#btw this is meant in a good way

[sorcerous-caress]

Seeing an elf be a druid in fantasy is like seeing a dog at the dog park. Like yeah that's exactly where I thought you'd be you fuck.

[inkskinned]

before you know about women, you hear that you do not need to love the man, just that you need to love him through his manhood. which is to say you have seen the future painted in lamb's blood over your eyes - how your mother shoots you a look about your father's inability to cook right. how your aunt holds her wineglass and says i'm gonna kill em. men, right! how your best friend bickers with her boyfriend, how she says i can't help it. i come back to him.

you learn: men are gonna cheat. men aren't going to listen when you're talking, because you're nagging. men think emotions are stupid. they think your life is vapid and your hobbies are embarrassing. men will slam things, but that's because men are allowed to be angry. if you get loud, you're hysterical. if a man gets loud - well, men are animals, men are dogs, men can't control their hands or their eyes or their bodies. they're going to make a snide comment about you in the locker room, about your body, about how you're so fucking annoying. you're going to give him kids, and he will give you the money for the kids, and you're going to be running the house 24/7 - but he gets to relax after a long day, because his job is stressful. the man is on stage, and is a comedian, and says "women!"

and you are supposed to love that. you are supposed to love men through how horrible they are to you - because that's what women do. that's what good women do. wife material. your father even told you once - it'll make sense when you're older. it was like staring down a very lonely tunnel.

it feels like something's caught in your throat, but it's all you know, so. it's okay that you see sex as a necessary tool, a sort of okay-enough ritual to keep him happy, even though he doesn't seem to care about happiness as-applied-to you. it is relationship upkeep. it is kissing him and smiling even though he didn't brush his teeth. it is getting on your knees and looking up and holding back a sigh because he barely holds you as you panic through the night. it's not like the sex is bad and you do like feeling wanted. and besides! he's a man! like... they're another species. you'll never be able to actually communicate, right. he isn't listening.

you just don't get it. you don't feel that sense of i'm gonna climb him like a tree. mostly it just feels fucking exhausting. you play the part perfectly. you smile and nod and are "effortlessly" charming. and it's fine! it's alright! you even love him, if you're looking. you could have good life, and a good family, and perfectly happy.

in the late night you google: am i broken. you google i'm not attracted to my husband. you google i get turned on by books but not by him. you google how to get better in bed.

the first time he yells at you, it almost feels like blankness. like - of course this is happening. this is always how it was going to end up. men get angry, and they yell, and you sit there in silence.

you mention it to your friend - just the once - while you're drunk. she shrugs and says it's like that with me too, i just try to forget and move on. men are always gonna hear what they want to. pick your battles and say sorry even though he's in the wrong. you play solitaire online for a month. you go to your therapist appointment and preach about how you're both so in love.

after all, you have a future to want. nobody lied about it - how many instagram posts say marriage is hard. say real love takes work. say we fight like cats and dogs but the best part is that we always make up. how many of your friends say happy anniversary to the best and worst thing to ever happen to me. if you really loved him - loved yourself too - you'd accept that men are just different from you.

the first time she kisses you, it's on a dare at a party. something large and terrifying whips through your body. you wake up sweating from dreams where her mouth is encrusted with pearls and you pick them off one by one with your teeth. fuck. you sit at the computer and your almost-finished game of sim city. you think about your potential perfect life and your potential future family. you google am i gay quiz with your little hands shaking.

you delete each letter slowly. you don't need to love him. you just need to keep going.

[mattodore]

birthday boy 🎂

[ruporas]

hello there, angel

[ID: Digital illustration in color of Vash and Wolfwood from Trigun Maximum. Vash is sitting facing the viewer and holds a rose between his clasped together hands, but he’s looking to the left, upwards, at Wolfwood, with an awed expression. Wolfwood hovers over him with wings sprouting from his back. He has a cigarette lit between his lips, his arms and legs are crossed, and he looks back at Vash with a neutral expression. The both of them are covered in a blue shadow, casted by Wolfwood and his hovering form, while warm light hits the back of his wings and over Vash’s legs. Small feathers sits next to Vash. End ID]

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[blindmagdalena]

The Fall

2.8k mostly sfw homelander x reader. christmas adjacent. depowered homelander.

Summary: After being struck by an unidentified projectile that renders him powerless, Homelander crash lands in your backyard, wholly at your mercy.

this is a rework of this original prompt. inspired by the fable of the mouse that aids the lion whose paw has been stuck by a thorn. ��♡

Homelander is over a hundred feet in the air when he hears something whistling through the sky behind him. Some kind of projectile. A small missile, maybe. It's nothing he hasn't handled before: It could blow up in his face and he would be fine. He’s more curious about what exactly it is, who’s stupid enough to fire it at him, and where it’s coming from. 

With that in mind–in that split second he has to react–he decides to forgo dodging it and instead attempt to catch it.  However, as the mystery projectile gets nearer, his vision begins to tunnel. 

What the fuck? 

His reflexes slow, and before he knows it, the projectile strikes him hard in his left side rib, exploding in fumes that fill his lungs and coat his skin. In an instant, he feels pain like he's been turned inside out, a sensation worse than anything he’s felt since childhood. Instantly he's plummeting towards the ground, crashing directly into your backyard in an eruption of snow and yard furniture.

With his vision going black, the last thing he hears is the sound of the world turning deafeningly quiet.

When Homelander comes to, he's being shaken. No–compressed, hands over his chest, pushing again and again in a steady rhythm. Warm lips press against his, and a rush of air fills his lungs. His eyes snap open, and out of pure reflex, he drives his fist into your unfamiliar form, sitting up with a frenzied look in his eyes.

You should have flown back thirty feet with a hit like that. Instead, you only fell back onto your ass, coughing. Homelander's hands are shaking as he looks at them, and he can feel blood dripping from his ears, taste it in his mouth. He's disoriented, his whole body heavy. He's having trouble breathing, every ragged inhale a struggle, and his heart is pounding.

"Someone tried to kill me," he rasps in disbelief. Not surprised that someone tried, but that someone very nearly succeeded. "Someone... Someone tried to fucking kill me," he says again, growing more hysteric the more the pain sets in. His own brain is hammering against the confines of his skull, beating at the backs of his eyes.

He’s certain that he’s halfway to cardiac arrest, but no matter how he tries to focus, he can’t calm himself. His strength is gone. It’s gone. He looks at you, you, who should have a hole punched through your chest. Instead, you’re staggering to your feet, totally unharmed. 

"Homelander!" You address sharply, audibly trying to rein in your own bubbling panic. He can see his own fear reflected in your eyes. You’re just as confused as he is. Just a stupid little mouse that crawled out of your hole and found him like this. "I can help you, okay? Let me help you."

There’s something about the sharp authority in your voice mixed with an undeniable quiver of compassion that catches his attention. It could be the degree of his vulnerability sinking in, but after a second of dumbfounded staring, Homelander nods.

It must be pure adrenaline that gives you the strength to help him into your house. You don’t look like you should be able to carry him. He's practically dead weight in your arms, barely keeping himself on his feet as you both stumble into your living room. The height difference does neither of you any favors.

You get him down onto the couch before fetching a wet rag, a bottle of water, pills, and a first aid kit. He watches you fumble with it, hands shaking. He assumes it’s adrenaline, though you lack the acidic stench of it. No, you probably don’t. He just can’t smell it anymore. He can’t smell anything except the faint tinge of blood, and whatever nauseating scented candle you use to stink up your home. Though, even that’s distant compared to what he’s used to. However, he finds he doesn’t have it in him to panic. Is this what shock feels like?

He takes the water you offer him, but denies the pills. “No, no. I have no idea what that shit will do to me right now.” You nod, setting the bottle aside. You then lean over him, inspecting the level of damage. His ears are ringing, and his whole body is throbbing with sharp, painful aches. Maybe the pills would help, but he’s never had to take painkillers before. He’d rather swallow tacks than lean on something so pedestrian.

As you work, he notices a mottled mark blossoming darkly across the center of your chest, just under your collarbone, approximately the size of his fist. Without thinking, he reaches up to touch it, remembering the blow he’d dealt you.

You startle, looking down where he touches with a wince. The skin looks as tender as he feels. It must sting. Is he bruised like this beneath his suit? The thought of these same ugly dark marks mirrored on his own body brings him visceral disgust. 

"Don't worry about me," you tell him, as comforting as your voice can muster. You grasp his wrist and gently lay it back down at his side.

I'm not worried about you, he thinks derisively. "That should have caved in your chest."

"Guess it's my lucky day, then," you say absently, more focused on using a wet cloth to wipe away the blood from his temple, up into his hairline, seeking the injury. You're meticulous but gentle in the way you handle him, cupping the side of his face to turn him one way, then another.

If not for how clumsy your movements feel, he’d think you’ve done this before. There is care and determination in the way you tend to him, but no obvious medical expertise. Even the kit you pull from looks out of date and sparse. You probably picked it up from a gas station on a whim because you needed safety pins. "I think these need stitches," you say as you carefully apply bandages, brows furrowed. Homelander's gaze lingers on your lips as you speak. What kind of person sees someone fall out of the fucking sky, blowing a crater in their yard in the process, and then thinks to give them CPR?

"I'm calling an ambulance," you say, moving to stand. That breaks him out of his stupor. He catches you by the wrist, stopping you in your tracks, despite how pitifully weak his own grasp feels. "No, no, not... Don't do that," he says, screwing his eyes shut briefly. No one else can know that this happened. Besides, if those psychopaths are still out there, it will draw them right to him. "Too much attention, I just... give me a fucking minute," he says, flexing his hands. They still feel weak, tingling like they've fallen asleep, but the bizarre sensation is gradually beginning to abate.

Whatever was done to him, it doesn't seem to be permanent. 

He hopes to fuck that it isn’t. "Okay," you say tentatively. Instead of leaving, however, you reposition to continue wiping the blood from his face, gently rubbing from his temples down his jaw. He watches you like a hawk, rolling his fingers in and out of fists, gradually feeling his strength return to him.

He's unaccustomed to the way you're handling him. One hand cupping his jaw, ginger in the way you move his head only when you absolutely need to. The concern wrinkled between your brows is so palpable, so sincere, that for a moment he almost forgets you're strangers to each other.

"What're you doing?" He asks eventually, voice low. You pause, looking down to meet his eye. "Oh, I just... There's still blood, and I didn't want to leave you alone."

Your response tightens something in his chest, like a steel coil wrung too tight, leaving him uncomfortable. He feels small, vulnerable, and the tenderness of your touch is doing nothing for it. "I don't need you," he snaps defensively. "I'm fine."

"Okay," you respond, aggravatingly calm. Still soothing. "What do you need?" Homelander opens his mouth, but hesitates. Your earnestness is infuriating, waiting on bated breath for what you can do for him. He closes his mouth, jaw tight. His gaze flickers back down to the bruise on your chest. It's darker now, varying shades of purple and yellow fading into one another.

Looking back up at you, he schools his expression into calm focus. "Close the blinds," he says, gesturing with his head to the window, where you have twinkling white Christmas lights strung up. 

"I need to lay low awhile." He can feel his powers steadily returning. Once he gets back to Vought, he'll find out who it was, and rip out their fucking spine.

You've already gotten up to do as he asked, drawing the blinds down, and then closing the curtains over them. Afterwards, you turn to leave.

"Hey," Homelander calls, frowning. You stop in the doorway. "Where are you going?"

"The kitchen," you answer, hand on the doorframe. "You can call if you need something."

"Stay here," he says, ignoring the bit of petulance he can hear in his own voice. He doesn't care if you're confused. He doesn't care that he doesn't entirely understand himself. He just wants you to stay.

He watches you take a seat at the end of the couch, near his feet. He exhales, closing his eyes. It isn't as though you could do anything if proficient killers did appear, but for whatever reason, no matter how useless you would ultimately be, he feels better for having you near.

Even a curtain is better than no door at all.

After half an hour, his senses begin to sharpen again. It begins as a dull, irritating buzz at first. It has him rubbing at his ears, screwing his eyes shut. It rolls in and out of focus, making it difficult to adjust to. “Are you okay?” You ask from the other end of the couch, where you’ve been sitting with remarkable patience. Maybe you’re afraid of him. He hates not being able to tell by the rate of your heart.

“Peachy keen,” he replies flatly. “Hearing’s coming back.”

“That’s good,” you say, though the inflection you end with makes it sound more like a question.

“Yeah, yeah, it’s good, it’s just… Loud,” he says, grinding the heel of his palm into his temple. His skull is still pounding. “Everything’s all… Coming back in a jumble. Giving me a fucking headache,” he says, though as he speaks, he realizes he’s able to focus fairly well on the conversation, drowning out the more intrusive ambient sounds. “Keep talking.”

You look surprised by his demand, but after a beat, you oblige. After maybe an hour of idle conversation, he learns your name, that you work from home, you like decorating for Christmas even when you spend it alone, and that you've lived a thoroughly dull, ordinary little life until this very moment.

That’s just what you’ve told him.

From his personal observations, he's learned that you’re a perpetual fidgeter, that you touch your face when you're nervous, and that you would rather laugh than take any of his disparaging remarks about your mundane life to heart.

"I think it's lucky for you that I’m so boring. I might not have been here otherwise," you counter. Your smile is so inexplicably charming–nose wrinkled like you’ve somehow pulled a fast one on him–that Homelander forgets to refute your point. Instead, much to your alarm, he sits up.

"Oh, steady! Are you sure you're okay?" You ask, standing as he does, hands out as if to catch him. He stretches his hands out in front of him, and then curls his arms back in. Exhaling, his eyes flare crimson. He likes the way it makes your heart jump when he looks at you through the red glow.

His lips quirk, lasers fading out. "Good as new," he says confidently, though the aches of his fall still linger in his joints. Not quite new. He takes a few long strides across your living room, pausing in the doorway to your kitchen, where he can see through to your yard, and the absolute crater he left in it. "Vought will... take care of that," he says, gesturing vaguely to the destruction.

You can't help but laugh, crossing your arms loosely to survey the damage with him. "I appreciate it, but really, I'm just glad you're alright," you say honestly, staring out into the wreckage of your yard.

Homelander purses his lips slightly, glancing at you from his peripheral. Above him, he feels something brush the top of his head. When he glances up, what he sees hanging in the doorway makes him smile deviously.

Without warning, he puts his hands on your waist and spins you to him, lips landing warm and firm on yours. He absolutely devours the surprised little noise you make against him, halfway tempted to see what other sounds he can wring from you.

Your heart quickens to a race in his ears, and much to his delight, you kiss him back. You even surprise him by grabbing the back of his head with both hands, deepening the kiss of your own volition.

Not one to be out done, he adjusts his hold on you, one arm wrapping properly around your waist while the other slides up to cup the back of your neck, gloved fingers gently squeezing your bare skin.

To his delight, you retaliate with your tongue, slipping it between his lips and coaxing his forth.

Just full of surprises, little mouse.

Maybe you aren't so boring after all.

He meets you eagerly, exhaling a rough, excited little huff through his nose, dropping the hand at your waist to grab a cheeky squeeze full of your ass, wringing a soft moan from you that sends a bolt of heat straight to his cock.

When Homelander pulls back, you're flushed warmly all over. You smell of antiseptic wipes and peppermint, like Christmas in a hospital. It’s bizarrely appealing.

"What was that?" You ask, dazed.

"Mistletoe," he purrs, tipping his head back without taking his eyes off you, settling his hands back on your waist.

You look up slowly–taking a solid few seconds to process–and huff a gentle little laugh, nodding at the aforementioned ornament dangling above you. 

"Is this your way of saying thank you?" You manage to ask after swallowing back the lump in your throat, your shoulders relaxing, though your heart continues to gallop in your chest. "I hope you're still going to pay for my yard."

It's Homelander's turn to laugh. "Oh, no. I haven't even begun to say thank you yet," he assures you, hands lingering on your hips. 

The kiss had been pure unrestricted impulse, nothing he intended to follow through on. However, now that you're toying with the hair at the nape of his neck, your skin warm against his, your eyes half lidded, he’s not sure that he wants to let you go. Your lips shine where you’ve licked the taste of his from them. 

“I think for your good deeds, you’re owed a very merry Christmas,” he says, waggling his brows. 

You give a flustered, incredulous bark of laughter, covering your mouth as you look away from him, that flush of yours intensifying, making your whole body thrum warmly. You wouldn’t need to worry about keeping warm on these cold winter nights if he had his way with you.

“Okay, well, uhm, thank you for… for that thought,” you say, tripping over your words in a way you haven’t this entire encounter. “You hit your head pretty hard, though so maybe before you make any promises, we make sure you get checked out by an actual doctor,” you say, pushing lightly against his chest.

He maintains his hold for just a second longer, utterly immovable. It feels good to be himself again. He runs his tongue along his teeth, downright predatory in the way he stares down at you, but he does relinquish his hold.

“You should come with me to the tower. You know, now that you’re… Compromised,” he says, folding his hands behind his back. “Someone might come looking for me here. Interrogate you on my condition.”

Real fear flashes in your eyes at that. “Wait, you’re serious?”

“As a heart attack,” he gives back gravely.

“Uh… Okay. Uhm, let me… I’ll pack a bag,” you say nervously, stepping away from him to do just that.

“Okie-dokie,” he gives back simply, glancing around your home while he waits. He picks up an odd little gnome with a big red hat that covers everything but a little button nose, and a long white beard. Maybe he’ll convince you to bring along some of your festive decorations.

Merry Christmas to me, he thinks, already daydreaming about twisting the head off of whoever hit him with some kind of neutralizing agent.

He might thank them for the impromptu date while he’s at it.

[beanghostprincess]

Luffy not knowing about Zoro promising Sanji to kill him if he ever ends up losing himself makes me go feral because that's something they can only know about. Because Zoro's respect for life and death goes beyond anything, and Sanji knows he understands. Sanji knows that if somebody has to kill him, it's him.

And I don't even think it's because Sanji assumes Zoro's opinion of him is hatred and it would hurt less for him to do this, but because Sanji knows only Zoro would be able to treat the promise as it is. Because he would put Sanji's wishes before any feelings he has for him. It's not that Zoro doesn't care, but I think he respects people's ideals and decisions to the extent of being able to kill Sanji if he so desires.

That being said, he'd do it if there's no other way to fix it. If it's either dying or living as an emotionless machine, which is the same as dying for Sanji, Zoro would fulfill his promise. And there is just... Something about Luffy not knowing. Their captain. The man they're devoted to the most as if he were their God. Luffy doesn't know. It's something only the captain's wings are aware of and the thought of these two keeping this from Luffy until the end is just insane. Not even trying to make it romantic here, but the bond and respect these two have for each other is crazy.

Maybe it's the poetry of it all, too. Somebody like Zoro, who has looked at Death in her face multiple times and said "no", ending Sanji's life, who wants to give in to death to not experience a fate worse than death for him.

[seaworthit]

The black brides

[lord-squiggletits]

Reread/skimmed my oldest Pharma apologism posts (mainly the ones about Pharma not being a functionist) and it just occurred to me that possibly another reason the fandom saddled Pharma with the "functionist bigot" label is because his introduction by First Aid says that everyone hates Decepticons, but Pharma really really hates Decepticons. Mix that with the portion of the fanbase that lionizes and whitewashes the Decepticons, and I can easily see it entering common fanon that "Pharma hates Decepticons -> the Decepticons are freedom fighters wrongly maligned by the Autobots/the franchise -> Pharma must be a bigoted functionist since he hates Decepticons who represent freedom."

The simpler explanation is just that Pharma is an antagonist and therefore gets the "everything about him must be evil and wrong" black-and-white analysis so common in fandoms in general, but given some of the bizarre Decepticon takes I've seen I can also easily see Pharma's Decepticon hatred being taken as a sign of him being bigoted and evil.

Though AGAIN in this case it would still be singling Pharma out as a bigot for crimes/flaws that multiple other Autobots are guilty of like.

Oh, Pharma hates Decepticons? Well a lot of other Autobots hate Decepticons too, First Aid's narration about Pharma even says "we all hate Decepticons"; for that matter, there are a lot of Decepticons who hate Autobots. It's a massive civil war that's lasted for a lifetime causing two groups of people to be stuck in a near-permanent blood feud, you can't assume that every Autobot who hates Decepticons (and vice versa) hates them because they're a bigot. Maybe there's been a war where both sides have been building an ever-increasing mountain of reasons to hate each other, so hating the opposite faction is a social problem caused by war and politics rather than a sign of individual moral failing.

Pharma worked at the New Institute so that means he must be evil/bigoted? Chromedome and Brainstorm also worked at the New Institute, but there's no widespread fandom shunning of them or headcanoning them as bigots.

Hell, even the very premise of assuming Pharma is a functionist bigot for hating Decepticons is ignoring the very premise of Pharma's motives, which are, uh... being blackmailed by the leader of the Decepticon Justice Division, who represents the ultimate form of Decepticon ideals to the point of literally wearing their symbol as his mask? So how were we jumping straight to "oh Pharma hates Decepticons bc he's a posh bigoted functionist" when there was a far more immediate interpretation/headcanon of "Pharma hates Decepticons because he's being tortured and blackmailed by one."

That's not to say that Pharma couldn't have hated Decepticons before Delphi, and I think you could make interesting headcanons/extrapolations based on either idea. But still. It kinda feels like people saw Pharma and just wanted to make him the Token Evil Autobot who's the opposite of our Good Heroic Autobots regardless of whether evidence from canon supported it or not.

Good riddance to bigoted functionist Pharma fanon, I'm so glad that the majority of Pharma fanon these days actually gives him a chance and puts him on equal footing as other Autobots.

[feroluce]

Alright dudes. Legit question, relating to something I might be writing later, which I would be so so happy if everyone reblogged for the sake of sample size:

If you played the Luminary Wardance event of Honkai Star Rail 2.5, did it negatively impact your view of Boothill? And did you think it was written in character for him, or out of character?

Sadly a simple poll doesn't allow me QUITE as much nuance as I would like, so feel free to put opinions or questions in replies/tags/askbox me some shit or whatever. But I am very curious about the split between people who are big Boothill enthusiasts (know more lore/characterization) vs more casual fans as to whether you think it was in character or not!

[bumblydumbly]

Already said this but since everybody is too busy on the failmance happening im gonna say it again: Vi starting their confrontation by saying “never thought [my sister] would orphan kids” only to be stopped from killing jinx. By an orphan kid.

[shadowkittycat97]

I had a realization today while at work. (And don't ask me why I thought of this at work, I don't know why my brain works the way it does) I think the reason I love MegOp is because they are extremely ineffable husbands coded. Ok, hear me out.

-Both have known each other since the dawn of time (not literally in MegOp's case but it's been like 8 million years I think it counts)

-Both are so obviously in love with each other so much it almost physically hurts, but can't be together because of the whole opposite sides of the war thing

-Themes of misunderstanding and perceived betrayal from both sides of both couples

-You're deep down inside, a good person

-And you're just enough of a bastard to be worth knowing (especially back when Optimus was just a feral data clerk)

-And speaking of, both aziraphale and orion/OP are feral literature nerds

-Both Crowley and Megatron are outwardly hostile but actually quite sensitive and righteously protective of those they deem in their care (Earth and humans by extension for Crowley and pretty much anybody that was fucked over by the caste system on cybertron for Megs)

Plus the whole obsession with the stars thing, but anyway this got way longer than I initially intended, so I'm just gonna end it there

Tldr; both MegOp and ineffable husbands are incredibly similar and I'm pretty sure that's why I got majorly attached so quickly

[nyxofdemons]

“one day im going to have to make like a three hour long video essay that's just called In Defense of Helluva Boss” Please do. I see more anti videos than I do with defense ones. Like the ones that say season 2 is terrible even though it’s barely completed and the ones that say Stolitz is a bad despite them barely having a relationship.

no literally i am sick of seeing more anti content than actual appreciation videos but the anti talking point i see most that drives me up the fucking walls is that it's "bAd RePrEsEnTaTiOn," as if that is all that queer people are allowed to have; just the vague nebulous concept of "Rep(TM)." the fact that if a straight character is a bad person then it's just that This Character is a bad person, but if a queer character is a bad person then This Is Bad Representation Of The Community And Is Homophobic. can we not just HAVE characters?? vehicles to tell a story??? tools to craft a compelling narrative??? this is part of why Helluva/Hazbin being adult shows is such a THING because i see this get shut down a lot under the guise of "uhh well just because it's an adult show doesn't mean that it can handle whatever topic it wants however it wants" and like. yeah buddy! that's true! and that's not what this is fucking about!! when people say "it's an adult show" what they mean is that it's made to be engaged with under the assumption that you would know better than to take information to shape your worldview and perception of other real life people from a fucking cartoon! the show doesn't NEED to tell you that Um Hey Guys Just So You Know This Isn't Actually Meant To Reflect How All Real Life Gay Relationships Are because you are an adult who should already be able to discern this.

"bad rep" doesn't mean "characters that are nuanced, morally gray, or just bad people." "bad rep" would be if helluva boss was a show that said "the REASON these characters are in toxic relationships / are bad people is BECAUSE they are queer, or at least directly correlated to that fact." which is. you know. very fucking different than "these characters are in toxic relationships / are bad people because they 1) live in a classist society that actively encourages them to be their worst selves and 2) are extremely traumatized."

[ominous-feychild]

Now I'm curious (because I see this 100% happening at least ONCE within the world I'm writing and I think it's hilarious)--

Imagine you're a worshipper of this one amazing goddess who can do no wrong, helps and has helped a lot of people. Then, one day, you're living your life and you meet this one guy. He's absolutely covered in scars, looks like he grew up in some kind of penitentiary. And he's buff. Like, seriously buff. Built like a horse.

He introduces himself.

He shares his name with one of your goddess's old angels. This one guy used to be one of her top guys, one of her most powerful attendants... up until the day he attacked her.

Then he was cursed and cast down for his crimes.

"Ha," you say, half out of awkwardness and half to fill the air while you figure out what to say. "That was real cruel of your parents, huh? Naming you after that guy."

The man sighs heavily, face twitching.

"No," he says, barely restraining his rage, "that's me."

What do you do?

@honeybewrites (also would love to know this answer from anyone else, haha)

[noweakergirl]

dare I say... superior trope

[liquidstar]

crazy take: aside from actual lesbian romance stories, obviously, nothing passes the bechdel test better than moe "cute girls doing cute things" anime. its always just a group of girls, few to no named male characters, boys and dating are hardly ever brought up beyond the abstract, if at all. like we're focusing on the girls hanging out rn, we dont need to worry abt that shit. mugi just ate mio's strawberry.