#bro what's wrong with you
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practicalsolutions · 1 year ago
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Worst sleeping habits ever.
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sirgawainofgalifrey · 3 months ago
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I've seen so many posts about aai being like "look Edgeworth's bluffing he learned so much from Phoenix!!" But Phoenix learned everything from Mia and Mia learned everything from Godot so I love the implication of Godot's entire legacy being "lie, be dramatic, and commit to the bit" which is exactly what he does every single second he's onscreen.
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bixels · 5 months ago
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tarpit site.
#personal#delete later#for context a tweet i made in the middle of the night blew the fuck up and brought the attention of anime fans who've been#harassing and hassling me about my big factual blunder for an entire day straight#“ok i'll apologize” “bro it's not that serious.”#“you're right it's not that serious“ ”why won't you just admit that you're wrong and apologize!“#i'm not going crazy right. i feel like i'm getting manipulated into thinking i must've been wrong#it's crazy how twitter hate will trick you into believing saying something someone else disagrees with is a moral failing#sorry i haven't seen frieren i guess but what's it to you. i wasn't making a claim or statement#also because nobody has gotten this in the original post i wasn't talking about the quality of animation i'm talking about solid drawing#which is a very specific principle of animation. dandandan has really good solid drawing wherein all the characters are animated#with realistic and proportional 3d depth. newsflash but trigger doesn't prioritize solid drawing in their animation and that's fine#it's an aesthetic choice and has ties to production limits. none of this is a big deal. this is all so stupid lol#i've dealt with worse and more annoying weebs though it's fine i'll put on my clown nose twitter needs their stupid guy for the day#oh btw at the end of the day this doesn't matter. it'll be over by tomorrow. all that's happening is petty angry emotions.#so please don't involve yourself by jumping into the argument and prolonging this shit#i'm about to go on a date with tulli after being apart for a month this is the furtherest thing from my mind rn
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kevindavidday · 2 months ago
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kandreil is so funny to me. subject andrew minyard to not just one horror but two. and they're always arguing.
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choccy-milky · 4 months ago
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finally drew clora and seb's kids!!🙌🙌
Celeste Sallow: OK THIS IS THE NAME IM SUPER PROUD OF BAHAHA because not only does the name celeste relate to the stars (in typical ravenclaw fashion...clora picked the name) but celeste sallow is also an alliteration. BUT, its an alliteration that begins with a C, which means clora gets to match with celeste in the form of both of their names starting with a C, whereas sebastian gets to match with celeste because both of their names are an alliteration/they're alliteration allies🥹ITS THE BEST OF BOTH WORLDS!🥳
Lewis Sallow: as for lewis, if you've read my fic then you know that seb has a vendetta against names that start with an L bahaha, but 'lewis' was actually HIS idea. when celeste was born, seb wanted to find a muggle story to read to her, since clora's favourite story is ALSO a muggle one (sherlock), and he wanted to stick with tradition. so he ended up finding alice in wonderland, which he loved because of how adventurous and clever alice was and of how much she reminded him of clora and celeste (both personality and looks wise). it became his favourite for those reasons, to the point that when they had lewis, sebastian overcame his L-name hatred by naming their son after lewis carroll.
Houses: celeste could have been sorted into either gryffindor or slytherin, but ultimately ends up in slytherin because she wants to be like seb. kinda like how clora also probably could have been in gryffindor, tbh. as for lewis.....him being 10000% in ravenclaw doesnt need any explanation BAHA, just look at him.
Appearance: since clora has a tiny bit of veela blood in her, thats obvs passed down to their kids, too, and so they mostly take after her as a result of it. but there's still little bits of seb that shine through in each of the kids: for lewis its his brown curly hair, and for celeste its her complexion/freckles. and the fact that celeste looks so similar to clora only doubles up sebastian's stress/protective instincts when he watches her BAHAH. he's ofc still proud that she takes after him so closely, but seb also cant deny that he wishes it had been their SON that had taken after him instead, to keep her out of danger.
Celeste & Lewis: for celeste and lewis’ relationship, celeste is a super proud big sister, and treats lewis kinda like how seb treats clora. if there's anything that needs to be done, she offers to do it for him. and although she doesn’t have the patience to read stories herself, she loves playing outside and having lewis read to her in the background, and loves to act out/use his stories to fuel her imagination. and lewis makes sure to pick stories that he KNOWS she’ll like (which mostly involve heroic and daring feats of adventurers or pirates. he's tried to read more classic fairytales and romances to her a few times, but celeste always gets bored). she loves to draw though, so sometimes when lewis reads books that have no pictures, she'll draw them herself.
Celeste & Seb/Clora: celeste is a daddy's girl LOL and always tries to impress seb with the stuff she does, especially after hearing how HE was at her age, and so its half to impress and half because shes competitive that she wants to do the same/be just as good. and seb always gets a kick out of hearing her feats in the crossed wands club, or in defense against the dark arts class, and he also goads her on, telling her she'll have to do better than that if she wants to be as good as HE was. and whenever celeste gets detention, clora always stresses and asks why, whereas seb just tries to keep the smirk off his face. as for celeste and clora, clora also reads to celeste, and bakes and cooks with her, which is something celeste actually likes doing. not only because it keeps her busy and she likes to help and get messy in general, but also because she likes the fact that it results in good food afterwards LOL, and constantly asks when things can be taken out of the oven. also, for as tomboy-y as celeste is, she honestly doesn't mind/likes the clothing that clora puts her in and likes when clora dresses her up, bc it makes her look like one of the princesses from the storybooks, and it just amuses her more than anything else. once she enters hogwarts, though, its mostly trousers. but she still DOES like the occasional girly clothing.
Lewis & Seb/Clora: lewis is a momma's boy LOL and unlike celeste, doesnt care about duelling or of proving himself or anything like that, and is only concerned with stories and his future studies. so ofc clora had to show him sherlock, which he naturally loved. it even inspired lewis to want to write his own stories, so that he could challenge his own skill and see if he could, but also because he wants his mom to read them, and likes the idea of writing his own sherlock-esque story with equations and mysteries to be solved that he can offer her. lewis also wants to write a book for celeste as well, bc although he wont admit it, he basically wants to write a story tailor-made for her and her interests. one that he thinks will have everything she’d love in it. and part of it is genuinely because he WANTS to do it for her, but the other part of it is also for his ego, and to see if he CAN write a compelling story, and write something that would actually get THE hyperactive celeste to sit down and read it in its entirety (not to mention of her own volition). as for with seb, lewis looks up to him more than anyone else, due to how well-rounded he is and how hes so good at practical stuff AND studying, and he kinda sees seb as a main character/protagonist from one of his books, and uses sebastian as inspiration for his own stories. if hes stuck on what he thinks the dashing main character should do next, he'll ask his dad what HE would do, which results in seb getting very weird questions that he nonetheless is always happy to answer. also, when lewis is older and finally learns the full story of what happened with clora and seb and ranrok and rookwood, he writes their story in novel form, except he just changes their names/some of the details, and it becomes a best seller LOL. and i didnt know where to put this, but the four of them all read a story before bed every night, with lewis in the middle and seb and clora on either side of him. though celeste stands at the foot of the bed, basically doing a charade/mime show of what theyre reading, and putting on a little play to go along with it BAHHA.
OK thats all i can think of for now ive yapped enough😩 if youve read all of this ur a real one.... ive also considered giving them a 3rd (and last) child, which would be a boy that looks exactly like seb, and seb would just be praying like please.....let this son take after me🧎‍♂️🙏 BAHHA
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stevebabey · 2 years ago
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Steve hates to ask this of Eddie.
Really, it’s a last resort sort of thing. Robin’s gone for the week, some trip upstate with her family. And it’s fine, they’re close but Steve’s a big boy. He can handle a week without his best friend.
But, well, it’s just unfortunate for it to creep up on Steve when Robin’s gone. It being… shit, how did Robin explain it? She was so much better at keeping track of all those things than he was, all the terms filed away nicely in her head to be recalled as needed. Steve’s much messier— in his head, in his life.
Touch aversion, that’s what she called it. A by-product of the severe lack of touch in his childhood she had said; not enough hugs, hand holding, the works and now Steve’s grown to find it too strange. Something prickles under his skin, pulls in his gut all the wrong way, when someone’s too touchy-feely with him. Robin’s said it’s normal, and he believes her.
It just makes it harder when this comes by. That completely strange backward want that carves into his chest, creating a chasm that just aches. Suddenly, Steve wants to be touched, needs to be touched — like something behind his ribs is just begging for comfort in the form of touch, any way he can have it. Like some young part of him can still remember the hunger he had for it and it comes back in full force, a tender wound between his lungs.
It doesn’t happen that often — though, it’s more frequent than ever recently — but usually, Robin’s here. She can almost always tell before Steve works up the courage to ask. Twitchy fingers give him away. He hovers closer than normal, shoulders brushing more often.
She always gives him a smile, softer than her usual snark and says, “C’mere, dingus.” and stands on her tip-toes to envelope him in a hug. Steve can’t help but sink into it, gripping her close around the waist for as long as he needs until the hole in his chest feels a step closer to patching up.
Robin also tells him he can have as many hugs as he’d like but Steve is firm with himself; he only needs one, then he’ll be back to fine.
It what’s he needs now. One really fucking good hug. Still, he hates to ask, least of all from Eddie, because, well— okay, Steve has no reason to assume Eddie wouldn’t give him a hug.
He’s seen Eddie’s hugs before. Like everything he does, Eddie puts his everything into it- he hugs Robin til she wheezes, loves to lift Nancy off the ground, and the hug he gives Dustin is sweetest of all, a hand on the back of the littler’s head while he does some strange little sway. Dustin always laughs, playfully shoving him away by the end but Steve knows he loves them, that it helps in more than one way.
Steve is glad that Dustin has someone, besides his Mom of course, who can hug him, because Steve can’t give that to him. Maybe one day, but for now, hugs from Steve are a rarity — few and far in between. Maybe, he thinks, he doesn’t want to ask Eddie specifically because of that niggling feeling that comes up around Eddie, all gooey and soft. A feeling the swings too close to a crush that Steve has no fucking clue what to do about.
So, he hates to ask. Really. On the drive over to Eddie’s, a hangout organised before Steve started to feel the lack of touch creep in, he runs through any other options. Wait til Robin gets back? Steve’s not sure he’ll make it another 4 days. When left alone, it seems to consume him and make everything harder, everything heavier to deal with.
He’s still tossing it when he climbs the steps to Eddie’s trailer. Steve decides that he’ll see how it goes, see if there’s an opening to ask…semi-naturally or something. He’s not gonna spring it on the guy.
Eddie is wonderful company as always, devilish grins and god-awful comments about the film he picked. Steve feeds off it, drinking in the infectious energy. He tries to let it be enough; their shoulders pressed together, Eddie’s knee knocking his when he laughs, the way Eddie leans into his space to whisper even though it’s just them here tonight. Steve wants it to be enough. But even then, he can see the way his hands twitch in his lap, desperate for more.
Steve closes his eyes. Curls his hands up so tightly his nails bite into the skin. He tries to use it to wane off the feeling, the ache that sings out for Eddie beside him and it nearly works. Until—
“Steve? Y’okay?” Eddie’s voice pipes up, making Steve open his eyes in an instant.
“Hm?” Steve hums, hoping that his casualness will be enough for Eddie to skip over his peculiar behaviour. He blinks, tilting his head just a bit to show he was confused why Eddie was asking.
Eddie chuckles lightly, gesturing towards Steve’s lap, where his hands sit still clenched, white knuckled with his self-restraint. “You seem a bit stiff, that’s all.” Eddie rechecks. “You good?”
Steve opens his mouth and then closes it, forcing his hands to unclench in his lap. “I-“ he begins, then stops, unsure of what he was going to say. He did say he would look for an opening tonight. The way Eddie’s regarding him, open faced with his concern, is as good as he might get.
“This might sound a bit weird,” Steve starts, defensiveness already tingeing the words, his shoulders curling in just a bit. Eddie could say no. He’s allowed to say no. Steve really doesn’t want him to. “Like, if you think it’s weird, that’s totally fine and we can just, like, forget I said anything and—”
“Steve.” Eddie cuts him off, a linger of an amused smile on his lips. “I don’t think I’m going to find anything you say weird, sweetheart. Shoot. What’s on your mind? What troubles the great mind of Steve Harrington?”
God, it’s like a whole bunch of words designed to set Steve’s head spinning. ‘The great mind of Steve Harrington’ makes him want to scoff. ‘Sweetheart’ makes him want to swoon. He can’t decide which one he wants to do more.
“Can I-” Steve stammers, the words halting automatically. It’s too much of a habit to swallow them down. Coercing them out takes more work. He stares up at the ceiling as he grits his teeth, releases a harsh sigh, pulling himself together. “Can I… have a hug?”
There a moment of silence and Steve holds his breath.
“Oh,” Eddie breathes, and Steve takes his eyes off the ceiling to see just what that Oh means. Eddie’s smiling, a soft one gracing his pretty mouth, and Steve thinks, maybe, one day he’ll have the courage to ask for a kiss as well. Relief moves sluggishly through his veins— Eddie’s smiling, this is good.
“Well, of course,” Eddie grins widely and opens his arms, inviting Steve in. Steve hesitates for only a moment before he leans in gratefully, his arms tucking around Eddie’s midriff tightly. Eddie’s arms curl around Steve’s neck, pulling him in close. It’s the easiest thing in the world, sinking into it, so much that Steve tries his best not to immediately slump against Eddie. It feels a bit too pathetic, so Steve reels himself in. He can’t make his arms relax, trying too hard to take only what he needs and not a moment more.
“C’mon, Stevie.” Eddie’s voice teases beside his ear, his breath warm. “You call that a hug?”
He squeezes Steve a little tighter, pulling him even closer and Steve can’t help the way he melts into it— he slumps, leaning against Eddie properly and burying his quiet whine of relief into the juncture between Eddie's neck and shoulder.
“There we go,” Eddie murmurs comfortingly.
Eddie takes him wholly, gives a damn good Munson hug, all warmth and comfort. He smells like, well, Eddie — a lingering scent of weed, something musky, something Eddie. His arms around Steve’s neck shuffle and Steve worries he’s trying to pull away so soon, only for one of his hands to tangle in the hair at the nape of Steve’s neck. He combs through, light fingernails scratching at Steve’s scalp and shit, Steve really can’t control the noise of contentment that slips out his throat.
“Can’t believe you got so worked up just to ask for a hug,” Eddie tsks, tone coloured in disbelief. Steve makes a noise of protest, trying for a moment to wind it all back in but, like Eddie can sense it, he’s squeezing him tighter again. He begins to rock them, a soft sway side to side that lets Steve lean on him even more. He hums a tune Steve doesn’t know, low and soft.
“M’sorry,” Steve mumbles in reply, though he’s not entirely sure what he’s apologising for. For having to ask, for taking so much, for enjoying Eddie’s arms around him just a little too much.
“What the fuck for?” Eddie laughs lightly, one of his hands beginning to drum against the divots of Steve’s spin. It feels like he’s tapping pure delirium with each fingertip, shivers that make Steve’s chest glow terribly warm. It feels good, so good to be held and honestly, Steve could stay here all night if Eddie let him. Knowing Eddie, he would, because he’s that fucking nice.
That knowledge alone forces Steve to sit himself up, extracting him limbs even though so much of him mourns the warmth, the touch, that goes with it. He wants the touch but he’s had enough. Some scorned part of him burns bitterly to think Eddie would give him more just to be nice. Steve doesn’t want that— Steve wants Eddie to touch him because he wants to.
“Sorry, man, I just, uh, get like that sometimes.” Steve feels the need to explain, bringing a hand up to rub at one of his eyes. He does it half so can hide his embarrassed expression from Eddie— who’s looking at him so gently and still so so close.
“Just, aha—“ Christ, it wasn’t this awkward telling Robin. Steve’s hand moves to rub the back of his neck. “Sometimes I realise it’s been awhile since,” He gnaws on his bottom lip, something alike to humiliation curling in his gut. “Since I’ve had some touch. Usually, Robin’s around but y’know.”
He waves a hand, huffing another awkward laugh. Eddie hasn’t moved much, just listening intently, his brows ever so slightly inching closer together. He looks outright concerned at Steve’s next words.
“It’s okay, I’ve— I’ll be good now.” Steve nods along, like the motion will help him convince himself as well as Eddie. He’ll be okay now. Usually, one hug is all it takes. He ignores the surging tidal-wave want that is still going, still aching to be held by Eddie again. It would be selfish to ask for more. Eddie didn’t invite him around to hug— it’s weird, and Steve shouldn’t- can’t ask for more.
“Sooooo,” Eddie draws out the word, an impish smile beginning to play at the corners of his lips. He opens his arms wide again. “You don’t want another hug?”
In his lap, Steve’s fingers twitch. Eddie’s eyes dart to them for a second, before fixing back on Steve. He does, he really fucking does want another hug. He can’t. He’s had enough, really, it would greedy to have more.
Steve shakes his head, forces himself to huff another laugh that accidentally comes out as a strained sigh. He smiles weakly, “No, no, I’m good, dude. It’s… I’m okay, swear.”
For a moment, Steve thinks he’s convinced him. Eddie studies his face, his mischief slipping away as he deliberates Steve’s words. His eyes narrow, arms dropping just an inch before he smiles brightly and says, “Okay, can I have a hug then?”
Which, okay, right, Steve didn’t think of that. People don’t ask him for hugs. He blinks, a bit dumbly. Eddie is waiting, face eager and for a second there’s an expression of almost smugness on his face — like he’s about to get exactly what he wants. Because he knows Steve would never be rude and say no.
“I mean,” Steve breathes, voice a bit tighter than he’s expecting. He clears his throat. “Yeah, yeah, you can have a hug.”
“Great!” Eddie replies and he wastes no time. He’s all up in Steve’s space, arms around Steve’s waist this time. The motion takes Steve by surprise, enough that because he’s not expecting it Eddie’s weight pushes him back so he’s lying on the couch.
If Eddie cares, he pays no mind, his head curling up into the crook of Steve’s neck as he hugs him closer. His hair gets in Steve’s mouth, making him splutter for a second, but Eddie just grins, wriggling closer until they’re pressed firmly against each other. Steve would go as far as to say this is closer to cuddling than a hug, with Eddie squishing him from above, his arms around Steve’s middle.
“Just so you know,” Eddie’s voice rumbles from where their chests are touching, his breath sweeping across Steve’s neck. Steve shivers without meaning to, feels Eddie’s responding grin even as he continues. “All hugs requested by me are automatically 10 minutes long. Hope you’re okay with that, sweetheart.”
Steve isn’t stupid — he knows Eddie is doing it for him, doing it because he could see right through Steve’s stupid facade, had peered his yawning hunger for touch right in the face and hadn’t blanched. Instead of feeling tricked or fooled, Steve just feels…warm. Comfortable. He works his arms around Eddie’s neck til their more comfortable and find the courage in him scrape his fingers through Eddie’s hair— like he had done to Steve. Eddie’s sighs sweetly and Steve thinks he could listen to that noise forever.
“I’m… I’m okay with that.” Steve murmurs lowly, yet he knows Eddie can hear him. Eddie noses closer, a borderline nuzzle against his neck, and further down, one his hands starts to stroke softly up and down Steve’s ribs.
Steve can’t help the way it makes him freeze, the breath in his lungs holding tight as he tries to relax, tries to ignore the prickly feeling under his skin. It’s a lot. A lot of touch that Steve just isn’t used to just yet, even if he desperately craves it.
“Relax,” Eddie whispers into his skin, a soft instruction paired with the motion, one soothing stroke up and down his ribs. Steve pushes the breath in his lungs out, forces the tension out of his body, trusts that Eddie wouldn’t be offering— wouldn’t tell him to relax if he wasn’t allowed to.
“That’s it.” Eddie praises, feeling the body beneath him settle and sink a little lower into the couch. “Now, watch the movie.” Eddie instructs, jutting at the still playing screen with his chin. Steve laughs a bit, but obeys, turning his head to see what part they’d gotten up to. They’d missed a big chunk in their hug. Steve nearly apologises for it, the words on the tip of his tongue, before he decides Eddie might smack him for it.
So, he doesn’t. He watches the film, let’s the gentle touch of Eddie on his skin relax him til sleepiness starts to fill each of his limbs, heavy like lead. Eddie’s hand stops moving eventually, when his breath gets heavier, lulled by Steve’s scratch in his hair. A snore starts up, loud and quite frankly, annoying, and yet, Steve finds that with Eddie’s arms around him, he has no trouble finding sleep.
It’s the first time in years Steve’s fallen asleep in someone else’s arms. And even if he doesn't know it yet, it’s certainly not the last.
now with a part two!
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hitwiththetmnt · 1 year ago
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12 Donnie has some words for MM Leo if he’s gonna survive the writing room
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peachducy · 4 months ago
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professor layton spoilers
thinking about hershel and theodore both get adopted au
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dismas-n-dismay · 5 months ago
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“They came back wrong” maybe they came back the way they needed to be.
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dykedvonte · 13 days ago
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You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.
-Shrimp Anon
The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.
Get ready cause this is a yap session:
Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.
I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.
The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.
This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.
Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...
These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.
I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.
Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.
It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.
I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.
It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.
There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.
End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.
#i also think it is because mouthwashing is first and foremost a game about rape culture and the patriarchy especially in work spaces#regarding women and centering conversation around Curly a man rubs people wrong because it does overshadow that commentary#but it still mixes other topics into its initial theming and message on how abuse conditions you to accept certain things that are harmful#and how getting used to a culture/enviornment does not mean you are happy healthy or most importantly safe in it. I personally like to#explore those aspects where it mixes all the themes so we can discuss the ways you have to watch out for things because there is a differen#in the idea Curly enabled Jimmy just because they were bros and because he was an example of another man afraid to step out from what#is a still oppressive system that does try to punish those who act against it even if they fall in the category of those who would benefit#from it as Jimmy and PE 100% represent that sort of misogynistic system where men that would be “good” are altered until they follow line#in a way both on the personal and professional level as PE is the corporate lock out and Jimmy represents the social and its just the issue#that the discussion of it sounds like “in defense of men” when I am more so trying to discuss how it is much deeper than men being scared t#upset other men but complacency is rewarded by not becoming another person subjugated hence as all the moments Curly does try to do#something we can tie it back to how Jimmy reacts and a possible penality from PE where we now need to address the ways to combat those#two concepts so we dont get cases like Curly or Daisuke or Swansea where male avoidance of the issue is considered neutral or even good.#i think most of this boils down the perfect victim mentality to where if someone who underwent or is being abused is not a perfect example#or accpetible type than their abuse can not be considered a valid or substantial reason for effects on their behavior compounded with the#fact that Anya's abuse at the hands of Jimmy is a systematic issue that Curly is a part of even if unwillingly and was more physically#violating and topical cause sometimes i have to remind myself that all media is still critiqued through the lens of the culture it came out#in cause i do think about what if this game came out inlike 2014 like the conversations would be sooooooo different could you imagine it?#but back the before statement Curly isn't perfect but I feel like boiling it down if hes a good person or man is not the point of the game#but more so good people can still be part of the problem and the idea of condemning a person for one act creates a false sense of#rightouesness and justice that does not aid the victim and in fact aids the abusers in escaping blame for their mulitple behaviors as we se#how the men on the ship tend to blame Jimmy for just one act against them including himself while there is a plethora of things Anya is#concerned about with Jimmy#and its not that Curly just made one mistake with Jimmy but more so we consider his actions more damning because he didn't stop Jimmy#instead of focusing on the fact Jimmy did what he did regardless of Curly and the consequence because we already know he's bad n maladjuste#which is problem in the conversation where the individuals are blamed but the system and perputrator are overlooked in a sense of acceptiab#complacency as we know how they are and the lack of tangibility to personally affect them on a larger scale like I should just make a post#on like cutting out the face when it comes it confronting systems of oppression rather than tag talking but just ask me to clarify if#you want that like im jus trying to say we avoid talking about Jimmy and PE so much cause it is obvious what they do wrong that we make#the initial and inherent problem out to be one aspect someone in this case Curly does and the the constraints they use to force actions
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psalmsofpsychosis · 7 months ago
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so i've been thinking about this
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panel for awhile and, it's not even the first time Batman has threatened to beat Joker up with the precise intention of putting him in a full body cast but not kill him.
You know, that threat actually takes a rather maticulous amount of mental planning and physical control. Gettint someone within 3 inches of death but not kill them takes conscious read on the opponent's body language cues, their physical capacity and their thresholds, their highest pain point before their body gives in, and technically a rather comprehensive intimate knowledge on their internal organs and their medical history. Knowing how to bring someone close to collapse but not straight up flatline is actually a rather intricate controlled process that is subject to each individual's physical state at the moment, especially for the fact that we see Batman getting really really really close to the killing line and very much flirting with it, but never crossing it.
And honestly the presence of that threat —which he keeps telling Joker— is so bizarre and fascinating to me. Pray tell Bruce, how much time have you exactly spent mapping out Joker's body and cataloguing each and every point of it inside and out, enough that would enable you to read his minute physical responses in order to know when to pull a punch and how much?
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elyasdoodles · 8 months ago
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🫴
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chiricat · 8 months ago
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acheswan 🔥
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just-null · 8 days ago
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there wasn't a slice of life moment with these idiots so i took matters into my own hands... this is my modern au (kimetsu gakuen adjacent?) hence their designs.
[captions i was too lazy to add under the cut]
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keferon · 21 days ago
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Isn’t Vortex a fucking torture freak tho? 👀👀👀
Yep. He is. He is a lot of things actually. The more you learn about him the more fucked up it gets
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buttered-toasty · 2 months ago
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There is a red eye in the east.
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Posting this one reallll early cause why not. It is one of my inktobers (just not labeled bc the writing takes away from the vibes). Fun fact: this shit is titled “mawwiage” in my files lol
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