#buddie so damn

[bimafe]

buck always comforted eddie when he had a nightmare, especially if it had to do with afghanistan, eddie helped buck with his fears after the tsunami.

[aceofheartsstuff]

That last scene in a nutshell (welcome back, Eddie Diaz!)

[tripleaxeldiaz]

eddie’s joy: dancing in his underwear, beer, buck. if you need me i will be howling at the moon

[wernerherzogs]

sorry idk who's the ultimate op as apparently that ig account had reposted it from somewhere. but genuinely. what are we all doing here

[carnivalcarriondiscarded]

some misc Barn & Wally doodles from the past week or so <3 i heart them

[bloobydabloob]

I love creating fake versions of the good heavypaint brushes on firealpaca. It’s the best

[jangmi-latte]

FELLOW HONEST SHAKES

[saryasy]

Buck and Tommy on the floor behind the couch. Buck and Eddie on the couch. is this anything?

[mac-mcdonald]

[krissis-averted]

not alone read left to right contextless thang i just wanted to draw it... smth smth twis big bro mentality

[shaunashipman]

absolutely disgusting that someone would make light of pedophilia over a godsdamned ship, and yet this is what I get in my inbox

do you think it's a joke? are you having a big laugh with your friends, haha I used the sexual abuse of children to own someone in a ship war.

genuinely, from the bottom of my heart, die. painfully

[bimafe]

after the buddie got together hen always made fun of buck for taking so long to kiss eddie(and she won a bet on their relationship and chimney sulked about it).

[shitouttabuck]

this could be the year for the real thing

buck/eddie | 1.7k | 7x06 coda(ish)

Eddie can count on one hand the number of times he’s been this horrifically hungover. His pre-teenage-pregnancy body bounced back blessedly quickly from tailgate parties and keg stands and beer pong tournaments, but after that? His cousins threw his bachelor party before he married Shannon, which involved a lot of mixed liquor, and then there were a couple miserable nights out after she left him, and now, last night, him and Buck the sole bachelor party members standing after Chim didn’t show up.

This is his worst hangover, because at least all the other times he wasn’t seized with worry about one of his closest friends and regret that he and Buck hadn’t noticed the empty hotel bed the night before. The nausea from hell doesn’t help, either.

Chim’s safe now, under the careful monitor of Cedars hospital staff and Maddie no more than three feet away from him at all times. The relief is a palpable thing, and Buck offering him a steaming paper cup of green tea soothes the churning in his gut a little bit, too.

He takes a sip and sighs gratefully, slumping against Buck in the hospital waiting room chairs when he takes the seat beside Eddie.

“Still queasy?” Buck asks, voice a rumble.

“Mm,” Eddie says, “back-to-back shots of tequila and sambuca are not it.”

Buck shudders beside him. “Don’t,” he begs, closing his eyes and tipping his head back. “I’m still very much in range of hurling.”

“Have you eaten anything today?” Eddie’d only managed half a banana when he went home to shower and change, but he knows Buck’s been with Maddie most of the day, and when it comes to taking care of other people, he sometimes forgets about himself.

“Had a granola bar,” Buck says, eyes still closed. “Can’t—don’t wanna think about food yet.”

His stomach chooses then to grumble audibly, with traitorously comedic timing, and Eddie snorts. Buck opens one eye to grin at him.

“Don’t listen to her,” he says, patting his belly. “She doesn’t know what she’s talking about.”

“She doesn’t, huh? Then I guess she’s not interested in stopping by the juice bar on Sunset on the way home? Some sweet, sweet smoothies, all that fresh fruit and hydration, don’t even have to chew…”

Buck’s stomach rumbles interestedly and they both laugh.

“That sounds—so good, actually,” Buck admits. “We can pick up the peanut butter one for Chris, he’s always hankering—”

He breaks off as Hen appears at the end of the hallway, looking around and hurrying over as soon as she spots them. Eddie doesn’t think anything’s wrong—she’s beaming—but he and Buck sit up quickly in their seats anyway.

“Ugh,” Buck says, and Eddie’s dizziness at the sudden movement wholeheartedly agrees.

“We’re having a motherfucking wedding,” Hen grins, tugging them both to their feet, uncaring of their delicate dispositions. “Right here, right now.”

“Hospital wedding?” Buck asks, eyes wide. “Holy shit, okay, what do we need—who do we call—fuck—”

“Calm down, Buckaroo,” Hen smiles. “Just get friends and family over here, Karen’s gonna pick up Maddie’s dress, I’m gonna call Bobby, and we’re having a wedding.”

Buck’s already pulling up a copy of the guest list on his phone, squinting at it and muttering names under his breath.

“You boys got this?” Hen asks while dialling Bobby.

“Yep,” Eddie gives her a mock salute. “We’ll split the list and make some calls.”

He types out half the names Buck reads off to him in his notes app, and the two of them work through them methodically, calling Chim and Maddie’s nearest and dearest for this impromptu ceremony.

“Chris will kill us if he misses it,” he says suddenly, and Buck looks up at him, mid-text.

“He’s with Isabel, right? Pepa’s place is only a ten minute drive from here.”

Eddie nods. “I don’t have my car, though. You drove me.”

Buck tosses him the Jeep keys. “I’ll finish calling people, you go get them.”

“Cool,” Eddie says, and nearly bodies himself with the instinctive urge to lean over and kiss Buck on the cheek as he stands. It’s surprising, even though it shouldn’t be, because it’s an urge he fought and failed about thirty times last night, Buck’s sweaty skin pressed to his, salty under his mouth every time he dropped an innocuous, friendly kiss to his face with nothing but alcohol in his veins.

It hadn’t seemed out of place then, everything shiny and bright, Buck leaning right back into him.

Now, under the fluorescents of the hospital, organising a makeshift wedding for their family? Eddie doesn’t think it would land quite the same.

“Back in twenty,” he tells Buck instead, and has to physically tear himself away from the smile Buck turns his way, warm and golden under the harsh lights.

Chris and Abuela are delighted to be included, and, true to his word, they’re back at the hospital as the rest of the guests begin arriving, too.

Eddie’s—okay, he’s not going to say he’s not a crier, it’s just that his best friend is Buck, who cries at anything remotely tearjerky, so in comparison, Eddie’s not a crier. Now, though, they’re both very much damp-cheeked, much like everyone else crowded into this hospital room, watching Maddie and Chim exchange rings and vows with little Jee between them.

They’re a family, have been and would still be even if they never got hitched, but the fact that Chim refused to wait another few weeks, another few days, another minute before marrying Maddie? Eddie’s chest aches in the best way, and he slings an arm around Chris, and, before he knows he’s doing it, he looks for Buck.

The ceremony’s over, and Buck’s grinning at his phone, and Eddie pats for his own automatically, anticipating a goofy text.

But Buck’s edging backward, slipping out of the room, still grinning at his phone, and the ache inside Eddie spreads like an inkstain, blotting his insides.

And then Buck reappears with Tommy, which Eddie knew he was going to do, because who else would have Buck smiling at his phone like that, leaving his sister’s wedding even for a minute. Not me, Eddie doesn’t think. He doesn’t.

He’s not ready to make sense of the churning inside him—he doesn’t think he can blame the hangover for this one—when he clocks Tommy’s soot-stained everything and the way Buck’s own smudgy face matches like a puzzle piece.

He sees the way Chim notices, and Hen and Karen, Bobby’s eyes going wide and then soft. He sees the way Margaret Buckley doesn’t even attempt to school her face into anything but distaste and he hates her, but Buck’s not even looking at her. He’s looking at Bobby, and then he’s looking at Chim, and he’s smiling, this wide, guileless spread of happiness across his face.

Eddie’s helpless to smile too, the churning too complicated to parse beyond easy joy at every step of Buck’s sexuality journey, and this second-hand relief he’s not sure he’s got any entitlement to—he doesn’t, does he? Sure, he can be relieved that Buck doesn’t feel like he has to stay closeted, that everyone who matters loves him just the same, but he doesn’t get to feel like any of the relief belongs to him. Not now.

Not—yet.

Tommy’s made his way to Chim’s bedside to congratulate them properly, and Buck’s squeezing through the guests to get to the Diazes.

“Hey, bud,” he says to Chris. “Hi, Isabel.”

His face is still a smear of soot, and Chris giggles. “Buck. Your face.”

Buck frowns in confusion and Eddie steps over to him, hand already reaching to wipe the soot off his face, just like he has a hundred times at work. Except Tommy’s already there, licking his thumb and rubbing firmly at Buck’s chin, a gesture so familiar to Eddie that watching it happen separate from him feels like getting punched in the throat.

And beside the joy and the second-hand relief, there’s—this sense of profound loss. This emptiness, a space inside him he didn’t realise Buck had been occupying all this time. And now it’s like Eddie’s entered the room, finally, but the door is swinging shut on the far wall and Buck’s footsteps are echoing softer and softer as he leaves. Eddie’s late, he’s missed something he didn’t know was waiting, much less had a timeline on it.

The room empties out slowly, everyone giving the Buckley-Hans some space to rest, and Buck disappears down the hall hand-in-hand with Tommy.

“Y’all ready to go home?” Eddie asks Abuela and Chris. “We can get take-out.”

“Is Buck coming?” Chris asks.

“Uh, I don’t think so, mijo,” Eddie glances down the hall. “Although—” he pats his pocket, retrieving the Jeep keys, and startles when Buck appears by his shoulder.

“You have my keys,” he informs Eddie, stretching his hand out for them. Eddie drops them in his palm dutifully. “Juice bar? The fancy one on Sunset.”

Chris whoops excitedly, and Eddie smiles, even as his brow furrows.

“You’ve not got a hot date?” he asks Buck quietly as they walk to the exit.

“I drove you,” Buck shrugs.

Eddie rolls his eyes, stopping Buck with a hand at his elbow. “I think we can manage getting a cab.”

“I seem to recall you promising me a ‘sweet, sweet smoothie,’” Buck says, raising an eyebrow at Eddie. “You tryna stiff me, Eds?”

“Wouldn’t dream of it,” Eddie lifts his hands in surrender. “Uh—do you wanna ask Tommy along?”

“Nah,” Buck says easily. “Maybe another time. He’s just gotten off shift. I’m seeing him tomorrow, anyway.”

“Okay,” Eddie nods slowly, ache bittersweet. “Just us, then.”

Buck beams. “Me and my boys,” he crows, wrapping an arm around Eddie’s shoulders and tugging him forward so he can wrap the other one around Chris. Isabel makes a noise of offense, and Buck hastily amends, “Me and my boys and Abuela. Dream team!”

Christopher groans at the very public embarrassment and Abuela smiles indulgently at Buck and Eddie lets himself get pulled along, safe in this room in his heart that won’t ever be empty, even if Buck’s not filling it in the same capacity as Eddie’s getting ready to allow himself to want.

It doesn’t matter. The door on the far wall’s not quite swung shut after all; it sits ajar, crack of light and Buck’s love spilling through. Maybe one day he’ll come back through it. Maybe one day Eddie’ll follow after him enough to ask.

[lover-of-mine]

Welcome to the use of blue and green with 911 couples is not confined to clothing and how I believe this applies to buddie since season 2, a masterpost. (this does contain an explanation of the use of blue and green in the more obvious way, the clothes, so even if you don't believe the other elements of the scene part, this could still bring some clarity on the way blue and green is important)

Okay, so, after 706 a lot of people said they thought about me with the buddie/bathena blue and green scene, and I LOVE THAT, but a few people also came to ask me to explain more about the blue and green in general and why that is important and I realized my blue and green thoughts are scattered into multiple posts because I did figure out more stuff since I wrote the first one and season 7 is giving me more things to support the 2 main color theory theories I have when it comes to buddie/Buck, so I decided I need to write one long post about it all, including thoughts on 706 specifically.

Okay, so easy pattern to spot first, the blue and green thing is used with a lot of couples throughout the show, core couples, adjacent couples, random people in calls, the blue and green is used in a major piece of clothing in a couple, a shirt, a jacket, a dress, after s6 the use of pants was introduced more explicitly, and that has transferred to s7, but it is something heavily used since s2 (I can't find a conclusive example in s1 and the first obvious example is madney's first scene in 206) (this will have a bunch of tiny images because I'm trying to stay within the image limit, but if you click on them you can zoom in if tumblr doesn't decide to hellsite, I made them high quality enough)

And it is not just about meant-to-be couples, it's literally just a way to exemplify romantic connection. And while it is used a lot with most of the couples we see, the easiest couple to track is madney, since they have a lot of blue and green scenes, tracking back all the way down to their first scene, but bathena also have quite a few scenes. I love the scene at the station in 308 (last column, 3rd row down) because the cutout of kid Bobby makes it so there's a double blue Bobby there.

So the clothes element is very easy to track. It is a very real aspect of the show. And that is interesting when you consider the actual color theory aspect of it, because blue and green are analogous colors, which means they are right next to each other in the color wheel, and that's a color scheme used to create a harmonious look, it's about cohesion, creating visual unity, and it is what this accomplishes, the couples look balanced even if we don't fully register why, they just naturally work well together and that translates even if you don't know color theory.

This is the part we know exists in the show, but the thing is, I don't believe the show only uses that with the clothes, and again, madney is the easiest way to track that.

I noticed this while making a 512 set for the hiatus rewatch since I was focusing on the scenery to pick the shots I wanted because something about that episode is that it is green in nature since it is a Saint Patrick's Day episode. But everything about madney that episode is blue and green even when madney isn't dressed in blue and green. Pretty much everything about it has blue or green elements.

Maddie is wearing blue in the video, Chim is wearing green when he watches it, she's in blue while she's alone (even her hospital gown is blue, and that's not a common thing for the show), he's in green when he's alone, so we are still in the color scheme, there is a lot of green in the background that makes Chim and his vest stand out, we have green walls, that green bench, the blue red sox merch on the walls. But when they meet again, they are in neutral-colored clothing, contrasting with the background, and when Maddie tells Chim she wants to go home, both of them have blue and green shirts that are covered by a jacket, so the blue and green are not a focal point even if it's there, probably because they are not back in a place where they can get back together yet, and they are explicitly in blue and green in 601 when they do get back together.

They also did the whole make the episode blue and green with 706.

The backgrounds are very blue or green or both, a lot of the people are wearing blue or green, Maddie's phone is green, Chim's car is blue, there is a lot of blue and green happening there.

Something else about madney being blue and green is that their house has a lot of blue and green decorations. So, I definitely wanna say that the blue and green are being completed by other elements of the scene.

But I obviously have examples with other couples.

While doing the rewatch sets for 606 I noticed there are a few examples using Henren and other elements of the scene, 606 is also the episode that allowed me to include pants into this madness.

The thing about henren is that they don't have a lot of blue and green scenes, the 2 we had before s7, because s7 did gave us a few more, are in when they decide on fostering and when Eva comes back the last time, but since their color palette is based on patterns a lot, I decided maybe I should expand my definition of what counted, that gives us one of the flashbacks, because Karen's pants are patterned in green and Hen's shirt is patterned in blue, they also have Hen in green pants for one of the dates and there's the blue lighting, there's the scene with Hen in a blue hoodie and the green background. So more elements of the scene were being employed there.

Another couple is Eddie and Shannon. I will be honest, it took me a WHILE to clock they had an explicit blue and green moment in the form of Chris' birth. BUT, looking at them season 2 and the flashbacks in Eddie begins, they have moments where Eddie is blue or green and Shannon has blue and green detailing, her jewelry, her nails, her car, background of a scene. Also when they are fighting about Eddie reenlisting, they keep switching holding blue and green stuff. Shannon has a blue cup, Eddie is holding a green bottle, the rag on Eddie's hand is blue, the oven mitt next to Shannon is green, so even though Shannon is never a fully blue or green character, she always has blue and green accents.

Randon addon, but Thomas and Mitchell, the gay couple from Buck, Actually that is the couple that shows Buck what love is supposed to look like, they have a lot of blue and green details in their montage, the car, the driveway, the transition from a green cake to a blue cake, I just love that.

Now that we have all of this established, let's talk blue and green applied to buddie.

So, using the established, just the top, point of focus of the outfit, buddie has 3 blue and green outfits, technically 4, but we will talk about the hangar later, because I have a lot to say lol, the loft scene in 613, the station scene in 617, the hangar scene in 704, and the dispatch scene, the street scene, and the wedding in 706 (I will also talk more about 706 later)

One thing about buddie in blue and green is that they tend to have similar shades to past scenes with past love interests.

I don't know why they repeated the shooting combo, I guess it's just because Taylor's greens tended to be less earthy than Eddie's usual shades, but, I was scrolling through bucktaylor blue and green scenes to see if I could find a match for the hangar, and I do think that works, but I was fully ready to go full delusional here and say Buck's hoodie in 706 matches Shannon's nails in 207, because they do, BUT, that one seems to be a double kill and I don't have to sound all that crazy, because it seems like it is a bucktaylor combo from 509 too (the lighting on the loft is obviously different from two scenes in natural sunlight, but they are similar enough)

(Wait last minute addition that you don't know it's a last minute addition and can read more about here, but all thought s6, Buck and Eddie have matching blue and green phone cases, and the 706 scene seems to also somewhat match the shade of the phone cases from last season)

And these are the explicit ones, I would say the 706 scene is even more on the nose since bathena are also in blue and green right next to them.

Now, for other elements of the scene tho, we can go back down to the beginning. As in the you can have my back any day scene.

(Yes, I know the blue is because of the sirens, and it will eventually be red, but since red is such a prominent color for Buck, I can't really mind that all that much because I also have a color-theory theory that deals with the idea that Buck is red in scenes about doing the right thing about love and what more right for Buck than Eddie?)

But since I'm trying to stay within the image limit, let's rapid-fire some scenes here. If we ignore the uniform (I am choosing to because they don't have a lot of room with the uniform, it is what it is, and sometimes a scene will happen in the firehouse) Eddie is wearing blue after the tsunami and the will reveal, Buck's wearing blue after Chim goes after Maddie, Buck's wearing blue in the kitchen talk in 511 (and yes he's wearing blue because Taylor is wearing green, but he's still in blue), the shirt Buck has under the red jacket during the breakdown is blue, Buck is wearing something blue(ish) when they talk about the couches, Eddie is wearing blue on the poker date, Buck is wearing green on the cemetery. In the Carla scene, when Eddie shows up, they're not in the kitchen, and the backgrounds behind them are somewhat neutral. But funnily enough, it's only green behind Eddie there. (if you read my eddie fell first essay, you know I will die saying this is the moment that Eddie is done for so, love when an insane thought solidifies another lol), after the tsunami, we have green scrubs dude behind Eddie when Eddie sees Buck, even though most scrubs in the show are blue and everything behind Eddie is white, we have Buck and the blue of the tent, when they turn around, there's the green thingie behind Eddie and Chris, and the scrubs behind Buck are blue. Grocery store, the toilet papers behind Buck are blue and the outside along with the flowers behind Eddie are very green. Shooting, whatever that green thing behind Eddie is, Mehta's uniform, more blue uniforms, and a green medical person. 511 I just think are funny because Buck is wearing blue in the kitchen but everything about Eddie is white, and that's a fun contrast to the Carla scene and 517 is funny the way one side of Chris' room is mostly green and red and the other is yellow and blue and how Buck is on the green side and Eddie is on the blue (including his shirt). And the poker date, Eddie is in blue and the tables and chairs are green.

Considering using the pants, we also have the post-tsunami talk, the will reveal, and the 504 talk where Eddie has green pants on. Sure, the post tsunami talk, Eddie is both blue and green and there are no blue elements on Buck, but the will reveal, Eddie is both blue and green and the wall behind Buck is blue, and the 504 talk, Eddie has green pants and Buck has a blue hoodie on, considering the way the season 6 had the pants being in used with henren in 606 and with the girls from the oil well (both queer couples, I might add), I kinda wanna say that the 504 talk is traditionally blue and green lol

We also have my Roman Empire, aka the cemetery scene.

Because here's the thing, the sky is only blue behind Eddie and Buck is dressed in green. And also considering the way that they were being pretty consistent with Eddie being green and Buck being blue and the general breakup feelings surrounding the cemetery scene, the fact that bucktaylor switched colors mid-relationship, aka, when Buck tells her he kissed someone else, this is very interesting to me, because the colors in that scene feel like something that was accomplished on post-production, so they are like that on purpose.

This is also something that is used in the gym scene in 705, because Buck is wearing a green coat and Eddie completes the blue and green with the towel and the bottle, and considering green is Buck there is something wrong color and Buck is beating himself up for lying to Eddie, the switch in colors when applied to Buck usually means something.

With all this, let's talk blue and green in 706. Bathena is in 2 different blue and green outfits, the Buckley parents are in blue and green, bucktommy and buddie.

The bucktommy blue and green is very interesting because for one I had to swatch the color of Tommy's shirt and also because when talking about the blue and green in general, the shades tend to match, so to have Buck in a very light mint green and Tommy in a very dark, almost black blue is... a choice, especially considering that bucktommy did match during their date in 705, and Buck is in green, Buck in green is never a good sign (meta on that here), and considering Buck switches colors during crisis, I'm curious as to why they already switched the colors for them, since green is Buck's breakup color.

And the buddie of it all, well, they spent the whole episode matching, literally with the costumes for the bachelor party, but they also stay in their blue and green combo for the duration.

And to have buddie matching even in the bachelor party when the dude Buck is dating is there during the madney wedding episode is definitely a choice, even more, when you consider the way that Eddie is the one who is supposed to be the third wheel, in the costume design of it all Tommy was the one who was the odd one out, and considering the general married behavior buddie was exhibiting during the episode, it's a choice.

And since I'm already here, let's talk hangar scene.

For starters, with this scene, we had a blue and green scene for buddie 3 episodes in a row, which is something on its own, BUT, I will say that I watched the clip of this scene before 704 aired and said "oh, buddie just went canon", because here's the thing, for starters they are in blue and green and Tommy is in shades of beige, so the color on their clothes is the focus, but they are not really the focus, and they do match, but we have to consider the way Buck is wearing a maroon hoodie under his blue and Eddie is wearing a black jacket over his green. That clearly meant some sort of development was coming they're just not fully there yet. For me at least. Because the show has Eddie in the army green armor and Buck in the red jacket of love, and to have Eddie in the army green but with something over it, not using it to protect himself is something, and Buck not being in his brighter reds is also something.

To have this was very interesting for me, Eddie most of all because he's wearing black a lot and I have theories but I can't figure out why. But those are all colors used when Eddie is protecting himself and Buck is trying to understand something, so interesting. And then there's the actual dialogue of the scene "wait, you're not thinking about jumping ship?" "uh, no, I'm just, you know, keeping my options fluid." There is literally no more on the nose way to say don't jump ship than to literally have Eddie say don't jump ship. All that paired with the very obvious blue and green, definitely meant a plan was just set in motion for me.

I will link my Buck and the use of green and red again if you feel like reading more color theory theories. And also a theory about the use of blue and yellow this season.

Anyway, I think this is all, if you read this I love you 💜

tagging the ones of you who asked me about this or interacted with the post I asked about this: @dangerpronebuddie @missmagooglie @steadfastsaturnsrings @millymaki @inell @bella-bothered-and-bewildered @sparkedblaze @frihetstyrke @ilostyou @your-catfish-friend @estheticpotaeto @marmarthehatterverse @planetlet263 @mirrorbuck @lolpuppy

[stevenrogered]

Eddie keeping it together, except when Christopher can’t see his face

[maydaydiaz]

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