiting www.sawthemusical.com/national-tour.

One of the most thought-provoking horror films of all time now is…a musical. SAW The Musical hilariously captures the events of the first movie, parodying the Saw that started it all, following from where Lawrence Gordon and Adam Stanheight find each other for the first time in the bathroom trap. Will they follow "the rules" as they discover each other's secrets? Will they escape the game in time and saw right through? A love story with fluidity (and lots more fluids), SAW The Musical: The Unauthorized Parody of Saw is Little Shop of Horrors meets Avenue Q, pushing the boundary on sexuality and how to love. [Parental Advisory: Explicit Content]

"SAW The Musical: The Unauthorized Parody of Saw brings the iconic horror film to life on stage with a wickedly funny twist. Now is the perfect time to laugh at the macabre as we blend horror and hair-raising laughter, creating a unique musical experience that's both hilarious and thrilling. Get ready for a love story entangled in traps, secrets, and unexpected humor, pushing the boundaries of entertainment with a dash of explicit fun." Cooper Jordan, Creator, and Producer

Created by Cooper Jordan (DEX! A Killer Musical, The Rat Pack Undead), SAW The Musical has a book by Award -Winning Writer Zoe Ann Jordan (Virtuoso - NYCHFF) and music & lyrics by Patrick Spencer & Anthony De Angelis (An Axemas Story), and directed & choreographed by Tony Award Winner Stephanie Rosenberg (Easter Bunny HOP! LIVE; Co-Producer: Moulin Rouge! The Musical, Anastasia) with music direction by Leigh Pomeranz (DEX! A Killer Musical) and fight direction by Dan Renkin (All My Sons, DEX! A Killer Musical). The Musical is produced by Cooper Jordan, Saw The Musical Parody LLC, Stephanie Rosenberg, Merciful Delusions Productions, Panit Chantranuluck, June Rachelson-Ospa, and more to be announced. Cooper Jordan is the Lead Producer.

SAW The Musical: The Unauthorized Parody of Saw (New York) stars Danny Durr (National Tour: A Christmas Carol, Tony-nominated War Paint) as Gordon, Adam Parbhoo (NY: Home's Kitchen) as Adam, Gabrielle Goodman (NY: Open, Stay) as Amanda/Alli/Jigsaw and Voiceover for Detective Tapp is by the late Donnell Johnson, with Swings & Understudies; Andrew Caira (New York: The Importance of Being Earnestly LGBTQ+, Regional/Tour: Atlantic City Blues Brothers), Patrick Voss Davis (Film: Lucky Louie. Regional: Newsies), James Lynch (New York: Baby Powder), Thomas Skea (Film: Out of Water), Morgan Traud (Regional: Mame), Jessica Morilak ("A Sketch of New York") and Keaton Barry. SAW The Musical's National Tour Casts will be announced in 2024.

For an updated schedule, National Tour tickets or to purchase tickets, please visit SawtheMusical.com.

#theater news #play news #saw the musical #national tour #Unauthorized Parody

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g1nu00 · 17 days ago

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OH YES BABY

I'm BACK FROM THE DEAD

Omg what is this 👁️👁️ [Esp]

Bueno a ver, esto estará 100% español, pero bueno, se aguantan, capaz lo traduzca a ingles

(AU Smiling Critters X The Owl House)

Idea: Un AU donde los Smiling Critters están en el Universo de The Owl House, mantengo la misma historia pero con algunos enfoques diferentes en la historia

Dogday es un humano pero en vez de ser tomado como el primer humano en aprender magia, este se disfraza como una criatura más para encajar.

Kissy Missy y Poppy cuando encuentran a Dogday lo ayudan a pasar desapercibido con un collar de sol que con magia de ilusionistas lo ayuda a tener una apariencia un poco mas perruna (solo las orejas de perro y los ojos negros con pupilas blancas como los demas critters) y lo acogen en su casa.

Gracias al collar de sol con magia de ilusionistas, no tiene los problemas que tuvo luz en un inicio para encajar

Catnap es quien encarna la maldición de la bestia búho, siendo este la "Cosa" (haciendo referencia a la versión Bigger bodies de Catnap), la maldición fue puesta por 1006, quién quería que Catnap sea más malvado y cruel. Además que fuera más dependiente de él

Catnap, Al estar basado en Amity, inicialmente sería un bully influenciado por su "padre" adoptivo, quien sería una combinación del Emperador de The Owl House y Prototype 1006 de Poppy Playtime. A lo largo del AU, Catnap experimenta un cambio, motivado por su relación con Dogday, de quien se va enamorando poco a poco.

Catnap presentaría los mismos problemas que Amity tiene con su madre Odalia alrededor de la Serie en este AU, pero con el enfoque de ser hijo del Emperador, casi un príncipe (royality goes bad)

1006 representando tanto a Odalia como al emperador Belos, y al ser Catnap Amity, y 1006 Odalia, el gato morado es manipulado por su padre, el Emperador 1006,

Debido a su relación con Dogday. El Emperador permite inicialmente la relación para sacar información de Dogday y sobre el mundo humano, además de tener más control sobre Catnap, amenazando con atacar a Dogday si no obedece sus órdenes.

Tenemos Kicking x Bubba porque en esta casa amamos el Goldric. (Y la rivalidad de Catnap y Bubba claramente es algo divertido. Y que de todos los demás Smiling, sé que Bubba podría ser capaz de seguir al prototipo solo por conocimiento)

La tensión emocional entre Catnap, Dogday y el Emperador, es importante, a Diferencia de Luz en The Owl House, quien se enfrentaba a Odalia y a Belos Por separado, Dogday debe enfrentar a 1006, quien no solo es el Emperador, si no el padre de Catnap (su pareja platónica)

Player es el hermano mayor de Dogday, Es quien pasa a tomar el rol de camila. Y claramente su nombre es Angel

Dogday es Luz

Catnap es Amity

CraftyCorn es Willow (la mejor amiga de Luz)

Hoppy es Gus (El mejor amigo de Luz, pero aquí es una chica)

Bobby vendría a ser Emira(Hermana de Amity, pero en este AU es solo su Amiga íntima)

Kicking sería Edric (Hermano de Amity pero en este AU es el amigo más íntimo)

Kissy Missy es Eda (quien cuida a Luz)

Poppy es King (por ser especial)

Huggy vendría a representar tanto a Lilith (La hermana de Eda) como a Raine (La vieja pareja de Eda)

Bunzo Bunny es Hooty (Dios)

1006 o el Prototipo es el Emperador Belos

Bubba, ahora pasaría a ser el Guardia Dorado, Hunter (quien en vez de enamorarse de Willow, se enamora de Edric, aunque también es como un hermano de corazón para luz)

Los nigthmare critters vendrían a ser algunos bullies (baba siendo seguramente bosha)

Es un AU basado en The Owl House, pero combinado con los Smiling Critters, considero hacerlos mitad humanos mitad criaturas, Siendo Dogday el unico.que seria como "Humano"

Dibujos! (El más actual, cambiamos a catnap un poquito)

Idea base(piloto)

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xiaoflu · 2 years ago

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my favorite tsh (papenathy) fics

1. Sober II (Melodrama) and it’s not love i swear (it might be closer to despair) by shaekspeares (2022, T, 88.9k) - my very favorites!

L’Automne s’assombrit ainsi qu’une Bachante Au sortir des festins empourprés. Elle chante La moite lassitude et l’oubli des baisers.

(Richard and Francis, post-canon. Nothing goes according to plan.)

Post-canon, post-figuring things out, snapshots of Richard and Francis across the years and occasions.

2. here’s to you, mrs robinson by shaekspeares (2022, T, 15.7k)

Half-way through his cross-country trek to Vermont the summer before college, Richard encounters a wealthy woman twice his age at an airport, somehow smooth-talks his way into her home, and prepares to make the easiest money he's ever made.

Then her son shows up to Boston in her stead, and his summer goes to shit.

3. out there, somewhere by renaissance (2018, T, 14.9k)

Then I looked up at Francis, pale as the dead but for the bags under his eyes, and realised that our combined miseries might be infinitesimally more bearable if we were to bear them together. I blurted out, “Come back to Los Angeles with me.”

Francis burst into laughter. “Oh,” he said, “you’re serious.”

The one where it ends slightly differently: Richard leaves Boston, Francis follows.

4. to the stars as one by memelock (2022, T, 12k)

Richard, and Francis, and after.

5. Not so Secret History by Piper_Pierce (2022, T, 6.3k)

"Rich.” The nickname gave me a heart attack the first time he used it. No one else seemed inclined to take up calling me anything but Richard, or the occasional sardonic 'ol' boy', but with Bunny dead as a doornail that last one had faded out. "Why are you here?"

"I missed the country."

The truth, in part. I missed the pond, where Camilla cut a vein and scared us half to death. The drinking, and cards. Francis' ease, away from school. Away from life, when his anxiety was little more than a twitch of his fingers, a worry muttered under his breath.

"I miss it," I said again. “When it was still simple.”

6. touch me, yeah by shaekspeares (2022, T, 11.4k)

οὐκ ἂν λάβοις παρὰ τοῦ μὴ ��χοντος -"you can’t get blood out of a stone" (or literally, "you can't take from one who doesn't have.")

Richard sculpts. Richard's sculptures come alive. Richard's sculptures do not love Richard back. It's mostly fine.

#the secret history #tsh #the secret history fanfic #the secret history fanfiction #papenathy #richard papen #francis abernathy #fanfiction recommendations

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spaghett-onaplate · 10 months ago

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Thanks for the tag Milo @cozy-fish-crow !! :D

current fav songs:

Dirladada by José Alfredo Fuentes

La Batea by Quilapayún

Tití Me Preguntó by Bad Bunny

Nadie Sabe by Bad Bunny

Criminal by Brittney Spears

Friday I'm In Love by The Cure

Y Volvere by Los Angeles Negros

Si No Le Contesto by Plan B

Ahora Me Llama by KAROL G and Bad Bunny

Antes de Morime by C. Tangana and ROSALÍA

rcolor the sentence that's true about you

i’m over 5'5 / i wear glasses or contacts / i have blonde hair / i often wear sweatshirts / i prefer loose clothing over tight clothes / i have one or two piercings / i have at least one tattoo / i have blue eyes / i have dyed or highlighted my hair / i have or have had braces / i have freckles / i paint my nails / i typically wear makeup / i don’t often smile / resting bitch face / i play sports / i play an instrument / i know more than one language / i can cook or bake / i like writing / i like to read / i can multitask / i’ve never dated anyone / i have a best friend i’ve known for over five years / i am an only child

tagging: (no pressure!) @iworshipsappho @altruistic-meme @stygianirondiangelo @daylightsimon @heartbreakprincewille @foxtriestobiteandmaimandkilland + open tag for anyone that would like to join in <3

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plvtosun · 1 year ago

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blancaposting! ongoing bulleted list of her traits, backstory, lil facts, character rxships, songs, etc

blanca edén tennebris*

born/raised in east los angeles

got in trouble for ditching her own first communion and playing with the crows in the cemetery outside the church instead. her dress got all dirty. ( → “i hate it! why am i wearing this anyway i don’t wanna marry jesus!!”) she said if her parents forced her to go through with it she was gonna bite the priest’s fingers. …they didn’t make her go through with it, they knew she would legitimately bite his fingers.

her immediate family is/was very religious, very traditional mexican-american. puro machismo. blanca’s an only child but during family functions she was expected to watch all the younger cousins inside the house while everyone else had fun. as much as she hates it she knows the rosary by heart. but she still has a soft spot for la virgen de guadalupe, to this day. the rose scent of the veladoras calms her down.

she doesn’t get along with her family much, except for a few older cousins who introduced her to metal and anime, and a tía she visited one winter break in mexico, who taught her how to do limpias de huevo for herself. the day that tía passed away was probably the worst day of her life.

(more under cut)

*“tenebrous”

she needs! her! quiet time! ex: if she’s working on a piece in an area that’s starting to get crowded and noisy, she gets overstimulated and has to leave immediately. some days she can handle noisiness, other days she can’t. (she can always handle the noisiness at concerts though)

her first kiss was a girl in her catechism class.

likes spooky and haunted things but she’s not about to go full zak bagans yknow?

her first and middle name were chosen to keep in line with the whole… devout catholic thing. blanca means white, “pure” in a way. the name was also chosen because it was her maternal grandma’s name, and she was a very pious woman.

she straight up saw la llorona once.

character rxships [updated 8/29]:

toki

she’s down horrendous but he doesn’t notice for a while because she tries to hide or she gets extra quiet when he’s around.

re: kids, blanca: …have you ever had to take care of a kid? like legitimately had to take care of one for a full day? a week? or while they’re sick? …try that out and get back to me. [personal hc that he does, in fact, try it out. the stickiness, the noise, the sensory overload at times despite a few cute sweet moments. yeah, cats and bunnies all the way.]

draws him cutesy (and brutal) pictures whenever he wants!

gets too shy to hold his hand at first and looks away the first time in true tsundere fashion.

cute spanish nicknames!

both t-shirt thieves, even though most of blanca’s shirts don’t fit him. he’s stretched a couple of them out. :/

skwisgaar

likes to mess around with him because of his high opinion of himself. all in good fun though.

calls him “ricitos”/“ricitos de oro” (goldilocks), which he acts like he hates, but lowkey? i think he likes it.

he’s allergic to cilantro, she has that thing that makes it taste bitter and nasty to her. “you’re not missing much. i don’t care what everyone else says, i’m convinced my third eye is open or some shit and that’s why i’m one of those people that tastes straight SOAP when i eat it.”

nathan

he came across her art on instagram and thought it was sick with the brutal imagery and that’s why he wanted her to illustrate the next album cover/tshirt designs, but aside from that, they didn’t get along too well at first because they’re kinda similar in the way they like to tease and mess around + they would butt heads a lot creatively.

eventually they’re chill though. blanca quickly figures out how to shut up and not say certain things even though nathan’s reaction would be funny, and he does the same.

not platonic soulmates, not mortal enemies. they’re pretty alright together. they pal around.

both fucking love chips

he’s the first to notice her crush on toki and he teases her in passing about it every chance he gets. ass.

murderface

refuses to go in his room. “no fucking way man you have all that old historical stuff in there! that shit’s haunted!”

↑ “la neta, la neta, la neta. que mala vibra traes, maestro.”

similar to nathan but she messes with him a little more because he’s pretty rough. she generally doesn’t get along with him super well but they have their moments where they can joke around and have fun. kind of like a cat and a dog.

walked in on him playing bass with his dick and quoted the “there goes the last lingering thread of my heterosexuality” simpsons line

pickles

when he opens up a little about his mom and family she gets piiiissed. she can relate. she high fives him after he finally tells his mom to go fuck herself.

tv binging buddies!

calls him “canelo” like canelo álvarez because of his red hair

second to notice her crush on toki. he doesn’t tease as much as nathan but he definitely gets a kick out of seeing how she gets around toki before they officially get together.

abigail

admires the way she gets shit done and thinks her curly hair is really pretty

tries not to get in her way when she’s working but loves her calming vibe. she likes to just sit with her in silence while she draws sometimes

begs begs BEGS her to let her do her makeup all dark and gothic. just once!

charles

similar to abigail, she tries to not get in his way too much and she admires how he handles things

feels like he’s kind of unapproachable, but he seemed nice and polite enough when she first met everybody & started working on the album art.

not much going on between them honestly

dr. rockzo

literally only puts up with him for toki but she sets boundaries on him being around quick. she doesn’t like how he’s taken advantage of toki’s kindness before

^ may or may not have put ojo on him once or twice because of this. three times… four… who’s counting though?

he’s gross, dude.

playlist! + youtube link and backgrounds for the songs here.

#blanca tag🤍⛓️#oc bio #mtl oc #metalocalypse oc

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inspiredwriter · 1 year ago

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*Las tortugas caminan por la calle*

Leonardo :*mira los murciélagos y la luna* bien chicos esta noche podemos salir de la guarida en noche de Halloween y pedí dulces con las chicas😉🌙🎃🦇🕷️*se acomoda los colmillos de Vampiro*(pensamientos💭) Espero que mi gatita le guste mi disfraz de vampiro😏🧛‍♂️🦇💕💝

Miguel Angel :*se acomoda sus vendas*Oh qué emoción adoro el Halloween no puedo esperar a pedir muchos dulces de este año 😃😋🍭🍬🍫

Donatello : Mikey, Acuérdate que no comas demasiado dulces el año pasado tuviste un dolor de estómago😕🍭🍬*se pone tornillos de su cuello*pero hay que esperar primero Hasta que las chicas venga a pedir dulces con nosotros 😊🍬🍫💞

Rafael :*secruza los brazos*Sí, claro genio sé porque se van a sorprender las chicas vernos disfrazados Leo Vampiro, Mikey de princie momia, y tú Donnie de Frankenstein,😒🙄🧛‍♂️🧟‍♂️pero nada es muy aterrador por mi disfraz de hombre lobo😏🐺🌙 *maúlla como lobo*wouuuu~🐺🌕🌌

Leonardo : sí lo sabemos Raph pero hay que esperar lleguen las chicas 😕☺️¿Me pregunto cómo vendrán disfrazadas?🤨🤔

Stefany, Anastasia, April And Candy :*se acerca a los chicos atrás* Hola chicos guapos,Feliz Halloween dulce o truco~😘🥰😉😏💕💖💝💞🎃🍭🍬

@inspiredwriter

Leonardo: Haha, good night, my bloody rose, let me kiss you're hand for your beauty😏🌹🩸 *Kisses Stefany on the hand* Muah~😚💘💖 You're not a real vampire yet, but I can help you with it😄😈🧛‍♀️💝💕*Shows his fangs*

Stefany: Is it true, my vampire turtle?😍💓💞 Then bite me quickly!😆🥰💗

Leonardo: With pleasure, my love😈💘💓 *Bites Stefany on the neck and kisses the bite area* Grrr, muah~😈😚💗💕 I hope it doesn't hurt you too much😅🥺

Stefany: *Rubs her neck* Ow, no, it hurts, but not too much, my little turtle vampire😣😅 *Hugs Leo's waist* I'm glad to be with you~🤗💖💝💕

Michelangelo: Oh, wow, such an adorable little bunny needs a guard, because there are so many bad guys walking on the street😏🥰🐰💗💓 *Squeezes Anastasia's fluffy tail and gently spanks her booty*

Anastasia: *Snuggles up to Mikey's chest* Haha, don't worry, Mr. Mummy, this little bunny can take care of herself😈💘💝 *Scratches Mikey's chin* First, I bend the victim to my will with the help of my right hypnotic eye😘👁💖💕 *Closes left eye* And then...🥰😈 *Grabs Mikey by the bandages and kisses him on the lips* Mmmmmuah~😚💋💘💓💞 ..And then I eat the victim whole...😋💗💞

Donatello: Wow, from the moment professor inserted new eyes into my skull I have not seen a witch more beautiful than you, darling~😍😏👨‍🏫👀 *Hugs April around the waist and passionately kisses her on the lips* Mmmmmuah~😚💓💘💝 Oh yeah, I even shorted out the contacts from excitement😏🔌⚡💗💖💞

April: *Hugs Donnie by the neck* Be careful, Mr. Frankenstein, under my spell you have a chance to burn with excitement🤗🥰🧟‍♂️🔥💝💕 *Lifts up her skirt*

Donatello: *Blushes* Oh, haha, then we better play after the holiday, little witch😳🥰🎃🎉🎊 But for now I will guard you so that insignificant people don’t try to burn you tonight for your incredible beauty😏🔥🧙‍♀️💘💓💗

April: I would be very grateful to you for this, my electrifying handsome🤭⚡💖💞

Raphael: *Hugs Candy around the waist* Well, well, well, whose wonderful smell I just smelled?😌😏🐺💘💕 This is the most beautiful hatter girl in all of Wonderland, I'm glad to meet you again🥰🎩💗💓💞

Candy: *Hugs Raph, squeezing his booty* Aww, my werewolf, you're so cute, I want to stroke your fluffy fur😍🤗🐺💖💝 *Raises her hands to Raph's face and strokes his cheeks*

Raphael: Yes, I'm very cute so far😄😘💕 *Whispers to Candy in her ear* But your clock is ticking, little hatter girl, on the full moon this werewolf will eat you😈😋🌃🌕💗💘💞

@swagtreecrown

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back-and-totheleft · 6 months ago

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Blowback

”I’ve enjoyed dope for more than 40 years,“ Oliver Stone says, speaking by phone from his Los Angeles office. “It started in Vietnam, I was a soldier. I showed it in Platoon. Half the platoons were getting high—not in the field, but in the back, and it made that whole experience survivable to a large degree. I don’t think I would have kept my humanity without it. Getting high was an antidote to the madness we were surrounded by. I’m very serious about that. The music and the dope.”

I’m talking to Stone about his latest film, Savages, the story of a couple of high-end hydroponic pot growers—rock stars of the Southern California boutique marijuana scene—who run afoul of a ruthless Mexican cartel angling for a cut of their business. It is, I think, his best movie in years: a ripe, wildly energetic caper—a Stone(r) noir, if you will—that also provides a sharper snapshot of the way we live now than the more overtly topical World Trade Center, W., and Wall Street: Money Never Sleeps. International diplomacy and the state of the economy are very much on Stone’s mind here too, but the politics are niftily concealed by a vibrant genre-movie surface; striking, color-saturated visuals; and the toned, tanned bodies of a sexy young cast in various states of rest and motion. Think Butch Cassidy and the Sundance Kid (a movie Savages directly makes reference to) if Butch, Sundance, and Etta were a full-blown ménage à trois. Think They Live by Night with surfboards and tattoos.

Adapted by Stone, Shane Salerno, and Don Winslow from Winslow’s compulsively readable 2010 novel, Savages follows the perils of Ben (Aaron Johnson) and Chon (Taylor Kitsch), yin-and-yang best buddies who meet cute on the beaches of Laguna and soon go into business together. They use primo seeds ferried back by Navy SEAL Chon from the Afghan war zone to cultivate a highly potent strain of weed whose profits in turn fund the new-agey Ben’s third-world nonprofit. The two friends share home and hearth with the movie’s narrator, O (Blake Lively), a burnt-orange beach bunny who claims to love the two men in her life equally, though perhaps that love is not quite as intense as their own bromance. Then into this progressive love nest comes a missive from the cartel honcho known as Elena “La Reina” (Salma Hayek), who makes Ben and Chon an offer they can’t refuse: join forces with her or else it will be O’s decapitated head they find under their communal sheets.

The cartel in the film behaves like a corporation—Wal-Mart by way of Monsanto—wanting to co-opt not only Ben and Chon’s distribution network, but their seed-growing technology too. And everyone is, literally or figuratively, in bed with everyone—the cartel with American Indian reservations, the DEA (in the person of John Travolta’s deeply compromised agent) with the dealers and the growers alike—leading to a wild, loop-de-loop climax that may leave some wondering if THC has somehow been piped into the cinema.

Savages presents a fascinating cycle of subterranean trade: high-quality Afghan weed makes its way to Southern California as a kind of byproduct of the war over there, and ex-SEALs use their military training and weaponry against the Mexican cartel in a new kind of war zone.

I don’t want to be preachy, but that ties in to my belief that blowback exists in this world. You don’t go fight foreign wars and expect them to stay there. The blowback comes, and not only in the form of Osama bin Laden in 2001. We have so many wounded people from the two Iraqs and Afghanistan, people with diseases and concussions and maimed limbs. There’s tremendous callousness in the country and it destroys us, and in a strange way Don Winslow caught that in his book with this idea of these soldiers becoming active here. In Vietnam we always thought that we’d come back and we’d make a difference here in this country; we’d lead the revolution against Nixon. I love the idea that this kid Chon just takes things in his own fucking hands. He doesn’t go crying to the cops—there’s no cops to cry to. They drive around on bicycles in Laguna. So he gets his RPGs and his IEDs and he fucking does it with real hardcore veterans. I loved that idea of war coming home to roost.

The depiction of the Mexican cartel is unusual in that the characters are quite three-dimensional, particularly Salma Hayek’s Elena, who has a fraught relationship with her twentysomething daughter, and who ends up treating O as a kind of surrogate daughter when she kidnaps her.

We always thought of it that way. We also had scenes with Uma Thurman as the mother of O—they were good scenes that were funny, actually. But with the movie being two hours and 10 minutes now, we were concerned. John Travolta’s character also had a wife, and there was a tender scene between them. And there was a very interesting side story with Lado, Benicio’s character—we had Mia Maestro as his wife, and we see that she is trying to make their children into Californians and the kids disgust him because they don’t have any of the old-fashioned ways that he wants. But we had to let all that go. What I like about the movie is that it has a tension to it, and I think it keeps you going, wanting to know what’s going to happen next, and it doesn’t let up.

The three leads have a terrific chemistry together. They really click in a way that gives the movie a lot of energy. How did you decide on the casting?

Aaron was the first one in. I met him and I just fell for his charm. We met in London and I said, “I don’t know which one you should play, but I want you to do this movie.” He was getting hot, he had done Kick-Ass and I had liked him in that. He was being offered a big role, and it was a big deal for him, but he gave up the [other] movie because he loved this idea so much. Then I saw Taylor in Friday Night Lights and an early version of Battleship and thought he was dead-on for Chon. So that made Aaron Ben. Blake came about after Jennifer Lawrence dropped out to make The Hunger Games. It was a difficult movie because she had Gossip Girl shooting 10 months a year, so she had to fly to New York practically every fucking day. She was working monster hours, as they do on TV. We stayed on schedule, but it was a difficult shoot.

The film feels in some ways like a sibling to Natural Born Killers and U-Turn in its ferocious pacing and the hyperreality of the imagery—the intensity of the sunlight and the bold primary colors.

Let’s put it this way: it was going to be a sun movie, which is to say Mexico, the South. The colors were intended to be primary, and I drove everyone a little bit crazy with that. Early on, I screened Contempt for [cinematographer] Dan Mindel, and I said, “I want these colors.” We had great sun all summer, we were shooting outdoors, we shot with windows, we shot with light, we tried to use as much beach life as we could. At one point, I went out on the set and screamed that I wanted towels, as many bright yellows and blues as possible, to get rid of the weaker colors that were sneaking in. Sometimes set designers want to have that tasteful balance, and I said, “No! We want excess!” Flowers, paintings, everything we could do to get some color in there, including bringing standby painters in and just slapping a wall together if we had to at the last second. My references in this were certainly Contempt, but also Duel in the Sun—I saw that several times when I was young, and I saw it again recently, and it’s just beautifully done. The showdown scene at the end was sort of an homage to that. Also to Leone.

To wit, the movie’s score has a strong spaghetti Western feel to it.

It’s funny you should say that, because I went about 10 rounds on U-Turn with Ennio Morricone. It was the only time I worked with him, and I never worked with someone so difficult in my life. It was a creative collaboration, but I think I’m the only American director who made him return to America a second time—he doesn’t like to travel—because I was unhappy. At one point in our collaboration, I actually showed him a Road Runner cartoon and I said, “This is the type of music I want you to write.” And he looked at me with a cold stare and said, “You want me to write cartoon music?” But if you listen to U-Turn, there’s a lot of boings and bings and bangs.

On Savages, I didn’t really know what the sound should be. There was a guy, Adam Peters, who I’d used on The Untold History of the United States, and he did great work for me. He’s English, so he’s not at all of the Italian style, but he adapted. As with Natural Born Killers and Any Given Sunday, we used a lot of needle drops, a lot of Mexican music. We listened to all the narcocorridos, but we didn’t end up using any of those. We put Brahms in under the sex scene at the very beginning because I wanted the movie to have some tenderness and romance. There has to be that element like in Duel in the Sun where you feel for these people—they’re young, they’re tender, they’re at the mercy of the world, they’re in danger, and they’re in love.

How do you interpret the love triangle at the center of the film? Do Ben and Chon really love each other—as Elena intimates—more than they do O?

I don’t know. I did look at Butch Cassidy before we shot the movie, and it’s interesting, because Katharine Ross is with both men, but it’s so hidden in the movie that you barely notice it. Certainly, Butch Cassidy was considered, even at the time, a bit homoerotic. O has her own journey, too. She lives through this thing and she has to find herself, through this process of looking at death so clearly. She says toward the end: “I don’t think it’s possible for three people to be equally in love.” Which indicates that she’s thought about what Elena says to her in the dinner scene: “Something’s fucked up about your love story, baby.”

What is the current status of your Showtime miniseries, The Untold History of the United States?

It grew out of my desire to leave something behind. I’m aware of what my three children studied in American History and I’m aware of what I studied in American History, and I feel like we were all cheated by the book publishers and by the schools. In my case, it grew into a mythology about the United States that was very dangerous, because among other things I went to Vietnam under the belief that we were fighting the demon enemy: Communism. And what we did in Vietnam was so heinous, so evil, and it bothers me still that it was never apologized for, nothing changed, and we went to more wars. So in 2008, around the time I was doing W., I started this project. It was designed to be 10 chapters about the mythologies of American history, going back to 1945 and the bomb and working our way through to 2012. It’s an upside-down version of American history, which is to say it takes everything you thought you knew about America and questions it. Anyway, it turned into a monstrosity. It went two years over and took a lot of time. Writing history for film is the hardest thing in the world, and I’ve been giving all my free time to it when I haven’t been making other films. It was originally scheduled for May, but when Universal moved Savages to July, we and Showtime decided to push it back to November because we didn’t want to overlap. We’re working like dogs on it as we speak. We keep revising, fact-checking. Things change. It’s a bitch.

Savages ultimately feels like the work of a filmmaker reborn. If you watched it without knowing who directed it, you might think it was the work of a first- or second-timer fresh from film school or music videos, showing us everything he can do, in case he never gets to do it again.

It’s really my third or fourth childhood, because I’ve had these kinds of periods before. Bear in mind that I did Platoon when I was 37. To me, part of me had died in Vietnam, and to finally get a chance to make a movie about Vietnam in 1986 when I was almost 40, I felt like an old man then. I was going back to my 20-year-old self, and being in the jungle with Charlie Sheen and all those young dudes, I was the old guy. Life is like that—you get old, you get young, you get old, you get young. That’s happened to me repeatedly. Natural Born Killers was an enormous explosion of energy at a time when I was getting divorced and my life was falling apart and I was in a very dark place and I just said, “Fuck it.” So the answer is, I felt very old on the movie at times, because it was such hard work, and to get out of your chair for the hundredth time of the day and have to walk over to some young person and talk them through the whole thing again… What am I doing out here in 100-degree heat at Pyramid Lake? But it’s the idea that keeps it alive.

As a director, you sometimes feel like you’re the most loathed person, because you’re telling everyone what to do. And most people in life, myself included, don’t like to be in control all the time. I don’t enjoy it. But once in a while, you have to go out there for 60, 70, 80 days and you’ve got to be in charge and you’ve got to be tough to bring it together, because it’s tremendously logistically complex, and if you have 16 competing visions or even two competing visions, it won’t work. Every time you direct, it’s a tremendous effort. It’s like mounting the D-Day invasion. I’ve made 19 movies and they were 19 wars.

-Scott Foundas, "Blowback," Film Comment, July-August 2012

#Oliver Stone #film comment #savages #divorce #drugs #marijuana #aaron taylor johnson #taylor kitsch #blake lively #Salma Hayek #dope #cinematography #colors #natural born killers

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missveryvery · 8 months ago

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It's Bunny!

She's covered in blood but she's not upset or anything, she just has a naturally blank face.

She's very practical and has no problem wading into viscera for her work, but the combo can look off-putting to others.

#art #blood #bunny de los angeles #bunny #original character #curandera #curanderismo #bruja #shaman #poc characters #latina #latin character

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jules-has-notes · 6 months ago

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O Holy Night — VoicePlay music video

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Even though they were scheduled to perform Christmas music live four or five days per week during the final two months of the year, VoicePlay didn't neglect their online fans. They had planned ahead, and reunited once more with one of their favorite collaborators for a lovely, lyrical hymn.

Details:

title: O Holy Night (feat. Rachel Potter)

original song: traditional English carol

written by: French poem "Cantique de Noël" by Placide Cappeau, set to music by Adolphe Adam (1847), then translated into English by John Sullivan Dwight (1855)

arranged by: Ben Bram & Hannah Juliano

release date: 22 November 2017

My favorite bits:

starting with a bit of baritone Geoff on the lead before he drops into the bass groove

passing the lead vocals around to feature everyone

such lovely bell tone harmonies under Rachel's soaring melody

Layne ramping up the percussion under Eli's riff-tastic lead section

those huge crescendos into the final ♫ "Noel" ♫

dropping back to ease into the ending

J giving Rachel bunny ears ✌ during the extremely smooth and well-rehearsed outro

Trivia:

This video was filmed the day after the guys got home from their whirlwind trip to Los Angeles, which had included a concert followed by three other video shoots in two days.

It was also just a week and a half before Rachel's wedding.

The gang took advantage of the cooler autumn weather to get out of the studio and onto New Smyrna Beach near the lighthouse / historic landmark in Ponce Inlet, FL.

They also seem to have made a bit of a couples' outing of the day, since Kathy Castellucci, Nick Perez, and Cyndi Stein are all credited as grips in the YouTube description.

This is a rare instance (for the era) of VoicePlay outsourcing their musical arrangement. They'd known and worked with both Ben and Hannah for many years, though, so it was in trusted hands.

They didn't just use the church interior to film their outro after the sun had set. They recorded footage for a second version of the video, exclusive to their Patreon patrons.

#VoicePlay #Rachel Potter #music video #a cappella #Christmas music #music #video #album: Warm Up EP

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angelloverde · 6 months ago

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"Mo Soul" Player Playlist 13 May

Omar Feat. Erykah Badu - Be Thankful

The Haggis Horns - Love Gets You High

The Jackson Dodds Trio - Song For Suzy

The Cactus Channel - Pepper Snake

Bunny Sigler - My Music

Florelie Escano - The Liberating Kind (Lotek Remix)

Erykah Badu - Otherside Of The Game (Arkiv Remix)

Funk Busters - Groove Inc

Nicola Conte Feat. Rosalia De Souza - Fica Mal Com Deus

Alif Tree - Without Her

Tom McGuire & The Brassholes - Ric Flair

Empresarios - Estereolismo

The Cactus Channel - The Colour Of Don Don

Fat Freddy's Drop - Wandering Eye

Patchworks - Hunt Ya Sunshine (Moog instrumental)

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

#mo soul #playlist #music #soul #blues #funk #jazz #lounge #reggae #rock #fusion #house #r&b #afro funk #disco funk #acid jazz #nu jazz

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cutiepansstuff · 7 months ago

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I love you, Missa

Bad no le gusta ver a sus seres queridos siendo lastimados, pero siempre le ha fascinado cuando un mortal es lastimado, las marcas en su cuerpo, la facilidad de desgarrar la piel, pero especialmente, la sangre y órganos, le fascina ver y probar a los humanos. Es una desgracia que Missa no pueda sangrar, ¿Verdad?

Necesitaba sacar este ship de mi sistema. Bad es un ser manipulativo y Missa siempre cree en sus palabras. El siguiente contenido contiene temas delicados.

Bad no recuerda la primera vez que probó la carne humana, tal vez esa fue la razón por la cual fue desplazado del cielo, quién sabe, han pasado tantos años de eso, y tampoco es un hábito que tenga, la carne humana no tiene ningún sabor en particular o tan siquiera agradable, pero la sangre.

La sangre humana es distintiva, con un sabor ferroso y al mismo tiempo dulce, jamás olvidará la sensación del líquido en su lengua bajando por su garganta, tan cálida y húmeda, no puede olvidar el sabor y por más que lo desea, hace años no ha cazado humanos; por respeto a sus amigos mortales ha dejado de buscar ese dulce elixir.

Debe admitirlo, tiene cierta obsesión con la sangre humana, es diferente a la sangre de inmortales como él o Foolish, no es dulce, es espesa y tiene un aroma muy fuerte y desagradable, es decepcionante no disfrutar de la sangre del híbrido tiburón. Eso ha sido siempre así. Angeles, demonios, dioses, semi dioses, todos tienen sangre diferente a la humana. ¿Cómo es que Missa está sangrando como un humano entonces?

No conoce mucho de la vida de Missa, sabe que está relacionado con la diosa de la vida o de la muerte, no está muy seguro, pero de algo que sí estaba seguro es que el esqueleto no es humano, no es mortal, su sangre debe ser diferente, no roja, no debe de desprender ese aroma a metal, no debe de desear tomar al mexicano y encajar sus colmillos en su piel, desgarrarla y succionar cada gota de su cuerpo.

– Missa, why are you bleeding?

– ¿Qué?

– Why are you bleeding?

– ¿Por qué? Pues porque el zombie tenía una espada.

– But you are immortal.

– Bueno, es complicado, aún siendo hijos de dioses, debemos de cumplir 100 años de pruebas y trabajos, es entonces que somos considerados honorables a la inmortalidad, por mientras mi cuerpo es lo más similar a un cuerpo humano mortal.

Oh Missa, ¿Por qué eres tan interesante? ¿Un ser inmortal con cuerpo humano? Nunca había conocido un caso como ese, simplemente es interesante.

– Missa, are we friends, right?

– Mira Bad, no sé si puedo confiar en ti después de aquella vez, aunque estos días has actuado como siempre, aún no estoy seguro de que seas el mismo BadBoyHalo que conozco.

– Oh Missa, I already explained to you about that, the bunnies weren't good, they would even be worse than the federation. I just had to do it, for the safety of our kids, are you not worried about the eggs?

Ese es el BadBoyHalo de siempre, una faceta que muchos no conocen, uno que desde la llegada de los dragones ha cambiado su forma de ser en extremo, la mayoría de los habitantes no conocen su ser egoísta, manipulador, obsesivo, el demonio no se detiene hasta conseguir lo que quiere y ahora lo que quiere es la dulce sangre mortal del mexicano.

– Claro que me preocupan, pero creo que fuiste un poco-

– I would do whatever I have to do to protect the ones I love, I love my kids Missa.

– Lo sé, yo también-

– I love you too, Missa.

–... ¿Qué?

– I love you, you're so special to me, you're kind and funny, I feel good at your side.

La confusión en la expresión de Missa es delatora, conoce al demonio y sabe que a veces sus palabras significan otra cosa, utiliza términos y expresiones incorrectos para lo que quiere dejar ver, pero en esta ocasión, no está seguro si es lo mismo; después de todo, el de cabello lacio tiene una expresión seria, mirada fija, no sonríe, sólo lo está viendo como si pudiera penetrar su alma, aquello le provoca escalofríos. ¿Estará diciendo la verdad? ¿Puede confiar en él? ¿Es el BadBoyHalo de siempre? Todo pasa tan rápido y confuso, y aunque sus palabras fueran ciertas, él está con Philza, claro, de forma platónica, pero su corazón le pertenece al híbrido cuervo, no quiere romper los sentimientos de ninguno de los dos, el demonio es su amigo pero el cuervo es su esposo.

– Bad, yo-

– Can I kiss you?

– ¿Qué? No Bad, escucha-

– I know you don't feel the same way, you love Philza, but please, I really want to kiss you, just one little kiss, please.

–... Ok, solo un beso, y después hablamos de esto.

El mayor solo sonríe antes de tomar la cintura del contrario, se acerca lentamente cerrando sus ojos levantándose en las puntas de sus pies, el esqueleto debía admitir que la imagen era linda desde su punto de vista, cerrando los ojos termina por acortar la distancia uniendo sus labios suavemente, el demonio tenía un suave sabor a moras azules, era cálido y suave, incluso puede decir que lo está disfrutando.

Duraron un par de minutos con aquellos besos suaves y tiernos hasta que el esqueleto decide que es suficiente e intenta separarse, si no fuera por el repentino y fuerte agarre en su mentón que lo obliga a mantenerse en el beso, intenta separar al demonio tomándolo por los hombros mientras el mencionado logró colar su lengua entre los labios del mexicano, forzando a profundizar el beso.

Al tratar de separarse se tropieza con los pies del mayor cayendo ambos al suelo, Bad aprovecha este descuido para tomar ambas manos del mexicano y posicionarlas encima de su cabeza sujetandolas con una mano, el esqueleto comienza a paniquearse, no quiere abrir los ojos, quiere separarse y huir, quiere correr a su casa y acostarse en la misma cama que Philza, quiere sentirse seguro a su lado. Los pensamientos del menor son interrumpidos al sentir la fuerte presión en su labio inferior junto con el fluir de cierto líquido cálido en su boca, cuando finalmente el demonio se aleja abre los ojos para verlo sonreír, con sus labios brillosos e hinchados junto con su propia sangre en su lengua, la mordida podría ser comparada a tener el labio roto, aún puede sentir su sangre fluir por su boca.

– You taste good Missa.

– ¡Suéltame Bad, quiero regresar a casa!

– Your house? Missa, that is not your house, you don't deserve it.

– Pero-

– You have always been outside, your family even don't know where you are going and when you will come back, and when you come back, they're sleeping, it's like you don't want to see them.

– ¡Eso no es verdad, claro que quiero verlos, son mi familia y los amo!

– And I don't have any doubt about that, I know you love your family, and I'm pretty sure they love you back, but you don't deserve them, and Philza doesn't deserve you, he's just playing with you and giving you false hope.

– Eso es mentira, Philza es hetero, nunca me ha dado indicios de nada.

– I don't think he is straight, after all, he and Fit were lovers.

–... ¿Fueron qué?

– They were lovers, and even now they are always flirting with each other, and I'm not lying, I saw them, how they act and look, even make suggestive jokes about their past together.

– N-No.

– Missa, Philza don't love you, and never gonna love you like I do, please, let me love you Missa.

Missa no podía creer las palabras de Bad, sabía que Philza y Fit eran cercanos porque se conocían de antes, no podía creer que tuvieran una relación antes y menos que sigan coqueteandose, pero ver el rostro del demonio le hacían ver qué era verdad, Bad es de mentir casi siempre y es muy difícil saber cuándo dice la verdad a cuándo dice una mentira, pero él ha logrado notar pequeños gestos que hace cuando miente, ninguno de esos gestos apareció todo este tiempo, está siendo sincero. Se siente mal, se siente patético, lleva enamorado del rubio casi desde que llegaron a la isla y nunca intentó nada fuera de sus límites por creer que es hetero, ¿Entonces por qué con Fit si puede actuar de esa manera pero con él no? Tal vez Bad tenga razón, tal vez Philza nunca lo verá como él lo ve, relaja su cuerpo debajo del demonio, cierra los ojos y asiente lentamente, el mayor solo esboza una sonrisa más grande al verlo rendirse debajo suyo, suelta sus manos y lo abraza escondiéndose en su cuello susurrando cerca de su oído.

– Oh Missa, I will never hurt you… emotionally.

Encaja sus colmillos en el cuello del menor desgarrando su delicada piel, saboreando una vez más el cálido líquido rojizo fluyendo de la reciente herida.

#qsmp bbh #qsmp missa #qsmp fanfiction #qsmp reaper duo #qsmp misshalo #manipulation

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fancoloredglasses · 9 months ago

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Zorro (Get your swashes buckled, folks!)

[All images are owned by New World Television and Zorro Productions, Inc (really!) Please don’t sue me or ruin my clothing with Zs]

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(Thanks to megafan_12)

For those who are unaware, Zorro (“The Fox” in Spanish) is a masked swordsman who fights a corrupt government in the same vein as Robin Hood or the Scarlet Pimpernel, but in the town of Los Angeles during the time California was under Spanish/Mexican rule. Much like the aforementioned literary heroes, Zorro is a member of the local aristocracy (Don Diego de la Vega, son of one of the largest landowners in the region) who acts like a dandy and a coward to hide his masked activities.

He has been in literature since 1919 and has been in several movies and television shows (usually by a white man) In fact, it wasn’t until the 70s that a Latino (or Spanish) actor was cast in the role! Talk about injustice!

Most people know the Zorro films that starred Antonio Banderas as the title character (who inherited the mantle from Anthony Hopkins, yet ANOTHER white guy!) Many have seen Guy Ritchie as Zorro in the 50s (who didn’t need to worry about being white since the series was filmed in black & white and no one could tell his skin tone) The film I was first introduced to the character was Zorro, the Gay Blade (no, it wasn’t porn!) which starred Goerge Hamilton (yep, another while guy) as Don Diego and his twin brother Ramon (AKA “Bunny Wigglesworth” who was, shall we say, a bit flamboyant) The less said about that film, the better.

But the subject for this review was a forgotten gem from the 90s that aired on the cable network known as The Family Channel (I swear I saw it in the USA Network, but I couldn’t find any record in my research to prove this)

The series, naturally, follows Don Diego (played by Duncan Regehr yet ANOTHER white guy!)

…and his masked alter ego. (NOTE: Regehr was more muscular and fit than most previous actors in the role, meaning he could be a bit more physical. The character was also written as being a bit of a science buff)

Don Diego lives with his father Don Alejandro (played by Efrem Zimbalist Jr (yep, also white), who voiced Alfred in Batman: the Animated Series, in season 1…

…and Henry Darrow (FINALLY! A Latino actor, and one who actually played Zorro a few years earlier!) for the rest of the series)

…as well as his family’s mute servant Felipe (played by Juan Diego Botto), who also pretends to be deaf and is the only one who knows Don Diego’s secret (it’s not like he can tell anyone)

Don Diego’s love interest is Victoria Escalante (played by Patrice Martinez, who also played the love interest in The Three Amigos)

Zorro fights the corrupt Alcalde (governor) of the territory around Los Angeles Luis Ramone (played by Michael Tylo...yep, another one)

…but was replaced in season 3 by Ignacio de Soto (played by J.G. Hertzler (Seriously?!))

The Alcalde’s chief aide (and leader of the garrison) is Sgt. Mendoza (played by James Victor, the ONE Latino on the bad guys' side), who is the comic relief (of course...) for the series (which explains why they can never stop Zorro)

The plots generally revolve around the Alcalde’s latest plot to stop Zorro by trapping him while performing some form of injustice against the people of Los Angeles, only to be foiled. Note that while the series is very by-the-numbers, the action sequences are well done and there are a number of well-known (or soon-to-be-well-known) actors (as well as, for some reason, a handful of World Wrestling Federation wrestlers) who have guest starred.

As always, if you would like to see an episode reviewed, please let me know!

#zorro #Fan Colored Glasses

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