#british aristocrat wedding dress

[larkral]

Oh hello again! Twice in one week? I KNOW! Thanks for the tags @imagineacoolusername @orange-peony @thewholelemon @wellbelesbian @mooncello

@run-for-chamo-miles @roomwithanopenfire and @monbons !!! Such an active week. I love it! Excited to read the COBB stuff that's coming out, and VERY enticed by many snippets and arts being posted right now!

So, this week has been a lot, BUT I did some crafting AND I started writing my Firstprince Soulmate BS. It is now over a thousand words? I don't know. My brain works in mysterious ways. My crafting is making a lampshade. I don't know, because I am very particular about what I like? Steps one and two of about a thousand steps on the current project I'm working on, but that's more than zero!

I've also done some work on Simon's two mums this week, though not quite as much as the Firstprince soulmates. So. Have six sentences of each:

Finally (already, always):

At lunch, after I sit down, Baz sits opposite me. He grits his teeth.  "Thank you," he says. Then into his water glass, he mutters, "Sorry." "Yeah," is all I can get out.  Penny sits down and doesn't say anything about it.

First Prince Soulmates BS:

 "Sorry, I'm only used to dressing like this at fundraising galas for the British Ornithological Society." "Of course," Alex volleys back, "The natural habitat of duck jokes." She laughs again, the column of her neck elongating as her head tilts back in delight, and Alex wonders if there might be at least one upside to having to attend The Royal Wedding.  He wonders if there's any way he can ask her if she intends to continue studying the annual coloration changes in the Gadwall remicle as they relate to anatidae seasonal monogamy and whether she thinks there's really an evolutionary path by which that's related to the wrist banding mark in humans. You know, without revealing himself as both a soulmate freak and a duck sex freak. There definitely isn't.

I promise there's a good explanation for why I've made Alex someone who knows all about duck sex, even though it may never appear on screen.

Tags under the cut!

I don't know who to tag for firstprince other than the folks I've already tagged for first prince and @kiwiana-writes, so consider yourself tagged in if you're a firstprince Six Sentence Sunday person.

Also tagging my usual Simon Snow crew: @stitchyqueer @confused-bi-queer @raenestee @facewithoutheart @whogaveyoupermission

@cutestkilla @hushed-chorus @sillyunicorn @you-remind-me-of-the-babe @basiltonbutliketheherb

@ileadacharmedlife @asocialpessimist @bookish-bogwitch @aristocratic-otter @captain-aralias

@petedavidsonscock @artsyunderstudy @carryonvisinata @takenabackbytuesdays @martsonmars

@nausikaaa @nightimedreamersghost @chen-chen-chen-again-chen @ionlydrinkhotwater @that-disabled-princess

@shrekgogurt  @palimpsessed @fatalfangirl​ @blackberrysummerblog​ @valeffelees

@j-nipper-95 @youarenevertooold @emeryhall @run-for-chamo-miles @talentpiper11

[resplendentoutfit]

Women's Rococo Fashion: Robe à l'anglaise

Women with coquettish airs were imposing in robes à la française and robes à l'anglaise throughout the period between 1720 and 1780.

Robe à l'anglaise • British • c. 1747; altered 1770s • Metropolitan Museum of Art Costume Institute

Believed to have been worn as a wedding dress in 1747, this gown displays the exquisite patterning of English dress silks of the period, with delicate flowers and asymmetrical cartouches disposed in a graceful meander across an open ground. The ivory silk faille is brocaded with three types of silver thread, which add rich texture to the lively pattern. Sumptuous textiles such as this one signified wealth and were admired for the brilliant effects of light reflecting off their surfaces. The flat silver strip brocaded at the centers of the flower blossoms creates a coruscating effect, while the crinkled silver frisé of the stems produces a more restrained luster. Gowns of white and silver (both colors symbolizing purity) were fashionable in the mid-1700s among aristocratic and wealthy brides. Although altered in the 1770s, the dress remains a superb example of the lasting appeal of the era’s fine silks.

– Metropolitan Museum of Art

Allan Ramsay (British/English, 1713–1784) • Portrait of Queen Charlotte • c. 1762 • Royal Collection

Queen Charlotte in a robe à l'anglaise with a richly brocaded underskirt and fur-trimmed velvet overskirt and train.

[audreydoeskaren]

Hello, could you please do a review of Chinese Dress: From the Qing Dynasty to the Present Day by Valery Garett? Or at least give a perusal? It looks really good to a naked eye. There's clothes for different occasions, ethnic groups, and social classes. But it was also written by a white British woman, and from what I can tell her research comes from (stolen) collections in UK museums.

Also, I am confused about a passage on wedding dresses; she says Cantonese peasant women wore dark blue or black cotton for their weddings (pg 172), but I thought Chinese wedding dresses were traditionally red. (I am Chinese; I am an adoptee researching my culture; on a personal note, if it's true then I'm bummed because nobody deserves a boring wedding dress and red is so gorgeous)

Many thanks!

(Here's a pdf of the book for reference)

In my opinion, any book on Qing Dynasty fashion that uses a court dress laid flat as its cover image should be immediately dismissed, and that is exactly what I would say about this book. Unfortunately it's yet another ethnographic account coming from a white anthropological perspective, as you've identified, and is only useful if you want a caricature of your culture. Like most authors on Qing Dynasty fashion, Chinese or not, Garrett takes the 19th century as the starting date of the dynasty and offers absolutely no information on anything prior to that. This is because of both the lack of resources available to her from before western colonialism and the general framing of Qing Dynasty fashion; a common mistake, but not an excusable one. The erasure and misrepresentation of fashion in the PRC is disappointing. The book is from 2007 though, and it reads like other books from the same time, so it's not even bad in a unique way. I cannot stress this enough but please use recent literature wherever possible.

About the wedding dress thing, I wouldn't say there is one single 'traditional' color since formal wedding dresses of the Han upper classes during the Qing had multiple pieces and were not monochromatic. In the first half of the twentieth century, wedding qungua had a black jacket and red skirt, but were also embroidered with gold or silver. Blue and black were common colors for the working class in the 19th century, and it makes sense for peasant women to wear what was economical. Having fancy weddings that were a special occasion was, really, an aristocratic and bourgeois custom, and I assume working people often just couldn't be bothered.

This reminded me, I really should finish that series on Qing Dynasty Han women's fashion. Seeing published white authors be cringe with such audacity kind of motivates me.

[i-just-look-at-pictures]

Grace's Wedding Dress

Something I see discussed so much on SM about Tommy and Grace's wedding is how 'horrible' her dress was or how frumpy/dowdy they made her, particularly in comparison to her S2 look and how she was dressed at the Gala.

Can we all take a step back for a moment and just assess WHY she wore such a modest wedding dress in such a formal colour? To quote the girl herself 'half of the British Army are downstairs'.

Grace comes from an EXTREMELY conservative, aristocratic, military family from whom she appears almost entirely estranged. We learn that the only reason they even attend her wedding isn't that her family love her or care about her or WANT to attend her wedding. No, they come out of respect for Tommy's war records.

Let's let that just settle for a moment. They would have allowed their niece who has NO FAMILY, NO PARENTS, NO SIBLINGS to marry alone because they don't like the man she is marrying.

Why is that? Not that it's ever explained but I would say it is safe to say they know she left her husband for Tommy. Her closest family know that, at least. No, they don't know Tommy is Charlie's biological Father (not that it takes a genius) but they know that she has been living in sin with him for a good amount of time and they do not approve, not in the slightest.

Grace knows this. Tommy knows this. It's partly why he hates them in his house so much. They have disrespected him and his wife before the wedding has even started by turning up in uniform DESPITE their request not to. Does Tommy kick them out? No. Does he say anything? No. Why? Because 'for Grace's sake, nothing will go wrong. Those BASTARDS out there are her family.'

Grace Burgess, who gave up everything to be with Thomas Shelby, tailored her entire wedding for the purpose of regaining the respect of her family. The hair? Reserved. The dress? Modest. The reception? Traditional. The venue? Her posh home. Charlie? Kept out the way.

She did everything she was supposed to and Tommy supported it because he knew how much it meant to her.

The wedding was meant to be out of character, the dress was meant to be boring. That was what she was going for.

She wanted them to like her again. The girl who had no one just wanted to be loved and respected by her family and those fuckers didn't give one shiny fuck. What hurts is that Tommy knew that and he didn't say a word. Just drank his wine and let her believe any of it made a difference.

On their wedding day we gain just the slightest perspective into what Grace's life was like before she met Tommy. Grace who grew up to become an undercover operative. Grace who loved so fucking hard. Grace who was fun and passionate and spirited was surrounded by those kinds of people. Stuck up, traditional, reserved, judgemental, horrible people. Perhaps also safe to say that's also what her parents were like.

And who stepped up? The Shelbys. Despite EVERYTHING. Who sat through the entire thing, supported her, supported their brother, respected the sanctity of her wedding day and fought to keep the fact the Russians had turned up from her? The Shelbys.

Polly fucking Grey cared more about Grace's well-being on her wedding day than her own family did and that? That is fucking devastating.

So no, it's not just an 'ugly' dress or a hairstyle. It's the fact that that night she is back to a silken nightie. It's the fact however many weeks later she is in a strapless fucking ballgown with a fuck off sapphire hanging from her chest as she schmoozes with Birmingham's elite.

It's the fact that when her boring family are downstairs, she's shagging the truth about international business dealings from her gangster husband whilst wearing glittery, diamond-encrusted garters under said reserved wedding dress.

That was Grace, the real Grace. The Grace Tommy (and we) fell in love with. It was nothing to do with poor taste. She wanted to appear respectable, just for the day.

The show completely whitewashes the HELL Grace would have gone through prior to her husband's suicide.

She could not file for divorce, women weren't allowed. She could not retain custody of her own child if she left her husband, he had to consent. Her name would have been published in the paper, she would have had to stand up in court and confess to adultery, her child was legally the property of her husband, she would have lost every asset that she brought into the marriage.

She would have been socially shunned, ridiculed, cast out of respectable society. But did she care? Not a jot. She loved Tommy, unconditionally, unwaveringly loved him and threw her life away to be with him. The bravery of that is unparalleled by any other character in the show and what makes it haunting is the reality of it. Grace Burgess was every woman in the 20th century who married the wrong man - stuck.

Grace is the most complex character in the show and you cannot convince me otherwise and she was snuffed out on a whim. She would have been magnificent. Damn you SK, damn you.

[duchessofostergotlands]

I very curious about Mary of Denmark’s wedding dress designer. I saw in your post that it was designed by Uffe Frank. Because I did love the dress, I went ahead checked his website, social pages etc… And man has even less followers my grandma, almost no online presence. It just seemed odd. This guy designed the crown princess’ then poof he is gone

It's an interesting conversation (that's code for: I'm about to ramble!). I honestly don't know anything about Uffe's career. I think there's two possibilities and I'll discuss them both.

Firstly, it's possible that his career is absolutely fine and he just doesn't prioritise an online presence. There's this unusual group of designers who pretty much exclusively create bespoke pieces for a limited clientele and have very little to no presence online because they don't have to. If everything you make is bespoke and all your clients are drawn from a small pool of aristocrats and public figures then most people in your target market will hear about you through word of mouth, not Instagram. It actually benefits them to remain exclusive and mysterious. There are other examples in this category like Pär Engsheden. He made Victoria's wedding dress, he's an incredibly respected designer. But he has no website and no social media that I know of at all. Or Bruce Oldfield. He has a basic website and less than 9k followers on Instagram. Yet he was one of Diana's favourites for years, he dresses Camilla now. Related to this I think sometimes profiles can grow organically but neither Bruce nor Uffe are verified. There are a few accounts on Instagram with Uffe's name so if he isn't actively building his account, people may not follow because they don't trust it's a real account.

The other alternative is that his brand is not doing so well or perhaps didn't grow. And I think this is interesting because we hear about the "Kate Effect" - you can insert any royal woman's name in there - where a royal wearing a piece instantly leads to it selling out. And there is some truth to it but I think the picture is more complex. For a start, brands almost never reveal the actual increase in sales that could be attributed to the royal. Maybe something sold out because it was already selling well and would have without the royal. And I also think that people wanting to buy a garment worn by a royal doesn't necessarily translate into being long term customers. If we look at some of the brands Kate wore a lot in 2011-2016, so many of them have folded or gone into administration. And I'm not for a second saying it's her fault - it's because the market now prefers cheap fast fashion or big designer brands so there's no foothold for the mid level brands - but it shows that a royal generating a lot of sales for one item doesn't necessarily give a brand long term financial health. Uffe is already on the back foot because he dressed a Danish royal almost 20 years ago rather than a British royal 10 years ago - the exposure he received will have been less, the time gap will mean more people have forgotten - but I think ultimately it's kind of like general internet culture. I've had posts go viral on Tumblr but it leads to absolutely no discernible increase in followers who stick around. You have to keep feeding the machine. It would be more surprising to me if Mary wore Uffe's stuff every week and he wasn't a big name, but honestly it doesn't surprise me to see him have a low profile despite making her wedding dress.

[ingek73]

In Buckingham Palace and outside it, we know what it means when people ask ‘where are you from’

Kohinoor Sahota

When Susan Hussey asked that of a black British charity boss, she echoed the words of many who alienate people of colour

Wed 30 Nov 2022 18.22 GMT

Follow Kohinoor Sahota

Charity leader Ngozi Fulani, centre left, at Buckingham Palace

“Where are you from?” is a question that every person in my family has been asked, from my parents in the 1960s to my little nephew, crying on his way back from school. I’ve faced the question from schoolteachers who want to know if I speak English, dates trying to exoticise me – and a manager who laughed afterwards, knowing he should not have asked.

“Where are you really from?” is the follow-up, if you don’t give someone what they want. While the question can come from a place of curiosity, it is hard to ignore the sinister undertones, especially when it’s repeated.

So, when I read that Ngozi Fulani, the head of a domestic abuse charity, was questioned where she was from while in Buckingham Palace, I wasn’t surprised. What did surprise me, however, is how it has become headline news and a sackable offence, as the honorary member of the royal household who asked the question has since apologised and resigned. Dear, oh dear.

Fulani’s story is every person of colour’s story. I wish I could say it’s unique. I wish I could say that nobody else has been asked such a thing. But that isn’t the case; if it seems unique it is simply because not all of the people of colour get the chance to tell their story. I have had my own day out at Buckingham Palace, and found it similarly unwelcoming.

The grandest invitation I ever received as a journalist was to attend an exhibition at the palace. It arrived in a small cream envelope, with my name – spelt correctly – in calligraphy.

Regardless of whether you’re a kid from a council estate like me, or a prime minister going to a weekly audience with the monarch, I imagine that everyone feels some sense of wonderment when they drive up the Mall. Fulani probably felt the same. In the palace, your eyes widen as you are blinded by the bling – there’s lots to take in, after all – with the sky-high ceiling, crystal chandeliers and that balcony.

‘In the palace, your eyes widen as you are blinded by the bling.’ Camilla, the Queen Consort gives a speech at Buckingham Palace. Photograph: Kirsty O’Connor/AFP/Getty Images

The crowd was all establishment figures in Savile Row-worthy suits and designer dresses: Tory politicians, mid-level royals, a David Attenborough here (talking in that wisdom-filled staccato tone), and a David Starkey there. There’s feeling out of place, but then, sure, there is this. Almost any person would feel some discomfort, but when you also realise that every single person in the room is oh-so white, darling, it’s one of the most uncomfortable feelings in the world.

There were jokes about the “exotic” art in reference to the Asian pieces. Someone recognised one of their aristocratic ancestors in a portrait on display as if that were ordinary – it consolidated how somebody like me could never belong in the establishment.

The only person I saw all night that looked like me – aside from a glimpse of Patricia Scotland – was a single Asian man. We locked eyes and smiled at each other. I’m sure if we’d have spoken I’d have had more in common with him than anyone else at the party. But he was a waiter, and I was a guest. In that moment, you are reminded that it’s merely by an accident of birth – or, more accurately, the aftereffects of colonialism – that you’re on one side and they’re on the other.

It all reminded me of the pervasive feeling of not belonging. That is why “where are you from” is such a politically loaded question. The answer should be simple, but it is a way for people – white people – to rank you on the social ladder. I know what I am actually being asked: why is the colour of your skin different? Why are you brown? Why aren’t you white? Why are you here? Should you be here?

Since I am brown-skinned and Indian, time and time again I have to prove my Britishness. When people ask me where I’m from, saying “Oxford” never meets their expectations. I’ve had enough. If I don’t call out the question, I allow the problem to persist; if I do call out the question, I make white people uncomfortable.

The thing is, I’ve assimilated into their version of Britain, so it’s time for them to assimilate into mine and the “minority” version – a multicultural, truly British society. The face of Britain is changing. Whether you like it or not, there are more and more people who look like me. The British story is a multicultural story. Whether it’s Labour MP Robin Cook hailing curry as the national dish, the most diverse team making up the England football squad, and now the first British prime minister of colour being of Indian descent – we are part of the fabric of Britain.

But who gets the privilege of being labelled British has always been a controversial subject. Ever since Britain began its overseas expansion, people of colour have been made to feel like guests in our own home as well as our new home – welcomed with one hand and scolded with the other.

Working-class people of colour are unlikely to stumble upon people that share their melanin, let alone long-lost relatives on the walls of galleries, museums or Buckingham bloody Palace. So, let’s make everyone feel welcome.

It’s time to start asking new questions.

Kohinoor Sahota is an arts and culture journalist. She is working on a book titled Where Are You Really From?

[kellyvela]

I am the previous Anon about Perry was not invited. I checked the wedding to see Sophie. Unfortunately, Sophie was not there. It would be lovely to see Sophie. Perry also was not there as well.

I think both Perry and Prince Harry was not invited. As, Duke Of Westminster told media previously that Prince Harry was not invited to his wedding.

Prince Harry publicists claimed he refused the invitation. Probably to save face and hide the fact that he is now being cut out from British Royal Family and British Aristocrats.

As, for Perry. He is probably not a close friend of Duke Of Westminster. Hence, he was not invited to the wedding.

Yeah since it was an aristocrat wedding, there was a possibility that P would be invited. If so, I was excited for the possibility to see S attending the event wearing some lovely dress and a fascinator.

The issue with Prince Harry is ambiguous, rumors say he wasn't invited, or that he declined the invitation, or that his absence was a friend's agreement. But it was obvious that it was because William and Harry aren't in good terms and Hugh Grosvenor had to make a decision.

And yeah, not all aristos has to know each other or be close friends or be invited to every event.

[daisylore83]

Riding High on Fashion: The Jodhpuri Suit Phenomenon

In the ever-changing landscape of fashion, where trends rise and fall, there are certain timeless styles that endure, capturing the hearts of generations. Among these iconic ensembles is the Jodhpuri suit, a symbol of royalty and classic charm. This suit, which originated in the princely state of Rajasthan in India, has transcended borders to become a beloved fashion statement worldwide.

Introduction to Jodhpuri Suits

The Jodhpuri suit, also called the Bandhgala suit, is an Indian traditional attire consisting of a jacket with a high collar and buttons, worn with well-fitted trousers. It has intricate craftsmanship and a sophisticated silhouette, making it a luxurious and refined outfit. Commonly worn for formal events like weddings and upscale gatherings, the Jodhpuri suit exudes an aura of elegance and prestige.

History and Origin of Jodhpuri Suits

Sure, here is a paraphrased version of the text: In the late 1800s, Maharaja Pratap Singh of Jodhpur, India, was inspired by British military clothing during his visits to England. He combined elements of Indian aesthetics with Western tailoring to create a new ensemble, which became known as the Jodhpuri suit. This suit quickly gained popularity among the royal courts of Rajasthan, and it remains a symbol of aristocratic elegance and prestige to this day.

Evolution of Jodhpuri Suits in Fashion

Sure, here is a paraphrase of the provided text: Throughout its history, the Jodhpuri suit has undergone modifications to align with changing fashion trends. While it retains its traditional elements, contemporary designers have introduced modern touches, like innovative cuts, fabrics, and embellishments, catering to the preferences of the modern man. 

Also visit:

https://x.com/DesignerSareeka/status/1760560228137947275?s=20

Characteristics and Features of Jodhpuri Suits

Some distinctive features of a Jodhpuri suit are its structured jacket with a Mandarin collar, slim trousers, and intricate details like embroidery, piping, and ornate buttons. These suits are made from luxurious materials such as silk, velvet, and brocade, embodying opulence and sophistication, making them a sought-after choice for formal gatherings and special occasions.

Types of Jodhpuri Suits

Traditional Jodhpuri Suits

Classic Jodhpuri suits embody traditional design elements and craftsmanship, showcasing timeless elegance and subtle luxury. Modern variations of Jodhpuri suits have emerged, featuring unconventional colors, patterns, and silhouettes that cater to contemporary preferences. 

Modern Variations

Designers are experimenting with slim-fit jackets, asymmetrical hemlines, and other contemporary design elements, breathing new life into the traditional Jodhpuri suit style. These modern Jodhpuri suit interpretations aim to appeal to contemporary tastes while preserving the essence of the classic suit style.

How to Style a Jodhpuri Suit

To achieve a polished look with a Jodhpuri suit, meticulous attention to detail is crucial. Complete the ensemble with a crisp dress shirt, a matching tie or pocket square, and classic leather shoes. This combination exudes timeless elegance and charm. 

Occasions Suitable for Wearing Jodhpuri Suits

Jodhpuri suits are versatile and suitable for various events such as weddings, formal dinners, cocktail parties, and cultural gatherings. Their classic design and regal aura make them ideal for making a statement and attracting attention on special occasions.

Jodhpuri Suits: A Trendsetter in Weddings

Sure, here is a paraphrased version of the provided text: In recent years, Jodhpuri suits have grown in popularity among grooms seeking a fashionable alternative to traditional wedding attire. These suits bestow a sense of royalty upon wedding ceremonies, imbuing groomsmen with an aura of charm and sophistication that befits their special day. 

Also visit:

Why Choose a Jodhpuri Suit for Your Wedding?

Opting for a Jodhpuri suit for one's wedding ensures that they will leave a lasting impression. With meticulous craftsmanship and classic elegance, Jodhpuri suits embody grace and grandeur. They are the perfect embodiment of elegance and sophistication, making them the ideal choice for stylishly tying the knot.

Buying Guide for Jodhpuri Suits

When selecting a Jodhpuri suit, focus on aspects like fabric quality, fit, and craftsmanship to ensure luxury. Choose trustworthy brands or tailors specializing in traditional menswear for top-notch tailoring.

Popular Jodhpuri Suit Designs

With options like embroidered jackets and velvet ensembles, there's a Jodhpuri suit design for every style. From classic black and white to vibrant hues and patterns, there's a suit for every taste and occasion.

Tips for Caring for Your Jodhpuri Suit

To preserve your Jodhpuri suit, treat it with care and follow the proper maintenance. Regular dry cleaning is a must. Additionally, store it in a breathable garment bag and keep it away from sunlight and moisture to maintain its shine and shape for years. 

Celebrities and Icons Sporting Jodhpuri Suits

Many notable figures, including celebrities from Bollywood and international stars, have been seen wearing Jodhpuri suits at prestigious events and on red carpets. Their exquisite style and fashionable taste have helped promote the Jodhpuri suit as a representation of sophistication and elegance worldwide.

Jodhpuri Suits: Making a Global Statement

In essence, the Jodhpuri suit is a timeless classic that embodies elegance, sophistication, and majesty. Ideal for weddings, formal events, and cultural occasions, Jodhpuri suits radiate an aura of regal grace that captures attention and admiration. Their rich history, impeccable craftsmanship, and enduring appeal make Jodhpuri suits more than mere clothing—they are symbols of tradition, style, and refinement that transcend time and trends.

Also Visit:

Conclusion

At Rajwadi, the Jodhpuri suit is a timeless classic that embodies elegance, sophistication, and majesty. Ideal for weddings, formal events, and cultural occasions, Jodhpuri suits radiate an aura of regal grace that captures attention and admiration. Their rich history, impeccable craftsmanship, and enduring appeal make Jodhpuri suits more than mere clothing—they are symbols of tradition, style, and refinement that transcend time and trends.

FAQs

Are Jodhpur suits limited to wedding wear? Jodhpuri suits can be worn for a number of formal occasions and cultural events, even though they are a popular choice for weddings.

How do Jodhpuri outfits differ from other conventional menswear items? Jodhpuri suits stand out because to its characteristic high collar and fitted pants, which also give them a particular silhouette and regal charm.

Is it possible to alter my Jodhpuri suit? Yes, a lot of tailors allow you to personalize your Jodhpuri suit with different materials, colors, and accessories to fit your style.

How can I tell whether a Jodhpuri suit is a good fit for me? A well fitted Jodhpur suit should embrace your body in a way that isn't overly constricting or tight. For the ideal fit, make sure the waist, chest, and shoulders are adjusted to your measurements.

Can all body types wear Jodhpur suits? Indeed, Jodhpuri suits are available in a range of cuts and styles to fit various body shapes. There is a Jodhpuri suit design that will fit your body type, whether you're sporty or slender.

[argus-news]

Jordan's future king, Saudi bride to tie the knot in palace ceremony signalling continuity of rule

"It's not just a marriage, it's the presentation of the future king of Jordan," said political analyst Amer Sabaileh. "The issue of the crown prince has been closed."

AMMAN: The future king of Jordan and an architect from Saudi Arabia linked to her country's own monarchy are getting married on Thursday in a palace celebration that introduces him to the world and emphasizes continuity in an Arab state prized for its longstanding stability.

The union of Crown Prince Hussein, 28, and Rajwa Alseif, 29, buttresses the royal family's order of succession, refreshes its image after a palace feud and may even help resource-poor Jordan forge a strategic bond with its oil-rich neighbour, Saudi Arabia.

Excitement over the nuptials — Jordan's biggest royal event in years — has been building in the capital of Amman, where congratulatory banners of Hussein and his beaming bride adorn buses and hangover winding hillside streets. Shops had competing displays of royal regalia. Royal watchers speculated about which dress designer Alseif would select— still an official secret,

Nancy Tirana, a 28-year-old law intern, said she spent the last week scrutinizing Alseif's every move and stitch of clothing.

"She's just so beautiful, so elegant, and it's clear from her body language how much she loves the queen," she said, referring to Hussein's glamorous mother, Rania. "I feel like all of Jordan is getting married," Tirana gushed as she ate mansaf, Jordan's national dish of milky mutton and rice, before heading to a wedding-themed concert.

Jordan's 11 million citizens have watched the young crown prince rise in prominence in recent years, as he increasingly joined his father, King Abdullah II, in public appearances. Hussein has graduated from Georgetown University, joined the military and gained some global recognition by speaking at the U.N.

General Assembly. His wedding, experts say, marks his next crucial rite of passage.

"It's not just a marriage, it's the presentation of the future king of Jordan," said political analyst Amer Sabaileh. "The issue of the crown prince has been closed."

The wedding may create a brief feel-good moment for Jordanians during tough economic times, including persistent youth unemployment and an ailing economy.

Palace officials have turned the event — a week after Jordan's 77th birthday — into something of a PR campaign. Combining tradition and modernity, the royal family introduced a wedding hashtag (#Celebrating Al Hussein) and omnipresent logo that fuses the couple's initials into the Arabic words "We rejoice"

Photos and reels from Alseif's henna party — a traditional pre-wedding celebration featuring the bride and her female friends and relatives — and the couple's engagement ceremony in Saudi Arabia last summer have splashed across state-linked media.

The kingdom declared Thursday a public holiday so crowds of people could gather after the wedding service to wave at the couple's motorcade of red Land Rover jeeps — a nod to the traditional procession of horse riders clad in red coats during the reign of the country's founder, King Abdullah I. Tens of thousands of well-wishers are expected to flock to free concerts and cultural events. Huge screens have been set up nationwide for crowds to watch the occasion unfold.

The signing of the marriage contract will take place at Zahran Palace in Amman, which hasn't seen such pomp and circumstance since 1993, when, on a similarly sunny June day, Abdullah married Rania, who was born in Kuwait to Palestinian parents. Decades earlier, Abdullah's father, the late King Hussein, sealed his vows in the same garden with his second wife, the British citizen Antoinette Gardiner.

An array of foreign aristocrats and dignitaries, including senior royals from Europe and Asia, as well as First Lady Jill Biden and U.S. climate envoy John Kerry have confirmed attendance. The guest list is also expected to include Saudi aristocrats, as Alseif's mother traces her roots to the influential wife of Saudi Arabia's founder, King Abdul-Aziz Al Saud, Her billionaire father owns a major construction firm in the kingdom.

After the ceremony, the wedding party will move to Al Husseiniya Palace, a 30-minute drive away, for a reception, entertainment and a state banquet. The royals are expected to greet more than 1,700 guests at the reception.

Experts consider the marriage an advantageous alliance for the Hashemites, historic rivals of the Al Saud family to the east. Jordan has recently sought closer ties with Saudi Arabia and other Gulf Arab petrostates, which once doled out billions of dollars to the aid-dependent country but since have reined in their spending.

Even as restaurants blared call-and-response Arabic wedding songs and cars honked in celebration downtown, some signalled the royal fairy tale was fraught as Jordanians struggle to make ends meet. Osama, a 25-year-old bookseller, was thrilled about the occasion and festooned his car and shop windows with portraits of the royal family. But he also knew reality would return quickly.

"Of course, it's joyful," he said, declining to give his last name for fear of reprisals. "But in a couple of days, we'll just go back to our problems."

[fashionhistory2023]

the history of trends

ballet flats

ballet flats first entered the scene around the early 1600s and were worn mainly by aristocrats the length of the point indicates the status of the person, and they were worn up until the wedding of Cathrine de Medici where she debuted in high heels the flats were ditched entirely, it wasn't until 70 years later when Marie Camargo hit the stage with them during her ballet performance before that ballet dancers only wore heels. ballet flats became more and more popular with fashion designers all over Paris. and has now become a staple shoe in almost every closet and collection like Giorgio Armani, Michael Kors, and Christian Dior the resale value goes from €3369- €11.09.

blazers

since the 1890s blazers have taken over the fashion game developing and evolving with every year making their first appearance in vogue during the turn of the century. the blazers' style evolution is an amazing one and was even adopted by the British mob movement woman adorning them with pins to give them more edgy. in 1975 they caught the eye of designer Giorgio Armani where he presented his first collection of uncut blazers which made their way into movies like the film American gigolo which is where the blazer gained its sex appeal. in the 2000s the blazer received a total revamp now worn as formal wear you may also catch them being worn on the runway over long formal dresses or even worn by itself

[tothelasthoursofmylife]

Oh, sure! I haven't gone on a dive regarding girls' education yet, but I can tell what I know.

(Rather messy, rambly post incoming. Sorry!)

Education became more and more important throughout the Victorian era for a variety of reasons (e.g. better education = better voting judgement, more productivity in the workforce, more innovation, "fight" against religion, etc.). Between 1870 and 1880, the UK gradually made education compulsory (though only for children between 5 and 10; when exactly it became compulsory depended on the region), and this change was well-received. People also tried all sorts of methods to make education more accessible and possible at all.

This included girls, of course. There were all-girls schools and mixed schools too, not just all-boys schools. Working-class parents could, e.g., send their children to Dame schools where both boys and girls were educated (little schools that were operated from cottages or back rooms in the countryside; educators were often elderly men or women who taught the students more rudimentary lessons and handicrafts and also provided needed childcare; I think by the end of the 19th century, they didn't exist anymore though). Clergymen could send their daughters to charity schools (like Lowood School for Girls from Jane Eyre). There were private/public schools for girls, e.g. Queen's College, Cheltenham Ladies' College, and West Heath Girls' School, that provided secondary education. Etc.

By the end of the century, there were also several all-women universities, e.g. the Royal Holloway College and Bedford College.

However, Lizzie is the daughter of aristocrats, so things would have been different for her. While more girls from other classes and statuses could be and were sent to public school throughout the 19th century, this wasn't the case for upper-class and aristocratic girls. They were only educated at home by governesses and such. (After all, they didn't "need" to go to school, pursue degrees, etc. in the sense of "get an education to get a job to get money" as they were wealthy and influential by default anyway.)

(As a famous (though, maybe, a too extra/special/extra special?) example, Queen Elizabeth II and her sister Princess Margaret never went to school and were exclusively homeschooled. The Queen's daughter Princess Anne is the first female member of the British royal family to ever attend school; she enrolled in 1963!)

I think, because of that, how much aristocratic girls were taught in the end highly depended on how much value their parents put on their daughters' education.

For some, "a governess who taught the rudimentary topics of reading, writing, and arithmetic and the social graces, with a varnish of sophistication provided by a few months in Germany or Switzerland before their debut were good enough." But others, i.a., Queen Victoria and Prince Albert, still insisted that all their children receive more well-rounded educations nonetheless. (Prince Albert's favourite child was his eldest daughter Princess Victoria (later Empress Frederick, the mother of the last German Emperor Wilhelm II! WWI (WW0?) hello!) because she was so intelligent, and he took great joy in her education and made sure she was well-educated. People also had their eyes on the BRF and tended to adopt what they do, e.g. white wedding dresses and trees for Christmas.)

And as Lizzie is the daughter of Francis and Alexis, she is 1000% receiving a fantastic education, regardless of her being the fiancée of the Queen's Watchdog or not. She's their daughter after all. Lizzie herself must take her education seriously too, as it would be another thing "to do" as a good wife, I suppose.

This was in the context of inheritance but I still think it's applicable to education and so important not to forget. "Oh, so misogynist history!", but parents loved their daughters too, independent of the time and place.

(There's also Angelina. (As a note, I wish we knew more about Angelina and Rachel's family and background! Were they "just" wealthy or aristocratic too?) Lizzie was so close to her, and although Angelina did tell her that she should just be "delicate/weak/innocent/cute" and that's "enough," it doesn't change the fact that Lizzie did grow up with an "aunt" who went to university and became a doctor. "Do-say" discrepancy, but still some source of inspiration to get educated/not to be lax with one's education nevertheless. Am I making sense.)

TL;DR Lizzie is most likely homeschooled but is receiving the best education.

As always: Alle Angaben ohne Gewähr.

Hello. I know that Edward was going to the Weston college but what was Lizzie doing when it comes to education? Do u think that she was being home schooled or did she also go to a school that we still have no clue about?

Hey Anon ! No idea, it's actually never mentioned anywhere in the manga whether or not Lizzie is educated elsewhere than at home.

Like Weston college though, girl schools did exist back then, so it's definitely a possibility (if you're interested, @tothelasthoursofmylife is way more knowledgeable than I am about this time period, so please don't hesitate to add, friend :D).

At the same time, all that's mentioned for Lizzie is "mother's teachings" so maybe Liz is solely educated at home. ¯\_(ツ)_/¯

I honestly think the reason we don't know is because Yana doesn't find it relevant to the plot (she often does that).

Or, if you really seek an explanation, there is also my crack theory that Liz was Vincent's chosen heir for the Watchdog's duty, which is why she was solely educated at home, mostly by Frances who most likely used to be the Watchdog's spare. ;)

That's all I have. Hope it answers your question, have a nice day ! :))

[allworldnews]

25 Latest Collection of Sherwani Designs For Men in 2023

When it comes to festive and wedding wear for men, nothing can beat the style and elegance of a classic Sherwani. This 19th Century invention has come a long way since its inception during the British era. What was initially used as an official court dress has now evolved as the attire of glitz and glamour? Initially, Sherwanis were made exclusively for the nobles and aristocratic men of society.…

[ihadaquestion]

How to Style and Wear a Tweed Jacket with Confidence?

Are you ready to add a touch of sophistication and timeless appeal to your wardrobe? Look no further than the classic tweed jacket. Whether you're dressing up for a formal event or aiming for a smart-casual look, a tweed jacket is a versatile and stylish choice that never goes out of fashion. In this ultimate guide, we'll show you how to style and wear a tweed jacket with confidence.

From understanding the different types of tweed fabric to choosing the right fit and color, we'll cover everything you need to know to master the art of wearing a tweed jacket. Learn how to pair it with tailored trousers for a polished look, or dress it down with jeans and a crisp white shirt for a more relaxed yet sophisticated ensemble. We'll also reveal insider tips on accessorizing your tweed jacket for maximum impact.

Whether you're a fashion-forward individual or a classic gentleman, this guide will inspire you to embrace the elegance and versatility of a tweed jacket. Get ready to turn heads and make a stylish statement wherever you go.

The History and Significance of Tweed Fabric

Tweed fabric has a rich history and is deeply rooted in British heritage. Originally handwoven by rural artisans in Scotland and Ireland, tweed was known for its durability and warmth. It gained popularity in the 19th century when British aristocrats and royalty started sporting tweed jackets during outdoor activities such as hunting and shooting. Today, tweed has evolved into a symbol of timeless style and sophistication.

Tweed fabric is characterized by its coarse texture and distinctive patterns, such as herringbone, houndstooth, and check. It is traditionally made from natural fibers, such as wool, which gives it its warmth and durability. The colors of tweed range from earthy tones like brown, green, and gray to vibrant hues like red and blue. The fabric's versatility and ability to withstand harsh weather conditions make it a favorite among fashion enthusiasts worldwide.

Why the Tweed Jacket is a Timeless Fashion Staple?

The tweed jacket has stood the test of time for several reasons. Firstly, its classic design and quality craftsmanship make it a reliable investment piece that can be worn year after year. Unlike trendy fashion items that quickly go out of style, a well-made tweed jacket will always exude elegance and sophistication.

Secondly, the tweed jacket offers endless styling possibilities. It can effortlessly transition from a formal setting to a casual outing, making it a versatile wardrobe staple. Whether you're attending a wedding, going to the office, or simply meeting friends for brunch, a tweed jacket adds a touch of refinement to any ensemble.

Lastly, the tweed jacket is a statement piece that reflects individuality and personal style. With its unique texture and patterns, it allows you to express your fashion sensibilities while staying true to timeless aesthetics. By investing in a tweed jacket, you're making a sartorial statement that sets you apart from the crowd.

Choosing the Right Tweed Jacket for Your Body Type

When selecting a tweed jacket, it's essential to consider your body type to ensure a flattering fit. Here are some tips to help you choose the right tweed jacket for your physique:

1. Athletic Build: If you have a muscular build, opt for a slim-fit tweed jacket that accentuates your physique. Look for jackets with structured shoulders and a tapered waist to create a streamlined silhouette.

2. Slim Build: For individuals with a slim build, a fitted tweed jacket with minimal padding is ideal. Choose jackets with a higher armhole to give the illusion of broader shoulders. Experiment with different patterns and textures to add dimension to your look.

3. Tall Build: If you're tall, opt for a longer tweed jacket that falls below the hips. This will help balance out your proportions and create a more harmonious silhouette. Avoid jackets with vertical patterns, as they can elongate your frame further.

4. Short Build: If you're on the shorter side, choose a tweed jacket that ends at your hips or slightly below. Avoid oversized jackets that overwhelm your frame. Opt for smaller patterns and lighter colors to create the illusion of height.

Remember, the key to finding the perfect tweed jacket is to try on different styles and sizes to see what flatters your body type the most. Don't be afraid to seek the assistance of a knowledgeable salesperson to guide you in your selection.

Styling Options for Men: Casual and Formal Looks

The tweed jacket offers countless styling options for men, whether you're aiming for a casual or formal look. Here are some ideas to inspire you:

1. Casual Look: Pair a tweed jacket with a crisp white shirt, dark denim jeans, and brown leather boots for a relaxed yet sophisticated ensemble. Add a colorful pocket square to inject a pop of color into your outfit.

2. Formal Look: For a formal occasion, wear a tweed jacket with tailored trousers in a complementary color. Opt for a light-colored shirt and a coordinating tie to complete the look. Polish your outfit with a pair of classic Oxford shoes.

3. Layered Look: During colder months, layer your tweed jacket over a chunky knit sweater or a turtleneck. Combine it with wool trousers and suede loafers for a cozy yet stylish ensemble.

Experiment with different textures and colors to create unique outfits that reflect your personal style. Remember, confidence is the key to pulling off any look, so wear your tweed jacket with pride.

Styling Options for Women: Feminine and Edgy Looks

Gone are the days when tweed jackets were solely associated with men's fashion. Today, women are embracing tweed as a versatile and stylish wardrobe staple. Here are some ways to style a tweed jacket for a feminine or edgy look:

1. Feminine Look: Pair a pastel-colored tweed jacket with a flowy midi skirt and a silk blouse for a chic and feminine ensemble. Add a pair of pointed-toe pumps and delicate jewelry to elevate the outfit further.

2. Edgy Look: For an edgier take on tweed, pair a black or dark-colored tweed jacket with leather pants and a graphic tee. Finish the look with ankle boots and a statement handbag for a rebellious yet sophisticated vibe.

3. Casual Look: Dress down a tweed jacket by pairing it with distressed jeans, a plain white t-shirt, and sneakers. Layer a lightweight sweater underneath for a cozy and effortless casual look.

Women can also experiment with different cuts and styles of tweed jackets, such as cropped or oversized versions, to create unique looks that suit their personal style. Don't be afraid to mix and match textures and patterns for a fashion-forward ensemble.

Accessorizing Your Tweed Jacket: Hats, Scarves, and Jewelry

Accessories play a crucial role in elevating your tweed jacket ensemble. Here are some ways to accessorize your tweed jacket for maximum impact:

1. Hats: Add a touch of elegance to your tweed jacket by wearing a fedora or a newsboy cap. Choose a hat in a complementary color and style it with confidence.

2. Scarves: Wrap a silk or cashmere scarf around your neck to add a luxurious touch to your outfit. Opt for patterns or colors that complement your tweed jacket for a cohesive look.

3. Jewelry: Complete your look with the right jewelry pieces. For men, a classic watch or a pair of cufflinks can add sophistication to your ensemble. Women can opt for delicate necklaces, statement earrings, or vintage brooches to enhance the overall look.

Remember, accessories should complement your tweed jacket without overpowering it. Choose pieces that add a touch of personality and individuality to your outfit.

Tips for Maintaining and Caring for Your Tweed Jacket

To ensure the longevity and pristine condition of your tweed jacket, follow these tips for maintenance and care:

1. Dry Cleaning: Due to the delicate nature of tweed fabric, it is best to have your jacket dry cleaned by a professional. Avoid machine washing, as it can damage the fabric and alter its texture.

2. Storage: Store your tweed jacket in a cool, dry place to prevent moisture and humidity from causing damage. Use a garment bag or cover to protect it from dust and insects.

3. Spot Cleaning: If you encounter a stain on your tweed jacket, gently blot it with a clean cloth. Avoid rubbing or scrubbing, as it can spread the stain and damage the fabric.

4. Steaming: To remove wrinkles from your tweed jacket, use a garment steamer or hang it in the bathroom while taking a hot shower. Avoid using a traditional iron, as it can flatten the texture of the fabric.

By following these care tips, you can ensure that your tweed jacket remains in excellent condition for years to come.

Conclusion: Embracing Your Personal Style with Confidence

The tweed jacket is a classic wardrobe staple that exudes sophistication and timeless appeal. By understanding the different types of tweed fabric, choosing the right fit and color, and experimenting with various styling options, you can confidently incorporate a tweed jacket into your personal style.

Whether you're a man or a woman, the tweed jacket offers endless possibilities for creating both casual and formal looks. Accessorize it with hats, scarves, and jewelry to elevate your outfits further. Remember to care for your tweed jacket properly to ensure its longevity and pristine condition.

So go ahead, embrace the elegance and versatility of a tweed jacket. Let it become a signature piece in your wardrobe, and make a stylish statement wherever you go. With confidence and creativity, you'll turn heads and inspire others to embrace their personal style too.

[europesroyalsweddings]

✵ October 20, 1979 ✵

Penelope Eastwood & Norton Knatchbull

Now Earl and Countess Mountbatten of Burma

[viciousgold]

sharp-teeth-and-wide-grins​:

        𝐅𝐚𝐫 𝐟𝐫𝐨𝐦 𝐭𝐡𝐞 𝐡𝐢𝐥𝐥𝐬 𝐨𝐟 𝐒𝐜𝐨𝐭𝐥𝐚𝐧𝐝, Edmund thought that his travels to the thirteen colonies would be by his father’s side; their belongings packed into the best room aboard a ship with enough luxuries to sate their boredom on the long journey. But while Edmund had acquired a more decent room than most–he wasn’t crammed into a room with stifling enclosing walls–he had realized then how change could occur in a blink of an eye. One morning, he would be eager for nightfall to map out the constellations that have been simmering in his mind, but by that longed nightfall, he already sold his telescope in exchange for a bright red military jacket.

        Coming from a respected aristocratic family, it was easy for Edmund to pay his way into the Major position in the British Army, which only sweetened his position as a potential match. His older age and the tanking finances of his father and his business didn’t seem to sway this particular woman from accepting his hand in marriage. When his mother and father met, his father was in a similar position, though with more success at his disposal when it came to his business. While he had used his inherited wealth to plunge into the merchant trade, he wasn’t at the height of his success as he was later in life when Edmund’s father met his mother. It was his mother’s wit (and her dowry) that drew his eye to a proposal, but Edmund thought he might be saved from that fate: a marriage of circumstance. It would be a marriage for love, for a choice he had in the matter.

Marriage, a family, had always been in the back of his mind, an interest he looked at and longed for, but his interest in astronomy always outweighed it. A marriage, a family, could always wait, the stars and the universe were not as eternal as unchanging as Aristotle believed they were. Astronomy would always take the forefront of his interest; he had the privilege of not worrying about marriage or family when it came to his pursuit of astronomy until the present when that arrogant belief shattered in two.

        Desperation took its toll and if Edmund had believed a position in the British Army would save his family from financial collapse during the height of a revolution, then astronomy could linger in the background. His interests could shift and taking a page from his father’s book could aid him in this state of turmoil.

        Edmund had only been in the colonies for a day, and he knew his bride for less than that. Right before he departed from Scotland, his mother had told him that his bride-to-be was chosen and a marriage was arranged before he would step onto the new continent. And here he was, across the water, looking over himself in the shine of the sunlight’s glow, dressed up and down in his uniform. His mother had reassured him that a marriage would be good for him, a comfort in what could occur in this war, but Edmund wagered that the war wouldn’t last past winter. The rebels wouldn’t have the resources to last into the next year. A few months into his service and his marriage, he would return back to Scotland.

        Edmund could hear the sound of footsteps against the floorboards and he lifted his gaze. As sunlight poured in from the raised windows of the church, he could look over his wife-to-be. She was beautiful and younger than him, but that difference didn’t seem to bother him. If his mother was the guiding hand in this arrangement, he felt certain that she picked the best bride for him. If it was anyone other than his mother that negotiated this proposal, he wouldn’t have hastily agreed to it without a previous meeting. As she approached and moved further and further down the aisle closer to him, he smiled as he clasped his hands behind his form.

The wedding went smoothly, and the reception did as well. Marisa was naturally charismatic and charming, so she spoke to Edmund’s family and friends with ease and confidence. She answered their questions about her own family with just as much ease; her parents died when she was young, leaving her in the care of an aunt, once she came of age, she inherited her family’s fortune, and several years later, her aunt died of natural causes. Some seemed to pity her for being completely on her own, though she tried to assure them that she was fine, and it was normal for her, but that she was excited to have a husband. 

In truth, having a husband was mere politics for her. She was reaching the age in this world where people considered an unmarried woman to be suspicious, and with her criminal enterprise, she couldn’t afford such suspicion. Still, she would try playing along, she would live in Edmund’s home and perform the part of his wife. She wanted to know how things would be, now that they were married. Marisa especially wanted to know what things would work for her, and what things she possibly would need to adjust to, or change.

She stepped into the carriage that took them away from the wedding, finally finding herself alone with Edmund for the first time. The ride over would be their chance to talk, it seemed.

“It’s nice to officially meet you.” she murmured softly. A strange sentence to say to her now husband, but nonetheless, it was the situation they were in. 

[fashionsfromhistory]

Robe a l'Anglaise

c.1747; Altered 1770s

British

Believed to have been worn as a wedding dress in 1747, this gown displays the exquisite patterning of English dress silks of the period, with delicate flowers and asymmetrical cartouches disposed in a graceful meander across an open ground. The ivory silk faille is brocaded with three types of silver thread, which add rich texture to the lively pattern. Sumptuous textiles such as this one signified wealth and were admired for the brilliant effects of light reflecting off their surfaces. The flat silver strip brocaded at the centers of the flower blossoms creates a coruscating effect, while the crinkled silver frisé of the stems produces a more restrained luster. Gowns of white and silver (both colors symbolizing purity) were fashionable in the mid-1700s among aristocratic and wealthy brides. Although altered in the 1770s, the dress remains a superb example of the lasting appeal of the era’s fine silks. (The MET)

The MET (Accession Number: 2014.138a, b)

Currently on view: In America: An Anthology of Fashion