#btw I don't think that's important

[gejnialnie]

hi I don't think this duo gets enough love, so here are my fave screenshots of Raph and Leo mirroring each other! :D

+bonus:

look at this frame! don't their poses look similar, even though they're in totally different places?? well, there's a simple reason for it! we can see raph in the driver seat, his left hand on the wheel, while the other one's searching for someting, it's symbolising his active role as leader, while leo stands alongside him, his left hand on a handhold while he gestures with the other, showing him being less active and more of a passive presence, but he's ready on his feet, it's symbolising his potential as raph's co-leader but also him not yet being ready, still gripping the safety rails instead of the driving wheel-

(nah i'm kidding- like, was it just artists drawing similar poses in one scene? oh yeah most definitively! will that stop me from over-analysing? nope! :D this basically wrote itself!)

[chattematsu]

[4.0 archon quest spoilers]

[bertoyana]

X-MEN: DAYS OF THE FUTURE PAST (2014)

[forgettable-au]

FREQUENTLY ASKED QUESTIONS!

Hii! This is the frequently asked questions post!

This is it for now but I might add more stuff if I keep getting more questions that I feel the need to include :D!!

Before everything, I recommend reading this post if you haven't already! I explain the basics of this AU there and that might have already answered some stuff :>!

This post is for both common questions I keep getting AND things I consider important that all of you know :D

PLS if you have any suggestions for things I should add to this post, tell me!

NOW FOR THE QUESTIONS:

Leaving the link to the theory I'm talking about here! I think this is where I first saw it????but I can't be sure,,,,,

(I really liked it when I saw it, I thought it would be fun to experiment with it in this comic hehe)

[necrotic-nephilim]

Tim's unternet suit really is the most glaringly obvious hero worship/crush for Dick thing he ever has. in the unternet, where Tim's subconscious creates what he is. that's the suit his brain comes up with? something so clearly derivative of Nightwing? down to the *finger stripes*?

red robin #19

this is gay as hell. the reason Tim can't wear this soul irl is bc the first thing he would do is jerk off in it. and he couldn't handle the embarrassment of Dick seeing how similar it is. if DC ever made this Tim's official suit the first thing they would have to do is make Tim and Dick fuck in it. i'm so close to writing that fic i won't lie.

[bowenoke]

edit: btw it is not safe to wear contacts in the shower! the option is included for accuracy, but please consider throwing on an old pair of glasses or just going blind into that wet box instead.

[ghost-proofbaby]

SO SCARLET (IT WAS MAROON)

CHAPTER EIGHT: LOML

AND I'LL STILL SEE IT, UNTIL I DIE - YOU'RE THE LOSS OF MY LIFE.

☆ pairings: rockstar!eddie munson x fem!reader

☆ warnings: no use of y/n, strong language, angst, consumption of alcohol, (overly poetic) smut, oral (f receiving), fingering, technically unprotected sex even after the idiots discussed protection, minors dni

☆ WC: 3.9K+

☆ A/N: extremely sorry for the shortest chapter in this series yet. also, out of all the songs referenced for the title of chapters, this one might be the most on the nose. i kid you not, i cannot explain how perfectly loml encapsulates reader/sugar's emotions during this chapter. if you'd like the extra hurt, 10/10 recommends listening as you read. :)

thank you to my love @hellfire--cult for the divider!

masterlist

 “Can I kiss you, Sugar?” 

You’ve made your fair share of dumb decisions in your life. Plenty of moments have slipped right between your fingers due to hesitation that you’d later regret, you have a catalog of embarrassing encounters to serve you a lifetime. You’ve said yes when your answer should have been a resounding no, you’ve made promises you knew were impossible to keep, and you’ve always had an unexplainable habit of digging yourself into graves that will surely bury you alive. 

This moment is no different. 

The correct reaction is to tell him no, to push him away and end the night here. You should leave before either of you make any mistakes and ruin whatever fragile thing resides between the two of you any further. There’s a million other options you should be taking, but at the end of the day, you still nod your head. 

Not even a second later, Eddie’s lips are on yours, and it’s hard to call it a mistake when it’s the first time you’ve felt like you could properly breathe in two years. 

He tastes like bourbon, and mistakes, and regret, and a youthful type of love impossible to grasp onto. A vague memory you never get to hold, but always learn to miss. When his hands travel slowly to your hips, you’re only pressing closer, deepening the kiss with the desperation of someone starved. Someone stained. 

You were an idiot to think it wouldn’t end this way. You were in his apartment, and you were drunk. You were brimming with bad decisions. It was always going to end up this way. 

Your knees somehow end up digging into the sofa cushions on either side of his hips, your recollection of how you climbed into his lap nonexistent. Had it been his doing, his own needy hands guiding you here? Or had it been you? You, with an ache that rang throughout your entire body, soothed only by sharing each of his breaths with him when he finally pulls back from the kiss. 

“Are you sure you want thi-”

“Don’t ruin it,” you beg, silencing him as you look into those deep autumn eyes, memorizing rivets of soft auburn that never really changed. An ever changing kaleidoscope, but there were simply parts of Eddie he’d never be able to hide from you,to change, “Not yet. Please.”

You don’t know if you’ll want it come morning. You can’t estimate just how deeply the regret will burrow once it’s all said and done; you’re not in the mood to think sensibly. No hypotheticals, no curiosity for the future. 

You just want him. Right here, right now. Far beyond just sex, and far beyond casual touches. But it’s the only way you can have him, the only way he can have you, for now. 

His fingers are more skilled these days. More deft and nimble as they race up and down your sides, quickly undoing the button of your jeans and easily sneaking beneath your shirt. Two years could be two seconds with the way he still knows you and your body, knowing exactly where to apply more pressure as he plucks on every string beneath your skin that makes you sing out for him. Hums, gasps, moans – they all sort of blend together at some point, don’t they? 

“I’ve missed you,” you swear you hear him mumble against the skin of your neck when his mouth begins to wander, “I’ve missed this.” 

You convince yourself he didn’t say it just to avoid ripping yourself apart any further.  

Instead, you busy your mouth with kissing him harder, faster, more desperately. You’re all but burying yourself in him. Your hips grinding against his, your lips swallowed in his, your hands finding themselves tangled in his hair. 

You’re drunk enough that you convince yourself that this is it – this is home. 

It feels natural to let him run you down this way. It’s instinctual as he takes his shirt off and your hands roam over bare skin that whispers with the ridges of paths you’ve traced before. You know that scar on his right hip from when he got his appendix removed as a child, you know that lightened patch of skin on his left thumb from when he’d managed to burn himself with a lighter while cutting class one day with you. You know him – so much better than you’d let yourself believe these last few weeks. 

“Do you have a condom?” you pant, and you both pretend like your words are choked up from gasping to recover the air you’d offered to the kiss, and not the emotions rearing their ugly heads. 

He does. Of course he does. He’s a rockstar now – he has women throwing themselves at him constantly. Of course he’s prepared. 

It happens somewhere between him pulling the condom out of his wallet, and managing to pull his own shirt off. At some point in which you’re left in nothing but your undergarments, hips grinding down on his in sloppy circles, he lets out a low and drawn out moan. All your movements stutter, nearly halting, as that sound rings out around you. You swear, it echoes off the walls of your own head and not the eerily empty apartment. 

You break as you gasp out, “Fuck, Eddie.” 

Another dumb decision for the books. All it takes is you sighing his name for him to flip the entire script. Suddenly, you’re no longer straddling his lap, no longer biting his lip and gripping onto the back of the sofa for balance. 

Your back collides with the cushions below and he hovers over you, kissing with more intent and purpose this time. Each press of his lips is followed by the nipping of teeth, desperately trying to mark you up along your chest, completely oblivious to the way he’s already left his stain. 

You’re convinced if he presses his lips just hard enough, if he bares his teeth just sharp enough, he’ll see right through you. Your skin will become all but cellophane and he’ll see all those blooming violets and deep maroons still left behind in the shape of his mouth. He’ll see the way another has never followed these paths, not after him. 

All the failed rebounds, all the failed distractions. There’s never been another person capable of taking your mind off of Eddie Munson. No one’s kiss ever made you bleed the way he’s capable, no one’s touch could ever erase the mark of his. 

The wine still makes your head swim as your chin tilts to the roof, giving him all the room possible to paint whatever picture he’s vying for on your skin. You let him leave his physical mark; you let him leave a physical reminder of something to regret. 

“Do you know how many times I played this moment back over in my head?” his voice is a murmur that vibrates against your sternum, words not quite slurring, “Do you know how many times I swore-”

You don’t know – and you never find out what exactly he had sworn time and time again as the trill ringing of a cell phone shatters the entire atmosphere. 

One moment, Eddie’s lips are painting portraits along your chest and neck, the acceptance of making a mistake settling deep into your bones. And the next, he’s lifting up, looking wildly towards his kitchen, where you’re sure that it’s his phone buzzing erratically on the counter. 

“I-” he looks wildly between you and the distant phone, pupils blown out and lips swollen, “Fuck, I-”

All the air leaves your lungs.

There will be no mistakes tonight. 

“Go answer it,” you whisper, deflating as you accept the interruption. The moment’s over, fading in between the lipstick marks on your wine glass and the glow of the lamps scattered throughout his living room, “It’s fine.” 

It’s not fine. It’s written plainly across his face that this is the furthest thing from fine at this moment. But duty calls; his phone is ringing, your mind is buzzing, and the moment is simply gone. 

It has to be fine. You have to be fine with it. 

“I’ll be right back,” he swears as he lifts himself up off the couch, but you know he won’t be. 

Your shirt is already back by the time he’s reached the counter, laptop already tucked safely back into your bag as he answers the call. 

“Hello?” he asks, eyes flitting over to you as he watches you gather your things, picking up the wine glass that had been yours the entire night in order to carry it over to the sink he leans against the counter next to. A bit of chatter comes from over the line, and Eddie’s entire face twists, “Am I busy? Yeah, yeah – as a matter of fact, I am.” 

Just as you sit the glass into the sink, you bring a hand to his bicep, letting it rest there selfishly. Feeling his bare skin one final time, drinking in the heat he radiates through your palm, giving yourself one last chance to memorize it. 

You’re not busy, you mouth to him with a sad smile. 

He’s not. Because there will be no mistakes tonight. 

You go to pull your hand away, prepared to somehow call an Uber or taxi, but he’s quick to wrap his fingers around your wrist just as your skin slides from his. It’s not forceful, but simply firm. Clinging with a desperation you can’t recognize. 

Stay, he mouths back, the person over the line clearly continuing to speak without Eddie paying them any mind.

You almost do. You falter and consider dropping your bag then and there. You nearly stay, wait out the phone call, sit pretty and patient until he returns to you just as he had promised. 

But he had left you with a promise of later once before, and he hadn’t kept his promise then. 

“Oh,” you whispered, disappointment gripping your lungs, “Oh, that’s fine! Go, they need you.”

“Yeah,” he chuckled. You missed hearing that in person, that soft laughter in the shell of your ear over inside jokes and one too many glasses of wine. “Rockstar duties and all. We’ll talk more later?”

Later had never found its way back to the two of you all those years ago – why would it now? 

“I’ll see you tomorrow, Eds,” you whisper, soft enough to guarantee whoever was on the other side of the phone call wouldn’t hear you. The fall of his face is almost enough to make you take back the words and swallow them back down. 

“Wait-” he’s not whispering, almost as though he’s forgotten about the call entirely. You can hear the silence over the line, probably in confusion, as you walk away, “Wait- No- I-”

You motion to the phone still pressed to his ear and cheek, trying to remind him that someone else can hear. 

He removes it and ends the call before you can protest.

“Eddie-” you start to scold, but he refuses to hear any of it. 

“No, no,” he sounds as though he might be begging. And you can’t tell if he’s begging you to not reprimand him, or if he’s begging you to not leave, “I don’t care. It was just Matt, he can wait till morning.” 

It doesn’t answer the question of what he wanted from you. 

“It’s getting late, anyways,” you’re still trying to detect your escape route, the longer you spend in the aftermath making your chest tighten more and more.

You can’t do this. 

You can’t stand in this room with him and pretend that it’s all okay. You can’t act as though the wine’s effects are slipping away from you and you can’t brush off the feeling of his lips across your chest. You have no patience left to act as though your lungs aren’t shriveling up in your chest, unable to get enough air when he’s too close all while being all too far away. 

It would have been a mistake, and you’re both better for the interruption. 

Eddie shakes his head, letting out a dry laugh, “We aren’t doing this again, Sugar. We aren’t going to just pretend that didn’t happen-”

“Why not?” you challenge him, “This… it’s better this way, Eddie. If we kept it up, we both would have regretted it, and it’d just be another mistake-”

“Who’s we?” he cuts you off. 

We. You, me, both of us. We’d both regret it, wouldn’t we? 

But you still didn’t regret kissing him. You still didn’t regret sitting in his lap and drinking him in, you still wouldn’t take back whatever moment was shared prior to the phone’s interruption. 

All your regrets are spoken in future tense. All the mistakes are somewhere ahead of you, your mind running to things that haven’t happened yet.

How do you know if you’d regret it? How do you know if he’d regret it?

Your hold on your bag begins to loosen, “I- Both of us. We’d both regret it.” 

“I wouldn’t regret it. I don’t think I could ever regret you.” 

This is the part you walk away. You sling your bag onto your shoulder, you tell him to have a goodnight, and you leave. You’ll see him tomorrow, and you’ll pretend this conversation never happened. 

Except you don’t.

Your bag falls to the ground, a muted crash that probably pisses off his downstairs neighbors. The toes of your shoes knock into the worn bag, kicking it to the side with more gentleness than you should be capable of right now. When he reaches out a hand to hold you, you take it. 

You let him get his hot palms back on your body. You let his lips find their way back to yours. 

You finally just let the mistake happen and take the chance on finding out if the regret is nothing more than shadows in the closet, make-believe once you turn the light back on. 

The couch isn’t the destination this time. You’re almost sad that you don’t get to admire any of his decor as he drags you down the hallway, but you also doubt there’s even a sliver of the ghost of the man holding onto you in any of it. He’s not on the walls, he’s not in the pictures; he’s right in front of you, kissing you heavily and desperately, letting his feet stumble right over yours as he finally reaches blindly for the knob of the door behind you. He’s in the rings pressing into the skin of your hips and he’s in the wavering cologne that bursts from his sheets as he carefully drops you back on a bed far too large for one man. 

He’s in the shadow hovering over you, he’s in the slide of his leg as he spreads your thighs to find home between them. He may not haunt this apartment, but he haunts you. Your body, your mind, your senses. 

Always have, always will. 

Alcohol isn’t clouding the moment anymore as each kiss is gentler, retracing the bruises already forming across your collar bones. He’s taking his time, enjoying himself, no longer rushing through the process of getting to know you again. The loss of your shirt and the unbuttoning of your jeans is done with shaking hands this time. Less sure, but far more determined. 

Your own hands are steady, though, as you undress him. You’re sure. This is your mistake to make, your mistake to regret. And maybe he had a point – maybe it is impossible for either of you to regret each other. For all the tears shed and all the nights spent cursing his name, it’s never once crossed your tongue that you wanted to erase him. You think if someone were to try and take him, take all that you two had shared together from you, that they’d be met with white knuckles and deathly screams. A rancid animal foaming at the mouth, refusing to let go of the one thing it had ever managed to sink its claws into. 

You’d forgotten just how well you know him. 

It was beyond superficial scars and childhood stories. You still remember the exact pulse point that makes him moan out with just a brush of your mouth against it. You can still find that spot above his hips that spasm when your hands grip them, encouraging him to grind down onto you. You know his body, you know his past, you know his mind. 

Words are no longer necessary as it finally happens. 

Prayers of each other’s name, ignorance in the way this entire moment was becoming too gentle for two fools rekindling. A practiced dance you once only ever dreamt of swaying to with him. 

You would have given him everything. You did give him everything. Your youth, your future, your aspirations, your daydreams of a glittering gem on your sacred finger and a list of baby names the two of you had argued over endlessly. All those things still belong to him, even now. Even as this new version of him hovers over you, lips trailing with purpose over your abdomen, making his way down to your core. 

You can’t tell if he’s a stranger when he places a hot kiss over the cotton of your underwear. You can’t tell if you ever spent two years away from him as his hands hold down your hips when they buck in response. 

“Eddie,” you beg, fingers lacing into his curls just as they had earlier, gripping onto him for dear life. You’re looking down at him between your thighs, refusing to blink on the off chance that he’ll simply vanish when you do, “Please.” 

“Please what, Sugar?” 

“Touch me,” you gasp out as his fingers toy with the waistband of your underwear, colossus course against soft skin, “Kiss me, fuck me- I just-” 

No further explanation is needed. Your wish is his command. 

Your panties are tossed to the hardwood floor at the edge of the bed as if they always belonged there. His mouth ravishes you as if this was just a nightly routine between the two of you. As if he didn’t have to second think what pace you might prefer, or when to add the first finger. Or the second. He plays you beautifully, crooking his fingers and nipping at sensitive skins and nerves alike, listening to the way you only seem to remember his name. Like you don’t remember the sound of a dial tone instead of declarations of adoration, like you don’t remember the excuses for him denying you all his attention. 

You wish you could just stay in this moment forever. Him, buried between your thighs. All hurt and all stains forgotten when he builds you up to the edge, when he murmurs against your clit about how pretty you look for him right now. 

Cheap wine soaking Halloween costumes. Hazy rooms, smokey with youthful desires and incense. Dancing in an apartment filled with boxes not yet unpacked. Whispers of something being real. Late night trips to the gas station and all the pride in your eyes as you heard his song played on public radio for the first time. The terrible waiting, the messy kisses of more teeth than lips. A simple necklace adorned with a simple ring, burning with more promises than either can comprehend, still gathering dust at the bottom of your jewelry box to this day. 

Just in case. Just in case he ever came back; just in case you ever returned. 

By the time he’s climbing back up your body, you have one foot in the past, cleaving yourself in two as you cling to him like water. 

“Look at you,” he whispers when his face is back above yours, lips still slick with you, “You’re fucking beautiful, you know that?” 

You swear, for just a moment, his eyes are mirrors. And you can see that dazed look you wear, the face of a woman still trapped by her past. The face of someone who can’t let the dead stay buried. Someone you wouldn’t describe as beautiful, but Eddie would. 

You should have left. You should be regretting this. You only pull him closer. 

His boxers bunch at his ankles, your fingernails dig into his back. When you feel him press against you, the tip of his dick just barely tapping against your clit, your entire body tenses. This was it. This was the mistake you had taken responsibility for, this was the choice you’d decided was worth damnation. A simple slip up, a quick fall backwards, and you’ll be right back where you started two years ago. 

“You still want this?” he sighs into your ear, clearly feeling the way you’d froze up. 

Your breath catches for just a second. More memories, more images that cut straight through you. Every careless afternoon, every serene morning. Every haunted night. 

“Yeah,” your entire body relaxes, muscle by muscle, “Yeah, I still want this.” 

You mean more than just the sex. 

The press of your heels into his lower back is all the encouragement he needs to finally push into you. The stretch burns, but it’s welcome all the same. Just an aftereffect of years of emptiness, of failing to ever find something that could make you feel as whole as he does. 

The moan he lets out as he’s wrapped in your warmth sends shivers down your spine. You swear, laced in it, there lies a gasp of relief. A sigh of coming home after a long tour, the huff of an exhale just before he crosses the threshold of a front door and has you in his arms again. 

You don’t know when the tears started. 

But between his thrusts, between all his wanton groans and your own quivers of excitement, your cheeks turn wet. 

“Then I say let it burn.”

You can’t tell if it’s sweat or his own tears seeping into your skin as your bodies press together harder, your head thrown back in ecstasy. 

“I love you so goddamn much, it hurts. I can’t believe this is real.” 

You find your hands tugging on the roots of his curls even harder as you try to tether yourself back to him, but it’s no use. 

“When I get back, all I care about is you.” 

It all comes crashing down on both of you as his face is buried in the crook of your neck and your thighs squeeze around his hips – all the love that was there, all the love that was lost. All the love that still remains. 

“Something for you to always have as a reminder that I’ll come back to you. You’re it for me, sweetheart.”

He’d always warned you this would happen. That one day he’d come back to you. That he’d only ever come back for you. 

It doesn’t matter how deep of scratches you leave across his back, or how many hickies he paints your skin with. There will never be enough bloodshed between the two of you to wash away the truth. It’s not a mistake, it’s not something to regret. You wish it was; you wish it were so simple. No, this moment was one thing and one thing only – inevitable. 

They always did say that your life would flash before your eyes right before you die. 

And flash it does – a lifetime of love that was had and love that will never come back to you – as Eddie brings you both to your graves from the most cursed of little deaths.

eddie's taglist: @capricornrisingsstuff @thisisktrying @hideoutside @vol2eddie @corrcdedcoffin @ches-86 @alovesongtheywrote @its-not-rain @feralchaospixie @cheesypuffkins87 @thebook-hobbit @babez-a-licious @eddies-acousticguitar @aysheashea @kellsck @cosmorant @billyhvrgrove-main @micheledawn1975 @eddiesxangel @siriuslysmoking @witchwolflea @tlclick73 @magicalchocolatecheesecake @mizzfizz @nanaminswhore @mikiepeach @ali-r3n @hawkebuckley @alwaysbeenfamous @darkyuffie-blog @vintagehellfire @lilmisssiren @elvendria @loveryanax @stylexrepp @princessstolas @fangirling-4-ever @eddiesguitarskills @babez-a-licious @josephquinnsfreckles

join my taglist!

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[fallen-hero7]

The MHA vestiges/OFA holders make me so terribly ill.

they make me so sad. They make me so sad and I love them so much. All of them. From the first to the seventh. (I dont count All Might as a vestige since he isn't dead) . All of them died horribly (maybe not for Hikage since he just died of old age lmao loser died at 40 💀💀)

btw I made an AU with @rockin-it-rusty so read more to know (be careful, spoilers for after the finale war!)

We made an AU where after the war & the defeat of AFO & Shigaraki, the holders come back to life (since they all died because of AFO/OFA, and since both of it finally came to an end, I think it would be fair for the holders to finally get a fucking change at LIVING.) and they now have to adapt to the post-final war world & their new quirks (since they keep their evolved quirks ^^) & evolutions of society :)

I think a few points I would love to explore in this AU is the shear amount of angst you can get out of Nana coming back, ≈40 years after her death, still looking like the day she died(in her 20's) and meeting a 50+ years old Toshinori (y'know, her protégé? Her sorta adoptive son?) and her friend Sorahiko Torino who used to be her crime fighting partner and is now a senil(not really) old man. Imagine how devastated she can be. She knows that the man who put her friend in the hospital is her grandson. She knows they had to fight someone who shared her blood. Nana coming back to life has such amazing angst potential it's sickening.

Another point I wanna explore is the first user, Yoichi, Yoichi SHIGARAKI. You know.. AFO's brother? His twin? His blood? Yeahh. Yoichi coming back to a world destroyed by his brother. Not only does he grieve his brother, but he feels responsible for everything that has happened. Why does he gets to be alive again? Therapy might be needed here. Everyone HATES AFO, so why would anyone welcome him?

Then, we ofc have the fact that most(if not all) of the vestiges are WAR veterans who died HORRIBLE deaths. That means : nightmares, flashbacks, PTDS, potentially derealisation from their time as vestiges, paranoia and other mental illnesses/health issues. We also have : phantom pains!!! Phantom pain is really important since : En got sliced in two. He died losing half of his body and his right hand. He HAS to feel some kind of phantom pain even if they're back once he get resurrected; and Bruce got stabbed, having a gaping hole in his torso.. he had to be feeling some phantom pain too! Then, obviously, with Kudo & Nana getting choked, I can imagine that it would feel a certain way (choking is very easy, and the feeling of hands squeezing the life out of you is something you don't ever forget)...

we also have a few other ideas and stuff, so stay tuned ^^

[batsplat]

Casey Stoner, Pushing the Limits

GP11:

GP12:

x

[meebles]

also desperate to see more rex, not just in a "i want to see more of my blorbo" way but in a "rex is so genuinely important to ahsoka's story and i need to see more of them interacting" kinda way.

like yes her dealing with her grief over what anakin became is so important. but in contrast to that there's rex, who was never her master but he taught her, he respected her, they respected each other, cared for each other, they fought side by side for so long, throughout her childhood, and he was there for her until the end of the fucking line. and that's just so, so important to me.

[bisexualbaker]

Casual reminder that making jokes about killing a US president, definitely sitting and possibly also former, can get you put on the Do Not Fly list at a minimum. Be careful.

[shinesurge]

oh shit hey i just twigged that a new book coming out soon might necessitate a reminder that kc's Various Funding Efforts have a book club tier (essentially: you get anything i send to print while you're supporting). If you want to start supporting OR upgrade to get on the list for that in time for Volume 4 coming out you should do that in like. The next week or so lmfao

Volume 4 is also gonna be the first print book with a supporter credits page, so if you wanna get in on THAT now is also the time to get your $2 donation set up. Additionally: I have lowered that perk to 2 dollars because, as I am fond of saying, literally everything helps so I would like to credit everybody. If you don't remember me talking about this at all it's because I announced it in the newsletter back in February when I didn't think I was printing anything this year. I'll elaborate on the logistics a bit later, but I figure if that's something you really want you know it already, so get while the gettin's good.

You can read up on how to help Kidd Commander keep getting made on the site's support page, which is also a good place to subscribe to the newsletter so you can keep up with where we're at financially. The newsletters ARE publicly archived and you can see all of them here.

I get asked about it a lot so while we're at this: as far as it goes I've sort of been trying to encourage the Ko-fi or Paypal instead of Patreon since they don't skim so much off the top, it's probably not such a big deal for other creators but if we're gonna make that December deadline every dollar counts haha. Whatever works for you works for me tho, and all the rewards are exactly the same on all the platforms so follow ur heart. Thanks!!

[hauntingofhouses]

i know I've mentioned my interpretation of mizu's gender a million times on here but i don't think i ever fully elaborated on it.

so on that note i just wanna ramble about that for a bit. basically, it's my reading of the show that mizu is nonbinary, so let me dig into that.

putting the rest under the cut because it ended up being pretty long lol. also here have a cute mizu pic of her being happy and most at ease with herself, symbolised by her letting her hair down. <3 ok let's proceed.

thus, when i refer to mizu as nonbinary, i am interpreting mizu as a woman, but not ONLY a woman. not strictly a woman. she is also a man. she is also neither of these things, she is something in between, while at the same time she is none of these at all. i've said as much many times, but i just don't want people to think that when i say nonbinary, it inherently means a "third androgynous gender" that essentially turns the gender binary into a gender trinary. not only is that going against what the term nonbinary was crafted for (to go against rigid boxes and categorisation of gender identities), but also, not all nonbinary people fall under that category or definition, and that's definitely not the way i interpret mizu.

okay before i go deeper i'd just like to address some important things. first of all, this post is an analysis of canon, and thus everything i am arguing for is about my own interpretation of the show, and not some baseless projected headcanon i am projecting onto the character. please remember there is a difference between an interpretation (subjective; interpretations will differ from viewer to viewer, but ultimately it is firmly rooted in evidence taken from the source material) VS a headcanon (unrelated and often even contrary to what is presented in canon; opinions wildly differ and they cannot be argued for because there is no canonical evidence to back it up).

ALSO please note that nonbinary is an umbrella term. this means that it applies to a vast range of gender identities. other identities that fall under the nonbinary umbrella include agender, bigender, genderfluid, and so on. however, it's my personal preference to use the term nonbinary as it is, simply because i'm not a fan of microlabels (more power to you if you do like them and find they suit you more though!).

also, before anyone fights me on this, let me clarify further that gender means something different to everyone. it's not your biological sex or physical characteristics. but at the same time, gender is not mere presentation. you can be a trans woman and still present masculine—either because you're closeted and forced to, or because you just want to—and either way, that doesn't take away from your identity as a woman. same goes for trans men. if you're a trans man but you wear skirts and don't bind or don't get top surgery, that doesn't make you any less of a man. because gender non-conformity exists, and does not only apply to cis people! some lesbians are nonbinary and prefer using he/him pronouns while dressing masculinely, but that doesn't mean they're a man, or that they're any less of a lesbian. neither does this mean that they're a cis woman.

the thing about queer identities in general is that, like i said, they mean something different to everyone, because how you identify—regardless of your biological attributes and fashion or pronouns—is an extremely personal experience. so a nonbinary person and a gnc cis woman's experiences might have plenty of overlap, but what distinguishes between the two is up to the individual. there's no set requirements to distinguish you as one or the other, but it's up to you to decide what you identify as, based on what you feel. either way, by simply identifying yourself as anything under the LGBTQ+ umbrella, you are already communicating to the world that you are not what a conservative, cisheteronormative society wants you to be.

which is why i find all this queer infighting on labels to be so ridiculous. because we're all fighting the same fight; the common enemy is a societal structure that divides us into set roles and expectations purely based on our biological parts. that's why biological essentialism in the queer community is a fucking disease. because by arguing that women are inherently weak and fragile and soft and gentle and must be protected from evil ugly men, while men are inherently strong and angry and violent and exploitative of women, these people are advocating for the same fucked up system that marginalises and abuses women as well as effeminate and/or gay men.

anyway. i'm going on a tangent. this was meant to be a blue eye samurai post. so yeah back to that— the point i'm trying to make is that there's no singular way to identify as anything, as everyone's views on gender, especially their own, is specific and personal to the individual.

so with that being said, yes you can definitely interpret mizu as a gnc cis woman and that's a totally valid reading of the text. however, interpreting her as nonbinary or transmasc also doesn't take away from her experiences with misogyny and female oppression, because nonbinary and transmasc folks also experience these things.

me, personally, i view her as nonbinary but not necessarily or not always transmasc because i still believe femininity and womanhood is a very inherent part of who mizu is. for example, from what we've seen, she does not like binding. it does not give her gender euphoria, but is instead very uncomfortable for her both physically and mentally, and represents her suppressing her true self. which is why when she "invites the whole" of herself, she stands completely bare in front of the fire, breasts unbound and hair untied. when she is on the ship heading to a new land in the ending scene, she is no longer hiding her neck and the lack of an adam's apple. we can thus infer that mizu does not have body dysmorphia. she is, in fact, comfortable in her body, and relies on it extremely, because her body is a weapon. instead, what mizu hates about herself is her face—her blue eyes. she hates herself for her hybridised racial identity, hates herself for being a racial Other. hates that she has no home in her homeland. thus it is important to note that these are not queer or feminist themes, but postcolonial ones.*

* and as a tiny aside on this subject, i really do wish more of the fandom discussion would talk about this more. it's just such an essential part to reading her character. like someone who's read homi k bhabha's location of culture and has watched this show, PLEASE talk to me so we can ramble all about how the show is all about home and alienation from community. please. okay anyway—

nevertheless, queer and feminist themes (which are not mutually exclusive by the way!) are still prevalent in her story, though they are not the main issue that she is struggling with. but she does struggle with it to some extent, and we see this especially during her marriage with mikio, where we see her struggle in women's domestic spaces.

on the other hand, though, she finds no trouble or discomfort in being a man or being around other men—even naked ones—and does not seem stifled by living as one, does not seem all that bothered or uncomfortable navigating through men's spaces. contrast this to something like disney's mulan (1998), where we do see mulan struggle in navigating through men's spaces, as she feels uncomfortable being around so many men, always feeling like she doesn't belong and that she's inherently different from them. mizu has no such experiences like this, as her very personality and approach to life is what can be categorised as typically "masculine". she is straightforward and blunt. her first meeting with mikio, she tells him straight to his face that he's old while frowning and raising a brow at him. she approaches problems with her muscles and fists (or swords), rather than with her words or mind. compare this with mulan, who, while well-trained by the end of the movie, still uses her sharp wits rather than brute strength. this is a typically "feminine" approach. it's also the approach akemi relies on throughout the show—through her intelligence and persuasive tongue, she navigates the brothel with ease. mizu, in contrast to someone like mulan and akemi, struggles with womanhood and femininity, and feels detached from it.

thus, in my opinion, mizu is not simply a man, nor is she simply a woman. she is both. man and woman. masculine and feminine. she has to accept both, rather than suppress one or the other. her name means water. fluid.

as a side note, while i do believe mizu is nonbinary, i also primarily use she/her pronouns for her, but this is a personal preference. i find it's easier to use in fanfic (singular they is confusing to write stories with, but again, that's just my feelings on it, and this is coming from someone who uses they/they pronouns). i also lean towards she/her because it's what the creators and all the official promotional copywriting of the show uses. and even though i am a "death to the author" enjoyer, i feel that when interpreting things that are left open-ended, it does help to look at the creators' take on things. also because, in general, being nonbinary simply doesn't necessitate the use of they/them pronouns. nonbinary is not just a third gender. it's about breaking the binary, in any which way, and that's exactly what mizu does, constantly.

also, i'd also like to mention that one of show's head of story even referred to her with the term "nonbinary", rather than simply "androgynous" (see pic below). and it's possible this could be a slip up on his part, in which he believes the terms are interchangeable (they're not btw), but regardless i find it a very interesting word choice, and one that supports my argument.

so anyway yeah that's my incredibly long rambling post.

TL;DR nonbinary mizu rights 👍🏻👍🏻👍🏻 congrats if you reached the end of this btw. also ily. unless you're a TERF in which case fuck off. ok i'm done.

[wwaddless]

thinking about the two (professional) versions of rent that i watched and how one had Angel stay in her normal attire after her death and how the other put her in a suit.

like?? the symbolism of her being buried in a suit, because of course she would've been the 80s/90s were incredibly homophobic no drag queen being buried near a church would've been allowed to be in drag. or her favorite dress/skirt/outfit. she would've been placed in a suit because she's a man and there would be nothing anyone could do about it without potentially outing themselves and being put in danger (even if they are just an ally).

so, if she's buried in a suit no wonder she would appear in the suit as a ghost/angel/whatever she was haha. those are the clothes she's resting in so those are the ones she appears in forever, even if she doesn't like it. it's a reflection of how uncaring the 80s/90s were to queer people going through the AIDS crisis. nobody cared if they died because they were just those fucking queers

on the opposite side of that, appearing in her normal attire would be closer to how people who loved her remember her. they wouldn't remember angel wearing a suit, because that wasn't her preferred attire. that wasn't who she was and despite the rest of the world hating her for merely existing as herself, the ones who loved her and knew her refused to see her in a light she was forceable put in.

it also goes to show how even if they buried her in a suit, taking away her identity, nobody could really change her. angel was herself through and through regardless of how much the world wanted to change her. she died because of her identity but they still couldn't rip it from her dead hands.

anyways thinking about rent. sorry for the ramble-y post i just cannot stop thinking about it lol

[hephaestuscrew]

Thinking about the protective way Clara tells Fleet not to go into DeVries' dangerous-looking training set-up, and about how when Septimus mentions Fleet's friend Fleet's immediate assumption is that he must mean Clara, and about "This is Miss Clara Entwhistle, my partner - in business, my business partner." / "I'm also his friend, but he doesn't like to say it.", and about how Fleet rarely smiles but he smiles to himself at Clara having a good idea (and Clara notices the change in his expression), and about how Clara is trying to work out Fleet's birthday through a process of elimination, and about how Fleet tries twice to shut down the conversation with Frances Byrne that's making Clara uncomfortable, and about how panicked and angry he sounds after realising she's been poisoned...